The taste of your tongue lingers on me
A taste of honey encrusted in gold
It shines and sparkles even in the dead of the night
Our muffled voices echo in these four walls

The room smelled of animal musk
A mix of heaven and sugar combined
Your taste supressed the heavenly bodies' light
and gave me light brighter than Sun.

.english colonialism used to be passive-aggressive, english post-colonialism is a strange dynamic of former colonial nations playing the endgame of colonialism with non-affiliated nations of the british empire (affiliated by trade anyway, although not based upon origins of the ruling elite's extending arm), there's a hot topic in england between the irish and the polish, the irish are provoking the polish into racism so someone else can look smug with a pakistani friend on the london tube.

you know the amount of pain i see writing my father's
invoices of manual labour with the irish *****
apparently running
the show protecting northern
irish outputs of poetry and cigarette smuggling -
keeping us migrants "in check"?
god the loathing,
i try to improvise each invoice
with an excess knowledge
of the english tongue to break through,
but my sole considering comforter
is still death,
**** this *******, i rather die
than see my father's eyes eye me
hurtful hopeful of seeing my "bright new life"
when i was nearly murdered by
an egyptian school-friend / childhood friend
and later told: boy you better pretend you're
mad... boy my ***, your father is just
an x-ray technician... go back
to the northern africa of your
pretending to be a semite and build
another pyramid... *******, **** all of this,
days of casual pretentious squeaky clean
non-offensive poetry are over...
gentlemen - let's broaden our minds... swear a little
take up oaths with truth...
we were born to down a pint of concrete before
ireland was born, rushing out of pubs
when the call was made: concrete has arrived!
run, run run run! break legs and whatnot,
because in an irish pub talking to a homeless
person in akimbo giving him a cigarette
is cause for argument with an irish girl
trying to get, familiar;
unlike the sword, a stick has two ends...
you can smack someone with it,
but then someone can rebel and grasp the same
stick and smack you with it, for a suckling
taste of a kiss in memory of reprimanding manners.

- and i do remember the good stuff coming
out of h'america...
    i once owned a copy of blue valentine
by tom waits on c.d.: scratched that record
from over-playing it...
found a vinyl copy in the shop today...
splashed out a staggering £20 on it...
lucky for me the mp3 record comes free...
     £20 is a lot?
       well... better that £20 which played
in the background as i finished off decorating
the kitchen...
   rage 2 deluxe edition for ps4 -
      £44.99... so sure... i splashed out...
          thank god i'm not a gamer...
with games it's like with movies...
   notably? vikings season 1...
     i thought i could watch it a second time...
couldn't...
   a bit of a hit and miss...
    with games and movies...
      when the narrative gets exhausted...
and you're still honing in on the narrative
whether a passive spectstor or the role player
in the game...
but investing in an album?
       background background...
and an almost infinite array of the comeos
against the record...
   one cameo decorating a kitchen
another cameo finishing the day off with
some cider on a windowsill...
   but once upon: that's what h'america was
about... united we stand,
divided we fall... blah blah...
           and it looks like that right now...
the cultural export zenith peaked and it isn't
coming back...
   not for a while at least...
now we only look at not the united
         but the balkanized states of europe...
the states pulling at each other:
where once there was a cohesive collective
      export of pure cancan h'americana...
tom waits' blue valentine...
                          now i'll am getting
"culturally" is a bunch of vlogger content...
export of problems,
existential qualms without support on
existential pillars from continental thought
of 20th century europe...
   19th century doesn't count:
   not even nietzsche does: but kierkegaard
doesn't.

what are those lyrics from that vomito *****
song enemy of the state?
we shall send you, in ever increasing number:
ships, planes, tanks, guns: that is your purpose
and, our pledge... (1941 state of the union speech
sample)

most americans are not aware that soon
the primary export of our national economy
won't be cars, or food, or microwaves.
instead we'll be exporting death.
instead will be exporting death.

   perhaps, once upon a time...
now the export is quiet different,
   at its cultural zenith of exported values...
it would seem h'america choked on
a bitter pill... h'america no longer provides
the sort of culture worth exporting,
notably in cinema in music...
                               in literature...

the behemoth lost all of its juggernaut
momentum... and stumbled into rehashing old
ideas... it's not plagiarizm as such:
more a plagiarizm ex per se...

norman davies: god's playground -
   1795 to the present:

the Belweder is a palace in Warsaw...
(belvedere: a beautiful view)
constructed in 1660 -
  the White House in Washington D.C.
constructed in circa 1796...
by god, what a similarity!

   polish emigration to the u.s.a.:
in social terms their educational and communal
organizations are less effective than those of
the ukranians,
   in political terms their problems
command less notice than those of the blacks,
chicans or amerindians...
in the vicious world of the american ethnic jungle,
the 'stupid and ignorant Pole' is a standard
stereotype... once the noble lord...
reasons no doubt exist: like the irish and
the sicilians... the greatest influx came from
Galicia containing a large number of
the 'wretched refuse': people so oppressed
by poverty and near-starvation:
supressed linguistically, religiously...
the instinct of mere survival...
accepted the most degrading forms of employment...
exploitation: 'industrial *******'...
they were the gangers of the great american
railway age...
a canadian textbook can be cited
(j. s. wordsworth, strangers within our gates,
toronto 1972):
'it is hard to think of the people of this
nationality other than in that vague class of
undesirable citizens' -
   very much like to today:
   to think of canadians being a people
beloning to the making of mankind -
    without the canadian concept of mankind
being: peoplekind...
even woodrow wilson (then) prof. at prince-ton
deemed the Poles to be 'inferior'.

- but who was to ever to keep grudges...
grand torino - the movie, starring and directed
by clint eastie-boy-sparking-wood...
waldermar kowalski... dumb pollack...
why do poles no integrate within a community
bias as such?
                   the proverb:
if you want to succeed within a framework
of immigration: steer away from your
fellow countrymen...

                     almost all other cultures that
come, but the host's nitty-picky:
oh look at our asian labradors...
why can't you lick our ***** like they can?
etc. one example out of the many...
some people, i guess: prefer to be in
the background...
post-colonial powers need tokens...
akin to a sadiq khan:
papa was an immigrant bus-driver -
quick step up from daddy being a bus driver
to the position of mayor of london...
browny points!

the english are smug like this:
you hear even today -
WE WON'T BE SORRY FOR OUR
FATHER'S AND FOREFATHER'S SINS...
not for our colonial past...
they say that consciously -
but subconsciously they are scoring
brownie points...
        i can't say they're doing this
unconsciously: since if they were:
there would be a unanimous concensus
and no: "diversity is our strength"
agenda...

             besides... you can't exactly
conquer an island...
the norman conquest of 1066? it wasn't really
a conquest: for a conquest to actually take
place you'd require the native population
to be displaced / replaced by the invading
force - akin to the saxon invasion...
'don't touch, their, women...
we don't breed with these people...
what sort of people would you think
that would breed? weak people... half people'
(king Cerdic from the film king arthur 2004)...
proof being?
when the normans invaded and "conquered"...
they simply replaced the ruling saxon elite...
hence? the domesday book...
the ruling elites were being replaced
and the new ruling elites wanted to have
an account of who they were going to rule...
it was less a conquest and more:
a change of guard... since...
            the locals were first investigated
and subsequently left to their own devices...
there was no conquest:
               as such...
                but you can get on with your
day-to-day life on an island with natural
fortifications (the ******* sea)...
and produce your little whizz-kids down
the years...
   but imagine being squeezed by:
prussia... russia, the ottomans,
                  the mongols...
                             the swedes...
                and subsequently by the austro-hungarians...
matka królów (the mother of kings),
i.e.: Elisabeth von Habsburg...

   in conclusion... oh to hell with the whole
"incel" label... you have to pay for something
in the end... why not skip the *******'s worth
of pleasantries: the dating masquerade
and not get into the nitty-gritty with a *******
in one smooth stroke of a count worth an hour?
no hard-on shyness that way...
no ****-teasing...
whatever is an erectile dysfunction outside
of the brothel... doesn't seem to bother
whittle wichy while in a brothel...
so go figure...
                and relating to the stories of incels...
hmm... maybe it's the fickle women...
last time i checked...
i picked up a thai bisexual in a park,
a random stranger...
                took her home,
some beer, some jazz...
                  ****** her in the garden...
        i don't even think it's the case of
"i can't get laid" with these incels...
     english women: nuns on the outside...
latex gimp suited **** black boot licking
*** fiends in the bedroom...
   the madonna-***** complex...
the only aspect of Freud that resonates with me...

you know what, never mind...
      i'm just happy i collect vinyls...
free mp3 copy to boot...
and instead of spending 40+ quid on a game
that will become exhausted after one sitting /
completion (these are not arcade games,
nor are they the "free" new wave of games,
the ones where you play "superior"
opponents with a handicap -
since you didn't pay any in-game updates,
patience is a virtue,
   and someone people invest real money
into these games, but are still **** at them,
plus, these new wave games never really end...
i'll be dead and i won't be able to finish them,
added bonus? there's no NPC dimension
to them, added strategy: with a complete loss
of narrative / story-telling, genius!)
plus... how much does a vinyl player cost?
you can get one for under 70 quid...
sometimes vinyl bargains: under a tenner...
this one though, for 20 quid...
1 vinyl worth 20 quid once every two months?
oh yeah... i really splashed out on this one!

woman is a grand idea though...
    there is so much of woman i would be able
to love, if only the practicality of woman
wouldn't be associated...
alas: reality bites...
                       regrets...
                                  aged 33 and i feel as if...
i have managed a good enough sample
where both sexes can coexist within the confines
of me entertaining them:
as if they were to never meet and "preserve"
the "fate" of "humanity"...
      i'm pretty sure there are plenty of people
who have been bullied into this trap
associated with the otherwise "intelligent"
dodo mentality...
                          besides, i'm about to find out,
whether or not, they sell liter bottles of whiskey...
using my braille tally:

            ⠁ ⠃ ⠇ ⠧ ⠷ (⠿)
            1  2  3   4  5  (6)
             a  b  l   v  à  (é)

                        from what i drank yesterday
for that lullaby... i'm starting to supect that:
what they label as a liter... is actually more -

    if after ⠷⠻ ⠷⠻ (i.e. 50ml  20x) i'm not left
with an empty bottle... well then i'm not left
with an empty bottle.

Cooking up a blizzard.
Lost and unguided tendrils of space hold me captive,
the trebles of your heart beating
leads me back to my my Home.
That infinite gaze of yours into my dilapidated eyes,
is like a portal to you to look into my soul.
You blanket all my darkness
With your semi-pixie cut.
You’re my tree of knowledge
I bask in it’s shade.
Powdered Sugar coating on cupcakes.
Your silk armour protects your vulnerability,
My sincere apologies to all the arrows that gaped through.
Cover me under your angel wings,
Dab away my streaming reservoirs and replace them
with pollen and sweet nectar.
Your wishbone sacramental daydreams and dreams.
I feel so lost without you.
Bandage my old wounds with your tender hands,
Kiss me with your lush lips
sending jolts of star dust upstream,
within my veins dancing with yours palpitating feet.
My shot of euphoria and bleeding antidote.
My poetry.
You, Kalon.
Let’s raise a toast to your
beauté remarquable éternel, mon soleil
your free spirit,
your beauty of a ghost,
your heart racing with joy,
your heart steaming up with reticent sadness,
build up anger that come crashing down
like a typhoon detaching from the human perspecta.
I miss you.
Your emotional mess and literal mess,
I’m your magic broom.
You, my inspiration.
You, my groove.
You, my you.
You. My everyone and everything.
You’re fun filled supressed omnipresent electric feel.
You, The only Solis in my galaxy.
I love you.
Sharing your grandoise orangy tinge yellow light.
Bottling up a few star
in a bottle of red wine,
For her Luna.
Solis is 21 a (000,000,000) today.
**You’re irreplacable.

I could fall to the ground and forget that it hurts
When I see them smile, I know the pain that is supressed.
Drowning beneath a shadow of endless regrets,
What they are, where they come from, a nation begets.

Hiding behind a veil of corruption,
Unknowingly had them intercede.
Rising smoke, from a burning soul,
Hear their cries, they hide, yet plead.

How can you pass them, not notice their tears and agony?
Is your life that beautiful, you can't stop and extend a hand?
Building cities, empires, and fools, you complain!
Why, the minute you let your feet touch the ground,
You'll see what the world looks like,
Behind that mask of glittering facade.

It has not pounced yet
but i am afraid
i think it feeds
every now and then
or then just feeds
as i look away
and i am afraid

some time in conversation
or glances of passion
from table of emotions
i think it feeds
and i am afraid
i have not seen it
or felt it growl and paw
but its eerie presence
in my very essence
and i am afraid

afraid to look in
afraid to face my sin
afraid to light the fire
hidden, it grows in desire
open and let me free
says amidst me
on serene life's stage
the caged beast of rage.

Her eyes
Were always
Full of mischief
They sparkled with delight,
And always had
That special glint in them.

But if you looked closely enough
You would see
Swollen rims
From crying herself to sleep.
That sparkle
You'd think you knew so well
Was merely a mask
For the true dullness
And lack of hope
Within.

And perhaps
If you looked longed enough
You would see
The very beginnings
Of a supressed tear.

If only
I realised what was going on
In her eyes
Before it was too late.

Stretch me out and count me like clouds
Say she is vapour
Venom, velvet and vermouth
With hair of hazelnut rapture
Clutch the moments, clutch the moonbeams
Clutch the stretched out skies of cloud and mustard gas sunset
Sing she is a child of trauma
Supressed in the name of breathing
Violence in the name of skin
And she is venom, velvet and vermouth
She was born to pink salt lakes in the low country
With ruby pomegranate eyes
And hair of hazelnut rapture
Girl with the soul of a thousand pilgrim journeys
Girl with the soul of a blackberry bush
Girl with the soul of olive trees and sheep meat and oven bread in the fire country
Human smiles
And other dark things of value
She lies like velvet
She lies in the name of supressing traumas
In the name of breathing
She bleeds like a billion stars bleed vapour
She is venom and vermouth
With hair of hazelnut rapture
She is the sum of a thousand pilgrim journeys
The prayer of holy rivers in the canyon country
The smoke of incense burned by sages
The scars of bodies burned by crusaders in mustard gas chambers
Goddess of Nuclear energies
Red-eyed like ruby pomegranates
Like the dewy cauldron of morning
When tenuous steps lead bodies down the path of executionary revolution
To boarders, frontiers, walls of white-skin scar tissue
Sing songs of Babylon in the free country
Clutch the moments
Clutch your breaths and hold them in broken palms
Clutch the tides and teach them
Breach your rib-cage, unstitch and return the borrowed bones
Melt the metaphoric thrones
Breathe backwards in the name of unsupressing traumas
In the name of truth
Stretch me out and count me like clouds
Girl of angel-breath ambition
Soul of blackberry bush and smile of splintered terracotta tile
Sing your songs
Say she is vapour

Within the silence of violence
            we are collecting our words,
that fall like tears that never reach  
         a point where there meant
                                            to mean something.


But with every emotion that collects
             only every silent voice.
   They scream within the void of nothingness,
as no one listens to the bombs caressing upon us.

Within every collection that falls on every
                            restrained voice that is void less.
          Beneath the rubble, of those who's blind anger
falters against those they have never vocalized words.

"But still tears of pain cry downwards.
             "silencing all with there silent voice of discontent.

Someone asked me
About how old I am today

He proceeded to tell me
That next year I'll be a year older

I supressed the tears
And gave a pretentious laugh

I couldn't imagine next year
Being alive for another year

Overcast and gloom
Completely colorless
In utter helplessness
Suffocated in clouds of black
Nights I lay restless
Days I feel reckless
I wish I could go back
To when smiles were genuine
To when yellows and pinks
Supressed blues and greys
An internal storm is stirring
From darkness and dolour
Cheers to the day I see colour

Clumped claws
of supressed dirt
reach from
sunken ships
filled to the
brim with swollen
tongues and
bulging
with the bubbling breath
of voices drowned
in death
clinging to my
every step;
soiled bubble gum,
like mosquito bites on
my scalp..

They itch