Who would not laugh, if Lawrence, hired to grace
His costly canvas with each flattered face,
Abused his art, till Nature, with a blush,
Saw cits grow Centaurs underneath his brush?
Or, should some limner join, for show or sale,
A Maid of Honour to a Mermaid’s tail?
Or low Dubost—as once the world has seen—
Degrade God’s creatures in his graphic spleen?
Not all that forced politeness, which defends
Fools in their faults, could gag his grinning friends.
Believe me, Moschus, like that picture seems
The book which, sillier than a sick man’s dreams,
Displays a crowd of figures incomplete,
Poetic Nightmares, without head or feet.

  Poets and painters, as all artists know,
May shoot a little with a lengthened bow;
We claim this mutual mercy for our task,
And grant in turn the pardon which we ask;
But make not monsters spring from gentle dams—
Birds breed not vipers, tigers nurse not lambs.

  A laboured, long Exordium, sometimes tends
(Like patriot speeches) but to paltry ends;
And nonsense in a lofty note goes down,
As Pertness passes with a legal gown:
Thus many a Bard describes in pompous strain
The clear brook babbling through the goodly plain:
The groves of Granta, and her Gothic halls,
King’s Coll-Cam’s stream-stained windows, and old walls:
Or, in adventurous numbers, neatly aims
To paint a rainbow, or the river Thames.

  You sketch a tree, and so perhaps may shine—
But daub a shipwreck like an alehouse sign;
You plan a vase—it dwindles to a ***;
Then glide down Grub-street—fasting and forgot:
Laughed into Lethe by some quaint Review,
Whose wit is never troublesome till—true.

In fine, to whatsoever you aspire,
Let it at least be simple and entire.

  The greater portion of the rhyming tribe
(Give ear, my friend, for thou hast been a scribe)
Are led astray by some peculiar lure.
I labour to be brief—become obscure;
One falls while following Elegance too fast;
Another soars, inflated with Bombast;
Too low a third crawls on, afraid to fly,
He spins his subject to Satiety;
Absurdly varying, he at last engraves
Fish in the woods, and boars beneath the waves!

  Unless your care’s exact, your judgment nice,
The flight from Folly leads but into Vice;
None are complete, all wanting in some part,
Like certain tailors, limited in art.
For galligaskins Slowshears is your man
But coats must claim another artisan.
Now this to me, I own, seems much the same
As Vulcan’s feet to bear Apollo’s frame;
Or, with a fair complexion, to expose
Black eyes, black ringlets, but—a bottle nose!

  Dear Authors! suit your topics to your strength,
And ponder well your subject, and its length;
Nor lift your load, before you’re quite aware
What weight your shoulders will, or will not, bear.
But lucid Order, and Wit’s siren voice,
Await the Poet, skilful in his choice;
With native Eloquence he soars along,
Grace in his thoughts, and Music in his song.

  Let Judgment teach him wisely to combine
With future parts the now omitted line:
This shall the Author choose, or that reject,
Precise in style, and cautious to select;
Nor slight applause will candid pens afford
To him who furnishes a wanting word.
Then fear not, if ’tis needful, to produce
Some term unknown, or obsolete in use,
(As Pitt has furnished us a word or two,
Which Lexicographers declined to do;)
So you indeed, with care,—(but be content
To take this license rarely)—may invent.
New words find credit in these latter days,
If neatly grafted on a Gallic phrase;
What Chaucer, Spenser did, we scarce refuse
To Dryden’s or to Pope’s maturer Muse.
If you can add a little, say why not,
As well as William Pitt, and Walter Scott?
Since they, by force of rhyme and force of lungs,
Enriched our Island’s ill-united tongues;
’Tis then—and shall be—lawful to present
Reform in writing, as in Parliament.

  As forests shed their foliage by degrees,
So fade expressions which in season please;
And we and ours, alas! are due to Fate,
And works and words but dwindle to a date.
Though as a Monarch nods, and Commerce calls,
Impetuous rivers stagnate in canals;
Though swamps subdued, and marshes drained, sustain
The heavy ploughshare and the yellow grain,
And rising ports along the busy shore
Protect the vessel from old Ocean’s roar,
All, all, must perish; but, surviving last,
The love of Letters half preserves the past.
True, some decay, yet not a few revive;
Though those shall sink, which now appear to thrive,
As Custom arbitrates, whose shifting sway
Our life and language must alike obey.

  The immortal wars which Gods and Angels wage,
Are they not shown in Milton’s sacred page?
His strain will teach what numbers best belong
To themes celestial told in Epic song.

  The slow, sad stanza will correctly paint
The Lover’s anguish, or the Friend’s complaint.
But which deserves the Laurel—Rhyme or Blank?
Which holds on Helicon the higher rank?
Let squabbling critics by themselves dispute
This point, as puzzling as a Chancery suit.

  Satiric rhyme first sprang from selfish spleen.
You doubt—see Dryden, Pope, St. Patrick’s Dean.
Blank verse is now, with one consent, allied
To Tragedy, and rarely quits her side.
Though mad Almanzor rhymed in Dryden’s days,
No sing-song Hero rants in modern plays;
Whilst modest Comedy her verse foregoes
For jest and ‘pun’ in very middling prose.
Not that our Bens or Beaumonts show the worse,
Or lose one point, because they wrote in verse.
But so Thalia pleases to appear,
Poor ******! ****** some twenty times a year!

Whate’er the scene, let this advice have weight:—
Adapt your language to your Hero’s state.
At times Melpomene forgets to groan,
And brisk Thalia takes a serious tone;
Nor unregarded will the act pass by
Where angry Townly “lifts his voice on high.”
Again, our Shakespeare limits verse to Kings,
When common prose will serve for common things;
And lively Hal resigns heroic ire,—
To “hollaing Hotspur” and his sceptred sire.

  ’Tis not enough, ye Bards, with all your art,
To polish poems; they must touch the heart:
Where’er the scene be laid, whate’er the song,
Still let it bear the hearer’s soul along;
Command your audience or to smile or weep,
Whiche’er may please you—anything but sleep.
The Poet claims our tears; but, by his leave,
Before I shed them, let me see ‘him’ grieve.

  If banished Romeo feigned nor sigh nor tear,
Lulled by his languor, I could sleep or sneer.
Sad words, no doubt, become a serious face,
And men look angry in the proper place.
At double meanings folks seem wondrous sly,
And Sentiment prescribes a pensive eye;
For Nature formed at first the inward man,
And actors copy Nature—when they can.
She bids the beating heart with rapture bound,
Raised to the Stars, or levelled with the ground;
And for Expression’s aid, ’tis said, or sung,
She gave our mind’s interpreter—the tongue,
Who, worn with use, of late would fain dispense
(At least in theatres) with common sense;
O’erwhelm with sound the Boxes, Gallery, Pit,
And raise a laugh with anything—but Wit.

  To skilful writers it will much import,
Whence spring their scenes, from common life or Court;
Whether they seek applause by smile or tear,
To draw a Lying Valet, or a Lear,
A sage, or rakish youngster wild from school,
A wandering Peregrine, or plain John Bull;
All persons please when Nature’s voice prevails,
Scottish or Irish, born in Wilts or Wales.

  Or follow common fame, or forge a plot;
Who cares if mimic heroes lived or not!
One precept serves to regulate the scene:
Make it appear as if it might have been.

  If some Drawcansir you aspire to draw,
Present him raving, and above all law:
If female furies in your scheme are planned,
Macbeth’s fierce dame is ready to your hand;
For tears and treachery, for good and evil,
Constance, King Richard, Hamlet, and the Devil!
But if a new design you dare essay,
And freely wander from the beaten way,
True to your characters, till all be past,
Preserve consistency from first to last.

  Tis hard to venture where our betters fail,
Or lend fresh interest to a twice-told tale;
And yet, perchance,’tis wiser to prefer
A hackneyed plot, than choose a new, and err;
Yet copy not too closely, but record,
More justly, thought for thought than word for word;
Nor trace your Prototype through narrow ways,
But only follow where he merits praise.

  For you, young Bard! whom luckless fate may lead
To tremble on the nod of all who read,
Ere your first score of cantos Time unrolls,
Beware—for God’s sake, don’t begin like Bowles!
“Awake a louder and a loftier strain,”—
And pray, what follows from his boiling brain?—
He sinks to Southey’s level in a trice,
Whose Epic Mountains never fail in mice!
Not so of yore awoke your mighty Sire
The tempered warblings of his master-lyre;
Soft as the gentler breathing of the lute,
“Of Man’s first disobedience and the fruit”
He speaks, but, as his subject swells along,
Earth, Heaven, and Hades echo with the song.”
Still to the “midst of things” he hastens on,
As if we witnessed all already done;
Leaves on his path whatever seems too mean
To raise the subject, or adorn the scene;
Gives, as each page improves upon the sight,
Not smoke from brightness, but from darkness—light;
And truth and fiction with such art compounds,
We know not where to fix their several bounds.

  If you would please the Public, deign to hear
What soothes the many-headed monster’s ear:
If your heart triumph when the hands of all
Applaud in thunder at the curtain’s fall,
Deserve those plaudits—study Nature’s page,
And sketch the striking traits of every age;
While varying Man and varying years unfold
Life’s little tale, so oft, so vainly told;
Observe his simple childhood’s dawning days,
His pranks, his prate, his playmates, and his plays:
Till time at length the mannish tyro weans,
And prurient vice outstrips his tardy teens!

  Behold him Freshman! forced no more to groan
O’er Virgil’s devilish verses and his own;
Prayers are too tedious, Lectures too abstruse,
He flies from Tavell’s frown to “Fordham’s Mews;”
(Unlucky Tavell! doomed to daily cares
By pugilistic pupils, and by bears,)
Fines, Tutors, tasks, Conventions threat in vain,
Before hounds, hunters, and Newmarket Plain.
Rough with his elders, with his equals rash,
Civil to sharpers, prodigal of cash;
Constant to nought—save hazard and a *****,
Yet cursing both—for both have made him sore:
Unread (unless since books beguile disease,
The P——x becomes his passage to Degrees);
Fooled, pillaged, dunned, he wastes his terms away,
And unexpelled, perhaps, retires M.A.;
Master of Arts! as hells and clubs proclaim,
Where scarce a blackleg bears a brighter name!

  Launched into life, extinct his early fire,
He apes the selfish prudence of his Sire;
Marries for money, chooses friends for rank,
Buys land, and shrewdly trusts not to the Bank;
Sits in the Senate; gets a son and heir;
Sends him to Harrow—for himself was there.
Mute, though he votes, unless when called to cheer,
His son’s so sharp—he’ll see the dog a Peer!

  Manhood declines—Age palsies every limb;
He quits the scene—or else the scene quits him;
Scrapes wealth, o’er each departing penny grieves,
And Avarice seizes all Ambition leaves;
Counts cent per cent, and smiles, or vainly frets,
O’er hoards diminished by young Hopeful’s debts;
Weighs well and wisely what to sell or buy,
Complete in all life’s lessons—but to die;
Peevish and spiteful, doting, hard to please,
Commending every time, save times like these;
Crazed, querulous, forsaken, half forgot,
Expires unwept—is buried—Let him rot!

  But from the Drama let me not digress,
Nor spare my precepts, though they please you less.
Though Woman weep, and hardest hearts are stirred,
When what is done is rather seen than heard,
Yet many deeds preserved in History’s page
Are better told than acted on the stage;
The ear sustains what shocks the timid eye,
And Horror thus subsides to Sympathy,
True Briton all beside, I here am French—
Bloodshed ’tis surely better to retrench:
The gladiatorial gore we teach to flow
In tragic scenes disgusts though but in show;
We hate the carnage while we see the trick,
And find small sympathy in being sick.
Not on the stage the regicide Macbeth
Appals an audience with a Monarch’s death;
To gaze when sable Hubert threats to sear
Young Arthur’s eyes, can ours or Nature bear?
A haltered heroine Johnson sought to slay—
We saved Irene, but half ****** the play,
And (Heaven be praised!) our tolerating times
Stint Metamorphoses to Pantomimes;
And Lewis’ self, with all his sprites, would quake
To change Earl Osmond’s ***** to a snake!
Because, in scenes exciting joy or grief,
We loathe the action which exceeds belief:
And yet, God knows! what may not authors do,
Whose Postscripts prate of dyeing “heroines blue”?

  Above all things, Dan Poet, if you can,
Eke out your acts, I pray, with mortal man,
Nor call a ghost, unless some cursed scrape
Must open ten trap-doors for your escape.
Of all the monstrous things I’d fain forbid,
I loathe an Opera worse than Dennis did;
Where good and evil persons, right or wrong,
Rage, love, and aught but moralise—in song.
Hail, last memorial of our foreign friends,
Which Gaul allows, and still Hesperia lends!
Napoleon’s edicts no embargo lay
On ******—spies—singers—wisely shipped away.
Our giant Capital, whose squares are spread
Where rustics earned, and now may beg, their bread,
In all iniquity is grown so nice,
It scorns amusements which are not of price.
Hence the pert shopkeeper, whose throbbing ear
Aches with orchestras which he pays to hear,
Whom shame, not sympathy, forbids to snore,
His anguish doubling by his own “encore;”
Squeezed in “Fop’s Alley,” jostled by the beaux,
Teased with his hat, and trembling for his toes;
Scarce wrestles through the night, nor tastes of ease,
Till the dropped curtain gives a glad release:
Why this, and more, he suffers—can ye guess?—
Because it costs him dear, and makes him dress!

  So prosper eunuchs from Etruscan schools;
Give us but fiddlers, and they’re sure of fools!
Ere scenes were played by many a reverend clerk,
(What harm, if David danced before the ark?)
In Christmas revels, simple country folks
Were pleased with morrice-mumm’ry and coarse jokes.
Improving years, with things no longer known,
Produced blithe Punch and merry Madame Joan,
Who still frisk on with feats so lewdly low,
’Tis strange Benvolio suffers such a show;
Suppressing peer! to whom each vice gives place,
Oaths, boxing, begging—all, save rout and race.

  Farce followed Comedy, and reached her prime,
In ever-laughing Foote’s fantastic time:
Mad wag! who pardoned none, nor spared the best,
And turned some very serious things to jest.
Nor Church nor State escaped his public sneers,
Arms nor the Gown—Priests—Lawyers—Volunteers:
“Alas, poor Yorick!” now for ever mute!
Whoever loves a laugh must sigh for Foote.

  We smile, perforce, when histrionic scenes
Ape the swoln dialogue of Kings and Queens,
When “Crononhotonthologos must die,”
And Arthur struts in mimic majesty.

  Moschus! with whom once more I hope to sit,
And smile at folly, if we can’t at wit;
Yes, Friend! for thee I’ll quit my cynic cell,
And bear Swift’s motto, “Vive la bagatelle!”
Which charmed our days in each ægean clime,
As oft at home, with revelry and rhyme.
Then may Euphrosyne, who sped the past,
Soothe thy Life’s scenes, nor leave thee in the last;
But find in thine—like pagan Plato’s bed,
Some merry Manuscript of Mimes, when dead.

  Now to the Drama let us bend our eyes,
Where fettered by whig Walpole low she lies;
Corruption foiled her, for she feared her glance;
Decorum left her for an Opera dance!
Yet Chesterfield, whose polished pen inveighs
‘Gainst laughter, fought for freedom to our Plays;
Unchecked by Megrims of patrician brains,
And damning Dulness of Lord Chamberlains.
Repeal that act! again let Humour roam
Wild o’er the stage—we’ve time for tears at home;
Let Archer plant the horns on Sullen’s brows,
And Estifania gull her “Copper” spouse;
The moral’s scant—but that may be excused,
Men go not to be lectured, but amused.
He whom our plays dispose to Good or Ill
Must wear a head in want of Willis’ skill;
Aye, but Macheath’s examp

a sunshine fighter by nature
his shallow grave face
with its half buried flickers of fury
gives way to the lesser demon's like smiles
while he suffers the hopeless romance
of a cute girl who wants to lick
his carved biceps like a neo-glitter kitty kat
naughty naughty
he cringes all over with the
desperate grins that break out all over him
naughty naughty indeed

Sully suffers from a stutter,
simple syllables will clutter,
stalling speeches up on beaches,
like a sunken sailboat rudder.

Sully strains to say his phrases,
sickened by the sounds he raises,
strings of thoughts come out in knots,
he solves his sentences like mazes.

At night, he writes his thoughts instead
and sighs as they steadily rush from his head.

Urdu Poetry: English Translations



You will never comprehend me:
I pour out my feelings; you only read the words!
―original poet unknown, loose translation/interpretation by Michael R. Burch



Tears are colorless―thank God!―
otherwise my pillow might betray my heart.
―original poet unknown, loose translation/interpretation by Michael R. Burch



Near Sainthood
by Mirza Ghalib
loose translation/interpretation by Kanu V. Prajapati and Michael R. Burch

On the subject of mystic philosophy, Ghalib,
your words might have struck us as deeply profound ...
Hell, we might have pronounced you a saint,
if only we hadn't found
you drunk
as a skunk!

There are more English translations of poems by Mirza Ghalib later on this page.



Every Once in a While
by Amjad Islam Amjad
loose translation/interpretation by Michael R. Burch

Every once in a while,
immersed in these muggy nights
when all earth’s voices seem to have fallen
into the bruised-purple silence of half-sleep,
I awaken from a wonderful dream
to see through the veil that drifts between us
that you too are companionless and wide awake.



First Rendezvous
by Amjad Islam Amjad
loose translation/interpretation by Michael R. Burch

This story of the earth
is as old as the universe,
as old as the birth
of the first day and night.

This story of the sky
is included in the words we casually uttered,
you and I,
and yet it remains incomplete, till the end of sight.

This earth and all the scenes it contains
remain witnesses to the moment
when you first held my hand
as we watched the world unfolding, together.

This world
became the focus
for the first rendezvous
between us.



Impossible and Improbable Visions
by Amjad Islam Amjad
loose translation/interpretation by Michael R. Burch

Eyes interpret visions,
rainbow auras waver;
similar scenes appear
different to individual eyes,
as innumerable oases
coexist in one desert
or a single thought acquires
countless shapes.



I Have to Find My Lost Star
by Amjad Islam Amjad
loose translation/interpretation by Michael R. Burch

Searching the emptiest of skies
overflowing with innumerable stars,
I have to find the one
that belongs
to me.

...

Gazing at galaxies beyond galaxies,
all glorious with evolving wonder,
I ponder her name,
finding no sign to remember.

...

Lost things, they say,
are sometimes found
in the same accumulations of dust
where they once vanished.

I have to find the lost star
that belongs to me.



Last Night
by Faiz Ahmed Faiz
loose translation/interpretation by Michael R. Burch

Last night, your memory stole into my heart―
as spring sweeps uninvited into barren gardens,
as morning breezes reinvigorate dormant deserts,
as a patient suddenly feels better, for no apparent reason ...

There are more English translations of poems by Faiz Ahmed Faiz later on this page.



Intimacy
by Rahat Indori
loose translation/interpretation by Michael R. Burch

I held the Sun, Stars and Moon at a distance
till the time your hands touched mine.
Now I am not a feather to be easily detached:
instruct the hurricanes and tornados to observe their limits!

There are more English translations of poems by Rahat Indori later on this page.



Strange Currents
by Amir Khusrow
loose translation/interpretation by Michael R. Burch

O Khusrow, the river of love
creates strange currents—
the one who would surface invariably drowns,
while the one who submerges, survives.

There are more English translations of poems by Amir Khusrow later on this page.



The Eager Traveler
by Ahmad Faraz
loose translation/interpretation by Michael R. Burch

Even in the torture chamber, I was the lucky one;
when each lottery was over, unaccountably I had won.

And even the mightiest rivers found accessible refuge in me;
though I was called an arid desert, I turned out to be the sea.

And how sweetly I remember you—oh, my wild, delectable love!—
as the purest white blossoms bloom, on talented branches above.

And while I’m half-convinced that folks adore me in this town,
still, all the hands I kissed held knives and tried to shake me down.

You lost the battle, my coward friend, my craven enemy,
when, to victimize my lonely soul, you sent a despoiling army.

Lost in the wastelands of vast love, I was an eager traveler,
like a breeze in search of your fragrance, a vagabond explorer.

There are more English translations of poems by Ahmad Faraz later on this page.



The Condition of My Heart
by Munir Niazi
loose translation/interpretation by Michael R. Burch

It is not necessary for anyone else to get excited:
The condition of my heart is not the condition of hers.
But were we to receive any sort of good news, Munir,
How spectacular compared to earth's mundane sunsets!

There are more English translations of poems by Munir Niazi later on this page.



Failures
by Nida Fazli
loose translation/interpretation by Michael R. Burch

I was unable to relate
the state
of my heart to her,
while she failed to infer
the nuances
of my silences.



Apni Marzi se
by Nida Fazli Shayari
translated by Mandakini Bhattacherya and Michael R. Burch

This journey was not of my making;
As the winds blow, I’m blown along ...
Time and dust are my ancient companions;
Who knows where I’m bound or belong?

There are more English translations of poems by Nida Fazli later on this page.



My Apologies, Sona
by Gulzar
loose translation/interpretation by Michael R. Burch

My apologies, Sona,
if traversing my verse's terrain
in these torrential rains
inconvenienced you.

The monsoons are unseasonal here.

My poems' pitfalls are sometimes sodden.
Water often overflows these ditches.
If you stumble and fall here, you run the risk
of spraining an ankle.

My apologies, however,
if you were inconvenienced
because my dismal verse lacks light,
or because my threshold's stones
interfered as you passed.

I have often cracked toenails against them!

As for the streetlamp at the intersection,
it remains unlit ... endlessly indecisive.

If you were inconvenienced,
you have my heartfelt apologies!

There are more English translations of poems by Gulzar later on this page.



Come As You Are
by Rabindranath Tagore
loose translation/interpretation by Michael R. Burch

Come as you are, forget appearances!
Is your hair untamable, your part uneven, your bodice unfastened? Never mind.
Come as you are, forget appearances!

Skip with quicksilver steps across the grass.
If your feet glisten with dew, if your anklets slip, if your beaded necklace slides off? Never mind.
Skip with quicksilver steps across the grass.

Do you see the clouds enveloping the sky?
Flocks of cranes erupt from the riverbank, fitful gusts ruffle the fields, anxious cattle tremble in their stalls.
Do you see the clouds enveloping the sky?

You loiter in vain over your toilet lamp; it flickers and dies in the wind.
Who will care that your eyelids have not been painted with lamp-black, when your pupils are darker than thunderstorms?
You loiter in vain over your toilet lamp; it flickers and dies in the wind.

Come as you are, forget appearances!
If the wreath lies unwoven, who cares? If the bracelet is unfastened, let it fall. The sky grows dark; it is late.
Come as you are, forget appearances!



Unfit Gifts
by Rabindranath Tagore
loose translation/interpretation by Michael R. Burch

At sunrise, I cast my nets into the sea,
dredging up the strangest and most beautiful objects from the depths ...
some radiant like smiles, some glittering like tears, others flushed like brides’ cheeks.
When I returned, staggering under their weight, my love was relaxing in her garden, idly tearing leaves from flowers.
Hesitant, I placed all I had produced at her feet, silently awaiting her verdict.
She glanced down disdainfully, then pouted: "What are these bizarre things? I have no use for them!"
I bowed my head, humiliated, and thought:
"Truly, I did not contend for them; I did not purchase them in the marketplace; they are unfit gifts for her!"
That night I flung them, one by one, into the street, like refuse.
The next morning travelers came, picked them up and carted them off to exotic countries.



The Seashore Gathering
by Rabindranath Tagore
loose translation/interpretation by Michael R. Burch

On the seashores of endless worlds, earth's children converge.
The infinite sky is motionless, the restless waters boisterous.
On the seashores of endless worlds earth's children gather to dance with joyous cries and pirouettes.
They build sand castles and play with hollow shells.
They weave boats out of withered leaves and laughingly float them out over the vast deep.
Earth's children play gaily on the seashores of endless worlds.
They do not know, yet, how to cast nets or swim.
Divers fish for pearls and merchants sail their ships, while earth's children skip, gather pebbles and scatter them again.
They are unaware of hidden treasures, nor do they know how to cast nets, yet.
The sea surges with laughter, smiling palely on the seashore.
Death-dealing waves sing the children meaningless songs, like a mother lullabying her baby's cradle.
The sea plays with the children, smiling palely on the seashore.
On the seashores of endless worlds earth's children meet.
Tempests roam pathless skies, ships lie wrecked in uncharted waters, death wanders abroad, and still the children play.
On the seashores of endless worlds there is a great gathering of earth's children.



This Dog
by Rabindranath Tagore
loose translation/interpretation by Michael R. Burch

Each morning this dog,
who has become quite attached to me,
sits silently at my feet
until, gently caressing his head,
I acknowledge his company.

This simple recognition gives my companion such joy
he shudders with sheer delight.

Among all languageless creatures
he alone has seen through man entire—
has seen beyond what is good or bad in him
to such a depth he can lay down his life
for the sake of love alone.

Now it is he who shows me the way
through this unfathomable world throbbing with life.

When I see his deep devotion,
his offer of his whole being,
I fail to comprehend ...

How, through sheer instinct,
has he discovered whatever it is that he knows?

With his anxious piteous looks
he cannot communicate his understanding
and yet somehow has succeeded in conveying to me
out of the entire creation
the true loveworthiness of man.



Being
by Momin Khan Momin
loose translation/interpretation by Michael R. Burch

You are so close to me
that no one else ever can be.

NOTE: There is a legend that the great Urdu poet Mirza Ghalib offered all his diwan (poetry collections) in exchange for this one sher (couplet) by Momin Khan Momin. Does the couplet mean "be as close" or "be, at all"? Does it mean "You are with me in a way that no one else can ever be?" Or does it mean that no one else can ever exist as truly as one's true love? Or does this sher contain an infinite number of elusive meanings, like love itself?



Being (II)
by Momin Khan Momin
loose translation/interpretation by Michael R. Burch

You alone are with me when I am alone.
You are beside me when I am beside myself.
You are as close to me as everyone else is afar.
You are so close to me that no one else ever can be.



Perhaps
by Momin Khan Momin
loose translation/interpretation by Michael R. Burch

The cohesiveness between us, you may remember or perhaps not.
Our solemn oaths of faithfulness, you may remember, or perhaps forgot.
If something happened that was not to your liking,
the shrinking away that produces silence, you may remember, or perhaps not.
Listen, the sagas of so many years, the promises you made amid time's onslaught,
which you now fail to mention, you may remember or perhaps not.
These new resentments, those often rehashed complaints,
these lighthearted and displeasing stories, you may remember, or perhaps forgot.
Some seasons ago we shared love and desire, we shared joy ...
That we once were dear friends, you may have perhaps forgot.
Now if we come together, by fate or by chance, to express old loyalties ...
Our every shared breath, all our sighs and regrets, you may remember, or perhaps not.



What Happened to Them?
by Nasir Kazmi
loose translation/interpretation by Michael R. Burch

Those who came ashore, what happened to them?
Those who sailed away, what happened to them?

Those who were coming at dawn, when dawn never arrived ...
Those caravans en route, what happened to them?

Those I awaited each night on moonless paths,
Who were meant to light beacons, what happened to them?

Who are these strangers surrounding me now?
All my lost friends and allies, what happened to them?

Those who built these blazing buildings, what happened to them?
Those who were meant to uplift us, what happened to them?

NOTE: This poignant poem was written about the 1947 partition of India into two nations: India and Pakistan. I take the following poem to be about the aftermath of the division.



Climate Change
by Nasir Kazmi
loose translation/interpretation by Michael R. Burch

The songs of our silenced lips are different.
The expressions of our regretful hearts are different.

In milder climes our grief was more tolerable,
But the burdens we bear now are different.

O, walkers of awareness's road, keep your watch!
The obstacles strewn on this stony path are different.

We neither fear separation, nor desire union;
The anxieties of my rebellious heart are different.

In the first leaf-fall only flowers fluttered from twigs;
This year the omens of autumn are different.

This world lacks the depth to understand my heartache;
Please endow me with melodies, for my cry is different!

One disconcerting glance bared my being;
Now in barren fields my visions are different.

No more troops, nor flags. Neither money, nor fame.
The marks of the monarchs on this land are different.

Men are not martyred for their beloveds these days.
The youths of my youth were so very different!



Nasir Kazmi Couplets

When I was a child learning to write
my first scribblings were your name.
―Nasir Kazmi, loose translation/interpretation by Michael R. Burch

When my feet lost the path
where was your hand?
―Nasir Kazmi, loose translation/interpretation by Michael R. Burch

Everything I found is yours;
everything I lost is also yours.
―Nasir Kazmi, loose translation/interpretation by Michael R. Burch



Memory
by Faiz Ahmed Faiz, as performed by Iqbal Bano
loose translation/interpretation by Michael R. Burch

In the wastelands of solitude, my love,
the echoes of your voice quiver,
the mirages of your lips waver.

In the deserts of alienation,
out of the expanses of distance and isolation's debris
the fragrant jasmines and roses of your presence delicately blossom.

Now from somewhere nearby,
the warmth of your breath rises,
smoldering forth an exotic perfume―gently, languorously.

Now far-off, across the distant horizon,
drop by shimmering drop,
fall the glistening dews of your beguiling glances.

With such tenderness and affection—oh my love!—
your memory has touched my heart's cheek so that it now seems
the sun of separation has set; the night of blessed union has arrived.



Speak!
by Faiz Ahmed Faiz
loose translation/interpretation by Michael R. Burch

Speak, if your lips are free.
Speak, if your tongue is still your own.
While your body is still upright,
Speak if your life is still your own.



Tonight
by Faiz Ahmed Faiz
loose translation/interpretation by Michael R. Burch

Do not strike the melancholy chord tonight! Days smoldering
with pain in the end produce only listless ashes ...
and who the hell knows what the future may bring?
Last night’s long lost, tomorrow's horizon’s a wavering mirage.
And how can we know if we’ll see another dawn?
Life is nothing, unless together we make it ring!
Tonight we are love gods! Sing!

Do not strike the melancholy chord tonight!
Don’t harp constantly on human suffering!
Stop complaining; let Fate conduct her song!
Give no thought to the future, seize now, this precious thing!
Shed no more tears for temperate seasons departed!
All sighs of the brokenhearted soon weakly dissipate ... stop dithering!
Oh, do not strike the same flat chord again! Sing!



When Autumn Came
by Faiz Ahmed Faiz
loose translation/interpretation by Michael R. Burch

So it was that autumn came to flay the trees,
to strip them ****,
to rudely abase their slender dark bodies.

Fall fell in vengeance on the dying leaves,
flung them down to the floor of the forest
where anyone could trample them to mush
undeterred by their sighs of protest.

The birds that herald spring
were exiled from their songs—
the notes ripped from their sweet throats,
they plummeted to the earth below, undone
even before the hunter strung his bow.

Please, gods of May, have mercy!
Bless these disintegrating corpses
with the passion of your resurrection;
allow their veins to pulse with blood again.

Let at least one tree remain green.
Let one bird sing.



Last Night (II)
by Faiz Ahmed Faiz
loose translation/interpretation by Michael R. Burch

Last night, your lost memory returned ...
as spring steals silently into barren gardens,
as cool breezes stir desert sands,
as an ailing man suddenly feels better, for no apparent reason ...

There are more English translations of poems by Faiz Ahmed Faiz later on this page.



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Not the blossomings of songs nor the adornments of music:
I am the voice of my own heart breaking.

You toy with your long, dark curls
while I remain captive to my dark, pensive thoughts.

We congratulate ourselves that we two are different
but this weakness has burdened us both with inchoate grief.

Now you are here, and I find myself bowing—
as if sadness is a blessing, and longing a sacrament.

I am a fragment of sound rebounding;
you are the walls impounding my echoes.



The Mistake
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

All your life, O Ghalib,
You kept repeating the same mistake:
Your face was *****
But you were obsessed with cleaning the mirror!



Inquiry
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

The miracle of your absence
is that I found myself endlessly searching for you.



It's Only My Heart!
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

It’s only my heart, not unfeeling stone,
so why be dismayed when it throbs with pain?
It was made to suffer ten thousand darts;
why let one more torment impede us?

There are more English translations of poems by Mirza Ghalib later on this page.



Couplets
by Jaun Elia
loose translations by Michael R. Burch

I am strange—so strange
that I self-destructed and don't regret it.
―Jaun Elia, loose translation/interpretation by Michael R. Burch

The wound is deep—companions, friends—embrace me!
What, did you not even bother to stay?
―Jaun Elia, loose translation/interpretation by Michael R. Burch

My nature is so strange
that today I felt relieved when you didn't arrive.
―Jaun Elia, loose translation/interpretation by Michael R. Burch

Night and day I awaited myself;
now you return me to myself.
―Jaun Elia, loose translation/interpretation by Michael R. Burch

Greeting me this cordially,
have you so easily erased my memory?
―Jaun Elia, loose translation/interpretation by Michael R. Burch

Your lips have provided thousands of answers;
so what is the point of complaining now?
―Jaun Elia, loose translation/interpretation by Michael R. Burch

Perhaps I haven't fallen in love with anyone,
but at least I convinced them!
―Jaun Elia, loose translation/interpretation by Michael R. Burch

The city of mystics has become bizarre:
everyone is wary of majesty, have you heard?
―Jaun Elia, loose translation/interpretation by Michael R. Burch

Did you just say "Love is eternal"?
Is this the end of us?
―Jaun Elia, loose translation/interpretation by Michael R. Burch

You are drawing very close to me!
Have you decided to leave?
―Jaun Elia, loose translation/interpretation by Michael R. Burch



Intimacy
by Rahat Indori
loose translation/interpretation by Michael R. Burch

I held the Sun, Stars and Moon at a distance
till the time your hands touched mine.
Now I am not a feather to be easily detached:
instruct the hurricanes and tornados to observe their limits!



The Mad Moon
by Rahat Indori
loose translation/interpretation by Michael R. Burch

Stars have a habit of showing off,
but the mad moon sojourns in darkness.



Body Language
by Rahat Indori
loose translation/interpretation by Michael R. Burch

Your body’s figures are written in cursive!
How will I read you? Hand me the book!



Insatiable
by Rahat Indori
loose translation/interpretation by Michael R. Burch

This mighty ocean, so deep and vast!
If it sates my thirst, how long can it last?



Honor
by Rahat Indori
loose translation/interpretation by Michael R. Burch

Achievements may fade but the name remains strong;
walls may buckle but the roof stays on.
On a pile of corpses a child stands alone
and declares that his family still lives on!



Dust in the Wind
by Rahat Indori
loose translation/interpretation by Michael R. Burch

This is how I introduce myself to questioners:
Pick up a handful of dust, then blow ...



Dissembler
by Rahat Indori
loose translation/interpretation by Michael R. Burch

In your eyes this, in your heart that, on your lips something else?
If this is how you are, impress someone else!



Rumor (M)ill
by Rahat Indori
loose translation/interpretation by Michael R. Burch

I heard rumors my health was bad; still
it was prying people who made me ill.



The Vortex
by Rahat Indori
loose translation/interpretation by Michael R. Burch

I am the river whose rapids form a vortex;
You were wise to avoid my banks.



Homebound
by Rahat Indori
loose translation/interpretation by Michael R. Burch

If people fear what they meet at every turn,
why do they ever leave the house?



Becoming One
by Amir Khusrow
loose translation/interpretation by Michael R. Burch

I have become you, as you have become me;
I am your body, you my Essence.
Now no one can ever say
that you are someone else,
or that I am anything less than your Presence!



I Am a Pagan
by Amir Khusrow
loose translation/interpretation by Michael R. Burch

I am a pagan disciple of love: I need no creeds.
My every vein has become taut, like a tuned wire.
I do not need the Brahman's girdle.
Leave my bedside, ignorant physician!
The only cure for love is the sight of the patient's beloved:
there is no other medicine he needs!
If our boat lacks a pilot, let there be none:
we have god in our midst: we do not fear the sea!
The people say Khusrow worships idols:
True! True! But he does not need other people's approval;
he does not need the world's.

(My translation above was informed by a translation of Dr. Hadi Hasan.)



Amir Khusrow’s elegy for his mother
loose translation/interpretation by Michael R. Burch

Wherever you shook the dust from your feet
is my relic of paradise!



Paradise
by Amir Khusrow
loose translation/interpretation by Michael R. Burch

If there is an earthly paradise,
It's here! It's here! It's here!



Mystery
by Munir Niazi
loose translation/interpretation by Michael R. Burch

She was a mystery:
Her lips were parched ...
but her eyes were two unfathomable oceans.



I continued delaying ...
by Munir Niazi
loose translation/interpretation by Michael R. Burch

I continued delaying ...
the words I should speak
the promises I should keep
the one I should dial
despite her cruel denial

I continued delaying ...
the shoulder I must offer
the hand I must proffer
the untraveled lanes
we may not see again

I continued delaying ...
long strolls through the seasons
for my own selfish reasons
the remembrances of lovers
to erase thoughts of others

I continued delaying ...
to save someone dear
from eternities unclear
to make her aware
of our reality here

I continued delaying ...



Couplets
by Mir Taqi Mir
loose translations by Michael R. Burch

Sharpen the barbs of every thorn, O lunatic desert!
Perhaps another hobbler, limping by on blistered feet, follows me!
―Mir Taqi Mir, loose translation/interpretation by Michael R. Burch

My life is a bubble,
this world an illusion.
―Mir Taqi Mir, loose translation/interpretation by Michael R. Burch

Selflessness has gotten me nowhere:
I neglected myself far too long.
―Mir Taqi Mir, loose translation/interpretation by Michael R. Burch

I know now that I know nothing,
and it only took me a lifetime to learn!
―Mir Taqi Mir, loose translation/interpretation by Michael R. Burch

Love's just beginning, so why do you whine?
Why not wait and watch how things unwind!
―Mir Taqi Mir, loose translation/interpretation by Michael R. Burch



Come!
by Gulzar
loose translation/interpretation by Michael R. Burch

Come, let us construct night
over the monumental edifice of silence.
Come, let us clothe ourselves in the winding sheets of darkness,
where we'll ignite our bodies' incandescent wax.
As the midnight dew dances its delicate ballet,
let us not disclose the slightest whispers of our breath!
Lost in night's mists,
let us lie immersed in love's fragrance,
absorbing our bodies' musky aromas!
Let us rise like rustling spirits ...



Old Habits Die Hard
by Gulzar
loose translation/interpretation by Michael R. Burch

The habit of breathing
is an odd tradition.
Why struggle so to keep on living?
The body shudders,
the eyes veil,
yet the feet somehow keep moving.
Why this journey, this restless, relentless flowing?
For how many weeks, months, years, centuries
shall we struggle to keep on living, keep on living?
Habits are such strange things, such hard things to break!



Inconclusive
by Gulzar
loose translation/interpretation by Michael R. Burch

A body lies on a white bed—
dead, abandoned,
a forsaken corpse they forgot to bury.
They concluded its death was not their concern.
I hope they return and recognize me,
then bury me so I can breathe.



Wasted
by Faiz Ahmed Faiz
loose translation/interpretation by Michael R. Burch

You have noticed her forehead, her cheeks, her lips ...
In whose imagination I have lost everything.



Countless
by Faiz Ahmed Faiz
loose translation/interpretation by Michael R. Burch

I recounted the world's countless griefs
by recounting your image countless times.



Do Not Ask
by Faiz Ahmed Faiz
loose translation/interpretation by Michael R. Burch

Do not ask, my love, for the love that we shared before:
You existed, I told myself, so existence shone.
For a moment the only light that I knew, alone,
was yours; worldly griefs remained dark, distant, afar.

Spring shone, as revealed in your face, but what did I know?
Beyond your bright eyes, what delights could the sad world hold?
Had I won you, cruel Fate would have ceded, no longer bold.
Yet all this was not to be, though I wished it so.

The world knows sorrows beyond love’s brief dreams betrayed,
and pleasures beyond all sweet, idle ideals of romance:
the dread dark spell of countless centuries and chance
is woven with silk and satin and gold brocade.

Bodies are sold everywhere for a pittance—it’s true!
Besmeared with dirt and bathed in bright oceans of blood,
Crawling from infested ovens, a gory cud.
My gaze returns to you: what else can I do?

Your beauty haunts me still, and will to the last.
But the world is burdened by sorrows beyond those of love,
By pleasures beyond romance.
So please do not demand a love that is over, and past.



O God!
by Qateel Shifai
loose translation/interpretation by Michael R. Burch

Torture my heart, O God!
If you so desire, leave me a madman, O God!

Have I asked for the moon and stars?
Enlighten my heart and give my eyes sight, O God!

We have all seen this disk called the sun,
Now give us a real dawn, O God!

Either relieve our pains here on this earth
Or make my heart granite, O God!



Hereafter
by Qateel Shifai
loose translation/interpretation by Michael R. Burch

Since we met and parted, how can we sleep hereafter?
Lost in each others' remembrance, must we not weep hereafter?

Deluges of our tears will keep us awake all night:
Our eyelashes strung with strands of pearls, hereafter!

Thoughts of our separation will sear our grieving hearts
Unless we immerse them in the cooling moonlight, hereafter!

If the storm also deceives us, crying Qateel!,
We will scuttle our boats near forsaken shores, hereafter.



Picnic
by Parveen Shakir
loose translation/interpretation by Michael R. Burch

My friends laugh elsewhere on the beach
while I sit here, alone, counting the waves,
writing and rewriting your name in the sand ...



Confession
by Parveen Shakir
loose translation/interpretation by Michael R. Burch

Your image overwhelmed my vision.
As the long nights passed, I became obsessed with your visage.
Then came the moment when I quietly placed my lips to your picture ...



Rain
by Parveen Shakir
loose translation/interpretation by Michael R. Burch

Why shiver alone in the rain, maiden?
Embrace the one in whose warming love your body and mind would be drenched!
There are no rains higher than the rains of Love,
after which the bright rainbows of separation will glow with the mysteries of hues.



My Body's Moods
by Parveen Shakir
loose translation/interpretation by Michael R. Burch

I long for the day when you'll be obsessed with me,
when, forgetting the world, you'll miss me with a passion
and stop complaining about my reticence!
Then I may forget all other transactions and liabilities
to realize my world in your arms,
letting my body's moods guide me.
In that moment beyond boundaries and limitations
as we defy the conventions of veil and turban,
let's try our luck and steal a taste of the forbidden fruit!



Moon
by Parveen Shakir
loose translation/interpretation by Michael R. Burch

All of us passengers,
we share the same fate.
And yet I'm alone here on earth,
and she alone there in the sky!



Vanity
by Parveen Shakir
loose translation/interpretation by Michael R. Burch

His world is so simple, so very different from mine.
So distinct—his dreams and desires.
He speaks rarely.
This morning he wrote: "I saw some lovely flowers and thought of you."
Ha! I know my aging face is no orchid ...
but how I wish I could believe whatever he says, however momentarily!



Come
by Ahmad Faraz
loose translation/interpretation by Michael R. Burch

Come, even with anguish, even to torture my heart;
Come, even if only to abandon me to torment again.

Come, if not for our past commerce,
Then to faithfully fulfill the ancient barbaric rituals.

Who else can recite the reasons for our separation?
Come, despite your reluctance, to continue the litanies, the ceremony.

Respect, even if only a little, the depth of my love for you;
Come, someday, to offer me consolation as well.

Too long you have deprived me of the pathos of longing;
Come again, my love, if only to make me weep.

Till now, my heart still suffers some slight expectation;
So come, ***** out even the last flickering torch of hope!



I Cannot Remember
by Ahmad Faraz
loose translation/interpretation by Michael R. Burch

I once was a poet too (you gave life to my words), but now I cannot remember
Since I have forgotten you (my love!), my art too I cannot remember

Yesterday consulting my heart, I learned
that your hair, lips, mouth, I cannot remember

In the city of the intellect insanity is silence
But now your sweet, spontaneous voice, its fluidity, I cannot remember

Once I was unfamiliar with wrecking ***** and ruins
But now the cultivation of gardens, I cannot remember

Now everyone shops at the store selling arrows and quivers
But neglects his own body, the client he cannot remember

Since time has brought me to a desert of such arid forgetfulness
Even your name may perish; I cannot remember

In this narrow state of being, lacking a country,
even the abandonment of my fellow countrymen, I cannot remember



The Infidel
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Ten thousand desires: each one worth dying for ...
So many fulfilled, and yet still I yearn for more!

Being in love, for me there was no difference between living and dying ...
and so I lived each dying breath watching you, my lovely Infidel, sighing                       afar.



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Life becomes even more complicated
when a man can’t think like a man ...

What irrationality makes me so dependent on her
that I rush off an hour early, then get annoyed when she's "late"?

My lover is so striking! She demands to be seen.
The mirror reflects only her image, yet still dazzles and confounds my eyes.

Love’s stings have left me the deep scar of happiness
while she hovers above me, illuminated.

She promised not to torment me, but only after I was mortally wounded.
How easily she “repents,” my lovely slayer!



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

It’s time for the world to hear Ghalib again!
May these words and their shadows like doors remain open.

Tonight the watery mirror of stars appears
while night-blooming flowers gather where beauty rests.

She who knows my desire is speaking,
or at least her lips have recently moved me.

Why is grief the fundamental element of night
when blindness falls as the distant stars rise?

Tell me, how can I be happy, vast oceans from home
when mail from my beloved lies here, so recently opened?



Abstinence?
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Let me get drunk in the mosque,
Or show me the place where God abstains!



Step Carefully!
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Step carefully Ghalib―this world is merciless!
Here people will "adore" you to win your respect ... or your downfall.



Bleedings
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Love requires patience but lust is relentless;
what colors must my heart bleed before it expires?

There are more English translations of poems by Mirza Ghalib later on this page.



No Explanation! (I)
by Ahmad Faraz
loose translation/interpretation by Michael R. Burch

Please don't ask me how deeply it hurt!
Her sun shone so bright, even the shadows were burning!



No Explanation! (II)
by Ahmad Faraz
loose translation/interpretation by Michael R. Burch

Please don't ask me how it happened!
She didn't bind me, nor did I free myself.



Alone
by Ahmad Faraz
loose translation/interpretation by Michael R. Burch

Why are you sad that she goes on alone, Faraz?
After all, you said yourself that she was unique!



Separation
by Ahmad Faraz
loose translation/interpretation by Michael R. Burch

Faraz, if it were easy to be apart,
would Angels have to separate body from soul?



Time
by Ahmad Faraz
loose translation/interpretation by Michael R. Burch

What if my face has more wrinkles than yours?
I am merely well-worn by Time!



Miraji Epigrams

I'm obsessed with this thought:
does God possess mercy?
―Miraji, loose translation/interpretation by Michael R. Burch

Come, see this dance, the immaculate dance of the devadasi!
―Miraji, loose translation/interpretation by Michael R. Burch



Excerpts from “Going, Going ...”
by Miraji
loose translation/interpretation by Michael R. Burch

Each unfolding vista,
each companion’s kindnesses,
every woman’s subtle sorceries,
everything that transiently lies within our power
quickly dissolves
and we are left with only a cupped flame, flickering ...
Should we call that “passion”?

The moon scrapes the horizon
and who can measure a star’s breadth?

The time allotted a life, if we calculate it,
is really only a fleeting breath ...



1.
Echoes of an ancient prophecy:
after my life has come and gone,
perhaps someone
hearing my voice drifting
on the breeze of some future spring
will chase after my songs
like dandelions.
—Miraji, translation by Michael R. Burch

2.
Echoes of an ancient prophecy:
after my life has come and gone,
perhaps someone
hearing my voice drifting
through some distant future spring
will pluck my songs
like dandelions.
—Miraji, translation by Michael R. Burch

3.
Echoes of an ancient prophecy:
when my life has come and gone,
and when I’m dead and done,
perhaps someone
hearing me sing
in a distant spring
will echo my songs
the whole world over.
—Miraji, translation by Michael R. Burch

If I understand things correctly, Miraji wrote the lines above after translating a verse by Sappho in which she said that her poems would be remembered in the future. I suspect both poets and both prophecies were correct!




Every Day and in Every Direction
by Nida Fazli
loose translation/interpretation by Michael R. Burch

Everywhere and in every direction we see innumerable people:
each man a victim of his own loneliness, reticence and silences.
From dawn to dusk men carry enormous burdens:
all preparing graves for their soon-to-be corpses.
Each day a man lives, the same day he dies.
Each new day requires the same old patience.
In every direction there are roads for him to roam,
but in every direction, men victimize men.
Every day a man dies many deaths only to resurrect from his ashes.
Each new day presents new challenges.
Life's destiny is not fixed, but a series of journeys:
thus, till his last breath, a man remains restless.



Couplets
by Nida Fazli
loose translation/interpretation by Michael R. Burch

It was my fate to entangle and sink myself
because I am a boat and my ocean lies within.
―Nida Fazli, loose translation/interpretation by Michael R. Burch

You were impossible to forget once you were gone:
hell, I remembered you most when I tried to forget you!
―Nida Fazli, loose translation/interpretation by Michael R. Burch

Don't squander these pearls:
such baubles may ornament sleepless nights!
―Nida Fazli, loose translation/interpretation by Michael R. Burch

The world is like a deck of cards on a gambling table:
some of us are bound to loose while others cash in.
―Nida Fazli, loose translation/interpretation by Michael R. Burch

There is a proper protocol for everything in this world:
when visiting gardens never force butterflies to vacate their flowers!
―Nida Fazli, loose translation/interpretation by Michael R. Burch

Since I lack the courage to commit suicide,
I have elected to bother people with my life a bit longer.
―Nida Fazli, loose translation/interpretation by Michael R. Burch



Changing Seasons
by Noshi Gillani
loose translation/interpretation by Michael R. Burch

Each changing season
reveals something
concealed by her fears:
an escape route from this island
illuminated by her tears.



Dust
by Bahadur Shah Zafar or Muztar Khairabadi
loose translation/interpretation by Michael R. Burch

Unable to light anyone's eye
or to comfort anyone's heart ...
I am nothing but a handful of dust.



Piercings
by Firaq Gorakhpuri
loose translation/interpretation by Michael R. Burch

No one ever belonged to anyone else for a lifetime.
We cannot own another's soul.
The beauty we see and the love we feel are only illusions.
All my life I tried to save myself from the piercings of your eyes ...
But I failed and the daggers ripped right through me.



Salvation
Mohammad Ibrahim Zauq
loose translation/interpretation by Michael R. Burch

Anxious and fatigued, I consider the salvation of death ...
But if there is no peace in the grave,
where can I go to be saved?



Child of the Century
by Abdellatif Laâbi (a Moroccan poet)
loose translation/interpretation by Michael R. Burch

I’m a child of this dreary century, a child who never grew up.
Doubts that ignited my tongue singed my wings.
I learned to walk, then I unlearned progress.
I grew weary of oases and camels infatuated with ruins.
My head inclined East only to occupy the middle of the road
as I awaited the insane caravans.



Nostalgia
by Abdulla Pashew (a Kurdish poet)
loose translation/interpretation by Michael R. Burch

How I desire the heavens!
Each solitary star lights the way to a tryst.

How I desire the sky!
Standing alone, remote, the sky is as vast as any ocean.

How I desire love's heavenly scent!
When each enticing blossom releases its essence.



Oblivion
by Al-Saddiq Al-Raddi (an African poet who writes in Arabic)
loose translation/interpretation by Michael R. Burch

Discard your pen
before you start reading;
consider the ink,
how it encompasses bleeding.

Learn from the horizon
through eyes' narrowed slits
the limitations of vision
and hands' treacherous writs.

Do not blame me,
nor indeed anyone,
if you expire before
your reading is done.



In Medias Res
by Shaad Azimabadi
loose translation/interpretation by Michael R. Burch

When I heard the story of my life recounted,
I caught only the middle of the tale.
I remain unaware of the beginning or end.



Debt Relief
by Piyush Mishra
loose translation/interpretation by Michael R. Burch

We save Sundays for our loved ones ...
all other days we slave to repay debts.



Reoccurrence
by Amrita Bharati (a Hindi poet)
loose translation/interpretation by Michael R. Burch

It was a woman's heart speaking,
that had been speaking for eons ...

It was a woman's heart silenced,
that had been silenced for centuries ...

And between them loomed a mountain
that a man or a rat gnawed at, even in times of amity ...
gnawing at the screaming voice,
at the silent tongue,
from the primeval day.



Don't Approach Me
by Arif Farhad
loose translation/interpretation by Michael R. Burch

Don't approach me here by the river of time
where I flop like a fish in a net!



Intoxicants
by Amrut Ghayal (a Gujarati poet)
translation by Kanu V. Prajapati and Michael R. Burch

O, my contrary mind!
You're such a fool, afraid to drink the fruit of the vine!
But show me anything universe-designed
that doesn't intoxicate, like wine.



I’m like a commodity being priced in the market-place:
every eye ogles me like a buyer’s.
—Majrooh Sultanpuri, loose translation/interpretation by Michael R. Burch

If you insist, I’ll continue playing my songs,
forever piping the flute of my heart.
—Majrooh Sultanpuri, loose translation/interpretation by Michael R. Burch

The moon has risen once again, yet you are not here.
My heart is a blazing pyre; what do I do?
—Majrooh Sultanpuri, loose translation/interpretation by Michael R. Burch



Drunk on Love
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Drunk on love, I made her my God.
She quickly informed me that God belongs to no man!

Exiles
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Often we have heard of Adam's banishment from Eden,
but with far greater humiliation, I abandon your garden.

To Whom Shall I Complain?
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

To whom shall I complain when I am denied Good Fortune in acceptable measure?
Dementedly, I demanded Death, but was denied even that dubious pleasure!



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

You should have stayed a little longer;
you left all alone, so why not linger?

We’ll meet again, you said, some day similar to this one,
as if such days can ever recur, not vanish!

You left our house as the moon abandons night's skies,
as the evening light abandons its earlier surmise.

You hated me: a wife abnormally distant, unknown;
you left me before your children were grown.

Only fools ask why old Ghalib still clings to breath
when his fate is to live desiring death.



How strange has life become:
Our evenings drag out, yet our years keep flashing by!
―original poet unknown, loose translation/interpretation by Michael R. Burch



Longing
by Allama Iqbal
loose translation by Michael R. Burch

Lord, I’ve grown tired of human assemblies!
I long to avoid conflict! My heart craves peace!
I desperately desire the silence of a small mountainside hut!



Life Advice
by Allama Iqbāl
loose translation by Michael R. Burch

This passive nature will not allow you to survive;
If you want to live, raise a storm!



Destiny
by Allama Iqbal
loose translation by Michael R. Burch

Isn't it futile to complain about God's will,
When you are your own destiny?

Keywords/Tags: Urdu, translation, love poetry, desire, passion, longing, romance, romantic, God, heaven, mrburdu

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I am she
Who compliments & completes
The dream-lover and wishes
Made when he is asleep.
I am she

Who suffers the most,
Giving birth, cradling ghosts,
As the crone or maid,
(Once and always)
Sister, mother, daughter, wife.

I am she
Who waits through the night.
I am she
Who equals the strength
Of his light.

"See me with your loving eyes,
See me more than the tears I've cried!"

I am she
Who is willing
To go with him to war,
Not a man but as an equal,
(I'm both soft yet hard)
I am she
To whom he'll give his heart
I am the tunnel's bright end
I am where
The family starts,
The breast which nurse small men.

I am she
The twin,
The Juliet,
The Goddess divine!
I am she
Who deserves the same
in life, and for all time.
(Peace be…)
I am she
I am you
I am her
I am the one besides
And inside
She is I…
The romance in the dress,
Patient Partner to the ends,
Tiny dancer on the floor
I am
The one that loves you
Forever &
Evermore.

hand slaps shoulder knee rhythmically that’s called hamming the bone sitting on a street curb singing making up lyrics i got a transitor sister loves cossack named jake he rides Cherokee chopper all he’s ever known is hate he’s going down underground where a man can be a man wrestle alligators live off the land ebb flow i don’t know racing chasing hair-pin turning at 150 miles per hour downshift to 3rd spread the word sweet sour naked flower touching skin deep within defies all sin with a grin speed speed speed all i need i’m getting off coming on you tawny scrawny bow-legged pigeon-toed knock-kneed Don Juan Ponce de Leon Aly Khan all wrapped up into one going to have ******* good time good time tonight i feel like an orphan mom and dad seem so far away tonight i feel like an orphan you make me feel this way hand slaps shoulder knee rhythmically hand bone hand bone

Odyseuss drifts job to job construction worker office assistant waiter whatever he does not understand how road to recognition works continues showing portfolio to art dealers but they react indifferently he does not know how to attain notice in art world begins to suspect there is no god watching over souls instead he imagines infinite force juggling light darkness creation destruction love hate Mom and Dad insist he can earn respectable income if only he will learn commodity futures like cousin Chris Mom says you can work down at the exchange and paint on the side a part of Odysseus wants desperately to please his parents he considers perhaps Mom is right for the time being maybe build up nest egg it seems like sensible plan he wonders why Dad and Mom never speak about money how to save manage they treat the subject as forbidden topic Odysseus has no idea what Dad or Mom earn or investment strategies Odysseus is about to make serious mistake the decision to get job working at commodity exchange needs deeper examination why is he giving in to his parents what attracts him to commodities trading is it Chris’s achievement and the money? does Odysseus honestly see himself as a winning trader or does it simply look like big party with lots of rich men pretty young girls is that where he wants to be why is he giving up on his dream to be a great artist does it seem too impossible to reach who makes him think that? is he going to give up on his true self? he halfheartedly follows his parent’s advice begins working as runner at Chicago Mercantile Exchange several friends including Calexpress disloyalty for entering straight world commodity markets are not exactly straight in 1978 clearing firms pay adequately hours are 8 AM to 2 PM over course of next 6 months Odysseus runs orders out to various trading pits cousin Chris rarely acknowledges Odysseus maybe Chris feels need to protect his image of success perhaps in front of his business associates Chris is embarrassed by Odysseus’s menial rank and goof-off attitude maybe Chris senses what a terrible mistake Odysseus has made

Chicago suffers harsh winter in February Roman Polanski skips bail in California flees to France in April President Carter postpones production of neutron bomb which kills people with radiation leaving buildings intact in October Yankees win World Series defeating Dodgers in November Jim Jones leads mass-****** suicide killing 918 people in Jonestown Guyana in December in San Francisco Dianne Feinstein succeeds murdered Mayor George Moscone in Chicago John Wayne Gacy is arrested

darkness descends upon Odysseus his heart is not into commodity business more accurately he hates it he loathes battleship gray color of greed envy he resents prevailing overcast of misogyny he meets many pretty girls yet most of them are only interested in catching a trader it is rumored numerous high rolling traders hire young girls for sole purpose of morning ******* remainder of day girls are free to mingle run trivial errands commodity traders typically trash females it is primitive hierarchy Odysseus bounces from one clearing firm to another then moves to Chicago Options Exchange then Chicago Board of Trade on foyer wall just outside trading floor hangs bronze plaque commemorating all men who served in World War 2 Uncle Karl’s name is on that plaque Daddy Pat bought his son seat hoping to set him up after war Uncle Karl’s new wife wanted to break away from Chicago persuaded him to sell seat move to California Uncle Karl bought car wash outside Los Angeles with Daddy Pat’s support Mom and Dad encourage assure Odysseus commodities business is right choice they promise to buy him full seat on exchange if he continues to learn markets they feel certain he can be saved from his artistic notions the markets are soaring in profits cousin Chris is riding waves a number of Chris’s friends are sons of parents who belong to same clubs dine at same restaurants as Mom and Dad Odysseus is not alpha-male like Chris Odysseus is a dreamer painter poet writer explorer experimenter unlike Chris who has connections Odysseus starts out as runner then gets job holding deck for yuppie brokers in Treasury Dollar trading pit Odysseus holds buy orders between index and middle fingers sell orders in last 2 fingers arranged by time stamp price size in other hand holds nervous pencil he stands step below boss in circular pit in room size of football field full of raised pits everything is traded cattle hogs pork bellies all currencies gold numbers flash change instantaneously in columns on three high walls fourth wall is glass with seats behind for spectators thousands of people rush around delivering orders on telephones flashing hand signals shouting offers quantities every moment every day calls come in frantically from all around world space is organized chaos sometimes not so organized fortunes switch hands in nano-seconds it is global fiscal battleground rallies to up side or breaks to down side send room into hollering pushing shoving hysteria central banks financial institutions kingpin mobsters with political clout daring entrepreneurs old thieves suburban rich kids beautiful people pretty young females abound big guns **** in same air stand next to low-ranking runners everyone flirts sweats sneezes knows inside they are each expendable Odysseus is spellbound by sheer force magnitude he feels immaterial only grip is his success with girls it is not conscious talent he grins girls grin back Chris’s trader friends recognize Odysseus’s ability they push him to introduce girls to them it is way for Odysseus to level playing field he has no money or high opinion of himself he simply knows how to hook up with girls

1979 January Steelers defeat Cowboys at Super Bowl Brenda Ann Spencer kills 2 faculty wounds 8 students responds to incident “i don't like Mondays” in February Khomeini seizes power in Iran in March Voyager space-probe photographs Jupiter’s rings a nuclear power plant accident occurs at Three Mile Island Pennsylvania in May Margaret Thatcher is elected Prime Minister in England in Chicago American Airlines flight 191 crashes killing 273 people in November Iran hostage crisis begins 90 hostages 53 of whom are American in December Soviet Union invades Afghanistan 1980 in November Ronald Reagan defeats Jimmy Carter one year since Iran hostage crisis began

he meets good-looking younger girl named Monica on subway heading home from work he has seen her running orders on trading floor she is tall slender with long dark brown hair in ponytail pointed nose wide mouth innocent face she confides her estranged father is famous Chicago mobster Odysseus recognizes his name they talk about how much they dislike markets arrant disparity of wealth between traders and themselves Odysseus says i hate feeling of being so disposable worthless Monica replies yeah me too he tells her if i was a girl i’d ******* myself to several handsome generous traders Monica acknowledges that’s an interesting idea but who? how? which traders? do you know? he answers yeah i know exactly who and how Monica says if you’re serious i’m in i have a girlfriend named Larissa who might also be interested i’ll call Larissa tonight following day Monica approaches Odysseus at work agrees to meet at his place after markets close that afternoon Monica and Larissa show up eager to learn more about Odysseus’s scheme Larissa is petite built like a gymnast giggly light brown hair younger than Monica he lays it all out for them cousin Chris and his buddies the money ******* both girls are quite lovely he suggests they rehearse with him he will coach them on situations settings techniques girls consent for 4 weeks every afternoon they meet at Odysseus’s place get naked play out different scenarios he shows girls how to pose demure at first then display themselves skillfully fingers delicately pulling open ***** spreading wide apart buns working hidden muscles he directs each to take up numerous positions tasks techniques then has them switch places he teaches them timing starting slow gradually building up rhythms stirring into passionate frenzy having two mouths four hands creates novel sets of possibilities one girl attends his front while other excites his rear he positions them side-by-side so he can penetrate any of all four holes he stacks them one on top of the other many other variations after reaching ****** several times making sure to reciprocally satisfy their eager needs Odysseus dismisses girls until following day finally after month of practice Monica and Larissa feel confident proficient primed Odysseus arranges for girls to meet with 2 traders through Chris most traders have nicknames Twist who is hosting event is notoriously wild insatiable on opening night Odysseus behaves like concerned father Larissa and Monica each bring several dresses and pairs of shoes Odysseus helps them choose suggests Monica ease up on make-up he styles Larissa’s hair instructs Monica to call him when they arrive again when they leave he requests they return directly to his place Monica wears hair pulled back in French twist pearl earrings sleek little black dress black stiletto heels she stands several inches above Odysseus Larissa wears braided pigtails pink low-scooped leotard brown plaid wool kilt just above knees brown suede cowboy boots he kisses each on lips then pats their butts warns them to be careful mindful Monica winks Larissa giggles more than an hour passes as Odysseus sits wondering why he has not heard from girls suddenly reality hits he does not want to be commodities trader and certainly not a **** this is not how he wants to be known or remembered Odysseus wants to be a painter and writer Monica and Larissa are good sweet girls whom he has misguided he calls Twist’s place Twist answers Odysseus asks to speak with Monica when she comes to phone he questions are you all right Monica answers yes we’re fine we’re having a fantastic time why are you calling what’s wrong he explains you were suppose to call me when you arrived i began to worry i think maybe this whole arrangement is a bad idea i want you to call it off and come back home i don’t want either of you to become prostitutes i love you both and don’t want to be associated with dishonoring you Monica says it’s a little late to call it off but we’ll see you when we’re done kissy kiss bye Odys another hour passes then another he frets wondering what they are doing after 4 hours as he is about to call Twist’s house again doorbell rings Monica and Larissa both giggling beaming Odysseus can spot they have a coke buzz Monica announces you should be proud of us Odys we got each of them off 2 times we left them stone-numb and tapped out the girls open their purses each slaps 5 hundred dollar bills unto table Monica says this is your cut Odys we both got a thousand for ourselves he replies i can’t touch that money we need to sit down and talk Monica demands no talking Odys take off your clothes he insists i’m serious Monica i’m never going to send you out again Larissa claims there’s no turning back for me i had too much fun Monica  pleads come on Odys we’ll be good we promise now take off your clothes Twist and his buddy never attended to our needs i’m ***** as hell Larissa where’s that little bottle of dust Twisty handed you

Chicago Monday night December 8 1980 Cal and Odysseus sit at North End they're on 4th round feeling buzz the place is lively adorned with holiday decorations Cal says you’ve changed Odysseus questions what do you mean? how? Cal says the commodity markets and your cousin and his friends they’ve changed you when was the last time you painted Odys? are you dealing coke Odysseus looks Cal in the eyes answers they’re so ******* rich Cal you can’t believe it one drives a black Corvette Stingray another a ******* Delorean anything they want they buy girls cars clothes condos boats yeah i’m dealing coke to Chris’s friends it’s my only leverage remember the Columbian dude Armando we met at tittie bar? i score from him and keep it clean Chris’s buddies pay up for the quality i don’t remember my last painting maybe the black painting i never finished after breaking up with Reiko Lee a girl falls off bar stool crashing to floor at other end of bar Cal says Odys, you better play it careful you’re messing with the devil got any blow on you suddenly bar grows quiet someone turns up TV volume they watch overhead as news anchorman speaks slow solemn camera pans splattered puddle of blood pieces of broken glass on steps to Dakota Building Cal looks to Odysseus John Lennon has been murdered Cal waits for Odysseus to say something tear rolls down cheek Cal glances away stares down at floor they drink in silence

Kafersuseh One-Dimensional Beams II; In this environment of preservation of links and communication with each other, Raeder, Petrobus the Pelican and Alikanto were in a state of maximum stillness and complacency, they were enjoying the reality that was experienced with the child. Raeder unexpectedly leads Petrobus out of the barn and begins an exploration of the rolling nativity event. Here he takes hold of the gold-jade rings and takes flight towards the upper part of the stable, where he can see from above that it did not look like an ordinary stable, rather it seemed like a seat of the Faith where he observed that some prowling on the roof cherubs, they jumped and crossed mimicking the same gestures that Joshua made in his manger. Impressed, Raeder approached them and began to share with them, flying over where they could do it with their new friends. After a while, Alikanto joined them, who also enjoyed these games precisely, but did not see the Cherubim. He only saw how the two of them jumped but was surrounded by a large concentration of flying Lepidoptera. At the end of the night, when dawn begins, everyone retires and goes to their tents, not knowing what to decide for the next day. The tired Apostle next to Vernarth was glorious with joy after having recalled this episode of the arrival of a Messiah who would transport them from this stable to Gethsemane where his native Aramaic jargon had to enable him to generate synergy between the areas of the Gardens of the Olive trees and Gethsemane, to concatenate the entire phylogeny He only saw how the two of them jumped but surrounded by a large concentration of flying Lepidoptera. At the end of the night, when dawn begins, everyone retires and goes to their tents, not knowing what to decide for the next day. The tired Apostle next to Vernarth was glorious with joy after having recalled this episode of the arrival of a Messiah who would transport them from this stable to Gethsemane where his native Aramaic jargon had to enable him to generate synergy between the areas of the Gardens of the Olive trees and Gethsemane, to concatenate the entire phylogeny He only saw how the two of them jumped but surrounded by a large concentration of flying Lepidoptera. At the end of the night, when dawn begins, everyone retires and goes to their tents, not knowing what to decide for the next day. The tired Apostle next to Vernarth was glorious with joy after having recalled this episode of the arrival of a Messiah who would transport them from this stable to Gethsemane where his native Aramaic jargon had to enable him to generate synergy between the areas of the Gardens of the Olive trees and Gethsemane, to concatenate the entire phylogenies a new bonding relationship between species that were appropriate and endemic to the region near the stable at Bethlem to be inter-inseminated on banks of the Gethsemane slopes, so that linguistics would begin to absorb Joshua and go for a closer shortcut towards the classification of the traditional and omnipotent variants that migrated through the Olive Trees, to renew and preserve the Aramaic or Aramaic languages ​​of a shared origin now, for the omnipotent salvific languages ​​that were to be redirected in Gethsemane. Once leaving for the city of the eight gates, Raeder continued to sway on the roof with the Cherubim, rather they were already inseparable until he received an order from Alikanto that they should hurry back to the stores. He leaves but some mischievous Cherubim follow them and escort them to the tent. The next day at dawn they stand in front of them serenely as if they were still in Kafersesuh. They prepare the camels and the belongings, to resume the return to the final grand opening of Judah; to initiate the trades of reintegration of Saint John the Apostle to the surrealism that predicted him to split poles in his former exile and reintegration, under an early departure to revive the cathedrals of constant ringing and constant vibrating in the bells of Jerusalem and Gethsemane. everyone rides, the Hexagonal Birthright and King David tighten the incisors of the camels heading towards the new door that they took turns opening once they arrived in Jerusalem. Raeder and Petrobus arrived late, flying from the top of the caravan alongside the Cherubim who now guarded them. While the Crickets consumed all the laws that were incommensurable with the litanies of Angels that waited to unroll from In dextro qui non ad altare. "On the boast of those who did not have to reach the altar"



Paraps XXVII

Messiah of Judah IV part

Miracle V- Gethsemane / Aramic Phylogeny

They leave Bethlehem undivided in the Giant Ungulates. Of the seven spaces in the column, the last one that was occupied was the seventh where King David went. Of the five remaining spaces, the Cherubs went, they were playing with Raeder and Petrobus; they showed off with their adventures flying towards elevations of the majestic Sun. The Cherubim tinkled with colors of Abrahamic angelic beings involved in the worship and praise of the Caravan. The Cherubim are first mentioned on the route back to Jerusalem with the large turnout of bumblebees, bees, and wasps all flying alongside Raeder, Petrobus, and Alikanto. They would all stay for up to half a mile before reaching the eight gates and resuming their course to the Garden of Gethsemane. They were surrounded by Debkas dancing in their Aramaic phylogeny. The bumblebees were encrusted by the hills loaded with echoes outside of man...., placing themselves to the east of the Garden of Eden in rows of Cherubim with a flaming sword that turned on all sides to guard the path of the tree of life. Ezekiel describes "four living creatures" as the same beings as the Cherubs, each having four faces that were like a man, a lion, an ox, and an eagle, and each one was tetra-winged. As for their appearance of them: "there was in them the likeness of man" These used two of their wings to fly and the other two to cover their bodies, under their wings they seemed to have the shape or resemblance of a man's hand that resembled the Aramean phylogeny that linked environmental and organic pollinations of Lepidoptera that were carrying the fertilizing spheres to reach the angiosperms. The Christic language was inaugurating the fringe of the frolicsome land that awaited the inauguration of Linguistic Phylogeny to attend to the decrees for the perenniality of the language that relates Gethsemane with the Olivo presses, the Cherubs beating their wings to reach Father Abba. With the flashes of the Apocalypse, the Cherubim danced happily, magnifying the presence of the Apostle in the Hexagonal Birthright with the holiness and power of God, This is one of their main responsibilities throughout the abbey and members mobilize to meet one of the twelve apostles with propaedeutic assonance attached to the twelve Giga camels, in addition to singing praises to Yahweh they also served as a visible reminder of the majesty and glory of the Messiah. The Apostle says by parapsychological regression: "A fascinating route on foot in Jerusalem begins at the top of the Mount of Olives and curiously leads us to the route that will be taken after the evangelical legs of the camelids that will take them to the Holy Sepulchre, Continuing through the Damascus Gate..., here the camelids became restless! Very close by, the topography of the top of the Mount between the route at the foot of Bethany and Jerusalem was perceived, the Garden of Gethsemane crammed with Angels appeared to us..., Joshua's prayers in Aramaic are felt slipping into camel snores as pleas are heard before his arrest in the Garden." Here at that moment, it happens that the flies arrested the apostle, taking him to a specific sector of the orchard where sacred water and humid wind continue to flow, having olive trees growing in the embossed garden with enormous oil press to border them by olive oil pipeline to grace the Lord in laurels from Daphnomancy such a holistic form of divination by which it is intended to make predictions using laurel leaves and branches chewing them before and then lighting them towards the crackle of the consecrated fire of Gethsemane Aramaic that lit paths and feet of Joshua. also carried on its four wings the Cherubim four laurels on each laureate wing.Thickened by palmistry energy, they walked towards the main entrance of the oil press, They arrive in the surroundings of Gethsemane surrounded by Daphnomancy of laurels carried on their wings by the Seraphim, Bumblebees, and others who would be in charge of inseminating the pollinating particles in the angiosperms, thus rescuing minimal words and verbal serial in the words that were transferred from the stable Kafersuseh in Bethlehem so as not to lose the Aramaic word, thus being redistributed to Gethsemane by the Lepidoptera and Bumblebees, wasps and bees. This inter-organic phenomenon would re-couple the verbalized accents of Joshua in middle age and in the unborn in such a way as to preserve the Aramaic dialect, to re-clone the same groupings and intentions as the environmental phylogeny of the dialect in a ritual culture that would redact with insects. and Cherubim, to re-enchant all the pluralities that would be arranged in the Garden to energize the salvific and appearing oil pipelines of the image of Saint John the Apostle, King David, Vernarth, Etréstles, Eurídice, and the rest that make up further from the seventh camelid until reaching the latest; the Fifth Cherub that will be the scribe present together with Pedro and the two sons of Zebedeo, only one with the one nearby in great courage, San Ioannis. His Holiness Joshua used to say: "Abba..., Father, all things are possible for you, take this cup away from me; But not what I want, but what you want. Joshua came later and found them sleeping; and he said to Peter: Simon, are you sleeping? Have not you been able to watch for one hour? Watch and pray so that you do not enter into temptation; the spirit indeed is willing, but the flesh is weak. Again he went and prayed, saying the same words. When he returned, he found them sleeping again because their eyes were heavy with sleep; And they didn't know what to answer. He came the third time and said to them: Sleep now and rest. Enough, the hour has come; behold, the Son of Man is delivered into the hands of sinners. Get up, let's go; Behold, the one who delivers me is approaching." From small lively henchmen lights were seen to greater discontent..., they were the executioner, attached to the broken hostile leaf of the laurel that fell on his back "In flames and crackling in all his offspring "The anticipated visions were fertilized by the Cherubs that anticipated events in the chronological life of the apostle having to do with his life as an apostle and evangelist of the new succession after returning from exile. He came close already entering through a path, that was a road where the rows of pipes were that crossed the Getsemaní subsoil. Fifth Cherubim of the Septuagint: "As a scribe of the Hexagonal Primogeniture I make reference to two hundred years before the birth of Jesus, a Greek translation of the Hebrew scriptures developed and became widely accepted as a legitimate (even inspired) translation. Tradition relates to how King Ptolemy II of Egypt established a vast library in Alexandria. However, it was not complete, and he wanted to have a copy of the Hebrew Scriptures in it. Ptolemy sent representatives to Jerusalem and invited the Jewish elders to prepare a new Greek translation of the text. Seventy-two elders six from each of the 12 tribes of Israel came to Egypt to fulfill the request. And as your Santiago, you will write with me the allegory that will shine brightest in Alexandria. Thus they were led to the lonely island of Pharos where at the end of 72 days their work was completed. King Ptolemy was pleased with the result and placed it in his library. When the task was completed the translators compared everything and it was discovered that each one was miraculously identical to the others. The result later became known as the Septuagint (from the Greek word for 70) and was especially popular with Greek-speaking Jews for centuries to come. Hebrew was displaced and Aramaic prevailed, which is the New Testament language that will influence the eclectic of Aramaic as a language that was also ascended with Joshua to heaven to communicate with all the preaching of his Father in the sacred phylogeny with Lepidoptera and his entourage "I am sitting on the last camel, and I know I will be the first."

Ellipsis Prophet Elijah: "They were on Mount Carmel when I summoned the faithful of Baal, Asherah and others. I summoned them to seal a new pact on the slopes that pointed to the howls in Jezrael from where a prolonged and accursed drought was lamented. At the moment all the congregants were absorbed before the imprecation that he made before Ahab asking for the abandonment of Baal and finalizing the 450 pagan prophets, they called Baal in several days and nights and did not answer, Elijah, mocked him saying "Call him with all your might Maybe he fell asleep and needs someone to wake him up." The people gathered on the mountain and then Elijah told them: "You have to decide, If Jehovah is the true God, follow him But if Baal is the true God, follow him. Let's do a test: the 450 prophets of Baal must prepare an offering and call their god, I am going to prepare an offering and call Jehovah. The god who responds by sending fire is the true God." The people accepted. Elijah put his offering on an altar and poured a lot of water on it. Then he prayed: "O Jehovah, let the people see that you are the true God." Immediately Jehovah sent fire from heaven to burn up the offering. The people shouted: "Jehovah is the true God!" Now Elijah said, "Let no prophet of Baal escape." That day, They killed the 450 prophets of Baal. Then a little cloud appeared over the sea, and Elijah said to Ahab, "There's a storm coming. Get your car ready and go home." The sky was filled with black clouds, the wind blew and it started to rain very hard. The drought is finally over. Ahab took off in his chariot as fast as he could. Jehovah helped Elijah to run faster than the chariot. But were all Elijah's problems already over...? Here the god Aiónius rained down in the crystalline waxy dews of the Horcondising proclaiming eternity in the presence of an ascended Merkabah like Elijah. The drought is finally over. Ahab took off in his chariot as fast as he could. Jehovah helped Elijah to run faster than the chariot. But were all Elijah's problems already over...? Here the god Aiónius rained down in the crystalline waxy dews of the Horcondising proclaiming eternity in the presence of an ascended Merkabah like Elijah. The drought is finally over. Ahab took off in his chariot as fast as he could. Jehovah helped Elijah to run faster than the chariot. But were all Elijah's problems already over...? Here the god Aiónius rained down in the crystalline waxy dews of the Horcondising proclaiming eternity in the presence of an ascended Merkabah like Elijah. The ground shakes and initiations of the Aramaic roots appear after the intervention of the fifth Cherub and the prophet Elijah on Mount Carmel, the Phylogeny is testified with links that flow between subterfuges of re-dogmatized civilizations for ignoring their pagan languages ​​and creeds. In this genealogy were the bumblebees, bees, wasps, and Lepidoptera scattering all this stormy rain before they all reached the arenas of Gethsemane with the perfect connection between the idiomatic form, and the interspecies communicated with the vivid expressions where so many times the strings of Joshua circled the Gethsemane tapestry. No doubt here these species will establish the DNA and molecules for successful genetic derivation in an evolutionary environmental testament to the establishment of pollination in the Garden.

Phylogenetic dogma: The coincidences in morphological and embryological themes will be located in the orchard with a great genetic relationship and evolutionary resemblance. to that of the orchard to eternalize the concatenations of both topographical niches, in such a way as to root the Aramaic in all organic elements and not to provide the great prevalence of an eternal pacifying-luminous discourse in creation that does not perish, but rather is reactivated with these procedures in a new phase that the Apostle and Vernarth will inaugurate by reestablishing the premature hegemony of the garden, as a link between birth and resurrection. From the ratio Nazareth – Bethlehem / Kafersesuh – Getsemani. Of these diversifications, the key to the trees and their adaptation to the environment and the new Methodist dogmatics will appear, to adapt it to the material and immaterial elements as a paradise habitat in Judah with adequate species aware of their own self-preservation and self-evolution at the service by Joshua, Says Vernarth: "In Greek mythology, Ilithyia-Eileithyi is our Hellenic goddess of births and midwives. In the cave at Amnisos-Crete, she was associated with the annual birth of the divine child, and her worship is connected with Aeneidaon the earth-shaker who was the chthonic aspect of the god Poseidon. My divine child has similar "Behold the Fifth Miracle" coincidences both in a cave or stable. Ilithyia is seen with the torch-carrying light for the children to come to the world of the Messiah. Now we will shake the garden from its nascent oil ducts, we will have the salvific light that will flow from the hypos secretion of candlesticks with olive oil, anticipating a new messianic verdict, where we will populate the abyss of the earth as a great similar light that will accompany us in Shemesh philosophy. Sun, witnessing to the Messiah and conciliating ourselves with his instructions as it was in Jezrael and now in the garden". Bern Aramic Element from Bethlehem is felt in the messages from the fields of Moab, after the death of Elimelech and Mahlon and Chilion's children, leaving Naomi alone, Alone among the ears of grain. Lepidoptera would begin to fly throughout the lands of Judah after this distressing event. From the separations of the fields in the hot afternoons, Ruth could be seen in the fields and in Hera firmly united to Naomi, where each fence after another will go into the other in the name of Jehovah. Ruth gathers the corn and ears on purpose with the sheaves among the reapers and overgrown sheaves to make the sustenance of a past life of famine brought by Naomi's cries. Then Ruth, after gleaning the grasses, thanked Boaz, looking into his eyes intently, being able to see in him how to lift the hay and run it to the world of the midwives to feed the newborn children anointed by Ilithyah as well, so everyone will eat the pottage and They will satiate until they are very satisfied. From this land of spikes will come the celebrations of Shavuot and good grace for the stay of the Hexagonal Birthright in Gethsemane. The histrionics and ranchers of these lands are making a great contribution to this phylogeny (with the consolidation of the Aramaic language in the garden). Ruth appears saying: "Look at the field, we are all in it, we have water and enough heat from the Shemesh ignition, to give the spikes to grow here is the refuge of Jehovah who gives us his protection making us an equal part of his children to sustain us. I feel great pride in being respectful to Noemi, she will help me with ears of corn that will migrate to Gethsemane with the imminent visit of the Apostle Saint John. The Bumblebees, Bees, and Wasps will be satiated, they will provide the nutrient food to those who will have to make the communications in the garden. "Blessed is the food that she gives you by harvesting it, preserving it and lavishing it"A great archaeological hereditary axiom begins to be evidenced in this agriculture transmitted from the field to the expression of epistemic-emotional areas that represent endocranial and buccopharyngeal molds of sheep that intervene with tillage and weevils. Here the beloved rhetoric of the weevils will intervene with personal wings from the basic strut of their emotions, attracting signals in the fields and images described by flocks of insects that migrated from this passage in the Book of Ruth in order to relay them with phonetic signals that go beyond the spike that is rather a settlement or a current Kibbutz, to mold or settle archaic civilizations under an idiomatic link that will attend the phylogeny as cephalization of invertebrate animals with those of kind of support,

Phylogeny in Gethsemane: The **** Erectus crossed paths with multiple pieces of evidence of adaptive pro-evolution beings, Neanderthal/**** Sapiens. The children of Israel wrote parables, epistles, verses, stories, and books..., their phonetic vocal tract spoke of storms and environmental factors between heaven and earth "Great noise outside of us, but little silence in us." What is elemental is the larynx that has only pronounced the image that denounces a concept evoking the minimum sound in the different positions of its instrumentalized mega sound. Speaking to us how language varies according to history and the civic-environmental environment, instructing us on its threshold and caste as it detaches itself through aerial effusions from the statement at the laryngeal level. It authoritatively collects the intervals of vocalization and relationship with agriculture in all its dimensions descending through its internal panels but rising through our parietal emotions outside of herself. The little of the air that the world has left to continue digesting temporarily have it to let air flow that is possessed in mechanically inert particles, and not in sanctified prophecies with corollaries of miracles. Inherences have made of a super existence of those who still do not perish by the hand of a monarchical mandate, even the mute swallow air is suffocating and contaminated halves while others redistribute them for those who need to sit at the table to collect the unleavened and share it with what the rest. "Here resounds the echo of my Christic body". That in Aramaic will syndicate much more than the phrasing in its blood, grapheme and phonemes or stylistics that is the commotion of vibrating beyond the deep ground reverberating with the grace of its divine statement". Joshua resists spikes and olive leaves simultaneously disposing of us in his arms as his children, he is a sheep in his arms lactating hydro-milk of sustenance from his creative verb. "a strict fact of preserving Aramaic and not misleading them by turning the pages of history". The Aramaic must be incorporated so that Joshua, after more than two thousand years, can see that He is still here walking from one place to another to tell us that He is still here, only suggestive of your walking, plagiarizing your larynx in the sound of His expression and shepherding. The sheep are quadrupedal..., more mammalian than a man because its statement is always reflected in the bases of its skull for the rest of its offspring as a biblical expression, under all the rainbows of the cherubim, together with the children surrounding them in identical intention. **** habilis–**** Sanctus, which is a process that has a charismatic base and peripheral anatomical volume for the exposed part of the sternum by confusing them with each other, not altering their structural or functional complexity. From the potential of Lepidoptera and winged weevils, the phenotype will emerge that will relate and relativize the mechanics of Aramaic or the Aramaic method of not losing the gibberish because it is divine, as well as it is exalted and laryngeal torque to those who possess Aramaic blood and body, since its motorized mysticism is to devour minimum words with maxims in a whole of ranges and sounds of the field, dialoguing: "Come to my field, here the ears of corn and weevils will speak more than the mechanical potential of Your Voice". They continue through the Ruth field integrating phonemes in small verses that go from the shelter of words and that refer to settlements of which they do not speak only suggest the presence of Jeheová without being present, but if after being with his stomach satisfied parodying activities in the field with his plectrum made a reality in a transgenerational poetic-hydric whole of ancient peoples who no longer speak..., "They only express wisdom in ****** agro-phrases of spikes and olives in all their songs." After walking through cobbled and narrow streets that are now full of runes with Bedouin fumaroles..., it is such a walk through an avid heart of alkaloids and lipids; touring synagogues and evoking an outstanding barrage of pilgrimages without knowing how many more will escort them in our attempts. The walls that protect Jerusalem are witnesses to many battles that have been fought "in the name of God". As well as the ground that speaks for itself, without a doubt the Mount of Olives can be seen from Jerusalem beautifully but not, in the same way, the other way around. The forests whose fruits contribute positively to the economy of the region, in addition to symbolizing strength, security, and prosperity, give hope in the journey of history the same as nothing that tires of the same. The Garden or Garden of Gethsemane, a name that alludes to the olive mill used to extract and process the oil according to the Gospels, The Lord came to Gethsemane with his disciples to dedicate some time to prayer, but since the atmosphere in Jerusalem was one of hesitation and high tension due to the celebration of the Jewish Passover festival due to the context of the political and military occupation of the Roman Empire, Jesus was very saddened and began to get distressed...holding on to the branches every time he felt an olive near his denoted fingers. Etréstles says: "All the physical, exalted and psychic forces of Jesus here stink digging into the organic tissue, experiences that go beyond the intellect..., it is the proper and unequivocal admissibility of military feet walking on the ground after meditation and recollection. From today when the lights between shadows will fill the limits of the orchard with connection, They will have to graze on the Gigas ungulates when the atmospheres have to make the tribune grass grow on their idyllic evangelizer to have it for tomorrow in the meditation of dawn. All the pros and cons will have to get lost with prayer guests that will inhabit spaces that will not intervene in human reason. Meditation with the Cherubim in the hexagonal primogeniture and weevils interpenetrating divisions of time that is obtained at the end of a calm, and being able to offer with imagination the inclemencies of having everything just beginning. That is prayer, it begins cyclically and then returns to the beginning, without leaving us comforted to finish what the circle of lapse of the meditative circumambulation does not enclose. Saint John the Apostle expounded: More than pain and concern, After praying, he regained his strength and courage to face the vine with disappointments and betrayals with the courage of hopeful dignity. But more than this atavistic-anthropological complex it is salvific integrity that the verb saves the term, through the vibratory prayer of sound and perception of words and more with the Aramaic sound that narrows like the streets of Jerusalem, to distinguish biases in praising essence in the elements of noise almost to the harmonic limit of a sound perfecting itself in a psalter or a parable, which emerges from its oropharyngeal fret, leaving without expiation the abrupt change of Hebrew thought and doctrine, together with the external sound emancipating in the perfect cacophony of its inner vibratory howl beyond the ritual that pleases our insufficiencies by having an Abba. He sanctifies and purifies because he is substance and the dawn of a new earth that lies in the garden of prayer, and all the times that they have to get up to grab the Bible and watch as an indivisible interloquy in me prostrated each time I get up and speak with my Abba being attentive to lock me in his dimension. The food that returns and feeds back is the lineage provided with justice to inhabit the body that synthesizes its protean oratory, the food that you go there from a breeze and from revelry puts all its outfits on the tables to sit around is the lament that smells of seeds that evaporate from the hands and the heat of the holy field. The food that speaks of inviting so many to sit next to us is the one who was least thought to be lacking in love and should not be prepared, being the indicated one who would eat everything until he was satisfied, leaving nothing in the compote or in the yeast, because from it the food that satisfies will persist only for those who have the excessive spirit of the famine of those who can be quenched. Gethsemane is a flowery field where intoxicated Lepidoptera and Angels who only have one mission fly; "Give food to those who owe the desire to eat and nothing else because the rest that suggests it is abstention, and this will be procrastination of the verb that ceases to create endowment even wanting it, because all the sustenance of life can cease by risking bread and came more than to consecrate Health! Rather, it is due to the nourished devotional circle of the action of lavishing the circle of Son-Father granting the establishment of hunger-satiety to forge genetic and paternal seeds to recirculate them in the chain of procreation. Eurydice speaks: "My body undulates like a peg towards my beloved Joshua, I come from the figurehead of a ship. I went to Jerusalem to look for flowers that pour aromatic to bring and exalt their words tied to their feet. I was late and I lost my way, unable to find my way back. I only saw that from afar some lights in the northern area of ​​the orchard lit up like olive cyclers exploding in the air in nocturnal fireflies that swarmed together with the Lepidoptera..., they guided me here. But I repeat, when I saw the lights it took me back to when I was little in my distant Greece with Orpheus when he managed to sleep on Cerberus near Lake Styx. But I reiterate..., beyond the lights I have been able to see how the weevils are framing and plotting your words, my beloved Joshua, that the auditors will be able to help the square and interpret for many more than thousands of years, taking us with pre-recipients that allow us to feel their voice and hear it as far away as if it were closer than the olive branch that caresses their face. But I reiterate, I never thought I would get lost, I am even arriving as if I were from the figurehead of my ship, I always wanted to be close to the world of light of the Olivo of Barnea genetics like this one that has led me to meet it" Eurídice heads to the holy place, when it approaches, the Fireflies and Lepidoptera come out to pick it up, they allied themselves with the twisted shadows of olive trees, sharpening in clear harmony with the mirror archetypes of the dark foliage reflecting the green shadows on the wild fruits,

Just eleven days before the ekadashi of the full moon, the phenomenon of the harvest took place, which happens after a year of the abundant harvest of olives and another in which the harvest is small, here the change of nuances and corrugated textures is evident in the countenance of the olive trees without it being possible to think that this phenomenon will necessarily take place on a biennial or triennial basis. It was suspected and was known that the developing fruits would go to this event through their hormones and substances that intervene in their growth, acting as inhibitors of the differentiation of the buds, for which many of them would change when they were transformed into flowers to make them into the wood, from this process it was deduced that alternate bearing occurs when grass and gospel are lacking. The actions aimed at promoting ascending harvests in years that correspond to load, through the care of the planting of meditation and the abandonment of it in the years of discharge contribute even more, to accentuating the vecería in the doubts of faith. Some varieties of olive trees are more frequent than others, so it can be guessed that a genetic component is generated in this phenomenon. On the other hand, there will be the Christian cultivation technique, reducing the frequency of rotation, such as irrigation or the early harvesting of the olive for the tables that need to have it on their tablecloth. In such a way that this phenomenon will help the genetic phylogeny to reinsert lost expired words of antiquity in the emanation of the wisdom of God, through the universe acting as a great Drupa or peach that will assimilate being the amygdala that will allow sent vibrations to nod when they connect with the soil plagued walking and retraced the Messiah bringing us to his land with words in Aramaic of sacred salvation and his ancestry of word surveyor worker; which will allow us to transfer some appropriate spirit possession from him to Patmos when we return. Says King David: "as the Olivar de Barne species of the old husk will serve us for the Morning harvest with its fat percentage helping us to sustain the Shemesh fat of the new Sun to brandish winds that will hide the nocturnal haze of the waning moon. All as kings we have been baptized with oil in our solemnities, also coins traded in Kar to pay their benefits with the allegory of Yotam, in the Book of Judges to choose the king of the trees..., refusing the olive tree because it had to produce oil in the Menorah are the two tiny but large olive branches that illuminate the great temple of life. Now we will need it because the eleven days come before rescinding the cessation of Aramaic as a lost language, rather reimposing it as an entity of its channel with a gesture-light and space that hears or listens in repeated Aramaic oropharyngeal systems, and voices when lamenting in Hebrew happily the passages of the Torah with the same meaning and channeling source of the Pentateuch, to repast in the Barne species and transcend in its science together with its Katapausis phylogeny in the monastic cell of San Juan in Patmos next to Vernarth." Euridice kept giving atomic spouts and impulses at his feet to get to Gethsemane soon. Upon arrival, he insinuated how the Cherubim were pruning the Olive Trees next to the Hexagonal Birthright. Everyone was preparing for the olive tree festival in the Garden. He almost reached the end of King David's itchy speech among the Roses of Sharon, more than the cobbled one that a Cherub was replying to him so that nothing would waste being heard by his listeners on the Prow figurehead. It arrives and carries the odoriferous trans-essences in Astragalus, to begin with, intuitive adoration for each barefoot step that each petal and particle of its essence took, revering the base of the invested Messiah, reaching the perfect triangulation of balsamic acid and thorns with increased Aramaic of reviving the Barne Olive Grove Trail,



Paraps XXVIII

Mashiach of Judah V part

Miracle VI- Gethsemane / Maasefa

In this chapter preface, in particular, the revelation of three fundamental phases of the outcome of this chapter of Judah by the will of the god Aiónius in all real events and not, because the submithology that concerns us is of living relevance and is not experiment. Here Ezpatkul will enter Dóntiakul or prominent Augrum or Oro teeth turningScarabaeidaedemarcating the Vóreios Vóreios throughout the Horcondising region bilocating it in Encinas de Patmos borers, with such frenzy...!, that from there they would draw the strength of the north winds and the Olivos Barnea.

a) The subsequent phase after the Stable in Bethelem (Kafersuseh) will entail the neurochemical conformation of energies subtracted from visions of the stable, exclusively from the roof incontinenti of the intervention of the Cherubim with their four wings like the Lepidoptera (butterflies) incurring an original nexus messianic equipped with pheromonic sensitivity and chemical activation in the pollinations of bumblebees, bees, and wasps to regenerate the species of Olive Barnea consolidated the language and perpetuate it as a dialect of Messiah-Abba.

b) Phylogeny is subtracted from this phase itself as a relationship between species or taxa in general of tree species and wild plants. Although the term also appears in historical linguistics to refer to the classification of human languages ​​according to their common origin, the term is used primarily in its biological sense. The symbiosis of both interactions will intervene in the juxtaposition of "Joshua is born-dies in the interval" when he is born in the stable" but his analogy with Gethsemane and Golgotha, the two "G" will recreate the salvific miracle and anticipation of the Scourge that he will suffer but the Hexagonal Progeniture (Men and animal and insect species) will intervene with salvific action from the caves to rejoin the dry bones of Maasefa humanity. It also saves us from Shibboleth, identifying the members of a group in a kind of password) that appeals to changes in the use of phonetics in terms of difference and aspires to reorder social disagreements, caused by conflicts even of lost concomitant civilizations and their socio-cultural niche patrimonial, therefore from Aramaic as an anticipated signal thread of a beginning of communicative intention and preservation of messianic language)

c) The physical, mental, geophysical, and spiritual elemental energies will mutate the adherence of the Aramaic dialect with the pollen duct generated in the Barnea olive species, creating a relationship of chemical change in them deified in favor of a new "Bern of Vernarth" with the interaction of the isotope that will generate the inclusion of a proton that will mutate the chemistry of divination and connectivity with him (Heavenly Father-Abba in the Garden) in such a way that the methodological lines of anticipation will prosper on the night of the abduction by Sayones before being taken to the Lithostrotus to be flagellated to interpret the power of his gospel.

d) And for a consequent and emeritus synchronization of caverns in conjunction with dry bone Maasefa, triggering the awareness of the awakening of protection before, during, and after the events that occurred at the culmination of his death. This will delve into the three chemical sediments interacting with each other, the Aramaic language enchanting the univocal and eternal root to always have it in Gethsemane, the revelation of phylogeny as a determining entity for the consolidation of the geophysical-animal world, and the transcendent soul that intervenes between the stars of the everlasting creation on Crescent Moon eleven days earlier with Sun-Shemesh astonishingly at the debasement of the human species and all of its feelings of unconfessed loss of existence.

e) Experiencing and surviving indecisions and fears of recognition of exposing and externalizing the calls of caverns have allowed us to escape from threats, but from there towards a reverberation in the same tune of Calvary, in the sockets of a skull sheltering you to serve and look from the optics of shining with the flow of ears of wheat in your dreams. Gethsemane and Golgotha ​​are the set of double "G" that generates endo-trauma in the throat and in its global skeleton bone set wanting to revive the call of the Messiah, from the Neck of Heaven rising roughly up your throat, forever and for the Centuries. of the Centuries.

f) The plectrum led me to write this paradisiacal essay in this chapter (it is the same depressive unconsciousness of having a body already abandoned without a Soul, but in my own without understanding anything), this tends to describe how history teaches us that there are phenomena difficult to capture with certainty, the masque of extra mediumistic sensitivities emerging from where our conscience does not discover what spiritual power does canonically the intuitive divine exponential or the external machine of multiple systems of serial spirits that besiege us and show us their Ether and that rarely can we actually be able to enter them from deep inside from their activation data to our hyper cognition, and their level of travel leading us to abandon our abstraction.

They were all stationed on the northeast *****, Eurydice arrived with her essences full of little birds surrounding her, she could not hold them due to the invasion of these surprising birds. They were all sitting on the stones of the garden, they were all leaning their heads on the Svein Tzora stones. Says Vernarth: "The stone of Gethsemane", on grains and crystals they are soaked with spheres of the stone of the Mashiah. She showed them meekness in the face of the hardness that could be distinguished compared to limestone or clay, full of sedimentary grains that devastate igneous from where some voices of her holocaust were left over, compared to marrying corporeal materiality in the Aramaic syllable embedded in a stripped bustle and silent, of everything and little petulant organic element coexisting in its amorphous figure. This graphs the consonance with the demonstrations of passion for his followers by embedding himself in a stone with multiple and sharp cuts like taking out the atoms in a grenade with his law of 613 grains that are enough to stipule them and to break the lithosphere of the messianic referendum in his sacrificial law. in the lithostrotes. No barrier will stop us to overcome this lithosphere that separates us so coldly from the rebirth of a body that takes root beyond the cracks of Gethsemane since the olive trees grow on the same stones, pretending to be in a mansard. The will of destiny under a stone, admits arrogant worries to startle that "He was there, and his destiny condemned him", but "My Abba, if it is possible for this cup to pass from me; but let it not be as I want, but as You want...", equivalent to telling of stones for all the cups, as long as the will is of the Abba", thus the stones are lightened, and our pride weighs less than the subterranean immortality. Saint John says: "Which is agony, it is nothing more than holding in our dreams the heavy shadow of its burden. The stone does not fit through the interstices of dreams but its image weighing in the symbology of being part of it, more than all hailstorms being the scene of sin near the disciple family and their despondency that runs where a curtain circulates towards the Resurrection. The large drops are large grains of the pomegranate in the Via Dolorosa, being large stones falling from the universe rubbing against the Sun and the Moon, falling on Him as well. Today on this day that he confesses tribulation of an eternal night that he never clarified..., It will start to rain, interrupting itself for days running backward, since several syllables remained un catechized before rising from where the wind of Elijah called him Mashiach. Revered Mashiaj, always close to you jumping from the red sea such a pomegranate as the food of a Father between waves of his sea! Again we are in the celebration of Holy Week and we have thought it appropriate to write this work on the stone of Gethsemane with a gifted scene that was his arrest, caused by the petty betrayal of all the Treacherous in the world. Mashiah, lonely in his full youth of thirty-three years in Aramaic verses succumbing to the arms of his Abba, .. He takes him and wraps him in his arms to defend him from the darkness shedding blood and tears on a cracked stone, beyond the skies that predecessor grenades in his hands revealing will that surpasses the levels of being rescued more times. There is a bitter taste of fruit, of course, but it tastes like a red planting of the dry red rock that is not emanated from anything but that if it brings us the generous hand that ceases pain and affliction, that produces sweet sleep even having wrought iron entering through your carpals and tarsal feet. With the pantomime of our morbidity we stretch our arms on your crucified cross but without awareness of the ******* test of not experiencing the iron in our questioned soul, without crucified skin in the epidemic that the beast of punishment gave to his skin between screams and hoarse cries that if they slip towards him, rather under the acíbar of a hammered heartless glass inert and stone that runs towards the west looking for the voices of his pious mother. The sip of the sunset was ingested in the sadness of my life that begins to be reborn every time it was lost and lifeless without feeling it as mine. I sleep vigil on the flames of the stand in the stones of the fire, and I sleep because others will not wake me up on the edge that cuts my game in flames. What cowardly courage accumulating in a depersonalized spilled heart..., what hours will have to pass without feeling them to date the entrance into his body of burning iron towards the sacrifice and not the sacrifice. "Let it continue here in this pebble with the shape that bears fruit because it will not burst with impatience, but rather with tears of pomegranate grains." What stronger aloe than seven days in a row turning to my usual sweetness sin to finish them abandoned without savoring it. For the first time since I returned from exile, I understand that his Aramaic smells like wisps of fruit and hundreds of syllables that are..., whipped like mega words that smell like his upright trunk in solitude and abandonment. Its trunk like mine is stone of tree bark, of vile whips lost in the frieze of its temple breaking its head bark, weeping its moans in full reconverted hopes of a hidden Ziziphus crown. They are nailed to a purple wisp of pomegranate, defeating the ailment of those who dared to martyr him in the pain that runs through his icy strata..., not sifted even by brave poor people; as it is to say by the voice of the wealthy spirit helping you. "Being prepared and No,

Maasefa Stone Powder: "You are made of stone and you will become stone" were the words of communion in Gethsemane of the stone of the Mashiach's prayer, indicating the expression of freedom and cessation of the oligarchy of belonging to the doctrine of the world of dimensional physical slavery, and its intertwined solidity of stones that the priests elaborated in the catacombs in times of consecration of loved ones towards a centile universe of Orthodox spirituality. Here are the stones carved like the Sanhedrin that met in the building known as the Hall of Carved Stones (Lishkat Ha-Gazith) for this purpose it will be the conservation of ossuaries of the high authorities and common citizens, having the prerogative of the Maasefa that has to consist of collecting the bones of all those reduced after a year in complete secrecy in the assigned catacombs. Through this immediacy of low and recondite spaces grows the vague wandering of precepting in approaching the salvific redemption awaiting the projection of the expired ancestors in the source of eternal life accepted by the Mashiach (Messiah), to shelter us in his illusion in beautiful brotherhood before to be resurrected. The Hexagonal Primogeniture would go by way of making the nucleus of nearby songs of the oratory of the orchard towards an honorable mention of elaborating concavities in the geology of the orchard, so that the alliance of the Aramaic verb of cloistering and devotion of the members in each stony cell, and the explosion of the Aramaic verb speaking infinitely of the Father-Son analogy. In such a way that translucent particles will be spread by the rhizomes of the Olivos Barnea species; deriving to Bern for the posthumous tribute of Vernarth considered Champion of conservation and cenacle of living and extinct organic bones, such as the aforementioned case of the Apostle before gathering as elemental dust of Joshua's Maasefa prior to the completion of the withdrawal of the Garden of Gethsemane. Shofar, sistrum, harp, and cymbals resonate for the wise night and its star sign before starting the excavation works in the nearby veins to conclude the Maasefa. They all sleep together that night touching each other's heels in the matrix phase to start a day with the strength of the stonework from left to right for the allegory of the Menorah that never leaves the magnetized night. They rise at twenty minutes to four to begin the ritual, an hour and a half before sunrise they were in the stratum of purple dawn on layers of divinity tinged with the conscious subtlety of the creator in our levitating being. Its consequences arise before their bodies continue to evolve towards the hegemonic process on the stratum of the nascent mineralogy that was going to intervene, being oratory of the Mashiach or synchronic Messiah. Beneath it, Vernarth would begin to pierce looking for the dimensional spaces of the search for his physiognomic extension adaptable to everyone's and evolutionary memory that separated the entrance of the Shemash and Selene over the glasses waiting to be filled and drunk at noon. Eleven days before the Ekadashi (full moon) began. Thus, in this way, they would sculpt the poked catacomb in twelve simultaneous rocks that were in a perfect limbic diametral circle of the plotline of the orchard with their physical displacements in congruence with the moon and consciousness that agrees with it, like that alert of that fateful night in which was kidnapped. In perfection with the oscillating vibration that is expanding in front of the dorsal cold of the stone analogically when the Mashiach vibrated in physical magnitude and in the absence of alert, more emotional if after talking with his Abba. The tremulous line she encompassed was widely displaced further since she was transported into the Edicule isotope as an element of flight, escape, detonation and resignation, being able to find nature configured in the fuss of a great variety of isotopes of different mass. the one in a large part will exceed in the cumulative gasified reaction, and in cathartic events that will occur at fifteen o'clock on Good Friday when the prophetic events and the mischievous changes of evidence of the cataclysm expire on the cross and hands. The eclipsed sun, storm with depressing losses, and tragedy for a world that will sleep more than seventeen hundred years to the right create the consciousness of being in more than two conscious places, with the minimum and childish aspect of the remaining second that is divided between the before and after the physical and physiological abandonment, beginning a final episode and conclusive torment that precedes a culminating beginning. All this transformation of the enclave and energetic dimension allowed them to synchronously pierce the sedimented rocks that were thus sustained in the timid energy, generating higher will field electromagnetism. Thus, in the sinkholes, everyone was drilling, they would be of the same mass category as the isotopes to manifest the energy and its dynamic charge, such an occlusive energy mass that would explode on the day of Golgotha's martyrdom. Preceding this energy phenomenon underlies the symmetry of the magnetic field created synchronously with words emitted in comparative Aramaic words with reminiscences that must serve in the twelve caverns of the garden in conversions and exchanges of exhalations of bees, bumblebees, and wasps of the curved universe that transits in the explosiveness of the lines that approach the dislocation ratio of the vibrations and their sound frequencies. Globally pollination as a genetic element of the fresh chlorophyll macerated as kinetics in elytra of Lepidoptera with the indications of connecting the clan with the aforementioned electromagnetic energies. The interaction of the fields within the system will be induced between Golgotha ​​and Gethsemane, they will establish here electric charges that will produce gases and liquids that will intervene in the entire lithosphere that unites both portions of soils, this created the interaction of particles establishing the undermining of rocks with basin-shaped Calota de Calavera, due to the geological conformation of the radius that surrounds both predicted areas. From this standard, the caverns will be improvised in the garden, magnetizing the vibration areas that depend on each other. The search Interrelates a magnetic and electrical phenomenon between both zones; the impulse to anticipate the premonitions of the Mashiach is derived, and how he was going to endure such torments towards his illustrious body in such a way as to retransmit it electromagnetically between the transmission bridge of the Garden and admission to Golgotha. This will unleash all subsequent supernatural and geological phenomena during the day of his torment and delicacy that will be glimpsed by decree of an execution damaged humanity exposed to orthodox fanaticism, causing a sensitive correspondence between the transmission of faith and the dogma of attending to the work physical and mystical legacy to protect for successive generations in the species Berna Olivar, ratifying correlation of the majestic and axiomatic cultivation of preservation under the catacombs and unalterable progeny of concelebrations of the eternal relation of a coalition of prosapia united to the shock and conscience of Christian Eternity. This gravitational potential energy will associate the Aramaic multi-effect towards all the attendees to confer, dialogue, assimilate and consent towards a supra lingual organic and historical heritage dynamic channel, on the basis of a monumental act of consanguinity in front of all will, "Here are all alphas over omegas." Creating complex harmonic movements between the caverns of impiety, but with a perfect and renovating equation with the redeemed Prayer in Aramaic towards the universe in quasi-face-to-face degrees, but not verifiable until the ritual of saving prayer is concluded. The chain reaction of this divine particle will be the opposite reaction tax of the active consolidation work area tensioned between the pilasters, Golgotha ​​and Gethsemane, both are started with "G" and if you turn it in any direction surrounding it you make a perfect skull of no more than twelve kilometers, whose distance in a direct line would certainly be crossing the eternal vision through ocular concavities, demonstrating levels of analogy and esoteric analysis. The extended reciprocity and supra value of divine consciousness are latent, from where the emission of the word and the will is born "the Calota or head skeleton" in the sense of reduced material and the corpuscle of antimatter that would come to be where the universes intersect in the elite of direct mercy (one has already happened, but another sphere of the difficult concavity has yet to travel..., only a Messiah will have to cross it when it returns to us again). This Eclipse of the Messiah of the Sun is a dark aspect of anemic light, torment, and three Maries, vindicating itself in this token of superficial passion in the Garden and antimatter rooted in the anti-particle, which evades this great event by lavishing its blessed spiritual figure with a charge of ambivalent theological antimatter; of egregious trust and bipartite univocity but fainting for the dark mercy on Golgotha ​​and light in the Garden of Gethsemane. "His body trembling and the Earth also" Shibboleth was getting up to distinguish members of a group such as the tribe of Ephraim, whose dialect lacked a sound (S), unlike others such as the Gileadites, whose dialect did include it. Shibboleth is a spike and also celebrates the fertility of the wheat crops and all concomitant species of the natural and endemic species of central Judah. And the Gileadites took the fords of the Jordan River to Ephraim, and when one of Ephraim who had fled said, Shall I cross over? The Gilead asked him, Are you an Ephraimite? If he answered no, then they told him: Well say "shibboleth". And he said shibboleth because he couldn't pronounce that luck. Then they laid hands on him and cut his throat. And so died forty-two thousand of those of Ephraim. however renewing when released by the contending magnetic forces that made Virola a whole that surrounds Gethsemane and Golgotha ​​as a magnetized tunnel of great mystical conversion for purposes of adaptability and preservation of renewed fertilizations of bumblebees, bees, and wasps in view of a commonwealth conforming and spreading in all spheres of faith and apotheosis from the pre-act of the Messiah's refuge to the judgment and punishment of his truth. After expunging their scourge in a dazed journey, they will fall with great similarity to the verb "Betrays and Forgives", the Universe in its creation renews everything, because that is how it has been written since the beginning of the Universe and by whoever dictated it." Shibboleth, will reconcile differences of understanding without prejudice and differences of geographical, anthropological, lingual mentions, cultural and divine verticals. "Our informal culture is preserved within village houses by resisting the scourge of victorious death, within the cave that protects us in its infinite mercy and commiseration" Maasefa and The Valley of Dry Bones collide at the appointed time the Svein Tzora, "the flintstones", to kindle the fire of the Messiah. The thunder was such that it made the seas decant for rivers and thunder on the terraces of the houses and fire on the banks of each unfulfilled prayer! Everyone gets up, each one leaving each cave of his ordeal, and goes to the meeting of the Dry Bones. The tradition of gathering the bony componential that has no soul all deviates towards the request of the flesh for its soul. As the account of the Prophet Ezekiel, five hundred years BC There are many outstanding remains of bones, this would resume in Gethsemane for the offspring of the Messiah's son caste, the Cherubim with the Lepidoptera twenty meters from the Svein Tzora donating light and heat to begin the ritual of dim moonlight. It is already a crescent moon and dim green lights shine through the beautiful dim green branches that light up the dry land of the beloved orchard on the face of the wasteland Calvary. The advantageous meats that began to butcher the bones raised the desire to start ultra fast in the oropharyngeal area, to endow solemnity and fulfillment of the prophecy of the sacred language of the Aramaic lingual group in tune with the vibrations of sound waves of the wind in romance with the blows of the fire towards their faces. In this way, the spirit of Jehovah was adhered to reunite the primary words of reunion of the edicts of Bethhelem, with the visions of Joshua so that the stable in its language emits the immortal edict from the very stable Kafersuseh to Gethsemane. Now everything was holy energy in union with the lands that made the compost fertile and his word was fulfilled, The valley of olive trees was reconverted and prayed complacency, everyone tried in the attachment of clan and twilight in the accidentality of the event, the new reason will not deprive of anointing the past-present in the realization of the joy of remains with bones, of laughter with laughter, of a patriarch with veterans, of offspring with their offspring, with the greatest thing than a hand covered with a great spirit over a valley where only distensions and candles should fit in each one of them. with Joshua's visions for the stable in his language to issue the immortal edict from the very stable Kafersuseh to Gethsemane. Now everything was holy energy in union with the lands that made the compost fertile and his word was fulfilled.



Paraps XXIX

Mashiach of Judah VI part

Miracle VII- Gethsemane / Meshuva Basics

The kicks of the feet begin. The twelve Giga camels stand up with their paired toes beginning to peel off the fat deposits of the remaining six camels with hoofed nails. They tore the epidermis with their fingernails to spread fat and oil into the lamps of light they need to distribute from the Full Moon in each palm of each component. The moon was in cacophony, it walked everywhere and imagined itself in the court of King David, drowsing in cubicles at the first light of the second sleep in the morning. Undivided they walked in procession through the source of the change in the socio-religious paradigm that kept them united, they were Raeder and Petrobus, Alikanto with a golden mount on his small back, the Lepidoptera, bumblebees, bees, and wasps, they tiptoed silently over the first level of damp wind at dawn, many of them perched on the backs of immune camels to ride with them to the reestablished Gethsemane starting point. In their phylogeny they collaterally impute the taxonomy that belongs to the camelid genus, which is a taxonomic category that is located between the family of Judah and the Middle East in the buried ecclesiastical species; thus, a genus of a group of organisms is propitiated, which in turn can be divided into several species. As ungulates as well as strictly herbivores, their musculature differs from other proboscideans in that the legs are attached to the body only at the upper thigh, instead of being connected from the knee up by skin and muscle, therefore it will be very easy for them to connect with flying insects so that they do not have to kneel. While the six sectioned the tanks of another six, and so they will continue to be stationed and intervened until their superficial wounds heal before leaving for the return to the port of Jaffa. On this long journey until dawn, they must stand on their footpads to resist the final farewell cult of the twelve caves, as they emerge from the placental sites they had developed with the Primogen to empower the vestigial area of ​​the rescued Aramaic word. This will be to grant and scale prosperity by having the signs of vitality intertwined, with each reminiscence of calls and responses of messages for the "Propitius Esto Humanity" that is projected in the secular future. This will be generated by external stimulation each time the intention to communicate with the ceremonial of existence-life-deaths-fullness is presented, thus the voice of the greatest incisive devotional forces will resemble, grabbing or grabbing the smallest voices that can even be overlooked or not understood when the Golden Gate of Jerusalem is inaugurated. From the very top, the Gigas species can be seen walking with six candlesticks, these species cross their artiodactyl locomotion towards a fluctuate on the flames of the candlesticks towards the rock of Mashiaj. While the other camels were recovering from their wounds, they looked with their calm eyes and were very aware of the proselytizing nunciature that channeled the reactions of the Hexagonal Progeniture, thus being absolved of the commitment of the prayers for the new launch with the atmospheric ordering ceremony in Getsemaní with the voices of the Messiah, with the framework, volume, and reverberation to flood with light and sounds in all the geographical areas that have not had a subscription. As the Giants trod the grounds with their hoofed nails, Vernarth and Alikanto, Saint John the Apostle, King David, Eurydice, Raeder, and Petrobus (The Hexagonal Primogeniture), made solemn vows before such an episode. It was not long before dawn and even Selene disputed with other stars of the envelope to shine more for such a great event..., as it is surprising at the moment that everything would seem of stillness and gestation of winged embryos appearing from the top of the Bern Olive trees near the Cherubs. They came with the Mashiaj who brought them new charities..., he could be seen in a deep field in two light bulbs of his white tunic, full of gold and blue lace, with Lepidoptera around him throughout the journey distilling crimson celestial radiosities.  Meshuva white cloak descended through the fronds of the olive trees lit and previously illuminated by the northeast ***** of the orchard, the Cherubim and Archangel Miguel and Gabriel came with decided parallelism by six-folding the interpretations expressed by the Lepidoptera, for the purpose of consolidating the institution of the north side of Gethsemane as a sanctified area of ​​Aramaic prayer and devotion of absolute naturalization of the classification of the Cherubim and Lepidoptera as winged tetras and Cultivators of the phylogenetic transmission of the pollen-orchard on the opening of the gynaeceum of the Olivo Berna, in the Valley of the Olives, and taxonomic choice by hierarchical order of the species and geo-referencing of the asteroseismic corridor of the narrow pass between Bethhelem and Gethsemane. On the tops of the olive trees were the Cherubim and the Lepidoptera, they fluttered through the flowery ramifications intertwined with the Messiah's tunic that came descending with an accent of graceful Torah, then the dawn of pre-dawn fireflies re-blooms on his face..., they brought a million beams of another thousand groups of beams to be born among the first luminaries of the day. The Lepidoptera ascended through an oval interval and in a spiral path through the petiole until the fifth generation of Rapa or Eskimo with forty flowers with four white petals in phylogenetic synchrony with Cherubim and Lepidoptera with four elementary portions to deliver the fundamental membrane that will generate the physiognomy of the Messiah between the transposed ones, and blond, ruddy lights of the Messiah's face with the cross-like texture of themselves on their shoulders of Capernaum dew. The Esquimo or the flowers would grow in clusters of between ten to forty flowers in perfect series depending on the variety, each flower would also have four white petals, a little pulpy facing each other in a symmetrical cross, and the flower will bring in the center an orange-yellow hue of an arboreal sphinx that would be filled with clusters that will transform the appearance of the oil-bearing tree, giving white brushstrokes to the olive grove before stingy gallantry glances. Each flower will supper from its captive pollen for approximately one week, so the flowering phase of the olive trees will turn before a brief duration, but of a messianic lapse with the cyclical lives of their idyllic Syriac Aramean. The female and hermaphrodite caste will bring you the biblical universal pollen with tremulous stamens and surcharged pistils traveling more than nine and a half kilometers from Bethlehem of the "Kafersuseh" to the orchard. Before the majestic pollination, the archangels Michael and Gabriel will invade two percent of the gynoecium of the flowers, giving way to the Meshuva candid cloak, full of white apotheosis petals. Vernarth rushes to the ground and rolls around between the petals filling his entire body and face with thousands of them, leaving many of them transfigured in the oily fruit of the Palate Universe between the ring finger and the index finger with an accent of Purification of the Mikveh, floating like neutron orbit of Life and Micro Universe only to be entranced by the presence of the Messiah in his white robe of petals.  Coming down with Bernese Petals strawberry trees in his white tunic, the Mashiach rushes to Vernarth, takes him, and tells him secretly: floating like neutron orbit of Life and Micro Universe only to be entranced by the presence of the Messiah in his white robe of petals. Coming down with Bernese Petals strawberry trees in his white tunic, the Mashiach rushes to Vernarth, takes him, and tells him secretly:

Mashiah: "Only you..., in each one of these white cells you are..., and in those that you are not in my remembrance, it is reborn as the fruit of the Bern Olive Tree. Over the cup of this species I heard your prayer, I know who you are and gratitude for resisting this lymphoma so nobly, I took it out of your soul when it was confused with the fresh breeze of the grass that feeds the fungi of pain. Immerse yourself in this Mikveh of columns of white petals from Bern, here the voices and words of Aramaic will run in a row to the right to sip white in my thoughts of the Gospel, with your miraculous grace by returning to me John the Apostle being exiled by Domitian. Come to me walking on this unleavened bread with Bern olive elixir and let's drink Hanukkah wine and its vital dawn that boils with each sip of the glandular thymus and your sore chest in between. I am tired, I come from far away, but I have taken this road from Emmaus to lift you up. Arise and come to My Vernarth." Vernarth erects his purified column with the petals emulating the Mikve "Purification", he predisposes himself to the Holy path of the Meshuva "Return to God". So from today Vernarth is born and revives to continue his journey back to Patmos. Mashiah says: "The why of the naive deviation will **** them and the complacency of the fools will destroy them. Your own wickedness will correct you, and your apostasies will rebuke you; Know therefore and see that it is evil and bitter that you should forsake the Lord your God, and the fear of me be not in you." Vernarth says: "We will be loyal and under these leafy trees Bern I will proclaim to the north saying; that we walk towards merciful fidelity and declare all together! We know that  My Lord will heal us of our infidelity, that is why we have come here because You are our Lord God." St. John the Apostle replies: "The lion, wolf, leopard, will **** us, destroy us and tear us to pieces because transgressions and apostasies have invaded in great numbers..., my beloved Mashiach, we have already got rid of the deception and we want the Meshuva back to your ether. of the accomplice desert with the aromas of the flying weevils that the Aramaic lexicons bring us from Kafersesuh to re-graft them into the eternity of your word that crosses the entire universe. The world has sinned against you, the apostasies are innumerable, and we are here to lovingly honor your name. So my people were determined to push me away even though they call them to the Highest, none at all exalts him. I will heal his apostasy, I will love them freely because my anger has departed from them" The Garden was eclipsed by the cardinal points, it was delineated by a Cherub from South to North, for the main border that passed through the zenith where the Mashiach would order the promontory of the dependent rock of the placental rocks that coexist with the twelve inhabitants who had erected them with their eyes closed and opened by the light of Faith. The border that Vernarth and the Apostle nominally saw, was connected with the new division of the world of the stagnant word, and in the new route, it revived in a perfect cross from west to east towards the paleo trill of the Palestinian Eagles loaded with incense and sawdust from the felled Olive Tree for the furniture that they used as input in the lavish boasts of the Romans. The magnetized needle will crack the back of each of the members,"O Kýrios tha epistrépsei se mas, tis rízes tou Kósmou, ópou krémetai ta skoupídia tou" (The Lord will return to us the roots of the World, where its concrete debris hangs). Then this voice takes from the inconcrete state, aligning the excellence of the north of the Messiah, together with the iron of the blood plasma of Vernarth and the Apostle to be magnetized towards the north in the sublime magnetized cardinal. Shemesh-Sun King order of cardinal parallelism is thus established; north: north or boreal ruled by Vernarth and Saint John the Apostle, South: Meridian or Austral by Etréstles and Eurydice, East: East, rising or rising ruled by Raeder and King David West: West or West. In this way, the insects and animals, declaimed the sunrise of the Sun to the Levant before each cup of the Chalice synchronous with the intercession of the cross to the tangential of the horizontal that extends to the west when both phases of the solar cycle are aligned with the departure of the Bread and discharge of the Messiah from his time in the cloister. The Alikantus and Petrobus animals will be ruled by the Northeast and Northwest, while the flying insects will be ruled by the Southeast and Southwest.

Etymological ellipsis of Ancient Nordic Civilizations: The east-west perimeter is considered as the axis of the abscissas in a geographic coordinate system, the axis of the ordinates would be described by the north-south line, which corresponds to the axis of terrestrial rotation. This composition generates four angles of ninety degrees that in turn are divided by the bisectors generating northwest, southwest, northeast, and southeast. Thus the Rose of the Winds is demarcated by the Esquimo del Olivo flower in perfect harmony with the circumference of the horizon. This will attract the lines that intersect verbally and non-verbally, by the abscissa that delineates the guideline of the Rock of the Messiah overflowing with total generosity to shine in the caves at dawn, to sprinkle them with the rays that they lack due to the supposed static latitude. In order to parody the line of the lethality of the Norse Gods by being tangential to this new alignment of the earth axis and laterality coordination, only through the Apples of Asynjur can they hope to revive until the final destiny of the Gods. This Nordic parallelism goes back to us in the chapter Vernarth Chapter II - Animal of War in Tel Gomel, where Asgard is mentioned, which in Norse mythology is the one conceived on earth, it is a rainbow bridge, Bifrost, which connects it with the paradise. This etymology will cross the genesis of the plotline of the entire Hellenic epic in the first chapters until it is reiterated here in this Messianic epic with the demarcation of the limits in Gethsemane, that marks the guideline that intersects the exact point of the Aramean Prayer Rock for the diction of the words and cosmogonic interrelationships of cultures and the sparkling use of the atavistic language before the year 332 BC and even after, to project with the temporal line of the regressive line of parapsychology after 1820, in the Spanish Revolution of this same work. This demarcation has intertextuality in coordinates of time-history, to make this unpublished Gethsemane map the timelessness of archaic civilizations, which have applauded and venerated all cycles of life and fall under the same precept of cardinal laterality, acclaiming a God who he flowed and created the North whether he lives or agonizes, but if he wants to revive he will have to come to his threshold of quantum departure "The Garden of Gethsemane" to be projected with the timeline of the regressive line of parapsychology after 1820, in the Spanish Revolution of this same work. This demarcation has intertextuality in coordinates of time-history, to make this unpublished Gethsemane map the timelessness of archaic civilizations, which have applauded and venerated all cycles of life and fall under the same precept of cardinal laterality, acclaiming a God who he flowed and created the North whether he lives or agonizes, but if he wants to revive he will have to come to his threshold of quantum departure "The Garden of Gethsemane" to be projected with the timeline of the regressive line of parapsychology after 1820, in the Spanish Revolution of this same work. This demarcation has intertextuality in coordinates of time-history, to make this unpublished Gethsemane map the timelessness of archaic civilizations, which have applauded and venerated all cycles of life and fall under the same precept of cardinal laterality, acclaiming a God who he flowed and created the North whether he lives or agonizes, but if he wants to revive he will have to come to his threshold of quantum departure "The Garden of Gethsemane"



Gaugamela

Palace of the Camelids

The roosters of Persepolis sing again. Its disloyal resonances and deadly gloom came from seventy kilometers from the Iranian city of Shiraz, province of Fars, near the place where the Pulwar River empties into the Kur (Kyrus). The Rooster specters came mounted on the houses of the twelve Giga Camels..., recovered from the remaining six. They came to withdraw to take the path to Jaffa. The House of Camels began as preservatives of the immunity required to be in accordance with the sanitary ellipticals and adaptation to the exit of Judah. They were bound for the hemicycle of the Lepidoptera consorts united with the specter camels Giga and the Early Birds that will give the first row in the game of the Primogen, after seven weeks in Judah. Knowing that the phylogeny of Animalia is of wide versatility of this super being of the desert Animalia that will agree on the departure of all and repatriation of the hexagonal Primogen except King David who will enter the Celestial cenotaph in Jerusalem escorted by the Cherubim. From Tel Gomel came reverberations of sonorizations of the last metallic rattles of swords and howls of Macedonian infantrymen colliding with each other with their pernicious weapons. While these screams reverberate like an anvil falling at ninety degrees on hailed pieces of perspective of the Achaemenides..., their families already had to say goodbye to their family plains, since many lost their souls cracked from inhaled mutilating curses. Today a miraculous event would occur from the high sky a Dorus Hetairoi would fall that came flaming with fire. And from the northwest side, a Sarissa spear fell that intercepted in the immediate vicinity of Joshua's stone-forming neat Cross lit with the brightest star. It was nothing less than the vehement fire of Meshuva that brought with it drops of water from the Jordan with the Image of the Baptist, to make the hierarchical gravitation on the ponies of the Camels that at this point had all the dominance of the plague of the sufferings that They could cause a great impact on the twelve camels due to an endemic outbreak as a result of some leprosy in the surrounding area, causing higher contagions to those who ride them. The panorama was one of total rhetoric consonant with Tel Gomel, "Gaugamela Palace of the Camels". This paradox came to resent the reciprocity of magnificence of these camelids in the perfect analogy with Gethsemane, for this purpose to agree with the ghosts of Shiraz shortly before the great battle of Gaugamela began in 332 BC. C. equating the lands arranged before the plantar areas where these divine species continued to bring the sense of war around sensitized, converted into battering rams of mustangs crossing the auscultated portals of the Garden in an agony of interlude. Over the soft roar of Tel Gomel came maidens in white tulle with semi-cross dresses, serene and chaste from the plain of the Palace of India were the wives who married the commanders of Alexander the Great. They were from the war lineage that also came to concelebrate the farewell of the Animalia and Hexagonal Primogeniture. Today the seven miracles come together in a perfect line of the Apeiron, which of all things identifies this first principle with the "indefinite" or "unlimited." Considering that the constitutive principle of things was the Apeiron, which is neither water, nor earth, nor fire, nor air; It has no concrete form, it is infinite. The cosmos is born, develops, and perishes within that "ápeiron" in Gethsemane. This existential infinity of the beginning of the world is born from this feat in Gethsemane, affirming that only this immaterial element nor any other of the so-called elements will bring the ápeiron nature of the Garden in flames of love from which all the heavens and elements that are in them are generated in Gethsemane renewed towards the infinity of love of Joshua. Now, starting from where there is a rebirth for things, reconstructive destruction is also produced there, giving rise to needs; in fact, they pay each other by blaming and retributing for their injustice according to the disposition of time speaking of these things in rather pastoral terms, these maidens come in their feathered chariots from Sisellas of Tel Gomel for the blessed ones who club the underground of Tel Gomel and Bumodos, among cosmic rinsings of the Apeiron of the Messiah beyond its origin in the Kafersuseh (many births under a single great multivalent spirit among thousands of stables of origin and powers of Dimensional Beams, where the master lord worships from the trapeze hanging from beam to beam). The fireflies, bumblebees, bees, and wasps, resemble the profiles of the hollows and hills that were hidden before the figure of all this nascent profane world, more grandiloquent than migrating and fitting the engineering of the great beams that support the structural sky predominantly on supine and flexion. The World, after decompressing, dragged the linear orographic cords of Gethsemane, puncturing the cords of the rocks and its messianic average lithosphere, in this way it opened twisting in the inertia that toward the rock puckered a fist of guidelines that distilled in later moments and of adaptation of the inertia to adapt with the dynamics of the Aramaic emerging from the mouth of all the olive trees Bern after yawn and slime of trapped dust. Vernarth says: "With my Xiphos I will establish life beyond the burning of wounds, come worms to snack on your meat Hoplites, come now..."I am Hetairoi..." and I usually die several times over the worst pains in the jaws of ambrosia with Hestia but I do not tolerate that others suffer pain beyond my control. In the minutes that the horns of the wind besiege, the living Garden of the jailer will be freed from us, constrained to uncover the insidious and opaque sphere of solitary confinement, that deprives us of knowledge even being embarrassed about the same death and not attentive to it that blooms on the plethoric thorns of Saracen alcohol" On gigantic dimensions, the insects copulate the shadows directed on the shadows of the Giant Camels thus beginning the departure of the Aramaic Huerto converted into the new palace of the Animalia, despite contending pretense of pollen on each particle of the Mashiach's concretions now on the platform of the Palace of the Camelids and on the Holy hummus of the Garden of Gethsemane. The Apostle Saint John says: "anxious urges to go to the other side of the evocation and have to look at other tree species with water from the universe that irrigates the world in the swamp"... He appears sitting on his golden Petrobus cloud with Raeder... Raeder says: "I will go with miraculous airs and terrified of themselves of our own miracles, bathed in the water from the flow and from the head of Petrobus, we will supply water where there is none, but he has no mention, only the instinct of those who need him. I have to hang myself from his Jade Ferrules that carry his web-footed legs. Now is the time to continue at some point in the line of the twelve ungulates after these seven weeks in Judah" Eurydice intervenes: "I will get on the camels and talk with them about why the line that leads us will never separate from Gethsemane. We know that we have to return from Jaffa to Limassol to remove the Mariano gold medallion that was bathed in the bottom, and that Procorus awaits us immersed in the aroma of the Garden. I keep a crack in my heart where a Bern Olive tree grows, and that of its sprouts that are populating the houses of Skalá and the heights of Patmos" King David: "I will proclaim over the baptismal airs, and that the ghosts of Shiraz will raise Olive trees from the balusters of the avenues of Berna, to raise the props of passageways that lead to the heights of Agamemnon creating the kingdom of Mycenae in mythology that will propitiate the sovereignty of all of Argos. This was ingested all of a sudden in the triad of the Hebrew, Aramaic, and Hellenic worldview, to triumph over the excess of external knowledge that they had and will have to be kept in my cenotaph full of wandering aromatic weevils" Etréstles states: "the emanations of the Sun and progression of other suns will always be the adjective that will make us be part of every particle of land here in the Garden, Messolonghi, Limassol, Rhodes, and Patmos.

Also after this episode appears Campaspe, one of Alexander the Great's concubines. She came on behalf of all the maidens and concubines who were betrothed to their commanders in India. The beauty of this noblewoman is renowned. Campaspe says: "We were all going to be Sovereigns, but the face of expiration was always in front of the Commanders of Alexander the Great. The outfits we wore were only black and had scents from Palacios de Gaugamela. The cold that is born from another leads me to possess those of others that are not the ones that bring me here. I was given into the hands of a painter who portrayed me but the true meaning of the warm mustard lands of Gaugamela is in the heat of the wasteful pleasure of the solitude of spaces, there is no greater striking and curative good than the one that has come from Vernarth to Tel Gomel, paraphrasing the sensuality and sadness that continues to manifest here in the hovering hoofed hands of the ghosts of Shiraz, bringing to greater confusion to unite all the forces of the world for all the blood that has not been emancipated or renamed" The gray mist of the Garden on gum resin mourns, the insects moan the test of the triangulated pollen that Campaspe disseminates in its nascent genome, and the twelve camels begin to turn on themselves along with their insulting long and prolonged snores. The hillsides snort in procreation in the whistles of the fresh air disputing the attire of the Bern Olive Trees that ebb from the elongated bands of their white dresses *******. The Mashiach was leaving between the gray strips of naked nubiles. The weevils followed him out of the caves of the previous character of Golgotha, and the Lepidoptera emitted voices in ancient Aramaic similar to the event of Bethany in the hands of Lazarus contracted to immortalities in the shreds of his shroud turning green in the hardened olives in an epitaph never chanted. Gethsemane became a mezzanine scale of Persian architecture, but of a channel of the affront of a high premium measure, Mashiach in each of the four wings of the Lepidoptera and Cherubim, frolicking in the emulsion of the phrases exuded by the aerial rounds of the insects that were compressing the new cycle of language, together with the candle overflowing with pearlescent matches running through the thin flannels of the Mashiach's farewell together with the foamy secretion of the Olive Tree and with the dominant beam of Kafersesuh. Vernarth and the Apostle close their eyes already mounted on the camelids, they take a slow walk on the mezzanine that suggested walking through rocks and desert lands. Everyone was already mounted on each of the Giga camels, leaving Gethsemane flooded with insects, birds, and blades, clouds of Pollen over the fumaroles of the quantum.



Paraps  ***

Ghosts from Shiraz to Jaffa

VII part -Mashiach of Judah Miracle VIII

They leave Jerusalem with the mountebanks of Shiraz, they were ghosts of the plectrum, the wine, the roses, and the fireflies sleight the path of the twelve camels until the intersection with the Cenotaph where King David will stay with the Cherubs of Kafersesuh. They were Epi ghosts that basked in the footsteps of the camelids. They went in the cessations of the bent nails and plants of the areas of the marquee of the other four ghosts that accompanied him. They were tightrope walkers with water wheels of wheel balances with tutelary ropes, some with a stilt of opprobrium from the monetary wealth of Judas Iscariot and the last propelled by a caper that governed all the others on the wings of the Fireflies. Removed from the road that leads to the Kidron valley falls on them all two thousand five hundred years with clay tablets from Persepolis, they were phonetized with the plaintive nightmare of the tortuous poem of Tirazis; which is currently Shiraz in this way these ghosts escorted the Hexagonal Primogen, they were exiled from their ghostly cities for not paying the tribute of obedience to destroy and rebuild. When they began to be with them in the cove, the acrobat ghosts were seething with the desire to prevent everyone from being saddened by the party from the orchard that was falling further and further behind their footsteps, dancing with their pirouettes along the way, telling little stories in their ears. of the travelers. which is currently Shiraz in this way these ghosts escorted the Hexagonal Primogen, they were exiled from their ghostly cities for not paying the tribute of obedience to destroy and rebuild. When they began to be with them in the cove, the acrobat ghosts were seething with the desire to prevent everyone from being saddened by the party from the orchard that was falling further and further behind their footsteps, dancing with their pirouettes along the way, telling little stories in their ears. of the travelers. which is currently Shiraz in this way these ghosts escorted the Hexagonal Primogen, they were exiled from their ghostly cities for not paying the tribute of obedience to destroy and rebuild. When they began to be with them in the cove, the acrobat ghosts were seething with the desire to prevent everyone from being saddened by the party from the orchard that was falling further and further behind their footsteps, dancing with their pirouettes along the way, telling little stories in their ears. of the travelers.

Hydro Saltimbanqui: "I come from Roknabad (also known as Aub-e Rokní), an underground canal that brings spring water to the city from a mountain ten kilometers northeast of Shiraz. Here I have to mend propellers and water ropes to do my acrobatics on the water with general songs from the poems of the Poet Hafiz. When we bite our tongues we repair it with the verses of Hafiz's Koran, there are three hundred creeds, three hundred hectares to irrigate with my wheel the sadness of those who cannot have the gifts of the rivalry of Black Mount and White Mount to overestimate the vividness of the caravan that trembles with uncertain doubts on the way to Jaffa" Saltimbanqui de Báscula utters: "We are Epi ghosts, greened in reverie with tutelary ropes to jump through the trapeze of photometric units of the heavy Almería of the highest Mirror of the Sea. Here we look from the same that will be boarded on the barge that will take them back to Limassol. Curiously, the same ship from Lepanto that sleeps in the swaying of the sea and arms of Anaximander in a new awakening from the lethargy of superstring theorizing, here is the intrinsic speculation of science since this is not only purely empirical research." Anaximander says: "First..., we do not have the agreement that string theory is not ultimately correct and in the future in some verifiable way. Second, we propose a purpose of the order of string theory that is necessary for science and its importance going even beyond the scientific to also project on the metaphysical and the religious, right here in this order of greater what to do attached to the string that leads me to Patmos. Saltimabanqui de Báscula responds: "metaphysical and religious legitimacy, here we are making knots in the tow rope that will inaugurate a new masonry in the verifiable futuristic gaze. Here is the original fiction of continuing to raise the necks of the ants above our optics. We will jump over these two ropes but we will fall on intervals of physical placental caves that were born from the neo-embryo in the Twelve Caves of Gethsemane in a late primordial germinal process. The micro phonetic vibrations will have to raise us above the hunger to continue and leave King David in his cenotaph gored on his hips by the Cherubim marking his holy horns that are confused by the blunting of the cuneiform scratches of his epigram. Between theoretical magic and exotically as associativity of substance causally of poetic song and multiverse, believing in the ghosts of Shiraz, such dreams injected to sublimate Aeneids that lamented in the stones of the bottom, even being independent of their material origin. Multi universes, multi paraphrase for those who have to adorn the word "Rosa with the noble long dress of him to the cliff of Ebdara when Vernarth acclaims his brother Etréstles, he comes with the Charioteer from Messolonghi. Rested and resolved to head for Tel Gomel, He comes with his horse Kanti to keep him company on this crusade. Kanti braved the Cliffs of Crete, and was subservient to Markos Botsaris, 1821 (Royal Hero of the Liberation of Greece in the Turkish Invasion, Koumeterium Messolonghi-Xlibris USA), until in the afternoon he approached from a herd of beautiful stallions to the. This was heard by Etréstles and he seized His horse to have more than a Life from His company, more than a lost lost aroma of His natural mother to reach the indicated one who treasures it". The ghosts attribute quantitative passages before leaving King David, and then proceeding to Jaffa and getting ahead of the ship back to Cyprus; Limassol. They were all hyperkinetic bowls leveraged by the terrain that went on the **** of the histrionic mountebank presaging contours of the temporary filigree that each one made them smile at the carriage with oxidizing wheels, still being immaterial beings but alive in their vapors of portent wading the serous bile that they emerged from the glasses in their allegories. They did not stop their footsteps or their phonetic figures undulating over the caravan that had already passed Jerusalem. The areas, volumes, and lengths were fully covered by the Ghosts of Shiraz, the mountebanks ran along the banks of Ramallah and it was winter, the city received them with winds and inclement weather from the southwest alternating with cold and dry winds from the northeast. The mountebanks went like master geometers to condone the fuss of the caravan by devising a dodexagesimal system. (Twelve Centuries of Ultra Nocturnal Geometry, and Shipwrecks in the Lighthouse of Alexandria).Positioning the number 12 as a base, to measure the times and angles that they needed to avoid the voluminous rains that lashed the caravan. Incredibly, the volumetric position of the plantar legs of the camels seemed like wheels that turned without stopping at any anti-circumferential radius, turning some clouds into a wicket that enclosed them like a quadrilateral of the flock of God in the high semicircle of the waters that pretended to fall as axiomatic staffs in the beard of Euclid tempering his elemental construction. The linear position of each of those who were mounted was a perfect ergonometric based on the Muladhara pressing four purple petals on pressing Vernarth's Achilles heel that was dimensioning the triangulation of Ramallah with the lichens that were housed in his sword Xiphos at the apex jet that carried the dodexagesimal cartography. In the same position, it seemed the Apostle Saint John carried the rosary in his left hand in geometry that stretched across his nose and feet in a thirsty adonis triangle of one hundred and twenty degrees of the sextant widening his spectrum to align with this Primogen. This is how the stars and planets are positioned in celestial spheres with the gravitation of the Olivos Bern revolutionizing curved and flat equations that intuited to go beyond the crossed pirouettes that the mountebanks did all along the road, even further than those on the withered oil road purposely unquestionable systems that the Ghosts of Shiraz intended to establish. Ghosts of Shiraz; These Persian Epi ghosts started from the axiom and ideal abstract entities relating models of austerity and lyricism that fluctuated in the lines and planes of movement of the clouds, with the counterpoint of the plantars of the Gigas leaving marks in the sand like Morse point, Vernarth diluted his bones to settle them near the tarsus and accommodate it at the end of the vertebra of the Muladhara (Chakra of 4 petals) making a sub-technical geometric function to preserve the plasmas of darkness that were also diluted to arrive at night near Jaffa in the surroundings of the isometric fire existing in each one and in two dimensions..., but being born from a common one. Raeder and Petrobus had their rims floating full of dusty and dense mania on their faces with rubber from shards that had been released from one of the stunts of one of the mountebanks when colliding with the basic postulates of the Ghosts of Shiraz, deducting spaces that undulated like snakes. within the isometric fire that dazzled them with white-hot humor of the last drops of the Shemesh codifying in absolute intuitive measure, more distant from any dimension that is Consciousness destroying planes and spaces that multiplied each other as members of another geometric conscious dimension. Arriving at the Ben Shemen crossing, everyone suffers collective hypnosis, the ghosts manage to embodied in each of the components of the Birthright but omit a great factor. They relegated the Hexagonality of the genetics of this caravan, the ghosts not knowing how to calculate the area once they were being intracorporeal within the members, thus having to leave before the last dislocated Shemesh ray threw the ashes of the Gehenna, for this supposed reason of leaving them condemned to recycle the human species for the purpose of reproducing sacred human beings, but being servile to whims beyond the immortality of the miscalculation that led them to Karim Khan's citadel, surprised with their image of thick stone walls and circular towers in the heart of Shiraz. This gave them a warrior aspect contrary to their fame and history: this was a city famous for two thousand years for its culture, with its gardens and its poets, now if in a plot by this beautiful odalisque trick that attracted the guide of the ecstatic and bilocated ghosts, in a bad moment of extradition towards a bad context of epi ghosts not yet defined in foci of apprentices boasting of laurels of weak and doubtful ideas that still swarmed within his white heart, trying to reach Vernarth's as a former Hetairoi commander, today turned into mystical servile. In such a way they are complicated as "Sufi" ghosts, being, in reality, the genetic spectrum of the double ax that carries the double-cut of today..., of the sacrament of Medea in Abdera. Pro says a ghost from Shiraz (embarrassed): "The Universe is a sea that longs for dry shores, without sea, and without other wet longings..., no possible maiden could Try to dry it with her hands of stars... Who calms the crying of the Universe ...even so..., a simile remains floating like a verse among his dreams" "How can I make of my dreams another dimension of the universe if he is silent and does not make me float in his sea...how can I make it possible for the points of his stars to fill the spaces that have revealed him...and that have made circular shores without a sea between fogs" "I walk alone and nobody sees me... I do not wake up in candles that smile and accompany me... between days that turn into mornings on the shores of the solitude of the universe, that nobody embraces him..." "Now the days tremble with almost falling on themselves, they come out alive from their own loneliness of satiety and fullness... of whoever appreciates them in the mist... being able to surrender in attentions in Ben Shemen".

Creating a sequence that bends the heads of the ghosts filling translucent physiognomies between a cold past and super frozen future, from a classic mechanic that from now on would depend on dice thrown by the Third Ghost of time. Here a relativism would be opened to those who want to see the past in the orchard in an unstable particulate present, leaving far from the splitting of both parts of the archetype of today as a subdivided clash of several times that allowed the remaining phantasmagorical specters to be integrated, taking over history on a plural axial axis that prevailed in the time of a supposed number line from a vector aligning itself towards the compass of distance, that shines between both hemispheres of the north and of the minutes that go to the right and the solid-gaseous seconds that almost burst in the walls of their own liberated beings. The four Shiraz ghosts had time differentials before this event with the caravan verifying the simultaneous strut between the two pairs of ghosts between four dissimilar but idyllic ones that made them here at this point be ignored and annulled between two relative nomenclatures of physical structure. The durability and classification of these micro-times of the epi-ghosts would make the database that Saint John the Apostle and Vernarth will accumulate with their eyes closed, each surpassing himself in the debatable areas that concern estimating the occupation of physical spaces in some of them at their consent so that one of them could embark to Limassol. This simultaneous and relativistic multi-active line encloses events and quadratures of spaces in the cinematographic space of parapsychological regression, such a link of physical images slowed down in evolutionary and cognitive memory, passing from the conduit of memorizing events to expectations and their set of absolute figures not pigeonholed but if approaching the universe in prehensile scales of those who value them. present and future more as a pattern of departure to the unique future "today" by space of spaces. This unified three-dimensionality would mark the mathematical space of the attempts towards the future of the adjoining camelids of the ghosts of Shiraz for ownership of time among all with a single identity that cries out for an unequivocal will to rearm, although the winds of the partition that separates The word of God and the believing observer towards the ***** with a believer from a historical past in obscurantism, leaving and entering a new world whose notion is to spend connected and handcuffed in dependent systematization with great causes, although the static feels isolated from the dynamic, asking it to unite with the ghosts and the others, even though they are inferior forces under the line of the generous gaze and parallelisms of the attentive viewer that suggests more openness received, delegating circumstances to all physical, emotional, spectral dimensions and mental-spiritual, flexing the hierarchical emotional states of night and day. They all fall asleep embraced in quilts and lamb saddlebags, making it possible for them to approach the Ghosts and sleep next to them, embracing each other with strength decanted from some frames that hang from their masks, showing the vibration of being favorite children of the Mashiach, absorbed in the Kidron Valley. Quadrupled and cloistered in self-consciousness scattered like an iceberg behind the submissive thoughts that aspire to be tied to more invaluable time. Our Abba has us more tied to an absolutist past and future, looking at his calendar divided in such a way that the day that strikes the shadows of an incisive past always fits so that it always smiles at us in the best light signal of who and with whom repair damage of varied wounds that travel through the times of times always hurt, to and from borders of a remote anachronistic. The ghosts are always tetra fast they are marginalized to the sound of greater acuity, fleeing in Rishon Lezion to wake up a little further from the rays of the stationary Sun that from now on always surfaced in the degraded eyes of the mountebank prowling around the fairs of those who know how to wait, to make a treat under the pretext of Faith and hope that exempts the Cardinal turned into a flower decorated in white. Shvil of the Angels; The fast epi phantom tetras were emaciated they lost their north and could not walk, they were energized by the radiosities of the earth that rules over those who lent divine graces if their feet rested on the tapestry of those who threw their footsteps at them in winter now near Jaffa. The Shvil Angels were angels who were on the route that cordons off the pilgrimage of Vernarth and Saint John the Apostle, they were full of flowery Bernese Olive Trees that served as floral arcades at the entrance to this thousand-year-old port. They were three, when they walked, they always spread out so fast that they seemed to be six but they ended up averaging the quantum of three for each of the components of the Birthright, which from today would be the great circumcision event of the Universe, to make it part of that one day they will have to dissipate the rhombuses of the fragmented beams of light on the way to the sky so high, in the name of the phrases that never tire of looking eternally at the incautious years, which belong to our father through Exo galaxies in the total company of invisibility and cautious time relativity. This beautiful Semitic sea shore indicates and invites us to reach its salty Hebrew waters of Yofi, reinforcing the phonetics that runs madly through the border hills with their hearts in their hands when foreigners appear in the name of plausive phylogeny. That brings them a bearable piece of the farmhouse from the Universal flood, for this is that the ancient Canaanites have to receive them with the table served to entertain them with winter flowers in Jaffa. The Hellenistic tradition relates the name to Iopeia, which is Cassiopeia herself, mother of Andromeda. After Pliny the Elder the name is connected with Joppa who was the daughter of ******, god of the wind. Where Vernarth locked his shield Áspis Skoilé to shine in the bilges of the Eurydice under the pentagons of his shield's bronze layer whenever he approached the Dodecanese when the Auriga descended from Andromeda on the back of an oarsman battered by storms away from his home galaxy. Thousands of years BC its merchants glorified themselves with their baskets full of goods and merchandise for its inhabitants who today pretended to be pharaohs who contributed to the marine corners along the coast that today seemed to open with more new waters reborn from the capers of the swells founding thus the omens of embarking to attack and submit to the omens of sovereignty between Judah and Hellenic lands, to work with noble trees in their armories and utensils of which they traversed an honorable part after the maintenance of the emblem of the last portion of Alexander's libertarian triumph pole Magnus on the Phoenicians at Tyre. gazelle) in Joppa (Jaffa) and later how near this city he has a vision in which Yahveh told him that one should not distinguish between Jews and Gentiles while ordering the removal of ritual food restrictions (kosher) followed by the Jews. The Shvil of the angels distanced themselves from the appetite of this station without reaching them and not making them drink salt water from Jaffa, so they resorted to Petrobus, which a few meters before reaching the port summoned a large number of Dodecanese Pelicans who were waiting for them in great celestial flocks that hovered happily over the sky welcoming them. The pelicans levitate from a risky juggling act on the caravan and headed out to sea collecting saltwater, then they went through the initiatory path of Shvil and reconvert the salty water into sweet with hazelnuts so that they would have holy water to insolate it and serve it in canteens of the temple guards of the Canaanites who were waiting for them to distract them, making them believe that they were other Syriac lands as in those of Asherah that in this act perhaps it would be good for them to sponsor the Hexagonal Primogeniture. But the trails of angels confederated before the noisy crowds and Ptolemaic lemurs that scrambled into the empty spaces that remained. After this grave siege, Vernarth shouted to heaven with the force of Phalangist tradition himself, and hailed heaven for the good of freeing them from their definitive income to Jaffa summoning the Hypastists; elite warriors, and spearmen so that they would hem the portal at her Jaffa entrance for others who were never from nowhere and out of nowhere, only blocking her from her perfect theological heritage and memorial conservation plan upon return from Judah exit, to embark with destiny through the sulfurous ponto that will scald them in temporary waters towards the Cyclades and then to the Dodecanese, succeeding in inhabiting them wherever they were and whoever arrived with foreign promise. At nightfall in its first nubile shadows, the Shvil appears to them with these three angels dressed in ivory white, each one with a book in each hand and in the other a candelabrum giving signs of ultra-interpretive catechesis, allying itself with silica in combination behind the vision of the charms of propagated knowledge. Earth and sky in the second angel washing off the Semitic dew of Jaffa anguished with teachings of sleeping well and waking up, to walk in the lands that wish to seize the senses of those who are called not to be oppressed, behind bars of the morbid and illiterate Panavision of angles of hasty entertainment of the angels when they were called by the Regent Angel, simply relaying information easy to take to their hearts in faint powers and paradisiacal punishments, before falling into a thorny forest plowing their tongues into furrows of afflicted human charges and then earnestly redeem them with the judicious power of Hashem. Vernarth agonizes over the matter of seeing them so tender and so fragile allowing her to gently row towards him. Finally, these three rules of the Shvil Hanael are presented; "talking to them about hindrances stuck in the literary cabal of grateful fulfillments for all". Vernarth alludes to a desensitized subject and is also far from any Sub Yogic disciplinary doctrine. This led him to stand behind San Juan, frightened protecting himself from everything around him, he was seeing in front of the upper left side that Zebedee was, San Juan's own father calling him! Saint John the Apostle says: "Justice allows us at this time to alleviate ignorance if the riddles allow us to only seek the answer, Hashem will not be here..., it will only be an emotional catharsis due to a Shivil or merely ideological passage, which moves our prayers without sense taking us definitively to the coffers that are rearmed one after one after the mistake. We are faithfully interpreted by them but we detest our regencies with the Eschaton when we all try to follow its light of resounding density towards the sky, prophesying to follow it without getting lost in It..., held on its glossary shoulder. On the claws that are released from the dazed angelic prey correcting its wavering vision, unraveling the living presence of damnations or salvations in Eden with your bare feet or hell with no departure time "Inexplicably some Praetorian soldiers of Domitian appear, who would be restricting the departure of the triacontero bound for Limassol, curiously they were the same ghosts of Shiraz that continued to represent such a bad event, just like when he was expelled to Patmos by Domitian in 95 BC, of size was the hubbub produced by the Shvil angels with impracticable ideologies, who opposed such spectral imagery, in such a way that they replaced their figure with that of another fellow Hellenic who wanted to embark for Patmos, the other members were fully incorporated into the ship that cavorted on pirouettes as it carried them proudly to a new ocean. Around the last drops that jumped in Jaffa on the coastal rocks, others appeared when the last divided and scattered drops were going to shine the navigation temples, thus it is possible to board the same ship that brought them from the beginning of arrival from Limassol to Judah, which transited from Lepanto. They reappear in the plenipotentiary chapel offering a ceremony that would return the messianic hindrance to the Angels of Shiraz, to return to their former positions within the itineraries of biblical characters that tend to become adulterated in the game of the loss of consciousness of the Escaton, probably requiring that everyone has to make pilgrimage routes for all humanity confined and liberated by themselves. The Saltimbanqui finally manage to jump on the boat to sail to the Dodecanese but the Shvil of the Angels remained where other celebrities will require them to redirect them to the Shvil Escaton.



Paraps XXXI

Second Hijra to Patmos

VIII part -Judah's conclusion

What can be perceived by the Universe of Judah would be in a Universal Eye of photochemistry within the phosphorescence of the spectrum of the Jaffa bay that magnetized the visible sprinkling electricity, within the visible field of the photon in the same bay, which is responsible for elementary particle guarantor of quantum manifestations of the electromagnetic phenomenon. Carrying electromagnetic radiation of gamma rays over the entire atmosphere of Jaffa, X-rays, ultraviolet light, visible light, infrared light, microwaves, and radio waves, causing the ellipsis of Radio Moscow on October 29, 1929, right there presenting itself from the future to the present before hijra to Patmos.

Ellipsis Radio Moscow 1929 – Parapsychological Radio Regression:

"Radio Moscow went on the air on October 29, 1929. And this, its first broadcast in a foreign language, would be in Greek to be heard by everyone in Jaffa. Radio Moscow bulletins expressed great unease over the recent rise to power of the dictator Adolf ****** in Germany during the 1930s. An unintelligible visionary fumble of daphnomancy was considered, predicting the persecution of the Hebrews and extermination of themselves for which Saint John Apostle immediately tuned in common with Vernarth the instant he was hit by this radio wave of number twenty, nine of Jaffa's exit edict. The visible fantasy of this would make the audio listeners uncomfortable towards the behavior of certain intermittent swings that made the natural light of Jaffa intermingled with luminescence, with the waves and photons in presumptuous duality to dominate Vernarth's behavior when invaded by this flash of prophetic invasion. The Apostle's observation spheres made it faster to climb and try to sustain this invasive radio wave that crossed time thousands of years from the year 1929 to the year 165 AD. C. approximately that it traveled with a great speed of infinite wave to a great percentage of microseconds. All this information alerted the native son of Capernaum, worrying too much about this ethnopolitical situation. Here the microwave was refracted, undergoing a change in direction that collided with the ship, in its floating basal portion, due to the fact that this wave propagated at different speeds considering that the medium in which they were moving was clearly wood, but propelled by a large transmission vehicle through the winding water to the massive hull. Doing and plotting what would make them move immediately to go to Cyprus; Limassol. The speed of the radial wave was parked on the sails and that of the hull due to the chromatics of the water that lightened its refraction through the facets of the sails, and the cap bizarrely acted as an exponential concave angle propeller motor and overheated. A quick brawling radio wave appears in Vernarth's tongue; Says Vernarth: "Anti-Semitism is a matter of ******* benefiting from slavery and vast insubstantial ethnic resources, not allowing to relate the advance of ancient and primitive civil social immigrations that migrate to sociopolitical statuses, already pampered since their arrival in the Rhineland during the Roman Empire. The Jewish community prospered until the end of the 11th century after the First Crusade, having to go through a long stormy period marked by massacres, accusations of ritual crimes, various extortion, and expulsions. Their legal status was degraded and Jews were prohibited from exercising most trades. In the 18th century, Enlightenment philosophers such as Moses Mendelssohn were outraged by this miserable condition and launched a campaign to denounce it. However, the road that led them to Emancipation was long and lasted nearly a century, after which the Jewish community was integrated into society. Their assimilation allowed an economic and intellectual success that aroused suspicion in certain sectors, also giving rise to anti-Semitism with the coming to power of Adolf ******'s oligarch in 1933, putting the Jews on the margin of German society. Extensive persecution was followed by deportation and then extermination during World War II. After the war, the Jewish community slowly reconstituted itself thanks to the support of the German federal government." This time enchanting with lamb's blood coined on its cornices to sprout them for all those who had to endure the enigma of departure towards the straight desert as a property of the radio waves exhibited here as a dogmatic whole dusting in the geometric regime, which testifies to a whole "That the Robe of the Savior shakes all the structures of critical-political thought and brilliance of race." Producing objective intellectual blood, which would join the Social Christian party in Germany in 1930. But every elementary thesis would promulgate the emphasis on the centrality of social democracy, of bringing to Patmos a great task of dividing by time by traversing the timeline providing Joshua's solid One-Dimensional Beams at Kafersesuh, for the protectorate of the holocaust and sacrifice and introduce premises of emancipation and abolition of the subterfuge of marginalized social fields, devoid of interethnic social guarantees and the heel of Semitic roots. This natural property is excepted by the breed of San Juan Apóstol; Zebedee's son consists of carrying this to the most informative substantiality up to Patmos to keep them organized. From this dialectical propagation, great shadows arose, interposing opacities that showed many Jews falling into concentration camps at the exact moment of expropriation of their real estate. Naked bodies can be seen only with dark shadows with small signs of imperturbability on their cut faces, staying in the gloom of Conviction, with some photos of their children in relative proximity to the deadly impression of last death rattles and undermined fading pointed expressions, appearing in the rictus of their wives with narrow condemnatory anguish falling on them from the same Cell of the stormy Escaton, that transcended under semiotic history; the resurrection of the dead, divine judgment, heaven and eternal happiness with God or damnation and hell. Here is a perfect archetypal case of the disconcerting radio wave pouring novelty and satisfaction before the curiosity of the listeners, but it was a "newest Revelation at the same time, being objectivity for the cell of San Juan and for the immanent protectorate", which designates the dimension mundane and temporal opposed to transcendence. Because many Christians have become incapable of conceiving the "other world" as a consistent, real reality, and have transferred to this world the hope of a full and happy life. In this "immanentization" evangelical theologies of prosperity incur both, which see in the Christian faith as the means to achieve material well-being, Vernarth closes a blind when they were already walking on the magnetized corvettes of the sea, without feeling how the sea besieged them,...saying himself: "I keep looking through the hole of my ignorance, and I manage to see the dictators in monochrome displaying their diffraction banners lights, a key to ethnic oppression "in black and white" and the turned ones going through the crack in the trails of the Hebrews with their suitcases and belongings, lost and surrendering to laments united to the Messiah. In holistic combined, centered to the extent of a third screen produced in alternative light and dark bands, in the Lepanto nave when everyone learned vox populi about the radio phenomenon in non-transistorized tubes in frank romance with the old age of their practices. End Ellipsis Radial Radio Moscow. The phenomenon of interferences of a natural nature continues, bringing joy to their ruined hearts, they all sang Christian songs that made vertical lines appear on their faces between both melted cheeks. Leaving them incidence of fasting light to signal as thrones of lighthouses that illuminate the skies of the Messiah's seas, putting themselves before them millions of light-years from the side that now they could see him. The angles disperse and affect the light of the Messiah of the Our Father at twilight, falling on the others like the same conclusive Gethsemane leaf of the Bern Olive Tree. Flowing the light on the matter that sheltered the ship to Limassol, industrial energy was constituted in all the directions of the superficial optics, generating reflections in weak interferences that oscillated like immobile remnants of radio waves still active. This phenomenon made Brisehal appear from the bottom of the sea; the giant of Dasht-e-Lut, approaching to protect Vernarth and the Hexagonal Birthright. Generating a dynamic global hetero internal light in the navigation radius of the ship, in a more parsimonious speed than in a more relative one, frustrated to try to synchronize the flashes of the Xiphos sword of Vertnath Hoplite that allowed him to use it as a sextant, to arrive at the Cypriot destination. In this void of energy by another replaced, a speed imprint of the same void arises with lengths of movement of underwater waves caused by the giant Brisehal, to displace them in washings of the Adonis in accordance with the Sword of their master Vernarth ephebe. Dispersing evaporated droplets from the desert of Dash-e-Lut that remained in the cloacal zones of his ears polarizing defensive crystals from the hyperactive environment, and in force of the Phalangists scourged in Gaugamela who still writhed on the diaphanous immaterial land that continued in heated conflict, until the coexistence of the oppressor ceases. The parallel rotated worlds follow each other unrotated, being disturbed in another dimension mediated by the aware consciousness, which lacks any neutral rationality. They would be only attempts going through crystals of the Faith..., mastering projectile salutes of malevolent brotherhood, immersed in a maximum intensity of breakage and crystalloid rupture, which flows from the Messiah's lens in angles of subaquatic darkness. All of this atmosphere self-absorbs, leaving divine rabbi light tele-transferred into stored energy reaction levels, whose capacity would exceed one billion cubic meters due to the rupture between the chemical bonds caused by radiant energy, dissociating molecules by the effect of sublime light from serious sounds of immanence, and redefining itself as the interaction between one or more cells of mass of light against a molecule nomad target. Also appropriate for the extreme radicalization that marine plants would suffer, which also sailed expelled from the disturbed radical seabed of Jaffa.



Hellenic Existential Hypnosis

Arriving at the central retention of the Aegean Sea between parallels 36-38 of latitude and meridians 24-26 of longitude belonging to the periphery of the South Aegean, an abduction of an amnesic trace of the Alexandrian magnetic period occurs, which made them realize the that they had deviated from the Limassol-Cyprus destination, having to turn degrees to redirect to Limassol. This was exercised and subdued by the Alexandrian period that in its immanent chronology sought to remake an existentialist stance, which descended from the limits chained by the depressive effect of the aura after their death of his sister Cleopatra. This whitish aristocratic parapet of Zeus invaded them not auditing to govern the schizophrenic supply, having to redirect the course to the other side of the Cyclades. Sovereignly Vernarth takes the helm with great Greek breath, creating shields of redemption in arts and sciences of the Hetairoi aristocracy, under meso-urban science-politics replaced by Christian devotion, making the Hellenic language a romantic Aramaic in the potential to prevail the existentialism of the hypnotizing oneiric dream of a silly banquet served by the hordes in all the slopes that transported them between the enigmatic underworld of Panhellenic language, and with re culturization of ephemeral uncrossed lines that subtracted their dramas of disturbing knowledge depriving them of the neuro-motor and adjective of the main return value for the origin of the reconquest of the Triacontero in Limassol. This Hypnosis brought consequences of the Leagues called Diádochos 'successors' of the ancient generals of Alexander the Great, and of the sons of the general hegemons (called epigones,) that at the unexpected death of Alexander the Great in 323 a. C. distributed their empire, disputing power and hegemony over their brothers with various pacts and six wars that lasted twenty years. A political system was then established until the start of the Roman Empire in the eastern Mediterranean in the early 2nd century BC. C. Prone to this contingency, Vernarth turns to Hypnos and one of the thousand children he had with Pasítea, who urged them to cohesion this Hellenic Inertia, quantitatively making the immortality of the image of Alexander the Great to bring each of the ex faithful commanders thus refounding Vernarth his Hellenistic Encyclical, for the purpose of escorting them to Limassol and protecting the lineages and infants who were in their puberty in Greece asleep soon to be an Agoge, after great war campaigns and abandoned agreements as an example of the snowy lineage in his Mother Olympia, and Sister Thessaloniki and children waiting passionately for him. And also in the Empire of Sudpichi-Chile, Luccica with the court of her familiar stoic resistance ingests the opiates until her Vernarth takes her in those arms, from her own and imaginative marshland lagoon gathered at the Itheoi Gods. The disintegration of Macedonia and Greece into subregions catapulted again the appearance of Clovis who says...: the river Lethe in the underworld liquefies your memories, and cleanses your mind permanently. That is the branch of a poplar tree from the underworld, from my father Hypnos. "Lete is not a place where you want to go swimming... but if you change the rudder for your honorable mind". This achieves that one of the sons, among thousands of Pasítea, committed himself to Clovis, to dissipate this existentialist contingency, claiming the appeal of family reunion and imperishable Hellenic constituent ancestry, under the hypnotic and hegemonic phenomenon that polished banners and panoplies in Greece, Macedonia, and Asia Minor. As a subsidiary exception, they will satisfy what was reissued by Ptolemy, one of Alexander's childhood companions of whom some authors venture to say that he was the illegitimate son of Philip II. He wisely quickly seized Egypt and hastened to create an enduring state by declining imperial ambitions that he considered unrealistic. He was one of the main opponents of the imperial cause thus becoming one of the founders of the Hellenistic world. Unusually, the commanders of Alexander incontinent to his excessive dipsomania of glorious hierarchical power, demystified Hetairoi's harangue, generating in it a Hypnotic counter-conception, making these sedative steps to delegate the religious Vóreios Dei..., which had only known how to redirect itself later in the classic tonnage Gaugamela of his great Hoplite Commander Vernarth. This grayish super mass of uncontrolled winds and increased lightning proto idolatrous forms salivated in the same Hellenistic family, whose postulate was to multiply the family over its geopolitical dominations in other nations, unifying them as a family geo-clan rather than in the seas that do not divide the water-land, Rather, they unite moralistic and cultural hydro-parental resources of the world that is a concomitant part of "The devouring cyclone of mythological dignitary entities, and other races that flee from the honest chronogram of historicity and its reconstructive past-present." Square meters of great cyclops mouths were floating in the air, it inspired Vernarth to make the green grass of the sea reborn like plankton that made a compulsive propensity to exalt Chloé's presence; being an Epi Phantom that always sparkled among the nebulosity as a reserve of Universal Consciousness, geo-measuring the Hellenic consciousness with a black bandage over his eyes, so as not to sully more sprouts of green chlorophyll and photochemical mass of the phenomenon, amassing only Cyclops electrogenic beasts that had to burn on the bolts and runaway embers of dissident light to leave in some memorable way, or beg some Sanctus to do his bidding wandering into acquiring the square feet of tiny, almost unidentifiable beasts that appeared simulating the viscous green water of the river Lethe in the contracted underworld. The existential holistic in the ship produced depressive lags, lack of self-esteem, and factors of loss of the ego, therefore each one who pointed with his index, distended from some silos in the hands of opiates that would denigrate the oneiric in those who tried to flee from their own collective weeds..., fleeing from himself, stagnating and freezing in stretches of dreams of gross loneliness and indelible fantasy..., what the extravagant hypnosis sought to occupy in them with its decrees of mortality is a beyond adulterated in some benevolent indications and psychic reactive alertness. When the soft brilliance of the same flash was shown on the faces of Alexander the Great and Vernarth in the six wars that took place with the Diadocos without flashes for twenty years..., only in twenty seconds would Alexander the Great appear on the deck of the Lepanto ship, dressed in a crimson red costume, covering his Hellenic silhouette up to his allegorical half-torso. From here he urged them to culminate the hypnosis in a deep world in an unbreathable statue of colloquial rhapsody..., pay attention to this... everything continues normally, and Vernarth leaves the helm to honor him with a hoplite Khaire and as a congener of Christian Shvil, so philanthropic and deferential as was Ptolemy, and Vernarth himself in Tel Gomel and Bumodos herding greenish glosses to open them towards the new Magno-theological empire. Metaphysical of the profile of the wise dervish that appeared in Limassol as a sapphire rosary entangling itself in physiognomies and rises of hope in the average Gen, when approaching the latent peninsula of Eurydice's gold medallion. Judah was suspended in the Giant Ungulates munching on the bags of herbs that thickened in their Palestinian snouts, the sphinxes of the birds continued to grow with their wings to shelter blasphemies from their prophets, and Judah wailing in the intraosseous of those who traveled leaving Judah, but never departing from the Aramaic cells of Gethsemane lost from Hellenic Existential Hypnosis.

Vas Auric conceived himself judicious before Spílaiaus when observing that Vernarth was leaning towards a practical meeting of a feared Hellenic crisis based on omnipresence, and all the material-immaterial face that is bloodily arranged in ****** foundations stipulating its very Submythological constitution. All that was a trend within the similar horizon that should be imposed with the appearance of Wonthelimar; as a direct seer of practice continuing the pre-ontological process, and why not say it of someone who does not even think and totally excludes himself from its composition or being part of... rather being a ration of the subjective segment and correction similar to the god Spilaiaus articulating its dynamism under the predominance of the concept of the sapphic verse where it puts knowledge at risk, and speculate on each component of the Itheoi gods, possessing themselves within the torrent of theology under ethical evaluation, differing from the mythical leitmotif, as dissipator of contention and beings that think organically of the material ethereal substrate. Vernarth silently concurs and prepares to postulate the anti-ethical Submythological existence; tending to demystify their Ethos or Conduct, aspiring to envision structures of undervaluation of the same, and flaunt visions of what originates from superior and then yearn for the hierarchy that is not imposed, but rather is a consequence of subsistence apparatuses that put essay its longevity and validity in sevenths, missing four to reach Sapphic foundations, and scaling Mythologies that could facilitate being under the position of the Demiurge or poet cultist of verses, perhaps superior to the crimping of any system when a judgment of true root or incautious origin is put. All this Hellenic atmosphere relied on the ethos links between Vernarth and his lord Spílaiaus, after rearranging pre-ontological (vorontologischeas Heidegger says) knowing his skill and tenfolds as he conforms to the ascending tenth of the eleventh of the sapphic. After this, Wonthelimar would appear to be the object of transcendental challenges and interpretations of the world that give rise to the same thing after not being in Spílaiaus' speech with sapphic verses.

The statement of becoming will be the cause of the gods of the Itheoi after the physiognomy that will spoil the Vertical of Gaul in the very genesis of Wonthelimar. Undoubtedly there will be chilling events of axiomatic transfers and metempsychosis that will be elucidated from the helminths that Spílaiaus will spill through the bark of possession. This mysterious orphic enchantment will be billed by Wonthelimar from the separation of Valdaine emerging alienated over the mountains of Ardeche, transmigrating euphony and reduced justifications that were united with the Helminth reminiscent and reincarnated by Vernarth. Perhaps it was a verme-worm that was classified on his arm moth-eaten in elongated elder veins to parasites of certainly commendable colonies and vehement and lyrical idiomatic apogees. The balusters will continue to be amatory componential in Vernarth for being composed of Heidegger's plinth and imagining oral linkages with the patronage of his eternal mother Luccica who will awaken as always in all presumptive psychophysical and atoning Zionisms with eloquent perspectivism and millionth re-trance, consisting of the putrid ***** arm of his Abrahamic split physics, dissociating in his body, separating and alternating with the dexterous spiral Aorion bracelet existing between the armband of Sagittarius and Perseus, liquefying in indissoluble modular stratagems for three bodies, plus the one that accompanied them dealing with their posthumous individualities in triplets. Singular unconscious metempsychoses brought their dexterous arm picking him up repeatedly from the discursive hives of Wonthelimar, to convince them and tell them that they had not seen the Hexagonal Progeniture for some time, unimpeded that brought him from Ardeche in lasting ensembles and concerting grays senses looking at the valleys of Valdaine in pilgrimages towards the expectant Patmian plains. Its expiration was reborn from the appendages of the water lilies that were seized by embedded lumbar powers, and mentalized in related memories that subsist in digressive reincarnations and longings, re-advancing with revived intelligence to indoctrinate themselves with the elevation of an emetic absolutist consciousness free of greater breaths of judgment is constant waste and reciprocity of cabinets, which were started from an initial discipline already transmigrated,The transitory glow of Exomis hung over some stones that were close to the Perivrachiónio or metal armband that multiplied in the three brazils of Vernarth, Wonthelimar and finally Spílaiaus that was bordered by the Acacians and Nothofagus that were covered with water lilies and peduncles cordoning off the livestock, full of thrones to conquer them almost after having lost calculations of the plasma that was innovated from a Hetairoi by reformulating itself from an incendiary bullfighting essence to its deltoids by detonating hatred in its croaks. All this clairvoyance was veiled for the clothing of the Exomis that was automatically placed in transition when the leaves of the deciduous led him to temporize in Wonthelimar in tender attachments. Distorted would be achieved with ****** healings next to the brave tributary, leaving in the vanguard and with starts from all the carriages that took the condemned to Halicarnassus to be truncated together with infallible Canephores in disgrace to their executioners, browsing all the oak branches of the Wonthelimar joint that had been sheltering from its head, sticking to ancient ruts of souls in pain over the sleeping Nyons. the brawl symbiosis of the Megaron was exhibited with the "M" united with two inverted "Vs", Wonthelimar conceptualizing himself on the eve of early buildings and phobias fragmenting into numerous odes in Thessaly, which were already beginning to re-agglutinate attracted from a majestic image of Hellas, under the pretext of Hellenistic consummations as a vocational and primitive institute race of Alejandrino Magnus derived a few nautical miles to board towards Patmos. The ship crossed the sea conceptualizing itself as the most universal being that revived in the Triacontero, appearing among all the waters as a nubile surf that spoke to each other with words Mageireméno Kefáli Votánon, "Head cooked with herbs". Speaking in primitive erudition alternated and swells with forty feet in territorial Argonauts making similar corvettes like the Gulf of Tarnetino, possessing distant comparisons with sixty miles of the base that colonized Wonthelimar for new sources when encrypted in the Megaron. They persevere leading the Immaturas Polis that would be documented in Patmos and in town halls of the assembly with ****** ceased battles climbing to a great height from the cogitative of the Megarón temple and Theater of Epidaurus, under three shadows of adjoining water lilies and the Spilaion Apokalypseos.

As will be seen in this demonstrative synopsis of the hemicycle Theater of Epidaurus working in the stars for the nations of Asclepius together with Wonhtelimar, that is how migrated melodic sessions and Parapsychological palmistry sounded with burdensome marks of intervenors expectorated in vast when impelling on the Koilones and softened bleached bleachers where each one was shouting to all the winds the advent of all the auditoriums absent by past and future generations, acclaiming lives in salvific voices. Here Spilaiaus from his stomáchi or visceral will point out the stinging nettle that he will invariably scheme whenVernarth continues to weave the plot of transmigration to the CartesianUnderworld as an apocryphal late Aristotelianism, mechanizing the existential dualisms of Hades with formulas, psychotropic and geometric tricks, granting them permission to bequeath habeas corpus theologies, coexisting in the first instance with Etréstles de Kalavrita, who would establish the term of definitive transmigration of Alexander the Great so that the Diadochos andWonthelimar would contend the final and disciplinary action of revocation of the high arrest, trans humanizing the sovereign as a Macedonian next to the hexagonal Primogeniture finally very close to Saint John the Apostle andVernarth in the vicinity of the Megaron Spilaion Apokalypseos. Spílaiausinvokes: "Neolithic alloys, they corresponded to the Medea and Hypnos eras, among all of them being aerial, visionary and northern lights that traveled to my redoubt to sprinkle them in river waters on the night of Agios San Ioannis.From here the Kanthillana with Greco pilgrimage, portentous gusts where the wind is amazed when entering the concavity that is lost in nature of time and qualitative content, unusually being an organism of outburst and cytological drama together in trickery and radiocarbon tricks due to vicissitudes, and actions that have dated my radiation from the radioactive carbon in these caverns and insulted carbon spaces fourteen in more than fifty million radiometric years. From here, my Vernarth, everything becomes insignificant and all the levels of expression slide down the armband, differing three levels from where I have been able to hear the truth of your sound kingdom, which emits gestures that are neither music nor harmonious directions in any worldview where it should place everything that no one can perceive by the senses of nature more enormous than any resurrected mortal. This is how the Itheoi genres are a drastic irrationality that is responsible for restoring forgotten beings, almost Hellenistic humans who speak through languages ​​of their gaze, and museological splendors of which they only reprimand metaphysics as an understanding of the Void such as the Judaic Kli or Hellenic Kenosis, which goes evidencing immersion by transferring futile understanding and hermeneutic pontificate times of Kantillana and Olympus, Patmos and Horcondising. Thus all beings when referring to Vernarth will be nothing more or less than the same in the company of the science of a future that will eternally coexist with the constitutive past of an active present called "Submythology" everything that does not contain parental relationship in koilones and of his greek spiritual stratum, It will be kenósis and Kli of parental pairing with the significance of erratic mobilities in what is interpreted as sporadic mourning, given the universal change, therefore, atmospheric. In the second Trilogy, the Triacontero goes through the Othónes of Naupactus, to Limassol. The ship was attached to the Ziziphus of the Moshiach's crown back from Jaffa, Walking the deck of the ship getting exasperated to revisit Kourion. As the adrenaline subsided, he crashed the port side keeping them in retinas of spheres of fire that came out of the ponto, enlarging such crapulous spheres that they had traveled to the sea through the Kouris River, but been kidnapped by Brisehal who assaulted them and put them on his back esplanade to swim to the peninsula of the current Akrotiri where the ogre carried him as floating globules to inhabit the sands of Cyprus. A tremolo mortar and sinewy essences of the Falangist faction will be established. Together they walk through the arena with Brisehal, being able to observe that it was coming from above and from a great Alikantus glide to meet him. Now, this trilogy of distinguishedAnimalia superheroes was made up of who would escort him to listen to the legions of Greeks from Mycenae who besieged Kourion. When they walked along the edge of the beach, several artists crossed in front of them carrying Avant-grade instruments in their hands, accompanied by miners and forgers of goldsmiths. Everything says to prosper in the Aegean and Greece for a new Paraps ***- Forests of Hylates, Gold Medallion Second Hegira to Limassol. Spílaiaussensible in his necromantic arts would be immersed in an absolutist language of relatives to welcome Vernarth, shelter him, and feed him after Highs and Lows that commemorated all the possible truths and falsehoods that he had to avoid from the final Prolegomena or final speech of the Trilogy, aiming to be located in the highest part of the Kanthillana to face its Greco-American world lineage in wetlands or taigas that would move great cycles of the Caucasus with the Meltemi towards all the grasslands and steppes, bringing vast multitudes of gregarious Hoplites to live together by the floods of the Paleolithicstragglers, to go back to the sinister prehistory that is based mainly on the names of the towns with writing they gave to the "barbarians" who invaded them. Zeus-God (Jovis in genitive) that is, Zeùs patér in Greek, Jupiter in Latin, Dyauspita in Sanskrit. He is opposed to mere demons or secondary gods (Sanskrit devas, daeva Avesta, Lithuanian devas, Gallic Devo, Latin Deus-divi), who derive from the "luminous sky" (the day = dyu,dyo, dies, diei). He will make the sacrificial background of the coming euro-American scene, thus creating the liturgical syncretism of survival by venerating all those who dwell in soulless bodies in the latitudes of Kantillanaand Olympus. From this gregarious candling emanating primary physical forces of submithology; in which man (****) lived. Man is mortal (Marta-, martya- in Sanskrit), son of the Earth-Mother (Mata-prithivi in ​​Sanskrit, Gê-méter in greek). This dualism, only outlined at the level of the primitive into-Europeans, gains consciousness overtime when the mature age of evanescent humanity (Jaspers' Achsenzeit) is reached. In discrepancy of mythological root antagonism, it is bringing chronological and obituary rhythms that will live to delight us with their own gesture from Hellas and Anatoliamainly to Patmos and Horcondising, Sudpichi, Chile. The conductive cycle will have a great impact on Spílaiaus, dimensioning itself in Aristotle, regenerating the first signs of infra spelean humanism in cultures that have nowhere to lodge their vast parallel heritage in more than a distant pre-classical and classic threshold, procreating the only dissolute world striving aggressively in Vernarth Hellenic's Trilogy II.

Set of cave genes If you could read... pluri freedoms of the dark light of ignorance teach understand that breathe under the Naturality Natural Nature is not necessary to have an understanding heart and store on their empty heads of knowing ancient rain where wisdom possess. If dance on every grain of chickpea for each foot plant what could a plant obey; foot, Plant, and Plantation...

Resulting in kingdoms on my animals, fungi, plants, and protists, media freedom as a seed to reach our evolutionary lack of ceased hopeness...

First  Ellipsis Angle loneliness"God felt Chained"

Chained down by dragging the last link of its multiple arcane freedom in which transfigured recent swings where he collapsed with the latter being of himself whose life lies lifeless alive but lost. The latter that child not to know and deprived of nascent freedom that will never be born and come knowledge in our genome of Independence.

When the caveman thought to be a complement to the world is enslaved by the mystery of lost in himself... The born and born, never dies, that's so naive and innocent... is still full unaware of their free will, rather it is he who must re-literate and be a living part of the ancestral genome Cavernario component. Oh Heavenly Lord of the steppes I look because more of you today without having lived what you lived, as he would have played with my gaze to succor and keep you had fallen into the fangs of an animal, or you had fallen on the glacier cliff where he has separated you from your Clan Cave.

Emancipation means to be always innocent, my blood runs through yours,
I read and understand any phenomenon of deprivation exist without you lack wisdom satiate if all your generations crushed by the ignorance of falling subject will be well, me and my being I take my precognitions as a tormented child's worst nightmare before about sleeping. Sixth Papal almost, almost kneel before the creation of memorizes creation. This prerogative Lord lives Bread’s God Minor remaining....of whose iconography will not leave this fifth fraternal dimension will not come, if not more will enter the latter end of absolute solitude... and shorter than the last thousand years of Neandertal.


Cavernary Political and Ellipsis:

On a day of gentle wind and tense rain proclaiming Clan joined, they all shouted running, the ground shook and the children slept in terror... the 10 infants who were talking about the Sign from above, but the nines they crossed his arms remaining to create solidarity roof that protects the man in your imagination...
The eighth child of the clan ran quickly into the arms of his mother and she imagined how far, how far would never come... uncharacteristically who came with his brother seventh had in their hands the word of entertainment of Being, to be a plaintiff political all of braiding them together with lines enabling the hermit may decide that creation is a mass of lines of certain fashions together, everything sings like the slightest cyclamen dew on the line pointy rough fallen fungus. All arms folded on the upper porch of the Vatican Macario in Franconia, saying that many who unite in their fevered requests large modern man ceased to be autonomous when it came out of their caves and charnel pit.

Ran all she enjoyed doing that almost without knowing whether or not they fall...
Ran because of every day the sun ahead of them a lesson for a man of the future...
They are running to be released the day of his birth chained to stars of light, to carry him to his mother and father, sneaking to his brothers.

Brother worn eleventh birth to her existence as another being evolved Eukaryotic: Surely those provided beings of cell membranes rhizomes reflected in higher liberty lives purged of ectoplasm walk without a discounted subsidiary. Shakespeare in Helsingor appeared immune to a blood brother to all that limits the Draconian feel in the pinnacles drawn 700 greened steeds. From the deepest swoon in the underworld subway Helsingor, follow the prevailing souls presided over by the great ear of the hard sandcastle, stressed hard Ghosts of Stratford upon Avon.

Freedom plague spits words of pancreatic poisoned exordium, spits verses of confusion disorders without permission, without solid bass sound without liquid sea that resists mad edges followed by solid sound...
But smaller stones give priority to conjugate final sentence and noble verses Guardian
to mission how important would Liberation:

Maybe it's a synonymy of Astral Solar...
It is not Solitude, is a free nation that has its own kind prosecutor's office for even when Euthanasia closes your eyes to the astral, will run the stones of the Sea of joy believing that neither you dare if there is no healthy grass to clarify the rainy day terror.


Reverse walk creeks aggravated birds feet, walking great playful ruse.
Reverse run my comrades preparing festivity meals with chandeliers and singing lay plenary., Singing Avenue pine port Firenze, Second run subtracting minutes and hours the minute is enough for me with your face in my arms to recognize your longevity anathema times oblique faces for lip-smacking hailstones Templars.

In 1297 in northern Italy nearby rural families migrate to chalky Venice, Perugia came the exiles walked to find their independence south of the Iberian Peninsula. They were so atoned as in the echoing flutes, harps, zithers, and harpsichords field temperate; They invited the blunting of intemperate monocordio.

Golden Chariot Carrenio

The golden carriage carrying them came without a single space rather than inheritances acquired goldsmiths of ancient noble and chaste solid shine. Carrenio; the coachman wore on his left arm bracelet thousand mobile travel without stopping to drink more water and to feed their horses. After revamping its gold pieces bartered by a slave who was getting Carrenio Christians fleeing the Romans. Well, they fled as far as the plains of great earthly squandered his memory and that end of the end should come.

How am away from my land more I learn it's back to her,
There is no ground for the first time, but that which is foreign
Carrenio of Perugia and sensed that ****** was Jewish ashes,
Luther King black paste of burnt forest,
Mandela and Biko Ogre garage from Victorian Empire,
Gandhi in his humility is always put behind the Sun
to figure out the small
Tagore trashed my heart caressing the entire universe uncorrupted
Hölderlin together in the cabin waiting for his mother at Zimmerman,
That my beloved Borker forest should shine gold teeth with black resin,
Theresa of Calcutta was eaten and swallowed all diseases lepers knowing good taste proverbial dessert psalm,
Jose Miguel Carrera was more than a trench, clay bullets in each of his temples where he received
To be doubly Lonco is to be halved, lacerated by lay his head on his land, not galloping on his back throngs of wit and hope out Nazareth trembles when an F-16 diluted ***** covering landless caravans Heritage continues to lead the people killed but the mosque wall has been Fe Erecta.
Helena plenipotentiary Kowalska at Vilnius, Faustina Divine Mercy Diadema
The agonizing deprivation of millions of people with cancer in every continent of private well-being analgesic, weighed down by increased pain, almost as strong as the Master Hammered Golgotha, so it was that Joshua has cancer always to slow it down on us. Benigno whether metastasis, malignant albeit benign finance.
The death of an innocent little angel devoured by the beast remains as a fluff hairless sardine in the jaws of a shark baron.
Khalil Gibran writes that with both hands to support the reviewer behind in Bicharri and bohemian Paris,

Salvador Allende Gossens was born since he was deceived by his parents who would heal politics, would rather dig their ancestors in their brains scattered in the currency in face seal or tail of.

Frei Montalva that today has to receive the Macro Augusto Heaven their arms, their sorrows, and regrets, although his worst military executioner.

Legion is an offshoot of liquid central gray material, which defers well done becoming but not defeated, it is the decree of the divine threshold space Living or ceases to live, that failure does not exist, it is the postponement of success - success.

The Genocide September 11 in New York was a ritual, who produced was a small wrath strength of the Rotary world, as the camshaft is upset in the history of trying to make more alphabet in schools where the flag hoisting and found scholars in West and East, so they can learn more than reading of both unlettered, lip and water to possess it to write with it. The worst disaster is read with the memory that will never happen... I write my greatest need with lipstick and my greatest need I write eagerly to participate. Yesterday I passed by a boutique and buy lipsticks that are closer to the language, written with the mouth and not the hand. !

Freedom, debauchery, libration, drawer, Bookstores..! Carrenio..: he said see I'm right! Raise and educate has a great synonymy with autonomy because the ancestors wrote everything that deprived them and made them fear, but do not have to eat the autumn gives me to dress the return of spring, bread orchid, and cineraria. Hence by that inner syllabic singing hunger sated that sought sheet to sheet rid of everything until the end of the book as the encounter between night and day without considering oblivious to anything or anyone on the track window swing wind, wind seeping.


It was old Zeus or Hera of Antique,
Cavern to house geometric polyphonic, angular seeds to create fashions kiss kissed everything that any vertical plane does not fit with the closed horizon
For hands and angels, Hebrews the inner soul of every carpenter and stonemason shrunk, wash their eyes and cheeks with songs of vibration and idyllic comfort,
Everything resembled and sounded Bethlehem 2.0 deities choirs sweeping grasslands,
The similarity of this clairvoyant child is born in a cave...
Rising motherly free Soliloquy Papini sitting to the right of ruminant cattle,
So archaic that to be born is not born in a clinic mega Cristus but hundreds of kilometers and hundreds who are born with the undergirding whispers and servitude being.
Where the multi gray impetuous born star is a healthy gauze story in the present tense... this angelic child grows by Miriam washes his feet in a belligerent abolished stone. His father must wash their hands on a stone which is where measured his ecclesiastical mystical stature, stone Madonna to heal his feet where he leaves to free himself, to free us... Marble gamete fémina vault, where he sleeps without knowing whether it is due, the ***** fell from the sky.
How wise is the Wise, it makes permissible for much more than two thousand years we stone quarry wheel and wheel, homily, and blessing to not wake at night to sleep startle middle and uphill.

Me of the referent of antiquity is not me of today is polished cobble stone,
Useful weapon quarry road there and backtrack to have blisters stone and soft thoughts under my pillow soft stone as a whole.

If you're ****** private living and have a free soul choosing coexist, then you are low in the cemetery on a tombstone of heresies.

Neolithic early 4500 after Hildegard von Bingen and his entourage and prowled full and channeled, swooning in her swoon with flowers in his hands and his followers planting forests on top of Stonehenge.

Carrenio says...: you see I'm right, we coexist, I die like the worst ****** cancer and then put a tombstone Stonehenge conspire in my honor black pain prayers of Salisbury. It blooms in vibrant red rubies that detonate in chromaticity and life. The stream itself is exceeded the aquatic plant Macarenia.

Call us and civilize us, outdated as far as my tired feet though I come not ashamed to see my new tracks.

Carrenio says...; see I'm right Joshua has traces of gold from other Caterpillar shod feet. Antique everything is prescribed according to their legacy today is Lent Pro that came before it was Lent vestige Pentecost came to be a nickname of the mystery of the passion in less than a rooster crows.

Beside it is the mystery of the disappointment of stubborn demon, which helps you all carry the cross, but not the entire load. Fire and Light at dawns where the splendor born...


Genome Freedom, even today every centimeter of my witness of each component, if the basic origin of the signs of the primitive world, is that we have lost the bark of the lexicon, which does not allow us to understand the meditations to ask for something, not You need to ask something. Today genome is requesting something because thousands of people who asked for millions of years, now it's time to cater to them. They were wrapped in cloth shroud of spiritual sacredness, today cemeteries mega dance their souls leave no sleepers both much grass on their heads not yet sullied by the puppet Azrael.


Impossible not to decorate the rocks forged empires that fall into the rubble, they bring 476 d. C., a new opening Middle age freedom of travel both in history thousands of years begins a new axis Golden Carrenio’s Chariot.

Carrenio Wagon

This great colossal ship Carrenio time is a timber that holds the sky, a beam that does not faint or distended thousands a. C, and the old age of King's large musings that were forgotten. It is astride ship millennium, their history of oppression has seen in the wheel, instrument wise rolling like a wheel before 5, 000 years ago, here  We fought and prostrated to distant lands millennium after millennium him away.

Golden Chariot is the structure that freedman us to enforce a new life on earth, even the Gods prided themselves move the stars to constellations called her noble Auriga sailing in full the Universes and Cartwheel Galaxy or cart Wheel. As if to say that when the Universe and its own mythology, were visited between them inch by inch by wherever they shine.

Carrenio mask and frame used had strength, temper, and tittle. When the first libertarian squall of antiquity came closer, Rome was already small and nobles populate what is a quote, Piccola. The executioner always frightened and starts out of his own wickedness. Markos Botsaris as did in Greece, and surrounding towns Messologhi remote, they were free more than tuned in massif Arankithos high wind. He was riding to Kanti once again with the golden rider Etrestles of Kalavrita. According to the Chronicle that came from distant millennia has envisioning promote its neighbor's heroic to free Messolonghi of ****** wars. All this I saw with his own eyes Carrenio, every thousand years styling with Etrestles, cleaned their nostrils so that new breed of horses to thrive,

Avignon, in the necropolis, witnessed as Azrael was cleaning his wings Jade antipopes, another story begins... even he seeks to candela who can read this story, and who can provide it from hand to hand cutting semicolons who disclosed.


Second  Ellipsis Angle  New Era:

Ara released the ropes throwing a big ship, History makes a man is at the center of the world. Revolutions, thinking, communication, and especially vindicate man in his right-libertarian. artists with their creations flowing all over the world, mutating classic Renaissance to abstract overlook. Family appearing welfare and needs. A ramble and so many broken laws. Mankind is distracted l film and theater artist of tradition. Art now has sound and movement, then social and political revolutions are industrial that unite everyone behind the pivot deployment of social classes.


Everything evolves until we get tired of doing so. It rests and then continues. This is modern reality, we wrote about the history of events on facts that have never been told. The world has tired all the Eras, but each pause time that has happened has been recharged, nothing finished if not started again. After so many wise lawyers, clergy plunged into great towers bound books. Is evident again can not read or understand. Our realities are missing valid without knowing I close and then open another door. human and civil rights, fair wages, so excessive autocracy monarchy. Freeman can walk along the paths, even if they were trenches.

Zephyr soft murmur which clutters in the Irises by Van Gogh, the painter is the biggest star trek, called with his feet images and colors that would make his own liberty to live naturally insane. And many others Brueghel "Triumph of Death" that roam the countryside, perhaps a medieval piece of Tarskovski; Andrei Rublev in futile painters decorating steps in the fontano chignon Androniko Monastery Moscow, extinct Rublev 70 years, Tarkovsky 54.

Early ellipsis - Campo dei Fiori in Rome to see die at the stake Giordano Bruno by order of the Holy Inquisition. The irruption of the Inquisition, but their feet are touching the flowers, the seasoned cassock continues to haunt the universe of Faith Dominica Trastevere, it is seen to lectures on how to be bold with the informers and the Whistle Blower dies without shade in spring, you resist the star on the asphalt on the magical island of holiness.

Carrenio says: Come I'm right, we can not read, because the brutality of the Cosmos is manure per ton weathered in the backyard of the aristocracy. I will continue with respect and crosed in Crete. Lila Kedrova means the fear of bunk bed tied to her bed and is free in foreign lands leg. Queen insular matriarchy, she lives more than any Greek Goddess, waiting for his Adonis, to fill out honors. Win an Oscar but lost to Zorba, he loses his house but won a Tony Awards. How many women teach us that to win you have to give everything to lose his brains, and thus count as the lost number remains to be retained. Zorba whines in her arms, she moans in the arms of her husband Zeus Steve, proof of a new era. Onyx for his tomb, plate of this great tragedy.

On the evening of December 14, 1964, attended the premiere. Soul of Carrenio was with them but was denied his attendance at the banquet, finally running out and watching the glasses lips and stoles spent his neck.

                                          
          ­                      Numbered Mysterious Death
                                                  Mané

If I have to feel floe on my feet and cold in my prayers will be the Dark Glory. What is slimming rays of the day, everything smelled of silence, maybe it was Kennedy, or better was The Mané.

Closure of my glory suffers the wind...
Flowers lying silence my soul alight,
Thick square displays the song of my voice...
When they speak Quadratils one to one order their
Spirituous voice.

And the spirit singing fiber of my heart told me:
Never you say I Exist ¡ not exist because they do not exist!
Only face daily the different reflection of your body
In front of yourself with another face and another body...

I want to talk with the thought
And this same subtract my little silhouette,
Lavishes wingless bird that flies only in their theology...
That is the duty and melt with my look,
Solid colors components
Crunching the altars of heaven retaining its pale warmth of anorexia.

Yellow Glory hair good event...
If you receive yellow lights, plus I do not sing my own game here in my empty veins,
Yellow my heart...
Yellow my heart
Yellow my collective heart.

They are run by large green and sunny meadows, children who had Mane in this major milestone in its last gasp. Now she is the mother of his children; it up and them in the last temptation of the mystery of death.

Carrenio keeps rolling, the brightness offered his Golden wagon to the ground. Gold grooves ago, and looking at where it realizes that it's landmass light mud. Since he felt whispers from the confines of time he had never felt as if you were finishing your journey or the world. It raining years and years and continues because nobody mends the mysterious death Numbered.

Heaven and Earth did not hold, the bottom fell precipitously pocket Lord and denied several times uncontained. She shivered in the World and the rooster crowed several times to never be heard or the Pentagon.

He is walking and knees bent,
we embraced by the golden chariot and oxen nor held
we bent us all lying on his knees,
up shoulders not hear from where came the bad grace of his departure,
numbered all the time of complaints of how then she would come,
It is unknown who would be but brought wine in his hand on the crispy mask
We ran from side to side and nothing was real

Everything seemed to sing in the chapel on a sad day,
But I hear loudly like Latin and watchfulness,
Those who know his mystery is no stranger to them
They all look but transgress the sin of silence.

Carrenio still absorbed in the hallway,
Angulo ellipsis she comes winged like a star burning tar,
A high speed to give us the new
No garden can deprive greet in speed visit
Dome comes, it comes on the eve of the new moon.

Numbered Widow mysterious,
Mané is a land of golden color and no celestial whoever wants in his cell,
A breath test, and feeding the Toffy and his henchmen
That sustaining more lively detail, there is no one that can not be targeted

It was modern, it was night, it was his torn life as an accomplice of his exile abandonment in his allegory of tender dismissal. Carrenio achieved so say goodbye to the beams of light that told him of the mysterious death Numbered. He sat on the roadside and drank some wine. Then dry with his handkerchief his neck, and have never wanted to experience such an event in a toast ever drunk.

Third Ellipsis Angle  of  New Era

Independence of Chile, it concerns Mapuche atingent case. Araucania pound, then 1818 central Chile. In Brief, Earth makes free an entire nation. His naive and primitive braves inhabitants emancipated themselves from all sides, they came to save a people who were just following where nobody can reach. Independence of the United States separates us for approximately 42 years, breaking up owners of nowhere. Industrial Abolitionist and South Slaver and Agraria. The biggest event that more than 640, 000 men and fallen activists planted safely from repression fields.

In Chile all rule resembled this secession in today's Araucano man prays for his fallen by almost more than 3 centuries in Chilean lands of Araucanía’s men. Lautaro genius and his supporters the heart of Pedro de Valdivia ate; Map ever made to your battle mapping Tucapel. "Initiation and final symbol occurred after 282 years of fierce war" and Mapuche land forever their independence from the Spanish Empire Captain-General important in foreign lands never subjected to foreign rule would eat.

The Machis and Loncos make supplications in native forests falling on them pollen on its back as if nothing out 10 times better...

To Libertas strengthen in the west is necessary to push the limits of the earth beneath his tongue and penance for the greedy entangled in the lines of bloodied sky, rebellions Chieftains death-defying all together at the edge of a cliff. 1769 The Pehuenches led by Lebian Cacique, joined the Mapuches razing Yumbel and Laja, the most peaceful Huilliches also joined mass alerting perhaps innocent people land blood-stained war and the Mackay Luchsinger.

No doubt portals military rebellion trigger blood, where they opened a tip and swords in the past. Here's reading concern is that the succession is timeless time, a sword without a sword, but on the tip of her blood is seen where there were herds and warriors crushed by their own footsteps. Here the phenomenon of freedom begins; Humanity runs treading his own footsteps, to save his family from a threat, but not strange forces that force you to use your defenses, because in the groves populate many helpless souls with his sword unused at the expense of being forced to use.

Freedom genome; It aims to reach where it has not come without looking back,
Chalices pour out is where the troubadours do not cuddle her close looks like time, singing while watching the changes are not of a new life


Heaven star,
Come to me,
I ask a sign to see them arrive,
Because I want to thus been dragged
Being together Eager to feel...
Those respites without being comforted
going to the mouth of the serpent.

About the Garden,
My home is to put my love,
He has to put the days imagining close...
To enjoy yourself is nonexistent...

Oh, my house tormenting me...!
Because in it I feel your smell
They are alone lights
Where I would wait for me to be in the dark...

In the coming future,
You will not see or hear my anger...
Perhaps my happiness nor peace praying
As the spear in the hands of the perpetrator.

You know a storm of whispers
I do sow your name in the wilderness,
It's because my judgments of hope
They mount up arable land deposited in my frenzy
Misled by a love which is my love.

But you never understand,
Because time has invaded my dwelling,
Invading my brain to give
It has invaded my choosing to love...

On the grass path,
Every time I move away from you,
I turn to see if you have not been...

Love came,
And I think that leaves us alone to avail ourselves
Ranging in our time...


But I can not resist his silence,
For my house want the noise of its action,
Why keys to the gates that serve my understanding.

Tramples my heart the fragmenting oddities into smaller pieces,
Your answer that call.

Tur love be like if I had created...
As if only you had appreciated your beautiful creation.

Do not destroy your work expresses in his mystery give life to your dreams!
Man aiming better earth, ask some of you to join your dreams...

! Your wife of this land does not procrastinate your misfortune,
I discover far peaceful landscapes like an echo in the spring,
As large and deep as your forgiveness for loving me more


It tells the Earth to the Sun in its perky tear benefactress of new opportunities as good and healthy smile rainbow on the back of Oviedo sheep valleys of freedom of Pietrelcina life.

To be continued…

The night is only a sort of carbon paper,
Blueblack, with the much-poked periods of stars
Letting in the light, peephole after peephole --
A bonewhite light, like death, behind all things.
Under the eyes of the stars and the moon's rictus
He suffers his desert pillow, sleeplessness
Stretching its fine, irritating sand in all directions.

Over and over the old, granular movie
Exposes embarrassments--the mizzling days
Of childhood and adolescence, sticky with dreams,
Parental faces on tall stalks, alternately stern and tearful,
A garden of buggy rose that made him cry.
His forehead is bumpy as a sack of rocks.
Memories jostle each other for face-room like obsolete film stars.

He is immune to pills: red, purple, blue --
How they lit the tedium of the protracted evening!
Those sugary planets whose influence won for him
A life baptized in no-life for a while,
And the sweet, drugged waking of a forgetful baby.
Now the pills are worn-out and silly, like classical gods.
Their poppy-sleepy colors do him no good.

His head is a little interior of grey mirrors.
Each gesture flees immediately down an alley
Of diminishing perspectives, and its significance
Drains like water out the hole at the far end.
He lives without privacy in a lidless room,
The bald slots of his eyes stiffened wide-open
On the incessant heat-lightning flicker of situations.

Nightlong, in the granite yard, invisible cats
Have been howling like women, or damaged instruments.
Already he can feel daylight, his white disease,
Creeping up with her hatful of trivial repetitions.
The city is a map of cheerful twitters now,
And everywhere people, eyes mica-silver and blank,
Are riding to work in rows, as if recently brainwashed.

Old man, you surface seldom.
Then you come in with the tide's coming
When seas wash cold, foam-

Capped: white hair, white beard, far-flung,
A dragnet, rising, falling, as waves
Crest and trough. Miles long

Extend the radial sheaves
Of your spread hair, in which wrinkling skeins
Knotted, caught, survives

The old myth of orgins
Unimaginable. You float near
As kneeled ice-mountains

Of the north, to be steered clear
Of, not fathomed. All obscurity
Starts with a danger:

Your dangers are many. I
Cannot look much but your form suffers
Some strange injury

And seems to die: so vapors
Ravel to clearness on the dawn sea.
The muddy rumors

Of your burial move me
To half-believe: your reappearance
Proves rumors shallow,

For the archaic trenched lines
Of your grained face shed time in runnels:
Ages beat like rains

On the unbeaten channels
Of the ocean. Such sage humor and
Durance are whirlpools

To make away with the ground-
Work of the earth and the sky's ridgepole.
Waist down, you may wind

One labyrinthine tangle
To root deep among knuckles, shinbones,
Skulls. Inscrutable,

Below shoulders not once
Seen by any man who kept his head,
You defy questions;

You defy godhood.
I walk dry on your kingdom's border
Exiled to no good.

Your shelled bed I remember.
Father, this thick air is murderous.
I would breathe water.

Ye learnèd sisters, which have oftentimes
Beene to me ayding, others to adorne,
Whom ye thought worthy of your gracefull rymes,
That even the greatest did not greatly scorne
To heare theyr names sung in your simple layes,
But joyèd in theyr praise;
And when ye list your owne mishaps to mourne,
Which death, or love, or fortunes wreck did rayse,
Your string could soone to sadder tenor turne,
And teach the woods and waters to lament
Your dolefull dreriment:
Now lay those sorrowfull complaints aside;
And, having all your heads with girlands crownd,
Helpe me mine owne loves prayses to resound;
Ne let the same of any be envide:
So Orpheus did for his owne bride!
So I unto my selfe alone will sing;
The woods shall to me answer, and my Eccho ring.

Early, before the worlds light-giving lampe
His golden beame upon the hils doth spred,
Having disperst the nights unchearefull dampe,
Doe ye awake; and, with fresh *****-hed,
Go to the bowre of my belovèd love,
My truest turtle dove;
Bid her awake; for ***** is awake,
And long since ready forth his maske to move,
With his bright Tead that flames with many a flake,
And many a bachelor to waite on him,
In theyr fresh garments trim.
Bid her awake therefore, and soone her dight,
For lo! the wishèd day is come at last,
That shall, for all the paynes and sorrowes past,
Pay to her usury of long delight:
And, whylest she doth her dight,
Doe ye to her of joy and solace sing,
That all the woods may answer, and your eccho ring.

Bring with you all the Nymphes that you can heare
Both of the rivers and the forrests greene,
And of the sea that neighbours to her neare:
Al with gay girlands goodly wel beseene.
And let them also with them bring in hand
Another gay girland
For my fayre love, of lillyes and of roses,
Bound truelove wize, with a blew silke riband.
And let them make great store of bridale poses,
And let them eeke bring store of other flowers,
To deck the bridale bowers.
And let the ground whereas her foot shall tread,
For feare the stones her tender foot should wrong,
Be strewed with fragrant flowers all along,
And diapred lyke the discolored mead.
Which done, doe at her chamber dore awayt,
For she will waken strayt;
The whiles doe ye this song unto her sing,
The woods shall to you answer, and your Eccho ring.

Ye Nymphes of Mulla, which with carefull heed
The silver scaly trouts doe tend full well,
And greedy pikes which use therein to feed;
(Those trouts and pikes all others doo excell;)
And ye likewise, which keepe the rushy lake,
Where none doo fishes take;
Bynd up the locks the which hang scatterd light,
And in his waters, which your mirror make,
Behold your faces as the christall bright,
That when you come whereas my love doth lie,
No blemish she may spie.
And eke, ye lightfoot mayds, which keepe the deere,
That on the hoary mountayne used to towre;
And the wylde wolves, which seeke them to devoure,
With your steele darts doo chace from comming neer;
Be also present heere,
To helpe to decke her, and to help to sing,
That all the woods may answer, and your eccho ring.

Wake now, my love, awake! for it is time;
The Rosy Morne long since left Tithones bed,
All ready to her silver coche to clyme;
And Phoebus gins to shew his glorious hed.
Hark! how the cheerefull birds do chaunt theyr laies
And carroll of Loves praise.
The merry Larke hir mattins sings aloft;
The Thrush replyes; the Mavis descant playes;
The Ouzell shrills; the Ruddock warbles soft;
So goodly all agree, with sweet consent,
To this dayes merriment.
Ah! my deere love, why doe ye sleepe thus long?
When meeter were that ye should now awake,
T’ awayt the comming of your joyous make,
And hearken to the birds love-learnèd song,
The deawy leaves among!
Nor they of joy and pleasance to you sing,
That all the woods them answer, and theyr eccho ring.

My love is now awake out of her dreames,
And her fayre eyes, like stars that dimmèd were
With darksome cloud, now shew theyr goodly beams
More bright then Hesperus his head doth rere.
Come now, ye damzels, daughters of delight,
Helpe quickly her to dight:
But first come ye fayre houres, which were begot
In Joves sweet paradice of Day and Night;
Which doe the seasons of the yeare allot,
And al, that ever in this world is fayre,
Doe make and still repayre:
And ye three handmayds of the Cyprian Queene,
The which doe still adorne her beauties pride,
Helpe to addorne my beautifullest bride:
And, as ye her array, still throw betweene
Some graces to be seene;
And, as ye use to Venus, to her sing,
The whiles the woods shal answer, and your eccho ring.

Now is my love all ready forth to come:
Let all the virgins therefore well awayt:
And ye fresh boyes, that tend upon her groome,
Prepare your selves; for he is comming strayt.
Set all your things in seemely good aray,
Fit for so joyfull day:
The joyfulst day that ever sunne did see.
Faire Sun! shew forth thy favourable ray,
And let thy lifull heat not fervent be,
For feare of burning her sunshyny face,
Her beauty to disgrace.
O fayrest Phoebus! father of the Muse!
If ever I did honour thee aright,
Or sing the thing that mote thy mind delight,
Doe not thy servants simple boone refuse;
But let this day, let this one day, be myne;
Let all the rest be thine.
Then I thy soverayne prayses loud wil sing,
That all the woods shal answer, and theyr eccho ring.

Harke! how the Minstrils gin to shrill aloud
Their merry Musick that resounds from far,
The pipe, the tabor, and the trembling Croud,
That well agree withouten breach or jar.
But, most of all, the Damzels doe delite
When they their tymbrels smyte,
And thereunto doe daunce and carrol sweet,
That all the sences they doe ravish quite;
The whyles the boyes run up and downe the street,
Crying aloud with strong confusèd noyce,
As if it were one voyce,
*****, iö *****, *****, they do shout;
That even to the heavens theyr shouting shrill
Doth reach, and all the firmament doth fill;
To which the people standing all about,
As in approvance, doe thereto applaud,
And loud advaunce her laud;
And evermore they *****, ***** sing,
That al the woods them answer, and theyr eccho ring.

Loe! where she comes along with portly pace,
Lyke Phoebe, from her chamber of the East,
Arysing forth to run her mighty race,
Clad all in white, that seemes a ****** best.
So well it her beseemes, that ye would weene
Some angell she had beene.
Her long loose yellow locks lyke golden wyre,
Sprinckled with perle, and perling flowres atweene,
Doe lyke a golden mantle her attyre;
And, being crownèd with a girland greene,
Seeme lyke some mayden Queene.
Her modest eyes, abashèd to behold
So many gazers as on her do stare,
Upon the lowly ground affixèd are;
Ne dare lift up her countenance too bold,
But blush to heare her prayses sung so loud,
So farre from being proud.
Nathlesse doe ye still loud her prayses sing,
That all the woods may answer, and your eccho ring.

Tell me, ye merchants daughters, did ye see
So fayre a creature in your towne before;
So sweet, so lovely, and so mild as she,
Adornd with beautyes grace and vertues store?
Her goodly eyes lyke Saphyres shining bright,
Her forehead yvory white,
Her cheekes lyke apples which the sun hath rudded,
Her lips lyke cherryes charming men to byte,
Her brest like to a bowle of creame uncrudded,
Her paps lyke lyllies budded,
Her snowie necke lyke to a marble towre;
And all her body like a pallace fayre,
Ascending up, with many a stately stayre,
To honors seat and chastities sweet bowre.
Why stand ye still ye virgins in amaze,
Upon her so to gaze,
Whiles ye forget your former lay to sing,
To which the woods did answer, and your eccho ring?

But if ye saw that which no eyes can see,
The inward beauty of her lively spright,
Garnisht with heavenly guifts of high degree,
Much more then would ye wonder at that sight,
And stand astonisht lyke to those which red
Medusaes mazeful hed.
There dwels sweet love, and constant chastity,
Unspotted fayth, and comely womanhood,
Regard of honour, and mild modesty;
There vertue raynes as Queene in royal throne,
And giveth lawes alone,
The which the base affections doe obay,
And yeeld theyr services unto her will;
Ne thought of thing uncomely ever may
Thereto approch to tempt her mind to ill.
Had ye once seene these her celestial threasures,
And unrevealèd pleasures,
Then would ye wonder, and her prayses sing,
That al the woods should answer, and your echo ring.

Open the temple gates unto my love,
Open them wide that she may enter in,
And all the postes adorne as doth behove,
And all the pillours deck with girlands trim,
For to receyve this Saynt with honour dew,
That commeth in to you.
With trembling steps, and humble reverence,
She commeth in, before th’ Almighties view;
Of her ye virgins learne obedience,
When so ye come into those holy places,
To humble your proud faces:
Bring her up to th’ high altar, that she may
The sacred ceremonies there partake,
The which do endlesse matrimony make;
And let the roring Organs loudly play
The praises of the Lord in lively notes;
The whiles, with hollow throates,
The Choristers the joyous Antheme sing,
That al the woods may answere, and their eccho ring.

Behold, whiles she before the altar stands,
Hearing the holy priest that to her speakes,
And blesseth her with his two happy hands,
How the red roses flush up in her cheekes,
And the pure snow, with goodly vermill stayne
Like crimsin dyde in grayne:
That even th’ Angels, which continually
About the sacred Altare doe remaine,
Forget their service and about her fly,
Ofte peeping in her face, that seems more fayre,
The more they on it stare.
But her sad eyes, still fastened on the ground,
Are governèd with goodly modesty,
That suffers not one looke to glaunce awry,
Which may let in a little thought unsownd.
Why blush ye, love, to give to me your hand,
The pledge of all our band!
Sing, ye sweet Angels, Alleluya sing,
That all the woods may answere, and your eccho ring.

Now al is done: bring home the bride againe;
Bring home the triumph of our victory:
Bring home with you the glory of her gaine;
With joyance bring her and with jollity.
Never had man more joyfull day then this,
Whom heaven would heape with blis,
Make feast therefore now all this live-long day;
This day for ever to me holy is.
Poure out the wine without restraint or stay,
Poure not by cups, but by the belly full,
Poure out to all that wull,
And sprinkle all the postes and wals with wine,
That they may sweat, and drunken be withall.
Crowne ye God Bacchus with a coronall,
And ***** also crowne with wreathes of vine;
And let the Graces daunce unto the rest,
For they can doo it best:
The whiles the maydens doe theyr carroll sing,
To which the woods shall answer, and theyr eccho ring.

Ring ye the bels, ye yong men of the towne,
And leave your wonted labors for this day:
This day is holy; doe ye write it downe,
That ye for ever it remember may.
This day the sunne is in his chiefest hight,
With Barnaby the bright,
From whence declining daily by degrees,
He somewhat loseth of his heat and light,
When once the Crab behind his back he sees.
But for this time it ill ordainèd was,
To chose the longest day in all the yeare,
And shortest night, when longest fitter weare:
Yet never day so long, but late would passe.
Ring ye the bels, to make it weare away,
And bonefiers make all day;
And daunce about them, and about them sing,
That all the woods may answer, and your eccho ring.

Ah! when will this long weary day have end,
And lende me leave to come unto my love?
How slowly do the houres theyr numbers spend?
How slowly does sad Time his feathers move?
Hast thee, O fayrest Planet, to thy home,
Within the Westerne fome:
Thy tyrèd steedes long since have need of rest.
Long though it be, at last I see it gloome,
And the bright evening-star with golden creast
Appeare out of the East.
Fayre childe of beauty! glorious lampe of love!
That all the host of heaven in rankes doost lead,
And guydest lovers through the nights sad dread,
How chearefully thou lookest from above,
And seemst to laugh atweene thy twinkling light,
As joying in the sight
Of these glad many, which for joy doe sing,
That all the woods them answer, and their echo ring!

Now ceasse, ye damsels, your delights fore-past;
Enough it is that all the day was youres:
Now day is doen, and night is nighing fast,
Now bring the Bryde into the brydall boures.
The night is come, now soon her disaray,
And in her bed her lay;
Lay her in lillies and in violets,
And silken courteins over her display,
And odourd sheetes, and Arras coverlets.
Behold how goodly my faire love does ly,
In proud humility!
Like unto Maia, when as Jove her took
In Tempe, lying on the flowry gras,
Twixt sleepe and wake, after she weary was,
With bathing in the Acidalian brooke.
Now it is night, ye damsels may be gon,
And leave my love alone,
And leave likewise your former lay to sing:
The woods no more shall answere, nor your echo ring.

Now welcome, night! thou night so long expected,
That long daies labour doest at last defray,
And all my cares, which cruell Love collected,
Hast sumd in one, and cancellèd for aye:
Spread thy broad wing over my love and me,
That no man may us see;
And in thy sable mantle us enwrap,
From feare of perrill and foule horror free.
Let no false treason seeke us to entrap,
Nor any dread disquiet once annoy
The safety of our joy;
But let the night be calme, and quietsome,
Without tempestuous storms or sad afray:
Lyke as when Jove with fayre Alcmena lay,
When he begot the great Tirynthian groome:
Or lyke as when he with thy selfe did lie
And begot Majesty.
And let the mayds and yong men cease to sing;
Ne let the woods them answer nor theyr eccho ring.

Let no lamenting cryes, nor dolefull teares,
Be heard all night within, nor yet without:
Ne let false whispers, breeding hidden feares,
Breake gentle sleepe with misconceivèd dout.
Let no deluding dreames, nor dreadfull sights,
Make sudden sad affrights;
Ne let house-fyres, nor lightnings helpelesse harmes,
Ne let the Pouke, nor other evill sprights,
Ne let mischivous witches with theyr charmes,
Ne let hob Goblins, names whose sence we see not,
Fray us with things that be not:
Let not the shriech Oule nor the Storke be heard,
Nor the night Raven, that still deadly yels;
Nor damnèd ghosts, cald up with mighty spels,
Nor griesly vultures, make us once affeard:
Ne let th’ unpleasant Quyre of Frogs still croking
Make us to wish theyr choking.
Let none of these theyr drery accents sing;
Ne let the woods them answer, nor theyr eccho ring.

But let stil Silence trew night-watches keepe,
That sacred Peace may in assurance rayne,
And tymely Sleep, when it is tyme to sleepe,
May poure his limbs forth on your pleasant playne;
The whiles an hundred little wingèd loves,
Like divers-fethered doves,
Shall fly and flutter round about your bed,
And in the secret darke, that none reproves,
Their prety stealthes shal worke, and snares shal spread
To filch away sweet snatches of delight,
Conceald through covert night.
Ye sonnes of Venus, play your sports at will!
For greedy pleasure, carelesse of your toyes,
Thinks more upon her paradise of joyes,
Then what ye do, albe it good or ill.
All night therefore attend your merry play,
For it will soone be day:
Now none doth hinder you, that say or sing;
Ne will the woods now answer, nor your Eccho ring.

Who is the same, which at my window peepes?
Or whose is that faire face that shines so bright?
Is it not Cinthia, she that never sleepes,
But walkes about high heaven al the night?
O! fayrest goddesse, do thou not envy
My love with me to spy:
For thou likewise didst love, though now unthought,
And for a fleece of wooll, which privily
The Latmian shepherd once unto thee brought,
His pleasures with thee wrought.
Therefore to us be favorable now;
And sith of wemens labours thou hast charge,
And generation goodly dost enlarge,
Encline thy will t’effect our wishfull vow,
And the chast wombe informe with timely seed
That may our comfort breed:
Till which we cease our hopefull hap to sing;
Ne let the woods us answere, nor our Eccho ring.

And thou, great Juno! which with awful might
The lawes of wedlock still dost patronize;
And the religion of the faith first plight
With sacred rites hast taught to solemnize;
And eeke for comfort often callèd art
Of women in their smart;
Eternally bind thou this lovely band,
And all thy blessings unto us impart.
And thou, glad

begin end begin he writes come to party in my room ashtray spilled on sheets mirror smeared clothes scattered everywhere i’m reclining on floor pulling on ***** hair writing lonely-hearts poem i don’t care about your photograph i just want to know will you come to party in my room? i have confidences to share secrets to reveal no one to give my body to i need to feel warmth of another there is food if you are hungry i’ll just watch listen to you will come won’t you? please this is no prank are you there? i just wanted to invite you to party you’re my only guest i need you i sound desperate you want to know how long i’ve been this way kind of let myself go grown used to this room that keeps my secret used to sleeping alone in big double bed i think i shall go take hot bath don’t come another night perhaps i can do it quite well myself thank you you probably would have felt out of place anyway - london 1971

nothing wrong with beating off but i prefer female sometimes pretty thing replies Odys you have a way with words actually he prefers woman all times tends to be too impatient rough handling himself needs woman’s gentler slower adoring touch

i wouldn’t mind wife if she is simply **** in residence leaning against doorway posing between me and kitchen he considers let’s get cruel in cruelty one finally realizes one’s own true self-interest who am i? am i cruel enough to be sick-hearted *******? am i capable of oppression torture? do i honestly desire *** slave? do i believe all hope of becoming normal human is gone? he hears her words i have cuffs crop leg spreader flogger hood paddle cane like swelling bruises on my *** never touch my face arms legs i like to be spit on while you pull hair i like servicing man who takes pleasure in giving brutal intense pain *** on my face **** **** on me i'm looking for white muscular egotistic man who is into sadomasochism i enjoy abuse part just as much as *** part is he lightweight no stomach for collared sadism? He mumbles to himself bottom line i respect love women this existence is killing me ignores his thoughts sings aloud we’re used to being rude to each other used to getting crude with each other come on now pretty thing sit next to me

female fantasy number 1 man’s ******* is like handle on slot machine if woman pulls it right way 3 cherries line up in his eyes ***** jingle ring money shoots out ***-hole female fantasy number 2 science invents way in which more money woman spends shopping more weight she can lose

i imagined you were plateful of pancakes you giggled when i poured syrup on your face i smiled pondering how lovely you would taste we sat for a while gazing into each other’s eyes until you got cold rubbery i didn’t want to eat you anymore

maybe he is not so charming anymore maybe Odysseus has become blunt  difficult he tries to be respectful but sometimes he is excessive self-willed time place names have lost any mearing during lively discussion with pretty thing creativity versus craft he confronts original invention requires destruction surely you realize that? pretty thing replies Odys i didn’t realize you were so dominant you seem so playful puppy-like in daytime i never would have guessed you’re such a chauvinistic ******* he questions chauvinistic ******* what’s that suppose to mean? i don’t know what you’re talking about she answers don’t play dumb Odys i know you’re smart at semiotics he asks semiotics what does that mean? I don’t know the word listen you’re right and i’m wrong i apologize i didn’t mean to get so argumentative he reaches for dictionary on floor next to chair pretty thing crosses legs speaks i’m very careful to use simple words everyone can understand but i’m just sign painter isn’t that right Odys? what would i know? he pleads you’re not making any sense we both use brushes paint similar techniques that’s beside the point i apologize she insists you’re way off the subject Odys he begs you’re right i’m wrong whatever i said made you get so upset please forgive me her voice cold terse i need to go home Odys you scare me you’re way too fanatic

thinks to himself promise her anything but give her the finger just when she’s finally starting to fall for whole scam give her the slip 6 to 12 weeks is average life expectancy for modern romance it’s fast world we’re all expendable can’t hear what you’re saying music is too loud rule number 1 no matter how beautiful she is there’s always someone who’s sick of her rule number 2 why would you even be talking with her if she didn’t have *****? rule number 3 they’re all ******* ******! he tries to recall if Bayli ever behaved like ***** he concludes no never did she become one?

in restless sleep he dreams someone tells him Bayli is working at ******* bar he goes to see her Bayli looks young beautiful wearing thong nothing else many men are pursuing her he excitedly approaches but she seems to only vaguely recognize him she questions do i know you? he answers Bayli it’s me Odys! she answers my name is not Bayli Odys who? where do you know me from?” he pleads Bayli, look at me Bayli smiles hesitantly as she looks around for support points finger towards Odysseus 2 bouncers approach shove him against wall force him outside bouncer barks her name is not Bayli now get hell out of here you freaking loser! they go back inside slamming door as he walks away neighborhood kids throw apples at him wakes up confused sad from dream

he vows i don’t need love love is for those too lame to stand alone bear solitude self-avowal love is sign of weakness compliance control love is contract made between two people too spineless to take pleasure in own freedom love is way to take advantage exploit love is convenience pact for mutual security love is cumbersome weight tied around athlete’s neck love is suffering love is a lie illusion cover-up for everyone’s petty lame problems

1984 chicago suffers harsh winter furious winds blow across lakefront Mom and Dad take Odysseus to dinner at posh new restaurant in art galleries district on the way Mom and Dad argue about parking Mom wants to leave car with valet Dad insists they first look for space Mom gets annoyed the wind will ruin my hair drop me and Odys off at door then do what you want Dad says you’re going to miss me when i’m gone Mom snaps we’ll see when are you planning on leaving? Dad wears navy blue blazer white shirt burgundy foulard silk tie he is in good spirits winning personality keeps table lively Mom wears beige cashmere turtleneck darker beige wool skirt brown alligator high heels gold earrings she waves then greets roths weissmans who are led by young hostess they walk past table make brief polite conversation after several rounds of drinks Dad speaks you know, it’s about time Odys are you dating anyone in particular? Odysseus hesitates confesses he has had ****** relations with hundreds of girls his knees begin to shake under table he admits maybe I’m incapable of sustaining intimate relationship with one woman i’m conflicted blocking all these feelings inside never learned how to love can’t hold on to anything all i know how is **** and run Mom interjects don’t use that word! she suggests he travel get some fresh ideas Dad becomes irritated lights cigarette waives to waiter orders another Absolute on the rocks bursts out what the hell do you mean you never learned to love you grew up in a house of love *******! didn’t you learn anything? are you purposely trying to ruin dinner? you watch your step mister or i’ll whack you right here at the table! you make me sick with all your excuses one of these days you’re going to wake up Odys and I hope it’s not too late Mom immediately glances at roth’s weissman’s table then glares sharply at Dad she snaps Max lower your voice! people can hear you we’re in a restaurant can we please change the subject? she instantly regains composure continues i spoke with your sister Penelope today and she let me know she might be landing a new account she’s being wined and dined this evening by c.e.o. of prominent san francisco agency later waiter clears entrees asks if anyone wants after-dinner drink dessert Mom orders coffee apple pie with scoop of vanilla ice cream Dad orders coffee Mom asks what do you wish for in your life Odys? who do you want to be? he exhales long breath answers i used to dream of becoming renown painter but now i’m not sure sad to say don’t know what i want sometimes i think of priesthood but i’ve done too much sinning Dad grows irate who puts these ideas into your head? you ******* ungrateful kid! what the hell is matter with you? Mom interrupts Max don’t lose your temper we’re in a restaurant she glances at roth’s weissman’s table nods with big smile on face Odysseus feels entangled in web of desires deceptions debts he vacillates from one aspiration to next grown comfortable in his failures distrust

I'm tired
No, not that kind of tired
Where it can simply cured
By sleep

I'm tired
Of all the things
That put me through
And through

I'm tired
Of all the times
Where I've almost
Shed a tear

I'm tired
Of all the friends
That used me
Like my feelings never existed

I'm tired
Of all the life
That makes me suffers
Days and nights

Dreams do not sometimes come to help you recover.
So it is your health and wealth that sometimes suffer.
Anything I could do to help.
If I see a girl for who she is my heart will melt.

See what they do is bring the cute.
Turning their backs on you they hide in the same suit.
Then the pretty come when you are gone.
Anything to make an appeal for what I have to succumb.

What is new?
What is unique?
I am under people’s review.
Just as the girating elliptical orbiting oblique.

I am the one who suffers.
As the rain pours down in buckets.
This is just the another of life’s tragedies.
But, I am not vain personally.

This is a day to day grind.
In this, I want my eyes in your soul I find.
Pour more salt in my wounds to help beautiful and unkind.
This is why mankind suffers if you are the one I reach and find.

She covers for God
Not you
Are you worthy
Of her will to be true?
To the word
As it is written
Not of man
But begotten
Into the cradle
Of our existence
Heard by those
Who lower their resistance
To what is holy
Not on earth
But in heaven
Where a woman’s worth
Is measured
By the blessing
Of her womb
Life-giving and supporting
Each new creation
Equally touched
By the unseen
But untouched
By sin
Until the apple is offered
By the bare flesh
To our sons and daughters
Yes she suffers
Behind the cloak
Of piousness
Wearing its yoke
Until the strength
Of one man’s soul
Reveals itself
To make her whole
As it was intended
For man and woman
But not before
He has proven
His understanding
That a hijab
Is not weakness
But God’s robe
Which he dare part
To find paradise
In the strength
He saw in her eyes

Dancing at my windowsill she calls,
black bottomless eyes and a jagged smile
tug me from sleep with a broken-glass laugh.
Beckoning, this pixie traces softly across my jaw--
fingertips so slightly ***** the skin.
Wordless but for laughter she pulls at me until
charmed I rise to follow where she leads.

Open evening air greets my night-dressed body
with cool wakening breezes and wild sounds.
Stumbling through rocks and over roots
I chase through the wood behind my manic guide.
Toes grip at undergrowth, slip, falling to arrive
on my knees
scraped and panting slightly
in a clearing otherworldly,
aglow with fey light.

A curious night-shine looms--yet Luna's face is hidden.
All attentions focus now on this central luminescence.
From its core jangles sweet, unearthly music
twisting its way into my heart
teasing at the edges of my fragile mind.
Compelled forward I follow sound--
my waker cannot outstrip me as we hurtle on.
Before our eyes the glow casts shadows
forming structure in this mystifying vision
eyes drink in your very first glimpse:
The Carnival.

Light and shadow compose sweeping tents
striped ebony and ivory, seeming strong as each
element yet smooth, sculpted by a master's hands.
Leaping black flames skip along their summits,
performing their nocturnal dance,
illuminating darkness, engulfing light.

Revelers' song soars and forms carouse,
                                                  lively­--but shadows only--to the eyes outside.

The air bears heady perfumes, enticing scents:            
rich, melting creams and toasting sugar
enveloping baked warmth and intoxicating spice.
Last, encircling all this wonder,
cries of mirth and sights to amaze:
an unadorned, unflinching iron fence.

Drunk with sound and smell and scene
wildly spinning through the breeze,
my rousing sprite whirls ahead
bound as if in a trance
her body flinging against
the forbidding blackened gates--
                                        her laughter only extinguished
                                                         as her delicate form dissolves into smoke
                                         holding momentarily the blue of night
                                                         her wasted shape, lost to the barrier.

But Curiosity will blind
eyes far more chaste than mine,
and Allure sings only such songs
that no heart suffers long.

Heedless mortal as I am, I grasp the solid frame
decay crumbles rough against my palms.
Bodies of other spirits caked by time
or the innocent work of oxidation
I do not pause to wonder,
merely vault myself over the fence
and brush from my hands
the black dust of portentous iron.

Inside the gate, vibrant figures flood my vision
ornately costumed in gowns of orange, violet, green
arrayed in shirts and trousers dazzling in spectrum.
These gorgeous apparitions loop around me
peddling beauty, selling fame.
They mesmerize  the eye with stunning wares:
an emerald beast to carry your heavy burdens
sapphire wine to cool your burning tongue
the music of a thousand crystal seas
kept in a bottle to drown your babbling mind.

                "What do they cost?"
                            "Not a dime, not a dime!
                              Just your Now, just a Moment,
                                                         ­                  only Passing Time."

Wandering deeper into the mysteries of night
a band of revelers swing beside and catch me
laughing, bear my bewildered form in arms
and deposit me into a large tent, wherein I find
a man at a canvas the size of a wall
before which are seven stone bowls.
He dashes his brush before the amazed,
and the canvas remains blank
until my companions urge me closer.
Couching myself upon a cushion shapes appear:
Here is a man who will paint your heart's desires
so vivid you can lose all you have
so intimate you fear to move,
lest any see the embers of your fire.

Spin and turn, the Revelers never stay long,
nor draw too near to any one spectacle,
but only joy for new tents, new delights.
No passion was left to grow cold,
no enchantment to lose its power.

Spin
See the girl of flawless grace,
her body painted like the stars--
                                                  the stars the carnival hid
painted like the stars and lithe as the air
ethereal in her arts,
ascending the pole, traversing the rope!
See her twine around stakes and over fire,
dive through hoops and drop
through that needle-loop in your eye.

Spin
Step up to the tent of glistening blue
the fountain that gushes without source.
Marvel at its lucent clarity, it's chilling foam!
Fill your goblet to the brim and drink!
Drink deep, imbibe sweet forgetfulness.
Long for nothing, cleanse your heart.

Spin
Take the carousel with its living beasts to ride.
Make merry with all on board and erase
any care your heart can hold.
Let the furious pace speed on from you
all that would trouble for a thought.

Spin
A honeyed apple pressed against your tongue.
                                         Just a taste! Just a bite!
See the glistening on the skin
made from the dreams of the greatest hearts
unrestrained and unrequited.
Fresh Desire--they're all the more enticing.

The apple glitters golden, its red flesh shines beneath.
Something familiar, a darker red, flecked across the finish.
I bite down and reel--
Something wondrous, but something queer.

Faithful attendants grab me quickly, dance me
into the mouth of a dark velvet tent.
It swallows me as I fall, waiting for the teeth---

        White mist surrounds with a shimmer
         and I have found the ground.
A Voice, deep as the sea enfolds me
gentle, heavy as with sleep--yet all aware.
It invites me closer, sit nearer
rest from the night's fantasies.
Lulled, I make for the figure hooded in brilliant gold.
He leads me to his table.

Heavy, strangely empty I seek sanctuary.
He offers instead a great promise--
power over my weariness, my desires met.
He offers joy unending,
pleasure without regret, without shame.
A haven promised here, mine alone, if only--
--if only I will stay.

But something tastes metallic in those words
promises that cannot be kept.
No tent could hold so much.
This voice, so warm and pleasing,
cannot mask well a lie,
and the gentle hand holds equally a threat.
                                                         ­                                                             run­
                Awake once more I fly from the shroud
bursting blind into the alley.

But back in the tent, left a piece of my heart
and my eye rolls away into a peddler's cup
blistered bits of my soul flake off, scorched
by fire-eaters food. What's left? Who am I?

                             What did it cost?
                               Not a dime, not a dime!
                                          Just a piece of your heart,
                                                                ­  just a piece of your mind.

Retching, the last of my still beating heart
squelches into my waiting hands.
I gag and sob out the gore, disbelieving
this small bit of flesh is all that is left
of all that I have been.

The blood draws the eyes of comrades
now changing from lovely to grotesque.
Ravenous, their teeth elongate
Eyes darken and colors fade
What was vibrant now decayed.
Sweet cream curdles in my mouth.
Rich meats, choice fruits turn sour--
the apple rots.

A hoard unrecognizable
of starved beasts and hideous beings
bears down for my final offering.

But I must know who I am
and what there was beyond this place!

Sprinting barefoot from the mob
clutching the vital treasure to my chest--
though to there it may not return--
I look now for mercy from the black gate.

Elegant porcelain fingers produce monstrous claws.
What once caressed my wondering skin
now sinks in for blood with crushing force.
A hopeless last attempt, a dead man's prayer:
I fling my body on the gate---


                                                       ­                                I am over. I am free--



Iron that once kept me out, now holds them fast within.

Bedclothes torn, all my purchased raiment turned to ash,
I limp, clutching a fragment heart.
Staggering from the Carnival's screams,
its dissonant music now all trick and terror.
Putrid garbage wafts from its walls.
Press onward, never looking back, through the wood.

So long ago--how long?--a little one led me here.
Her death was her own, but could have been
my salvation, a warning dearly paid.
Cheaply received.

My mind swims.
A body with its heart outside cannot last.
There are many things not of the Carnival
that would have my final scrap.

Faltering feet stumble and tripping find
a mere clear and still: a mirror for the moon.
And Luna's face does shine down
all her attendants watching on
as my naked form collapses beside its calm.
I cannot deserve this resting place,
could not discern a trap if one here lay.
All I can and have and am I offer up to Mercy,
and dip what's left of my broken life
into the cleansing pool.

Each day with so much ceremony
begins, with birds, with bells,
with whistles from a factory;
such white-gold skies our eyes
first open on, such brilliant walls
that for a moment we wonder
"Where is the music coming from, the energy?
The day was meant for what ineffable creature
we must have missed?" Oh promptly he
appears and takes his earthly nature
   instantly, instantly falls
   victim of long intrigue,
   assuming memory and mortal
   mortal fatigue.

More slowly falling into sight
and showering into stippled faces,
darkening, condensing all his light;
in spite of all the dreaming
squandered upon him with that look,
suffers our uses and abuses,
sinks through the drift of bodies,
sinks through the drift of vlasses
to evening to the beggar in the park
who, weary, without lamp or book
   prepares stupendous studies:
   the fiery event
   of every day in endless
   endless assent.

Deh-bee.  Deh-bee.  Deh-bee.  I sit entranced by the rhythmic force of the cargo train rolling by.  This is the third train in 25 minutes, and with each pass, the sound of the heartbeat steals my attention away from the drunken chaos around me.  I glance at the north wall where a small, golden, shadow flickers with each pulsation.  Deh-bee.  Deh-bee.  Deh-bee.   The cargo train seems to disappear as unexpectedly as it arrived, and now I am pulled back into the scene around me – drunk, rowdy bar-hags and middle-aged men with bellies expanding at a rate too fast than can be restrained by their tucked-in Milwaukee Brewers t-shirts and their ******* Green Bay Packers jerseys.  I re-focus my attention to the crew with whom I share this table.

The CEO’s.  How is it that God blessed me with such an opportunity as to break bread with these four great, inspiring, and humble men?  NO WAY IN HELL is this a coincidence - this is undoubtedly God’s work at hand.  Our waitress walks quickly by, and I notice the uncomfortable glance she casts in our direction, her eyes focused on Vince’s t-shirt that reads in large, red letters, “CEO. Christians Encouraging Others.”

Vince. Boisterous and fearless, he can be relied upon to know everything about anything, and for the benefit of all within ear-shot, he never shuts-the-****-up about his faith or about those who lack it.  Thank God for Vince because without his leadership during our five-hour drive here, I would know nothing about tire pressure, ideal gas mileage, ****, the meaning of great music (a.k.a. R.E.M.), or how to deal with nagging kids. He is a truly model Christian, taking every opportunity to remind us of our calling in this world, passionately ending most conversations with, “This is Satan’s domain - the end of the world as we know it.”  When we were one hour away from the campgrounds, Vince disproved my previously-developed theory that he could not possibly be any more of a puke.  After making sure he still had everyone’s attention, he pulled out his favorite hat and enthusiastically adjusted it on his head.  Featuring another clever acronym, the oversized, navy-blue trucker mesh cap accented with gold rope trimming proudly sports, “C.I.A.”  Christian in Action.  

I share a cabin with Vince and these other heads of households.  These fellows come here once a year “to get away from the wives.”  One of the other fellows with whom I have the pleasure of sharing the cabin is Paul.  Paul forewarned us that he suffers from irritable bowel syndrome, a claim substantiated by the bag of “**** powder” that he proudly held up in the air during the ride here for all to see.  My brother Tom also comes along in order to partake in the outdoor activities, trip paid in full by my older brother, Richard, who has financially supported Tom for as long as Tom has been able to utter the words, “I can’t afford it.”  Thanks to ****’s Christian generosity, Tom’s soul has been saved along with all of Tom’s money as his mortgage was paid off over a decade ago.  Unlike Tom, **** is a tortured soul who suffers from PTSD.  He is also a recovering (to be more accurate, “recovered”) addict, having been cured “just like that” (snap!) when he found Christ in the 70’s.  

Deh-bee. Deh-bee. Deh-bee.  Another cargo train…  Why did I agree to this?  The waitress comes by again, this time with our food.  “Thanks, doll,” Vince says with a wink.  Embarrassed for her, I look away, staring once again at the flickering light on the north wall.  My gaze is suddenly disrupted by the steamy, ivory dish of food placed in front of me.  French fries, bathed in a lake of runny ketchup, sit enticingly in the middle of my plate.  To the left are mountains of milky-white coleslaw, and to the right sit boulders of golden-baked cod stacked one upon the other, towering high as if built to honor to the gods.

Without hesitation I grab the pale, cloth napkin and blanket my legs.  I find myself clenching the sparkling fork as I drive it into the base of the cod shrine.  Ketchup runs everywhere, and as I lift the bloodied mess above my plate, I become too distracted by the sound of Vince’s voice to notice that the cod never makes it to my mouth.  Vince stops and stares at the blunder of food now back on my plate, laughter erupting from the bowels of his cholesterol-encased belly.  

Debbie. Debbie. Debbie.  No train.  I look down at my plate again, the contents of my plate further bathed in ketchup.  My appetite is gone.  All I can think about is that frigid November night two years ago when I found her lying dead, body still warm, in our gazebo. When I saw the back of her head all over the floor, I knew it was too late.  “Debbie and I were going to go out for fish that Friday, but I didn't get home early enough…”  I hadn’t realized that I said anything aloud, but the sudden silence around the table quickly awakens me to reality.  

With a mouth full of chewed cod, Vince looks intently at me and raises his arms. “Man, don’t let him trick you!  He’s out for everyone, and he’s toying with ya.  Shoo him away. Christ is in you. This is Satan’s domain, and he’s messing with your head.”  

His voice trails off as my mind wanders back to that night.

“Greg, are you listening to me?  Cast these thoughts away, man!  The devil is trying to ensnare you. Call upon…”

“Hey, Vince.”  I cut him off.  “The other day I saw this sign in front of a church, and your hat just reminded me of it. The sign said, ‘It’s hard to stumble when you’re down on your knees.’  You know why your hat reminds me of that sign?  

"Let me tell you, Vince.  Let me tell you why your ******' hat reminds me of that ******' sign. Cause your hat says, ‘C.I.A.’”

Vince, silent for the first time since I’ve known him, responds to my comment with a blank stare.

“C.I.A.  ****... In… ***…  Get it?  You see, you’re never going to stumble, Vince.  You’re already head down, on your knees, taking it hard in the ***.”

Nobody can make you feel unwanted nor sad
Because what you have felt this evening was sacred
Three souls playing, fighting, crying
As if I have witnessed a conversation of people
who understood how to make life a
living, a misery and a land where we could forget our differences
To become one in their little world of music
To witness magic
Endless shadows
To feel so happy
A sentiment of pure excstasy
To experience patience, rage , sadness in a second
Is  rare in our world
To experience pain, nostalgia and a piece of your
distant country
To close your eyes from all this madness
To see lights in Ouds
To witness a cozy litlle night filled with
nothing but candles
and people making you forget that your soul
is trapped into a body that constantly suffers
Our deepest selves have found a shelter
We have visited our loved ones
with our invisible wings
We've known what made us human
We've seen three persons merging
into one for the sake of music
We've seen them through moments of excstasy
but most of all hard and severe body movements
Giving life to a woodly instrument
Making the robotic and the technological a human for once

Our words have power. Our story is important. I think it's important to remember that, and I know people forget it sometimes (I certainly did), and some people don't believe it at all, but I believe that even if nobody is listening, even if there's no-one to tell your story to; it is still important.

Sometimes it's all we're left with and we have to cling to it with all our might. We're lucky enough to be main characters in a lot of other peoples stories and that's a hell of an achievement. We get the chance to influence other peoples stories,and they in turn influence even more peoples stories. Without us, everyone elses stories get shortened and there ends up being less variation in the story-telling world. If we don't add to the storytelling process then the whole world slows down.
Every single relationship we establish with someone gives them more of a story to tell. Even if you don't make a story of your own you're still a vessel for other peoples stories to travel through, and that's amazing in itself.

The tiniest detail can change everything - the memory of holding a hand, a snippet of information, recommending a favourite ice-cream, falling over in a hilarious manner - it travels through other peoples stories, and without you that story doesn't get told, or gets told at a later time by someone else, by which time the person you could've shared your story with has missed out on the chance to pass that story on to a whole host of other people. That changes the whole storytelling world. Every future chain of events in which you could have, but didn't, tell your story becomes different - there's less of a story, it's not as full as it could have been, and everyone, albeit unknowingly, suffers a little more for it.

Most of us aren't wise enough or powerful enough to be the true "wise man" that our speices name **** sapians implies, changing the world in a dramatic way in one fell swoop with a single action or in the course of our lifetime, but we're certainly capable of being pans narrans (story-telling apes) and injecting a bit more variety in the lives of others. I can't think of a better reason to exist other than mattering so much that the whole future of the world becomes less varied, and slightly less impressive, if we simply cease to be.

Every moment of joy, every moment of anger, rage, suffering, jealousy, euphoria and even numbness contributes to the stories we end up telling other people, even if we're not talking about those moments specifically. We learn from them, we change because of them, and the stories we tell evolve with each new experience.

You don't even need to write yourself, sooner or later, somewhere down the line, someone will write something that never would have been written if you had not existed, and their work will be all the more glorious for the stories you helped to pass on. You are literally part of a bunch of great works yet to be written. You are a poem. You are a play. You are the beginning, middle and end of several bestselling novels. You are the first sentence in a book that grabs a publishers attention and the last in one that spawns a whole franchise. You are important and without you the whole literary world loses a masterpiece that would make a whole bunch of people feel like they weren't alone in the universe. You are their comfort as they lie awake at night with nothing but a book, and the inspiration that causes a child to believe in themselves. I can't think of anything more important than your words, your thoughts and the story you have to tell, but I know that, without them, the world never becomes as glorious as it could have been.

I love you, I know that others love you as well, and I'm certain that a part of the love that people feel for you will travel throughout the stories they tell, eventually end up in a famous book, song, or an artists brushstrokes and cause someone else to love that piece of a story you helped create.

And then they'll pass it on...

1967 san francisco is transformed into city of missing children haight ashbury brims with scraggly orphans thousands sit on street curbs live in cars hang out on floors of shops roam streets parks sleep on sidewalks unthinkable social cultural phenomenon Odysseus embraces madness walking through different neighborhoods going without food sleep in golden gate park floral smells so strong he can taste flowers kids openly pass joints acid doses trip dance make music laugh Odysseus is risk-taker but he is not street smart along with flocks of totally wasted kids street hustlers abound Odysseus sets down backpack beside eucalyptus tree rests when he wakes backpack is gone he is penniless disconnected hitchhikes across bay to berkeley less congested more manageable meets some runaways like him but not like him they squatter in abandoned house off telegraph avenue maybe 20 hippies crashing in house Odysseus adopts enormous closet hidden in back bedroom as his space has small window feels like sanctuary sometimes he comes home finds 5 or 6 kids sleeping in closet in a way people in house become his family tribe some of people are suspicious especially older secretive man with 2 tongue-tied underage girls whom he claims are his daughters Odysseus suspects veiled ****** exploitation girls are lovely yet behave frightened repressed life on street does not come easy telegraph avenue overflows with lost souls searching to hook-up fragrance of frankincense drifts amidst music drug deals rip-offs bullying brawls hierarchy from hell’s angels down Odysseus stays high dances sometimes panhandles “i live in commune with 2 pregnant girls” whatever cash he collects scores acid **** subsists on diet of gum candy sunflower pumpkin seeds sometimes ketchup with french fries his acne crescendos he learns if he drops acid daily by third or fourth day he cannot get off no matter how much he doses tries peyote cactus buttons after waiting nearly hour to get off he suffers stomachache dizziness projectile vomits finally flies into freaky hallucinations he swallows mescaline capsules feels sick to his stomach forgets about his nausea trips for 9 hours tries psilocybin mushrooms laughing straight through night experiments with stp trips for 3 days Bobby Stern and Martha Quigley come out from chicago to visit they are curious about the scene need to hook up Odysseus introduces them to his friends shows them telegraph avenue he turns and they have vanished he does not know where they have gone everybody is losing everybody new kids show up everyday oakland **** named red rat kidnaps Martha is heiress from distinguished chicago family their disappearance makes chicago papers after week Bobby and Martha manage to escape they never reveal to Odysseus what red rat did to them radio plays doors’ “light my fire” and jimi hendrix’s "purple haze" Odysseus has crush on beautiful blonde Patty she  ran off for summer from her parent’s home in sunset section of san francisco Odysseus and Patty hang out go see country joe and fish in provo park on sundays hitchhike into city watch Jefferson Airplane play for free in golden gate park hitchhike to marin see Grateful Dead jam at muir beach dude hands out free acid Odysseus is total acidhead acid reveals everything in new intensified light *** on acid is beyond *** wilder than *** more primal *** so intense it transcends limits of eroticism acid helps Odysseus realize his true self his pain sadness tears lies crazy-*** side first tingling tremors in stomach chest hands then initial flashes of sparkle traces of color echoes of giggling laughter lucid thoughts sometimes he swallows such large doses all he can do is stare out at white light what is it about massive hits of acid? measure of how fierce his spirit? self-punishment? escapism? he wonders why he so desperately needs to escape from what whom? himself? Mom’s numerous efforts to convince him he is mentally disturbed? Dad’s fists? escape from real world to where? Odysseus hangs with Pluto skinny 16 year old ****-addict golden wavy hair rotting teeth finesse with girls Pluto claims crystal **** enhances *** more than acid needles frighten Odysseus he lets one of Pluto’s girls hit him up with methamphetamine feels sudden overwhelming rush through head body forgets about needle before it ever leaves his arm having been initiated Odysseus begins scoring with Pluto’s girls Pluto knows tons of girls Odysseus loves feeling numb free being out of control not giving a **** getting ****** ****** by pretty girl if he could have his way he would go from ****** to ****** with pretty girl all day every day deep in drug induced state because drugs lower inhibitions allow them to explore some sick disgusting stuff that is paradise for Odysseus he is rapidly slipping into street life drug addiction wakes up with ants crawling in his hair witnesses numerous fights freak-outs 2 different kids o.d. while he is present lots of creepy stuff  by early august realizes he might wind up dead soon or rotting like Pluto Odysseus has spirit but troubled by what he sees troubled enough to return home go back to school he feels lost desperate alone not thinking plots drug deal swindle double-crosses some people guilt and shame for conning people haunts him for years he gives Pluto half the money tells him to share with Patty with his cut buys ticket back to chicago Penelope is first to greet him she gives him big hug comments “you need a shower and shave real bad!” his hair is wild scraggly beard Odysseus holds on to her he has missed his little sister glad to be near her feels panicky his parents will punish him Mom and Dad are relieved but agitated their worry and shame at his flight have turned to anger resentment they rationalize he selfishly ran off merrymaking for 3 months they sternly make plans for his next semester while Odysseus was away in california Penelope has ****** ******* for first time in back seat of Jed Zurbeck's black pontiac Penelope in secret goes to see doctor for pregnancy test doctor recognizes Penelope’s last name calls house Odysseus answers phone doctor asks to speak with Mr. or Mrs. Schwartzpilgrim Mom picks up phone doctor informs her Penelope is pregnant all hell breaks loose doctor makes house call with Mom and Dad present offers 2 options for Penelope “you can be picked up by limousine on state street and blindfolded you will be taken to an undisclosed location where abortion procedure is performed then re-blindfolded and returned by limousine to state street or you can report incident as **** and get signatures of three physicians then have abortion in a hospital” Mom and Dad choose to report it as a **** fabricate story about Penelope walking home from school and being grabbed pulled into alley by black man who rapes her Penelope is made to tell lie three times deeply disturbs her after abortion is done in hospital Dad makes Penelope swear not to admit abortion to anyone insists she tell Jed Zurbeck she made up stupid lie and she was never really pregnant Penelope obeys and tells no one

People say
That jealousy is a female trait
I beg to differ
Everyone suffers from jealousy
Yes, I said “suffers”
Because jealousy is not a female trait
It is a disease
Wanting to have what someone else has
Wanting to look like someone else
Feeling threatened by someone
Experiencing uncertainty
Those are diseases

I

Out of the little chapel I burst
Into the fresh night-air again.
Five minutes full, I waited first
In the doorway, to escape the rain
That drove in gusts down the common’s centre
At the edge of which the chapel stands,
Before I plucked up heart to enter.
Heaven knows how many sorts of hands
Reached past me, groping for the latch
Of the inner door that hung on catch
More obstinate the more they fumbled,
Till, giving way at last with a scold
Of the crazy hinge, in squeezed or tumbled
One sheep more to the rest in fold,
And left me irresolute, standing sentry
In the sheepfold’s lath-and-plaster entry,
Six feet long by three feet wide,
Partitioned off from the vast inside—
I blocked up half of it at least.
No remedy; the rain kept driving.
They eyed me much as some wild beast,
That congregation, still arriving,
Some of them by the main road, white
A long way past me into the night,
Skirting the common, then diverging;
Not a few suddenly emerging
From the common’s self through the paling-gaps,
—They house in the gravel-pits perhaps,
Where the road stops short with its safeguard border
Of lamps, as tired of such disorder;—
But the most turned in yet more abruptly
From a certain squalid knot of alleys,
Where the town’s bad blood once slept corruptly,
Which now the little chapel rallies
And leads into day again,—its priestliness
Lending itself to hide their beastliness
So cleverly (thanks in part to the mason),
And putting so cheery a whitewashed face on
Those neophytes too much in lack of it,
That, where you cross the common as I did,
And meet the party thus presided,
“Mount Zion” with Love-lane at the back of it,
They front you as little disconcerted
As, bound for the hills, her fate averted,
And her wicked people made to mind him,
Lot might have marched with Gomorrah behind him.

II

Well, from the road, the lanes or the common,
In came the flock: the fat weary woman,
Panting and bewildered, down-clapping
Her umbrella with a mighty report,
Grounded it by me, wry and flapping,
A wreck of whalebones; then, with a snort,
Like a startled horse, at the interloper
(Who humbly knew himself improper,
But could not shrink up small enough)
—Round to the door, and in,—the gruff
Hinge’s invariable scold
Making my very blood run cold.
Prompt in the wake of her, up-pattered
On broken clogs, the many-tattered
Little old-faced peaking sister-turned-mother
Of the sickly babe she tried to smother
Somehow up, with its spotted face,
From the cold, on her breast, the one warm place;
She too must stop, wring the poor ends dry
Of a draggled shawl, and add thereby
Her tribute to the door-mat, sopping
Already from my own clothes’ dropping,
Which yet she seemed to grudge I should stand on:
Then, stooping down to take off her pattens,
She bore them defiantly, in each hand one,
Planted together before her breast
And its babe, as good as a lance in rest.
Close on her heels, the dingy satins
Of a female something past me flitted,
With lips as much too white, as a streak
Lay far too red on each hollow cheek;
And it seemed the very door-hinge pitied
All that was left of a woman once,
Holding at least its tongue for the *****.
Then a tall yellow man, like the Penitent Thief,
With his jaw bound up in a handkerchief,
And eyelids ******* together tight,
Led himself in by some inner light.
And, except from him, from each that entered,
I got the same interrogation—
“What, you the alien, you have ventured
To take with us, the elect, your station?
A carer for none of it, a Gallio!”—
Thus, plain as print, I read the glance
At a common prey, in each countenance
As of huntsman giving his hounds the tallyho.
And, when the door’s cry drowned their wonder,
The draught, it always sent in shutting,
Made the flame of the single tallow candle
In the cracked square lantern I stood under,
Shoot its blue lip at me, rebutting
As it were, the luckless cause of scandal:
I verily fancied the zealous light
(In the chapel’s secret, too!) for spite
Would shudder itself clean off the wick,
With the airs of a Saint John’s Candlestick.
There was no standing it much longer.
“Good folks,” thought I, as resolve grew stronger,
“This way you perform the Grand-Inquisitor
When the weather sends you a chance visitor?
You are the men, and wisdom shall die with you,
And none of the old Seven Churches vie with you!
But still, despite the pretty perfection
To which you carry your trick of exclusiveness,
And, taking God’s word under wise protection,
Correct its tendency to diffusiveness,
And bid one reach it over hot ploughshares,—
Still, as I say, though you’ve found salvation,
If I should choose to cry, as now, ‘Shares!’—
See if the best of you bars me my ration!
I prefer, if you please, for my expounder
Of the laws of the feast, the feast’s own Founder;
Mine’s the same right with your poorest and sickliest,
Supposing I don the marriage vestiment:
So, shut your mouth and open your Testament,
And carve me my portion at your quickliest!”
Accordingly, as a shoemaker’s lad
With wizened face in want of soap,
And wet apron wound round his waist like a rope,
(After stopping outside, for his cough was bad,
To get the fit over, poor gentle creature
And so avoid distrubing the preacher)
—Passed in, I sent my elbow spikewise
At the shutting door, and entered likewise,
Received the hinge’s accustomed greeting,
And crossed the threshold’s magic pentacle,
And found myself in full conventicle,
—To wit, in Zion Chapel Meeting,
On the Christmas-Eve of ‘Forty-nine,
Which, calling its flock to their special clover,
Found all assembled and one sheep over,
Whose lot, as the weather pleased, was mine.

III

I very soon had enough of it.
The hot smell and the human noises,
And my neighbor’s coat, the greasy cuff of it,
Were a pebble-stone that a child’s hand poises,
Compared with the pig-of-lead-like pressure
Of the preaching man’s immense stupidity,
As he poured his doctrine forth, full measure,
To meet his audience’s avidity.
You needed not the wit of the Sibyl
To guess the cause of it all, in a twinkling:
No sooner our friend had got an inkling
Of treasure hid in the Holy Bible,
(Whene’er ‘t was the thought first struck him,
How death, at unawares, might duck him
Deeper than the grave, and quench
The gin-shop’s light in hell’s grim drench)
Than he handled it so, in fine irreverence,
As to hug the book of books to pieces:
And, a patchwork of chapters and texts in severance,
Not improved by the private dog’s-ears and creases,
Having clothed his own soul with, he’d fain see equipt yours,—
So tossed you again your Holy Scriptures.
And you picked them up, in a sense, no doubt:
Nay, had but a single face of my neighbors
Appeared to suspect that the preacher’s labors
Were help which the world could be saved without,
‘T is odds but I might have borne in quiet
A qualm or two at my spiritual diet,
Or (who can tell?) perchance even mustered
Somewhat to urge in behalf of the sermon:
But the flock sat on, divinely flustered,
Sniffing, methought, its dew of Hermon
With such content in every snuffle,
As the devil inside us loves to ruffle.
My old fat woman purred with pleasure,
And thumb round thumb went twirling faster,
While she, to his periods keeping measure,
Maternally devoured the pastor.
The man with the handkerchief untied it,
Showed us a horrible wen inside it,
Gave his eyelids yet another *******,
And rocked himself as the woman was doing.
The shoemaker’s lad, discreetly choking,
Kept down his cough. ‘T was too provoking!
My gorge rose at the nonsense and stuff of it;
So, saying like Eve when she plucked the apple,
“I wanted a taste, and now there’s enough of it,”
I flung out of the little chapel.

IV

There was a lull in the rain, a lull
In the wind too; the moon was risen,
And would have shone out pure and full,
But for the ramparted cloud-prison,
Block on block built up in the West,
For what purpose the wind knows best,
Who changes his mind continually.
And the empty other half of the sky
Seemed in its silence as if it knew
What, any moment, might look through
A chance gap in that fortress massy:—
Through its fissures you got hints
Of the flying moon, by the shifting tints,
Now, a dull lion-color, now, brassy
Burning to yellow, and whitest yellow,
Like furnace-smoke just ere flames bellow,
All a-simmer with intense strain
To let her through,—then blank again,
At the hope of her appearance failing.
Just by the chapel a break in the railing
Shows a narrow path directly across;
‘T is ever dry walking there, on the moss—
Besides, you go gently all the way up-hill.
I stooped under and soon felt better;
My head grew lighter, my limbs more supple,
As I walked on, glad to have slipt the fetter.
My mind was full of the scene I had left,
That placid flock, that pastor vociferant,
—How this outside was pure and different!
The sermon, now—what a mingled weft
Of good and ill! Were either less,
Its fellow had colored the whole distinctly;
But alas for the excellent earnestness,
And the truths, quite true if stated succinctly,
But as surely false, in their quaint presentment,
However to pastor and flock’s contentment!
Say rather, such truths looked false to your eyes,
With his provings and parallels twisted and twined,
Till how could you know them, grown double their size
In the natural fog of the good man’s mind,
Like yonder spots of our roadside lamps,
Haloed about with the common’s damps?
Truth remains true, the fault’s in the prover;
The zeal was good, and the aspiration;
And yet, and yet, yet, fifty times over,
Pharaoh received no demonstration,
By his Baker’s dream of Baskets Three,
Of the doctrine of the Trinity,—
Although, as our preacher thus embellished it,
Apparently his hearers relished it
With so unfeigned a gust—who knows if
They did not prefer our friend to Joseph?
But so it is everywhere, one way with all of them!
These people have really felt, no doubt,
A something, the motion they style the Call of them;
And this is their method of bringing about,
By a mechanism of words and tones,
(So many texts in so many groans)
A sort of reviving and reproducing,
More or less perfectly, (who can tell?)
The mood itself, which strengthens by using;
And how that happens, I understand well.
A tune was born in my head last week,
Out of the thump-thump and shriek-shriek
Of the train, as I came by it, up from Manchester;
And when, next week, I take it back again,
My head will sing to the engine’s clack again,
While it only makes my neighbor’s haunches stir,
—Finding no dormant musical sprout
In him, as in me, to be jolted out.
‘T is the taught already that profits by teaching;
He gets no more from the railway’s preaching
Than, from this preacher who does the rail’s officer, I:
Whom therefore the flock cast a jealous eye on.
Still, why paint over their door “Mount Zion,”
To which all flesh shall come, saith the pro phecy?

V

But wherefore be harsh on a single case?
After how many modes, this Christmas-Eve,
Does the self-same weary thing take place?
The same endeavor to make you believe,
And with much the same effect, no more:
Each method abundantly convincing,
As I say, to those convinced before,
But scarce to be swallowed without wincing
By the not-as-yet-convinced. For me,
I have my own church equally:
And in this church my faith sprang first!
(I said, as I reached the rising ground,
And the wind began again, with a burst
Of rain in my face, and a glad rebound
From the heart beneath, as if, God speeding me,
I entered his church-door, nature leading me)
—In youth I looked to these very skies,
And probing their immensities,
I found God there, his visible power;
Yet felt in my heart, amid all its sense
Of the power, an equal evidence
That his love, there too, was the nobler dower.
For the loving worm within its clod
Were diviner than a loveless god
Amid his worlds, I will dare to say.
You know what I mean: God’s all man’s naught:
But also, God, whose pleasure brought
Man into being, stands away
As it were a handbreadth off, to give
Room for the newly-made to live,
And look at him from a place apart,
And use his gifts of brain and heart,
Given, indeed, but to keep forever.
Who speaks of man, then, must not sever
Man’s very elements from man,
Saying, “But all is God’s”—whose plan
Was to create man and then leave him
Able, his own word saith, to grieve him,
But able to glorify him too,
As a mere machine could never do,
That prayed or praised, all unaware
Of its fitness for aught but praise and prayer,
Made perfect as a thing of course.
Man, therefore, stands on his own stock
Of love and power as a pin-point rock:
And, looking to God who ordained divorce
Of the rock from his boundless continent,
Sees, in his power made evident,
Only excess by a million-fold
O’er the power God gave man in the mould.
For, note: man’s hand, first formed to carry
A few pounds’ weight, when taught to marry
Its strength with an engine’s, lifts a mountain,
—Advancing in power by one degree;
And why count steps through eternity?
But love is the ever-springing fountain:
Man may enlarge or narrow his bed
For the water’s play, but the water-head—
How can he multiply or reduce it?
As easy create it, as cause it to cease;
He may profit by it, or abuse it,
But ‘t is not a thing to bear increase
As power does: be love less or more
In the heart of man, he keeps it shut
Or opes it wide, as he pleases, but
Love’s sum remains what it was before.
So, gazing up, in my youth, at love
As seen through power, ever above
All modes which make it manifest,
My soul brought all to a single test—
That he, the Eternal First and Last,
Who, in his power, had so surpassed
All man conceives of what is might,—
Whose wisdom, too, showed infinite,
—Would prove as infinitely good;
Would never, (my soul understood,)
With power to work all love desires,
Bestow e’en less than man requires;
That he who endlessly was teaching,
Above my spirit’s utmost reaching,
What love can do in the leaf or stone,
(So that to master this alone,
This done in the stone or leaf for me,
I must go on learning endlessly)
Would never need that I, in turn,
Should point him out defect unheeded,
And show that God had yet to learn
What the meanest human creature needed,
—Not life, to wit, for a few short years,
Tracking his way through doubts and fears,
While the stupid earth on which I stay
Suffers no change, but passive adds
Its myriad years to myriads,
Though I, he gave it to, decay,
Seeing death come and choose about me,
And my dearest ones depart without me.
No: love which, on earth, amid all the shows of it,
Has ever been seen the sole good of life in it,
The love, ever growing there, spite of the strife in it,
Shall arise, made perfect, from death’s repose of it.
And I shall behold thee, face to face,
O God, and in thy light retrace
How in all I loved here, still wast thou!
Whom pressing to, then, as I fain would now,
I shall find as able to satiate
The love, thy gift, as my spirit’s wonder
Thou art able to quicken and sublimate,
With this sky of thine, that I now walk under
And glory in thee for, as I gaze
Thus, thus! Oh, let men keep their ways
Of seeking thee in a narrow shrine—
Be this my way! And this is mine!

VI

For lo, what think you? suddenly
The rain and the wind ceased, and the sky
Received at once the full fruition
Of the moon’s consummate apparition.
The black cloud-barricade was riven,
Ruined beneath her feet, and driven
Deep in the West; while, bare and breathless,
North and South and East lay ready
For a glorious thing that, dauntless, deathless,
Sprang across them and stood steady.
‘T was a moon-rainbow, vast and perfect,
From heaven to heaven extending, perfect
As the mother-moon’s self, full in face.
It rose, distinctly at the base
With its seven proper colors chorded,
Which still, in the rising, were compressed,
Until at last they coalesced,
And supreme the spectral creature lorded
In a triumph of whitest white,—
Above which intervened the night.
But above night too, like only the next,
The second of a wondrous sequence,
Reaching in rare and rarer frequence,
Till the heaven of heavens were circumflexed
Another rainbow rose, a mightier,
Fainter, flushier and flightier,—
Rapture dying along its verge.
Oh, whose foot shall I see emerge,
Whose, from the straining topmost dark,
On to the keystone of that are?

VII

This sight was shown me, there and then,—
Me, one out of a world of men,
Singled forth, as the chance might hap
To another if, in a thu

**** angles.
This house has got plenty of **** angles. Tom knows, I don't. Tom knows more about that kinda stuff because that's Tom's forte.
Old Cochrane.

I'm not sure what disabilities he suffers from, but to be honest it doesn't seem much like he suffers. He's just a dude with a loud set of brains fixated on a very Cochrane world, sort of like Plato I guess, beard and everything, looking at the angles and strange asymmetric dots with a feeling that there’s some preternatural 'other world' where all of Cochrane's expectations are met and this house as well as the world would do ******* well to abide by it if it knows what's good.

Old Cochrane loves Superman Returns. I once saw him watch Superman Returns 3 times in one sitting, to the point that it became Superman Returns Returns Returns and for Chrissake if Metropolis were real I doubt his ethics would be much appreciated anymore but hey, who am I to say? I'm no Clark Kent but I'm sure Cochrane thinks he is, and if he's damnwell Plato he can damnwell be Clark Kent just as well as the next Kryptonian sucker to crash-land on planet Earth, and it's damnwell possible Cochrane is from Krypton for all I know, he's got some miraculous will-power and push, that's for **** sure.

He's always yelling, 'ober-der! Ober-der!' like he's some sad German screaming at the **** Poles across the Oder-Neisse line as if it were there **** fault. It's either that or Krypton is ober-der and he just wants to go home, or maybe his face gets red because he knows damnwell where Lex Luthor is hiding and he just wants our ******* help finding him.

I think Old Cochrane has a crush on Kevin Spacey.

I wouldn't know, but I'm making that assumption *** Cochrane looks pretty spacey sometimes.
Okay, that was just a bad joke. I'm not too good at jokes.

I have two coworkers named Ryan. To avoid any confusion we all just call them by their last names, Soprovich and Danyluk, but most of the time we just call Soprovich Ryan Sop, and I'm not sure if he much appreciates the nickname. Our bosses name is Pam Wadden and in response to her calling him Ryan Sop he asked if he could call her Pam ***.
Pam didn't hear that of course, but I heard it. And it was at that moment I made the judgement that old Ryan Sop is good at jokes.

Anyways to slide back to my point, once I was working with both Danyluk and Soprovich and as I was leaving, to shave a few seconds before my bus, I said, 'Bye.. Ryan..s'
that made them both laugh a little so I quickly made the judgement that I'm sometimes good at jokes but I never mean to be which is kinda Zen I suppose. Buddhist effortless effort or whatever they damnwell call it.

I've always been somewhat of an intellect, but not usually of my own freewill. I read a lot, but I sort of read like a ****** addict shoots-up.. just one more line, just one more paragraph.. and before I know it I've finished a book that kinda scared me but good ******* the high was fine.

I guess it's not really like that at all, but I like to think of it like that sometimes, it kind of excites my stomach in the good way, makes me feel like some ******* rebel reading **** the government has probably already burned or recycled into the paper bags I shop with at Safeway..
shopping at Safeway.. livin' life the Safe Way.. gatherin all the grosh-rees, yeah, you ****** know me
I forgot to mention I'm somewhat of a part-time rapper and 40% of the time I have rap lyrics pulsing through my head as my own inner monologue. I dunno why but it's always kinda made me proud to think the way I do and ******* does life get high and low and if you understood you would know what I'm talking about, but I know you probably know what I know, I just like to be a little pretentious about that kinda stuff *** if I pretend I'm the only one it kinda manifests in my attitude and I get girls easier.

True story.

Maybe.

Probably not, but if ya see what I'm getting at that assertion is part of the pretention *** I'm a ******* hipster for Chrissake, writing like J.D. Salinger, reading like Kerouac without the squinty drunk eyes of infinite sadness.

When the child cries the mother suffers,
When night comes, the daylight leaves;
When thousands die, the valley grieves-
Cover your dead; for more will always be coming.

When heart calls, there’s a heart must answer,
Though it be a million miles away;
Distance apart can't smile and can't lie-
Cover your dead; for more will always be coming.

The small must always follow the greater,
Hence you see the sun, the moon;
Though closeness makes the heart grow absent-
The dead won't need your silver coin.

Only when efforts are taken
Defeats can be easily broken

When mind suffers from fear
It opens the gate for tear

By indulging in self-pity
We may blunder in duty

When we are too much afraid
We lose even from God aid

God wants us to be brave
Then only He can save

Boldly enter into the bout
Let hope finely sprout out

Just by making up mind
A way one can surely find

Honest efforts fetch glory
Hard-work brings victory

Never think pessimistically
Ponder over practically

It is very easy to soon retreat
But, success refuses its treat

Courageous steps achieve
So a bold plan, try to weave

mvvenkataraman

SEARCH mvvenkataraman IN GOOGLE OR YAHOO

True equality is what is wished for
But what if you really opened that door
What would be on the other side?
I’m not sure we’d enjoy the ride

Individuality dies with equality
There are no choices you see
If everyone has to have the same things
No one gets to win the brass ring

No more people like you and people like me
If the same is all we ever get to be
The same model car and the same clothes
The same old food in the same homes

The same haircut and the same color
Or we are all clean shaved so much the duller
The same education for everybody
You’re paid the same as anybody

Sports would all end in a tie
If there still played at all… sigh
No more winners, No more losers
No choices so no choosers

There are no differing opinions you see
When you’re a victim of true equality
No reason to strive
There is no ladder to climb

No reward for hard work
Are you feeling the irk?
No matter what, you cannot get ahead
It’s almost as if you are full of lead

But that just it, no ahead to get
When everyone gets what everyone gets
The Thought police are out in full force
No one is married or there is no divorce

No kids at all or everyone has 2
There is no longer me and no longer you
When equal society is the important thing
Everyone gets to feel every sting

Orwellian yes
But truth none the less
The only people different are the ones in charge
While everyone suffers they live it large

They get to decide how much you’re alive
And they can tell you 2+2=5
So how does this strike you?
Will that work for you too?

I’m not a fan
Of this little plan
Because not everyone is the same
No matter what people will claim

We don’t think the same thoughts
We don’t call the same shots
Not even twins are exactly the same
And if we all were, what a boring game

Just a bunch of clones, going nowhere
Just dull and drab, no bling and no flair.
Yet that is what current society prescribes
Even though were all from different tribes

If we ever achieve true equality
Remember sometimes wishes end badly

Poems about Flight, Flying, Flights of Fancy, Kites, Leaves, Butterflies, Birds and Bees



Flight
by Michael R. Burch

It is the nature of loveliness to vanish
as butterfly wings, batting against nothingness
seek transcendence...

Originally published by Hibiscus (India)



Southern Icarus
by Michael R. Burch

Windborne, lover of heights,
unspooled from the truck’s wildly lurching embrace,
you climb, skittish kite...

What do you know of the world’s despair,
gliding in vast... solitariness... there,
so that all that remains is to
fall?

Only a little longer the wind invests its sighs;
you
stall,
spread-eagled, as the canvas snaps
and *****
its white rebellious wings,
and all
the houses watch with baffled eyes.



The Wonder Boys
by Michael R. Burch

(for Leslie Mellichamp, the late editor of The Lyric,
who was a friend and mentor to many poets, and
a fine poet in his own right)

The stars were always there, too-bright cliches:
scintillant truths the jaded world outgrew
as baffled poets winged keyed kites—amazed,
in dream of shocks that suddenly came true...

but came almost as static—background noise,
a song out of the cosmos no one hears,
or cares to hear. The poets, starstruck boys,
lay tuned in to their kite strings, saucer-eared.

They thought to feel the lightning’s brilliant sparks
electrify their nerves, their brains; the smoke
of words poured from their overheated hearts.
The kite string, knotted, made a nifty rope...

You will not find them here; they blew away—
in tumbling flight beyond nights’ stars. They clung
by fingertips to satellites. They strayed
too far to remain mortal. Elfin, young,

their words are with us still. Devout and fey,
they wink at us whenever skies are gray.

Originally published by The Lyric



American Eagle, Grounded
by Michael R. Burch

Her predatory eye,
the single feral iris,
scans.

Her raptor beak,
all jagged sharp-edged ******,
juts.

Her hard talon,
clenched in pinched expectation,
waits.

Her clipped wings,
preened against reality,
tremble.

Published as “Tremble” by The Lyric, Verses Magazine, Romantics Quarterly, Journeys, The Raintown Review, Poetic Ponderings, Poem Kingdom, The Fabric of a Vision, NPAC—Net Poetry and Art Competition, Poet’s Haven, Listening To The Birth Of Crystals (Anthology), Poetry Renewal, Inspirational Stories, Poetry Life & Times, MahMag (Iranian/Farsi), The Eclectic Muse (Canada)



Album
by Michael R. Burch

I caress them—trapped in brittle cellophane—
and I see how young they were, and how unwise;
and I remember their first flight—an old prop plane,
their blissful arc through alien blue skies...

And I touch them here through leaves which—tattered, frayed—
are also wings, but wings that never flew:
like insects’ wings—pinned, held. Here, time delayed,
their features never merged, remaining two...

And Grief, which lurked unseen beyond the lens
or in shadows where It crept on furtive claws
as It scritched Its way into their hearts, depends
on sorrows such as theirs, and works Its jaws...

and slavers for Its meat—those young, unwise,
who naively dare to dream, yet fail to see
how, lumbering sunward, Hope, ungainly, flies,
clutching to Her ruffled breast what must not be.



Springtime Prayer
by Michael R. Burch

They’ll have to grow like crazy,
the springtime baby geese,
if they’re to fly to balmier climes
when autumn dismembers the leaves...

And so I toss them loaves of bread,
then whisper an urgent prayer:
“Watch over these, my Angels,
if there’s anyone kind, up there.”

Originally published by The HyperTexts



Learning to Fly
by Michael R. Burch

We are learning to fly
every day...

learning to fly—
away, away...

O, love is not in the ephemeral flight,
but love, Love! is our destination—

graced land of eternal sunrise, radiant beyond night!
Let us bear one another up in our vast migration.



In the Whispering Night
by Michael R. Burch

for George King

In the whispering night, when the stars bend low
till the hills ignite to a shining flame,
when a shower of meteors streaks the sky
while the lilies sigh in their beds, for shame,
we must steal our souls, as they once were stolen,
and gather our vigor, and all our intent.
We must heave our bodies to some famished ocean
and laugh as they vanish, and never repent.
We must dance in the darkness as stars dance before us,
soar, Soar! through the night on a butterfly's breeze...
blown high, upward-yearning, twin spirits returning
to the heights of awareness from which we were seized.

Published by Songs of Innocence, Romantics Quarterly, The Chained Muse and Poetry Life & Times. This is a poem I wrote for my favorite college English teacher, George King, about poetic kinship, brotherhood and romantic flights of fancy.



For a Palestinian Child, with Butterflies
by Michael R. Burch

Where does the butterfly go
when lightning rails,
when thunder howls,
when hailstones scream,
when winter scowls,
when nights compound dark frosts with snow...
Where does the butterfly go?

Where does the rose hide its bloom
when night descends oblique and chill
beyond the capacity of moonlight to fill?
When the only relief's a banked fire's glow,
where does the butterfly go?

And where shall the spirit flee
when life is harsh, too harsh to face,
and hope is lost without a trace?
Oh, when the light of life runs low,
where does the butterfly go?

Published by Tucumcari Literary Review, Romantics Quarterly, Poetry Life & Times, Victorian Violet Press (where it was nominated for a “Best of the Net”), The Contributor (a Nashville homeless newspaper), Siasat (Pakistan), and set to music as a part of the song cycle “The Children of Gaza” which has been performed in various European venues by the Palestinian soprano Dima Bawab



Earthbound, a Vision of Crazy Horse
by Michael R. Burch

Tashunka Witko, a Lakota Sioux better known as Crazy Horse, had a vision of a red-tailed hawk at Sylvan Lake, South Dakota. In his vision he saw himself riding a spirit horse, flying through a storm, as the hawk flew above him, shrieking. When he awoke, a red-tailed hawk was perched near his horse.

Earthbound,
and yet I now fly
through the clouds that are aimlessly drifting...
so high
that no sound
echoing by
below where the mountains are lifting
the sky
can be heard.

Like a bird,
but not meek,
like a hawk from a distance regarding its prey,
I will shriek,
not a word,
but a screech,
and my terrible clamor will turn them to clay—
the sheep,
the earthbound.

Published by American Indian Pride and Boston Poetry Magazine



Sioux Vision Quest
by Crazy Horse, Oglala Lakota Sioux (circa 1840-1877)
loose translation/interpretation by Michael R. Burch

A man must pursue his Vision
as the eagle explores
the sky's deepest blues.

Published by Better Than Starbucks and A Hundred Voices



in-flight convergence
by Michael R. Burch

serene, almost angelic,
the lights of the city ——— extend ———
over lumbering behemoths
shrilly screeching displeasure;
they say
that nothing is certain,
that nothing man dreams or ordains
long endures his command

here the streetlights that flicker
and those blazing steadfast
seem one: from a distance;
descend,
they abruptly
part ———— ways,
so that nothing is one
which at times does not suddenly blend
into garish insignificance
in the familiar alleyways,
in the white neon flash
and the billboards of Convenience

and man seems the afterthought of his own Brilliance
as we thunder down the enlightened runways.

Originally published by The Aurorean and subsequently nominated for the Pushcart Prize



Flight 93
by Michael R. Burch

I held the switch in trembling fingers, asked
why existence felt so small, so purposeless,
like a minnow wriggling feebly in my grasp...

vibrations of huge engines thrummed my arms
as, glistening with sweat, I nudged the switch
to OFF... I heard the klaxon's shrill alarms

like vultures’ shriekings... earthward, in a stall...
we floated... earthward... wings outstretched, aghast
like Icarus... as through the void we fell...

till nothing was so beautiful, so blue...
so vivid as that moment... and I held
an image of your face, and dreamed I flew

into your arms. The earth rushed up. I knew
such comfort, in that moment, loving you.



Flight
by Michael R. Burch

Eagle, raven, blackbird, crow...
What you are I do not know.
Where you go I do not care.
I’m unconcerned whose meal you bear.
But as you mount the sunlit sky,
I only wish that I could fly.
I only wish that I could fly.

Robin, hawk or whippoorwill...
Should men care that you hunger still?
I do not wish to see your home.
I do not wonder where you roam.
But as you scale the sky's bright stairs,
I only wish that I were there.
I only wish that I were there.

Sparrow, lark or chickadee...
Your markings I disdain to see.
Where you fly concerns me not.
I scarcely give your flight a thought.
But as you wheel and arc and dive,
I, too, would feel so much alive.
I, too, would feel so much alive.

This is a poem I wrote in high school. I seem to remember the original poem being influenced by William Cullen Bryant's "To a Waterfowl."



Flying
by Michael R. Burch

I shall rise
and try the ****** wings of thought
ten thousand times
before I fly...

and then I'll sleep
and waste ten thousand nights
before I dream;

but when at last...
I soar the distant heights of undreamt skies
where never hawks nor eagles dared to go,
as I laugh among the meteors flashing by
somewhere beyond the bluest earth-bound seas...
if I'm not told
I’m just a man,
then I shall know
just what I am.

This is one of my early poems, written around age 16-17.



Stage Craft-y
by Michael R. Burch

There once was a dromedary
who befriended a crafty canary.
Budgie said, "You can’t sing,
but now, here’s the thing—
just think of the tunes you can carry!"



Clyde Lied!
by Michael R. Burch

There once was a mockingbird, Clyde,
who bragged of his prowess, but lied.
To his new wife he sighed,
"When again, gentle bride?"
"Nevermore!" bright-eyed Raven replied.



Less Heroic Couplets: ****** Most Fowl!
by Michael R. Burch

“****** most foul!”
cried the mouse to the owl.
“Friend, I’m no sinner;
you’re merely my dinner!”
the wise owl replied
as the tasty snack died.

Published by Lighten Up Online and in Potcake Chapbook #7.



Lance-Lot
by Michael R. Burch

Preposterous bird!
Inelegant! Absurd!
Until the great & mighty heron
brandishes his fearsome sword.



Kissin’ ’n’ buzzin’
by Michael R. Burch

Kissin’ ’n’ buzzin’ the bees rise
in a dizzy circle of two.
Oh, when I’m with you,
I feel like kissin’ ’n’ buzzin’ too.



Delicacy
by Michael R. Burch

for all good mothers

Your love is as delicate
as a butterfly cleaning its wings,
as soft as the predicate
the hummingbird sings
to itself, gently murmuring—
“Fly! Fly! Fly!”
Your love is the string
soaring kites untie.



Lone Wild Goose
by Du Fu (712-770)
loose translation/interpretation by Michael R. Burch

The abandoned goose refuses food and drink;
he cries querulously for his companions.
Who feels kinship for that strange wraith
as he vanishes eerily into the heavens?
You watch it as it disappears;
its plaintive calls cut through you.
The indignant crows ignore you both:
the bickering, bantering multitudes.



The Red Cockatoo
by Po Chu-I (772-846)
loose translation/interpretation by Michael R. Burch

A marvelous gift from Annam—
a red cockatoo,
bright as peach blossom,
fluent in men's language.

So they did what they always do
to the erudite and eloquent:
they created a thick-barred cage
and shut it up.



The Migrant Songbird
Li Qingzhao aka Li Ching-chao (c. 1084-1155)
loose translation/interpretation by Michael R. Burch

The migrant songbird on the nearby yew
brings tears to my eyes with her melodious trills;
this fresh downpour reminds me of similar spills:
another spring gone, and still no word from you...



Lines from Laolao Ting Pavilion
by Li Bai (701-762)
loose translation/interpretation by Michael R. Burch

The spring breeze knows partings are bitter;
The willow twig knows it will never be green again.



The Day after the Rain
Lin Huiyin (1904-1955)
loose translation/interpretation by Michael R. Burch

I love the day after the rain
and the meadow's green expanses!
My heart endlessly rises with wind,
gusts with wind...
away the new-mown grasses and the fallen leaves...
away the clouds like smoke...
vanishing like smoke...



Untitled Translations

Cupid, if you incinerate my soul, touché!
For like you she has wings and can fly away!
—Meleager, loose translation by Michael R. Burch

As autumn deepens,
a butterfly sips
chrysanthemum dew.
—Basho, loose translation/interpretation by Michael R. Burch

Come, butterfly,
it’s late
and we’ve a long way to go!
—Basho, loose translation/interpretation by Michael R. Burch

Up and at ’em! The sky goes bright!
Let’***** the road again,
Companion Butterfly!
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Ah butterfly,
what dreams do you ply
with your beautiful wings?
—Chiyo-ni, loose translation by Michael R. Burch

Oh, dreamlike winter butterfly:
a puff of white snow
cresting mountains
—Kakio Tomizawa, loose translation by Michael R. Burch

Dry leaf flung awry:
bright butterfly,
goodbye!
—Michael R. Burch, original haiku

Will we remain parted forever?
Here at your grave:
two flowerlike butterflies
—Matsuo Basho, loose translation by Michael R. Burch

a soaring kite flits
into the heart of the sun?
Butterfly & Chrysanthemum
—Michael R. Burch, original haiku

The cheerful-chirping cricket
contends gray autumn's gay,
contemptuous of frost
—Matsuo Basho, loose translation by Michael R. Burch

Whistle on, twilight whippoorwill,
solemn evangelist
of loneliness
—Matsuo Basho, loose translation by Michael R. Burch

The sea darkening,
the voices of the wild ducks:
my mysterious companions!
—Matsuo Basho, loose translation by Michael R. Burch

Lightning
shatters the darkness—
the night heron's shriek
—Matsuo Basho, loose translation by Michael R. Burch

This snowy morning:
cries of the crow I despise
(ah, but so beautiful!)
—Matsuo Basho, loose translation by Michael R. Burch

A crow settles
on a leafless branch:
autumn nightfall.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Hush, cawing crows; what rackets you make!
Heaven's indignant messengers,
you remind me of wordsmiths!
—O no Yasumaro (circa 711), loose translation by Michael R. Burch

Higher than a skylark,
resting on the breast of heaven:
this mountain pass.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

An exciting struggle
with such a sad ending:
cormorant fishing.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Does my soul abide in heaven, or hell?
Only the sea gull
in his high, lonely circuits, may tell.
—Glaucus, translation by Michael R. Burch

The eagle sees farther
from its greater height—
our ancestors’ wisdom
—Michael R. Burch, original haiku

A kite floats
at the same place in the sky
where yesterday it floated...
—Yosa Buson, loose translation/interpretation by Michael R. Burch



Descent
by Michael R. Burch

I have listened to the rain all this morning
and it has a certain gravity,
as if it knows its destination,
perhaps even its particular destiny.
I do not believe mine is to be uplifted,
although I, too, may be flung precipitously
and from a great height.



Ultimate Sunset
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

he now faces the Ultimate Sunset,
his body like the leaves that fray as they dry,
shedding their vital fluids (who knows why?)
till they’ve become even lighter than the covering sky,
ready to fly...



Free Fall
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

I see the longing for departure gleam
in his still-keen eye,
and I understand his desire
to test this last wind, like those late autumn leaves
with nothing left to cling to...



Leaf Fall
by Michael R. Burch

Whatever winds encountered soon resolved
to swirling fragments, till chaotic heaps
of leaves lay pulsing by the backyard wall.
In lieu of rakes, our fingers sorted each
dry leaf into its place and built a high,
soft bastion against earth's gravitron—
a patchwork quilt, a trampoline, a bright
impediment to fling ourselves upon.
And nothing in our laughter as we fell
into those leaves was like the autumn's cry
of also falling. Nothing meant to die
could be so bright as we, so colorful—
clad in our plaids, oblivious to pain
we'd feel today, should we leaf-fall again.

Originally published by The Neovictorian/Cochlea



The Folly of Wisdom
by Michael R. Burch

She is wise in the way that children are wise,
looking at me with such knowing, grave eyes
I must bend down to her to understand.
But she only smiles, and takes my hand.
We are walking somewhere that her feet know to go,
so I smile, and I follow...
And the years are dark creatures concealed in bright leaves
that flutter above us, and what she believes—
I can almost remember—goes something like this:
the prince is a horned toad, awaiting her kiss.
She wiggles and giggles, and all will be well
if only we find him! The woodpecker’s knell
as he hammers the coffin of some dying tree
that once was a fortress to someone like me
rings wildly above us. Some things that we know
we are meant to forget. Life is a bloodletting, maple-syrup-slow.

Originally published by Romantics Quarterly



Kin
by Michael R. Burch

for Richard Moore

1.
Shrill gulls,
how like my thoughts
you, struggling, rise
to distant bliss—
the weightless blue of skies
that are not blue
in any atmosphere,
but closest here...

2.
You seek an air
so clear,
so rarified
the effort leaves you famished;
earthly tides
soon call you back—
one long, descending glide...

3.
Disgruntledly you ***** dirt shores for orts
you pull like mucous ropes
from shells’ bright forts...
You eye the teeming world
with nervous darts—
this way and that...
Contentious, shrewd, you scan—
the sky, in hope,
the earth, distrusting man.



Songstress
by Michael R. Burch

Within its starkwhite ribcage, how the heart
must flutter wildly, O, and always sing
against the pressing darkness: all it knows
until at last it feels the numbing sting
of death. Then life's brief vision swiftly passes,
imposing night on one who clearly saw.
Death held your bright heart tightly, till its maw–
envenomed, fanged–could swallow, whole, your Awe.
And yet it was not death so much as you
who sealed your doom; you could not help but sing
and not be silenced. Here, behold your tomb's
white alabaster cage: pale, wretched thing!
But you'll not be imprisoned here, wise wren!
Your words soar free; rise, sing, fly, live again.

A poet like Nadia Anjuman can be likened to a caged bird, deprived of flight, who somehow finds it within herself to sing of love and beauty.



Performing Art
by Michael R. Burch

Who teaches the wren
in its drab existence
to explode into song?
What parodies of irony
does the jay espouse
with its sharp-edged tongue?
What instinctual memories
lend stunning brightness
to the strange dreams
of the dull gray slug
—spinning its chrysalis,
gluing rough seams—
abiding in darkness
its transformation,
till, waving damp wings,
it applauds its performance?
I am done with irony.
Life itself sings.



Lean Harvests
by Michael R. Burch

for T.M.

the trees are shedding their leaves again:
another summer is over.
the Christians are praising their Maker again,
but not the disconsolate plover:
i hear him berate
the fate
of his mate;
he claims God is no body’s lover.

Published by The Rotary Dial and Angle



My Forty-Ninth Year
by Michael R. Burch

My forty-ninth year
and the dew remembers
how brightly it glistened
encrusting September,...
one frozen September
when hawks ruled the sky
and death fell on wings
with a shrill, keening cry.

My forty-ninth year,
and still I recall
the weavings and windings
of childhood, of fall...
of fall enigmatic,
resplendent, yet sere,...
though vibrant the herald
of death drawing near.

My forty-ninth year
and now often I've thought on
the course of a lifetime,
the meaning of autumn,
the cycle of autumn
with winter to come,
of aging and death
and rebirth... on and on.

Originally published by Romantics Quarterly as “My Twenty-Ninth Year”



Myth
by Michael R. Burch

Here the recalcitrant wind
sighs with grievance and remorse
over fields of wayward gorse
and thistle-throttled lanes.
And she is the myth of the scythed wheat
hewn and sighing, complete,
waiting, lain in a low sheaf—
full of faith, full of grief.

Here the immaculate dawn
requires belief of the leafed earth
and she is the myth of the mown grain—
golden and humble in all its weary worth.



What Works
by Michael R. Burch

for David Gosselin

What works—
hewn stone;
the blush the iris shows the sun;
the lilac’s pale-remembered bloom.

The frenzied fly: mad-lively, gay,
as seconds tick his time away,
his sentence—one brief day in May,
a period. And then decay.

A frenzied rhyme’s mad tip-toed time,
a ballad’s languid as the sea,
seek, striving—immortality.

When gloss peels off, what works will shine.
When polish fades, what works will gleam.
When intellectual prattle pales,
the dying buzzing in the hive
of tedious incessant bees,
what works will soar and wheel and dive
and milk all honey, leap and thrive,
and teach the pallid poem to seethe.



Child of 9-11
by Michael R. Burch

a poem for Christina-Taylor Green, who
was born on September 11, 2001 and who
died at age nine, shot to death...

Child of 9-11, beloved,
I bring this lily, lay it down
here at your feet, and eiderdown,
and all soft things, for your gentle spirit.
I bring this psalm — I hope you hear it.

Much love I bring — I lay it down
here by your form, which is not you,
but what you left this shell-shocked world
to help us learn what we must do
to save another child like you.

Child of 9-11, I know
you are not here, but watch, afar
from distant stars, where angels rue
the evil things some mortals do.
I also watch; I also rue.

And so I make this pledge and vow:
though I may weep, I will not rest
nor will my pen fail heaven's test
till guns and wars and hate are banned
from every shore, from every land.

Child of 9-11, I grieve
your tender life, cut short... bereaved,
what can I do, but pledge my life
to saving lives like yours? Belief
in your sweet worth has led me here...
I give my all: my pen, this tear,
this lily and this eiderdown,
and all soft things my heart can bear;
I bring them to your final bier,
and leave them with my promise, here.

Originally published by The Flea



Desdemona
by Michael R. Burch

Though you possessed the moon and stars,
you are bound to fate and wed to chance.
Your lips deny they crave a kiss;
your feet deny they ache to dance.
Your heart imagines wild romance.

Though you cupped fire in your hands
and molded incandescent forms,
you are barren now, and—spent of flame—
the ashes that remain are borne
toward the sun upon a storm.

You, who demanded more, have less,
your heart within its cells of sighs
held fast by chains of misery,
confined till death for peddling lies—
imprisonment your sense denies.

You, who collected hearts like leaves
and pressed each once within your book,
forgot. None—winsome, bright or rare—
not one was worth a second look.
My heart, as others, you forsook.

But I, though I loved you from afar
through silent dawns, and gathered rue
from gardens where your footsteps left
cold paths among the asters, knew—
each moonless night the nettles grew
and strangled hope, where love dies too.

Published by Penny Dreadful, Carnelian, Romantics Quarterly, Grassroots Poetry and Poetry Life & Times



Transplant
by Michael R. Burch

You float, unearthly angel, clad in flesh
as strange to us who briefly knew your flame
as laughter to disease. And yet you laugh.
Behind your smile, the sun forfeits its claim
to earth, and floats forever now the same—
light captured at its moment of least height.
You laugh here always, welcoming the night,
and, just a photograph, still you can claim
bright rapture: like an angel, not of flesh—
but something more, made less. Your humanness
this moment of release becomes a name
and something else—a radiance, a strange
brief presence near our hearts. How can we stand
and chain you here to this nocturnal land
of burgeoning gray shadows? Fly, begone.
I give you back your soul, forfeit all claim
to radiance, and welcome grief’s dark night
that crushes all the laughter from us. Light
in someone Else’s hand, and sing at ease
some song of brightsome mirth through dawn-lit trees
to welcome morning’s sun. O daughter! these
are eyes too weak for laughter; for love’s sight,
I welcome darkness, overcome with light.



Reading between the lines
by Michael R. Burch

Who could have read so much, as we?
Having the time, but not the inclination,
TV has become our philosophy,
sheer boredom, our recreation.



Rilke Translations

Archaic Torso of Apollo
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

We cannot know the beheaded god
nor his eyes' forfeited visions. But still
the figure's trunk glows with the strange vitality
of a lamp lit from within, while his composed will
emanates dynamism. Otherwise
the firmly muscled abdomen could not beguile us,
nor the centering ***** make us smile
at the thought of their generative animus.
Otherwise the stone might seem deficient,
unworthy of the broad shoulders, of the groin
projecting procreation's triangular spearhead upwards,
unworthy of the living impulse blazing wildly within
like an inchoate star—demanding our belief.
You must change your life.



Herbsttag ("Autumn Day")
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

Lord, it is time. Let the immense summer go.
Lay your long shadows over the sundials
and over the meadows, let the free winds blow.
Command the late fruits to fatten and shine;
O, grant them another Mediterranean hour!
Urge them to completion, and with power
convey final sweetness to the heavy wine.
Who has no house now, never will build one.
Who's alone now, shall continue alone;
he'll wake, read, write long letters to friends,
and pace the tree-lined pathways up and down,
restlessly, as autumn leaves drift and descend.

Originally published by Measure



The Panther
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

His weary vision's so overwhelmed by iron bars,
his exhausted eyes see only blank Oblivion.
His world is not our world. It has no stars.
No light. Ten thousand bars. Nothing beyond.
Lithe, swinging with a rhythmic easy stride,
he circles, his small orbit tightening,
an electron losing power. Paralyzed,
soon regal Will stands stunned, an abject thing.
Only at times the pupils' curtains rise
silently, and then an image enters,
descends through arrested shoulders, plunges, centers
somewhere within his empty heart, and dies.



Come, You
by Ranier Maria Rilke
loose translation/interpretation by Michael R. Burch

This was Rilke's last poem, written ten days before his death. He died open-eyed in the arms of his doctor on December 29, 1926, in the Valmont Sanatorium, of leukemia and its complications. I had a friend who died of leukemia and he was burning up with fever in the end. I believe that is what Rilke was describing here: he was literally burning alive.

Come, you—the last one I acknowledge; return—
incurable pain searing this physical mesh.
As I burned in the spirit once, so now I burn
with you; meanwhile, you consume my flesh.
This wood that long resisted your embrace
now nourishes you; I surrender to your fury
as my gentleness mutates to hellish rage—
uncaged, wild, primal, mindless, outré.
Completely free, no longer future's pawn,
I clambered up this crazy pyre of pain,
certain I'd never return—my heart's reserves gone—
to become death's nameless victim, purged by flame.
Now all I ever was must be denied.
I left my memories of my past elsewhere.
That life—my former life—remains outside.
Inside, I'm lost. Nobody knows me here.



Love Song
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

How can I withhold my soul so that it doesn't touch yours?
How can I lift mine gently to higher things, alone?
Oh, I would gladly find something lost in the dark
in that inert space that fails to resonate until you vibrate.
There everything that moves us, draws us together like a bow
enticing two taut strings to sing together with a simultaneous voice.
Whose instrument are we becoming together?
Whose, the hands that excite us?
Ah, sweet song!



The Beggar's Song
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

I live outside your gates,
exposed to the rain, exposed to the sun;
sometimes I'll cradle my right ear
in my right palm;
then when I speak my voice sounds strange,
alien...
I'm unsure whose voice I'm hearing:
mine or yours.
I implore a trifle;
the poets cry for more.
Sometimes I cover both eyes
and my face disappears;
there it lies heavy in my hands
looking peaceful, instead,
so that no one would ever think
I have no place to lay my head.



Ivy
by Michael R. Burch

“Van trepando en mi viejo dolor como las yedras.” — Pablo Neruda
“They climb on my old suffering like ivy.”

Ivy winds around these sagging structures
from the flagstones
to the eave heights,
and, clinging, holds intact
what cannot be saved of their loose entrails.
Through long, blustery nights of dripping condensation,
cured in the humidors of innumerable forgotten summers,
waxy, unguent,
palely, indifferently fragrant, it climbs,
pausing at last to see
the alien sparkle of dew
beading delicate sparrowgrass.
Coarse saw grass, thin skunk grass, clumped mildewed yellow gorse
grow all around, and here remorse, things past,
watch ivy climb and bend,
and, in the end, we ask
if grief is worth the gaps it leaps to mend.



Joy in the Morning
by Michael R. Burch

for my grandparents George Edwin Hurt and Christine Ena Hurt

There will be joy in the morning
for now this long twilight is over
and their separation has ended.
For fourteen years, he had not seen her
whom he first befriended,
then courted and married.
Let there be joy, and no mourning,
for now in his arms she is carried
over a threshold vastly sweeter.
He never lost her; she only tarried
until he was able to meet her.



Prodigal
by Michael R. Burch

This poem is dedicated to Kevin Longinotti, who died four days short of graduation from Vanderbilt University, the victim of a tornado that struck Nashville on April 16, 1998.

You have graduated now,
to a higher plane
and your heart’s tenacity
teaches us not to go gently
though death intrudes.

For eighteen days
—jarring interludes
of respite and pain—
with life only faintly clinging,
like a cashmere snow,
testing the capacity
of the blood banks
with the unstaunched flow
of your severed veins,
in the collapsing declivity,
in the sanguine haze
where Death broods,
you struggled defiantly.

A city mourns its adopted son,
flown to the highest ranks
while each heart complains
at the harsh validity
of God’s ways.

On ponderous wings
the white clouds move
with your captured breath,
though just days before
they spawned the maelstrom’s
hellish rift.

Throw off this mortal coil,
this envelope of flesh,
this brief sheath
of inarticulate grief
and transient joy.

Forget the winds
which test belief,
which bear the parchment leaf
down life’s last sun-lit path.

We applaud your spirit, O Prodigal,
O Valiant One,
in its percussive flight into the sun,
winging on the heart’s last madrigal.



Breakings
by Michael R. Burch

I did it out of pity.
I did it out of love.
I did it not to break the heart of a tender, wounded dove.

But gods without compassion
ordained: Frail things must break!
Now what can I do for her shattered psyche’s sake?

I did it not to push.
I did it not to shove.
I did it to assist the flight of indiscriminate Love.

But gods, all mad as hatters,
who legislate in all such matters,
ordained that everything irreplaceable shatters.



The Quickening
by Michael R. Burch

I never meant to love you
when I held you in my arms
promising you sagely
wise, noncommittal charms.

And I never meant to need you
when I touched your tender lips
with kisses that intrigued my own—
such kisses I had never known,
nor a heartbeat in my fingertips!



It's Halloween!
by Michael R. Burch

If evening falls
on graveyard walls
far softer than a sigh;
if shadows fly
moon-sickled skies,
while children toss their heads
uneasy in their beds,
beware the witch's eye!

If goblins loom
within the gloom
till playful pups grow terse;
if birds give up their verse
to comfort chicks they nurse,
while children dream weird dreams
of ugly, wiggly things,
beware the serpent's curse!

If spirits scream
in haunted dreams
while ancient sibyls rise
to plague black nightmare skies
one night without disguise,
while children toss about
uneasy, full of doubt,
beware the devil's eyes...
it's Halloween!



An Illusion
by Michael R. Burch

The sky was as hushed as the breath of a bee
and the world was bathed in shades of palest gold
when I awoke.
She came to me with the sound of falling leaves
and the scent of new-mown grass;
I held out my arms to her and she passed
into oblivion...

This is one of my early poems, written around age 16 and published in my high school literary journal, The Lantern.



Describing You
by Michael R. Burch

How can I describe you?
The fragrance of morning rain
mingled with dew
reminds me of you;
the warmth of sunlight
stealing through a windowpane
brings you back to me again.

This is an early poem of mine, written as a teenager.



www.firesermon.com
by Michael R. Burch

your gods have become e-vegetation;
your saints—pale thumbnail icons; to enlarge
their images, right-click; it isn’t hard
to populate your web-site; not to mention
cool sound effects are nice; Sound Blaster cards
can liven up dull sermons, zing some fire;
your drives need added Zip; you must discard
your balky paternosters: ***!!! Desire!!!
these are the watchwords, catholic; you must
as Yahoo! did, employ a little lust
if you want great e-commerce; hire a bard
to spruce up ancient language, shed the dust
of centuries of sameness;
lameness *****;
your gods grew blurred; go 3D; scale; adjust.

Published by: Ironwood, Triplopia and Nisqually Delta Review



Her Grace Flows Freely
by Michael R. Burch

July 7, 2007

Her love is always chaste, and pure.
This I vow. This I aver.
If she shows me her grace, I will honor her.
This I vow. This I aver.
Her grace flows freely, like her hair.
This I vow. This I aver.
For her generousness, I would worship her.
This I vow. This I aver.
I will not **** her for what I bear
This I vow. This I aver.
like a most precious incense–desire for her,
This I vow. This I aver.
nor call her “*****” where I seek to repair.
This I vow. This I aver.
I will not wink, nor smirk, nor stare
This I vow. This I aver.
like a foolish child at the foot of a stair
This I vow. This I aver.
where I long to go, should another be there.
This I vow. This I aver.
I’ll rejoice in her freedom, and always dare
This I vow. This I aver.
the chance that she’ll flee me–my starling rare.
This I vow. This I aver.
And then, if she stays, without stays, I swear
This I vow. This I aver.
that I will joy in her grace beyond compare.
This I vow. This I aver.



Second Sight (II)
by Michael R. Burch

Newborns see best at a distance of 8 to 14 inches.
Wiser than we know, the newborn screams,
red-faced from breath, and wonders what life means
this close to death, amid the arctic glare
of warmthless lights above.
Beware! Beware!—
encrypted signals, codes? Or ciphers, noughts?
Interpretless, almost, as his own thoughts—
the brilliant lights, the brilliant lights exist.
Intruding faces ogle, gape, insist—
this madness, this soft-hissing breath, makes sense.
Why can he not float on, in dark suspense,
and dream of life? Why did they rip him out?
He frowns at them—small gnomish frowns, all doubt—
and with an ancient mien, O sorrowful!,
re-closes eyes that saw in darkness null
ecstatic sights, exceeding beautiful.



Incommunicado
by Michael R. Burch

All I need to know of life I learned
in the slap of a moment,
as my outward eye turned
toward a gauntlet of overhanging lights
which coldly burned, hissing—
"There is no way back!..."
As the ironic bright blood
trickled down my face,
I watched strange albino creatures twisting
my flesh into tight knots of separation
all the while tediously insisting—
“He's doing just fine!"



Letdown
by Michael R. Burch

Life has not lived up to its first bright vision—
the light overhead fluorescing, revealing
no blessing—bestowing its glaring assessments
impersonally (and no doubt carefully metered).
That first hard

SLAP

demanded my attention. Defiantly rigid,
I screamed at their backs as they, laughingly,

ripped

my mother’s pale flesh from my unripened shell,
snapped it in two like a pea pod, then dropped
it somewhere—in a dustbin or a furnace, perhaps.

And that was my clue

that some deadly, perplexing, unknowable task
lay, inexplicable, ahead in the white arctic maze
of unopenable doors, in the antiseptic gloom...



Recursion
by Michael R. Burch

In a dream I saw boys lying
under banners gaily flying
and I heard their mothers sighing
from some dark distant shore.

For I saw their sons essaying
into fields—gleeful, braying—
their bright armaments displaying;
such manly oaths they swore!

From their playfields, boys returning
full of honor’s white-hot burning
and desire’s restless yearning
sired new kids for the corps.

In a dream I saw boys dying
under banners gaily lying
and I heard their mothers crying
from some dark distant shore.



Poet to poet
by Michael R. Burch

I have a dream
pebbles in a sparkling sand
of wondrous things.
I see children
variations of the same man
playing together.
Black and yellow, red and white,
stone and flesh, a host of colors
together at last.
I see a time
each small child another's cousin
when freedom shall ring.
I hear a song
sweeter than the sea sings
of many voices.
I hear a jubilation
respect and love are the gifts we must bring
shaking the land.
I have a message,
sea shells echo, the melody rings
the message of God.
I have a dream
all pebbles are merely smooth fragments of stone
of many things.
I live in hope
all children are merely small fragments of One
that this dream shall come true.
I have a dream...
but when you're gone, won't the dream have to end?
Oh, no, not as long as you dream my dream too!
Here, hold out your hand, let's make it come true.
i can feel it begin
Lovers and dreamers are poets too.
poets are lovers and dreamers too



Life Sentence
by Michael R. Burch

... I swim, my Daddy’s princess, newly crowned,
toward a gurgly Maelstrom... if I drown
will Mommy stick the Toilet Plunger down
to **** me up?... She sits upon Her Throne,
Imperious (denying we were one),
and gazes down and whispers “precious son”...

... the Plunger worked; i’m two, and, if not blessed,
still Mommy got the Worst Stuff off Her Chest;
a Vacuum Pump, They say, will do the rest...

... i’m three; yay! whee! oh good! it’s time to play!
(oh no, I think there’s Others on the way;
i’d better pray)...

... i’m four; at night I hear the Banging Door;
She screams; sometimes there’s Puddles on the Floor;
She wants to **** us, or, She wants some More...

... it’s great to be alive if you are five (unless you’re me);
my Mommy says: “you’re WRONG! don’t disagree!
don’t make this HURT ME!”...

... i’m six; They say i’m tall, yet Time grows Short;
we have a thriving Family; Abort!;
a tadpole’s ripping Mommy’s Room apart...

... i’m seven; i’m in heaven; it feels strange;
I saw my life go gurgling down the Drain;
another Noah built a Mighty Ark;
God smiled, appeased, a Rainbow split the Dark;
... I saw Bright Colors also, when She slammed
my head against the Tub, and then I swam
toward the magic tunnel... last, I heard...
is that She feels Weird.



Beast 666
by Michael R. Burch

“... what rough beast... slouches toward Bethlehem to be born?”—W. B. Yeats

Brutality is a cross
wooden, blood-stained,
gas hissing, sibilant,
lungs gilled, deveined,
red flecks on a streaked glass pane,
jeers jubilant,
mocking.

Brutality is shocking—
tiny orifices torn,
impaled with hard lust,
the fetus unborn
tossed in a dust-
bin. The scarred skull shorn,
nails bloodied, tortured,
an old wound sutured
over, never healed.

Brutality, all its faces revealed,
is legion:
Death March, Trail of Tears, Inquisition...
always the same.
The Beast of the godless and of man’s “religion”
slouching toward Jerusalem:
horned, crowned, gibbering, drooling, insane.



America's Riches
by Michael R. Burch

Balboa's dream
was bitter folly—
no El Dorado near, nor far,
though seas beguiled
and rivers smiled
from beds of gold and silver ore.

Drake retreated
rich with plunder
as Incan fled Conquistador.
Aztecs died
when Spaniards lied,
then slew them for an ingot more.

The pilgrims came
and died or lived
in fealty to an oath they swore,
and bought with pain
the precious grain
that made them rich though they were poor.

Apache blood,
Comanche tears
were shed, and still they went to war;
they fought to be
unbowed and free—
such were Her riches, and still are.

Published by Poetic Reflections and Tucumcari Literary Review



Kindergarten
by Michael R. Burch

Will we be children as puzzled tomorrow—
our lessons still not learned?
Will we surrender over to sorrow?
How many times must our fingers be burned?
Will we be children sat in the corner,
paddled again and again?
How long must we linger, playing Jack Horner?
Will we ever learn, and when?
Will we be children wearing the dunce cap,
giggling and playing the fool,
re-learning our lessons forever and ever,
still failing the golden rule?



Photographs
by Michael R. Burch

Here are the effects of a life
and they might tell us a tale
(if only we had time to listen)
of how each imperiled tear would glisten,
remembered as brightness in her eyes,
and how each dawn’s dramatic skies
could never match such pale azure.

Like dreams of her, these ghosts endure
and they tell us a tale of impatient glory...
till a line appears—a trace of worry?—
or the wayward track of a wandering smile
which even now can charm, beguile?

We might find good cause to wonder
as we see her pause (to frown?, to ponder?):
what vexed her in her loveliness...
what weight, what crushing heaviness
turned her lustrous hair a frazzled gray,
and stole her youth before her day?

We might ask ourselves: did Time devour
the passion with the ravaged flower?
But here and there a smile will bloom
to light the leaden, shadowed gloom
that always seems to linger near...
And here we find a single tear:
it shimmers like translucent dew
and tells us Anguish touched her too,
and did not spare her for her hair
of copper, or her eyes' soft hue.

Published in Tucumcari Literary Review



Numbered
by Michael R. Burch

He desired an object to crave;
she came, and she altared his affection.
He asked her for something to save:
a memento for his collection.
But all that she had was her need;
what she needed, he knew not to give.
They compromised on a thing gone to seed
to complete the half lives they would live.
One in two, they were less than complete.
Two plus one, in their huge fractious home
left them two, the new one in the street,
then he, by himself, one, alone.
He awoke past his prime to new dawn
with superfluous dew all around,
in ten thousands bright beads on his lawn,
and he knew that, at last, he had found
a number of things he had missed:
things shining and bright, unencumbered
by their price, or their place on a list.
Then with joy and despair he remembered
and longed for the lips he had kissed
when his days were still evenly numbered.



Nucleotidings
by Michael R. Burch

“We will walk taller!” said Gupta,
sorta abrupta,
hand-in-hand with his mom,
eyeing the A-bomb.

“Who needs a mahatma
in the aftermath of NAFTA?
Now, that was a disaster,”
cried glib Punjab.

“After Y2k,
time will spin out of control anyway,”
flamed Vijay.

“My family is relatively heavy,
too big even for a pig-barn Chevy;
we need more space,”
spat What’s His Face.

“What does it matter,
dirge or mantra,”
sighed Serge.

“The world will wobble
in Hubble’s lens
till the tempest ends,”
wailed Mercedes.

“The world is going to hell in a bucket.
So **** it and get outta my face!
We own this place!
Me and my friends got more guns than ISIS,
so what’s the crisis?”
cried Bubba Billy Joe Bob Puckett.



All My Children
by Michael R. Burch

It is May now, gentle May,
and the sun shines pleasantly
upon the blousy flowers
of this backyard cemet'ry,
upon my children as they sleep.

Oh, there is Hank in the daisies now,
with a mound of earth for a pillow;
his face as hard as his monument,
but his voice as soft as the wind through the willows.

And there is Meg beside the spring
that sings her endless sleep.
Though it’s often said of stiller waters,
sometimes quicksilver streams run deep.

And there is Frankie, little Frankie,
tucked in safe at last,
a child who weakened and died too soon,
but whose heart was always steadfast.

And there is Mary by the bushes
where she hid so well,
her face as dark as their berries,
yet her eyes far darker still.

And Andy... there is Andy,
sleeping in the clover,
a child who never saw the sun
so soon his life was over.

And Em'ly, oh my Em'ly...
the prettiest of all...
now she's put aside her dreams
of lovers dark and tall
for dreams dreamed not at all.

It is May now, merry May
and the sun shines pleasantly
upon the green gardens,
on the graves of all my children...
But they never did depart;
they still live within my heart.

I wrote this poem around age 15-16.



Kingdom Freedom
by Michael R. Burch

LORD, grant me a rare sweet spirit of forgiveness.
Let me have none of the lividness
of religious outrage.

LORD, let me not be over-worried
about the lack of “morality” around me.
Surround me,
not with law’s restrictive cage,
but with Your spirit, freer than the wind,
so that to breathe is to have freest life,
and not to fly to You, my only sin.



Birthday Poem to Myself
by Michael R. Burch

LORD, be no longer this Distant Presence,
Star-Afar, Righteous-Anonymous,
but come! Come live among us;
come dwell again,
happy child among men—
men rejoicing to have known you
in the familiar manger’s cool
sweet light scent of unburdened hay.
Teach us again to be light that way,
with a chorus of angelic songs lessoned above.
Be to us again that sweet birth of Love
in the only way men can truly understand.
Do not frown darkening down upon an unrighteous land
planning fierce Retributions we require, and deserve,
but remember the child you were; believe
in the child I was, alike to you in innocence
a little while, all sweetness, and helpless without pretense.
Let us be little children again, magical in your sight.
Grant me this boon! Is it not my birthright—
just to know you, as you truly were, and are?
Come, be my friend. Help me understand and regain Hope’s long-departed star!



Litany
by Michael R. Burch

Will you take me with all my blemishes?
I will take you with all your blemishes, and show you mine. We’ll **** wine from cardboard boxes till our teeth and lips shine red like greedily gorging foxes’. We’ll swill our fill, then have *** for hours till our neglected guts at last rebel. At two in the morning, we’ll eat cold Krystals as our blood detoxes, and we will be in love.

And that’s it?
That’s it.

And can I go out with my friends and drink until dawn?
You can go out with your friends and drink until dawn, come home lipstick-collared, pass out by the pool, or stay at the bar till the new moon sets, because we'll be in love, and in love there's no room for remorse or regret. There is no right, no wrong, and no mistrust, only limb-numbing ***, hot-pistoning lust.

And that’s all?
That’s all.

That’s great!
But wait...

Wait? Why? What’s wrong?
I want to have your children.

Children?
Well, perhaps just one.

And what will happen when we have children?
The most incredible things will happen—you’ll change, stop acting so strangely, start paying more attention to me, start paying your bills on time, grow up and get rid of your horrible friends, and never come home at a-quarter-to-three drunk from a night of swilling, smelling like a lovesick skunk, stop acting so lewdly, start working incessantly so that we can afford a new house which I will decorate lavishly and then grow tired of in a year or two or three, start growing a paunch so that no other woman would ever have you, stop acting so boorishly, start growing a beard because you’re too tired to shave, or too afraid, thinking you might slit your worthless wrinkled throat...



Mending Glass
by Michael R. Burch

In the cobwebbed house—
lost in shadows
by the jagged mirror,
in the intricate silver face
cracked ten thousand times,
silently he watches,
and in the twisted light
sometimes he catches there
a familiar glimpse of revealing lace,
white stockings and garters,
a pale face pressed indiscreetly near
with a predatory leer,
the sheer flash of nylon,
an embrace, or a sharp slap,
... a sudden lurch of terror.

He finds bright slivers
—the hard sharp brittle shards,
the silver jags of memory
starkly impressed there—
and mends his error.



Shadowselves
by Michael R. Burch

In our hearts, knowing
fewer days—and milder—beckon,
how are we, now, to measure
that flame by which we reckon
the time we have remaining?

We are shadows
spawned by a blue spurt of candlelight.
Darkly, we watch ourselves flicker.

Where shall we go when the flame burns less bright?
When chill night steals our vigor?

Why are we less than ourselves? We are shadows.

Where is the fire of youth? We grow cold.

Why does our future loom dark? We are old.

Why do we shiver?

In our hearts, seeing
fewer days—and briefer—breaking,
now, even more, we treasure
the brittle leaf-like aching
that tells us we are living.



Pressure
by Michael R. Burch

Pressure is the plug of ice in the frozen hose,
the hiss of water within vinyl rigidly green and shining,
straining to writhe.

Pressure is the kettle’s lid ceaselessly tapping its tired dance,
the hot eye staring, its frantic issuance
unavailing.

Pressure is the bellow’s surge, the hard forged
metal shedding white heat, the beat of the clawed hammer
on cold anvil.

Pressure is a day’s work compressed into minutes,
frantic minute vessels constricted, straining and hissing,
unable to writhe,

the fingers drumming and tapping their tired dance,
eyes staring, cold and reptilian,
hooded and blind.

Pressure is the spirit sighing—reflective,
restrictive compression—an endless drumming—
the bellows’ echo before dying.

The cold eye—unblinking, staring.
The hot eye—sinking, uncaring.



Open Portal
by Michael R. Burch

“You already have zero privacy—get over it.”
Scott McNealy, CEO of Sun Microsystems

While you’re at it—
don’t bother to wear clothes:
We all know what you’re concealing underneath.

Let the bathroom door swing open.
Let, O let Us peer in!
What you’re doing, We’ve determined, may be a sin!

When you visit your mother
and it’s time to brush your teeth,
it’s okay to openly spit.

And, while you’re at it,
go ahead—
take a long, noisy ****.

What the he|ll is your objection?
What on earth is all this fuss?
Just what is it, exactly, you would hide from US?



beMused
by Michael R. Burch

Perhaps at three
you'll come to tea,
to sip a cuppa here?

You'll just stop in
to drink dry gin?
I only have a beer.

To name the greats:
Pope, Dryden, mates?
The whole world knows their names.

Discuss the songs
of Emerson?
But these are children's games.

Give me rhythm
wild as Dylan!
Give me Bobbie Burns!

Give me Psalms,
or Hopkins’ poems,
Hart Crane’s, if he returns!

Or Langston railing!
Blake assailing!
Few others I desire.

Or go away,
yes, leave today:
your tepid poets tire.



The Century’s Wake
by Michael R. Burch

lines written at the close of the 20th century

Take me home. The party is over,
the century passed—no time for a lover.

And my heart grew heavy
as the fireworks hissed through the dark
over Central Park,
past high-towering spires to some backwoods levee,
hurtling banner-hung docks to the torchlit seas.
And my heart grew heavy;
I felt its disease—
its apathy,
wanting the bright, rhapsodic display
to last more than a single day.

If decay was its rite,
now it has learned to long
for something with more intensity,
more gaudy passion, more song—
like the huddled gay masses,
the wildly-cheering throng.

You ask me—
How can this be?

A little more flair,
or perhaps only a little more clarity.

I leave her tonight to the century’s wake;
she disappoints me.



Salve
by Michael R. Burch

for the victims and survivors of 9-11

The world is unsalvageable...
but as we lie here
in bed
stricken to the heart by love
despite war’s
flickering images,
sometimes we still touch,
laughing, amazed,
that our flesh
does not despair
of love
as we do,
that our bodies are wise
in ways we refuse
to comprehend,
still insisting we eat,
drink...
even multiply.

And so we touch...
touch, and only imagine
ourselves immune:
two among billions
in this night of wished-on stars,
caresses,
kisses,
and condolences.

We are not lovers of irony,
we
who imagine ourselves
beyond the redemption
of tears
because we have salvaged
so few
for ourselves...

and so we laugh
at our predicament,
fumbling for the ointment.



Stump
by Michael R. Burch

This used to be a poplar, oak or elm...
we forget the names of trees, but still its helm,
green-plumed, like some Greek warrior’s, nobly fringed,
with blossoms almond-white, but verdant-tinged,
this massive helm... this massive, nodding head
here contemplated life, and now is dead...

Perhaps it saw its future, furrow-browed,
and flung its limbs about, dejectedly.
Perhaps it only dreamed as, cloud by cloud,
the sun plod through the sky. Heroically,
perhaps it stood against the mindless plots
of concrete that replaced each flowered bed.
Perhaps it heard thick loggers draw odd lots
and could not flee, and so could only dread...

The last of all its kind? They left its stump
with timeworn strange inscriptions no one reads
(because a language lost is just a bump
impeding someone’s progress at mall speeds).

We leveled all such “speed bumps” long ago
just as our quainter cousins leveled trees.
Shall we, too, be consumed by what we know?
Once gods were merely warriors; august trees
were merely twigs, and man the least divine...
mere fables now, dust, compost, turpentine.



First Dance
by Michael R. Burch

for Sykes and Mary Harris

Beautiful ballerina—
so pert, pretty, poised and petite,
how lightly you dance for your waiting Beau
on those beautiful, elegant feet!

How palely he now awaits you, although
he’ll glow from the sparks when you meet!



Keep the Body Well
by Michael R. Burch

for William Sykes Harris III

Is the soul connected to the brain
by a slender silver thread,
so that when the thread is severed
we call the body “dead”
while the soul — released from fear and pain —
is finally able to rise
beyond earth’s binding gravity
to heaven’s welcoming skies?

If so — no need to quail at death,
but keep the body well,
for when the body suffers
the soul experiences hell.



On Looking into Curious George’s Mirrors
by Michael R. Burch

for Maya McManmon, granddaughter of the poet Jim McManmon

Maya was made in the image of God;
may the reflections she sees in those curious mirrors
always echo back Love.

Amen



Maya’s Beddy-Bye Poem
by Michael R. Burch

for Maya McManmon, granddaughter of the poet Jim McManmon

With a hatful of stars
and a stylish umbrella
and her hand in her Papa’s
(that remarkable fella!)
and with Winnie the Pooh
and Eeyore in tow,
may she dance in the rain
cheek-to-cheek, toe-to-toe
till each number’s rehearsed...
My, that last step’s a leap! —
the high flight into bed
when it’s past time to sleep!

Note: “Hatful of Stars” is a lovely song and image by Cyndi Lauper.



Chip Off the Block
by Michael R. Burch

for Jeremy

In the fusion of poetry and drama,
Shakespeare rules! Jeremy’s a ham: a
chip off the block, like his father and mother.
Part poet? Part ham? Better run for cover!
Now he’s Benedick — most comical of lovers!

NOTE: Jeremy’s father is a poet and his mother is an actress; hence the fusion, or confusion, as the case may be.



Whose Woods
by Michael R. Burch

Whose woods these are, I think I know.
**** Cheney’s in the White House, though.
He will not see me stopping here
To watch his chip mills overflow.

My sterile horse must think it queer
To stop without a ’skeeter near
Beside this softly glowing “lake”
Of six-limbed frogs gone nuclear.

He gives his hairless tail a shake;
I fear he’s made his last mistake—
He took a sip of water blue
(Blue-slicked with oil and HazMat waste).

Get out your wallets; ****’s not through—
Enron’s defunct, the bill comes due...
Which he will send to me, and you.
Which he will send to me, and you.



1-800-HOT-LINE
by Michael R. Burch

“I don’t believe in psychics,” he said, “so convince me.”

When you were a child, the earth was a joy,
the sun a bright plaything, the moon a lit toy.
Now life’s minor distractions irk, frazzle, annoy.
When the crooked finger beckons, scythe-talons destroy.

“You’ll have to do better than that, to convince me.”

As you grew older, bright things lost their meaning.
You invested your hours in commodities, leaning
to things easily fleeced, to the convenient gleaning.
I see a pittance of dirt—untended, demeaning.

“Everyone knows that!” he said, “so convince me.”

Your first and last wives traded in golden bands
for vacations from the abuses of your cruel hands.
Where unwatered blooms line an arid plot of land,
the two come together, waving fans.

“Everyone knows that. Convince me.”

As your father left you, you left those you brought
to the doorstep of life as an afterthought.
Two sons and a daughter tap shoes, undistraught.
Their tears are contrived, their condolences bought.

“Everyone knows that. CONVINCE me.”

A moment, an instant... a life flashes by,
a tunnel appears, but not to the sky.
There is brightness, such brightness it sears the eye.
When a life grows too dull, it seems better to die.

“I could have told you that!” he shrieked, “I think I’ll **** myself!”

Originally published by Penny Dreadful



Lines for My Ascension
by Michael R. Burch

I.
If I should die,
there will come a Doom,
and the sky will darken
to the deepest Gloom.

But if my body
should not be found,
never think of me
in the cold ground.

II.
If I should die,
let no mortal say,
“Here was a man,
with feet of clay,

or a timid sparrow
God’s hand let fall.”
But watch the sky darken
to an eerie pall

and know that my Spirit,
unvanquished, broods,
and cares naught for graves,
prayers, coffins, or roods.

And if my body
should not be found,
never think of me
in the cold ground.

III.
If I should die,
let no man adore
his incompetent Maker:
Zeus, Jehovah, or Thor.

Think of Me as One
who never died—
the unvanquished Immortal
with the unriven side.

And if my body
should not be found,
never think of me
in the cold ground.

IV.
And if I should “die,”
though the clouds grow dark
as fierce lightnings rend
this bleak asteroid, stark...

If you look above,
you will see a bright Sign—
the sun with the moon
in its arms, Divine.

So divine, if you can,
my bright meaning, and know—
my Spirit is mine.
I will go where I go.

And if my body
should not be found,
never think of me
in the cold ground.

Keywords/Tags: flight, flying, fancy, kites, leaves, birds, bees, butterflies, wings, heights, fall, falling

Albert had an ARTHRITIC knee
which gave him curry

The core of a BOIL is oft hard
to extract

Yesterday June experienced
a server stomach CRAMP

Too much dry weather
can cause the outer DERMAL layer to peel

Never read in a poorly lit room
for you'll have EYE strain

After eating spicy pickles
dad had bad FLATULENCE

Some twenty eight years ago
my friend Helen had her GALLBLADDER removed

They say that a glass of water
will stop HICCUPS

From end to end
our INTESTINAL tract is thirty foot long

On Sunday afternoon John
broke his JAW playing football

Some people have
very boney KNUCKLES

One of my work colleagues
is prone to getting LARYNGITIS

Colin suffers terribly
with MIGRAINE headaches

Sometimes people tend
to endlessly NAVAL gaze

A woman's OVARIES need to be checked
on a regular basis for any abnormalities

The PANCREAS secrets a hormone
known as insulin

QUININE once was extensively used
in the treatment of Malaria

Since my sister has put on weight
she cannot find her RIBS

The STIRRUP bone lies
within one's ear

Dan Aykroyd the famous comic star
has webbed TOES

Should you bump your ULNA bone
it may give you reason to groan

The VARICOSE VEINS is great aunt Ruby's legs
were very pronounced

Does anyone know of a good remedy
for unsightly WARTS

At our local hospital
we have an antiquated X-RAY machine

As tiredness and weariness sets in
one YAWNS quite a lot

****** ZOSTER can make
a person constantly itch

1975 Art Institute is tactic for Odysseus to put off dealing with real world also investigate range of visual techniques gay instructor fruitlessly endeavors to ****** him he enjoys several affairs with beautiful girls yet Bayli haunts him main building of school is connected behind Art Institute of Chicago Odysseus spends lots of time looking at paintings Edward Hopper’s “Nighthawks” Gustave Caillebotte’s “Paris Street Rainy Day” Ivan Albright’s “Portrait of Dorian Gray” Jackson *******’s “Greyed Rainbow” Georgia O’Keeffe’s “Black Cross New Mexico” Francis Bacon’s “Figure with Meat” Pablo Picasso’s “The Old Guitarist” Balthus’s “Solitaire” Claude Monet’s “Stacks of Wheat” Paul Cezanne’s “The Bathers” Vincent Van Gogh’s “Self-Portrait” Edouard Manet’s “The Mocking of Christ” Henri Toulouse-Lautrec’s “At the Moulin Rouge” Robert Rauschenberg’s “Photograph” Mary Cassatt’s “The Child’s Bath” Peter Blume’s “The Rock” Ed Paschke’s “Mid America” Grant Wood’s “American Gothic” Jasper John’s “Near the Lagoon” and John Singer Sargent James McNeill Whistler Diego Rivera Marsden Hartley Thomas Eakins Winslow Homer his 2nd year at Art Institute involves student teaching during day then at night working as waiter at Ivanhoe Restaurant and Theater gay managers teach him to make Caesar salad tableside and other flamboyant tasks wait staff are all gay men once more Odysseus experiences bias from homosexual regime he is assigned restaurant’s slowest sections it bothers him the way some gay men venomously condescend women and their bodies Odysseus loves women especially their bodies he thinks about how much easier his life would be if he was gay in 1976 the art world is managed by gay curators gay art dealers he wonders if he could be gay yet not realize it can a person be gay but not attracted to one’s own ***? Ivanhoe hires variety of night club acts one night he watches Tom Waits perform on piano in lounge Odysseus feels inspired in 1977 he graduates with teacher’s certification he considers all the sacrifices teachers make and humiliating salaries they put up with he does not want to teach candidly he feels he has nothing yet to teach teaching degree was Mom’s idea Odysseus wants to learn grow paint after Art Institute he flip-flops between styles his artwork suffers from too much schooling and scholastic practice it takes years to find his own voice he has tendency to be self-effacing put himself down often he will declare what do i know? i’m just a stupid painter one topic artists do not like talking about is their failures how much money they cost creation requires resource paint and canvas can be expensive how much money is spent on harebrained ideas that never pan out? most artists resort to cheap or used materials few can afford their dreams he gets job selling encyclopedias that job lasts about 5 weeks then he finds job selling posters at framing store on Broadway between Barry and Wellington Salvador Dali Escher Claude Monet prints are the rage his manager accuse him of lacking initiative being spacey after several months he gets laid off he finds job waiting tables during lunch shift at busy downtown restaurant other waiters are mostly old men from Europe they play cards with each other in between shifts teach Odysseus how to carry 6 hot plates on one arm and 2 in his other hand the job is hectic but money is good experience educates differently than books and college a university degree cannot teach what working in the real world confronts people learn most when they are nobodies he reads Sartre’s “Being And Nothingness” he wants to discover who he is by finding out who he is not often he rides bicycle along lakefront taking different routes sometimes following behind an anonymous bicyclist possibly to come across new way he does not know or to marvel at another person’s interest

truth is this life is too difficult for me the violence hatred turf wars tribalism laws judgments practices rules permits history i’m not prepared emotionally to withstand the realities of this world not equipped psychologically to deal with the stresses of this world not prepared emotionally to withstand the realities of this world not equipped psychologically to deal with the stresses of this world i’m sorry am i repeating myself i apologize i’m not prepared emotionally to withstand the realities of this world not equipped psychologically to deal with the stresses of this world god please protect teach me strength courage fairness compassion wisdom love i’m not prepared emotionally to withstand the realities of this world not equipped psychologically to deal with the stresses of this world

buy divinity purchase devotion earn reward points own 4 bedroom loft with roof garden deck porch pool parking in paradise’s gated community pay for exclusive membership into sainthood become part of inner circle influence determine fate destiny of everything step up to the plate sign on the line immortalize yourself feel the privileges of eternal holiness i’m living inside a nightmare inside a nightmare inside a nightmare hello? i am dizzy in my own self-deceptions lost in my own self-deceptions alone in my own self-deceptions there was a time once but that time is gone there was a place once but that place has vanished there was a life once but that life is spent remember when things were different truth is i’m weak skittish anxious alienated paranoid scared to death pagan idiot stop

breath deeply push stale air out imagine kinder more respectful loving world please god do your stuff angels throw your weight around clean up this mess planets align stars shine ancient spirits raise your voices magic work there are words when spoken can change everything words rooted to spiritual nerves if voiced in  particular order secret passwords capable of setting off persuasions in the mind threads to the heart if a person can figure out which words what order tone of voice rate of pronunciation time of day then that person can summon powers of the supernatural Isis goddess of celestial sway of words whisper secret earth water fire air reveal your alchemy winter spring summer autumn teach about passages patterns sublime eastern western sun fickle moody moon unveil your heavenly equation north south east west  beat the drums blow winds show the path to healing path of the heart blood dirt hair *** bare the mystery of your trance dance the ghost dance sacred woman with ovaries cycles flow smell beautiful girl eyes sweetness strange awkward skinny scruffy boy great bear spirit bird jumping fish wise turtle where are you why is there no one to back me? jean paul sartre what was your last thought before you died? was it nausea? nothingness? or a wish?

it's been a while since I wrote "a day in the life" or even
those little diatribes about the girls I like
but tonight the keys on my keyboard feel shorter, somehow
more eager to go down
and I'm tired
but it's good to write.

I'll start with monday I guess because that's when today started
I don't know how I keep this up and survive, but
I'm pretty sure I've been sleeping three nights a week for
months now.
it's like... haha... a year after polyphasing I need to make up for lost time.
Monday was Dana's parents ("parental") anniversary, it says in
the pink striped box, on the week view, of my calendar
I don't remember getting up but I started the clock at 10am sharp with
"remove sets and 5 easy steps from current"
no, never mind, I remember it now
(I checked my texts)
Damian invited me to breakfast, Tuneup, I said 8:45
he said he'd be there earlier. I got there at 8:30, before him
and sat in the back room. read the cached news items on my iPad. ate
a breakfast burrito with bacon, smothered, green
because I didn't want him to see me eating, again,
a burrito with the chili inside.
but he sat in the other room with… someone I can't remember
(I heard them, grabbed my coffee and switched seats)
he had kids, though. so we talked about kids. and they talked about kids
I don't really care about describing work any more.

Dana's mad at me, now, definitely– if it's 10am on Monday
It may have started last night… I don't know. She's mad because I work all day
and she has off
not that I know what we'd do to celebrate.
I went to Northern New Mexico College… impressed Sandy... Sandy something.
Impressed Damian by impressing Sandy, and as we drive back from Española
I realize that he's somehow grown into a larger part of my life than I thought would happen
and I'm almost wondering now if
when we leave from here
Dana will be enough to fill it.

It had snowed over the weekend, the mountains above Santa Fe were red with blood and the
valley spread out beneath us was white like… "white people", and it was (I think, should have been)
dark by the time I got home.

Dana had cleaned everything… and she never cleans everything, but she was so mad
and I was mad. hell. I was mad. because I don't want to be this person either
I mean, of course I do
can we ever be anyone, but who we want to be?
but more than this person I wanted to be somebody who suffers, and suffers for something good
and I knew that I could righteously suffer for this trip and for Damian and not have to suffer
for whatever person I might be afraid of becoming.

So when I told her I was going to work all night, she was even more upset and then we were
leaving for her christmas party but I realized that I have no interest in Starbucks or
the people she works with and she had no interest in me right then so I told her I would stay and
I guess at least she only texted me three or four times furiously.

and I… worked. I could tell you how. but I don't care.
and she came home. mad.
but Jones and Katy came over later, it was my idea
and I tried to install my new electronic sensor gadget while they three
sat on the bed and read poetry
(Katy and Jones had broken up earlier that day)

and after they left… at maybe three, Dana was being nicer to me
and I held her some, and we made out, but I
worked
but maybe, this time, it was a little more ok.

I went to breakfast, again
went to Patricia's, felt sad.
Came home, again. drove Dana to work, again.
Checked Ryan's mail box to see if I'd missed our delivery.
spent an hour and a half on Skype with Jeff, Connor listened...
I want to say admiringly

and then we took more adderall and started writing code and things got
a little fadey for a few hours, but I was ok because I am always ok and Connor
is really good at this, really– I mean. Connor is really good. and I want him to be happy.
and to try and tell him this I bought him burgers at five star (in Devargas, where we saw Todd)
and offered to give him my car.
we dropped off Katy's phone at Connor's house and came back here, took more drugs and tried to write but
it's getting over our heads now, and I'm feeling soft and strange
but soon Dana is off work and she seems, even, happy now
as we drive to Ben Sobol's birthday, where I gave him a book
and allowed myself to entertain, for a few minutes, the thought that Ryan might come to Lima. but we had to
come home

because I know I might be tired by now, know I was once before.

and tomorrow there is so much to do.

but sleep wouldn't come and I started writing my thoughts out, about instagram and privacy
and, to Damian, about whether compiling .less was worth it in the long run
and, thinking, who will argue with me like this when santa fe is done?
and then Dana and I had *** and now is the part where I sleep so hard it hurts but I keep thinking and it feels nice instead.
and so it's four am now, and I write.

and write. caught up on time.

still trying to catch my breath, from the ***– I've had a whole pack of cigarettes today, haha, maybe I'm
suffering myself to death
but mostly it doesn't even hurt, I just can't breathe, and my heart races to break free of my chest
(to go where it will be better kept).

so I wrote this because I looked down at my feet on the berber carpet lit by the rope light under our bed and I was afraid
that I might never again know what it was like to look down at something like that,
soft, orange, warm. home.
and with Dana, falling asleep to my left.


we leave for lima two weeks from today.
I told Ryan last night that it's because it's too easy here, because everything's been done
but it's a cruel thing to say… I think… when no one has it easy here, nobody has what they want
in fact it seems like almost everyone, not just here, spends most of life trying to get this
while we see our satisfaction only as an imperative to throw it away.
but.
hey. I guess I said I'd
like to die a poet
and now it's looking that way.

and I guess the reason I keep standing outside, the reason I texted Rachel from Danny's porch is that I've always
left every place with a plan to come back to
all those Rachel's fire escapes.
but I've never yet looked back, and certainly never gone home.
so the question, as I see it now is:
am I always going forward because I've always been running away?
or is it just impossible to go back to where you came?

because I am happy here. and this, for the first time, does not feel like an escape
so I'm scared it will turn out like one anyway.

in the dark all alone
fingers weak trembling
to light a flame
so he can smoke
lips on paper
fire in his face
he inhales once more
drawing the fire closer
paper disappearing
muscles relaxing
the plant spreads
through his body
in his lungs
hardened from cigarettes
through his blood it creeps
quietly rapidly
with out a peep
the room hazy
distorted
he is relaxed
until the drug wears off
roll lick light
another cycle
repeated twice more
a sound breaks the silence
the door opens
in the gap a silohuette
short
daddy
it cries
the smoker turns away
as the door closes

the next day
with pockets empty he weeps
a child on his leg
no more
no more
a different life he needs
a person he wants
girlfriends, pets, kids
his wife
have all left

in his house alone
fingers weak trembling
to press the trigger
and an angel speaks
No
No
it cant be
what could god want with me
a loner an addict
a failure

his mother speaks
floating above him
no my son
you can be good
try
let it escape
and he tries and fails
repeating what he did before
gun in hand he cries
with his heart
his mind
his soul
his mothers face
the last thing he sees
despaired, she turns away
biting his tongue
fire in his face
he inhales the lead
and an angel cries

they meet at hospital locked unit for torture victims undisclosed site no unauthorized access their condition experiences high risk public relations for war effort mainly patients seclude themselves in anxious solitude when not in anxious treatment they will remain under strict government surveillance until war is over at which time another administration will determine their resolve

she graduated from Stanford with Masters in 9 languages employed jointly by Hachette Livre and Random House Mondadori publishers United Nations attaché interpreter translator then Special Forces Black Ops

he graduated P.H.D. from M.I.T. in political military economic social information infrastructure systems tactical behavior strategy campaign employed by private security contractors consortium assigned to unidentified location

her captors splayed arms legs to table force fed 1 gallon ***** down throat 2 gallon enema without anesthesia sewed shut eyelids **** sphincter then starved rat inserted in ******

his captors blindfolded handcuffed victim prepare beheading live internet feed decide instead shackle him to wall douse gasoline ignite water hose scorching body 3rd degree burns then apply nail-gun through testicles ***** dowel to temporal lobe

act 1 scene 1

small unused visiting room 2 gray couches end table with lamp vase of plastic flowers

HE sits in wheelchair severe burn scars to face scalp body memory loss hoarse raspy voice stiff protracted body motion

SHE under continuous psychotherapy supervision patient suffers severe PTSD shaky submissive prescribed modified combinations of 13 medications (Prozac Adapin Vivactil Nardil Desyrel Wellbutrin BuSpar Klonopin Vistaril Neurontin Inderal Catapres Seroquel) administered twice daily

HE i brought you bacon strips in napkin from breakfast

SHE (eyelids flutter hands tremble) thank you but you keep it (pause) you know i used to be vegetarian

HE i know i look monstrous get over it there’s a real human being trapped inside this mutilated mess

SHE i i i can’t talk (pause) don’t know what to say (pause) after they sewed me up they ripped me apart shoved rodent to gnaw my insides (pause) skinned cooked made me eat it

HE you’re still alive aren’t you quit your whining show some gratitude stop being such a big baby

SHE how dare you ******* accuse me you’ve got you’re ****** **** nerve

HE i apologize please forgive me i’m not myself since the injuries i’m desperate for diversion pain management escape from excruciating pain nightmare thoughts i still endure

SHE who’s the big baby now

HE please help me overcome this consuming terror distract me with your loveliness please be my muse

SHE i’m no healer what do you mean be your muse

HE inspire me open yourself up to me arouse feelings beyond my suffering

SHE i’m useless look at me i’m a basket-case

HE spread your legs let me see

SHE what! you’re rude blunt disgusting

HE show me your cooch you got ***** hair?

SHE oh god you are so ****** creepy repulsive (pause) and I’m not a very hairy person

HE come on darling work with me stroke me relieve me

SHE i don’t even want to think or know about it go take care of it yourself

HE i’ve tried i can’t stay focused i see my disfigurement then get sidetracked i can’t get myself off

SHE all i am to you is a piece of *** you brutal *******

HE you could show a little tenderness maybe nurturing fix what’s broken give it up to me girl please i beg you let me do you or do me

SHE i was informed your ***** is shredded testicles disengaged

HE who told you that it’s a lie my ***** are maimed yet intact my **** still gets ***** granted it’s not a pretty sight keep your eyes shut

SHE (body twitches) you want power over me

HE ***** power i want some release i want you in control you in charge of my ******* please be my curing goddess

SHE (looks away) i don’t trust you

HE what’s not to trust i’m a pitiful casualty of war just like you we weren’t born like this but we’re both now doomed useless pathetic

SHE you could try being more polite civil congenial perhaps if we were friends first liked each other and you won my sympathies but you’re so forceful intrusive

HE war does that to a person

SHE please make an effort

HE you mean if i talk nice you’ll consider

SHE i will take it into consideration

HE i think you’re pretty more than just pretty beautiful

SHE i’m shattered damaged wrecked ruined

HE i see beauty in your face figure beauty in your words reactions

SHE i’m afraid to let anyone inside

HE i’ll be real gentle i promise

SHE i’m scared

HE yeah i’m scared too scared i’ll shoot blood instead of *****

SHE shut up

HE help me please find a way back to myself a way to accept love respect you

SHE hmmm uhhh since you phrase it that way i’ll think about it i’m not promising anything just considering (pause) ok? (pause) how would we go about doing this?

HE we used up our free time today they’ll be searching for you begin picturing in your mind how you would like it done imagine feeling loved protected

SHE (eyelids waver) help me learn slow how to do this dance

HE every step of the way

SHE thank you see you tomorrow

As I walk into my classroom,
And sit down to wait for my copy of the exam,
I turn to look at Pam,
And notice she didn’t eat this morning,
But nobody seems to find this alarming,

As I take out my pencil case,
And sit down to wait to write down my answers,
I look at Sophie,
She suffers from anxiety,
And the stress is making her feel like this is a disaster,

As I sharpen my pencil,
To write more clearly,
I look at Henry,
He’s been thinking of suicide,
And nobody seems to be at his side,

As I take deep breaths,
And sit down to feel no emotion,
I notice Tim,
He is suffering of depression,
And nobody is there to listen to him,

As I get my copy of the exam,
I hear someone burst into tears,
Nobody is looking at Adam,
Who has been keeping in all his fears,
And is not ready to face them,  

As I exit the classroom,
My exam given to my teacher,
I realise life is not an animated feature,
I realise all of these students have something killing them inside,
I realise all of these students have someone because of who they cried,

I realise one of them is I