Brenda'lee, Brenda'lee,
no i can't chase you girl.
Brenda'lee, Brenda'lee,
you're just too fast for me.

200 miles to see you i come
and you won't get outta bed,
make me mad and then some,
now what has got into your head.

Sometimes you're so lovey dovey girl,
you make my head spin,
then you go and freeze me out,
seems sometimes, i can never win.

Now, Brenda'lee, we've known each other
for so many years,
why not get a little closer
instead of giving me the gears.

If there ain't no change in the weather, darlin',
i'm going to have to give you up.
I should have known better baby,
next time i'll have better luck.


©   2013

She has dressed Oscar-winning actress Lupita Nyong'o and Uganda's chess Woman Candidate Master Phiona Mutesi for the premiere of 'Queen of Katwe'. She has also designed several Miss Uganda and Miss Tourism contestants among others.

Yet Brenda Niwagaba Maraka, who is undoubtedly among Uganda's top fashion designers, describes herself as "just a simple person who loves work and fashion". She is also quick to recognise people who have inspired her, including renowned fashion designer and artist Stella Atal and Xenson Samson Ssenkaaba

In January 2007, Maraka officially launched 'Brendamaraka' as a fashion label.

"I work to represent Uganda as a tropical country through fashion and also extend Kampala's position as a fashion hub," said Maraka.

For the love of developing and inspiring others through her fashion skills, Maraka grooms two talented and interested students in fashion and design every year.

Come next year January, Maraka is set to showcase at her own fashion show marking ten years in the industry.

It will be the highest point for a woman who from way back, as a young girl, has loved being artistic. It was no surprise that she concentrated on art in school and one of her fondest memories as a student is designing costumes for school plays and beauty pageants.

"That confirmed my goal in life of creating designs through my own fashion label," she says, "I love to create new things."

At 13 years old, after completing primary education, Maraka proceeded to Namasagali College in Kamuli for O-level and these to her were years of fun and building character. She then left to a new environment of only girls at Trinity College Nabbingo for A-level and by the time she left she had forged a career path.

"It was a totally different and harder experience. However, by the time I completed Form six, I knew what I was meant to be a fashion designer courtesy of the school's arrangement on career guidance," says Maraka.

She was offered several opportunities including one on government sponsorship at Makerere University all of which were meant to grow her fashion career but Maraka settled for a fashion design program at the London Academy of Design and dress making where she completed in 2005.

Maraka chose exposure to international fashion trends at the London school at a cost rather than free education in Uganda. She rates it as a priceless decision that has paid off.

In 2014 as part of her internship program, Maraka made a maiden runaway showcase during the Uganda International Fashion Week and since then she has not looked back. She has participated in a number of fashion events both in Uganda and UK.

In comparing London's fashion industry to Uganda, Maraka says London has already established big brands and it is close to impossible for anyone starting out.

"The industry is faster, bigger and people produce too many new collections every year as the market demands," she says.

By contrast, she says, Uganda offers limitless opportunities are limitless or, in her words, "There is room to define who you are".

Maraka was born in Soroti-Teso, Eastern Uganda in 1981. She was raised by a single mother Elizabeth Maraka who worked long at the Soroti Flying School and she says is her great inspiration. She used to make dresses for her and remains her stylist to date. Maraka grew up as an only child because her twin siblings died. It is the reason she is also called Akello, meaning 'follower of twins'.

Liteside

Any three things we don't know about you?

I am an only child of my mother. I really love sports to the extent that I train for kickboxing. I had a dream of representing Uganda for RIO 2016 though it didn't come to pass. When I am confident enough to have my face punched, I will get to the ring.

I love to travel and for this year, I chose to visit every part of Uganda that I had never visited. One of them was Kidepo and it was a breathtaking experience where I realised I had made it. I also visited the pyramids in Cairo.

What is your idea of perfect happiness?

Doing what you love. If you think you can regret doing it, then it's not worth doing. Even when you fail to achieve at something you loved doing, you gain satisfaction.

What is your greatest fear?

I have a phobia for rodents. I can face anything in life but not them.

What is the trait you most deplore in yourself?

I am not a confrontational person yet sometimes I wish I could be one to give my all. It makes people walk all over me.

What is the trait you most deplore in others?

I just don't like dishonest people. I appreciate honesty.

Which living person do you most admire?

My Mother, Elizabeth Maraka; she taught me to be a strong person, believe in myself and to see good in people. I am privileged to live with her even as an adult.

What is your greatest extravagance?

Everything about improving my fashion and design career.

What is the greatest thing you have ever done?

I still have to do it and I am planning on how to achieve it.

What is your current state of mind?

I am at peace and love my life.

What do you consider the most overrated virtue?

That whole saying of 'Government should help us' or 'government has not done much' just breaks my heart. How I wish the same people would ask themselves what they have done for government as well. Anyone can start small and grow big.

What does being powerful mean to you?

Being able to make a difference in someone's life or inspire someone. It can also mean being well connected in society.

On what occasion do you lie?

I like to be real.

What do you most dislike about your appearance?

When I was young I was chubby and I didn't like it but I have since found peace in myself.

Which living person do you most despise?

Even when I see the worst in a person, I don't destroy bridges because I might need them tomorrow.

What is the quality you most like in a man?

Having a plan or purpose in life.

What is the quality you most like in a woman?

Having a purpose in life.

Which words or phrases do you most overuse?

I like saying 'you know' and 'yeah'.

What or who is the greatest love of your life?

I guess it is my Mum but there are so many other people I love.

When and where were you happiest?

There is no one single moment because there are so many things I do that bring happiness to me. Finishing School in 2006 was a happy moment but also each time I remember when I had my first fashion show during my internship in 2004, I am fulfilled.

Which talent would you most like to have?

I love music and may be one day I hope I will drop an album. I used to play a violin and hope that one day I will do it once more.

If you could change one thing about yourself, what would it be?

I am just in love with myself.

What do you consider your greatest achievement?

I am still a work in progress; I haven't yet reached there.

If you were to die and come back as a person or a thing, what would it be?

As me and fix everything I didn't do from as far as a child.

Where would you most like to live?

Uganda but particularly in Karamoja and Kidepo; the landscape and weather are amazing. It can rain so heavily and dry up so fast.

What is your most treasured possession?

I never got to see my grandfather but I was given a crucifix from his things. It has that sentimental value and makes me relate with him. But even when everything is taken away from me, I can start afresh and build-up.

What do you regard as the lowest depth of misery?

Suffering from cancer; I visited Mulago Cancer ward and witnessed people suffer in too much pain. Things like broken heart can be amended but not cancer.

What is your favorite occupation?

I always wanted to be a fashion designer.

What do you most value in your friends?

Honesty

Who are your favorite writers?

I am not a fan of any particular person but I love to read inspirational pieces.

Who is your hero of fiction?

I like Superman and how he comes in to rescue at the right time. I wish there were true supermen.

Which historical figure do you most identify with?

I may model myself to Mother Theresa but I can't come even an inch to who she was and what she did.

What is your greatest regret?

I don't regret anything.

How would you like to die?

I want to die of old age on my bed with my grand children all looking and smiling at me.

What is your motto?

Always make sure you are climbing the right hill.Read more at:www.marieaustralia.com/backless-formal-dresses | http://www.marieaustralia.com/long-formal-dresses

Yo Terry, you gone loco?
talking to yourself all the time now
oh, yeah?
is that a blue tooth or a blue ear?
is it surgically attached?
do you wear it to bed?
take it with you into the shower?
Man, you would never be so crazy
it can’t be you
it’s got to be your cell phone clone

hey lady, can you see that green arrow
it won’t last forever
what’s up…honk, honk
you’re on the phone?
we’re gonna to miss the left …turn
honey, you must be blind
how’d you get your license?
is that Lynne?
**** girl
it can’t be you
got to be your cell phone clone

A. K., another call?
and we’re supposed to be having a conversation
kickin’ it
now you’re text messaging under the table
and you think I don’t notice?
Dude, I’m not that stupid
and you, my brother, would never be that rude to me
it can’t be you
got to be your cell phone clone

yo Brenda, who you talking to out there?
oh…(whispered) cell phone clone

Leon, dude!
How many cell phones you need?
You’re talking on the one you got pressed onto your ear
There’s another on the table in front of you
Do you have one more?
You could be a juggler
Join the circus

Girlfriend, don’t you realize the light has changed
and you’re standing in the crosswalk in the middle of the street?
hang up the phone and step—yeah, you

Jeez...I…I see cell phone clones
They’re everywhere

hand slaps shoulder knee rhythmically that’s called hamming the bone sitting on a street curb singing making up lyrics i got a transitor sister loves cossack named jake he rides Cherokee chopper all he’s ever known is hate he’s going down underground where a man can be a man wrestle alligators live off the land ebb flow i don’t know racing chasing hair-pin turning at 150 miles per hour downshift to 3rd spread the word sweet sour naked flower touching skin deep within defies all sin with a grin speed speed speed all i need i’m getting off coming on you tawny scrawny bow-legged pigeon-toed knock-kneed Don Juan Ponce de Leon Aly Khan all wrapped up into one going to have ******* good time good time tonight i feel like an orphan mom and dad seem so far away tonight i feel like an orphan you make me feel this way hand slaps shoulder knee rhythmically hand bone hand bone

Odyseuss drifts job to job construction worker office assistant waiter whatever he does not understand how road to recognition works continues showing portfolio to art dealers but they react indifferently he does not know how to attain notice in art world begins to suspect there is no god watching over souls instead he imagines infinite force juggling light darkness creation destruction love hate Mom and Dad insist he can earn respectable income if only he will learn commodity futures like cousin Chris Mom says you can work down at the exchange and paint on the side a part of Odysseus wants desperately to please his parents he considers perhaps Mom is right for the time being maybe build up nest egg it seems like sensible plan he wonders why Dad and Mom never speak about money how to save manage they treat the subject as forbidden topic Odysseus has no idea what Dad or Mom earn or investment strategies Odysseus is about to make serious mistake the decision to get job working at commodity exchange needs deeper examination why is he giving in to his parents what attracts him to commodities trading is it Chris’s achievement and the money? does Odysseus honestly see himself as a winning trader or does it simply look like big party with lots of rich men pretty young girls is that where he wants to be why is he giving up on his dream to be a great artist does it seem too impossible to reach who makes him think that? is he going to give up on his true self? he halfheartedly follows his parent’s advice begins working as runner at Chicago Mercantile Exchange several friends including Calexpress disloyalty for entering straight world commodity markets are not exactly straight in 1978 clearing firms pay adequately hours are 8 AM to 2 PM over course of next 6 months Odysseus runs orders out to various trading pits cousin Chris rarely acknowledges Odysseus maybe Chris feels need to protect his image of success perhaps in front of his business associates Chris is embarrassed by Odysseus’s menial rank and goof-off attitude maybe Chris senses what a terrible mistake Odysseus has made

Chicago suffers harsh winter in February Roman Polanski skips bail in California flees to France in April President Carter postpones production of neutron bomb which kills people with radiation leaving buildings intact in October Yankees win World Series defeating Dodgers in November Jim Jones leads mass-****** suicide killing 918 people in Jonestown Guyana in December in San Francisco Dianne Feinstein succeeds murdered Mayor George Moscone in Chicago John Wayne Gacy is arrested

darkness descends upon Odysseus his heart is not into commodity business more accurately he hates it he loathes battleship gray color of greed envy he resents prevailing overcast of misogyny he meets many pretty girls yet most of them are only interested in catching a trader it is rumored numerous high rolling traders hire young girls for sole purpose of morning ******* remainder of day girls are free to mingle run trivial errands commodity traders typically trash females it is primitive hierarchy Odysseus bounces from one clearing firm to another then moves to Chicago Options Exchange then Chicago Board of Trade on foyer wall just outside trading floor hangs bronze plaque commemorating all men who served in World War 2 Uncle Karl’s name is on that plaque Daddy Pat bought his son seat hoping to set him up after war Uncle Karl’s new wife wanted to break away from Chicago persuaded him to sell seat move to California Uncle Karl bought car wash outside Los Angeles with Daddy Pat’s support Mom and Dad encourage assure Odysseus commodities business is right choice they promise to buy him full seat on exchange if he continues to learn markets they feel certain he can be saved from his artistic notions the markets are soaring in profits cousin Chris is riding waves a number of Chris’s friends are sons of parents who belong to same clubs dine at same restaurants as Mom and Dad Odysseus is not alpha-male like Chris Odysseus is a dreamer painter poet writer explorer experimenter unlike Chris who has connections Odysseus starts out as runner then gets job holding deck for yuppie brokers in Treasury Dollar trading pit Odysseus holds buy orders between index and middle fingers sell orders in last 2 fingers arranged by time stamp price size in other hand holds nervous pencil he stands step below boss in circular pit in room size of football field full of raised pits everything is traded cattle hogs pork bellies all currencies gold numbers flash change instantaneously in columns on three high walls fourth wall is glass with seats behind for spectators thousands of people rush around delivering orders on telephones flashing hand signals shouting offers quantities every moment every day calls come in frantically from all around world space is organized chaos sometimes not so organized fortunes switch hands in nano-seconds it is global fiscal battleground rallies to up side or breaks to down side send room into hollering pushing shoving hysteria central banks financial institutions kingpin mobsters with political clout daring entrepreneurs old thieves suburban rich kids beautiful people pretty young females abound big guns **** in same air stand next to low-ranking runners everyone flirts sweats sneezes knows inside they are each expendable Odysseus is spellbound by sheer force magnitude he feels immaterial only grip is his success with girls it is not conscious talent he grins girls grin back Chris’s trader friends recognize Odysseus’s ability they push him to introduce girls to them it is way for Odysseus to level playing field he has no money or high opinion of himself he simply knows how to hook up with girls

1979 January Steelers defeat Cowboys at Super Bowl Brenda Ann Spencer kills 2 faculty wounds 8 students responds to incident “i don't like Mondays” in February Khomeini seizes power in Iran in March Voyager space-probe photographs Jupiter’s rings a nuclear power plant accident occurs at Three Mile Island Pennsylvania in May Margaret Thatcher is elected Prime Minister in England in Chicago American Airlines flight 191 crashes killing 273 people in November Iran hostage crisis begins 90 hostages 53 of whom are American in December Soviet Union invades Afghanistan 1980 in November Ronald Reagan defeats Jimmy Carter one year since Iran hostage crisis began

he meets good-looking younger girl named Monica on subway heading home from work he has seen her running orders on trading floor she is tall slender with long dark brown hair in ponytail pointed nose wide mouth innocent face she confides her estranged father is famous Chicago mobster Odysseus recognizes his name they talk about how much they dislike markets arrant disparity of wealth between traders and themselves Odysseus says i hate feeling of being so disposable worthless Monica replies yeah me too he tells her if i was a girl i’d ******* myself to several handsome generous traders Monica acknowledges that’s an interesting idea but who? how? which traders? do you know? he answers yeah i know exactly who and how Monica says if you’re serious i’m in i have a girlfriend named Larissa who might also be interested i’ll call Larissa tonight following day Monica approaches Odysseus at work agrees to meet at his place after markets close that afternoon Monica and Larissa show up eager to learn more about Odysseus’s scheme Larissa is petite built like a gymnast giggly light brown hair younger than Monica he lays it all out for them cousin Chris and his buddies the money ******* both girls are quite lovely he suggests they rehearse with him he will coach them on situations settings techniques girls consent for 4 weeks every afternoon they meet at Odysseus’s place get naked play out different scenarios he shows girls how to pose demure at first then display themselves skillfully fingers delicately pulling open ***** spreading wide apart buns working hidden muscles he directs each to take up numerous positions tasks techniques then has them switch places he teaches them timing starting slow gradually building up rhythms stirring into passionate frenzy having two mouths four hands creates novel sets of possibilities one girl attends his front while other excites his rear he positions them side-by-side so he can penetrate any of all four holes he stacks them one on top of the other many other variations after reaching ****** several times making sure to reciprocally satisfy their eager needs Odysseus dismisses girls until following day finally after month of practice Monica and Larissa feel confident proficient primed Odysseus arranges for girls to meet with 2 traders through Chris most traders have nicknames Twist who is hosting event is notoriously wild insatiable on opening night Odysseus behaves like concerned father Larissa and Monica each bring several dresses and pairs of shoes Odysseus helps them choose suggests Monica ease up on make-up he styles Larissa’s hair instructs Monica to call him when they arrive again when they leave he requests they return directly to his place Monica wears hair pulled back in French twist pearl earrings sleek little black dress black stiletto heels she stands several inches above Odysseus Larissa wears braided pigtails pink low-scooped leotard brown plaid wool kilt just above knees brown suede cowboy boots he kisses each on lips then pats their butts warns them to be careful mindful Monica winks Larissa giggles more than an hour passes as Odysseus sits wondering why he has not heard from girls suddenly reality hits he does not want to be commodities trader and certainly not a **** this is not how he wants to be known or remembered Odysseus wants to be a painter and writer Monica and Larissa are good sweet girls whom he has misguided he calls Twist’s place Twist answers Odysseus asks to speak with Monica when she comes to phone he questions are you all right Monica answers yes we’re fine we’re having a fantastic time why are you calling what’s wrong he explains you were suppose to call me when you arrived i began to worry i think maybe this whole arrangement is a bad idea i want you to call it off and come back home i don’t want either of you to become prostitutes i love you both and don’t want to be associated with dishonoring you Monica says it’s a little late to call it off but we’ll see you when we’re done kissy kiss bye Odys another hour passes then another he frets wondering what they are doing after 4 hours as he is about to call Twist’s house again doorbell rings Monica and Larissa both giggling beaming Odysseus can spot they have a coke buzz Monica announces you should be proud of us Odys we got each of them off 2 times we left them stone-numb and tapped out the girls open their purses each slaps 5 hundred dollar bills unto table Monica says this is your cut Odys we both got a thousand for ourselves he replies i can’t touch that money we need to sit down and talk Monica demands no talking Odys take off your clothes he insists i’m serious Monica i’m never going to send you out again Larissa claims there’s no turning back for me i had too much fun Monica  pleads come on Odys we’ll be good we promise now take off your clothes Twist and his buddy never attended to our needs i’m ***** as hell Larissa where’s that little bottle of dust Twisty handed you

Chicago Monday night December 8 1980 Cal and Odysseus sit at North End they're on 4th round feeling buzz the place is lively adorned with holiday decorations Cal says you’ve changed Odysseus questions what do you mean? how? Cal says the commodity markets and your cousin and his friends they’ve changed you when was the last time you painted Odys? are you dealing coke Odysseus looks Cal in the eyes answers they’re so ******* rich Cal you can’t believe it one drives a black Corvette Stingray another a ******* Delorean anything they want they buy girls cars clothes condos boats yeah i’m dealing coke to Chris’s friends it’s my only leverage remember the Columbian dude Armando we met at tittie bar? i score from him and keep it clean Chris’s buddies pay up for the quality i don’t remember my last painting maybe the black painting i never finished after breaking up with Reiko Lee a girl falls off bar stool crashing to floor at other end of bar Cal says Odys, you better play it careful you’re messing with the devil got any blow on you suddenly bar grows quiet someone turns up TV volume they watch overhead as news anchorman speaks slow solemn camera pans splattered puddle of blood pieces of broken glass on steps to Dakota Building Cal looks to Odysseus John Lennon has been murdered Cal waits for Odysseus to say something tear rolls down cheek Cal glances away stares down at floor they drink in silence

Lost underneath the hood
she made sure
he stopped to ask for directions
then with map in hand
and strapped to the seismograph
she tremored into the land
of eternal sunshine

IN A CHANG’AA DRINKING SPREE

(ONE ACT PLAY)

BY

ALEXANDER   K   OPICHO










CASTE
Advocate; self-styled advocate, his real job is insurance agent
Sampaza-changaa drunkard
Teacher-brother to Sampaza, also a changaa taker
Monica-changaa seller
Austeen-a lad, son to Monica
Watchman-changaa drunkard
Rono-friend to watchman
Njeri-friend to Monica, single mother
Atieno-friend to Monica, single mother
Driver- changaa taker and a smoker
Barasa-changaa taker and electrician
Ndhiwa- changaa taker, brother to barasa
Yator-changaa taker brother to barasa
Mavachi-changaa taker, with a fallen out wife
Mandila-relative to mavachi
Agnesi-wife to teacher
Music
*chang’aa is homemade alcoholic spirit consumed by the peasants in east and central Africa.




ACT ONE
In a slum area of Eldoret town, very many ramshackle muddy walled houses are seen; the setting takes place in the house of Monica the Changaa seller. There is low tone music humming from the DVD, playing Vincent Ongidi’s ‘mother is better than father.’
Music; Bakeni Nebekhale, bukula indika,
           Bukula indika samwana, Udimake kungeni
          Khusoko busia, bukula indika omusumba,
          Bakhwee nebechile, bukula indika
          Udimake khusoko yaya, bukula indika….
Driver; (dancing with a tumbler of chang’aa in his hand) let me dance! This is my best Sunday, let me dance, I am son of a woman. Sing! Sing! Sing! For us Vincent, you son of Ongidi, (pointing at the DVD).
Advocate; the problem you are only dancing with your class a half empty, moreover, you are not following the rhythm , I thought you dance to this song by shaking your shoulders, but instead you are gyrating your waistline.
Driver; (still dancing) let me dance because when I will go to the grave I will not get another chance to dance.
Advocate; (gulps from his tumbler) will you buy me chang’aa of ten shillings?
Driver; let me finish dancing first, I will see what to do about it.
(Enters Sampaza and teacher, as music goes off)
Sampaza; why are you dudes stopping the music on my entering?
Driver; it is not us who have stopped the music; you go and ask Vincent Ongidi why he did not sing a long song.
Sampaza; (sits at the old couch) where is Monica?
Driver; you burn us a cigarette before you ask for Monica, were you not with Monica upto the mid of last night?
Sampaza; why were you spying on me upto the mid of the night?
Advocate; (to Driver) give Sampaza time to introduce his friend to us
Sampaza; (to teacher) sit on this stool, forget about this drunkards.
Teacher; will this stool not break and sent me down like humpty dumpty? (Shakes the stool and sits on it)
Sampaza; It cannot even Monica herself sits on it and she is more huge than you do
Advocate; (to Sampaza) this is your brother?
Sampaza; now listen all off you
All; Sampaza we are listening to you all of us
Sampaza; had I killed our mother, he could not have born, (pointing to teacher).
Driver; if someone had not told me, there is no way I could know that this man is your brother. You are totally different from one another. Look, he is fat, strong, clean, well shaven and groomed brown and is like he took a bathe in the morning before he came here to chang’aa place, but you Sampaza tell us when you last washed your clothes? Even forget of washing your body.
Sampaza; (to driver) if you want to beg chang’aa from teacher just beg without using your desperate tricks of false praises.
Advocate; but me, I could easily know that teacher is a brother to Sampaza by simply comparing the shape of their heads, they look alike.
Teacher; who is serving chang’aa today?  I want to buy some for you guys.
Driver; it is Austeen, let me call him for you (goes at the door shouting) Austeen! Austeen! Aha! This boy is as earless as a female monitor lizard, (comes back) I have called him for you.
Teacher; thanks, let me believe he won’t take time, I am really thirsty.
Advocate; you can mitigate your thirst with this one of mine (gives teacher a tumbler).
Teacher; (sips) it was not a bad stuff (passes the tumbler to Sampaza)
Sampaza; (takes a full swig) uhm! The stuff is really the tears of the lion.
(Enters Austeen)
Austeen; My God, Sampaza is here again! Sampaza, why did you run away with my money last time? You take the beer and run away, even you made my mother to quarrel me yester night.
Driver; (to Austeen) you boy manage your mouths, don’t you see Sampaza is the age of your mother?
Austeen; wait! Sampaza must give me the money, give me the money you Sampaza!
Teacher; let me pay for him, how much was it?
Austeen; imagine Sampaza took off running into the darkness of the night after taking chang’aa of fifty shillings. Imagine a whole tumbler of fifty shillings.
Teacher; that was bad, Sampaza you did something very bad. You know Monica is a single parent and you run away with her money. This chang’aa is like Monica’s husband, so please let us be honest and pay our bills;
Austeen ;( to teacher) are you paying for Sampaza?
Teacher; yes, but before that; pour a tumbler of chang’aa worthy fifty shillings for each of these elders, including Sampaza. I am going to pay that one myself. But serve me with a tumbler of chang’aa that goes for a hundred shillings. May be it can quench my thirst.
Driver; brother you are a man (shakes teacher’s hand).
Austeen; (to Advocate) stand up for some minutes; I want to remove a grenade from your chair.
Advocate; you mean I was just sitting on the tears of the lion?
Austeen; yes (he fishes out a yellow plastic container, feels each tumbler as required).
Sampaza; you boy! What are you doing? Fill my tumbler to the brim, why are you now conning me off my chang’aa?
Austeen; (politely) Sampaza listen, you know my hands always shake when I am holding something. I didn’t want to spill chang’aa by struggling to fill your tumbler to the brim.
Teacher; (sipping, closing his eyes) Austeen now play for us another music.
Driver; yaah! The music, play for us Marashi ya karafu.
Austeen; my mother has not yet bought the DVD for Marashi ya karafu, let me play for you this one (shows him the DVD), it will thrill you to your bone marrow, (inserts the DVD in to the player).
Music ;( playing) ukiwa wa enda nyubani kwangu heee,
                          Umwambie stella mimi  sitakucha,
                         Umwambie stella mimi nimefungwa jela,
                      Anisalie mtoto mama nitaleaaaa!
Driver; ndio hiyo! (Stands up to gyrate his waist swiftly) that is my best song from Tanzania. How I wish I was still in prison on Christmas day of last year.
Sampaza; (sipping at his tumbler) if you want to be in prison go and make love to your goat and call people to help you.
Driver; look at you, with all this women, why should I go for a goat?
Sampaza; (standing up to dance, shaking his shoulders) because you want to be in
Prison.
Austeen; (giggling and shouting) look! Look! Look at Sampaza, he does not know how to dance, he is waving his hands like wings of a chicken.
Sampaza; you dance and I see (daring Austeen)
Austeen ;( dancing) look! Look! Fire! Fire! Fire! (He goes to sit)
All; (laughing loudly and clapping) Austeen! Austeen!
Advocate; this boy Austeen, became old while in his mother’s womb
                     (Enters Monica, Rono and watchman)
Driver; here comes Monica, (provokes Monica for a dance, they both dance).
Advocate; (joins Monica and driver to dance) Monica! Monica! Daughter of Zinjathropus, Waa!
Monica; I am an early woman, yaani! Womanopithecus africanus (dancing).
Driver ;( pushing away advocate), dance away from here, why are you bringing here this evil smelling sweater of yours?
Advocate; I am sorry.
Driver; that is empty jealousy, you only saw Monica’s pelvis touching mine and you jumped here to disrupt my gusto.
                               (Music stops and they all get sited)
Monica; (to Austeen) give watchman and his friend chang’aa of twenty bob, I will pay myself.
Austeen; yes mama (serves watchman and Rono chang’aa)
Rono; Kongoi, I mean thank you Monica, you are such a generous woman? (Takes a full swig).
Monica; Karibu, don’t mind I am always and I will be always an early woman.
Sampaza; (to watchman) when you came in I thought you were the crow.
Watchman; (sipping) who? Me, I was a policeman ten years ago but I was ******.
Driver; (to Sampaza) this man is not a muriakole, he is not a cop. This is a D.D.O.
Advocate; meaning?
Driver; daily drinking officer, hmmm! The DDO.
All; laughing loudly.
Monica; (to advocate) how is your brother and his witchdoctor of a wife?
Advocate; Monica, just keep quiet, my brother is in problems.
Monica; which problems? I told him to marry me and he refused because I did not have book education.  I am now making more money from chang’aa in a day than even he does from his education. Let that man, that brother of yours, chew the full scale of his misfortune. Now tell me which problem has he?
Advocate; today very early in the morning I heard my brother screaming, of course from his house. Out of anxiety I rushed there to find out what was happening. Jesus! What I so…..
Driver; what was it? Just say.
Monica; a man has nothing to fear just say.
Teacher; where is Austeen?
Austeen; I am here
Teacher; serve each of us chang’aa of fifty shillings, start with him (pointing at the advocate) give Monica, your mother a tumbler, that one of a hundred shillings.
Austeen ;( serving as he sings) how long will they ****,
              Our brothers, while we stand watching them,
                Redemption songs, Bob Marley! Sons of ghetto!
Sampaza; Austeen you are always not measuring my chang’aa to the money given, now look, does this grasshoppers spittle qualify to be chang’aa of fifty shillings?
Austeen; Sampaza, I told you my hands are not steady, they always shake whenever I am holding something.
Sampaza; (to Monica) I will bring a medicine man to give some manyasi to this son of yours, so that he stops shaking his hands like an epileptic.
Monica; Sampaza, you drink your chang’aa and to hell with your medicine-man. Let us listen to what happened to the brother of advocate.
Advocate; now, as I was saying I found my brother’s wife had swollen my brothers ***** to its base, the ***** was full deep in her mouth, my brother was screaming but the was dead silent ******* the *****, her teeth tightly gripping it at the same time.
All; laughing loudly
Teacher; Maybe it was oral ***, but not domestic violence
Monica; oral ***!?
Teacher; yes, it is possible
Advocate; but why was he crying?
Monica; because his wife was ******* his *****
Teacher; that is the case
Advocate; if at all it was pleasurable then why was my brother screaming?
Teacher;  maybe he was on ******* ecstasy, the same way a woman can be when you suckle or even ****** her *****.
Monica; but I can’t allow a man to suckle the eye of my breast.
Driver; even me, I can’t suckle my wife
Teacher; why?
Driver; even also, in my culture, one is not allowed to suckle a woman’s ****
Teacher; is that sexuology or culture?
Watchman ;( to driver) yes, answer that! Answer that question from teacher.
Monica; but it is only a foolish woman who can allow a man to suckle her *****, or if she can then she is not serious with that man.
Teacher; (to Monica) then which man do you like? Sampaza?
Monica; Me do love Sampaza?
Teacher; yes, Sampaza
Monica; this Sampaza, is always as miserable as a corpse in the grave without a coffin.
Advocate; you are as miserable as a corpse in the grave without a coffin.
Sampaza; I am not, I know am great
Teacher; yes, and capable to love the early woman like Monica.
Sampaza; (to Austeen) play for us some better music.
Austeen; which one mama? Which music can I play?
Monica; play for them Pamela Nkutha (sings) Nakula ebusi,
                  Nakula ewunwa, lalalaa! Lalalaa! Laaaa!
Austeen; Mama, that one we don’t have. Let me play for them Brenda *****.
Music; (playing) Songea nikubambe, songea nikubusu,
                          Nakupenda, nakubusu ehee monica eheee!
Austeen; Kula Ngoma; he who does not have chic let him embrace a stone (exits)
All; (dancing violently) Monica! Monica waaaaaaa!
Watchman; (dancing) Sampaza can you suckle the ***** of a woman?
Sampaza; ask driver that question.
Driver; I cannot suckle the ***** of my wife.
Teacher; I depend with nature of a woman you are in the bed with.
Watchman; correct , some women has fallen ******* like chapattis, but if a chic has ***** and pointed breast, I  can ****** and suckle her like nothing else in this world. I can even suckle her *******.
Teacher; by the way, ******* are the fountain of pleasure to a woman, when you suckle her she will just moan; Sampaza! Sampaza! Sampazaaaaa!
All; laugh raucously
Monica; these men are drunk.
Driver; no, they are now happy, pick one of them for yourself.
Monica; the man that I can love now must be having a death certificate.
Teacher; what does it mean? Me I thought you need a dark skinned man like Sampaza, you know the dark the skin of a man the greater the ****** pleasure ehee…
                       (Enters Njeri and Atieno)
Njeri; Monica, are you not aware that were are late for Chama? Look you are still *****, you have not even combed you hair.
Monica; Njeri come in why are rioting at the door, look at Atieno she is as miserable as usual.
Njeri; she was flogged by the husband.
Atieno; (to Njeri) you! Watch your mouths, I don’t have a husband.
All; laugh, (Njeri and Atieno sits).
Sampaza; look at this one (pointing to Njeri) can I give you some money so that you do me a favour.
Njeri; which favour?
Sampaza; of this…(Makes a sign of *** with his fist).
Njeri; I don’t sleep with chang’aa drunkards
Atieno; even me
Sampaza; (staggering, and then falling on Njeri’s laps) I want! Truly I want!
Advocate; Sampaza is drunk, let me take him home (pulls Sampaza).
Sampaza; (resisting, avoiding to be pulled out by advocate) leave me alone! You thief! You are an insurance thief! Who told you that you are an advocate? You are not! You want to steal my money. No, all these people are thieves, Monica is a big thief, and they want to steal my brother’s money!  Teacher! Come out of here! This is a den of pickpockets! They will still your wallet, come we go! Thieves! Thieves!
                        (Advocate pulls Sampaza out, as they both exit)
Driver; Sampaza does not have manners.
Njeri; Imagine he fell on my laps, what if my husband found him?
Monica; He would have now divorced you for eating rats.
Njeri; When I have not eaten any rat, it was only a drunkard supporting himself on my legs.
Atieno; he has spoken a lot of words.
Driver; and all the words were total lies.
Monica; no, whatever is in the inner heart of a sober man is always on the tongue of the drunkard man.
Teacher; to mean what? Anyway, forget about Sampaza.
Watchman; by the way
Rono; I am also off my senses, I am seeing each of you having seven heads, and the heads are a

Some introductory 'food' for thought...

"When people say they prefer organic food, what they often seem to mean is they don't want their food tainted with pesticides and their meat shot full of hormones or antibiotics. Many object to the way a few companies - Monsanto is the most famous of them - control so many of the seeds we grow."
  - Michael Specter

"My grandfather used to say that once in your life you need a doctor, a lawyer, a policeman and a preacher but every day, three times a day, you need a farmer"
  - Brenda Schoepp

"Economically, many folks don't feel they can afford organic. While this may be true in some cases, I think more often than not it's a question of priority. I feel it's one of the most important areas of concern ecologically, because the petrochemical giants - DuPont, Monsanto - make huge money by poisoning us."
  - Woody Harrelson


Who is Monsanto?
Monsanto is a Chemicals/Pharmaceutical/Agriculture company that was established in 1901 in the United States, and over the last century has occupied a particularly interesting and questionable history that has within recent times took to the global scale, growing into a multinational corporation, well nigh on the complete monopolisation of the Agriculture industry whilst having established connections to the chemical and pharmaceutical industry. They are less well known for their creation of Agent Orange, of which they claimed had no harmful effects on the human body, which was utilised very predominantly during the Vietnam War by the U.S. military as a defoliant, however, caused hundreds of thousands of deaths by poisoning, and has now led to an epidemic of birth deformities in the regions of use. Monsanto experienced more involvement in war through their involvement in the Manhattan Project, which resulted in the creation of the first nuclear bombs to be tested on Japanese civilian populations. They also have a background in their production of PCB's (Polychlorinated biphenyls) which once again, had the negative human and environmental effects ignored and misrepresented hitherto 1977 when they were banned, however, was not before many fresh water supplies and the air had been contaminated and was a known carcinogen in humans, along with other health damages. There was then of course their production of DDT's in the post war period that was advertised as a 'wonder-chemical' to be used in agricultural pesticides. However, it was later uncovered that its spraying caused a high percentage of food breakdown in crop and in humans caused breast cancer, male infertility, miscarriage, developmental delay and nervous system/liver damage. They even tested the effects of radioactive Iron on 829 pregnant women in a bizarre experiment. Having no shortage of scandalous and often at times frequenting blatantly corrupt behaviour on their dubious track record, with an abundance of data and study arising in protest of the company's use of dangerous chemicals and genetic modifications in food, it is surely best to question the activity and history of this company.


What chemical poisons are being used?
Some of you are probably aware as to the fact that within many food products today there are various chemicals being used in modification, cultivation and in processing, many of which are harmful, often deadly to the human body and to the ecosystem. So harmful in fact that in cultivation workers are required to wear bio-hazard suits and due to the toxicity of the area in farming these GM crops, are required to ***** signs in the surrounding area warning of the danger.

So one chemical that has been pushed into foods and drink by Monsanto since the early 20th Century is Saccharin, an artificial sweetener made from coal tar which is used predominantly in Soda, Coke and processed foods, and is 700 times sweeter than sugar. In 1907 when Saccharin was first investigated by the USDA it was quoted as,"a coal tar product totally devoid of food value and extremely injurious to health" , and by the 1970's, when the chemical began to garner greater use, the FDA attempted to ban its use in products after discovering it causes cancers (particularly bladder cancer) in animals and humans, however, today is still used as an artificial sweetener, and between 1973-1994 the National Cancer Institute saw a 10% increase in bladder cancers.

Monsanto are also responsible for the pushing of another artificial sweetener onto the market to be consumed by humans, that being Aspartame, even more harmful than Saccharin, and since being used in Coke, particularly Diet Coke, since 1983, the rest of industry followed suit. When melted down at 30°C into its liquid form in use for soft drinks, it become far deadlier than in its powdered state. It was found that it caused tumours and holes in the brains of rats and is more addictive than crack *******. After a multitude of independent scientific studies arose in protest of the use of Aspartame, Monsanto bribed the National Cancer Institute to produce fabricated data. Here are some of the know side effects of Aspartame consumption in humans according to the US Food and Drug Administration:

• mania  
• blindness
• joint-pain
• fatigue
• weight-gain
• chest-pain
• coma
• insomnia
• numbness
• depression
• tinnitus
• weakness
• spasms
• irritability
• nausea
• deafness
• memory-loss
• rashes
• dizziness
• headaches
• seizures
• anxiety
• palpitations
• fainting
• cramps
• diarrhoea
• panic
• burning in the mouth
• diabetes
• MS
• lupus
• epilepsy
• Parkinson’s
• tumours
• miscarriage
• infertility
• fibromyalgia
• infant death
• Alzheimer’s

As is quite evident, Aspartame not only lacks any nutritional value, it also can have grave effects on humans when consumed. In fact, over 80% of complaints made to the FDA concern Aspartame and is now used in over 5000 products, yet facts are still being misrepresented and as primary producers of Aspartame such as Monsanto produce false data to cover their tracks.


How is their monopoly being secured?
Monsanto within recent decades has somewhat become the archetype of corruption and corporatism, devoting many millions to Government lobbying in order to maintain its hegemony over agriculture, its use of harmful chemicals and to maintain restrictions of food labelling of GM products. In fact, the company seems to have a revolving door between itself and Government now, one example being the FDAs Arthur Hull resigning due to controversy and going straight to an employee at Monsanto as a Public Relations representative. This means that the FDA, the central official force against the use and proliferation of harmful products is in bed with Monsanto, the main proliferator.

Another creation Monsanto have pushed into pastoral agriculture is their Synthetic Bovine Growth Hormone which is a genetic modification of the E-coli virus to be used in dairy products and cows. And in order to make sure this product is pushed onto farmers, Monsanto sues any that do not use it with teams of lawyers. They also, in a far more cunning and destructive method, are able to and have destroyed other, natural crop cultivation by the use of their Genetically Modified crops themselves. What they have done is modified their crops in order that they self pollinate, and that bees that come into contact with their crops are killed, causing mass hive collapses, which then means any natural crop in surrounding farms die off due to a lack of bees to pollinate them, forcing them to join the monopoly of Monsanto's GM supply.

Also, before the aerial spraying aluminium and barium into the skies began in 1998, that has seen a rise in the content of aluminium particles per/cm from near 0 to 30,000 in many areas, Monsanto patented crops that are resistant to soil with such high concentrations, meaning they now have legal ownership over crops, whereas the natural produce may be ungrowable in a number of places where the spraying concentration is high. On a side not, the spraying of aluminium into the sky since 1998 has also caused a massive spike in Alzheimer disease and lung cancers, rising from the tens of thousands to the millions of cases per year.

To Conclude, Monsanto has recently made a very big merger deal with the Pharmaceutical company Bayer, the ones who produced Zyklon-B for the **** extermination chambers. Sure sounds like some safe operations.


- an essay by JDH

freckled cheeks / soft decibels

dress wearing
wine taster
dreamcatching
manhunter

an attraction
to green and yellow
an aversion to blue

an imprint of her muted form
under a name that hides her

she often lies there
in a shimmer
a bit of a sleeping beauty

in the pleasing shape
of Wisconsin / Illinois

whose charms
are revealed
like arcane secrets
only to those
with patience,
persistence,
and a lack of proximity
to heavy machinery

Abbie hailed a yellow top cabbie

Brenda had a sister in-law named Glenda

Cate ran late on her first date

Delly ate seven bowls of lemon jelly

Edwina drove to the town of Catalina

Fran burnt her finger on the very hot frying pan

Gwen had a strong yen to go and see her aunty Jen

Hope bought her husband a towing rope

Isobel fell under the magician's spell

Joann took her mother on a holiday in a caravan

Kylie went to the dentist with her brother Wylie

Lesley liked listening to Elvis Presley

Marcia enjoyed eating a freshly baked focaccia

Nell saw a turtle coming out of his shell

Olga lived at the top end of the river Volga

Primrose had a Pinocchio nose

Queenie knitted a multicolored beanie

Ruth could never tell the whole truth

Stacey loved playing dress ups with her friend Tracey

Tilly behavior was always rather silly

Una bought a house in the suburb of Yagonna

Verity wanted to be a well known celebrity

Winifred never stopped taking about Alfred

Xena was presented with a court subpoena

Yale told her teacher a tall tale

Zealand ventured out into the bushland

She stunned me when I first saw her looks
Never seen like her even in books

An angel who dropped from the sky
To say to me "Sam! Hi!"

She instantly got my full attention
And I at once shown no pretention

She lives now in the corridors of my mind
You won't find a lady so gentle and kind

Now I miss her as I miss the air when I stop breathing
She lives in me, so God help me her seeing

Sam Burton (C)


Today is Friday, Oct. 10, the 289th day of 2014 with 82 to follow.

The moon is waxing. Morning stars are Jupiter, Uranus and Venus. Evening stars are Mars, Mercury, Neptune and Saturn.



Quotes for the day:



"Correction does much, but encouragement does more."



Johann Wolfgang von Goethe



"The first requisite for success is the ability to apply your physical and mental energies to one problem incessantly without growing weary."



Thomas A. Edison



POETRY

Israfel





Edgar Allan Poe



In Heaven a spirit doth dwell
"Whose heart-strings are a lute";
None sing so wildly well
As the angel Israfel,
And the giddy stars (so legends tell),
Ceasing their hymns, attend the spell
Of his voice, all mute.

Tottering above
In her highest noon,
The enamored moon
Blushes with love,
While, to listen, the red levin
(With the rapid Pleiads, even,
Which were seven,)
Pauses in Heaven.

And they say (the starry choir
And the other listening things)
That Israfeli's fire
Is owing to that lyre
By which he sits and sings -
The trembling living wire
Of those unusual strings.

But the skies that angel trod,
Where deep thoughts are a duty -
Where Love's a grown-up God -
Where the Houri glances are
Imbued with all the beauty
Which we worship in a star.

Therefore thou art not wrong,
Israfeli, who despisest
An unimpassioned song;
To thee the laurels belong,
Best bard, because the wisest!
Merrily live, and long!

The ecstasies above
With thy burning measures suit -
Thy grief, thy joy, thy hate, thy love,
With the fervor of thy lute -
Well may the stars be mute!

Yes, Heaven is thine; but this
Is a world of sweets and sours;
Our flowers are merely - flowers,
And the shadow of thy perfect bliss
Is the sunshine of ours.

If I could dwell
Where Israfel
Hath dwelt, and he where I,
He might not sing so wildly well
A mortal melody,
While a bolder note than this might swell
From my lyre within the sky.



BEAUTY AND HEALTH TIP

Strengthen your nails



Before you go to bed every night, use a nail-strengthening cream on your nails (and under, if they're long). This also keeps them hydrated, which is essential for healthy nails.



Trivia

Where did the name “Revlon: come from?



Nail polish distributors Charles Revson and his brother Joseph, along with nail polish supplier Charles Lachman, who contributed the "L" in the Revlon name, gave birth to the Revlon cosmetics company in 1932. Starting with just one nail product a nail enamel unlike any before it the three men pooled their paltry resources and developed a unique manufacturing process. Using pigments instead of dyes, Revlon was able to offer to women rich-looking, opaque nail enamel in a wide variety of shades never before available. In only six years, the company became a multimillion dollar organization, launching one of the most recognized cosmetics names in the world.



How many atoms are there in the universe?



Astronomers believe that the universe contains one atom for every 88 gallons of space.



How do animals influence the weather?



Living creatures create tiny weather systems called microclimates in their nests and burrows. For instance, bees fan their wings at the hive entrance during hot weather. This makes a cooling draft blow through the hive.

VOCABULARY



Splenetic

adjective



:


marked by bad temper, malevolence, or spite



Examples:



I know David was in a bad mood all day, but the splenetic tone of his reply to Brenda’s question was not necessary.



"If he were 10 or 15 years younger (or at least looked like he was), [Charlie] Sheen would be perfect as the splenetic, screed-spouting anti-hero of John Osborne’s 'Look Back in Anger.'" — From an article by Ben Brantley on the New York Times Arts Beat blog, May 26, 2011



Did you know?



In early Western physiology, a person's physical qualities and mental disposition were believed to be determined by the proportion of four ****** humors: blood, phlegm, yellow bile, and black bile. The last of these was believed to be secreted by the spleen, causing feelings of disposition ranging from intense sadness (melancholia) to irascibility. This now-discredited association explains how the use of "splenetic" (deriving from the Late Latin "spleneticus" and the Latin "splen," meaning "spleen") came to mean both "bad-tempered" and "given to melancholy" as well as "of or relating to the spleen." In later years, the "melancholy" sense fell out of use, but the sense pertaining to ill humor or malevolence remains with us today.





Courtesy of Merriam-Webster, Inc.



JOKES



Female Comebacks



Man: Haven't I seen you someplace before?
Woman: Yes, that's why I don't go there anymore.

Man: Is this seat empty?
Woman: Yes, and this one will be if you sit down.

Man: Your place or mine?
Woman: Both. You go to yours, and I'll go to mine.

Man: So, what do you do for a living?
Woman: I'm a female impersonator.

Man: Hey baby, what's your sign?
Woman: Do not enter.

Man: How do you like your eggs in the morning?
Woman: Unfertilized.

Man: If I could see you naked, I'd die happy.
Woman: If I saw you naked, I'd probably die laughing.

Man: Your body is like a temple.
Woman: Sorry, there are no services today.

Man: I would go to the end of the world for you.
Woman: But would you stay there?





Seminars for MEN




(Prepared and Presented by Females)

1. Combatting stupidity

2. You too can do housework

3. ***: Learn when to keep your mouth shut

4. How to fill an ice tray

5. We do not want ****** underthings for Christmas: give us money

6. Understanding the female response to your coming in drunk at 4am

7. Wonderful laundry techniques (formerly titled, "Don't wash my silks")

8. Parenting: It doesn't end with conception

9. Get a life; learn to cook

10. How not to act like a ******* when you're obviously wrong

11. Spelling: Even you can get it right

12. Understanding your financial incompetence

13. You: The weaker ***

14. Reasons to give flowers

15. How to stay awake in public

16. Why it is unacceptable to relieve yourself anywhere but the bathroom

17. Garbage: Getting it to the curb

! 18. You can fall asleep without it if you really try

19. The morning dilemma if IT is awake: Take a shower

20. I'll wear it if I **** well please

21. How to put the toilet lid down (formerly titled "No, it's not a bidet")

22. "The weekend" and "sports" are not synonyms

23. Give me a break: Why we know your excuses are bull

24. How to go shopping with your mate and not get lost

25. The remote control: Overcoming your dependency

26. Romanticism: Ideas other than ***

27. Helpful postural hints for couch potatoes

28. Mothers-in-law: They are people too

29. Male bonding: Leaving your friends at home

30. You too can be a designated driver

31. Seeing the true you (formerly titled, "You don't look like Mel Gibson when naked")

32. Changing your underwear: It really works

33. The attainable goal: removing "****" from your! vocabulary

34. Fluffing the blankets after flatula! ting is not necessary

35. Techniques for calling home before you leave work





The Bacon Tree



There are two guys who have been lost in the desert for weeks, and they're at death's door. As they stumble on, hoping for salvation in the form of an oasis or something similar, they suddenly spy, through the heat haze, a tree off in the distance.

As they get closer, they can see that the tree is draped with rasher upon rasher of bacon. There's smoked bacon, crispy bacon, life-giving juicy nearly-raw bacon, all sorts. "Oh my, Pepe" says the first bloke. "It's a bacon tree!!! We're saved!!!" "You're right!" says Pepe.

So Pepe goes on ahead and runs up to the tree salivating at the prospect of food. But as he gets to within five feet of the tree, there's the sound of machine gun fire, and he is shot down in a hail of bullets. His friend quickly drops down on the sand, and calls across to the dying Pepe.

"Pepe! Pepe! What on earth happened?"...

With his dying breath Pepe calls out...

"Ugh, run, run!... it's not a Bacon Tre! e...

Scroll Down...













...it's a Ham Bush"





HAVE A SUPER NICE FRIDAY and a GORGEOUS WEEKEND!

Custom, tradition, and the twang of steel guitars
Strongly suggest I should embrace my station
As the woman done wrong,
Weeping quietly in some dark corner
At the Come On Inn,
Or, even better yet,
Wailing in a full, tear-stained voice.
Know this; I will not Patsy Cline for you,
Any man or moral of the story,
Nor will I indulge myself
In some country-crossover measure of revenge.
I will march into that bar,
And play that song for whoever on the jukebox,
Dancing without a trace of regret or malice
And I will leave that old roadhouse
In the same manner I will live
The rest of my days here on earth;
Head high, chin forward, shoulders straight
Alone or accompanied
As I—and I alone—see fit.

Sometimes in April
When the rain pours
And makes mud of the earth.
I think of Brenda Fassie’s “Too Late For Mama”
Lingering on my sister’s vibrato
An attempt to forget that,
Once again,
A family member had lent us their back.
My three sisters and I huddled,
Under the night sky,
Singing.
A mild prayer to keep us from shivering.
A ‘let us find the mercy of a couch”
But it rained hard.
We used our limbs as umbrellas.
Laughed loud and sloppily
To hide our shame

Sometimes in April.
I think about the wet ground
How it felt against our feet.
How poverty turned into homeless.
Into needy.
Into “don’t cry, we’ll be okay soon”
Into my mother being a beggar
And us, just open mouths.
Wrestling with the pitiless relatives
Who call us out of our shared last names.

Sometimes
I think
Haven’t we lost enough
Haven’t we known an empty hand
Haven’t we despaired enough.
No shelter to speak of
Just a song to keep us warm
And the rain does not care. (Neither do the people)
It comes.
In April.

Thank you Shaun,
for the pictures and flowers.
Thank you Lily,
for the ray of sunlight.
Thank you Bry,
for psychopathic measure.
Thank you D,
for the feeling of good pleasure.
Thank you Tay,
for tea and bears.
Thank you Meg,
for Sherlock and apples.
Thank you Zee,
for robots and twins.
Thank you Carrie,
for fangirling and friendship.
Thank you Liam,
for support and superheroes.
Thank you Paul,
for understanding and ingenious.
Thank you Ceryen,
for fake names and shared tears.
Thank you Chiara,
for Italian cheese and fanfics.
Thank you Rod,
for fish and evil.
Thank you Lia,
for kitties and souls.
Thank you Stephen,
for gravestones and vegetables.
Thank you Christine,
for mercurial and poetical love.
Thank you Caitlin,
for product design and Poundland.
Thank you Jordan,
for weddings and Brenda.
Thank you Conaill,
for DT and Courbet.
Thank you Brendan,
for axes and aunts.
Thank you Tom,
for form time and Brittany.
Thank you George,
for philosophies and pigeons.
Thank you Morgan,
for video games and hearing.
Thank you Alice,
for Pokemon and tumblr.
Thank you Aliyah,
for hearing aids and help.
Thank you all,
for reading and listening.
Thank you, me,
for absolutely nothing.

I am Amadioha the earth goddess  of Igbos,Ngai wa mugo wa gatheru
who created the nine daughters of mumbi ,and Gikuyu a man,
I am Wele of Dini ya Musambwa,creator of Elijah Masinde
I am  Katonda the creator of Kintu and Namiremeb hills at Makerere
I am eshu the god  of the  Ijimere and Achebe and Soyinka,
behold today  I stand in Egypt,where the sun comes from
where I similarly  stood billion and billion of years ago,
to create all the stars the moon and the universe
not even known to the son of man until today,
this is where i created my first born of  humanity;
dear Africa the generations of Negroes,
the beacon of my eye, i enjoy a look at you  minus blinkers,
i stand here a fresh to correct my creation mistakes
i formerly made, when creating my dearest son in Africa;
Kenneth Binyavanga wa wainaina, who hails at Nakuru hills,
he is the sweetest song to my heart, classical music of my ears
i contrite much , as i were not to create you a blended blood
from an  Omuganda  girl and  an Omugikuyu  boy,
i  was to create you a pure Muganda, like Okot P' Bitek,
or a pure Kenyan , like Francis Davis Imbuga,
i were to control your academic fortune , that you  don't start,
your maiden education  Lena Moi primary school,
an epiphany of a divorced woman,spelling curse of wifelessness,
on those that pass through the very  school , i was wrong.
had i known i could have not  sent Cleophas to work
in your fathers home , for him  to sleep in the horse shed,
cursed is the ******* memory of what he did in that quarter
as you preened  and eavesdropped outside like a hen
listening to the eagle's contralto,
why did i sent Wambui to be your nurse maid ,only to preach
the gospel according to the power of peasant ****** to you,
she tangled her buttocks before your **** eyes,senting
your young heart to sensuous extremities, Wambui ,a she devil,
Wow! Kalenjins are bad neighbour, they are dark and ugly
slow in the brain and sadistically malicious in the heart,
i  know not why i made them to abode with you within the
great valley of kenya, they throng schools and they cannot learn,
but i have now held them captive, i have made them your footstool
for ever and ever my dear son ,as you hold the scepter of power,
i goofed beyond  remedy by all ethereal to send you to Njoro boys school,
for you to meet Sigalla, that extra-masculine Sigalla , the ******* hunter,
i gave you wrong sisters, they made you put on your mothers dress
and her long hair,then you posed to the female public as an Americanness
your romantic number was fwive fwive fwive fwive , fwive at New-york,
i wonder why i did not give you enough power of languages
so that you generate a numberless fantabulousies and Goalies and so forth,
only to borrow from a young woman;Chimamanda Ngozi Adichie
the  yellow sun's slapslap  slapslap slapslap slapslap slapslap   slapslapp!
Mangu Boys School to you was a blessing , had it not my fault,
of giving you a mutton headed faculty full of annentcy,
that went for the persiflagery and aesthetic phantasmagoria,
in the art and theatre prose and poetry; the Bigger Thomas Lawyer,
your only  misplaced  mentor  that gave birth to what i love in you ;
hence i am writting about this place now,this place kenya,
folly of folly is when i goofed to take a natural writter like you,
to commerce class in the land of apartheid, Nadine Gordimer's  front
that sired Brenda Fasie a top Lesbian, the song bird of my times
as you all know we the gods also jealously love,
she only charmed you with her naked ****
swinging like a pendulum on the  musical stage,
after her communique of being a top lesbian,she call it Africa,
o! no,  Africa never came from Lesbians, it comes from simple nature;
mother and father, in natural and collective  heterosexuality,
You only saw and revved in dope culture in the cubbyhole of Victory,
and hoped clubs from Dazzle to the rest , in hunt of  your boyhood,
sadly to be befallen by dark clouds  in victim-hood of optical nutrition,
abiding among the  tall, beautiful, smoking bunch of Lesbians.
My son, from  today and henceforth,  i the Africanus,
the god of African fertility,poetry and art,
humbly chose to recreate you the king of kings and queens,
of African story telling  at global status, to tell all African songs,
beyond sham fallacy that gay and Lesbian literature
are the begotten  apex of modern and Global literature
these are only white lies featuring a death bound imperialism.

i have cake here, tony made it me,

last year he made a wooden glove box, as my red x one overflowed, the year before a tiny clothes hanger.

only yesterday i hung the knitted clothes i bought in pickering, no room for the pants, i pinned them to the wall. he is brenda’s husband.

she likes victoria sponge,

too.

sbm.

Hey kid, I woke up buzzing, here
In the future ruins of ancient America. 
Staring, after the imperial sunrise,
Listening to Los Angeles on repeat.
Insistent and purple, only 
Sediment left in the
Bottles of night. 

This third-world way
Causes Third World War
So I'm drinking at a 
Tavern on the End.
The bus goes by, and
"Baseball's the worst sport."

Alliteration, allusion,
Colors, characters,
And metaphors.
Sobriety sending me 
Searching for smoke. 
Rehash, re-up, and "read the ****** thing." My world-view,
Out-maneuvering your
Upbringing.

(The memories I have are white and yellow.
Fogged, not angry, if even confused.
You'd call me, after finishing your nightly readings, to cry about the characters you'd loved, and castigate my inability to care.
Remember when you used "undermined" to describe the adaptation?
You meant that it was "assuming too much.")

"Brenda and Eddie," over here,
"Couldn't go back to the greasers" so they
Wound up at your family's tavern. 
"You look like the fat kid,
On whom the popular girl was 
Forced to settle."

Dear Man,
Woman's found you out. Or 
Are we, justly, doomed to be 
More juvenile?

Worn sole, soul-open, "so long,
Kid, I don't know you, but,
I can't help myself from
Destroying you."
(My upbringing: out-maneuvering
Your world-view.)

"You've always been the caretaker, Flagstaff."
The bait's in your brain. 
You've simply been 
Overlooking the barkeep.

(Dear Diary, could I just die already?
The Price is Life, and purgatory's a game show.
Anger, the color of your mother.
Skin, the shade of yard-work.
Staring at road maps of Virginia, stoic.
Trying to divine the diners we'd die in.)

I am scared!
Scared of this world

Robert Godwin Sr
Alyssa Elsman

How many more have to die?
By my kind,
By their kind,
Because they blame some other kind
What ever happened to just being
kind?

Daniel Parmertor, Russell King, Jr., Demetrius Hewlin

Where were you when the World Trade Center went down?
It’s something everyone alive then will always remember
Never Forget! was our brand motto for American Pride

Krystle Marie Campbell, Lü Lingzi, Martin William Richard, Sean A. Collier, Dennis Simmonds

And now, the death of another is so commonplace
That we forget what and where.
It’s no longer personal enough to register where in our lives that it struck us
Only note that another life has been struck down
Add another tally to the equation
And still it does not add up

Trayvon Martin
Tamir Rice
Samuel DuBose
Delrawn Small
Philando Castile
Terence Crutcher
Heather Heyer

We are completely desensitized
And decentralized
We keep ourselves disconnected
(because we just can’t absorb,
Take,
Process it all)
It’s not us
It’s not me
It’s somebody else
Somewhere else.
Until it is
Then we care
How much can we take, before we break

Cynthia Marie Graham Hurd, Susie Jackson, Ethel Lee Lance, Depayne Middleton Doctor, Clementa C. Pinckney, Tywanza Sanders, Daniel Simmons, Sharonda Coleman Singleton, Myra Thompson

The tragedy is the comedy
We laugh so we don’t cry
Sakia Gunn
Richie Phillips
Nireah Johnson, Brandie Coleman
Glenn Kopitske
Scotty Joe Weaver
Jason Gage
Michael Sandy
Sean William Kennedy
Duanna Johnson
Lawrence "Larry" King
Angie Zapata
Lateisha Green
****** August Provost, III
Mark Carson

I can’t say I’ve never thought of committing violence.
Hell, when my ex-wife cheated, it occurred to me
And I can’t say that I have never hit another
I’ve been a kid
My whole life is designed just to grow up
But, I’ve thought of killing myself far more often than the thought to harm anyone else have ever occurred to me
Because my problems are mine;
My fault,
And I am not seeking some scapegoat

Keenya Cook, Jerry Taylor, Million A. Woldemariam, Claudine Parker, Hong Im Ballenge, James Martin, James L. Buchanan, Premkumar Walekar, Sarah Ramos, Lori Ann Lewis-Rivera, Pascal Charlot, Dean Harold Meyers, Kenneth Bridges, Linda Franklin née Moore, Jeffrey Hopper, Conrad Johnson, 1 unnamed victim

I am not going to deny that being a white male hasn’t allowed me to sidestep a whole level of *******
One day, angry white males will be the minority
And we’ll have no one left to blame, but ourselves.
If we don’t **** everyone first
If we don’t **** ourselves first

Michael Arnold, Martin Bodrog, Arthur Daniels, Sylvia Frasier, Kathy Gaarde, John Roger Johnson, Mary Francis Knight, Frank Kohler, Vishnu Pandit, Kenneth Bernard Proctor, Gerald Read, Richard Michael Ridgell

Jonathan Blunk, Alexander J. Boik , Jesse Childress, Gordon Cowden,
Jessica Ghawi, John Larimer, Matt McQuinn, Micayla Medek, Veronica Moser Sullivan, Alex Sullivan, Alexander C. Teves, Rebecca Wingo

The earth has already decided that we are a plague upon it
Maybe climate change is the natural response to the abuse of our gifts

Nancy Lanza, Rachel D'Avino, Dawn Hochsprung, Anne Marie Murphy,
Lauren Rousseau, Mary Sherlach, Victoria Leigh Soto, Charlotte Bacon, Daniel Barden, Olivia Engel, Josephine Gay, Dylan Hockley, Madeleine Hsu, Catherine Hubbard, Chase Kowalski, Jesse Lewis, Ana Márquez Greene, James Mattioli, Grace McDonnell, Emilie Parker, Jack Pinto, Noah Pozner, Caroline Previdi, Jessica Rekos, Avielle Richman, Benjamin Wheeler, Allison Wyatt

What is this world going to teach my son?
That he’s better because of how he looks?
Or what I’ve taught him:
You make yourself better.

Jamie Bishop, Jocelyne Couture Nowak, Kevin Granata, Liviu Librescu,  P
G. V. Loganathan, Ross Alameddine, Brian Bluhm, Ryan Clark, Austin Cloyd, Daniel Perez Cueva, Matthew Gwaltney, Caitlin Hammaren, Jeremy Herbstritt, Rachael Hill, Emily Hilscher, Matthew La Porte, Jarrett Lane, Henry Lee, Partahi Lumbantoruan, Lauren McCain, Daniel O'Neil, Juan Ortiz, Minal Panchal, Erin Peterson, Michael Pohle Jr., Julia Pryde, Mary Karen Read, Reema Samaha, Waleed Shaalan, Leslie Sherman, Maxine Turner, Nicole White

I work as a data analyst
So, I ran the numbers
But, these are more than numbers
These are people: sons, daughters, sisters, brothers, mothers, fathers, husbands, wives, friends, lovers.

Stanley Almodovar III, Amanda Alvear, Oscar A. Aracena Montero, Rodolfo Ayala Ayala, Alejandro Barrios Martinez, Martin Benitez Torres, Antonio D. Brown, Darryl R. Burt II, Jonathan A. Camuy Vega, Angel L. Candelario Padro, Simon A. Carrillo Fernandez, Juan Chevez Martinez, Luis D. Conde, Cory J. Connell, Tevin E. Crosby, Franky J. DeJesus Velazquez, Deonka D. Drayton, Mercedez M. Flores, Juan R. Guerrero, Peter O. Gonzalez Cruz, Paul T. Henry, Frank Hernandez, Miguel A. Honorato, Javier Jorge Reyes, Jason B. Josaphat, Eddie J. Justice, Anthony L. Laureano Disla, Christopher A. Leinonen, Brenda L. Marquez McCool, Jean C. Mendez Perez, Akyra Monet Murray, Kimberly Morris, Jean C. Nives Rodriguez, Luis O. Ocasio Capo, Geraldo A. Ortiz Jimenez, Eric I. Ortiz Rivera, Joel Rayon Paniagua, Enrique L. Rios Jr., Juan P. Rivera Velazquez, Yilmary Rodriguez Solivan, Christopher J. Sanfeliz, Xavier E. Serrano Rosado, Gilberto R. Silva Menendez, Edward Sotomayor Jr., Shane E. Tomlinson, Leroy Valentin Fernandez, Luis S. Vielma, Luis D. Wilson Leon, Jerald A. Wright

I did research to try to find all the victims since I became abruptly aware 16 years ago
There are too many
I could not discover a single database that contained a comprehensive record
No one can keep track of it anymore
I know I’ve missed people
I know there are 1000’s of people now missing people
Even 1 was too much

Hannah Ahlers, Heather Alvarado, Dorene Anderson, Carrie Barnette, Jack Beaton, Steve Berger, Candice Bowers, Denise Salmon Burditus, Sandra Casey, Andrea Castilla, Denise Cohen, Austin Davis, Virginia Day Jr, Christiana Duarte, Stacee Etcheber, Brian Fraser, Keri Galvan,  Dana Gardner, Angela Gomez, Rocio Guillen Rocha, Charleston Hartfield,  Chris Hazencomb, Jennifer Irvine, Nicol Kimura, Jessica Klymchuk, Carly Kreibaum, Rhonda LeRocque, Victor Link, Jordan McIldoon, Kelsey Meadows, Calla Medig, James ‘Sonny’ Melton, Pati Mestas, Austin Meyer, Adrian Murfitt, Rachael Parker, Jennifer Parks, Carrie Parsons, Lisa Patterson,  John Phippen, Melissa Ramirez, Jordyn Rivera, Quinton Robbins, Cameron Robinson, Lisa Romero Muniz, Christopher Roybal, Brett Schwanbeck, Bailey Schweitzer, Laura Shipp, Erick Silva, Susan Smith, Tara Roe Smith, Brennan Stewart, Derrick ‘Bo’ Taylor, Neysa Tonks, Michelle Vo, Kurt Von Tillow, Bill Wolfe Jr.

and NOW I’ve run out of lines and time to read off all 2,977 people who died in 9-11
Isn’t that a tragedy?

I see so much more than you could ever ask
And will eternally
Wonder
the wonderful masks

On the second floor
of a department store

At the DMV
appointment window

In the kissing booth
on Coney Island

Anywhere around
her pineapple grove

This happened last Fall, during Thanksgiving break.

Lisa and I were at the MET (The Metropolitan Museum of Art), with her family, at an exhibit of Art Deco sculpture. Lisa and I came out of a gallery and there was a group of older adults gathered near a bar.
“Hermé!” Lisa suddenly squealed. “Come on,” she said, dragging me towards the group. “I want you to meet one of my favorite people in the world!”

We crossed the room and found ourselves at the back of a large group, Lisa nodded to highlight a 60ish (I’m being generous here) lady. She was wearing a midnight blue Givenchy asymmetric midi dress and way too much jewelry. Both arms featured large and small gold bracelets that jingled when she moved. “She’s a friend of my grandma's,” Lisa said, “she’s off the hook.”

Hermé was chatting with those close to her and after a minute, Lisa said, “I’ll get us a drink, wait here,” and headed for the bar. Watching Hermé, I decided that she embodied the 4 fashion-aesthetic-principles: 1) dress for the occasion, 2) look good, 3) feel good, and 4) be seen looking good. She was definitely the center of attention.

People peeled off the group, one or two at a time, as people will do and as I got closer, Hermé was saying, “Russians - the way human history repeats itself, it’s like we’re in a time loop.” There were sounds of agreement.

When there were only a handful of us, I was the odd one out, being under 60. Hermé asked me, “And who are you?”
“A friend of Lisa’s,” I glanced over and waved at Lisa, who waved back, “Anais,” I finished, offering my hand. She was wearing little white gloves which suddenly seemed like genius (in these virus times).

“What did you think of the exhibit?” She asked, looking through the ½-frame glasses perched on her nose.

“Art Deco Sculpture?” I shrugged, looking around at the room’s remaining art lovers, “It looks like men doing heroic things with their clothes off.. like always?” The silence that followed seemed to beg for words, but I felt like maybe I’d said too much.

Then she laughed. The laugh was as measured and controlled as an opera singer’s vibrato. There were a couple of other chuckles too. Then she became serious, “What do you think of the Ukraine mess?”

“I’m a pre-med major,” I started to demur, but her gaze was on me uncomfortably, “Putin *****,” I answered.

She smiled, this time with no hesitation. “You’re a Yaleie - with Lisa?” She followed up.
“Yes mam,” I answered. I guessed she’d seen Lisa steer me over. She was sharp as a tack - I decided I liked her.

Her cell phone chirped then, and she excused herself. I mean she said, “excuse me” and everyone else made themselves scarce. As I took a few steps toward the bar I overheard her telling the caller, “Tell him he can just have it..” and after a split-second she added, “at cost.” I had to smile, no one’s as cheap as the rich.

I reached Lisa as she picked up our drinks, two American martinis (gin, vermouth and olives).
“Hermé has a ‘gild’ complex,” I whispered, indicating the glittering, fake gold fashion on display.
“No!” Lisa said in shocked amusement. This was more than repartee, it was 411.
“I’d be willing to bet.” I assured her, quipping, “fashion is my passion,” before I sipped my drink.
Lisa moved around to where she could inconspicuously observe Hermé better - we didn’t want to be rude.
“I like her, but her Louis Vuitton “Ponthieu” handbag is fake,” I said in a low murmur, “the pleshette’s wrong and the logo etching is too deep and reflective.
Lisa sipped her drink with an “mmm,” as she appraised Hermé anew.
“Her bracelets and necklaces are fake too,” I continued, “fake gold glitters, reflecting light like a mirror, real gold lusters, it caresses and almost deflects light.” After a second I nva’d, “Of course, she might be afraid of being robbed.”

An elderly man, about 90 (my guess), who’d been in Hermé’s group a minute ago, was making his way, slowly, in our direction. He was wearing a suit with black, tuxedo pants and a deep-red crushed-velvet coat with black trim.
“Who shot the couch?” I whispered to Lisa. We thought he was headed to the bar. But he stepped right up to us.

“What are they teaching you girls at Yale these days?” He asked. He had a ******-mary in one hand, so I opened up.
“A load of science, and how to do laundry,” I said, and wanting to escape the usual questions, I added, “and there’s a lot of drinking.” Leaning in confidentially, I added, “It’s opened me up, emotionally.”

“I was raised in the old ‘carnage on the highways, broken lives, stay away’ days,” he revealed, winking.
“But you got over it,” I nodded at his cup.
“We evolve, you know?” He said.
“Yes sir,” I grinned, “I hope so.”

As we talked, Lisa’s dad, Michael, joined us. “What are you two up to,” he asked, then, under his breath he added, “you seem conspiratorial.”
“Nothing,” Lisa said. “We’re taking fashion.” I updogged.
“Better lose those,” he nodded to Lisa indicating our drinks, “before your mother and Leeza get here.”
We’re under 21 and she doesn’t like us to drink in (Manhattan) public.
.
.
Songs for this:
Dat's love (From "Carmen Jones") by Lesley Garrett, Andrew Greenwood & Philharmonia Orchestra
Far Far Away (Charles Tone Mix) [feat. Brenda Boykin] by Tape Five
Martino Cafe by Gabrielle Chiararo

I wish I had flowers and gifts for you
   A whole room full that was well arranged
But if you think that I've forgotten you
  That thought is quite insane!
I may not have much money,
  and all my credit cards are dead
You're partial to gifts of labor(not paid for with paper)
   So I wrote you this instead:

If you could see inside myself,
  My heart, My head, My soul
You would see the fear I have of you
  of a burning love that's beyond my control.
If you could only hear my thoughts,
  Morning,
       night
          and day
You'd see how much I love you,
  no one on Earth could lead me astray!
For earth alone does not bound my love, if there're chicks on planets far beyond
  You have no need to worry- I still would not Respond!
Even if they were hot and green, just like that Star Trek show,
   And if they tried to correspond, my answer would still be "No"!
"Pack it in you *****-*** hoes," is what I would decree
"None of you even have a chance, Brenda's the only one for me!"
As we walked away, we would laugh and say,
(And I think you will agree)
"They gave Captain Kirk a mess of herps'
      and Spock got Hepatitis B!"

I refuse to show political respect,the news flows from my precinct connect,**** soon glows from TGC inject,contaminate the food ,the ***** they win ,we lose,who's gone choose yet none will re-fuse to combat the dudes that brought death to baby food,murders with no clues.genocide someone sing my blues,Brenda had a baby now she's opened a school for delinquent youth..who's making all the rules caking on you fools baking that good,its whats breaking on the news..I take weight but the rope cant hold the stake shaking at the knees while I'm hanging by the noose.oblivion and beyond finally i feel loved, death is so warm ,humanity is a storm though endless the abyss is a calm..future read it in a palm.branches in arms..puddles of blood flies in a swarm,fly away to the lord to whom you belong..children of the corn..caught up in a whirlwind,drenched by the storm ,they wont stop until were gone they wont stop until their done the human race is dead and their world wars won!

I used to listen to Winehouse in the greenhouse and the windows cried in pain.
I had Gillespie in the conservatory and Kitt in the kitchen, but I saved Brenda Lee for the bedroom see 'cause she was the queen.
I had them all running recordings in my head, Dave Dee, Fats Domino, Bono, Callas for a touch of class, Des and Bygraves, slaves to the sound spinning around in my mind and now I can't find a song that's familiar, can't make out the words, don't know the artists, missed out along the tracks, no vinyls, no needles, no tables just racks of CD's
oh please tell me it isn't so
this can't be the way to go,
where's Slim and Kim and Marty gonna go now that the party is over?
In the greenhouse where I listened to Winehouse and watched the pickup pick up the beat,
I take a back seat and eat a tomato while nothing else is going on.