Prose is unpretentious, that's its attraction. Avoids bombast of line breaks but forgoes -- what -- perfect rest. Anyway today, a November day in February, no chance getting rest with the poor clay I'm made from.

With my mother this weekend, her dementia proceeding according to what plan. Saturday the kind of day I never have. Actually read three stories by Updike. One extraordinary -- Tomorrow and Tomorrow and So Forth -- which I chose from his Complete through 1975 for the reference to Macbeth and in it he so humanely, sympathetically explains through the high school English teacher's thoughts Shakespeare's mid-life bitterness or disappointment realizing few men achieve their potential in the face of history, society and their personal flaws. Making for tragedy. Hard to be humorous about that although Updike finds in Shakespeare's late plays, especially The Tempest, a resolution amounting to wisdom that there can be contentment with imperfection and partial achievement. Updike took some of the starch out of my contention that all Shakespeare's plays are comedies, impossible to take Hamlet, Lear, Macbeth and Othello seriously. Certainly not Romeo and Juliet. It is a consolation that Updike's and even Shakespeare's achievements are imperfect although it would be wringing blood from a rock for me to achieve as much. The other two stories by Updike assured me that prose story-telling is as hit or miss as poetry. Bulgarian Poetess and How to Love America and Leave It At the Same Time made me think how fortunate I had been to find Tomorrow on the first try.

Not so much luck. I was attracted like a bee to a blossom to Shakespeare's lines in my personal anthology. No anthology and the poetry dependency it has created and I might have passed over the story. But now there is this conversation between me and all other writers. The anthology helps me know what I like but now I am tempted to try to articulate why I like what I like. Like the calendar, time and all else man lays his mind to it is a matter of bringing order from chaos by naming things according to our observations.

First, I like to understand what's going on in the poem. Not paraphrase it but describe the action. In Yeats' Lapis Lazuli, in the first paragraph, strophe or stanza, he talks about a community, a city or country, in which people, the women especially, high-toned maybe?, are upset about a political or wartime situation and are too hysterical for art or grace. Then he talks about actors playing Hamlet and Lear holding it together even though their characters die at the end of the play. No shouting, no crying. Then a paragraph or stanza about how whole civilizations are transitory too. Finally, in a reference to one of our oldest civilizations, two old Chinamen and their retainer are in the mountains. From their perspective, calm acceptance and longevity, perhaps some sadness, they look on all of history and non-history with something like gladness.

From there we can appreciate the artistry -- in Yeats' case the interesting rhymes and variable line lengths -- recognizing, however, that the artistry is not so much a demonstration of skill or a performance as the particular vehicle or discipline by which this artist discovered the content of his mind. It little matters whether verse is free, rhymed, blank, or formed as long as it is understandable and meaningful. Understandable to anyone, meaningful to someone.

The oldest formulation I have is Pound's -- the great themes of literature can be written on the back of a postage stamp. Until recently, I thought you could do it but you'd have to write very small. Now I know you can do it in your normal handwriting. I think they are Love (how we come into the world), Death (how we leave the world) and Governance (how we live in the world together). It may be possible to group Love and Death together, coming into and going out of life being similarly unknowable mysteries. The ways of talking about this one same mystery are apparently endless and endlessly fascinating. We cannot leave it alone. Almost all the greatest poems are about this mystery. Life is but a dream.

Then there is Governance -- how we live in the world together -- about which there are far fewer great poems. And usually they are about how our failure to live together leads back into the unknowable mystery through premature and sometimes mass death. Siamanto's The Dance comes to mind. I think the best poems of this type are written by so-called oppressed people.

Many poems treat both themes. But on the question of content, Pound is where I begin. My anthology -- Whole Wide World -- has a section which I'll call Double & Triple Features: Poems to Read Together, which pairs and groups poems according to my feeling that they share something -- theme, voice, structure -- in common. Subject matter is, I think, the commonest sharing. If I tried to name each pairing or grouping I might then have a hundred or more themes. Naming them adequately would be difficult to impossible. But why? And why not try? It would be a necessary start to talking about the poems: I read these poems together because....

Prose doesn't have to be beautiful, sometimes it's best when it's flat as Hemingway conclusively proved and one of its attractions is you can run on and on as long as the mind goes on following a thought without a stop sign for a whole page of books like Proust or Faulkner or Joyce.

Auden's is the second useful formulation that comes to mind (besides his chummy reverence for Shakespeare in naming him Top Bard). He classifies poems five ways:

            1. A good poem that's meaningful to him;
            2. A good poem that's not meaningful to him;
            3. A good poem that may someday become meaningful to him;
            4. A bad poem that's meaningful to him;
            5. A bad poem that's not meaningful to him.

I find I do about the same. But I discard all poems, good and bad, that are not meaningful to me. I have little taste for artistry for art's sake. The poem must speak to me or awaken me. Dickinson's formulation -- takes the top of your head off -- is the same as We can't define ******* but we know it when we see it.

A short aside: it feels inappropriate to answer the question What do you do? by saying I'm a poet. It would be like saying I'm a leader or I'm a prophet. You cannot anoint yourself a poet, a leader or a prophet -- others must do it for you. I wonder if I would be more comfortable if I had a larger audience (following) like Billy Collins for example. I think not. It would be like being a rock star, not a composer.

It's much more acceptable to say I'm a writer. Then when you answer the question Oh, what do you write? with Poetry, you are not self-aggrandizing, merely irrelevant, effete. Being a poet is viewed as being a flasher or nudist, exposing parts of yourself others would rather not see, at least not up close and personal, providing more information than others need or want to have. Maybe that's a good definition of a bad poet. Self-revelation dressed in verbal prowess is acceptable but naked, abject confession is unpardonable, tedious.

Although content is requisite for a poem to be meaningful, a poem is not really a communication like fiction or essay. It is more like an object, like a painting or sculpture, and perhaps like a musical score, sheet music. Yet I would still instruct students of poetry to first read each poem by the sentence, not the line, to derive its meaning, understand its argument, visualize its action. Then one might ask how and why is it sculpted, structured, with line breaks and strophes. Ultimately, the form of the poem is nothing more or less than the method by which the poet discovered his meaning. Although it is arbitrary -- it could have been said another way -- it is the only way it could be said by this person in this time and place. I have always liked the idea of a sculptor carving away stone or wood to reveal the form inside the block.

The poem lives on as an object, recognized by many or few or none. Like art or furniture, most are briefly useful then are moved to the attic or shed where they gather dust and mouse turds then break, dry and decay and find their way to the dump, the dust heap of history, only not even human history, just your personal history.

The anthology has made me an antiquarian -- one who cares as much for objects made by others as if I had made them myself.

So how can one talk about poems? The argument that any attempt to discuss or describe a poem is better served by simply reading the poem, perhaps memorizing it, has merit. Except in one respect -- the process can take you to undiscovered and half-discovered country within yourself. Always, first, you must understand the action otherwise we are just re-reading ourselves in our own tried and untrue ways. We must not mistake an old dog dying for a puppy being born. Misunderstanding the words is like constructing a science experiment with a flawed methodology and then using the results to shape or live in the world. It can be dangerous. Therefore reading poetry is a mental discipline worthy as the scientific method itself. It takes you out of yourself.

The fun of criticism comes in examining why and how the poem made you feel or think as you did. You can read closely for the chosen words, rhythms, lines and stanzas. You may admire the skill or wit of the poet. And you can refer to your own experience to understand your reaction. You can even disagree with the poet's thought or perception, or reject the sentiment. You can say that's him, not me.

Then there are Bloom's formulations of which I am wary, he being a critic not a poet. Yet here they are. Three sources of healthy complexity or difficulty in poems: 1) Sustained allusiveness -- cultural references that require the reader to be educated beyond the poem's content, for which he cites Milton as an example and could have Dante; 2) Cognitive originality -- leaps of perception and depths of understanding that startle, enlighten and take off the top of your head, for which he cites Shakespeare and Dickinson as examples and to which I would add much of what is memorable in modern poetry; and 3) Personal mythmaking -- whereby the poet constructs over time a system of images and personal (more than cultural) references that with familiarity become understandable and meaningful, citing Yeats and Blake as examples. How to make this formulation useful.

A second formulation by Bloom discusses poetic figures or the indirect means by which poetry uncovers truth, dancing with and romancing language rather than wrestling and pinning it down like philosophy tries. There are four: 1) Irony or saying one thing and meaning another, usually the opposite; 2) Symbol (synecdoche) or making one thing stand for another; 3) Contiguity (metonymy) or using an aspect or quality of something to represent the whole; and 4) Metaphor or transferring the qualities or associations of one thing to another.

Meanwhile, here's my **** poetica:

1) Poetry is an acquired taste, like golf or wine, with no obligation to appreciate it.

2) Poetry is divination; prose explains what we think we know but poetry discovers what we didn't know we thought.

3) Poetry is one of many man-made systems, like baseball or the scientific method, for producing knowledge, meaning and pleasure. Or are they all natural as ***?

4) Of all the other arts, poetry is most like sculpture; the word "poem" comes from the Indo- European root meaning "to make, to build."

5) It is impossible to write exactly what you mean or be accurately understood; poetry uses this to its advantage.

6) Line length -- enjambment -- is the single most important feature of poetry.

7) Poems are made from ideas; poetry is philosophy but where philosophy wrestles language down, poetry romances language.

8) Meaning is the most important product of poetry but it's completely personal; poems almost always say one thing and mean another but the poet often doesn't know what he meant.

9) It is almost impossible not to rhyme or write rhythmically in English or any other language.

10) The forms poets use are how the poet gets to his truth and are basically arbitrary choices.

11) Poems may be difficult and complex and irrational but they must be comprehensible.

12) Just describing the action of the poem will take you where you need to go.

(Rock Lake, Canada)

In this country there is neither measure nor balance
To redress the dominance of rocks and woods,
The passage, say, of these man-shaming clouds.

No gesture of yours or mine could catch their attention,
No word make them carry water or fire the kindling
Like local trolls in the spell of a superior being.

Well, one wearies of the Public Gardens:  one wants a vacation
Where trees and clouds and animals pay no notice;
Away from the labeled elms, the tame tea-roses.

It took three days driving north to find a cloud
The polite skies over Boston couldn't possibly accommodate.
Here on the last frontier of the big, brash spirit

The horizons are too far off to be chummy as uncles;
The colors assert themselves with a sort of vengeance.
Each day concludes in a huge splurge of vermilions

And night arrives in one gigantic step.
It is comfortable, for a change, to mean so little.
These rocks offer no purchase to herbage or people:

They are conceiving a dynasty of perfect cold.
In a month we'll wonder what plates and forks are for.
I lean to you, numb as a fossil.  Tell me I'm here.

The Pilgrims and Indians might never have happened.
Planets pulse in the lake like bright amoebas;
The pines blot our voices up in their lightest sighs.

Around our tent the old simplicities sough
Sleepily as Lethe, trying to get in.
We'll wake blank-brained as water in the dawn.

The Psychedelic Deli
Is sometimes in an alley.
It can seem accidental,
Some of it experimental
All completely experiential.

There is no shop, no store
You must have a friend
If you really want to score.
Everyone is different
Under new management.

Let me make this clear;
Anything you want,
Everything you want is here.
From champagne to beer
All the time, every year.

You can send out for *****
And have nothing to lose.
Only just all your money,
But you may think that funny
Once you’re getting chummy.

So mostly bring your own
And don’t drink it alone
Because it’s best to share
That’s true just everywhere
If you have the grace to care.

The Psychedelic Deli
May sell wares ***** nilly
They’ll charge you indecently
As stuff they made just recently
Must be paid for immediately.

They have this and that
And if you pass the hat
You’ll go on a trip with no ticket.
You surely don’t want to miss it.
But there’s always a bit more to it.

So, you better be up to it
Because many more blew it
And ended like a fish on their belly,
Their minds about as stable as jelly,
Shopping at the Psychedelic Deli.

Abandoned, deserted and forsaken to whine.
In privation was he left lonely to pine.
His friends like a bird fled to another tree,
Leaving him to rot away in Dundee.

His soul was parched, pained and weary,
Longing him to be refreshed speedily.
His heart was sad, bitter and lorn,
Praying him this even to morn would turn.

And the laden lad afterward to London went.
By labour and favour did he an apartment rent
And began in earnest his early dreams to pursue,
Having himself picked up, as a man ought to do--
After a certain disappointment or fall in life--
Chasing no fantasy, frivolities, but working to rule;
Neither was he as afore again playing the pool
But was saving straight, and soon he success struck,
By heaven's fortune that to him came--nay by luck:
Like it's no fluke finding a goodly and godly wife--
It was by grace that he was wherefore blessed.
So his old chummy comrades to him returned to nest:
To wine and dine with him more like before. But he,
Once bitten, twice shy, was wise enough to repeat folly.

Chitter , chatter chirrup
Three birds of a feather
A friendly chummy posy -
in perfect morning tide pleasure
Trilling , thrilling , touring Thrush's in the noon palmettos
Chiming sweet refrains in the -
broomcorn meadow
Musky , dusky weary
Gold songsters in a bush
A huckleberry trio in the-
nighttime hush

Scanning from the ground upward over my torso
Reveals an disturbing inventory of dysfunction
brachymetatarsia, in both feet!
Unequal leg length
Reconditioned knees
Atrophied right quadriceps
Hernia Scar
L4 & L5 Vertebrae way too chummy
Are these *******?
Are these jowls?
Gum recession
Moderate gastro intestinal reflux
Three diopter challenge in both eyes
Dermatochelassis, left and right
Scintillating scotoma
Male pattern baldness – rear solar panel developing.
And yet when asked
I reply, Oh, I’m fine! I’m fine.
And you, and you, still love me.

A rainbow erupts in your little heart
I was hangin' out with blue
You were a little chummy with sunny orange
Too bad red don't want to be friends with us no more
A spectrum erupts in your little heart
Did I miss out on a chance at the real thing
Because I was distracted by the fog?
The fog's turned to smog,
And in this smog it's the clearest its ever been all along
But just a glimpse of hope is all I ever needed
To realize that everything is just a dream
That here and now, and this and that
All the specifics have turned
Upside down and inside out and
Become permanent spots in our vision.

Chapter 9

“Startled, I pulled away from the man’s grasp and looked at his face. Although he wore a tag that read “Hotel Security” I sensed that there was much more to him than that.
“What’s this about?” I asked sharply, noticing that he was avoiding eye contact.
Clenching his jaw, the man grabbed my arm again, this time more firmly. “Don’t worry, Red, you’ll find out soon enough.”
I hated it when guys called me Red. It was always in a smug way. “Hey, let me go!” I demanded, trying to get away from the *******. But he was strong. Immortally strong.
He ****** me against him and whispered, “Calm the hell down and you won’t get hurt.”
“Are you one of Vlad’s men?”
“You’ll have your questions answered in a few minutes. Just chill out, will you?”
“Not really having any other choice, I allowed the man to usher me away from the restaurant, toward the back of The Veil. Hotel guests watched us curiously.
“Are you okay, dear?” asked an older woman in her seventies. She had a cane and looked about ready to hit my captor with it.
“She’s fine. We don’t allow prostitutes in the hotel,” he said loudly.
Normally I wouldn’t care, but my cheeks burned with shame as the old woman stared at me with disgust.
“Harlot,” she said, glaring at me.
“I’m not a *******,” I said, gritting my teeth. Furious at the way I was being treated, I tried pulling away from him again, but he only dug his fingers into my skin deeper.
“Would you just relax?” he said, as we turned down another hallway. “I’m doing this for your own good.”
“Doesn’t feel that way on my end,” I replied angrily.
“If you’d stop fighting me, I wouldn’t have to resort to this.”
“Then tell me what the hell this is about!”
“You’ll find out soon enough.”
I sighed loudly.
We stopped at a door that was marked ‘Security’ and he led me inside. To my surprise, there was a long conference desk with two men sitting next to it.
“Is this her, Nate?” asked one of them, a blonde Nordic-looking guy in an expensive suit.
“She’s just as he described. Plus, she has the mark,” said the guy, releasing my arm.
I rubbed the skin where his fingers had pressed cruelly. “You mean the mark on my wrist from your fingers, *******?”
“Sorry,” said Nate, addressing the two men at the table more than me. “She kept trying to get away.”
“Leave us,” ordered the blonde, frowning at Nate.
“Yes, sir.” Nate turned and walked out the door.
I sighed wearily, wishing I would have never gotten out of bed. “So, who in the hell are you people?”
“I’m sorry, lass. My name is Aiden Rylan and this is Maximus Johnson,” said the blonde, his Irish accent noticeable now.
I folded my arms under my chest, studying both men. Both of them were undeniably rugged, handsome, and obvious big-shots. “And why should that matter to me?”
Aiden’s lip[…]”
“Natel’s part in it. The ******* had made me look like a cheap *****. “Who is this mutual acquaintance?”
“Doris Hart,” said Maximus.
Another surprise. “Really? And how do you know Dorian?” I asked, now sitting down.
“The three of us are long-time friends,” said Aiden.
“But you’re lycan,” I replied. From what I’d gathered over the years, most weren’t too chummy with vampires.
“Yes. We’ve learned to push our differences aside,” said Andrew, his eyes twinkling.
“The truth is that we don’t judge anyone unless they pose a threat,” said Maximus. “And we’ve known Doris Hart for several years. He’s done us favors and now we’re returning one for him.”
“And that is to protect me?” I said, flattered that Doris was still worried about me. He must have really loved my mother.
“Yes. He was very adamant on that. Sorry for your loss, by the way,” said Andrew, his face turning somber.
At the mention of my mother’s death, I looked down at my nails, trying not to tear up. “Thanks.”
“I never met Lilith, but Andrew knew her,” said Maximus, his voice kind.
Surprised, I looked at Andrew. “You did? Really?”
“Actually, I only met[…]”
“He leaned back in his chair, a faraway look now in his eyes. “I guess it was mostly about Vlad and her dealings with him.”
“Why would she confide in you about him?” I asked angrily. The fact that she’d spoken openly about Vlad with him, a stranger, and not me, hurt.
“Because she knew that we were enemies,” said Aiden. “I had no idea that you were his daughter, however. Not until Doris mentioned it on the phone. Your mother obviously didn’t trust anyone with that information”
I relaxed. “What else did Doris tell you?”
“He’s worried about you,” said Andrew . “He says that your life is in danger and you’re not taking it seriously.”
“Believe me, I’m taking it seriously,” I said, smiling grimly.
“Do you know exactly what you’re up against?” asked Maximus.
“I know that Vlad wants me dead.”
“You should also know that he usually gets what he wants,” said Aiden, frowning.
“And that’s why Doris asked if we’d offer you protection,” added Maximus. “You need our help.”
“Thanks for the offer but I don’t need protection from you or Doris ,” I said, running a hand through my hair. “I can take care of myself[…]”
“and is bent on capturing you. Believe me, he has the money and the resources to do just that.”
“Don’t be fooled by my appearance. I might look easy on so many levels, especially in this outfit,” I mused, “but I’m not. If I don’t want to be caught, I won’t.”
“Your confidence is commendable, but it’s going to get you killed,” warned Maximus. “Believe me, I know. I’ve caught many criminals with that same attitude. They get too cocky for their own good and make mistakes.”
So he was a cop. “I’m not being cocky.” I stood up. “I’m just saying that this is my problem and I’ll handle it on my own.”
“Even if you don’t have to?” asked Maximus, as I walked toward the door.
Sighing, I turned around. “Look, I certainly appreciate the offer, I really do. But, I’ll be fine.”
“At least do us a favor and disappear,” said Aiden. “Get out of town before they find you.”
“I’m planning on it,” I admitted. “By the way, how did you two know where to find me?”
“Your partner, Alex Shafer,” said Maximus. “I take it he didn’t call you to tell you we’d be[…]”
“started on stock options. Please.”
Aiden chuckled. “I’ve helped you, haven’t I?”
“Yes, and for that I’m very grateful,” replied Maximus.
“So, when did you talk to Alex?” I asked, changing the subject. I had no interest in talking about stocks, bonds, or anything financial.
“About thirty minutes ago. He said you’d be doing a job here,” replied Maximus.
I dialed Alex’s number, but he didn’t answer. Sighing, I sent him a text, telling him to call me. Then I slipped my phone back into my purse. “Well, I wish I could say it was a pleasure meeting the both you. I’m sure under different circumstances,” I smiled wickedly, “the pleasure would have be all mine.”
Andrew ‘s eyes roved over my body and he grinned. “Oh, lass, I doubt that. I’m pretty sure that the pleasure would have been mutual.”
Laughing, Maximus stood up and held out his card. “In all seriousness, please give me a call if you need help.”
I took it. “Thank you. Detective Maximus Johnson, huh?”
“Call me Max.”
“Okay, Max. Thanks again.” My cell phone began to vibrate. I pulled it back out of my purse and noticed that Alex had sent me a[…]”











Chapter 9

“Startled, I pulled away from the man’s grasp and looked at his face. Although he wore a tag that read “Hotel Security” I sensed that there was much more to him than that.
“What’s this about?” I asked sharply, noticing that he was avoiding eye contact.
Clenching his jaw, the man grabbed my arm again, this time more firmly. “Don’t worry, Red, you’ll find out soon enough.”
I hated it when guys called me Red. It was always in a smug way. “Hey, let me go!” I demanded, trying to get away from the *******. But he was strong. Immortally strong.
He ****** me against him and whispered, “Calm the hell down and you won’t get hurt.”
“Are you one of Vlad’s men?”
“You’ll have your questions answered in a few minutes. Just chill out, will you?”
“Not really having any other choice, I allowed the man to usher me away from the restaurant, toward the back of The Veil. Hotel guests watched us curiously.
“Are you okay, dear?” asked an older woman in her seventies. She had a cane and looked about ready to hit my captor with it.
“She’s fine. We don’t allow prostitutes in the hotel,” he said loudly.
Normally I wouldn’t care, but my cheeks burned with shame as the old woman stared at me with disgust.
“Harlot,” she said, glaring at me.
“I’m not a *******,” I said, gritting my teeth. Furious at the way I was being treated, I tried pulling away from him again, but he only dug his fingers into my skin deeper.
“Would you just relax?” he said, as we turned down another hallway. “I’m doing this for your own good.”
“Doesn’t feel that way on my end,” I replied angrily.
“If you’d stop fighting me, I wouldn’t have to resort to this.”
“Then tell me what the hell this is about!”
“You’ll find out soon enough.”
I sighed loudly.
We stopped at a door that was marked ‘Security’ and he led me inside. To my surprise, there was a long conference desk with two men sitting next to it.
“Is this her, Nate?” asked one of them, a blonde Nordic-looking guy in an expensive suit.
“She’s just as he described. Plus, she has the mark,” said the guy, releasing my arm.
I rubbed the skin where his fingers had pressed cruelly. “You mean the mark on my wrist from your fingers, *******?”
“Sorry,” said Nate, addressing the two men at the table more than me. “She kept trying to get away.”
“Leave us,” ordered the blonde, frowning at Nate.
“Yes, sir.” Nate turned and walked out the door.
I sighed wearily, wishing I would have never gotten out of bed. “So, who in the hell are you people?”
“I’m sorry, lass. My name is Aiden Rylan and this is Maximus Johnson,” said the blonde, his Irish accent noticeable now.
I folded my arms under my chest, studying both men. Both of them were undeniably rugged, handsome, and obvious big-shots. “And why should that matter to me?”
Aiden’s lip[…]”
“Natel’s part in it. The ******* had made me look like a cheap *****. “Who is this mutual acquaintance?”
“Doris Hart,” said Maximus.
Another surprise. “Really? And how do you know Dorian?” I asked, now sitting down.
“The three of us are long-time friends,” said Aiden.
“But you’re lycan,” I replied. From what I’d gathered over the years, most weren’t too chummy with vampires.
“Yes. We’ve learned to push our differences aside,” said Andrew, his eyes twinkling.
“The truth is that we don’t judge anyone unless they pose a threat,” said Maximus. “And we’ve known Doris Hart for several years. He’s done us favors and now we’re returning one for him.”
“And that is to protect me?” I said, flattered that Doris was still worried about me. He must have really loved my mother.
“Yes. He was very adamant on that. Sorry for your loss, by the way,” said Andrew, his face turning somber.
At the mention of my mother’s death, I looked down at my nails, trying not to tear up. “Thanks.”
“I never met Lilith, but Andrew knew her,” said Maximus, his voice kind.
Surprised, I looked at Andrew. “You did? Really?”
“Actually, I only met[…]”
“He leaned back in his chair, a faraway look now in his eyes. “I guess it was mostly about Vlad and her dealings with him.”
“Why would she confide in you about him?” I asked angrily. The fact that she’d spoken openly about Vlad with him, a stranger, and not me, hurt.
“Because she knew that we were enemies,” said Aiden. “I had no idea that you were his daughter, however. Not until Doris mentioned it on the phone. Your mother obviously didn’t trust anyone with that information”
I relaxed. “What else did Doris tell you?”
“He’s worried about you,” said Andrew . “He says that your life is in danger and you’re not taking it seriously.”
“Believe me, I’m taking it seriously,” I said, smiling grimly.
“Do you know exactly what you’re up against?” asked Maximus.
“I know that Vlad wants me dead.”
“You should also know that he usually gets what he wants,” said Aiden, frowning.
“And that’s why Doris asked if we’d offer you protection,” added Maximus. “You need our help.”
“Thanks for the offer but I don’t need protection from you or Doris ,” I said, running a hand through my hair. “I can take care of myself[…]”
“and is bent on capturing you. Believe me, he has the money and the resources to do just that.”
“Don’t be fooled by my appearance. I might look easy on so many levels, especially in this outfit,” I mused, “but I’m not. If I don’t want to be caught, I won’t.”
“Your confidence is commendable, but it’s going to get you killed,” warned Maximus. “Believe me, I know. I’ve caught many criminals with that same attitude. They get too cocky for their own good and make mistakes.”
So he was a cop. “I’m not being cocky.” I stood up. “I’m just saying that this is my problem and I’ll handle it on my own.”
“Even if you don’t have to?” asked Maximus, as I walked toward the door.
Sighing, I turned around. “Look, I certainly appreciate the offer, I really do. But, I’ll be fine.”
“At least do us a favor and disappear,” said Aiden. “Get out of town before they find you.”
“I’m planning on it,” I admitted. “By the way, how did you two know where to find me?”
“Your partner, Alex Shafer,” said Maximus. “I take it he didn’t call you to tell you we’d be[…]”
“started on stock options. Please.”
Aiden chuckled. “I’ve helped you, haven’t I?”
“Yes, and for that I’m very grateful,” replied Maximus.
“So, when did you talk to Alex?” I asked, changing the subject. I had no interest in talking about stocks, bonds, or anything financial.
“About thirty minutes ago. He said you’d be doing a job here,” replied Maximus.
I dialed Alex’s number, but he didn’t answer. Sighing, I sent him a text, telling him to call me. Then I slipped my phone back into my purse. “Well, I wish I could say it was a pleasure meeting the both you. I’m sure under different circumstances,” I smiled wickedly, “the pleasure would have be all mine.”
Andrew ‘s eyes roved over my body and he grinned. “Oh, lass, I doubt that. I’m pretty sure that the pleasure would have been mutual.”
Laughing, Maximus stood up and held out his card. “In all seriousness, please give me a call if you need help.”
I took it. “Thank you. Detective Maximus Johnson, huh?”
“Call me Max.”
“Okay, Max. Thanks again.” My cell phone began to vibrate. I pulled it back out of my purse and noticed that Alex had sent me a[…]”























Sent from my iPhone

Energy The Treasury

If someone asked me what would be
The perfect present
I would answer in a wink, without a think:
Energy!
And probably
Add
Peace inside
So I can ride out tough spots,
Tragic phases when they come,
For come they do as surely as
My name is You.
But this you have to know also:
They go
And something takes their place.

Just the same, old chummy peace
Craves energy to be released.
When Mr E goes into hibernation
Taking toll on all relations,
I retreat, wait and relax,
Force a hope that it comes back,
Charging up my back-tery.
A temple of potential, energy!

I’ve written poetry,
I’ve called for, chronicled,
Describing, naming, yelling, telling for,
It is the germ of wholeness.

Energy The Treasury 7.13.2016
Circling Round Energy;
Arlene Corwin

Musa stands for banana
But his name sake was Furhana
His headwear folded like samosa
Not to be confused with mimosa
Yet the fold was like Koya's head towel
Even the fantastic Ayamu's downwell.
That said: Koya heckled with his sickle knife
Never failed in the field to sit and file
The blade to trim out the hedge's tendrils rife
Closed one eye to see the fence's profile
The cutting-hedge technology of fence
Continued without denouncing offense
Rarely reaching any end, the dense
Fence talk gains again as every day commence.

Beauty creation was his faint inclination
At the entrance of the tea plantation
Stationed near to the police station
Part of his task unasked in the division
Was standing and talking to the man on the bike
Talks like, the strike, the Labour wages hike,
How to dodge a strife for a fair bounty
With words coated with 'chondy-chandy sugar candy.
For its said, he can wear any colour, I-uhml-green or P-yellows
To send jaundice or dainties to the Poor-fellows.
The talk prolong as the baron mellows
Till the madam's call comes from the bungalows.

Back to Musa, sorry for the interruption, he was left behind the lines...
For names of Mayan, Maanu and Jaanu make a beeline
Like Beebi and Kaybee,  maybe the guy too, sounding Shanghai,
All are bonanza, for a due stanza.

Musa chirped with chops of English
And fizzed out the name of fish and dish
Proud that he worked even with some British.
Once he mumbled the name mom and mummy
To call out his humble wife to introduce
The visiting chummy colleagues, over there.
Her numb eyes goggled out of a slimy shawl to reduce
Her head to a crummy Kameez that beleaguered  on her.
Not knowing what his trendy husband is telling,
And why he is calling her before them, Asia instead of Aisha!
His friends knew her trouble and told her its alright
And that made her feel she is the same Ayichumma on her own right.

Once Musa stumbled on the name 'chips' at a shop in the city;
Ordered the same along with other civil society
While seeing it packed, he grumbled for his stupidity
And burst out, "O, just the Koya fried banana, that's aplenty in our vicinity".
The shopkeeper gave a laugh,
And there, Musa left in a huff!

How it was grass greened for little
feet, tickled by their absurd bursts
of joy.
As between tinklings time sussed
out a sun, and the cheeks of
chummy cherubs dimpled like
embedded kisses.
Good as good graces may be in, a
child for all the world stood--newly
made, round as play.
Then one day in its sad, slow way...
something shadowed play.
What sunk that sinking feeling,
and turned magic on its head?
What left a laden cloud to blankly
hug a dreamless field?

John Ashley and Jake Albert are brothers
Like a candy jam in a bottle when together
Sharing precious moments with each other
Sticky and chummy, and that's until forever.

John Ashley was born in November
Jake Albert came next in October
1989 and 1990 are years to remember
So important to me, being their mother.

Miguel is the last name of their father
This name has been added to the former
JAM  resulted out of the initial letters
And also being followed by their sisters.

But there is something that really matters
Because the initials J A M means further
It's about a family who loves every member
Yes, this is what that makes our life happier.

Drank the morning rain and felt it in my chest
Clung, suspended with the fog on my vanity
I have a pencil to my temple,the graphite looks impressed

It sees the twitch in my neck, before you ever spoke with breath like turpentine
All in all the days are just one big joke
-I should be the chummy punchline

You held me when I wanted to give up,
You gave me courage,
But this was love.
You said that you love me,
Even though I had no one,
My friend is what I call,
I was proud to have someone.
Never letting you go,
I promise to make our friendship worth something.
So never think our friendship is nothing,
Our friendship strong,
Just like your heart it's says trusting,
in my honesty it's stunning,
never change,
because your heart makes life feel lovely.
Thank you for protecting me,
you brought my heart back to recovery,
I'm just so lucky,
you filled my world with perfection,
I am proud to call you my buddy.
well this is the end of my poem,
I hope it didn't sound chummy,
see you next time,
I hope these word were touchy.
-Michael Elizalde-

THIS WORLD SYSTEM
        John 17:1-6; 11-18

Subj. -The world

Prop: The Bible speaks much about this world in which we live /and usually not in a good way.

Object: From this message I hope to illuminate our understanding about
why God warns us about the dangers
of getting chummy with this world…..
1. The World Defined
2. The world’s Design
3. The World’s Danger

I. The world defined -IJohn 2:16; 5:19
   A. Gk. Xprts: “world” is a system that operates
on the foundation of “The lust of the flesh, lust of the eyes and
        pride of life.”

C. Worldliness is pursing the activities of   life, with no regard or thought of God’s will… no consideration of whether God is pleased with our activities.
   1. Even innocent activity pursued apart from God can be classified                                                       ­             
       as worldly, not so much the activity itself, but the attitude of the        
       the activity.
  2. For example, I knew a man who was   so taken up with dirt track
     racing, that he neglected his wife and children. His wife divorced
     him and his kids ended up in prison.
       a. There is nothing sinful about racing in itself, but his attitude
           towards it made it worldly.  

II.  The World’s Design

Ephe. 2:2 explains to us that Satan god of this world system is the prince of the power of the air and the spirit that now worketh in the children of (mankind) of disobedience

A.  Who are these children of disobedience?
Anyone who has not believed in Christ a personal Savior.

B. Anyone who pursues this world’s
    Godless system based on the lust of the flesh, the lust of the eye
and pride of life.”

  
C. It doesn’t have to be something immoral such as adultery, ******* or some form of ****** transgression; it could be:
         * Self-centeredness
         * Selfishness
         * Lying/cheating
    * Arrogance
         * Unforgiveness
         * Jealousy
   *Just plain ol’ meanness
       IOW anything that breaks the bottom half of 10 comm. “Thou
      shalt love thy neighbor as thy self.”
      b. Nor does the lust of eyes have to be limited to viewing  
         immoral things, or Pride of life limited to bragging or acting
        superior to others.
    a. If truth was admitted, the underlying motive for most        of our words are pride.
     b. One of the marks of the last days according to 2Tim.3;2
        is pride - “For men shall be lovers of their own selves,
        boasters, proud and & high minded.”
      c. These words describes the world system of which Apostle Jn,
          warned against the believer in Christ of getting caught up in it.

III. The danger of the world.
A. It is a danger to family unity.
     B. It is a danger to living apart from
         God and dying apart from God and
         suffering in agony forever in Hellfire.
    C. For the Believer in Christ as personal Savior, danger of the         world is personal indifference towards Bible study, prayer,
       church attendance and soul winning.            

Conclusion
Sadly, many have been snared into his world system like a fly in a spider web, to  their own spiritual detriment.

Falling into the sin of worldliness is like a slow leak in car tire; It start with a little compromise here and a little there, until before we realize it, our spiritual tires have all gone flat and the ride of life has lost its joy.

So let me ask you this. How’s your tires of life. ? How’s your fellowship with the Lord? Are you filled  with the joy and peace of the Holy Spirit? Do you have concern for the unsaved?

Your answer to these questions will reveal to you, your relationship to God.
                                                            ­                 By G.E. Parson

Snarling clues underneath the dollies
Waiting for a nudge to rise up and vanish
And pop back only when the fret breaks into a moan
They will never find
Why else do you think people still talk about the people on Titanic?

Chummy jays
Cockooing with crows saying its alright
Mocking sad a bulge hiding behind the crooked crimson spring
They will never see
Why else do you think Amazon Rainforest is not a Honeymoon destination yet!

Ha.  I've too much stacked up on all accounts for your feeble dispute, if any, to be heard.



(sonnet #MMMMMMMDCLXXII)


He led me on a wild goose chase, to thence
Look was't half sheepish, 'fessing in betrayl
Twas all a ruse.  No kisses either, pale
Night bitter, though alive and listning hence
Mair keenly than I cared t'acknowledge, sense
Upon its honour as a watchman they'll
Arraign for sleeping on his post, t'avail
I had a ball despite was't ill intents?
What DOES "I love you" signify as twere?
Folk never knew what was afoot 'til to
Effect twas:  over.  He's most chummy fer
Good show now my heart's lost.  The weeks we two
Spent in a whirlwind romance are gone, poor
As his late overtures who can not woo.

27Jan19b

Funny
Honey
Money
Bunny
Sunny
Dummy
Chummy
Mummy
Crummy
Orange
..­.****.