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monique ezeh Feb 2020
I was always so afraid that the monster would get me.

I’d hide under the bed, breath held silent while my heart thumped in my throat, and

Wait. And

Wait. And

Wait.

Then I’d hear it: the soft
pat pat pat
Of feet nearing me.
Tears blurring my eyes, fighting to keep the whimpers down, I’d

Wait.

Then he’d arrive, bearing sharp teeth and pale skin and eyes full of malice.
He never hurt me the way I expected (teeth, blood, the works).
It was always hands on my throat; the air would leave my lungs and I’d feel my trachea collapsing, plum-colored bruises taking shape on my neck as I felt the life leaving my body.
At the last second, I’d feel the air rush back in.
Sit up straight in bed.
Wipe the tears I didn’t feel myself cry.
Stare at the wall. And

Wait.

I could never escape it, not in any real way.
I tried hiding in the bathroom. The closet. Under the covers. Sometimes I’d even try to run—
It always ended the same way.
Until he stopped coming.
(I wonder if he ever really did stop, though.)
Sometimes, I find myself sitting up straight in bed, wiping tear-stained cheeks, gaze locked in The Great Stare. And I

Wait.

In the dreamland between conscious and un-, I wonder what caused me to wake. But then I hear it:

pat pat pat

I used to have a recurring nightmare that a vampire-esque monster would get me. I had the nightmare several times a week for many years (which one can imagine being very troubling for a second-grader). More than the monster itself, the fear was in the waiting and the inevitability of its return. I always wonder how the monster manifests in my life now; I almost miss the comfort of being able to put a face to the danger.
monique ezeh Feb 2020
I’ve always wondered if I know love.

I know
stomachs hurting from laughter, a mother’s perfume dabbed wrist to wrist and behind the ears, the smell of vanilla and cinnamon filling a house, shared lip gloss swiped on my lips and hers, a kiss on the forehead and the nose and then both cheeks, grass-stained jeans and the scent of chlorine from days I wish I remembered,
dancing and jumping and laughing
and breathing

I know
bruised knees and scabby elbows, runny mascara and smeared lipstick, broken glass and angry whispers, hiding under the covers, sitting with the lights off, chipped nail polish and picked-at hangnails and sad songs on repeat,
yelling and hurting and crying
and breathing

I know
the feeling of when you’ve inhaled deeper than you thought you could, when your chest hurts and you think your sternum might just crack in half if you don’t exhale right now. And then you do exhale, and you’re hit with a relief you didn’t know you could feel.
I know that love is in the sighs and the gasps, in the snorts and gentle inhales, in the shortness of breath and the calmness after.
It is in the pain and the peace. The noise and the silence.
The happy and the sad.

Love is in everything.
I know that much.
a lil v-day poem (because love is in more than just romance)
monique ezeh Feb 2020
If a ship is replaced piece by piece, part by part,
It will eventually become an entirely new ship.
Not a shred of the old one will remain,
Except in memory.

I have tried to die a thousand times.
I think I’ve killed a piece of myself in each attempt.
In theory, if I **** and rebuild myself piece by piece, part by part
Eventually the “me” that is left will be entirely new.

Sylvia Plath once said, “Dying is an art”;
I wonder if I’m finally an artist.
monique ezeh Feb 2020
The plane is racing toward the sunset. The sun glows orange and tiny and impossibly bright, like a singularity. It’s a speck of intense energy that hurts to look at, but who am I to look away? Who am I to pretend I can resist the pull of such power? Who am I to shield my eyes from the closest thing to divinity that I am able to see? We pick up speed, like we’re chasing the sun— like we’re chasing God. I think, in a way, we always are. I’d be lying if I said I’ve seen anything like it. I’d be lying if I said I held onto my breath after seeing it.
I've seen few things as breathtaking as the sunset from a plane window. It's something you need to see to understand, I think. The world is so big and so beautiful, and new things steal my breath each day.
monique ezeh Feb 2020
Not until you can see the pain in our eyes, the scars on our skin, the protruding ribs and distended stomachs of malnourishment, till you can gape at small black bodies disfigured by kwashiorkor and colonization, till you can gasp at people that don’t look like you being branded like cattle, like animals on their way to the slaughterhouse
(and thank goodness we’ve come so far, things used to be so bad)

Not until you can marvel at the mottled marks of a whip, the black and blue bruising only white hands can inflict, till you can shake your head at teens boldly drinking under a whites only sign, till you can cover your mouth and peek through fingers at the water hoses, the dogs, the guns, the blood— black blood on black bodies in black and white photographs
(and you inwardly sigh, relieved that it was so long ago and so far away)

Not until you can retweet teenagers face to face with riot gear and tear gas, till you can shake your head and show that you’re different because your black studies class told you so, till you can give a 40 character message about how sickening the violence is, but you keep watching the videos of him her him her him her him her him her
them
shot choked kicked punched beaten whipped slapped
killed
by government sanctioned executioners

Not until you can see everything but understand nothing

Always have to be ugly raw hurting bleeding suffering
Why can’t we be smiling laughing eating dancing breathing

Why can’t we be smiling

Why
been thinking a lot about the pervasive voyeurism of black suffering, of how widely circulated images of suffering and death are. i don't want to see another image of a black person dying in the street. i don't think i can.
monique ezeh Feb 2020
I am all the books I’ve ever read, all the movies I’ve ever seen, all the songs I’ve ever heard
I am the snippets of conversation I overhear in the dining hall
I am the scribbles on the chalkboard of my 11 am class
I am the coffee stains on my mother’s mail
I am the torn out pages of my journal
I am the whispers in library study rooms
I am the thumping music of the club I am too young to be in
I am the blood dripping from a wound made too fast too deep too careless
I am the popping in my ears as my plane steadily ascends beyond heights any person should go
I am the angry yelling I try not to hear
I am the deafening silence I wish would be interrupted
I am the heartbeat racing faster and faster and faster as I lay completely still in bed, head covered my my blanket
I am the too-loud laughter in early hours of the morning
I am the tears blurring vision as I receive bad news
I am hope
I am fear
I am hate
I am love
I am everything
the other day i asked myself, “who am i?” i think this is as close to an answer as i’ll get
monique ezeh Feb 2020
if you zoom out a little, the stars disappear.
a scattered array of backlit windows take their place, illuminating a world of their own.
if you zoom out a little farther, even those disappear.
how far must we zoom until there’s nothing?
if everything is quantified by our perspective,
what exists beyond our sight?
nothing?

everything?
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