FIRST DAY

1.
Who wanted me
to go to Chicago
on January 6th?
I did!

The night before,
20 below zero
Fahrenheit
with the wind chill;
as the blizzard of 99
lay in mountains
of blackening snow.

I packed two coats,
two suits,
three sweaters,
multiple sets of long johns
and heavy white socks
for a two-day stay.

I left from Newark.
**** the denseness,
it confounds!

The 2nd City to whom?
2nd ain’t bad.
It’s pretty good.
If you consider
Peking and Prague,
Tokyo and Togo,
Manchester and Moscow,
Port Au Prince and Paris,
Athens and Amsterdam,
Buenos Aries and Johannesburg;
that’s pretty good.

What’s going on here today?
It’s friggin frozen.
To the bone!

But Chi Town is still cool.
Buddy Guy’s is open.
Bartenders mixing drinks,
cabbies jamming on their breaks,
honey dew waitresses serving sugar,
buildings swerving,
fire tongued preachers are preaching
and the farmers are measuring the moon.

The lake,
unlike Ontario
is in the midst of freezing.
Bones of ice
threaten to gel
into a solid mass
over the expanse
of the Michigan Lake.
If this keeps up,
you can walk
clear to Toronto
on a silver carpet.

Along the shore
the ice is permanent.
It’s the first big frost
of winter
after a long
Indian Summer.

Thank God
I caught a cab.
Outside I hear
The Hawk
nippin hard.
It’ll get your ear,
finger or toe.
Bite you on the nose too
if you ain’t careful.

Thank God,
I’m not walking
the Wabash tonight;
but if you do cover up,
wear layers.

Chicago,
could this be
Sandburg’s City?

I’m overwhelmed
and this is my tenth time here.

It’s almost better,
sometimes it is better,
a lot of times it is better
and denser then New York.

Ask any Bull’s fan.
I’m a Knickerbocker.
Yes Nueva York,
a city that has placed last
in the standings
for many years.
Except the last two.
Yanks are # 1!

But Chicago
is a dynasty,
as big as
Sammy Sosa’s heart,
rich and wide
as Michael Jordan’s grin.

Middle of a country,
center of a continent,
smack dab in the mean
of a hemisphere,
vortex to a world,
Chicago!

Kansas City,
Nashville,
St. Louis,
Detroit,
Cleveland,
Pittsburgh,
Denver,
New Orleans,
Dallas,
Cairo,
Singapore,
Auckland,
Baghdad,
Mexico City
and Montreal
salute her.



2.
Cities,
A collection of vanities?
Engineered complex utilitarianism?
The need for community a social necessity?
Ego one with the mass?
Civilization’s latest *******?
Chicago is more then that.

Jefferson’s yeoman farmer
is long gone
but this capitol
of the Great Plains
is still democratic.

The citizen’s of this city
would vote daily,
if they could.

Chicago,
Sandburg’s Chicago,
Could it be?

The namesake river
segments the city,
canals of commerce,
all perpendicular,
is rife throughout,
still guiding barges
to the Mississippi
and St. Laurence.

Now also
tourist attractions
for a cafe society.

Chicago is really jazzy,
swanky clubs,
big steaks,
juices and drinks.

You get the best
coffee from Seattle
and the finest teas
from China.

Great restaurants
serve liquid jazz
al la carte.

Jazz Jazz Jazz
All they serve is Jazz
Rock me steady
Keep the beat
Keep it flowin
Feel the heat!

Jazz Jazz Jazz
All they is, is Jazz
Fast cars will take ya
To the show
Round bout midnight
Where’d the time go?

Flows into the Mississippi,
the mother of America’s rivers,
an empires aorta.

Great Lakes wonder of water.
Niagara Falls
still her heart gushes forth.

Buffalo connected to this holy heart.
Finger Lakes and Adirondacks
are part of this watershed,
all the way down to the
Delaware and Chesapeake.

Sandburg’s Chicago?
Oh my my,
the wonder of him.
Who captured the imagination
of the wonders of rivers.

Down stream other holy cities
from the Mississippi delta
all mapped by him.

Its mouth our Dixie Trumpet
guarded by righteous Cajun brethren.

Midwest?
Midwest from where?
It’s north of Caracas and Los Angeles,
east of Fairbanks,
west of Dublin
and south of not much.

Him,
who spoke of honest men
and loving women.
Working men and mothers
bearing citizens to build a nation.
The New World’s
precocious adolescent
caught in a stream
of endless and exciting change,
much pain and sacrifice,
dedication and loss,
pride and tribulations.

From him we know
all the people’s faces.
All their stories are told.
Never defeating the
idea of Chicago.

Sandburg had the courage to say
what was in the heart of the people, who:

Defeated the Indians,
Mapped the terrain,
Aided slavers,
Fought a terrible civil war,
Hoisted the barges,
Grew the food,
Whacked the wheat,
Sang the songs,
Fought many wars of conquest,
Cleared the land,
Erected the bridges,
Trapped the game,
Netted the fish,
Mined the coal,
Forged the steel,
Laid the tracks,
Fired the tenders,
Cut the stone,
Mixed the mortar,
Plumbed the line,
And laid the bricks
Of this nation of cities!

Pardon the Marlboro Man shtick.
It’s a poor expostulation of
crass commercial symbolism.

Like I said, I’m a
Devil Fan from Jersey
and Madison Avenue
has done its work on me.

It’s a strange alchemy
that changes
a proud Nation of Blackhawks
into a merchandising bonanza
of hometown hockey shirts,
making the native seem alien,
and the interloper at home chillin out,
warming his feet atop a block of ice,
guzzling Old Style
with clicker in hand.

Give him his beer
and other diversions.
If he bowls with his buddy’s
on Tuesday night
I hope he bowls
a perfect game.

He’s earned it.
He works hard.
Hard work and faith
built this city.

And it’s not just the faith
that fills the cities
thousand churches,
temples and
mosques on the Sabbath.

3.
There is faith in everything in Chicago!

An alcoholic broker named Bill
lives the Twelve Steps
to banish fear and loathing
for one more day.
Bill believes in sobriety.

A tug captain named Moe
waits for the spring thaw
so he can get the barges up to Duluth.
Moe believes in the seasons.

A farmer named Tom
hopes he has reaped the last
of many bitter harvests.
Tom believes in a new start.

A homeless man named Earl
wills himself a cot and a hot
at the local shelter.
Earl believes in deliverance.

A Pullman porter
named George
works overtime
to get his first born
through medical school.
George believes in opportunity.

A folk singer named Woody
sings about his
countrymen inheritance
and implores them to take it.
Woody believes in people.

A Wobbly named Joe
organizes fellow steelworkers
to fight for a workers paradise
here on earth.
Joe believes in ideals.

A bookkeeper named Edith
is certain she’ll see the Cubs
win the World Series
in her lifetime.
Edith believes in miracles.

An electrician named ****
saves money
to bring his family over from Gdansk.
**** believes in America.

A banker named Leah
knows Ditka will return
and lead the Bears
to another Super Bowl.
Leah believes in nostalgia.

A cantor named Samuel
prays for another 20 years
so he can properly train
his Temple’s replacement.

Samuel believes in tradition.
A high school girl named Sally
refuses to get an abortion.
She knows she carries
something special within her.
Sally believes in life.

A city worker named Mazie
ceaselessly prays
for her incarcerated son
doing 10 years at Cook.
Mazie believes in redemption.

A jazzer named Bix
helps to invent a new art form
out of the mist.
Bix believes in creativity.

An architect named Frank
restores the Rookery.
Frank believes in space.

A soldier named Ike
fights wars for democracy.
Ike believes in peace.

A Rabbi named Jesse
sermonizes on Moses.
Jesse believes in liberation.

Somewhere in Chicago
a kid still believes in Shoeless Joe.
The kid believes in
the integrity of the game.

An Imam named Louis
is busy building a nation
within a nation.
Louis believes in
self-determination.

A teacher named Heidi
gives all she has to her students.
She has great expectations for them all.
Heidi believes in the future.

4.
Does Chicago have a future?

This city,
full of cowboys
and wildcatters
is predicated
on a future!

Bang, bang
Shoot em up
Stake the claim
It’s your terrain
Drill the hole
Strike it rich
Top it off
You’re the boss
Take a chance
Watch it wane
Try again
Heavenly gains

Chicago
city of futures
is a Holy Mecca
to all day traders.

Their skin is gray,
hair disheveled,
loud ties and
funny coats,
thumb through
slips of paper
held by nail
chewed hands.
Selling promises
with no derivative value
for out of the money calls
and in the money puts.
Strike is not a labor action
in this city of unionists,
but a speculators mark,
a capitalist wish,
a hedgers bet,
a public debt
and a farmers
fair return.

Indexes for everything.
Quantitative models
that could burst a kazoo.

You know the measure
of everything in Chicago.
But is it truly objective?
Have mathematics banished
subjective intentions,
routing it in fair practice
of market efficiencies,
a kind of scientific absolution?

I heard that there
is a dispute brewing
over the amount of snowfall
that fell on the 1st.

The mayor’s office,
using the official city ruler
measured 22”
of snow on the ground.

The National Weather Service
says it cannot detect more
then 17” of snow.

The mayor thinks
he’ll catch less heat
for the trains that don’t run
the buses that don’t arrive
and the schools that stand empty
with the addition of 5”.

The analysts say
it’s all about capturing liquidity.

Liquidity,
can you place a great lake
into an eyedropper?

Its 20 below
and all liquid things
are solid masses
or a gooey viscosity at best.

Water is frozen everywhere.
But Chi town is still liquid,
flowing faster
then the digital blips
flashing on the walls
of the CBOT.

Dreams
are never frozen in Chicago.
The exchanges trade
without missing a beat.

Trading wet dreams,
the crystallized vapor
of an IPO
pledging a billion points
of Internet access
or raiding the public treasuries
of a central bank’s
huge stores of gold
with currency swaps.

Using the tools
of butterfly spreads
and candlesticks
to achieve the goal.

Short the Russell
or buy the Dow,
go long the
CAC and DAX.
Are you trading in euro’s?
You better be
or soon will.
I know
you’re Chicago,
you’ll trade anything.
WEBS,
Spiders,
and Leaps
are traded here,
along with sweet crude,
North Sea Brent,
plywood and T-Bill futures;
and most importantly
the commodities,
the loam
that formed this city
of broad shoulders.

What about our wheat?
Still whacking and
breadbasket to the world.

Oil,
an important fossil fuel
denominated in
good ole greenbacks.

Porkbellies,
not just hogwash
on the Wabash,
but bacon, eggs
and flapjacks
are on the menu
of every diner in Jersey
as the “All American.”

Cotton,
our contribution
to the Golden Triangle,
once the global currency
used to enrich a
gentlemen class
of cultured
southern slavers,
now Tommy Hilfiger’s
preferred fabric.

I think he sends it
to Bangkok where
child slaves
spin it into
gold lame'.

Sorghum,
I think its hardy.

Soybeans,
the new age substitute
for hamburger
goes great with tofu lasagna.

Corn,
ADM creates ethanol,
they want us to drive cleaner cars.

Cattle,
once driven into this city’s
bloodhouses for slaughter,
now ground into
a billion Big Macs
every year.

When does a seed
become a commodity?
When does a commodity
become a future?
When does a future expire?

You can find the answers
to these questions in Chicago
and find a fortune in a hole in the floor.

Look down into the pits.
Hear the screams of anguish
and profitable delights.

Frenzied men
swarming like a mass
of epileptic ants
atop the worlds largest sugar cube
auger the worlds free markets.

The scene is
more chaotic then
100 Haymarket Square Riots
multiplied by 100
1968 Democratic Conventions.

Amidst inverted anthills,
they scurry forth and to
in distinguished
black and red coats.

Fighting each other
as counterparties
to a life and death transaction.

This is an efficient market
that crosses the globe.

Oil from the Sultan of Brunei,
Yen from the land of Hitachi,
Long Bonds from the Fed,
nickel from Quebec,
platinum and palladium
from Siberia,
FTSE’s from London
and crewel cane from Havana
circle these pits.

Tijuana,
Shanghai
and Istanbul's
best traders
are only half as good
as the average trader in Chicago.

Chicago,
this hog butcher to the world,
specializes in packaging and distribution.

Men in blood soaked smocks,
still count the heads
entering the gates of the city.

Their handiwork
is sent out on barges
and rail lines as frozen packages
of futures
waiting for delivery
to an anonymous counterparty
half a world away.

This nation’s hub
has grown into the
premier purveyor
to the world;
along all the rivers,
highways,
railways
and estuaries
it’s tentacles reach.

5.
Sandburg’s Chicago,
is a city of the world’s people.

Many striver rows compose
its many neighborhoods.

Nordic stoicism,
Eastern European orthodoxy
and Afro-American
calypso vibrations
are three of many cords
strumming the strings
of Chicago.

Sandburg’s Chicago,
if you wrote forever
you would only scratch its surface.

People wait for trains
to enter the city from O’Hare.
Frozen tears
lock their eyes
onto distant skyscrapers,
solid chunks
of snot blocks their nose
and green icicles of slime
crust mustaches.
They fight to breathe.

Sandburg’s Chicago
is The Land of Lincoln,
Savior of the Union,
protector of the Republic.
Sent armies
of sons and daughters,
barges, boxcars,
gunboats, foodstuffs,
cannon and shot
to raze the south
and stamp out succession.

Old Abe’s biography
are still unknown volumes to me.
I must see and read the great words.
You can never learn enough;
but I’ve been to Washington
and seen the man’s memorial.
The Free World’s 8th wonder,
guarded by General Grant,
who still keeps an eye on Richmond
and a hand on his sword.

Through this American winter
Abe ponders.
The vista he surveys is dire and tragic.

Our sitting President
impeached
for lying about a *******.

Party partisans
in the senate are sworn and seated.
Our Chief Justice,
adorned with golden bars
will adjudicate the proceedings.
It is the perfect counterpoint
to an ageless Abe thinking
with malice toward none
and charity towards all,
will heal the wounds
of the nation.

Abe our granite angel,
Chicago goes on,
The Union is strong!


SECOND DAY

1.
Out my window
the sun has risen.

According to
the local forecast
its minus 9
going up to
6 today.

The lake,
a golden pillow of clouds
is frozen in time.

I marvel
at the ancients ones
resourcefulness
and how
they mastered
these extreme elements.

Past, present and future
has no meaning
in the Citadel
of the Prairie today.

I set my watch
to Central Standard Time.

Stepping into
the hotel lobby
the concierge
with oil smooth hair,
perfect tie
and English lilt
impeccably asks,
“Do you know where you are going Sir?
Can I give you a map?”

He hands me one of Chicago.
I see he recently had his nails done.
He paints a green line
along Whacker Drive and says,
“turn on Jackson, LaSalle, Wabash or Madison
and you’ll get to where you want to go.”
A walk of 14 or 15 blocks from Streeterville-
(I start at The Chicago White House.
They call it that because Hillary Rodham
stays here when she’s in town.
Its’ also alleged that Stedman
eats his breakfast here
but Opra
has never been seen
on the premises.
I wonder how I gained entry
into this place of elite’s?)
-down into the center of The Loop.

Stepping out of the hotel,
The Doorman
sporting the epaulets of a colonel
on his corporate winter coat
and furry Cossack hat
swaddling his round black face
accosts me.

The skin of his face
is flaking from
the subzero windburn.

He asks me
with a gapped toothy grin,
“Can I get you a cab?”
“No I think I’ll walk,” I answer.
“Good woolen hat,
thick gloves you should be alright.”
He winks and lets me pass.

I step outside.
The Windy City
flings stabbing cold spears
flying on wings of 30-mph gusts.
My outside hardens.
I can feel the freeze
deepen
into my internalness.
I can’t be sure
but inside
my heart still feels warm.
For how long
I cannot say.

I commence
my walk
among the spires
of this great city,
the vertical leaps
that anchor the great lake,
holding its place
against the historic
frigid assault.

The buildings’ sway,
modulating to the blows
of natures wicked blasts.

It’s a hard imposition
on a city and its people.

The gloves,
skullcap,
long underwear,
sweater,
jacket
and overcoat
not enough
to keep the cold
from penetrating
the person.

Like discerning
the layers of this city,
even many layers,
still not enough
to understand
the depth of meaning
of the heart
of this heartland city.

Sandburg knew the city well.
Set amidst groves of suburbs
that extend outward in every direction.
Concentric circles
surround the city.
After the burbs come farms,
Great Plains, and mountains.
Appalachians and Rockies
are but mere molehills
in the city’s back yard.
It’s terra firma
stops only at the sea.
Pt. Barrow to the Horn,
many capes extended.

On the periphery
its appendages,
its extremities,
its outward extremes.
All connected by the idea,
blown by the incessant wind
of this great nation.
The Windy City’s message
is sent to the world’s four corners.
It is a message of power.
English the worlds
common language
is spoken here,
along with Ebonics,
Espanol,
Mandarin,
Czech,
Russian,
Korean,
Arabic,
Hindi­,
German,
French,
electronics,
steel,
cars,
cartoons,
rap,
sports­,
movies,
capital,
wheat
and more.

Always more.
Much much more
in Chicago.

2.
Sandburg
spoke all the dialects.

He heard them all,
he understood
with great precision
to the finest tolerances
of a lathe workers micrometer.

Sandburg understood
what it meant to laugh
and be happy.

He understood
the working mans day,
the learned treatises
of university chairs,
the endless tomes
of the city’s
great libraries,
the lost languages
of the ancient ones,
the secret codes
of abstract art,
the impact of architecture,
the street dialects and idioms
of everymans expression of life.

All fighting for life,
trying to build a life,
a new life
in this modern world.

Walking across
the Michigan Avenue Bridge
I see the Wrigley Building
is neatly carved,
catty cornered on the plaza.

I wonder if Old Man Wrigley
watched his barges
loaded with spearmint
and double-mint
move out onto the lake
from one of those Gothic windows
perched high above the street.

Would he open a window
and shout to the men below
to quit slaking and work harder
or would he
between the snapping sound
he made with his mouth
full of his chewing gum
offer them tickets
to a ballgame at Wrigley Field
that afternoon?

Would the men below
be able to understand
the man communing
from such a great height?

I listen to a man
and woman conversing.
They are one step behind me
as we meander along Wacker Drive.

"You are in Chicago now.”
The man states with profundity.
“If I let you go
you will soon find your level
in this city.
Do you know what I mean?”

No I don’t.
I think to myself.
What level are you I wonder?
Are you perched atop
the transmission spire
of the Hancock Tower?

I wouldn’t think so
or your ears would melt
from the windburn.

I’m thinking.
Is she a kept woman?
She is majestically clothed
in fur hat and coat.
In animal pelts
not trapped like her,
but slaughtered
from farms
I’m sure.

What level
is he speaking of?

Many levels
are evident in this city;
many layers of cobbled stone,
Pennsylvania iron,
Hoosier Granite
and vertical drops.

I wonder
if I detect
condensation
in his voice?

What is
his intention?
Is it a warning
of a broken affair?
A pending pink slip?
Advise to an addict
refusing to adhere
to a recovery regimen?

What is his level anyway?
Is he so high and mighty,
Higher and mightier
then this great city
which we are all a part of,
which we all helped to build,
which we all need
in order to keep this nation
the thriving democratic
empire it is?

This seditious talk!

3.
The Loop’s El
still courses through
the main thoroughfares of the city.

People are transported
above the din of the street,
looking down
on the common pedestrians
like me.

Super CEO’s
populating the upper floors
of Romanesque,
Greek Revivalist,
New Bauhaus,
Art Deco
and Post Nouveau
Neo-Modern
Avant-Garde towers
are too far up
to see me
shivering on the street.

The cars, busses,
trains and trucks
are all covered
with the film
of rock salt.

Salt covers
my bootless feet
and smudges
my cloths as well.

The salt,
the primal element
of the earth
covers everything
in Chicago.

It is the true level
of this city.

The layer
beneath
all layers,
on which
everything
rests,
is built,
grows,
thrives
then dies.
To be
returned again
to the lower
layers
where it can
take root
again
and grow
out onto
the great plains.

Splashing
the nation,
anointing
its people
with its
blessing.

A blessing,
Chicago?

All rivers
come here.

All things
found its way here
through the canals
and back bays
of the world’s
greatest lakes.

All roads,
rails and
air routes
begin and
end here.

Mrs. O’Leary’s cow
got a *** rap.
It did not start the fire,
we did.

We lit the torch
that flamed
the city to cinders.
From a pile of ash
Chicago rose again.

Forever Chicago!
Forever the lamp
that burns bright
on a Great Lake’s
western shore!

Chicago
the beacon
sends the
message to the world
with its windy blasts,
on chugging barges,
clapping trains,
flying tandems,
T1 circuits
and roaring jets.

Sandburg knew
a Chicago
I will never know.

He knew
the rhythm of life
the people walked to.
The tools they used,
the dreams they dreamed
the songs they sang,
the things they built,
the things they loved,
the pains that hurt,
the motives that grew,
the actions that destroyed
the prayers they prayed,
the food they ate
their moments of death.

Sandburg knew
the layers of the city
to the depths
and windy heights
I cannot fathom.

The Blues
came to this city,
on the wing
of a chirping bird,
on the taps
of a rickety train,
on the blast
of an angry sax
rushing on the wind,
on the Westend blitz
of Pop's brash coronet,
on the tink of
a twinkling piano
on a paddle-wheel boat
and on the strings
of a lonely man’s guitar.

Walk into the clubs,
tenements,
row houses,
speakeasies
and you’ll hear the Blues
whispered like
a quiet prayer.

Tidewater Blues
from Virginia,
Delta Blues
from the lower
Mississippi,
Boogie Woogie
from Appalachia,
Texas Blues
from some Lone Star,
Big Band Blues
from Kansas City,
Blues from
Beal Street,
Jelly Roll’s Blues
from the Latin Quarter.

Hell even Chicago
got its own brand
of Blues.

Its all here.
It ended up here
and was sent away
on the winds of westerly blows
to the ear of an eager world
on strong jet streams
of simple melodies
and hard truths.

A broad
shouldered woman,
a single mother stands
on the street
with three crying babes.
Their cloths
are covered
in salt.
She pleads
for a break,
praying
for a new start.
Poor and
under-clothed
against the torrent
of frigid weather
she begs for help.
Her blond hair
and ****** features
suggests her
Scandinavian heritage.
I wonder if
she is related to Sandburg
as I walk past
her on the street.
Her feet
are bleeding
through her
canvass sneakers.
Her babes mouths
are zipped shut
with frozen drivel
and mucous.

The Blues live
on in Chicago.

The Blues
will forever live in her.
As I turn the corner
to walk the Miracle Mile
I see her engulfed
in a funnel cloud of salt,
snow and bits
of white paper,
swirling around her
and her children
in an angry
unforgiving
maelstrom.

The family
begins to
dissolve
like a snail
sprinkled with salt;
and a mother
and her children
just disappear
into the pavement
at the corner
of Dearborn,
in Chicago.

Music:

Robert Johnson
Sweet Home Chicago


jbm
Chicago
1/7/99

Better that every fiber crack
and fury make head,
blood drenching vivid
couch, carpet, floor
and the snake-figured almanac
vouching you are
a million green counties from here,

than to sit mute, twitching so
under prickling stars,
with stare, with curse
blackening the time
goodbyes were said, trains let go,
and I, great magnanimous fool, thus wrenched from
my one kingdom.

The hills step off into whiteness.
People or stars
Regard me sadly, I disappoint them.

The train leaves a line of breath.
O slow
Horse the colour of rust,

Hooves, dolorous bells ----
All morning the
Morning has been blackening,

A flower left out.
My bones hold a stillness, the far
Fields melt my heart.

They threaten
To let me through to a heaven
Starless and fatherless, a dark water.

Stone cold, the blackening sky, stole our fields of flowers
They came like a silent flood over our continents
To block our sun and steal our humanity.

The ships were silent, and filled the skies.
Then down their marching hoards descended
Overwhelmed our puny technology, rendering us as apes.

Under their shadows our world went neolithic
They rendered all that was electrical or light to junk
We were left as scurrying ***** things among the soil.

Vastly reduced, our very memories were threatened
Forgetting how once we ruled our own planet
They plucked up our people like we once picked flowers.

When they came for me I was a child
The elders still telling me of the times I never knew
I had to learn their ways as I learned our own.

One day all our careful plans came together
And I sat hidden deep within their ship,
The thing so long pursued was found

Within that place, their robot brain
Where I could redefine their enemy as themselves
Then quick to a transport and back to my people.

Shortly then with a single bullet
We sparked their hostility sensors
The dark metal clouds burst soon with sun-like flame

We will never know the all that they knew,
Though we pick still among the mechanized ruins
And try to discover "from where" and "why."

More powerful than all our smartest elders
Covering the world with their dark mechanized oppression
But brought to an end by hands of a boy.

Many years now, since we brought them down
The hulking hulls worked now into barns and homes.
And once again we learn to talk across the oceans.

It wasn't long after the flames had ended
When in the fields the sun again warmed the soil
And fields of flowers there began to bloom.

my entrails seaping crimson blackness into my heart
Bitten by the rotting incisors you force into my flesh
My body seeking your gaping void
mere mortals describe as a mouth

Your dark hollow soul blackening Cutting my thin cold skin i let you in. Feeling our flesh merging in this torturing oneness,
Filling the cavities of endlessness.

i yearn to feel you feasting upon my clammy cold covering desiring for the essence of your inner being to take me whole devouring my crescent moon in undertones of a wild demonic frenzy

Extracting dark passion from your soul Staring into darkest nights of your mind's cavity.
Through your soul, a black gaping hole. Darklights seeping through my sanity.

searching for a searing flame
it matters not that my etheral love is a force from another plain
i can only believe in the feeling of you

Perpetual fear of being hurt long i went through.
This torturing love you wrung me through.

my cold dead heart lingers in a state of confusion
serving only to terrorize my mind
forever playing tricks on me
for a soul ive left behind

A blackening morning bleeds and deepens
the opening of iron lungs. Paperweight
bones threaten gaiety and the smell of sleep.

Such sadness pours inward, it has chosen
the wrong body as cold folds over the world,
so it feels real, stained frost in vacuous black.

The pure leap of malignity agitates
the interior of a woman's red heart,
melting like embers.

In the sulphur, words dry while water
slides down. Drips and thickens.
Gaping hole exposed- too early for the dawn.

Surveying
northern autumn afternoon
Pitcherelli, ex-marine, body-builder,
Lussier, long-haired father of three dark-skinned children
and myself, sharp-edged loner, ex-lover of a fair share of
      women
are belly-laughing in the dying sun. Clouds.
The crew, in timber.

Laughing
over recent visits to marvelous cities where
we could not keep ourselves from touching the terminal buds
of numerous exotic trees
and attracting ridicule of stylish girls and tame boyfriends.
Pitcherelli before the Albany bus station
shaking hands with a red pine planted thirty years ago.
Lussier, one hand in a child's hand and the other
feeling scabrous bark of urban woody plants.
Myself among partially shaved heads and leathery aromatic
      jackets
getting close to the hairy bud of an unidentified poplar or
      sycamore.

People
laughed, but we laughed best
back on our mountain
under the blackening weather.

(To Marcel Schwob in friendship and in admiration)

In a dim corner of my room for longer than
my fancy thinks
A beautiful and silent Sphinx has watched me
through the shifting gloom.

Inviolate and immobile she does not rise she
does not stir
For silver moons are naught to her and naught
to her the suns that reel.

Red follows grey across the air, the waves of
moonlight ebb and flow
But with the Dawn she does not go and in the
night-time she is there.

Dawn follows Dawn and Nights grow old and
all the while this curious cat
Lies couching on the Chinese mat with eyes of
satin rimmed with gold.

Upon the mat she lies and leers and on the
tawny throat of her
Flutters the soft and silky fur or ripples to her
pointed ears.

Come forth, my lovely seneschal! so somnolent,
so statuesque!
Come forth you exquisite grotesque! half woman
and half animal!

Come forth my lovely languorous Sphinx! and
put your head upon my knee!
And let me stroke your throat and see your
body spotted like the Lynx!

And let me touch those curving claws of yellow
ivory and grasp
The tail that like a monstrous Asp coils round
your heavy velvet paws!

A thousand weary centuries are thine
while I have hardly seen
Some twenty summers cast their green for
Autumn’s gaudy liveries.

But you can read the Hieroglyphs on the
great sandstone obelisks,
And you have talked with Basilisks, and you
have looked on Hippogriffs.

O tell me, were you standing by when Isis to
Osiris knelt?
And did you watch the Egyptian melt her union
for Antony

And drink the jewel-drunken wine and bend
her head in mimic awe
To see the huge proconsul draw the salted tunny
from the brine?

And did you mark the Cyprian kiss white Adon
on his catafalque?
And did you follow Amenalk, the God of
Heliopolis?

And did you talk with Thoth, and did you hear
the moon-horned Io weep?
And know the painted kings who sleep beneath
the wedge-shaped Pyramid?

Lift up your large black satin eyes which are
like cushions where one sinks!
Fawn at my feet, fantastic Sphinx! and sing me
all your memories!

Sing to me of the Jewish maid who wandered
with the Holy Child,
And how you led them through the wild, and
how they slept beneath your shade.

Sing to me of that odorous green eve when
crouching by the marge
You heard from Adrian’s gilded barge the
laughter of Antinous

And lapped the stream and fed your drouth and
watched with hot and hungry stare
The ivory body of that rare young slave with
his pomegranate mouth!

Sing to me of the Labyrinth in which the twi-
formed bull was stalled!
Sing to me of the night you crawled across the
temple’s granite plinth

When through the purple corridors the screaming
scarlet Ibis flew
In terror, and a horrid dew dripped from the
moaning Mandragores,

And the great torpid crocodile within the tank
shed slimy tears,
And tare the jewels from his ears and staggered
back into the Nile,

And the priests cursed you with shrill psalms as
in your claws you seized their snake
And crept away with it to slake your passion by
the shuddering palms.

Who were your lovers? who were they
who wrestled for you in the dust?
Which was the vessel of your Lust?  What
Leman had you, every day?

Did giant Lizards come and crouch before you
on the reedy banks?
Did Gryphons with great metal flanks leap on
you in your trampled couch?

Did monstrous hippopotami come sidling toward
you in the mist?
Did gilt-scaled dragons writhe and twist with
passion as you passed them by?

And from the brick-built Lycian tomb what
horrible Chimera came
With fearful heads and fearful flame to breed
new wonders from your womb?

Or had you shameful secret quests and did
you harry to your home
Some Nereid coiled in amber foam with curious
rock crystal *******?

Or did you treading through the froth call to
the brown Sidonian
For tidings of Leviathan, Leviathan or
Behemoth?

Or did you when the sun was set climb up the
cactus-covered *****
To meet your swarthy Ethiop whose body was
of polished jet?

Or did you while the earthen skiffs dropped
down the grey Nilotic flats
At twilight and the flickering bats flew round
the temple’s triple glyphs

Steal to the border of the bar and swim across
the silent lake
And slink into the vault and make the Pyramid
your lupanar

Till from each black sarcophagus rose up the
painted swathed dead?
Or did you lure unto your bed the ivory-horned
Tragelaphos?

Or did you love the god of flies who plagued
the Hebrews and was splashed
With wine unto the waist? or Pasht, who had
green beryls for her eyes?

Or that young god, the Tyrian, who was more
amorous than the dove
Of Ashtaroth? or did you love the god of the
Assyrian

Whose wings, like strange transparent talc, rose
high above his hawk-faced head,
Painted with silver and with red and ribbed with
rods of Oreichalch?

Or did huge Apis from his car leap down and
lay before your feet
Big blossoms of the honey-sweet and honey-
coloured nenuphar?

How subtle-secret is your smile!  Did you
love none then?  Nay, I know
Great Ammon was your bedfellow!  He lay with
you beside the Nile!

The river-horses in the slime trumpeted when
they saw him come
Odorous with Syrian galbanum and smeared with
spikenard and with thyme.

He came along the river bank like some tall
galley argent-sailed,
He strode across the waters, mailed in beauty,
and the waters sank.

He strode across the desert sand:  he reached
the valley where you lay:
He waited till the dawn of day:  then touched
your black ******* with his hand.

You kissed his mouth with mouths of flame:
you made the horned god your own:
You stood behind him on his throne:  you called
him by his secret name.

You whispered monstrous oracles into the
caverns of his ears:
With blood of goats and blood of steers you
taught him monstrous miracles.

White Ammon was your bedfellow!  Your
chamber was the steaming Nile!
And with your curved archaic smile you watched
his passion come and go.

With Syrian oils his brows were bright:
and wide-spread as a tent at noon
His marble limbs made pale the moon and lent
the day a larger light.

His long hair was nine cubits’ span and coloured
like that yellow gem
Which hidden in their garment’s hem the
merchants bring from Kurdistan.

His face was as the must that lies upon a vat of
new-made wine:
The seas could not insapphirine the perfect azure
of his eyes.

His thick soft throat was white as milk and
threaded with thin veins of blue:
And curious pearls like frozen dew were
broidered on his flowing silk.

On pearl and porphyry pedestalled he was
too bright to look upon:
For on his ivory breast there shone the wondrous
ocean-emerald,

That mystic moonlit jewel which some diver of
the Colchian caves
Had found beneath the blackening waves and
carried to the Colchian witch.

Before his gilded galiot ran naked vine-wreathed
corybants,
And lines of swaying elephants knelt down to
draw his chariot,

And lines of swarthy Nubians bare up his litter
as he rode
Down the great granite-paven road between the
nodding peacock-fans.

The merchants brought him steatite from Sidon
in their painted ships:
The meanest cup that touched his lips was
fashioned from a chrysolite.

The merchants brought him cedar chests of rich
apparel bound with cords:
His train was borne by Memphian lords:  young
kings were glad to be his guests.

Ten hundred shaven priests did bow to Ammon’s
altar day and night,
Ten hundred lamps did wave their light through
Ammon’s carven house—and now

Foul snake and speckled adder with their young
ones crawl from stone to stone
For ruined is the house and prone the great
rose-marble monolith!

Wild *** or trotting jackal comes and couches
in the mouldering gates:
Wild satyrs call unto their mates across the
fallen fluted drums.

And on the summit of the pile the blue-faced
ape of Horus sits
And gibbers while the fig-tree splits the pillars
of the peristyle

The god is scattered here and there:  deep
hidden in the windy sand
I saw his giant granite hand still clenched in
impotent despair.

And many a wandering caravan of stately
negroes silken-shawled,
Crossing the desert, halts appalled before the
neck that none can span.

And many a bearded Bedouin draws back his
yellow-striped burnous
To gaze upon the Titan thews of him who was
thy paladin.

Go, seek his fragments on the moor and
wash them in the evening dew,
And from their pieces make anew thy mutilated
paramour!

Go, seek them where they lie alone and from
their broken pieces make
Thy bruised bedfellow!  And wake mad passions
in the senseless stone!

Charm his dull ear with Syrian hymns! he loved
your body! oh, be kind,
Pour spikenard on his hair, and wind soft rolls
of linen round his limbs!

Wind round his head the figured coins! stain
with red fruits those pallid lips!
Weave purple for his shrunken hips! and purple
for his barren *****!

Away to Egypt!  Have no fear.  Only one
God has ever died.
Only one God has let His side be wounded by a
soldier’s spear.

But these, thy lovers, are not dead.  Still by the
hundred-cubit gate
Dog-faced Anubis sits in state with lotus-lilies
for thy head.

Still from his chair of porphyry gaunt Memnon
strains his lidless eyes
Across the empty land, and cries each yellow
morning unto thee.

And Nilus with his broken horn lies in his black
and oozy bed
And till thy coming will not spread his waters on
the withering corn.

Your lovers are not dead, I know.  They will
rise up and hear your voice
And clash their cymbals and rejoice and run to
kiss your mouth!  And so,

Set wings upon your argosies!  Set horses to
your ebon car!
Back to your Nile!  Or if you are grown sick of
dead divinities

Follow some roving lion’s spoor across the copper-
coloured plain,
Reach out and hale him by the mane and bid
him be your paramour!

Couch by his side upon the grass and set your
white teeth in his throat
And when you hear his dying note lash your
long flanks of polished brass

And take a tiger for your mate, whose amber
sides are flecked with black,
And ride upon his gilded back in triumph
through the Theban gate,

And toy with him in amorous jests, and when
he turns, and snarls, and gnaws,
O smite him with your jasper claws! and bruise
him with your agate *******!

Why are you tarrying?  Get hence!  I
weary of your sullen ways,
I weary of your steadfast gaze, your somnolent
magnificence.

Your horrible and heavy breath makes the light
flicker in the lamp,
And on my brow I feel the damp and dreadful
dews of night and death.

Your eyes are like fantastic moons that shiver
in some stagnant lake,
Your tongue is like a scarlet snake that dances
to fantastic tunes,

Your pulse makes poisonous melodies, and your
black throat is like the hole
Left by some torch or burning coal on Saracenic
tapestries.

Away!  The sulphur-coloured stars are hurrying
through the Western gate!
Away!  Or it may be too late to climb their silent
silver cars!

See, the dawn shivers round the grey gilt-dialled
towers, and the rain
Streams down each diamonded pane and blurs
with tears the wannish day.

What snake-tressed fury fresh from Hell, with
uncouth gestures and unclean,
Stole from the poppy-drowsy queen and led you
to a student’s cell?

What songless tongueless ghost of sin crept
through the curtains of the night,
And saw my taper burning bright, and knocked,
and bade you enter in?

Are there not others more accursed, whiter with
leprosies than I?
Are Abana and Pharphar dry that you come here
to slake your thirst?

Get hence, you loathsome mystery!  Hideous
animal, get hence!
You wake in me each ******* sense, you make me
what I would not be.

You make my creed a barren sham, you wake
foul dreams of sensual life,
And Atys with his blood-stained knife were
better than the thing I am.

False Sphinx!  False Sphinx!  By reedy Styx
old Charon, leaning on his oar,
Waits for my coin.  Go thou before, and leave
me to my crucifix,

Whose pallid burden, sick with pain, watches
the world with wearied eyes,
And weeps for every soul that dies, and weeps
for every soul in vain.

Here, in my garden of shadows
Here, where the black blossoms grow
Tonight, deep waters will overflow
Here, no man dares to go...

Here, the nights are but lonely
Here, it's not safe to abide
Nowhere to run or to scream or to hide
Beware the Blackening Tide.

Come, my child, come closer
See what the lone river holds
Tales of sadness, of love young and old,
Come, dear, embrace the cold...

No, dear moonbeam, don't fear
Though it is cold as stone
You wouldn't leave me here standing alone...?
Stay here, this is your new home.

Stay with the misty deep river,
Stay with soft voices unheard
Calling to us, they outshine the bird
Of lives that were lost and all blurred.

So here, in our garden of shadows,
It shall be just you and I
You will care for the blossoms and stay by my side
Till you're carried away by the tide...

Beware the Blackening Tide...

Liturgy in Time of War

I will go to the altar of God
To God who gives joy to my youth

ENTRANCE ANTIPHON

The dawn (evening) is coming, another hot, filthy, wet dawn (evening).  Let us arise, soaked in sweat, exhausted, to speak with sour, saliva-caked mouths, to meet the deaths of this day (night).

GREETING

In the name of Peace in Our Time,
For the Hearts and Minds of The People,
For the Land of the Big PX
For round eye and white (black) (brown) thigh,
I greet you, brothers.

PENITENTIAL RITE

All:

I confess to almighty God
And to you my brothers
That I have sinned through my fault
In my thoughts and in my words
In what I have done
And in what I have failed to do,
And I ask Blessed Mary…

But how can I ask Her anything now?

My brothers,
Pray for me to…

But how?
Priest: (But there is no priest)

KYRIE

Lord, have mercy
Christ, have mercy
Lord, Lord, have mercy on us now

Have mercy, Lord, on a generation
That sits smugly in college lecture halls
And protests endlessly in coffee shops
The war they hear, see, on T.V., for free
Justice and peace by the semester hour
Like, y’know, peace, love, Amerika sux
Play the guitar, ****, apply to law school

Have mercy on us
Who crouch behind sand bags
And clean our weapons
And protest nothing
And **** in the heat
And die in the hear
And throw ham and lima beans away

GLORIA

Glory to God in the highest
how many bodies yesterday?
And peace to His people on earth
Vietnamese? Or us?
Lord God, heavenly King, almighty God and Father
ham and lima beans?
We worship you, we give you thanks, we praise you for your glory
Doc, I can’t go home to my wife with this clap
Lord Jesus Christ, only Son of the Father
cigarette, canteen cup of instant coffee
Lord God, Lamb of God, you take away the sins of the world
******* magazine
Have mercy on us
relief behind the sand bags
You are seated at the right hand of the Father
i rot
Receive our prayer
i want to be clean and dry
For You alone are the Holy One
clean and dry.  just once.
You alone are the Lord
why do they chew that?
You alone are the most high
you mean the betel nut?
Jesus Christ, with the Holy Spirit, in the glory of God the Father
incoming!
Amen


PRAYER

A

Father, you make this day holy.
Let us be thankful for
The many little joys of
This day, for life, for
The chance to worship
You.  In the end, bring
Us to you, so that we
May be cleansed of mud
And sweat and filth and
Guilt, and live with you
In peace forever.

B

Father, just get me through
Another day of this mess.

LITURGY OF THE WORD –

FIRST READING

From the Intensive Care Unit, NSA DaNang

A twilight world
Of neither peace nor battle
And of both

A man world
Embracing life and the grim death
Both

Peering into infected wounds
Night building shiver
Down from the black sky flares float

Broken bodies from the war somewhere
Eyes of a shattered nineteen-year-old Marine
Staring at the door to Yokosuka

PSALM

A Song of Descents

I cast down my eyes
Into the mud
Into the blood
It seems cleaner than death and drugs and casual ***
Drink Coca-Cola

I turned my eyes away from you, O Lord
And made this
Build this
Came to this
Samantha and Darren on Bewitched

Have mercy on…but how can we ask?  How dare we ask?

SECOND READING

Old Man, Viet Nam

Old man, a dog is barking at your heels
Old man, with the tired, weathered face
Are you afraid to turn around and deal
This dog a kick, to put him in his place?

Or is it, old man, that you’re just too tired?
Just too tired to turn and show anger
Just too tired to have your temper fired
Beaten by years of contempt and danger

Where are you going, trudging so slowly?
What are you thinking, behind those tired eyes?

Probably not about ham and lima beans

GOSPEL

In the Cold White Mist

After an all-night run on the river
Our boats arrive in the village at dawn
Dawn is never cold along that rive
Along that steaming, green, hell-hot river
But the mist is cold, the grey-green dawn mist
And after the engines are cut – stillness
Foul brown water laps at the mudding bank
Sloshing softly with fertile, smelly death

In the cold white mist

The boats are secured, and watches posted
We step off the boats and onto wet land
And follow the track into the deep mist
It becomes the street of a little town
A dairy lane along which cows slopped home
And where dogs and chickens and children
      played
Bounded by carefully swept little yards
And little wooden houses with tin roofs

In the cold white mist

But some of the houses are burnt.  The smoke
Still hangs heavily in the whitening mist
The lane is littered with debris.  A lump
Resolves itself into a torn, dead child
Across a smaller lump, a smaller child
Their pup has been flung against the fence, its
Guts early morning breakfast for the morning
      flies
We smoke cigarettes against the death-smells

In the cold white mist

Beneath a farm tractor rots a dead man.
When they – they – had come at sunset
He had hidden there.  And they shot him there
A man with bare feet and work-calloused
      hands
His hair is black; his teeth need cleaning
They shot him beneath the village tractor
His blackening blood clots into the mud
And our lungs choke in the white mist of death

In the cold white mist

White mist.  The path disappears into it
Smoky skeletons of little houses
In which there will be no tea this morning
No breakfasts of hot tea and steaming rice
No old widows to smile in betel-nut
No children to mock-march alongside us
Pointing at our ******* boots, and laughing
At us, for wearing shoes in the summer

In the cold white mist

They are dead and rotting in the white mist
On the edge of the jungle on the edge
Of the world, here along the Vam Co Tay
And the people pour out of their houses
To greet us on the fine summer morning
A corpse across a doorway, another
******-doubled across a window sill
Still another strewn down the garden path

In the cold white mist

The other patrol doubles back to us
And they tell us that the Ruff-Puff outpost
Must have been overrun the night before
He had heard their radioed pleas, and had
Run the river at night to get to them
And the ARVNs had fled through the village
And the VC had stormed in behind them
And it was knife-and-gun-club night in town

In the cold white mist

A little girl is the lone survivor
She looks may six.  Cute, except for the
Bubbling, *******, bayoneted chest wound
We patch her, and tube her, and use suction
Sort of like fixing a bicycle tire
And in the wet, gasping heat take her back
With us downriver, where a charity
Hospital leaves her on the steps to die

In the cold white mist

It will be our turn again tomorrow
Not a one of us died today.  Today.
But a village is gone, burnt and rotting,
Soon to disappear into the jungle
Along the green Cambodian border
Up some obscure river.  Up there.  Somewhere.
A few hundred people.  Their ancestors’ graves
Will fade with them untended, forgotten

In the cold white mist

Radio Hanoi might blame it on us.
But maybe not.  We made our report and
Nobody really noticed; no one cared
The talk is of the VC battalion
And where it has gone, and where it might go –
Maybe into death under an air strike
“And you guys better get in some sack time,”
Says the C.O. as he turns to his maps.

In the cold white mist

HOMILY

I’m scared, and I want to go home.  I don’t care any more about justice or fighting Communism or winning the hearts and minds of the people.  I can’t think about all that right now, because I’m scared, and I want to go home.
I don’t care about truth or loyalty or bravery or honor.  If Miss March were here she wouldn’t get cold, but she sure would get sunburnt.  And in a few days her skin would start rotting.  Then nobody would want to see her in the **** anymore.  
I’m scared, and I want to go home.
Up the Vam Co Tay, everyone is scared, everyone is tired, everyone is sick, everyone could die: sailor, soldier, officer, priest, farmer, fisherman.  Everyone rots in the wet heat.  The skin bubbles and flakes and peels, and is pink again, to bubble and flake and peel again.  
I’m scared, and I want to go home.
I’m Doc.  I’m a scared, stupid kid with an aid bag and a few months’ training.  But I’m Doc.  I’ve got to fake it.  I’ve got to be cool and calm because this other kid with his guts hanging out will probably make it if I don’t ***** up and if the dust-off from Saigon can get out here now.
I have an old dog at home, and my folks write and tell me she sleeps outside my window at night, waiting for me to come home.  Someday we’re going to run and play in the woods and fields again.  She’ll bark and run wide circles, and dare me to catch her.  I will laugh under the autumn leaves.  But now my nights are glaring darkness, fits of sweat-soaked half-sleep, then sirens and falling glares and falling mortars, and then the Godawful racket of all our engines of destruction.  There isn’t any use in all this.
I’m scared, and I want to go home.

And I don’t want any ham and lima beans.

CREED

We believe in the Land of the Big PX
In presidents in suits, and generals,
In makers of economic strategies
We believe in flak jackets and .45s and peace

We believe in swing ships and dust-offs, yes
In the dark, green omnipresent Huey
Eternally begotten of technology
Blades to rotor, windscreen to machine guns
Made, not begotten, one in being with us
Through it all things are transported to us
For us men and our hunger and our hope
It comes down from the skies
By the high power of technology
It was born of the long assembly line

For whose sake are we crucified today?
Who suffers, and who dies and is baggied?
And on the third will arrive back home
To be neatly packaged in stainless steel

But not in ham and lima beans

LITURGY OF THE EUCHARIST

Preparation of the Gifts

Celebrant:

Blessed are you, Lord, God of all creation.
Through your goodness we have this cheap Algerian wine to offer,
Fruit of the vine and work of human hands.
It will become anaesthesia for our souls.

People:

Blessed be…we just don’t know

Celebrant:

Pray, brothers, that our sacrifice may be acceptable to God, the almighty Father, to somebody.  Maybe.

People:

May the Lord, or the baggies, accept the sacrifice we offer with
our own burnt hands
For the praise and glory of…of what?
For our good, and the good of all His Church.

PRAYER OVER THE GITS

Little green cans, and I don’t care
Little green cans, and I don’t care
Little green cans, and I don’t care
Air cover’s gone away.

EUCHARISTIC PRAYER

Preface for the Monsoon Season:

Father, all-powerful
And ever-living God,
We do well always and everywhere
To give You thanks
Through Jesus God our Lord
Even with diarrhea
thanks
When the mail doesn’t come
thanks
When we rot
thanks
When the heat ***** at our brains
thanks
When the mud ***** at our boots
thanks
When the horror ***** at our souls
thanks
We’re alive
thanks

SANCTUS

Holy, holy, holy, Lord, God of power and might
The bunkers are full of blood and death.
Hosanna in the mud.  Blessed is he who comes with the mail.  Hosanna in the mud.

EUCHARISTIC PRAYER

The Kien Tuong Province Canon:

A sailor is silhouetted against the dawn
Along a steamy river
Mostly helmet and flak jacket
Above dark plastic gunwales

The sailor has lost his New Testament
But there’s a ******* around somewhere
Naked, willing women –
Miss March wants to be an actress

He also carries an old plastic Rosary
To touch occasionally
While whispering a hurried Hail Mary
He hopes She understands

Those who in bell-bottoms and head-bands
Fight Fascism
In Sociology 201
Will never forgive him

A sailor is silhouetted against the dawn
This day he is to be elevated
His body broken and his blood shed
For you and for all men

OUR FATHER

Our Father, who art in Heaven
this ain’t it
Hallowed be thy name
Thy kingdom come
this ain’t it
On earth as it is in Heaven.
Give us this day…
not ham and lima beans
And forgive us our trespasses
as we shoot them that trespass against us
And lead us not into ambush
But deliver us from evil

SIGN OF PEACE

Peace on you.

AGNUS DEI

Lamb of God, you take away the sins of the world: have mercy on us.

Lamb of God, you take away the sins of the world: have mercy….

Lamb of God, you take away the sins of the world: grant us peace.

Priest:

(But there is no priest)

People:  

Lord, I am not worthy to receive you,
But only say the word and I shall be killed.

COMMUNION ANTIPHON

They ate, and were not satisfied
They killed, and were not without fear.

PRAYER AFTER COMMUNION

Lord,
If we do not get out of this
Make some sense of it to those who remain
May we go home.  Home.  Or if not,
Take us unto you, in mercy.
Home.  Where you reign, for you are Lord
Forever and ever.  Amen

BLESSING

May you walk on grass that does not explode
May you sleep without rot
Without fear
May you never see or smell ham and lima beans again.
May you live
May you play with puppies
May you find forgetfulness
May you find peace
In the Name of Him who took your death for you

DISMISSAL

This is to certify that____is Honorably Discharged from the____on theday of____.  This certificate is awarded as a testimonial of Honest and Faithful Service.

CLOSING HYMN

Old men, smoking in the sunshine
Exiled outside the doors of life
Old uniforms, old pajamas
The chrome of wheelchairs, shiny, bright

Inside, polished wooden handrails
Line the hot, polished passages
Something to cling to on the way
To the lab, to x-ray, to death

And more old men, shuffling along
In a querulous route-step march
From Normandy, from The Cho-sen,
From the Vam Co Tay, from the deserts,
Past the A.I.D.S. ward and the union signs
On waxed floors to eternity

Portions previous published:

“Closing Hymn” is from “Outpatient Surgery – Veterans’ Hospital,” Juried Award, Houston Poetry Fest 1993

“In the Cold White Mist” is a Juried Award, Houston Poetry Fest 1991

“Old Man, Viet-Nam,” was published in Pulse, Lamar University, 1982

I wander thro’ each charter’d street.
Near where the charter’d Thames does flow
A mark in every face I meet
Marks of weakness, marks of woe.

In every cry of every Man.
In every Infants cry of fear.
In every voice; in every ban.
The mind-forg’d manacles I hear

How the Chimney-sweepers cry
Every blackening Church appalls.
And the hapless Soldiers sigh
Runs in blood down Palace walls

But most thro’ midnight streets I hear
How the youthful Harlots curse
Blasts the new-born Infants tear
And blights with plagues the Marriage hearse

The journey began under a cloudy sky with rain hovering over the horizon. – Going back. – The painter saw the vision. Was it real? Or Was it just the shadow of the storm? The painter saw the canvass. Forms danced before his eyes. Thunder clapped in the distance. The brush moved to the rhythm of the storm that only the painter heard. A lifeline from the clouds like an umbilical cord. – Going back. – The painter focused again. The clouds thickened, blackening against the horizon in anticipation. – Going back. – The painter saw himself. He’d stopped painting. Now going back. – Going back. – The painter wondered. The painter asked himself. The painter took a brush, squeezed paint on the palette; color after color – a new variety. – Going back. – The unknown. A new beginning. – Going back. – The white of the canvass and the blackening sky. The storm. Pure color. Mixing color as the storm moved closer. A clap of thunder. The painter looked at the sky. The painter dabbed the brush onto the palette. Rain began. The brush danced to a rhythm. Thunder claps. Sweeping across the sky; sweeping across the canvass. – Going back. – The painter looked at his painting. The painter looked at the sky. The painter was happy. – Going back.

8/13/19

www.bruclevine.com
https://www.amazon.com/-/e/B07485W4Q1

You were forever finding some new play.
So when I saw you down on hands and knees
I the meadow, busy with the new-cut hay,
Trying, I thought, to set it up on end,
I went to show you how to make it stay,
If that was your idea, against the breeze,
And, if you asked me, even help pretend
To make it root again and grow afresh.
But ’twas no make-believe with you today,
Nor was the grass itself your real concern,
Though I found your hand full of wilted fern,
Steel-bright June-grass, and blackening heads of clovers.
’Twas a nest full of young birds on the ground
The cutter-bar had just gone champing over
(Miraculously without tasking flesh)
And left defenseless to the heat and light.
You wanted to restore them to their right
Of something interposed between their sight
And too much world at once—could means be found.
The way the nest-full every time we stirred
Stood up to us as to a mother-bird
Whose coming home has been too long deferred,
Made me ask would the mother-bird return
And care for them in such a change of scene
And might out meddling make her more afraid.
That was a thing we could not wait to learn.
We saw the risk we took in doing good,
But dared not spare to do the best we could
Though harm should come of it; so built the screen
You had begun, and gave them back their shade.
All this to prove we cared. Why is there then
No more to tell? We turned to other things.
I haven’t any memory—have you?—
Of ever coming to the place again
To see if the birds lived the first night through,
And so at last to learn to use their wings.

O, but needst I to listen to t'ese wishes, benign as t'ey are, but wild and inevitable-yet inaudible as dreams. Burnt by sophisticated passion, and whirring hells of torpid astonishment as my being at t'is moment, but smooth and glowing tenderly with affection-as thy love still I long for, woven so secretly ye' neatly alongst th' tangled paths of my mind! Yes, and its layers-turbulent patches of skin, yellow skin, crafted passionately by whose Creator, and imbued with unconquerable infatuation just like 'tis now. But no breathing soul canst I bestow it on-this overarching destiny, healthy and red as t'ose garden plums-impatient in t'eir wait for the shiny May summer-aside from thee, as 'tis but always thee, Kozarev! Uninvited as I am, by any other'ness' t'at might as well enrich my love story, as enough I feel, about t'at unrelenting history! Thou art th' sole man, th' only justified heart whom I adoreth, and want, so selfishly, to marry! As ripe as t'eir lips might be-but stifling, and immature in constitution, thinkable only when juxtaposed merrily with t'ose squirming nymphets about yon schoolyard; corrupted not as a newborn fern-with thighs carefully fastened to greedy-looking material, basked in immaculate sunlight, and so fresh to human sight, when all t'ese circumstances art but chaste no more, but beg, beg our hearts, and implore our worrying souls, to stay.

O Kozarev! Startled wasth I, to enter into thy proceedings, yester! Like an imbecile now my whole countenance-and its entire, ****** constitution-ah, but depleted, harmfully depleted, by laughter. What a raft of cynical conflagration! How grimly sadistic, ye' poetic in some ways! And t'ese remarks, and praises of love-begin but to dwelleth upon me all over again. Distracted is my firmness-by thy invincible power, guileless as thou hath always been, seeming not to hath heard my volatile heartbeat; and how doth I uttereth t'ose chuckles to my own mirrors upon flinging back into my bedchamber whenst our exchanges areth over. But indignant art thou not to my reddish blushes-which, like t'ose thorns of morning roses-enliven my soul up from within, after t'eir bleak winter!-and blanch darkly all my griefs away. In a thousand years and I shalt still miss thee, just like t'is, but 'tis just now t'at futility seemeth no more capable of wooing my calamity-and indulge it so adversely t'at it shalt turn towards me! Yes, how thou hath, with holiness, touched and entrapped my amorous passion, my love! In t'ese dreams-flourishing dreams, just like th' greenish pond and its superficial foliage outside, I but walk by thy moonlight and be blessed in thy fascination. Mighty and balmy shalt be th' sky overhead, hanging aloft with its mild arrogance, smelling like roofs of restrained rain-musty and soaking with glittering reproof; and wan abomination. But pure! Purity is but its sanctity, and protected by miraculous heavens, dwindling about like whitewashed statues being shoved around by a deadly lagoon of children-unknowing of what tomorrow shalt baffle us on, with faces of steel-like jubilance. And th' trees! Tropical wands be t'eir refuge-but horrifying as t'eir remorse-ah, in which souls shalt be brought about whirls of contemptuous winds, enslaved and stupefied all th' time-by mounds and havens of gruesome cruelty. But no care doth I fix on yon mortification-as thou art t'ere with me, Kozarev! Strolls shalt we take-t'ose encompassed by purplish and cheerful verdure, who admire us from t'eir gold-like stems afar-and into each other's cleavages shalt we retreat, by th' means of stories-yes, my love, stories of glee, pleasure, and yet-uneasiness, in order t'at t'ey shalt be wounded away and superseded by joy. Our love, rings of love, t'at is to come as immediate as nature might permit, and shalt allow us to admit-as yester hath unfolded, by bracing my feet for bouncing outside, across t'ese carpeted tiles-into th' very vicinity of thy chamber. Ah, thy handsome face! As white as pearls-yet frail as th' bulbous chirping snow. May I console 'em, my love, by my hands proffered-in th' most honourable marriage I desireth to come? But look, look afar, how t'ose stars-in t'is merciless universe, whispereth to one another, and talk gaily between t'eir wicked souls, of plans on bewildering our love-our bonds of vivid, mature fragrant compliments! How t'eir jealousy is mockery, and a swelling threat to us. And th' moon t'at is combing the hair, again, of t'at vicious ethereal princess-with a snooty swish of anot'er black hair-which is but a sea of anguished torment to me, should she descend the steps of her own ***** maidenhood-and carry herself off into our earth. Hark, how she doth it! How heathen, and indecent! But canst thou hear that-Kozarev? Canst thou be knowing of her shamelessness-and her counterfeit jewels? And her claws, her foster claws-ah, sharp as bullets, and notorious as her own evil heart! Luxury t'at is fake, ye' miserably auspicious! How I loathe her! Boil doth my temper at her genteel sight-and hostile auras, with t'at pair of necklaces t'at wasth born from falsehood, and ah! concealed deceit by portraits of clever contentment. How should thou hath seen her lips twitch over and over again, upon her setting t'at blackening imbecile gaze on me-me, who albeit from th' same brethren, but far from her flawless marches and stately refinement. And a creature, just a minuscule part of th' others, t'at she deems unworthy ye' deserving of torture! Silver and gold is she exclusively acquainted with, whenst torches in my garden art not even set alight. But look! How thou proudly saunter forward to welcome her, and salute her unforgiving cordiality with th' marks of thy lips, on her hand! And how t'is view scythes my chest, my heart, and tears it open just like th' blade of a sneaky knife shalt do. I am dying, dying from t'is tampered heart! And t'ese candles of my heart t'at hath been heartlessly watered-look how t'ey art brimming with sweat in cold demise. O Kozarev! Hath I been too late to seek thy love? Thy hands, my faultless prince, art but th' only mercy I canst pray for! Hath nature been so unfair as to savour all my dreams, ah, and even t'is single longing-and bequeath onto me a tragic life of undesired ghostlike mimes-in th' wholeness of my future? Thou art th' lost charm of t'at wholeness, my love, and should be I bereft of thee again, I shalt but be robbed of my entirety-and pride, womanly pride t'at I sadly out'ta hath. Ah, Kozarev, in thy movements doth I find bliss-a creaking blow to my wood-like stillness, and a cure for my sickly contrivances. I came here for thee, and always didst! Canst thou hear t'at-and satisfy this fierce longing with just a second of thy soundless touch? Lights flicker, and smile in t'eir subsequent death-but t'is is a token of subservient passion. And I shalt not give up like 'em-as t'is life greets us once only, before transporting us into regions of th' unknown-yes, it doth, my love, wherein eerieness is still questioned and overtly unfathomed. Ah, and before death I long to have you-Kozarev, and sit as we shalt-side by side, charmed by our generous yet moronic affection, until th' earth doth make us part, and shalt then we retreat into our most dimmed apertures.

Thou art my blissful paradise, Kozarev! Thy presence but bringst out my well of solemn cheers and proud, sun-like congeniality. And in t'is warm, gentle spring I shalt write but merely on thy vivacity! O imagination-blame, and curse her as thou might do, is in fact, my key, to my newborn triumph and infallible victory; th' marks of glimmering satisfaction-and visible restoration of my sin, my soul. T'is is because I believe, strongly, with all th' forlorn might of my heart, t'at sincerity shalt forever tower over every tweak of malevolent innocence and repressed wishes for destruction. 'Tis, Kozarev, is th' voice emanating towards me from within; and bracing t'ese lips, and *****, for facing her-t'at accursed rival of mine, with bravery and independence I hath never been brought to acknowledge. Ah, petrified as my customs let me be, conviction shalt stay within my hands; and t'at shadow-o, picture of our old days together, on th' veranda-yes, decorated with lights of our love, spur me on. Thy love is born as, and devoted to mine, my love! Crafted, shaped, and designated for me only-and to be mine, only mine-for evermore. We art but a chain of perfect concord, as God hath so sweetly decreed! And I shalt doth nothing else as remarkable as determine to retrieve it-with all th' charms and intellect t'at I possess-and my words as sugar sweet, as well as th' leaves of grace and my becoming, comely wit.

i was born all naturally
formed in a lax factory
im actually
a hack with ******* in my nose, practically,
every day,  haphazardly
stumbling home, half asleep
i cant tell whats happening
vision begins blackening
im whack like kriss kross
crack like rick ross
major brown boy to houston
be like, "yes, we have liftoff"
dont like me when i'm *******
cause *****, i'm bruce banner
or maybe i'm bruce wayne
either way, i got mad manners

tearing down walls like berlin
preaching like its a sermon
potential begins to burgeon
i'll cut you up like a surgeon
killing in place of coercion
so you better lower the curtain
my head and my body are hurtin
so tell me how quick does the world spin?

i'm taddling on ya, you can call me a toddler
but the snitchin n' **** is somethin im never fond of
and i never grow up, cause i'm the neverland smuggler
peter pan turns into one of my best customers

i never grew into my head, im not cocky
never had the eye of the tiger, im not rocky
growing up i never got in fights or caused a lotta ****
but presently im screaming "**** the world", i've got a bone to pick

i've gotta problem and i think its the probable cause
you hold me captive, keep me trapped in your facets of laws
looks of repulsion are what cause me to brandish my claws
constant compulsions reminiscent of prodigal flaws
i've gotta problem and i think its the probable cause
see im a goblin shark i'll sink in my nautical jaws
im not a joker im a jester with lesser facades
wrought with insomnia cause drugs are american gods

Lisbeth stands watching
The artist as he prepares
To sketch. Her elder sisters
Stand in shadows whispering.
Her younger sister plays
With her doll on the floor.
Their father said to do as
The artist instructed and
Don’t misbehave or be rude.
The artist stares hard his
Dark eyes searching their
Every move and expression
And body gesture. The elder
Girls mutter in shadows
Their hands over their mouths
Their blue eyes like shallow
Pools. Ready? The artist
Asks putting charcoal to
Paper his fingers blackening.
Lisbeth says just as we are?
The artist nods. His grim
Features express do not disturb.
The youngest sister plays
Ignoring the artist her eyes set
On the game at hand. The girls
In shadow turn their profiles
Set to mystery their hands on
Their abdomens like guardians
Of virtue. Lisbeth wonders as
She watches the artist’s stiff
Moustache and beard the slow
Movement of his mouth as he
Mouths words and stares hard.
The last artist employed some
Year before younger and less
Brutal in expression and manner
Had drawn them each in private
Rooms and set them down on couch
Or bed and kept their images inside
His head. He was dismissed and the
Drawings destroyed and nothing said.
Lisbeth had thought it just a game
Something done as lover might in
Private corners or lonely spots on
Quiet nights. The artist sketches.
His blackened fingers move and
Made their mark. Their images
Captured. The scene set. One sister
In the shadows yawns the other
Stares in still contempt. Lisbeth
Poses as young girls do. Nothing
To show of interest and nothing
Hid no secret self no other you.
That’s it the artist says we’ll begin
The painting another day maybe
Next week if all is well. The girls
In shadow look away and resume
Their secret games. Lisbeth studies
The artist’s blackened fingers as
He rolls the charcoal sketch and
Puts away. He gazes at her standing
By herself a glimpse of smile and
Glimmer in her eyes like small fires.
He closes the tired lids of eyes
And smoulders down his old desires.

I go to public places to be alone...

I sit amongst the crowds,
listen in to their instigating alluring words,
Exhaust myself with the false pretense of social-comfort
And think about death.
As it has always been and how it will always be-
More potent than human interest, temptation, enticement or fulfillment.
In the depths of these crowds I surround myself with
The culture of the unconscious.
Nothing has ever mattered but the collected cognizance of
The fact that no human being has the internal ability to become immortal-
And nobody who belongs to the crowds worries about that. As,
To be comfortably existent means to be uninformed about your own
Insignificance.
When I am aware of my own body I am more afraid than when I am not.
I watch myself from a blackening screen,
as I destroy what I was born into until it becomes
A habit instilled within both perspectives.
I let the crowds ruin me with glances and words and drunken love
That they will not remember.
I exist as a vessel, and let the pain of my future determine the pain of
My present.
I seek to hide within the dark of a night like this that has experienced my absence and enjoyed it but,
Their glances make me feel so present...

..I can only hide within myself
by pretending that I am outside of myself..
Watching from a blackening screen...

Late July, and the mosquitoes are out
Blackening the sky with their swarm
15 feet from the campfire
Lurks certain death.

Billy strayed too far
1000 tiny syringes saw their chance
He looked like a strawberry Dalmatian
37 bites, he said
37 small pieces of hell


Late July, and the mosquitoes are out
Billy had learned his lesson
Nothing moves in the blue twilight
Except the mosquitoes
Blackening the sky with their swarm

Orcas in Puget Sound

Along the road, abandoned wild apple trees bend
with their heavy loads, dusty skirts of blackberry bushes
purpling fingers, piercing flesh
mouths ringed with berry juice, vampires all.
Along San Juan Island salmon leap clear
out of the briny water, just yards ahead of their predators,
Orcas, dorsal fins curving shiny black, sluicing and slicing
the surface like sharpened knives

They have bred with one another for 10,000 years
trolled these waters through famine, earthquakes, world wars
through shifting continents, glacial avalanches,
through the extinction of whole civilizations.
Standing on a cliff, my daughter and I
watch the Orcas churning the water - studies in grace
the largest gem on the necklace of a great food chain
and when we sleep we too chase
the great King Salmon of our deepest dreams,
the fathers we lost, the currents that bear along children

Translucent jellyfish, palm sized, breath below
sideways exhale, convulsive inhale
umbrellas opening and closing a thousand years or more
sliding through forests of brown kelp where mollusks cling

We have clung like this to one another, with my body
thrown over hers for protection and her exhaling away from me
If Mama Orca keeps her young close, so will I
If there are salmon to chase and harbor seals to command, so we will

Arcing in the late August sky
slapping and parting the surface, over and over
the whales, lords of the Sound, swim in our brains as we sleep
sparkle against blackening waters
You are of my body from my body cleaving there for 10,000 years
Whatever quarrels there are on land vaporize
In the presence of these creatures,
arcing against all that is temporal, vicious, small,
studies in power and grace

The tide pulls out, skimming across rocks and oysters in their muddy beds
But this need to care for you remains as big as an Orca
your appetite for adventure as voracious
and I watch you, my child, disappearing with summer
into high school, into womanhood, into
the salty, light-dappled ocean

I had a dream, which was not all a dream.
The bright sun was extinguished, and the stars
Did wander darkling in the eternal space,
Rayless, and pathless, and the icy earth
Swung blind and blackening in the moonless air;
Morn came and went—and came, and brought no day,
And men forgot their passions in the dread
Of this their desolation; and all hearts
Were chilled into a selfish prayer for light;
And they did live by watchfires—and the thrones,
The palaces of crowned kings—the huts,
The habitations of all things which dwell,
Were burnt for beacons; cities were consumed,
And men were gathered round their blazing homes
To look once more into each other’s face;
Happy were those which dwelt within the eye
Of the volcanoes, and their mountain-torch;
A fearful hope was all the world contained;
Forests were set on fire—but hour by hour
They fell and faded—and the crackling trunks
Extinguished with a crash—and all was black.
The brows of men by the despairing light
Wore an unearthly aspect, as by fits
The flashes fell upon them: some lay down
And hid their eyes and wept; and some did rest
Their chins upon their clenched hands, and smiled;
And others hurried to and fro, and fed
Their funeral piles with fuel, and looked up
With mad disquietude on the dull sky,
The pall of a past world; and then again
With curses cast them down upon the dust,
And gnashed their teeth and howled; the wild birds shrieked,
And, terrified, did flutter on the ground,
And flap their useless wings; the wildest brutes
Came tame and tremulous; and vipers crawled
And twined themselves among the multitude,
Hissing, but stingless—they were slain for food;
And War, which for a moment was no more,
Did glut himself again;—a meal was bought
With blood, and each sate sullenly apart
Gorging himself in gloom: no love was left;
All earth was but one thought—and that was death,
Immediate and inglorious; and the pang
Of famine fed upon all entrails—men
Died, and their bones were tombless as their flesh;
The meagre by the meagre were devoured,
Even dogs assailed their masters, all save one,
And he was faithful to a corse, and kept
The birds and beasts and famished men at bay,
Till hunger clung them, or the drooping dead
Lured their lank jaws; himself sought out no food,
But with a piteous and perpetual moan,
And a quick desolate cry, licking the hand
Which answered not with a caress—he died.
The crowd was famished by degrees; but two
Of an enormous city did survive,
And they were enemies: they met beside
The dying embers of an altar-place
Where had been heaped a mass of holy things
For an unholy usage: they raked up,
And shivering scraped with their cold skeleton hands
The feeble ashes, and their feeble breath
Blew for a little life, and made a flame
Which was a mockery; then they lifted up
Their eyes as it grew lighter, and beheld
Each other’s aspects—saw, and shrieked, and died—
Even of their mutual hideousness they died,
Unknowing who he was upon whose brow
Famine had written Fiend. The world was void,
The populous and the powerful was a lump,
Seasonless, herbless, treeless, manless, lifeless—
A lump of death—a chaos of hard clay.
The rivers, lakes, and ocean all stood still,
And nothing stirred within their silent depths;
Ships sailorless lay rotting on the sea,
And their masts fell down piecemeal; as they dropped
They slept on the abyss without a surge—
The waves were dead; the tides were in their grave,
The Moon, their mistress, had expired before;
The winds were withered in the stagnant air,
And the clouds perished! Darkness had no need
Of aid from them—She was the Universe!

Locksley Hall

by Alfred, Lord Tennyson

Comrades, leave me here a little, while as yet 't is early morn:
Leave me here, and when you want me, sound upon the bugle-horn.

'T is the place, and all around it, as of old, the curlews call,
Dreary gleams about the moorland flying over Locksley Hall;

Locksley Hall, that in the distance overlooks the sandy tracts,
And the hollow ocean-ridges roaring into cataracts.

Many a night from yonder ivied casement, ere I went to rest,
Did I look on great Orion sloping slowly to the West.

Many a night I saw the Pleiads, rising thro' the mellow shade,
Glitter like a swarm of fire-flies tangled in a silver braid.

Here about the beach I wander'd, nourishing a youth sublime
With the fairy tales of science, and the long result of Time;

When the centuries behind me like a fruitful land reposed;
When I clung to all the present for the promise that it closed:

When I dipt into the future far as human eye could see;
Saw the Vision of the world and all the wonder that would be.--

In the Spring a fuller crimson comes upon the robin's breast;
In the Spring the wanton lapwing gets himself another crest;

In the Spring a livelier iris changes on the burnish'd dove;
In the Spring a young man's fancy lightly turns to thoughts of love.

Then her cheek was pale and thinner than should be for one so young,
And her eyes on all my motions with a mute observance hung.

And I said, "My cousin Amy, speak, and speak the truth to me,
Trust me, cousin, all the current of my being sets to thee."

On her pallid cheek and forehead came a colour and a light,
As I have seen the rosy red flushing in the northern night.

And she turn'd--her ***** shaken with a sudden storm of sighs--
All the spirit deeply dawning in the dark of hazel eyes--

Saying, "I have hid my feelings, fearing they should do me wrong";
Saying, "Dost thou love me, cousin?" weeping, "I have loved thee long."

Love took up the glass of Time, and turn'd it in his glowing hands;
Every moment, lightly shaken, ran itself in golden sands.

Love took up the harp of Life, and smote on all the chords with might;
Smote the chord of Self, that, trembling, pass'd in music out of sight.

Many a morning on the moorland did we hear the copses ring,
And her whisper throng'd my pulses with the fulness of the Spring.

Many an evening by the waters did we watch the stately ships,
And our spirits rush'd together at the touching of the lips.

O my cousin, shallow-hearted! O my Amy, mine no more!
O the dreary, dreary moorland! O the barren, barren shore!

Falser than all fancy fathoms, falser than all songs have sung,
Puppet to a father's threat, and servile to a shrewish tongue!

Is it well to wish thee happy?--having known me--to decline
On a range of lower feelings and a narrower heart than mine!

Yet it shall be; thou shalt lower to his level day by day,
What is fine within thee growing coarse to sympathize with clay.

As the husband is, the wife is: thou art mated with a clown,
And the grossness of his nature will have weight to drag thee down.

He will hold thee, when his passion shall have spent its novel force,
Something better than his dog, a little dearer than his horse.

What is this? his eyes are heavy; think not they are glazed with wine.
Go to him, it is thy duty, kiss him, take his hand in thine.

It may be my lord is weary, that his brain is overwrought:
Soothe him with thy finer fancies, touch him with thy lighter thought.

He will answer to the purpose, easy things to understand--
Better thou wert dead before me, tho' I slew thee with my hand!

Better thou and I were lying, hidden from the heart's disgrace,
Roll'd in one another's arms, and silent in a last embrace.

Cursed be the social wants that sin against the strength of youth!
Cursed be the social lies that warp us from the living truth!

Cursed be the sickly forms that err from honest Nature's rule!
Cursed be the gold that gilds the straiten'd forehead of the fool!

Well--'t is well that I should bluster!--Hadst thou less unworthy proved--
Would to God--for I had loved thee more than ever wife was loved.

Am I mad, that I should cherish that which bears but bitter fruit?
I will pluck it from my *****, tho' my heart be at the root.

Never, tho' my mortal summers to such length of years should come
As the many-winter'd crow that leads the clanging rookery home.

Where is comfort? in division of the records of the mind?
Can I part her from herself, and love her, as I knew her, kind?

I remember one that perish'd; sweetly did she speak and move;
Such a one do I remember, whom to look at was to love.

Can I think of her as dead, and love her for the love she bore?
No--she never loved me truly; love is love for evermore.

Comfort? comfort scorn'd of devils! this is truth the poet sings,
That a sorrow's crown of sorrow is remembering happier things.

Drug thy memories, lest thou learn it, lest thy heart be put to proof,
In the dead unhappy night, and when the rain is on the roof.

Like a dog, he hunts in dreams, and thou art staring at the wall,
Where the dying night-lamp flickers, and the shadows rise and fall.

Then a hand shall pass before thee, pointing to his drunken sleep,
To thy widow'd marriage-pillows, to the tears that thou wilt weep.

Thou shalt hear the "Never, never," whisper'd by the phantom years,
And a song from out the distance in the ringing of thine ears;

And an eye shall vex thee, looking ancient kindness on thy pain.
Turn thee, turn thee on thy pillow; get thee to thy rest again.

Nay, but Nature brings thee solace; for a tender voice will cry.
'T is a purer life than thine, a lip to drain thy trouble dry.

Baby lips will laugh me down; my latest rival brings thee rest.
Baby fingers, waxen touches, press me from the mother's breast.

O, the child too clothes the father with a dearness not his due.
Half is thine and half is his: it will be worthy of the two.

O, I see thee old and formal, fitted to thy petty part,
With a little hoard of maxims preaching down a daughter's heart.

"They were dangerous guides the feelings--she herself was not exempt--
Truly, she herself had suffer'd"--Perish in thy self-contempt!

Overlive it--lower yet--be happy! wherefore should I care?
I myself must mix with action, lest I wither by despair.

What is that which I should turn to, lighting upon days like these?
Every door is barr'd with gold, and opens but to golden keys.

Every gate is throng'd with suitors, all the markets overflow.
I have but an angry fancy; what is that which I should do?

I had been content to perish, falling on the foeman's ground,
When the ranks are roll'd in vapour, and the winds are laid with sound.

But the jingling of the guinea helps the hurt that Honour feels,
And the nations do but murmur, snarling at each other's heels.

Can I but relive in sadness? I will turn that earlier page.
Hide me from my deep emotion, O thou wondrous Mother-Age!

Make me feel the wild pulsation that I felt before the strife,
When I heard my days before me, and the tumult of my life;

Yearning for the large excitement that the coming years would yield,
Eager-hearted as a boy when first he leaves his father's field,

And at night along the dusky highway near and nearer drawn,
Sees in heaven the light of London flaring like a dreary dawn;

And his spirit leaps within him to be gone before him then,
Underneath the light he looks at, in among the throngs of men:

Men, my brothers, men the workers, ever reaping something new:
That which they have done but earnest of the things that they shall do:

For I dipt into the future, far as human eye could see,
Saw the Vision of the world, and all the wonder that would be;

Saw the heavens fill with commerce, argosies of magic sails,
Pilots of the purple twilight dropping down with costly bales;

Heard the heavens fill with shouting, and there rain'd a ghastly dew
From the nations' airy navies grappling in the central blue;

Far along the world-wide whisper of the south-wind rushing warm,
With the standards of the peoples plunging thro' the thunder-storm;

Till the war-drum throbb'd no longer, and the battle-flags were furl'd
In the Parliament of man, the Federation of the world.

There the common sense of most shall hold a fretful realm in awe,
And the kindly earth shall slumber, lapt in universal law.

So I triumph'd ere my passion sweeping thro' me left me dry,
Left me with the palsied heart, and left me with the jaundiced eye;

Eye, to which all order festers, all things here are out of joint:
Science moves, but slowly, slowly, creeping on from point to point:

Slowly comes a hungry people, as a lion, creeping nigher,
Glares at one that nods and winks behind a slowly-dying fire.

Yet I doubt not thro' the ages one increasing purpose runs,
And the thoughts of men are widen'd with the process of the suns.

What is that to him that reaps not harvest of his youthful joys,
Tho' the deep heart of existence beat for ever like a boy's?

Knowledge comes, but wisdom lingers, and I linger on the shore,
And the individual withers, and the world is more and more.

Knowledge comes, but wisdom lingers, and he bears a laden breast,
Full of sad experience, moving toward the stillness of his rest.

Hark, my merry comrades call me, sounding on the bugle-horn,
They to whom my foolish passion were a target for their scorn:

Shall it not be scorn to me to harp on such a moulder'd string?
I am shamed thro' all my nature to have loved so slight a thing.

Weakness to be wroth with weakness! woman's pleasure, woman's pain--
Nature made them blinder motions bounded in a shallower brain:

Woman is the lesser man, and all thy passions, match'd with mine,
Are as moonlight unto sunlight, and as water unto wine--

Here at least, where nature sickens, nothing. Ah, for some retreat
Deep in yonder shining Orient, where my life began to beat;

Where in wild Mahratta-battle fell my father evil-starr'd,--
I was left a trampled orphan, and a selfish uncle's ward.

Or to burst all links of habit--there to wander far away,
On from island unto island at the gateways of the day.

Larger constellations burning, mellow moons and happy skies,
Breadths of tropic shade and palms in cluster, knots of Paradise.

Never comes the trader, never floats an European flag,
Slides the bird o'er lustrous woodland, swings the trailer from the crag;

Droops the heavy-blossom'd bower, hangs the heavy-fruited tree--
Summer isles of Eden lying in dark-purple spheres of sea.

There methinks would be enjoyment more than in this march of mind,
In the steamship, in the railway, in the thoughts that shake mankind.

There the passions cramp'd no longer shall have scope and breathing space;
I will take some savage woman, she shall rear my dusky race.

Iron-jointed, supple-sinew'd, they shall dive, and they shall run,
Catch the wild goat by the hair, and hurl their lances in the sun;

Whistle back the parrot's call, and leap the rainbows of the brooks,
Not with blinded eyesight poring over miserable books--

Fool, again the dream, the fancy! but I know my words are wild,
But I count the gray barbarian lower than the Christian child.

I, to herd with narrow foreheads, vacant of our glorious gains,
Like a beast with lower pleasures, like a beast with lower pains!

Mated with a squalid savage--what to me were sun or clime?
I the heir of all the ages, in the foremost files of time--

I that rather held it better men should perish one by one,
Than that earth should stand at gaze like Joshua's moon in Ajalon!

Not in vain the distance beacons. Forward, forward let us range,
Let the great world spin for ever down the ringing grooves of change.

Thro' the shadow of the globe we sweep into the younger day;
Better fifty years of Europe than a cycle of Cathay.

Mother-Age (for mine I knew not) help me as when life begun:
Rift the hills, and roll the waters, flash the lightnings, weigh the Sun.

O, I see the crescent promise of my spirit hath not set.
Ancient founts of inspiration well thro' all my fancy yet.

Howsoever these things be, a long farewell to Locksley Hall!
Now for me the woods may wither, now for me the roof-tree fall.

Comes a vapour from the margin, blackening over heath and holt,
Cramming all the blast before it, in its breast a thunderbolt.

Let it fall on Locksley Hall, with rain or hail, or fire or snow;
For the mighty wind arises, roaring seaward, and I go.

i.

at the edge of a dark sky,
where the framed door
lies closed and the
rain’s smooth octaves
gather the last lonesome
heart-beat of the summer in
its mists that tap the door,

ii.

the grey air,
cloud-drawn, straps
its satchel to its back
its stones the silvers
of a silent moon,

iii.

its stones sombre and smoky,
the dead of night,
a crimson king
a blossoming flower,

iv.

where the night’s slated
roof listens to the rains
urgent rushings, silver
and shaded like a storm,

words of the air
sinking back like the
desolate waves that hush
the sands as they drown
their sorrows in baskets
conjured out of the breath
of the grey-eyed night.

v.

you kiss me and i start to
swoon, i swoon like a garden
rose that climbed once to
the sky, a garden overgrown  
with the quiet of apple-coloured
leaves, the summer with its vines,
its leaves the bright rain drops,
its leaves the visions of the air.

Late July, and the mosquitoes are out
Blackening the sky with their swarm
15 feet from the campfire
Lurks certain death.

Billy strayed too far
1000 tiny syringes saw their chance
He looked like a strawberry Dalmatian
37 bites, he said
37 small pieces of hell


Late July, and the mosquitoes are out
Billy had learned his lesson
Nothing moves in the blue twilight
Except the mosquitoes
Blackening the sky with their swarm

School days, have to do homework
Alone, not bad,
but Math, English, French together
just like the mosquitoes
Blackening the sky with their swarm

Perhaps there are 100,000 forms of darkness,
100,000 forms
of what they call depression.
I know one
or two of them.
There is no suffering scale, no way to compare
the suffering of one
human being,
or one illness
to another.

So we hold candlelight vigils
build totems to gather the universe and pull
back clarity around one another’s edges
But I can't burn sage inside me.
It may attract the bad you hide from. Or
is it the good that scares you?

The world beyond the bond
of hearts is a town
without pity.
A dull inhumanity of systems failing the people
we don’t look at.
In this way the brittle tethers of association are tested.

Hand in hand greeting the blackening sky, bearing
down like the face of a missing child’s parents,
staring at one another
knuckles clasp tight.
Your smile the remaining mirror at the end of the world.

If you were here, or I there
I’d be home right now. On the inside
we’re both waiting for one
another still.
Because I’m the same,
but not.

I am ruthlessly forgetful.
Names, birthdays, work schedules.
But I know the way your hair looks in motion.
The way your face looks
refracted through a cigarette ember.
How when your mood shifts,
the church in your eyes
becomes torn, battered, and bare.

If we could just give
another go-round.
It would be different,

Remember,
your best.
Where you are, might
be, may go.
When it used to feel so good.

My Kite

The view of purplish branches upon the trees and
Looking beyond grassy mountains on the horizon
Bring back memories of my childhood days,
Wading in a nearby creek and flying my kite before a sunlit sky
And then recalling the wind beginning to blow.

Magenta leaves would decorate
Branches of both growing and fallen trees-
Wild geese soared above and deer were running freely
While my kite was carried upward by the wind
As highly as those trees would ever grow.

My kite I believed would carry that mysterious spirit deep inside of me
Into which I had placed all my faith and trust
The tail of my kite seemed to cross the sun, though far above me
I feared the demons’ of the woodlands following me as I walked-
But with strong assurance I pursued my kite wherever it would go.

Dark clouds began to cover the sun one day and
Branches upon the trees were seemingly blackening
While lightening sharply illuminated the sky
I believed a storm was rapidly approaching.
As fright and haunting disbelief inside of my mind began to overshadow.                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     .
I have told others that my kite held within my protective soul which was always with me
Because I saw it to be an angel dancing freely in the sky
I believe my kite held inside the spirit of a seraph,
That saved me from all that betrayed and hurt me
As the voices inside of my mind had often told me so.

Years have passed and that wind was always fierce and deceitful-
Breaking the string with which I held my kite-
I sadly watched it as it flew higher and higher towards the sky
Until it disappeared behind those approaching darkening thunderclouds
Vanishing beyond my sight- leaving me frightened and alone below.

Years have also passed since I lost my kite which I believed was my guiding illumination
People would laugh and say my mind had escaped reality
Now I can see that there is no one to save me from those demons of this planet
I still hide the pain of loss of my spirit of salvation behind laughter and a smile
But that does not erase the void I feel inside and that is an unrelenting sorrow.

Claudia Krizay

Read the Printed Word!

It is liberating and overwhelming

(to the point of
hot
tears)

to know how long I have been letting people drag my body through hot coals

while denying their abuse only because

letting them mistreat me
was only a way to

mistreat
my
    self

But as I have stopped hurting myself, I have become aware that
while I dare anyone to try to hurt me— I say this with a fire glint in my eye--
that I have been opening myself to the worst of people.

I am seeing myself in a better light—

I am powerful
I am beautiful
I am sacred
I am deserving
I am independent
And I don’t need people who I never really needed in the first place.

I’ve gone nineteen years sacrificing myself and it cannot go on. I will not let it go on. My consciousness is shifting, my inner self is awakening and stretching its muscles.

Vomiting up this cancerous, petulant, bone-blackening self loathing, cutting out this metastasizing inability to love myself, is painful.

It is the worst sort of agony
{and my body can take a lot of hell}

but when have I ever shied from pain?

Why’d you get locked up then lad?
Oh. I’m locked up?
I know you. You won’t escape lad
Escape from where?

(Jackie Wilson at her majesties pleasure 1884, West Denton, Newcastle)

The sweat rolled off Dominic’s nose.

Its ‘movement’

movement

movement

Uniting.

Meditation takes a person out
from themselves
so far out, without any need
for any additional charge, toll, or need, that when you come back,
even if it’s within
the same body,
you feel

and the glow comes back
on-coming traffic smiles, dead less grace
the worst, and 7am

chess
without a game.
a drool.
an intricacy within
mirage.
hope in the sorry soft gas explosions
and death was heavy enough to fly and give
But not in the normal way
one second, and even joy spills
and the cabbies have begun to scream and break down at each other
even though it’s not a full moon
too many people squashed on a tight balcony
drinking us all away
too many hands
not dancing
it all away


Slugs emigrate across concrete when the soil is wet.
When you wonder why they’ve left.
Its pouring
and you think you recognise a name scrawled in the wet trail.

Single, intimate, observations.

And reasons for the evening to be near.
It will be worth it! – I’LL SEE YOU! –
And now we are allowed to be glorious without price.
And now it’s sad as hell.
And the trees know that.
But the squirrels never do.
And now those words don’t matter.
And now we are allowed.
And now we go.

And the laminate floor
has the weight of a cross.
And the thing is,
you know

(It’s all softly bombed)
Not in a horrific
or knowable
way.

But in God’s good loving
loving
loving
******* for ya.

We’re finally rubbed out.

Crucifying.
And uncrucifying.

Eyes are useless here.

Blackness first.
THEN that soft
‘soft’

dripping.

easy blackness.

Meditating, sat middle
the pentagram of a small flat.
blue white board marker, on ‘easy wipe’ wood flooring.

And if I wake, I can wipe all the lines out.

SO, it went the same.
blue colour of cityscape coming-black light flashing always
across the distance from balcony
a beautiful stillness.
Waves first. Sea. The complete sea. Swimming.
ego. Ego swimming. Ego going down. Hello! And ha!
And no more jokes.
And isolation.
And no more months.
But there were gushes.
Gushes of experiences in, and outside, with individual breathes
and the proximity of love, coming closer
like a germinating hand
guiding you down
into the oceans private concert

Not too close to the expensive parts, or the bad parts,
or anywhere too pristine.
Christ, that’d be
a joke. It’d be funny
and then the surgeon would come and operate
on you;
lifting you out whilst you’re asleep

And it would go like this:

Cancer: Hey! What’s going on?!
Get off! I’ve paid my
rent and don’t wet the bed
anymore,

Surgeon: Don’t care.
Come here...
Oh for **** sake you’re making my day long.
I don’t get paid
for this.
Cancer: Oh yes you do handsome.
Surgeon: Oh yeah!

rest on the long side of your bed.
‘What’d you do at the weekend?’
Where’d you go?

...

banter broke down into spider web
substance
before fading completely, as thoughts begin
to disappear and fly down
into heavier states
from outside you saw a man still dressed
in formal office attire
tie hanging undone around a white shirt, shoes kicked off
beside strange markings on a polished floor. From in,
the understandings
are quite different
fly gently, like a loved one retiring from life
as the single light bulb watches from your ceiling
tensing one last second time in hesitation
then blowing you out with a blink.  

looked into the well where life is buried
and reached down
arms lengthened like dusty pieces of ham down a hole
touching the foetus as it crawls back up,
and up through the highway lines of his veins,
like a rabbit hunts wolves,
like the peach reacts to your bite.

We smoked and ate apple pie as the autumn tattooed
We snapped small pieces off
then ate the mites.

And then when the well filled we made our arms lassoes;
that churned the grain,
turning the quietness into storm,
and back to parts of spring.

You hesitate, touching the ape
like a clown who’s just tossed his life into the air, and juggles it,
like dead poems and hot boiling yeast.
you looked further into the well and found the figments of the ‘Narwhal’
the sea creature with a prominent horn
that shoots from its head-

Early sea farers
used to think the horned mammal was a type of
magical being
it birthed the idea of unicorns
you let the water well mix and join
as we drink coffee today, and the night is less silent
than that of star of apples and gloom
each tarantula that scatters in the red stars of sand is welcome;
and the honey man and honey woman flicker,
through numberless bank checks and bills as knocks arrive
knock after knock after knock
into long vibrational hum

All that remains
is the bursting punch
near the bottom
of oceanic well

As it tightens your grip into the follicle hibernating bears
that speak eloquent words whilst we eat;
the deep groan of munching hands
in the well helps our arms
pull up the glowing carcass as it turns back
into us within our hands, it speaks easily and slow, telling each
servant surrounding
the hole that they should:

‘Dance casually, dance inside my red eyes’.

Some take advantage of melody, as a trust that funds satellites of globe,
as if no one ever dreamed or broke the yoke of more pleasurable things;
one of your arms
is like the way that a crab crawls past over my nose and into our future home

another asks that you aren’t so violent in February
and that the month is a counting mouth that multiplies zero
beside the arms reaching for a pyramidic beauty
under the ***** shell; aborting its children like blood in the snow,
without humanistic style, more in tune with time
than the army of water lifting your throat up,
spits- that poke at us with antlers, undeterred, no legged, mating in the sand

After a while, otherness takes over, and will comes.
And emotion is long shattered,
easing out,
playing skin game and dissipating need, where all will and human comes back
it takes a while.

And our gender has nothing to do with just lust
We are the almost completely blind, as the cliché remembers
Gender is
the lack of gender and the freedom of paradigm
whilst hands are upon love,
And more night(s) turn within us.
dream like bright black stars.

Weekends. Week. Work. Corporations dancing like butterflies on fire. Gone.
Gone
Gone
Gorgeous

nothingness
apart from its face and voice
speaking

“Heyy, how’s it going?”
Projection
No
“Yes... Lover,
Yes yes yes!”
“No.”
skull now linked to the lips of a home
“Correct, correct, correct...” The intangible
darkness, over and over

a rushing
and uncontrollable
heaviness of fire.

foxes in back alleys salute
the black sky with a mongrel scream
and all the animals of the world are linked for a split minutiae,
recognising and respecting the breach;

“You’re hurting... mmmmuh-” Dominic tried to say
in the onslaught.

Converging planes that came from the lips of the spirit crowning his mind.

“You’re not Juuu, Juh Juah Juh.”

He tried to say for the next few hours, as the sun spread down
on the city
and felt a deep
empathy for another one
of its children
attempting to free
itself.

“No.”

how right you are...” The spirit said
as Dominic’s head slumped from exertion.

“You see...” The spirit said seeping into his bones
and killing him;
paramedics zip
the bag
over his face.

“You see...” The voice says again
knocking the lights off
and flinging you
by your throat

Each one letting you
go

landscape sick in multiple elements of confused colour,
parts of buildings, art: growing up in the horizon, new structures
made by thoughts, old flowers inside limbs,
smoking.

“What...” The spirit
said.

sigh at the strange place,
without looking around.
blossoms of mind and traffic
circulated
characters
on a schizophrenic island

two flies ****** invisibly
and grow from the unseen smallness of their passion
and become an instant world
in the Red Mountains.

“What’s up?” Dominic say gloomily,
laugh a little.

“You’re meant to be screaming...
And yes...
Yet another ******* month
without hitting
target.” The nightmare says,

No incorporeal speech
no anger
anymore.

She might have been about twenty five,
dressed in a shade of grey
change
that covered her genitalia
and ******* from ankle up to neck

get used to it all.
raise your chin to the sky and try to blink away from the constant lick
of the beast growing
from yourself, or lover, or day

And grow the chimera
throughout numberless
stages
like a beautiful clay
that cant decide

Finally the meer-hawk looked like a Dickensian peasant
with an intricate smile, dressed all in jail rags
stinking of sweat, *****, and time.
And then we change
again

And her black hair scooped down
into the blackening sand
where the grains accepted her slim weight
through out itself

She was tired and fed up of the back-world today
She left her contract looking around upstairs
and accepted the hit
on her targets

A transference of types in the quaking room.
A quick drop of laughter flys
into the lil bear or a lot; and a snap and a lot of hunger
for us all...

The master of the basement was mostly machine.

The front of his face that we run towards
is a centred and hovering engine
at the far end of the shadow
room
and the stench
from its thought.

a farce and enough
to turn you away
from a really good
steak.

no walls

no matter

a car mouth approaches naked.

dead cats know this, as they lay purring still, licking their paws still,
misery knows,forgetting, and the coldness of the street gave birth

to numberless seedy neon lights
flickering away from the wall less walls
once more

and you know, we
all
have a prayer
that comes
out
here was
mine:

might as well let you know
whilst we’re at it
that this one comes
out, in some accent~~
but is how it’s meant to go

“...as if to prae
inside the rain
as if to move
the moon with small hands
ah cross the yard
and lucky sky

I live in that playce me lass
with ya quiet weiyht
upon me own
of ya li’l voice
that taeks it away

Ya-renuf ta bring
al me Gods back
an pin ‘em te tha walls

Enough ta mayke
al’ me angels breathe
heavy
for even an ounce
of ya grace

Ave begged at tha hands
of jesus Christ
for that tayste
of yeh
me sweet bonny lass
an ya the only lass
‘ahve evva met
that mayde us feel
like ah cuhd heal
without bein less

An I’m lookin at ya now
with al me luv
an ah divent need
ney where to ruhn
as am ah freed dog

and in ya charms

An ‘av ney-where left to luk
but I’ll kip alreet the neet pet
cos ya by me side

an in me arms.”

But now it is rather late my friend, and
we all know how long old accents last,
mine, I cherish, I will say it when cursing
and gone
when lit among friends and when
impressing
new jobs, that I shall leave, such is
my
way
and
i may
see you
again.

There are sleeping dreams and waking dreams;
What seems is not always as it seems.

I looked out of my window in the sweet new morning,
And there I saw three barges of manifold adorning
Went sailing toward the East:
The first had sails like fire,
The next like glittering wire,
But sackcloth were the sails of the least;
And all the crews made music, and two had spread a feast.

The first choir breathed in flutes,
And fingered soft guitars;
The second won from lutes
Harmonious chords and jars,
With drums for stormy bars:
But the third was all of harpers and scarlet trumpeters;
Notes of triumph, then
An alarm again,
As for onset, as for victory, rallies, stirs,
Peace at last and glory to the vanquishers.

The first barge showed for figurehead a Love with wings;
The second showed for figurehead a Worm with stings;
The third, a Lily tangled to a Rose which clings.
The first bore for freight gold and spice and down;
The second bore a sword, a sceptre, and a crown;
The third, a heap of earth gone to dust and brown.
Winged Love meseemed like Folly in the face;
Stinged Worm meseemed loathly in his place;
Lily and Rose were flowers of grace.

Merry went the revel of the fire-sailed crew,
Singing, feasting, dancing to and fro:
Pleasures ever changing, ever graceful, ever new;
Sighs, but scarce of woe;
All the sighing
Wooed such sweet replying;
All the sighing, sweet and low,
Used to come and go
For more pleasure, merely so.
Yet at intervals some one grew tired
Of everything desired,
And sank, I knew not whither, in sorry plight,
Out of sight.

The second crew seemed ever
Wider-visioned, graver,
More distinct of purpose, more sustained of will;
With heads ***** and proud,
And voices sometimes loud;
With endless tacking, counter-tacking,
All things grasping, all things lacking,
It would seem;
Ever shifting helm, or sail, or shroud,
Drifting on as in a dream.
Hoarding to their utmost bent,
Feasting to their fill,
Yet gnawed by discontent,
Envy, hatred, malice, on their road they went.
Their freight was not a treasure,
Their music not a pleasure;
The sword flashed, cleaving through their bands,
Sceptre and crown changed hands.

The third crew as they went
Seemed mostly different;
They toiled in rowing, for to them the wind was contrary,
As all the world might see.
They labored at the oar,
While on their heads they bore
The fiery stress of sunshine more and more.
They labored at the oar hand-sore,
Till rain went splashing,
And spray went dashing,
Down on them, and up on them, more and more.
Their sails were patched and rent,
Their masts were bent,
In peril of their lives they worked and went.
For them no feast was spread,
No soft luxurious bed
Scented and white,
No crown or sceptre hung in sight;
In weariness and painfulness,
In thirst and sore distress,
They rowed and steered from left to right
With all their might.
Their trumpeters and harpers round about
Incessantly played out,
And sometimes they made answer with a shout;
But oftener they groaned or wept,
And seldom paused to eat, and seldom slept.
I wept for pity watching them, but more
I wept heart-sore
Once and again to see
Some weary man plunge overboard, and swim
To Love or Worm ship floating buoyantly:
And there all welcomed him.

The ships steered each apart and seemed to scorn each other,
Yet all the crews were interchangeable;
Now one man, now another,
--Like bloodless spectres some, some flushed by health,--
Changed openly, or changed by stealth,
Scaling a slippery side, and scaled it well.
The most left Love ship, hauling wealth
Up Worm ship's side;
While some few hollow-eyed
Left either for the sack-sailed boat;
But this, though not remote,
Was worst to mount, and whoso left it once
Scarce ever came again,
But seemed to loathe his erst companions,
And wish and work them bane.

Then I knew (I know not how) there lurked quicksands full of dread,
Rocks and reefs and whirlpools in the water-bed,
Whence a waterspout
Instantaneously leaped out,
Roaring as it reared its head.

Soon I spied a something dim,
Many-handed, grim,
That went flitting to and fro the first and second ship;
It puffed their sails full out
With puffs of smoky breath
From a smouldering lip,
And cleared the waterspout
Which reeled roaring round about
Threatening death.
With a ***** hand it steered,
And a horn appeared
On its sneering head upreared
Haughty and high
Against the blackening lowering sky.
With a hoof it swayed the waves;
They opened here and there,
Till I spied deep ocean graves
Full of skeletons
That were men and women once
Foul or fair;
Full of things that creep
And fester in the deep
And never breathe the clean life-nurturing air.

The third bark held aloof
From the Monster with the hoof,
Despite his urgent beck,
And fraught with guile
Abominable his smile;
Till I saw him take a flying leap on to that deck.
Then full of awe,
With these same eyes I saw
His head incredible retract its horn
Rounding like babe's new born,
While silvery phosphorescence played
About his dis-horned head.
The sneer smoothed from his lip,
He beamed blandly on the ship;
All winds sank to a moan,
All waves to a monotone
(For all these seemed his realm),
While he laid a strong caressing hand upon the helm.

Then a cry well nigh of despair
Shrieked to heaven, a clamor of desperate prayer.
The harpers harped no more,
While the trumpeters sounded sore
An alarm to wake the dead from their bed:
To the rescue, to the rescue, now or never,
To the rescue, O ye living, O ye dead,
Or no more help or hope for ever!--
The planks strained as though they must part asunder,
The masts bent as though they must dip under,
And the winds and the waves at length
Girt up their strength,
And the depths were laid bare,
And heaven flashed fire and volleyed thunder
Through the rain-choked air,
And sea and sky seemed to kiss
In the horror and the hiss
Of the whole world shuddering everywhere.

Lo! a Flyer swooping down
With wings to span the globe,
And splendor for his robe
And splendor for his crown.
He lighted on the helm with a foot of fire,
And spun the Monster overboard:
And that monstrous thing abhorred,
Gnashing with balked desire,
Wriggled like a worm infirm
Up the Worm
Of the loathly figurehead.
There he crouched and gnashed;
And his head re-horned, and gashed
From the other's grapple, dripped ****** red.

I saw that thing accurst
Wreak his worst
On the first and second crew:
Some with baited hook
He angled for and took,
Some dragged overboard in a net he threw,
Some he did to death
With hoof or horn or blasting breath.

I heard a voice of wailing
Where the ships went sailing,
A sorrowful voice prevailing
Above the sound of the sea,
Above the singers' voices,
And musical merry noises;
All songs had turned to sighing,
The light was failing,
The day was dying--
Ah me,
That such a sorrow should be!

There was sorrow on the sea and sorrow on the land
When Love ship went down by the bottomless quicksand
To its grave in the bitter wave.
There was sorrow on the sea and sorrow on the land
When Worm ship went to pieces on the rock-bound strand,
And the bitter wave was its grave.
But land and sea waxed hoary
In whiteness of a glory
Never told in story
Nor seen by mortal eye,
When the third ship crossed the bar
Where whirls and breakers are,
And steered into the splendors of the sky;
That third bark and that least
Which had never seemed to feast,
Yet kept high festival above sun and moon and star.

The carpenter sits in his rocking chair as he thinks,
as the sun drowns itself into the dark clouds, he waits.
Waiting for something to tell him that he is no longer a boy anymore,
that his maturity and humility have been masqueraded
Into a body that resembles him.
Every night, when he eats, he sits alone
His plate as round as the moon,
He lights one candle on his dinner table.

Most nights, when he is drinking heavily,
he walks to the back of his house,
sits in front of an old wooden bench,
gazing across the lake and he picks up a book,
construing ideas and proposals that he fails to recollect the morning after.
He reads poems to himself, poems from books.
Poems about the nature and history of the human condition,
about the muscles and the tendons in our bodies
that bend and crumble and shiver at our disposal.
Bottle in his left hand, book in his right.
And sometimes he switches hands to highlight his drunken dexterity.
Clinching his book of poems as if they were his children,
too afraid to go out into the soft fear of the electric night,
and he was the wild one to present to this world.

He feels abandoned, dismayed,
and he no longer sees a light at the end this tunnel,
like someone or something is closing it,
leaving a crevice wide enough just to test and to tease
his willing and purpose to escape from it.
He feels a burning in his chest
as he trickles down the last drip of scotch onto his lips,
tasting death like it was tapwater.

It's midnight and he has to wake up in six hours,
wake up to a routine where his work becomes unnoticed
because he doesn't have the ***** to stand up for himself.
So, he sits and he waits for something to happen,
something fantastic or supernatural to help him grow wings
so he could relieve the tension on his shoulders,
his bones realigned to fit the being of gods.
He closes the book, walks back to his house
and blows his one candle at the dinner table,
blackening the room to fit the clouds of the night.
He lies in his bed as he engulfs his body with his comforter,
hoping to never wake up in a world that will not hesitate to laugh in his face.

Now long and long from wintry Strymon blew
The weary, hungry, anchor-straining blasts,
The winds that wandering ****** dearly rue,
Nor spared the cables worn and groaning masts;
And, lingering on, in indolent delay,
Slow wasted all the strength of Greece away.
But when the shrill-voiced prophet 'gan proclaim
That remedy more dismal and more dread
Than the drear weather blackening overhead,
And spoke in Artemis' most awful name,
The sons of Atreus, 'mid their armed peers,
Their sceptres dashed to earth, and each broke out in tears,
And thus the elder king began to say:
"Dire doom! to disobey the gods' commands!
More dire, my child, mine house's pride, to slay,
Dabbling in ****** blood a father's hands.
Alas! alas! which way to fly?
As base deserter quit the host,
The pride and strength of our great league all lost?
Should I the storm-appeasing rite deny,
Will not their wrathfullest wrath rage up and swell?
Exact the ******'s blood?--oh, would 't were o'er and well!"

So, 'neath Necessity's stern yoke he passed,
And his lost soul, with impious impulse veering,
Surrendered to the accursed unholy blast,
Warped to the dire extreme of human daring.
The frenzy of affliction still
Maddens, dire counselor, man's soul to ill.

So he endured to be the priest
In that child-slaughtering rite unblest,
The first full offering of that host
In fatal war for a bad woman lost.

The prayers, the mute appeal to her hard sire,
Her youth, her ****** beauty,
Naught heeded they, the chiefs for war on fire.
So to the ministers of that dire duty
(First having prayed) the father gave the sign,
Like some soft kid, to lift her to the shrine.

There lay she prone,
Her graceful garments round her thrown;
But first her beauteous mouth around
Their violent bonds they wound,
With their rude inarticulate might,
Lest her dread curse the fatal house should smite.
But she her saffron robe to earth let fall:
The shaft of pity from her eye
Transpierced that awful priesthood--one and all.
Lovely as in a picture stood she by
As she would speak. Thus at her father's feasts
The ******, 'mid the reveling guests,
Was wont with her chaste voice to supplicate
For her dear father an auspicious fate.

I saw no more! to speak more is not mine;
Not unfulfilled was Calchas' lore divine.
Eternal justice still will bring
Wisdom out of suffering.
So to the fond desire farewell,
The inevitable future to foretell;
'Tis but our woe to antedate;
Joint knit with joint, expands the full-formed fate.
Yet at the end of these dark days
May prospering weal return at length;
Thus in his spirit prays
He of the Apian land the sole remaining strength.

Across the sea
safe in a case
was brought to me
a trinket.
a silver thread
enwrought with
starlets
of pretty pink and silver

it liked my tan
and formed a decorative band
around my ankle

a suitable occasion
and my anklet embraced
its moment of recognition.

we abandoned our plans
and headed for the polluted shores
our feet in first
then our knees
the sea water lapped and lapped
at once i felt
a significant snap!
i picked it up
and hid it in my blackening bag.

that night i celebrated without my anklet
my chain was loose
my foot was free
I crossed boundaries into deeper sands
sands that sank
conveniently forgetting
my glimmering chain
shut up in my blackening bag

my free foot sank and sank
the harder i climbed the deeper it bore
until i was completely engulfed
suffocating

the air is clear now
no grains of sand to grind my skin
i found my anklet
my broken anklet
and latched it on
with a safety pin.

I think of her often, for thoughts are all I have—not a single memory. She died before I was the age of two.

From what little that I heard, there was little reason to view her in a good light, but now I can see something admirable about her.  After all, this woman endured so much, and the odds seemed stacked against her. Incredibly, between the ages of eleven and sixteen—at least five times—this poor Lithuanian girl crossed the Atlantic in attempts to get into America. Twice, she was turned away. Some may not have had high regard for her, including her own son—my father—but I can see a heroic nature, a survivor, through and through. Just a toddler when she died, I missed out in knowing her. Throughout the years, I really had only gathered bits and pieces of information while trying to know better about her. It has been like constructing puzzle in which the pieces fit here and there, but the gaps are too big to cover.

This woman that I write about is my paternal grandmother. Out of all my grandparents, her story is the one that stands apart, an amazing, heart wrenching and most thought provoking portrait. Evoking emotions of anger, sadness and sympathy, I find it a rich tale of a poor woman.

This has been in the works for quite a while now—in my head, that is. I pictured what I wanted to say, the words playing out in my mind.  What a story it is, too, a tremendous one of sorrow and struggle, of need for love and acceptance, of perseverance and strength of the human spirit. Yet things get complicated when they come from my mind to the page, as I try translating my vision down into words. Before long, like a snake, hesitation surely comes slithering through, as it quickly snuck its way within, fueling my fear, a fear of disapproval and rejection by two people who are now dead and have been for some time—my father and my grandmother.  

And while writing, I imagine what my audience thinks—critics in my head abounding before I even finish. Well, I am the first to stand in line for that.  It’s kind of scary relating such things. I am not sure I am doing the story any justice.  I’m not sure I’ve captured the essence of it well.    

And who would want to read this anyway? Is it too long and of no significance to anybody but myself? I have my doubts. Celebrities do this all the time, and people just eat that stuff up.  I think we all just want to relate to what others have to say about themselves. But it does bare you—your thoughts, your secrets, your soul, —and it feels a bit unnerving, to say the least.  

So, naturally, I still drag my feet. If she were here right in front of me right now, what would my grandmother think? Would she throw the papers in an old fashioned stove—in the fire—as she angrily did to my father’s flowers?  I can only imagine my father as a child—in an impoverished scene that I only have sketchy knowledge of—with his young heart being crushed and shamed, his sign of affection and desire to please his mother, drastically rejected. In return for his small token of love, my father’s mother was furious that her boy spent a few coins on something perceived as useless, a waste of good money. Away like trash, they went. Like the flower story, would my father be ashamed and angry that I revealed some family history for others to read, stuff that he would rather have kept quiet?

This is why I am mentioning no names. Nothing is sugar coated—it is what it is—often not very pretty. Yet this is not intended as an exposé or a smudge on any family members. A slam on my father and grandmother is surely not my intent—far from it.  Rather, it is my offering of affection. It is my little bouquet of flowers to a history that includes me as a part of it.

Like those flowers of long ago, I’ve so wanted to scrap this story in the garbage. Often seeming like a knotted mass of yarn, I have had to work and work to get a smooth flow.  Like a sculptor, I wanted a fine piece of clay to emerge into form, but the chunks, lumps and bumps just frustrate me to no end.

It’s complicated to relate it all. It is revelation about my father’s origins which hold no real pride for him.  There was much pain and shame associated with his mother’s mental illness, his distant father, his broken home and lack of a solid, safe family structure, his constant poverty and fight for survival—the list goes on and on  As I unravel this tale, I continue to fight with the many tangles. As I try to find the face, I feel that my sculpted story is left wanting. So I continue to chip away.

Dishonoring? Embarrassing? I hope it this tale is not.  I envision an admirable purpose instead of the pain and the shame, redeeming the pride that was lost. My father’s origins are mine, too, and they help me to know myself better, and my father—to build that better, more complete puzzle of my grandmother.

Much of what I heard was unflattering terms. From a young age, I knew she was mentally ill. But what did that mean anyway?  Well, to my father she was crazy and nuts, not a good mother. No, she wasn’t mother of the year. Clearly, she had a temper and was known to instigate fights—with her husband, with one of her sisters. When my young father was physically disciplined it was by her, and it was probably quite harsh. If I didn’t like her, it was due to all that I heard. And when I had problems with my father, who had a bad temper, too, I probably felt that the apple didn’t fall very far from the tree.  

But in spite of all the remarks, I grew to have great sympathy for my grandmother. It makes me wonder how mistreated she was as a child.  My father deemed her as neglectful, not in tune to her children’s needs. It is obvious to me that she was in lack, herself.

So what was she really like? I very much wanted to understand her, to be able to relate with her. I don’t know—perhaps, it is because I root for the underdog.  Often, I felt like one, too. And Lithuania is the perfect underdog, under the thumb of Russian rule until much recently.  Perhaps, it was because my dad’s dislike for where he came from made me all that more interested to discover what his roots were all about.  

History often repeats itself—what has shaped my father had a strong influence on me. Like my father, I grew angry and bitter from the upbringing I had. Getting a similar brunt of problematic parenting made for a tough go of things.  I could have easy said, “Who gives a ****?” I could have been thoroughly disgusted about my dad’s old baggage that I had to handle—all the wreckage of rage and shame that became dumped into the next generation.  I evolved from a more sensitive, inquisitive child to one who battled between the feelings of hate and love, painfully clawing my way out of the emotional garbage and with the terrible stench of it.  

Thankfully, the war is over. I am enjoying the peace.  
  
With insight, I grew to understand my father, to accept what he was—capable of good and bad. I can relate quite well in that sense, for I made plenty of mistakes that I wish that I could do differently, ones that hurt others as well as me.  I could not deny that, in my dad, there was a wounded man who could not really figure that out—not until he was much older. I saw a man who was remorseful, and humbled by his costly mistakes. I was able to heal from some of my wounds with that forgiving perspective, though it was not easy and did not come overnight.

Unlike my dad, I’m surely a talker and I ask questions, perhaps my father’s worst nightmare in that sense——he had to have at least one child who always wanted to know things about him and who he came from. That means both sides of my family. Perhaps, I was born that way, with a tremendous sense of wonder. Curiosity always got me, and I am much too hungry to remain clueless about my more secretive father.

Maybe that’s good. Maybe it’s bad. It involves risk which can lead to a boatload of hurt. Where do we come from? What were your parents like? What were your grandparents like? When where they born? When did they die? Do you have any pictures?  Can you go any further than them?  Sometimes, the answers aren’t what you want to hear.  

It’s nice to belong to something, to somebody. It isn’t always possible or realistic to relate to one’s family, I wanted to belong. Not just to my mom’s side did I want to identify—I wanted to fully belong—to both sides.

My mom and dad both had common backgrounds, both coming from poverty and chaos. The fallout from my mother’s unstable father created a similar unease within her childhood home. Yet her family actually seemed like it existed. I knew all of my mother’s seven younger sisters and five younger brothers, as well as all nineteen cousins. We used to visit mom’s parents in Detroit fairly often. My best knowledge of life in this unfamiliar, yet close by, city—my native city—arose through this connection. I heard stories of grandmother’s German immigrant parents and learned of my grandfather’s Polish and Prussian roots, part of his family’s rise from poverty to wealth—to poverty once more.

Born in the latter part of the nineteenth century, my father’s parents were much older than my mom’s. Impoverished Lithuanian immigrants, my dad’s parents surely wanted to be Americans. My grandmother really had to fight to even be on American soil, and my grandfather sought out citizenship and became naturalized. I have likely seen them both, but had no relationship at all. I heard that my dad’s mom came over our house for Thanksgiving dinner—a rare visit—and she died not long after.

My grandfather died the following year, when I was closer to three. Possibly having a primitive, early memory of this man, I am told my dad had him over the house once.  I have a vague recollection of sneaking into the living room, when I was supposed to be in bed, and got a smack on my behind from my dad, crying in protest as I walked past an older man starring at me. But I’ll never know for sure if that is even a real memory.

Since my grandfather was a supporter of the Communist party—a big taboo in those days with the McCarthy era and the Cold War—my dad was mortified and afraid to mention it.  I doubt I’ll ever know much about this grandfather. My father found only one photo of him in his wallet while trying to claim belongings from his flat after the man died. My father eventually gave it to me, and I was shocked by one of the most bizarre photos I ever had seen. In it, my dad’s father was photographed with a woman that my father cannot identify, but the likeness between her and me is so uncanny. I look more like this woman than I do my own mother, but I cannot say if she is even related. My dad knew almost nothing about his father’s family except that he came from a big one back in Lithuania.

Family must have been like foreign word to my father. I can see why. Since boyhood, my dad lived apart from his dad, and they became more strangers than father and son. My dad even admitted that he hardly understood his own father because of his thick, Lithuanian accent. My dad’s background still remains more like shadows in the dim light.  I don’t clearly remember my father’s older brother— out of the two that he had—because I only saw him three or four times. Since my father cut ties with his younger brother, I hadn’t laid eyes on him. Not even a picture was available. When my estranged uncle called on the phone to try to talk to my dad, I would speak to him, instead. One to be sympathetic, I never got why my dad wouldn’t bother with his brother, though the call usually involved asking for money. I was pretty much told that he was a no-good ***, plenty to keep me fairly leery of him. His first wife kicked my uncle out.  Most of his six sons—just as unknown as their father was to me—wanted nothing to do with him. No doubt, the guy was an odd and deeply tormented man, yet we both wanted to meet one day. If I remember one thing he said, that was it, and I agreed. This did seem unlikely, for I didn’t want to stir up the hornet’s nest, not creating more friction than there was.

Years later, that wish came true. One day my dad did get a picture of his brother from the older brother. Much later on—several months after my dad died—I was able to meet this troubled man when he was dying in the hospital and had tubes down his throat. unable to speak to me any more.  

My mom was my source in finding out about my grandmother, but she knew little.  She admits she didn’t know what to say to her mother-in-law, being young and not very savvy when it came to making conversation. What she remembered about my grandmother was that she was very quiet and often stared out from the position of an obscure woman in a room full of people. My mom thought her “spooky”. My mom recalls that my dad said that she smoked down her cigarettes the nub, burning and blackening the tips of her fingers.  She even might have started a small fire in her sister’s waste basket with a burning cigarette.

There is one thing that sticks out that my mother recalls that is sweet. What my grandmother asked my mother shows her humanity: “Do you love my son? “ It shows a woman who has genuine feelings, has desires, and caring. I could see the love that she had for my father when I heard that she brought his boots to school in bad weather, and he was embarrassed by the look of her—rolled down socks and an old fur coat.  I doubt, though, he ever heard the words of “I love you”, as my father did not say these things to his children.

Near the end of his life, when my father was getting dementia, I knew the time was short for us to talk and now was the moment to ask questions. “I know so little about your childhood”, I told him. He said there was nothing worth mentioning, and when I probed him a bit, he told me, “We were the lowest of the low”. It saddens me that the pain was still very much there.

What my parents couldn’t or didn’t tell me, I learned from a few other relatives. I called up my dad’s cousin—who lives in Las Vegas—with plenty of apprehension, never having met her, and not knowing if she’d want to talk with me. Slowly, I sensed her grow from suspicious of my intent to warming up to me a bit. She said she liked my father, but “he could have been nicer to his mother”. This cousin told me that he avoided her a lot, and she felt my grandmother was aware. My dad’s younger brother did, too, I am told. My mom related to me that once when my grandmother would knock on their door back in their flat in Detroit, in their early years of marriage, my dad told her not answer the door to prevent her visit.

If it wasn’t for this cousin’s mother, my grandmother’s sister, as well as two of her daughters, the poor woman would have been quite lonely—though I’m sure loneliness defined her. I am glad they took an extra interest in my grandmother. They would take her out for coffee or have her over.  This sister “felt sorry for her”, the Las Vegas cousin told me.  I’m glad, but she “felt sorry for her? I hope it was more than that.

Considering all what she went through, I am wondering what went through my grandmother’s head. Did this woman ever feel loved? If she did, it must have been like a glass of water in a desert.

Another of my dad’s cousins, from another sister of my grandmother’s, helped me out. Her family stories filled in some gaps, but what she couldn’t tell me records did. The records seemed to prove the stories correct, as some family stories can be more fiction than fact.

I did my own research, as well as get records from others, and finally hired a genealogist. I verified that my grandmother was born in 1892 in a village in Lithuania, not ever knowing the exact date. Loss began early in her life, as her father died of small pox when she was four months old. He was twenty six, and he wasn’t even married a year. Records show this bit of oral history to be almost spot-on.  My parents made a single visit to my grandmother’s youngest sister, and this great aunt told me that my grandmother lost her father at six months old. My dad never knew his real grandfather died, thinking his youngest aunt had a different father. He was surprised to find out that his mother was the one set apart from the others.

So my great grandmother was left a widow with a baby to care for all on her own. This would have been bad for both, so this gr

The crescent moon has been sighted
Lantern of hope has been ignited.
Doors of mercy have been opened
And the devils have been chained.

It is the month,
Where clusters of sin await repentance
And good deeds worth are multiplied.

The month
In which we abstain from food
From dawn till dusk;
Empty stomachs
But tongue heavy from thikr.

A month
Enlightened with Allah's vast mercy
And extreme prosperity,
Tasting rewards
And bathing in immense blessing.

So choose to
Break mouldy habits
Reform the fabrics.
Reboot your entity
And Recharge your faith.

Choose to strengthen the backbone of your lives;
The pillars of Islam.
Recite the book that has been bonded with threads of faith
and encrusted with pristine words of Allah.

Choose to unshackle yourself
from the blackening shackles;
Untangle from messy mirage of the world
entwined with your wrist
And braid it into ladders to heaven.

Choose to join congregation at prayers
To pray to Allah seeking his affinity
Asking for forgiveness and pray for agility.

Choose to handle tough times with sincerity
And dig faith in one another.
For strength and forgiveness
can be found under his love
And this can be the month
That can bring you a step closer to Allah.

Luminescent screen
oh how you constantly shift subtly.

Your shiny frame grows heavier
with every passing picture.

Images appear on repeat
a reminder of the grim we occupy.

Do not desire to witness
cruelty on display, depravity glamorized.

I will let you live
so the others know what happened

Pages copied and pasted,
channels twisting the same story.

What a dull situation;
why glorify what's poised to divide us?

We all see the attack on faith's establishment
so who shall be the ones to prevail?

Can the faith in each other overcome
or shall we be infected by what's cruel
and hateful?

Let me write a happy poem
and paint it seven colors

Red for the burning passion
and orange shows emotions

Yellow for the friends i made
and green for peace and truce

Blue showing the calm ocean
that steer my ship slow motion

indigo wings that help me fly
so high in violet sky

Seven colors to paint my life
and hide the blackening rife !!

I find that chromium-vanadium steel,
while holding glimmer and shine
through much abuse,
is harder to hone
to that razor-like edge
that truly makes chopping a breeze
(watch the fingers, please),
merely mangling fine fruits
and tomatoes, instead.
(just tilt your head, thus)
It's a tool best left
for whacking at meat,
as its heft and its strength
make short work of bone;
more cleaver than scalpel,
if truth will be said.
I've always preferred
the high-carbon alloys,
though now out of fashion
in today's haute cuisine.
While rusting and blackening with age -
not the type you'd put on display -
the blades stay as keen
as the day they were minted,
and wipe down nicely on sleeves.

There was a dream here. It passed over in the night; a blur that burnt a fever into the earth. It died in the gap between. Fingers unlaced. Hand to the side. The sun runs soft tendrils through thick curtains. Or something like that.

Have you seen the new Star Wars movie? No. You’d like it. It’s the same thing all over again, but with a black guy and a chick as the main characters instead. I guess that’s what you call progress.

There was a dream here. A thick, unfurling mass of potentialities. Sartre once wrote existence precedes essence. Schopenhauer believed the essence of a chair was as much willed into being as the essence of a man. There was choice once, but it died when we chose. The breath you took before your last smoke. The air is stirred by a passing train. A woman steps off a bridge, into the mourning blue of an autumn lake. There is an empty car on fire. There is a man inside. His brother sleeps through his exam, doped up on too much codeine. There is the stench of lack. There is death passing a mirror, seeing herself in haste, but too rushed to make sense of it.

He runs fingers down the scars of her arm. A trickling, stream awakening from a long winter thaw. Vessels blue. Oceans of laughter tucked deep in the folds of her skin, so faint you can barely see them any more.

The sheets are black. The city folds itself. The sky collapses into the gutter; Jupiter bleeds into the apartment block on east side. A man leaves his home, but never reaches his destination.  There is a movie Face Off, where the identity of Nicholas Cage is challenged through the transplantation of his face. If reincarnation were possible, would we even be capable of recognising our reincarnated selves, stumbling through the visage of a billion other, unknown vessels? The skip collectors come at 4am. Metal grinds against metal until all that is left is dust.

Hands shaking a pit of coal. Shake shake. Shake shake. Your mother is dead. Shake shake. Shake shake. Jesus working at a shoe store. Shake shake. Shake shake. An atheist. Hah hah, hah.

The channels fill. Ink drops on water. Fireworks blackening the contours. There is a sun in Peru. Waste water pumps through the vessels of the city. The mayor drinks punch. The catacombs crumble like desert bones. The roads split above. Traffic stalls. Shadows stretch. Meet at the centre. A core. Slender fingers. The infinite. A hollowed heart. A heritage.

Drink your punch, says the mayor, try the grape and cheese.

There is a comic. Five or six woodland friends play grab the tail. After one round, they look over to find friend raccoon sleeping. They laugh and shout next round. Friend scorpion looks at his tail with tears in his eyes. It is funny, because death is boundless, amoral, and imminent.

A group at a party. Someone brings up the right-wing branch of their government. Everyone begins laughing, red in the face, spit flying from their mouths, arms noodling into the sky. Yeah, yeah. Hella. It is an imitation game. A laugh track on repeat. Maybe someone scratched it on purpose, or the sound guy fell asleep on the button. Now everyone is stuck, laughing. They begin to doubt themselves, but look up, reassured by the glowing sign above their heads that displays the text laughter, in bold black Helvetica. The sign is faded from heavy use, a sickly cream that looked bad before it left the factory. They were made in batches of a thousand and shipped across the country. One begins to choke, spilling her drink, bunching the cloth on the table beside her. They keep laughing. She is purple now. Another group spots them and joins in. The party next door. The whole neighbourhood. It is broadcast across the city. A wave of hysteria sweeps the nation. An online celebrity creates mugs. A famous rapper uploads himself eating pancakes. The sound guy wakes up and turns off the display, but everyone keeps laughing.

God died today. Crumpled jacket at the foot of an apartment block. Creased ticket. Crooked can rolling down suburbia. American dream wakes up. Finds herself an amnesiac in a foreign land. Catches bus downtown. Wanders vacant sun. Blood trickles from wrinkles. So many now. Creased, crumpled, crooked. Drinks from gutter. Chokes. Stumbles into abandoned church. Blood dries into grotesque mask. Hard to feel through it. Like second skin. Tired. Rests head against wall. Waits for pulse. Finds nothing.

A joke to break the gloom. Two crows are perched opposite one another, partitioned by a one-way mirror. Both break into laughter.

No, wait. Maybe tears.