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Edward Coles Aug 2013
And so here we are again,
You scrap of nothing.

Half of my hair, half my eyes
And all that I ****. You take me

To the side and calm me down
With my own thoughts.

I say “that’s what he would
Have wanted”, the he is you

Of course, whatever you are.
I think that you’re a Bible,

The one on my bookshelf.
There is still a folded page from

When I was seventeen. Seven pages
In, more than the years my mother

Has lasted in matrimony and more
Than enough to disbelieve what

You believed. I am far too sobre
And too far gone tonight and so

It is typical for you to come to mind.
“You *******” I think to you, or

Somebody else. It doesn’t matter.
What a perfect excuse you gave me

For the chip I bear
And the cross on my shoulder.

Or whatever.
Edward Coles Jan 2015
The notebook is full, tea turned cold.
State of satisfaction without completion,
no itch to scratch,
no craving to amuse on;
the binge has abated for now.

Fragmented selves have presented as me,
adjusting hair in the faces of strangers,
a drink in hand,
elephants in the room;
none of them relate to me.

Naturally gummed papers strew the desk,
audio jacks and water stained notes.
This is entropy,
this pile of laundry;
the European map, made in China.

Going crazy is an ongoing process, friend.
It takes a lifetime to master
the Bojangles walk,
the flat-capped freedom;
a filthy soldier's limp.

I am finding my place amongst the misfits.
The world behind a blast-screen,
no invested belief,
no disease left to treat,
staying in for the evening,

staying in for the week.
A quick ten-minute poem.

C
Edward Coles Feb 2014
Dear reader,

I've not addressed you for quite a while.
You see, I've closed myself off.
Completely. I've handed myself over
to the crooks of television and the dealers
that pass by the street on occasion.

I'm living a sort of hybrid life,
melodramas in my spaced-out mind,
whilst inactivity spreads like algae
across the pond of ***** laundry
and cigarette papers, to the curtained window;
all sunlight extinguished.

This is no excuse to disregard others,
but life gets polluted as I'm sure you know,
and in the vanity of my own displeasure
I have recently conceded to hibernation;
thawing out my near-frozen, cynical heart.

To you, with all my perishable inexpertise,
I offer this:

That to your eyes, I falter - dying for attraction.
To the rhythm of moving lips over words,
I fall. To the plague of tomorrow, I stutter,
but in companionship of readership, I survive.

Oh reader, in your cerebral mist,
please hear this, my heady call:

Of bleak and miserable Novembers,
the threat of life impaired,
of times when all love is but sorrow,
of times when you're barely there.

Please, still sweeten at the sunlight,
rejoice in your daily waking bloom,
for, in you lies my love of a lifetime,
for, in you is the writing on my tomb.

All my love,
Someone Or Other
©
Edward Coles Oct 2014
Let me destroy this glass of wine.
Take it to heart
like a recurring insult
from the men that once ruled our lives.
The soap operas are almost done,
and I doubt you will have any need
for me tonight.
There is no darling to address,
but if I whisper enough times
perhaps the wind
could pick up my voice
and carry it to more accepting ears.
Let me find a way to last the night.
A touch of youth
amongst all of this decay,
the way lovers pile up
like sad songs and ***** laundry
in the back alley of my mind.
Let me finish this glass of wine.
After that, I will try something new.
c
Edward Coles Aug 2014
This is my song of honesty,
a confession tied to a melody.
Some white-man complaint
of feeling old and blue,
but this is something
that I must live through.

My brother is playing cards
on the beach,
one-hundred million miles
away from me.
And my father, I never saw his face,
so you can see why I feel so far out of place.

I know life isn't really so bad,
I got all I need so I have
no right to be sad.
And yet I can't fill a room
when I walk on through the door,
and I'm not from this planet anymore.

So this is my love letter
to all the broken hearts;
howling at the moon
and living in the dark,
feeling like a *****
or ****** right out your mind,
looking through all you have lost
to see what you can find.
c
Edward Coles Jan 2014
The veil lifted
from the mechanical slaughter
of the coastal engineers.

Waves crash in that soft,
whispering hiss. The sound that
is usually betrayed, contorted,
through terabytes of purchased bliss,
of a meditation wrought in sickness.

Freed of employment ties,
I stand at Earth's compromise.
Wavering boundaries broken,
conquered, and regained once more.

Cyclical, cynical, tempered battle.
War-torn property rolls in the throes
of the Moon, endless, gentle
discrepancies between land and sea.

I dip my hand in the brine. Long
written of, rarely encountered
in my daydream, salt unreal on the tongue,
only when spoken.

This roar, the old marginal sea,
it obliterates the pneumatic sounds of the
yellow-coated henchmen of progression.

Slaves, breaking backs to build roads
for the already-fallen pyramids,
already stolen marble coat and golden
spinning top,

we've dug it all out.

And the lighthouse winks. It winks
through the fast shadow of January's afternoon.
No land at the horizon, instead a sheet
of hostile, infertile water, and clouds
to stifle my lungs.

Oh, lighthouse; my childhood's end,
now but a lack of time taken to notice
you. You spindle-spin the light, powerful beacon.

You roll back the decades,
to times of ships and books;
of journeys born and placed
over profit's end.

This journey, this journey now so brief,
once dug by many, once an undertaking,
now one quiet train ride away.

Like a prophet, I strive. I strive
to notice Earth's balm,
the Mother and protector,
of all terrestrial innocence.

Bind me not in gravity, nor in debt.
Instead, let me scale the North Sea's
surface. To join the glamour of the
fairy-lit, tough Norwegian liners,
grey like Scottish shores.

Boundless power, opulent force
in a decaying town. City street lights
stretch up to bring the folk under the
dentistry light.

The groynes will hold this beach
like a girdle, as a holster of sand,
a harness for erosion, whilst the
traffic sounds signal lack of footfall;
mounted failure.

But, for evermore, the waves sing to us.
They sing the truth: that they will remain
long since our passing, long since the stench
of fumes; long since we've given up
on the fall.

With this and lightened body, brought
to betterment through cannabis and
Astral Selves, I turn to my life
and remember it well, as a fraction
of the entire self.

Kiss blown to darkened waters,
the paternal, cooing waves and whispers
of ancient whale, I turn back to the sand dunes
and hardy grassland.

A hotel stands at a distance,
privileged guests with fluorescent luggage,
and half-filled parking spaces,
whilst the Romans still stand in ruin.

That lighthouse weeps its goodbyes,
the sand drags me back in my prints,
knowing me, identifying me – careful police.
They sing, “Oh former tenant, Northern heat,
gentle visitor, help us cleanse your feet!”

Clumsily, I stagger back to my lifetime's
worth of worries. Back to the conglomerate
of blackened, distorted figures, sculptured
rain-soaked children, standing with feet
indiscernible from the globe beneath,

locked out of motion.

To them, I understand their isolation,
their helpless gravity in a heavy world.
To them, I return to artificial light,
where will suffers, where lungs heave,

but for all this I am glad,
of the sweet ocean-side reprieve.
Edward Coles Dec 2013
Today is your birthday, spindle-top maid.
Another year of desolate bridges.
Bridges by us, once believed to be true,
now laid to rest in mineralised brine.

Though my desires have long since faded,
small town streets will forever sing your name,
calling, calling, for youth and infant love.
Time may have set, but as with Giza stone

you lay in evidence of what has been.
And now, in years progressed, I tend to this,
my page. Some hungover apology,
for cruelness, that in ignorance, I wreaked.

For, though in my life there is ugliness,
and evil now apparent in this world;
I have learnt through experience, virtue
of kindness, of careful tread upon land.

Oh, mother of Horus, and Christian slave,
you bought me devotion in time of aid.
I'm calling, calling, in meekness undue,
for your sandstone likeness to hold in place.

With time comes erosion, African wind,
to scorch at the kindness, held to your breast.
So, in fear of forced blindness, cynical
waste; I mumble in this dirt-kissed prayer.

God of knowledge, oh God of braying flock,
bring to me your scripture, word of Thoth.
All so I can deliver, all so I
can sing; this tuneless ode of my redress,

this humbled hope for spring.
Edward Coles Apr 2017
They say the house ached
with an energy
his chord *****
haunting the A/C hum
colours crawl out
of failed cartoons
in schizotypal terror
dismembered icy blues
that take in everything
through bloodied stems
the retired boxer
******* the umbilical
with his head carved open
to dementia and night terrors

They say the desk-lamp shook
from pill-induced tremors
the anxiety of perfection
never borne out in creation
eternal battles between
pleasure and Satan
between the chorus line
and bouts of sanity
two self-portraits
twin the whitewashed wall
one frail and brilliant
with gaunt fears of hell
the other fat and docile
in the face of death.
On Daniel Johnston
C
Edward Coles Jul 2015
Take one a day and mind the gap,
the rich and the poor, the beer on tap,
stand in line, date and sign,
the Red Bull jitters, the box of wine,
give way to the left, give way to the right,
the artificial winter, the bringer of night.
C
Edward Coles Jan 2018
All I could think of was to shut you up
Smudge your perfect red lipstick
And forget
For once
About our private hell
And the weight of time
Hanging in the gut of us all

Fireworks scolded in your brilliance
Each one a spec k of observation
Amongst a sea of eyes with no limit
Fragments of no time

Infinity was the glance across the table
After our fourth drink

By the sixth we were bringing in the new year
In a fitful, sleepless night
Of stimulant drinks
And cheap spirits

I have been living as a ghost
For several years now
The ashtray is overflowing
In the wake of one thousand tongues
Spilling their way needlessly into mine

Whatever is left
After a lifetime of travel with no destination
Failed treatments and one thousand breathless
Attempts at barely living
Is yours

Whatever is left
Once you are done tending to the offshoots
And slicing each tendon from the bone
Is mine to keep
C
Edward Coles Sep 2013
A life of endless possibility,
More books to read
Than ever my eyes could
Consume.

Each pause of breath
An absence of life,
Each forgotten kiss
A sorrow.

And what do I owe to the meagre crowds,
Who so demand my time?
My life once spent
Is worth no more
Than a petty, failed crime.

This world contains indomitable scope,
More ground to walk
Than ever my feet could
Assume.

Each silent word
Is a wasted thought,
Each forgone embrace
But a lie.

Still, I walk in ever-decreasing loops,
Some solipsistic spiral.
My youth soon spent,
‘Till all that’s left
Is my poisoned past, now viral.
Edward Coles Apr 2014
I have suffered through this awkward silence,
and barely lived through all of these weekends
of pouring drinks to quench this thirsty city;
they laugh with me, but none of them are friends.

They pollute their dreams with future blueprints,
a formula to manage all their bills;
some childhood land turned into a car park,
and all of their memories that soon will.

I'm planning to execute a kidnap,
I know it's gonna be the perfect crime,
as I sing to the hearts of the lonely:
that you're not alone, oh now, you are mine.

Oh, I'm tired of working for a pay-cheque,
I think I shall start howling at the moon;
now all I've got is my superstition,
and all my friends that grew up far too soon.

And, if you come to see me in the morning,
I can't promise that I'll be there at all.
I'm packing bags, heading to Costa Rica;
I'm standing up for the years I have crawled.
c
Edward Coles Sep 2012
Since I was a child I believed.

Believed in the near tangible,

The provable

The almost-rational.

I could never swallow the bitter pill of faith,

Religion,

God,

The dust and ash of rinsed out fables.



I still search the skies with a lack of avail.

I’d settle for a twitch of movement

But I dream of those purple beams,

So violent and foreign.

The opening of the doors

Should budge our closed minds.
Edward Coles Jul 2014
I watch you tend to your eyebrows
in your childhood mirror;
your parent's showroom.
You're not dressed yet.
I fix your necklace, breathe in deep
to smell your perfume.

You once told that settling down
is a kind of fatal error;
papering the walls to your tomb.
I'm staring at clouds,
your eyes are wet.
It's the coming of sleep,
shaped like a mushroom.
c
Edward Coles Feb 2014
Nameless is the land I walk upon,
despite the flags mounted in wind
and the bloodstains on every front door.

This body is borrowed from the stars,
both a million years old and barely new,
despite the gathering of age in my face.

All money is spent in vacant assumption;
as if these inventions of value do anything
but strip all items of their worth.

Dreaded is the will I place in travelling,
knowing intrinsically about arbitrary birth:
that if I was not born on land, I would simply drown.

I have paid for the sounds of my guitar,
but I lose ownership in their effortless travel
through the air - left to sound through the aeons.

This house is nothing but Earth upon Earth.
Watch as the weeds emancipate through the wall;
it is the people who have forgotten their place.

These old friends are not mine, but obsessions.
Memories of idealised time that I cling to,
as toys are swept up and sold in parts.

Passing are these clothes upon my back,
despite the fashion of my walk
and your letters in my old blazer pocket.

Rationed is my life upon this planet.
All that I meet will fall away,
and all that I take, is returned.
Edward Coles Mar 2014
Don't leave, stay with me.
Stay with me, oh blossom tree.
Stay with me and remind me
that not everything is lost,
as you peer over the garden wall,
to greet the concrete
with your tears.

Don't go, don't leave
and just stay with me.

Stay with me, my bodhi tree.
You wear your hearts upon your eaves,
leaving love over pavements;
leading love to a truth
more honest,
than ever I could hope to be.

Don't fly, nest here
for one more night,
and stay with me.

Stay with me, weeping willow tree.
Stay with me and show me
the beauty through anguish.
Tell me, tell me that even
in these joyless days
of all potential, but minimum wage,
that there will always be art.

Don't go, stay with me.

Stay with me, old birch tree.
Stay with me and remind me
of the stories from last summer.
Walk with me to the wishing well,
past the skinny dog and naked Adena.

We can laugh through an endless afternoon.
We can quit our jobs and marry the summer.
But for each gasp of breath, of happiness,
soon follows with me falling under.
c
Edward Coles Dec 2015
I lost my St.Christopher in the high-rise brawl.
A...one-sided affair which I used to my advantage
To get a day off from school. Even now I think
About searching through the grass that has seen
A thousand residents since. Felt the pain
Of losing my father’s necklace more
Than the boot over my head.
I never threw a punch at anyone.
I did not want to let go of anything
If I could never take it back.
Sticks and stones, sticks and stones,
Sticks and stones is all that they give you
To tell you that words can do the same.

I loaded myself with cheap wine and cigarettes.
****** out of my bedroom window
Every time I was depressed and drunk.
Which... happened a lot.
Even now I think about crazed moments
As if they have stopped occurring.
As if I have stopped collecting
Ornaments of delirium
That stare me out through every move.
Laughing at the mirror when I realise who I am.
The loneliness of a satellite:
Forever turning the Earth without a place.

I lost my sanity on the wrong side of the bar.
On the wrong side of love,
Strong belief that I am always in the right.
Strong belief that I will never get too far.
C
Edward Coles Jun 2015
My fingers stumble over the strings,
over the flicker-book of life;
missing half of the important things
going on around me
until they have been and gone
and never to return again.
Childish lapses cause me to stare at the ceiling
through important demonstrations
that could save my life some day-
I always begin to imagine
my fatal accident
at the hand of a misplaced floor sign
as I sign the contracts
for those I feel no loyalty for,
in a signature my jittery hands
can never replicate.
My feet gain their own volition
when approaching anxiety,
and so I never know
if I will run away,
or run into the storm
of half-familiar faces
and half-tolerable anecdotes.
I am still a child, I know,
beyond my lanyard
and half-grown beard,
always dreaming of escape
whilst keeping close to home.
C
Edward Coles May 2016
Throw the window open
To bring cool air to a room
Which gathered heat
With all the thoughts
Bouncing off the closed walls.

Night. The sky, a bruised purple,
The clouds faint, infra-red.
The trees are cut-out silhouettes
Placed in the foreground of endlessness.
1.a.m. The night is still.

There is the hum of a plane in the distance,
Last train now long past earshot.
Thin blue curtains play at the breeze,
Tickle my shoulder
As I kneel at the ashtray,
The windowsill altar.

Ornaments reveal themselves
In the black gardens below.
The gnome with the broken tambourine
That kicks up in the current,
The wind chime on the Apple Tree;
The bell on the house cat’s neck.

Staring into space all night
But with this view
I do not have to strain my eyes.

Do not linger on the details
That are lost in the shadow.

Always made time for the moon.
The quiet one at parties,
Only came alive at night,
In the company of those who drink wine,
Swallow pills in the morning
To see the day through.

Room scarred with scorch marks,
Stains from drunken falls.
All those endless nights,
Dead bedsheets,
Waiting for the chemicals
To push my head underwater,
To find sleep.

Windowsill vigils,
Awake with the moon.
Kept myself alive
For these pockets of time
Where I do not need to talk.
Where I do not need to move.
C
Edward Coles Nov 2014
Steal everything you have ever loved.
Set it to another verse
of borrowed phrases
and humble pie.
Somewhere in the spaces
between the song-writer's ohm
and the poet's demise,
others will form your stolen loot,
your dead-sea scrolls,
into the multitude of inspiration
that constitutes your Self.

The banks are running dry.
All freedom is restrained
to the ticking of a box
and the punching of a clock.
There is no shame in stealing
a resonant thought.
It is the way Revolution happens,
an idea projected, then repeated,
repeated, re-written and spoken
in one thousand tongues.
If your lover leaves you,
it is nothing special.

Yet if a stranger's words steal your breath,
stripped to a naked consciousness,
you have every right to pilfer their mind,
to bridge understanding,
to share in a longing,
to replicate a sentence
in which truth was left unconfined.
Edward Coles Apr 2015
I **** the mood in a sour June,
opulent misery, scorched Earth,
exchanging platitudes with old faces,
full of *******; full of hot air.
Both sides of the fence
at war with themselves,
feigning inner peace and profit
across the beer garden table.

I talk of hangmen and floods,
child brides and dressing gowns,
my hometown under the mythic spell
of collective memory loss.
We have forgotten our place
in the comfort of our urban sprawl;
sirens caterwaul past the high-rise,
past the vacant church with locked doors
and the homeless on the street.

A commonplace emergency,
young male suicides, women *****
in the safety of their homes,
taught a kindness through physical force,
the way the gun drops to civilians
in countries saved through the filter
of television screens; of dust and distance.
I sit and write and think of ****,
of old loves, anxieties-
they call me crazy all the while
for not committing to the scene.

Now Afghanistan is a blueprint,
extended diagram of steady-state destruction,
a conspiracy of white man dreams,
farmlands bruised by machines of war,
by the ******* Boot,
the feeling we have been here before.
All the while, the illusion persists,
car parks filled with smoke, professional escapists
with their 9% lager, bags of tobacco,
and the megalomania of art.

I **** the mood of a whitewashed June,
advertised freedom, a mortgaged Earth,
exchanging currency for a chance of peace,
the zen garden smoker, the looted mind.
Both sides of the fence are collecting bones,
at war with themselves, whilst my eyes are red
and my philosophies, ******.
They call me crazy for dreaming of escape,
whilst never leaving the confines of home.
C
Edward Coles Sep 2016
The astral bowl was full of green smoke,
the tin roof, the fairy-light canopy;
two friends suffered in greed.
The backwater shed,
a monument of beer cans
blow listless on the lawn.

One says,
"I have not given up on my dreams
I have grown tired of sleeping through them."

The other, an insomniac, glistens:
"Merrily, Merrily, merrily, merrily..."

The television was on mute.
A flag assembles from the garments
retrieved at the end of the war.
A red-eyed stare
as they lament
the dried rivers in the carpet.

One says,
"There are eyes on me all the time
so I drink myself blind after work."

The other, a pessimist, decrees:
"you drink to steel yourself for the cliff-face-
no idea where you are going."

The sky was granite
as they ****** outside.
One turns to the other and says:
"I try to live an honest life
but it always feels like a lie."

The other, still *******, replies:
"we keep our secrets close to our person.
Now please - tuck yours back inside."
C
Edward Coles May 2017
I love the sound of the city she says
It is like a storm against the window
I can lie naked and ruined
after a long day
and be grateful to find stillness.

In the morning I hear monks chanting
In the afternoon it is all traffic
In the evening I hear stray dogs
as people find each other in the dark.
I love the sound of the city she says

the sound of chaos
the sound of calm.
C
Edward Coles Jan 2018
I don’t play chess with love.
There is no strategy, no foresight,
No due process; only a knot in the gut
Which prevents all action
That does not result in your touch.

I don’t chase after love.
I lie in wait, in unfamiliar places,
Abandoned mines and filthy drunk tanks-
Watch morning break through the cloud
With stupid hope there are no more false dawns.

I don’t bear false witness to love.
I tie a ribbon to the loaded gun
And hand it over to the woman
Holding a scalpel with a smile
And earnest for my confession.

I don’t want to do this anymore.
My heavy limbs, lack of light.
Waking up to Ground Zero
And sleeping with a lie of chemicals .
I don’t want to forget how to love.

I don’t think the choice is mine.
C
Edward Coles Mar 2015
Let's feel alive after the first cut;
the bloom on your wrist,
the white line on the mirror
separating where you have been,
and where you want to go.

You laid down in a blanket of snow
and rocked yourself like a river boat,
turning sleep in fits and waves,
to wake as a fraction of yourself.

Let's feel alive at the steep passing;
the sheer drop below,
the winter that thawed in your mind,
that first hit of love-
first taste of smoke and sugared ***.

I became vacant at the shop-fronts
and pinned myself to sleep
with **** and binaural beats;
the sea-wall to my mental health.

Let's feel alive in our life's passing;
the intersecting plot-lines,
the echoes of old suffering
that will dissipate as we make our way
to where we want to go.
C
Edward Coles Dec 2015
The televisions are humming on Suicide Avenue.
Scarecrows hang in the allotments
And the residents scream white-noise lullabies
Into their pillow.
All is quiet.
All is still as the street-lights turn off.
George leaves for his night shift at quarter to one,
Careful not to wake a soul.
Floodlights on; signal to the curtain-twitchers
That he will make it there on time.

The house-cats have broken out on Suicide Avenue.
Flat tyres fill the driveways
To remind us of the cost of leaving.
The residents quicken heartbeats
To the breaking news.
The teenagers send laser pens to the stars
In the hope of bringing something down.
A scar still feels like a mark
You have left upon the world.

The residents do not give a **** on Suicide Avenue.
Nets surround the disused trampoline,
Cameras fitted over plasma screens,
But there is no one to catch the fallen.
When solace is required,
All is quiet.
When peace is required,
All is noise.
The youth are lost on Suicide Avenue.
There is only one route to take.
C
Edward Coles Oct 2014
Dear friend,

I couldn't find the answer today, for why the world is turning. A half-dozen lovers in a timeless frame, are now but bridges burning. The coffee makes me feel like hell in the morning, whenever morning is an option. You see, I've fallen for a misery, I have become the local burden. They invite me out to harmonise their doubt, over trends we have seen before; the brief salute from a military brute; the human cost of war.

It's been a misery for days and days – weeks and weeks if I tell the truth, but I have been baying at the nail, and sharpening the tooth. I think money is a postcard lover who promises salvation, but in truth can only under-achieve against cigarettes and meditation. The Bowl has been singing to me, but I cannot understand a word,  at times I think I hear the answer, or else the passing of an airborne ****.

Forgive me for crudeness, or for my vague choice of tone, I am kissing my pillow in my sleep, but waking up all alone. From that I have decided that I've got to ask for more, so I am slipping up my sentences, to become a well-spoken bore. I hope you find the answer each time you sip on tea, some heat upon your lips and tongue, some red blossoms on the tree.

I am going now I promise you, I'm serving out my time, I am going to hang out with my father, I'm going to chase it down with wine. For all the good I had desired to do, I am committed to this crime, don't drink in bed, do drugs instead, and do not forget to write.

with love.
Jack.
c
Edward Coles Mar 2017
The first winter I ever loved
coincided with my introduction
to Summer.

Three years younger,
she had defeated China
and in her wake lay one thousand men,
mouths hung open;
straining for her ear-shot.

Every taxi driver
spent more time looking in his rear-view mirror,
every ticket collector tarried
in the purchase; a hope to extend the moment
that he could be there, with her.

Used to watch her across the office,
her pencil skirt, precise eyeliner;
the way she would smell her tea
as it brewed in the flask.

Used to stray outside her classroom,
listened to her speak Chinese
to a room of students that would listen intently
as unfamiliar tones spread
across her easy smile.

She sang her tentative songs
over vague karaoke nights,
we sang together in English;
our neighbours sang in Thai.

I took her to the mountains
on the back of my motorbike,
she talked softly in my ear;
her legs pressed close to mine.

The first winter I ever loved
coincided with my introduction
to Summer.

The most beautiful woman
I had ever seen.

I lay still beneath her friendship,
bit my tongue in misplaced passion.
I stood and stared as she walked on by,
into the arms
of anyone’s

but mine.
C
Edward Coles Mar 2017
I have never met someone as beautiful as you.
I can’t believe you are going back to China.
I can’t believe that I will never see that face again.
I can’t believe I didn’t at least try, at some point.
You are leaving forever.
Every day I stared at you in awe.
But that was the problem - I just stared.
C
Edward Coles Jun 2014
Summer arrives
in animation of limb,
to ramble the forest,
to reflect upon sin.
I keep smoking cigarettes
in the drunk-talk of friends,
I will kiss her on the cheek,
I will slur to her
my amends.
Summer arrives
in the advent of love,
I will settle my debts
with the great skies above.
Edward Coles Aug 2013
The sunflower is drunk. Fork stuck
In the soil, like roots. It holds the
Skinny ******* in place. How tall
Would you be, if your spine did not

Droop over itself? Did your mother not
Tell you to hold your shoulders up straight?

Still you have scared me since infancy.
Your lanky demeanour, God’s scarecrow.
Upright in the field or against my Grandfather’s
Brick wall. Creeping up in the days.

You grow.

Oh, Cyclops! Your eye it scours
Me. Fixes me with a Martian stare,
Orwellian and deprived, though
Decorated with a halo. Your flower

A startling diagram of creation.
The big bang, black pupil, dark heat
And brown to flames, fans and galaxies.
My heartbeat is a speck somewhere,

I know it.

Sunflower, the awkward arbiter. The
Unknowable in your eye, always watching
But never watched. Your centre burnt like
Charcoal, inescapable void. Don’t take me.

Please, don’t swallow me.
Edward Coles Mar 2018
Woke up on the edge of it
the sober morning light
woke up and felt assured of it
but it didn't make it right

So now I paint my eyes so blue
and they colour all my days
all I do is think of you
in the sunglass shade

Woke up with my mind set on
all that's come and gone
are you still listening
to the same old sad, sad songs?

Or does the sun reflect your mood
now you made it out alive?
Do you still need a drink or two
to fall asleep on time?

Woke up on the edge of it
the sober morning light
woke up and felt assured of it
but it didn't make it right

So now I paint my eyes so blue
and they colour all my days
all I do is think of you
in the sunglass shade
A song I wrote

C
Edward Coles Mar 2018
Come inside I got some wine
And a couple stories to tell
And after midnight we’ll get to talking
We’ll drink right off the top shelf

And you’ll undress and say to me
“I’ve been alone too long
All my friends that don’t call
anymore”

My entropy, my third divorce
From vanity and reason
And Caroline, she took a rope
Then held it to her jaw-line

She said a few words no one heard
And in a FLASH she’s gone
Let’s pass the words around the room
That don’t help any more

I’m closing down
I’m throwing out
All that holds me behind

You’re outta tricks
Your bad advice
Your stubborn lack of sunlight
A song I wrote recently
C
Edward Coles Aug 2018
It doesn't always have to be a sunset
Sometimes the sun just needs to come down

It doesn't always have to be chemical desire
Sometimes it's just two deaf, blind bodies

Colliding in the dark with no conclusion
It doesn't have to be logical

Sometimes you've gotta aim at the sun
With a steady finger on the trigger of the water gun

And pull

It's not always about success
In fact, it's never about success

They lit a million candles
Over the crash site of Icarus

And every good man has a corner of his heart
Devoted to the Sylvia's of this world

It doesn't always have to be a holiday
Sometimes screaming is enough

It doesn't always have to be an island retreat
Sometimes it's just an empty train carriage

To sit and read with trembling hands
Over an easy magazine

It doesn't always have to be difficult
Sometimes love feels like dying in your sleep

At others, it's your window reflection
In a strange new town

It doesn't always have to be a sunset
Sometimes colour is rinsed by cloud

It doesn't have to be poignant, or fair -
Sometimes the sun just needs to

Come down
C
Edward Coles Feb 2013
So I sit in the corner of the room
And I will myself to conjure something
An aura
A pulse
A telepathic beacon
Anything.

I can almost feel my bone marrow
Shudder and weep
Against this powder keg of neurosis.

I just want that eye contact from a stranger,
That speaks a language
Beyond that of the most effacious of tongues,
And stretches beyond time and space
To comfort me.

“I see you
And I understand
And I know you and I love you
Even though we have never met.
You are beautiful
And you shouldn’t worry so much.”

More than this;
I wish I had the power to do this for someone else.
Edward Coles Jun 2016
You said you loved your freedom,
The iron in your chains,
Rearranged the furniture
To mimic the movement of change.

You said you held your secrets
Like a cigarette in the rain,
Close beneath the shelter
To keep alive the flame.

I know the room is empty
As you pace on through the night,
Empty bottles and bloodstains
From where you threw the fight.

I know the sky is vacant,
I know the glass is full,
I know the nights are so long
When there is no one there at all.

But you will make it through my friend.
You will greet the morning of your life.
You will sober up, you will calm down,
And everything will turn out right.

You will roll away the stone my friend.
You will wander and you will roam.
All these obstacles stood in your way
Will one day lead you home.
C
Edward Coles Jun 2015
“You and I”
he says,
“we're meant for better things than this.”

When I ask him what he means
he says,
“we've been holding this factory up
for the last seven years-
look at you:
you look like ****.
You're ******* twenty-six
and you look like you've
gone at least two years
without regular ***;
always staying in to catch up on lost sleep,
but you forget about all the hours
you've lost in between.
When was the last time you made love
to anything other than yourself?
When was the last time you drank a beer
to start up the evening,
rather than to **** the night?”

When I told him
that it's not like I'm a boring ****,
he agreed and
he says,
“no, no, and that's the issue,
that's why, you and I,”
he says,
“you and I,
need to get out of this place.
Haven't you ever just thought
about walking out?
Like the money ain't enough
to keep you tethered to what you do?”

I answered yes, of course,
and that it's like the common cold;
it's a load of horseshit,
but it won't **** you too often.
To that he says,
“we gave seven years to make money for someone else,
and we got ourselves what we wanted...”

He was right,
as we drove up to our old spot
in our company 4 X 4.
He lit up the joint
as we looked over the old railway bridge and
he says,
“we used to come here all the time when we were kids.
Spit down to the bottom,
watch it splash into the floodwater
around New Year's.
We had our first cigarette,
and then our next and then our next...”

he zoned out and we fell to silence,
smoking by the old haunt
and not for the first time it occurred to me
how much I can live like a ghost at times.
Even now I was passive
as someone echoed my daydreams
with psalms of escape;
even now, at this featherbed point,
I slip into a conservative's tongue
and express my comfort in the working day
and feeling over-the-hill,
despite all the conversations similar to this
that I have rehearsed so passionately
inside my head.
After a while
he says,
“you and I,
we're better than this.
Better than this drug
or this routine bliss;
better than a monthly slip
that disappears on rent,
or popular thoughtstreams
that make no sense.

“You and I,
we're different than most.
We hold onto happiness
like sand in our palms,
dispersing it everywhere we go
without ever having enough for ourselves,
or concentrating it on anyone important;
we just spend it like we spend our money-
on all of the escapism to forget
that our lives are a lie-
a pie-in-the-sky theory
that says we have to work hard
to live happy...”

He stopped,
gave a watery smile
and he says to me,
“You and I
are similar,
but you are younger
and kinder than me.
Get out of here
and find that slower life,
before you begin to see what happens
when you grow into your apathy...”

With that he turned
and walked off the edge
of the bridge as if he was
slipping out for a ****.
He slipped out of life
without another word.
Maybe he thought he was a bird,
that he would find some wings
at the bottom of a tragic fall;
either way he is gone
and only his words remain,
in the lazy imagination
of a young stoner's brain.
Entirely unedited. Written without pausing to see what I came up with. Just word regurgitation, mostly.

05.06.2015
Edward Coles Sep 2014
We are drunk again.
The smell from the dustbins below
rises up to our luxury balcony
that overlooks a building site.
A phoenix is going to rise
from the ash, when the city burns.
I think it will come in half-price rentals
and coupons for a sack of rice.
Nothing makes sense
in this dying skyline,
all the people in planes
will go back to where they
came from before.
If they are lucky.

You asked me to talk some more.
To acknowledge your existence.
A selfish mood and darkened clouds
cut in by September.
It kept us inside and barely alive.
Everything became a block of thought,
each separate from the rest.
I lost my peripheral vision.
Could only see my sadness,
and not the wave-breaks that it makes.
We sat on a beach in Indonesia.
Ran to collect shells in the peculiar
ocean retreat. When the waves
came back as a cathedral,
we never stood a chance
in the blood-shed
and lack of air.

There is a rubber ring
out there for me.
Beyond the paranoia
of possible sharks and oil spills.
When I get pulled on board
they will slip me into a suit.
They will let me write poetry
in the day-time, and be cradled
by the sea as I search for sleep at night.
In the morning I will eat without sickness.
I might talk to the waitress,
prove myself sober with an orange juice.
She could laugh at a joke
I would only tell about myself.
If I was lucky.

I can run when we make the first port.
Whatever tongue, whatever lips
to set upon, I will take it.
A bed for the night
or coupons for a sack of rice,
I will drag the loot home
and fall asleep in my clothes.
Learning Spanish from a folk-singer,
he stubs cigarettes into my fingertips
and feeds me whiskey
to **** the pain.
The wine is cheap and the people
are easy, they let me smoke inside
if the weather is turning blue.
They bring grapes when
they sense a sadness,
and will not gripe with me
until I am ready to gripe with them.

I tried to write you a letter of apology
but it read more like a suicide note.
It is hard to talk about circumstantial meetings
when you can see this nonsense world
dissolving into parts.
The sun-set makes no sense to the poet,
and still he will quote it all the same.
A convenient landscape for any occasion:
you can use it for the end-piece.
Everything I could write to you
would only sound formulaic;
the best melodies have now been played,
and so we are left with imitation.
For now I will have
a plastic-bag career,
walking home on foot
and sleeping soft at night.
There are no chances
of new landscapes in the present.
So I will lay open in bed
and allow this landlocked town
to be my paradise.
E
Edward Coles Mar 2015
I am sat here alone now
on Table 36. Still ****** in the afternoon
and maliciously lacking function.
Now eyes stray to the barmaids
without a grain of guilt;
indeed, with thirst and *******.
These words come fast and easy
in the humdrum silence
that followed from your chaos.

I have given up on hope,
sat at Table 36. Only placed in the future
and in the absence of action,
for the years I lost myself to you
I combed the mirror of life
in the hope to clean up my act.
Now words come easy
in this newborn retreat,
free from your pain,
free from your deceit.
C
Edward Coles Jun 2014
Unobservable universe,
with all knowledge, illusion;
will you meet me in fevers,
and lucid delusions?

Will you frame my thoughts
in your concepts of God?
Would you allow me my slumber,
would you spare me the rod?

There is no mercy, nor divine retribution,
no cosmic ray, and static collision.
All that we own will turn into rust,
into the cracks of the Earth,
and beneath the crust.

Give me meditation,
and the fruits of the trees,
a town to return to,
to stretch out in ease.

I'll let this beard grow,
you'll take-out again,
we will sigh in our beds,
and play remember when.

There are no favours in a lifetime short,
there's no ambition, in attributes bought.
All that we left is now memory;
a fortunate fossil,
a bleak melody.
c
Edward Coles Aug 2014
I use technology to take me to a time when it only half-existed. In a blue-shell room of mega-pixel photographs and rolling news feeds, I can put on my headphones and disappear into an instrumental Sunday.

There are stamp collectors making their lazy way over beaten roads and disused railways. 'Surrender' only means to fall asleep and to leave your book as a hut on your bedside table. Where war may still go on and on,

but at least you don't have to hear about it. Show me the place where pine-cones fall and women stare across the river. Where coffee is for taste, and not self-medication. I want to walk bare-foot and feel thorns

toughen my heels, infect my blood with Earth or God or Any Other Name. We will **** in the bushes, singing those fragments of Leonard Cohen lyrics that we can still remember from times spent smoking in my room.

I can almost feel that pointless happiness. That location in a canopy to retreat when the bills are due, when the walls needs re-painting. When the neighbour strangles puppies and all you do is complain about the time.

I use new music set to old sounds: freed slaves living in the cross-hairs of tradition. White lovers breaking their hearts over guitar strings and harmonies, always a semi-tone apart. I find your hair on my pillow.
There is no technology in the world to distract me from that.
c
Edward Coles Jan 2017
Departure lounge. Crown of tears
probably dried upon my father’s shoulder.
One year before I touch down again.
Everyone will expect some change.

Tried to swallow consciousness on the Bangkok streets.
Too much heat. There is no familiar face –
I cannot even read the road-signs.
There is no culture shock:
I had lived with that my entire life.

Made friends with the strays
for we had a common place.
Caught in no man’s land:
a need for hunger,
some awful drive to be free.

Left Bangkok for the coast.
New faces to hear old stories.
Born new, kissed each night on the mouth,
shared a hotel room for the month;
relinquished every memory

in a flood of beer,
old tears, the reservoir
to cleanse ourselves of doubt.
Dictated each depression

to a room full of strangers
until I could frame every disgrace,
put them to bed
until I slept full and new.

Fell in love with a singer,
red hair and a voice
that climbed a ladder to heaven.
Bid farewell in a country of mourning,

wore black until I found colour again.
Descended each rung
until I found that rock bottom
was still much higher
than where I had come from.

Wrote poetry and songs
nine hours from the foundations
I had built upon.
Black-eyed and clueless,
wrong side of the classroom,

I tried to teach a foreign tongue
in a place where I knew nothing
and no one. Far from every addiction
that once anchored me in place,

I shaved my face, pressed my shirt,
made amends for every cigarette end
that once painted the frame
of all I had amounted,
all I had done.

Fell in love with a town,
a pink sunset, stretch of rice-farms
and apple trees that patterned the view
of all I could see.

Still broken, still maladjusted,
still craving those twisted words.
Take my motorbike off into the drumlins
each time that I fear the worst.

Still broken, still singing
a song I cannot sing,
yet each muffled string,
each half-worn verse
is a half-formed reason
to rehearse
the melody I gather
each fateful, live-long day,

I cry out for meaning
before it fades away.
C
Edward Coles Apr 2014
There are footprints limping in golden sand
meandering to the swash of the tide,
they stumble beside a body of life,
too weak for the forces that live inside.

Breaking news stung like bullets in his eyes,
delivering sorrow and his demise.
He lived like a ghost amongst picture frames,
reading the papers and scanning for lies.

He held music close to his beating chest,
for that soaring chorus, his heart's address,
and in days spent holding no one at all,
he'd talk to his posters tacked to the wall.

Women came and went like ships in the night,
too brief for the pillow, too smart to fight,
he kept all memoirs in his breast pocket,
clasped to his wrists, or hung as a locket.

There are foots disappearing in sand,
they succumb to the pull of Mother Land,
they exist in grains, now lost to the sea;
to the blue ocean of infinity.

We'll meet at the coastline, aeons apart;
we'll kiss this new freedom, this thawing heart.
c
Edward Coles Dec 2015
We parked at the side of the road,
You put my hand up your skirt,
Said “I’ve had a lifetime of hurt,
Make me feel that I am not alone.”

Could hardly kiss you for the lack of breath,
Could hardly look at you in the fear
Of how it feels to forget.

You had a man at home.
I was more alone than you could ever be.
Felt no sympathy for your cause of misery
Amongst luxury;

Could hardly say no in this lack of flesh,
This tom-cat longing
Once all the daylight has left.

We parked at the side of the road,
Old-stringed guitar: all rhythm and no tone.
Limbs splay across the gear-stick;
Passionless and cold,

Weak delirium of instinct
Was enough to get me through.
Could hardly speak to you

Once the engine started again.
You pulled your skirt down,
Turned the radio on,
And wondered *who cheated who?
This is 100% fabricated. Not based on real life. I have no idea where it came from.

C
Edward Coles Dec 2012
I wish I could describe to you the catching of the sun

On the afternoon leaves.

To tell you their story and appearance

In a way you have not been told

Every other day of your life.



I wish I could instil in you the same thrill

That flutters my heart

When the chemistry of words spill across the page

And fall into a perfect endless spiral



I wish I could sing to you

Past the broken sounds that fill my throat

And the stifling of that timid ghost

That haunts me every day.



I want to fill the rafters

With the tapestries of my non-experience

And the feel the groan of the orchestra behind me

As I tell the tales of my selfish angst.



The same angst that still tells me I am exceptional

Every time I sit down to write.

And those afternoon leaves still sway by my window,

Kissed by the sun.
Edward Coles Dec 2014
I cannot write an honest poem
in the fear of losing you.
That the shutters of concern
will be lowered, as everyone
turns to face the screen instead.

I cannot deal with blind windows,
I cannot suffer in privation.
But the thought of eyes on me
and sustained conversation
leads me to blackout again.

The story rolls on
and days keep coming by.
The seasons change
despite my lack of animation,
and they cause me
to see the world as it is.

The Agentic State
has stolen our land
and human nature.
We swallow stillness with panic
and over-stimulation;
no chance for peaceful completion.

I cannot give you any truth,
when my truths got me here
in the first place. I cannot
write to you about the coastline
as I never get to hold it.

All I can do is remain in my place,
tarry within the comfort of lies.
If you allow me more time
in poverty, I will repay you
in thoughts turned to rhyme.

*Though I know you'd prefer cash.
C
Edward Coles Aug 2014
Her skin darkens as she salutes the sun,
staring soft from the yoga mat,
sunbeams cast motes of light
across the surface of the Alzou River.

The neighbours collect skulls of the
rabbits they have killed, turning them
to a fortune whilst honouring the dead.
She had forgotten what it meant

to fall into a silence,
to sit and read in an endless afternoon.

The cyclists roam in the crooked streets
of the cliff-side village, the Buddhists
are smoking **** in their hammocks.
She had faltered to a start,

falling into a corset,
to sit on him and kiss his calloused hands.

She had lost herself to advertisements
promoting freedom in a cinematic drawl;
time-lapse pictures and memories
of a summer spent landlocked in defeat.

She has fallen for her music.
To sit and listen to the drumbeat’s awful sin.
c
Edward Coles Jan 2017
Long divorced from love,
owned three guitars
and slept with nine women.
Remembers every song,
every poem,
scarcely recalls their faces;
lilt of their tongue
as sleep took hold of them-
not him.

Trigger finger over the snapshot
through each baulk and ****** of passion:
"this is the poem, this is the verse
I can lay down in print
and finally live again."

Night sky too full of uncertainty.
Cannot observe a desert scene
without a commentary
on each unanswered question.
She is dressed in sequins
but what for the spaces in between?
He cannot accept filler,
blank spaces that intercede
moments of ineffable beauty.

Maddening crowds emerge,
bright-eyed and stupid
to each early, pink noise morning.
He awakes, drugged to the eyeballs,
slow to movement; formulation of words.

Each night a battle of sobriety
as the sun does bleed
in the skyline before him.
Each night a generation dies,
subtle points of light
lost in the noise of the modern day.
Screams pointlessly, without need:
"don't forget me, don't forget me..."
would rather leave a scar

than no mark at all.
Lives for the colours
he cannot see, for the common thread
that connects everything.
Tweaks the string of each broken seam

to expose each diversity,
each personal loss
as a collective sigh;
every sleepless night
as an off-white lullaby.
Born for collision
beneath a dying star,
long divorced from love;
he is married to art.
C
Edward Coles Jun 2018
I used to fear
A break in creation
But once the dust settled
On my notebooks
My guitar
My tired pleas
For rememberance
I could separate
The madness
From the sublime
I learned to temper art
With the science
Of healthy living

I am glad I fell in love
C
Edward Coles Aug 2015
The bonfire left ash in your drink.
The sea was rolling blindly
outside our sphere of light on the beach.
I kissed you drunk on the lips.
I kissed you high on your thighs.
The world toiled in its movements
as we fell beneath the aching moon,
finally hurting, finally pleasing;
finally ending all of the question marks
with the solution of our *** in the sand.
I kissed you drunk on the lips
and told you that I loved you.
The bonfire left ash in your drink.
The night let life in your heart.
C
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