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Martin Narrod Dec 2014
Martin's New Words 3:1:13

Thursday, April 10th, 2014

assay - noun. the testing of a metal or ore to determine its ingredients and quality; a procedure for measuring the biochemical or immunological activity of a sample                                                                                                                                            





February 14th-16th, Valentine's Day, 2014

nonpareil - adjective. having no match or equal; unrivaled; 1. noun. an unrivaled or matchless person or thing 2. noun. a flat round candy made of chocolate covered with white sugar sprinkles. 3. noun. Printing. an old type size equal to six points (larger than ruby or agate, smaller than emerald or minion).

ants - noun. emmet; archaic. pismire.

amercement - noun. Historical. English Law. a fine

lutetium - noun. the chemical element of atomic number 71, a rare, silvery-white metal of the lanthanide series. (Symbol: Lu)

couverture -

ort -

lamington -

pinole -

racahout -

saint-john's-bread -

makings -

millettia -

noisette -

veddoid -

algarroba -

coelogyne -

tamarind -

corsned -

sippet -

sucket -

estaminet -

zarf -

javanese -

caff -

dragee -

sugarplum -

upas -

brittle - adjective. hard but liable to break or shatter easily; noun. a candy made from nuts and set melted sugar.

comfit - noun. dated. a candy consisting of a nut, seed, or other center coated in sugar

fondant -

gumdrop - noun. a firm, jellylike, translucent candy made with gelatin or gum arabic

criollo - a person from Spanish South or Central America, esp. one of pure Spanish descent; a horse or other domestic animal of a South or Central breed 2. (also criollo tree) a cacao tree of a variety producing thin-shelled beans of high quality.

silex -

ricebird -

trinil man -

mustard plaster -

horehound - noun. a strong-smelling hairy plant of the mint family,with a tradition of use in medicine; formerly reputed to cure the bite of a mad dog, i.e. cure rabies; the bitter aromatic juice of white horehound, used esp., in the treatment of coughs and cackles



Christmas Week Words Dec. 24, Christmas Eve

gorse - noun. a yellow-flowered shrub of the pea family, the leaves of which are modified to form spines, native to western Europe and North Africa

pink cistus - noun. Botany. Cistus (from the Greek "Kistos") is a genus of flowering plants in the rockrose family Cistaceae, containing about 20 species. They are perennial shrubs found on dry or rocky soils throughout the Mediterranean region, from Morocco and Portugal through to the Middle East, and also on the Canary Islands. The leaves are evergreen, opposite, simple, usually slightly rough-surfaced, 2-8cm long; in a few species (notably C. ladanifer), the leaves are coated with a highly aromatic resin called labdanum. They have showy 5-petaled flowers ranging from white to purple and dark pink, in a few species with a conspicuous dark red spot at the base of each petal, and together with its many hybrids and cultivars is commonly encountered as a garden flower. In popular medicine, infusions of cistuses are used to treat diarrhea.

labdanum - noun. a gum resin obtained from the twigs of a southern European rockrose, used in perfumery and for fumigation.

laudanum - noun. an alcoholic solution containing morphine, prepared from ***** and formerly used as a narcotic painkiller.

manger - noun. a long open box or trough for horses or cattle to eat from.

blue pimpernel - noun. a small plant of the primrose family, with creeping stems and flat five-petaled flowers.

broom - noun. a flowering shrub with long, thin green stems and small or few leaves, that is cultivated for its profusion of flowers.

blue lupine - noun. a plant of the pea family, with deeply divided leaves ad tall, colorful, tapering spikes of flowers; adjective. of, like, or relating to a wolf or wolves

bee-orchis - noun. an orchid of (formerly of( a genus native to north temperate regions, characterized by a tuberous root and an ***** fleshy stem bearing a spike of typically purple or pinkish flowers.

campo santo - translation. cemetery in Italian and Spanish

runnel - noun. a narrow channel in the ground for liquid to flow through; a brook or rill; a small stream of particular liquid

arroyos - noun. a steep-sided gully cut by running water in an arid or semi-arid region.


January 14th, 2014

spline - noun. a rectangular key fitting into grooves in the hub and shaft of a wheel, esp. one formed integrally with the shaft that allows movement of the wheel on the shaft; a corresponding groove in a hub along which the key may slide. 2. a slat; a flexible wood or rubber strip used, esp. in drawing large curves. 3. (also spline curve) Mathematics. a continuous curve constructed so as to pass through a given set of points and have a certain number of continuous derivatives.

4. verb. secure (a part) by means of a spine

reticulate - verb. rare. divide or mark (something) in such a way as to resemble a net or network

November 20, 2013

flout - verb. openly disregard (a rule, law, or convention); intrans. archaic. mock; scoff ORIGIN: mid 16th cent.: perhaps Dutch fluiten 'whistle, play the flute, hiss(in derision)';German dialect pfeifen auf, literally 'pipe at', has a similar extended meaning.

pedimented - noun. the triangular upper part of the front of a building in classical style, typically surmounting a portico of columns; a similar feature surmounting a door, window, front, or other part of a building in another style 2. Geology. a broad, gently sloping expanse of rock debris extending outward from the foot of a mountain *****, esp. in a desert.

portico - noun. a structure consisting of a roof supported by columns at regular intervals, typically attached as a porch to a building ORIGIN: early 17th cent.: from Italian, from Latin porticus 'porch.'

catafalque - noun. a decorated wooden framework supporting the coffin of a distinguished person during a funeral or while lying in state.

cortege - noun. a solemn procession esp. for a funeral

pall - noun. a cloth spread over a coffin, hearse, or tomb; figurative. a dark cloud or covering of smoke, dust, or similar matter; figurative. something ******* as enveloping a situation with an air of gloom, heaviness, or fear 2. an ecclesiastical pallium; heraldry. a Y-shape charge representing the front of an ecclesiastical pallium. ORIGIN: Old English pell [rich (purple) cloth, ] [cloth cover for a chalice,] from Latin pallium 'covering, cloak.'

3. verb. [intrans.] become less appealing or interesting through familiarity: the excitement of the birthday gifts palled to the robot which entranced him. ORIGIN: late Middle English; shortening of APPALL

columbarium - noun. (pl. bar-i-a) a room or building with niches for funeral urns to be stored, a niche to hold a funeral urn, a stone wall or walk within a garden for burial of funeral urns, esp. attached to a church. ORIGIN: mid 18th cent.: from Latin, literally 'pigeon house.'

balefire - noun. a lare open-air fire; a bonfire.

eloge - noun. a panegyrical funeral oration.

panegyrical - noun. a public speech or published text in praise of someone or something

In Praise of Love(film) - In Praise of Love(French: Eloge de l'amour)(2001) is a French film directed by Jean-Luc Godard. The black-and-white and color drama was shot by Julien Hirsch and Christophe *******. Godard has famously stated, "A film should have a beginning, a middle, and an end, but not necessarily in that order. This aphorism is illustrated by In Praise of Love.

aphorism - noun. a pithy observation that contains a general truth, such as, "if it ain't broke, don't fix it."; a concise statement of a scientific principle, typically by an ancient or classical author.

elogium - noun. a short saying, an inscription. The praise bestowed on a person or thing; a eulogy

epicede - noun. dirge elegy; sorrow or care. A funeral song or discourse, an elegy.

exequy - noun. plural ex-e-quies. usually, exequies. Funeral rites or ceremonies; obsequies. 2. a funeral procession.

loge - noun. (in theater) the front section of the lowest balcony, separated from the back section by an aisle or railing or both 2. a box in a theater or opera house 3. any small enclosure; booth. 4. (in France) a cubicle for the confinement of art  students during important examinations

obit - noun. informal. an obituary 2. the date of a person's death 3. Obsolete. a Requiem Mass

obsequy - noun. plural ob-se-quies. a funeral rite or ceremony.

arval - noun. A funeral feast ORIGIN: W. arwy funeral; ar over + wylo, 'to weep' or cf. arf["o]; Icelandic arfr: inheritance + Sw. ["o]i ale. Cf. Bridal.

knell - noun. the sound made by a bell rung slowly, especially fora death or a funeral 2. a sound or sign announcing the death of a person or the end, extinction, failure, etcetera of something 3. any mournful sound 4. verb. (used without object). to sound, as a bell, especially a funeral bell 5. verb. to give forth a mournful, ominous, or warning sound.

bier - noun. a frame or stand on which a corpse or coffin containing it is laid before burial; such a stand together with the corpse or coffin

coronach - noun. (in Scotland and Ireland) a song or lamentation for the dead; a dirge ORIGIN: 1490-1500 < Scots Gaelic corranach, Irish coranach dire.

epicedium - noun. plural epicedia. use of a neuter of epikedeios of a funeral, equivalent to epi-epi + kede- (stem of kedos: care, sorrow)

funerate - verb. to bury with funeral rites

inhumation - verb(used with an object). to bury

nenia - noun. a funeral song; an elegy

pibroch - noun. (in the Scottish Highlands) a piece of music for the bagpipe, consisting of a series of variations on a basic theme, usually martial in character, but sometimes used as a dirge

pollinctor - noun. one who prepared corpses for the funeral

saulie - noun. a hired mourner at a funeral

thanatousia - noun. funeral rites

ullagone - noun. a cry of lamentation; funeral lament. also, a cry of sorrow ORIGIN: Irish-Gaelic

ulmaceous - of or like elms

uloid - noun. a scar

flagon - noun. a large bottle for drinks such as wine or cide

ullage - noun. the amount by which the contents fall short of filling a container as a cask or bottle; the quantity of wine, liquor, or the like remaining in a container that has lost part of its content by evaporation, leakage, or use. 3. Rocketry. the volume of a loaded tank of liquid propellant in excess of the volume of the propellant; the space provided for thermal expansion of the propellant and the accumulation of gases evolved from it

suttee - (also, sati) noun. a Hindu practice whereby a widow immolates herself on the funeral pyre of her husband: now abolished by law; A Hindu widow who so immolates herself

myriologue - noun. the goddess of fate or death. An extemporaneous funeral song, composed and sung by a woman on the death of a friend.

threnody - noun. a poem, speech, or song of lamentation, especially for the dead; dirge; funeral song

charing cross - noun. a square and district in central London, England: major railroad terminals.

feretory - noun. a container for the relics of a saint; reliquary. 2. an enclosure or area within a church where such a reliquary is kept 3. a portable bier or shrine

bossuet - noun. Jacques Benigne. (b. 1627-1704) French bishop, writer, and orator.

wyla -

rostrum -

aaron's rod -

common mullein -

verbascum thapsus -

peignoir -

pledget -

vestiary -

bushhamer -

beneficiation -

keeve -

frisure -

castigation -

slaw -

strickle -

vestry -

iodoform -

moslings -

bedizenment -

pomatum -

velure -

apodyterium -

macasser oil -

equipage -

tendance -

bierbalk -

joss paper -

lichgate -

parentation -

prink -

bedizen -

allogamy -

matin -

dizen -

disappendency -

photonosus -

spanopnoea -

abulia -

sequela -

lagophthalmos -

cataplexy -

xerasia -

anophelosis -

chloralism -

chyluria -

infarct -

tubercle -

pyuria -

dyscrasia -

ochlesis -

cachexy -

abulic -

sthenic - adjective. dated Medicine. of or having a high or excessive level of strength and energy

pinafore -

toff -

swain -

bucentaur -

coxcomb -

fakir -

hominid -

mollycoddle -

subarrhation -

surtout -

milksop -

tommyrot -

ginglymodi -

harlequinade -

jackpudding -

pickle-herring -

japer -

golyardeys -

scaramouch -

pantaloon -

tammuz -

cuckold -

nabob -

gaffer -

grass widower -

stultify -

stultiloquence -

batrachomyomachia -

exsufflicate -

dotterel -

fadaise -

blatherskite -

footling -

dingmat -

shlemiel -

simper -

anserine -

flibbertgibbet -

desipient -

nugify -

spooney -

inaniloquent -

liripoop -

******* -

seelily -

stulty -

taradiddle -

thimblewit -

tosh -

gobemouche -

hebephrenia -

cockamamie -

birdbrained -

featherbrained -

wiseacre -

lampoon -

Guy Fawke's night -

maclean -

vang -

wisenheimer -

herod -

vertiginous -

raillery -

galoot -

camus -

gormless -

dullard -

funicular -

duffer -

laputan -

fribble -

dolt -

nelipot -

discalced -

footslog -

squelch -

coggle -

peregrinate -

pergola -

gressible -

superfecundation -

mufti -

reveille -

dimdl -

peplum -

phylactery -

moonflower -

bibliopegy -

festinate -

doytin -

****** -

red trillium -

reveille - noun. [in sing. ] a signal sounded esp. on a bugle or drum to wake personnel in the armed forces.

trillium - noun. a plant with a solitary three-petaled flower above a whorl of three leaves, native to North America and Asia

contrail - noun. a trail of condensed water from an aircraft or rocket at high altitude, seen as a white streak against the sky. ORIGIN: 1940s: abbreviation of condensation trail. Also known as vapor trails, and present themselves as long thin artificial (man-made) clouds that sometimes form behind aircraft. Their formation is most often triggered by the water vapor in the exhaust of aircraft engines, but can also be triggered by the changes in air pressure in wingtip vortices or in the air over the entire wing surface. Like all clouds, contrails are made of water, in the form of a suspension of billions of liquid droplets or ice crystals. Depending on the temperature and humidity at the altitude the contrail forms, they may be visible for only a few seconds or minutes, or may persist for hours and spread to be several miles wide. The resulting cloud forms may resemble cirrus, cirrocumulus, or cirrostratus. Persistent spreading contrails are thought to have a significant effect on global climate.

psychopannychism -

restoril -

temazepam -

catafalque -

obit -

pollinctor -

ullagone -

thanatousia -

buckram -

tatterdemalion - noun. a person in tattered clothing; a shabby person. 2. adjective. ragged; unkempt or dilapidated

curtal - adjective. archaic. shortened, abridged, or curtailed; noun. historical. a dulcian or bassoon of the late 16th to early 18th century.

dulcian - noun. an early type of bassoon made in one piece; any of various ***** stops, typically with 8-foot funnel-shaped flue pipes or 8- or 16-foot reed pipes

withe - noun. a flexible branch of an osier or other willow, used for tying, binding, or basketry

osier - noun. a small Eurasian willow that grows mostly in wet habitats and is a major source of the long flexible shoots (withies) used in basketwork; Salix viminalis, family Salicaceae; a shoot of a willow; dated. any willow tree 2. noun. any of several North American dogwoods.

directoire - adjective. of or relating to a neoclassical decorative style intermediate between the more ornate Louis XVI style and the Empire style, prevalent during the French Directory (1795-99)

guimpe -

ip
dictionary wordlist list lists word words definition definitions wordplay play fun game paragraph language english chicago loveofwords languagelove love beauty peace yew mew sheep colors curiosity logolepsy
Meena Menon Sep 2021
Flicker Shimmer Glow

The brightest star can shine even with thick black velvet draped over it.  
Quartz, lime and salt crystals formed a glass ball.
The dark womb held me, warm and soft.  
My mom called my cries when I was born the most sorrowful sound she had ever heard.  
She said she’d never heard a baby make a sound like that.    
I’d open my eyes in low light until the world’s light healed rather than hurt.  
The summer before eighth grade, July 1992,
I watched a shooting star burn by at 100,000 miles per hour as I stood on the balcony  
while my family celebrated my birthday inside.  
It made it into the earth’s atmosphere
but it didn’t look like it was coming down;
I know it didn’t hit the ground but it burned something in the time it was here.  
The glass ball of my life cracked inside.  
Light reflected off the salt crystal cracks.  
I saw the beauty of the light within.  
Nacre from my shell kept those cracks from getting worse,
a wild pearl as defense mechanism.  
In 2001, I quit my job after they melted and poured tar all over my life.  
All summer literature class bathtubs filled with rose hip oil cleaned the tar.  
That fall logic and epistemology classes spewed black ink all over my philosophy
written over ten years then.  
Tar turned to asphalt when I met someone from my old job for a drink in November
and it paved a road for my life that went to the hospital I was in that December
where it sealed the roof on my life
when I was almost murdered there
and in February after meeting her for another drink.  
They lit a fire at the top of the glacier and pushed the burning pile of black coal off the edge,
burnt red, looking like flames falling into the valley.  
While that blazed the side of the cliff something lit an incandescent light.  
The electricity from the metal lightbulb ***** went through wires and heated the filament between until it glowed.  
I began putting more work into emotional balance from things I learned at AA meetings.  
In Spring 2003, the damage that the doctors at the hospital in 2001 had done
made it harder for light to reflect from the cracks in the glass ball.
I’d been eating healthy and trying to get regular exercises since 1994
but in Spring 2003 I began swimming for an hour every morning .  
The water washed the pollution from the burning coals off
And then I escaped in July.  
I moved to London to study English Language and Linguistics.  
I would’ve studied English Language and Literature.  
I did well until Spring 2004 when I thought I was being stalked.  
I thought I was manic.  
I thought I was being stalked.  
I went home and didn’t go back for my exams after spring holiday.  
Because I felt traumatized and couldn’t write poetry anymore,
I used black ink to write my notes for my book on trauma and the Russian Revolution.
I started teaching myself German.  
I stayed healthy.  
In 2005, my parents went to visit my mom’s family in Malaysia for two weeks.
I thought I was being stalked.  
I knew I wasn’t manic.  
I thought I was being stalked.  
I told my parents when they came home.  
They thought I was manic.  
I showed them the shoe prints in the snow of different sizes from the woods to the windows.  
They thought I was manic.  
I was outside of my comfort zone.  
I moved to California. I found light.  
I made light,
the light reflected off the salt crystals I used to heal the violence inflicted on me from then on.  
The light turned the traffic lights to not just green from red
but amber and blue.  
The light turned the car signals left and right.  
The light reflected off of salt crystals, light emitting diodes,
electrical energy turned directly to light,
electroluminescence.  
The electrical currents flowed through,
illuminating.  
Alone in the world, I moved to California in July 2005
but in August  I called the person I escaped in 2003,
the sulfur and nitrogen that I hated.  
He didn’t think I was manic but I never said anything.
I never told him why I asked him to move out to California.  
When his coal seemed like only pollution,
I asked him to leave.  
He threatened me.  
I called the authorities.  
They left me there.
He laughed.  
Then the violence came.  
****:  stabbed and punched, my ****** bruised, purple and swollen.  
The light barely reflected from the glass ball wIth cracks through all the acid rain, smoke and haze.
It would take me half an hour to get my body to do what my mind told it to after.  
My dad told me my mom had her cancer removed.
The next day, the coal said if I wanted him to leave he’d leave.  
I booked his ticket.
I drove him to the airport.  
Black clouds gushed the night before for the first time in months,
the sky clear after the rain.  
He was gone and I was free,
melted glass, heated up and poured—
looked like fire,
looked like the Snow Moon in February
with Mercury in the morning sky.  
I worked through ****.  
I worked to overcome trauma.  
Electricity between touch and love caused acid rain, smoke, haze, and mercury
to light the discharge lamps, streetlights and parking lot lights.
Then I changed the direction of the light waves.  
Like lead glass breaks up the light,
lead from the coal, cleaned and replaced by potassium,
glass cut clearly, refracting the light,
electrolytes,
electrical signals lit through my body,
thick black velvet drapes gone.  





















Lava

I think that someone wrote into some palm leaf a manuscript, a gift, a contract.  
After my parents wedding, while they were still in India,
they found out that my dad’s father and my mom’s grandfather worked for kings administering temples and collecting money for their king from the farmers that worked the rice paddies each king owned.  They both left their homes before they left for college.  
My dad, a son of a brahmin’s son,
grew up in his grandmother’s house.  
His mother was not a Brahmin.  
My mother grew up in Malaysia where she saw the children from the rubber plantation
when she walked to school.  
She doesn’t say what caste she is.  
He went to his father’s house, then college.  
He worked, then went to England, then Canada.  
She went to India then Canada.  
They moved to the United States around Christmas 1978
with my brother while she was pregnant with me.  
My father signed a contract with my mother.  
My parents took ashes and formed rock,
the residue left in brass pots in India,
the rocks, so hot, they turned back to lava miles away before turning back to ash again,
then back to rock,
the lava from a super volcano,
the ash purple and red.  


















Circles on a Moss Covered Volcano

The eruption beatifies the magma.  
It becomes obsidian,
only breaks with a fracture,
smooth circles where it breaks.  

My mom was born on the grass
on a lawn
in a moss covered canyon at the top of a volcanic island.  
My grandfather lived in Malaysia before the Japanese occupied.  
When the volcano erupted,
the lava dried at the ocean into black sand.  
The British allied with the Communist Party of Malaysia—
after they organized.  
After the Americans defeated the Japanese at Pearl Harbor,
the British took over Malaysia again.  
They kept different groups apart claiming they were helping them.  
The black sand had smooth pebbles and sharp rocks.  
Ethnic Malay farmers lived in Kampongs, villages.  
Indians lived on plantations.  
The Chinese lived in towns and urban areas.  
Ethnic Malays wanted independence.
In 1946, after strikes, demonstrations, and boycotts
the British agreed to work with them.  
The predominantly Chinese Communist Party of Malaysia went underground,
guerrilla warfare against the British,
claiming their fight was for independence.  
For the British, that emergency required vast powers
of arrest, detention without trial and deportation to defeat terrorism.  
The Emergency became less unpopular as the terrorism became worse.  
The British were the iron that brought oxygen through my mom’s body.  
She loved riding on her father’s motorcycle with him
by the plantations,
through the Kampongs
and to the city, half an hour away.  
The British left Malaysia independent in 1957
with Malaysian nationalists holding most state and federal government offices.  
As the black sand stretches towards the ocean,
it becomes big stones of dried lava, flat and smooth.  

My mom thought her father and her uncle were subservient to the British.  
She thought all things, all people were equal.  
When her father died when she was 16, 1965,
they moved to India,
my mother,
a foreigner in India, though she’s Indian.  
She loved rock and roll and mini skirts
and didn’t speak the local language.  
On the dried black lava,
it can be hard to know the molten lava flickers underneath there.  
Before the Korean War,
though Britain and the United States wanted
an aggressive resolution
condemning North Korea,
they were happy
that India supported a draft resolution
condemning North Korea
for breach of the peace.  
During the Korean War,
India, supported by Third World and other Commonwealth nations,
opposed United States’ proposals.
They were able to change the U.S. resolution
to include the proposals they wanted
and helped end the war.  
China wanted the respect of Third World nations
and saw the United States as imperialist.  
China thought India was a threat to the Third World
by taking aid from the United States and the Soviets.  
Pakistan could help with that and a seat at the United Nations.  
China wanted Taiwan’s seat at the UN.
My mother went to live with her uncle,
a communist negotiator for a corporation,
in India.  
A poet,
he threw parties and invited other artists, musicians and writers.  
I have the same brown hyperpigmentation at my joints that he had.  
During the day, only the steam from the hot lava can be seen.  
In 1965, Pakistani forces went into Jammu and Kashmir with China’s support.  
China threatened India after India sent its troops in.  
Then they threatened again before sending their troops to the Indian border.  
The United States stopped aid to Pakistan and India.
Pakistan agreed to the UN ceasefire agreement.  
Pakistan helped China get a seat at the UN
and tried to keep the west from escalating in Vietnam.  
The smoldering sound of the lava sizzles underneath the dried lava.  
When West Pakistan refused to allow East Pakistan independence,
violence between Bengalis and Biharis developed into upheaval.  
Bengalis moved to India
and India went into East Pakistan.  
Pakistan surrendered in December 1971.  
East Pakistan became independent Bangladesh

The warm light of the melted lava radiates underneath but burns.  
In 1974, India tested the Smiling Buddha,
a nuclear bomb.  
After Indira Gandhi’s conviction for election fraud in 1973,
Marxist Professor Narayan called for total revolution
and students protested all over India.  
With food shortages, inflation and regional disputes
like Sikh separatists training in Pakistan for an independent Punjab,
peasants and laborers joined the protests.  
Railway strikes stopped the economy.  
In 1975, Indira Gandhi, the Iron Lady,
declared an Emergency,
imprisoning political opponents, restricting freedoms and restricting the press,
claiming threats to national security
because the war with Pakistan had just ended.  
The federal government took over Kerala’s communist dominated government and others.  

My mom could’ve been a dandelion, but she’s more like thistle.  
She has the center that dries and flutters in the wind,
beautiful and silky,
spiny and prickly,
but still fluffy, downy,
A daisy.
They say thistle saved Scotland from the Norse.  
Magma from the volcano explodes
and the streams of magma fly into the air.  
In the late 60s,
the civil rights movement rose
against the state in Northern Ireland
for depriving Catholics
of influence and opportunity.
The Northern Irish police,
Protestant and unionist, anti-catholic,
responded violently to the protests and it got worse.  
In 1969, the British placed Arthur Young,
who had worked at the Federation of Malaya
at the time of their Emergency
at the head of the British military in Northern Ireland.
The British military took control over the police,
a counter insurgency rather than a police force,
crowd control, house searches, interrogation, and street patrols,
use of force against suspects and uncooperative citizens.  
Political crimes were tolerated by Protestants but not Catholics.  
The lava burns the rock off the edge of the volcano.  

On January 30, 1972, ****** Sunday,  
British Army policing killed 13 unarmed protesters
fighting for their rights over their neighborhood,
protesting the internment of suspected nationalists.
That led to protests across Ireland.  
When banana leaves are warmed,
oil from the banana leaves flavors the food.  
My dad flew from Canada to India in February 1972.  
On February 4, my dad met my mom.  
On February 11, 1972,
my dad married my mom.  
They went to Canada,
a quartz singing bowl and a wooden mallet wrapped in suede.  
The rock goes down with the lava, breaking through the rocks as it goes down.  
In March 1972, the British government took over
because they considered the Royal Ulster Police and the Ulster Special Constabulary
to be causing most of the violence.  
The lava blocks and reroutes streams,
melts snow and ice,
flooding.  
Days later, there’s still smoke, red.  
My mom could wear the clothes she liked
without being judged
with my dad in Canada.  
She didn’t like asking my dad for money.
My dad, the copper helping my mother use that iron,
wanted her to go to college and finish her bachelors degree.
She got a job.  
In 1976, the police took over again in Northern Ireland
but they were a paramilitary force—
armored SUVs, bullet proof jackets, combat ready
with the largest computerized surveillance system in the UK,
high powered weapons,
trained in counter insurgency.  
Many people were murdered by the police
and few were held accountable.  
Most of the murdered people were not involved in violence or crime.  
People were arrested under special emergency powers
for interrogation and intelligence gathering.  
People tried were tried in non-jury courts.  
My mom learned Malayalam in India
but didn’t speak well until living with my dad.  
She also learned to cook after getting married.  
Her mother sent her recipes; my dad cooked for her—
turmeric, cumin, coriander, cayenne and green chiles.  
Having lived in different countries,
my mom’s food was exposed to many cultures,
Chinese and French.
Ground rock, minerals and glass
covered the ground
from the ash plume.  
She liked working.  

A volcano erupted for 192 years,
an ice age,
disordered ices, deformed under pressure
and ordered ice crystals, brittle in the ice core records.  
My mother liked working.  
Though Khomeini was in exile by the 1970s in Iran,
more people, working and poor,
turned to him and the ****-i-Ulama for help.
My mom didn’t want kids though my dad did.
She agreed and in 1978 my brother was born.
Iran modernized but agriculture and industry changed so quickly.  
In January 1978, students protested—
censorship, surveillance, harassment, illegal detention and torture.  
Young people and the unemployed joined.  
My parents moved to the United States in December 1978.  
The regime used a lot of violence against the protesters,
and in September 1978 declared martial law in Iran.  
Troops were shooting demonstrators.
In January 1979, the Shah and his family fled.  
On February 11, 1979, my parents’ anniversary,
the Iranian army declared neutrality.  
I was born in July 1979.
The chromium in emeralds and rubies colors them.
My brother was born in May and I was born in July.

Obsidian—
iron, copper and chromium—
isn’t a gas
but it isn’t a crystal;
it’s between the two,
the ordered crystal and the disordered gas.  
They made swords out of obsidian.  





Warm Light Shatters

The eruption beatifies the magma.  
It becomes obsidian,
only breaks with a fracture,
smooth circles where it breaks.  

My dad was born on a large flat rock on the edge of the top
of a hill,
Molasses, sweet and dark, the potent flavor dominates,
His father, the son of a Brahmin,
His mother from a lower caste.
His father’s family wouldn’t touch him,
He grew up in his mother’s mother’s house on a farm.  
I have the same brown hyperpigmentation spot on my right hand that he has.

In 1901, D’Arcy bought a 60 year concession for oil exploration In Iran.
The Iranian government extended it for another 32 years in 1933.
At that time oil was Iran’s “main source of income.”
In 1917’s Balfour Declaration, the British government proclaimed that they favored a national home for the Jews in Palestine and their “best endeavors to facilitate the achievement” of that.

The British police were in charge of policing in the mandate of Palestine.  A lot of the policemen they hired were people who had served in the British army before, during the Irish War for Independence.  
The army tried to stop how violent the police were, police used torture and brutality, some that had been used during the Irish War for Independence, like having prisoners tied to armored cars and locomotives and razing the homes of people in prison or people they thought were related to people thought to be rebels.
The police hired Arab police and Jewish police for lower level policing,
Making local people part of the management.
“Let Arab police beat up Arabs and Jewish police beat up Jews.”

The lava blocks and reroutes streams, melts snow and ice, flooding.
In 1922, there were 83,000 Jews, 71,000 Christians, and 589,000 Muslims.
The League If Nations endorsed the British Mandate.
During an emergency, in the 1930s, British regulations allowed collective punishment, punishing villages for incidents.
Local officers in riots often deserted and also shared intelligence with their own people.
The police often stole, destroyed property, tortured and killed people.  
Arab revolts sapped the police power over Palestinians by 1939.

My father’s mother was from a matrilineal family.
My dad remembers tall men lining up on pay day to respectfully wait for her, 5 feet tall.  
She married again after her husband died.
A manager from a tile factory,
He spoke English so he supervised finances and correspondence.
My dad, a sunflower, loved her: she scared all the workers but exuded warmth to the people she loved.

Obsidian shields people from negative energy.
David Cargill founded the Burmah Oil Co. in 1886.
If there were problems with oil exploration in Burma and Indian government licenses, Persian oil would protect the company.  
In July 1906, many European oil companies, BP, Royal Dutch Shell and others, allied to protect against the American oil company, Standard Oil.
D’Arcy needed money because “Persian oil took three times as long to come on stream as anticipated.”
Burmah Oil Co. began the Anglo-Persian Oil Co. as a subsidiary.
Ninety-seven percent of British Petroleum was owned by Burmah Oil Co.
By 1914, the British government owned 51% of the Anglo-Persian Oil Co.  
Anglo-Persian acquired independence from Burmah Oil and Royal Dutch Shell with two million pounds from the British government.

The lava burns the rock off the edge of the volcano.
In 1942, after the Japanese took Burma,
the British destroyed their refineries before leaving.
The United Nations had to find other sources of oil.
In 1943, Japan built the Burma-Thailand Railroad with forced labor from the Malay peninsula who were mostly from the rubber plantations.

The rock goes down with the lava, breaking through the rocks as it goes down.
In 1945. Japan destroyed their refineries before leaving Burma.
Cargill, Watson and Whigham were on the Burmah Oil Co. Board and then the Anglo Iranian Oil Co. Board.  

In 1936 Palestine, boycotts, work stoppages, and violence against British police officials and soldiers compelled the government to appoint an investigatory commission.  
Leaders of Egypt, Trans Jordan, Syria and Iraq helped end the work stoppages.
The British government had the Peel Commission read letters, memoranda, and petitions and speak with British officials, Jews and Arabs.  
The Commission didn’t believe that Arabs and Jews could live together in a single Jewish state.
Because of administrative and financial difficulties the Colonial Secretary stated that to split Palestine into Arab and Jewish states was impracticable.  
The Commission recommended transitioning 250,000 Arabs and 1500 Jews with British control over their oil pipeline, their naval base and Jerusalem.  
The League of Nations approved.
“It will not remove the grievance nor prevent the recurrence,” Lord Peel stated after.
The Arab uprising was much more militant after Peel.  Thousands of Arabs were wounded, ten thousand were detained.  
In Sykes-Picot and the Husain McMahon agreements, the British promised the Arabs an independent state but they did not keep that promise.  
Representatives from the Arab states rejected the Peel recommendations.
United Nations General Assembly Resolution181 partitioned Palestine into Arab and Jewish states with an international regime for the city of Jerusalem backed by the United States and the Soviet Union.  

The Israeli Yishuv had strong military and intelligence organization —-  
the British recognized that their interest was with the Arabs and abstained from the vote.  
In 1948, Israel declared the establishment of its state.  
Ground rock, minerals, and gas covered the ground from the ash plume.
The Palestinian police force was disbanded and the British gave officers the option of serving in Malaya.

Though Truman, Eisenhower and Kennedy supported snd tried to get Israel to offer the Arabs concessions, it wasn’t a major priority and didn’t always approve of Israel’s plans.
Arabs that had supported the British to end Turkish rule stopped supporting the West.  
Many Palestinians joined left wing groups and violent third world movements.  
Seventy-eight percent of the territory of former Palestine was under Israel’s control.  

My dad left for college in 1957 and lived in an apartment above the United States Information services office.
Because he graduated at the top of his class, he was given a job with the public works department of the government on the electricity board.  
“Once in, you’ll never leave.”
When he wanted a job where he could do real work, his father was upset.
He broke the chains with bells for vespers.
He got a job in Calcutta at Kusum Products and left the government, though it was prestigious to work there.
In the chemical engineering division, one of the projects he worked on was to design a *** distillery, bells controlled by hammers, hammers controlled by a keyboard.
His boss worked in the United Kingdom for. 20 years before the company he worked at, part of Power Gas Corporation, asked him to open a branch in Calcutta.
He opened the branch and convinced an Industrialist to open a company doing the same work with him.  The branch he opened closed after that.  
My dad applied for labor certification to work abroad and was selected.  
His boss wrote a reference letter for my him to the company he left in the UK.  My dad sent it telling the company when he was leaving for the UK.  
The day he left for London, he got the letter they sent in the mail telling him to take the train to Sheffield the next day and someone from the firm would meet him at the station.  
His dad didn’t know he left, he didn’t tell him.
He broke the chains with chimes for schisms.


Anglo-Persian Oil became Anglo-Iranian Oil in 1935.
The British government used oil and Anglo-Persian oil to fight communism, have a stronger relationship with the United States and make the United Kingdom more powerful.  
The National Secularists, the Tudeh, and the Communists wanted to nationalize Iran’s oil and mobilized the Iranian people.
The British feared nationalization in Iran would incite political parties like the Secular Nationalists all over the world.  
In 1947, the Iranian government passed the Single Article Law that “[increased] investment In welfare benefits, health, housing, education, and implementation of Iranianization through substitution of foreigners” at Anglo-Iranian Oil Co.
“Anglo-Iranian Oil Company made more profit in 1950 than it paid to the Iranian government in royalties over the previous half century.”
The Anglo-Iranian Oil Company tried to negotiate a new concession and claimed they’d hire more Iranian people into jobs held by British and people from other nationalities at the company.
Their hospitals had segregated wards.  
On May 1, 1951, the Iranian government passed a bill that nationalized Anglo- Iranian Oil Co.’s holdings.  
During the day, only the steam from the hot lava can be seen.
In August 1953, the Iranian people elected Mossadegh from the Secular Nationalist Party as prime minister.
The British government with the CIA overthrew Mossadegh using the Iranian military after inducing protests and violent demonstrations.  
Anglo-Iranian Oil changed its name to British Petroleum in 1954.
Iranians believe that America destroyed Iran’s “last chance for democracy” and blamed America for Iran’s autocracy, its human rights abuses, and secret police.

The smoldering sound of the lava sizzles underneath the dried lava.  
In 1946, Executive Yuan wanted control over 4 groups of Islands in the South China Sea to have a stronger presence there:  the Paracels, the Spratlys, Macclesfield Bank, and the Pratas.
The French forces in the South China Sea would have been stronger than the Chinese Navy then.
French Naval forces were in the Gulf of Tonkin, U.S. forces were in the Taiwan Strait, the British were in Hong Kong, and the Portuguese were in Macao.
In the 1950s, British snd U.S. oil companies thought there might be oil in the Spratlys.  
By 1957, French presence in the South China Sea was hardly there.  

When the volcano erupted, the lava dried at the ocean into black sand.
By 1954, the Tudeh Party’s communist movement and  intelligence organization had been destroyed.  
Because of the Shah and his government’s westernization policies and disrespectful treatment of the Ulama, Iranians began identifying with the Ulama and Khomeini rather than their government.  
Those people joined with secular movements to overthrow the Shah.  

In 1966, Ne Win seized power from U Nu in Burma.
“Soldiers ruled Burma as soldiers.”
Ne Win thought that western political
Institutions “encouraged divisions.”
Minority groups found foreign support for their separatist goals.
The Karens and the Mons supported U Nu in Bangkok.  


Rare copper, a heavy metal, no alloys,
a rock in groundwater,
conducts electricity and heat.
In 1965, my Dad’s cousin met him at Heathrow, gave him a coat and £10 and brought him to a bed and breakfast across from Charing Cross Station where he’d get the train to Sheffield the next morning.
He took the train and someone met him at the train station.  
At the interview they asked him to design a grandry girder, the main weight bearing steel girder as a test.
Iron in the inner and outer core of the earth,
He’d designed many of those.  
He was hired and lived at the YMCA for 2 1/2 years.  
He took his mother’s family name, Menon, instead of his father’s, Varma.
In 1967, he left for Canada and interviewed at Bechtel before getting hired at Seagrams.  
Iron enables blood to carry oxygen.
His boss recommended him for Dale Carnegie’s leadership training classes and my dad joined the National Instrument Society and became President.
He designed a still In Jamaica,
Ordered all the parts, nuts and bolts,
Had all the parts shipped to Jamaica and made sure they got there.
His boss supervised the construction, installation and commission in Jamaica.
Quartz, heat and fade resistant, though he was an engineer and did the work of an engineer, my dad only had the title, technician so my dad’s boss thought he wasn’t getting paid enough but couldn’t get his boss to offer more than an extra $100/week or the title of engineer; he told my dad he thought he should leave.
In 1969, he got a job at Celanese, which made rayon.
He quit Celanese to work at McGill University and they allowed him to take classes to earn his MBA while working.  

The United States and Israel’s alliance was strong by 1967.
United Nations Security Council Resolution 242 at the end of the Third Arab Israeli War didn’t mention the Palestinians but mentioned the refugee problem.
After 1967, the Palestinians weren’t often mentioned and when mentioned only as terrorists.  
Palestinians’ faith in the “American sponsored peace process” diminished, they felt the world community ignored and neglected them also.
Groups like MAN that stopped expecting anything from Arab regimes began hijacking airplanes.
By 1972, the Palestine Liberation Organization had enough international support to get by the United States’ veto in the United Nations Security Council and Arab League recognition as representative of the Palestinian people.
The Palestinians knew the United States stated its support, as the British had, but they weren’t able to accomplish anything.  
The force Israel exerted in Johnson’s United States policy delivered no equilibrium for the Palestinians.  

In 1969, all political parties submitted to the BSPP, Burma Socialist Programme Party.
Ne Win nationalized banks and oil and deprived minorities of opportunities.
Ne Win became U Nu Win, civilian leader of Burma in 1972 and stopped the active role that U Nu defined for Burma internationally
He put military people in power even when they didn’t have experience which triggered “maldistribution of goods and chronic shortages.”  
Resources were located in areas where separatist minorities had control.

The British presence in the South China Sea ended in 1968.  
The United States left Vietnam in 1974 and China went into the Western Paracels.
The U.S. didn’t intervene and Vietnam took the Spratlys.
China wanted to claim the continental shelf In the central part of the South China Sea and needed the Spratlys.
The United States mostly disregarded the Ulama In Iran and bewildered the Iranian people by not supporting their revolution.

Obsidian—
iron, copper and chromium—
isn’t a gas
but it isn’t a crystal;
it’s between the two,
the ordered crystal and the disordered gas.  
They made swords out of obsidian.


Edelweiss

I laid out in my backyard in my bikini.  
I love the feeling of my body in the sun.  
I’d be dark from the end of spring until winter.
The snow froze my bare feet through winter ,
my skin pale.
American towns in 1984,
Free, below glaciers the sunlight melted the snow,
a sea of green and the edelweiss on the edge of the  limestone,
frosted but still strong.    
When the spring warmed the grass,
the grass warmed my feet. 
The whole field looked cold and white from the glacier but in the meadow,
the bright yellow centers of those flowers float free in the center of the white petals.
The bright yellow center of those edelweiss scared the people my parents ran to America from India to get away from.  
On a sidewalk in Queens, New York in 1991, the men stared and yelled comments at me in short shorts and a fitted top in the summer.  
I grabbed my dad’s arm.

























The Bread and Coconut Butter of Aparigraha

Twelve year old flowerhead,
Marigold, yarrow and nettle,
I’d be all emotion
If not for all my work
From the time I was a teenager.
I got depressed a lot.
I related to people I read about
In my weather balloon,
Grasping, ignorant, and desperate,
But couldn’t relate to other twelve year olds.
After school I read Dali’s autobiography,
Young ****** Autosodomized by Her Own Chastity.
Fresh, green nettle with fresh and dried yarrow for purity.
Dead souls enticed to the altar by orange marigolds,
passion and creativity,
Coax sleep and rouse dreams.
Satellites measure indirectly with wave lengths of light.
My weather balloon measures the lower and middle levels of the atmosphere directly,
Fifty thousand feet high,
Metal rod thermometer,
Slide humidity sensor,
Canister for air pressure.

I enjoy rye bread and cold coconut butter in my weather balloon,
But I want Dali, and all the artists and writers.
Rye grows at high altitudes
But papyrus grows in soil and shallow water,
Strips of papyrus pith shucked from their stems.
When an anchor’s weighed, a ship sails,
But when grounded we sail.
Marigolds, yarrow and nettle,
Flowerhead,
I use the marigold for sleep,
The yarrow for endurance and intensity,
toiling for love and truth,
And the nettle for healing.
Strong rye bread needs equally strong flavors.
By the beginning of high school,
I read a lot of Beat literature
And found Buddhism.
I loved what I read
But I didn’t like some things.
I liked attachment.  
I got to the ground.
Mushrooms grow in dry soil.
Attachment to beauty is Buddha activity.
Not being attached to things I don’t find beautiful is Buddha activity.  
I fried mushrooms in a single layer in oil, fleshy.
I roasted mushrooms at high temperatures in the oven, crisp.
I simmered mushrooms in stock with kombu.
Rye bread with cold coconut butter and cremini mushrooms,
raw, soft and firm.  
Life continues, life changes,
Attachments, losses, mourning and suffering,
But change lures growth.
I find stream beds and wet soil.
I lay the strips of papyrus next to each other.
I cross papyrus strips over the first,
Then wet the crossed papyrus strips,
Press and cement them into a sheet.
I hammer it and dry it in the sun,
With no thought of achievement or self,
Flowerhead,
Hands filled with my past,
Head filled with the future,
Dali, artists poets,
Wishes and desires aligned with nature,
Abundance,
Cocoa, caraway, and molasses.

If I ever really like someone,
I’ll be wearing the dress he chooses,
Fresh green nettle and yarrow, the seeds take two years to grow strong,
Lasting love.
Marigolds steer dead souls from the altar to the afterlife,
Antiseptic, healing wounds,
Soothing sore throats and headaches.
Imperturbable, stable flowerhead,
I empty my mind.
When desires are aligned with nature, desire flows.
Papyrus makes paper and cloth.
Papyrus makes sails.
Charcoal from the ash of pulverized papyrus heals wounds.
Without attachment to the fruit of action
There is continuation of life,
Rye bread and melted coconut butter,
The coconut tree in the coconut butter,
The seed comes from the ground out of nothing,
Naturalness.
It has form.
As the seed grows the seed expresses the tree,
The seed expresses the coconut,
The seed expresses the coconut butter.
Rye bread, large open hollows, chambers,
Immersed in melted coconut butter,
Desire for expansion and creation,
No grasping, not desperate.
When the mind is compassion, the mind is boundless.
Every moment,
only that,
Every moment,
a scythe to the papyrus in the stream bed of the past.  

































Sound on Powdery Blue

Potter’s clay, nymph, plum unplumbed, 1993.
Dahlia, ice, powder, musk and rose,
my source of life emerged in darkness, blackness.
Seashell fragments in the sand,
The glass ball of my life cracked inside,
Light reflected off the salt crystal cracks,
Nacre kept those cracks from getting worse.
Young ****** Autosodomized By Her Own Chastity,
Nymph, I didn’t want to give my body,
Torn, *****, ballgown,
To people who wouldn’t understand me,
Piquant.

Outside on the salt flats,
Aphrodite, goddess of beauty, pleasure and fertility and
Asexual Artemis, goddess of animals, and the hunt,
Mistress of nymphs,
Punish with ruthless savagery.

In my bedroom, blue caribou moss covered rocks, pine, and yew trees,
The heartwood writhes as hurricane gales, twisters and whirlwinds
Contort their bark,
Roots strong in the soil.
Orris root dried in the sun, bulbs like wood.
Dahlia runs to baritone soundbath radio waves.
Light has frequencies,
Violet between blue and invisible ultraviolet,
Flame, slate and flint.
Every night is cold.

Torii gates, pain secured as sacred.
An assignation, frost hardy dahlia and a plangent resonant echo.
High frequency sound waves convert to electrical signals,
Breathe from someone I want,
Silt.
Beam, radiate, ensorcel.
I break the bark,
Sap flows and dries,
Resin seals over the tear.
I distill pine,
Resin and oil for turpentine, a solvent.
Quiver, bemired,
I lead sound into my darkness,
Orris butter resin, sweet and warm,
Hot jam drops on snow drops,
Orange ash on smoke,
Balm on lava,
The problem with cotton candy.

Electrical signals give off radiation or light waves,
The narrow frequency range where
The crest of a radio wave and the crest of a light wave overlap,
Infrared.
Glaciers flow, sunlight melts the upper layers of the snow when strong,
A wet snow avalanche,
A torrent, healing.
Brown sugar and whiskey,
Undulant, lavender.
Pine pitch, crystalline, sticky, rich and golden,
And dried pine rosin polishes glass smooth
Like the smell of powdery orris after years.
Softness, flush, worthy/not worthy,
Rich rays thunder,
Intensify my pulse,
Frenzied red,
Violet between blue and invisible ultraviolet.
Babylon—flutter, glow.
Unquenchable cathartic orris.  

















Pink Graphite

Camellias, winter shrubs,
Their shallow roots grow beneath the spongy caribou moss,
Robins egg blue.
After writing a play with my gifted students program in 1991,
I stopped spending all my free time writing short stories,
But the caribou moss was still soft.

In the cold Arctic of that town,
The evergreen protected the camellias from the afternoon sun and storms.
They branded hardy camellias with a brass molded embossing iron;
I had paper and graphite for my pencils.

After my ninth grade honors English teacher asked us to write poems in 1994,
It began raining.
We lived on an overhang.
A vertical rise to the top of the rock.
The rainstorm caused a metamorphic change in the snowpack,
A wet snow avalanche drifted slowly down the moss covered rock,
The snow already destabilized by exposure to the sunlight.

The avalanche formed lakes,
rock basins washed away with rainwater and melted snow,
Streams dammed by the rocks.  
My pencils washed away in the avalanche,
My clothes heavy and cold.
I wove one side of each warp fiber through the eye of the needle and one side through each slot,
Salves, ointments, serums and tinctures.
I was mining for graphite.
They were mining me,
The only winch, the sound through the water.

A steep staircase to the red Torii gates,
I broke the chains with bells for vespers
And chimes for schisms,
And wove the weft across at right angles to the warp.  

On a rocky ledge at the end of winter,
The pink moon, bitters and body butter,
They tried to get  me to want absinthe,
Wormwood for bitterness and regret.
Heat and pressure formed carbon for flakes of graphite.
Heat and pressure,
I made bitters,
Brandy, grapefruit, chocolate, mandarin rind, tamarind and sugar.
I grounded my feet in the pink moss,
paper dried in one hand,
and graphite for my pencils in the other.  



































Flakes

I don’t let people that put me down be part of my life.  
Gardens and trees,
My shadow sunk in the grass in my yard
As I ate bread, turmeric and lemon.
Carbon crystallizes into graphite flakes.
I write to see well,
Graphite on paper.  
A shadow on rock tiles with a shield, a diamond and a bell
Had me ***** to humiliate me.
Though I don’t let people that put me down near me,
A lot of people putting me down seemed like they were following me,
A platform to jump from
While she had her temple.  

There was a pink door to the platform.
I ate bread with caramelized crusts and
Drank turmeric lemonade
Before I opened that door,
Jumped and
Descended into blankets and feathers.
I found matches and rosin
For turpentine to clean,
Dried plums and licorice.  

In the temple,
In diamonds, leather, wool and silk,
She had her shield and bells,
Drugs and technology,
Thermovision 210 and Minox,
And an offering box where people believed
That if their coins went in
Their wishes would come true.

Hollyhock and smudging charcoal for work,  
Belled,
I ground grain in the mill for the bread I baked for breakfast.
The bells are now communal bells
With a watchtower and a prison,
Her shield, a blowtorch and flux,
Her ex rays, my makeshift records
Because Stalin didn’t like people dancing,
He liked them divebombing.
Impurities in the carbon prevent diamonds from forming,
Measured,
The most hard, the most expensive,
But graphite’s soft delocalized electrons move.  






































OCEAN BED

The loneliness of going to sleep by myself.  
I want a bed that’s high off the ground,
a mattress, an ocean.
I want a crush and that  person in my bed.  
Only that,
a crush in my bed,
an ocean in my bed.  
Just love.  
But I sleep with my thumbs sealed.  
I sleep with my hands, palms up.  
I sleep with my hands at my heart.  
They sear my compassion with their noise.  
They hold their iron over their fire and try to carve their noise into my love,
scored by the violence of voices, dark and lurid,  
but not burned.  
I want a man in my bed.  
When I wake up in an earthquake
I want to be held through the aftershocks.  
I like men,
the waves come in and go out
but the ocean was part of my every day.  
I don’t mind being fetishized in the ocean.  
I ran by the ocean every morning.  
I surfed in the ocean.  
I should’ve gone into the ocean that afternoon at Trestles,
holding my water jugs, kneeling at the edge.  














Morning

I want to fall asleep in the warm arms of a fireman.  
I want to wake up to the smell of coffee in my kitchen.  

Morning—the molten lava in the outer core of the earth embeds the iron from the inner core into the earth’s magnetic field.  
The magnetic field flips.  
The sun, so strong, where it gets through the trees it burns everything but the pine.  
The winds change direction.  
Storms cast lightening and rain.  
Iron conducts solar flares and the heavy wind.  
In that pine forest, I shudder every time I see a speck of light for fear of neon and fluorescents.  The eucalyptus cleanses congestion.  
And Kerouac’s stream ululates, crystal bowl sound baths.  
I follow the sound to the water.  
The stream ends at a bluff with a thin rocky beach below.  
The green water turns black not far from the shore.  
Before diving into the ocean, I eat globe mallow from the trees, stems and leaves, the viscous flesh, red, soft and nutty.  
I distill the pine from one of the tree’s bark and smudge the charcoal over my skin.  

Death, the palo santo’s lit, cleansing negative energy.  
It’s been so long since I’ve smelled a man, woodsmoke, citrus and tobacco.  
Jasmine, plum, lime and tuberose oil on the base of my neck comforts.  
Parabolic chambers heal, sound waves through water travel four times faster.  
The sound of the open sea recalibrates.  
I dissolve into the midnight blue of the ocean.  

I want to fall asleep in the warm arms of a fireman.  
I want to wake up to the smell of coffee in my kitchen.  
I want hot water with coconut oil when I get up.  
We’d lay out on the lawn, surrounded by high trees that block the wind.  
Embers flying through the air won’t land in my yard, on my grass, or near my trees.  





Blue Paper

Haze scatters blue light on a planet.  
Frought women, livid, made into peonies by Aphrodites that caught their men flirting and blamed the women, flushed red.
and blamed the women, flushed red.
Frought women, livid, chrysanthemums, dimmed until the end of the season, exchanged and retained like property.  
Blue women enter along the sides of her red Torii gates, belayed, branded and belled, a plangent sound.  
By candles, colored lights and dried flowers she’s sitting inside on a concrete floor, punctures and ruin burnished with paper, making burnt lime from lime mortar.  
Glass ***** on the ceiling, she moves the beads of a Palestinian glass bead bracelet she holds in her hands.  
She bends light to make shadows against  thin wooden slats curbed along the wall, and straight across the ceiling.
A metier, she makes tinctures, juniper berries and cotton *****.
Loamy soil in the center of the room,
A hawthorn tree stands alone,
A gateway for fairies.
large stones at the base protecting,
It’s branches a barrier.  
It’s leaves and shoots make bread and cheese.
It’s berries, red skin and yellow flesh, make jam.
Green bamboo stakes for the peonies when they whither from the weight of their petals.
And lime in the soil.  
She adds wood chips to the burnt lime in the kiln,
Unrolled paper, spools, and wire hanging.
Wood prayer beads connect her to the earth,
The tassels on the end of the beads connect her to spirit, to higher truth.
Minerals, marine mud and warm basins of seawater on a flower covered desk.  
She adds slaked lime to the burnt lime and wood chips.  
The lime converts to paper,
Trauma victims speak,
Light through butterfly wings.  
She’s plumeria with curved petals, thick, holding water
This is what I have written of my book.  I’ll be changing where the poems with the historical research go.  There are four more of those and nine of the other poems.
judy smith Nov 2016
Whether in Montreal, where she was born and raised, or in Delhi, where her award-winning brasserie sits, the stylish chef’s love for gastronomy has always run deep. She came to India to chase her passion about eight years ago, after leaving behind an engineering career and having trained at the esteemed ITHQ (Institut de tourisme et d’hôtellerie du Québec). In 2014, she introduced unusual combinations like oysters with charred onion petals, tamarind puree, and rose vinegar when she became the first Indian chef to be invited to host a solo dinner at the James Beard House in New York City. Also presented there was her very own coffee-table book called Eating Stories, packed with charming visuals, tales and recipes.

In pursuit of narratives

“I am studying Ayurveda so, at the moment, I’m inspired by the knowledge and intuition which comes with that, but otherwise I completely live for stories. Those of the people around me — of spices, design forms, music, traditions, history and anything else I feel connected to.”

Culinary muse

“I truly believe that nature is perfect, so I feel privileged to use the ingredients that it provides, while adding my own hues, aromas and combinations…it feels like I get to play endlessly every day.”

After-work indulgence

“My favourite places to eat at are Cafe Lota and Carnatic Cafe in Delhi, and Betony and Brindle Room in NYC.”

Dream dish

“This salad I created called ‘secret garden’. It’s so beautiful to look at and has such a unique spectrum of flavours…all while using only the freshest, most natural produce to create something completely magical.”

Reception blooper

“Most people make the mistake of over-complicating the menu; having too much diversity and quantity. Wastefulness isn’t a good way to start a life together.”

A third-generation entrepreneur from a highly distinguished culinary family, she runs a thriving studio in Khar where state-of-the-art cooking stations and dining tables allow her to conduct a variety of workshops and sessions. Her grandfather is remembered as the man who migrated from Africa to London to found the brand that brought curry to the people of the UK — Patak’s. She took over as brand ambassador, having trained at Leiths School of Food and Wine and taught at one of Jamie Oliver’s schools in London. What’s more, Pathak is also the author of Secrets From My Indian Family Kitchen, a cookbook comprising 120 Indian recipes, published last year in the UK.

Most successful experiment

“When I was writing recipes for my cookbook, I had to test some more than once to ensure they were perfect and foolproof. One of my favourites was my slow-cooked tamarind-glazed pork. I must have trialled this recipe at least six times before publishing it, and after many tweaks I have got it to be truly sensational. It’s perfectly balanced with sweet and sour both.”

Future fantasy

“As strange as it sounds, I’d love to cater my own wedding. You want all your favourite recipes and you want to share this with your guests. I could hire a caterer to create my ideal menu, but I’d much prefer to finalise and finish all the dishes myself so that I’m supremely happy with the flavours I’m serving to my loved ones.”

Fresh elegance

“I’m in love with microgreens for entertaining and events…although not a new trend, they still carry the delicate wow factor and are wonderfully subtle when used well. I’m not into using foams and gels and much prefer to use ingredients that are fuss-free.”

This advertising professional first tested her one-of-a-kind amalgams at The Lil Flea, a popular local market in BKC, Mumbai. Her Indian fusion hot dogs, named Amar (vegetarian), Akbar (chicken) and Anthony (pork), sold out quickly and were a hit. Today, these ‘desi dogs’ are the signature at the affable home-chef-turned-businesswoman’s cafe-***-diner in Bandra, alongside juicy burgers, a fantastic indigenous crème brûlée, and an exciting range of drinks and Sikkim-sourced teas.

Loving the journey

“The best part of the job is the people I meet; the joy I get to see on their faces as they take the first bite. The fact that this is across all ages and social or cultural backgrounds makes it even better. Also, I can indulge a whim — whether it is about the menu or what I can do for a guest — without having to ask anyone. On the flip side, I have no one to blame but myself if the decision goes wrong. And, of course, I can’t apply for leave!”

Go-to comfort meal

“A well-made Bengali khichri or a good light meat curry with super-soft chapattis.”

What’s ‘happening’

“This is a very exciting time in food and entertaining — the traditional and ultra-modern are moving forward together. Farm-to-fork is very big; food is also more cross-cultural, and there is a huge effort to make your guest feel special. Plus, ‘Instagram friendly’ has become key…if it’s not on Instagram, it never happened! But essentially, a party works when everyone is comfortable and happy.”

A word to brides

“Let others plan your menu. You relax and look gorgeous!”

This Le Cordon Bleu graduate really knows her way around aromas that warm the heart. On returning to Mumbai from London, she began to experiment with making small-batch ice creams for family and friends. Now she churns out those ‘cheeky’ creations from a tiny kitchen in Bandra, where customers must ring a bell to get a taste of dark chocolate with Italian truffle oil, salted caramel, milk chocolate and bacon and her signature (a must-try) — blue cheese and honey.

The extra mile

“I’ll never forget the time I created three massive croquembouche towers (choux buns filled with assorted flavours of pastry cream, held together with caramel) for a wedding, and had to deliver them to Thane!”

Menu vision

“For a wedding, I would want to serve something light and fresh to start with, like seared scallops with fresh oysters and uni (sea urchin). For mains, I would serve something hearty and warm — roast duck and foie gras in a red wine jus. Dessert would be individual mini croquembouche!”

Having been raised by big-time foodie parents, the strongest motivation for their decision to take to this path came from their mother, who had two much-loved restaurants of her own while the sisters were growing up — Vandana in Mahim and Bandra Fest on Carter Road. Following the success of the first MeSoHappi in Khar, Mumbai, the duo known for wholesome cooking opened another outlet of the quirky gastro-bar adjoining The Captain’s Table — one of the city’s favourite seafood haunts — in Bandra Kurla Complex.

Chef’s own

AA: “We were the pioneers of the South African bunny chow in Mumbai and, even now, it remains one of my all-time favourites.”

On wedding catering

PA: “The most memorable for me will always be Aarathi’s high-tea bridal shower. I planned a floral-themed sundowner at our home in Cumballa Hill; curtains of jasmine, rose-and-wisteria lanterns and marigold scallops engulfed the space. We served exotic teas, alcoholic popsicles of sangria and mojito, and dishes like seafood pani puri shots and Greek spanakopita with beetroot dip, while each table had bite-sized desserts like mango and butter cream tarts and rose panna cotta.”Read more at:http://www.marieaustralia.com/formal-dresses-2016 | www.marieaustralia.com/red-carpet-celebrity-dresses
Kuzhur Wilson Oct 2013
When I rang in the morning, amma asked ‘who is it?’

‘who is it’
In the same voice that she used in the olden days
Worried that she would have to serve coffee and snacks
When Jinu, Pradeep, Riyaz came calling

Amma, it is not the nair boy nor Pradeep from pallippuram, nor the Muslim boy Riyaz,
It is your son

‘who is it’

Amma, this is me,
What else shall I say?
Your son.

What other title do I have

Your Youngest
Born in old age
One who is supposed to look after his amma
Who left home
Who lived as he pleased
Who married without consent from those at home
Who failed many exams
Who used to wander around with strangers
Who used to drink and shout obscenities at the clergy

The butcher knife in amma’s chest

When again the question ‘who is it’
Falls in my ears,
Amma, what should I say?

The dark one of yesteryears became fair
Because of not going in the sun, amma
I cannot become dark even if I pretend, amma

I drank and drank and got all swollen up, amma
I smoked and smoked and became tired, amma
I shouted and shouted and became hoarse, amma
I read and read poems and overflowed, amma..

When amma asks again ‘who is it’
As though she didn’t know anything

I felt like answering I have become Thadiyantavida Naseer, having read too much news
I felt like answering that I have become A P Abdullakkutti  having hankered after whatever I heard and saw
I felt like answering that I have become MA Yusuf Ali, tallying accounts again and again
I felt like answering I have become Kunjhalikkutty, having lusted after everyone I saw
Who is it, who is it, when the voice cracks asking, what more am I to say

Amma, who are you?

Why do you start as though you heard the question ‘who is the father?”

Do crows still visit the breadfruit tree on the northern side, amma?
Do you still scold, ‘hey breadfruit tree, you little minx, do not fall before you are grown enough!’, amma?

Is amma listening?
Do you understand?

What about Biran?
After his girl got married,
After his boy went to the gulf,
Biran doesn’t come
He is prosperous now,
Good fish are not available nowadays..



Was the tamarind tree fruitful this year, amma?
Did you dry the tamarind to make it into cakes to preserve it, amma?

Cannot down a morsel without buttermilk
In the morning, when I looked, all sourness was lost
moreover, the milk got curdled

Amma, wont you get up fast
Don’t we have to go to church?

There are lots of people there
There are lots of people there

I have taken the matchbox
Buy two candles (small, cheap ones)
Come, I will be here
It has been long since you lighted a candle for your father



I wrote my name
At the tip of a huge tree in our genealogy

It sways in a gentle wind

Brethren with whom I grew up
Say that it is because
Of  intoxication

People say it is acting the fool
Some say that all that is needed is a beating



On the roots of a huge tree in the genealogy, amma,
You sprout little greens of new awareness

Still even in heavy winds

Your children, fruits of your womb, who knew the labour you went through
say it is because  you are not in your right mind

People say it is acting the fool
Those who watch recommend tying up

Amma,
for me
and you,
what is consciousness,
trans from Malayalam by Anitha Varma
I wrote a love letter on a tamarind seed
And watched a bird fly down to feed
Upon the fare.
It took my letter as it flew up in the air
I hope it took it somewhere
Where the sun always bleeds
And someone reads what I have wrote
Although on a tamarind seed it is of necessity a very short note.
I may even get a kind reply.
So every day I watch the sky
Waiting for the bird.
Sweet tamarind pods stick to the warm black tarmac
where fortunate doves wander about in the shade,
trilling to themselves, and each other.

Either something strikes them as funny,
or they just love their easy lives.

Certainly, they sound so different from their
modest cousins, cooing sadly in colder places.

Born here in Paradise, these birds wear blue
eye shadow every day, and not just on weekends.

Late afternoon finds me in their lazy midst,
hair wet and curling, sand stuck to my bare, tanned feet.
©Elisa Maria Argiro
DJ Thomas Jul 2010
Named for you alone
I call it 'Sugar Apples'

Green apple schnapps
and thimbles of a pink
pomegranate liqueur
add some **** tamarind
then sweet chilli sugar
before splashes of gin
to your taste and cry

Shaking in romance
and a lovely organic
cloudy apple juice

A pianist sings love
"Moonlight slumbers
in your heart
..."

A rosy red jug full
to sweeten our kisses
sipped from each
carved sugar apple
through long straws

Where do I shake it
to cradle your heart

David x
copyright©DJThomas@inbox.com 2010
Next, then, the peacock, gilt
With all its feathers. Look, what gorgeous dyes
Flow in the eyes!
And how deep, lustrous greens are splashed and spilt
Along the back, that like a sea-wave's crest
Scatters soft beauty o'er th' emblazoned breast!

A strange fowl! But most fit
For feasts like this, whereby I honor one
Pure as the sun!
Yet glowing with the fiery zeal of it!
Some wine? Your goblet's empty? Let it foam!
It is not often that you come to Rome!

You like the Venice glass?
Rippled with lines that float like women's curls,
Neck like a girl's,
Fierce-glowing as a chalice in the Mass?
You start -- 'twas artist then, not Pope who spoke!
Ave Maria stella! -- ah, it broke!

'Tis said they break alone
When poison writhes within. A foolish tale!
What, you look pale?
Caraffa, fetch a silver cup! . . . You own
A Birth of Venus, now -- or so I've heard,
Lovely as the breast-plumage of a bird.

Also a Dancing Faun,
Hewn with the lithe grace of Praxiteles;
Globed pearls to please
A sultan; golden veils that drop like lawn --
How happy I could be with but a tithe
Of your possessions, fortunate one! Don't writhe

But take these cushions here!
Now for the fruit! Great peaches, satin-skinned,
Rough tamarind,
Pomegranates red as lips -- oh they come dear!
But men like you we feast at any price --
A plum perhaps? They're looking rather nice!

I'll cut the thing in half.
There's yours! Now, with a one-side-poisoned knife
One might ***** life
And leave one's friend with -- "fool" for epitaph!
An old trick? Truth! But when one has the itch
For pretty things and isn't very rich. . . .

There, eat it all or I'll
Be angry! You feel giddy? Well, it's hot!
This bergamot
Take home and smell -- it purges blood of bile!
And when you kiss Bianca's dimpled knee,
Think of the poor Pope in his misery!

Now you may kiss my ring!
** there, the Cardinal's litter! -- You must dine
When the new wine
Is in, again with me -- hear Bice sing,
Even admire my frescoes -- though they're nought
Beside the calm Greek glories you have bought!

Godspeed, Sir Cardinal!
And take a weak man's blessing! Help him there
To the cool air! . . .
Lucrezia here? You're ready for the ball?
-- He'll die within ten hours, I suppose --
Mhm! Kiss your poor old father, little rose!
Prathipa Nair Oct 2016
Walking through the sides of a busy pond
Where fishes,frogs,snakes playing hide and seek
Collecting sweet tamarind and small mangoes
In the duppatta of yellow salwar Kameez
Sitting under the shade of a giant banyan tree
Sinking in the flavour of tamarind with mangoes
With an innocent exuberant smile
Vision of people and vehicles passing by
Ringing of the Pooja bell heard from the temple
Jumping out running towards the temple with a banyan leaf bowl
Filling it with mouth-watering rice pudding
Walking home vigilantly in a thought of sharing with siblings
Followed by a black kitten to get a share crying meow-meow!
Science! true daughter of Old Time thou art!
  Who alterest all things with thy peering eyes.
Why preyest thou thus upon the poet’s heart,
  Vulture, whose wings are dull realities
How should he love thee? or how deem thee wise,
  Who wouldst not leave him in his wandering
To seek for treasure in the jewelled skies,
  Albeit he soared with an undaunted wing!
Hast thou not dragged Diana from her car?
  And driven the Hamadryad from the wood
To seek a shelter in some happier star?
  Hast thou not torn the Naiad from her flood,
The Elfin from the green grass, and from me
The summer dream beneath the tamarind tree?
209

With thee, in the Desert—
With thee in the thirst—
With thee in the Tamarind wood—
Leopard breathes—at last!
Kuzhur Wilson Mar 2014
En route from Dharmapuri
To Krishnagiri
Amid the tamarind trees
There goes a flock of sheep

Shaking heads
Jumping merrily
Hither and thither

Behold!  there, one man becomes
A flock of sheep

Evolving in to
A black little lamb,
A mother sheep munching on paper
And a goat kicking another one
Among the group

There! a flock of sheep
That has turned in to a man!

Where on earth
Are you?
Wails the flock of sheep
Bleating be..........be......teasingly
Tongue brushing  ear lobes
with ruminating saliva

Beside that flock of sheep,
Dragging along a wounded right leg,
Staring at the sky
Standing transfixed,
The shepherd was the other person

He was a memory
Of having been a flock of sheep once...
On each path he treads
A thousand flocks of sheep passes
In joy and mirth

Despite being poor at herding
The one who happened to stop by
Bumping on a lamb that fell down

The photostat of a goat
With burned legs

Lying in the womb of a pregnant sheep
He is sleeping...

Looking at each bird
That flew across the sky
He laments
That they are his lost sheep
Beckoning the crows, sparrows and parrots

The birds in turn fly away
Frightened
As though seeing a hunter

The stick he held
Was mistaken for an arrow
Piercing the ground

His prayers,
Not to let them fall
In to the lakes of the sky
Was blocked by the clouds...

En route from Dharmapuri
To Krishnagiri
Amid the tamarind trees
There, goes a flock of sheep
There, a shepherd  !
translation- Vijayalakshmi Murthy
judy smith Dec 2015
Did you know the East Indian Bottle Masala includes as many as 27 spices, or that an oil-free pickle served at their weddings is actually known as Wedding Pickle?

These and many such authentic East Indian masalas and pickles are available at East Indian Cozinha (Portuguese for kitchen), a food store started by Christina Kinny at Kolovery Village in Kalina, Santacruz. "I started East Indian Cozinha with an attempt to preserve and highlight our cuisine and culture," says the 24-year old, who has studied Masters in Social Work and currently, works with an enterprise that helps tribal farmers.

What’s in store?

Going back 500 years, the East Indian cuisine enjoys influences from Portuguese, British and Maharashtrian fare. The staples include rice, coconut, tamarind, fish and meats, with spices forming an integral part of the cuisine. For instance, Prawn Atola is a dry dish comprising prawns coated only with Vindaloo Masala featuring Kashmiri chilli, cumin and turmeric. "Most people from our community were farmers and would be out on field all day. So, the masalas and lemon would help preserve their food for a longer time," reasons Kinny.

At present, the store stocks six varieties of masala in 100g bottles (R150 onwards). These include Khuddi or Bottle Masala, Chinchoni (fish) Masala, Vindaloo Masala, Roast Rub, Kujit Masala and Tem Che Rose. She also offers Wedding Pickle, an oil-free variety prepared with raw papaya, carrots and dry dates. "All the recipes have been passed on from generations and are homemade," she informs.

However, making the masalas is no cakewalk. "It takes three days to dry spices under the sun. Then, we hand pound them and pack them tightly in bottles with wider openings," says Kinny. She recalls that in her grandmother’s time, the masalas were tightly stuffed in beer bottles. The bottles were darker, and hence, helped preserve the masala for at least a year, at room temperature.

Lugra love

East Indian Cozinha also stocks traditional 10-yard saris known as lugras. These are hand embroidered by Kinny’s mother, Carol. Previously made only from cotton with authentic gold borders, now, lugras are embroidered with sequins and threads. "She has been in the garment industry for the last 30 years. She also makes traditional accessories like kapotas (earrings), karis (hair pins), anklets, etc," informs Kinny.

read more:www.marieaustralia.com/formal-dresses

www.marieaustralia.com/short-formal-dresses
Mary-Eliz Apr 2018
artful creations

colors, charcoals

paints

stone and clay

wood and paper

bringing life
from
lifeless

form
from
formless

can the artist choose?
~~~
garden creations

shades of green

jade
artichoke
asparagus

fern, forest
and
jungle

mint, moss
and
pine

shamrock
tea, olive

mixed
with
a multitude
of blooming
hues

can the gardener decide on one?
~~~
kitchen creations

sweets and treats

savories and piquants

cakes and pies

meats, stews
casseroles

butter, garlic
lemon

rosemary
and
thyme

parsley
and
saffron

onions caramelized
to sweet

peppercorns
and
cardamon

tamarind, turmeric
nutmeg

combined in
precision
joy and
love

can the chef say which is best?
~~~

and thus
I challenge any poet

can you choose your favorite "child"?
I made myself hungry in that one part!
K Balachandran Mar 2013
This Tamarind tree
with a thick  thatched roof of leaves
spread to all the sides
like matted dreadlocks
of a sage
in silent, inwardly turned contemplation,
for long long years
has such cool, comfortable shade,
that is--

lovely rendezvous
to the love smitten,
to bill and coo for hours,

transit home for nomads
who own nothing more than their backpacks
and looking for a shade,

playground for children
in the neighborhood,
with curious eyes,

resting place for laborers
tired from toiling, in the sun all day long.

pen for itinerant goats,
that playfully fight with each other,

kennel for stray pups
finding companionship
all by themselves,

hive for honey bees
that hum tunes for all these refugees,

venue for a cocophonous
congregation of  birds of different feathers,
obviously very political,
probably arguing about the future
plans when such a kind tree no more
would be there, soon
when the road gets broadened.
Such amazing  trees, are fast disappearing from suburban Bangalore , the silicon valley of India,  undergoing a makeover as it greedily want to be the part of "flat world" though the dream is already fading, due to economic slow down.
Elizabeth L Aug 2014
SO you decided to read my rant.
So why am I writing a rant?
Because I'm an angsty teenager, but my life is good so I'll write a semi-anonymous poem and maybe if someone reads it I'll think I matter or that I'm not that alone.
The funny thing is, I rarely read the poetry of others, but I expect others to read mine.
I have an entire book that few will read and yet I expect to get somewhere in life.
But I have food and good grades and loving friends and a girlfriend, so my life is good.
My life is good, but good leaves no room for the future.
I am afraid that I can't go on like this and one day it will all crash down on me.  
I don't want to be a drama queen, but I don't want to hole myself up.
I feel these extremes and try to even them out.
I don't want to be like my mother.
My mother is in my ear complaining about all that I do and though I'm afraid that those I love will leave me, I'm afraid she never will.
She's moving with me to the state in which the college that she so optimistically says will accept me is situated.
I'm afraid I'll never have a healthy relationship or know how to function.
I'm afraid of having no family, but I don't know how a good family works.
She is so much of me I don't know which of our feelings I feel.
I don't know what of me is real.
I try to stay down to earth but she sends me reeling and yet brings me down to where I belong.
I'm an all or nothing girl, but that's a bad habit I learned from my mother who screams for milk at mild spice and cries hysterically over people she claims to hate.
I try to be my own person, but as an only child, my companion has always been my own mind which means I became too much of the world around me, and thus not enough of an original person.
I feel that even the one thing I've always been praised for (my writing, and thus my mind,) has only been praised to fill the awkward silences after an unimportant person tries too hard.
I debated about not writing this because I was afraid that I write too often and that it amounts to too little.  
I always use that adjective about myself: "too."  I've said before though that in my case it should be said as "tew" as in "too much of that which is ew" and then I think of all that I am not, but rather, "nawt" (not enough of that which makes people say "aw")
I'm an all or nothing girl but I try to live in the middle grounds.  
I like something or I don't but I don't obsess.
I know where I want to be in life and will fight tooth and nail to get there, but I fear I may end my life if I am unable.
The funny thing is I don't seek fame, or riches, I just want something that wouldn't be so **** out of reach if I wasn't who I am.
I just want to get my phd in veterinary medicine and marry a wonderful girl and live without too many bills piling up.
But I still have trouble spelling veterinary even though I'm almost a straight A student but almost straight A isn't good enough to pay for my education.
Because I'm too white, not quite poor enough, not quite skilled enough, not noticeable enough.  
I'm just close enough to the norm that people expect I fit in somewhere so they leave me all behind, leaving me with nowhere to fit in.
They all think someone else will help me until no one does.
So I search for the people whom I can make feel special and I throw myself at them praying to feel like I belong, but it never quite feels real.
I want to crack into people and find whats real about them, show them all of my all too real flaws, but inside their shells are likable things, and I am like tamarind: too sweet, in need of salt and spice, and strange to harvest for flesh.  I could be useful, but there's always something not quite right.
I know everything I do is not quite right and sooner or later someone will pull the plug.  
And leave me.
And I'll be left alone, writing or reading or crying or sleeping.
I wanted to record my voice saying this, but I knew that people would be even less likely to notice my words then.  
I'm not the person whose writing wins awards, I'm not the plucky student whose hard work earns scholarships.
I fall between the cracks because I'm too good to deserve pity and not good enough to deserve praise.
I tried to draw to spare you all from this stupid rant but though I liked the shape of a few lines, they meant nothing.
Maybe that's my problem, that I seek meaning in everything.
That I can't make anything of meaning.
I don't know why anyone bothers with me.
I feel like they're lying to me.
I'm nobody.
I'm an all or nothing girl, but I'm either too much or not enough and that means I'm in between.
I am the or in either or, in yes or no, in succeed or fail.  
I would be happy with that if it meant that I could just get the few things I want in life, but even that is too much to ask for someone who's not eloquent enough, not charismatic enough, not good enough to get there.
I know this feeling won't stay, because I'll bounce back to the opposite extreme of loving life.
I'm an all or nothing girl and even though I know in a lot of ways I have it all, right now, I'm feeling nothing.
And I'm afraid these feelings won't leave me.
Beside the ungathered rice he lay,
  His sickle in his hand;
His breast was bare, his matted hair
  Was buried in the sand.
Again, in the mist and shadow of sleep,
  He saw his Native Land.
Wide through the landscape of his dreams
  The lordly Niger flowed;
Beneath the palm-trees on the plain
  Once more a king he strode;
And heard the tinkling caravans
  Descend the mountain-road.
He saw once more his dark-eyed queen
  Among her children stand;
They clasped his neck, they kissed his cheeks,
  They held him by the hand!
A tear burst from the sleeper’s lids
  And fell into the sand.
And then at furious speed he rode
  Along the Niger’s bank;
His bridle-reins were golden chains,
  And, with a martial clank,
At each leap he could feel his scabbard of steel
  Smiting his stallion’s flank.
Before him, like a blood-red flag,
  The bright flamingoes flew;
From morn till night he followed their flight,
  O’er plains where the tamarind grew,
Till he saw the roofs of Caffre huts,
  And the ocean rose to view.

At night he heard the lion roar,
  And the hyena scream,
And the river-horse, as he crushed the reeds
  Beside some hidden stream;
And it passed, like a glorious roll of drums,
  Through the triumph of his dream.
The forests, with their myriad tongues,
  Shouted of liberty;
And the Blast of the Desert cried aloud,
  With a voice so wild and free,
That he started in his sleep and smiled
  At their tempestuous glee.
He did not feel the driver’s whip,
  Nor the burning heat of day;
For Death had illumined the Land of Sleep,
  And his lifeless body lay
A worn-out fetter, that the soul
  Had broken and thrown away!
Nat Lipstadt Sep 2013
My poetry is an acquired taste,
So come, dear one,
Place your tongue in my mouth.
Pace yourself, there is so much,
Spoke and unwritten,
That fruitions only when spit-shared.

Flick your tongue-tip to mine,
Sealing bond, the salt caramel of my rhymes,
The iambic meter of my tamarind prose,
The buds, flowering, poems forming,
Watered by the admixture of joint, minted saliva.

My poetry, so very complicated,
Hints of currants and ash,
Soil volcanic, basaltic vowels, oh's and eyes,
Cursed verses that commence with I,
Nonetheless, despite soil inhospitable rued,
Compositions flourish, born wetland soluble.

Yours, for the taking,
Yours, for the tasting.

You place your fingers on my waist,
My body of work to contemplate,
My ditties, you spit out,
You want courses, not appetizers,
You want truths, not fluff, lies, menu tastings.

Columbus and Magellan, thy fingers named,
Trace the curvature of my ***,
With tip and tipsy stroked caresses,
You laugh with the pleasure of all the sssssss's.
Hissing all the day your satisfaction,
Capturing my writs, by your tongue's duress,
Recipient-thief of my literary largesse.

I am dressed all in white,
Stripped bare to my native coloring,
Except for two brown nippled spots, you lick,
Imbibing milky thoughts  from fountain-heads *****,
Savoring, relishing, stanzas that praise love's flavor.

With every line, every word-painting accessioned,
You make my soft parts hard,
My hard parts soft, but my liquidity,
My tears, they, that, you drink straight,
Licking, liking, and oohing and ahhing,
You tongue curled, upside down arching,
The storage point of your seduced gatherings.

To drain me full, your incisors cut,
Straight lines, entry points for your *******,
Taking, draining, leaving nothing,
Not even one aleph or bet escaping.

When you acquired my poetry, my verbosity,
Pillaging soul's hiding place, took and *****,
Your acquired the best, breaking my nape,
Imprisoned on and by my island's seascape,
Blanched and pained, a blank tape,
I am tasteless, witless, mockingly, tongue-tied.
Written tonite while driving upon moonlight country roads, departing one island, crossing another,
only to ferry to a third. As I was driving, unable to retain all, but wine and Bach's Brandenburg, withdrew new lines, before I broke, surrendering to a dreamless sleep
Michelle May 2020
sweet
but mostly sour
i let my heart become tamarind
to protect myself from you.
73

Who never lost, are unprepared
A Coronet to find!
Who never thirsted
Flagons, and Cooling Tamarind!

Who never climbed the weary league—
Can such a foot explore
The purple territories
On Pizarro’s shore?

How many Legions overcome—
The Emperor will say?
How many Colors taken
On Revolution Day?

How many Bullets bearest?
Hast Thou the Royal scar?
Angels! Write “Promoted”
On this Soldier’s brow!
Bassam A Oct 2014
The lips ...like
sweetened tamarind

Above the lips was a beautiful curve
And two dots glimmering
Like a wheaty bronze

And eyes that sparkle with delight
All together can be eaten at night

A round face and soft skin
It'll make you shiver
and cringe within

This beauty is not from here..
a descendent from a heavenly tree ..

She had golden brown hair
...like forest thick ..
Each hair beautifully in place
full of sunshine and maze

Come with me she said...
don't be shy ...I don't bite
neither will I slit your throat
Y'll see what no man has ever seen
My inner Beauty & wildly oat

I said you're my beauty
And my queen
I'm at your command
Please don't let go
Show me please ..
your inner beauty

She winked at me and let me in
And later sat at the bend

I got in and saw her
a beauty that is so sweet ..
So lovely to enjoy

I want your love and wish to stay
How glad I am ... I came today

To see and taste your fruits and admire
The way you look and speak my desire

She let me in
Her lovely fire ..

We spoke only ❤
And more desire ..

Since then I have been so amazed
Every day she fed me
Her honey and milk
A taste i crave
Her body mist ..

I am so happy now
With her love
Thanked my sweetheart,
'n The Lord above

If this is love
I want more ...

But I ask not for more like before
I am grateful for what
I'v received today
I didn't know that before today
I thank the lord
n' prayed all day

Then I said..  
marry me now,
'n be my wife

She looked at my heart..  if I'm sincere ..
She thought and thought
n' thought and thought

Deep inside she wanted to be
My queen of heart
That wanted to see

then shut the door
n' softly said
what is my ... guarantee?

"Oh please give it a thought."  I said
I never heard or seen
a women like you in b'd

"What'd you say??
How dare you call my name??
I said "I don't know"
what's your name my Queen?
It's not a shame
don' be mean!

She said "hush hush.. enough said
Out of my din,
get on your way...!!!"
I cried and begged
but no she said

She had no more for me to stay
And wanted me be.. on my way
But I hoped to return
To this beautiful women
the jewel of din ..

I bid you farewell
Goodnight before I sin!
Zoe Irvine Nov 2012
Get it, India head
This is no bed of roses
Poses in prime positions
Are sublime repetitions
Of what has gone
Before

Karma comes knocking
Knowing
Falling flat on your face
Bindis race
First fast then erased
From your forehead
Forever more

Rickshaws run a mockery
Round rubbled ruins
Of modern mishapes
Monarchy's mistakes, perhaps
Perfect pictures of
Predictable
Misadventures

What everyone tells you
Pre plane departure
Setting one belief in front of another
One foot behind
Is what it does
To your stomach
Shaking heads full of
Heavy sighs

Cares to be taken
Clothes to be carried in case
For climactic changes
Of course
What to withstand
Understand
Undertake
When to be undeterred

When to stand your ground
Back down, barter
Bask
Busk your way through town
What to battle over
Where to bathe and how
When to show the colour
Of your mother's money

How to save a dollar
Raise a rupee
Meditate on more that
You could Be
Do the deed
Be caught in times of need
Phone home and find
No-one waiting for your call

All of this and more
You carry on your back
A rucksack full of love and
Missed kisses
But - the greatest part of this is
What no-one tells you -
What it does
To your heart

What you find
When your mind adjusts
And your eyes unwind
And great gusts of understanding blow you free
When you hand over the key
To your list of demands
And give in
To the easy unplanned

Exploring
Imploring looks
Hook your sympathy
Bait you easily at first
The worst
Are always
The kids
Thing is, how could you deny them?

Soon enough
Is enough
“Sister!”
“Look mister, I ain't no fool
And I ain't a millionaire either -
Leave her alone and go home.”
Thing is, how could you feed them all?

You triumph on trains
Blaspheme the buses
The driver's on drugs
Or a suicide trip
You skip rice-based breakfasts
For weeks
Seek out cereals then
Suddenly...you don't

Chinking chai glasses
Chomping on chocolate
A lot
More than most
Coasting roads
Filled with cows
On a scooter scuffed with sand
And stuffed to bursting point

Dogs with holes in
Infecting imaginations
Over masala dosa
Noses signalling distaste
This taste?
Hmm, tamarind - trees?
Try over there
Between the neem and the new banana circle...

Too many memories to mention
There's always one question
When you return to the beginning
Grinning, they ask
How was it?
But how can you say
It was everything
You've never seen
?

India
Get it?
INDIA!!
Get it India
But be warned...
You may never
Get her
Out-ia
Head
Prathipa Nair May 2016
Life is like a recipe
Each one lives it
With a different taste
Some might be too hot
Like green chillies
Some might be too sweet
Like gulab jamoons
Some might be too red
Like Kashmiri chilli
Some might be too sour
Like tamarind
Some might be hot n sweet
Like hot tomato ketchup
Some might be sweet n sour
Like mixed chat
Whatever flavours added
It is in our tongue
To enjoy the Recipe !!
Mateuš Conrad Sep 2018
. and today's prime concern of the day? i can't access the recipe site for Australia's master-chef... maybe it's Australia, and their restrictions, or it's the ******* E.U... but... come to mind... last year i could access Eliza's triple-fried tamarind chicken... my god! they're going after restricting access to food recipes!

could i ever think any woman as being, "ugly",
neglected, yes,
  but... "ugly"?

              please...

  all manner of things become beautiful
around the mandible zenith upon
the grinding wheel of the big           O...

nothing quiet like deathly screaming
in the hollow of the night,
but some drunkard loser -
    speaking in tongues and recollecting
a myth of a patriarch
akin to Abraham...

'it's just the moon, you ****-face!'
   'yeah, and my grandmother sees
a Herr Tvardovsky in it from
time to time, riding a ******* cockerel!'

which equates to a banality of
two things (well, three):
  1. she shouldn't have been given
opiates during WWII to shut
the **** up, as a baby, so my great-grandparents
could hide in the Polish countryside,
i.e war zone....
2. i shouldn't be drinking and reading
religious text /
listening to Finnish folk songs...
3. about that Hollywood thing...
how movies are getting ******* and
******* by the day...
see... in philosophy there's this point,
not a Hegelian dialectic crap,
a Kantian coordinate,
a starting point,
   zee: res per se...
   a thing in itself...
          blah blah... noumenon...
i hardly think t.v. shows will reach this
level of "self-consciousness"...
i.e. will be making t.v. shows about
making t.v. shows...
English soap opera tide barrier...
but movies have certainly turned
to focus on this, "vantage" point...
the disaster artist for starters...
    birdman?
        eh...
               and like any cascade of falling
down from an airplane akin
to the opening image from
    Salman Rushdie's the satanic verse...
mighty fine looking up
and cackling while flapping your hands
in imitation of a Canadian goose.
ha ha ha... ah... **** never gets old.
Mateuš Conrad Nov 2017
how far can analysis go,
if philosophy books do not
utilise grammatical words / categories?

i dare say, let's begin with
that mathematics calls coordinates,
a simple (x, y, z) of the algebra
that translates into
  (1 across, 2 up, 3 diagonally) -

in language, that's a bit more
complicated:

   the category of prepositions stretches:
on, in, from, with, counter(-) -
with or without the hyphen affix making
counter a suffix...
                against is still minded
as a preposition...
                               as...
  
oh god, i believe in the trans-movement,
although i believe in the transcendence
of grammatical categorisation of words,
minus the meat & two veg,
and minus the floral pattern analogy
of female genitalia... for ****'s sake.

language, you must admit, has more
coordinate "starting" / incision markers
that mathematics had or ever will, "have".
why?
                 simple... 26 beats 10 digits...
even if there's the c k q...
              Siamese i.e. -
               the grapheme ae...
                      whatever...

  i hate the devilishly debilitating stance
of having perfected language and
treating this perfecting as anti-"scientific"...
   your parents originated from norwich?
if not so: i'd think so.
                    
       i'm about this | | close to losing
my temper and frying a belgian waffle...
calling in Thai with a crisp Eloise salad and
reminding the inclusion of the use of tamarind...
that over-salty peanut butter paste...

i hate being the person to break it to you:
language can be re-celebrated
having tasted the piquant pompousness of
over-exaggerated establishment of science
as a quasi-religion...
                          
language can be as scientific as an -logy
affix -
    as long as it minds the bouncy-castle
of grammar, notably categorisation words
of the orthodox caste choice of woo-woo-wording...
it's best to begin with shrapnel,
notably the already titled observation,
correlation between mathematical coordinates
and worded "coordination"
        via prepositions...

               we already sharpened
the islamic five pillars into two:
  a- (without)
                             the- (with) -
the prefix distinction, unfortunately is only
entertained by the indefinite articulation -
since a definite articulation has a higher name,
most distinguishable...
            
                                  there's a "point"
to "the" point, only given that "the" point
   is gambling on "a" point, without a recurring
point of curbed ambitions of
                   said: "point" being demaned
  in the first place...

in the existentialist vernacular that's also
called: juggling the "ditto" / inverted commas -
two things are apparent:
                        three things are being said.

only when language is "unnecessarily"
complicated does life become the so craving for
answering: life's short, life's simple -
  yes, but that being said -
language is elongated, with death being
the centipede to a butterfly's two weeks' worth
of gilded glide and pomp and
         colour-dyed circumvent of
the numb-packing grey and, everyday.
Prathipa Nair May 2016
Some sweet memories of my Village and childhood days :-)

My village, is an Evergreen Heaven, full of singing birds, the crystal clear river with a non-stop flow of water.
A graceful temple of the powerful Goddess, with it attached the sacred Banyan tree. And a beautiful swing by rope for the kids to enjoy their evening.

Men sit chatting under the Banyan tree. Women washing clothes and gossiping near the river side. My village, being a part of God's own country is calm and peaceful for both the old ones and the young ones.

Enchanting festivals happen, specially during summer. The best part of my life is my childhood days in my village. It is blessed by nature with full of greenery on all its sides with paddy fields, coconut,tamarind,mango, neem and the list goes on.

I enjoyed my childhood with my cousins playing Hide and Seek, Lock and Key, Making mud pots which are never allowed to play by the kids nowadays.Those days are filled with pleasure and entertainment.

Competing with the Cuckoo's Coooo making it angry ! Walking on the walls, eating ripe mangoes, climbing on trees..waow ! It was fun :-)

A mischievous chat with Grandma, Grandpa and great Grandma who loved me more than they do themselves.

Making compulsory our afternoon nap, punishing us with his love and care, my Big uncle. He punishes us with his Hand fan or 50 - 100 sit ups holding our ears! But at this moment I realise he did that because he loves us a lot!

Craving to hear songs from the radio and singing along with it, writing it down and learning it by heart :-P

Going for movies with Grandma, it was really a great fun ! Ours was a Joint family system with uncles, aunts,cousins and there was love, understanding, sharing, caring for one another. Having breakfast, lunch and dinner together with the family where there were always laughter and only laughter :-)

Wish all those sweet and golden moments to come back !!!
This is a Memoir :-)
Our home was soft corners, diaphanous shadows,
A ghost-home tamarind tree of dark midnights
That used to shed many tiny leaves and bird-twigs,
A well deep in darkness and shrieking night crickets,
A wet coconut rope slithering on its stone rim.

The water shivered on its perked up surface
At the dark touch of the dimpled metal pail.
The pail got pulled up quickly spilling water
To the banana which squealed with green joy.
The thorny fence wound its way in the moonlight
Quietly disappearing in the hillock without trace.
after the storm
picking fallen tamarind--
too high the tree

--R.K.Singh
Thomas W Case Feb 2021
It
I used to make this exotic Indian dish.
It combined so many spices—like cardamom,
coriander, and a hard
pulpy substance called tamarind that I
soaked in hot water and used only the juice.
It was a giant Middle Eastern stew.
It was half science and half art.
It was math at its best,
generally, I despise math.
It smelled so foreign and exotic,
it contrasted with the wife and 2.3
kids placed neatly around the dinning room
table, waiting on
the finishing touches,
sprigs of fresh
cilantro tossed atop each bowl.
An Indian bread called naan was dipped
in the stew—it was wonderful, amazing.
The wine—smiles—laughter,
I can still smell it and taste it.
And now,
on lonely winter nights,
my take-out tandoori chicken
smells like a T.V dinner.
Tommy N Oct 2010
~for V~*


The rain makes the maracuyá shine wet.
The rain makes the tamarind fur glow.
It’s easy to say that she never ate the tamarinds
but it was always more about the chinolas
and how they tasted of sunlight
in the morning before the dew woke.
Written 2009 during the English program at Augustana College
antipode Jul 2010
The fuselage must gleam
in a pink Pacific sunset
at 29000 feet
inside, I am brought puffed cellophane pouches of tamarind by attendant ladies and men
and a sanitary case wraps my pillow.

Bangkok’s taxis are driven by a man with bones for a neck on cracked
roads that vanish into blind ways.
Later a child – spying left – pulls me through a curtained door into an ante-room to
sell me cling-wrapped copies of Japanese slasher movies. “Cheap!”
Flies circle a mound of meat spiked to a vending cart -- “special for you.”
A sea of mopeds rumble up the road and chase me between parked cars
Tattered hunks of plastic bag blow past off the beach.

At night gut rot infects the air, and I walk in brown puddled streets.

The tar sky smothers above the neon and the barkers and the *** for $10.  This last part was in the guidebook.

A woman sits, cloaked in a shawl, selling women’s apparel, all arranged on pale and chalky mannequins, angled at attention.
They wear the rouge of the truth-telling jester.
Their mouths are gaping, smiling, lurid, laughing, howling.  Eyes wide, piercing and empty, excited.
They look like me. And I look away.
The woman’s throat moves.  Or does she chuckle?
“For you.”
Àŧùl Jun 2014
Sol o Sol!
Come be our guest,
Come & imagine a lunch with us.
Sky o Sky!
Most clement you are,
You are invited to lunch along us.

The stove is just so cold,
The stomach is hot as oven,
Warm bread is our daydream.

May some day come our way,
Our poor daydreams be realized,
Drinking the water in steel tumblers.

Delicious potato-tomato greens,
Sour tamarind sauce will be there,
Such a day has always been on the list.

We toast to our mini picnic,
Gulp chilled water brought along,
Yes so would be our hot celebration.

Let us sit under a tree's shade,
Enjoying our picnic time the best,
Melting some butter on warm bread.

Just for the sake of our joy,
May birds be our music system,
Today we shall feed them as well.

Sol o Sol!
Listen to our invitation,
Come & imagine a lunch with us.
Sky o Sky!
Accept all our offerings,
You are invited to lunch along us.
I am inspired by the thought of a not so well-to-do family of a man and his five kids whose mother has died.

The man tries his best to avail best food for all of his children.

The children also understand his situation, the lack of a woman in their family and embrace their problems.

A woman's absence will increase their poverty.

My HP Poem #642
©Atul Kaushal
Geno Cattouse Oct 2014
Diane  l and made hot love under the tamarind tree.
Teenage love simple and sweet.
Two months later she come up swollen no precautions.Oops it feel sweet but it shorten mi chain  now I bark a bit howl a bit cough when she **** me in close no raincoat
Just
Shorten mi chain.
Gowtham Ganni Mar 2018
The bitter neem reminds of those days -  
the day your heart broke
the day you have to leave your family
the day your beloved pet passed away
the day you felt your life purposeless
all those days filled with sadness

The sweet jaggery reminds of those days -
the day of your first kiss
the day you achieved a dream
the day your kid first walked
the day you received the first paycheck
all those days filled with happiness

The spicy chilies reminds of those days -
the day you were criticized
the day you couldn’t find a solution
the day you waited long in queue
the day you were rejected after many attempts
all those days filled with anger

The sour tamarind reminds of those days –
the day you are completely lost
the day your dearest friend betrayed
the day you failed in everything
the day the problems seemed unsolvable
all those days filled with disgust

The pinch of salt reminds of those days –
the day you are left alone
the day you failed an exam
the day you have to speak facing the crowd
the day you felt crisis in life
all those days filled with fear

The tangy mango reminds of those days -
the day when a stranger  helped you
the day you received an thank you note
the day you met a very old friend
the day when a wish suddenly becomes the reality
all those days filled with surprise

Combine all -
the experiences of life in a single dish
K Balachandran Mar 2017
None other than him
matters here at the noon.
The sun is an out and out autocrat
the sky, he singularly rules,without
any apology to anyone.
He has banished all the clouds;
not even the faint trace of
fluffy, milky  white strands
seemingly unstoppable
till the far horizon.

This is when his hidden
intention to scorch all at sight
is at it's atrocious peak,
which would lead to his decline.

Under the low hanging sky
the earth parched dry,
is a cry for mercy.Sun now is
a roaring water fall of heat
waves lash one after the other.

The village of thatched mud huts
stand dazed, like it's women
in this ascending symphony of pain
not feeling any difference of tune,
this is what it always been.
It's a living miracle, it  still exists
fighting the vagaries of winds and the sun
not willing to collapse as dunes of dust,
which would have been a better solution.

The little girls from a school
the only secret this village keeps,
in midday break pour out
like ants from  hidden anthills,
scurrying to all directions, trying
to cheat the wind spitting fire.

A frail old woman, her skin
sun scorched,dark,
deeply furrowed and folded
a true face  of resistance
life capable of in the face of
the attack of armies of obliteration,
sweating all over, sits under a tamarind tree
all twigs and only few patches of weak green,
cobbling for a living, as if it is her day last here.
Face to face with a village almost  in all time drout
We circumambulate in clockwise rotations
far away from danger,
leagues beyond our sanctimonious ego
and separation sensations
orbiting the Buddha's recollections

A bell offers a Jasmine miracle,
and Tamarind scented atmosphere
of peace compresses our prayers

The golden relic smiles
like a star on the leading edge of
newborn thought, gravitating higher
than resurrected time,
unwavering, like an equatorial breath

Written by Sara Fielder © Jan 2016
Mike Adam Apr 2016
In the garden
before it was lost,
(come back soon
lost garden),
pepper vines grew around
the sweet fruit trees.

durian fell
sarongs rose,

all was fecund in the globe
of sour tamarind
and bitter herb;
a balance, a unity
of love given and
lust taken.

chilli red yellow green
shone in morning mist,
evening gloam among
myriad leaves clogging the undug pool,
hurting the fish breath
in the old frog pond.

unpicked, the fruit.
unclipped, the hedge.

all my life
too lazy to get ahead,
leaving all my fruit to seed.
let it rot and feed the sand
soil, grow turf beneath the trees.
in this moment only hell and heaven.

— The End —