n)Ethno-spirit and Biodiversity (Diogiversity)

Given its ethnikos factor and contribution towards a common origin of multiethnic and languages, in values and traditions, its morphological factors of Verthian sub-mythology, are provided with content, features, colors, and textures of neutrality, focused on a biosphere ecosystem, where the air conditioning, flora-fauna will make Sub-mythological Biodiversity, where the beings that inhabit it and will be in the range of evolution of mythological living beings, whose diversity of genetic seizures, will adopt natural and compound patterns, but always predominant in the biological pattern and organic. Wandering the world in desert places, in alloys and classified plant compounds, emptying their species through the hollow of the atmosphere and through the green grasslands in the reviving surviving evolution of organisms and species that for the first time see each other as a biotype between rocks and plantations, reciprocally among themselves, and extemporaneously generating mythological genetics heritages. Considering millions of years in evolution with explosions of multicellular and fossilized species extinct in massive and occlusive memories. Inert matter and geological strata will make millions of years converted into microseconds in the Verthian Biodiversity of the Duoverse, in a Psychic and spiritual Universe, emerging in all macroscopic perspectives and parapsychological regressions. Impact They will cause the maturity of all the diversity of externality and sensations in new topologies of anonymous universes and species of biodiversity, under a pillar of culture based on the Sub-Mythological biosphere process, encompassing all mythological species where the hope of Life and Super life. Transforming systems of functionality under the protection of spontaneous generation and in a matter that is availably underlined in the mountainous tissues of the mechanics of the subset of the air mass, water, climatic biospheres, and biogeochemistry, that in the unreal juncture of, and inter-procedural reality of carbon, that factor the species key and specimen disclosure, in the collection and in sinks, water drains but without carbon. encompassing all mythological species where the Life expectancy and Super life unfolds.

Hyperdisis, the galaxy connected to the Duoverso, in its biotic diversity, reinsert thick clumps of Nothofagus Obliqua forests, in waste processes, to domesticate the Leiak ethno-forest species, as balance nutrients and repair the disgraceful disgrace of unnatural toxicity and fragile of the agrosystem, maturing cultures and preventive pollination in succulent transfers for purposes of food webs and the environment. Making the appearance of species more effective and perceptible, reunited in community chains of coherence, to amortize low-resource needs and distance economic-political impacts, in view of new base resources and the sustainability of balance of allopathic crops, for the good of driving the extinction of plagues or flagrant excesses not converted, Hyperdisis has a mass of inert matter that creates accesses of resilience, for salinity, rainfall, and human adaptive mythological innovation, given its versatile opening of complement and generation of substances, for the convenience of living beings and No. Having adopted in the context of mythological Galaxy, related to beings of light comparable to distant elements, by means of Psychic Trisomies and tell transportation, for energy sources and soil and water mechanics with Leiak, constituting molecules for the simplification of phenomena of exacerbation of chronic diseases and endogenous. Forests and parks of Hyperdisis in the symbiotic open air, for more airs in microbiological space, in the intimate portion from greatest to least challenge of elements exclusive of antinomies of hieratic human bio culturalization, in a showcase of communities with an interest in technologies and renewable empirical usability, each part doing its scientific role and biodiversity in the portico of its home. As a hieratic quality, presenting amendments that are glimpsed and more existing, although it passes before our eyes without a Carbon Footprint, figuring logical mathematics by sponsoring its count more than a shadowy synthetic body, anticipating super-appraisal measures, averaging them in tiny theological portions, with varied and dissimilar levels of genetic habitats and alleles or heterozygous in the taxonomic functionality of reproductive and approving biological elements. The wealth and abundance of this item are delegated to Leiak, in all the revolutionary processes of the oak forests and the high mountains,

Within the gasifications of Cinnabar, there was Carbon in its Life cycle, being Zefián; the curator of the Duoverse, destined for a lifetime, under Universal and intergalactic effects. Claiming innocent beings with greater attributes of predation survival in the ecological chain, with the mix of Tsambika and Theoskepatis, granting multidirectional dynamic residual matter for green energy emissions. Feedback quantifies offset options in carbon circulation, offsetting multipurpose CO₂ inventory. Through the darkness Zefián and Vernarth traveled in the streets of Rhodes, and in Tsambika looking for the distilled portions of the carbon and sulfur emanated by the Cinnabar. In the same way Etréstles in Theoskepatis initiating with the Archpriest by virtue of the honors and the rubies of accumulations of water mass and of sulfur and carbonated air, which hung over the low sky of Rhodes and Kimolos. They were going to the Necropolis of Hellenika, when the gnostic rampages were glimpsed in the surrounding slab, minting half of the gold bars for the great goldsmith who erects the conventionality of having the physis imperturbably established, as a matter of patriarchal character. They entered Helleniká and the souls that wandered were ringed under crescent-encrusted rings, lavishing the independence of the night in the hands of Borker, which was reflected in the capitals of a mausoleum. Borker is consistent in saying that he is free in Helleniká, In the myth of the dustbin woodworm of the frieze where Etréstles perched next to Zefián's strap, who would manipulate the gold and alabaster chain, to pull its ascetic and rubies from it, approaching a final night in the astronomical autumn, in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn, and the mountainous temple of the one that follows the equinox in the meridian of seven days towards the southern and northern hemisphere. in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn. They enter the Necropolis of Helleniká, by upper and lower trays, cordoned off by obelisks in a series of petrified labels, in the square sections of the convergent ones and the linearity of the central pyramid, where they sponsored all the sectors of the stones of the prismatic geometric body, next to some piloneos that flanked the third of those that were in the figurative memory of funerary monuments of Vernarth. In harmony with the radiosities of the Cinnabar, they purged the carbon emanations in the intra-bodies of petrified breaths, expanding in the segments of frenetic life of the behavior of the inert matter, crushed by the organic, polishing the degrading character of the excavated prayers, under a superfluous shade. It was already dawn, Etréstles and the Archpriest broke the loaves to deposit them in the bowl of the Day, stretching in the arms of heaven under the gargle of the god Vertumnus who forged from the materiality of Jupiter. Vernarth nodded his head to the movement of the winds that cut the profile of a Citarista yawning on the frieze that raises all the crowns of the princes of the living-dead, making them part of the royal occasion, preparing petty spaces and tyrannies for devouring vassals in Helleniká, from the lair of his rib one, sees Diogenes of Sinope emerge, splitting with his doctrinal staff all the Isthmian paroxysms, which declared the cell of his life as Diogiversity.

"There were murmurs of astonishment at the surprising response of the wise man because no one dared to speak like that to the king. Alexander the Great asked: "Why do they call you Diogenes, the dog?", To which Diogenes replied: "Because I praise those who give me, I bark at those who don't give me, and the bad ones I bite." Again, more murmurs, but Alejandro was not moved by those answers and said: "Ask me what you want." So Diogenes, undeterred, replied: "Get away from where you are, you cover the sun for me"..., Vernarth replied: "Look for him in the bones of those who refused to die and fear beyond expiration who rejoices in the cold of the dean ossuary seed, without heat or memory here in Corinth and its Diogiversity ".

o)Reflection space length (π)

The hemispheres were out of proportion, one another was modified in the air, leaving the horizon exorbitant and the poles out of square. Coastal the lengths of the sun around areas that some Helleniká countrymen had never put on the crowns of their consciousness. Certain pressure changes dislocated other modules in the filaments that had rudimentary inaccuracies, creating reflection space failures in the installation of the Duoverso, due to the due calculation defect. The observations of Hyperdisis, generated superpositions of the Zigzag Universe, before the crescent moon, after the full moon, again de-calculating the sphere of Hyperdisis in relation to the ecstatic length of itself in the hands of a third of a second a day, to overflow in impositions that They revealed Dekas Cove in Kimonos(π).

The value of the opinion of reflections will be the originality of breaking of statics, of the motors of the verb and the conscience of the flushed being, and of erudition of the naive contrast when decanting the perceived morality. They concur with the moral value in every sub-mythology of an ambivalent being of supernatural human co-belonging, not dependent on gnoseological reflections, rather spontaneous under the embankment of reason. The latter being absent in the shadow of its shadow, no reflection can take hold of anti-values, self-valorized in contingencies under the effects of the drug of lies or truth, in a difficult equation to refer to in gnosis treatises, declaring the absence of consciousness to species without reflection or length of their molecular evolution, in evidence of mythological humans. The triangle Patmos, Rhodes, and Kímolos, make up a Venusian adonis, of stimuli in the nostrils of Aion, which sneezed on the integrity of the reflex arc at high speed superseded in the tremors of Athens until Hyperdisis, flashing anatomical and pejorative on the optic nerve of the Colossus Rodino, and the twisting of the multi-personal muscles..., but already depersonalized..., with little telluric reaction in the core of the symmetry of his legs, dodging as he thrashed on his frowned arms, behind the legs of the lycaons..., digging his jaws in reflex arches, for ages that only an immemorial one would enchant him, and be it the throbbing of the earth in the crust and seams of the calcined Colossus. Existing like this their reflection of attenuated light, they shook through the sea full of sinewy pieces of precise length. Frequently in the hydronium cations, undermining the temporality of Tsambika in random stones in the humid, and dark narrowness of the anthropic reflection, having lived in the heavenly paradise that formed them by the volcanic tube and its syngenetic, by the erosion of the subsoil of Rhodes. In Helleniká, everything that is expected, flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas it flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas from Devonian to Cretaceous, escaping from the ferocities of the Etesios and these same escaping from the roars of Vernarth.

p) One-Dimensional Beams II

When their ears fell in love with the Orthoptera or Grylloideas before Joshua, the night became restless, abandoning them from their shelters, they brushed the seeds of the thistle that trembled with the new millennium of the Duoverse. Levitating their ailerons in the tenors of their birth and dilettante sounds, before an ovipositing candor of the remains of the abdomen that remained in their jaws, always being from one of the Beams, for the largest Enciphers that hung from their antennas in search of Joshua's telepathic messages in the manger. Sappho of Mytilene, also known as Sappho of ****** or simply Sappho, pretended to be a marigold proliferating in the twenty corridors of the Greek poet, and also as the tenth poet in the other ten that was reflected with transparent wings of the dew that stuck, phenomenal of physique -Saphonic and in the recent rain of wind and condensed air, in the form of drops due to the sudden decrease in temperature in contact with cold surfaces. Sappho's dew was talked about in Kafersesuh, usually when it comes to condensation on a Poetic Grylloidae surface, naturally on the ground cover or artificially in a dull cloudy crystalline, in the amount of supernatural tradition, heroes, superheroes, and anti-heroes conspiring with the territorialities of hexagonality.

The Aramaic message comes forward with vigor from the orthopterans and birds that piled up on the journey, going back and forth. The Beams shone from the celestial kingdom holding on to the Cherubim and the Archangels, through the paths of conversion and the support of the bizarre Christian time, in implacable hegemony for the propaedeutic of phylogeny, but more than perfumers chemistry and the same creation. carrying Lepidoptera winged tetra and Sand Crickets, on the interlocking and obfuscated pheromones from a nascent-elemental child, in his own evangelical philosophy, from a winged dimensionality and in the gloom of Manger shouted and aligned, before the compendiums of double pyramidal landmarks and of inflection, of his word in the Grylloids and panaceas created in the affinities of the world and Animalia, stylizing muleteers carriers, phrasing acronyms and parabolizing the polygonic nomenclature of the child made a territorial man on the wings of a Cricket, already being it !, but representing himself as a lifeless man in the entirety of an advantageous canon child, from a sudden bi-dimensionality of Grylloideos. A great Zohar light gathered all towards a whole in those vantage points of terrestrial columns and orthopterans that Joshua felt in advance in his resined ears, like irreversible entropy giving back his wise existence to prepare them for the day of his holocaust. Pre Existing in catharsis and busilis substance of divinity connected with the Grylloid phylogenetic species, classifying until the Aramaic crackle, pontifying pheromones settled in the lithosphere site of Gethsemane, coincidence in the wading of a Libraco period, or in the phenomenological simultaneity of Eukaryota and Glaucophyta until late Animalia, giving relation parental in the characters of the vibrational timbre of the Beams and the atavistic pedestal, readapting in the evolutionary ellipticals of tetra-winged species, allowing to change the ancestral linguistic accouterments in processes of redesigning the genetic historical tree..., divine and increasing.

Inter-Duoverse, in space demography, has been frequented since today in a nuptiality between the Sun and Earth, wrapping the inter-generational homes that have prostrated themselves to the One-dimensional Beams, evolving millions of years between links of angels from the north and the south., for each year between half years and decades that the ancestors are passionate about, unleashing in what they aged in their youthful lives and eternal ideals, as an atom not guaranteed in families that did not get to know their Duoverse. When they walk through the urbanized farm of their parents they go in their shoes and in the paternal and inter-parental sun barefoot, the children travel far from the monographic patriarchy, declaring themselves between psychic families and unstable plots of core conformity and procreation.

The line of supra healthy cerebral is born from the Beams of deforested family trees and treasured in the Trunk of the seventh ascending generation, towards a nefarious tribal of industrious and vegetating regressive parapsychology, bringing zombie societies, to great lethargy that disorganizes the parallel emotion of the Being descended from a Messiah, with the prophetic organization. There in the Koumeterium of Messolonghi, in past generations, the "IO" was omitted to limit them from the spellings like Ghost Cemetery lost in other lost sacramental ancestors. The inappropriate location of our ancestral duties has guided us in the axis of the pabulum, before the second coming of Messiah Parousia, to continue the re-sprouting foliage of the Universal theological tree. The children of the seven intergeneration generations, will be from the endearing of a patriarchal family, and those of Exo family lineage will be from outside the non-generational family, where everything flourishes according to the requiems of ******-domestic economies, and in the new chimera from new shocks and reprimands, already being spouses the Sun and the Earth after being divorced from a deluge of immolations and inter-millennia and rotations, further than those of any prophet wandering without advancing or rotating, enlisting and expiring in succumbed and pre-historicized generations of other prehistoric ones. Pre and post Flood; not presenting itself as the object of linking a thousand decades where not even a holy chirp from the Thrush, praises on the windows of the world bringing us babies that are born without past or future quantum generations. Ready to the hint of Duality and its nuptiality with the Sun and the Earth, They will make us magical creditors of the increase in demography and of unions that will marry in inter generations, not seeing passions in exhaustion, under the grass of the allegory of defeated love. Giving ourselves conjugal virtuosity, but of immanent dogma for the purposes of multi-figurative coexistence, under the Yoke of an individualized Faith, in the passing of millennia, we continue to crawl on the floor of the nebulae, and we do not rise to establish ourselves as masters of ecstasy, and the pendulum of the stars, creating us more in the orthogonal egalitarian of the cosmos and its Vernarthian architecture, of poly productivity, of Sun-Earth and its post-genetics, of high-grade clay, expanding with halberds on the self-insolated Suns, and highly calorific inherited towards a rupture of Solar freedom leaving us in the horizontal, not having ascendants of sin enriching their illicit chromosome. Made a beast, from the inertia of a paradise full of hidden public and private exchanges, but not secular, for those who pay tributes of ecstasy in a reborn and weakened state. This is how Diogiversality is verticalized (Diogenes's anthological action), concluding the variants that weaken the nexus of the denatured society of its atavistic social nuclear concomitant, extending eco-life gaps, but eco-unstructured and crucial inter-generational nature, being of arbitrary passion and of seismological doctrines, of haughty morality and of sociology fabrics without body or motor, with frail of castes and generations evolved age in a retrograde and elemental psychic sense, but biologically and reversibly to their boomerang lineage.

q)Amphibology Cosmogonic, Sub-Mythological root

The threshold, as a minimum rubric, must be in force from the Constellation of Orion, with barely a hundred millionths under the same eye of Orion and his psychophysical space, sensitive to the falcado charioteers and the water vessels on the backs of the probable Barnard Loop., and its nebula presence. The icy impulsiveness brought her under her right shoulder and the lean hollow under her arm unraveling from a staircase, at the entrance point of Betelgeuse coming from the cosmogony of Eridanus and in tune with Ptolemaic astrology. In the Sibyl and with a hint of a metric brilliant mass triplet, Betelgeuse Orionis, is the scale of the Aulos and piccolos expelling hydrogen as an Ace in 240 scales of harmonies and in sounds of light, for cycles and years of Light. The binary of Orion, is pre-born of the sub-mythological root, with binaries of Poetic Parapsychology, or Para-poetical; which is the trapezoid and the kinetics of the hunter Orion arrowing the Pleiades and its nebulous plains, with diametrical diarthrosis in his synovial joints, with the third militarizing joints already formed by the hyaline cartilage, which joins the two bones with the synovial fluid, before reaching the deltoid of Hunter Aurion, to awaken the Asleep world.

Vernarth in one of his adventures in Pella, scapula with his arms the force of the friction discs of the Olympics and corrected his hands and shoulders, for this purpose of Aurion and his dilettante Astro Betelgeuse, with giant arrows against matters towards the sky of its Constellation, embedded in beaten Odyssey and turpentine in the sullen Hellenistic, being for May its amber trapeze of trunk and arm, in each hand a Xifos and Dorus, always in right-handed hemispheric pathologies of their shrewd hands in Kopis swords, and in the memories of the wind that throws pain to the whistle of the combatant, when the meteorites decay in the Tyrrhenian Sea. With his brass-bronze club and Vernarth's corrosive breath, he proceeded to file odyssey on Eos's ******* and peduncles; Goddess of the Dawn, in Dionysian beauty in bulk, Mintaka, Alnitak, Alnilam, (The Three Mariah), For the twelfth lunation of the Celestial Vault, together with Pleione, in its bolometric Oceanid matrix; against borderline stellar magnitude in the major and minor dogs, and in there a priori waves of misdeeds lending measurements in the eyes of Aurion, always henchmen on their Pleiades.

From this intricacy, Cosmo-is born the Vernarth Duoverso incited towards the Horcondising, so that it is mythical co-property at the origin of the universality of the Duoverse in the Vernarth scapulae, bleeding towards the cosmos that was born from his stellar blood, conjuring chaos and uncertainty in messenger Gonies, facilitating community life free of ethnocentric, psychic, intersubjective life, the metaphor of myth and dogmatic, by the imaginary struggle that leads its bleeding back over the Cosmos, and its demiurgic brilliance over the atmosphere of the earth like bronzes that twist in the necks of oxen, that urinate on the officers of the Barnard Loop, and its polyphonic magnetic exciter, on it the ***** of Orion falling on the poles, like flagrant Amphibology.

The Kanti Steed and the Aurion nebula, to the beat of a waltz ionize, lavish chemical ions free of electrons, on the neutral molecules of Betelgeuse, to proclaim in the nerves of the shoulders and its bronze club, as musical praxis and harmony net, giving way to the nebula and the art of the Duoverso, which shows the pristine astral days, how his alchemical arm sprouting in chemo-astralities of the pectoral, and his armpit that joined in its maximum stick, cutting down roots of Olive Bernar, behind Barnard's Loops, in the midst of runaway stars that are systematized in their ionized bleeding esplanade, such as Stellae Novae, who retrograded the astronomical ritual into cosmogony, and in her escape by going at night to sleep near her father Poseidon and Euryale, who cheered him near the grassy fields to paste explosive clay on the sheet of his drunken smiley face with Ionic wine, in advance of spreading the nascent Duoverso throughout the new world.

r) Hyperdisis

Sitting on the edge of Andromeda, in his planetary chamber Zefián; The Duoverso computer separated the parasitic inter-chamber from the Duoverso, which would be born from the Auriga, which in his buggy would unleash the senses of structures and luminosity between this colossal interplanetary chamber. Being between points that venture through the axon of time infinitesimal and longitudinally for light-years, which even so, will intervene from the Duoverse, for thermal purposes and other changes of the remnants, when especially the luminosity will speak of the destruction of the darkness inherent in the eyes of the universe, which can only stabilize areas that have not been fused in the discs of the Universe-Duoverse spatiality, long before the initial explosive between the Constellation of Orion and Andromeda. Globular clusters that will make up the perfect delay of transfusing the blood and no other, which makes the character Hyper naming and hyper-pectoral blood, which flows from this tri-astral polynomial, compromising the method of area, shape, and refinement of the sagittal profile of Hyperdisis in the Duoverse in the reversible intergalactic plane. Going from lenticular to irregular over the keystone of the trapezoid, towards the right arm of Orion, where its radius becomes hypocentral sequentially, but it takes advantage of interstellar matter, to generate its own light. Some explicit explosive arms of Andromeda were expelled from their center towards the right arm of Orion, for the purpose of implosions in the effect of the clubs or snails, as a sublime effusion on other stars, which lost essential stellar mass, to differ from one another.

Radio-Patmos, or galactic energies of Andromedian origin, would arrive as devout prayers at the border of Skalá, such astro-omegas and Invisible Universes, which inhabit the flaccidity of the Universe of Consciousness of the pole contact with the Xifos or Kopis, when Andromeda contacts the spur of the clubs or snails, inciting the capos of Astro-Omegas spaces, which would begin to take the front and front, after having been the atrium of invisible stars, only visible in the spurs of the swords, which were only moistened with the viscous blood draining from Orion, towards Hellenic lands as Omega age, for Vernarth early when he carries the keys of the Omega World, towards the shadowy proto galaxies, knowing that the Milky Way and Andromeda come so close in their stellar mass, being able to collide in a few million of light years, in advance, since the Duoverse of Hyperdisis will be formed as a Galaxy of change, to interact with each other, dismembering, but re-transforming into the new speculative nucleus of the Duoverse as a great Black Hole, embedded in the Kardiá of Patmos.

Hyperdisis, navigates from the most ancient confines, from the origin of nothingness itself on the threshold of the Universe, but now it is already converted into the Duoverse, re-implanting itself in helical polarity, and in bifurcations of luminosity, of colorful reincarnations or astral, to consent to the cessation of darkness and valuing luminance, possessing colorimetry and chromatic steps of childish tales in infant galaxies, which in all the lives of Greece and Vernarth delivered for their ancestors, articulating the iconology of Orion, in candlesticks per square meter, in vigils of:

LV is the luminance, measured in Nits or candela per square meter (cd / m²).

• F is the luminous flux, in lumens for the Andromeda triad, Milky Way e Hyperdisis in conjunction with Orion.
• dS is the surface element considered in the triad of Kímolos, Rhodes, and Patmos.
• dΩ is the solid angle element, from Vernarth Omega and the origin of the Duoverse.
• θ is the angle between the diameter of Andromeda and the Milky Way (2.5 million light-years)

The luminance can be defined from the radiometric magnitude and the radiance without more than weighting each wavelength by the sensitivity curve of the eye. Thus, if LV is the luminance, Lλ represents the spectral radiance and V (λ) symbolizes the sensitivity curve of the Vernath's eye of the Betelgeuse area below, dumping plasma and bruises on the galaxies and the Orion Eyes.

s) Zigzag Universe

The Zig Zag Universe was and will be excluded between time and space, in a world adjusted to the senses that are driven within the contextual totality, the world and the biosphere framed in the phenomena of the Zig Zag Universe, being born on a stellar night when Our life searched the earth, being able to see how cordial matters of the cosmos caressed its cosmology, making it its magistracy and descendants of the Hellenic cosmos, in constant caresses of the universe already predisposed to the Bing Bang, emerging from another type of self-observation, seeing ourselves in the face of Horcondising anti-material and Universal Biomass. We preexist under science that models the system of energy and matter in causes of ancestors, with whom their vital and ours sneakily crashed. Gravity made great paternity in the Vernarth Biomass, being in the Dodecanese, being cosmos in its arcuate curvature, which makes us screen with the moon in its romantic astrophysical swings, and with the exaggerated geometry of a zigzag. We are the versatile and multi-dynamic mass that expands simultaneously in the head that pauses in the Nothofagus Obliqua of Vernarth's Horcondising and also time2-space2, which has not been troubled by the origin or abscess of the stars that move irregularly in zigzag, for the fractality of its component, which is clearly Aramaic blue light, in circuits of clusters and movements brushing the air, attracting the attention of the entire order of the hypnotized universe and making the duplication of the universe itself appear before them; in Duoverso that is the Universe shaken and young of its gratitude's ".The distribution of nearby galaxies are keys to the paleo universe already arranged in macro waves, which are percentages of spaces in the Trisolate energy fields, which interact with the Mashiach of Gethsemane phylogeny, now tending to a stagnant decomposed future, towards a specific frozen present. Its final station is to bet the Zig Zag Universe on the re-expanding temporal Medieval chrestomathy, in gregarious qualities of Sub-mythology, already conformed here in Archangelos. The implosion of gravity has created worlds of visibility in great astronomical yearnings, in some fractions of time zigzagged by millions of fractured light-years, as an irregularity that resembles the measurements of everything quantifiable, being omniscience or not, acquiring the hexagonality of the birthright in the passage, Here the Mashiach emerged and died in its abstraction in the One-dimensional Beams and in the foreign eyes, eroding those who are mortal and do not see with divine eyes in the self-resemblance, of our hypochondria and of the failed plan to amplify the size of the unknown analytic, of this new dimension in the implosive movement of the Verthian Duoverse. The nature of the snowflakes in Bethlehem are natural fractals, detailed in their nature and in the natural infinity, here the privileged new world was envisioned, for self-similarity in the speculative and cosmogonic functions of Vertnarth, at intervals in each space of the shadowy walls, bringing accelerated courier bombs from Gethsemane among mutated olive trees to other humans. "Its correlation is an infinite fractal with reversible observable time.

Finite is the curvature, between the time that walks between the grove of the Duo-Universe as an alternative of energy Zig Zag and Duoverso, which triggers our subconscious observable world, which is a great reflecting lantern eye, which ignores and prescribes extreme distant and focal parts of the One-dimensional Beams of Kafersuseh in Ein Karem, since the Duoverse is the trial Universe that the Mashiach had, before coming to the Holy Land, provided by his form of Hyperdisis escorting him from Betelgeuse and in Orion. Change from arduous colors to the gradient in Avant-Garde, for the confines of perspectives and verbality, in amendments of physical fields, interwoven by an external gravitational means. The macro waves, are exposed matter not contained in the abrupt changes of the optical selection of the Mashiach with the One-dimensional Beams, attracting selection crystals to atomize them, in reaction disturbances and recreation of multiform plasma saviors of Christian cosmic. The double expression of macro waves and the equation of them over the axial of the universe turned into the universe Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion energy with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all being more than time... !, remaining at the expense of the wick of all electro-matter " The double examination of the macro waves and the equation of them on the axial of the universe turned into Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all of them being more than time... !, remaining at the expense of the wick of all electro-matter. The sub-mythology having already been constituted, Hestia appears, having slept a great slumber. When he appeared before Vernarth in Tsambika, he was seen changing in size, when he was six meters away he looked dwarf and when he was already two meters from him he looked monumentally huge, but in a versatile physiognomy, therefore he was already appreciated in his last steps, with her domestic Goddess figure that emanated light-years from the chimneys of the habitable galaxies. The critical immanence will happen, pre-existing of the perfectible plan for the Universe Zig Zag and Hyperdisis, as Hyper-Hestia, bringing torn words for those who were approaching the main altar of Vas Auric, which was in the great ratio of the proscenium in the vicinity of Tsambika, between Mind / Meditation for constant mechanisms of Wisdom / Meditate, according to the cosmological constant, taking them perhaps to the beginning of a decade and the third universe called Traverse. The oscillations of all these fantasies, Vernarth observed, but he knew that he would have to collide with these worlds finally already precipitated, and of temperature that acted on the average of the normal range, therefore it was imminent to mutate it to the provisional Christian Duoverse, which moves backward. among the dizzying lights of creation. Immediately afterward, the Universe has torn apart and lost among those around it, establishing itself in units of millions of years of light compressed in the piccolo Aulos, which Hestia carried in one of its golden hands, from the prytaneion, igniting with the flames of the Kardiá on fire and the passion of consanguineous love, "Prytaneum", the omphalos stone, marking the navel of the world with the boast of wandering towards the island of Delos, in the daily warmth of a spring afternoon in Rhodes. She is a woman with veils on her face, always walking to and from her virginal abode, in the house of foolish or vestal virgins, there is no Hestia, only maybe there are some similar ones staying in the cold fire of her menopause, losing fertility afterward. that his father swallowed it, and then it was expelled from himself, regurgitated in flames of love candles in a blessed house and full of immunity, giving the Duoverse another geometric category with never contained angles, sliding vibratory between the distances that discount minutes of the Hestian space, for such a corollary by approaching its finitude, and inaugurating the sub-finite, that it will never be the source of the end of a disconcerting end of time, neither equationally consummated nor physical. "This consolidates the Duoverse into Duo-Universe, expressed in figures that moderate the length of a physical state before it is finished and restarted in a process that does not end (sub-infinity)

t) Vernarth Omega (Ω) - Preface

before facing the Achaemenides. Being Omega and Micron in the warlike primer of their cause, within the prophetic in all necropolises of tiny omega (ω), towards an Omega that reaffirmed the good hand in Saint John the Apostle by rewriting the Apocalypse twice, coexisting the same but with the voice of Vernarth commanding the ten thousand Falangists, who made up inter-generational gaps, of camouflaged alien ancestors. For this purpose, he opened the windows with their pillars sheathed with tetrachloride of chlorine, at solid angles of Ω, in what was Virgo institutionum / Aurion-entity that interfered by projections and leaks, which converged on the strut of the omphalos of his heavenly father dealing frequently and bled his immortality, constituting from a helper being to the planes of subconscious reprogramming and perspective. With his arms raised, in each hand a raised sword to pierce the vanishing point, between the spaces that were ascribed, under the solid projection, from an observer that inhibits ad limits the biomass in all the masses of aqueous filter and lumen flow, towards the throne of the angelic guardian of Avant-guard by the stereotype and sclerosis of Zeus in his dissociated physicality, even though he is an amorphous entity with pulverized magnitudes, between Pi and Golden numbers, fading away without area or volume. Vernarth in the humanoid apocalypse was transfigured from a solid point in Hyperdisis, as a direct escape settlement to Aurion, towards a surface of conical vestige in three-dimensionality towards Andromeda, the Milky Way, and the shoulder of Betelgeuse,

Vernarth distracted the emeritus stars in the corner of his room and in the convex the points of his celestial patriarchs in the conical spheres of perenniality, leaving only solid angles in each of the two parts of space-delimited by two semi-planes that start from their common edge, under the ideal geometric concept and that it is only possible to partially represent it as duplication in parallelograms with a common side, symbolizing two half-planes, making from all distances seclusion of visions in the culmination of imagination and apparent angles, seen from any point of the Celestial Vault in invisible counterpoint.

The decalcified cells of Vernarth solfying together with Sophocles in orpheons after the victory of Salamis. Already being a tragedy in the next act of the prologue and their friendship bordering on his tragedy, he continues to exist in energetic arms to write, and Vernarth to dispute the characters from a regular prologue writing with his own blood hematology verses, which traveled meters and that they shrunk from the anti-verses scarring their declaimed intra-breath, in corals that only the wind clarifies of what precedes and happens towards the suffering, in the metrics of the Areimos chorus that were lectured anti-verses, and that they tried to ****** him from the hands to Sophocles, in immortality that refined him by abandoning him in sub-units. With masks and mythical cycles, he mixed the metaphorical facsimile of momentum and the separation of friendship with him, seeing him in an episode of his works, and instead of Vernarth's transcript sheltering him in the origins of the volatilizations of his orpheons, converted into physical waves of a dramatic-oracular order. Gods re-transformed into divination and futuristic germination, they were hidden dormant and forgotten in times of subconsciousness in the Selenite collection, felt in the Colossi signs of parliamentary, where the oracle leans on the lines of vibrational words and how they cough their " páthis "in the place where the language dissociated from the heart nucleus speaks. In misguided divination, the oracular mantic brought the cold of loneliness and the fiery heat that guesses in the laurel forests in oracular daphnomancy, Vernarth omega self-erects as a versatile column that temporalizes the threads of his organic brain, creating synaptic logos in Pashkein or the alert regret of abandoning the arm that rewrites his heroic Sophoclean and tragediographic biography, in ancients transiting in disintegrated emotionality and ****** Hellenic neurotransmission, "Two omega men or omega speedometers, carrying neurons from ankylosed and frustrated herd of pleasure, for tripartite meson form of routine grinding in Alzheimer's lost, lost in sympathetic and para-sympathetic routines, with probability of Hellenic gray matter; That is to say, of all memory that does not sin of ignorance in the ancient world, in more than nineteen hours of vehemence, the dangers will brighten when reliving nth times in the twilight of omega, Vernarth, was already narrowing on the tracontero Eurydice, to save his pains, deposed in terms that would renew anti-economies by supplying unsustainable in liquefactions and in synaptic melts, extra energetic vesicle of pure natural law of the eyebrows, of lunation that rests in the inter millennium, beating with ecstasy in the Buddhist suttas, and in the adaptation of the flesh of the hypersonic fissures of the Meltemi, and attachments that still beat over the dermis of pain. Vernarth draws his sword Xifos of phenomenal structure and he cuts on the Sutta or sermon that mimicked him at the time of the lunation, doing sabotage of redemption of the anti-verse from the court of Sophocles, as a myth-saboteur and anti-value, overvaluing the wiles of the same utilitarian tragedy, conquering in the curtain of mourning and sadness, unguarded and overcome by the stoic duel of jubilation. From here Vernarth, opens the gates of hell, eight hundred times going mad with omega value, by reiterating omeganymy, creates the numbering of the anti-verse and the suffering that does not even sleep further from the departure of a soul and a body only asleep of concave omega, overlapping in golden transfinite chests, which reorder the natural numerals with the ordinal transfinite omega, but on frictionless wheels of other omegas that break in recirculation rules on alpha, in supra omega levels such as parades, stamens, episodes, and Vernarth-omega paradigmatic exodus.

Omega I Prologue: "Once upon a time, amidst a rain of clouds full of drama, in a time that was oriented regime of the armpit of Betelgeuse and Aurion, 334 BC, it was the penultimate breeze of Tsambika, in the spiritual devotion that hovered over the unison voice in the magnanimous Zeusian chorus, as an alternate event of imprisoning past and next in an episode of the present act. The expectant was curious about the retouched makeup of the drama's superlative consonant, in a disembodied place, but with a good narrative source when it came to fruition. Here the myth is plausible, among everything mythical, more than all the super sums of expectations of the Ismo "

Parod I: "For the submissive words on the stage of the trident fire, where I have to warm my hands with ashes of eternal fire"
(Directing the scenes through the coripheum, there is the master lord who, in flames and by unequal numbers, pawned in the Aulos and piccolos, whose bare feet bordered the risk of the bellies of the Maenad damsels united in processions, between princes, powers and Dionysian dances holding on to the Pufios; in Baquian and ceremonial liturgy near Vernarth, taking a glass every seven minutes in animosity, in cages of his stuck little finger, whistling from organic pimping, next to dancers raising an arm and directing the palm towards the heaven, while the other remained down with the palm towards the earth; in this position, since he was like Vernarth buried by the tides of Patmos wandering him in times that marked the entrance from Mars to Jupiter, and from autumn to winter in fifteen times agreed with Sophocles, hanging from the penultimate to the entrance with his trembling voice desalted..., tolerating himself in his own tragedy)

This is I: "Through the right hemi-body, Vernarth intoned his laterality exposed in harsh penumbras, while Hera brandished over his existentialism clouds of oatmeal and candies in a liturgy, a homily that personified the Stasis, in the choral intermission resisting his angry hands in tragic passion and frenzy, unleashing oratory of self-blame, unraveling drama-tragic, and in each pause the emotion that was accompanied in new episodes when it was stoked "

(Vernarth says: "submitted in parts that are not its parts, my pain has blinded me, where it has embittered the conflict of ethical interest if the stars as a public cheer are anointed, sentencing the opposition of other lesser stars who cheer what that does not shine. The principle of the voice violates the normal parenthesis, which is governed by itself in the omega voice, mocking the modal in four magistrates, in martyrdoms of an ideal of the procession, each one being with his super-private toga, before me It must not be who recognizes if I will be who I am, on the seventh judgment of my surviving ethics)

Episode I: "Vernarth extrapolates the values of his judgment, which override the first, the coryphaeus directs his promenade from the countryside on his Horse Alikantus"

(Vernarth says: "I have instantiated the steps that my chestnut crossed with you in the future if I am to sing with a sorrowful voice, no choir will be able to follow me when you are gone. However, I have to define what personifies who, more than a thousand miles away, carries with him the lamp that opens the light of your roguish contemplation... "
Alikantus wailing says: "From the luster of your heartbeat, I obfuscated the jailer from your ribs, for the preference of the one who takes you even further in tempestuous pro-hedonistic prose "

Exodus I: "Sometimes the endings smell like fields of lavender, where the call of the almighty is heard, to take him over his loaded plantations, which are emerging from the dialogues in the afternoon with its twilight, as well as stanzas that smell of lavender anointing, separated in syllables and tonic that flex my charm, not to say that I was anointed with Lavender when I was prepubescent "

(In fifteen times, in syllables and rakes, the sentences of its paragraphs are sterilized, leaving the audience speechless, without a gesture or word that emanates from a sacred paradise, rather from the Stasis that never purged the omission of the syllable that is not of proscenium nor trident, but it is umlauts on Omega, between syllables of fire that burn from its proscenium)

With few and precise changes of consciousness, Vernarth approaches his Omega Point, as the end of his self is identical to his consciousness. He was leaving Tsambika and Kímolos, diligent towards Theoskepatis, warning Etréstles for defiance goods in the aftermath of the Eschaton. His spiritual cerebellum faded identically when he wandered through the distances of the entities that competed and are prominent, transforming his Hetairoi reliquary, here his tendentious impulse begins and dehumanizes him by becoming a Celestial entity, but with Noosphere endowment. The tendencies are established hyper-connected, with him Tsambika, Theoskepatis, and Patmos were triangulated for consummations and finality from the rudiment of Universal deity, reprogramming the end of restricted humanity to a mere boundary of dogmatic morality declared existential.

Within the Omega points, his unfolding acted as a disembodied statue and redemption of similarity and humanity, leading him to a self-conspiracy, by abandoning himself to his own equal, for the duration of the final sulfurous sublimation of the Cinnabar's margin of abstraction, after joining in all the quantum, physical and biological lines, making the Duoverse an inter chamber of the prior Master in a process of change, to sensitize his image of physical-chemical Man, but of God in his rigid powers. Cataloged as hommo sapiens who expresses himself in fallen beings under the arms of his sword in a limpid target, rather than in his own pointed tongue, and steely towards the point of unification in the hyper-dimensional of good achieve spatiality and volume, only contacted by his devoid of a Xifos hand. Consciousness rarely loomed in its compendium in nth bytes and data, much more than those recirculated in astrobiological quantum, creating blind exclusive and patrimonial universes, on the basis of nth bytes, which kept reorganizing itself in the personality of the unknown, fewer than four bridges of consciousness united in their own gregarious universe. The transcendence of the basic data of consciousness will lie in the Maenads, and their deliberate acre magic, extending through the limbs of the Nymphs, to re-possess it and take them to the confines of mystical paranoia, perhaps towards the embodied Vestal Virgins, purging their paths that they notice a variant of licentious departure in the stanzas when seeking final swings, which are not for the sake of shedding everything before the Universe rescinds its intellectual limitations, contracted in an orgiastic Imaginary Universe, and the precariousness of the concept transporting us to the origins of the species and its behavioral rapture of loss of sensation, and reason, for this reason, Vernarth takes them with him for his ******* and alienated perceiving of inherent reality and its opposite sunset. The ministry of the sacramental mystery is the consciousness of the Dionysian being in gestation, wanting to be the paroxysm of its equivalent, in an eternal Omega effect, for the purposes of omeganymy of conscious chaos, being the same portion of omega ad limit of its secondary reluctant personality of being, to found the hermit solitude on his revived empty ego, residing in his being by bilocating with two idiosyncrasies for a Venarthian Thiasoi, succumbing to weightlessness over all the Maenads and the intoxication of community in its opacity,

The madness was a transcript of reasons lost by the Vernarthian Omeganymy, sometimes the disproportionate of his steps by more than what should be generated was objected to in the circles of the Tsambika monastery. The unification of blood was confused by the viscous wine of the mysterious foliage of the Diospyros tree that led them through the enigmatic unaware, in primary practices that tore apart some somatized ones of the order of a third body, which still transmitted the last organic matter, refusing to spread at the omeganimic points. The consciousness of replicated beings of themselves challenged themselves towards the perfect copy of their transcendent alter ego, in an understanding of the present-future elucidating for whom or those who demystify the visions of an arbitrary creation, allied to the evolutionary myth-truth, in the face of any real and human maturity gap, the conclave of the near pious Christ, bequeathed in us and in the venerated hominization, at his sole and directional will. Now we are all in the aqueducts of Christian Science, for specimens of eternal categorization and frontally in view of a God-Mashiach, as ordinal inclusion and in greater ecumenical diversity, with variables of independence range, for staggering motor skills, retaining the attention of all the powers of the Christian world at an Omega point that seemed to be Alpha. The sense of the Duoverse in Vernarth Omega makes us rethink the central phenomenon of thought and frustrations, by the socialization of distant species from prudent dogmatic ostracism, towards refractory empathic and ultra-rational reasoning.

The supra intelligence has to become in them and those, the pre-existing point of duality, to reunify them in Patmos, as the only spirited meaning, and biomass evolving on the super-dimensioned materiality, in a greater radius where it will have to be delivered to whoever speaks with words. of living energy, and not complex towards all processes of emancipatory concord of personal authorship, on levels of relative lust in the absolution of medium integrity, and towards an elemental unitary totality of animal instinct guarded by the instinct of Being, that from its similar awakened rebirth of the sleeping mass matter, and in the animal purifying multiplicity. The man stands in his memorandum bend, like a haughty memorial, evolving in the cosmic expiration of the molecular transverse, admitting us in its vestige of complex extinction, but not in human slip, nor in acid and self-instituting scenery, on the real creation of its DNA, which reverts from the formality of helical reiterative rings, by heights of whoever oscillates in their coupled pairings, and their silent probable associations, in the nature of real origin and their structural perfection. The acceptability scenarios derive from the feasible concretion, and the approval of their tendencies and mobilizations of the structure of life, and codes greater than those that limit them to reside, to more than one body, residing from an incorporeal body, capable of its quantitative life and the extension of existence, super existing in the heights of the helical rings, which may vary more than they are, and which could be, without being seen under a scientific gaze. "Becoming a mechanics of maturation and prayer, which the energy from the material world to the spiritual, as a moving particle of inert matter in parasitized free radicals, which are re-energized by the mystery of the helical trans-threshold of the Aramaic mystery of the Olives Bern. "Vernarth disintegrates in omeganymy in laxity towards Aurion, descending pro-tenebrosity towards the profanity of Patmos, engulfed by Love in a dark summer, brushing the silos of DNA in the will of the automated world"

Loyalty is something that is earned. Loyalty is built on trust.
We each must be loyal to our own beliefs and our own selves,
   before we can be loyal to someone else.
To be loyal to someone means that they have not violated your personal values
They must earn support by being there when needed.
Loyalty cannot violate a person’s choice between right & wrong.
Asking me to lie violates my ethics; do not put me in this position.
If someone is doing drugs, I am being a loyal friend when getting you help.
A loyal friend does what is right, even when others feel it is disloyal.
If I meet you today I cannot be loyal because I do not know you.
If I have known you all of your life, I may not be loyal to you because of past interactions.
Overall a combination of time and actions affect loyalty
To separate these two does not work, for true loyalty resides in a combination of both.

Assisted suicide?
Physician Assisted Suicide is the process of a doctor providing the necessary sleeping pills/lethal dose to allow a terminally ill patient to perform the life ending act. In the United States, all but four states have made physician assisted suicide (PAS) illegal.When in a situation a terminally ill patient is in, they should have the right to commit a physician-assisted suicide.
In 1994, the state of Oregon enabled the Death With Dignity Act (DWDA). With 51% voting in favor of the act, it gives terminally ill patients access to PAS. Attorney General John Ashcroft challenged the act by saying it was not “real” and that allowing doctors to do perform that, violates the Controlled Substances Act (CSA). CSA protects the regulation of doctors from performing unauthorized distributions of drugs and drug abuse. If doctors are able to assist suicides, through Ashcroft’s claim, they would be using drugs as an abuse. In the Supreme Court, petitioner Paul D. Clement argued in the case about the violation of CSA, with 6-3, “we conclude the rule is not authorized by the CSA, and we affirm the judgment of the Court of Appeals” (Gonzales V Oregon).
Patients of irreversible illnesses often develop disorders that go underdiagnosed causing them to live a life that isn’t happy for them or their family members. According to Dr. Fine of the Office of Clinical Ethics, terminally ill patients usually get depressed when dealing with intense suffering. When the patient is depressed, they may not respond to treatment as expected. If the patient is not responding to treatment well, the doctor may up the dosage of medication or consider adding antidepressants, causing the patient to be reliant on medication for the rest of their life.
Patients who receive a terminal diagnosis usually experience high levels of anxiety.  According to Dr. Fine, anxiety can cause problems such as, agitation, insomnia, restlessness, sweating, tachycardia, hyperventilation, panic disorder, worry, or tension. Sleep deprivation plays a huge part in the anxiety the patients feel. The patient’s sleep is often interrupted many nights and several times to get their blood pressure checked, blood withdrawals, checkings of veins, etc. Because these medical requirements can not be withheld, many doctors may feel the need to heavily sedate the patient to make them feel lucid during the day time.
Studies have shown that patients of terminal illnesses fear that they’d burden their families. The patients feel, “grief and fear not only for their own future but also for their families’ future” (Johnson), researchers say. The feelings of being in the way can cause emotional, physical, social, and financial problems. In  doctors Johnson, Nolan, and Sulmasy’s research, they found that feelings of burden are most likely to affect emotional symptoms, quality of life, and patient satisfaction. Wanting to feel like they aren’t a burden to their families and society was most important to patients seen by the doctors. The research the doctors conducted found that out of a list of 28 qualities, the wish to not be a physical or emotional burden on family, 93% of respondents said that this was very or extremely important to them. The doctors made three categories of experiences that were related to “self-perceived burden” (Johnson). The first one being “concerns for other” (Johnson), then “implications for self” (Johnson), and last being “minimizing the burden” (Johnson). Feeling like a burden can cause “empathic concern engendered from the impact on others of one’s illness and care needs, resulting in guilt, distress, feelings of responsibility, and diminished sense of self” (Johnson).
To let a patient commit an assisted suicide means, they’re freed from pain. To force someone who knows that their time's coming to an end quickly when they do not wish to be in pain anymore should be a crime. In Epidemics, Book 1, it states, “practice two things in your dealings with disease: either help or do not harm the patient”, by allowing the patient to continue their life is harming them, all physically, mentally, and spiritually. Doctors take an oath, the Hippocratic Oath when practicing medicine. In the oath, there is a phrase that says “Also I will, according to my ability and judgment, prescribe a regimen for the health of the sick; but I will utterly reject harm and mischief”, if the patient has considered an assisted suicide, they’ve been in too much pain and wish for it to end. Refusing them the help causes them more physical and emotional pain; physical being the illness itself and emotional being the feeling of being a burden.
Patients with terminal illnesses have the right to commit assisted suicides because it allows them to end their life from something no drug would be able to fix. With the illness being irreversible, dragging it out will cause both suffering and financial problems. Terminally ill patients have the right to die with dignity. Dying by choice will let their loved ones know that they are ready and have accepted their fate, easing weight off their families shoulders. Having the ability to die will portray the patients as human beings who want to make one last decision before going rather than people who are laying in a hospital bed waiting to die. A patient knows that the doctor’s job is to relieve pain, with a doctor refusing their wish, only cause distrust in their relationship. Letting assisted suicide would allow their families to begin healing. By refusing the patient their right to die, forces them to live a poor quality of life no one would ever wish upon anybody. It is in everyone’s interest to let them go. Doctors have a responsibility to make the patient happy and to relieve them of any kind of pain, letting them go is relieving them of the pain they wish to no longer feel. PAS gives them the ability to go happily and contently.

Trigger warning : aggressive ****** encounters, ****, violence

Walking down an empty street in London, I‌ was drawn to a crumbling, empty church. It's as if ‘decay’ was written on the walls. A sight unseen, I‌ just had to explore. It looks as though no one has been there for years, decades, or maybe even centuries. Wooden trim adorned the boarded up windows and an altar like a hidden stage lay in the very front. Layers of dust coated the floor. Two balconies towered over either side of the altar and what was left of the chairs sat facing the front of the church. The room was almost a half circle, drawing the attention to the front altar. The ceilings seemed to rise for miles and the windows cast haunted shadows on the floor. Everything is dingy and dull in color, as if it was a forgotten coloring book page that has faded overtime. As I tiptoed across the floor, I inspected each little thing almost in search of a lost treasure.

The energy is strange, almost as if it had been frozen in a paradox of time. Everything was left as if they fled in a hurry, untouched by the passing of years. What was it about this place that I was drawn to? What community used to worship here? What happened to them that left this church in this state. I‌ wasn’t sure I would find out the answer to any of these questions until I‌ spotted a dusty old book on a table by the door. Inside was a language I‌ did not know and notes scrawled on the page margins in pencil. “Gratias agimus tibi propter Princeps tenebris, princeps infernum.” it read. Was this latin? That might make sense as many of the Christian religions’ texts derived from the latin language. Since google is a thing now and we have an infinite access to so much information, I decided to give it a go.

‘We worship thee prince of the darkness, ruler of hell.’

I don’t think this was a Christian church…

As I‌ read these words aloud, a whisper seemed to escape from the walls around me. Carefully, I continued to explore, making sure to not disturb anything. Toward the back of the room was a wall trimmed in wainscoting dusted in a faded brown stain. A large hole was torn through a space on the bottom and a faint light flickered from inside. Was I not the only one here?

Next thing I‌ knew, I‌ was on my hands and knees, crawling through this hole. Why am I not able to control myself? I‌ should have left the instant I‌ read the inscription.‌ Something tells me that someone wants me to be here. Through cobwebs and rodent dung, I‌ reached an opening and stood up. It was a room with dirt walls and floor. There was a single oil lamp lit on a desk across the room. The furniture was skewed about and a questionable, almost luminescent red powder on the floor across the room. When I‌ got closer, I‌ also noticed the shards of glass spread on the ground around the powder. I reached down to touch the powder. I‌n the blink of an eye, I‌ was across the room, wondering what had happened. Before I‌ could even form a full thought, there was movement from the hole in the wall I‌ had just climbed through. A‌ little boy appeared, no older than 8, dressed in ***** wool trousers and a half tucked in, stained linen shirt. He wore a newsboy hat on his head that had certainly seen better days. On his shoulder was a worn bag which looked to be carrying something heavy.

“Hi there. My name is Anna. Are you lost?”

He walked by me as if I‌ were a ghost.

He was looking around, almost searching for something.

“Wh-what are you looking for?”

He made his way to the desk in the corner with the oil lamp and laid his bag down on the chair. He looked under and around with a near disappointed look. What was he trying to find? His eyes suddenly widened and he darted toward a nearby bookshelf, pulling down a crystal decanter from the top shelf. It was full of that same ghastly powder I saw before!‌ I‌ turned to look at that spot on the floor, only to find it clear and no broken glass scattered. To my surprise, the decanter came hurdling across the room, right passed my head, and smashed into the wall. I‌ turn quickly to see the little boy and he was gone. I blink and again am across the room where I‌ was before. I‌ shake my head and rub my eyes. What just happened? I‌ should really get out of here - I don’t think its safe to be here.

I‌ turned to leave but caught a glimpse of the little boy’s bag on the chair. Why was this still here? Why wouldn’t he take it with him? I‌ had to see what was inside. I picked up the bag and pulled each item out; a rock-hard loaf of bread nearly mummified, a small black book on elementary mathematics, a very old key, and sort of spherical item wrapped in a brown cloth.

I‌ removed the cloth to reveal a black clouded crystal ball. As soon as my hands touched its surface, I blinked and I‌ was out in the main room of the church with at least 30 people lingering around their chairs talking. I was no longer holding the ball, and everything had a bit brighter of a color to it. The room was still dark but the windows were not boarded up. There still lie some rubble on the ground but much less than before.

“Uhm, hello? Who are you? What is happening?”

I reached out to one of the people and they said nothing - they didn’t even acknowledge my existence. Everyone was dressed in very old clothing. Corsets, bustles, and shiny leather shoes. It was as if I stepped into a chapter of a victorian era book.
Despite the demeanor of the patrons, their clothes were still a little worn, torn, *****, and drab. Everyone carried on their conversations in a reasonable tone until a bell rang - everyone found a seat.

A lanky gentleman appeared at the altar in black clothing and spoke to the crowd.

“My fellow followers of Lucifer, I‌ beseech thee to bow down in worship to our almighty prince. He hath lead us to the depths of the fire and bestowed on us the power to destroy life itself.”

Each person knelt down and faced the ground in what I‌ would assume is reverence.

“For over a thousand years, this temple has held a dark mass for our dark lord, in which we show our dedication to his unholiness in the form of a sacrifice. Who among you has brought a gift to Satan himself?”

A petite, young, beautiful woman rose and approached the altar. Her head bowed in reverence and a veil over her head, she held out her arms. The man took a small item wrapped in a brown cloth from her and set it on the altar. They continued their ritual by spreading what I imagine was blood along the edge of the altar in a circle. As the man worked, the crowd of people mumbled in unison like a prayer. I watched from the side, trying to understand why I‌ was here and why no one would speak with me.

“Ma’am, what is this place?” I‌ asked a nearby worshiper. She said nothing.
“Excuse me,” I‌ nudge a young man to her left, “what is everyone doing?” He did not even look at me.

The mass continued in latin and I‌ watched quietly in confusion.

Nearly an hour passed and the mass seemed over. The people start chatting away as they had before and the gentleman at the front makes his way to the back wall where the hole was before. The young woman stopped him and asked to speak. I follow them to the back of the church. The gentleman quietly opens a door hidden in the wall right where the hole was and they walk in. I sneak in with them as the gentleman closes the door.

“Elizabeth, I am glad you came today. I was starting to worry that your faith was wavering. You haven’t seemed yourself lately since that human left.” the gentleman addressed the young woman as she sat in the chair by the desk. Everything was neater now and the furniture was placed in a purposeful way, much like a room in a house.

“Jonathan was the love of my life, Cain. I miss him every day. I don’t wish to go on in this world any longer.” Elizabeth squawked back with tears in her eyes.

Cain goes to comfort her, sits with her, and holds her in his arms as she sobs gently. He offers her his handkerchief and she accepts gracefully.
“Darling, you have so much more to give here. Lucifer needs your fortitude and dedication. But most of all, I need you.” He says, wiping a tear from her cheek.

As she rests her head on his shoulder, I look around the room. The powder is no longer on the floor and the decanter is on the table. I turn my attention back to the couple and I‌ see him kiss her softly. She turns away,
“Cain, please…” she whimpers, “I am not ready for this yet.” Cain nods and stands up. He walks across the room to a metal bowl with a pitcher and pours a glass of water.

“You should leave, Elizabeth.” he states without making eye contact. “You have no business being here if you will continue to cohort with humans. You have been given a dark gift that you are wasting away. You have been made beautiful to be a glorious gift to our community and you have disgraced us by your unfaithfulness.”

Shocked, Elizabeth stands and walks toward him with more tears in her eyes, “Cain, you know I‌ love you. I‌ want to stay with the community, to contribute and prove my worth. Please give me a chance.” she sobs.

He takes her in his arms and calmly says, “Elizabeth, you know what you must do. You know your purpose. You are the source of intimacy in this coven. You are our only hope to offer what we have to Lucifer.”

Elizabeth sighs and softly agrees. She looks defeated, tired, sad. I just want to wrap my arms around her and tell her it will be okay. I‌ blink back tears from my eyes. As I open them, I‌ am back in the main room surrounded by people. Cain is standing at the altar beside Elizabeth who is dressed in a beautiful black lace gown and veil. Cain lifts the veil from her face and kisses her neck. Her expression unchanged, still flooded with defeat. Cain starts to unbutton her gown. What is happening? Why are all these people watching this? She doesn’t look happy… why is no one stopping this? Cain starts to aggressively remove her clothing until she is standing bare and vulnerable in front of the crowd.

“What are you doing?!” I‌ scream.
“Leave her alone!” I‌ run to the front to try and stop them but I‌ am invisible.

As Cain removes his trousers, Elizabeth stands there calmly but with deep sadness in her eyes. He motions to the altar and Elizabeth lays down. Cain climbs on top of her and starts to penetrate. He begins aggressively … well there is no other word for it besides ****. He is ****** her. Her eyes fill with tears but she blinks them back. He gains speed until he finally ******* inside her. She blankly stares at the ceiling and a single tear rolls down the side of her face, landing in her now unkempt hair.
Why? Why did this happen? What is going on? Why did no one stop this?
A man in the crowd stands up and walks to the front. When he reaches the altar, he begins to undress.

No.

Not again. There is no way. Why would they be doing this? Why is no one stopping this?!

Man after man after man violates Elizabeth while she lays silently on the stone altar. I am sobbing now. Why am I‌ powerless? Why can’t I‌ stop this? Why is this happening?

What seems like hours pass of this horror and Elizabeth finally stands up. She puts her gown back on and replaces her veil. Cain stands beside her and grabs her hand. He recites something in latin then repeats in English, “The marriage of the many.” They begin a ceremony similar to a wedding but instead of a groom, on the altar lies the decanter of powder.
The ceremony continues and I can hear Elizabeth faintly sobbing, “Jonathan…” she whispers. She blinks back her tears and looks up. She sees him standing by the door, tears off her veil and runs to him. He was not there. Men from the crowd drag her back to the altar. She is screaming, “I‌ won’t marry him! Jonathan has my heart. I‌ would rather die than give myself over to Lucifer!” Cain hits her across the face leaving a throbbing red mark.

She cradles her face from the pain as Cain yells,
“Don’t you dare disgrace us! You are the ultimate sacrifice to our king and you must obey!”

Cain drags her back to the altar and chains her down. He pulls a knife from his belt and lifts it in the air yelling, “To thee I‌ offer, oh king of hell, this sacrifice of violated innocence. Come forth and bestow your gifts upon us as we offer her to you.” I‌ lunge forward to try and stop him. Just as he is about to plunge the knife in her chest, the decanter on the altar opens and the powder bursts into the air. A loud voice bellows through the church,

“You dare disgrace this innocence. An offer of such little worth hath no result for a coven such as yours.” A strong gust of wind throws Cain against the wall. The blow kills him instantly. The crowd bursts into chaos. Elizabeth, still chained to the altar, is hysterically sobbing and trying to break free. From the cloud of wind, a man walks toward her. He is tall with dark features. He has deep black eyes and a chiseled jaw line and body. He walks to her. Elizabeth looks up and is speechless. The man crouches down to unchain her and kindly helps her up.
“They hath defiled you, oh innocence. For this they shall burn.” He speaks in a deep voice. He extends his hand and half of the crowd turns to ash. He looks into her eyes and kisses her neck.

Elizabeth looks to the ceiling with tears in her eyes and mutters, “Please don’t hurt me…”
“Why would I hurt the most purest gifts my father has given the world?” He says as he holds her face. “I have removed the human from your life to clear your path to glory. In my father’s spite, we will be betrothed tonight. You shall rule hell beside me and bear my children.”
She sobs, “You … you killed him? I loved him!”
“Girl, you know nothing of love.” He says flatly. She looks at him in surprise, tears still falling down her cheeks. Chaos is still roaring around them as the crowd tried to escape the hellfire. “These filthy creatures are not worthy of your power. You belong to me now.” She tries to break free of his grip but he is far too strong for her. He lifts her up and lays her on the altar and begins to overtake her as she cries.
I stand to the side helplessly. Sobbing with her. I close my eyes and wish it over. I‌ want to leave now. I can’t take this.
Silence. I open my eyes to the sudden stillness and there sits a pregnant Elizabeth in a dark, empty church. Tears are gently running down her face and I realize that I‌ have not yet seen her with a smile on her face. Lucifer appears to her and holds her in his arms. I can’t hear anything. They are speaking but there is no sound. He lays her down and she yells - she is in labor. A small bundle wrapped in a cloth is delivered and the dark lord holds it in his hands and looks down calmly. Elizabeth stands up behind him with anger in her eyes. She pulls a knife from her cloak and plunges it in his neck. He drops the child but Elizabeth reaches to catch it just in time. She runs to the door with the cloth in her arms and slams the door behind her. A furious Satan rips the knife from his neck and runs to the door. He slams on it with his fists and yells. I‌ still cannot hear.
I blink and see Elizabeth on the steps of a church, crying softly. She gently lays the bundle on the door step and runs away. A woman appears at the door and picks it up, cradling it in her arms.
I‌ blink and see Elizabeth back in the church, holding the decanter and stealthy creeping around the corners. She turns around and Lucifer is standing there.
“You have betrayed me. All freedoms have been stripped from you. You will no longer sit beside me and rule hell. You will be caged and retained for only reproduction. You WILL bear my children and I‌ shall take them from you, never to be seen again. This will continue until I‌ have used the last of you and then you will be destroyed.” He exclaims angrily.
Elizabeth stands straight up, holds the decanter in her hand and yells, “I‌ banish thee, Satan, to the confines of this prison. You shall never again walk the face of this earth.”‌ As she opens the lid, the dark lord plunges the knife she used on him into her chest. A gust of wind engulfs him into the decanter. Elizabeth drops to the floor. A‌ knife in her chest, she struggles to put the top on the decanter. She crawls to the wall where the door once was. She begins to peel away the pieces of the wall weakly. She works in pain for what seems like hours until she makes it into the room. She drags herself over to the bookshelf and hoists herself up. She places the decanter up as far up as she can and tries to cover it with a cloth. As she reaches, she falls. Upon hitting the ground, she fades into dust.
I‌ stood there silently, shocked. This woman. I feel like I‌ know her. She is so strong and brave. I‌ am in awe and also in tears. I‌ collapse to the ground in the dust she left behind. I‌ mourn her, her hardships, her life. She deserved so much more.
I open my eyes and I‌ see a little girl, maybe 5 or 6 years old enter the room. She looks around. I yell, “Leave!‌ This place is dangerous!‌”
Bewildered by the things around her, she wanders to the bookshelf. She looks so much like Elizabeth. Could this be? Could it be her daughter? She is holding a small bag. She sits down at the desk and opens it. Its her lunch. She begins to eat and continue looking around. She sees the light from the oil lamp gleam off the crystal decanter. Excited, she pushes the chair up against the bookcase and climbs up. On her tippy toes, she manages to reach the decanter. She sits back down and twirls it around, moving the powder from one side to the other. A small amount of powder escapes in a puff. You can hear a whisper, “Victoria…” I‌ hear. She hears it too.
“Hello? Who’s there?” she squeaks. She puts the decanter down and walks around. She turns around to return to her lunch and is greeted by Lucifer himself, though she doesn’t know this. He is weak. The remainder of his strength lies in the decanter. He can’t speak. He grabs her and yells - she screams and breaks away from his grasp. She takes off in the other direction and crawls back through the hole. She looks behind her then darts toward the door. He is standing there in front of the door. He waves his hand and the large metal door bolts shut. She stops dead in her tracks, stares at him for a moment, then takes off.
Frantically running through the church, Victoria is trying to find any means of escape. Tears in her eyes, she evades Lucifer’s grasp several times. The windows are boarded up, the doors are bolted, and it seems there is no way out. Suddenly a little gleam of light comes from above. The balcony. She starts toward the wall and begins to climb up the trim as quickly as she can. Lucifer is close behind, yelling but unable to speak words to her. She reaches for the balcony and pulls herself up.
Suddenly I‌ am outside on the balcony and Victoria is reaching for the railing. She is reaching for the light. She is reaching for me. She looks into my eyes and yells, “Help me! Please!” and extends her hand. Surprised that she can see me, I reach out to grasp her hand but before I‌ can get her, she is pulled screaming back into the church. I‌ lunge forward to pull her back but land on the floor of the back hidden room breathing heavily. I stand up and dust myself off. I am in the middle of the powder and glass that was on the floor. I grab the book I‌ found and start to run for the door. I‌ can’t get caught by him, he will **** me. A thousand things are running through my mind. I crawl through the hole and head toward the door. Something compels me to look back as I pull open the door.
There he stood.
Staring at me.
“Daughter, fear not. I will find you and we will rule together with your sister.” He says.
Daughter? Sister? Who am I?

White body kills Black body
But no body saw a thing.
Every body has an opinion
But no body has the truth.
White body thought that it could
Beat the blackness out of Black body
But Black body stayed black.
Black body cried out,
"Some body! Please! Help!
This violates ****** rights!"
But still, no body heard a thing.
White body has weapons
It inherited from its ancestors:
            Police
            White Privilege
            Justice System
            Freedom
            Hypocrisy
            Lies­
            Gun.
Black body had a weapon too:
           None
White body stays free, remorseless
While Black body lies in the ground.
White body's name is America.
Black body's name was Black Body.

Oizys, son
From behind the leaves, I saw you, trembling
In your presence, your power strengthening
In the empty, midnight parking lot
While the street lights hummed
And moths danced around your illuminated frame
You turned slowly, onyx eyes of shame
And dirtied bare feet, male hair long and white
The street lights flickered when you blinked and cried bitterly
And I saw, for my first time, the eyes of Misery

Achyls, daughter
You were in an empty field
No premonitions did you wield
An ancient silo in the distance
Leaning over a chasm black lamb
Dark skinned, dressed in black robes
With tribal painted face
Digging earthen fingers into its black lace
When you looked up, I saw your cloudy eyes
Churning of a storm, cataract yet wise
Your lamb had absent vapored eyeballs
The Mist of Death made my skin crawl

Hypnos, son
Secluded in a cave by the sea
A silent, empty place to be
While gray waves crash into jetties
The clouds gather in the distance
Poppies at the mouth changing time in an instance
I go in your palace and rub my cold skin
For pulsing blue glows from deeper within
You, a lanky youth, with thick brown hair and heavy eyes
Sit there with a paper mask
Illuminated by the penetrating glow
In the center, surrounded by whale bones
Humming a song I remember fondly
You trapped me in your Dreams, singing lullabies softly

Eris, daughter
Violates a bedroom with utmost hate
There are paintings of kings and statues of satyrs
Pillows of silk and animals on the walls
Usurping the gold clawed palace
Silent but kicking and throwing with malice
With black skin covered in a chalky white substance
I peek through the crack in the mansion’s door
Lips formed in a silent shout, you notice my presence
Naked and bruised and plagued with no voice
Suddenly stops and lays against a ****** wall
Through your electric black hair
And fiery red stare
I witness a Child of Spite
Woman of Strife

Nyx, mother
I am a crawling shadow of trees
And wicked heart of night
I am the wax on the cold leaves
And the glow of the moon’s light

These days Jesus is a smoker
With an invisible cloak
Running on a schizophrenic rainbow
While we search for artificial paradise
To appease our soul’s appetite
It’s a kind of bottomless fall
Our chaos creates stars
As we walk through the dark forest
With all the timid insects
And aging is time travel
Cause soon you’ll be your parents
There’s an avalanche of power
That violates our psychic peace
When your only friends are dead people
And self-worth is in another’s mind
We need a fortress in our hearts
An anchor to reality
And a lighthouse of wisdom
Cause if no one agrees with you
You must be closer to the truth

the Hail Mary transgression:
falling in love with me when it crosses over the line

guilty of the same, so even when I condemn the errant woman,
with an ice block from a Northeastern pond of no soft forgiveness,
which is still and yet, the only cutoff ending appropriate

but you woman, deserve to learn that
emboldened fantasy that crosses broken bold lines,
is a jagged rot that doesn’t cure the dreamy unreality of
the-cannot-be,
it’s pouring hot water on scalding burns entrenched

guess time to share that your fantasy is the
number one commandment
that this boy also violates routinely so he has a phd of experience,
and the burn proofs when he thot he too could be,
Cervantes, the knight errant, lover of the impossible woman

I, guilty as charged by “The Duke,” am an idealist and bad poet,
so many poet-women here I secret cherish at levels that are nonsensical, absurd, ludicrous
and hold the fantastical fantasty of them dear,
so close and so near, so mine

wrote them each love poems, and they know it,
now, here, in my confessional booth,
my priestly punishment always the same,
ten thousand Hail Mary’s,
but I cheat the cohen priest,
and just write another poem,


this one is about the line that never can  could  will be
crossed, hail mary!

Rudolph was differently -abled
As nearly everybody knows.
He suffered discrimination
because he had a nose that glows.

All of the alt-right Reindeer
Were bigoted and called him names.
They never let poor Rudolph
Participate in Reindeer games

Then one foggy holiday Eve
O.S.H.A came to say
“This hostile workplace violates rules
There will be hefty fines to pay!”

Now all of  the Reindeer hate him
but learned to hide it carefully.
They just spent two weeks in training
For Reindeer sensitivity.

Teacher: Alright Panda what are your Favorite colors?

Me: My favorite colors are Red and Black

Teacher: Interesting colors Panda, why are those your colors?

Me: I honestly doubt you want to hear the answer to that.

Teacher: Come on Panda, tell the class why those are your colors.
--------------------------------------------------------­---------------------------------------
In my head the decision warred to tell but then my life was already hard enough as it was......More and more my demons wanted release so finally I gave in prepared for the looks, name calling, and lonely life again.
----------------------------------------------------------­-------------------------------------Me: you really want to know  why?

Teacher: Very much yes, we would

Me: Ok then, Red and black are my favorite colors for their meanings.

Teacher: And what are their meanings?

Me: Red, stands for The blood that is shed during death, The blood that I shed when the knife glides over my skin, The blood that can be heard rushing through your veins when the fear becomes to great....The blood that your heart leaks from the poorly covered cracks from being shattered so many times....

Teacher: (Gulps) And what about black Panda?

Me: Black.....My true color.....Black, stands for the darkness and destruction warring in my mind, body, and soul, The darkness after death, The darkness in my heart from all the hatred thrown at me, The Darkness and destruction from my inner demons who keep warm and safe at night, The Darkness that one day we will all see, because nobody can escape death....Hes one bad-*** ******* who always gets his way....Those are my colors....The colors that make me and I stand for...

Teacher: Ummm....Very...Very Interesting Panda (Gulps and steps away) You know I think it's time for lunch why don't we all go to lunch yea? ( Scurries away)

Other students: I told you she was a freak......Crazy......Belongs with the dead if you ask me.....She talks about demons so much I would be surprised if she wasn't one.....

Me: Smirks You guys should learn to keep your opinions to your self, they might get you hurt one day.... (Get's up and walks out the door leaving a note for the others)

*Note- "Roses are Red, Violates are blue, Red like your blood, blue like the sea....Keep on talking soon you will all see who the true demon is and hey it just might be me." Yours truly Panda <3

2am Friends

winter has set the boundage, bars of chill, escape-urge killers,
self-imprisoned by our ruthless timidity, that both comforts yet,
worse violates our truthful, unwanted inadmissible-neediness by
purging the touches and the knowing kindage, this then,
this preface, your reminding of-as-of-yet untouched,
half-invitational, half-regret, half-cursed, whole red need for
2am friends
to fill the void that poems can n’ere fill

1/1/18

Roses are red violates are blue
Like a rose with no more thorns
Your gaze makes me no more blue
Days I spend hoping to meet you
Nights I dream of holding you too
Battered, broken and a little shy too
How do I do it, how do I get to you
You’re beautiful, cute and classy too
Hope I can be the right one for you

Muslims are not to date.

But you've seen him kissing Kate.

Zayd, Khalid, Luqman don't care that ALLAH tells us to wait.

They flash their sinful pictures straight.

Without shame, a number of my brothers show children watching how to fake mate.

Selfish, self-centered, I do what I want to do is happening at a fast rate.

Most of them who date know ALLAH regards their actions with hate.

Persistence to do wrong, to fake date Kate, prevents them from moving in a direction that is straight.

Maybe their children, ones they were never told about would have entered the world as ******* late.

Maybe their done away with babies would have exited the world as ALLAH'S slaves who used Islamic knowledge as bait.

Before marriage it is said, I love you, You're hot; Kate steals these phrases from the role of a wife and uses them to increase her heart rate.

They share a bed and have *** but what they want not to know is that they fornicate.

A load of grave sins they accrue and a heavy punishment from ALLAH if they do not feel guilty, if they do not repent, if they do not end what they perpetuate.

Many practicing Muslim maids want not to marry them. Little do those who fake date Kate know that their actions likely got in the way of GOD'S good fate.

That their use and abuse of ALLAH'S fashioned female and a Father's beloved daughter, violates her like how a dog with his razor-sharp teeth on her arm viciously ate.

He and Kate with memories to relive the sores and bruises, the trauma and incidents of disobedience which cut off grace from ALLAH, The Great.

You're going to make wait late.

You're going to fake date Kate.

He is my least favorite vegetable.
                                                   
                       No amount or level of preparation makes him taste better:
Boiling-
brings out his bulbous, insipid ego
the texture of his flamboyant ignorance.

when I timorously sip him in soups or broths,
his oozing insidious misogyny
contaminates my blissful dining, contorts any ingredients still pure.

I fry him, striving to remove the  
excess of impertinence which
permeates the oxygen I feebly inhale.
but he evades my maneuvers:
usurps bliss and violates all semblance of tranquility

I cannot prevail
against the throb of his assaulting narcissism

I must instead attempt
to comment
(arduously, fraudulently)
on the delicate iridescence of his silkily mucoused membranes
and admire deftly
his indefatigable ventures to pervade my
every.
serenity.

To the men who talk down to me
As though I am helpless
Because the parts of my body.
You do not know the meaning of helpless
Until you are being stared straight in the face by fear
Like looking down the barrel of a gun
It's hands strapped around your breathless throat
Point blank range
Eyes closed.
You wait for it to fire
You know it's coming
Words, usually starting with
"We need to talk"
Or
"You better sit down."
You know it can't be good
As tears fill her once shining eyes
And those stars fall into the ocean.
Then you learn very quickly
Almost by instinct
That everyone you love must die.
Helpless is when comforting your mother
Makes you a seamstress.
Stitching her together while you yourself are composed of
False hope
Fading memories
Fear.
Helplessness is when behind this gun is the face of a man
A man you prayed you could trust
But he violates you
Colors your view of the opposite ***
From the time you are seven years old
He ties the noose that you continually hang yourself with
In the years to come.
Helplessness is when you tell yourself you have moved on but
No matter how much therapy they inject into your veins
No matter how many drugs they try to numb you out with
Influence spreads like a virus
Into every area of your life
But since you have become so distantly removed
So adamantly avoidant of this looming secret
Like smoke rising to the ceiling
You notice something lower itself
Whenever you have to face this head on again:
Fear.
See it is a cycle
Helplessness is a cycle
And it always ends in fear
*How can I remove myself from this circle?

Luscious ruby red lips, tell me white lies,
gorgeous supple ****, there I hide my alibi's.
My eyes can't see anyone else anymore,
my life isn't the way that it was before.

Her womb welcomes me, her sin invites me.
She violates me, and I, hurt her too, willingly.
Her warm tender fingers ****** what they will,
every touch is the chilling goosebump overkill.

Feet fall on golden cobblestones, never alone,
'cause I always know just where she is.
Luscious ruby red lips, tell me white lies,
gorgeous supple ****, where I hide my alibi's.

There is a certain injustice
In the way this life unfolds.
The beauties of birdsong,
The tapestry of nightfall,
Eludes the bustling hunger of life
That survives only during the tragic monotony
Of light and days.
Nothing balances the weakness,
Or the misbalance of joy
Giving simplicity to have-nothings
The pleasant sweetness of no loss
And directing every woe, every jealousy,
Towards the one that has.
This injustice unfurls,
Myriad patterns of thoughts;
Where the thoughtless discrimination
Of black, white, yellow, red and brown
And all the spectrum of colors that the rainbow has left unadulterated
Gets tinged in meanings,
Meanings the hues never intended.
Myriad meanings dictated by space
And spaces in time,
Meanings that lurk behind your eyes,
Towards the way I look.
How the two meet to create a wonder
That violates every injustice
Which had crawled on this earth !
That half broken gleam,
The crack between your lips,
When you part them to smile,
Reminds me, why every injustice,
Is a pain worth bearing.

In my throat you have taken root-
The radical violates my lips
Gouging my smile until teeth are broken
Its humid tendrils drop black soil in the cavity of my lungs
The bark of the ***** startled the rabbit
All this reflected in the eye of a raven

Firstborn:
How have I known thee?
Surely it is not our first meeting you and I spring
Come and gone are the lifetimes
Past eternities we have known:
In which we ran naked through the orchards
Sleeping beneath a sky of stars innumerable
A sky still ****** of smoke

I walked in the cool evening
Two dogs at my heels
When we met
I was born and the words were dammed up
The flute of Pan was played as in moonlight we lay
Unafraid Spring and I

Who hath sculpted mountains?
Wind and water are the paint and brush
Stone and flame-Ice and sea
Lightning dancing cloud to cloud
Surely Thor's begun to weld
Upon the anvil of the sky

What is poetry to a flower
A single petal gives justice to a thousand lifetimes
Oh to be
In the vein of a leaf
Or the one running blue o'r your thin wrist

Be still and listen
For a night
For a day
God sings a song of Spring
Love not thyself

Distant It's heard
The nomads
guitar hum its trembled
arias

Its whispered strum violates
ephemerally
ragged
plasticine walls
It penetrates
stale pine
Punctured by
rust-haggard
nails

It travels
through pebbled hearts and
Nestles
in hidden cracks
Coercing
suffocated crumbs
of life
into the night.

If it ***** with someone's head,
If it breaks somebody's heart,
If it violates someone internationally or externally,
Why wouldn't you be a bad person for doing this to another?
*And then blame who you did it to.

Prelude,
Skin was scorching,  
Prickling our naked ankles.
Whispers of passion—amounting to the indefinite.  
Excitement overriding fear.
Your smirk—it was scorning my wit, but all the while I was spinning—
Trying to outdo you.
Challenging the norm of lovers before me, despite those many warnings.
And yet, here I am, brushing against your infamous lips,
Having more intentions than I care to share with you,
Because I will be the exception.
I, a determined revolutionist bent on transforming your philosophy.
The inevitable vulnerability, the alleged helplessness found by your touch—
You were all talk, and nothing I couldn’t handle.
___

Interlude,
Something encroaches now.
A force unplanned.
It violates me. It breaches the wall of my veins.
Slithering, swimming —
A parasitic force of which I was convinced I was immune.
Biology’s symbiotic model; forever tainted by our act.
For many a love was given in primal flesh, yet goes unrequited in spirit.
I believed I could break this cycle.
I, the revolutionist
Believed I could topple your deeply set pride.
I believed I could crack your shell and pull out the viscera,
Bleeding, pulsating in between my fingers, and let the mass slide from my hands
To fall upon your chest, floundering in plain view.
I imagined that your eyebrow would raise, your lips would part to form a
Contorted grin, you would sigh, and then admit,
“Nicely Done.”

I believed you would be impressed.
I believed you would be impressed…

____

Epilogue,
Wit is waning.
Skin is cold, rotting… and wasting.  
My beautiful body is rotting.
And I cannot admit that you were right,
Lest I would rot more quickly.
Still unyielding to your claims,
Only so you not think of me as fragile,
Not because I think I may win.
Clinging to the hope that you may someday learn to love
This broken, yearning body.
This fallen revolutionist—
All along a convenient satiation of flesh.

Love is hate because it spits me out at the shores of violent seas, and the world does not stop moving even though  3 years of  my life  are washed down the drain.Gunshots never cease and lately they have become a lullaby for my 1 year old sister who is lifeless on the floor, I mean love cannot  survive nukes.

Love is a silent tragedy because the man next door is not moved as my brother dodges bullets and cover his bleeding ears whilst trying to outrun a lion in the wild.

Love is confusion because what i see everyday is man killing one another because we have different skin tones.
Love is selfish and arrogant because it knows no boundaries nor offers any respect.Love is a ****** because it violates and strips all innocence all in the name of sacrifice.

Love is a ****** because it kills dreams in the name of honesty. Love is an idea that helps us sleep at night because deception is the fuel to survive in this cold world.Love is a conman.

Roses are red
Violates are blue
If I had a brick
I'd throw it at you
<3

"Your body, beats
Your name, maims
Your scent, suffocates
Your smile, slays
Your voice, violates
Your lips on mine are like a knife in my spine
Your skin, stings
Your eyes, paralyze
Your hair, hurts
Your mind's, unkind
Your cuteness, cuts
Your beauty's, brutal..
But even now, after stating all the attributes that I  loath.. I truly can't think of one thing about you, that I don't love.."

She knew she had it coming, he was due home any minute,
That stupid ****** letter, she knew she should have binned it.
The door flies open, in he storms, angry flaring nostrils,
"So baby, you think you're leaving me for that ******* at the sawmill?".
She backs up, knowing what's in store, he locks them both inside,
She runs away, to no avail, there's nowhere she can hide.
He catches her and spreads her legs and lifts her to the table,
On top of her, he violates, he's obviously unstable.
"Let him take you now *****", spitting words into her mouth,
Then just as quickly as it started, he sighs and pulls it out.
The facade returns, her chores begin, she aches for her sweet lover,
He'll come one day to rescue her, and save her from her father.

I got up in the morning, oh! What a gloomy day
Nothing to look forward to, just more bad news pouring my way
Yesterday I was officially declared bankrupt
With no money, future looking bleak, don’t be surprised if my talk seems a little abrupt
People are calling trying to reach me, most to vent their anger and some to give me hope
Lot of pent up frustrations, this feeling of absolute failure, how will I cope?

I want to end my life…..

(No wait I won’t end my life, not like this, not without giving a fight and making sure there was never any hope
If there was my loved one in my place, would I have taken a step back and let him lose this battle and reach for the fire, track or rope?
No I would have helped him; given him hope, told him to pick up whatever is left start fresh
Told him in spite all the humiliations and taunts, that promising tomorrow will come and not to give up on something so precious
Asked him what he would like to be remembered as –a man who gave up too soon
Or someone who bounced back every time life threw him down, for he was a fighter not a loon)


I had the worst possible night of my life; I was coming back from a club
Some perverts attacked me and robbed me of everything and let me to die in a dense shrub
Some people took me to the hospital
Where I was told how lucky I was, to not have injuries too fatal,
The police asked me to describe in detail the entire ordeal
While my body will recuperate, my soul will never get over this; don’t think it will ever heal
Some people are enraged over what happened to me, some are trying to give me hope
But I just want to be alone, can’t bear this crowd, If only I could elope

I want to end my life…..

(No wait I won’t end my life, not like this, not without giving a fight and making sure there was never any hope
If there was my loved one in my place would I have taken a step back and let her lose this battle and reach for the fire, track or rope?
No I would have helped her; given her hope told her to start fresh
Told her that what the perverts did was to rob her of material beings and hurt her flesh
And for that pain and hurt she will have to stand up against them and speak out
But if she chooses to end her life today she will be the one to let down and leave her soul in a spiritual drought
I would have reminded her of all her dreams, aspirations and goals and the fights so far
There was no way one bad incident was going to ruin her promising life and leave a permanent scar)

I am waiting for the news eagerly; my exams results are going to be out
I have not done so well, and I don’t think I will flunk but I do have my doubts
Please god let me be the first one to see my results before anyone else can
I don’t want to be scolded or chided in front of the entire clan
Oh no, I don’t like the look on my father’s face I think I have failed, again
I will be scolded, mocked, ridiculed, oh god spare me the pain
No one ever understood me; my problems were never of their concern
All their wishes were to be my command with no respect to what I wanted to learn

I want to end my life…..

(No wait I won’t end my life, not like this, not without giving a fight and make sure there was never any hope
If there was my loved one in my place would I have taken a step back and let him lose this battle and reach for the fire, track or rope?
No if it had been my younger brother or sister I would have told them to try again
And this time to fight with all they had, focus on their goals and not bother about the inane
And if they wanted to be taken seriously I would tell them to prove themselves with their hard work and abilities
If they were feeling ignored or not being listened to, I would suggest they speak out and learn to share responsibilities)

As long as there is life there will be thorns and roses,
You may Rise and fall, have profits and loses
What you do with your life will always be in your hand
One life so precious, learn, absorb all that you can and let your skill expand
So what if there were hardships, so what if you met too many obstacles?
Yes you have been hurt and cheated but don’t let it touch your spirit; don’t let them be your shackles.
Every time you have been wronged, every time someone violates your rights
That is when you need to pull yourself, be just and brace yourself for the fights
Every time you have failed to achieve what you set out to, or caused a huge loss
Remember you are not the only one hurt, pick up and start and work for the cause

*STAND UP, SPEAK OUT, FIGHT WITH ALL YOU HAVE, HANG ON AND BE BRAVE
GET ALL THE HELP YOU CAN, WORK HARD AND START A NEW INSPIRING WAVE

I care too much. About people. All people. The world. I understand too much. I understand why people say the things they do and why they hurt other people so very badly and why they think the way they do. I feel compassion for others no matter what they do. I love too much and too easily and too deeply. I love the world and all of the people in it. I see it so broken and all the things wrong with our world and it HURTS. It hurts so very very badly. There is a hole in my chest that is never filled and all the hurt and hatred and senseless violence, all of the killing and dying and hurting that happens every single day, it hurts. It hurts me so much.

I feel that I have to do something, I have to show people that we are all just people. That yes your neighbor may have a different opinion, or race, or gender, or financial situation, or ****** orientation, or whatever, than you, but in the end, we are all just people.

People, with all our differences and faults and strengths and little nuances and opinions and thoughts and emotions and friends and family and lives, all the things that make us so different from everyone else and all the things that make us the same, in the end, we are all just people. We are all human. We all have thoughts of our own. Feelings of our own. Lives of our own that others may come in and out of but where we ourselves are the only constant. We are the only ones who have lived our whole lives. We are the only ones who could ever explain why we hate a certain song or food or place or group or person. We are the only ones with the memories that trigger emotions. Some that we'd rather forget. Some that we avoid like a raging bear. Others that we smile at. Others that we seek. Others that we find reasons and people to remember.

All of the complications. All of the factors. All of the thoughts and experiences and feelings and indoctrination from wherever is what makes us the way we are. All the input from different times in our lives, all the lessons we've learned, we put together into one big patchwork quilt of OUR life. And that's the way we live.

But don't you see? This is all fine and good. Except when the hate starts. Someone is outside of the box of someone's life, someone violates all the rules they've learned to live by, and then all of a sudden everything goes wrong.

People get hurt. People die. People **** themselves. One person hurts another and beats them down and drags them through the dirt and makes them believe the horrible things about themselves things they are told. Their dreams get crushed. They become broken. So broken they feel that they can never get fixed. Can never get better. All of a sudden each and every one of us is completely alone, with no one who cares enough to pull us out of the hole we've been thrown in. And there we are. Lying broken on the ground in the mud and **** and the blood, screaming our pain, but there is no one there to hear us but the empty wasteland.

Everyday it's the same. For some of us the pain never ends. For some of us it is too much to handle. Some of us give up, for we see no other way out. Why live when no one wants you there? Why stay when you are told every single day that the world would be better with you gone, and the very person of you is WRONG?

CAN'T WE SEE WHAT WE DO TO OURSELVES?! CAN'T WE SEE THE PROBLEM IS NOT WITH OTHER PEOPLE AND HOW THEY ARE, BUT WITHIN OUR OWN HEARTS AND MINDS?! WHY DON'T WE CHANGE IT! WHY DON'T WE OPEN OUR EYES! ARE WE JUST TOO APATHETIC AND CAUGHT UP IN OUR OWN ******* THAT WE JUST DON'T CARE ABOUT SOMEONE ELSE'S PAIN?!

It can all so easily be stopped. If we could stop focusing on ourselves and start to focus on other people, on the world around us, on the way we treat others, on other's rights instead of our own, don't you think the world would be a better place? Don't you think people wouldn't die in the night, bleeding out onto their bed, alone in the darkness, and have it on the news the next morning, just another teen suicide? Does anyone who sees those news reports ever cry for the young life they never knew, and now never will know? Does anyone ever wonder what their life was like, that would drive them to suicide?

We like to be blind. We like to pretend that children aren't ***** and abused every day. We like to think that kids aren't dying by the hundreds because we are too fat and lazy to care. We like to think that girls are prostitutes because they're ***** and ****** and chose that lifestyle. We like to think that the safe little bubble around us is the only thing that exists. We like to ignore the fact that six year old kids are forced to **** their own people and families in war. We like to fool ourselves into thinking that war is justified and that thought the loss of life is terrible, the end validates the means.

The world is so broken and twisted, and we are the ones who made it this way. We are the only ones who can fix it. If we could learn to love instead of hate, if we could learn to accept instead of reject, if we could learn to understand instead of judge, if we could help instead of ignore, if we could all do our best to make the whole world, and not just our world, a better place, then perhaps we would have the right to call ourselves "civilized", and "progressive".

Could we all just understand, everyone is human. Everyone is a person too.

he who is nostalgia
violates the mind,
as loneliness bellows of
laughter in her
face.

dense and hollow
as she sleeps with sorrow,
"he
he
he"

           "say it."

he drenches
heavy, hostile, heartless
gripping thoughts
that drown her mind,
impossible to escape.

dense and hollow
nightmares of sorrow,
"he was
he did
he is"

              "say IT."

reassuring, repeating, reciting
to her
the words of past that fuel him.
he gleams of evil
as he says,
"don't worry, at least i'll never leave you."

dense and hollow,
awoken and filled with sorrow,
"monster"

"It's alright, you can cry?" She looks listlessly at her reflected shadow. There's nothing on her mind, every cloud of thought has left the gray skies of it. She feels like a desert, barren and almost lifeless. If she could cry she'd cry the oceans in to existence and drown the earth in her sorrow.
But  she cannot. That's the real tragedy. Nothing disturbs her. All she can do is stand there not quite sure how to express the endless grief that leaves her like a carcass. A decomposing body without a soul, without the breath and sentiments of life.
"You can cry." She repeats to the rippling water in the lake. Her distorted, ever moving mirror where she does not quite recognize herself in. It's impassive in its tranquility.
If she were a song she'd be a broken melody in a dusty music box. Forgotten and replaced.
You can cry, she remind herself in the middle of a night as darkness hangs upon the sky. As it clings to her like Death weighs on her shoulders and violates her through the pores of her dry skin.

Of course, she never does.

She drifts in the open abyss of a tempestuous ocean waiting for oblivion.
She drifts,
                                   she drifts,
                                                                         she drifts...

No dreams.
No sinking feeling of demise.
Waiting for the lighthouse in the distance but all is bathed in the shadows.
There's not consolation of sandy shores somewhere on the distance.

Cry, she begs herself laying on her bed ready to succumb to sleep. Closes her eyes and opens them to shadows. Obscure and never ending. The darkness is ubiquitous, the only God that has not yet forsaken her.
She walks a few miles in the flatness of the dark land but there is no point to her direction for all is desertion. So, she stands in the lightness of the black.
Sometimes, her young self hides behind her back, wearing white and glancing ahead. She looks back at herself and wonders what the she can see. Her dress and hair fluttering gently by an invisible breeze, countenance straight and strong, never looking at what should be in front. After, she walks barefoot in to the darkness and disappear as by enchantment.

You can cry.
                                    you
                                                  can
                                    cry

But, in the darkness of her mind and her room
The tears don't fall
And her affliction is obscured
darkness never seemed so profound

Vernarth passed his house, opening his skylight, he soon felt that his parents were fighting, being able to realize that those aggressive words came from generational hindrances that anticipated the luminous tubular Omega, in the global level split from its lower part, (ω) above and it happens at the beginning of a beginning based on the end of a beginning a thousand times more than a threshold based on hundreds, appropriate from the metric unit of the numeral Myriaz = ten thousand, three times more than the Falangists, one thousand less than the Peltasts and three thousand less than the horsemen, total thirty-seven thousand less than the fighting forces in Gaugamela out of a total of forty-seven thousand, under the myriad Myriaz of Falangists undermined by their Xifos in the area of the right instep of each man faithful under his command, before facing the Achaemenides. Being Omega and Micrón in the warlike primer of their cause, within the prophetic in all necropolis of tiny omega (ω), towards an Omega that reaffirmed the upright hand in Saint John the Apostle to rewrite the Apocalypse twice, being the same one but with the voice of Vernarth commanding the ten thousand Falangists, who made up the inter-generational gaps, but of camouflaged alien ancestors. For this purpose, he opened the windows with their pillars sheathed with tetrachloride chloride, at solid angles of Ω, in what was Virgo institutionum / Oarion-entity that was intruded by the projections and leaks that converged on the strut of the omphalos of his celestial father dealing in frequency and bleeding of immortality, becoming from a helper to the planes of subconscious reprogramming and perspective. With his arms raised, and in each hand a sword raised to pierce the vanishing point, between the spaces that were assigned, under the solid projection, from an observer that inhibits ad limit the biomass in all the masses of aqueous filter and lumens, towards the throne of the angelic guardian of avant-guard by the stereotype and the sclerosis of Zeus in dissociated physicality, even though it is an amorphous entity and with pulverized magnitudes, between Pi and Golden numbers, fading away without area or volume. Vernarth in his humanoid apocalypse transfigured from a solid point in Hyperdisis as a direct escape settlement to Oarion, towards a conical vestige surface in three-dimensionality towards Andromeda, the Milky Way, and the shoulder of Betelgeuse.

Vernarth distracted the emeritus stars in the corner of his room and in the convexality of the points of his celestial parents in conical spheres of perenniality, leaving only solid angles in each of the two parts of space-delimited by two semi-planes that start from his common edge, under the ideal geometric concept and that it is only possible to partially represent it as duplication in parallelograms with a common side, symbolizing two half-planes, making from all distances seclusion of visions as a culmination of imagination and apparent angles, viewed from any point the Celestial Vault in invisible counterpoint.

The decalcified cells of Vernarth sang with Sophocles in choruses after the victory of Salamis. Already being a tragedy in the next act of the prologue and their friendship bordering on his tragedy, he continues to exist in energetic arms to write, and Vernarth to dispute the characters from a regular prologue writing the hemo-verses with his own blood, which traveled meters and that shrunk from the anti-verses, scarring their declaimed intra-breath, in choruses that only the wind clarifies of what precedes and happens towards suffering, in the metrics of the Areimos chorus that lectured anti-verses, which they tried to ****** from his hands to Sophocles, in the immortality that refined him by abandoning him in sub-units. With masks and mythical cycles he mixed the metaphorical facsimile of the momentum of separation of friendship with him, seeing it in an episode of his works, and instead of Vernarth's transcript, sheltering origins of volatilization in his choirs, converted into physical waves of a dramatic order -oracular. Gods re-transformed into divination and futuristic germination, who hid asleep and forgotten in a time of subconsciousness of the Selenite heritage, felt in Colossi of signs of parliamentary, where the oracle leans on the lines of the vibrational words and how they cough their " páthis ”in the place that speaks the language dissociated from the heart nucleus. In misguided divination, the oracular mantic brought the cold of solitude and the heat of fire that divines the forests on laurels of oracular daphnomancy, towards the ironies that banish the degrading systematized of frantic nervous suffering, burning in defaults of neurasthenia, before an omega elixir and neuro-analysis, given the ontogenetic passions, before cutting the nasal protrusion that crosses the fallopian tube, for the healing by fragmenting with the smell the existence of other genetic amphibologies of myth-genia, and that bifurcate the challenge of anger and disappointment of taking him with him in this suffering, taken from smell to disenchantment after thousands of unfortunate lunations against the tósigo that fills with appetite and perfidious reptile, on who walks on our destiny without knowing who it is that creeps.
Vernarth omega sets himself up as a versatile column that temporalizes the threads of his organic brain, creating synaptic logos in Pashkein on the alert of abandoning the arm that rewrites his heroic Sophoclean and tragediographic biography of ancients traveling in disintegrated emotionality and ****** Hellenic neurotransmission, “Two men omega in omega speedometers, carrying neurons from ankylosed and frustrated herd of pleasure for tripartite meso-form and roughing of routine Alzheimer's losses, lost in routines of the sympathetic and para-sympathetic, with the probability of loss of Hellenic gray matter; that is to say, of all memory that does not sin of ignorance in the ancient world, in more than nineteen hours and hours of vehemence, with brightened dangers of reliving umpteenth times in the twilight of omega, transcript and biological bend towards the man heavy with anguish, and more distant in all the lacerated ones that have mutilated or almost mutilated the conversion of the sternocleidomastoid, crushing the shoulders and the magical healing on the nasal sinuses, which strangle the pains in the face of selective suffering, indicative of rational martyrdom and temporary unhappiness in " extreme combat of dissatisfaction ”, allowing to channel resilient neurons that transit towards the neck for reasons that not even the neck understands, lobbing as it is not foreshadowed, neither in oracle, nor in its frustrating focal matter.
Vernarth, was already narrowing on the tracóntero Eurídice, to save his pains, deposed in terms that would renew anti economies of supplying unsustainable liquefactions and synaptic melts, extra energized of molds of purely natural law of the eyebrows and lunation that rests in the inter millennium, beating with ecstasy in the Buddhist Suttas, and in the adaptation of the flesh in the hypersonic fissures of the Metelmi and in the attachments that still beat on the dermis of pain. Vernarth draws his sword Xifos of phenomenal structure and cuts it over the Sutta or sermon that imitated the lunation to the compass, making this a sabotage of redemption and anti-verse from the court of Sophocles, as a myth-saboteur and anti-value, overestimating the tricks of the same utilitarian tragedy, defeating itself in the curtain of mourning and sadness, unguarded and overcome by the stoic duel of joy.
From here Vernarth opens the gates of hell, eight hundred times going mad with omega value, which by reiterating omeganymy, creates the numbering of the anti-verse and the suffering that does not even sleep further from the departure of a soul and in a body-only Asleep of omega concavity, superimposed on golden transfinite chests, which rearrange the natural numerals with those of transfinite ordinal omega, but on frictionless wheels of other omegas that break the recirculation rules on Alpha, on supra Omega levels like Parados -Estásimos- Episode and paradigmatic Exodus Vernarth-Omega.

Prologue Omega I:

Once upon a time, amidst the rain of clouds full of drama, in a time that was of the oriented regime of the Subacal of Betelgeuse and Aorion, 334 BC, it was the penultimate breeze of Tsambika, in the spiritual devotion that hovered over the unison voice in the magnanimous Zeusian chorus, as an alternating event of imprisoning past and future in an episode of the present act. The expectant was curious about the retouched makeup and superlative consonant of the drama, in a disembodied place, but with a good narrative source to bring it to fruition. Here the myth is plausible, among everything mythical, more than all the super sums of expectations of the Isimous.

Párodo I: "For the submissive words in the proscenium of the trident fire, where I have to warm my hands with ashes of eternal fire"
(Directing the scenes through the coripheum, there is the master lord who, in flames by unequal numbers, peoned in the Aulos and piccolos, whose bare feet bordered the risk of the bellies of the Maenad damsels united in processions, between princes, powers
and Dionysian dances holding on to the Pufios; in Baquiana and ceremonial liturgy near Vernarth, taking every seven minutes a glass of animadversion, in the tasting of his little finger, which screamed of organic pimping, together with the dancers raising one arm and directing the palm towards the sky, while the other remained down with the palm facing the ground; in this position that was already like Vernarth buried by the tides of Patmos wandering him in times that marked the entrance from Mars to Jupiter and from autumn to winter in fifteen times agreed with Sophocles, hanging from the third to last towards the entrance with his trembling voice desalted..., swallowing in his own tragedy)

Esthasimo II: "Through the right half body, Vernarth intoned what his laterality exposed him in harsh gloom, as Hera brandished oats and sweets clouds over his existentialism, which in the homily liturgy personified the stasis, in between coral bearing his hands enraged with tragic passion in his frenzy, unleashing oratory of self-blame, unraveling drama-tragic, and in each pause the emotion that was accompanied in new episodes of stirring up "

(Vernarth says: “submitted to parts that are not its parts because my pain has blinded me, where it has embittered the conflict of ethical interest if the stars as an applauded public are invested, who sentence the opposition of other lesser stars than They cheer what does not shine. The principle of the voice violates the normal parenthesis, which is governed by the omega voice, mocked in a modal by four magistrates, in the martyrdom of an idea of the procession, each one wearing his toga of super deprivation, before me that I will not be the one who recognizes if I will be who I am, on the seventh judgment of my surviving ethics)

Episode I: "Vernarth extrapolates the values of the judgment, of him that they annul the first, the coryphaeus directs his promenade from the countryside on his Alikanto Horse"

(Vernarth says: “I have instantiated the steps that in the future my chestnut crossed with you if I am to sing with a sorrowful voice, no choir will be able to follow me when you are no longer there. However, I have to guide what personifies who more than a thousand miles carries with him the chandelier that opens the light of your gazapa gaze... "

Alikanto wailing says: "From the luster of your heartbeats, I dazzled the jailer from your ribs, for the preference of those who take you even further in stormy prose pro-agonist"

Exodus I: “Sometimes the endings smell like lavender fields, where the call of the almighty is heard, to take him over his loaded plantations, which are emerging from the afternoon dialogues with their twilight, as well as stanzas that smell of anointing of lavenders, separated into syllables and tonic that arch my charm, not to say that I was anointed with Lavender as a child "
(In fifteen times, and syllables and rakes, they are sterilized in the sentences of their paragraphs, leaving the audience speechless, without a gesture or word that emanates from a sacred paradise, rather from the stasis that never purged the omission of the syllable that is not proscenium or trident, but it is umlauts on Omega, between syllables of fire that burn from its proscenium)

By Jennifersoter Ezewi

Back in the days
People see city as the way out
But recent happenings
Had proved diaspora
As the messiah.

Moulding lives beyond the awe.
Crowning efforts made
With beautiful payments.
Giving meaning to lives events.
Dignifying the last jew man.

Beautiful diaspora:
Thou art so colourful
In your own ways;
Exhuming your challenges and rules
Which flaws men that violates your orders.