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"chopsticks" poems
Maybe it's the way the national flag flies so high Despite the country's imperfections Maybe it's the way we're united Not separated, despite the difference in cultures, Believes, traditions, languages Maybe it's the way you see an Indian eating with chopsticks, The way you see a Malay in a saree, The way you see a Chinese making ketupat's for Hari Raya. Maybe it's the unity you see, Maybe it's the goosebumps you feel when you say Merdeka, Maybe despite the hate you have towards history, Deep down, you know how grateful you are to be Malaysian. Maybe it's the way you walk into a mamak, And say " tauke tapau roti canai 1 milo ais 99 " And maybe, It lies in diversity, Beyond everything else. Malaysia, tanah tumpahnya darahku.
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Aug 30, 2014
Aug 30, 2014 at 1:27 PM UTC
Happy Independence Day, Malaysia.
candlesticks caught up in your wristwatch grip bundled up burning chopsticks not frostbitten yet, flashlight to toes happy it still shows your glowing red interior
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Nov 17, 2014
Nov 17, 2014 at 12:24 AM UTC
flashlight to toes
I'm half asian so everyone thinks I speak 'asian' Which just goes to show their ignorance, thinking that's a language Another strange causation because of my 'asianness' is that I: Can always win arguements with Wyatt by stating this fact Was declared a ninja even before my skills were proven I surprise people with my appearance and when I reveal my ethnicity as they believe initially that I'm mexican, italian, or spanish Was assumed to have gone to the same church as all the others Am considered strange, exotic, weird, genius, awesome, and stupid Am endearingly called a 'short asian woman/lady/girl' by friends Oh and I love love love love chopsticks, rice, and spicy foods. Pass the srirachi and pepper please
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Dec 6, 2012
Dec 6, 2012 at 11:47 PM UTC
being half asian in a primarily white high school
Poetry is like sushi. Sushi contains Rice & goodies Wrapped in nori. Both are combined rolled Into cylinders Then cut Into rolls. Poetry Is sounds & tropes Rolled into images Each poem A unique Experience. When you Eat Sushi With chopsticks You are too eat the rolls with just one bite Sampling the wholeness of the taste and presentation. May you Devour This poem On the chopsticks Of your feelings And sample The flavor In the ink.
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Apr 18, 2014
Apr 18, 2014 at 1:59 PM UTC
Sushi And Poetry
We walk the smoke-thick winter street of sweet 'n' sour aromas amongst a throng of oriental shaded faces (such gentle souls) who crowd little pushcarts selling scallion pancakes. Overhead, red talismanic paper lanterns bob, enticing us to the tap of percussive chopsticks. We sit in awe; snack on duck-tongue; roast pigs hang glistening; fat-fresh, ready to fry. Waiters wheel trolleys piled high with steaming shrimp noodles past tables of golden oranges and watermelon seeds. Our Chinese chef prepares shredded pork in garlic sauce. He smiles and says: "More guests means more happiness."
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Mar 19, 2010
Mar 19, 2010 at 6:35 AM UTC
Eye Fest.
i. the poem has a beginning exactly as you’d expect it: pa in sweatshirt, ma with purse; the funny thing is i never used to call them those names: “pa,” “ma,” always found them too cowboy-ish, too un-me, un-like us: who held chopsticks before dinner time and shared stories of how grandpa came over from china. ii. (at the dinner table) there is no symbolism here. there has been none for a while now. this household eats and eats in quiet. my grandmother is a poet but their books all burned down back in ’45 when mao stormed into fujian and all her uncles could eloquent on was that “the communists were coming!” “the communists were coming!” and instead of poems took with them their children, and their gold to pawn and their clothes on their muddy mortar-stained backs and the japanese iii. my grandfather now comes twice a week to the hospital for chemotherapy. it is a nice hospital. good view of the cleanest part of our ***** city. there are lights and white folks now. two things my dad said did not used to be there. they used to be spanish. they tilled our rice fields and spent the money on living rooms with lots and lots of space to sleep. we on the other hand, worked. he claims. your grandfather and his grandfather and i iv. awake every sunday morning at precisely 8:30. made to go down to the temple in kalesas and told to fetch the office paper for noontime reading. see we weren’t spoiled: grew up just next to the pasig river which back in the 70s did not smell as bad as sin only sweatshirts and the sweat we soaked them in we reeled along steamed fish heads and chopsticks for picking at them with and bowls of rice we never really ate with spoons. v. (back at the dinner table) i listen to my mom and dad sweat profusely in the evening heat only we can have here he in his sweatshirt and she with her golden purse, preparing to leave - a wedding party awaits - an jacket draped over his shirt just like grandfather used to do it in a sense, but gripping the chopsticks delicately for all us to see: “pa,” “ma,” v. it is not cowboys that give us our names.
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Feb 11, 2016
Feb 11, 2016 at 11:55 AM UTC
Pa wears a sweatshirt, ma carries a golden purse:
i. the poem has a beginning exactly as you’d expect it: pa in sweatshirt, ma with purse; the funny thing is i never used to call them those names: “pa,” “ma,” always found them too cowboy-ish, too un-me, un-like us: who held chopsticks before dinner time and shared stories of how grandpa came over from china. ii. (at the dinner table) there is no symbolism here. there has been none for a while now. this household eats and eats in quiet. my grandmother is a poet but their books all burned down back in ’45 when mao stormed into fujian and all her uncles could eloquent on was that “the communists were coming!” “the communists were coming!” and instead of poems took with them their children, and their gold to pawn and their clothes on their muddy mortar-stained backs and the japanese iii. my grandfather now comes twice a week to the hospital for chemotherapy. it is a nice hospital. good view of the cleanest part of our ***** city. there are lights and white folks now. two things my dad said did not used to be there. they used to be spanish. they tilled our rice fields and spent the money on living rooms with lots and lots of space to sleep. we on the other hand, worked. he claims. your grandfather and his grandfather and i iv. awake every sunday morning at precisely 8:30. made to go down to the temple in kalesas and told to fetch the office paper for noontime reading. see we weren’t spoiled: grew up just next to the pasig river which back in the 70s did not smell as bad as sin only sweatshirts and the sweat we soaked them in we reeled along steamed fish heads and chopsticks for picking at them with and bowls of rice we never really ate with spoons. v. (back at the dinner table) i listen to my mom and dad sweat profusely in the evening heat only we can have here he in his sweatshirt and she with her golden purse, preparing to leave - a wedding party awaits - an jacket draped over his shirt just like grandfather used to do it in a sense, but gripping the chopsticks delicately for all us to see: “pa,” “ma,” v. it is not cowboys that give us our names.
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60
Contemplating life over a hot bowl of soup, my mindful mentor passed me the pleasure of oyster to mix in with the pain of chilies stirred together by chopsticks held in my hands. There he taught me the lesson of humanity and the person's potential, pointing at me and then back at the bean sprout, fiddling it in his chopsticks as if he were God, mentioning to me "This sprout and you have plenty alike..." "What do you mean? How am I like a vegetable?" He smiled and nodded to disagree, "Life is not always physical. Think for a second, open your fragile closed mind. Imagine this soup not just a bowl but instead a cauldron, the mixing of different elements, sensations seared by heat to create the luxuries we call the world where you are a mere bean sprout." Looking at the small, colorless tasteless, inferior plant, I wondered, confused and asked: "Am I so inferior in this world that I cannot compare to the rich flavor of beef, to the nurturing noodles, to the accenting spices, but instead am no more than a flavorless root?" Yet my mentor laughed, and patiently passed: "You worry too much young one, too much on yourself you blame. Instead, take upon consideration that the bean sprout is small, fragile, tasteless like water; there is nothing you can change other than size and color, but lower it into the soup and patiently stir, allow it to soak up the world and obtain its potential." I repeated his actions, placed myself in the world, sat patient and absorbed its essence, and then removed it, placed it to my lips. Surprised that what I later discovered was not a bland taste of disappointment arose but instead what lingered to the tongue was the sweet taste of near perfection.
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Apr 6, 2016
Apr 6, 2016 at 11:50 PM UTC
"A Bean Sprout and a Bowl of Soup"
Contemplating life over a hot bowl of soup, my mindful mentor passed me the pleasure of oyster to mix in with the pain of chilies stirred together by chopsticks held in my hands. There he taught me the lesson of humanity and the person's potential, pointing at me and then back at the bean sprout, fiddling it in his chopsticks as if he were God, mentioning to me "This sprout and you have plenty alike..." "What do you mean? How am I like a vegetable?" He smiled and nodded to disagree, "Life is not always physical. Think for a second, open your fragile closed mind. Imagine this soup not just a bowl but instead a cauldron, the mixing of different elements, sensations seared by heat to create the luxuries we call the world where you are a mere bean sprout." Looking at the small, colorless tasteless, inferior plant, I wondered, confused and asked: "Am I so inferior in this world that I cannot compare to the rich flavor of beef, to the nurturing noodles, to the accenting spices, but instead am no more than a flavorless root?" Yet my mentor laughed, and patiently passed: "You worry too much young one, too much on yourself you blame. Instead, take upon consideration that the bean sprout is small, fragile, tasteless like water; there is nothing you can change other than size and color, but lower it into the soup and patiently stir, allow it to soak up the world and obtain its potential." I repeated his actions, placed myself in the world, sat patient and absorbed its essence, and then removed it, placed it to my lips. Surprised that what I later discovered was not a bland taste of disappointment arose but instead what lingered to the tongue was the sweet taste of near perfection.
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63
Along the sidewalks of Somerset Street People pass upon purposeful feet Rice and noodles up for all We each hear the call Come! There is much here to eat. From the western end we embark Just near where we usually park On the street's sunny side Past diverse shops we stride Windows hung with ducks roasted dark. To the place we were aiming to get A table with chopsticks is set There we eat such a meal That it fills us with zeal A lunch that we won't soon forget.
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Oct 13, 2013
Oct 13, 2013 at 2:01 PM UTC
Enthusiasm for Chinatown [Limerick]
Someone once asked me questions I would answer blandly they weren't what I wanted to answer Questions of perfect dates and perfect people when simply I wanted them to ask "What is you favorite flower?" I could respond with my fascination with these tiny white petaled flowers ones that made me smile so wide eastern Europe could see my teeth. I wanted someone to ask about my favorite food So i could respond with this amazing blend of rice and fish and seaweed and other ingredients but I'd add that I only eat them with chopsticks I would look at them and ask If I was to fall in love with you could we share these things and face the world? but I couldn't do that because who wants me, the girl who wants Sushi and daisies.
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Aug 8, 2013
Aug 8, 2013 at 3:36 AM UTC
Sushi and Daisies
apple did you imagine red? so did I which is weird because the apples I eat are kind of yellow asia I said asia not China I remember the time my history professor told my class to imagine asia I thought of an exotic country with arab sheiks and snake charmers the Chinese the Japanese chopsticks and the orient it was then that she pointed out "haven't Western ideas just messed with you?" and it was then that I realized "Wait; I'm Asian. I've lived in Asia all my life." how come I saw it as something foreign and strange? I've never even seen the things I imagined. I remember when I watched Big Bang Theory and the four friends sat down to Thai food Raj made the mistake of asking, "where are the chopsticks?" which led to Dr. Sheldon Cooper saying (in this paraphrased version:) "they don't use chopsticks. They use spoons and forks. The fork doesn't go into their mouth. They use it to push food unto the spoon, which then goes into their mouth." I sat there thinking.. well that's weird when a couple of months later as I watched the episode again I realized that's how my people eat! that's how I've always eaten.. the houses I picture in an average neighborhood are two story concrete structures with shingled roofs cul-de-sacs and oak trees my own house is one story of brick and wood it is beside a highway and surrounded by guava trees and coconuts I don't even know what a picket fence is.
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Sep 14, 2011
Sep 14, 2011 at 8:19 PM UTC
Picket fence
She paves the path Of dynasties carved With buckets of sludge upon back; Bent, not unlike her mother’s limb, But under shinier red flags, Cloth coated, with lesser blood. She’d had a hint of gray She’d not had last time, She had a newer limp She’d not had last time, Her ***** furthered from firm, Reaching for the ground, a promise, In years to be wed with, And yet the underneath Of it all remained as radiant As any sun’d ever been; And come the cloudy day she leaves, Even mine own eye Will remain far from dry As I’d remember freshly cured bacon, And her tender chopsticks offering life; She’d saved me once, she’d save me again.
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Aug 1, 2015
Aug 1, 2015 at 10:05 AM UTC
Bacon, Breathe, and Benevolent
Eat the fourth cookie. Bring back that fuzzy green sweater with lint ***** so stubborn that even the strongest lint roller couldn’t break the bond they have with the sweater. I know you pick your nose in public. You stutter every time I ask who lives on Mamaroneck Street. You have burping contests with yourself while you’re on the toilet. I don’t care how you clip your toenails on today’s newspaper. I still read it after you’re done. I love that you paint each nail in a different neon color, eat chocolate chips and green tea for breakfast, and salt your apples. You cry every time you watch Titanic. I agree Rose should’ve moved to the side and shared the plank with Jack. You rap to Baby Got Back fifty nine times in a row. I wish we danced to it more often. I wish you would tell me what you write in your red book. I know you pretend you’re Beyonce in concert while working out, and think Michael Buble wrote haven’t met you yet for you. I love that you keep the ticket stubs from every single movie we see in the tea jar under your bed. You smell of cologne every time you walk into the house. You don’t know how to whisper. You never have. You tell me you’ll be back by noon but don’t come back till 7 p.m. You use your knitting needles as chopsticks when we order sushi, And don’t stamp any of the letters you send your mom. Even though you have seven wallets, you keep all your money loose in your bag and throw away all the pennies in the trash. You pretend your belly-fat is a puppet that can talk and sing, And you flirt with the waiter for extra hot sauce. You hate it when I use your cell-phone And every night you kiss him goodnight at the train station.
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Dec 12, 2011
Dec 12, 2011 at 11:19 AM UTC
Dear Janice
Eat the fourth cookie. Bring back that fuzzy green sweater with lint ***** so stubborn that even the strongest lint roller couldn’t break the bond they have with the sweater. I know you pick your nose in public. You stutter every time I ask who lives on Mamaroneck Street. You have burping contests with yourself while you’re on the toilet. I don’t care how you clip your toenails on today’s newspaper. I still read it after you’re done. I love that you paint each nail in a different neon color, eat chocolate chips and green tea for breakfast, and salt your apples. You cry every time you watch Titanic. I agree Rose should’ve moved to the side and shared the plank with Jack. You rap to Baby Got Back fifty nine times in a row. I wish we danced to it more often. I wish you would tell me what you write in your red book. I know you pretend you’re Beyonce in concert while working out, and think Michael Buble wrote haven’t met you yet for you. I love that you keep the ticket stubs from every single movie we see in the tea jar under your bed. You smell of cologne every time you walk into the house. You don’t know how to whisper. You never have. You tell me you’ll be back by noon but don’t come back till 7 p.m. You use your knitting needles as chopsticks when we order sushi, And don’t stamp any of the letters you send your mom. Even though you have seven wallets, you keep all your money loose in your bag and throw away all the pennies in the trash. You pretend your belly-fat is a puppet that can talk and sing, And you flirt with the waiter for extra hot sauce. You hate it when I use your cell-phone And every night you kiss him goodnight at the train station.
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We were kids. You shut the door on me in the pouring rain. You had this wide-eyed, crazy grin on your face all the time amused with yourself and that was enough. How did I know how to tell a boy I liked him? I just knew your breath smelled like listerine when you got on the schoolbus in sleepy half dawn You sat behind me and sometimes, if I peeked my eye through the crack between the seat and window, you'd smile and share your headphones with me, a simple song or two from The Postal Service. On brave days, I'd scoot back to be closer and breathe you in in tentative girlish awe. You laid your head down on my lap to nap the rest of the trip and I'd watch you, holding my breath, slowly playing with your orange curls spilling through my fingers like sunlight. Almost a decade later, I've forgotten the schoolbus. We're reunited with a group, eating sushi, laughing until we cry at my spicy face and the clumsy way I can't hold chopsticks taunt. But reaching past you, I brush your hair on accident and stop short, the sensation tingling my fingers, remembering how more than once I've gazed at you in wonder.
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Oct 27, 2011
Oct 27, 2011 at 4:52 PM UTC
Schoolbus
Morning: how to undo a bra-strap (almost-girlfriend). Afternoon: how to use chopsticks (former drama-teacher). Evening: how to know if she hasn't yet let go of her baby (mother).
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Apr 22, 2015
Apr 22, 2015 at 2:46 PM UTC
Things I Learned Today.
O Toro, my Toro! You bring me no sorrow! Just you on a plate, O my taste buds can’t wait! Atop a small mound of rice is where you beautifully sit perched, I know that my whole life it was for you that I’ve searched! The light dances off of your gentle pink hue like a star, A phosphorescent culinary delight is what you are. I embrace you with chopsticks, eyes closed, and place you on my tongue; And your flavor ********** that proceeds keeps me feeling young. You’re creamy and buttery in all the right places! You ended up here with me only by God’s good graces. Onto my tongue melts your morsels of fat, Rich decadence coats my mouth and my inhibitions go flat. I can’t ever get enough; I want more, I need more! Your soft savory texture hugs my mouth and warms my core. I swallow you wearing a smile unlike any I’ve worn before, Your gentle ocean tuna taste lingers and leaves me wanting more O Toro, my Toro; You leave me and my appetite so Zen, And I’ll be dwelling in our memories until we meet again.
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Jun 15, 2015
Jun 15, 2015 at 3:10 PM UTC
Fatty Tuna: A Love Poem
chinese chow-mian little brown worms wriggling past soya sauce skinny dipping into sizzling sauté stew lavished with molten eggs strangled by wooden chopsticks silently heavenly.
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May 9, 2013
May 9, 2013 at 6:05 AM UTC
noodles.
and we put our hard earned dreams in a wooden beach chair and set sail cross the blue blue sea using seashells as hats using palm fronds for tea cups and get em all mixed up chasing paper doilies sing you a song that stretches all night long you spend the dawn clapping and calling for an encore so we all join hands and get another chorus goin because that smile you gimmie honey midnight and she stepped to the edge of the road with a rubber duckie in one hand and a lethal dose of reality in the other she will use one to make you laugh then she will administer the other one cause that's what she thinks is funny but that's the thing reality checks always bounce got rubber duckies on the brain forevermore sneak down her road with her hand in mine and all the mister naturals in the world couldn't be wiser than the cherry eating little gnome in the movie usher outfit sitting by the exit charging admission back into the world cause its exactly as advertised its stranger than freakin fiction and its heavy brother sing you a song that stretches all night long you spend the dawn clapping and calling for an encore so we all join hands and get another chorus going because that smile you gimmie honey they ain't got  too many passion moments left let em get on with their neon green VW bug and its fifteen clowns waiting in the trunk cause if all else fails and she needs distraction you can set up a tent and sell tickets to the sunrise of her surprise at how easy it is but deep down inside you know its heavy brother so you pick up a guitar and start to play whatever tune comes to mind and while chopsticks is better on a keyboard your heart is hungry and chinese sounds good she lights a kerosine lamp and holding up to the sea all the lost sailors hoping to find their homes stop in for tea and a biscuit it all sounds like romantic gibberish to me all this play for pay food for gain sing you a song that stretches all night long you spend the dawn clapping and calling for an encore so we all join hands and get another chorus goin because that smile you gimmie honey
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Oct 5, 2013
Oct 5, 2013 at 1:01 AM UTC
beach chair bunnys
and we put our hard earned dreams in a wooden beach chair and set sail cross the blue blue sea using seashells as hats using palm fronds for tea cups and get em all mixed up chasing paper doilies sing you a song that stretches all night long you spend the dawn clapping and calling for an encore so we all join hands and get another chorus goin because that smile you gimmie honey midnight and she stepped to the edge of the road with a rubber duckie in one hand and a lethal dose of reality in the other she will use one to make you laugh then she will administer the other one cause that's what she thinks is funny but that's the thing reality checks always bounce got rubber duckies on the brain forevermore sneak down her road with her hand in mine and all the mister naturals in the world couldn't be wiser than the cherry eating little gnome in the movie usher outfit sitting by the exit charging admission back into the world cause its exactly as advertised its stranger than freakin fiction and its heavy brother sing you a song that stretches all night long you spend the dawn clapping and calling for an encore so we all join hands and get another chorus going because that smile you gimmie honey they ain't got  too many passion moments left let em get on with their neon green VW bug and its fifteen clowns waiting in the trunk cause if all else fails and she needs distraction you can set up a tent and sell tickets to the sunrise of her surprise at how easy it is but deep down inside you know its heavy brother so you pick up a guitar and start to play whatever tune comes to mind and while chopsticks is better on a keyboard your heart is hungry and chinese sounds good she lights a kerosine lamp and holding up to the sea all the lost sailors hoping to find their homes stop in for tea and a biscuit it all sounds like romantic gibberish to me all this play for pay food for gain sing you a song that stretches all night long you spend the dawn clapping and calling for an encore so we all join hands and get another chorus goin because that smile you gimmie honey
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60
when i was born, you cried to our grandmother because you wanted a brother and got stuck with me, instead. and what a turn of events that became. when i was a baby, i busted the back of your teeth out with a bottle of perfume, most likely contributing to your repetitive dreams of your teeth falling out. sometimes i think of this when you say your "th"s. when i was a child, you would pick peppers with our dad down the street and hold eating competitions while i squashed berries in my little tyke car. we played mouse trap on the floor. when i completed my first decade of life, you packed your bags, got on a bus, got married, and were deployed for the first time. i don't remember much of those days. i only remember the first phone call, "yours truly, from iraq." when i was eleven, you came home, war torn and ragged and divorced from an army wife who was never really a wife at all. you moved on, in some ways more than others. you were different, changed. when i became a preteen, i met a girl, and looked at our mom and i said, "he's going to marry that girl." and marry her, you did, and had your first child, too. when i was a teenager, you taught me important life lessons like how i act when i'm drunk and how to do sake bombs like i belong in asia. you taught me to eat with chopsticks. through babysitting, i learned to wait to have a child. and now, at twenty years old, everything is different. living down the street from me, then in the old house, and finally in our mom's house with me, the dynamics changed. we became the best friends we'd always tried to be, but were too distant to maintain. we gained trust and inside jokes. you finally gave approval of my boyfriend. we wreaked havoc and stayed up way too late. but then you moved five hundred miles away, and every day my heart feels ripped into pieces. i miss all the jokes, and you waking me up to our favorite songs. i miss my brother. i miss my bubby. i hope one day one of us will go home.
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Sep 6, 2012
Sep 6, 2012 at 2:30 AM UTC
to my brother.
when i was born, you cried to our grandmother because you wanted a brother and got stuck with me, instead. and what a turn of events that became. when i was a baby, i busted the back of your teeth out with a bottle of perfume, most likely contributing to your repetitive dreams of your teeth falling out. sometimes i think of this when you say your "th"s. when i was a child, you would pick peppers with our dad down the street and hold eating competitions while i squashed berries in my little tyke car. we played mouse trap on the floor. when i completed my first decade of life, you packed your bags, got on a bus, got married, and were deployed for the first time. i don't remember much of those days. i only remember the first phone call, "yours truly, from iraq." when i was eleven, you came home, war torn and ragged and divorced from an army wife who was never really a wife at all. you moved on, in some ways more than others. you were different, changed. when i became a preteen, i met a girl, and looked at our mom and i said, "he's going to marry that girl." and marry her, you did, and had your first child, too. when i was a teenager, you taught me important life lessons like how i act when i'm drunk and how to do sake bombs like i belong in asia. you taught me to eat with chopsticks. through babysitting, i learned to wait to have a child. and now, at twenty years old, everything is different. living down the street from me, then in the old house, and finally in our mom's house with me, the dynamics changed. we became the best friends we'd always tried to be, but were too distant to maintain. we gained trust and inside jokes. you finally gave approval of my boyfriend. we wreaked havoc and stayed up way too late. but then you moved five hundred miles away, and every day my heart feels ripped into pieces. i miss all the jokes, and you waking me up to our favorite songs. i miss my brother. i miss my bubby. i hope one day one of us will go home.
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55
Chopsticks and Friends Chopsticks and Friends Chopsticks and Friends Chopsticks and Friends Chopsticks and Friends Chopsticks and Friends Chopsticks and Friends Chopsticks and Friends Chopsticks and Friends Chopsticks and Friends Chopsticks and Friends Chopsticks and Friends Chopsticks and Friends Chopsticks and Friends Until when are you going to write random things? Haha.
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Mar 31, 2017
Mar 31, 2017 at 9:54 PM UTC
Chopsticks and Friends
Chinese Firecrackers Celebrate New Year with firecrackers| lunch time is good the smell of food mixing with gunpowder| loud noises drown out the clack of chopsticks red paper strewn around is all that's left apart from the ringing in the ears Malcolm Davidson Feb 12th 2013 Chinese New Year Chinese New Year is all around red lanterns hanging from the trees people laughing, boisterous everyone goes home for the holidays to share rice together one big family you can feel it in the air. Malcolm Davidson Feb 1st 2013
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Dec 6, 2013
Dec 6, 2013 at 9:12 PM UTC
2 Chinese Style Poems
nestled within this ocean of tranquility with its zen-like decor they sit for hours in total silence a smiling Buddha sole witness to the arrow-like exchange of amorous glances each glance an implicit confirmation of intimate liaisons from lives past and present the odd tap of wooden chopsticks picking up sushi the only music time dare not enter this oasis of love.... as eyes keep rapidly exchanging words while lips stay silent © 2019
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May 12, 2019
May 12, 2019 at 2:20 PM UTC
while lips stay silent
outside, my professor lights a pipe beside the daffodils, and we make small talk about the cigarette butts in the dirt and the history of natural science. He travelled south in a small blue wagon, for no particular reason except the summers are dry and the air is silent, …. inside mould grows on glass windows, wood rotting damp dissipates the rain through its splinters cracked rooms containing muses, alight with the glow of creation, reinvention I am taught to eat with chopsticks at a fast food restaurant each Friday night; I learn to break them in two before I eat, dissect myself in certain manners of precision indulge in cakes with sprinkles spires lining streets the lamps in the evening dull for flashes of traffic souls in sachets about to be added in a hot drink, or instant frappe we dissolve into particles about the place in certain manners of precision break in two before we indulge impart chromosomes collaborate in the rooms, in the mage’s quarters dollar bills are sniffed and sorted LSD and Ecstasy crossed, contorted butterflies have patterns in conversations on their wings, in teacups, sipping Spanish *** drag my son up a hill to **** him, in the ash tree foliage, faces in the sky and ask of grace deliver me to the divine class of men what am I if only captive to contagion? After all, I spread across windows like mould each hour multiplying to become sporadic, spatial, discovering the heart’s variation insofar as we are variable asking Sophie, my daughter, to empty the dishwasher, I pray she wonders why we have cups of coins in our pockets why we ache atoms about the place in certain manners of precision break in two before we indulge impart chromosomes collaborate
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Sep 25, 2013
Sep 25, 2013 at 8:36 AM UTC
Untitled
outside, my professor lights a pipe beside the daffodils, and we make small talk about the cigarette butts in the dirt and the history of natural science. He travelled south in a small blue wagon, for no particular reason except the summers are dry and the air is silent, …. inside mould grows on glass windows, wood rotting damp dissipates the rain through its splinters cracked rooms containing muses, alight with the glow of creation, reinvention I am taught to eat with chopsticks at a fast food restaurant each Friday night; I learn to break them in two before I eat, dissect myself in certain manners of precision indulge in cakes with sprinkles spires lining streets the lamps in the evening dull for flashes of traffic souls in sachets about to be added in a hot drink, or instant frappe we dissolve into particles about the place in certain manners of precision break in two before we indulge impart chromosomes collaborate in the rooms, in the mage’s quarters dollar bills are sniffed and sorted LSD and Ecstasy crossed, contorted butterflies have patterns in conversations on their wings, in teacups, sipping Spanish *** drag my son up a hill to **** him, in the ash tree foliage, faces in the sky and ask of grace deliver me to the divine class of men what am I if only captive to contagion? After all, I spread across windows like mould each hour multiplying to become sporadic, spatial, discovering the heart’s variation insofar as we are variable asking Sophie, my daughter, to empty the dishwasher, I pray she wonders why we have cups of coins in our pockets why we ache atoms about the place in certain manners of precision break in two before we indulge impart chromosomes collaborate
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63
Like bears gnawing at the wood And swings that go about They sit and cross another For that bark would even bite its brother
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Apr 2, 2014
Apr 2, 2014 at 11:57 PM UTC
Chopsticks
I walk past the old woman who wears unflattering red lipstick, vivid as cartoon blood, and jeweled chopsticks in her hair. We meet haunted eyes, full of defiant sorrows. The pudgy little girl streaks past, pigtails askew, sandals mismatched by herself or a harried mother she is either running to, or away from. The boy with the closed face, like a letter that no one opens for fear of what it might hold, reaches for the same book I am reaching for. We smile at one another, surprised. Such small things bring recognition. We are the same inside.
0
Apr 29, 2014
Apr 29, 2014 at 4:50 PM UTC
Kindred
The seven day prayer candle burned out seven days ago, and the twisted blinds are held together with chopsticks and moving tape after snapping in an unresolved haunting. The nights enter like gemstones and exit like rabbits. Truth sequestered from skin; I get a haircut instead of another tattoo. While shaving my neck with a straight razor, the bald Albanian barber asks me: "Which is scarier: people or mirrors?" Before I could reply he shook his head: “Trick question. They are the same thing.” Walking home, I tore up the if-I-die note I had hidden in my back pocket, and taught the pieces to dance to the silence of buckshot screaming into a black hole. The choreography was as patient as pregnant pauses breathing into paper bags. To the neighbors, smoking cigarettes on their stoops, the shredded paper just looked like litter.
0
Jan 15, 2013
Jan 15, 2013 at 9:45 AM UTC
Adonis