The smell of a spring rain
settling on the earth
is the smell of life anew.

At the window, I sit with a book,
both cracked,
cooled by the alfresco air seeping through,
and tiny droplets glissando down the pane.

The pitter-patter of a soft rain
falling to the parched earth
is the sound of life replenished.

At the rain's offset, I leap from my chair,
exiting the front door,
to saunter through the lush green pastures
that linger outside the library's confines.

How green the trees appear, and the grass--
how rich the stalks of the trees,
their boughs with budding leaves quenched,
glistening in the sun.

I even enjoy the scent coming off the once arid pavement--
it is the smell of the earth,
freed from its impedance,
rising above the stifling asphalt.  

I smell the life that lingers beneath,
and the dull metallic tinfoil taste of the pavement
fills my open nostrils--

It is pleasant, though a little less so, than the ambrosial landscape.

I inhale ever so deeply,
relishing my favorite part of spring,
in the offset of a warm afternoon rain on a brisk day,
sauntering through the wood-laden trails on worn brick paths,

to the paved parking lot where my car awaits--
delineated in a filmy layer of mired pollen residue.
It needed a wash anyways.

Enjoying the cool evening air
in the middle of May.
Walking my dog through the neighborhood,
enchanted by its bucolic setting--

Besotted with the scent of freshly cut grass,
and the drone from the lawnmower that renders it,
and the chatter of crickets far in the distance,
preparing for their evening performance,

and closer to me are the squawks and chirps of the birds
hunched in the brush and perched upon telephone wires.

Enamored with the sight of lush foliage,
scintillating at the utmost tier of the woods
where the golden haze of the shrinking afternoon sun
is still hopelessly chromantic in its fading vigor.

The clouds, dispersed like shreds of cloth
against a looming soft blue sky,
the color of the walls in my crib-room as an infant.

The affable hand-waves veiled behind translucent glass passing by
propelling fleeting smiles onward in the journey.

Though the atmosphere is dense,
its ambiance expounds a soft lull.
          There's a hush over the six o'clock late afternoon day,
as the auriculariae settle gently aside my temples,
placating the rooted tendons wrapped tautly
in my grove of flesh and bone.

                  It suddenly becomes disturbed

by the creaking and squeaking of a rusty frame,
the slow groan of old worn tires treading across harsh gravel,
and the conductor of the indistinct cacophony himself:

A placid old man,
in his worn red and black plaid long sleeve shirt,
faded grey work trousers,
dingy black socks,
muddy crusty ragged off-white sneakers,
and an old camouflage military cap to top it all off.

His face, barely visible under the old cap
and the worn silent shroud of his visage,
holds dull dark eyes steadfast peering ahead,
off into the horizon,
with slackened skin the color of clay,
from afar having the countenance of subtle cracks in worn concrete.

The One Man Band rides atop his aged machination silently--
I hear no stressed breath or grunts,
but in passing--

a slow mechanical raise of the right hand,
a slight tip of the head,
and a soft whisper of a hello in greeting.

          If I had blinked I would have missed it.

He slowly creaked and squeaked and groaned his way onward,
in his slow and steady rhythmic pace,
until he disappeared in the golden afternoon horizon.

I see him every morning and afternoon
as I drive in and out of the neighborhood--
I wave, always he in return with that slow mechanical gesture,
like an old theme park ride from the fifties.

It was the first time I had actually heard and felt his presence,
to see up close the picture of health and resilience that he is,
the Dorian Gray of bicyclists,
transferring his years of wear and tear onto his metal frame
and his balding rubber soles.

Every time I see him come round the bend now,
I still think of that aged Carousel with the rusty horses
and the song worn a semitone off-pitch,
or the "tranquil" boat ride with the languid mechanical dolls
with thick black eyes goggling eerily
and sallow arms waving infirmly--

but he will not erode as the horses, dolls, and his bicycle--
he will live on, and only he shall demarcate
the trash from the treasure.

A tease, a tease,
oh how I am a tease,
for I write poems of which
you shall never ever read!

I eke, I eke,
these thoughts with blood as ink,
on gasping pages drowning
in the anguish that I bleed!

I speak, I speak,
of demons I've yet freed,
solely expelled for exorcise,
whose omens I must take heed!

I tease, I tease,
I do not aim to please,
for I write poems of which
you shall never ever read!

I again glimpse of eternity.

I saunter where the shadows stain the streets.
I linger where my essence is silhouetted in the moonlight,
or beamed under a street light,
                                               or doused in headlights.

I loiter with friends in parking lots of frozen yogurt shops
in a small town--
listing torpid quadrupeds,
whose shells glisten and dazzle in the myriad of lights,
scrolling down the boulevard.

I find myself behind the wheel,
grazing among pavement pastures,
hungrily consuming the open road
on a silent night,                         in the still air.

          Night makes everything seem to go on forever.

From the speakers I hear the sizzle of ancient synthesizers
envelop the interjections of pulsating snare drum
slaps and snaps, cracks and claps.
          Hypnotized, I hit cruise control and drift ceaselessly.

At home, face illuminated in the television's glare,
my body buried under the weight of scattered sheets,
staggering dreams, snacks and drinks,
          my eyes burn steady into the void.

The television, likewise, burns into me,
as I ingest films that depict time travel in all its ambiguity.
I rip through the portal, feeling simultaneously
expeditious and sluggish.
          Did I stop time with breakneck speed,
or did I freeze like a river in the winter solstice?

Either way, I now stand outside the confines of mortality.

There's the sands of perception (identity)
muddied by the breaking waves of time,
where my sunken footprints
appear
and
disappear.

Relinquishing the captain's chair,
my mind fills with lucid dreams,
          from the TV screen.
Surely I know this is not reality,
but I cannot help it--
I am an accomplice in these chronographic schemes.

Though I appear in control, or at least aware,
I surrender my earthly duties to the conductor of time,
or its deviant: The Vexer.

The Vexer, the mischievous time traveler,
who dances between the dimensions,
with black holes for ears,
the speed of sound for a voice,
the speed of light for eyes--
it is the pestering worm digging throughout the galactic space apple.

The Vexer, who has wrenched me from my mortal footing,
to cast me adrift among uncharted seas,
with gloomy waters murky but heavenly
in its dark and rich violet glow,
like fires that burn hot hot on the color spectrum.
          A color less seen and therefore depicted as serene,
but all the more potent in its mystery.

The Vexer, with a wink of its cataclysmal eye,
grabs me by the wrist and tears me across the night sky--
I stretch thin between the television lines,
the endless roads and the mystic synthesizers,
peering through the night sky,
where human senses dull and the mind wanders--
          I have found myself in the Twilight Zone.

I am bound for eternity, ****** through the
tunnel vision telescope of man,
refracted as I bounce among the mirrors within,
expounded among the stars and the space between,
exploding in a brilliance in the vastness of its bliss.

The youthful laughter that ejects from the parking lots
of frozen yogurt shops,
the night drives with eyes that gloss over as it peers into oblivion,
dulled human senses that leave room for the mind to ponder,
the television screen that burns steadily into the mind,
the Vexer who oversees the mind's pondering of night life,
who like the court's jongleur skips and leaps
around the immensity of time's preponderance--  

Feigning insomnia to reap the benefits of illumination
in the infinitesimal night hour,
in these lingering hours that warp around somber hands
frozen on the midnight clock,
where thoughts of poetry flow and still bodies collect dew,
          the proximity of night life as it pertains to time travel:

The two are entwined.

Marching on thru our circuital seas:
A moat lurking beneath tremendous Facebook walls,
delineating our impalpable fortress of solitude (irony).

We slog through the trenches like Lee's troops,
drudging on a fatal course
to an awaiting Grant in Appomattox (destiny?).

Soldiers falling at the wayside,
from wounds, starvation, disease,
hashtags for dog tags draped around cadaverous necks--
Perhaps you can identify us by what's trending.

Had we the strength to shout,
and tear down the walls of Digital Jericho,
would we have been able to do it,
in 140 characters or less?