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Marian Jul 2013
Beautiful ringing chimes
Chiming all throughout the afternoon
Making a sweet melody
Oh beautiful chimes of grace
Ringing out a song of joy!
Ringing all afternoon long
Chiming of the snow
Sparkling on the ground
Chiming of the Summer's return
Chiming of finding happiness in everything
Chiming of bringing sunshine into people's lives
Chiming of everything bright and happy
Chiming the song of nature
Chiming the hymn of God
Oh beautiful chimes, how I love your melody!
Ringing out like laughter across the dew

*~Marian~
Inspired by a piece of music imitating the chimes that I was playing on our piano this evening!!!
Enjoy!!! :) ~<3
Dorothy A Jun 2012
With great recollection, there were a few things in life that Ivy Jankauskas would always remember—always.

She would never forget where she was when 9/11 happened; she was in her algebra class, doodling a picture on a piece of notebook paper of her dog, Zoey—bored out of her mind by Mr. Zabbo’s lecture—when she first heard the shocking news. Certainly, she could remember when she first properly fell in love; she was fresh into college when she knew that she loved Trevor Littlefield—the day after they agreed to get back together, right after the day they decided to split up—after she finally realized that she really loved him, much more than she ever, really, consciously thought. She would forever remember when her parents first took her to Disneyland; she was seven and got her picture taken with Snow White and Mickey Mouse, and she instantly decided that she wanted to become a professional Tinkerbelle when she grew up.

And, like it or not, she could remember her very first kiss. She had just turned five, and it was at her birthday party. How could she ever forget those silly paper hats, and all her little playmates wearing them? They were a good sized group of children, mostly from the neighborhood and her kindergarten class, which watched her open present after present. Ivy remembered her cherry cake, with white frosting, and the stain she had when she dropped a piece on her pretty, new dress that her mother had bought her just for the occasion.  

It was later that day, behind her garage, that Gordon Zachary Durand, the Third, a boy her same age, planted one on her. It was a strange sensation, she recalled—icky, wet and sloppy, and Gordon nearly missed her mouth. Not expecting it, Ivy made a face, puckering up her lips—but not for another kiss—as if she had just ****** on a spoiled lemon. Ever since then, it was the beginning of the dislike she had for Gordon Zachary Durand, the Third. She didn’t exactly know why—there was just something about him that bugged her from then on.

There grew to be several reasons why Ivy knew that Gordon was a ****, something she first sensed at her birthday party behind the garage. Since about third grade, children picked on Ivy’s name, teasing her by calling her “Poison Ivy”.  And the one who seemed to be the loudest and most obnoxious of the name callers, chiming in with the other bullies, was Gordon Zachary Durand, the Third.  Ivy was proud of her name up until then, but the taunts made her self conscious. Her mother told her to be proud of her name, for it was unique and different, as she was unique and an individual. Still, Ivy felt uncomfortable with her name for quite a while. Only in adulthood, did she feel somewhat better about it.

A bit of a tomboy back then in school, she would have loved to punch Gordon right in the nose. If only she could get away with it! What a joke! Who would name their child Gordon anyway? She had thought it was far worse than hers.

So to counter his verbal assaults to her name, Ivy called Gordon, “Flash Gordon”, after the science fiction hero from TV and the comics. But Gordon was no hero to her. He was more of a villain, creepy, vile, and just plain mean!

Soon, new name of him caught on, and other kids were joining her. She had a smug sense of satisfaction that Gordon grew furious of the title, for it stuck to him like glue.

Gordon’s family lived right around the block, just minutes away from where Ivy lived. Ivy’s mom, Gail, and Gordon’s mom, Lucy, both went to the same Lithuanian club, and both encouraged their children to take up Lithuanian folk dancing. Ivy remembered she was eight-years-old when she began dancing. It was three years of Hell, she had thought, wearing those costumes, with long, flowery skirts, frilly blouses, aprons, caps and laced vests, and performing for all the parents and families in attendance. Worst of all, she often had to dance with Gordon, and he was one of only three boys that was dragged into taking up folk dancing by their mothers. Probably all of those boys went into it kicking and screaming, so Ivy had thought.

Many years have came and gone since those days. Ivy was now a lovely, young woman, tall and dark blonde, and with a Master’s degree in sociology, working as a social worker in the prison system. Ivy’s parents would never have imagined that she would work in a field, in such places, but she found it quite rewarding, helping those who often wished for or were in need of redemption.    

When Ivy came over to visit her mom one day, her mother had told her some news. “Gordon Durand’s mother passed away”, Gail announced. It was quite disturbing.

“What? When?” Ivy replied, her face full of shock.

“Well, it must have been a few days ago. I saw the obituary in the paper, and a couple of people from the Lithuanian club called me to tell me. The funeral will be Friday. Why, I didn’t even know she was sick! She must have hid from just about everyone. If only I knew, I would have gone to see her and make sure she know I cared”.

It had been a long time since Ivy saw Gordon, ever since high school. Now, they were both twenty-six-years-old. It never occurred to her to ever think of Gordon, to have him fixed in her mind like a fond memory from the past.

“Could of, would of, should of—don’t beat yourself up, Mom” Ivy told her "I guess I should go pay my respects”. But Ivy was not sure if she really should do it, or really if she wanted to do it. “Mrs. Durand was a nice lady. Sometimes, it is the nice ones that die young. What did she die of anyway?”

Ivy’s mom was pouring herself and her daughter a cup of coffee. “I believe it was leukemia. In the obituary, it asks for donations to be made to the Leukemia Society of America”.

Ivy shook her head in disbelief.  As she was sitting down with her mother at the kitchen table, drinking her coffee, her mom shocked her even more. Gail said, “Only twenty-six, same as you, and now Gordon has no mother or father! How tragic to lose your parents at such a young age! It breaks my heart to think of him without his parents, even though he is a grown up man now!”

“What?!” Ivy shouted in disbelief. “When did Gordon’s dad die?!”

Gail sipped on her coffee mug. “Oh, a few years ago, I believe. Time sure flies, so maybe it was longer than I think”. Gail had a far away look on her face like she was earnestly calculating the time in her mind.

“He died? You never told me that! How come you never told me?”

Under normal circumstances, the thought of Gordon Zachary Durand, the Third, would almost want to make Ivy cringe. But now Ivy was feeling very sad for him.  

“I did!” Gail defended herself. “You just don’t remember, or you weren’t listening. I am sure I told you!”

Gail was a round faced woman, with light, crystal blue eyes that always seemed warm in spite of their icy color. Ivy was quite close to her mother, her parents’ only child. She was grateful that her dad, Max, was still around, too, unlike the thought of Gordon’s dad dying. She felt that she could not have asked for better parents. They loved her and built her up to be who she was, and she felt that they could be proud of how she turned out, not the stereotypically spoiled, only child, not entitled to have everything, but one who was willing to do her share in life.  

“I would have remembered, Mom!” Ivy insisted. “I would remember a thing like that! What happened to him? Did you go to the funeral home?”

“I think he had a heart attack”, Gail replied, tapping her finger on her temple to indicate that she remembered. “I did go…oh, wait a minute. You were in Europe with your friends. It was the year after you graduated from high school, I believe. You couldn’t possibly have gone to the funeral home at that time”.

Since Gail did not want to go to Daytona Beach, in Florida, for her senior trip, her parents saved up the money for her to go to Germany and Italy. Ivy wasn’t into being a bikini clad sun goddess, nor was she thrilled by the rowdy behavior of crowds of *** craved teens—a choice that her parents were quite grateful that she chose, level headed as she was.

Since she was a little girl, Ivy dreamed of going to Europe. Her parents, both grandchildren of Lithuanian immigrants, would have loved for her to go to Lithuania, but Ivy and two of her friends had found a safe, escorted trip to go elsewhere,  on to where Ivy always dreamed of going—to see the Sistine Chapel and to visit her pen pal of eleven years, Ursula Friedrich, in Munich.  

Now, Ivy was available to visit the funeral home for Gordon’s mother, and she had decided to go with her mother. Not seeing Gordon in years, Ivy had her misgivings, not knowing what to expect when encountering him. Perhaps, he would be different now, but maybe he would prove to be quite the ****.

As she came, she noticed Gordon’s sister, Deirdre, and she gave her a hug. “I’m so sorry to hear about your mom. She was so nice”, Ivy told Deirdre. She felt uncomfortable talking to Deirdre, for she did not know what to say other than the usual, I am sorry for your loss. It was “sympathy card” talk, and Ivy felt like she was quoting something contrived from a Hallmark store.    

Deirdre was two years older than Gordon. She slightly smiled at Ivy and sighed. She must have said just about the same thing all day long, “It is good of you to come. Thank you for your kind support. Mom would appreciate it”.

Ivy looked around the room. There were many flowers, in vases and baskets, and people surrounding the casket. Ivy could not see Mrs. Durand in the coffin, for people were in the way, her mother included. She was glad she couldn’t see the body from her view.

Funeral homes gave her the creeps, ever since she was thirteen years old and her grandmother died, her father’s mother, and she had to stay at the funeral home all day long. Even a whiff of some, certain flowers was not pleasant to smell. They reminded her of being at a place like this, certainly not evoking thoughts of joy.          

Ivy looked around the room. “Where is Gordon?” she asked Deirdre.

Deirdre sighed again. “Gordon cannot handle death very well”, she admitted. “Go outside and look. He has been hanging around the building outside, getting some fresh air and insisting he needs a big break from all this.”

Ivy shook her head and smirked. “That sounds like Gordon, I must say”  

“Yeah”, Deirdre agreed, as she looked like Gordon’s help to her was a lost cause. “And he’s leaving me to do all the important work—talking to people who come in while he goes away and escapes from reality”.

Ivy went outside to search for Gordon. Sure enough, she found him by the side of the building, under a broad, shady tree. He was having a cigarette, standing all by himself, when he saw her approach.

Gordon looked the same—wavy brown hair and freckles, but much more grown up and sophisticated, his suit jacked off and his tie loosened up. Ivy knew that he always hated wearing ties. She knew that when both her mom and his mom convinced them to go out with each other—a huge twist of their arms—to the Fall Fest Dance in ninth grade and in junior high school. Gordon’s mom bribed him to go with her by promising to double his allowance for the month, and Ivy actually had a silly crush on Gordon’s cousin, Ben, hoping that she might get to talk to him if she went with Gordon to the dance.

Ivy glanced at Gordon’s cigarette, and he noticed. “Been trying to quit”, Gordon told her as she approached. He dropped it on the sidewalk and stepped on it to put it out. His face was somber as he added without any emotion, as if parroting his own voice, “Ivy Jankauskas—how the hell have you been?” It sounded like he had just seen her in a matter of months instead of years.

Well, at least he had no problem identifying her or remembering her name. She must not have changed that drastically—and hopefully for the better.

Ivy stood there before him, as he looked her down from head to toe. Same old Gordon! She thought he was probably giving her “the inspection”. She thought he almost looked handsome in his brown suit vest and pants—almost—with a sharp look of sophistication that Gordon probably wasn’t accustomed to. Surely, Ivy had no real respect for him.

“I’m well”, she responded. “But the question is more like…how are you doing?” Ivy studied Gordon’s blank expression. “No—really. I’d like to know how you are coping”.

Gordon stood there looking at the ground, his hands in his pants pockets, like he never heard her. “Come on. Let’s go for a walk”

“Here? Now?”

“Just a short work, around the block”, he told her. He already started walking, and Ivy contemplated what to do before she decided to follow up with him to join him.

They walked together in silence for a while. From anyone passing by, they surely would have looked like a couple, a well-paired couple that truly enjoyed each other’s company. Ivy could not believe she was actually walking with him. Gordon Zachary Durand, the Third? Of all people!

“You haven’t answered my question”, Ivy said. “How are you coping? You know I really liked your mom a lot. She always was pleasant to me”.

She wanted to add, “Unlike you”, but it certainly was not the right time or the right place. She felt a twinge of guilt for thinking such a thing. Under more pleasant circumstances, she would have jabbed him a little. That was just how they always communicated, not necessarily in a mean-spirited way, but in a brotherly and sisterly way that involved plenty of teasing.

Gordon thought a moment before he answered. “Yeah, it’s hard. But what can I do? I lost my dad. I lost my mom. Period. End of discussion. I’m too old to be an orphan…but I kind of feel like one anyhow. That’s my answer, in a nutshell”.

“And I wish I knew about your dad”, Ivy said, with a great tone of remorse. “I was in Europe at the time, and I couldn’t have possibly gone to the funeral”.

“Europe? Wow! Aren’t you the jet setter? Who else gets to do that kind of stuff but you, Ivy?”

Now that was the Gordon she always knew! It did not take long for the true Gordon to come forth and show himself.

“No! I don’t have all kinds of money!” she quickly defended herself. “I actually helped pay for some of that trip by working all summer after we graduated from high school. Plus, it was the trip of a lifetime. I may never get the chance to go again on a trip like that again”.  

Ivy was a bit perturbed that Gordon seemed to imply that she was pampered by her parents. He accused her of that before, just because she was an only child.

Autumn was approaching, but summer was still in the air. It was Ivy’s favorite time of year, with the late summer and early autumn, all at the same time.  The trees were just starting to turn colors, but the sun felt nice and warm upon her as Ivy walked along. It was surely an Indian summer day, one that wouldn’t last forever. She wore a light sweater over her sleeveless, cotton dress, and took it off to experience more of the sun.

“It has been ages since I’ve seen you”, Gordon admitted. “Since high school. So what became of you? Did you ever go to college?”

“I did and I work as a social worker…I work in various prisons”

Gordon laughed out loud, and Ivy gave him a stern look. “What’s so funny?” she demanded.

“I just can’t picture you going in the slammer, even if you aren’t wearing an orange suit”, he said in between laughing. He looked at Ivy, and she had quite a frown on her face. He changed his tune. “I was only joking, Ivy. I think you’d probably do good work at your job”.  

“And where do you work?” she asked, a devilish expression on her face. “At the circus?”

Ivy caught herself becoming snarky to Gordon. It did not take long. She opened her mouth to apologize, but Gordon, sensing her need to be sorry, stopped her.

Laughing even more, he said, “Good one! You are sharp and fast on your feet! You always have been! I work for an insurance agency. I work for Triple A”.

“Oh, really? Do you like your job?” Ivy asked. Her interest was genuine.

“It pays the bills. But, hey! I am going back to college in January. I just have an Associate’s degree right now. I am not sure what I want to take up, but I want to go back and at least get a Bachelor’s”.

“That’s great!” Ivy exclaimed. “I think you should keep on learning and keep on moving forward. That is a great goa
An evening all aglow with summer light
And autumn colour—fairest of the year.

The wheat-fields, crowned with shocks of tawny gold,
All interspersed with rough sowthistle roots,
And interlaced with white convolvulus,
Lay, flecked with purple shadows, in the sun.
The shouts of little children, gleaning there
The scattered ears and wild blue-bottle flowers—
Mixed with the corn-crake's crying, and the song
Of lone wood birds whose mother-cares were o'er,
And with the whispering rustle of red leaves—
Scarce stirred the stillness. And the gossamer sheen
Was spread on upland meadows, silver bright
In low red sunshine and soft kissing wind—
Showing where angels in the night had trailed
Their garments on the turf. Tall arrow-heads,
With flag and rush and fringing grasses, dropped
Their seeds and blossoms in the sleepy pool.
The water-lily lay on her green leaf,
White, fair, and stately; while an amorous branch
Of silver willow, drooping in the stream,
Sent soft, low-babbling ripples towards her:
And oh, the woods!—erst haunted with the song
Of nightingales and tender coo of doves—
They stood all flushed and kindling 'neath the touch
Of death—kind death!—fair, fond, reluctant death!—
A dappled mass of glory!
Harvest-time;
With russet wood-fruit thick upon the ground,
'Mid crumpled ferns and delicate blue harebells.
The orchard-apples rolled in seedy grass—
Apples of gold, and violet-velvet plums;
And all the tangled hedgerows bore a crop
Of scarlet hips, blue sloes, and blackberries,
And orange clusters of the mountain ash.
The crimson fungus and soft mosses clung
To old decaying trunks; the summer bine
Drooped, shivering, in the glossy ivy's grasp.
By day the blue air bore upon its wings
Wide-wandering seeds, pale drifts of thistle-down;
By night the fog crept low upon the earth,
All white and cool, and calmed its feverishness,
And veiled it over with a veil of tears.

The curlew and the plover were come back
To still, bleak shores; the little summer birds
Were gone—to Persian gardens, and the groves
Of Greece and Italy, and the palmy lands.

A Norman tower, with moss and lichen clothed,
Wherein old bells, on old worm-eaten frames
And rusty wheels, had swung for centuries,
Chiming the same soft chime—the lullaby
Of cradled rooks and blinking bats and owls;
Setting the same sweet tune, from year to year,
For generations of true hearts to sing.
A wide churchyard, with grassy slopes and nooks,
And shady corners and meandering paths;
With glimpses of dim windows and grey walls
Just caught at here and there amongst the green
Of flowering shrubs and sweet lime-avenues.
An old house standing near—a parsonage-house—
With broad thatched roof and overhanging eaves,
O'errun with banksia roses,—a low house,
With ivied windows and a latticed porch,
Shut in a tiny Paradise, all sweet
With hum of bees and scent of mignonette.

We lay our lazy length upon the grass
In that same Paradise, my friend and I.
And, as we lay, we talked of college days—
Wild, racing, hunting, steeple-chasing days;
Of river reaches, fishing-grounds, and weirs,
Bats, gloves, debates, and in-humanities:
And then of boon-companions of those days,
How lost and scattered, married, changed, and dead;
Until he flung his arm across his face,
And feigned to slumber.
He was changed, my friend;
Not like the man—the leader of his set—
The favourite of the college—that I knew.
And more than time had changed him. He had been
“A little wild,” the Lady Alice said;
“A little gay, as all young men will be
At first, before they settle down to life—
While they have money, health, and no restraint,
Nor any work to do,” Ah, yes! But this
Was mystery unexplained—that he was sad
And still and thoughtful, like an aged man;
And scarcely thirty. With a winsome flash,
The old bright heart would shine out here and there;
But aye to be o'ershadowed and hushed down,

As he had hushed it now.
His dog lay near,
With long, sharp muzzle resting on his paws,
And wistful eyes, half shut,—but watching him;
A deerhound of illustrious race, all grey
And grizzled, with soft, wrinkled, velvet ears;
A gaunt, gigantic, wolfish-looking brute,
And worth his weight in gold.
“There, there,” said he,
And raised him on his elbow, “you have looked
Enough at me; now look at some one else.”

“You could not see him, surely, with your arm
Across your face?”
“No, but I felt his eyes;
They are such sharp, wise eyes—persistent eyes—
Perpetually reproachful. Look at them;
Had ever dog such eyes?”
“Oh yes,” I thought;
But, wondering, turned my talk upon his breed.
And was he of the famed Glengarry stock?
And in what season was he entered? Where,
Pray, did he pick him up?
He moved himself
At that last question, with a little writhe
Of sudden pain or restlessness; and sighed.
And then he slowly rose, pushed back the hair
From his broad brows; and, whistling softly, said,
“Come here, old dog, and we will tell him. Come.”

“On such a day, and such a time, as this,
Old Tom and I were stalking on the hills,
Near seven years ago. Bad luck was ours;
For we had searched up corrie, glen, and burn,
From earliest daybreak—wading to the waist
Peat-rift and purple heather—all in vain!
We struck a track nigh every hour, to lose
A noble quarry by ignoble chance—
The crowing of a grouse-****, or the flight
Of startled mallards from a reedy pool,
Or subtle, hair's breadth veering of the wind.
And now 'twas waning sunset—rosy soft

On far grey peaks, and the green valley spread
Beneath us. We had climbed a ridge, and lay
Debating in low whispers of our plans
For night and morning. Golden eagles sailed
Above our heads; the wild ducks swam about

Amid the reeds and rushes of the pools;
A lonely heron stood on one long leg
In shallow water, watching for a meal;
And there, to windward, couching in the grass
That fringed the blue edge of a sleeping loch—
Waiting for dusk to feed and drink—there lay
A herd of deer.
“And as we looked and planned,
A mountain storm of sweeping mist and rain
Came down upon us. It passed by, and left
The burnies swollen that we had to cross;
And left us barely light enough to see
The broad, black, branching antlers, clustering still
Amid the long grass in the valley.

“‘Sir,’
Said Tom, ‘there is a shealing down below,
To leeward. We might bivouac there to-night,
And come again at dawn.’
“And so we crept
Adown the glen, and stumbled in the dark
Against the doorway of the keeper's home,
And over two big deerhounds—ancestors
Of this our old companion. There was light
And warmth, a welcome and a heather bed,
At Colin's cottage; with a meal of eggs
And fresh trout, broiled by dainty little hands,
And sweetest milk and oatcake. There were songs
And Gaelic legends, and long talk of deer—
Mixt with a sweet, low laughter, and the whir
Of spinning-wheel.
“The dogs lay at her feet—
The feet of Colin's daughter—with their soft
Dark velvet ears pricked up for every sound
And movement that she made. Right royal brutes,
Whereon I gazed with envy.
“ ‘What,’ I asked,
‘Would Colin take for these?’
“ ‘Eh, sir,’ said he,
And shook his head, ‘I cannot sell the dogs.
They're priceless, they, and—Jeanie's favourites.
But there's a litter in the shed—five pups,
As like as peas to this one. You may choose
Amongst them, sir—take any that you like.
Get us the lantern, Jeanie. You shall show
The gentleman.’
“Ah, she was fair, that girl!

Not like the other lassies—cottage folk;
For there was subtle trace of gentle blood
Through all her beauty and in all her ways.
(The mother's race was ‘poor and proud,’ they said).
Ay, she was fair, my darling! with her shy,
Brown, innocent face and delicate-shapen limbs.
She had the tenderest mouth you ever saw,
And grey, dark eyes, and broad, straight-pencill'd brows;
Dark hair, sun-dappled with a sheeny gold;
Dark chestnut braids that knotted up the light,
As soft as satin. You could scarcely hear
Her step, or hear the rustling of her gown,
Or the soft hovering motion of her hands
At household work. She seemed to bring a spell
Of tender calm and silence where she came.
You felt her presence—and not by its stir,
But by its restfulness. She was a sight
To be remembered—standing in the straw;
A sleepy pup soft-cradled in her arms
Like any Christian baby; standing still,
The while I handled his ungainly limbs.
And Colin blustered of the sport—of hounds,
Roe, ptarmigan, and trout, and ducal deer—
Ne'er lifting up that sweet, unconscious face,
To see why I was silent. Oh, I would
You could have seen her then. She was so fair,
And oh, so young!—scarce seventeen at most—
So ignorant and so young!
“Tell them, my friend—
Your flock—the restless-hearted—they who scorn
The ordered fashion fitted to our race,
And scoff at laws they may not understand—
Tell them that they are fools. They cannot mate
With other than their kind, but woe will come
In some shape—mostly shame, but always grief
And disappointment. Ah, my love! my love!
But she was different from the common sort;
A peasant, ignorant, simple, undefiled;
The child of rugged peasant-parents, taught
In all their thoughts and ways; yet with that touch
Of tender grace about her, softening all
The rougher evidence of her lowly state—
That undefined, unconscious dignity—
That delicate instinct for the reading right
The riddles of less simple minds than hers—
That sharper, finer, subtler sense of life—
That something which does not possess a name,

Which made her beauty beautiful to me—
The long-lost legacy of forgotten knights.

“I chose amongst the five fat creeping things
This rare old dog. And Jeanie promised kind
And gentle nurture for its infant days;
And promised she would keep it till I came
Another year. And so we went to rest.
And in the morning, ere the sun was up,
We left our rifles, and went out to run
The browsing red-deer with old Colin's hounds.
Through glen and bog, through brawling mountain streams,
Grey, lichened boulders, furze, and juniper,
And purple wilderness of moor, we toiled,
Ere yet the distant snow-peak was alight.
We chased a hart to water; saw him stand
At bay, with sweeping antlers, in the burn.
His large, wild, wistful eyes despairingly
Turned to the deeper eddies; and we saw
The choking struggle and the bitter end,
And cut his gallant throat upon the grass,
And left him. Then we followed a fresh track—
A dozen tracks—and hunted till the noon;
Shot cormorants and wild cats in the cliffs,
And snipe and blackcock on the ferny hills;
And set our floating night-lines at the loch;—
And then came back to Jeanie.
“Well, you know
What follows such commencement:—how I found
The woods and corries round about her home
Fruitful of roe and red-deer; how I found
The grouse lay thickest on adjacent moors;
Discovered ptarmigan on rocky peaks,
And rare small game on birch-besprinkled hills,
O'ershadowing that rude shealing; how the pools
Were full of wild-fowl, and the loch of trout;
How vermin harboured in the underwood,
And rocks, and reedy marshes; how I found
The sport aye best in this charmed neighbourhood.
And then I e'en must wander to the door,
To leave a bird for Colin, or to ask
A lodging for some stormy night, or see
How fared my infant deerhound.
“And I saw
The creeping dawn unfolding; saw the doubt,
And faith, and longing swaying her sweet heart;
And every flow just distancing the ebb.

I saw her try to bar the golden gates
Whence love demanded egress,—calm her eyes,
And still the tender, sensitive, tell-tale lips,
And steal away to corners; saw her face
Grow graver and more wistful, day by day;
And felt the gradual strengthening of my hold.
I did not stay to think of it—to ask
What I was doing!
“In the early time,
She used to slip away to household work
When I was there, and would not talk to me;
But when I came not, she would climb the glen
In secret, and look out, with shaded brow,
Across the valley. Ay, I caught her once—
Like some young helpless doe, amongst the fern—
I caught her, and I kissed her mouth and eyes;
And with those kisses signed and sealed our fate
For evermore. Then came our happy days—
The bright, brief, shining days without a cloud!
In ferny hollows and deep, rustling woods,
That shut us in and shut out all the world—
The far, forgotten world—we met, and kissed,
And parted, silent, in the balmy dusk.
We haunted still roe-coverts, hand in hand,
And murmured, under our breath, of love and faith,
And swore great oaths for one of us to keep.
We sat for hours, with sealèd lips, and heard
The crossbill chattering in the larches—heard
The sweet wind whispering as it passed us by—
And heard our own hearts' music in the hush.
Ah, blessed days! ah, happy, innocent days!—
I would I had them back.
“Then came the Duke,
And Lady Alice, with her worldly grace
And artificial beauty—with the gleam
Of jewels, and the dainty shine of silk,
And perfumed softness of white lace and lawn;
With all the glamour of her courtly ways,
Her talk of art and fashion, and the world
We both belonged to. Ah, she hardened me!
I lost the sweetness of the heathery moors
And hills and quiet woodlands, in that scent
Of London clubs and royal drawing-rooms;
I lost the tender chivalry of my love,
The keen sense of its sacredness, the clear
Perception of mine honour, by degrees,
Brought face to face with customs of my kind.

I was no more a “man;” nor she, my love,
A delicate lily of womanhood—ah, no!
I was the heir of an illustrious house,
And she a simple, homespun cottage-girl.

“And now I stole at rarer intervals
To those dim trysting woods; and when I came
I brought my cunning worldly wisdom—talked
Of empty forms and marriages in heaven—
To stain that simple soul, God pardon me!
And she would shiver in the stillness, scared
And shocked, with her pathetic eyes—aye proof
Against the fatal, false philosophy.
But my will was the strongest, and my love
The weakest; and she knew it.
“Well, well, well,
I need not talk of that. There came the day
Of our last parting in the ferny glen—
A bitter parting, parting from my life,
Its light and peace for ever! And I turned
To ***** and billiards, politics and wine;
Was wooed by Lady Alice, and half won;
And passed a feverous winter in the world.
Ah, do not frown! You do not understand.
You never knew that hopeless thirst for peace—
That gnawing hunger, gnawing at your life;
The passion, born too late! I tell you, friend,
The ruth, and love, and longing for my child,
It broke my heart at last.
“In the hot days
Of August, I went back; I went alone.
And on old garrulous Margery—relict she
Of some departed seneschal—I rained
My eager questions. ‘Had the poaching been
As ruinous and as audacious as of old?
Were the dogs well? and had she felt the heat?
And—I supposed the keeper, Colin, still
Was somewhere on the place?’
“ ‘Nay, sir,’; said she,
‘But he has left the neighbourhood. He ne'er
Has held his head up since he lost his child,
Poor soul, a month ago.’
“I heard—I heard!
His child—he had but one—my little one,
Whom I had meant to marry in a week!

“ ‘Ah, sir, she turned out badly after all,
The girl we thought a pattern for all girls.
We know not how it happened, for she named
No names. And, sir, it preyed upon her mind,
And weakened it; and she forgot us all,
And seemed as one aye walking in her sleep
She noticed no one—no one but the dog,
A young deerhound that followed her about;
Though him she hugged and kissed in a strange way
When none was by. And Colin, he was hard
Upon the girl; and when she sat so still,
And pale and passive, while he raved and stormed,
Looking beyond him, as it were, he grew
The harder and more harsh. He did not know
That she was not herself. Men are so blind!
But when he saw her floating in the loch,
The moonlight on her face, and her long hair
All tangled in the rushes; saw the hound
Whining and crying, tugging at her plaid—
Ah, sir, it was a death-stroke!’
“This was all.
This was the end of her sweet life—the end
Of all worth having of mine own! At night
I crept across the moors to find her grave,
And kiss the wet earth covering it—and found
The deerhound lying there asleep. Ay me!
It was the bitterest darkness,—nevermore
To break out into dawn and day again!

“And Lady Alice shakes her dainty head,
Lifts her arch eyebrows, smiles, and whispers, “Once
He was a little wild!’ ”
With that he laughed;
Then suddenly flung his face upon the grass,
Crying, “Leave me for a little—let me be!”
And in the dusky stillness hugged his woe,
And wept away his pas
jane taylor May 2016
running
deliquescing into nature
i am engulfed in stillness

i encounter a deer as i round a corner
its chestnut eyes intensely sense
something wild within me
transfixed
we meld palpably
whispering our essence

myopic views warp into acute focus
golden flowers stretch and arch
and yawning into the sun
swell with bursts of luster
whilst violets polka dot the path
with lilac luminescence

dead tree trunks
mutating into masterpieces
yearn for new life
drawing in the squirrels

yellow-bellied birds
hover
sensing my motions
whilst woodland winds undulate
pine scented waves of sea salt oceans

my ears enchantingly enhanced
by bristling leaves caressing trees
as scintillating amber butterflies
dance in synch
with the clock tower’s
ancient chiming

a gust of wind
catches a patch of sand
and sends it quivering
fusing high in summer air
then falling soft as feathers

hidden fairies prance about
answering unheard questions
problems dissolve in emerald meadows
without a hint of striving

essays write themselves
upon my mind
poetry flows through me
wings of meadowlarks
trace my face with nuances
interlaced with connotations

rushing home
i write it down
then bowing i take credit
for what was etched upon my soul
by a sunbeam in the forest

©2016janetaylor
Edward Coles Mar 2014
Rugby town, of landlocked streets,
of wasted field and barefaced retreat;
I miss you now, in absence of a friend,
I miss you now, in the verse that I lend.

Suburb grove, of sleepy mist,
oh, battered housewife, oh blastocyst;
you will remain in place forevermore,
and forevermore, you'll become a bore.

Holding cell, of sporting fame,
you stole my dreams but gave me my name;
I think of you: a multi-storey view,
of happy faces, of which there is few.

Still, my town, in debt's nightgown,
the shop-fronts vacate, we're feeling down;
these streets are poisoned with names of the past,
each memoir to teach: nothing's built to last

Rugby town, of weary folk,
the private school is a private joke;
I miss you now, as I sleep through the day,
I miss the old walks, and all that you'd say.

Old market town, the aftermath,
of British summer, suicide bath;
of open mics and closing the shutters,
of waking graveyards, sleeping in gutters.

Hopeless climbs, of dreary times,
of childhood state and nursery rhymes;
each time that I come home, I know you less,
becoming a stranger in my redress.

Clock tower, chiming, chiming loud,
singing for history long and proud;
of Rupert Brooke and the question: “what if?”
What if I was born to some lover's tiff?

To some large and friendless town,
to some body of land, which I drown;
to some active place of pain unknown,
to some place that I'll not gauge that I've grown,

oh Rugby dear, stay with me,
let  me live on the periphery;
and although this town seems terribly dull,
it could be worse – I could live in Hull.
c
MY FROG MASTERS

How thoughtful were the rainfalls
To water our gardens and flowers
The flowers spread wide garments
To celebrate their terminal beauty

The joyful frogs occupied my pond
To orchestrate their vocal prowess
They taught me to take blind leaps
Like lightning bouncing in the skies

Squatted, stretched, beeped down
I was a millstone on the pond floor
My slippery pond mates wondered
How soft I was in the maritime arts

Mortally rescued in a muddy mood
The clouds sent in rescuing showers
To confirm my firm loss to the frogs
Like a grain of salt cast into the seas


673. MONEY BAGS IN THEIR BODY BAGS

The money bags shopping for their body bags
Waggled through the makeshift supermarkets

Their ancestral homes they plotted modernity
Like the general gathering fine forces together

To the villages they made to return with pride
Like pregnant elephants caught up in the mud

Their desolate villages are deep and sickening
Glowing flamingly in the crucibles of local gins

The dusty and gravy pathways are like furnace
Burning the leather off from their frozen souls

Traditional birth attendants cut off their cords
And zipped the money bags in their body bags

674. A GLORIOUS DAY

The new day spoke powerfully
Like a war making superpower
And his voice roared forcefully
Like the skies forced to shower

The sunrays came dynamically
Like love responding to silence
Beauty crawled in submissively
Like the mixed arts and science

One eagle soared energetically
Like lions feuding in the colony
Far clouds relocated peacefully
Like souls betrayed to harmony

The breeze sighed thoughtfully
Like horses galloping on the lea
Inspiration unfolded thankfully
Crowns monuments with a pea

675.  THE FOG BANK

The sun had gone to pay our bill in the fog bank
The world foggily crawled into the strong rooms
Darkness demonstrated her strong mindfulness
Provided for the strong gale with lurking shrieks

The black paint billers snowballed to our dreams
With the bill of exchange for wild sunny excesses
Ghostly bats emerged with the bill of indictment
In demonstration of our acrophobic dispositions

We packaged the sunrays for our folk memories
To reassure the day of our eternal followerships
We cherish our follow-throughs in our dark beat
To usher the sunlight out of the hollow fog bank

676. THE PROTRACTED INTERNECINE FEUD

These things had happened before we were born
Like sulphur deep into our fresh hearts they burn
Now we stumble on the bumpy terrains in horror
Like one frightened by ghosts in a standing mirror

The internecine feud has razed our men of valour
With their carcasses dumped in their cold parlour
Our community cattle graze in the barren pasture
Like the unrepentant sinners awaiting the rapture

For our plight the once glorious sky is grown pale
Like the ***** fetching territorial waters with pail
The storms have rolled off the catalogues for rain
All our efforts to mop up the mess end up in vain



677. THE AREA LEADERS

They cracked coconuts on the heads for the crown
And embraced our days with their castaway pollen
Sadness and sorrow have dyed our garment brown
With the strongest song sung when night has fallen

These are the blinding dusts from our barn’s grains
They breed cunning serpents in the soft pasturages
They are failed cargoes on our broad societal trains
They dedicate our common committee to outrages

Now our days seek deliverance from their tentacles
Like the colourful fields immersed in gloomy beauty
They play our eyeballs with the stenciled spectacles
With our consciences to sight and found us off duty

To rescue us the colossal clouds were born gadarene
Our communal life was willed to pageants of gaieties
Then moonlight stories held us for a larger gathering
Now all the objects we sight dress up like cold deities

678. THE LAST DESCENDANTS

The rapacious thunderstorms ***** the skies for their tears
The hot embers were born to glow mourning the late forest
The moon crawled out of the blue like a great grandmother
Cuddling her descendants wrapped up in her ancient shawls

The wild waves were weird weavers weaving withering wails
The captioned wigs gyrated on stunning shoes upon auctions
The little creatures crouched in primeval baskets of the night
To gnaw at the generational tubers in the creative farmlands

The dazzling specimens of dentitions relaxed in water basins
Like bright red artistic architectures on potent ocean boards
Golden hearts glow in the threatening prisms of the furnace
As beautiful sunset defines her beauties in her nightly corset

It had been a sweet pill for the past descendants to swallow
Depending on the colonial masters for loaves, lore and lures
Our creativity had been packaged in their mortal depravities
Like the tranquil days resting sorrowfully upon the dark oars

The centenarian thunders downgraded our minute whispers
We had been kept upon our toes by the eternally sworn foes
At last our worthy artworks have worn their wormy catwalks
The refreshed dawns greet our easting days in their greenery



679. VICTIMS IN THE VALLEY

The victims in the dark rally
Caged, dried and browning
Therein their meanings tally
With waves born drowning

In the depth of a cold valley
Horrible nobles are cultures
Like pilgrims in the dark alley
Willed to ravenous vultures

The victims all robed in tears
With hearts like potter’s clay
For pains they have no fears
Only mimed games they play

For victory awaits the victims
Alien to a blind mimed game
Glorious are eternal rhythms
For death Christ died to tame

680. THE GIANT SCARS

These are our giant threatening scars
Engraved on our demonstrative heads
Our sympathies crawled on superstars
Weeping for us on their moonlit beds

They threatened us with nasal sounds
Like thunderclouds seasoned to burst
For us their galleries are out of bounds
Behind the iron bars plagued with rust

Our patience passed their wildest tests
Like the lions roaring in the thick jungle
On the heart of the Lord our faith rests
Like numbers posted on the right angle

681.  A LADY

In a lady’s handbag
Is her hidden hunchback
Stuffed with her heart ache
For the pains relieving groom

In a lady’s tender smile
Is hidden miles of similitude
Marked with the zebra crossings
For the ever winning marathoner

In a tender lady’s heart
Is hidden her cowboy’s hat
Soaring within the white clouds
To soothe the earth with the latter rains

682. BRING BACK OUR GIRLS

Bring back our homesick girls
Their vacant cradles are bleeding
Bring back our innocent girls
On the chariots of fire descending

Bring back our suckling girls
Their feeding bottles are weeping
Bring back our infant girls
Their mothers’ ******* are heavy

Bring back our harmless girls
The united universe is thundering
Bring back our dewy girls
In the sharp sun rising in the skies

Bring back our beautiful girls
Like light plucked from darkness
Bring back our glorious girls
Aboard the shore-bound waves

Bring back our worthy girls
On their fresh faces our lights seek to glow
Bring back our living girls
Our fountains of joy are bubbling to burst

For our returned girls the skies shall bear
Roaring rivers, singing seas, chiming clouds
With gongs and songs, pianos and praises
Dulcet dulcimers and documentable dances
With healthy hymns and eloquent embraces
All nations shall into a common cathedral flow

683. ****** GENEOLOGIES

They electrify their demonic high tables with old fears
Only their ****** genealogies are bookmarked to reign
The sight of their portables whetted our eyes to tears
We are reinforced by the clouds born to the later rain

Our skins have renovated the sickening cattle wagons
With our dreams flying upon huge smokes in the skies
Beneath their tables we abridge their creaking jargons
Upon their floors with our generational landmark tiles

The dew drops dropped like old crops upon our brows
To soften the veils falling to the flaming edged swords
The flaming hearted sword of the penetrating sunrays
Born to pluck us alive from our hotly bandaged bruises

684. LET US SPEAK UP

The light is climbing downstairs
And danger is sprouting abroad
Our feet are listening for a word
Let us speak up lest they go deaf

The light is melted on the glades
And terror grazing our eyelashes
Our feet are listening for a word
Let us speak up lest they go deaf

The light is late and lately buried
The mourners are on danger list
Our feet are listening for a word
Let us speak up lest they go deaf

The light has divorced the grave
Her grave clothes are dew dyed
Our feet are listening for a word
Let us speak up lest they go deaf

Silence is a forgotten tombstone
Lost in the din of cold morticians
Our feet are listening for a word
Let us speak up lest they go deaf

685.  THE SUN

The sun smiles on all prescriptively
Like the waves spreading on shores
The green grass glows descriptively
Like the full moon upon dark sores

The sun is a tailor fixing the buttons
Preparing the sky for incoming stars
Like the weaverbird weaving cottons
To conceal the day’s damnable scars

The sun is a marker on diurnal pages
Tall grace he bestows on the flowers
The sun retains his graces for all ages
Bees and butterflies are his followers

Our common laughter is endangered
When sun bows down in big setbacks
All mortals have the starlets fingered
When the night comes on drawbacks

686. UNTIL HERE

(For Lou Lenart and his team)

Their floods came seeking Jewish bloods
Like streams they roared for our dreams
They emerged as columns of soldier ants
Like whirlwinds they zoomed towards us

Until here we were crumbs for the reptiles
Until here we were like airborne cloudlets
But here the sudden change unveiled to us
From here the elusive victory embraced us

With skeletal jets we fought like bold lions
Soared like eagles and spoke like thunders
We conquered columns of invading armies
The bleeding armies turned back and blank

From here we turned from victims to victors
From here enemies’ defeat our greatest feat
Upon this memorable bridge it all happened
Victories leapt upon our pool like joyful frogs

687.  JOY UNLIMITED

The fledging sun offers its rays
And the rays offer golden trays
For our joy a platform to spray
Rowdy paratroops like thunder
To scoop roses from pure oasis

Our joy is ripe upon celebrations
Our celebrations with decorations
Decorations with documentations
Documentations for all generations
Generations in our joyful habitations

688. ANOTER RAINING DAY

The dark clouds are wandering river basins
Spiral bounded by breakable outer casings
The rivers and the seas display empty cups
For the swift blessings descending the tops

The rains come as defense troops’ missiles
And the drowning lands look like imbeciles
Now we are groaning in the watered claws
With the liberated scales marking our flaws

The retreating clouds crawl away in a belch
Dumping the missing cargoes on the beach
The winds bow in a state of shock in a cord
Praying and fasting for a visit from the Lord

689. GRANDMOTHER

Grandmother, please wake and get up
The sky is quarreling with her husband
Soon they will spill their freezing sweat
On our bodies for us to catch dead cold

Grandmother, please sneeze not louder
The sky and her husband are quarreling
Soon they will send old floods like gales
To sweep mankind away from the world

Grandmother, you are everything I have
My moon, my sun and my morning stars
Provoke not the couples with your cough
Lest they refill their greasily wraths again

Grandmother, the big reptiles have come
With their lethal grandchildren following
They are laced with secret burial shrouds
With sympathetic tears tearing their eyes

Grandmother, I kiss you a shaky goodbye
With broken pains roaring within my soul
Grandmother, where are your groundnuts
To conduct my solo heart as you sing away

690.  A NIGHT WALK THROUGH THE FOREST

Lured away on an alluring dream by fables
I trudged along the grassy paths with fears
Upon my steps spilling the prevailing dews
The shadows bowed their heads in silence
Like the soul issued with a death sentence

The night crawlers emerged above boards
Throwing light upon contrary communities
In their hearts and eyes were painful tears
Crawling down their exaggerated eye *****
Like a handbag filled with rotten cosmetics

The shadows were bold animators’ shelves
Stage managing the horror motion pictures
In the ghostly commodities I met wild hosts
Lifeworks evaporated from my fresh breath
Like foreign tragedies in common comedies

The sorrowful shadows cast away their veils
Like the candles letting go of the weird wax
Sadly I sat in the sack for conflicting fetuses
Another sun appeared like a serial divorcee
Counting the testicles of another naked day

691.  SUBJECTIVE SUBJECTS

The sad sun descended upon her haunting melodies
Reeling from mysterious layers for electoral riggings
To harden the flowerbed for flower girls born tender
Disenfranchised voters came weeping in barren polls
Dressing the blank nest for the fat electoral parodies
With the mourners the faulty bells they came ringing
Like the angry water castigating a ****** port fender
And the smokes climbed upon their wide aerial poles
Arching over the emptied shelves with liberal singing
They subjected their subjective subjects to all objects
Eleanor Sinclair Dec 2014
Eyes on the clock
Tick toc tick toc
Sipping a cup of coffee
Darker than the sky
Rain sliding down the windows
Pitter patter pitter patter
Watching people come in and out
Sitting at the table
"Order up!
Two Vanilla Blonde Roast Coffee's!"
Yelled a man,
But all I could hear was the music
Chiming around the room
And bouncing off the walls
Multiple conversations
I sat there
In that room
Writing stories
And Tales
Like no other had done
Such where the hero was the villain
Stories that could only be deciphered
By those who have felt the pain
Of the lonesome characters
That these stories depicted
I.

Hear the sledges with the bells—
Silver bells!
What a world of merriment their melody foretells!
How they ******, ******, ******,
In their icy air of night!
While the stars, that oversprinkle
All the heavens, seem to twinkle
With a crystalline delight;
Keeping time, time, time,
In a sort of Runic rhyme,
To the tintinnabulation that so musically wells
From the bells, bells, bells, bells,
Bells, bells, bells—
From the jingling and the tinkling of the bells.

II.

Hear the mellow wedding bells,
Golden bells!
What a world of happiness their harmony foretells!
Through the balmy air of night
How they ring out their delight!
From the molten golden-notes,
And all in tune,
What a liquid ditty floats
To the turtle-dove that listens, while she gloats
On the moon!
Oh, from out the sounding cells,
What a gush of euphony voluminously wells!
How it swells!
How it dwells
On the future! how it tells
Of the rapture that impels
To the swinging and the ringing
Of the bells, bells, bells,
Of the bells, bells, bells, bells,
Bells, bells, bells—
To the rhyming and the chiming of the bells!

III.

Hear the loud alarum bells—
Brazen bells!
What a tale of terror now their turbulency tells!
In the startled ear of night
How they scream out their affright!
Too much horrified to speak,
They can only shriek, shriek,
Out of tune,
In a clamorous appealing to the mercy of the fire,
In a mad expostulation with the deaf and frantic fire
Leaping higher, higher, higher,
With a desperate desire,
And a resolute endeavor
Now—now to sit or never,
By the side of the pale-faced moon.
Oh, the bells, bells, bells!
What a tale their terror tells
Of Despair!
How they clang, and clash, and roar!
What a horror they outpour
On the ***** of the palpitating air!
Yet the ear it fully knows,
By the twanging,
And the clanging,
How the danger ebbs and flows;
Yet the ear distinctly tells,
In the jangling,
And the wrangling,
How the danger sinks and swells,
By the sinking or the swelling in the anger of the bells—
Of the bells—
Of the bells, bells, bells, bells,
Bells, bells, bells—
In the clamor and the clangor of the bells!

IV.

Hear the tolling of the bells—
Iron bells!
What a world of solemn thought their monody compels!
In the silence of the night,
How we shiver with affright
At the melancholy menace of their tone!
For every sound that floats
From the rust within their throats
   Is a groan.
And the people—ah, the people—
They that dwell up in the steeple.
    All alone,
And who toiling, toiling, toiling,
  In that muffled monotone,
Feel a glory in so rolling
  On the human heart a stone—
They are neither man nor woman—
They are neither brute nor human—
    They are Ghouls:
And their king it is who tolls;
And he rolls, rolls, rolls,
         Rolls
A paean from the bells!
And his merry ***** swells
With the paean of the bells!
And he dances, and he yells;
Keeping time, time, time,
In a sort of Runic rhyme,
To the paean of the bells—
    Of the bells:
Keeping time, time, time,
In a sort of Runic rhyme,
  To the throbbing of the bells—
Of the bells, bells, bells—
  To the sobbing of the bells;
Keeping time, time, time,
  As he knells, knells, knells,
In a happy Runic rhyme,
To the rolling of the bells—
Of the bells, bells, bells—
To the tolling of the bells,
Of the bells, bells, bells, bells,
  Bells, bells, bells—
To the moaning and the groaning of the bells.
As I walked out one evening,
Walking down Bristol Street,
The crowds upon the pavement
Were fields of harvest wheat.

And down by the brimming river
I heard a lover sing
Under an arch of the railway:
"Love has no ending.

"I'll love you, dear, I'll love you
Till China and Africa meet,
And the river jumps over the mountain
And the salmon sing in the street,

"I'll love you till the ocean
Is folded and hung up to dry
And the seven stars go squawking
Like geese about the sky.

"The years shall run like rabbits,
For in my arms I hold
The Flower of the Ages,
And the first love of the world."

But all the clocks in the city
Began to whirr and chime:
"O let not Time deceive you,
You cannot conquer Time.

"In the burrows of the Nightmare
Where Justice naked is,
Time watches from the shadow
And coughs when you would kiss.

"In headaches and in worry
Vaguely life leaks away,
And Time will have his fancy
To-morrow or to-day.

"Into many a green valley
Drifts the appalling snow;
Time breaks the threaded dances
And the diver's brilliant bow.

"O plunge your hands in water,
Plunge them in up to the wrist;
Stare, stare in the basin
And wonder what you've missed.

"The glacier knocks in the cupboard,
The desert sighs in the bed,
And the crack in the tea-cup opens
A lane to the land of the dead.

"Where the beggars raffle the banknotes
And the Giant is enchanting to Jack,
And the Lily-white Boy is a Roarer,
And Jill goes down on her back.

"O look, look in the mirror?
O look in your distress:
Life remains a blessing
Although you cannot bless.

"O stand, stand at the window
As the tears scald and start;
You shall love your crooked neighbour
With your crooked heart."

It was late, late in the evening,
The lovers they were gone;
The clocks had ceased their chiming,
And the deep river ran on.
Robert Fox May 2013
“The Owl and The Fox”

Silvery white shines the moon tonight

As the sea caresses the shore

And rain slips through the door

The wind roars aloud

At a ship sailing on a cloud

My safety seems so weak

For these walls are all i seek

To guard against these forces strong

But my safety will not last for long

This hope I abandon in all

And pray to God to catch my fall

His hand i do not feel

Though his help I know is real

My castle is gone

Standing alone I feel so wrong

Secluded on this sandy stretch

I look to my right and to my left

Then looking to the water black

I see a face that has no lack

Of terror and fear

That drowning is near

Forgetting all thats been lost

Saving them is my only thought

Plunging into the icy sea

I try to save them as i tried to save me

Kicking back in hope of life

The waves cease their strife

And the wind sinks in its icy knife

Looking down to face this man

I see it was a woman i brought to land

Taking her hand

I lift her from the sand

Staring at me she opens her lips

Then speaks in a voice not honeyed or crisp

Never the less her speech I can tell

Is the voice of an angel chiming as a bell

I try to let go of her hand lily white

But she holds on so very tight

And whispers so slight

Nine words in my ear

That I could barely hear

“Thank you for saving me

my gallant gray knight”

Heart skipping a beat I knew that I would

Love only her for as long as I could.

I'm sure you can see

Even though this may be

A story far off way out in the sea

I still hope in my heart its about you and me.

From The Fox, To The Owl
Valsa George May 2016
Like a toddler taking maiden steps
The narrow stream moves through the woods
Tripping and falling over pebbles and boulders
Chiming its silver anklets

Forcing itself in irrepressible flow
It thrusts and shoves its way down
Through thickets and a line of ferns
And the tangle of creepers and thorny brambles

Drowning the whisper of bamboo leaves
Its sweet murmur falls in my ears
As an eternal living melody
The cosmic song heard over eons

As the water sluices down the rocks
It becomes a frothing braided torrent
Producing a harsh grating roar
Like the crescendo of a tribal symphony

There it forms into a small pool
With its waves gently rippling
Where birds merrily come to take a dip
And sunning their feathers, fly back refreshed

Sometimes travelling unseen
It suddenly emerges into the open
Cutting its way through cracks and fissures
Never willing to surrender before hurdles

With a bearing immaculate in grace
It sends out waves of pure delight
What joy it is to watch the dilly dally
Of this sedate pilgrim moving to its destination
I
Thy trivial harp will never please
Or fill my craving ear;
Its chords should ring as blows the breeze,
Free, peremptory, clear.
No jingling serenader's art,
Nor ****** of piano strings,
Can make the wild blood start
In its mystic springs.
The kingly bard
Must smile the chords rudely and hard,
As with hammer or with mace;
That they may render back
Artful thunder, which conveys
Secrets of the solar track,
Sparks of the supersolar blaze.
Merlin's blows are strokes of fate,
Chiming with the forest tone,
When boughs buffet boughs in the wood;
Chiming with the gasp and moan
Of the ice-imprisoned hood;
With the pulse of manly hearts;
With the voice of orators;
With the din of city arts;
With the cannonade of wars;
With the marches of the brave;
And prayers of might from martyrs' cave.

Great is the art,
Great be the manners, of the bard.
He shall not his brain encumber
With the coil of rhythm and number;
But, leaving rule and pale forethought,
He shall aye climb
For his rhyme.
"Pass in, pass in," the angels say,
"In to the upper doors,
Nor count compartments of the floors,
But mount to paradise
By the stairway of surprise."

Blameless master of the games,
King of sport that never shames,
He shall daily joy dispense
Hid in song's sweet influence.
Forms more cheerly live and go,
What time the subtle mind
Sings aloud the tune whereto
Their pulses beat,
And march their feet,
And their members are combined.

By Sybarites beguiled,
He shall no task decline;
Merlin's mighty line
Extremes of nature reconciled,
Bereaved a tyrant of his will,
And made the lion mild.
Songs can the tempest still,
Scattered on the stormy air,
Mold the year to fair increase,
And bring in poetic peace.
He shall nor seek to weave,
In weak, unhappy times,
Efficacious rhymes;
Wait his returning strength.
Bird that from the nadir's floor
To the zenith's top can soar,
The roaring orbit of the muse exceeds that journey's length.
Nor profane affect to hit
Or compass that, by meddling wit,
Which only the propitious mind
Publishes when 'tis inclined.
There are open hours
When the God's will sallies free,
And the dull idiot might see
The flowing fortunes of a thousand years;
Sudden, at unawares,
Self-moved, fly-to the doors,
Nor sword of angels could reveal
What they conceal.

II
The rhyme of the poet
Modulates the king's affairs;
Balance-loving Nature
Made all things in pairs.
To every foot its antipode;
Each color with its counter glowed:
To every tone beat answering tones,
Higher or graver;
Flavor gladly blends with flavor;
Leaf answers leaf upon the bough;
And match the paired cotyledons.
Hands to hands, and feet to feet,
In one body grooms and brides;
Eldest rite, two married sides
In every mortal meet.
Light's far furnace shines,
Smelting ***** and bars,
Forging double stars,
Glittering twins and trines.
The animals are sick with love,
Lovesick with rhyme;
Each with all propitious Time
Into chorus wove.

Like the dancers' ordered band,
Thoughts come also hand in hand;
In equal couples mated,
Or else alternated;
Adding by their mutual gage,
One to other, health and age.
Solitary fancies go
Short-lived wandering to and ire,
Most like to bachelors,
Or an ungiven maid,
Nor ancestors,
With no posterity to make the lie afraid,
Or keep truth undecayed.
Perfect-paired as eagle's wings,
Justice is the rhyme of things;
Trade and counting use
The self-same tuneful muse;
And Nemesis,
Who with even matches odd,
Who athwart space redresses
The partial wrong,
Fills the just period,
And finishes the song.

Subtle rhymes, with ruin rife
Murmur in the hour of life,
Sung by the Sisters as they spin;
In perfect time and measure they
Build and unbuild our echoing clay.
As the two twilights of the day
Fold us music-drunken in.
ls Aug 2018
I rest my head in the dusky hours
early in the hope I'll awaken refreshed
instead in the lonely hours
at 2am, 3am and 4am
my body rests
while my mind races with complex thought
caught somewhere between sadness and complacency
the past present and future merging into one
clashing and colliding
confusing
working hard into the night
sending my heart to palpitations.  

I close my eyes and the words I see written on my ceiling
are engrained on the insides of my eyelids
crawling with the spiders
I overthink instead of sleep
I dream in my conscious state
of what could've been
what is
and what might be
restless in a state of exhaustion
lucid in a state of total consciousness
hopeless to stop the relentless tide of my imagination
from rotting my brain inside and out
ruining any faith I have in a night of sleep
or a day of clarity and competence.  

The thoughts leave when I rise again at 7am
as planned
with the chiming of the bells on the nightstand
my head snaps into reality again
focus returns in the form of routine
get up, go
move on, mend.
Distracted and oblivious
my lack of sleep haunts me
until I repeat this dull cycle again tonight
I live my nightmares in the lonely hours
at 2am, 3am and 4am.
Sarah Jul 2015
The piano is singing
below your hands
and I can hum in
tune

I love to be a channel
playing refrain,
under
you

and still the drums
beat slowly
while I'm
masked in your
perfume

acoustic stringing
tenderly
beneath the
chiming moon.
Thy trivial harp will never please
Or fill my craving ear;
Its chords should ring as blows the breeze,
Free, peremptory, clear.
No jingling serenader's art,
Nor ****** of piano strings,
Can make the wild blood start
In its mystic springs.
The kingly bard
Must smite the chords rudely and hard,
As with hammer or with mace,
That they may render back
Artful thunder that conveys
Secrets of the solar track,
Sparks of the supersolar blaze.
Merlin's blows are strokes of fate,
Chiming with the forest-tone,
When boughs buffet boughs in the wood;
Chiming with the gasp and moan
Of the ice-imprisoned flood;
With the pulse of manly hearts,
With the voice of orators,
With the din of city arts,
With the cannonade of wars.
With the marches of the brave,
And prayers of might from martyrs' cave.

Great is the art,
Great be the manners of the bard!
He shall not his brain encumber
With the coil of rhythm and number,
But, leaving rule and pale forethought,
He shall aye climb
For his rhyme:
Pass in, pass in, the angels say,
In to the upper doors;
Nor count compartments of the floors,
But mount to Paradise
By the stairway of surprise.

Blameless master of the games,
King of sport that never shames;
He shall daily joy dispense
Hid in song's sweet influence.
Things more cheerly live and go,
What time the subtle mind
Plays aloud the tune whereto
Their pulses beat,
And march their feet,
And their members are combined.

By Sybarites beguiled
He shall no task decline;
Merlin's mighty line,
Extremes of nature reconciled,
Bereaved a tyrant of his will,
And made the lion mild.
Songs can the tempest still,
Scattered on the stormy air,
Mould the year to fair increase,
And bring in poetic peace.

He shall not seek to weave,
In weak unhappy times,
Efficacious rhymes;
Wait his returning strength,
Bird, that from the nadir's floor,
To the zenith's top could soar,
The soaring orbit of the muse exceeds that journey's length!

Nor, profane, affect to hit
Or compass that by meddling wit,
Which only the propitious mind
Publishes when 'tis inclined.
There are open hours
When the god's will sallies free,
And the dull idiot might see
The flowing fortunes of a thousand years;
Sudden, at unawares,
Self-moved fly-to the doors,
Nor sword of angels could reveal
What they conceal.
Ellen Joyce Jun 2013
I placed you in a boat of pinks and blues with a smooth white satin sail and let you lie beneath the sky so pregnant with infinite possibility that the night might tear at anytime and unleash a loveliness so heavenly it would turn us to a pillar of sugar and whip us up into candy floss beehives for the angels to play dress up with.  We are the multicoloured whispers, each one a syllable in the cacophonous swishhhhhshhhhhshing melody of the dewdrop chiming, petals kissing rhyming, intertwining of all that is beautiful uniting in the crescendo of the wind.  The soft sensations of angels breathing warmth on skin, shimmering shadowing of the ripples in the satin of a sail brought to life as if to hail the glory of the universe.  Water and wind and the will of the world gathers momentum and movement to wrench down to the depths of our heart and I feel the unfathomable maul to our caul and begin to tear us there in the place that has held us for so long.  There is no flood of blood pooling at my feet on the just forming glistening path being marked with frost and crocuses and the knowing that you are not here but that we are still we.  You are drifting into the inbetweens, where reality is a ***** word and your story, our story still unfolds in the pitter patter merry dance of keys and tongue beating our being into a rocking chair and a lullaby.  I have dreamed you almost to life, and though not alive, we are five.
This is a scrap, snippet, fragment of something that's been sparking for sometime and is in need of a quiet space and time!
Lewis Hyden Nov 2018
Frigid buildings as those
That scrape the sky, climbing.
In a place that no-one knows,
Distant bells are chiming

To the shots and screaming,
"Stop resisting!" A rise
In terror betraying
The brittle city's brittle lies.

And for a time we hoped that they
Would never know our quiet rage,
And from the melting lights, we pray
For the silent, now upstaged.
A poem about Utopian life.
#20 in the Distant Dystopia anthology.

© Lewis Hyden, 2018
Robert C Howard Jul 2016
They gathered by Williamson Road at sun-up
      from neighboring spreads across the Tioga valley.
They came with carts laden with lumber stacks -
      with saws, adzes, hammers and sundry tools.

They gathered with the homesteaders bond.
      to co-build their neighbor's' dreams.

Sweet music of community echoed off the hills.
     Chisels clanged into rock, shaping the foundation,
saws sang into boards to frame a timbered skeleton.
     The staccato syncopation of hammers fastened walls
that soon would shelter plowshares, stock and grain.
      A smithy leaned over his fire and forge -
chiming iron into sturdy latches and hinges.

     Children scurried about mixing squeals and laughter
with exuberant fetching and lifting whenever called.
    
In two short passings of the sun the deed was done
      and a handsome new barn, decked out in a wash of red
was silhouetted tall and proud against the fading light.

Homesteaders gathered at a celebration table
      to share a hearty meal adorned by the music
of fiddles, grateful smiles and easy laughter.
  
Then one by one they steered their wagons home
      gazing back at what their labors had wrought -
knowing to the depth of their communal souls
      that we are more together than we are apart

Listen up, America!  This is the music of community.
      We are more together than we are apart.

*© 2016 by Robert Charles Howard
There's a keen and grim old huntsman
On a horse as white as snow;
Sometimes he is very swift
And sometimes he is slow.
But he never is at fault,
For he always hunts at view
And he rides without a halt
After you.

The huntsman's name is Death,
His horse's name is Time;
He is coming, he is coming
As I sit and write this rhyme;
He is coming, he is coming,
As you read the rhyme I write;
You can hear the hoof's low drumming
Day and night.

You can hear the distant drumming
As the clock goes tick-a-tack,
And the chiming of the hours
Is the music of his pack.
You may hardly note their growling
Underneath the noonday sun,
But at night you hear them howling
As they run.

And they never check or falter
For they never miss their ****;
Seasons change and systems alter,
But the hunt is running still.
Hark! the evening chime is playing,
O'er the long grey town it peals;
Don't you hear the death-hound baying
At your heels?

Where is there an earth or burrow?
Where a cover left for you?
A year, a week, perhaps to-morrow
Brings the Huntsman's death halloo!
Day by day he gains upon us,
And the most that we can claim
Is that when the hounds are on us
We die game.

And somewhere dwells the Master,
By whom it was decreed;
He sent the savage huntsman,
He bred the snow-white steed.
These hounds which run for ever,
He set them on your track;
He hears you scream, but never
Calls them back.

He does not heed our suing,
We never see his face;
He hunts to our undoing,
We thank him for the chase.
We thank him and we flatter,
We hope -- because we must --
But have we cause? No matter!
Let us trust!
Coleen Mzarriz Jul 2022
Of serene eyes that follow gently
the illicit pill she could not let go
it was heavy as the waters pulling her inside
serenading her with an estranged voice
coming from within —
her minimizing the desire to let it out
as the sun quiets down
and the gibbous moon exhibiting itself at night,

resisting the waves occurring —
as if it loathed her whole being
of her justness and the absence of these causes
her grieving and the sirens waltzing,
talking through an absentminded eye
eyeing her soul
finding love that seizes it
but hers were two feet and one mouth to breathe in
even in all shades of blue,
she can get a glimpse of the dark hue
illuminating the downside of the ocean
pulling her, wrecking her soul.

Redemption does not lie —
humoring her with plainly just truth
craving for the applause of the moon
only observing the depth of the ocean
eating the once alive soul
of her saving her last breath,
chiming in with the conversation, she
once had with him.

It could have been nice the resistance
he once had — to throw himself out
to the beauty of his light that shed
her whole body
he once was able to have
and he stayed there, eyed her the whole time
being eaten on the lonesome of the night
for he himself, shading all the blueness
like a requiem for the dreams
she kept on having
like a composition giving life
to new generations, he was still on
a token and a curse, and he let her be —
in all shades of blue.
Wrote something again. Thank you.
Allen Davis Feb 2014
God runs a carnival
With a test of strength
Right by the gate
If you ring the bell,
You get a stuffed animal
And free admission.
Just past the ticket taker,
There on the left,
Is an old carousel
Painted ponies preening,
Careening the children astride
Mirrors by their heads
Flashing the crowd's smiles
As they glide
Forever and ever amen.
The ground is littered with ticket stubs
From a raffle they had earlier,
And despite the crying losers
And the broken boozers
I can't see the person who won.
Just billions of blue ripped ribbons
Carrying call numbers
For the lottery of a life time,
While the rest of us are left
To brave the creaking tilt-a-whirl
Assembled by two clowns out on bail
One roll of duct tape and a promise not to fail
This time.
As the fire eaters and game cheaters
Line the midway
Barking promises of heavenly repose
If only you can hit the elephant's nose
With a jet of water, streaming
Into its beaming mouth,
Grinning despite your loss
Try again, kid.
Better luck next time.
You'll wander into the hall of mirrors
To see your sins grow and bulge
Like the battle that rages
In the pages of your gold-leafed heart
Thin enough to tear
So take care to mend
Your broken ways
Or you'll find yourself
Climbing onto the Ferris wheel
To sit on high
And by God,
You can see your house from here
And down and around
And you're bound to lose your lunch
So you'll pay too much for a bunch of frozen
Fries and to your surprise
Sweet mercy, manna from heaven.
Even though you don't know what it is,
You gobble it up
Because you don't wanna go to hell,
But you have to get the hell away from that bell
Ringing and ringing over and over
Chiming in time to the line that winds
Out through the dark parking lot,
Every winner another sinner
Washed clean by the lamb
And *******
A petting zoo
Never felt so good.
If you ring that bell,
You won't go to hell,
But you won't go to heaven either.
Oh no.
You'll go to work
Tearing tickets 'til you're sick of it,
Bending mirrors in the fun house
To split and bounce
And reflect onto the patron
That part of your heart
Too broken to pump,
Running the tilt-a-whirl with a burly
Bouncer who got up early
To **** his wife
And this ain't a life sentence,
Baby, it's eternity.
I guess that's what you get
For trusting a ******' carnie.
Logan Smith Apr 2015
I remember it like it was yesterday.
We were driving a little too fast,
and the destination didn't matter.
I was just watching you,
Singing the song on the radio,
Reciting every line perfectly,
(me chiming in where I could),
The smile on your face filled my heart with nostalgia.
Because in that moment,
You weren't the guy that you grew up to be,
You were the boy I fell in love with years ago.

I go to that moment whenever I miss you.
Whenever my heart goes numb,
Or worse,
When I can feel every ounce of pain from you not being there.

In that moment,
I was safe.
In that moment,
I knew,
the definition of never-ending.
I knew,
that I would forever be stuck,
In that seat,
In that car,
In that moment,
Watching you.
A Mareship Sep 2013
(Not a home, I said.
An address.
The badges and the blossoms
Bragged ‘excess’.

Etched into every tree

The word:

S U C C E S S)

I am London
And he is me,
Not ever knowing which London to be,
A button eyed orphan,
A one man band,
A Dickensian madman
Whey-faced and untanned.

I was a Ruby Infant,
(Montpelier)
Via turreted school
(Machiavellian lair)
My conspiracy of ravens
The guardians of lore,
Falling in feathers
To a barbershop floor.

My mind is confetti -
From each Westminster wedding,
Each pill, each stumble,
A little be-heading.
I first kissed a girl in Trafalgar Square
And the memory of her is still there in the air,
In the backdrops of photographs snapped up by tourists,
In the lost eyes of pigeons,
(I know it, I’m sure of it -
because I know London
And he knows me -
We flow into each other
Like the Thames, to the sea).

Gobstopper ******* in Whitechapel lanes,
Knee-deep in the streets, leaving opal-ghost stains,
The bleeding graffiti of Mary Jane Kelly,
Our deaths, our murders,
So many, so many...

Bells,
Chiming,

Dark
Oubliettes,

Cradle me, London,
My bowed silhouette,
Settle me down
in your newspaper bed,
Love me,
Watch over me,
And when I am dead,
Make me a martyr,
Smooth out my head
Swallow me up in your gum studded streets,
Somewhere busy where I can feel millions of feet
Treading into me,
Over and
Over again,
And every so often, now and then,
Play out your bells for my syllables four,
Ding **** ding *****
Four and no more,
To remind yourself, London,
Of silly old me,
Who like you,
Never knew,
Which London to be.
um - unfinished and work in progress
Kirsty Mar 2015
A child, she sits at the piano,
exploring with modest fingers,
the anxious keys.
One day she'll play in church
but for now she'll play in the sea
and stick her tongue out in the rain.

A child watches the modest rain
kiss the window beside her piano.
An anxious sea
stirs in her fingers.
She falls asleep in church
and plays in the wrong key.

"Practice makes perfect, precision is key."
A child walks home in the rain,
and passes the church.
Her teacher has an old piano
that leaves dust on her fingers.
She washes them in the sea.

A girl is drowning in the sea
bare; like a single ivory key
He plays her with his fingers.
She loves him like the rain.
Her mother sold her piano,
when she stopped singing in church.

"I feel like an empty church;
a haunted sea;
a dusty piano
with no keys."
she says softly, to the rain
when he lets go of her fingers.

Reaching out these fingers
in an abandoned church,
the echoing rain
washes the roof in a sea
of chiming keys,
from an old piano.

A girl dips her fingers into the sea,
singing church hymns, out of key.
God plays the rain like a piano.
Steve Raishbrook Oct 2014
The shaking stops, numbness ensues
Restless nights take hold
Suppressed negativity rushes to me
Like a title wave of unwanted emotion
When will it stop............?
When will it stop.............?

Dawn breaks over the city
The temptation to reach for the bottle... ever growing
Shaking continues
But this time with rage
Sweat drips from my brow
Drink..........
Drink..........
Drink..........
The voices start chiming in my mind
Diving under cover the bottles clink...
clink.......
clink.......
Empty bottles surround me
Just a drop to relieve my pain

I can't bare this a second longer
The 4 walls of this room, my own person hell
Click!
The electric meter cuts off
Change is hard to come bye
Just empty bottles
Rage flows through me
Smashing up the room I leave

Walk that'll help
People though
People looking
People everywhere
Eyes in every window
Looking.... judging

The agony of the sober anxiety, taking hold consuming my mind
Card rejected a new low
I find change for bread
Managed to pay
Sweating uncontrollably

I can see the apartment block
My head clears
Stumbling into the darkness
I look around the room
The sobering realisation
I have nothing, no one but these empty bottles
Smoke Scribe Mar 2018
my sally my Sally

a wonderful double entendre
for it’s time,
my internal clock chiming

to sally forth and give the due
to where dew in her garden resides,
poetry becoming sweet tears
in all our eyes
when the philipina rain thirst quests our quenching

there is no reason no request for
this sally poem but a tickling thought suggests that a good friday. could be the trigger, or that
pandora bringing me Ave Maria as I compose
when
the due and the dew and the do are a
trinity

the best poems are the un-requested  but the most needed,
the most holy
Wisdom and Spirit of the universe!
Thou Soul, that art the Eternity of thought!
And giv’st to forms and images a breath
And everlasting motion! not in vain,
By day or star-light, thus from my first dawn
Of childhood didst thou intertwine for me
The passions that build up our human soul;
Not with the mean and ****** works of Man;
But with high objects, with enduring things,
With life and nature; purifying thus
The elements of feeling and of thought,
And sanctifying by such discipline
Both pain and fear,—until we recognise
A grandeur in the beatings of the heart.

      Nor was this fellowship vouchsafed to me
With stinted kindness. In November days,
When vapours rolling down the valleys made
A lonely scene more lonesome; among woods
At noon; and ’mid the calm of summer nights,
When, by the margin of the trembling lake,
Beneath the gloomy hills, homeward I went
In solitude, such ******* was mine:
Mine was it in the fields both day and night,
And by the waters, all the summer long.
And in the frosty season, when the sun
Was set, and, visible for many a mile,
The cottage-windows through the twilight blazed,
I heeded not the summons: happy time
It was indeed for all of us; for me
It was a time of rapture! Clear and loud
The village-clock tolled six—I wheeled about,
Proud and exulting like an untired horse
That cares not for his home.—All shod with steel
We hissed along the polished ice, in games
Confederate, imitative of the chase
And woodland pleasures,—the resounding horn,
The pack loud-chiming, and the hunted hare.
So through the darkness and the cold we flew,
And not a voice was idle; with the din
Smitten, the precipices rang aloud;
The leafless trees and every icy crag
Tinkled like iron; while far-distant hills
Into the tumult sent an alien sound
Of melancholy, not unnoticed while the stars,
Eastward, were sparkling clear, and in the west
The orange sky of evening died away.

      Not seldom from the uproar I retired
Into a silent bay, or sportively
Glanced sideway, leaving the tumultuous throng,
To cut across the reflex of a star;
Image, that, flying still before me, gleamed
Upon the glassy plain: and oftentimes,
When we had given our bodies to the wind,
And all the shadowy banks on either side
Came sweeping through the darkness, spinning still
The rapid line of motion, then at once
Have I, reclining back upon my heels,
Stopped short; yet still the solitary cliffs
Wheeled by me—even as if the earth had rolled
With visible motion her diurnal round!
Behind me did they stretch in solemn train,
Feebler and feebler, and I stood and watched
Till all was tranquil as a summer sea.
Sparrow Feb 2013
You asked me once why I felt safe with you
The answer is simple, really;
you speak to me sweeter
than the southern twang
of lightly painted china cups
twinkling with an old tonic
your great grandmother grew up with -

Peach tea,
more sugar than ice
and the chime of silver spoons
stirring away low hanging sky
in a lazy afternoon haze.

You speak to me with the comfort
of a tea cup
cradled by the saucer
lips meeting gently against each other
so as not to scrape a scar against the fragile cheek
of either companion

Sometimes you even whisper
with the rattles of old age
chiming away at the edges
of sweet forgotten bliss -

You, darling, speak to me sweeter
than any grain of sugar
that rubbed me raw.
Jude kyrie Dec 2015
Windchimes

In my advancing years
Clarity eludes me now and then.
I sit quietly in the gazebo.
Your book and glasses
not yet removed from your seat.
Drifting into sleep
I awaken suddenly.
with confusion reigning again.

I quietly call your name
The need to see you is overwhelming.
I search the gardens for you
Panic setting in to my heart.
Then in the cool evening summer breeze.
The gentle chiming of the windchimes
Calm my panic as your soft words once did.

Then under the blooming arches
of the rose arbor I see you.
A basket of flowers hang from your arm.
The fading light from the evening sun.
Frames a halo about your long hair.

My eyes mist
So sweet so astoundingly beautiful
As calm as the mist on a summer's morn.
You smile at me
The windchimes ****** softly in the air.
You tell me the sweet wudruff is taking over
The hollyhocks need trimming
And the roses need pruning
You tell me all of these things.

But all I see is your
sweet heart of purest gold.
The rose arbor framing the light of my life.
Glowing as the sun
at the Centre of my small universe.
I fall to my knees to pay homage.
As you fade into the evening shadows.
Just the lilt of the windchimes
Dance over the perfumed bounty
Of our flowering gardens
Marge Redelicia Jun 2014
the grating voices of neighbors unsuccessfully singing Celine Dion ballads
the monotonous mechanical humming of the metal factory
the squealing of housewives watching an afternoon soap opera
the blaring siren of a firetruck racing with tragedy
the clunks and clangs of a nearby construction site
the roaring of the engine of an overloaded jeepney
the chiming of laughter from kids playing in the streets
the calls of the street vendor peddling sugary cotton candy
the whining of the dog begging to run around outside
*this is the music of life in the outskirts of the city
I tried. I find it so hard to write these days...
I

I see the boys of summer in their ruin
Lay the gold tithings barren,
Setting no store by harvest, freeze the soils;
There in their heat the winter floods
Of frozen loves they fetch their girls,
And drown the cargoed apples in their tides.

These boys of light are curdlers in their folly,
Sour the boiling honey;
The jacks of frost they finger in the hives;
There in the sun the frigid threads
Of doubt and dark they feed their nerves;
The signal moon is zero in their voids.

I see the summer children in their mothers
Split up the brawned womb's weathers,
Divide the night and day with fairy thumbs;
There in the deep with quartered shades
Of sun and moon they paint their dams
As sunlight paints the shelling of their heads.

I see that from these boys shall men of nothing
Stature by seedy shifting,
Or lame the air with leaping from its hearts;
There from their hearts the dogdayed pulse
Of love and light bursts in their throats.
O see the pulse of summer in the ice.

II

But seasons must be challenged or they totter
Into a chiming quarter
Where, punctual as death, we ring the stars;
There, in his night, the black-tongued bells
The sleepy man of winter pulls,
Nor blows back moon-and-midnight as she blows.

We are the dark derniers let us summon
Death from a summer woman,
A muscling life from lovers in their cramp
From the fair dead who flush the sea
The bright-eyed worm on Davy's lamp
And from the planted womb the man of straw.

We summer boys in this four-winded spinning,
Green of the seaweeds' iron
Hold up the noisy sea and drop her birds,
Pick the world's ball of wave and froth
To choke the deserts with her tides,
And comb the county gardens for a wreath.

In spring we cross our foreheads with the holly,
Heigh ** the blood and berry,
And nail the merry squires to the trees;
Here love's damp muscle dries and dies
Here break a kiss in no love's quarry,
O see the poles of promise in the boys.

III

I see you boys of summer in your ruin.
Man in his maggots barren.
And boys are full and foreign to the pouch.
I am the man your father was.
We are the sons of flint and pitch.
O see the poles are kissing as they cross.
See the various Poems the scene of which is laid upon
      the banks of the Yarrow; in particular, the exquisite
      Ballad of Hamilton beginning—

          Busk ye, busk ye, my bonny, bonny Bride,
          Busk ye, busk ye, my winsome Marrow!

From Stirling castle we had seen
The mazy Forth unravelled;
Had trod the banks of Clyde, and Tay,
And with the Tweed had travelled;
And when we came to Clovenford,
Then said my “winsome Marrow,”
“Whate’er betide, we’ll turn aside,
And see the Braes of Yarrow.”

“Let Yarrow folk, frae Selkirk town,
Who have been buying, selling,
Go back to Yarrow, ’tis their own;
Each maiden to her dwelling!
On Yarrow’s banks let her herons feed,
Hares couch, and rabbits burrow!
But we will downward with the Tweed
Nor turn aside to Yarrow.

“There’s Galla Water, Leader Haughs,
Both lying right before us;
And Dryborough, where with chiming Tweed
The lintwhites sing in chorus;
There’s pleasant Tiviot-dale, a land
Made blithe with plough and harrow:
Why throw away a needful day
To go in search of Yarrow?

“What’s Yarrow but a river bare,
That glides the dark hills under?
There are a thousand such elsewhere
As worthy of your wonder.”
—Strange words they seemed of slight and scorn;
My True-love sighed for sorrow;
And looked me in the face, to think
I thus could speak of Yarrow!

“Oh! green,” said I, “are Yarrow’s holms,
And sweet is Yarrow flowing!
Fair hangs the apple frae the rock,
But we will leave it growing.
O’er hilly path, and open Strath,
We’ll wander Scotland thorough;
But, though so near, we will not turn
Into the dale of Yarrow.

“Let beeves and home-bred kine partake
The sweets of Burn-mill meadow,
The swan on still St. Mary’s Lake
Float double, swan and shadow!
We will not see them; will not go,
To-day, nor yet to-morrow;
Enough if in our hearts we know
There’s such a place as Yarrow.

“Be Yarrow stream unseen, unknown!
It must, or we shall rue it:
We have a vision of our own;
Ah! why should we undo it?
The treasured dreams of times long past,
We’ll keep them, winsome Marrow!
For when we’er there, although ’tis fair,
’Twill be another Yarrow!

“If Care with freezing years should come,
And wandering seem but folly,—
Should we be loth to stir from home,
And yet be melancholy;
Should life be dull, and spirits low,
’Twill soothe us in our sorrow,
That earth has something yet to show,
The bonny holms of Yarrow!”
Rooted Whispers Oct 2012
The pain rooted and stretched,
reaching for infinity as its branches spread.
The pain blinded my heat and soul,
expanding beyond the depth of my mind.
I gently shaped the fruits of the despair into words,
hanging them from my chest as wind chimes,
and spent my days among the comforting chiming.
The pain is now trapped behind a treacherous wall,
Shielding all the despair and all the precious fruits from my mind.
Safety fills the air and the pain no longer plagues me.
The rancid stench of protected silence spreads,
the wondrous wind chimes cease their music,
and I am left without a Muse.
Marian Jun 2013
Your lips were dew-kissed
Under the velvety sky
The air smelled
Of a June rose
Dancing in the meadow
The sky was studded
With twinkling stars
Like diamonds and crystals
I danced through the mist
And waltzed through the trees
And balled on the shimmering lake
I played my Harp with the Fairies
Who showed me the way to Fairyland
I came here through the hidden-secret door
So now I'm in Fairyland
At least I imagine it's so
Listening to the Enchanted music
Played with the most beautiful
Instruments ever
Perhaps, even some you've
Never heard before
Like bluebells kissed in dew
Chiming like crystals across the stream
Oh, how I'd long to soar
And be a Fairy
With a Key
To Wonderland
And to Fairyland
Even in illusions
I'd love to see this place
Called: Fairyland
Where all the Fae Folk dwell
But this is just
A Fantasy
Written in the sand

*~Marian~
Stanley Wilkin Mar 2016
That day we came
and having come
lapped at by perfumed light
at once separated.
We bathed in the pool
the water like crystal
in the sunset
our limbs like glass.

On the bank
in the hot conjoined air
we made love again
our sweat
like silver in the moonlight.

the water's suppurating flow
drew our limbs
like flotsam in the reeds
grappling glistering lilies
as we floated in slow, *******
currents.

along the bank, the Camphor
shades the forest flowers
through the long-leaved grass
the python slinks

We leave for home
darkened by the sun..........
tongues digging into melons,
pomegranates laid out
neatly for dessert


******* out the Rambutan-
once the hairy skin is peeled-
fiery, red
the soft core sweeter than coitus-
and stays longer in our thoughts.
is this where the dreams are,
or where the dreaming begins,
between the first caress
and the final gasp of satisfaction?
Where the threshing limbs
devour the sun-shredded wheat
and the panting ribbons of air
swallow the final sigh-
the sleek river flowing
seaward, ocean marshalling
the land,
coral languishing in green pools
of broken light.

Here, within this infused beauty,
******* has power
beyond the weather-bound senses
of our northern homes,
encased in dull precipitation
sunshine a blunted knife

beyond the ***-shaped mountains
high above the trees
like a tear emerging from the sky
drops the waterfall
its descent
languid, its fall sharp and effortless;
tinged with azure, carefully sprinkled flakes
it spreads out like a clear, chiming puddle.
There we spread ourselves
naked in the sunlight
the sea's rumbling noise
distant and fumbling-

spreading its curling claws
into the slyly forming sunset
in reiterated rhythms
like beating hearts
like lungs-
the carefully manufactured beats
blending.
Maytin Paige Feb 2014
You nod towards
the mustang.
A yellow ball in your hands.
I smile and slip a bat from my softball bag.
I climb into the drivers seat,
sticking my tongue out at you.
You laugh and climb in.
I drive to the track and field combination
with the seatbelt alarm chiming the whole way.
I shift into park and climb out.
I swirl the bat around
waiting for you to set up your pitching stance.
You throw the ball and I line drive it by your face.
You dive left and up.
The ball smacks into your glove.
I round second and you start running after me.
I step off third and your arms trap me
as you spin around
bringing me down
on top of you.
We burst with laughter.
I miss these days.
Eleete j Muir Dec 2012
The legere sacristy of pure love blazing
Feline confluence across ethereal plains
Arched angelic collusion of things sepulchral
The arcane occidere travisty of
Transmogrification canonized
Darkling eminence ordained;
The verity aura of radiance
Twilights tidal blood- dye magenta,
Germane sleek meagre wealth chiming lo!.
Finitudes golden prayer draping flounded
Brutality tithing the zenith with mealy
Doer aptitude majestically turbulent
Sacrificing thoriums weld feudal
Of heavens deceitful soothsayers,
Fellow djinn of Gotterdammerung
Soli of vilest stoic jingoism.


ELEETE J MUIR.
Simple Static Oct 2013
Honey meets tongue,
Leaves taste buds stung and mouth melting
violently versing vows, Spilling out
fermented
Thoughts caught aloud
Dribbling down toward where they ought not
Time stopped us In a clockmaker shop
Cooking empty pots of dead doves in forgot sauce
Some day in december's When
Plans were dismembered
For the scent of Butter bubbling curiosity
Found horse hungry, So, suddenly he broke free
Trampling Predictable  logic.
chasing her tail to town
When, I, sir pain, thought id taught again, then again
the art of invading castles,
Without being found.
Trolling, rolling through The inner out of bounds
A shoeless, shoreless yet Very sure way To get around
None catching on of course Till swordsman number four
Split with silver This world on wheels we made
With a crash
left some
Birthday suit vision
Standing
stunned
stupid
Abashed with a gun to the  mirror
Which crying, stammered:
If you let them dear,
Just let them,
They will Listen,
To your  chime, chiming Bells inside,
Rhyming you dread hearing songs from"
Said defense:
"Who wants to play each blow to the heart
With lawless abandon to The head?"
"letting harsh  light burn holes and leave marks wherever they feel"
Don't think so Solomon!"
Vision laughs,
reflection kneels,
Hands praying
And In the periphery, as a way to break scene here
we see the mailman Crying tears on a map
Who once watched little Ms steel-sturdy
put on her full act.
Wood chips flew thenmsky went black
Pupils dilate to her shell-shocked state Of Before,
before hell bent on Withholding,
before Taking hostage of clowns who are all ******* with
Lilith, the queen
The state that led our wayward siren to begin driving round  
in Some man-made beast
She calls Ed.

— The End —