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Jennifer Weiss Mar 2015
Be this world, but a mad mad garden.
I am tilling, and planting with woe.
I eat occasionally, of its fruits
and when full, tenderly, I go.

Pardon-
my nature is of the child, and so
I pull this leaf, pluck these petals,
and stop to smell of the rose.

There is a chill in the air,
a cloud blocking light,
and an odor tickling thy nose.

Be it this time, or past, future
or fourth dimension; How can
I know?

There is no limit to my pondering,
no effort in this wandering,
enjoyable is the quest to know.
Steele Jan 2015
My friend Amelia (real name, of course, redacted)
is something of a pained Ophelia.
The play's the thing, the part brilliantly acted;
She stands alone by Hamlet's side,
She sighs and moans and pouts and pines,
and waits for him to be attracted.

But Hamlet I know; He's a friend of mine,
and for her heart, he doesn't pine. He's out to solve his father's ******;
Let him go, Ophelia. It's all right. He won't be dissuaded by your ardour;
your love won't keep him long distracted.

Senpai; My Liege; it all rings far more familiar than it aught.
"Notice me!"
"Notice me!"
or then again...
                           not.
Liz Jan 2015
"Poor Yorick!",
His soul is saved.
Safe and sound,
In cold unbeing.

Cold unbeing,
For whom I am so hungry.
It's bitter tundra will fill me,
But my fire won't go out.

The burning won't stop,
And my ashes only gather.
There's something very wrong,
With a blistering winter.

Oh Yorick,
I envy.
Your sleep is undisturbed;
Where I am only tired.

You are bones,
And King Hamlet is a ghost.  
Floating like him and stagnant as you,
I cannot rest.

My sleep is disturbed.
Like the king, I can't find peace.
But like Yorick,
I am hollowed bones.
Lunar Nov 2014
why do you act like hamlet,
all depressed and grieved,
for your own heart shuts me out,
and it's you who's deceived?

when did you think like othello,
murderous and violent,
irrational with decisions,
making me suffer with guilty silence?

how did you turn into macbeth,
from the silky words that grace your lips,
to the venomous fangs you bit back at me,
stinging like burning, sharp whips?

because i thought you were romeo,
with your adventurous soul and romantic antics.
now you've faded away,
with all your heroic tactics.

wherefore art thou, romeo?

don't call me juliet,
if i'm just another rosaline.
shakespeare's tragedies forever
Jaanam Jaswani Sep 2014
Round and round, it wouldn't even matter
Go catch monkey's bars, like the beast you are yourself
Tragedy is that you will never be able to look at light
With your frail eyes and flaccid heart

I purge, I clease
Away with the torment of calling myself a fool
Your fool-
Don't you remember what shakles are?
There's a vacuum in your mind-
Is this not true?

Swim in the ale that consumes your youth;
You won't know tomorrow, anyway.
Danny Wolf Aug 2014
Darkness calls on us like the Siren's Song,
with the optimism of Candide, we charge on
because we know "things are exactly how they should be,"
But we're ignoring the fact that we cannot see!
We cannot be free!
No wonder Yossarian went so **** crazy,
trapped with no way out...
Like the old woman protecting her individuality in her burning house.
In this day and age,
Individuality burns out faster than paper in flames.
As fragile as Hamlet's mental state,
****, it's gone.
We're left as scared and self-conscious as J. Alfred Prufrock.
Questioning ourselves,
We don't dare disturb the universe.
Forced back by scrutinizing hands
through the shrunken entrances of our comfort zones,
Left torn and scarred
because they don't accept who we are.
I walk the halls with Rosencrantz and Guildenstern,
Watch identity evaporate without concern.
Ignorant voices, the poison dripping into my ears.
I walk the halls a ghost.
They think I'm weird,
Maybe a few screws loose,
but I'll tell you what...
"Crazy" Orr is the one who escaped Catch-22.
Though I fear there is not an Odysseus within all of us,
I fear we are not prepared.
For when Darkness calls on us like the Siren's Song,
temptation is seldom overcome.

6/13/14
This began as one thing, and  unintentionally turned into a mash-up full of references from the main poems, books, and other excerpts we read in my AP English lit class this past year. It's references are to the following: Siren Song by Margaret Atwood, The Odyssey, Candide, Catch-22, Farenheit 451, Hamlet/Rosencrantz and Guildenstern are Dead, The Love Song of J. Alfred Prufrock, and The Metamorphosis by Franz Kafka. It ended up being one of the funnest and
most challengeing pieces I've written.
Francie Lynch Aug 2014
Before leaving,
Pen a poem,
Script a story,
Produce a pyramid,
Manage a milestone,
Fix a fence,
Pose for a picture,
Build a boat.
I'll remember you,
Not to worry.
You'd remember me too.
But images of walls
Brain splattered,
***** on your face,
Cinched belt, alone, or
With needle
Will certainly work too,
But for the wrong reasons.
That's why King Hamlet
Had to return and ask:
“Remember me.”
He was looking for
Understanding,
And we know how that
Ended.
SMSVS Aug 2014
I'd say I tried.
But then I'd be lying.

Sometimes I'm good.
Sometimes I'm bad.

It depends on how much energy.
I'd want to spend.

To try.
To not try.
To ***** up.

And to not ***** up.
Em Glass Jun 2014
Let the molecules charge and crack
and rip the world right open
around me.

Let the closet under the stairs
smoke and fry and cook,
let the tangled wires melt
into each other like they'll
never let go,
their flashing shadows
welded arm in arm like a
Pompeii puppet show.

Let the air's discontent
rumble softly and
let the rattling house rock me to
sleep.

To sleep, perchance to dream—
it is not fear I fear, but the lack of it.
O dear Morpheus, for thy rest be no disturbance in thee?
For thy sole ideas be neither order nor structure in flow?
Fear I sense for thy sacrèd inmost sanctum closes its eye.
This is a Sijo that I wrote one morning after having trouble sleeping. Its language is mostly influenced by William Shakespeare (hence the grave accent).

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© Jordan Dean "Mystery" Ezekude
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