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Umi Feb 2018
The nightsky is alike a mighty mansion of the stars which then
twinkle in elegance, beauty and transience until the dawn outshines them in a graceful manner.
As the night turns away from the sun and from her light, danger
in our imagination could await, from the corners of our very mind.
Yet the stars make up a soft blanket, a cover of the calmest of light,
which could bring peace to a soul which is performing a rampage.
All the constilations, all the names and forms which reveal themselves, are but a heavenly spectra for those who are nocturnal.
Or for those, whom have meet the cruel fate to be allergic to the natural, straight forward, warming and blissful sunlight.
There is no soul with no protector, in the nightsky such would be
a bright,piercing star, standing proud,manifest its location is over you
Holding many wonders, the beauty of the night comes with shooting stars, which at times shortly sweep over the heaven before fading.
Wishes are made upon, hope fills their hearts, for a better future
or a fulfilment of their desires, tangled up within the depth of mind.
Night becomes bright once the moon shines, in its fullest posture.
Becomes dark once the rainclouds drive near, calling in thunder.
But most importantly, it is a time of rest, from all this earth beholds


~ Umi
vircapio gale Aug 2012
boasting of the god of love's attentions,
this magicweaver lures her prey--
conjures forth her whim
seeking quench of fickle thirst within
attempting avenues of guile
numerously failed, and baits another heart
to suit her object's mate,
whose favors hail from Shiva
unto dominion everywhere,
  except at forest hut where Rama--
with Sita --honeymoons in exile
having snapped the cosmic dancer's massive bow
to win her for his wife, yet bound
by family word to wilderness
  in elder-shade of mystic eagle
guarded by their builder,
brother Lakshmana, in whose absence Kamavalli comes
to woo the godlike archer for her own.

little bells on anklets ring--
from creeper snagged
as if in venery yearning,
urgent vines would find their way to rest on skin
and squeeze in verdant rooting underform
prancing by, playfully demure
to enter subdued greenery
of Panchvati's gated yard
to catch the stoic Rama's eye
in invitation flashing for his gaze:
a sculptured form of flawless grace
nubile teeth shining from the forest dark,
a smile unassuming of callipygean sway
beneath the flitting lashes of her iris' swell

baffled there he stirs to praise her openly
as perfect--
despite his inner-goddess-for-a-wife he keeps inside--
with tripping words
welcomes and blesses this new girl,
exalting her with blushing queries,
sylvan surging rush to know
interrogate her mystery,
rapt in wide-eyed wonder verging beatific breath--
but learning of her lineage...
begins to plot their deaths.

banter light,
flirtations with a hidden, cosmic weight to pun against,
his praise asserts its hold
pretending bachelorhood;
his kindly, transauthentic voice resists
and in a sympathetic, skillful tone, promulgates
a drama to entice her eager mind--
ironic fancies of domestic bliss
flow from Rama, subtle jests
become her plight obsessing
into darkness embered with her lust
to truly claim him as her love,
her grandiosity defused in simple
entertainment quipping of their castes
and then with sudden burst entranced in luminescent rays of stunning rustic glow
from cottage comes his wife to claim her presence known.

the blow is dealt: Manmatha lays Kamavalli's fate: to self-disintegrate

jealousy to deafen gods, in cave retreat
to nurse her spite, surrounded in a dance
of serpent flails to sate her woe,
and only feed in ouroboros knotslip pulse
a lump-filled throat of gulping incite forward zest salacious
pungent flare of earth identity of fang and blood
the cry to shudder down a wolfine howl
in blast of animal, from screaming womanhood
the swoon precipitate-- vast height, abysmal fall
on being spurned by one who led her on
into delusion wrapped in sham an alter self
she met in bed a thousand cravings razing sanity
into a hate for moon, for elements themselves,
railing at Manmatha's haze infernal globe within and out
projecting Rama's face transfixing her inept
in wracking convulse whine of every cell,
her being sweating out imagined arms,
palms of his to cup her, lift from hellish pit of stifled longing never known 'til volcanically regrown--
in new love's throws an innocence of honest
selfhood found in him, bizarrely enemied in Lila's
killing spree of ego-dolls of lotus costume tracing all
searching through his fresh phantasm for her quelling salve
his diamond ******* targets for her soul
his broadness engirthing her to moan until her last in ecstasy
unknown asura-brew untold invented only now forever lost,
the moment fondled vastly gone,
his chest but gossamer instead of flesh
the emerald shoulder glimmer fake
the boundless confidence exuded in his
tender skin's encapsulated sinew strength
merely thought on causing pelvic quake
repeating there an apparition for her nearly endless letting out
he comes for her a demon double of her making
demi-god creator-demon vision for her writhing,
abandoned to the ambrosia torment he provides
wailing at the cavern sky her prison boudoir den
enscaled with slither pile coat of snakes, masturbatory wake of swooning still again

through to dawn..
in which psychotic break decides:
Soorpanaka births herself anew--
possession of her goal, or suicide.
the dewy spectra shines reflection of the choice;
rave committal forms its mould--
exhaustion hatches colorspray of plots,
braving mutilation to abduct,
lies and bribes surmounting each before
in ****** propositions to her ever widened bed,
else demonic armies loosed,
infatuate Ravana's heart
with illusory snare of golden Sita's rumored wares
to get her man alone and hew derision
with her desperate charm, by cantrip or war
spawned from deeper lairs of a broken,
fallacious heart, toward matrimony
or destruction bent













.
vircapio gale Sep 2012
wakefulness demands a certain clearness when asleep . . .
it doesn't come as planned
"tat tvam asi"
LaBerge says to me in dream of me
"this world you are, withstanding even torments thou art never seen."
and that's enough to suffer aching, opaque psyche summit, forward
heart to rise an interspecies knell when danceless fades the bee in droves...
aimless whales who singing deep in love are cut from evolution's murky chain...
fungal blight of hibernaculum, in deafened sonar sending sudden drop of death;
to horror fragment melt, the ocean swill from ancient caps to sunken polar paw
diverse in massacre of tropic forest fertile mists, lives dispersed
and balance tipped from blindness not unlike the sterile statue's, there
                                                          i­n dusty courthouse corner, shadow-lined with infamy...
what imagined cartoon causal Captain Planet              
                            villainy to blare across oneiromantic globe? and (dreaming?) civil strife,                  
       eradication's alter triumph pose to measure blame in inner life?
of empiric meditation's top, in *******
churning out abuse in deeper,
                                                         ­   younger hidden traffics yet to terrorize the net...                                  
                                             the scraping of the sky had punctured through                                
                         ­                                      from metaphor to fact
                                       the sooty barbs
                            in radiance rebound    
and irony affected 'green'
                  folds crisis and solution into one                            we hope
                like what we say we are, becoming change                      in wartime summer fling    
we                                                        
say we can in world of 'me'                                      
in guilt-assuaging verve
                                  the heifer-gift to village fief
    but then to rest against organic pillow-conscience gray                                                             ­       
                                                               soundly snoring smokestacks fill from ground to sky
still for sly investment windfall   fog  billow, shake...                             
transcontinental scape of dream imbued anew:
i am the genie of my ownmost inner lamp
in dreamtime-being spacious constellational of reach distilled
in contemplation's tratak zoom mInute
   with jet black finger trace
    i net                                                              ­                                        from out the inter-earthen air                
                                             ­                                              the lump on lump of coal
                massaging from                                                             ­      as if an ivory atmospheric                  
lift                   of      weight  
                           the sculpture of our past condensed in elephantine ******
                                                 miasmic fossil shower-haze of sporogenic fear,
mneumonic nail-tusk night of carbon-spirit back into its hold -- originary dark,
Dark light from burning black                                                 once again contained                                                      in elemental subterrain                                                       ­                                                       
         ­                                        --now it underlies the ground inside for triple shielding outshine
--outer-- light to cool us breathing once again . , ,    
false convenience in abeyance in a human time!                                
i am right now of inward self my soul supernal carbon imprint copy                             
for accounting every speciesistic mind to open wide enough and quell the "all-too human plagues--                                                                           ­       cheering all penultimates, in beams reflecting ante-truth          
                                                 down halls of mirror-minds that lightly discourse
on the ingress of a centaur saving power
channeling the leylines of inception,
ecstatic dreamworld of apotheosic glee:
parting the eidetic clouds,
commune an avatar intentionality . . .
ensorcelling the foodstuffs of the world to feed a dozen million refugees,
insectile diet pride attends in homes of affluence,
the abstract mass of media, become eupeptic cud of understanding bats and even bees--
for biospheres a Goodall stewardship arrives
(her perfect chimp call too resounds across the earth!)
and dwindled frogs their former ponds (unknown, destroyed without a sound)
return to chirping vibrant green symphonic swooning life
the glacial march of tears to halt . . .
all ecosystems rife withall
the panegyric of marshlands globally reborn  
along with shining waters, algaeic sun alive at play
in double-helix breath of dolphin families' bubble art
a sudden resurrect from ****** harvest cove arise cascading joyous leap
on final absence of the metal herding knock of trapping pods
no longer hacked in waves of pink, mere preparations for a restaurant sink--
they are free to swim the depth of worldheart dreaming unknown dream entire real again
marine apsaras dip in spectra (flicker eyelid) rays, reintroduce the dawn
her fine apparel calling forth transhuman destinies
unsplicing brilliant minds from ****** task of splicing GMOs
recycled randomness accepting death before we die
mycelium in runs of spilling-- all undone --
migrational attuned our resource use
and CSAs to thrive in eco-city scapes
no solopsistic somniac pretends
--the dream imbued in final hue
a momentary lapse, creationary flux--
the bombs defused in flick of wrist
indentured and enslaved, imprisoned innocents, oppressed and even self-deprived released
through selfhood's metaviral claim
ground of each dependent intertwining
whatness will to be
a place in which to hum in tune or out of tune
to heal and in a another dream aside from this perhaps with me partake
in true oneiric panoply of conflict held
--with permeating rigpa geogaze--
colliding ideologies transmuted into trust
in panharmonium of varied vision
and what the ever present boons of real, imagined symbol-real
create awake












.
Extravagantly exorbitant mentality panacea
Pretentious eidetic’s ubiquity mnemonics
Extraversion embezzlement extortion mens rea
Endergonic laconic cacophony phonics

Preterite rendition enclitic equilibrist motion
Mystic symbiosis dharma spiritual sky
Brusque macabre abjections the gist of the potion
Straight up forever ontology on high

Obdurately abstruse vituperatively vociferous
Juxtaposition apparition myriad avarice
Orotund sonorous diction obliquitous
Multifariously versatile nefarious nemesis

Mirador bartizan phantasmagoria aesthetics
Guidon gyration excursion integration
Sorcerous alchemizing interstitial endemics  
Chaos charisma objectified tribulation

Conjurous apothegms clitoral apomixis
Exude emote surrogate extrapolation
Astral projection littoral hypotaxis
Kinetic supremacy homogeneity gravitation

Coercible coalescent cohesion dexterities
Adjunct conjunction conjecture acuity
Platonic pragmatic prosaic austerities
Extemporaneous impromptu innuendo fortuity

Propinquity habitation harbinger spectra
Perplexing paradox tenacity rostra
Intensely cogitational abstract mantra
Penumbral exigency , umbrage per contra
Theoretical incursion grandiloquent ne plus ultra
Exogamy of homoplasy sic itur ad astra
Quiescent serendipity surreal anestra
vircapio gale Jul 2012
"
"nor is this a fact," nor is my syntax the 'true.'
i can't use quotations in the way i'd like to,
to allow the paradoxical to seep through
in the sly act of revising 'this' honestly--
merging truth with falsity, to silently see--
grammar become a means to shatter certitude

"i can't tell the 'truth' with these ["i can't tell the 'truth'
with these{...} very words"] very words"; i really can't...
it's somewhat unfair to communicants, this rant.
let me bolster your trust by not telling it slant:
in fact, it's not poetry, not from this angle.
maybe when you read, this 'this' will be poetic?
meh, i'm relying on telling, not showing. so...
quiet's often better than such entanglement

but this is not about value, it's about truth.
sincerely, i doubt i'll keep those two separate

perhaps... if you pretend i'm a prolix parrot,
who happened through some acosmic accident
to be the transmigrated daimon-soul of Sappho,
or Hypatia, Gertrude Stein or Plath even...
(yeah, i'm like a Cretan for going on): they weren't,
'your gobbledygoo,' or 'Sweet sweet sweet sweet sweet tea.'
stripped bare at the Caesareum, being murdered
for the crime of godlessness or female wisdom
spoken in the scapegoat-hungry rule of Rome...
this is not what they were, not the whole truth, at all
and though from winds of ****** she spoke in verse
that her vast poetic fame 'was no delusion:'
and that, 'dead, I won't be forgotten,' i fail,
painfully fail,
to trace into a verbal womb
the seeds of those that transformed all, yet now entombed...
for to remember them in me is to revise,
reduce, sadly in that poetic untruth found...

"this" is a gestalt, i guess i'll have to say,
a "figure-ground," a floating 'shape' in some context,
one that you embody too, somehow, not in text;
even through a distant sharing, it's realized
(hold onto the random metaphors you find,
they're probably better than what's in my mind)
and to share this with you now, to hypocritize,
it's lunacy. i mean, the moon, the poetic moon
is not a meme, is not a custom, is not a poetic fact,
in fact, it's not in this poem, and if it were--
being televised with some authentic ontic pixel-space--
here between the lines augmented mOOn for you
it would prove how unpoetic the poem is, and how
very true the moon is, if it were here, right quoteunquote"here"
ineffably punctuated
            -- well, let me try
and fail again to make Erasmus proud:
the quotes would hang about romantic beams
parentheses to echo adjectival spectra streams,
an underscore horizonal and asterisks for stars.
but not these * asterisks,
or those_types of underscores--
better (parentheses) and far more "quothy" "quotes"--
the punctuation would literally ^punctuate^ the sky of my text.
time would stop.                                                            ­                   and that would be poetic.
you don't need to breathe, even; not this 'you,' in this moment
(the one i've failed to capture):
'i will put you on the moon' i say,
'and sit you buoyant by the buddha-astronaut, who,
in answer to the question sprinkles moondust in slow motion,
symbol-guiding realness, my "finger" for solution,
to present to you again, what is present to me now.
the Russian names, the rest of names, the 'face' some say cries, "sweetly,"
as if we could use the moon's sympathy,
or as if we should feel it for the white rock that elliptically defines us,
dances to our rhythm, (the tides, the ****** huntress)
the one that taught us to dance,
the one that taught us to yearn darkly in surreal eclipse
more hopefully for the chance of cataclysmic doom
some Greeks thought it was a disco ball, after enough *****, that Dionysian night,
some Greeks thought it was a disc,
like a coin that flipped just right
to match it's dance about our pearoid earth
in synchrony's anachronistic mirth.
i would lick each Bacchant clean to learn the mysteries of poem
i would lick each Bacchant clean. period. no music or noema known
this 'poem' is not a "poem"
in a very real sense
i did not make this,
nor did i compose or create it.
if you're not following it's ok, i'm barely there myself -- i'm trying to refer to...
the elliptical shape that certain publishers use
to refer to fundierung
the double-founding,
reversibility,
the flesh of passive
the flesh of active
enfleshed perceiving
the common meaning we contribute
but can't attribute to any source we express!
(however distorted) after the fact, yes! --
either all that, or the meaning you get from "this" act
doubly-enfolded, with two pairs of hands kneading the same dough,
two pairs of eyes weaving the same lOOm,
another Indra's net to sew,
in meaning you give now,
the techne of your reader's mind
and the meaning i'd wish to know,
if i were still writing what you are reading,
doing my best to ignore the title
and to write something worthwhile...

i do wish i could show it to you the way i love it in your own poetry,
but you would know that, already, without my love

without my unpoetic lack of facts, my rhymes.
free of poems, free to flout the literary sea.
free to be unwordly, and let the contradictions fly
"
-a version of the Cretan's or liar's paradox ('This sentence is false.') inspired this write and took on a life of its own and isn't meant to be an argument for anything. just an exploration of the problem of representation, a universal distrust of language and my associations. hope it didn't drive you crazy like it did me :)

-i quote Sylvia Plath's "Daddy", Stein's "Susie Asado", and Sappho's very short,

"I have no complaint"

I have no complaint
prosperity that
the golden Muses
gave me was no
delusion: dead, I
won't be forgotten
Sappho

-Erasmus wrote "Praise of Folly." the title alone comforts me

-when asked 'what is truth?' by one of his disciples, the buddha is said to have picked up a flower.

-our moon rotates at the same rate as its revolution (not sure why please inform me), so one side always faces us. the greeks thought it was a disc, literally. and when the Russians got to the 'backside' first, they got to name all the craters.

-noema:
the objective aspect of or the content within an intentional experience. NL, fr. Gk noema perception, thought understanding, mind, fr. noein to perceive, think
Umi Feb 2018
By the earth and it's wonderful, wide and unique expanse
A mother to what is living on it and inside of it, may it be small
or great in their posture given to them.
Indeed this place inhabits many creatures, faces and races.
Each striving for their own path, of staying alive.
The soft soil of the Earth, a comfortable living and breathing
ground to walk on, proud and all connected, only to be divided
By the sea which covers most of this planet, comparable to a blanket
From which we gain food and drink, in a clear registered cycle.
Of course this place too holds it's dangers, such as a quake could
end it all in a brutal roughless manner and tear it from the ground
we build our houses on.
Or be it an eruption which casts a rain of ash and embers, suffocating
the sky above, the ceiling which was meant to protect is our very end.
A mighty wave, which sweeps over the cities, drowning them in
it's lethal, cold and brutal, moist and salty embrace.
It is not healthy to be in such a negative spectra of thinking however
For this place holds, more transient, living, artistic beauty than I
could simply express or convey in words.

~ Umi
vircapio gale Nov 2012
he could play a frakkin' minuet
with his hands, this dude,
with perfect pitch and key --
and birdcalls of a timeless cult.
he'd hangglided in volcano rainbows,
had meathook *** from rafters.
reciting Shakespeare, conjured instant goosebumps, tears --
towering heartwise, intellect vast
whatever roles he played at night to model for our soul
we ripped the roof from off my fathers house, sublime,
wearing attic soot in all our pores,
asbestos grin contracting into mycophile hopes
flirting with the passing birds
in leaves and pizza parlors,
tanned and buff, shingle tar on shoulders, nails,
iron hard for her and her and her
the beating sun-breath coughing under mask
each tack an instant echo for the breeze
to take direction from a symbol core
no symbol ever truly held..
refreshing airs to bleed away the vanity,
yet halfway on the ladder there
an interrupting brag, my father's fascia beams
report card scores as if a better world they made
in money pitted recess taxing hidden filth- -
thank you,
Bach, to break up pride with existential high
new melodic rain to cover over thousands lost to sell,
settle dust,
handwind bard, aesthete
innovate human
you turn me on with tales of your amazing wife
bareshirt in your unfinished house, lusting eaves,
backyard grasshoppers on the counter,
****** as insect brains can be
to tilt their eyes with me at unreal fullness spectra-circle on a cloud
not possible the wholeness found
in wish fulfilling living roofs
of ecosystem awe and sunlamp bottles
here, and here,
under moss on backwoods skillion
or trussed on tree spread wide, open-hipped for skylove --
contentednesses missed the meaning now
of mother-art to birth anew the endless homes,
ecosophy's abundant cheer
laughter even in the nooks of dying nails
extemporaneous arcology of barefoot
ridgetop feardance raked in soffit shift
from gray to green
invulnerable vigor gained and gone
and grown again
from marginalia to universal veil
'happy evermore' no matter this or that
a swimming hole of naked sayings streamed,
inner wash of salt and sweat, an afterthought deluge
to challenge dormer crease-dive of a dogma drain
structured, learned pillage ivory still
though greensulated soon








.
arcology: a concept combining architecture and ecology as envisioned by Paolo Soleri.

greensulate: insulation made from mushrooms

'the endless house' is a light-maximizing design created by Friedrick Kiesler

'marginalia' and 'universal veil' refer to parts of a mushroom

'fascia, soffit, rake, truss, dormer' refer to parts of a roof; 'hipped' and 'skillion' are styles of roofs
Onoma Nov 2013
Ganders...gargantua--ensconced in far-fetched space...
(attrition)...LOOK AT THAT LINE...LOOK AT IT...
ROUND THE CORNERS OF PERPETUITY...predilections.
A soul's inalienable fracas...on bend and knee...hop...and
whoop...miasmic gargoyles poppy-wreathed...
for all-too-lucid dreaming...chanting etceteras of bare riff raffs.
Golden breastplates...weeping willow wings...empurpled--
fending fang trumping lines of: yuck, cluck, claw and kook.
...Listless eyes...alphabetize...think a blind oracle's informed
absentia...holy and bovine.
Redolent airs...perspiration of spume's most distancing shore--
eyepieces for the specks and logs in the oculos of brothers
and sisters.
As dust to dust doth not settle...heart's yonder score...nay cease
of interstice...off-world amorousness.
Gather ye yarrow sticks...hurl them at days...roofless arcady...
live into the spectra of their worlds, come friend or foe...Fate's foundling.
Lines strung as prayer beads...curs-ed beads...forget-me-nots
enclosed in letters baiting Long Farewells, in the great literary
correspondence of authored and Author.
...Ye gorgeous gargoyles come perch and push.
Persona non grata...the wide world...unisex prodigal...All--returneth.
LOOK AT THAT LINE...LOOK AT IT...(attrition)...ROUND THE
CORNERS OF PERPETUITY.
NEBULAEIC FANFARE...come perch to push...lo...ANGELS!
Tom McCone Sep 2013
i'm not looking for pinpointed lights
in the sky or my veins like
emission spectra of petals you leave
around my aorta
with daisy chain bracelets
whilst holding my heart like a
baby hedgehog or a shard
of glass left from broke-into car
windows our getaway driver, misery,
scattered across the pavement of your
gaze i met for five exact seconds
i remember, clean as new linen,
the geometry of your living room
seventy-six centimetres from your
glasses or the symmetry of the
bridge of your nose or the sound
of your soft exhalation.

to three decimal places i
was in love with you, then.

the rain need not spell it out in
morse for me to know that. the
sun need not rise to devour sleep;
through the ten factorial seconds of
each six-week fraction of my
life,
i dream of you.
Robert C Howard Jul 2015
Two billion years ago
the river we call Colorado
opened a **** in the Kaibab Plateau

sculpting sandstone, granite, and limestone spectra
on the rugged canyon walls -
reflecting the seering Arizona sun.

Millennial torrents scoured the surface.
Juniper and Aspen, torn from the expanding banks,
****** into the river's red-stained vortex.

All the while the restless Colorado,
obedient to gravity's law,
scoured its bed a mile below the rim.
The last dinosaur perished - choked by volcanic soot.

Pangaea rumbled, groaned and split
and an eye-blink ago our African parents
stood to take their first faltering steps.

Their progeny crossed the Bering bridge
roaming south to build stone shelters
tucked against these canyon walls.

Did the Havasupai huddle in fright
of the jagged firelight searing the skies -
pounding the air across the hollows?

And emerging at storm’s end
did they gaze at the rainbow mist
spread over the buttes and valleys?

After dusk, with fires withering to embers,
did they rest supine,
heads pillowed on their arms,
pondering the jewel case universe above?

*November, 2006
Included in Unity Tree, published by Create Space available from Amazon.com in both book and Kindle formats.

http://www.amazon.com/Unity-Tree-Robert-Charles-Howard/dp/1514894432/ref=sr_1_1?ie=UTF8&qid;=1447340098&sr;=8-1&keywords;=Unity+Tree
Zack Murray Oct 2012
August 10th, you seemed so distant
Not quite as distant as the barrel of one gun
The gun that fired the shot that would stun
The scientific world, from Rutherford to Niels Bohr
To find out esteemed fellow scientist Moseley was no more

But before that, in 1913
X-ray spectra was naught more than a dream
Before diffraction through crystals became the truth
The wavelengths needed a meaning, and there was proof
You developed a mathematical system without flaw
One so great, it was named "Moseley's law"

Mendeleev had the right idea, but not a plan
Could not arrange the elements the way that you now can
Without you, my sir, we would not have had this premium
To enjoy the elements technetium, hafnium, promethium, and rhenium
These gaps that like stars littered the periodic table
Were filled with ease, and the cosmos became stable

You had set the foundation for crystallography of x-rays
A method of determining arrangement that is still used in modern days
The first machines in use were those for which you had the design
But their widespread use you could not see as there simply was no time
For during a battle, as you made the phone set run
A bullet took your grace away, a scientist dying young
Sitting on the edge of Andromeda, in his planetary chamber Zefián; Duoverso computer, separated the parasitic interchamber of the Duoverso, which would be born from the Charioteer and that in its gigs would unleash the senses of structures and luminosity between this colossal interplanetary chambers. Being between points that venture through the axon of infinite time longitude for light years, which even so, will intervene from the Duoverso, for purposes of thermicity and other changes of the remnants, when especially the luminosity will speak of the destruction of the darkness inherent in the eyes of the universe, which can only stabilize areas that have not been fused in the discs of the Universe-Duoverse spatiality, long before the initial explosion between the Orion Constellation and Andromeda. The central axis of time between both astral components, is in the dissonant nebula that contracted in the dark portion of the Universe, making the field of Andromeda and Orion, the ring that was spectra towards the lower consciousness of Betelgeuse, expropriating the Hunter's boast, for that of Commander Hetairoi, for his right chest invading semi-coagulated blood and liquid homeostatic body-mind with miscellanea, versus matter and energy, between the central nuclear circulators and the tangent, which caused changes but of a galaxy pierced by Hetairoi glebes, satirizing brick outlets for retracting galaxies from existentiality, under the precept of Soldier and his solar mass, under the super homeostasis of his distance on an astronomical scale of 2.5 million light years. Within the chins and phylastics that covers the greater proportional between the milky Galaxy and the peripheral spiral that outlines Andromeda, breaking out the twisted phylasticism of the Duoverse, along with the Spiral that rolls over the Betelgeuse sobalcal, postponing to telescope regions and spell, to execute its nocturnal translation, like the Hypersdisis Galaxy that collects the bubbles from the belt of minor star conjunctions, making star mechanics for exalted infra-luminosity and sky disorders, generating other higher atmospheres in the heads of the phylastic that they detached themselves from the Andromeda cordon, the Milky Way and Orion. Globular clusters will make up the perfect delay of transfusing the blood and not another, which makes the Hyper character calling pectoral hyper-blood, which flows from this tri-astral polynomial, compromising the method of area, shape and refinement of the sagittal profile of Hyperdisis in the Duoverse in the reversible intergalactic plane. Going from lenticular to irregular over the bludgeon of the trapezoid, towards the right arm of Orion, where its radius becomes hypocentric sequentially, but taking advantage of interstellar matter, to generate its own light. Some explicit explosive arms of Andromeda were expelled from its center towards the right arm of Orion, in order to implode in the effect of the Club or Clava, as a sublime hemorrhage on other stars, which lost essential stellar mass, to differ from one another. They carried nuclear energy, like wifi waves, for each gaseous region that multiplied its Solar speed towards Hyperdisis, causing hyper channeling with Patmos and its impetrations, even being empty in the establishment of Hyperdisis as dogmatic matter, towards the Omega Man prototype in Orion and in Vernarth.


Radio-Patmos, or galactic energies of Andromedian origin, would arrive as devout prayers to the confine of Skalá, as astro-omegas and Invisible Universes, which inhabit the flaccidity of the Universe of Conscience from the contact of the pole, with the Xifos or Kopis, when Andromeda contacts the spur of the club or Clava, inciting the Astro-Omegas space capos, which would begin to take the front and front, after having been the atrium of invisible stars, only visible in the spurs of the swords, which were only moistened with the viscous blood draining from Orion towards Hellenic land, as an Omega age, for Vernarth that is done early when he carries the keys of the Omega world, towards the protogalaxies that overshadow, knowing that the Milky Way and Andromeda come so close in their matting mass, being able to collide in a few million light years, as an anticipation since the Duoverse of Hyperdisis will be conformed as a Galaxy of change, to interact with each other by dismembering, but retransform ending in the new mental nucleus of the Duoverse, like A great Black Hole, embedded in the heart of Patmos.

Hyperdisis, navigates from the past confines, from the origin of nothingness itself to the origin of the Universe, but now it has become a Duoverse, reimplanted in the helical polarity and bifurcations of its luminosity, of colorful reincarnations or re-astralities, to allow the cessation of darkness and to value luminance, opening steps of collyrimetry and children's cuetosa chromatics in requests of inafant galaxies, which of all lives by Greece Vermart gave by their ancestors, articulated in the iconology of Orion, in candles per square meters, in vigils of :


LV is the luminance, measured in Nits or candela per square meter (cd / m²).
• F is the luminous flux, in lumens for the triad Andomeda, Milky Way and Hyperdisis in conjunction with Orion.
• dS is the surface element considered the triad Kímolos, Rhodes and Patmos.
• dΩ is the solid angle element, Vernarth Omega and origin of the Duoverse.
• θ is the angle between the diameter from Andromeda and the Milky Way (2.5 million light years)

The luminance can be defined from the radiometric magnitude and the radiance without more than weighting each wavelength by the sensitivity curve of the eye. Thus, if LV is the luminance, Lλ represents the spectral radiance and V (λ) symbolizes the sensitivity curve of the Vernath eye in the area of the Betelgeuse, with plasma and hematoms derived over the galaxies and the Orion Eyes.
Hyperdisis
vircapio gale Mar 2013
what am i about
giving you no gifts
unable to pin
my finger on a theme
phenomenal you
with whom i play away the year,
yearned love from a decade's dream
you've swayed into the real
to flesh it here and interrupt all Being
with a node of savvy personality
i lessen if i think my words can measure
that, how you emerge there, change
come across the shore of presence, waves of filtered seas
deeply you have gone and risen from within
expanding metaphor in a lambency of ageless gazing at the stars
and giving all a joyful undercurrent swim.

luffa vines abound, for future shiny backskins arching bliss--
shedding all, i snake my way around the roots--
the yellow sheen fades and pupils zero intimate
a finer lived experience... ripe intrusion truly love in tune with
tips of sneezing hearts, curling toes unite, shout
an intertwining pelvic orbit vaster space to yet unmake
unspoken pleasures wide in everpresent fontanels
the spectra plenum here again, next breath, ends of in, ends of out
They leave Jerusalem, with the acrobats from Shiraz. They were ghosts of poetry, wine, roses and fireflies; they were conjuring the path of the twelve camels to the intersection with the Cenotaph, where King David with the Cherubs of Kafersesuh will stay. They were Epi ghosts, basking in camelid footsteps. They went in all the intermittences of the bent nails and plants of the areas of the marquee of the other four ghosts that accompanied him. They were the jumpers with water wheels, wheel scales with tutelary cords, some with stilts of gold disgrace from the coins of Judas Iscariot and the last propelled by a caper that ruled all the others on the wings of the Fireflies. Withdrawn from the road that leads to the Kidron valley, 2,500 years of clay tablets from Persepolis fall on all of them, they were phonetized with the plaintive nightmare of Tirazis's one-eyed poem; which is currently Shiraz, in this way these ghosts escorted the Hexagonal Birthright, they were exiled from their ghostly cities for not paying the tribute of obedience to destroy and rebuild. As they began to be with them in the cove, the ghosts of the acrobats boiled with the eagerness to prevent everyone from being saddened by the departure from the orchard, which was falling further and further behind their footsteps, dancing with their pirouettes along the way, they told little stories. in the ears of travelers.

Hydro Saltimabanqui: “I come from Roknabad (also known as Aub-e Rokní), an underground canal that carries spring water to the city from a mountain located ten kilometers northeast of Shiraz. Here I have to mend the propellers and water ropes to do my acrobatics on the water, with greater songs in the poems of the Poet Hafiz. When we bite our tongues, we repair it with Hafiz's verses from the Koran; there are three hundred creeds, three hundred hectares to irrigate with my wheel the sadness of those who cannot have the gift of the rivalry of Montenegro and Monteblanco, to overestimate the liveliness of the caravan trembling with uncertain doubts on its way to Jaffa. "

Saltimbanqui of Bacule: "We are Epi ghosts, the reverie with tutelary ropes, to jump through the trapeze of the photometric units of the heavy Almería of the highest Mirror of the Sea. Here we look; from here we will board the barge that will take them from back to Limassol. Curiously, the same ship from Lepanto that sleeps in the swings of the sea and in the arms of Anaximander, in a new awakening from the lethargy of the super-string theorization, here is the intrinsic speculation of science, since this is not just to research purely empirical. "

Says Anaximander: “First…, we have no proof that string theory is not ultimately correct and in the future in any verifiable way. Second, we propose a project of the order of string theory, which is necessary for science and its importance, going even beyond the scientific to also project itself on the metaphysical and the religious, right here in this order of greater what to do together with the rope that leads me to Patmos.

Saltimabanqui of Bascule responds: “metaphysical and religious legitimacy, here we are tying knots in the rope that inaugurates a new masonry in the observable futuristic look. Here is the original fiction of continuing to raise the necks of the ants over our optics. We will jump on these ropes, but we will fall on intervals of placental physical dens, which were born from the new embryo in the twelve caves of Gethsemane, in a primitive late germinal process. The micro phonetic vibrations will lift us up from the hunger to follow and leave King David in his cenotaph, gored on his hips by the Cherubim, marking his holy antlers that become entangled in the blunting of the cuneiform scratches of his epigram.

In the middle of the magical theorists exotically as associativity of substance causally of the poetic and multiverse song, believing in the ghosts of Shiraz, as dreams injected to sublimate the Aeneids that they lamented on the bottom stones, even though they were independent of their material origin. Multi universes, multi paraphrase for who has to dress the word “Rosa in her noble long dress to the cliff of Ebdara when Vernarth acclaims his brother Etréstles, he comes with the Auriga from Messolonghi. Rested and determined to head to Tel Gomel, he comes with his horse Kanti to keep him company on this crusade. Kanti defied the Cliffs of Crete, he was servile to Markos Botsaris, 1821 (Royal Hero of the Liberation of Greece in the Turkish Invasion, Koumeterium Messolonghi - Palibrio USA), until in the afternoon he approached from a herd of beautiful places of steeds to him. This was heard by Etréstles and he seized His horse to have more than a Life from his company, more than a lost and lost aroma of his natural mother, to reach the one who would treasure it”.

The ghosts attribute quantitative passages from before leaving King David, and then continuing on the road to Jaffa and advancing on the ship back to Cyprus; Limassol. All were hyperkinetic bowls leveraged by the terrain that was on the **** of the acrobatic histrion foreshadowing the contours of the temporal filigree, which in each one made them smile at the carriage with oxidizing wheels, still being immaterial beings, but alive in its marvel gases, wading the serious bile that emerged from the glasses in his allegories. His footsteps and his undulating phonetic figures did not stop over the caravan, which had already passed Jerusalem. They were already undaunted by themselves and overshadowed by the foreboding modulation and encryption of the rehearsals they were doing, over the heavy atmosphere that seized and begged a small piece of the attention of those who did not celebrate their Shiraz pirouettes.
The areas, volumes, and lengths were fully encompassed by the Ghosts of Shiraz, the acrobats ran along the banks of Ramallah, it was already winter, the city received them with winds and rains from the southwest alternating with cold and dry winds from the northeast. The acrobats went like master geometricians to condone the fuss of the caravan, devising a dodexagesimal system. (Twelve centuries of ultra-nocturnal geometry and shipwrecks at the Alexandria lighthouse)

Positioning as a base the number 12, to measure times and angles that they needed to avoid the voluminous rains that hit the caravan.  Incredibly, the volumetric position of the plantar legs of the camels seemed like wheels that rotated without stopping in any anti circumferential radius, making some clouds a shutter that enclosed them like a trapezoid of God's flock in the high semicircle of the waters that tried to fall. , like axiomatic staves of Euclid's beard tempering his elemental construct.

The linear position of each one of those who were mounted was a perfect ergonometric based on the Muladhara pressing the four red petals on pressing the Achilles heel of Vernarth, which was dimensioning the Ramallah triangulation, with the fungi that were housed in its Xifos sword in the jet tip that carried the dodexagesimal cartography. In the same position, the Apostle Saint John seemed, he carried the rosary in his left hand in geometry that elongated his nose and feet in an adonis triangle, thirsty for one hundred and twenty degrees of the sextant that broadened its spectrum to align with this Birthright. Thus the stars and planets are positioned as celestial spheres with the gravitation of the Olivos Berna, revolutionizing curved and flat equations that intuited to go beyond the crossed pirouettes that the acrobats did all the way, even further than those of the withered path of oil, purposely of the axiomatic systems that the Ghosts of Shiraz intended to establish.

Shiraz  Ghosts

These Persian Epi ghosts, axiomatized abstract and ideal entities relating models of austerity and lyricism, which fluctuated in the lines and planes of movements of the clouds with the counterpoint of the legs of the Gigas, leaving marks in the sand like a point Morse, straight and flat, until the fifth step that tried to cross the lines of Ramallah, for the parallelism that the centuries that asked Vernarth to reorder the geometric geography of time and the positions that were added as a delay effect in the Garden, essentially of a hyperbolic vision, to appropriate the entities of the Ghosts that grasp with their little finger the strings of the times associated with Gaugamela in his palatial sovereignty with the footsteps of Vernarth and in the phylogeny of a world that is born behind the confines of religious micro- genetics , from whose space is born in another and would accommodate a circular bijective function, to attract the aerosisms of Ein Kerem in the new life signs of J Joshua in the reborn One-dimensional Beams.

Vernarth diluted his bones to sit near the tarsus and accommodate it at the end of the vertebra of the Muladhara (Chakra of 4 petals), making a sub-technical geometric function to preserve the figures of darkness that were also diluted, to arrive at night close to of Jaffa, in the surroundings the isometric fire existing in each one and in two dimensions…, but born of a common one. Raeder and Petrobus wore their floating eyelashes full of dusty and dense manias on their faces, with splinters gum that they had released from one of the pirouettes of one of the mountebanks when colliding with the basic postulates of the Ghosts of Shiraz, deducing undulating spaces like snakes within the isometric fire that dazzled them with the burning senses of humor of the last drops of the Shemesh codifying themselves in an absolute intuitive measure, beyond all dimensions, which is Consciousness destroying the planes and spaces that multiplied among themselves as members of another geometric conscious dimension.

Arriving at the Ben Shemen crossing, everyone undergoes collective hypnosis; the ghosts manage to embody each of the components of the Birthright but omitting a great factor. They relegated the Hexagonality of the genetics of this caravan, not raising the ghosts when calculating the area of once they were being intracorporeal within the members, thus having to abandon before the last ray of Shemesh threw them on their faces ashes of the Gehenna, for this supposed reason to leave them condemned to recycle the human species, for the purpose of reproducing sacred human beings, but being subservient to the cravings beyond the immortality of the miscalculation that led them to the citadel of Karim Khan, surprised with its stamp of thick stone walls and circular towers in the heart of Shiraz. This gave them a warrior aspect contrary to their fame and history: this was a city famous for two thousand years for its culture, with its gardens and its poets, now if in a conspiracy by this beautiful odalisque ruse that attracted the guide of the ecstatic ghosts, in a bad moment of extradition to a bad context of epi ghosts not yet defined in their pockets of apprentices boasting on the laurels of weak and doubtful ideas, which still swarmed within his white heart, trying to reach Vernarth's as former commander Hetairoi, now a servile mystic. In such a way, the complicated as ghosts like "Sufi", being, in reality, the genetic soul of the double ax that carries the double edge of today ..., of the sacrament of Medea in Abdera.

Pro says a ghost from Shiraz (embarrassed):

"The Universe is a sea that longs for dry shores,
without sea and without other wet longings ...,
no possible maiden could
Try to dry it with your star hands ...
Who calms the crying of the Universe ...
even so ..., simile remains floating as a verse between his dreams "

"How can I make my dreams another dimension of the universe?
if he is quiet and does not make me float in his sea ...
How can I make it possible for the tips of its stars
fill the spaces that have revealed it ...
and that have made circular shores without a sea in the mists "

"I walk alone and nobody sees me ...
so I don't wake up the candles that smile and accompany me ...
between days that turn into mornings on the shore
of the solitude of the universe, that nobody embraces him ... "

“Now the days tremble from almost falling on themselves,
They come out alive from their own loneliness of exhaustion and fullness ...of whoever appreciates them in the mists ...
being able to surrender their attention in Ben Shemen ”.
As the Ghost of Shiraz expires in Ben Shemen, he escapes all for nothing in the triad of hypnotizing conventions that still resided in the shameless air that engulfed him, all over the stationary enclosures of the entertainment spaces caused by the acrobats and epi ghosts. That seduced the indecisive beings that sailed over the limbs that made them doubt where to refrain from continuing, outside the radius of the caravan or beyond the skies that did not cease to be in good spirits, of the universe passing through the white hearts, six on the inside and six on the outside in their traveling artist folds.

The lands that are accommodated by the time of parapsychological hypnosis tremble again, as a separation from the physical magnitude of Gethsemane.  Creating a sequence that bends the heads of the ghosts, filling their translucent physiognomies between a cold past and a frozen future, from a classic mechanic, which from now on would depend on the dice thrown by the Third Phantasm of time. Here a relativism would be opened to those who want to see the past in the orchard in an unstable particulate present, leaving far from splitting both parts of the archetype of today, like a subdivided clash of several times that allowed integrating the remaining phantasmagorical spectra, taking over a story on a pluriaxial axis that prevailed in the time of a supposed numerical line from a vector, aligning itself towards the compass of the distance that shines between both northern hemispheres in the minutes that go to the right and the solid-gas seconds that burst almost in the walls of their own liberated beings. The four ghosts of Shiraz, had time differentials before this event with the caravan, verifying the simultaneous prop between the two pairs of ghosts between four dissimilar, but poetic ones that made them here at this point obviate and cancel between two relative nomenclatures of physical structure. The durability and classification of these micro-times of the phantom epi would make the database that St. John the Apostle and Vernarth will accumulate with their eyes closed, each one surpassing himself from the debatable areas, which concern to estimate in occupying the spaces physical in some of them at will so that one of them could embark to Limassol. This simultaneous and relativistic multi-active line, encloses events and squares of spaces in the cinematographic time of the parapsychological regression, as a link of physical images slowed down in the evolutionary and cognitive memory, passing from the conduit of expectation memorization events towards the set of absolute figures. not pigeonholed, but approaching the universe in grasping scales of those who value them. This elucidates even the very conception of conceiving oneself as a ghost, rather in what is called "Epi Ghosts", of absolute belonging of the identical ..., outside of oneself "Being with them and not, as a tacit phase of a dragged story with the seconds that were not lived ... "

This scaling conception will allow them to reside a few millimeters from the consciences of the caravan that was advancing automated along the tracks that already made time and distance in front of the absolute, in a jiffy, having in their faces Rizhon Lezion, who was made of images more than a marked and concrete story in a mechanics that kept the body as part of a large volume in all, to the rhythm of the plantar areas of the Camels Gigas, dividing as a stream of water that would flow fragmented between past, present and future, but as a starting pattern to the future as the only "today" for the time of the times. This unified three-dimensionality would mark the mathematical space of the attempts towards the future of the contiguous camelids of the ghosts of Shiraz, for the ownership of time between all with a single identity that cries out for the univocal will to rearm, even if the winds are very strong. Of the partition,  which separates the world from God and the believing observer into the future with a believer from a historical past in obscurantism, leaving and entering a new world whose notion is to spend connected and bound in a systematization dependent on the great causes, although the static feels isolated from the dynamics, inquiring probative to unite between the ghosts and others, even though they are inferior forces under the line of the generous gaze and the parallelism of the attentive spectator, which suggests more openness to receive and delegate the circumstances of all physical, emotional, spectral and mental-spiritual dimensions, flexing the emotional states hierarchical night and day. Everyone falls asleep hugging on cushions of lamb saddlebags, making it possible to get closer to them too, close to the Ghosts and sleep next to them hugging with the decanted strength of the frames that hang from their faces showing the emotion of being favorite children of the Mashiach, absorbed in the Kidron Valley.

The frontier of the future will be the pre-act of not traveling too much of the physical love to the touch that only awaits the love of the sleeping of a Cherub, this may occur when the sheep climb the hill of our consciences, and manage to be perceived as the simultaneous harness of satisfaction, who lack the vision that would speak to them of a past belonging immobile, to this ethereal topology that will have to biodegrade the molecules of the seconds that sleep in the sheep-man wool saddlebags, at a higher speed than it would last to go back near from the palisade, where it crosses the path to the immemorial arcades of the Mashiach, spinning around all creation at a speed that determines a verse in its soul around the orthogonal of Shemesh, quadrupled and cloistered in its self-consciousness scattered like iceberg down the back in the submissive thoughts that long to be tied to more precious time.

Our lord has us more tied to an absolutist past and future, looking at his calendar divided in such a way that it always fits the day that hurts the shadows of a sharp past, so that it always smiles in us, as the best luminous sign, of whom and with whom to repair the damage of various wounds that travel through the times of time, always wounded, to and from the borders of an anachronistic past. The ghosts, always fast tetra, marginalize themselves to the sound of greater diligence, they fled in Rizhon Lezion, to wake up a little further away from the rays of the stationary Sun, which from now on always surfaced in the degraded dark circles of the mountebank, prowling around the festivities of who knows how to wait, to make a toast under the pretext of faith and hope that exempts the cardinal turned into a flower in white attire.

Shvil from the Angels

The fast epi phantom tetra was emaciated, they lost their north and since they could not walk, they were not energized by the radiosities of the earth, which dominates those who lend divine graces if their feet rested on the tapestry of those who threw their footsteps in winter already near Jaffa. The Shvil Angels were angels that were on the route that cordoned off the pilgrimage of Vernarth and Saint John the Apostle, they were full of flowering Berne Olive Trees that made trunks of floral arches at the entrance of this ancient port. They were three when they walked, they were always distributed so fast that they seemed to be six, but they ended up averaging the quantum of three for each of the components of the Birthright, which from today would be the great circumcision event of the Universe, to make it part of those who one day will have to caulk the rhombuses of the fragmented light beams on the path of heaven so high, in the name of the phrases that never tire of looking at the incautious years that are of our father by the exogalaxies in the total company of the invisibility and relativity of cautious time.

This Semitic seashore beauty indicates and invites us to reach its salty Hebrew waters of Yofi, reinforcing the phonetics that runs madly through the border hills with its heart in hand, when foreigners appear in the name of plausive phylogeny. That brings him a piece of bearable land from the Universal Flood, this is why the ancient Canaanites have to receive them with the table set, to entertain them with winter flowers in Jaffa. The Hellenistic tradition relates the name to Iopeia, which is Cassiopeia herself, mother of Andromeda. After Pliny the Elder the name is connected with Joppa, who was the daughter of ******, god of the wind. Where Vernarth locked his Aspis Skolié shield so that it would shine in the bilges of the Eurydice, under the pentagon’s of the bronze layer of his shield, every time he approached the Dodecanese when the Auriga descended from Andromeda on the back of a punished rower by the storms taking him away from his mother galaxy.

Thousands of years BC Its merchants glorified themselves with their baskets full of belongings and merchandise, for its inhabitants, who today pretended to be pharaohs who paid tribute to the marine corners through the coast that today seemed to open up with more new waters that were reborn from the capering of the swells, founding thus the omens of embarking to attempt and submit to the omens of sovereignty between Judah and the Hellenic lands, to work with noble trees in their armories and utensils, of which they played an honorable part after the maintenance of the emblem of the last portion, of the shaft of the libertarian triumph of Alexander the Great over the Phoenicians in Tire. In the New Testament, it is related how Peter resurrected the believer Tabitha (Dorcas, in Greek, gazelle) in Joppa (Jaffa) and, later, how near this city he has a vision in which Yahweh told him that he should not distinguish between Jews and Gentiles while ordering the removal of ritual (kosher) food restrictions followed by Jews.

The Shvil of the angels distanced themselves from the desire of this station without reaching them and not making them drink salty water from Jaffa, therefore they resorted to Petrobus who a few meters before reaching the port, summoned a large number of Dodecanese Pelicans who were waiting in great celestial flocks, which hovered happily above the sky welcoming them. The pelicans levitate from a risky juggling act, over the caravan and headed to the high seas, collecting saltwater, then they went along the initiation path of Shvil and reconvert the saltwater into sweet with hazelnuts so that they would have holy water, to insolate it and pour it into the canteens of the temple guards of the Canaanites who were waiting for them, to distract them, making them believe they were other Syriac lands such as those of Ashera, which in this act, perhaps it would be good for them to sponsor the Hexagonal Birthright.

But the paths of the angels have confederated before the noisy crowds and Ptolemaic lemurs, who were incorporated into the empty spaces that remained. Faced with this gravesite, Vernarth shouted to the sky with the force of Falangist tradition to himself, and acclaimed heaven, for the sake of freeing them from their definitive income to Jaffa, summoning the Hypatists; elite warriors and spearmen, for them to gather at the portal of the ante entrance of Jaffa, for others who never came from nowhere and nowhere, only blocking it from its perfect plan of memorial and theological heritage conservation, upon return from the exit Judah, to embark with destiny through the sulphurous point that  will boil them in temporary waters, towards the Cyclades and then the Dodecanese, triumphing in inhabiting them wherever whoever was and whoever arrived with foreign promise.

As dusk falls in its first nubile shadows, the  Shvil presents itself to you with these three angels dressed in ivory white, each with a book in each hand and in the other a candelabrum, giving signs of ultra-interpretive catechesis, allying with silica. In combination, after the vision of the charms of the knowledge spread. Earth and sky in the second angel, washing the Semitic dew of anguished Jaffa, with teachings of sleeping well and awakening, to walk in the lands that want to seize the senses, of those who are called not to be oppressed, behind the bars of the Morbid and illiterate pan-vision of the angles of hasty entertainment of the angels when they were called by the Angel Regent, simply relaying information easy to carry to their hearts, in faint powers and poetic lessons, before falling into a thorny forest, burning their tongues in furrows of afflicted human positions, to later redeem them fervently with the judicious power of God.

Vernarth, is distressed by matters of seeing them so tender and so fragile, allowing them to crawl toward him gently. Finally, on these three rules of the Shvil, Hanael introduces herself; "Speaking of hindrances stuck in the literary cabal of grateful compliments for all".   Alluding to Vernarth, a subject desensitized and also distant from any Sub Yóguica disciplinary doctrine. This led him to stand behind San Juan, protecting himself and scared of everything around him, he was seeing in front of him, on the upper left side itself, that Zebedeo was, San Juan's own father calling him!

Saint John the Apostle says: “Justice, at this time, allows us to alleviate ignorance, if the riddles allow us only to look for the answer, God will not be here…, it will only be emotional catharsis, through a merely ideological  Shvil or passage, which moves our meaningless sentences, definitely leading us to the coffers that rearm one after one, after the mistake. We are faithfully interpreted by them, but we detest our regencies with the Escaton, when we all pretend to follow his light of thunderous density towards the sky, prophesying to follow him without losing ourselves in him ..., held on his shoulder glossary. On the claws that are released from the dazed angelic prey, correcting its wavering vision, unraveling the living presence of condemnations or salvation, in Eden with your bare feet or in hell with no departure time”

Inexplicably, some Praetorian soldiers of Domitian appear, who would be restricting the departure of the tretacontero to Limassol, curiously they were the same ghosts from Shiraz that continued to represent such a bad event, just as when he was expelled to Patmos by Domitian in 95 BC, in size was the scandal that the Shvil angels produced with their impractical ideologies, who opposed such spectral imagery, in such a way that they replaced their figure with that of another Hellenic man who wanted to embark for Patmos, the other members were fully incorporated to the ship, which frolicked on the pranks as it proudly carried them to a new ocean. Around the last drops that jumped in Jaffa on the coastal rocks, others appeared when the last divided and scattered drops were going to shine the navigation temples, thus it is possible to board in the same ship that brought the principle from Limassol to Judah that transited from Lepanto.

The chapel of ministers reappears offering a ceremony, which would return the messianic remora to the Angels of Shiraz, to return to their former positions within the paths of biblical characters, who tend to commit adultery in the game of loss of consciousness of the Escaton, probably requiring that everyone have to make pilgrimage routes for all humanity secluded and liberated by themselves. The Saltimbanqui finally manage to jump into the boat to sail to the Dodecanese, but the Shvil of the Angels stayed where other celebrities will require them to reroute the Shvil Escaton.
Chapter XXIX
Ghosts from Shiraz to Jaffa
Part VII - Mashiach of Judah Miracle VIII
Where Shelter Dec 2023
In God’s No~Fly Zone

blessedly, so many of you are
unaware of the full color spectra
that be can seen only when an
age of experience has been reached,

reached, not attained, for the no~fly
zone is no place to be, without any
redeeming colorations, it is dark hued
twilight that inhibits vision clarity,
a precursor warning of the hungry
darkness
that offers to swallow one
into shades of sad remorse, and other
miseries

How came I to earn this distinction,
was not by acting out, rather by inaction,
the failure to pick the  correct fork in a
life of sentence diagramming, sentence
in the prison sense, all my sentences,
broken down,  no connection sensible
to the next phrase, next phase,  so I
sit beneath my vine and fig tree, unable
to fly, unable to tear shed,
grounded, pounded in my head
Ken Pepiton Sep 2022
Analog, anabasis… trip, short, burn the bug to carbon dust…

Seeking in my treasury of books, pared down to ones with personal attachments,
- I sought a Welsh-English pocket dictionary, gifted me
- by a taller and older, by experience, Overmeyer… Bob,
- but he was one of a few in the corp, band of brothers,
- who sang along with me, when he heard me humm,
- he knew the words, worth-ship fixing words, yes,
- we shall gather at the river that flows by the throne of truth. Mmmmhmm, so we shall see, so we shall see,
Oldman river, you know,
you wait, and wait, fishin' wishin' cogitations got from *** go,
known good, known evil, and evil comes for effect, not cause,
clean up, aisle five
hell, in a target store. And a Walmart, #26.
-- I recognized the anti particle, passing through either or,
becoming here, from there, your thinking my thinking,

wall of text, in your current context, this wall has hat

hooks to insights marked pertinent someday, in the wide ocean
at the end of any river mind me and error master,
as awareness, meandering as all fluids do.
Aligning in honed most saline crystaline form, as
current opinions shapened from dust and ash originally,
then spit the idea out as a word,
imagine
matter… mater, really, bottom first bit, was realized after
paterialization falled to manifest self reproduction…
patterned thought, fabrication, plane geometry… which we
as a team, a man and his tools, gunslinger, plus accoutrements.

Yep. Adam, did not work alone. The egg was first. He named eggs.
And chickens, full of eggs, no, hope, and chaos, nada mas…
- morals from old stories, we had lost all hold on those…
Stepmothers after The Hundred Years war, like as not was
first slave, with only obey believed enforce,
as far as
holy vows spoke allowed, but in a whisper…
hear us,
old folk, we scatterbrained old rockers by the fireplace
listen, this is living, right.
Pursue haps as haps occur, in thinking one thing or this other,

Our kind, fixed position ears perpindicularly augmenting per-
iferal vision, if, just, if. Immeasuarable meanings, justice, yes,

we settled at that point. All the Promises - in any living faith,
even dying proves life is a chance, we all go through it, and some leave marks, while others leave a heart felt
oxitocin, not cotin, red on yellow, **** a fellow, -tocin. Oxitocin,

Rush!- Kettle DRUM after a cello up run, or an old familiar rif,
Goin' up country, ' bought a map for a dime,
from a time lain aside in book, as I was seeking that Welsh word for these experience in side, feeling inside, but being mere, yes, not a limiting adjectival modification, on a word, intended to soothe,

NOT ******, soothe, as said of gentle rolling seas, calm as constant as Jupiter's ever near there, right there, red spot, there,
that is an anomoly, yet, there are those who claim clarity, that

Red spot, Ted-talk phaze, ease in, get a buzz, mmmm, slow, slow

slow
whoa, so slow, what difference can plain-people, just us,
can we ever just know, this is the way, no obstacles,
and we leave trails, and trails widen, and widen, and widen,

wide as the milky way as seen from North Korea.
What a blessing, right?
--- God made these chickens we are eating,

no, child we selected these big red hens, people, like us, we can
know how earthly goods grow and we can help, as gard'ners,
retired guardians and priests can, make soil richer,
by leaven from the native soil,
fresh after fire, sparks the bloom

Patience, paid close attention, over time,
pay is as interest always is, compounding…
complex knots
slipping infinite loops generation systems
spinning straw to gold, bricks to build a tower…

to grow mustard into brocolli and cauliflower, prosper-o

we can engineer squash blossuming
be.. not spelch-pstpst-offt-listen,
- laughing
in my home are children, aged 6 to 13, across a seven year gap…
in my home with complete 5G internal Wifi, with cable
- copper, ah
- the humm, copper wire interference, acceptible as soft
- sub-spectra sfumati self-edged,- cut from whole cloth
abrupt.
Con, is with, fuse, is
blown… but, click, we are past that, where I live, on a pension.
I survived an oath in a war. And in America, the we, as
represented in Congress after Korea, and UCMJ, reach, reach,
- remember the ears that read, need to know
right, MP talk, uniform, all the exact same alignment and weave… for forsake, forsooth, forgotten gains, -- un-fore-gotten
upright walking, living concept, Phoebe Zeitgeist
- she made a word nest in my mind, on March 16, 1968.
- On a Douglas Flying Tiger insertion mission,
Flying to a foreign land more foreign than any thus far, redux.

Surreal stepped up to real, realms of preception, Metaverse/
uniform code under it all, we wished for this, can we, can we,

please, walk back in and watch the shadows morph to home sized I-max with true-fi dolby optimized to your very own, humanity
verified self--
- eyes up, look where we were when ever, then be come you now known as dear reader, responsibility free, cookie or no?
Be any mind you find you can wear with no wish to lie,
the wrong mind set with the ears and eyes, and we cannot lie…
you lose.
The whole ritual of prayer and supersites, tics, ****. We glow…

once illegal exposure
confidential, super-secret, super-positioned tyrannical systems,

whole cloth leprosy, black mold to dust time sequence…
-- such minds as fed us Elliot and Thorough Error-prone Poses,

as seen from the repressed mind of an unassimulated inate-ifity,
We are none of us, Adam sons, his model had nor repro circuits.

Hey, once there had to be something akin to ****** birth,
really, mitochondria developed virally, just fine, so, so fine,

imagine, we got the cell, a wall, with enzyme will efforts on the doors, we open to need, and useful matter is accepted,
as in another phase we open to expel the uselesshit, which then fills the red corpuscles, which use iron to hold the load.

Flushing blushing bride, Mito-mom, her daughters, imagine…

trackless wasteland, aftermath of minor miscalculation
in the dancing cosmos, whirling
whiling, smiling
inside…

I made it. 2022, Everest Pax, is the real name
of my youngest grand son, who randomly
reassures me he loves me, as though he wishes me
to not let that slip, naturally, his version of me is fragile,

what he imagines I am can disappear, in a day,
like Uncle Mike, and Uncle Dennis, and Uncle Richard,
and Uncle Remus…
none of whom were alive, when Everest Pax was named,
by his mother, with no input from me, save
the covenant aspect in the who gives this wombed man…
common pagan ritual adapted to post-Jesus Christ-sanity.

X-mas, nada mas. Agree, and take the cookie,
or risk another death,
on the real wrong battlefield… Well, what the hell… hero
or legend in my mind, thinking, what would any who do?
Raw raw raw
david badgerow Aug 2016
she was a peregrine
& appeared to me
shimmering in the
primordial morning
between purgatory & hell
talons like a crucial valve-handle
carrying me outside the gaudy dream
my heart's vagrancy
the latent tendency i had
of putting chemicals into my body
despite the ugly consequences
one man's poison
another man's high

now sunlight fractures into spectra
wind blows thru century-old oaks
becomes tangled in my
******-length blond hair
as we march hand-in-hand thru
these narrow streets
the pinched labyrinth
the last dusk light
this swamp

she was a peregrine
the hungarian turul
genteel brown eyes watching me
howl at the midnight moon
& yip like a fox at the first dawn light
now she shares her own
breathy yelps with the pillow
like fumes of lavender
sprayed in a strand of oaks

i know for a fact she has claws
she swore she'd never use them to hurt me
but sometimes i let her anyway
i need to feel those
dead fingernails buried
in my living shoulder-blades
propelling me into a new kind of manhood
redeeming my weaknesses
weaseling into my shorts
pains & insecurities
melting like cloud's spit down the windowpane
lazy & safe on a warm sunday
morning wrapped together in the skin
of this gyrating palace

this is no longer casual desire:
joni mitchell sound-tracked
our first makeout sesh
as stars bloomed fat
behind a surly multitude of clouds
over a tar-colored lake
so if you think i'm ever letting her go
you're a *******

pants-on-fire
Ugo Victor Mar 2016
I think so much
About seasons
And night
And day

Like why
It's so hot out here
And cold where you are

And why
It's so dark up here
But the light is all I see below

But mostly why
You are all I feel
Yet you feel nothing
Necropolis of Hellenika / Kímolos
Tsambika / Philo of Alexandria

They passed each other on the outskirts of Archangelos to go to Tsambika, going to the Necropolis of Helleniká where he was waiting for them more than 400 kilometers to the west of the Cyclades, precisely in Kímolos where they would do the colloquy with to do the channeling with the Necropolis. Etréstles had traveled with Kanti the steed; on his back, they saw the distance before they arrived at Mandraki in Rhodes. They all headed down the coast towards Archangelos, but Etréstles went to Helleniká, the Vas Auric was landed on Mandraki for the purposes of the Creation of Vernarth together with the Apostle Saint John. Kímolos, it is on this island that the famous beginning of the procession towards the outskirts of the cities was to deposit their sacred remains on the way to a better one, here were the martyrs who were used to Etréstles since he cohabits in delay with Drestnia for the new millennium (His female of hers) with which he resides in the Koumeterium of Messolonghi in the ninth vertical cemetery. Having a chapel and altars this place was propitious to create between Kimolos and Tsambika which was so many kilometers away, so the meeting performance between villages would be seen in its entirety to be resurrected and worshiped between the Cyclades and the Dodecanese with pious exercises between both latitudes precisely in the chapel of Theoskepasti, while in Tsambika it would be in the Panagia Tsambika monastery. Etréstles carried in both hands some matches of some population dowries with laws of affability and generations lived there without knowing each other between the two islands and tabernacles, arguing canons of burial and exhumation. In this case of performance refer to the Vas Auric of Limassol that brought the construction of a world of the right angles for the neat reconstruction of multi polygonal spectra, adopted for the first time in Kímolos to be retransferred to a logical philosophical-architectural division seeking to enclose the perfect plans where the new Christians will reside, between Rhodes and the west of Kímolos re-installing themselves among more than a third of the venerable ones who rested in Helleniká, in syncretic neatness with dissimilar populations and creeds.

Saint John the Apostle with Vertnarth, Raeder, and Petrobus plus Eurydice would bring from the rubies of Alexandria the incorporeal honor of Alexander the Great, turning both island sites into palaces of the Muses of Helleniká for the scholars who would be at the canonization of Vas Auric. Being the precursor of the chapel of the Theoskepasti, this performance of erudition will be endowed with the new status for Philo of Alexandria present here, now being a co-demiurge who will convert this necropolis city into duality with Tsambika for distinctions of the rituals and homilies, reducing the inputs basics in ceremonies. Philo of Alexandria says that only God protects the Jews, adding to what Philo wrote in La Legatio ad Gaium, the Jewish delegation had trouble meeting Caligula and when they finally met him, the emperor declared that he wanted a statue of him to be built as Jupiter in the Temple of Jerusalem, which sowed desolation among the members of the delegation. Finally, this purpose was not realized thanks to the intervention of Agrippa I and the death of Caligula, Philo attributed the happy ending of both cases to Providence. This divine letter of these translators with Saint John the Apostle and Philo of Alexandria will make this homily the spiritual custody that will be preserved in these two cities and then towards the world of Vernarth of the Duoverse, so that invisible winds blow from the chapel of Kímolos to Panagia de Tsambika, in the frameworks that feed the Hebraic and Hellenic boundary “translating Greek into Hebrew, but in two universal sites of creation in the Theoskepasti chapel and Panagia de Tsambika, about the magic of the meeting of omniscience and grace. Says Vernarth: “with the interpretation of Philo of Alexandria and his exegesis, I will rub the tract of the successions of infinity legitimately stored the creation thought of the ZigZag Universe with the Parapsychological Regressive authority now circulating in a sniffing universe with a Verthian genealogy, tempering with my Falangist disciples but being biblical when it becomes the occasional emaciated mob of a world that falls degrading with its last pieces and challenges of the world associated with an allegorical spirit, contracted to wings of ethics and doctrinal rectitude. I have two candles in each hand, similar to Etréstles in Kímolos and in Helleniká, making delights of pleasures in these ceremonies to create the world’s ignored in the office of the super compassionate language, in more than seven days that add up between the Sun and the Earth, in a sub-mythological world being ourselves our own executioner established on the ***** that falls from the match of the wick of my Lucerne in its own mood. I still have a memory of who and of each one who will always be in my prayers, reopened in a sacredness less than my own end, here I will not continue to be stored. Rather I will continue to fall, exhumed from the very storehouse and from the struggle of the thistle that falls from itself rounded up to be competent to explain himself biblically as if he had never before been read ad limit of the doctoral, and sacred in the work of Philo of Alexandria here with us leading and there in the Necropolis on another thorn; as a perpetual creeping species growing here as an unvarying summer plant in cooler climates, which would usually be prostrated on the Helleniká slab with radiating branchy stems extending the fractal distance between Kímolos and Tsambika in thistle´s ceremonies. The hirsute silts will come from the genesis of their spiritual temporal being the same wool of the whirlpool of all the weeds attached and oppressed to the lamp of the gargoyles that are tuned together with the Gulpers of Archangelos in a happy diet following patterns of even, and odd thistles spring in the Cyclades and the Dodecanese. The Parapsychological regression XIV century - Saint John the Apostle says: “from Filerimos a sidekick monk of Philo of Alexandria has come with the image of the blessed Immaculate ****** and painted by Saint Luke the Apostle. The Knights of Saint John built the Monastery of Saint John in Rhodes with this image; everything comes from there on the Miraculous Hill of Filerimos, and the temple of Athens Polias was converted into a proto-basilica with a three-bay nave dedicated to Her. The church is known since then for housing the figure of the ****** of Filerimos (Our Lady of Filerimos). In the fourteenth century under the rule of the Knights of Saint John a monastery was built here surrounded by cloisters cells and a series of chapels, that is where the figure is the miracle worker and is reverently guarded. Being a Capuchin order after the Ottomans destroyed it; it was rebuilt by the Italians. With this image we canonize the Vas Áuric in the homily prior to the spiritual link with Etréstles in Kímolos, before every morning they illuminate the sacred Earth of both latitudes in the mystical house of Saint John the Apostle with the herbalists on the wind to fight for the Somnia in Hortum et Flos Herbarium in Kímolos, Garden of Flowers and Dreams in Herbalist in Kimolos. Knowing that the Universe is approaching the Vernarthian Duoverse, Saint John the Apostle decided with the Birthright to establish a Duoversal Garden in Kímolos with the aim of laying tremendous foundations on the base of the pre-Christians and apostolic who enlisted in the Greco-Hebrew world with the addition of compression, and medicinal valences for the herbalist of Kímolos, in such a way to reissue it in the monastery of San Juan in Rhodes and the Panagia of Tsambika. Since the grains grew and germinated they became thickets of great predestined forest in Rhodes, aspiring to continue being a well-known theology in Greek also being sufficient testimonial about its Aramaic originality, being addressed to the Sanhedrin, 37-42 AD Before Caiaphas and redirecting it to his brother-in-law Theophilus of Annas. The Aramaic Apocalypse, also known as 4Q246, is in one of the Dead Sea Scrolls, found at Qumran, with notable early messianic mention of the Son of God. Saint Luke says in the voice of Saint John the Apostle: “4Q246, we are children of God…, the Highest, the Messiah as a messianic voice, being able to be confused with the Beast or the Messiah but Philo of Alexandria will be there saying “I always ignored with the most blessed indifference to Satan, because therefore in this Aramaic manuscript he only has, and will reside forever and ever in his Messiah” Given this situation, the commanded expressions were those of astragals mysticism in herbalist and botany in this manuscript, since the unfortunate leftovers are the freshness and splendor of the flowers caressed by the wind that arrived at that moment; in regard to the wind of the Anemoi being eight gods that correspond to the eight cardinal points from which they came and were related to different seasons and meteorological phenomena, but he heralded the excitement of the Cyclades, like Sound of Sounds between Narcissus of Sharon and Lilies of the Valley. The audio-images were avocados forming the deep thickets that will move according to the inclinations of the planets, each time the Universe approached Greece among all the cisterns with water for the flower meadows that Vernarth in litanies was assigned to the paths that lead to the Vas Auric.

Vernarth says: “With these titles “Vas spirituale, Vas honorabile, Vas insigne devotionis, Rosa mystical, and Regina sacratissimi rosari”, I have to transform all the astragalus, and shrubs into the consorts with the presence of the jacaranda vase of living human nature in virtue of the meeting of the Universe-Duoverse, for the herbalist of Kímolos now imprisoned in the Vas Auric of Limassol. "Sweet Nectar of the dying, eager for eternal hunger and sweetness in withered flowers"
The end of Parapsychological regression XIV century
Saint John says Apostle: “Helleniká and Tsambika, will be the lily, the saffron, the rose and the violet but also new ones, like the marigold and the chamomile making of all a diadem crown to place the world of the Duoverse in all its radius, for the star that illuminates par excellence as a white planet without thorns, which is perfect among the perfect, anti herbicide of language and of incarnation as in the Empyrean the medieval sky in the highest of heavens. It is likewise in the place of the physical presence of God, where angels and souls reside in Paradise between caltrops and Rosas towards the alimentary plane of conventual voice, and tonics of the glycogenic Milky Way sipping third-grade milk to curdle in the children who have not been a Messiah yet. Paths of thorns will guide visitors to this gallery of flowers and plants through the Panagia monkish for the holy homily with the Lilies and through low valleys, where no more Lilies can escape from their chains of the Liliorum genome in the valleys of the galactogenic virtue. Like Mother Rosette and son Lirium, being the mother of everyone and of that…, there… your son, “Myself in the path of the three Mary’s”. Over there in the desolate place, a columbine carries me imprisoned on my heels as a bond of a son who makes my steps with the Columbine of my saving feet” At 320 meters of altitude Still, Life appeared concealed behind the Vas Áuric descending…, here everyone approached the auric circle of Moral that made them authors of the proximity of the Universe falling on Greece, and the Herbolaria that fell with all its reliable structure in the foliage where many more species appeared such as thilts, Laurel, Olive, Linen, Grenade in a simple and nuanced devotional with the pro status of the delegate; the same Hexagonal Primogeniture to make the cinnabar fistulas that were elemental by the different associated colors, and by Grail tutorials that looked indigo on top of some Rhododendrons. If it is eschatological, it is in the mystical nets of the Empyrean further from a form that is said to be called a form of antagonism, between Cardinals and their dead Lilies. As first among the last, the bulbous and clayey Tulip of the orbital and basilica symbology, peacemaker and philosophical Eritrean for spiritual quests that toil outpourings from the Empyrium, reaching the Messiah on his Colt on his way to Bethany. Around the Monastery, everyone could be seen as they arrived to the beat of the cymbals and aulós, among lyres that prowled tickling the inquiry to rest their fingers, or perhaps dressed by some Trojan villain augur in those of "Daedalus". Being the latter, here a tulip with flames of a true seeker trying to sacrifice subsistence daring over the risk of the resole of salvific death or perhaps dressed by some Trojan villain augur in those of "Daedalus".
Daedalus says: “After the incident with Perdix, I Daedalus was expelled from Athens. I then went to Crete, and in the kingdom of Minos I was placed in the service of the monarch. One of his tasks was the creation of Thalos, an animated bronze giant who defended the island from invasions. By order of Minos, I built the labyrinth to enclose the monster; the labyrinth was a building with countless corridors and winding streets opening into each other, which seemed to have no beginning and no end. Minos locked me up with my son Icarus, whose mother was Naucrate, a slave of Minos in the same building. The reason for the confinement was the collaboration of Daedalus in the escape of Theseus from the labyrinth, I have to lament for the ****** of Perdix, now turned into Partridge who now carries in his claws the creation of the Universe-Duoverse, turned into his own, and myself in envy neither harassing me about my endings, and neither starting nor finishing. That is why I appear here coming from Crete, to wrap myself in the garden and its mystery closing all the madrigals and hedges, like a world that has created me, in its splendor, seeing the humility fragrant with violets grafted onto lavender with my soul now, of a somewhat syncretism Hebrew-Hellenic and Mythological sub-Mythological, like a nobleman who walks free and without chains… passing through the Parthenon to put on tiaras in dresses that are adorned with Linens, but of evangelical lineage here in Kimolo.

In Kimolos; Helleniká Necropolis, Etréstles was suspended in a columbarium equivalent near the lapidem of the necropolis. There was a great amount of accumulated air enclosed in the musty cinerary walls, with the translucent specters that fluttered through other metropolises that transited inconsistently in their proto-masonry, and some resembled pink jaspers on some grooved slabs, letting pale dovecote rhizomes slip away under an oblique columbarium domain that manifested itself meagerly on an unstable podium of Folegandros. Adhering to this enormous exteriorization were Kanti, and Etréstles in their hydrothermal genesis, lying as a petra forms at a wide range of heat towards periodic effluvia of their Devonian geology, manifesting discreetly until a carbonization of sedimentary rocks attributing their curiosity when they continued to remain in areas favorable climatic conditions, simulating to be exordiums on thermal hydro sediments, leading to the carbonization of the surface of the necropolis with micas and serpentines, to cool down in the selfless natural fields that resisted the effect of the heat generated by the ZigZag Universe, etching each other on pyrites and graphite’s with the compactness that increases, and extends the widening of the mournful enclosure attentive to channeling emanations and traces, that will be the first loads of exegesis from Tsambika for prompt elucidation from Mount Hymettus in Athens, and continue to proliferate in hives of bees libating in its thickness towards the good-smelling necropolis causing its magnificent flowers and herbs to steam; so much so, that from the paved lipoids of honey astragalus and spectra will come out deposing to be toxic, yearning the strigilas or curved striaeons (reverse or straight), imitated from pagan sarcophagi.

Thousands after Thousands of Centuries after centuries, adorning themselves in the lapidem glossaries on the exterior fronts of tymbos that were embedded in the tholons, almost as in outright Constantine-Hellenic brilliance towards an unarmed cenotaph with their flat covers, pouring over them the devastated trisomy of Kaitelka, of whose diploid organism extras, aberrated by being parity triplicates of their greatest chromosomal and homologous hereditary complement. The vestiges of fossil whales here were generating disproportions of execrable variation, being destined to the patio of fall on them in three additional courtyards of marbles at the rate of inverted strata, revealing only some of their extremities appreciating them with semi-covered figures, and on reliefs filling again by genetic trisomy for gentile practices and lead them to the Christian Vas Auric. Faced with such a famous disproportion of fossil reliefs, they turn to the scourges of the Universe.

Panagia Theoskepasti Parapsychological regression Etréstles in Kímolos: The church of Theoskepasti, due to its position could be easily recognized by the invaders during their raids. However, according to a legend the church was veiled by dark clouds of mist and became invisible as soon as the assailants approached. Due to this legend the church received the name "Theoskepasti" from the Greek words "Theos" and "skepazo" meaning "God" and "watch" respectively. So, the name is 'God Veiled'. According to another tradition, when once a foreigner managed to get into the church and tried to steal the golden candle divine power cut off his hands. Also if it is watched over by God, so it is divine for the Creation that it will begin with the synchronization between both latitudes of the Cyclades and the Dodecanese. Etrestles After staying together with Kanti, they went from Theoskepasti to Hellenika, located in Dekas Bay on the west coast of Kimolos, here in the necropolis there are ruins of ancient tombs that would form part of the new humanity in the creation of the Duoverse, existing since Mycenae and the Cyclades next to the small islet of Agiоs Аndreas, also being part of the city. Many ruined tombs can be seen from the hill on the edge of Elliniká with some stones still in the sea between Kimol and Milil, in the vicinity of Psathi on this island located on the southeast coast. Kímolоs to Chοrá is 1 km away on the hill above the Psathi port from here the foreign ships trying to come to the Bay area sighted, for the advent of the Cinnabar on the scapulae that hold the Gates of the Necropolis for the effect avant-garde, and regenerator of souls that will resurface with more universal chromosome tints mutated from trisomy, more of extreme longevity. In the homily, an archpriest of the regional deanery will make a pastoral criterion for this gesture by virtue of eminence, and guide them through the orthodoxy of the chapel to the Episcopal organizational procession of the Vas Auric. It was already twilight and Etrestles was climbing onto Kanti's pony clutching the utensils of the homily, in the customary ritual before incensing and setting fire to the laurel and rosemary in the fords of Leto and Koumeterium of Messolonghi, it rotated in ellipses sprinkling crumbs of the purest loaf from Arcadia on a gray Monday with hummus to attract sour souls that they were in a catatonic state making them more esthetic or aesthesis, of reactionary rebellious natural aesthetics with nuances, then reincorporate them into the three courtyards in a magnificent concordance with Rhodes. When the Archpriest begins the talk, he derives his prayers from semi-inert materials that were made in communion with the chromosomal dyes; with the worms with absentmindedness of progenitor snakes that were grafted undulating, being in reality only worms that were amazed at the exhortation of the Archpriest in the ritual, circulating universals destined for his elegies and celebrating from an ambo or pulpit with classical Latin pronouncing the archpriest the way it died lunae, mutating it ****** to dies lunis by analogy with dies, on a dark Monday day but full of grace for the assistants doing the sermons to interpret the alabaster patios that will lead to Tsambika. The first worms were persecuted by Kanti, he believed that they were scatterings that emerged from the ground, such an earthly ecosystem was beginning to disown him due to the metamorphosis of annelids which seemed to increase their ultra-grave texture with the same remains of an irresolution without a sarcophagus, turned into sharp curves intestinal that were depressed breathing autonomously on consistent folds of the dermis of the oldest caste of the subsoil of Helleniká. Preexisting the distant origin of the Arcadias and they're dissected that silently followed the hummus and bobota, not to digest them with their suckers, but rather surround them and delegate them to explore the surroundings that would encapsulate the ground with the proximity of the transfigured universe to Vernarth's Duoverse, to phosphorus and emit the will-o'-the-wisp nitrogenous fires before the Archpriest, Etréstles and Kanti disquieting by an arcane movement. Being a full act of the herbaceous phagocytosis, they continued ascending in the curvilinear procession with their traces weaving moment without time, which was added to the sub-mythology and a finite sub-time, like unicellular procreating others that accelerated their physiognomy detached from their immateriality, towards a longer intake of the organic material on the hummus and exudation of propolis rhizomes. In this way, they resign when falling with serious cramps cleared of the digestive world, which no cell has tasted ******, but rather direct when breathing from Hellinika's lung lobes, comprised mostly by the alabaster sheepskin that was suspended to other colonies of worms that sailed to lean out towards the surface of the altar where they regenerated from the flow of the annelids. Archpriest says: “The frame of the Vas Áuric arises from the nuclei of the medallion, pending a high presence of insulation. With high mobility between the tissues and amino acids of the annelids, new basal cell functions even being visible for Etréstles and not totally for all yet. The image of the medal had a classified functionality and concrete information, but imperceptible chronological possibly being the first function of the icon in its justification with religious symbols and manifestations of the divine, and semantic still removed from a theoretical auto-iconic. When reading in Vas Auric, "What two men do not see, a man sees who does not see..., what the creeping animal sees, self-prisoner of his lack of vanity..., He will see it". Being epistemic images that provide more distant knowledge of the sub-divisible organic matter in finite mortality towards the other eternal inorganic, contributing to the super complex neuronal development, in a veiled sensation that is lost between itself and its own bodies, being able to take them with its own differentiations”

Panagia Tsambika Monastery - Channeling Cinnabar: Vernarth commanded the three architectural courtyards of Tsambika for the Cinnabar layout. They climb the steps that lead to this monastery at the top of one and to the very connection of the homily with Helleniká. In this monastery they will have to censor three courtyards, all pointing towards the west of Mandraki Bay, on some pine trees all surrounding the virtual stained glass window of the portal that joins the main avenue with the ascent of the monastery, until very close to the Virginal Marianus icon and very close to the dividing wall from where Lindos can be seen. The Tsambika Monastery is four kilometers from the city of Archangelo, the height of the monastery is leveled with pebbles on its bare floor that led everyone barefoot, towards the three nearby patios. Cinnabar as a polygonal crystal would be specially used for the perpendicular ceremony of Mercury, to sensitize the climatologically the variation that would be appreciated once it began to sponsor the bones that would spread in the extreme longevity of annelids exchanged from the moldy alabaster arcades, and carried by alluviums of crystallized mercury, granting together with the Panagia of Tsambika fertility, and parental conception for the new Universe-Duoverse of Vernarth, extending life farther than the first-born descendant's first ancestor, being the cinnabar the diversity of versed uses now been given in the upright channeling with ultra vital extensions with Helleniká. The alabaster and the three columns of these sulfated stones form compact would dare to hydrate in the silos where the windows will be poured, this is where the sub-mythological specimens detached from any temporal dimension will be used, leaving sapiens annelids free will recombining the diploid chromosomes, and profiting from molds of exact erratic aberrations to be vindicated in the dispensaries of Saint John the apostle. Thus adorning the perfumed areas intervened three cinnabar patios, for the sermon of the Vas Áuric. Thus inspiring the chair with the verses of Saint John on the immanence after the fifty days of the Messiah in epistolary verses and the evangelizations, elaborating vessels of the low rank of Faith to opt for expectations of moldings with new consciences of selenite clay, and refine them in messianic faith. Middle-range pebbles were subtracted for the interior and extramural floor of the Monastery, being rather Biblical Calcite for the Egyptian-Hellenic Alabastron psalmody praise perfume. This typology will be the quilt for the magistracy with a canopy glass exhibited near the tulip lamps, and ceiling lights of the monastery for the use of the diamantine sphere of the opaque panels that flamed from the intersection of the arachnids re sprouting from the current wind of cinnabar. Vernarth says: “Suitable for our consciences, we will open the channels in Kímolos before our subtle bodies that will make us divided just as we parabolize ourselves, before the airs of St. John the Apostle in the headdress of mediumship to reach the wavelength to Helleniká, the interactive vibrations will leave with the expression of deep reasoning after pontificating the Mandylion with the Vas Áuric, for the effect of its icon and idiomatic monologues for the edges of San Judas Tadeo and Veronica, for such a faced event in foreign forces before the Messiah, a coherent gadget will be made in the intermittence variants. The channeling to the Cyclades will go from east to west wading the Aegean and Mediterranean waters, through the channel of the Universe-Duoverse for inter consciousness between the Hexagonal Primogen in Tsambika, and the triad of Etréstles, Kanti, and the Archpriest in Helleniká, with high degrees of the light consciousness and conclaves between both synchronous homilies. With drowsiness before the Anemoi winds that will be crossing near the voyages of the Trojan chthonic ships, and before the fateful chthonic divinities for such deities in the Mediterranean substratum identifying more obviously with Anatolia which since prehistory has followed to the site of Troy, in a cheesy union plan for Agamemnon's loyalists, to defeat Hector between farms and revolutions of agriculture, and Akkadian worlds b.C., in peripheral outposts to influence the central regions of Greece and its maritime trade. Hydro-physical influences, for the cycles of the solstice and nature with life and survival after death that is at the center of concerns that are not translated. In Crete, the supposed cult of great Gods is transformed during the second millennium BC as new actors appear: various animals, plants, etc. Given the consciousness, it will be the channeled light in the three courtyards of alabaster and between the cinnabar by bending the re-fertilization of the Cyclades channels, which go from Rhodes and Kimolos, for discernment. Sometimes it is more gratifying to hear what you want to hear and not the real message, the egotistical mind that does not come from a series of daunted egos..., or signs of the technological shamanism, intervening artificial intelligence from maniacal administered consciences, being shrill for worlds of appearances and illusions. I Vernarth with our own Khaire Fíle…, in my mind I go to the vessels that sail through the landscapes of the elusive identity, trapping her in the totemic stratum, and tracking psychology, but a seer of her present ego. Today I will wear my Leonatus cap, to separate his anger from such a shadow that clouds my grief, and my own victimhood of reduced and meekness which spurns violence, blaming it on a ruthless kind of depression and excluding shame from everyone's own fear of everything. I will bandage my eyes against diseases that will heal after three days, to straighten the ecstasy that thickens towards the scaffold, staying in Golgotha with nothing, I will create the framework of cinnabar for the pain of the skull that trembles in my claws, until sleep becomes vaporous with anger and the harmless destroying itself before your egos, colorful throbbing towards your alien beings and scarified host. I will be waking up from my subtle and anthropomorphic subconscious dreams, with sentences that hurt my worst self-destructive delinquencies before the new memorial, on the veil of Theoskepasti with its science sheltering itself by giving in on the vanquished springs and inaugurating new miraculous courses where I will surrender, full of forgiveness and more distant from the veil that does not act as a viewer.

Duet time, Duet space, one with the other illusion unreal elements and epistemic images ignoring them in expeditions crackle my Duoverse, and temples of Tsambika with the decoded annelids mutating in trisomy with flat doors towards the Olives Berna. We look at what gratifies basting and plotting the positions of the stars of the universe that are attached like sheets worthy of almighty serials, and redoubled humor on the chthonic embracing tridents, before skewing Xyston as an original replica of the dream of a night in Tel Gomel. The counterweight of the message of light lagged behind the high astral like the little bear, bustards, and her angelic breath retreated in dissolution..., now if diva emotion I have my daring, and courage towards the binge of my omniscient prosopon, similar to omniscient telepathy, my soul lies and my emotion too because in this way I will treasure the value of panic by surrounding myself with the fears of resting, against the poles and sights of a peaceful energetic confrontation that will make them in Rhodes and Kimolos, channel the consumed human finitude and not eternal ad portas of his Áspis Koilé.

Unconsciously they will continue halfway with their bouquets of flowers for Valekiria, and may they never really take the time to tell her what time of eternity will make them more crowded for her, and her reliquary poem bursting into flame with its insidious outbreak and fear of telling him that if they revive they will be other Hellenic Hetairoi towards the vermilion light of the embodied sacrificed loop state as a "Being of Light". Oh ghost phenomenon that doesn't scare me... rather disappoints, clinging to the skins that die in the unexpected female muses in Gaia, with my burning and hypertensive ballast, still frequent in me... As conjecture and presence of Greek life..., having to be promoted and involved where they should be tempered to the contribution of biodiverse, and species for island life and its balance in the Aegean. The theorem will enunciate in the image of the Vas Auric as sounds of homeostasis in classrooms, properties of intervened annelids consistent, capable of maintaining them in a certain internal and stable condition, compensating for the changes of the explosion of the intervened patios, towards an environment through regulated exchange of matter and energy with the outside towards its (comparative metabolism), in the case of a form of dynamic balance with properties of Cinnabar brilliance, as a self-regulated biosphere in the conditions of the planet to make its environment (especially temperature and atmospheric chemistry) nobler with the species that make up life in the compass of two unmanned islands by beings from Gaia, rather as entropy in physical magnitude for a thermodynamic system in equilibrium, inhabited by dynamic beings that associate nobly for adaptations of worlds that are not born. It segregates them towards a departure measuring them from heightened numbers in states of zero compatible with the laws of that physics for the purposes of watchful guardians if Gaia's engine is turned on before this psychic and spiritual combustion. The laws of this system with closed circuits and brought will tend to maximize the entropy expiring inhibitory reactions for the traces of oxygen and nitrogen of the worms, making a sign of the levitated carbon dioxide to take it from Tsambika in two converged energies of Leviathan and Saint John the Apostle in moles of carbonate dioxide, battling surviving the impostor necromancers adverse to their conditions and reproduction, keeping these habitable for many who do not they enjoyed the life-death-life cycle. Greece, as it will now look regenerated and appropriate of laws and extensive fibers concerning moles of molecules said to be equal of said Vernarth hypotheses by way of sub-mythology, rather perching on the growing ivy and strangling the signs of satiety of life with properties in consonance with severities that hurt even to the sound of the rattles before the passing of the millennia! Fear, insecurity, and frustration did not fit because they will cut the Diospyros abenuz, with its stamens usually sixteen more hypogynous or inserted at the base of the corolla; as female flowers being greened or being converted into staminodes, Diospyros with generally tetra-locular ovaries or with eight locules due to false divisions, will make us channel by inseminating Itheoi demigods, under the staff of sub-mythology with Zefián, before the migrations in Helleniká begin, just as in this pact with silence and meditation and a burning flame, below the vulnerable and high insolated frequencies..., waking up in Gaia as a dozing fairy. Shamanic vested will grade synergy and simple science.
The Homily in the natural lassitude of the created, the Duoverse presented IHΣ, falling in the eighteenth letter of the Greek alphabet and in the duo hundred changes of physical remembrance. The PH (Hexagonal Primogeniture), is conceived in the presence of the Crismón, more Hellenic with the Vexillum banner and the Kantabroi to rescind the tired depressed zephyrs, since the quantum of memory was lost in the integrity of an earth acrophobia for the subsequent it would be air-water for this reason, preceded by the ceremonial that begins with the trimming of the abenuz Diospyros with its stamens usually sixteen plus it's hypogynous or inserted at the base of the corolla; like those of the female flowers having part of the gynoecium in the part of Tsambika, and of the androecium that will be of the Diospyros in Theoskepasti; usually tetra-ocular ovaries adapted to be inseminated for the raids of the demigods Itheoi and Duoverso, with the monogram HDD (Horcondising-Duoverso), tracing the bifurcations with Zefián; the chaos ordering up to modulated Theoskepasti. The changes have to be reborn in the stamen, being almost sterile and aborting in the chronicles of Galilee personifying the pollination benefit of the Diospyros resprouting in the same stem of the whorl even more so in each stigmatized part of Vernarth and Etréstles, carrying the IHS candles with the monogram and the Mandylion-Vas Auric, pointing to the Olives Bern. Before the seams of the carved heels and the canals of the annelids rise up through the alabaster up to the calyxes with the Chrismon hat. Filling the warehouse of Anemoi himself struggling with the roof, and forgetting his deposit of the breath on synaptic abbreviations continuing to argue with Saint John the Apostle in the network of Rhodes and Kimolos, in the bark of the sensory past and consequence of fallen gushes, and affecting being restored on the basis of oxygen-nitrogenated Nemo-genetic activation to summarize loss and gain of channeling between the Cyclades and the Dodecanese. The memories of the stuck Vernarth cerebellum will be loaded, trembling towards the marsh of the hippocampus where Zoroaster led the Magi to the end of the span and first-last border in the vicinity of Ein Karem. This evolutionary scale fluctuated in weak air masses with the increasing rise of the Meltemi over the Aegean taking them to Dekas Bay, on the knees of the colossus that cursed to avoid some delirium that could replace it's joint, remaining like this on a scale of reminiscent and unspoken emptiness..., it continues to be stated and not occupied and not, but raised towards the colossus from the ground of Vernarth which had unfolded bipartite from Rhodes to Kimolos, by way of the Verthian neuroscience whose prose emanated in the submissive glaciers of hyper-intuitive meditation (as a technique of knowledge and abstraction for functional links of improvisation, purgative discernment and yogic memory). All the nonsense is alluded to infringing the rationality of the Vas Áuric ceremonial in its phenomenology making curvilinear pauses to re-captivate phraseological, and diminished keys in the condensed equivalents to approximately ten terabytes from a homologous half surrendering almost when exhausted before both scholars, and their debts exchanged by driving..., thus recovering wave descents before reaching the bay of Dekas; Kímolos and final in the necropolis of Hellenika..., and vice versa before re-climbing in the middle of Mandraki, Archangelos and Filerimos to finish in Tsambika, Rhodes. As a parallel response to the archpriest not to alter the IHS monogram of the homily and the association in remembrance can affect the conduction of the mediate trance, almost prostrating it in the house of omission and frenzy, if it has to recover unstabilized. The sulfurous mercury component of the Cinnabar, came acidifying from the essences of the Vas Auric, already prospering in the tutelage of each auric conductor..., Archpriest and Saint John the Apostle, each one with the sulfurous of the Greek mountain and the arch of the Aegean Sea as a former karstic foundation for its diametric towards a change of reaction of chemical prisms up to the multi-angular of the topaz that Saint John the Apostle carried in his bag near the reliquary, hanging off some fringes of the Vexillum that had been placed near Vernarth. Immediately from the banks of the monastery, Raeder was walking with a lantern looking for those who might try to enter, he believed that it was his father from Kalymnos who came on another mission to be taken to the cinnabar, more on top of an encourage observing the quarters stationed in the sandbanks of Rhodes, Petrobus the pelican circling the ledges of the monastery, marking out the apparent slackness of his body and entreaties in case they ventured into Kalymnos for a good portent, in waters for tenth seeds and for all the rodines. From the cloister with one of its necessary dependencies, all were with white candles aggravated between the steps of each cell and attached friars they made an antechamber in the nave near the church on the hexagonal floor, being screened by the center of the garden where everything was dominated by the limits of the alabaster arcades, which only now pointed to the closet of the books, this time with plenty and saved voices with devotion. Chapter by chapter it was won..., for each cell, identifying each portion in identity up to the scriptorium and refectory, where this ceremony books were distributed to the infinite world of the Duoverse near the locutory to witness where Saint George and the Dragon raged, souring winepresses for the missal wine.

Sequence shot in Kimolos, Panagia Theoskepasti- Etréstles says: “according to what has to be said in this dimension, the word will be the Duoverse. Synchronically it will be aligned with the monastery in the Tsambika for the third hour after noon, reflecting on the unrevealed walls of the chapel on all the radiosities of the cinnabar, entering in electromagnetic lassitude through the trusses of the pulpit anchored in the Vox and mystical vortex, towards those who entered and left thousands of times through the counter shutters of the chapel, which collided crashing many times until by the glow of Cinnabar somewhat sulfurous, was mixed with the interlocking of some novas which also acted as a decoy for the Chrismón that Kanti carried the steed adjusted in the saddle on his back, as a mount in syntactic esotericism speaking with intangible brown colors of the Cinnabar.
Vas Auric
vircapio gale Oct 2015
projective geometry used to get me *****
all those positions

,palmately pink and ever green
breathing vasts of void my dark heart laughs in gulping wholes
moaning plenums, hooded over boundless venus-vim

now i'm tired of infinite lines
too many shapes to fit in
too wide, too tight, sharp or empty

,too many ways to come

this was meant to be a disclaimer before a collection of poems

,a way to unclutter
                angst of public  
                              lexicality,
years  after  ­ 'explaining'
                  Samir's 'polygonal me'
                                                to only-me-myself-i-was,
to then indulge this analogic soundlessness...
             
        as i disengage

i can't write without planning on it
i can't write about  writing  without feeling like a fool
                                                            ­                 (,Lear is the only one
that saves me now
                       as now i am the Fool,
                                                 dividing hearts along
in storm-***-love-like railway-*****
                                 steaming full of fiberoptic nooks,
chaining spectra-cogs of a good-will-spirit-****:
                                       concatenated hard-ons every word
each thought a pulsate vulval dream awake,
                                                redichotom­izing lives
                         of shining mons my Athene forehead
                                                      forging fountain thought,
                          urethral letting-beings-be...
freely, my chubby comes back to me
                                         prone before the prostate god)

,in other words
              the same,
                     i cannot write as other than a fool
for
why should i repeat the abject horror of the world?
isn't despair a bit.. overdone at this point?!
and why should i write just the happy!? i'm not in denial, am i?
or am i in denial
about insisting on being in denial absolutely?
--like mind-only schools...
(O the uselessness of words, dismissing patriarchal vigor with yet another wave, the 'brine-milk' ends unending,
forever Femen liberating us of words,
replaced with Fragilaria,
wasting diatomic seas and waterways,
depleted algae gone, extinct: metaphysiCalListo-craticality aborted on a broken Amazonic spear,
our bodies, bodied-hearts, finally won as ours, across Alternaqueeria, fully lucid human-species spanned
i blink my tears and blur my gaze at weeping Pleides

the plan was this: painful poem, pleasure poem, painful poem, happy poem... **** poem, sterile poem, carnal poem, priggish poem, punk poem, open poem, confessing poem, eros poem, **** poem, 'obscene-attractive' poem...
to cleanse inverted mainstreams of my steady-rhythmed pratitpaksha-bhavanams; not "poem, poem, poem, poem..."
but a taut poeming in and out of poems of poemed poiesis prosing poets free to **** again in Issa's snow, or *** on Chiera's cumaholic Shards.

pendulum left, pendulum right; then two pendulums, then none; then one that swings right and left at the same time; then one that spins all the way around, but only clockwise; then one counter-clockwise; then one both clockwise and counterclockwise; then one timeless, then one imaginary one... full of infinite little ones... to represent all the pendulata in the universe as experienced through minor parts of self.. itself as universal part-whole-parcel self-hood spanning star-births yet to come...
,
,
,but it's time to eat a 'square' meal
take off my job-search tie, my peddled lies
                   forget the sunrise vestibules we sipped from,
                                           sleeping by commoding cows

and pretend i'm not dicking myself over
                                                          by­ retreating
into cryptic spectionism-voids again
                                               all seagull-divert-adverts, play
of frozen youth abstrused,
                      self-referred referring loosed
                                          staggered worse than marginalia
no single species 'seagull' singing here
vircapio gale Oct 2015
pejorative memes remade unwise,
the natural artifice of slang;
and the mnemo-linguistic "advantages" of being called a ******...*

arbitrary signs..

chosen  reasoned    signs.

i don't remember history, living it as
predetermined amens sinking blind
profane in sacred incense dogmas polished
                 elemental airs of azure old allure
named aesthetics new and purely false
    unlike a snakeback break
    they realm of fear indulged--
placate artistries of loving touch to numb;
with medieval noose, blade;
          scald of iron pen and human metaphors for *******
    sent to human metaphors for hell before their deaths
to burn as scapegoats for immortal xenophobic herds
remade

this is a word's weight
  now,
  for all unhearing yet apologistic legend-churners earthling-bound:
one witchhunt grin and phrase
--legend or not, urban or pagan--
    will burn me here
    to face imaginal apotheosic
   dawn
   of bigotry complete
.
in long-yearned laughter, musics
     yet unleased to propagandist aims:
empty prayers undone as selfish grims
  i do without
  as any fairy might
        with dusty wave of hand
my wings are spillful everjoys
    of momentary vasts
          of ancient youths; of loves of
    glittered rainbow in the hush of sunfall snow--
escapes of real dismissed
   all
    real
       fiction-true truths
                                bearing living worlds of love
and labyrinthine strands? and twisted more, ripe!
      for shock and awe filled fuel
      sierra-cut at ranges incomplete as Tolkien Silmarils
                                i brace the let of leavings-be
sever severed links in inner chains of links
    to remake ****** moonbeam skirt
    of spectra cloud and starry breath
---the window opens maths of savor
        (apsaras! tulpas!)
        surveyed in the tones of healing buildings
        shaped of love

huddled shapes of perfect friends
                   all craning necks to common interstellar home

i could be clear and disagreement wright
but i am here to feel ineffables of ******* felt
fall  up    from anger
        into union's many-petaled rifting veils
and in a citrus spray of scattered mists unshared
a stillness swim of happily amused
    awake a zombie-language only Borges knew
        to burn a mark of joy on history's flesh
a hidden question-heart of sensuistic quest whose end is known
    and yet exclaimed unknown
    as glories only moving rainbows know
hang-glide words to shadow-stripe the eyes
                       and dash Mneumosyne another arching voice
"******; *****"

-NORTH AMERICAN informaloffensive
a male homosexual.

-early 20th century: perhaps from the obsolete sense of ***** ‘contemptible woman.’

-a bundle of sticks or twigs bound together as fuel.
a bundle of iron rods bound together for reheating, welding, and hammering into bars.

flamboyant

mnemotechnosophical pejoratives?

2.21.15
Parable Ad Libitum Ex Varna: “In the lower and higher, a certain anti-demonological air carried a Keri towards the sails of the Procorus rituals, extending the Eurydice ship that came from Rhodes. He had on the floor of his cell some branches of Tamarisks, like Tarayes that vanished due to their quality when they expired in his own monk's feet and became perennial in his Oikodomeo, to raise with the Taray the re-transformation essences of the lexeme of greenness conventional in Patmos, being very deflowered in periods with high tempers, only with some secretions in which Procorus felt adventitious of its reflowering, from there and then in the anemophilous advantages of the winds released from the belly in sedimentary veins of Rhodes. In its alchemical anemophilia or movement of the inseminating winds, the subtle soil vanished with the force of the Lion of Sulfur that derived from the Cinnabar, and with the Anemoi wind that was impregnated in the capsules of the Tamarisk, under the feet of the acolyte. In the aquifer of the groundwater phreatic layer on Patmos, remnants were scattered so that in Pro Nobis they lay their demonologies, sponsoring Persian magics of the Post-Gaugamela Lid, I get in the Ex Varna with re-transfigured iridescence on Mount Tabor.

Procorus says: “This Tamarix or Tamarisk, has poured the limits of our Oikodomeo, to retain the surface plate and reuse it in absorbing the fire under my feet, compelling them to readjust under the igneous soil concentrated in the cinnabar residue, carrying the dermal prototype towards the saturated bottom of the salt larvae, which imposed themselves on the bruised beam of their skill, in some bundles of Tamarisks, showing themselves innocuous in the cloister imagination and right here asphyxiated by some Chaldean tribes, who felt themselves from the stand of illusionism of the Ex Varna ”.

In the compaction of this epic hyper fantasy in that instant, the dedication of the Gift was born to interpret the subtlety of two-dimensional variety that would seem until now, under the layers that were contaminated out of nowhere, by the mere fact of the whim of the augur momentum, which is finally restricted in the morphism of the Katapausis and the chamber of San Juan Apostle, being finally supported by layers and shawls of subterranean aqueous filters, towards a restructuring of the Euclidean plane and towards the vicinity of the plantar pedestrian zones of Procorus that were three-dimensional already in the construction of the Oikodomeo, for the foundation of the Náos or temple, which would be triggered when the Hexagonal Progeny arrived to build the Vernarthian temple with gifts of multi-purgatory construction, for the Oikos in Abode of the social unit of Aquarian spirits or Aqua that is terminated at the end of Capricorn dehorned. In mutual edifying peace and between both zodiacal proximities of the Oikodom, here every day spectra purged and rubbed each other in the archetype of the Megaron, which was intended to give in oblations and votive connections in the massages that the spirits of the Vernarthian universe gave them in their spiritual mortar, reconverted in their eternal fight to live in friction and in the brown partitions of the Megaron bloodless to inaugurate it as a solid bulwark, in the weak regions of the Hetairoi that cellularly snatches vitality co-energized in their extremities, of total imbalance and of bumpy patrons maneuvered on their feet crawling towards the karmic Saetas of Velos Toxeumas and Dorus unscathed. But feverish and threatening their integrity, when they fell and stepped on the Euclidean edge, opening from the designs of the Hellenic palfrey, becoming parametric in the paranasal of Kanti and their neighborhood spatiality in the Parthenon of Fidas, with Ikríomas or scaffolding that made them collapse of its coordinates with Mamdilaria and Agiogitiko wine baths on the Vernarthian body between the columnar of its Sabines and of the Greek colonies of Lacedaemonians of the 4th century BC. C., already entering into borders of synchronicity from the Erechtheion, falling from the Caelum, near all his teachers who helped him install the final tiles of the temple, next to them drunk with Nepenthe, by nozzles of intense rain of vine in the silent afternoon of the Inter-Cosmos of Athena, Handing them the poison of Velos Toxeumas, a priori... and before attacking any skin that wants to revive itself in the inoculated Vernarthian dreams.

(Procorus, manifested himself solidly in his solitude when he saw that Lacedaemonians and beings of the night accompanied him, in contrast to the dark light that allowed him with a single chandelier to expand more inaccessible in the semiglyphs and in the grooves of the Megaron, which glowed synarchically. in the plans of the new Monastery of Saint John the Theologian)
Parable Ad Libitum Ex Varna
Zero the Lyric Jan 2013
That time,
When the morning shook me awake with a new set of senses
Every pore opened leaving my old body obsolete and breathless

It was a great day, filled with glory and dried sweat
The sky would tell me tales of gore and criminal's scores
The trees sung of warriors that could handle any pest that crept
Sun and Moon would prance, ignorant of envious bores

It was a great day, rattled with sounds and prattles
Even gravel, had its mysteries of wondrous wandering
Waters simply grew a face, to smile of silent pondering
Grouchy and coarse the soils were, always whining of past battles

It was a great day, whistling secrets and flaunting immortality
At least that was how the wind would laugh, free and kooky
Fires did more whistling, between their cackles and endless dances
Then science was rinsed off the creatures to show the paths in their glances

Who was I to judge?
Woes of consuming spectra
Under despot rhyme

Then night had fell +
My eyes would dwell /
My hearts next swell =
Still a space to figure,

A time to measure:
The center of levers::
A fate for lovers:
A void...to test
JRS Dec 2012
I close my eyes,
and I am anywhere.

I rest my head in the warm grass,
Breathe in the icy air,
Breathe out billows of music.
I taste the citrus clouds drifting and whisper encouragement.
Sunshine drips off my eyelashes into puddles.
I dance between them, splashing spectra on my shoes.
The trees arch around me, sighing green envy at my rainbow feet.
Tripping over shadows, memories glow,
Etched in bark, veined in a leaf, cracked in a rockface,
Lighting my way.
I am not afraid here.
I am just me.
Shreekant Dhuri Apr 2016
The wheels draw to a halt with an ominous screech,
Dazed, I look up from my broken revery;
Murmuring voices, shuffling footsteps alight,
A diffracted spectra, some dark, some bright.

To the windows shift my moony eyes,
As the engine spurts with a burst of life.
Through a tunneling limbo of seamless dark,
Slash ribbons of rail in swirls and arcs.

In this labyrinth, this state of oblivion,
Memories trickle, in ounces, in millions.
Lights of saffron on the arches bloom,
Will-o'-the-wisps, my conscience assumes.

Emerge awed, under a canopy of stars,
An infinity of dreams one could wish upon.
The country bathes in the moonlight deluge.
Utopia, I muse, for my poetic refuge.

The cosmos smiles, enchanting yet so strange.
Would we ever know why, if we weren't so vain?
Gold, moltened crimson, at the horizon streaks,
Warm like the dribble, of tears on one's cheeks.

The last station nears, the wheel rhythm slows.
I get up, wishing the end weren't so close.
The final chapter. Is there ever a further plot?
Perhaps, I decide, on another train of thought.
Corset Sep 2015
Daydreamer
Turn your head a notch
and we'll see that perfect
dot beside your nose.

Tell me,
even though
sanity may jettison
and stroll down
the lane as naked
as a jay bird.

you remember,
that I had on too many clothes
or not enough and neither one
at the appropriate time,
still,
I can't soften
the discard-
the tint of rose
from my cheeks or the
titan grip on my jugular.

Remind me still ,
with patience,
like every other
seven year old
wearing a zirconium,
Tiaras, pink taffeta
and soft as night ballet
slippers,
that it's o.k.
to sit on my spotted pony
dreaming,
that all princes
will have a heart of gold.

That promises mean
something
even to spectra
and daydreamers...

we stopped laughing
when
the song ended
with the world spinning

and I fell down
calling your name
on the back
street of my worst
nightmare coming true.

Remind me gently,
That best friends can't say
I love you
and still be best friends,
well, I already knew,
it just might be that
all the time my eyes
were wide open
they just
wouldn't stop listening
to the skipping thud of
my pulse.
Barton D Smock Feb 2015
a spider on the ceiling
in the bathroom
means father
fill
the tub.

your mother stood on water
before she learned
to walk.

something about a fly
speaks to her, the way it

enters a thought
to leave
a message…
Extravagantly exorbitant mentality panacea
Pretentious eidetic’s ubiquity mnemonics
Extraversion embezzlement extortion mens rea
Endergonic laconic cacophony phonics

Preterite rendition enclitic equilibrist motion
Mystic symbiosis dharma spiritual sky
Brusque macabre abjections the gist of the potion
Straight up forever ontology on high

Obdurately abstruse vituperatively vociferous
Juxtaposition apparition myriad avarice
Orotund sonorous diction obliquitous
Multifariously versatile nefarious nemesis

Mirador bartizan phantasmagoria aesthetics
Guidon gyration excursion integration
Sorcerous alchemizing interstitial endemics  
Chaos charisma objectified tribulation

Conjurous apothegms clitoral apomixis
Exude emote surrogate extrapolation
Astral projection littoral hypotaxis
Kinetic supremacy homogeneity gravitation

Coercible coalescent cohesion dexterities
Adjunct conjunction conjecture acuity
Platonic pragmatic prosaic austerities
Extemporaneous impromptu innuendo fortuity

Propinquity habitation harbinger spectra
Perplexing paradox tenacity rostra
Intensely cogitational abstract mantra
Penumbral exigency , umbrage per contra
Theoretical incursion grandiloquent ne plus ultra
Exogamy of homoplasy sic itur ad astra
Quiescent serendipity surreal anestra
Re-post
astroaquanaut Oct 2015
asteroids were beautifully created to ebb to the misconceived vastness of the galaxy yet they are still known to be perilous. to lessen damages and fatalities, scientists eagerly observe when an asteroid is going towards our vicinity.

and you, i never expected that you’d be an asteroid to my life. you may be a planetesimal, but i’ve always revolved around your presence like you’re the center of my whole life. you approached me, and i accepted you, never knowing that you’d rescind my existence for a while. thanks for leaving me like i’m just an insignificant piece of wreckage, i needed to know your encapsulating spectra, anyway.

*you destroyed me, yes. but you destroyed me gorgeously.
Elicia Hurst Apr 2018
I dress in black to a funeral
to mourn someone
that i used to know
and linger
let her haunt me
like a mantra  

her former skin
her former bones  
her former heart
her former mind
her former strength
her former spectra  

funny how
i am the ghost
the pale phantom
in her mirrored image
standing over
my former self.
Jan 2016
Monochrome landscape
Too subtle to perceive well
Looming dark-ling shapes
Seeping nocturnal spectra
But above, stars incandesce
Tanka
B Young Dec 2015
We all have infinite interior strength

Cycling, chasing love in my dream,
embodied by an unidentifiable spectra,
of a woman.
Through San Franciscan streets,
I reach a hill too steep,
but not for the woman I follow,
and
I, filled with trepidation,
attempting to remain surreptitious,
inch down
hands firmly squeezing on my brakes,
only to fall, flat on my face.

I sit front row on a mid-week ******,
in surprise to catch the closing act
of
the Berkeley based Morning Benders.
The drummer jumps down from the stage
to
land on my chest. "Ben!" He proclaims.
No.
"Bobby;" I exclaim. We catch up-talking
the state of Indie music,
as my family drives away from
the venue, into the distance, to leave me
in the biting cold. I forget my jacket,
and
walk back to the hotel, or, campground?
Freezing
and alone,
mid-******.

In the rough of the Devil's camping ground,
Satan, the Prince of Darkness himself tramps around-
holding the infinite trump card-(A 40 ft circle)
in which nothing living may stay and survive.    

I get into a fist fight, with a kid
who has been in the same rehab,
at the same time as me,
over the past three years.
In and out. In and out we go.
But, together.
He is lanky
and
gets hold of my wrists,
attempted head butts,
I struggle free
escaping his vice of a grasp
and
lay him out
with one right hook,
splaying him down to lay
between two cars.
For, we are in a parking lot,
(To mention this, I forgot)
outside of some conference
being held. I assume it is
recovery related. I always liked
this kid, and thought we were friends.
What happened?
I wonder.

North to the Liberties, let's
go to the punk show
and
dance as we would to
Joy Division, even when
everything is going wrong,
it can be ironic that we are
still so happy. Standing
outside with the kids in the know.
She stands staring, from her lips
hangs a clove. I dangle on the edge
of the wall, and stare back in awe.
Everything brightens clear, as
my senses are heightened. Everyone
warned us not to fall in love,
at this bar.

A very Bill Murray Christmas, takes us
by pleasant surprise. Cuddling in a
corner, with a fire crackling away.
This scene, is no dream. The rest are,
beamed from my unconscious.

We all have infinite interior strength
Elizabeth Apr 2016
If you saw me
I might be upside down,
Different spectra of vibrations
Pulsing from my goosebumped knees.
I imagine if I sweep my arms back and forth
Across the benthic stretches of our skies
I may feel your structure
In the crease of my thumb.

I reach my hand out to touch you.
Your elbow is somewhere in space,
Bent a certain posture.
It's possibly inverted,
But it could be rigid and reaching for my hair.
I think your forehead may point toward my collarbone,
Protruding like deer antlers.
In your universe my collarbone looks different,
Objects that will never be
metaphoric molds for my words,
But exist in every third line of your poetry
You may or may not write.

In-between our possible distance
There are millions of bodies,
Or just a few.
Neither of these options we can see
Or touch.
We will never know how close our blinks are.
Yet I can feel my breath rush down my chin,
Knowing if we ever found each other
Your exhale would twist into mine.
Playing with the idea of a multiverse. Title subject to change.
Ken Pepiton Sep 2019
twice read, I find
my points have mostly
been made in plain geometry, were I to see

from an imaginary Euclidean POV

pre algebra and zeros and pi, as fa's I know,

Euclid makes a point.  ping
do re me, too.

We need some assumptions. True.

Words, Logos per se, re
main the principle tool used right
by both wisdom and knowledge and, now,
under knowledge stand two parts

see likka bubble, zygotic go, knowledge all good

big ol' bubble, knowledge of good and evil,

both, and you know both's a real big
old idea to think at once,

gotta have a push and a pull,
a listing and a lusting,
a compulsion to explode
versa verses reverberating assumptive
implosive con ex in clusives ping 3
do re me
sounds of music all disneyfied hills alive
from the POV of a flea
in the bark of my favorite pine, aw a
crow
dream
alla this,
how sweet is that, you guys don't know what that might
feel like, unless,
you know: in my realm,
right try angles reflect light in odd spectra
bounced from assumptive edges of unknowns.

Euclid, yeah, he failed to know everything anybody learned since he died,
we all know more than he ever did,
though
his timeless thoughts
remain. ..
as mine to twist into art-intuitive
artificial intelligence.
-----
Stop inter, ah, this fits here (no where else, per haps):
an e-ruptive Voltarian pledge of troth from an old bet lost.
Spelchek can't tame the pen, truth emerges
twixt i and e, subtly.
See,
intell still makes sense con egence on the end
and has aright to slide meaningfully
past spelchek and
evil Grammerly Aiing me.
See, both religating and relegating, merge and link.

Right, we assume
we prove flat Euclidean right exists. Okeh.

Here is the handln, wir machen schnell zwei

ping ping points ping
there was there three,
we did not see one, firstime, missed a point,

now, we may see beyond the first assumptive, abruptive,
inter
rupture rapture at/to that lacred nacred sphere.

A pretty pearly gate. Eggish in shape.

This, I imagined was the proverbial NAND/NULL gate,
an old door into superbloom summer
manifested to capture your
attention please, breathe
the beauty,
sneeze,
let it be.
Please, your self has private interpretations,
so it ain't prophecy.
No prophecy from Jehovah and them other names
the supreme being goes by
in woke reality
with quarks in it--  
no
secret intended to hide truth
(secret is same as private here, no private
interpretations) from those who can't see times changed.

---logos logic force, forces chaos into a bubble boing being
--- a peer pressure surge urge dopamine don't fail me now
--- devise a device depicting the mergence,
--- a logo for reality, in a word.
--- one artist made a circle, another formed a square

so many
interruptions, if you could only know,
you could be live, Euclid,

scary thought? no. a hope. an arrogant philosopher's hope
carved in stone

In the beginning == you know, right, everything must mean some
thing or nothing remains to measure worth,
as knowns unknowable for the effort
that you don't make
--- like Tristram Shandy, the marbled page, we few ever knew,
--- first gentle, re-cog-nize justify, ify ify yourself

Wisdom-******* children,
magnificent in countenance, as winners
of the won war fought before the peace.

--- easy treated, like "no sweat" a
--- Jeopardy version of Leela, the big show. You still die. it ain't scary.

resume the assumpting pressures
peer 'em up
umph, try

delta delta delta force chuck-nors negate  negate

dive dive dive

We must be read
y
we got us a bubble of being, in real life poetry.
Tha's deeply memeingful.
Here abouts. A bit o'breathin' room in the long dance.

But Euclid pointed out what I see from my old couch on the porch
on the westside of a piece of land
that pro-truded
from prime-eve, a fractal level a billion lacred layers
time-wise, geo-time-wise ago
yond hither, whence we was words a playin'

silly songs children read and sing along then seem to forget until

some go mad in our dotage and become as little children, once more but

we know now how to learn anything we wish to know.

This could be heaven,
according to the description I was given when escape from hell
was my selfish desire.
Self formed from scraps I over heard as a young'n.

A point remains to appear made in the assumption.

Ah, hey, right tringled triangles.

sit witme, see star one, assume natural numbers a re-able
one two 3
iii --- signals scramble-ble
see we have two brains

two whole brains with minds and minds and minds of their own

and you love simplicity.

Did you ever have to make up your mind?
Pick up on one and leave the other won in a spoonful o'luv

look from my eye to that star,
consider this, Euclid winks, too. One aim alone is right,

thus there is the edge of the sphere of my visual known universe,
the bubble of my being.

Eat me raw or don't eat me at all. said the bull headed god somebody
influential in reality
killed

A bullheaded being, a rampaging ****** slain by some named being
a hero, not me or you…
though new legends lien in wait, eh?

ah, time shift assumption, Euclid POV, nonessential,

flatness is a fractical impossible unthingable thing, plainly stated

imaginable, non-re-alizable.

Spread as spilled milk never cried over, take heart, hoped for
evers come to be
noticed as they pass, plenty people pass
these days,

endurin' to the end is all it takes.
Euclid don't matter and Jesus done cared.
Ah, suffer it to be so now, what difference can one... letter let be loose in a word rattle as a long wind winds its own way to an unmakable point.
Ron Sanders Feb 2020
Black is the seed, and black, the fruit.

The blossom of light an affront:  wrought of nothing,
illuminating nothing, reverting to nothing, the blossom is—
Everything.
And a man contends, endures,
knowing, in his moment, that all that matters
matters not; that in the crowd
he is alone, that in the cosmos
he is lost, that in his writing
he is written. He is a coal, shot hot between voids.
Intense to evanescent,
each pass of a life has a spectrum.

Red is the womb.

Here, at riot’s eye, all bellows howl,
all fires bend to the harlot wind of becoming.
And the nub is a lump, and the lump accrues,
marbles dreamless, in liquor weightless, defining:
Liquid ruby, clinging vine, tallow flower in wine—
the little ogre, caught on a briar, kicks.
Comes a marvelous trophy, squirming and gory,
naked and pendent, blind and grotesque—
wound about the hollows and seams,
spat in a maelstrom:
one more shape in the window,
one more shadow exposed,
in the ****** triumph of light.

Out of the whirl, the faces gather round.
The boy has opened his eyes,
but the infant makes no sound.
Shapes loom to the sides, to the front and rear:
The faces grin, closing in…grow enormous fingers
to point, to pinch—to peel back the veil
and make his eyes scream.
In the dimness a nimbus, a prism, a pearl.
The faces part. The prism paints an image in the whirl.
The figure is a woman, whose seeming lips recite:
“Come sunder the night. Little ember, ignite.
I am mother, I am mother. I am life, I am light.”
But like oil on a rainy day,
the colors blend and wend their way
into the whirl, and there,
subdued, the voice is slurred,
the light, obscured,
and night
renewed.

Here on the lattice,
morning embroiders the tatters of night.
While tall beaded glasses
squeeze melody from melting ice,
the diced and slanting shafts of sun
checker the shadows with tangerine light.
On the sidewalks April’s children run,
but the eyes in the faces see
nephew on the august perch
of uncle’s wicker knee.
Graven in air, the faces shift,
their eyes a flickering stream.
Loosed features drift, expressions run
in subtle strokes of shade and sun.
The stream ***** him in:  swirls of abhorrence,
pools of disdain. Succumbing, drawn under,
he swallows his eyes. But the eyes in the faces remain
watching.

So scrawny it grieves, he eats too ****** much;
ever absent, he is always in the way.
Sickly, quiet, submissive, shy,
he hides when the faces quarrel,
cries when they crack his lie.
Craving love, he learns early to fast;
contriving a limp, he is weaned at last.
What hold wanders here—there are no bridges,
only walls. Every scribe is a master of cant.
The learned are jaundiced, the ignorant smug.
And those who would name his demons,
when maintaining “this will pass,”
fashion their webs of pap and straw.
This animal man is a thief.

Mother,
My world is a stranger.
My eyes are wounds on a mind that will not heal.
I saw more range, more warmth, more mother,
in the dance of sun on heather,
in a single kiss of dew.
Now your urn, blessed bowel, fouls the cedar
of father’s mantel, while he grows blacker,
blending bile with grief and gin.
Those lips that never tendered,
that heart I never knew—mother,
who were you?

Ubiquitous, the emerald **** lies splayed, exploding:
from her pores an eruption, on her belly a rank,
stinking moss. She bleeds life, vomits it,
into bud, into blade; sharing with a passing star
the silent scream of spring.
But here she dreams, perfumed,
a picture of grace, her verdure in groom.
Secluded, seduced, sedated. Churls put on her face
while zephyrs attend to the scent of her loom.
Time purls. The zephyrs flit sweetly,
chasing motes in fibers of light.
Playing tag in the sun, currents weave into one,
near a still-life of mourners and fatherless son.
The figures seem rooted, unreal.
As the gust musses trees, light leaps between leaves.
The greenery breathes. As if shaken,
the scene comes to life:  huddling in sync,
the faces incline, their eyes like slinking thieves.
The young man implodes. He reels.
The tension relents and he straightens. He wheels.
He limps off alone, wind hounding his heels,
the moment too eerie to bear. Sedans trickle by.
A raw widow grieves. But the faces continue to stare.
And the wind pirouettes, finds a wing,
has a plunge, brakes low on a rest,
makes a guarded descent. The breeze buffets markers,
losing vigor and bent, then slips thru the stones
toward the beckoning trees.
The draft riffles leaves, where its whisper is spent
and lost a sigh.

A stipend, a shack, a lessor in wait.
Such are the fruits of his father’s estate.
He breaks no bread, seeks no sweet;
strange dynamics govern his blood,
preclude his seed from the common fire.
Music of amity, refinement’s caress,
are brute concerns; abrasive, obscene.
In his quiet aching way he is whole.
Seasons burst and smolder, surrender and brood.
Their pageant revolves about him.
The years breathe, driving the crowd,
steeping its fevers in jasmine and sun.
Humanity brawls, exalting the flame.
But without him.
And he grays, sinking, certain his pain cannot,
could not possibly, be borne by another.
The silence condenses, sets.
At last even pain deserts him.
But near the brink he hears the nervous hum
of impermanence, feels the white pang of being’s wing
as day succumbs to the fist of night.
Dawn burns deeper, duller,
each beam towing a filament of dusk,
each round of the wheel a salvo
in the stunning of his eyes.

Now the years are mired in sameness.
The day wears on. Guests come unbidden:
Conscience, the despot. Sentiment, the leech.
Misgivings sojourn, transmigrate, return,
as Lonesomeness plumbs his moribund vein,
metastasizing.
Still he rooms with the wind, dies waking,
dreams sleepless. And it haunts him:
All this teeming while an instant, an irrelevancy,
a rube’s view of the pulse careening downstream,
working its rhyme into a billion like irrelevancies.
Here must be real, Now must be sound, and yet—
no sooner are the moments cast
than shape is shadow, and present, past.
Only the day wears on.
Blue is the evening begotten, the twilight of our lives.
Dark gathers, mooring its stain
where a dreamer weighs the deep,
his eyes in ruin, his color in vain.
Only ballast and mind, merely ego and rind,
growing blind as the day wears on.

Down this grim promenade,
a musty wind hustles gaunt silhouettes.
They are loth to be borne;
they are patiently measuring stones.
Eyes leap in their caverns, looks light and remain
on a smudge in the gloaming, a scarecrow with cane,
tapping out his tenure in a cold feeble rain.
And now the purple veins of near-night
thud sluggishly, almost grudgingly.
The black earth splits wetly, obscenely.
There:  something impatient stirs, exposed—
Limbless, sightless, the lamprey rises;
her breath unbearable, her length immeasurable,
her age—
impossible!
Preening *****, hypnotic.
In one vile kiss she is sieve and abyss.
Her bruised lips are splayed, her violet mouth, made,
and her churning, insatiable craw is
pitch.

Out of the whirl, the faces gather round.
Was he hurt? Can you hear me?
But the old man makes no sound.
Shapes loom to the sides, to the front and rear:
the faces glare, stealing air…grow enormous fingers
to ****, to pin—to pull down the veil
and make his eyes seize.
In the dimness a nimbus, a prism, a pearl.
The faces part. The prism paints an image in the whirl.
The figure is a woman, whose seeming lips recite:
“Come sunder the night. Waning fire, grow bright.
I am mother, I am mother. I am life, I am light.”
But like spectra from a dying sun,
the colors flare, are torn, are spun
into the whirl, and there,
subdued, the voice is hushed,
the blossom, crushed,
and night
renewed.

Thanks for reading Faces. NOW PLEASE CLICK ON THE LINK BELOW TO READ HERO, A SPRAWLING, GROUNDBREAKING FANTASY FOR GROWNUPS IN TWO PARTS, ABOUT THE FIRST HUMAN TO CIRCUMNAVIGATE THE PLANET. (BUT YOU MUST CLICK ON THE PROVIDED LINK AT THE CONCLUSION OF PART ONE TO ACCESS PART TWO! THAT’S WHERE THIS TALE’S AMAZING RESOLUTION LIES. But please...intelligent, readers only!)
NOW HERE’S THAT LINK:

https://allpoetry.com/poem/14922744-Hero---Part-One-by-Ron-Sanders


Copyright 2020 by Ron Sanders.

contact:
ronsandersartofprose@yahoo.com
How soulless are you people, anyway?
JP Goss Jun 2015
“For God’s sake, let us sit upon the ground
And tell sad stories of the death of Kings.”

The smell of fresh grasses lefts stifled underfoot,
A thousand tiny voices, wheaten, bug, or no,
Can call up to the elderly trees, whose white palms
Gave surrender only moments ago to this wandering eye.
To think, I am but that hole of many in a chain
Of lattices made only by their breakage,
For I relinquish myself to the spirit or biology
Two gods my life’s work has been to destroy.

The sun comes through that shattered mat of life
A fallen crest, defining the morose bedding of
Victim and trap, so that I may hear it speaking;
Strung up and dragging on its gaunt, breathless rot
It claims a stupid animal lived in this body once,
Relinquished itself by flight to the unwavering, silky
Thread of beautiful frailness, or motionless spectra,
Thus, it deserves to lose what it did not want
Since it did not flee life, it did not flee death.

I wanted to study it more, enchanted by the hollowness
Until water came onto my brow, fell onto my passive lips
Uttering, till then, a prayer to fly from here,
Till my eyes color over and I’ve finally escaped.
But, this motif, I see, is overplayed, too trite
For secular gods who prefer the wiles of game
We, the peak of human life, I the most sufferable of them
I, the most thirsting of my image, tend to consume.
If it were boredom, then plagues would sweep hot winds
Everywhere; thus, it is not, it is the constant reminder,
We are but nothing, but flesh to die, unwitting flies
To the spider’s web.
Ugly pensive shuddering blah dee dah
Wondering where the wind is
Holding back for god knows what
Crippled by ghosts with long ropes
Making a spectra out of myself
Passive abuse waiting for the sunrise
That never comes
Because the sun only sets
On the travelers journey
And the wind only blows
At the command of Demigods
The time is nigh

— The End —