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n)Ethno-spirit and Biodiversity (Diogiversity)

Given its ethnikos factor and contribution towards a common origin of multiethnic and languages, in values and traditions, its morphological factors of Verthian sub-mythology, are provided with content, features, colors, and textures of neutrality, focused on a biosphere ecosystem, where the air conditioning, flora-fauna will make Sub-mythological Biodiversity, where the beings that inhabit it and will be in the range of evolution of mythological living beings, whose diversity of genetic seizures, will adopt natural and compound patterns, but always predominant in the biological pattern and organic. Wandering the world in desert places, in alloys and classified plant compounds, emptying their species through the hollow of the atmosphere and through the green grasslands in the reviving surviving evolution of organisms and species that for the first time see each other as a biotype between rocks and plantations, reciprocally among themselves, and extemporaneously generating mythological genetics heritages. Considering millions of years in evolution with explosions of multicellular and fossilized species extinct in massive and occlusive memories. Inert matter and geological strata will make millions of years converted into microseconds in the Verthian Biodiversity of the Duoverse, in a Psychic and spiritual Universe, emerging in all macroscopic perspectives and parapsychological regressions. Impact They will cause the maturity of all the diversity of externality and sensations in new topologies of anonymous universes and species of biodiversity, under a pillar of culture based on the Sub-Mythological biosphere process, encompassing all mythological species where the hope of Life and Super life. Transforming systems of functionality under the protection of spontaneous generation and in a matter that is availably underlined in the mountainous tissues of the mechanics of the subset of the air mass, water, climatic biospheres, and biogeochemistry, that in the unreal juncture of, and inter-procedural reality of carbon, that factor the species key and specimen disclosure, in the collection and in sinks, water drains but without carbon. encompassing all mythological species where the Life expectancy and Super life unfolds.

Hyperdisis, the galaxy connected to the Duoverso, in its biotic diversity, reinsert thick clumps of Nothofagus Obliqua forests, in waste processes, to domesticate the Leiak ethno-forest species, as balance nutrients and repair the disgraceful disgrace of unnatural toxicity and fragile of the agrosystem, maturing cultures and preventive pollination in succulent transfers for purposes of food webs and the environment. Making the appearance of species more effective and perceptible, reunited in community chains of coherence, to amortize low-resource needs and distance economic-political impacts, in view of new base resources and the sustainability of balance of allopathic crops, for the good of driving the extinction of plagues or flagrant excesses not converted, Hyperdisis has a mass of inert matter that creates accesses of resilience, for salinity, rainfall, and human adaptive mythological innovation, given its versatile opening of complement and generation of substances, for the convenience of living beings and No. Having adopted in the context of mythological Galaxy, related to beings of light comparable to distant elements, by means of Psychic Trisomies and tell transportation, for energy sources and soil and water mechanics with Leiak, constituting molecules for the simplification of phenomena of exacerbation of chronic diseases and endogenous. Forests and parks of Hyperdisis in the symbiotic open air, for more airs in microbiological space, in the intimate portion from greatest to least challenge of elements exclusive of antinomies of hieratic human bio culturalization, in a showcase of communities with an interest in technologies and renewable empirical usability, each part doing its scientific role and biodiversity in the portico of its home. As a hieratic quality, presenting amendments that are glimpsed and more existing, although it passes before our eyes without a Carbon Footprint, figuring logical mathematics by sponsoring its count more than a shadowy synthetic body, anticipating super-appraisal measures, averaging them in tiny theological portions, with varied and dissimilar levels of genetic habitats and alleles or heterozygous in the taxonomic functionality of reproductive and approving biological elements. The wealth and abundance of this item are delegated to Leiak, in all the revolutionary processes of the oak forests and the high mountains,

Within the gasifications of Cinnabar, there was Carbon in its Life cycle, being Zefián; the curator of the Duoverse, destined for a lifetime, under Universal and intergalactic effects. Claiming innocent beings with greater attributes of predation survival in the ecological chain, with the mix of Tsambika and Theoskepatis, granting multidirectional dynamic residual matter for green energy emissions. Feedback quantifies offset options in carbon circulation, offsetting multipurpose CO₂ inventory. Through the darkness Zefián and Vernarth traveled in the streets of Rhodes, and in Tsambika looking for the distilled portions of the carbon and sulfur emanated by the Cinnabar. In the same way Etréstles in Theoskepatis initiating with the Archpriest by virtue of the honors and the rubies of accumulations of water mass and of sulfur and carbonated air, which hung over the low sky of Rhodes and Kimolos. They were going to the Necropolis of Hellenika, when the gnostic rampages were glimpsed in the surrounding slab, minting half of the gold bars for the great goldsmith who erects the conventionality of having the physis imperturbably established, as a matter of patriarchal character. They entered Helleniká and the souls that wandered were ringed under crescent-encrusted rings, lavishing the independence of the night in the hands of Borker, which was reflected in the capitals of a mausoleum. Borker is consistent in saying that he is free in Helleniká, In the myth of the dustbin woodworm of the frieze where Etréstles perched next to Zefián's strap, who would manipulate the gold and alabaster chain, to pull its ascetic and rubies from it, approaching a final night in the astronomical autumn, in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn, and the mountainous temple of the one that follows the equinox in the meridian of seven days towards the southern and northern hemisphere. in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn. They enter the Necropolis of Helleniká, by upper and lower trays, cordoned off by obelisks in a series of petrified labels, in the square sections of the convergent ones and the linearity of the central pyramid, where they sponsored all the sectors of the stones of the prismatic geometric body, next to some piloneos that flanked the third of those that were in the figurative memory of funerary monuments of Vernarth. In harmony with the radiosities of the Cinnabar, they purged the carbon emanations in the intra-bodies of petrified breaths, expanding in the segments of frenetic life of the behavior of the inert matter, crushed by the organic, polishing the degrading character of the excavated prayers, under a superfluous shade. It was already dawn, Etréstles and the Archpriest broke the loaves to deposit them in the bowl of the Day, stretching in the arms of heaven under the gargle of the god Vertumnus who forged from the materiality of Jupiter. Vernarth nodded his head to the movement of the winds that cut the profile of a Citarista yawning on the frieze that raises all the crowns of the princes of the living-dead, making them part of the royal occasion, preparing petty spaces and tyrannies for devouring vassals in Helleniká, from the lair of his rib one, sees Diogenes of Sinope emerge, splitting with his doctrinal staff all the Isthmian paroxysms, which declared the cell of his life as Diogiversity.

"There were murmurs of astonishment at the surprising response of the wise man because no one dared to speak like that to the king. Alexander the Great asked: "Why do they call you Diogenes, the dog?", To which Diogenes replied: "Because I praise those who give me, I bark at those who don't give me, and the bad ones I bite." Again, more murmurs, but Alejandro was not moved by those answers and said: "Ask me what you want." So Diogenes, undeterred, replied: "Get away from where you are, you cover the sun for me"..., Vernarth replied: "Look for him in the bones of those who refused to die and fear beyond expiration who rejoices in the cold of the dean ossuary seed, without heat or memory here in Corinth and its Diogiversity ".

o)Reflection space length (π)

The hemispheres were out of proportion, one another was modified in the air, leaving the horizon exorbitant and the poles out of square. Coastal the lengths of the sun around areas that some Helleniká countrymen had never put on the crowns of their consciousness. Certain pressure changes dislocated other modules in the filaments that had rudimentary inaccuracies, creating reflection space failures in the installation of the Duoverso, due to the due calculation defect. The observations of Hyperdisis, generated superpositions of the Zigzag Universe, before the crescent moon, after the full moon, again de-calculating the sphere of Hyperdisis in relation to the ecstatic length of itself in the hands of a third of a second a day, to overflow in impositions that They revealed Dekas Cove in Kimonos(π).

The value of the opinion of reflections will be the originality of breaking of statics, of the motors of the verb and the conscience of the flushed being, and of erudition of the naive contrast when decanting the perceived morality. They concur with the moral value in every sub-mythology of an ambivalent being of supernatural human co-belonging, not dependent on gnoseological reflections, rather spontaneous under the embankment of reason. The latter being absent in the shadow of its shadow, no reflection can take hold of anti-values, self-valorized in contingencies under the effects of the drug of lies or truth, in a difficult equation to refer to in gnosis treatises, declaring the absence of consciousness to species without reflection or length of their molecular evolution, in evidence of mythological humans. The triangle Patmos, Rhodes, and Kímolos, make up a Venusian adonis, of stimuli in the nostrils of Aion, which sneezed on the integrity of the reflex arc at high speed superseded in the tremors of Athens until Hyperdisis, flashing anatomical and pejorative on the optic nerve of the Colossus Rodino, and the twisting of the multi-personal muscles..., but already depersonalized..., with little telluric reaction in the core of the symmetry of his legs, dodging as he thrashed on his frowned arms, behind the legs of the lycaons..., digging his jaws in reflex arches, for ages that only an immemorial one would enchant him, and be it the throbbing of the earth in the crust and seams of the calcined Colossus. Existing like this their reflection of attenuated light, they shook through the sea full of sinewy pieces of precise length. Frequently in the hydronium cations, undermining the temporality of Tsambika in random stones in the humid, and dark narrowness of the anthropic reflection, having lived in the heavenly paradise that formed them by the volcanic tube and its syngenetic, by the erosion of the subsoil of Rhodes. In Helleniká, everything that is expected, flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas it flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas from Devonian to Cretaceous, escaping from the ferocities of the Etesios and these same escaping from the roars of Vernarth.

p) One-Dimensional Beams II

When their ears fell in love with the Orthoptera or Grylloideas before Joshua, the night became restless, abandoning them from their shelters, they brushed the seeds of the thistle that trembled with the new millennium of the Duoverse. Levitating their ailerons in the tenors of their birth and dilettante sounds, before an ovipositing candor of the remains of the abdomen that remained in their jaws, always being from one of the Beams, for the largest Enciphers that hung from their antennas in search of Joshua's telepathic messages in the manger. Sappho of Mytilene, also known as Sappho of ****** or simply Sappho, pretended to be a marigold proliferating in the twenty corridors of the Greek poet, and also as the tenth poet in the other ten that was reflected with transparent wings of the dew that stuck, phenomenal of physique -Saphonic and in the recent rain of wind and condensed air, in the form of drops due to the sudden decrease in temperature in contact with cold surfaces. Sappho's dew was talked about in Kafersesuh, usually when it comes to condensation on a Poetic Grylloidae surface, naturally on the ground cover or artificially in a dull cloudy crystalline, in the amount of supernatural tradition, heroes, superheroes, and anti-heroes conspiring with the territorialities of hexagonality.

The Aramaic message comes forward with vigor from the orthopterans and birds that piled up on the journey, going back and forth. The Beams shone from the celestial kingdom holding on to the Cherubim and the Archangels, through the paths of conversion and the support of the bizarre Christian time, in implacable hegemony for the propaedeutic of phylogeny, but more than perfumers chemistry and the same creation. carrying Lepidoptera winged tetra and Sand Crickets, on the interlocking and obfuscated pheromones from a nascent-elemental child, in his own evangelical philosophy, from a winged dimensionality and in the gloom of Manger shouted and aligned, before the compendiums of double pyramidal landmarks and of inflection, of his word in the Grylloids and panaceas created in the affinities of the world and Animalia, stylizing muleteers carriers, phrasing acronyms and parabolizing the polygonic nomenclature of the child made a territorial man on the wings of a Cricket, already being it !, but representing himself as a lifeless man in the entirety of an advantageous canon child, from a sudden bi-dimensionality of Grylloideos. A great Zohar light gathered all towards a whole in those vantage points of terrestrial columns and orthopterans that Joshua felt in advance in his resined ears, like irreversible entropy giving back his wise existence to prepare them for the day of his holocaust. Pre Existing in catharsis and busilis substance of divinity connected with the Grylloid phylogenetic species, classifying until the Aramaic crackle, pontifying pheromones settled in the lithosphere site of Gethsemane, coincidence in the wading of a Libraco period, or in the phenomenological simultaneity of Eukaryota and Glaucophyta until late Animalia, giving relation parental in the characters of the vibrational timbre of the Beams and the atavistic pedestal, readapting in the evolutionary ellipticals of tetra-winged species, allowing to change the ancestral linguistic accouterments in processes of redesigning the genetic historical tree..., divine and increasing.

Inter-Duoverse, in space demography, has been frequented since today in a nuptiality between the Sun and Earth, wrapping the inter-generational homes that have prostrated themselves to the One-dimensional Beams, evolving millions of years between links of angels from the north and the south., for each year between half years and decades that the ancestors are passionate about, unleashing in what they aged in their youthful lives and eternal ideals, as an atom not guaranteed in families that did not get to know their Duoverse. When they walk through the urbanized farm of their parents they go in their shoes and in the paternal and inter-parental sun barefoot, the children travel far from the monographic patriarchy, declaring themselves between psychic families and unstable plots of core conformity and procreation.

The line of supra healthy cerebral is born from the Beams of deforested family trees and treasured in the Trunk of the seventh ascending generation, towards a nefarious tribal of industrious and vegetating regressive parapsychology, bringing zombie societies, to great lethargy that disorganizes the parallel emotion of the Being descended from a Messiah, with the prophetic organization. There in the Koumeterium of Messolonghi, in past generations, the "IO" was omitted to limit them from the spellings like Ghost Cemetery lost in other lost sacramental ancestors. The inappropriate location of our ancestral duties has guided us in the axis of the pabulum, before the second coming of Messiah Parousia, to continue the re-sprouting foliage of the Universal theological tree. The children of the seven intergeneration generations, will be from the endearing of a patriarchal family, and those of Exo family lineage will be from outside the non-generational family, where everything flourishes according to the requiems of ******-domestic economies, and in the new chimera from new shocks and reprimands, already being spouses the Sun and the Earth after being divorced from a deluge of immolations and inter-millennia and rotations, further than those of any prophet wandering without advancing or rotating, enlisting and expiring in succumbed and pre-historicized generations of other prehistoric ones. Pre and post Flood; not presenting itself as the object of linking a thousand decades where not even a holy chirp from the Thrush, praises on the windows of the world bringing us babies that are born without past or future quantum generations. Ready to the hint of Duality and its nuptiality with the Sun and the Earth, They will make us magical creditors of the increase in demography and of unions that will marry in inter generations, not seeing passions in exhaustion, under the grass of the allegory of defeated love. Giving ourselves conjugal virtuosity, but of immanent dogma for the purposes of multi-figurative coexistence, under the Yoke of an individualized Faith, in the passing of millennia, we continue to crawl on the floor of the nebulae, and we do not rise to establish ourselves as masters of ecstasy, and the pendulum of the stars, creating us more in the orthogonal egalitarian of the cosmos and its Vernarthian architecture, of poly productivity, of Sun-Earth and its post-genetics, of high-grade clay, expanding with halberds on the self-insolated Suns, and highly calorific inherited towards a rupture of Solar freedom leaving us in the horizontal, not having ascendants of sin enriching their illicit chromosome. Made a beast, from the inertia of a paradise full of hidden public and private exchanges, but not secular, for those who pay tributes of ecstasy in a reborn and weakened state. This is how Diogiversality is verticalized (Diogenes's anthological action), concluding the variants that weaken the nexus of the denatured society of its atavistic social nuclear concomitant, extending eco-life gaps, but eco-unstructured and crucial inter-generational nature, being of arbitrary passion and of seismological doctrines, of haughty morality and of sociology fabrics without body or motor, with frail of castes and generations evolved age in a retrograde and elemental psychic sense, but biologically and reversibly to their boomerang lineage.

q)Amphibology Cosmogonic, Sub-Mythological root

The threshold, as a minimum rubric, must be in force from the Constellation of Orion, with barely a hundred millionths under the same eye of Orion and his psychophysical space, sensitive to the falcado charioteers and the water vessels on the backs of the probable Barnard Loop., and its nebula presence. The icy impulsiveness brought her under her right shoulder and the lean hollow under her arm unraveling from a staircase, at the entrance point of Betelgeuse coming from the cosmogony of Eridanus and in tune with Ptolemaic astrology. In the Sibyl and with a hint of a metric brilliant mass triplet, Betelgeuse Orionis, is the scale of the Aulos and piccolos expelling hydrogen as an Ace in 240 scales of harmonies and in sounds of light, for cycles and years of Light. The binary of Orion, is pre-born of the sub-mythological root, with binaries of Poetic Parapsychology, or Para-poetical; which is the trapezoid and the kinetics of the hunter Orion arrowing the Pleiades and its nebulous plains, with diametrical diarthrosis in his synovial joints, with the third militarizing joints already formed by the hyaline cartilage, which joins the two bones with the synovial fluid, before reaching the deltoid of Hunter Aurion, to awaken the Asleep world.

Vernarth in one of his adventures in Pella, scapula with his arms the force of the friction discs of the Olympics and corrected his hands and shoulders, for this purpose of Aurion and his dilettante Astro Betelgeuse, with giant arrows against matters towards the sky of its Constellation, embedded in beaten Odyssey and turpentine in the sullen Hellenistic, being for May its amber trapeze of trunk and arm, in each hand a Xifos and Dorus, always in right-handed hemispheric pathologies of their shrewd hands in Kopis swords, and in the memories of the wind that throws pain to the whistle of the combatant, when the meteorites decay in the Tyrrhenian Sea. With his brass-bronze club and Vernarth's corrosive breath, he proceeded to file odyssey on Eos's ******* and peduncles; Goddess of the Dawn, in Dionysian beauty in bulk, Mintaka, Alnitak, Alnilam, (The Three Mariah), For the twelfth lunation of the Celestial Vault, together with Pleione, in its bolometric Oceanid matrix; against borderline stellar magnitude in the major and minor dogs, and in there a priori waves of misdeeds lending measurements in the eyes of Aurion, always henchmen on their Pleiades.

From this intricacy, Cosmo-is born the Vernarth Duoverso incited towards the Horcondising, so that it is mythical co-property at the origin of the universality of the Duoverse in the Vernarth scapulae, bleeding towards the cosmos that was born from his stellar blood, conjuring chaos and uncertainty in messenger Gonies, facilitating community life free of ethnocentric, psychic, intersubjective life, the metaphor of myth and dogmatic, by the imaginary struggle that leads its bleeding back over the Cosmos, and its demiurgic brilliance over the atmosphere of the earth like bronzes that twist in the necks of oxen, that urinate on the officers of the Barnard Loop, and its polyphonic magnetic exciter, on it the ***** of Orion falling on the poles, like flagrant Amphibology.

The Kanti Steed and the Aurion nebula, to the beat of a waltz ionize, lavish chemical ions free of electrons, on the neutral molecules of Betelgeuse, to proclaim in the nerves of the shoulders and its bronze club, as musical praxis and harmony net, giving way to the nebula and the art of the Duoverso, which shows the pristine astral days, how his alchemical arm sprouting in chemo-astralities of the pectoral, and his armpit that joined in its maximum stick, cutting down roots of Olive Bernar, behind Barnard's Loops, in the midst of runaway stars that are systematized in their ionized bleeding esplanade, such as Stellae Novae, who retrograded the astronomical ritual into cosmogony, and in her escape by going at night to sleep near her father Poseidon and Euryale, who cheered him near the grassy fields to paste explosive clay on the sheet of his drunken smiley face with Ionic wine, in advance of spreading the nascent Duoverso throughout the new world.

r) Hyperdisis

Sitting on the edge of Andromeda, in his planetary chamber Zefián; The Duoverso computer separated the parasitic inter-chamber from the Duoverso, which would be born from the Auriga, which in his buggy would unleash the senses of structures and luminosity between this colossal interplanetary chamber. Being between points that venture through the axon of time infinitesimal and longitudinally for light-years, which even so, will intervene from the Duoverse, for thermal purposes and other changes of the remnants, when especially the luminosity will speak of the destruction of the darkness inherent in the eyes of the universe, which can only stabilize areas that have not been fused in the discs of the Universe-Duoverse spatiality, long before the initial explosive between the Constellation of Orion and Andromeda. Globular clusters that will make up the perfect delay of transfusing the blood and no other, which makes the character Hyper naming and hyper-pectoral blood, which flows from this tri-astral polynomial, compromising the method of area, shape, and refinement of the sagittal profile of Hyperdisis in the Duoverse in the reversible intergalactic plane. Going from lenticular to irregular over the keystone of the trapezoid, towards the right arm of Orion, where its radius becomes hypocentral sequentially, but it takes advantage of interstellar matter, to generate its own light. Some explicit explosive arms of Andromeda were expelled from their center towards the right arm of Orion, for the purpose of implosions in the effect of the clubs or snails, as a sublime effusion on other stars, which lost essential stellar mass, to differ from one another.

Radio-Patmos, or galactic energies of Andromedian origin, would arrive as devout prayers at the border of Skalá, such astro-omegas and Invisible Universes, which inhabit the flaccidity of the Universe of Consciousness of the pole contact with the Xifos or Kopis, when Andromeda contacts the spur of the clubs or snails, inciting the capos of Astro-Omegas spaces, which would begin to take the front and front, after having been the atrium of invisible stars, only visible in the spurs of the swords, which were only moistened with the viscous blood draining from Orion, towards Hellenic lands as Omega age, for Vernarth early when he carries the keys of the Omega World, towards the shadowy proto galaxies, knowing that the Milky Way and Andromeda come so close in their stellar mass, being able to collide in a few million of light years, in advance, since the Duoverse of Hyperdisis will be formed as a Galaxy of change, to interact with each other, dismembering, but re-transforming into the new speculative nucleus of the Duoverse as a great Black Hole, embedded in the Kardiá of Patmos.

Hyperdisis, navigates from the most ancient confines, from the origin of nothingness itself on the threshold of the Universe, but now it is already converted into the Duoverse, re-implanting itself in helical polarity, and in bifurcations of luminosity, of colorful reincarnations or astral, to consent to the cessation of darkness and valuing luminance, possessing colorimetry and chromatic steps of childish tales in infant galaxies, which in all the lives of Greece and Vernarth delivered for their ancestors, articulating the iconology of Orion, in candlesticks per square meter, in vigils of:

LV is the luminance, measured in Nits or candela per square meter (cd / m²).

• F is the luminous flux, in lumens for the Andromeda triad, Milky Way e Hyperdisis in conjunction with Orion.
• dS is the surface element considered in the triad of Kímolos, Rhodes, and Patmos.
• dΩ is the solid angle element, from Vernarth Omega and the origin of the Duoverse.
• θ is the angle between the diameter of Andromeda and the Milky Way (2.5 million light-years)

The luminance can be defined from the radiometric magnitude and the radiance without more than weighting each wavelength by the sensitivity curve of the eye. Thus, if LV is the luminance, Lλ represents the spectral radiance and V (λ) symbolizes the sensitivity curve of the Vernath's eye of the Betelgeuse area below, dumping plasma and bruises on the galaxies and the Orion Eyes.

s) Zigzag Universe

The Zig Zag Universe was and will be excluded between time and space, in a world adjusted to the senses that are driven within the contextual totality, the world and the biosphere framed in the phenomena of the Zig Zag Universe, being born on a stellar night when Our life searched the earth, being able to see how cordial matters of the cosmos caressed its cosmology, making it its magistracy and descendants of the Hellenic cosmos, in constant caresses of the universe already predisposed to the Bing Bang, emerging from another type of self-observation, seeing ourselves in the face of Horcondising anti-material and Universal Biomass. We preexist under science that models the system of energy and matter in causes of ancestors, with whom their vital and ours sneakily crashed. Gravity made great paternity in the Vernarth Biomass, being in the Dodecanese, being cosmos in its arcuate curvature, which makes us screen with the moon in its romantic astrophysical swings, and with the exaggerated geometry of a zigzag. We are the versatile and multi-dynamic mass that expands simultaneously in the head that pauses in the Nothofagus Obliqua of Vernarth's Horcondising and also time2-space2, which has not been troubled by the origin or abscess of the stars that move irregularly in zigzag, for the fractality of its component, which is clearly Aramaic blue light, in circuits of clusters and movements brushing the air, attracting the attention of the entire order of the hypnotized universe and making the duplication of the universe itself appear before them; in Duoverso that is the Universe shaken and young of its gratitude's ".The distribution of nearby galaxies are keys to the paleo universe already arranged in macro waves, which are percentages of spaces in the Trisolate energy fields, which interact with the Mashiach of Gethsemane phylogeny, now tending to a stagnant decomposed future, towards a specific frozen present. Its final station is to bet the Zig Zag Universe on the re-expanding temporal Medieval chrestomathy, in gregarious qualities of Sub-mythology, already conformed here in Archangelos. The implosion of gravity has created worlds of visibility in great astronomical yearnings, in some fractions of time zigzagged by millions of fractured light-years, as an irregularity that resembles the measurements of everything quantifiable, being omniscience or not, acquiring the hexagonality of the birthright in the passage, Here the Mashiach emerged and died in its abstraction in the One-dimensional Beams and in the foreign eyes, eroding those who are mortal and do not see with divine eyes in the self-resemblance, of our hypochondria and of the failed plan to amplify the size of the unknown analytic, of this new dimension in the implosive movement of the Verthian Duoverse. The nature of the snowflakes in Bethlehem are natural fractals, detailed in their nature and in the natural infinity, here the privileged new world was envisioned, for self-similarity in the speculative and cosmogonic functions of Vertnarth, at intervals in each space of the shadowy walls, bringing accelerated courier bombs from Gethsemane among mutated olive trees to other humans. "Its correlation is an infinite fractal with reversible observable time.

Finite is the curvature, between the time that walks between the grove of the Duo-Universe as an alternative of energy Zig Zag and Duoverso, which triggers our subconscious observable world, which is a great reflecting lantern eye, which ignores and prescribes extreme distant and focal parts of the One-dimensional Beams of Kafersuseh in Ein Karem, since the Duoverse is the trial Universe that the Mashiach had, before coming to the Holy Land, provided by his form of Hyperdisis escorting him from Betelgeuse and in Orion. Change from arduous colors to the gradient in Avant-Garde, for the confines of perspectives and verbality, in amendments of physical fields, interwoven by an external gravitational means. The macro waves, are exposed matter not contained in the abrupt changes of the optical selection of the Mashiach with the One-dimensional Beams, attracting selection crystals to atomize them, in reaction disturbances and recreation of multiform plasma saviors of Christian cosmic. The double expression of macro waves and the equation of them over the axial of the universe turned into the universe Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion energy with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all being more than time... !, remaining at the expense of the wick of all electro-matter " The double examination of the macro waves and the equation of them on the axial of the universe turned into Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all of them being more than time... !, remaining at the expense of the wick of all electro-matter. The sub-mythology having already been constituted, Hestia appears, having slept a great slumber. When he appeared before Vernarth in Tsambika, he was seen changing in size, when he was six meters away he looked dwarf and when he was already two meters from him he looked monumentally huge, but in a versatile physiognomy, therefore he was already appreciated in his last steps, with her domestic Goddess figure that emanated light-years from the chimneys of the habitable galaxies. The critical immanence will happen, pre-existing of the perfectible plan for the Universe Zig Zag and Hyperdisis, as Hyper-Hestia, bringing torn words for those who were approaching the main altar of Vas Auric, which was in the great ratio of the proscenium in the vicinity of Tsambika, between Mind / Meditation for constant mechanisms of Wisdom / Meditate, according to the cosmological constant, taking them perhaps to the beginning of a decade and the third universe called Traverse. The oscillations of all these fantasies, Vernarth observed, but he knew that he would have to collide with these worlds finally already precipitated, and of temperature that acted on the average of the normal range, therefore it was imminent to mutate it to the provisional Christian Duoverse, which moves backward. among the dizzying lights of creation. Immediately afterward, the Universe has torn apart and lost among those around it, establishing itself in units of millions of years of light compressed in the piccolo Aulos, which Hestia carried in one of its golden hands, from the prytaneion, igniting with the flames of the Kardiá on fire and the passion of consanguineous love, "Prytaneum", the omphalos stone, marking the navel of the world with the boast of wandering towards the island of Delos, in the daily warmth of a spring afternoon in Rhodes. She is a woman with veils on her face, always walking to and from her virginal abode, in the house of foolish or vestal virgins, there is no Hestia, only maybe there are some similar ones staying in the cold fire of her menopause, losing fertility afterward. that his father swallowed it, and then it was expelled from himself, regurgitated in flames of love candles in a blessed house and full of immunity, giving the Duoverse another geometric category with never contained angles, sliding vibratory between the distances that discount minutes of the Hestian space, for such a corollary by approaching its finitude, and inaugurating the sub-finite, that it will never be the source of the end of a disconcerting end of time, neither equationally consummated nor physical. "This consolidates the Duoverse into Duo-Universe, expressed in figures that moderate the length of a physical state before it is finished and restarted in a process that does not end (sub-infinity)

t) Vernarth Omega (Ω) - Preface

before facing the Achaemenides. Being Omega and Micron in the warlike primer of their cause, within the prophetic in all necropolises of tiny omega (ω), towards an Omega that reaffirmed the good hand in Saint John the Apostle by rewriting the Apocalypse twice, coexisting the same but with the voice of Vernarth commanding the ten thousand Falangists, who made up inter-generational gaps, of camouflaged alien ancestors. For this purpose, he opened the windows with their pillars sheathed with tetrachloride of chlorine, at solid angles of Ω, in what was Virgo institutionum / Aurion-entity that interfered by projections and leaks, which converged on the strut of the omphalos of his heavenly father dealing frequently and bled his immortality, constituting from a helper being to the planes of subconscious reprogramming and perspective. With his arms raised, in each hand a raised sword to pierce the vanishing point, between the spaces that were ascribed, under the solid projection, from an observer that inhibits ad limits the biomass in all the masses of aqueous filter and lumen flow, towards the throne of the angelic guardian of Avant-guard by the stereotype and sclerosis of Zeus in his dissociated physicality, even though he is an amorphous entity with pulverized magnitudes, between Pi and Golden numbers, fading away without area or volume. Vernarth in the humanoid apocalypse was transfigured from a solid point in Hyperdisis, as a direct escape settlement to Aurion, towards a surface of conical vestige in three-dimensionality towards Andromeda, the Milky Way, and the shoulder of Betelgeuse,

Vernarth distracted the emeritus stars in the corner of his room and in the convex the points of his celestial patriarchs in the conical spheres of perenniality, leaving only solid angles in each of the two parts of space-delimited by two semi-planes that start from their common edge, under the ideal geometric concept and that it is only possible to partially represent it as duplication in parallelograms with a common side, symbolizing two half-planes, making from all distances seclusion of visions in the culmination of imagination and apparent angles, seen from any point of the Celestial Vault in invisible counterpoint.

The decalcified cells of Vernarth solfying together with Sophocles in orpheons after the victory of Salamis. Already being a tragedy in the next act of the prologue and their friendship bordering on his tragedy, he continues to exist in energetic arms to write, and Vernarth to dispute the characters from a regular prologue writing with his own blood hematology verses, which traveled meters and that they shrunk from the anti-verses scarring their declaimed intra-breath, in corals that only the wind clarifies of what precedes and happens towards the suffering, in the metrics of the Areimos chorus that were lectured anti-verses, and that they tried to ****** him from the hands to Sophocles, in immortality that refined him by abandoning him in sub-units. With masks and mythical cycles, he mixed the metaphorical facsimile of momentum and the separation of friendship with him, seeing him in an episode of his works, and instead of Vernarth's transcript sheltering him in the origins of the volatilizations of his orpheons, converted into physical waves of a dramatic-oracular order. Gods re-transformed into divination and futuristic germination, they were hidden dormant and forgotten in times of subconsciousness in the Selenite collection, felt in the Colossi signs of parliamentary, where the oracle leans on the lines of vibrational words and how they cough their " páthis "in the place where the language dissociated from the heart nucleus speaks. In misguided divination, the oracular mantic brought the cold of loneliness and the fiery heat that guesses in the laurel forests in oracular daphnomancy, Vernarth omega self-erects as a versatile column that temporalizes the threads of his organic brain, creating synaptic logos in Pashkein or the alert regret of abandoning the arm that rewrites his heroic Sophoclean and tragediographic biography, in ancients transiting in disintegrated emotionality and ****** Hellenic neurotransmission, "Two omega men or omega speedometers, carrying neurons from ankylosed and frustrated herd of pleasure, for tripartite meson form of routine grinding in Alzheimer's lost, lost in sympathetic and para-sympathetic routines, with probability of Hellenic gray matter; That is to say, of all memory that does not sin of ignorance in the ancient world, in more than nineteen hours of vehemence, the dangers will brighten when reliving nth times in the twilight of omega, Vernarth, was already narrowing on the tracontero Eurydice, to save his pains, deposed in terms that would renew anti-economies by supplying unsustainable in liquefactions and in synaptic melts, extra energetic vesicle of pure natural law of the eyebrows, of lunation that rests in the inter millennium, beating with ecstasy in the Buddhist suttas, and in the adaptation of the flesh of the hypersonic fissures of the Meltemi, and attachments that still beat over the dermis of pain. Vernarth draws his sword Xifos of phenomenal structure and he cuts on the Sutta or sermon that mimicked him at the time of the lunation, doing sabotage of redemption of the anti-verse from the court of Sophocles, as a myth-saboteur and anti-value, overvaluing the wiles of the same utilitarian tragedy, conquering in the curtain of mourning and sadness, unguarded and overcome by the stoic duel of jubilation. From here Vernarth, opens the gates of hell, eight hundred times going mad with omega value, by reiterating omeganymy, creates the numbering of the anti-verse and the suffering that does not even sleep further from the departure of a soul and a body only asleep of concave omega, overlapping in golden transfinite chests, which reorder the natural numerals with the ordinal transfinite omega, but on frictionless wheels of other omegas that break in recirculation rules on alpha, in supra omega levels such as parades, stamens, episodes, and Vernarth-omega paradigmatic exodus.

Omega I Prologue: "Once upon a time, amidst a rain of clouds full of drama, in a time that was oriented regime of the armpit of Betelgeuse and Aurion, 334 BC, it was the penultimate breeze of Tsambika, in the spiritual devotion that hovered over the unison voice in the magnanimous Zeusian chorus, as an alternate event of imprisoning past and next in an episode of the present act. The expectant was curious about the retouched makeup of the drama's superlative consonant, in a disembodied place, but with a good narrative source when it came to fruition. Here the myth is plausible, among everything mythical, more than all the super sums of expectations of the Ismo "

Parod I: "For the submissive words on the stage of the trident fire, where I have to warm my hands with ashes of eternal fire"
(Directing the scenes through the coripheum, there is the master lord who, in flames and by unequal numbers, pawned in the Aulos and piccolos, whose bare feet bordered the risk of the bellies of the Maenad damsels united in processions, between princes, powers and Dionysian dances holding on to the Pufios; in Baquian and ceremonial liturgy near Vernarth, taking a glass every seven minutes in animosity, in cages of his stuck little finger, whistling from organic pimping, next to dancers raising an arm and directing the palm towards the heaven, while the other remained down with the palm towards the earth; in this position, since he was like Vernarth buried by the tides of Patmos wandering him in times that marked the entrance from Mars to Jupiter, and from autumn to winter in fifteen times agreed with Sophocles, hanging from the penultimate to the entrance with his trembling voice desalted..., tolerating himself in his own tragedy)

This is I: "Through the right hemi-body, Vernarth intoned his laterality exposed in harsh penumbras, while Hera brandished over his existentialism clouds of oatmeal and candies in a liturgy, a homily that personified the Stasis, in the choral intermission resisting his angry hands in tragic passion and frenzy, unleashing oratory of self-blame, unraveling drama-tragic, and in each pause the emotion that was accompanied in new episodes when it was stoked "

(Vernarth says: "submitted in parts that are not its parts, my pain has blinded me, where it has embittered the conflict of ethical interest if the stars as a public cheer are anointed, sentencing the opposition of other lesser stars who cheer what that does not shine. The principle of the voice violates the normal parenthesis, which is governed by itself in the omega voice, mocking the modal in four magistrates, in martyrdoms of an ideal of the procession, each one being with his super-private toga, before me It must not be who recognizes if I will be who I am, on the seventh judgment of my surviving ethics)

Episode I: "Vernarth extrapolates the values of his judgment, which override the first, the coryphaeus directs his promenade from the countryside on his Horse Alikantus"

(Vernarth says: "I have instantiated the steps that my chestnut crossed with you in the future if I am to sing with a sorrowful voice, no choir will be able to follow me when you are gone. However, I have to define what personifies who, more than a thousand miles away, carries with him the lamp that opens the light of your roguish contemplation... "
Alikantus wailing says: "From the luster of your heartbeat, I obfuscated the jailer from your ribs, for the preference of the one who takes you even further in tempestuous pro-hedonistic prose "

Exodus I: "Sometimes the endings smell like fields of lavender, where the call of the almighty is heard, to take him over his loaded plantations, which are emerging from the dialogues in the afternoon with its twilight, as well as stanzas that smell of lavender anointing, separated in syllables and tonic that flex my charm, not to say that I was anointed with Lavender when I was prepubescent "

(In fifteen times, in syllables and rakes, the sentences of its paragraphs are sterilized, leaving the audience speechless, without a gesture or word that emanates from a sacred paradise, rather from the Stasis that never purged the omission of the syllable that is not of proscenium nor trident, but it is umlauts on Omega, between syllables of fire that burn from its proscenium)

With few and precise changes of consciousness, Vernarth approaches his Omega Point, as the end of his self is identical to his consciousness. He was leaving Tsambika and Kímolos, diligent towards Theoskepatis, warning Etréstles for defiance goods in the aftermath of the Eschaton. His spiritual cerebellum faded identically when he wandered through the distances of the entities that competed and are prominent, transforming his Hetairoi reliquary, here his tendentious impulse begins and dehumanizes him by becoming a Celestial entity, but with Noosphere endowment. The tendencies are established hyper-connected, with him Tsambika, Theoskepatis, and Patmos were triangulated for consummations and finality from the rudiment of Universal deity, reprogramming the end of restricted humanity to a mere boundary of dogmatic morality declared existential.

Within the Omega points, his unfolding acted as a disembodied statue and redemption of similarity and humanity, leading him to a self-conspiracy, by abandoning himself to his own equal, for the duration of the final sulfurous sublimation of the Cinnabar's margin of abstraction, after joining in all the quantum, physical and biological lines, making the Duoverse an inter chamber of the prior Master in a process of change, to sensitize his image of physical-chemical Man, but of God in his rigid powers. Cataloged as hommo sapiens who expresses himself in fallen beings under the arms of his sword in a limpid target, rather than in his own pointed tongue, and steely towards the point of unification in the hyper-dimensional of good achieve spatiality and volume, only contacted by his devoid of a Xifos hand. Consciousness rarely loomed in its compendium in nth bytes and data, much more than those recirculated in astrobiological quantum, creating blind exclusive and patrimonial universes, on the basis of nth bytes, which kept reorganizing itself in the personality of the unknown, fewer than four bridges of consciousness united in their own gregarious universe. The transcendence of the basic data of consciousness will lie in the Maenads, and their deliberate acre magic, extending through the limbs of the Nymphs, to re-possess it and take them to the confines of mystical paranoia, perhaps towards the embodied Vestal Virgins, purging their paths that they notice a variant of licentious departure in the stanzas when seeking final swings, which are not for the sake of shedding everything before the Universe rescinds its intellectual limitations, contracted in an orgiastic Imaginary Universe, and the precariousness of the concept transporting us to the origins of the species and its behavioral rapture of loss of sensation, and reason, for this reason, Vernarth takes them with him for his ******* and alienated perceiving of inherent reality and its opposite sunset. The ministry of the sacramental mystery is the consciousness of the Dionysian being in gestation, wanting to be the paroxysm of its equivalent, in an eternal Omega effect, for the purposes of omeganymy of conscious chaos, being the same portion of omega ad limit of its secondary reluctant personality of being, to found the hermit solitude on his revived empty ego, residing in his being by bilocating with two idiosyncrasies for a Venarthian Thiasoi, succumbing to weightlessness over all the Maenads and the intoxication of community in its opacity,

The madness was a transcript of reasons lost by the Vernarthian Omeganymy, sometimes the disproportionate of his steps by more than what should be generated was objected to in the circles of the Tsambika monastery. The unification of blood was confused by the viscous wine of the mysterious foliage of the Diospyros tree that led them through the enigmatic unaware, in primary practices that tore apart some somatized ones of the order of a third body, which still transmitted the last organic matter, refusing to spread at the omeganimic points. The consciousness of replicated beings of themselves challenged themselves towards the perfect copy of their transcendent alter ego, in an understanding of the present-future elucidating for whom or those who demystify the visions of an arbitrary creation, allied to the evolutionary myth-truth, in the face of any real and human maturity gap, the conclave of the near pious Christ, bequeathed in us and in the venerated hominization, at his sole and directional will. Now we are all in the aqueducts of Christian Science, for specimens of eternal categorization and frontally in view of a God-Mashiach, as ordinal inclusion and in greater ecumenical diversity, with variables of independence range, for staggering motor skills, retaining the attention of all the powers of the Christian world at an Omega point that seemed to be Alpha. The sense of the Duoverse in Vernarth Omega makes us rethink the central phenomenon of thought and frustrations, by the socialization of distant species from prudent dogmatic ostracism, towards refractory empathic and ultra-rational reasoning.

The supra intelligence has to become in them and those, the pre-existing point of duality, to reunify them in Patmos, as the only spirited meaning, and biomass evolving on the super-dimensioned materiality, in a greater radius where it will have to be delivered to whoever speaks with words. of living energy, and not complex towards all processes of emancipatory concord of personal authorship, on levels of relative lust in the absolution of medium integrity, and towards an elemental unitary totality of animal instinct guarded by the instinct of Being, that from its similar awakened rebirth of the sleeping mass matter, and in the animal purifying multiplicity. The man stands in his memorandum bend, like a haughty memorial, evolving in the cosmic expiration of the molecular transverse, admitting us in its vestige of complex extinction, but not in human slip, nor in acid and self-instituting scenery, on the real creation of its DNA, which reverts from the formality of helical reiterative rings, by heights of whoever oscillates in their coupled pairings, and their silent probable associations, in the nature of real origin and their structural perfection. The acceptability scenarios derive from the feasible concretion, and the approval of their tendencies and mobilizations of the structure of life, and codes greater than those that limit them to reside, to more than one body, residing from an incorporeal body, capable of its quantitative life and the extension of existence, super existing in the heights of the helical rings, which may vary more than they are, and which could be, without being seen under a scientific gaze. "Becoming a mechanics of maturation and prayer, which the energy from the material world to the spiritual, as a moving particle of inert matter in parasitized free radicals, which are re-energized by the mystery of the helical trans-threshold of the Aramaic mystery of the Olives Bern. "Vernarth disintegrates in omeganymy in laxity towards Aurion, descending pro-tenebrosity towards the profanity of Patmos, engulfed by Love in a dark summer, brushing the silos of DNA in the will of the automated world"
DUOVERSE
SøułSurvivør Jul 2015
---


the raw
wounded words in
Braille awaiting
a tender, gentle touch

waiting for
a voice

the silent ones
stare upward at the sun
their eyes streaming tears

notes that resonate
they fall into uncaring soil
silver seeds screaming
with none to listen

do they not listen to us?
the fortunate with full
rich operatic tenors

---

i have heard them

the two words as eloquent
as a simple "i love you"

those two words?

HELP ME.
I read sometimes and tears
come to my eyes.  There are many
who want SO much to let the pain
out, but don't know how

If someone reads this and
needs help, you can contact me
via the site message system

Thanks

---
SassyJ Mar 2016
A reminiscence of a kiss
A paradox of loneliness
Addictive vased solitude
Unscrewed from the walls

I drown in ecstacy
To deck on your shores
As the strong wind fades
I hold the strong anchor

Plucking the unknown
Compressed in reality
Pressing the known
Caressing the phone

To nip, heaped dips
Sinking down depths
The broadcast of us
Where earthquakes traps

Rub my soreness
Deflate the reforms
Unroll the society
Your tremor, my tenor

I extend my arm
Afar to your side
Hold my embrace
Feel my want, my all
The room was filled with burnout nuts who looked half crazy dear lord what was someone as normal as me doing here.
Yeah dont laugh im being serious or however ya spell it.

The group slash cult leader approached the mic.
Hello im Dan .
Hello Dan.

Dear lord these people were some brainwashed hampsters almost as bad
as that voodoo priestest Taylor Swift yeah Her new song sounds just like her last okay.
the only people who like her are kids and perverts that reminds me gotta put that video on mute when i
watch it it really messes up the mood what!
Im talking bout when im writting ya perves haha no im not.

Enough with the foreplay kids.
The man went into his speech how he used to snort lines that went from here to texas
picked up hookers drank till he passed out.
Hey No wonder this man was a leader he was soon becoming my hero.

But then I hit rock bottem and stopped found Jesus once honestly i didnt know he was lost.
Now he hadnt had a dam bit of fun in four years i couldnt contain my laughter
what a ***** huh?
I said to the old drunk beside me.

Hey what you got in that cup there grandpa.
He just looked at me in a strange manner must be on a hell of a trip lucky *******.
He spoke slow in a ***** old seductive kinda scared shitless by me manner
It's Koolaide.

Yeah weird mixer what ya trying to pick up kids ya nut what else is in it?
This oldman was playing a game yeah  sure dont share you old ***** hound
my flask was nearly empty and my patience was fading with every sober ***** that took the stage Jesus people it was listening to Jeff Foxworthy it's great if your ******* but honestly its one step above a ******* puppet.

The group of lame areses was almost done when they looked at me hey there friend feel like sharing?
It was something I should fight but a mic and stage was as tempting as a
wild turkey and college keg party.

Why not.

Hey Kids Im Gonzo!
Hey Gonzo jesus it was like dealing with a human parrot or Brittney Spears really
you've  seen one mindless drone ya seem em all.

I took a deep sip from my coffee with a little something extra cup
mmm acid and folgers it goes togather like teens and ****** reallity  shows ******* MTV!

Well Im Gonzo , Hello Gonzo.
Look meeting of the living braindead it's funny the first time okay.
Okay jesus these people were bad as a boy band dam three tenors yeah your all
hot and can sing opera but wants to party to that ****.

Look here  Ive been drinking since 12  umm commited alotta fun crimes
Once paid the babysitter to show me her *******  yeah I know winning.
Ive been in 20  car crashes some of em not just other peoples cars  like I can afford one.

Ive done every drug known to man and some that arent made by people named skull and eightball.
dated strippers snorted coke off of more than just a table  get your mind outta the
gutter cause if ya dont your gonna end up like me serious!

My wife is full of life and strung out on pills that reminds me
i gotta pick her up after cheerleading practice.
Ive been in the iron bar hotel many a night yeah that ****** but he hairy guys are great to cuddle with
like big teddy bears who'll **** you yeah that ****** so ive herd well yeah.

The group was silent till DR Downer spoke up but when did you hit bottom.
Sir thats my personal life okay and besides i not that hung okay.
But you stopped right.

Stopped what are you high on crack Bobby Brown?  
First off amigo its cheap second I aint stopping till im dead yeah i could work out have no
fun and spend the rest of my life speaking in front of nuts who used to be cool
Like you Irene hey personally i wish i had seen you in the ******* cause you seem
like a nice lady and really easy to get into bed okay yeah im
sensative I always pay after that's manners.

The crowd was filled with something what was this place Jonestown
Look at what ya all become eating cookies and drinking **** I wouldnt even
drink when i was ******* five okay.

And you ****** Dave well okay it's kinda weird ya hung out in park restrooms
But if only you had met George Micheal maybe then he'd still be making good  records but ya gotta have faith im just saying.

Sure you can be nice live good yeah then one day ya cross the street and some *******
spoiled brat   teenager  who just got his license runs over your *** cause he's texting sally
asking to see her **** to share e with the rest of the football team okay.

Hey whatever happend to *** drugs and rock n roll kids.
**** living forever.
Lets party now and ***** tommorow cheers I kicked back the last
of the wild turkey hitting that liver like a sledge

The group was silent yet again **** I had crossed the line yet again ahh someone needs a spanking
but enough bout lady gaga.

Sir there leader said leave now!
Just then like something off of saturday night pro wrestling.
A folding chair hit the
hugging preachy nut over the head.

***** this guy the old drunk exclaimed lets go get trashed my life ***** lets get some ***** drugs and
Irene crank the music.

And like something outta a stupid wholsome after school special my heart grew
okay aybe thats a bit much .

We were off like fellow addicts set lose in a world as ******* up as us
And everything was as messed up as us we partyed laughed made some movies of are own that probaly wont be seen on tv anytime soon.

And we lived in the moment cause its all we ever have.
And this perves gonna make sure his is
******* fun stay crazy and avoid the clap love always
Gonzo
Ellyn k Thaiden Mar 2014
I'm about ready to bludgeon
Someone with my microphone
And string them up
By my black cord

Stab them with a music stand
And slit their throat with the feet of it
Bash their head into the piano
Then stuff them inside of the instrument

See, choir has become a competition
A sport which everyone is
Now on their own teams
Only rooting for themselves

We all sing together
But we clash and our
Voices don't blend anymore
Instead you hear the individual's song

Selfish and cruel
They all gossip about one another
Manipulating and breaking
Each other down to dust

Confidence stripped and raw
Wounds festering and emotions building
Of the words said behind backs
And not to the face

But just because our backs our turned
Does not make us deaf
But even more unsure of
Ourselves and the people surrounding us

Choir is not a family anymore
It's World War Three
Teeth bared and claws out
Missiles ready to take out other parts

There goes the altos
Taken out by the sopranos
The baritones still talk with the tenors
But the tension is still high

Choir is dangerous
But what they don't realize is
I can be the most cunning and cruel
Animal of them all
Alan McClure Dec 2016
Transported
by the waves of sound
so transcendentally human
I am swallowed, surrounded

The basses are an ocean swell
the tenors, a hull of solid oak.
We stand upon the altos’ sturdy deck,
gaze upwards at soprano sails
swollen with song

What strange creatures we,
to join and mingle so
to vanish in the whole.
This ritual enacted
for this God, or that
has outlived immortals and still
floods with lifeblood

Anu, Enlil, Enki, Baal,
dived divinely
in the sea of song
and vanished.
Forgotten gods adrift
in harmony, in melody

And while I wish
all gods forgotten
I would abase myself
before Jehovah’s golden toes
to be a part
of this eternal choir.
onlylovepoetry Sep 2017
sometime before sunrise,
when the morn world is
still a dusky daylight, unclassified blue, me slip-slide out
of the communal bed,  where I have been up all night,
draw-drafting poems for manufacture, sale, & gift wrapping,
to await the sunrise, the sunrise, in the famous sunroom,
in a vainglorious attempt to salvage forty winks, full knowing,
that even if I'm successful, the risen eye poking rays of
one the most glorious sights which we earthlings
have been privileged and entrusted,
the sun coming with a clarification of life renewal,
will stab me into consciousness

there I lay with eyes closed, either noisy napping dreaming
like baby wendy, gurgling or emitting contentment noises,
or perfectly still, having slipped a fiver to some tenors,
to entertain me while I slide lie still on the composing continuum

the sun round seven
is maximus glorious and cannot be
looked upon by the audience in direct prayer askance,
so my eyes closed in pleasured servitude, me,
my lumpen proletariat rubenesque carcass corps is

bath burnished in sun glow so warm, so living,
that the warming words are causing a major traffic jam
in the ventricle where the love poems are formed and stored,
but fervency disguised by an unmoving, close lidded human shape

shortly after seven,
the slip soft padding feet of her rumbling noisily,
knowing where to look for him from
much practice, beginning her experimentation to determine
if me-he still among the breathing, or gone to poem heaven

since she aware, the poet in his possess, a
Masters Degree in Pretend Sleeping, must eventually
take drastic measures including kissing my keppy,
then climbing aboard my fetal incongruently angled body
with no warning other than a grunting of deep satisfaction, when,
with all her modest weight in a single swoop, intended to fell,
causing me to emit a volcanic exclamation of

you're killing me*

satisfied, nah, more sated, with a sense of
feminist goddess power ranger satisfaction,
she prepares coffee, grinding the beans, just in case,
I return to my sleep fakery status,
literally, a literary impossibility, as now
the compelling transfusing heat from sun and coffee
impel me to write this pas de deux ballet down in words, a/k/a,
only a love poem

8:32am
p.s. not only a true story,  repeated each week from June thru September,
I have signed confessions frim the serial killer.
Eager rushing sensations, waiting to escape, finding love and never finding the right words to say. Varied and wondering dreams, restless in all it’s waking threads of time. Rose gardens that house all kinds, like sunflowers for Van Gogh, humming amongst them. The mood helps providing a sense of freedom, though most never follow through. Maybe it’s only peace that I’ve always wanted. Something that isn’t found under a chestnut tree. Poetry a way beyond conversing with oneself, a self portrait for one’s eternal life, opened for viewing, it's something more than wanting street fame. Flashes of knowledge. As pearls. Self-doubt has become normal, something lingering around, it’s tiring in my engagement with it. Clouded mists, dripping over my essence, for I’m guilty for being anxious. Though there’s a-lot of men who stay heated, most of them stay bluffing underneath, hollering at the moon on the roof, passing any yearning for actual love. Because it’s something made out of lust. Now poetry spoils me, maybe it’s too much of a good thing, I’m alone in the world and it’s something I never wanted. For me, it always seems that I end up like this, a darkened world and I’m centered in it. For love, it was all bone and ashes, with poets skills, turned them into something so potent, forming beauty so we all forget about life’s natural wonders. A nightmare for the moment. Thoughts that are vivid, I’m not lost, I’m on a path that’s constructed for me. The only predestined item, in my own existence. Not reluctant. Even when you’re heading towards your fate, it’s still no obligated to provide you all that you ever craved, including the lips of a lover. It’s a sudden and unexpected shock. Sometimes laying a scent of bitterness inside. Yes, it can provide tears. Maybe I’m just impatient. Though in poetry, I take glimpse, into another’s world, another’s experience. I just don’t want to know about love. The experience of it, that's in experience love, far-more illuminating than any poem that anyone can read. It’s a certain grace, a different type of contentment, being in love, maybe a final place for personal progress to stop, rest and let go. Feeling safe in another’s arms. For if the same love is given back. Controlling the movement of the sun with each poem. Salmon sky, starlight, fireflies, providing a sense of romantic aroma, scented poems, kissing, eyes glitters in their flickering. Hands holding, insecurity fades and each lover forgets about them, fear forgotten to the point of it never existed. Love, not belonging to romance art. Violin for symphonies. Some infinities are bigger than others. Changing fates, change paths, I’m a paradox. Whenever I’m glanced at. I’m under no obligation to be the person others are. Like how life is to me. Not out spite. Not to taunt. Just be.The issue of self-awareness, giving me the knowledge to be my own person. Harping in the waltz. Solemn in my own thoughts. Private. Wanting to burst. But I render to myself on my path, dealing with daily struggles. Maybe I’m private in order to keep myself for the one I’m meant to be for. This is all just a prelude to my own enlightenment. This is only a note to a track record. Fire. I look back on times of that self-awareness, what a large lump of weary years. The wanting to live, the desire and dreams, than not having the ability to do so. Till I started the to notice the beauty of life, without knowing the beauty inside, I looked inside and saw a supplication, and produced my own courage, hollowness in others I could always understand, people's wanting to understand, to have friends, to talk, to be noticed, to be helped. To what I didn’t see, original lives, people all just fitting into conformity. Friends and family will believe always in your potential, nauseating in person duality. Always. Without fail. It’s a different story once you want to act on it. Nothing there is spontaneously. Oh frown on that life where it's easier to bleed, than it is to smile. Maybe nothing in life is predestined. And the search to have my own fate come to furitation is all any illusion, a trick to find myself. To create something holy here on earth. And it’s shocking to see how many people want you grounded. Though what do you do, when love turns to hate?For all I know, my own heart isn’t meant to be enclosed. But if you can’t create yourself, if you won’t rebel, stand up for yourself. In order to avoid scars. Beauty won’t belong to you. Not the beauty of the flesh. The kind of beauty that comes from inside.The soul is stronger than the flesh, rendering it more valuable. I’ve noticed the war between Angels and Demons.I could be all wrong. It could just be something of a self-made myth. The smart philosopher will know, the peace is known internally and the externally will never match. There’s few things more pleasurable than *** and revenge. It’s returning to a place of hardship, during success. And no one notices how much doubt affects our own lives. To apply within, to save myself from all those fears and insecurities. For I had meet someone, changing, shifting the patterns inside, I first felt illuminated for the first time. I smiled, encouraged me to stop reading, reading the lives of others, begin to live for myself. He held me hand, caused me to smile, asked me to talk, sat and listened, took an interest, asked for nothing more, than my time and presence, for what we did during that, that was up to me. Putting in time, was the only work required. Projecting ourselves beyond the mundane parts, going forth, passing poetry itself. It was like discovering Mozart’s music for the first time in humanity. We replaced the mocking chants of time’s minutes, moments or angst future to be now, with passion, love, heated exchanges of wanting to dive into one in another. And each lover can remember the first, the last and the only. It’s a brief life. To have it full of something else, like holiness. It’s another thing. Trust me, to be enticed, to be tempted, to be curious. If it’s for true love. Let it happen. It sparked the belief for me, that real love does not live in poetry, paintings, in novels or in some cosmic planet or parallel life. Our soulmates belong in our hands, to have them feel safe to be themselves. It’s funny, I had always wanted a man to come in, storming into my life, to save me. God cannot be everywhere. The most dangerous thinkers are the ones who act on love. For God made lovers, not to be everywhere, for I ended up saving my lover. Poetry only nature's the faith of love, because poems are food for love. But who has not truth in their heart, will not see the beauty of the other. To how I had lost him. It’s on account of the earthly problems. The ego is the ugliest part the human race. As for ignorance. It’s too bad no one can feel pain from it. It was love, at first sight, and everything turned into beauty. It littered this land. Staurating the poets of thoughts of grandeur. Free to be wild. Locked in the heart to be tamed and own, for me, shivering in my frame, providing aesthetic to reality. Burning the sky, dnce all crazy, eyes on fire, we got them in a trance and impending doom of death, drips and melts away. Pulling in dramatic tension towards us, melodramatic and meticulous in our love for one another, ourselves dripped and personally forgotten in the presence of the other. We had broken the fuse of life, it’s living spark, to any predestined wants of it, created our own, anywhere we went, turned to romantic pilgrimage, and finally for the first time, any flaws of life, any poverty, burden or burning want, left, as we shrugged our shoulders, smiling at one another. We have and are, fully absent of any muse that we had once, prior to meeting thee and used for earthly wants and values. Like Milton said, do not think about morals, for they the ability to think about themselves. And our souls, larger than Rome, stronger than any empire. This isn’t a result of dreams, we had lived in reality and said no-more. Because it didn’t watch the throne. What do you do when the willingness to live, turns into something of no more? We just replaced the reality of life and created our own. For the mind is in a place of its own, to what comes into fruition, tangible and touchable. I’ll wonder deeper. Awake and rise. For this isn’t to copy. Something to leave behind. Perhaps this adds charm, shade to the stillness parts of life, colour to the darkness. A feeling of perfection to anything that may of so seemingly born lifeless. And ever since I’ve been left alone, I’ve come to grips in solitude. Out of truth, until this day, I have no idea how to articulate true love, I tell myself, something so beautiful can’t be express in poetry. And if it isn’t true love. I don’t want to know. It’s allowing to continue to believe in love, remaining here under its spell and that we all have a soulmate here, waiting to be discovered. My heart will ache until I find thee. Yes, I’ve heard it’s dangerous to romanticize one’s own past, have it brew to the surface of old sensations, from the secret depths of my own soul, alluring our attention to it and placing a veil to the future, maybe why we romanticize the past, is a simple reminder that life isn’t so bad. Perhaps I’m just a foolish romantic, an expression-mirage of hope. As the thoughts of love, keep coming, I’ll continue to walk, if it’s in exile, alone, parting from everything that I had become accustomed to, let it be. But at least I don’t refuse the potential of life’s fruits and to what I can bear with my own hands.  When it’s in love, anyone can farewell to hope and fear, for the very last time. In heartbreak moments, its singing of torment and personal chaos, collapsing of my private world. To which I deemed valuable on any night meant for you and I to share love. **** and full of fashion. Of how much pain the heart can stand, imagine the experience of tightening strings to crack like glass to the point of no-return. Miserable in the infinity. Just to devour anything worthy of oneself. Huddling together with the darkness and whisper between ourselves. Than by force, burden humanity. And a good poem is the blood for any romantic, but it’s forgotten when love is currently being enjoyed. To the unbearable doubt, I’ll not fall victim to, poetic, I’m fraile inside, like we all are. They’ll be no heros if our inner-worlds weren’t such soft touches of complete tenderness. Mingling glories. Kiss me now. I’ll smile for you than. What is it mean that someone is clingy? Perhaps there is nothing for them. Maybe they had just saw for what I’m worth and saw nothing but beauty. For that, there is nothing else for them, besides to infuse romance. Just wanting to leave me breathless. Tenor for rose beds, shepherd to anything the world made of beautiful, touch it, it will multiple. The breath of life. Hollering at moon on the roof. For the reminds me, of what he thought of me, when he first saw me. But I always answer in response, ‘what about now’. Lowering his head, resting on his arm, hiding his smiling. To which reminds me, it’s always getting better. Like the revolving poems. In spontaneous overflow of something we can’t control. What is the paramount goal between lovers? To self discover? To know another? Be poetic in one’s actions? Oh musing poetry, how can we know how to love thee? How to live? How to write poetry for thee? Now I see the value of peering into the arts made from any romantic period. But what does it mean to pass those poems by? Losing all value of life. It's just passing moments, threading together, stuck to the forefront of my mind, I’m unable to forget. So I lose sense of time and daily obligation. Smoking magic. Spellbound. I’m fully alive and aware now. Constant. There is no change. I’m unable to forget. Though let me breathe in that breathe, an intoxicating perfume. Extravagance. Blunt in twilight. Pierce through obscurity. Temptation to praises. Holding lovers hand under sunlight and moonlight. Pitchy. Eyes convicted of seeing the endgame of beauty, never to look away. Containing fairy tales in dreams, the ability to stain the earth with it. Got to be carefully not to let the evil of this life and earth trap thy. And all I wanted to say to my lover, before I told him, that his voice is my favourite sound, is to say simple words like I love you. So when you see me, our dreams will flicker like the stars of the night, never to fade and when the sun rises, the golden dawn between us, will expand the sun’s glory. In clarity of mixed feelings, we had lived dormant and a calm temperament, contempt to achieve earthly success, to which our heart could never be satisfy with. Drowning in oceans of filling hearts by love, produced by one another. When you’re in love, the world is yours and it spins around. But when one’s heartbreaks, nothing but numbness and you’re alone. Late night, bright lights, lust and lies, everyone with their hands out, no one is giving, but I cannot blame people for trying to get what they can. Loving seeing your lovers smile. Anything goes under this shared sky, who knows what you’ll find. I’m just distilled in poetry. Needing one single kiss and I’ll open my arms, present myself so proudly. As for the naturally wonder, they’ll blink, display itself for everyone, jealous as we walk away. But when your heat breaks, everything is gone and nothing ever seems to matter, plucked into forever. And all wanted, nothing within poetry, is to love. Can one ever get blamed for that? It’s as natural as being born and to die. To my doubt, that no matter how I live, do not engage with me, on how I’m supposed to be. Cello symphonies, tenors. Can I survive a misspirit? Oh for what I’m I really waiting for? For when you open your heart, look how they try to play me, write a couple a poems, now they wave at me. I’ve had my heartbroken, to lovers smiles. From a romantic in desituition, to someone's love. Experience in musings. And to every step I take. Just want to tread over romance and transition into poetry. Smile for me now. From a trembling throb, shaking hands, strengthening of heart, it’s enough for me to know that I exist, not to be contained in any single moment. Do we really know life? I just want love. For poetry, I’m happy to hand out freely. To be beautiful, it’s when one glares at you, to be valued, is for when one knows you. For that, lover? Maybe? Otherwise, it’s not the purpose of existence to be either beatiful or valued for the outside. To which, I can easily do either. A free woman in this unfree world, would be a woman dreams never dared to speak to. A daughter of muses. Dreaming about the romance world. My mind goes boom! For me in the world of romance. To doubt should be a sin. Not to be brave enough to follow through, a sin. Refusing faith that we’re all meant to be for another as a soulmate. A unique miracle for another’s life. For a romantic, a day without love is like no salt on the road for the saint. Ever since adolescence, calling out for my soulmate, until he returns, it’s all eyes on me. I desire, so therefore, I exist in something of an aura, taking in this world’s pressure, without a sound, I slide, I’m unbreakable. It’s not that I can’t make it on my own. I’ve tasted love and earth or this life, cannot provide and other contentment, melting over in illumination. It’s incarnate and inherent. I’ve measured my own worth and dream of someone better. And if they’re less, better go to work to match my eyes. Stars on our door, stars in our eyes, stars exploding in the bits of our brains were the common sense should have been, where anticipation of love making sessions isn’t our greatest pleasures. Unstained by fulfillment for what we can do for each other. When I was younger, my hunger was to let loose in exile, catch me if you can, I giggle at those more vulnerable and impression years. Demand in the present, higher status in the future. Narration of poetry in soft whispers. So fairy tales, folk tales, stories from the oral tradition, are all of them the most vital connection we have with the imaginations of the ordinary men and women whose labor created our world. As for me. I created a love no other human can ever attain, so I’ve replaced every muse that had ever existed. No longer to question my own existence. The lover yet not conceptualize in my hands, is just another unexplored land of flesh and character. Waking each day, a little more, living, movements under the eyes, flicker of light. I gasp and breathe in. Somnolent gestures, it’s a little more urgent and intense, somethings different. More raw and upfront. I’ve loathed and now no more. Piano keys pressed. Heat rises, rains felt colder. Die another day. I huffed and puffed. I came to grips for the life I had live. Parted from it. Moving fingers to wave goodbye. I smiled. For love is funny. It’s comes out of nowhere, at the silliest times, from the most random people, like a fluke. Flutes and melody, along piano keys. Love, hitting me hard, never to leave. Asking in cliches, ‘where have you been my whole life?’ Finally, without effort, a man to understand, even from the smallest glimpses of glance, a single touch, a soft spoken word. Loving each other, not knowing how, but we do. In balance, obliges his self-care, never to allow me to struggle in my own wants of life. Understanding in instant flutters of fury and still yearning for more.  And each stroke of his tongue ripped off skin after successive skin, all the skins of a life in the world, and left behind a nascent patina of shining hairs. My earrings turned back to water and trickled down my shoulders; I shrugged the drops off my beautiful fur. I see him as a series of marvellous shapes formed at random in the kaleidoscope of desire. Filling out my meaning in his living action. To each look, it’s like the first time, in the last few moments, glancing at me, like it his final outlook on life. Our love, devoted to life, but we couldn’t accept life and it’s demands, so, we devoted ourselves, to one another, and it wasn't enough, so, we committed ourselves to holy love and rose above anything that had once been considered as limitations. Dripped off the sides, in alluring colours to the cosmos, left, in supernova fashions and drifted into mythological fame. As we should. Love hits hard, it hits fast and in unexpected times from the most unexpected people. Most of all, it was horrifying at first, made only for the brave, for those who have never tasted love. It’s like, seeing eternity, mastering it and got all the time in forever to stand and glare out to the immense sky. Careful in one’s manner, so no one will notice, eyes opened wide, never to shut, like if I have found creation more than I could explain. The sting of a poem. Why so often my thoughts flustered. Once went everywhere, unrecognised. Time slows. Instead of a mocking face. I regretted nothing in past loves. I am happy that I had an effort. Are the ones too concerned with these earthly concerns. I doubt would ever be themselves, let alone be in love. Don’t ****** me. Now it’s time to be a ghost. For the devil greatest magic, to have the faith that he doesn’t exist. Filtered through my demonic mouth, this is the end and I know how cultures die. This beautiful sigh. A firefly kingdom. Will it be like this, when I cross over to another place? Grief at lost love, when I’m capable of loving now. I’m the romantic, leaning against poetry, filled with love, whisper it’s tone with meaning. Wet summer in low times. Lover without love. Paralysed at my core. Those who glimpsed inside, know of senseless violence. Eyes that not dare no more to meet mine. Pendlum swinging, more selmn than the sfiting emotions. Do not come close to me. Deliberate gestures in the dark. Behaving like the gloom of failure. I know how the world ends. Artists, raise images as homage to death. Is it like this, on the other side, trembling with sobs. No prays to be heard. Valley of dead bodies, steaming ash, sizzling skin to bones. They never talk. Lifeless. Spasm in Zion. rapture over earth, screams from the religious, who pledged their lives to their dogma, slapped in the face. Shadows. Life is short. Between the desire and the action, I’m there, existing. I’m the essence of your desires. I’m breeding new kingdoms. Whimper in public, no-one will hear. For Zion has forgotten you. For I know how the world ends.  
(knowledge variable)
Ayeshah Mar 2010
Music is my Muse
From the funky jazz tempo
To the sounds of salsa
From the classical rock
To the alternative basses
From the Opera Lady's bellow
To the Tenors solo
From the 80's slow jamz
To them 50's swinging bands,
To them country folk songs
To those old folks blues
Music is my Muse,
My inspiration,
Being Black&Puerto; Rican
I- A NuYorican,
I've heard the best tunes,
Bahchata's & Merengue,
Bailes La Cumbias,
Like Macr Anthony &
oh how he sang to me,

My wanting
to rock with you like
Micheal Jackson-
To Vanilla's
Ice Ice Baby,
It's yo thang do what you wanna do,
Candy coated Rain drops
By Soul For Real,
& When will I see you Again-
Babyface
Until I muse
in my amusement
When Tim McGraw  
Sanged don't take the girl,
Reba "Asking Does
He love me like
he's been loving YOU",
To its my prerogative
Like Bobbi Brown said,
Let not for get
Johnny Cash,
Or what About them
O'Jays
Yeah my muse is musical-
Music and thinking artfully
coincides with one another,
with breathing and  eating
Rhyme & Rhythm linguistics
even as we walk down the street
or cruising
while jamming in ya car,
LL Cool J said Cars drive
by with the booming Systems-
AH Push it was
My jam back in the day
R&B; Was mostly what I liked
But growing Up
I started listening to
Rock & Hip Hop,
Got drunk off those sweet
Monster Ballads
while Making love
to Sade,
Sung All Cried Out
at my graduation party,
Tony Toni Tone
Made Us-FEEL GOOD YEAH
at all them block parties
back in NYC,
Now
I listen to everything
going on 33
heard it through the grape vine
that YOU share
a likeness in this Musing?
Music is My Muse.
Always Me Ayeshah
Copyright ©
Ayeshah K.C.L.N 1977-Present YEAR(s)
All right reserved
Tryst Aug 2014
The warble frocks and debutantes,
Soprano trilling nightingales,
The extras dressed as elephants
And tenors with their penguin tails;
They mingle at the opera house
With canapés on silver trays;
Then dine on pigeon, goose and grouse,
To reminisce their finest plays;
When Romeo found Juliet
The crowds were on their feet for days,
When mighty Caesar’s end was met,
The press regaled with highest praise;
Such fine upstanding citizens,
So crisply draped, so brightly gowned;
The marvel of these denizens,
So rarely seen, so well renowned.
Cecilia Sep 2010
the metallic crash
of cymbals
in the summer
august afternoons
working together
to make this
something
important

the deep, low rumble
of bass drums
in the band room
after school practice
trying to get our
bass drum splits
sound like
perfection

the vibrant, sharp ring
of tenors
along the track
marching ceaselessly
uniformity
is what we
came here
to master

the staccato snap
of snare drums
in the commons
the perfect ******
in the perfect roll
found nestled
within
the next try

the commanding yell
of major
tonight is it
we have been working
for weeks on end now
to make this
the best
it can be

one...
two...
dut, dut, dut, dut

our arms are screaming
after this
but this was
the best performance
we have ever done
so we cried
as we
were victors
Inspired by band camp and drum line season 2010...critique!
Anurag Mukherjee Nov 2018
Strange, what tenors reveal about the quiet.
Repeating the chuckle, dashed about wicker chairs,
A cut set deep and probable in its bloom-
Many pleasures, many official corporealities to buck.
Some of us were printed with decorum.
Theirs was the lion's share of assault by the blinding glimmer
Of the closeted hope that many a star borrowed
And confessed to in assizes.
We could have been better selves as limbs who loved like parrots do,
With habits I do not know.
But I'm sure they have their graces cobbled up for the relatives, because graces do show
What the love I dreamt pledged itself to,
Or smeared drunkenly on a floor.
JP Goss Oct 2013
Cooling air, the senses assault
Done is the day, I’ve earned my salt.
Daytime light has turned on me
On moonlit streets such trickery
The pleasant splash, those leaves on foot
Make drunk these nostrils, nectarous soot
Pensive mood floods the mind
And of their beauty I’m truly blind
I do not think of Autumn whole
Only alms within my bowl
As you’ll see I’m leaf inspired
Though their rudiments I have mired
Autumn ring, the chilling tenors
Rejoiced and played in earthly manors
That icy rush makes cold the spirits
Yet conflagrates ye adherents
That festive smell, incense the air!
No motive o’yours ever err
And though the day leaves more hastily
These changing leaves get the best o’me
Transient seconds plump and inspir’d
Of your natural portraits I’ll never tire
The mountainside, my most treasur’d mosaic
Whatever great works, it’s more archaic
Falling to the ground, like listless colorful rain
Whether as the nemophilist, or seated behind a pane
These little souls returning to earth
Fill me with the greatest mirth
Though they exemplify an age ended
Verbiage they have transcended
I’d fill my days with gallery mileage
Gladly glut with their splendid sillage
As they flit, the stuff of dreams
In their midst, pure sophrosyne.
Day or night I’m overcome
Eyes wide open and stricken dumb
Overcome with words and tune
Bursting forth, this ideal plume
And like a flower, complex in bloom
Can’t be captured, hemmed and hewn
Vapor these words, though fall inspire’d
No due medium, pen or lyre
Untouchable this golden essence
Wealth of ideas, gone in seconds
Appropriate, it seems to me
My head, my thoughts a leafy tree
Arrives the autumn, gold and dun
Thousands escape when I reach for one
So I’ll just watch in quiet awe
The beauty whole, no hem nor haw
Not try to make that art my own
Won’t reduce it to rhyme and tone
I’ll simply revel their naïve lull
Ephemeral, yes, but never dull
Shout out happily in leafy halls
Marry to words what return my calls
Leave thou ******, in pulchritude pall
And question not what comes of fall.
Sly: The Duffle bag part 1:
His Days Were Not Like Most!  
It was a typical summer night, not a single cloud to gloom the gloomy sky. The sidewalks reeked of a smell that most would consider disgusting, the smell of prostitution eclipsed by drug infested buildings highlighted by the scent of *****, made for a fun night out on the town. Sly was the type to take advantage, and he did. His rough external features were perfectly matched his all black outfit and black trench coat. He was a man of few words, few emotions, and few delights. Each step he took that night echoed through the streets so loud the wind it self would stop. His eyes were red, drained, tired, he had been up all night thinking, wondering, but now he was ready for action. The old warehouse downtown had been abandoned for sometime now. Its cold and unfriendly, a place Sly could call a home, an urban retreat of sorts for him and his duffle bag. His red duffle bag, that duffle bag housed an arsenal, an arsenal of weapons so treacherous, it had intent to inflict immeasurable amounts of misery for a common denominator. Sly was Hungry, angry; his scope was set at the top of the old warehouse. Sly had climbed the catwalk with precious percussion. He set the red duffle bag down next to him. Sly sat down on a beam that barley supported his weight. A large window 45 degrees to the right of him, made a great position. He opened his red duffle bag! A ****** riffle laid cold and dormant waiting and wanting the touch of existence. The energy felt by his emotional bond to his riffle was indescribable. He loaded the piece. Each bullet loaded the clip as if tenors were in harmony with the alto. The voices that sang revenge sang with an unholy cry, yet the confidence in his faith would serve him as he uttered the symbol of his determination. Slowly he made love to his weapon, cleaning and feeling it’s every corner. Across the road no more than a mile, stood a house. House where political propaganda represented it’s housing guests. Senators of Satin! See Sly was in a very particular business; a business most don’t even know exist…Sly was in the business of killing Demons!
.
A comic book I am working on!
ShamusDeyo Sep 2015
Irish Immigrants found
when they stepped
Onto the Ground,
Their Pockets full of
Donnegal Potatoes.
The Dirt beneath their Nails
Was a Mark of how they'd Failed
Famine and Starving brought them
But the Slurs of the Dublin Micks
From those who Looked Down on them
Determined them to Show off their Pride
Some, teamsters worked horses and Frieght
Some nimble fingers Stitched Linen and Lace
Some Irish tenors the Rage of the Stage
Some with a Swing were the Sting of the Ring
Bringing down Boxers Seasoned Sparring
Fiddlers fiddled and coleens were maids
And through it all Heads held High
Shined the Gleem of Irish Pride
A tribute to my Irish
Rachel Elizabeth Sep 2010
It begins
With one breath
And ends
With one hundred
One hundred hearts
Beating as one
Thunder in our blood
Lightning in our lungs
Notes fell like rain
Down
    Down
        Down
Onto our parched and thirsty tongues

Feast your ears
Close your eyes
And let bass notes hum through you
As the sopranos soar above
Let the altos
Catch your heart and squeeze
Just a little
Just a little
As the tenors serenade you

Come and join us, friend,
Come and dance with us!
Drink with us
Of Melody
And be quenched
By Harmony
Let your heart be freed
Fly high, oh soul!
Soak up our joy, friend,
Let us lift you up and then
Gently
So gently
Set you down
With a whisper
With a prayer

With one breath
One hundred souls
S i g h
And, so, they sleep
To wait for the rain
To come again
Amanda Mary Rose Mar 2010
Now I know why they invented music
For dead uncles
And bombed biology tests
To work out your abs in lessons while constantly being pushed
Till the sound you hear is something unimaginable
Something great
That is was music is

Greatness entirely packaged in sound waves
Listening in the music building to hymn
The sopranos dance with flourish
The bass fills the room with their echoing roar
The tenors create those chords that yank at your soul

On those days when all you can do is cry there is music waiting for you
Your iPod will keep you together as you wander the sidewalks
Your instrument will allow you to funnel the emotions right out for all of the world to see
Here I am world, times may get so tough but you cannot get rid of me yet

Talks of cancer and death lead to those of rebirth
Of hearing “get your affairs in order”
And having it mean, “ Get out there! Live your life!”
To forgetting regrets and finally just being free

Music is there when all is wonderful
Celebrating a new love, a good day, a little less wind outside
To blast it in your room and to dance
But that is a different kind of dancing all together,
No one can really hear you or see you
So just move
The chords carry your legs about the room and you spin and you jump and you sing
Most important is to sing
Let nobody and everybody hear your voice tangle into the lyrics
Sing till you are hoarse
Sing till you have sung it all out

**

Now I know why they invented music
To lead you through that maze that is life
To help you understand it and to understand yourself
Music is that life vest
This is your first jump off that diving board
Hang on so tight and bend your knees
Let go and rocket into the real world
Don’t worry; you most likely will not drown.
**Music is what gets me out on the town
Tonight will always be a good night if you put it on first
Music is what gets me to bed at night as the soft lyrics caress my ears
Random chords organize me as I study.

(omitted...maybe tweaked and remitted)
I suppose you could say I loved him, if you were taken with such things. In the many ways there are to love a flower at near bloom, ripe for the spring but still caught in winter sleeping.
And too, for the way his voice was like fast water over river stones,
not as grating or boisterous as thunder, but I felt the tenors down in the marrow of me.
Or, if I were cliche, it would be the ever-changing nature of his eyes, and I could try to explain them,
compare them with the uncut gemstones so overused, sapphire, topaz, aquamarine.
No. Treasures they may be, but they are lifeless.
My love had the eyes of the restless sky, in all her seasons, in all her moods; midday summer or winters' waning hours,
he was the spectrum.
At the root of it though, I suppose I loved him for what could not be seen,
could not be compared,
or understood by anyone who did not love him also.
He was kind, gentle as the kissing breeze. Bashful and shy, at first.  
When he laughed, he lit up, like joy set a spark in him that glowed bright as starlight.
He tapped tunes on surfaces and you could hear the music.
He was cautious, and didn't presume, but he had a fire and passion that could engulf me, I,
I would happily burn.
He loved music and movies and when he told you about it there was not enough space in the room
to hold the excitement that radiated from him,
nor the adoration that poured from me.
He was a growing thing, he had planted his roots but still bent to the wind, and he was looking for himself in the rain.
He is still looking, and in the downpour, we search together.
Whatever is found, wherever it leads him, I will find him in the restless sky,
I will know him in the running water and the wind that holds me,
and I hope when he feels the homely warmth of the brightening sun,
he will know me also.
I hope he searches for that warmth.
LJ May 2016
A splash of money
These notes I hold pay for my dreams
A devotion of forgotten past
The lost sorrows

A soilder of truth
The guitar we play produces the streams
A light that is aglow
The embraced morrows

A heart alive embers
As the saxophone tenors strike the ribs
A symphony of life
The future we swallow

A mind aroused
As the didgeridoo flutters
A wind of love
In the sound of the sparrow
Vernarth calls Theus, Etréstles calls Vikentios, liberation is near! Dyonisius has to leave for Spinalonga with Wonthelimar and his entourage. Particles of liberation were divided with the immortality proposals of Wonthelimar and Marielle Quentinnais, transmitting ribs of the Speleothemes that harassed them extraterrestrially, until they became theologized in Theus, Vikentios's brother, committing himself to Elefthería or Freedom of praxis, before the gold, in their own alienating chance, are distinguished in the centers of knowledge of Spinalonga, as an entity of the five crosses of Theus, for the conceptualization of this human islet as a sentimental skin of the plague in Vernarth's parapsychology, through Wonthelimar for experience the intersection of Theusiles in honor of Theus with his comrade Vikentios for a priori and a posteriori, with events that will take place in this leprosarium. Kalydon bears a strong similarity to Kalidona in Messolonghi's Koumeterium. Being multi-assigned to Elounda northeast of Crete, like northeast Gethsemane, or the affliction ***** of the right lobe of Golgotha. Volume VII, is the compendium of Wonthelimar twice VV, with its double iteration, that is, VII, this acronym would facilitate access to the area of the future Leprosarium, a posteriori near said peninsula, and ditched from the continent that knew how to distance it as its adopted daughter Spinalonga "Long Splinter" who was now divorcing the peninsula. The fortification of the Venetian raids before the attacks of pirates.

Wonthelimar is seen in the mirror of the Chauvet lagoon, and before the prefixed arch of the Manes Apsidas, when they took the island in advance before they entered this artificial island flood of luminescence in 1578 by the Venetians who presumably feared the meddling by the Apsidas to seize the island, then leaving Crete plunged into a hostile coastline elevated in the foundational cavity of the Essene crewed vessels, they fit into the ship's bow that will be placed on the opposite side of the peninsula, thus avoiding that the ships would list by the low bottom that fluctuated between both portions of earth separated prematurely. The Greek impregnability did not bow before the otomanians by hiding, like Markos Botsaris in Messolonghi with themselves thus subduing them, considering more than sixteen hundred years of the chronological gap that separated this grievance that transcended under the ramparts, putting the settlement of the Tome VII, that is, from the acronym of Wonthelimar and its parapsychological union, which finally came to the aid of the Christians who fled from the Otomanians when they were empowered from the island, with the revolt of 1866, here the rebellious Christians pressed for the Turks to leave the site of a siege in 1903. Specifically from Lerapreta, the Kyrios of Vernarth appeared opening paths from Lasithi, the purpose of this a posteriori parapsychology of Vernarth, would bilocate with their expedition masters, preparing to welcome their ***** relatives on the island from the migration of the ottoman us. Forever as a ***** limen, to be bilocated in the Profitis Ilias, after burying all the lepers commemorating them of restored morbidity after forty days, just as it was in Jericho with the Mashiach, and the Apsidas Manes escaping from the Mashiach.

The eschatology of liberation is confessed with the mythological and parapsychological transformation of Spinalonga as attempts at the misery that evaded the wretched custodians of the Christians who organized themselves from the apocryphal prefixal German or acronym of Wonthelimar as Wo "where, and Thelimar, from the Greek Tou Limar, which would mean "decompose." Finally pointing out the hybrid imprint of the appellation granted by the Manes Apsidas who had stayed on the reef since it was abandoned by a priest. This Tou Limen was an appellation that was provided to weaken them from all the deprivation of Faith in the Christians on this island. The schematic parallel stretched between the two stages with the smallest concatenation since the first century AD. C., until 1600, making this quantum leap the Christian science that understood the democratic causality of extemporaneous events, without having any dimension or category of thought for those who differ or not, especially when the bodies and souls of Christians are They pirated everything, and of themselves, generating condemning existential stress as a source of static synergy, and of God-Mundis in the sketch of science that leads religious man to unite with existential cavemen, in the utilitarian health passages in Jerusalem, specifically in *** Bei Himnon, as a bilocation base in Spinalonga on the face of the leprosarium that was created as the first holocaust or body dump in 1900 without the ápsychos (without a soul), asking for compassion towards the praetorian militiamen masses of the remote past.

The dilemma is create-destroy since Wonthelimar had been moving rapidly through the intraterrestrial slabs near the Kalydon peninsula, before reaching the Kyrios entrusted by Vernarth in Lerapetra, Lasithi. Here they would join with Theus and Vikentios, two Orthodox Christians who were waiting for this procession to later return to Kalydon. The coordinates were alienated in the dilemmas of an anxious Anthropokairós or psychic fear of a past that was three-dimensionally present, towards a future between two different temporal quanta. The entourage was united with a great will to move great tons of time that were intertwined with the almost extinct nature, but noble in resisting that so many fools fought in lands that will never belong to anyone, especially when the storm of the apocalypse thunders the primeval. that Atlas sustains so as not to sink us with his pole, and save all unconverted humanity, making servitudes towards the land of putrid leaf and not the other way around, after so many failed attempts of a Hyletica, or usurpations of matters that are alien to him. certain improper uses such as the mantle of the precious ozone of Eden. The enthronement of the creator will be on the created and will be present, and yes it will be! De Spinalonga with his holocaust of matter will magnetize the mutuality of perished matter in the paw of evils that could not understand his soul matter.

Theus enthroned in Kalydon, here he waited for Wonthelimar before crossing to the islet. His brother Vikéntiko was objectifying himself with his spur scientist in the opening of a new rebirth, in this navel that will seek to untie the aphonia that was difficult with the smallest ellipsis that it implies, by intimidating the miserable prospect that nothing will be redeemable, even later to raise the standards of truly real and not virtual freedom, when the Vexillum that Wonthelimar brought to institute the Genius Loci of Spinalonga appeared. He came along with Marielle, Dyonisius, and Vlad Strigoi. The ethical debate from now on will focus on how to exalt the lepers and *** Bei Himnon and Spinalonga after the Manes Apsidas disassociated themselves from the ethical debate on the island after the departure of the Otomaniacs. The critical evolution will be for the hopeless of a definitive residence that conceptualizes the abandoned, and totally destitute of the chamber or convalescence session, taking them to the Mysterium Ecclesiae, carrying in themselves doctrinals that have supremacy and predominance of the relief of the drama of an existence gray and dark, of those who lie under dire diseases, with advanced duels and an exempt dogmatic formula.

The astrophysics of Spinalonga shows here a universe that distances itself from inextricable nothing, and nothing that alludes to navigating or discovering the point of a ba-ab point, with astrophysical interlocutors that emanate from the realities of stories, which occur more prone to whom be able to resist morbidity with total Christian doctrine, although still asserting itself in coming cycles where Christians are observed fleeing the formulations of a great theologian astrophysicist named Mashiach, who will unite them with the lipoid of Orion, or with the two quantum bracers of *** Bei Himnom and Spinalonga. The quantum record can be cited with immaterial alchemy that emerges from a retrograde biological evolution, for those who believe in archaeology as a state and complement of the logic of the omnipresent-bilocated God in Vernarth parapsychologies, going back to times that passed, passed and they will pass in any dimension of the common man, and whoever is added in the impersonal value in a dynasty of Christian thought, which accommodates the Lodging Ghost of Theus, together with the Mashiach, for a holistic with new body prototypes and souls, which would redesign a paradise definitive. The gaps will give guessed…! And the whole will be to create supposed voids under the law of the conjectured whole, here the continents will pilgrim, containing the same Rabbi co-responsible for all dualism that is ingratiated with divine omnipotence.

Low are freedoms as a final cause, an efficient cause that brings together greater merits of acquiring the personal vote, by acquiring inimitable tenors throughout the cosmos and archetype of man, which does not end with its used prototype substance, relating as one created after the creator told him that he would never abandon him, perhaps being Theus? Spinalonga, a city of the leprosarium, was distinguished from the apprehensions of the Anthropokairos and from the privations of the Apsidas Manes, without pain or fears that will redouble the rudders that unite it to this geomantic duplicity, uncreating mutations that would not appear in the limited collective imagination, rather in the existence that everything is at once, especially when the verb recovers the creative act, towards divine infinity, in Vernarth's kenosis or empty will, purging all of humanity ... It will be more meat on Patmos.
Volume VII - Spinalonga, Manes Apsídas
Countless voices singing their little hymns
converge in a glorious harmony,
sing song lyrics that celebrate my whims
perform a symphony inside of me.

My heart conducts a most enchanted choir,
of booming bass sung to uplifting heights
and tenors sweeter than King David’s lyre,
a singer for each of my heart’s delights.

The joy within erupts in songs of praise
to a life hitting every perfect note,
and hearing what my inner chorus says
in melodies from places most remote.

All the conflicting voices had been wrong
until they all declared my love in song.
Blogging at www.insightshurt.com
Buy “Insights Hurt: Bringing Healing Thoughts To Life” at store.bookbaby.com/book/insights-hurt
Sorcier d'argent Aug 2017
“For this I am willing;
to bet against the well.”

There were forenights after,
When I’d again see flutters;
brims and flashes in fluster:
Daymares in excessive tenors.

In an augmented thought; the lights
rearranged and jumped off spectrum;
and the unbowed remnants, with plights
to infer; to escape such fair conundrum:

“If one would take upon oneself an ascension;
laid upon a fountain of ire?”

As if to live unheathered,
Complacent and unafraid;
and how would one have it missed?
Such comely pair untinted.

“And here I write, to make believe.”
Infatuation probably? I really hope not.
Sam Temple May 2017
~
In the late 1960’s
when my mother was in high school choir
a ghost sang with them sometimes in the rehearsal room
if all the basses, tenors, and sopranos joined on que
and their tone and pitch were perfect
a mysterious songbird arrived
to harmonize with them near the ceiling
octaves above their own voices.
Mr. Dougherty, the instructor, would whoop and holler
inviting their songbird, Alice, to sing louder…
and without flaw when a tone
reverberates in each of us
a ghostly phenomenon of the normal variety rises to the ceiling
to sing inside and with us all and as a species.
In those moments our collective voices join in harmonious chorus
we become one with each other and invite the natural world
to come, and sing along.   /
John F McCullagh Aug 2015
The day was clear, a touch too hot. Summer’s end was drawing near.
Sidewalks vendors were making their pitches, selling their artisanal wares.
That was when I saw my girl, a vision in a pale green dress.
Blood red lips, a fair complexion and long black tresses framed her face.
Where and when could it have been that I had seen her like before?
Thought took me back to Hunter Mountain, late in the summer of Seventy four.
Back then I saw one just like this, a beauty with a special grace
With blood red lips and fair complexion and long dark hair that framed her face.
She wore the tartan of her clan as she competed in the dance.
Pipers played and tenors sang; it was the substance of romance.
A rare beauty, ripe for taking, if one was brave enough to chance….
The memory was broken then, my daughter touched me on the arm.
“There you are Dad, where have you been? I was sent to look for you by Mom.”
We had lingered at the fair, wandering separately among the stalls.
It’s Time now to sit down to our meal and share good wine as darkness falls.
Like Mother, Like Daughter
If you never experience real love, you’ve never lived,
never been heartbroken, never attempted to find love.
Poetry created from both lovers and the heartbroken.
Destroying dice, never kills chance, destiny can,
cellos and tenors, emotions in sound, thoughts lay
dormant, till spoken philosophers moan, exiled spirits
spread with velvet and scarlet, a spotless spree of
rough dawns and silver-golden glowing romance nights.
Novelists and drink coffee with cinema, speaking with
French conversations. Returning, making love with
all the farewells. Life itself, a deep sleep for some
and crazy, like wildfire mystics for the rest, who do
more than desire to live life. Rather, I’ll sleep now,
awake for too long, in attempt to outdo my lover.
Piercing blue, heavy on awakening, pressing upon
me, poetic words for poetry and memories now,
for nostalgia in the future, present experience in crazy
contentment, untamed where that's the only way
to experience someone you love.
(Knowledge Variable)
Delicate poems, flattery in times, the process of forever, devour my soul, the center of my inner-world. Flexible and strengthen in smiles. My love for you, no longer a spectre eyes, imagining ourselves, enticing the romance of poetry, into our breathing actions. Tending to our hearts.
In the yonder future, vast terrains of blank and nothing. Where we’ll absolutely nothing else to do, beside creating love in eternity. And time itself, everything that a memory is. Holy beauty shall know us. Marble statues and songs by tenors, other poems, homage only, echoing around as a famous shadow in any world we leave behind. In truth be told, only each we have only to truly find.
Temper never. Tempt me now lover. I will cave in and be enslaved by volunteer joy. I’m not burnt out. But will become of what you make of me. As now, you conquered immortality. Turning into illumination in the silhouette.
https://www.amazon.com.au/Killing-Philosophy-Reflection-Darcy-Prince-ebook/dp/B07F9QVCW4/ref=sr12?ie=UTF8&qid=1531092503&sr=8-2&keywords=darcy+prince
My Way
I saw the three tenors sing “I did it my way” mind, the fat one died,
and the two others hate each other and never appear in public if
they can avoid it. Of the two one looks like an aging matinée idol
the other suffers from being mobbed at school  and looks scared
has nightmares and takes to tears before going on stage.


I still like Frank Sinatra's rendition of that song better he sang
it so relaxed with a clear diction and  made me think of a man
with a six pack ambling on his way home  he too is dead to
“My Way” is about human hubris we think we are masters of our
destiny when we are leaves blowing along a wet asphalted road
in the autumnal half-light.  

Thinking back- I can afford to- I never got a thing my way which when
young caused me bitterness the highest prize eluded me kismet knew
I could not handle illustriousness it would have made me look absurd
a swaggering fool hated by colleagues, on the stage of life. Yet, when
dancing the tango at a nightclub in Buenos Aires 54 years ago the applause
I received still rings sweetly in my ears.
Mateuš Conrad May 2020
with no real reference to u2: i still haven't found
what i'm looking for -
which is music in a nutshell...

            hell... with all those guitar virtuosos...
to name a few... joe satriani...
                           john petrucci or steve vai...
but it wasn't what i was looking for...

   working backwards... something on the lines
of tom verlain...
      something: more laid back - guitar music:
sometimes lyrics are... bothersome -
              
           well... and the virtuoso music is simply:
a mood killer...
then the youtube algorithm starts
to glitch and fond memories of the jukebox
pop up like phosporescent moles...

            tommy guerrero...
                              no mans land...
                     a real shame to be writing anything
while this is playing in the background...
i'd settle for a wasp's nest of a head -
busy body me with both hands tied -
sipping a ms. amber in a corset and stockings
(bourbon) with some pepsi through
a straw...

                      i did think i was looking for
this something with egberto gismonti's solo...
apparently not...

   and for all its worth: the cut-off point...
i.e. what was once a calm revelation
of a lake...
becomes a frothing waterfall:

sometimes words are like bones anc concrete...
but me, being lazy...
                 teasing dyslexia or...
whatever...
                       you can say all you want
about... kevin spacey...
i'm not going to play the devil's advocate...
but...
                drift off... drifting off...
the required amount of prescriptive sleep...
no dreams...
i so too thought: i thought so too...
we wouldn't be buying sleep and dreams
over the counter...
big pharma excavations....

lester burnham...
and of course... kaiser sow'z'eh...
          sure... otherwise a kim novak /
     james stewart...

                      proper immigration:
send us your women... your ukranian... women...
and the brain-drain:
the best folk...
blah blah blah... blah blah...
what a load of...
glued to the concept of island:
easy to spot a border...
i guess...
                   it's always the carte blanches:
of a cate blanchetts and neurosurgeons
that make it...

no wonder... rewards in ***...
hmm... how about a genocide worth of *****
into a tissue... flushed...
gets the blood boiling...
Paris pre and during and "sort of"
after lockdown...
spike in female depression... no no...
this that and the other...

    so much more with... ****** and ***** banks...
i feel truly sorry for... women...
that will have to give birth to...
worker ants... construction workers...
not those pretty battersea shelter for
"stray" cats and dogs "nurses"...
i will  feel really sorry for the women
who will have to "forget"...
what's that term... hyper-... no...
  gyro- no... hyperbolic... no no nein!

hypergamy! yeah... and some women will
clearly not... up and up and more up...
if only i were a milkman's son...
a tiny little enclave... a stage...
the sea... the cliffs: i the next...
fisherman... the next trucker...

women of the world unite!
but this article... rage...
women don't need men:
of the same class - of the same dada venture...
the same dandies the same:
throws out a perfectly good electrical appliance...
because... "forgot" to check the plug fuse...
same ****... different cover...
all stereotypes... slavs are good workers...
all the plumbers and electricians
circa 2004 - 2018 were polacks...

everyone's a ******* poet over in:
englishland...
and a journalist...
and a whitney houston diva!
        well... no mistake there...
since all the n.h.s. nurses are dancing tiktok...
and...
i once thought it was: slavery...
unless: but i was... wrong...
about that well explained aspect of:
not a slave... but... rather...
being... conscientious...

          well... if you say it like that...
the ex-patriates who had tea with mussolini...
they weren't immigrants or:
high price of culture...
nor that anywhere west of the river Oder
experienced the cultural enrichment
of: that one-time-hit of mongolia and
the golden **** horde...
or that... some pakistanis still have a name:
muhammad... and a surname: khan...

it could be worse... it could be... much worse...
i could be... circumcised...

hell... have children: teach them how to ride
a bicycle: have them listen to mylo's
sunworshipper -
or stick around aging people...
walk up and down creaking wooden stairs...
and hear them snore...
while the bed lamp is still on...

with children and the fear of the dark...
with aging people and the fear
of death... and that's the middle ground
of focus...

royskopp - so easy - elevator music...
horror movie soundtrack:
nostalgia for the 1950s / 1960s
of the 20th century...
now... i can almost understand...
nostalgia for... circa:
the three muskateers...
         vikings...
                            but this sort of
nostalgia: "early on"... em...
the graveyard is the new musuem
with the added splash of al fresco artistry:
the wind, the shine, the peckish sparrows...
the rain...
the hot the cold...

'french single women were supposed
to be miserable on their own...
      thrilled from the pressure to hook
up' - adam sage...
          sage my st. augustine's sololoqui
burnt and smothered in sand-paper...
***...
            
   the world of *** toys and ***** banks...
and... casual joe says:
tables and chairs... brick walls...
buildings... magically popping up...
thin again! thinning air...

oh... i'm not *******... the french ladies
the english ladies don't really care much
for: women of the world unite...
press the war button...
otherwise an invasion is riddled
without bullets of rifles...
written on a postcard: wish?!
i'm coming over...

                     who's paying for the viewcount
of / and credibility?
heidegger and blue boy: remember me:
i'm asking... me standing before
the mirror - in half of adam's attire...
whithered: en vogue...

                  musik for the jilted generation...
heated debated looking for alternatives...

*** toys and ***** banks...
       white knights and... placebo hearts...
how i sometimes wish...
this was an abortion of a beethoven
and this was the medium of the grave...

i would much have better not been sold:
the child, the boy...
whatever that was circa up to the age of 21...
dress me up... in stilletos...
and horse reins and claps...
and tell me: plough this 'ere field...
better that... than the myth of the child of man...
that man is ever a child...
beside the lie in waiting...
tugged and pulled along...
    constipated / claustrophobic language:
that much i can understand...

i wish for having pristine:
leather like skin...
but since my skin: isn't doing my bidding:
that i am doing its (bidding)...
fur... living fur... cats for cuddles...
there's one sleeping in my bed...
right now: and i know that if i pick her
up... one of those bath floating ducks
playthings of a box of music of meows...

sensations: regarded as bone thinning...
and via tooth-loss inspired:
fwench kissing...

- junk-box of suprises - as random as a kandinsky
canvas or a burrough's paragraph...
better this kid achieved maturity
within the confines of an abortion...
than... this... one sure short: missing ******:
insert - ***** and ditto...
the constipated and less so:
islamic harem of the martyrs...
when three holes are given the liberal
shakedown...

to be shamed by *******:
when one isn't conscripted into
               circumcision: that flake
of living skin: the new niqab...
is like: the old, the new, the old...
moral compass of mommy kiss your cherubs
goodnight... **** daddy's **** prior...

wunderbar!
                    learn from spewing stewart...
learn a ditto: at least...
learn:
|
|
|
|  this is how you get a marker and decide
on how a paragraph begins...
cooking a slice of tender beef: aside...
into the beauty of a mid-western...
half baked cookies...
cookie dough jam: the ice-cream...
the crucifixions of no new tomorrow -
the same old... replica of constipation...
and... orthodox jews learning the violin...
like it's a slaughterhosue for horses -
and by miracle of the ching-chang-wall'ah...
prunes! prunes of the squirm!
lemon meets Paris...
meets... lemon meets...
a wine connoisseur... mr. lemon has
a busy schedule... all of asia... "practically"...
mr. lemon arrives in beijing...
                  suddenly the concept of batman
spawns... a centipede torso of...
availability of movement...

cul de sac protests! of course...
bag a cockerely and interrogate him in...
finnish!
it's as if... "they" almost forgot... to...
circumcise and castrate...
and have a 1UP on us... for that...,
much desired... quack!
choir of castrated oink voltaires:
no... those we call...

                    Sardinian...
                                 and tenors...
and: purple ******* sacks of a culmination
of a beard / stubble...
all bishop: all kosher... the voice!
the crescendo: better: unlike rain on
copper roof plating... tulips in goth...
goth: some would call...
strawberries: looking plump...
as juicy... and edible...
             come the cushions of a december
plough...
                  
            i much agree for the concerns
of the: seasonal dietitians...
root veg through winter...
the rest will follow: choir imperatives...
            
             tap tap... drum-roll: more chaotic...
and all the right: lost precisions...
akin to the enigma of:
the ballett of soft teasing snow...
come night and the toll of moon...
                  
            striding to find accents of heaven...
with worded: brush strokes of
the easily irritated fathomability:
bulk prize - it's still... a ******* square...
leaning tower of Pisa or cubism...
Picasso or no... Picasso...

all are waiting, the encore,
the alphabet... the encyclopedic entries...
suggesting: no banter for a worth if a wriggling
seance worth of shrapnel...
or that... arachnophobia:
and the scuttling spiders...
or the ones you touch... coin-flip...
limps stressed: tense... folded...
preteding to... play dead is all they ever do...

tommy the satire gun: ownership contra
worship... like... something from
a ***** universe...
before the sober judge...
before the sobering jury...
the drinking... "aristocrat" of accusations...
i drink... i drink...
because that's when i tend to scubadive...
skydive... i tend to spew: stew...
tell the truth... that drinking and listening
to music is one of those hazard free
"side-projects"...

        i find my heart among the sparrows...
such is their love for life...
i find my tongue among the crows
and magpies:
such is their critique of life: per se...
i find my feet in that magic carpet ride
of the widow swan:
a fate near impossible... nay...
completely: not near: impossible!
petting a dog for its worth of thick
cranium...
   circles galore! circles and circles...
this is not me stroking a leash...
or.. being fidget genius
over a muzzle...

        thumbs up: the ****...
                   more sparkle?
more colour? more dehydrated shrimp
paste? shrimp *****
and mr. lemon serves up:
an experience of tourism from beijing,..
mongolian squint eye:
squiggly noon ugh... sun...

warsaw the parade of ghosts and echoes...
esp. the underground
when the trains roll in from Kiev
and further east...
karma-alcoholic & cinderella "ulterior"
opt outs...
            by best decipher for ads...
i.e. counter... oculus per oculus:
eye for an eye...  shylock and i agree...
a violin for a violin...
a horse's mane for a bow...

                             better than: the end...
             ditto...
                            lady justice gave both her
eyes up... to pressure
a box into abiding by rules
of the guillotine...
  like hell: will this supposed soul...
this branch of learning:
psychology and the logic of non-existence...
ever...
because of how asthma and irregular
breathing... mr. itsy-witsy
and mr. boogie rain-man..

                             **** up and **** with
the readily available...
i'll watch...        a best canape of voyeurism...
is akin to: faking a pose of
atlas... when... performing the banality
of the metaphor of sisyphus.
wordvango Jul 2015
SO,
sing on, on and on the
wind my breath
to the breast of heaven sang,
loud braven, in tenacious tenors
with a soprano course
a bass tone
rhythm
up
up
and,
what if heaven
only appreciated or even heard,
the meaning and the results the
same.
And, when I finished.
I smiled.
wichitarick Jun 2016
Shattered verse flying blindly around what began as simple souls playing & plying out new roles
  Tethered tenors belting blame,while separate sopranos stand ready for even more ridicules
Ordinarily tepid  ,tactful & tasteful  this pair now parlays quips as they rake each other onto the coals
Possibly losing a link for rational ways to think ,madness rests on the brink ,corruption now rules

Belching Baritone  rumbles as altos rising falling like anvils upon heated mates ,neither wanting to lose.
While appeasement would be mutually appealing  virility hastens neutrality and is for quitters
Third parties agree aghast at how fast names have been abused in haste not seeing each others views
Greatly escalated no longer simmering ,impassioned people lay stake foundations developing fissures.

One with a wallet another with a purse,contents within  seems a ready reason for bellowing this curse
Once famous friends now seeing a need ,drawing an invisible line just to better present their own case of the lesser crime
Bold bass blindly blames with rambling range while tethered alto's allegations are relayed in strong verse
Operating like an opera, primo uomo over riding Prima Donna  their rage on a stage with a familiar rhyme.

Knowing personal need must be set aside with certain speed has become part of their new pitch
Understanding what has become wrong with that old song will take the new seat with themselves as the predominant audience
Future meetings must become legit greetings ,no groaning but growing ,the weight of the new scales making them rich
Scaled back from punk,slash hate metal to soothing richness of religious chants ,beautiful duets their new guidance .R.C.
They all approached the Colosso  from Apsila, from where the eleventh star began to make the quantum leap of conformation of twelfth aligned stars. The combat explorations in multiple routes showed the compliance of the identical Eddaphos or the sacred homeland of Patmos in the significant profile as a strategy by Eddaphs that seemed seas of prejudice and confusion of the farmhouses around which was not conquered by anyone, nor was anyone immolated. It was only the magnificence of the Colosso of Apsila that gave the saddles to empower itself from the detonation of atomic light, which was fired from Tire and Gaza on the riverside where today was the residence of Mardiath; Vernarth's lieutenant of the lights of the capital of Memphis, where he temporized areas that were worthy of an atrium of predilection to repopulate all the areas from where Persephone would sprinkle cinnabar for the Persian yokes, to compensate the Oracle of Siwa in the interstices of a god Hellenic Egyptian Zeus-Amun who would reside between his gums. When capturing the highlands and the lowlands, immediately joining the triangulation of the Beit Hamikdash temple and all the currents of the Euphrates, in the direction of Susiana where Vernarth was sitting on the gold horse, after dismounting from Alikantus, glimpsing luxuries and becoming of specters with the Manes Apsidas, congenializing before entering the Pasargada entrance parapsychology, since these succulent areas of gold managed to cross the Euphrates in parapsychology of annihilation, but when bilocating in the supply units insufficient flow, to divert the Attention from the stubborn Persians who still wanted to pursue their siege vows.

Possibilities of superior authorities remained in the infra predominance of their overexcites that encouraged them to deviate from their points of despotism to become from on high in the stream that shone by making propaganda of two ascars in the breadth of the plain, only leaving the cessation of first admission in front of Zefian and his four arrows with the Scythian Archers, in counterbalance to the contingents that were already in full risk of the target territory in the Eruv of Saint John the Apostle, which had demarcated the lines of pachyderm tracks in the frenzy of an oracle that sneaks in from teleportations of audio-sensory iconographies, discovering the mantle of Saint John where he would lead the garrison that would supply the majestic and triumphant portico of the Souls of Helleniká, taking possession of the paragon of quantum in the portico of Susa, from where shimmering looting of capital increased, helping to minorize the territories that would make it possible to aid the gates balance of the accesses of universal connection between Skalá and Susa, from where thousandths of a dorus would already begin to fly for a Macedonian king reference in the doors that would unite both geophysical zones, after attempts that make retentive in images of the struggles of the spectra to the see them, who then dissipated in advance from the cataclysm by convincing themselves of the eternal refuge where battles that had taken place between two rogues prevailed that never had to confront a conjured and assassinated sovereign, after an attempt to rebel in the Battle of Patmia, unable to avoid the recognition of a Satrap like Bessos like the horror of Artaxerxes.

All had been thrown into the possession where the light was present on the elytra of flying organisms, from where the imperceptibility of time and its aetoí or raptors were made free of some prey from the sky that was uncaused unable to support themselves, in means of the Salpinx and Shofar who heeded the voices of angelic *******. The tenors were stewed in stormy queens that dwelt in the mesosphere where Geburah resided for causes outlined in advance, attracting Hellenic claws that were actually a serpent-bearing Ophiuchus that was the thirteenth of the zodiacal sign of the dragon that was stratified in the Opioukos u Serpentarium opioids to settle that it was teleported by Captain Mardiath from Shots by the Wheel of Animals. The celestial groupings were constellated by lurching incontinence of their wills that were not able to advance and attempt what had already been lost. It was already the point of Aries or Vernal as the equinox was marked, from here with the twelve divisions of the zodiacal of Ophiuchus, where the astronomical limits that were in Vilorta were constellated, embracing the iron that held the thalamus of the plow at the helm of Vernarth, tri meaning supposed datas that could correspond to the limit of the quadrant of Aquarius with four new signs since the twelfth signs were distinguished in the wheels of the animals; being Apollo's oxen, having this spelling of the Dodecanese of Saint John after having toured the twelve churches in Turkey, where the collection of the stations would carry the Kouvalíthike se Vódia, "carried by the Oxen" leaving the precipice of the escarpment to Capricorn as the definitive wheel of the twelve divisions of the Dodecanese in the cardinals of the Shemash, making stations of Capricorn and Vóreios of Hyperborea with Wonthelimar, in the extreme north of this dawning night and of the projected equinox, which would be the tangent of the Sun through the celestial south returning again in the fused iconography of all the innkeepers that the astonished swords possessed in their assistances without being able to detach themselves from the reckless image of the scorpion or of an ***** that is illustrated by the ecliptic of the captains of each military squad. The league of fuss and perplexed reactions left them in the limen that became gaseous behind the ecliptic that transpolated the ends of the decision-makers, in these same with the ecstasy of the limits where each cycle appeared in its stunning sponsorships, related of the uncrossings of the bearer that made the cardinal points vary by the ecliptic of Notós de Borker and Dyticá de Leiak, leaving the dawn in the firmament below the mesosphere and the sunrise that was based on the thirteenth zodiacal abode of Ophiuchus, unraveling the gloss of the first postulate of light that was transferred from the unnameable transit of the Apocalypse's declaration. While everyone looked at each other and did not stop wondering when the Colosso of Apsila rose towards the ecliptic of precessional time where she herself detached herself, emerging in her imperceptible time, and carrying seas in the rivers, and rivers over the mountains where the serpentarium more than the sidereal opus that was distorted in the tertiary scale of Aurion, taking them to the Hebraic ladder of Judas Iscariot. The intertestamental analogy would throw the treatises between the Hellenes and Achaemenides and the Mashiach with his multi-consciousness in Judas Iscariot. In this instant of florilege of the heavenly palaces, it was summed up in the female that spread through the nets, hecatombs and afflictions, with crusts of arches that held the quiver from the claws of Beelzebub, which was not imperative for a Geburah who constrained himself to the tension of a god Íblis,  that if he asserted about the temptations of Judas destroying all the temples in the world and the post-captivity of intergenerational breeds, that they would go to the mercy of the host of fatality and inverted horror, that is, with the onslaught of pseudo-Christians who covered themselves with the mantle of the Ofiusco, creating outpourings of the flood that would extol severe genocides of the universe with the immature Apocalypse, which was protected in the ravages of the devastated territories with plagues and morbidities of septem saecula, which would be the execrable legacy of those who did not know that centuries would be born from these spoils of the escapes of the body by the body, only leaving bizarre souls that would reap the inverted step of the genocide, for escapes in the desert of Jerico where if they saw crimson Ophiuchus of the valleys that are from the boiling thesis of who always sees the twelve Giant camels dragging Judas, and clutching camelid legs where he was never safe.
Battle of Patmia Part III
The Lovesong
  I woke up early in a good mood thinking of writing a love poem to my wife.
looking at the YouTube, I came across
“The three tenors,” couldn't resist their beautiful voices.
I was going to find “I believe in angels” by Abba
but first the famous tenors.
Wife woke up told me to turn it off she couldn't sleep.
I remembered Lorenzo Marcus 1964 I was on a ship
unloading cargo destined for Rhodesia.
Everything has changed now LM is now Maputo
and Rhodesia is Zimbabwe, and it was a good time
for a white person.
So I didn't play the Abba song as the lyric is banal
and I was no longer in a loving mood
Yule and Monte Carlo

While I sit and watch circus Monte Carlo
and get annoyed by the undignified use of wild animals,
perhaps except horses, they are beautiful and dumb and get oats to eat after
the performance,
There is no peace for the Palestinians and their struggle to win
back their country and bullets sing through the night.
I watched a bland concert where Jerusalem was sung by three tenors
but having heard Placido Domingo, they didn't measure up.
Then the ads came on in Portugal they last forever, I fall asleep
and didn't see the clowns.
When their ears fell in love with the Orthoptera or Grylloideas before Joshua, the night was restless, abandoning them from their shelters, they brushed the seeds of the thistle that trembled with the new millennium of the Duoverso.  Levitating their ailerons in the tenors of their birth and dilettante sounds, before an ovipositing candor of the remains of the abdomen that remained in their jaws, always being from one of the Beams, for the largest Ensiferas that hung from their antennas in search of Joshua's telepathic messages in the manger. Sappho of Mytilene, also known as Sappho of ****** or simply Sappho, pretended to be a marigold proliferating in the twenty corridors of the Greek poet, and also as the tenth poet in the other ten that was reflected with transparent wings of the dew that stuck physical phenomena -Saphonic, and in the relent rain of wind and condensed air, in the form of drops due to the sudden decrease in temperature in contact with cold surfaces. Sappho dew was spoken of in Kafersuseh, usually when it comes to condensation on a Poetic Grylloidae surface, naturally on the ground cover or artificially on a dull foggy crystalline, in the amount of supernatural tradition, heroes, superheroes, and anti-heroes conspiring with the territorialities of the hexagonality and the brutish wings of the Cricket that were preparing to take root in the manger to combat the demons of Ashera, sniffing with their antennae in trills of physical-ethereal bronze wings, under intra-caudal grazing of the manger, under the aligned conjunction of the parapets and the Crickets that were preparing to take root in the dismembered arms, speaking with their trill antennas and physical-ethereal bronze wings, under an infra-caudal pastoral of Kafersuseh and under the aligned set of the barbicans.

The Aramaic message comes forward with vigor from the orthopterans and birds that piled up on the journey, going back and forth. The Beams shone from the celestial kingdom holding onto the Cherubim and the Archangels, through the paths of conversion and the support of the bizarre Christian time, in implacable hegemony for the propaedeutic of phylogeny, but more than a perfumerist chemistry and the same creation. carrying Lepidoptera winged tetra and Sand Crickets, on the interlocking and obfuscated pheromones from a nascent-elemental child, in his own evangelical philosophy, from a winged dimensionality and in the gloom of Manger shouted and aligned, before the compendiums of double pyramidal landmarks and of inflection, of his word in the Grylloids and panaceas created in the affinity of the world and of Animalia, stylizing muleteers carriers, phrasing acronyms and parabolizing the polygonic nomenclature of the child made territorial man on the wings of a Cricket, already being it! but depicting himself as a lifeless man in the fullness of a canon advantageous child, from a sudden two-dimensional grillionality. A great Zohar light was gathered all towards a whole in those errors of advantageous terrestrial columns and orthopterans that Joshua felt in advance in his resined ears, as irreversible entropy giving back his wise existence to prepare them for the day of his holocaust. Pre Existing in catharsis and substantive busilis of divinity connected with the Grylloid phylogenetic species, classifying until the Aramaic crackle, pontifying pheromones settled in the lithosphere site of Gethsemane, in a biological sense and in close coincidence in the fording of a big book period, or in the phenomenological simultaneity of Eukaryota and Glaucophyta until late Animalia, giving parental relationship in the characters of the vibrational timbre of the Beams and the atavistic pedestal, readjusting themselves in the evolutionary elliptical of winged tetra species, allowing to change the ancestral linguistic accouterments in processes of the redesign of the genetic historical tree ..., divine and increasing.

Inter-Duoverse, in the demography of space it has been frequented since today in a nuptiality between the Sun and the Earth, wrapping the inter-generational homes that have prostrated themselves to the One-Dimensional Beams, evolving millions of years with between links of northern angels and the south, for each year between the years and lustrums that the ancestors are passionate about, unleashing their youths and eternal ideals as they aged, as an atom not guaranteed in families that did not get to know their Duoverse. When they walk through the urbanized farm of their parents they go in their shoes and from the parental sun to interparental barefoot. The children travel far from the monographic patriarchy, declaring themselves among psychic families in unstable networks of trunk conformity and procreation, dismissing family industrialism towards industrial cemeteries highly emanating from dioxides.

The strains of supra healthy cerebral, born from Beams of deforested family trees and treasured in the Trunk of the seventh ascending generation, towards a nefarious tribal of industrious and vegetating regressive parapsychology, bringing zombie societies, to great lethargy that disorganizes the parallel emotion of the Being a descendant of a Messiah, with the prophetic organization. There in the Koumeterium of Messolonghi, in past generations, the "I-O" were omitted to limit them from the paragraphs as Ghost Cemetery lost in other lost sacramental ancestors. The inappropriate location of our ancestral duties has oriented us in the axis of the pabulum, before the second coming of the Messiah to continue the re-sprouting foliage of the Universal theological tree. The children of the seven intergeneration generations will be those of the beloved of a patriarchal family, and those of the Exo family lineage that will be outside the non-generational family, where everything flourishes according to the requirements of ******-domestic economies, and in the new Chimera from new shudders and reconcomments, the Sun and the Earth being spouses after being divorced from a deluge of immolations and inter-millennia and rotations, further than those of any prophet wandering without advancing or rotating, enrolling and expiring in generations succumbed and prehistoric from other prehistoric ones. Pre and post Flood; not presenting itself as an object to link a thousand decades where not even a holy chirp from the Thrush, praises on the windows of the world bringing us babies that are born without past or future quantum generations. Ready at the glimpse of Duality and its nuptiality with the Sun and the Earth, they will make us magical and creditors of increasing demographics and unions that will marry in inter generations, not seeing passions in exhaustion, under the lawn of the allegory of love defeated. Giving ourselves conjugal virtuosity, but of immanent dogma for the purpose of multi-figurative coexistence, under the Yoke of an individualized Faith, in the passing of millennia, we continue to crawl on the floor of the nebulae, and we do not rise to establish ourselves as masters of the ecstasy of the pendulum of the stars, creating us more egalitarian and orthogonal in the cosmos and its Verthian architecture, of poly productivity, of Sun-Earth and its post-genetics, of high-grade clay, expanding with halberds on the highly caloriferous self-insolated and inherited Suns, towards a rupture of Solar freedom, abandoning us in the horizontal, adapting to pluralism and plutocratic sunsets.

Here is the classic verse-parental liberation from stripping oneself from the rows of the socio-political womb, re-institutionalizing archaic and pro-archaic forms of life and the cessation of intergenerational trepanations, in the residence of the breath that feeds the others, living together in the evolved transformation that does not ascribe the morality and presumption of a thinking individuality, rather destitute of the link of its uninhabited corporality, from the beginning umbraloid in the One-dimensional Beam of Kafersesuh and beyond the framework of pollution that does not configure settlements of superfamilies nomads, without scented crowns, not of feminine conjunctural and ontological presences in the new world of an awakening of an Adam, censured for being chosen and sentenced to be a Human rickety from his descendants, not having ascendants of sin and of illicit chromosomal enrichment.  Made beast, from the inertia of a paradise full of hidden public and private exchanges, but not secular, for those who pay tributes of ecstasy in a reborn and weakened state. Here is how Diogiversality is verticalized (Diogenes's anthological action), concluding the variants that weaken the nexus of the denatured society of its atavistic social nuclear concomitant, extending eco-life gaps, but eco-destructured and of intergenerational cruciality, being of arbitrary passion and of seismological doctrines, of haughty morality and of woven sociologies without body or motor, with an intersection of castes and generations evolved in a retrograde and elemental psychic sense, but biologically and reversibly to its boomerang lineage. Everything that depends on a third life is verticalized homologous to the third age of the ascending seventh generation and all cyclical third life separated from other evolutions, greening one-dimensional in time, for times of past polyarchic potential and abdicated beings, but with spirits and bodies of young people uniting between generations that twist into pivots that are reorganized in intra-human relationships, renewing themselves from the trunk, with a mechanism of sepulchral silence and resilient behavior in the unbreakable tri-generational spike of “ Beam and Dimension, for three who advance in their integers, and not in their fractions ..., born of three and four generations in between "
One-dimensional Beams II
Misty mornings
as gray as matter of invisible time
A porch light is lit but there is no one home
Fogged up windows and street lamp tenors  
a white wash sky achieves light    
as a shutter opens the mind is restored,    
it is no longer night.

— The End —