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"chiming" poems
Burning fuel but not to leave, boys circled town, came back to the station where they began. Gas exhaust drifted like spirits above asphalt, dissolving in the night. Girls stayed in the lot, waiting for men old enough to buy liquor, their names claiming the land- long after other names lay buried in the ground. They kept to the faces, legs folded on hoods, lip gloss catching the station lights, bracelets chiming, hair flips rehearsed, laughing at trucks circling back. They wanted to be chosen, and I tried to want that too- tried to be a girl among girls, waiting for the moment some hand would tug me out of the circle. But my eyes kept straying- across the street, to the rise that was not just dirt but a chest under earth, ribs shifting, a hum curling into my throat. Something skeletal in its patience, as if Baykok himself were sharpening arrows in the dark, waiting for breath to break. Built long before us by Ojibwe, still honored as sacred ground. The others smoked, struck sparks, sequins spilling from careless wrists, never thinking how easily flame might travel down, through us, into what we couldn’t see. I could hear bones shifting, a buried drumbeat, the land’s own warning. Every glance of the mound pulled me back into silence. It told me what the others didn’t want to know- that all this circling, waiting, was only the lid of a grave.
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Oct 3, 2025
Oct 3, 2025 at 12:02 AM UTC
Tumulus
I remember it like it was yesterday. We were driving a little too fast, and the destination didn't matter. I was just watching you, Singing the song on the radio, Reciting every line perfectly, (me chiming in where I could), The smile on your face filled my heart with nostalgia. Because in that moment, You weren't the guy that you grew up to be, You were the boy I fell in love with years ago. I go to that moment whenever I miss you. Whenever my heart goes numb, Or worse, When I can feel every ounce of pain from you not being there. In that moment, I was safe. In that moment, I knew, the definition of never-ending. I knew, that I would forever be stuck, In that seat, In that car, In that moment, Watching you.
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Apr 15, 2015
Apr 15, 2015 at 6:39 PM UTC
In That Moment
running deliquescing into nature i am engulfed in stillness i encounter a deer as i round a corner its chestnut eyes intensely sense something wild within me transfixed we meld palpably whispering our essence myopic views warp into acute focus golden flowers stretch and arch and yawning into the sun swell with bursts of luster whilst violets polka dot the path with lilac luminescence dead tree trunks mutating into masterpieces yearn for new life drawing in the squirrels yellow-bellied birds hover sensing my motions whilst woodland winds undulate pine scented waves of sea salt oceans my ears enchantingly enhanced by bristling leaves caressing trees as scintillating amber butterflies dance in synch with the clock tower’s ancient chiming a gust of wind catches a patch of sand and sends it quivering fusing high in summer air then falling soft as feathers hidden fairies prance about answering unheard questions problems dissolve in emerald meadows without a hint of striving essays write themselves upon my mind poetry flows through me wings of meadowlarks trace my face with nuances interlaced with connotations rushing home i write it down then bowing i take credit for what was etched upon my soul by a sunbeam in the forest ©2016janetaylor
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May 25, 2016
May 25, 2016 at 10:09 PM UTC
running
I. Hear the sledges with the bells— Silver bells! What a world of merriment their melody foretells! How they ****** ****** ****** In their icy air of night! While the stars, that oversprinkle All the heavens, seem to twinkle With a crystalline delight; Keeping time, time, time, In a sort of Runic rhyme, To the tintinnabulation that so musically wells From the bells, bells, bells, bells, Bells, bells, bells— From the jingling and the tinkling of the bells. II. Hear the mellow wedding bells, Golden bells! What a world of happiness their harmony foretells! Through the balmy air of night How they ring out their delight! From the molten golden-notes, And all in tune, What a liquid ditty floats To the turtle-dove that listens, while she gloats On the moon! Oh, from out the sounding cells, What a gush of euphony voluminously wells! How it swells! How it dwells On the future! how it tells Of the rapture that impels To the swinging and the ringing Of the bells, bells, bells, Of the bells, bells, bells, bells, Bells, bells, bells— To the rhyming and the chiming of the bells! III. Hear the loud alarum bells— Brazen bells! What a tale of terror now their turbulency tells! In the startled ear of night How they scream out their affright! Too much horrified to speak, They can only shriek, shriek, Out of tune, In a clamorous appealing to the mercy of the fire, In a mad expostulation with the deaf and frantic fire Leaping higher, higher, higher, With a desperate desire, And a resolute endeavor Now—now to sit or never, By the side of the pale-faced moon. Oh, the bells, bells, bells! What a tale their terror tells Of Despair! How they clang, and clash, and roar! What a horror they outpour On the ***** of the palpitating air! Yet the ear it fully knows, By the twanging, And the clanging, How the danger ebbs and flows; Yet the ear distinctly tells, In the jangling, And the wrangling, How the danger sinks and swells, By the sinking or the swelling in the anger of the bells— Of the bells— Of the bells, bells, bells, bells, Bells, bells, bells— In the clamor and the clangor of the bells! IV. Hear the tolling of the bells— Iron bells! What a world of solemn thought their monody compels! In the silence of the night, How we shiver with affright At the melancholy menace of their tone! For every sound that floats From the rust within their throats Is a groan. And the people—ah, the people— They that dwell up in the steeple. All alone, And who toiling, toiling, toiling, In that muffled monotone, Feel a glory in so rolling On the human heart a stone— They are neither man nor woman— They are neither brute nor human— They are Ghouls: And their king it is who tolls; And he rolls, rolls, rolls, Rolls A paean from the bells! And his merry ***** swells With the paean of the bells! And he dances, and he yells; Keeping time, time, time, In a sort of Runic rhyme, To the paean of the bells— Of the bells: Keeping time, time, time, In a sort of Runic rhyme, To the throbbing of the bells— Of the bells, bells, bells— To the sobbing of the bells; Keeping time, time, time, As he knells, knells, knells, In a happy Runic rhyme, To the rolling of the bells— Of the bells, bells, bells— To the tolling of the bells, Of the bells, bells, bells, bells, Bells, bells, bells— To the moaning and the groaning of the bells.
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10.5k
The Bells
I. Hear the sledges with the bells— Silver bells! What a world of merriment their melody foretells! How they ****** ****** ****** In their icy air of night! While the stars, that oversprinkle All the heavens, seem to twinkle With a crystalline delight; Keeping time, time, time, In a sort of Runic rhyme, To the tintinnabulation that so musically wells From the bells, bells, bells, bells, Bells, bells, bells— From the jingling and the tinkling of the bells. II. Hear the mellow wedding bells, Golden bells! What a world of happiness their harmony foretells! Through the balmy air of night How they ring out their delight! From the molten golden-notes, And all in tune, What a liquid ditty floats To the turtle-dove that listens, while she gloats On the moon! Oh, from out the sounding cells, What a gush of euphony voluminously wells! How it swells! How it dwells On the future! how it tells Of the rapture that impels To the swinging and the ringing Of the bells, bells, bells, Of the bells, bells, bells, bells, Bells, bells, bells— To the rhyming and the chiming of the bells! III. Hear the loud alarum bells— Brazen bells! What a tale of terror now their turbulency tells! In the startled ear of night How they scream out their affright! Too much horrified to speak, They can only shriek, shriek, Out of tune, In a clamorous appealing to the mercy of the fire, In a mad expostulation with the deaf and frantic fire Leaping higher, higher, higher, With a desperate desire, And a resolute endeavor Now—now to sit or never, By the side of the pale-faced moon. Oh, the bells, bells, bells! What a tale their terror tells Of Despair! How they clang, and clash, and roar! What a horror they outpour On the ***** of the palpitating air! Yet the ear it fully knows, By the twanging, And the clanging, How the danger ebbs and flows; Yet the ear distinctly tells, In the jangling, And the wrangling, How the danger sinks and swells, By the sinking or the swelling in the anger of the bells— Of the bells— Of the bells, bells, bells, bells, Bells, bells, bells— In the clamor and the clangor of the bells! IV. Hear the tolling of the bells— Iron bells! What a world of solemn thought their monody compels! In the silence of the night, How we shiver with affright At the melancholy menace of their tone! For every sound that floats From the rust within their throats Is a groan. And the people—ah, the people— They that dwell up in the steeple. All alone, And who toiling, toiling, toiling, In that muffled monotone, Feel a glory in so rolling On the human heart a stone— They are neither man nor woman— They are neither brute nor human— They are Ghouls: And their king it is who tolls; And he rolls, rolls, rolls, Rolls A paean from the bells! And his merry ***** swells With the paean of the bells! And he dances, and he yells; Keeping time, time, time, In a sort of Runic rhyme, To the paean of the bells— Of the bells: Keeping time, time, time, In a sort of Runic rhyme, To the throbbing of the bells— Of the bells, bells, bells— To the sobbing of the bells; Keeping time, time, time, As he knells, knells, knells, In a happy Runic rhyme, To the rolling of the bells— Of the bells, bells, bells— To the tolling of the bells, Of the bells, bells, bells, bells, Bells, bells, bells— To the moaning and the groaning of the bells.
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117
As I walked out one evening, Walking down Bristol Street, The crowds upon the pavement Were fields of harvest wheat. And down by the brimming river I heard a lover sing Under an arch of the railway: "Love has no ending. "I'll love you, dear, I'll love you Till China and Africa meet, And the river jumps over the mountain And the salmon sing in the street, "I'll love you till the ocean Is folded and hung up to dry And the seven stars go squawking Like geese about the sky. "The years shall run like rabbits, For in my arms I hold The Flower of the Ages, And the first love of the world." But all the clocks in the city Began to whirr and chime: "O let not Time deceive you, You cannot conquer Time. "In the burrows of the Nightmare Where Justice naked is, Time watches from the shadow And coughs when you would kiss. "In headaches and in worry Vaguely life leaks away, And Time will have his fancy To-morrow or to-day. "Into many a green valley Drifts the appalling snow; Time breaks the threaded dances And the diver's brilliant bow. "O plunge your hands in water, Plunge them in up to the wrist; Stare, stare in the basin And wonder what you've missed. "The glacier knocks in the cupboard, The desert sighs in the bed, And the crack in the tea-cup opens A lane to the land of the dead. "Where the beggars raffle the banknotes And the Giant is enchanting to Jack, And the Lily-white Boy is a Roarer, And Jill goes down on her back. "O look, look in the mirror? O look in your distress: Life remains a blessing Although you cannot bless. "O stand, stand at the window As the tears scald and start; You shall love your crooked neighbour With your crooked heart." It was late, late in the evening, The lovers they were gone; The clocks had ceased their chiming, And the deep river ran on.
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9.4k
As I Walked Out One Evening
As I walked out one evening, Walking down Bristol Street, The crowds upon the pavement Were fields of harvest wheat. And down by the brimming river I heard a lover sing Under an arch of the railway: "Love has no ending. "I'll love you, dear, I'll love you Till China and Africa meet, And the river jumps over the mountain And the salmon sing in the street, "I'll love you till the ocean Is folded and hung up to dry And the seven stars go squawking Like geese about the sky. "The years shall run like rabbits, For in my arms I hold The Flower of the Ages, And the first love of the world." But all the clocks in the city Began to whirr and chime: "O let not Time deceive you, You cannot conquer Time. "In the burrows of the Nightmare Where Justice naked is, Time watches from the shadow And coughs when you would kiss. "In headaches and in worry Vaguely life leaks away, And Time will have his fancy To-morrow or to-day. "Into many a green valley Drifts the appalling snow; Time breaks the threaded dances And the diver's brilliant bow. "O plunge your hands in water, Plunge them in up to the wrist; Stare, stare in the basin And wonder what you've missed. "The glacier knocks in the cupboard, The desert sighs in the bed, And the crack in the tea-cup opens A lane to the land of the dead. "Where the beggars raffle the banknotes And the Giant is enchanting to Jack, And the Lily-white Boy is a Roarer, And Jill goes down on her back. "O look, look in the mirror? O look in your distress: Life remains a blessing Although you cannot bless. "O stand, stand at the window As the tears scald and start; You shall love your crooked neighbour With your crooked heart." It was late, late in the evening, The lovers they were gone; The clocks had ceased their chiming, And the deep river ran on.
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60
Eyes on the clock Tick toc tick toc Sipping a cup of coffee Darker than the sky Rain sliding down the windows Pitter patter pitter patter Watching people come in and out Sitting at the table "Order up! Two Vanilla Blonde Roast Coffee's!" Yelled a man, But all I could hear was the music Chiming around the room And bouncing off the walls Multiple conversations I sat there In that room Writing stories And Tales Like no other had done Such where the hero was the villain Stories that could only be deciphered By those who have felt the pain Of the lonesome characters That these stories depicted
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Dec 17, 2014
Dec 17, 2014 at 10:31 PM UTC
Coffee Shop
“The Owl and The Fox” Silvery white shines the moon tonight As the sea caresses the shore And rain slips through the door The wind roars aloud At a ship sailing on a cloud My safety seems so weak For these walls are all i seek To guard against these forces strong But my safety will not last for long This hope I abandon in all And pray to God to catch my fall His hand i do not feel Though his help I know is real My castle is gone Standing alone I feel so wrong Secluded on this sandy stretch I look to my right and to my left Then looking to the water black I see a face that has no lack Of terror and fear That drowning is near Forgetting all thats been lost Saving them is my only thought Plunging into the icy sea I try to save them as i tried to save me Kicking back in hope of life The waves cease their strife And the wind sinks in its icy knife Looking down to face this man I see it was a woman i brought to land Taking her hand I lift her from the sand Staring at me she opens her lips Then speaks in a voice not honeyed or crisp Never the less her speech I can tell Is the voice of an angel chiming as a bell I try to let go of her hand lily white But she holds on so very tight And whispers so slight Nine words in my ear That I could barely hear “Thank you for saving me my gallant gray knight” Heart skipping a beat I knew that I would Love only her for as long as I could. I'm sure you can see Even though this may be A story far off way out in the sea I still hope in my heart its about you and me. From The Fox, To The Owl
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May 31, 2013
May 31, 2013 at 12:00 AM UTC
The Owl and the Fox
“The Owl and The Fox” Silvery white shines the moon tonight As the sea caresses the shore And rain slips through the door The wind roars aloud At a ship sailing on a cloud My safety seems so weak For these walls are all i seek To guard against these forces strong But my safety will not last for long This hope I abandon in all And pray to God to catch my fall His hand i do not feel Though his help I know is real My castle is gone Standing alone I feel so wrong Secluded on this sandy stretch I look to my right and to my left Then looking to the water black I see a face that has no lack Of terror and fear That drowning is near Forgetting all thats been lost Saving them is my only thought Plunging into the icy sea I try to save them as i tried to save me Kicking back in hope of life The waves cease their strife And the wind sinks in its icy knife Looking down to face this man I see it was a woman i brought to land Taking her hand I lift her from the sand Staring at me she opens her lips Then speaks in a voice not honeyed or crisp Never the less her speech I can tell Is the voice of an angel chiming as a bell I try to let go of her hand lily white But she holds on so very tight And whispers so slight Nine words in my ear That I could barely hear “Thank you for saving me my gallant gray knight” Heart skipping a beat I knew that I would Love only her for as long as I could. I'm sure you can see Even though this may be A story far off way out in the sea I still hope in my heart its about you and me. From The Fox, To The Owl
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51
Like a toddler taking maiden steps The narrow stream moves through the woods Tripping and falling over pebbles and boulders Chiming its silver anklets Forcing itself in irrepressible flow It thrusts and shoves its way down Through thickets and a line of ferns And the tangle of creepers and thorny brambles Drowning the whisper of bamboo leaves Its sweet murmur falls in my ears As an eternal living melody The cosmic song heard over eons As the water sluices down the rocks It becomes a frothing braided torrent Producing a harsh grating roar Like the crescendo of a tribal symphony There it forms into a small pool With its waves gently rippling Where birds merrily come to take a dip And sunning their feathers, fly back refreshed Sometimes travelling unseen It suddenly emerges into the open Cutting its way through cracks and fissures Never willing to surrender before hurdles With a bearing immaculate in grace It sends out waves of pure delight What joy it is to watch the dilly dally Of this sedate pilgrim moving to its destination
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May 9, 2016
May 9, 2016 at 10:07 AM UTC
A Stream in the Woods
I rest my head in the dusky hours early in the hope I'll awaken refreshed instead in the lonely hours at 2am, 3am and 4am my body rests while my mind races with complex thought caught somewhere between sadness and complacency the past present and future merging into one clashing and colliding confusing working hard into the night sending my heart to palpitations.   I close my eyes and the words I see written on my ceiling are engrained on the insides of my eyelids crawling with the spiders I overthink instead of sleep I dream in my conscious state of what could've been what is and what might be restless in a state of exhaustion lucid in a state of total consciousness hopeless to stop the relentless tide of my imagination from rotting my brain inside and out ruining any faith I have in a night of sleep or a day of clarity and competence.   The thoughts leave when I rise again at 7am as planned with the chiming of the bells on the nightstand my head snaps into reality again focus returns in the form of routine get up, go move on, mend. Distracted and oblivious my lack of sleep haunts me until I repeat this dull cycle again tonight I live my nightmares in the lonely hours at 2am, 3am and 4am.
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Aug 22, 2018
Aug 22, 2018 at 9:08 AM UTC
Lucid
Rugby town, of landlocked streets, of wasted field and barefaced retreat; I miss you now, in absence of a friend, I miss you now, in the verse that I lend. Suburb grove, of sleepy mist, oh, battered housewife, oh blastocyst; you will remain in place forevermore, and forevermore, you'll become a bore. Holding cell, of sporting fame, you stole my dreams but gave me my name; I think of you: a multi-storey view, of happy faces, of which there is few. Still, my town, in debt's nightgown, the shop-fronts vacate, we're feeling down; these streets are poisoned with names of the past, each memoir to teach: nothing's built to last Rugby town, of weary folk, the private school is a private joke; I miss you now, as I sleep through the day, I miss the old walks, and all that you'd say. Old market town, the aftermath, of British summer, suicide bath; of open mics and closing the shutters, of waking graveyards, sleeping in gutters. Hopeless climbs, of dreary times, of childhood state and nursery rhymes; each time that I come home, I know you less, becoming a stranger in my redress. Clock tower, chiming, chiming loud, singing for history long and proud; of Rupert Brooke and the question: “what if?” What if I was born to some lover's tiff? To some large and friendless town, to some body of land, which I drown; to some active place of pain unknown, to some place that I'll not gauge that I've grown, oh Rugby dear, stay with me, let me live on the periphery; and although this town seems terribly dull, it could be worse – I could live in Hull.
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Mar 14, 2014
Mar 14, 2014 at 7:18 PM UTC
Rugby, Warwickshire
Rugby town, of landlocked streets, of wasted field and barefaced retreat; I miss you now, in absence of a friend, I miss you now, in the verse that I lend. Suburb grove, of sleepy mist, oh, battered housewife, oh blastocyst; you will remain in place forevermore, and forevermore, you'll become a bore. Holding cell, of sporting fame, you stole my dreams but gave me my name; I think of you: a multi-storey view, of happy faces, of which there is few. Still, my town, in debt's nightgown, the shop-fronts vacate, we're feeling down; these streets are poisoned with names of the past, each memoir to teach: nothing's built to last Rugby town, of weary folk, the private school is a private joke; I miss you now, as I sleep through the day, I miss the old walks, and all that you'd say. Old market town, the aftermath, of British summer, suicide bath; of open mics and closing the shutters, of waking graveyards, sleeping in gutters. Hopeless climbs, of dreary times, of childhood state and nursery rhymes; each time that I come home, I know you less, becoming a stranger in my redress. Clock tower, chiming, chiming loud, singing for history long and proud; of Rupert Brooke and the question: “what if?” What if I was born to some lover's tiff? To some large and friendless town, to some body of land, which I drown; to some active place of pain unknown, to some place that I'll not gauge that I've grown, oh Rugby dear, stay with me, let me live on the periphery; and although this town seems terribly dull, it could be worse – I could live in Hull.
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40
Frigid buildings as those That scrape the sky, climbing. In a place that no-one knows, Distant bells are chiming To the shots and screaming, "Stop resisting!" A rise In terror betraying The brittle city's brittle lies. And for a time we hoped that they Would never know our quiet rage, And from the melting lights, we pray For the silent, now upstaged.
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Nov 25, 2018
Nov 25, 2018 at 7:41 AM UTC
Utopia
They gathered by Williamson Road at sun-up       from neighboring spreads across the Tioga valley. They came with carts laden with lumber stacks -       with saws, adzes, hammers and sundry tools. They gathered with the homesteaders bond.       to co-build their neighbor's' dreams. Sweet music of community echoed off the hills.      Chisels clanged into rock, shaping the foundation, saws sang into boards to frame a timbered skeleton.      The staccato syncopation of hammers fastened walls that soon would shelter plowshares, stock and grain.       A smithy leaned over his fire and forge - chiming iron into sturdy latches and hinges.      Children scurried about mixing squeals and laughter with exuberant fetching and lifting whenever called.      In two short passings of the sun the deed was done       and a handsome new barn, decked out in a wash of red was silhouetted tall and proud against the fading light. Homesteaders gathered at a celebration table       to share a hearty meal adorned by the music of fiddles, grateful smiles and easy laughter.    Then one by one they steered their wagons home       gazing back at what their labors had wrought - knowing to the depth of their communal souls       that we are more together than we are apart Listen up, America!  This is the music of community.       We are more together than we are apart. © 2016 by Robert Charles Howard
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Jul 31, 2016
Jul 31, 2016 at 10:16 AM UTC
Pennsylvania Barn Raising
There's a keen and grim old huntsman On a horse as white as snow; Sometimes he is very swift And sometimes he is slow. But he never is at fault, For he always hunts at view And he rides without a halt After you. The huntsman's name is Death, His horse's name is Time; He is coming, he is coming As I sit and write this rhyme; He is coming, he is coming, As you read the rhyme I write; You can hear the hoof's low drumming Day and night. You can hear the distant drumming As the clock goes tick-a-tack, And the chiming of the hours Is the music of his pack. You may hardly note their growling Underneath the noonday sun, But at night you hear them howling As they run. And they never check or falter For they never miss their **** Seasons change and systems alter, But the hunt is running still. Hark! the evening chime is playing, O'er the long grey town it peals; Don't you hear the death-hound baying At your heels? Where is there an earth or burrow? Where a cover left for you? A year, a week, perhaps to-morrow Brings the Huntsman's death halloo! Day by day he gains upon us, And the most that we can claim Is that when the hounds are on us We die game. And somewhere dwells the Master, By whom it was decreed; He sent the savage huntsman, He bred the snow-white steed. These hounds which run for ever, He set them on your track; He hears you scream, but never Calls them back. He does not heed our suing, We never see his face; He hunts to our undoing, We thank him for the chase. We thank him and we flatter, We hope -- because we must -- But have we cause? No matter! Let us trust!
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4.7k
The Old Huntsman
There's a keen and grim old huntsman On a horse as white as snow; Sometimes he is very swift And sometimes he is slow. But he never is at fault, For he always hunts at view And he rides without a halt After you. The huntsman's name is Death, His horse's name is Time; He is coming, he is coming As I sit and write this rhyme; He is coming, he is coming, As you read the rhyme I write; You can hear the hoof's low drumming Day and night. You can hear the distant drumming As the clock goes tick-a-tack, And the chiming of the hours Is the music of his pack. You may hardly note their growling Underneath the noonday sun, But at night you hear them howling As they run. And they never check or falter For they never miss their **** Seasons change and systems alter, But the hunt is running still. Hark! the evening chime is playing, O'er the long grey town it peals; Don't you hear the death-hound baying At your heels? Where is there an earth or burrow? Where a cover left for you? A year, a week, perhaps to-morrow Brings the Huntsman's death halloo! Day by day he gains upon us, And the most that we can claim Is that when the hounds are on us We die game. And somewhere dwells the Master, By whom it was decreed; He sent the savage huntsman, He bred the snow-white steed. These hounds which run for ever, He set them on your track; He hears you scream, but never Calls them back. He does not heed our suing, We never see his face; He hunts to our undoing, We thank him for the chase. We thank him and we flatter, We hope -- because we must -- But have we cause? No matter! Let us trust!
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56
Of serene eyes that follow gently the illicit pill she could not let go it was heavy as the waters pulling her inside serenading her with an estranged voice coming from within — her minimizing the desire to let it out as the sun quiets down and the gibbous moon exhibiting itself at night, resisting the waves occurring — as if it loathed her whole being of her justness and the absence of these causes her grieving and the sirens waltzing, talking through an absentminded eye eyeing her soul finding love that seizes it but hers were two feet and one mouth to breathe in even in all shades of blue, she can get a glimpse of the dark hue illuminating the downside of the ocean pulling her, wrecking her soul. Redemption does not lie — humoring her with plainly just truth craving for the applause of the moon only observing the depth of the ocean eating the once alive soul of her saving her last breath, chiming in with the conversation, she once had with him. It could have been nice the resistance he once had — to throw himself out to the beauty of his light that shed her whole body he once was able to have and he stayed there, eyed her the whole time being eaten on the lonesome of the night for he himself, shading all the blueness like a requiem for the dreams she kept on having like a composition giving life to new generations, he was still on a token and a curse, and he let her be — in all shades of blue.
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Jul 11, 2022
Jul 11, 2022 at 5:21 AM UTC
In All Shades of Blue
*(Not a home, I said. An address. The badges and the blossoms Bragged ‘excess’. Etched into every tree The word: S U C C E S S)* I am London And he is me, Not ever knowing which London to be, A button eyed orphan, A one man band, A Dickensian madman Whey-faced and untanned. I was a Ruby Infant, (Montpelier) Via turreted school (Machiavellian lair) My conspiracy of ravens The guardians of lore, Falling in feathers To a barbershop floor. My mind is confetti - From each Westminster wedding, Each pill, each stumble, A little be-heading. I first kissed a girl in Trafalgar Square And the memory of her is still there in the air, In the backdrops of photographs snapped up by tourists, In the lost eyes of pigeons, (I know it, I’m sure of it - because I know London And he knows me - We flow into each other Like the Thames, to the sea). Gobstopper ******** in Whitechapel lanes, Knee-deep in the streets, leaving opal-ghost stains, The bleeding graffiti of Mary Jane Kelly, Our deaths, our murders, So many, so many... Bells, Chiming, Dark Oubliettes, Cradle me, London, My bowed silhouette, Settle me down in your newspaper bed, Love me, Watch over me, And when I am dead, Make me a martyr, Smooth out my head Swallow me up in your gum studded streets, Somewhere busy where I can feel millions of feet Treading into me, Over and Over again, And every so often, now and then, Play out your bells for my syllables four, *Ding **** ding **** Four and no more, To remind yourself, London, Of silly old me, Who like you, Never knew, Which London to be.
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Sep 9, 2013
Sep 9, 2013 at 10:56 AM UTC
London
*(Not a home, I said. An address. The badges and the blossoms Bragged ‘excess’. Etched into every tree The word: S U C C E S S)* I am London And he is me, Not ever knowing which London to be, A button eyed orphan, A one man band, A Dickensian madman Whey-faced and untanned. I was a Ruby Infant, (Montpelier) Via turreted school (Machiavellian lair) My conspiracy of ravens The guardians of lore, Falling in feathers To a barbershop floor. My mind is confetti - From each Westminster wedding, Each pill, each stumble, A little be-heading. I first kissed a girl in Trafalgar Square And the memory of her is still there in the air, In the backdrops of photographs snapped up by tourists, In the lost eyes of pigeons, (I know it, I’m sure of it - because I know London And he knows me - We flow into each other Like the Thames, to the sea). Gobstopper ******** in Whitechapel lanes, Knee-deep in the streets, leaving opal-ghost stains, The bleeding graffiti of Mary Jane Kelly, Our deaths, our murders, So many, so many... Bells, Chiming, Dark Oubliettes, Cradle me, London, My bowed silhouette, Settle me down in your newspaper bed, Love me, Watch over me, And when I am dead, Make me a martyr, Smooth out my head Swallow me up in your gum studded streets, Somewhere busy where I can feel millions of feet Treading into me, Over and Over again, And every so often, now and then, Play out your bells for my syllables four, *Ding **** ding **** Four and no more, To remind yourself, London, Of silly old me, Who like you, Never knew, Which London to be.
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67
*Windchimes In my advancing years Clarity eludes me now and then. I sit quietly in the gazebo. Your book and glasses not yet removed from your seat. Drifting into sleep I awaken suddenly. with confusion reigning again. I quietly call your name The need to see you is overwhelming. I search the gardens for you Panic setting in to my heart. Then in the cool evening summer breeze. The gentle chiming of the windchimes Calm my panic as your soft words once did. Then under the blooming arches of the rose arbor I see you. A basket of flowers hang from your arm. The fading light from the evening sun. Frames a halo about your long hair. My eyes mist So sweet so astoundingly beautiful As calm as the mist on a summer's morn. You smile at me The windchimes ****** softly in the air. You tell me the sweet wudruff is taking over The hollyhocks need trimming And the roses need pruning You tell me all of these things. But all I see is your sweet heart of purest gold. The rose arbor framing the light of my life. Glowing as the sun at the Centre of my small universe. I fall to my knees to pay homage. As you fade into the evening shadows. Just the lilt of the windchimes Dance over the perfumed bounty Of our flowering gardens*
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Dec 23, 2015
Dec 23, 2015 at 1:01 PM UTC
Windchimes
A child, she sits at the piano, exploring with modest fingers, the anxious keys. One day she'll play in church but for now she'll play in the sea and stick her tongue out in the rain. A child watches the modest rain kiss the window beside her piano. An anxious sea stirs in her fingers. She falls asleep in church and plays in the wrong key. "Practice makes perfect, precision is key." A child walks home in the rain, and passes the church. Her teacher has an old piano that leaves dust on her fingers. She washes them in the sea. A girl is drowning in the sea bare; like a single ivory key He plays her with his fingers. She loves him like the rain. Her mother sold her piano, when she stopped singing in church. "I feel like an empty church; a haunted sea; a dusty piano with no keys." she says softly, to the rain when he lets go of her fingers. Reaching out these fingers in an abandoned church, the echoing rain washes the roof in a sea of chiming keys, from an old piano. A girl dips her fingers into the sea, singing church hymns, out of key. God plays the rain like a piano.
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Mar 2, 2015
Mar 2, 2015 at 4:46 PM UTC
Testimony of a Pianist
my sally my Sally a wonderful double entendre for it’s time, my internal clock chiming to sally forth and give the due to where dew in her garden resides, poetry becoming sweet tears in all our eyes when the philipina rain thirst quests our quenching there is no reason no request for this sally poem but a tickling thought suggests that a good friday. could be the trigger, or that pandora bringing me Ave Maria as I compose when the due and the dew and the do are a trinity the best poems are the un-requested  but the most needed, the most holy
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Mar 30, 2018
Mar 30, 2018 at 1:05 PM UTC
my sally (when the due and the dew and the do are a holy trinity)
See the various Poems the scene of which is laid upon the banks of the Yarrow; in particular, the exquisite Ballad of Hamilton beginning— Busk ye, busk ye, my bonny, bonny Bride, Busk ye, busk ye, my winsome Marrow! From Stirling castle we had seen The mazy Forth unravelled; Had trod the banks of Clyde, and Tay, And with the Tweed had travelled; And when we came to Clovenford, Then said my “winsome Marrow,” “Whate’er betide, we’ll turn aside, And see the Braes of Yarrow.” “Let Yarrow folk, frae Selkirk town, Who have been buying, selling, Go back to Yarrow, ’tis their own; Each maiden to her dwelling! On Yarrow’s banks let her herons feed, Hares couch, and rabbits burrow! But we will downward with the Tweed Nor turn aside to Yarrow. “There’s Galla Water, Leader Haughs, Both lying right before us; And Dryborough, where with chiming Tweed The lintwhites sing in chorus; There’s pleasant Tiviot-dale, a land Made blithe with plough and harrow: Why throw away a needful day To go in search of Yarrow? “What’s Yarrow but a river bare, That glides the dark hills under? There are a thousand such elsewhere As worthy of your wonder.” —Strange words they seemed of slight and scorn; My True-love sighed for sorrow; And looked me in the face, to think I thus could speak of Yarrow! “Oh! green,” said I, “are Yarrow’s holms, And sweet is Yarrow flowing! Fair hangs the apple frae the rock, But we will leave it growing. O’er hilly path, and open Strath, We’ll wander Scotland thorough; But, though so near, we will not turn Into the dale of Yarrow. “Let beeves and home-bred kine partake The sweets of Burn-mill meadow, The swan on still St. Mary’s Lake Float double, swan and shadow! We will not see them; will not go, To-day, nor yet to-morrow; Enough if in our hearts we know There’s such a place as Yarrow. “Be Yarrow stream unseen, unknown! It must, or we shall rue it: We have a vision of our own; Ah! why should we undo it? The treasured dreams of times long past, We’ll keep them, winsome Marrow! For when we’er there, although ’tis fair, ’Twill be another Yarrow! “If Care with freezing years should come, And wandering seem but folly,— Should we be loth to stir from home, And yet be melancholy; Should life be dull, and spirits low, ’Twill soothe us in our sorrow, That earth has something yet to show, The bonny holms of Yarrow!”
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3.6k
Yarrow Unvisited
See the various Poems the scene of which is laid upon the banks of the Yarrow; in particular, the exquisite Ballad of Hamilton beginning— Busk ye, busk ye, my bonny, bonny Bride, Busk ye, busk ye, my winsome Marrow! From Stirling castle we had seen The mazy Forth unravelled; Had trod the banks of Clyde, and Tay, And with the Tweed had travelled; And when we came to Clovenford, Then said my “winsome Marrow,” “Whate’er betide, we’ll turn aside, And see the Braes of Yarrow.” “Let Yarrow folk, frae Selkirk town, Who have been buying, selling, Go back to Yarrow, ’tis their own; Each maiden to her dwelling! On Yarrow’s banks let her herons feed, Hares couch, and rabbits burrow! But we will downward with the Tweed Nor turn aside to Yarrow. “There’s Galla Water, Leader Haughs, Both lying right before us; And Dryborough, where with chiming Tweed The lintwhites sing in chorus; There’s pleasant Tiviot-dale, a land Made blithe with plough and harrow: Why throw away a needful day To go in search of Yarrow? “What’s Yarrow but a river bare, That glides the dark hills under? There are a thousand such elsewhere As worthy of your wonder.” —Strange words they seemed of slight and scorn; My True-love sighed for sorrow; And looked me in the face, to think I thus could speak of Yarrow! “Oh! green,” said I, “are Yarrow’s holms, And sweet is Yarrow flowing! Fair hangs the apple frae the rock, But we will leave it growing. O’er hilly path, and open Strath, We’ll wander Scotland thorough; But, though so near, we will not turn Into the dale of Yarrow. “Let beeves and home-bred kine partake The sweets of Burn-mill meadow, The swan on still St. Mary’s Lake Float double, swan and shadow! We will not see them; will not go, To-day, nor yet to-morrow; Enough if in our hearts we know There’s such a place as Yarrow. “Be Yarrow stream unseen, unknown! It must, or we shall rue it: We have a vision of our own; Ah! why should we undo it? The treasured dreams of times long past, We’ll keep them, winsome Marrow! For when we’er there, although ’tis fair, ’Twill be another Yarrow! “If Care with freezing years should come, And wandering seem but folly,— Should we be loth to stir from home, And yet be melancholy; Should life be dull, and spirits low, ’Twill soothe us in our sorrow, That earth has something yet to show, The bonny holms of Yarrow!”
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69
I I see the boys of summer in their ruin Lay the gold tithings barren, Setting no store by harvest, freeze the soils; There in their heat the winter floods Of frozen loves they fetch their girls, And drown the cargoed apples in their tides. These boys of light are curdlers in their folly, Sour the boiling honey; The jacks of frost they finger in the hives; There in the sun the frigid threads Of doubt and dark they feed their nerves; The signal moon is zero in their voids. I see the summer children in their mothers Split up the brawned womb's weathers, Divide the night and day with fairy thumbs; There in the deep with quartered shades Of sun and moon they paint their dams As sunlight paints the shelling of their heads. I see that from these boys shall men of nothing Stature by seedy shifting, Or lame the air with leaping from its hearts; There from their hearts the dogdayed pulse Of love and light bursts in their throats. O see the pulse of summer in the ice. II But seasons must be challenged or they totter Into a chiming quarter Where, punctual as death, we ring the stars; There, in his night, the black-tongued bells The sleepy man of winter pulls, Nor blows back moon-and-midnight as she blows. We are the dark derniers let us summon Death from a summer woman, A muscling life from lovers in their cramp From the fair dead who flush the sea The bright-eyed worm on Davy's lamp And from the planted womb the man of straw. We summer boys in this four-winded spinning, Green of the seaweeds' iron Hold up the noisy sea and drop her birds, Pick the world's ball of wave and froth To choke the deserts with her tides, And comb the county gardens for a wreath. In spring we cross our foreheads with the holly, Heigh ** the blood and berry, And nail the merry squires to the trees; Here love's damp muscle dries and dies Here break a kiss in no love's quarry, O see the poles of promise in the boys. III I see you boys of summer in your ruin. Man in his maggots barren. And boys are full and foreign to the pouch. I am the man your father was. We are the sons of flint and pitch. O see the poles are kissing as they cross.
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I See The Boys Of Summer
I I see the boys of summer in their ruin Lay the gold tithings barren, Setting no store by harvest, freeze the soils; There in their heat the winter floods Of frozen loves they fetch their girls, And drown the cargoed apples in their tides. These boys of light are curdlers in their folly, Sour the boiling honey; The jacks of frost they finger in the hives; There in the sun the frigid threads Of doubt and dark they feed their nerves; The signal moon is zero in their voids. I see the summer children in their mothers Split up the brawned womb's weathers, Divide the night and day with fairy thumbs; There in the deep with quartered shades Of sun and moon they paint their dams As sunlight paints the shelling of their heads. I see that from these boys shall men of nothing Stature by seedy shifting, Or lame the air with leaping from its hearts; There from their hearts the dogdayed pulse Of love and light bursts in their throats. O see the pulse of summer in the ice. II But seasons must be challenged or they totter Into a chiming quarter Where, punctual as death, we ring the stars; There, in his night, the black-tongued bells The sleepy man of winter pulls, Nor blows back moon-and-midnight as she blows. We are the dark derniers let us summon Death from a summer woman, A muscling life from lovers in their cramp From the fair dead who flush the sea The bright-eyed worm on Davy's lamp And from the planted womb the man of straw. We summer boys in this four-winded spinning, Green of the seaweeds' iron Hold up the noisy sea and drop her birds, Pick the world's ball of wave and froth To choke the deserts with her tides, And comb the county gardens for a wreath. In spring we cross our foreheads with the holly, Heigh ** the blood and berry, And nail the merry squires to the trees; Here love's damp muscle dries and dies Here break a kiss in no love's quarry, O see the poles of promise in the boys. III I see you boys of summer in your ruin. Man in his maggots barren. And boys are full and foreign to the pouch. I am the man your father was. We are the sons of flint and pitch. O see the poles are kissing as they cross.
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57
The shaking stops, numbness ensues Restless nights take hold Suppressed negativity rushes to me Like a title wave of unwanted emotion When will it stop............? When will it stop.............? Dawn breaks over the city The temptation to reach for the bottle... ever growing Shaking continues But this time with rage Sweat drips from my brow Drink.......... Drink.......... Drink.......... The voices start chiming in my mind Diving under cover the bottles clink... clink....... clink....... Empty bottles surround me Just a drop to relieve my pain I can't bare this a second longer The 4 walls of this room, my own person hell Click! The electric meter cuts off Change is hard to come bye Just empty bottles Rage flows through me Smashing up the room I leave Walk that'll help People though People looking People everywhere Eyes in every window Looking.... judging The agony of the sober anxiety, taking hold consuming my mind Card rejected a new low I find change for bread Managed to pay Sweating uncontrollably I can see the apartment block My head clears Stumbling into the darkness I look around the room The sobering realisation I have nothing, no one but these empty bottles
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Oct 11, 2014
Oct 11, 2014 at 1:50 PM UTC
Sober
You asked me once why I felt safe with you The answer is simple, really; you speak to me sweeter than the southern twang of lightly painted china cups twinkling with an old tonic your great grandmother grew up with - Peach tea, more sugar than ice and the chime of silver spoons stirring away low hanging sky in a lazy afternoon haze. You speak to me with the comfort of a tea cup cradled by the saucer lips meeting gently against each other so as not to scrape a scar against the fragile cheek of either companion Sometimes you even whisper with the rattles of old age chiming away at the edges of sweet forgotten bliss - You, darling, speak to me sweeter than any grain of sugar that rubbed me raw.
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Feb 3, 2013
Feb 3, 2013 at 10:02 PM UTC
Southern Hospitality
the grating voices of neighbors unsuccessfully singing Celine Dion ballads the monotonous mechanical humming of the metal factory the squealing of housewives watching an afternoon soap opera the blaring siren of a firetruck racing with tragedy the clunks and clangs of a nearby construction site the roaring of the engine of an overloaded jeepney the chiming of laughter from kids playing in the streets the calls of the street vendor peddling sugary cotton candy the whining of the dog begging to run around outside this is the music of life in the outskirts of the city
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Jun 24, 2014
Jun 24, 2014 at 3:45 AM UTC
suburban music
Your lips were dew-kissed Under the velvety sky The air smelled Of a June rose Dancing in the meadow The sky was studded With twinkling stars Like diamonds and crystals I danced through the mist And waltzed through the trees And balled on the shimmering lake I played my Harp with the Fairies Who showed me the way to Fairyland I came here through the hidden-secret door So now I'm in Fairyland At least I imagine it's so Listening to the Enchanted music Played with the most beautiful Instruments ever Perhaps, even some you've Never heard before Like bluebells kissed in dew Chiming like crystals across the stream Oh, how I'd long to soar And be a Fairy With a Key To Wonderland And to Fairyland Even in illusions I'd love to see this place Called: Fairyland Where all the Fae Folk dwell But this is just A Fantasy Written in the sand ~Marian~
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Jun 6, 2013
Jun 6, 2013 at 4:24 PM UTC
A Fantasy
That day we came and having come lapped at by perfumed light at once separated. We bathed in the pool the water like crystal in the sunset our limbs like glass. On the bank in the hot conjoined air we made love again our sweat like silver in the moonlight. the water's suppurating flow drew our limbs like flotsam in the reeds grappling glistering lilies as we floated in slow, ******** currents. along the bank, the Camphor shades the forest flowers through the long-leaved grass the python slinks We leave for home darkened by the sun.......... tongues digging into melons, pomegranates laid out neatly for dessert ******* out the Rambutan- once the hairy skin is peeled- fiery, red the soft core sweeter than coitus- and stays longer in our thoughts. is this where the dreams are, or where the dreaming begins, between the first caress and the final gasp of satisfaction? Where the threshing limbs devour the sun-shredded wheat and the panting ribbons of air swallow the final sigh- the sleek river flowing seaward, ocean marshalling the land, coral languishing in green pools of broken light. Here, within this infused beauty, ********** has power beyond the weather-bound senses of our northern homes, encased in dull precipitation sunshine a blunted knife beyond the pot-shaped mountains high above the trees like a tear emerging from the sky drops the waterfall its descent languid, its fall sharp and effortless; tinged with azure, carefully sprinkled flakes it spreads out like a clear, chiming puddle. There we spread ourselves naked in the sunlight the sea's rumbling noise distant and fumbling- spreading its curling claws into the slyly forming sunset in reiterated rhythms like beating hearts like lungs- the carefully manufactured beats blending.
0
Mar 20, 2016
Mar 20, 2016 at 10:28 PM UTC
WHEN LOVERS MEET
That day we came and having come lapped at by perfumed light at once separated. We bathed in the pool the water like crystal in the sunset our limbs like glass. On the bank in the hot conjoined air we made love again our sweat like silver in the moonlight. the water's suppurating flow drew our limbs like flotsam in the reeds grappling glistering lilies as we floated in slow, ******** currents. along the bank, the Camphor shades the forest flowers through the long-leaved grass the python slinks We leave for home darkened by the sun.......... tongues digging into melons, pomegranates laid out neatly for dessert ******* out the Rambutan- once the hairy skin is peeled- fiery, red the soft core sweeter than coitus- and stays longer in our thoughts. is this where the dreams are, or where the dreaming begins, between the first caress and the final gasp of satisfaction? Where the threshing limbs devour the sun-shredded wheat and the panting ribbons of air swallow the final sigh- the sleek river flowing seaward, ocean marshalling the land, coral languishing in green pools of broken light. Here, within this infused beauty, ********** has power beyond the weather-bound senses of our northern homes, encased in dull precipitation sunshine a blunted knife beyond the pot-shaped mountains high above the trees like a tear emerging from the sky drops the waterfall its descent languid, its fall sharp and effortless; tinged with azure, carefully sprinkled flakes it spreads out like a clear, chiming puddle. There we spread ourselves naked in the sunlight the sea's rumbling noise distant and fumbling- spreading its curling claws into the slyly forming sunset in reiterated rhythms like beating hearts like lungs- the carefully manufactured beats blending.
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