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"shovel" poems
Block by block I delve down is it iron? is it gold? or only gravel and stone toiling with pick and shovel I dream obsidian spires towering 190 blocks above the shore I dream wheat fields and cow pens nestled amidst rolling hills I dream discovery mystery exploration but before these there must be iron
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Sep 11, 2014
Sep 11, 2014 at 11:47 AM UTC
minecraft dream
He has taken rake and shovel in hand, Taking advantage of the light, Rare in these climes this time of year, Still welcomed, though rendered severe By the sun's reluctant trudge above the horizon, The type which, sauntering through a window pane (Falling upon a crucifix anchored above a cradle Or some ancient, gilded frame Containing a photo of some grandparent's wedding day, Exploding into full undifferentiated diffusion) May possess a dram of warmth, albeit resigned, nostalgic A bittersweet reminder of what has gone by (And in the shade, the air is filled With the portentous chill of what lies a few months hence) But there nonetheless as he tends to those final farewells From the trees bowing to December's inevitability, The droppings not the Pollock-esque bursts of October (Those having been collected and consigned To the normal corner of the back lot) But dreary brown-hued things, not welcomed by eye nor heart, Simply corralled perfunctorily and dismissed. One could contend that such activity is unnecessary, The mere vanity of all endeavor, As the snow will come soon, and steady as well, Performing the seasonal, cyclical function in its own time, But he soldiers on nonetheless, a unseen one-act nearly-farce, Painstakingly raking and bending and scraping To leave his patch of green uncovered for a little while Until the locking time comes to seal the earth's secrets once more, To be revealed to those Who shall receive the teasing ministrations Of the fickle, fitful March equinox.
0
Jul 23, 2018
Jul 23, 2018 at 1:44 PM UTC
November In The Sun
He has taken rake and shovel in hand, Taking advantage of the light, Rare in these climes this time of year, Still welcomed, though rendered severe By the sun's reluctant trudge above the horizon, The type which, sauntering through a window pane (Falling upon a crucifix anchored above a cradle Or some ancient, gilded frame Containing a photo of some grandparent's wedding day, Exploding into full undifferentiated diffusion) May possess a dram of warmth, albeit resigned, nostalgic A bittersweet reminder of what has gone by (And in the shade, the air is filled With the portentous chill of what lies a few months hence) But there nonetheless as he tends to those final farewells From the trees bowing to December's inevitability, The droppings not the Pollock-esque bursts of October (Those having been collected and consigned To the normal corner of the back lot) But dreary brown-hued things, not welcomed by eye nor heart, Simply corralled perfunctorily and dismissed. One could contend that such activity is unnecessary, The mere vanity of all endeavor, As the snow will come soon, and steady as well, Performing the seasonal, cyclical function in its own time, But he soldiers on nonetheless, a unseen one-act nearly-farce, Painstakingly raking and bending and scraping To leave his patch of green uncovered for a little while Until the locking time comes to seal the earth's secrets once more, To be revealed to those Who shall receive the teasing ministrations Of the fickle, fitful March equinox.
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32
Grabbing ***** in the New Jersey sand demands quick hands. Creeping deep they dig down under away from the wind in their seldom seen shells, but my brother has a shovel and can ****** them even in the midst of sea foam from small waves climbing the shore. And at cousin Barb’s pond Our hands swipe swiftly, But stealthily enough In brisk Michigan winds to grasp and capture the frogs lingering near the edges. Hardest to catch though are cicadas in our back yard hiding in the trees calling out to play. My brother and I, ages 8 and 10 cast our fingers and clench only their wings enough to fill two milk jugs.
0
Jun 4, 2014
Jun 4, 2014 at 10:14 PM UTC
Biology
I am in a crate, the crate that was ours, full of white shirts and salad greens, the icebox knocking at our delectable knocks, and I wore movies in my eyes, and you wore eggs in your tunnel, and we played sheets, sheets, sheets all day, even in the bathtub like lunatics. But today I set the bed afire and smoke is filling the room, it is getting hot enough for the walls to melt, and the icebox, a gluey white tooth. I have on a mask in order to write my last words, and they are just for you, and I will place them in the icebox saved for ***** and tomatoes, and perhaps they will last. The dog will not. Her spots will fall off. The old letters will melt into a black bee. The night gowns are already shredding into paper, the yellow, the red, the purple. The bed -- well, the sheets have turned to gold -- hard, hard gold, and the mattress is being kissed into a stone. As for me, my dearest Foxxy, my poems to you may or may not reach the icebox and its hopeful eternity, for isn't yours enough? The one where you name my name right out in P.R.? If my toes weren't yielding to pitch I'd tell the whole story -- not just the sheet story but the belly-button story, the pried-eyelid story, the whiskey-sour-of-the-nipple story -- and shovel back our love where it belonged. Despite my asbestos gloves, the cough is filling me with black and a red powder seeps through my veins, our little crate goes down so publicly and without meaning it, you see, meaning a solo act, a cremation of the love, but instead we seem to be going down right in the middle of a Russian street, the flames making the sound of the horse being beaten and beaten, the whip is adoring its human triumph while the flies wait, blow by blow, straight from United Fruit, Inc.
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19.6k
Love Letter Written In A Burning Building
I am in a crate, the crate that was ours, full of white shirts and salad greens, the icebox knocking at our delectable knocks, and I wore movies in my eyes, and you wore eggs in your tunnel, and we played sheets, sheets, sheets all day, even in the bathtub like lunatics. But today I set the bed afire and smoke is filling the room, it is getting hot enough for the walls to melt, and the icebox, a gluey white tooth. I have on a mask in order to write my last words, and they are just for you, and I will place them in the icebox saved for ***** and tomatoes, and perhaps they will last. The dog will not. Her spots will fall off. The old letters will melt into a black bee. The night gowns are already shredding into paper, the yellow, the red, the purple. The bed -- well, the sheets have turned to gold -- hard, hard gold, and the mattress is being kissed into a stone. As for me, my dearest Foxxy, my poems to you may or may not reach the icebox and its hopeful eternity, for isn't yours enough? The one where you name my name right out in P.R.? If my toes weren't yielding to pitch I'd tell the whole story -- not just the sheet story but the belly-button story, the pried-eyelid story, the whiskey-sour-of-the-nipple story -- and shovel back our love where it belonged. Despite my asbestos gloves, the cough is filling me with black and a red powder seeps through my veins, our little crate goes down so publicly and without meaning it, you see, meaning a solo act, a cremation of the love, but instead we seem to be going down right in the middle of a Russian street, the flames making the sound of the horse being beaten and beaten, the whip is adoring its human triumph while the flies wait, blow by blow, straight from United Fruit, Inc.
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48
i have sunk into a slow numbness, perhaps because something broke over me the second i saw you again. i realized, it's better to be in full-blown sorrow than in a fragile happiness, forever staving off the blackness. but instead, i have sunk into a slow numbness. perhaps because you look away from me now the exact same way that i look away from you. your aversion gives me numbness. don't you see it? that's all this ever was. a fear of the numbness. a fear of the pain. your indifference gives me numbness because who wants to feel it when the ripping apart begins. i have smoked to numbness. i have cried to numbness. i have raged to numbness. i have laughed to numbness. i have embraced the numbness. i have dug myself into numbness but you gave me the shovel. you gave me the numbness. and i feel absolutely fine. i feel nothing at all.
0
Apr 9, 2013
Apr 9, 2013 at 6:08 PM UTC
a lie about numbness
Having ripped my way through Concrete older than my father With jackhammer and Shovel I rest. As thirsty as sweaty and ***** As dirt. Across the street The ladies at the hair salon Whistle and wave giggling girishly. Clouds of menthol. **** sexists. I put my shirt back on. It's not even lunch and I'm Less than a Diet Coke ad Without the coke.
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Apr 8, 2014
Apr 8, 2014 at 7:39 AM UTC
The Objectified Construction Worker.
Spring is the awaited child, seeds to plant, plans to explore, conjuring promise and renewal, That awakens our soul. Summer inspires with long sunny days basking in the embrace of green crops growing, relief from heat under leafy trees, leisurely nights of clean skies, bright stars on high to infinity. Fall comes as a warning beacon, days of long shadows, cool nights with chill breeze, bedecked trees in reds and yellow. The report of hunters guns from the depths of the forest. Winter's a prelude to gloom, short days, low sun when it appears, wind-chills that burn. Snow to shovel, ice to befuddle. Conjuring envy and impatience for the return of Spring. So the seasons flow one into another, while every year lived the cycles grow shorter, with no guarantees of how many more may follow.
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Jul 2, 2018
Jul 2, 2018 at 12:00 AM UTC
Seasons Flow
Ye who enter here, beware Of wolves and mine shaft pits, take care Or ye shall taste the bitter death That comes upon the creeper's breath Thy survival, on the good Of other players rests Upon thy house a naming sign Each person must ***** And when night falls, take care that ye Who stalk the halls at dark Set up a light for ev'ry turn A stick lit with a spark A bone to catch a wolfie with Some cookies fresh to eat And in a furnace, toasty warm, We have to roast our meat To mine the caves and tunnels deep To delve into the mountains And when the water gushes forth We then create the fountains Sell your wares, o Cobbler man I've melons many to spare; An axe, a sword, a shovel stone Oh? You like my hair? Here we go, see yon moon rise The world in the starry twilight I have not seen the whole world yet Would you take me there by starlight? Unspoken fear; the creeper hiss Blew up my trusty door And now all manner of verminous things Have crawled across the floor If only I had a wolf to my name Three bones to win his love; Then he could save me from--I shudder-- The Enderman above. No armor have I, nor sword of iron Stone and wood are mine The wooden stairs that lead up high Tell me, who had all this time?
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Nov 12, 2014
Nov 12, 2014 at 5:47 PM UTC
Minecraft Poetry
I can't remember the last time I touched your face But I can feel your cheekbones digging into my mind like the feeling of taking a shovel hollowing out my own grave to lie in When was the last time I was able to run my fingers through your hair? Untangling hair is easy, but I haven't yet found anything to get out the knots in my stomach If someone asked me what color your eyes were, I couldn't tell them But I could explain just how it felt when they looked into mine Like when you look into the sun and are blinded by its immense beauty, so blinded you can't see the inevitable damage it inflicts upon every pore Except I haven't yet found anything to protect myself from your stare What if my skin burns before you can feel it again And how will you feel if you're too bright that I can't look anymore? You might begin to miss the fact that nobody can look at you the way I do before you even realize I can And I could tell them how you felt when mine looked into yours despite the fact that you can't Because you don't know what it's like to feel something other than your own fear But I'm not afraid of you anymore, I have no fear I have some hope you can have, it's been growing for quite some time And I may have some more strength left, although dealing with you feels like running to a destination that doesn't exist I'm tired of being selfish and hogging all the feelings And I think I'll share with you
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Jan 1, 2014
Jan 1, 2014 at 9:44 PM UTC
Feel
Mum had been gone a couple of months, six I think… (An ordinary day, feeling hollow but doing OK) …when I realised I could get rid of the sofa. I thought it was ugly, she thought it was a bargain. A sofa’s not a keepsake and it was certainly no heirloom. I’d not inflict it on my kids. I got rid. If I could’ve had her back then? I would’ve done. Even if it meant keeping the sofa. Redecorated. Bought a new telly. Spent frivolous amounts of cash on scatter cushions. She disliked scatter cushions. I thought they were cosy. My little boy drew on one of the cushions. On purpose. I was about to smack the back of his legs… (Mum would have, she smacked me when I was little) … I stopped. I never wanted to. Had known all along, somehow forgotten. If I could’ve had her back then? I would’ve done. But she would not smack my children. Mum had been gone a year… (Planting bulbs, feeling conspicuous carrying a shovel ‘round the churchyard) …and I missed her. It was as hot as the day she died. There was no breeze up on that hill, no cloud. Beautiful views stretched right out to the sea. My little boy had grown, he helped carry water and dig holes. My baby was learning to walk, she wobbled on uneven turf between the headstones. I wanted Mum to see. If I could’ve had her back then? I would’ve done. No question. Mum had been gone three years… (Bulbs were doing OK. There was nothing left to plant that rabbits wouldn't nibble) …and I realised it was time to move on. I kept the ghosts quiet while agents showed people round. The house sold. We moved away. A warm, terraced place in a small town by the sea. Dad died. Mum has been gone eight years and I miss her. Looking out from the Downs across cliff-top and sea, the churchyard seems nothing more than a soft-grey fleck on the green edge of town. If I could bring her back now? Everything’s changed. Ghosts exist. They sit in empty chairs and speak kettle-whistle. Wishing us well.
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Apr 15, 2015
Apr 15, 2015 at 2:34 PM UTC
Perspective
Mum had been gone a couple of months, six I think… (An ordinary day, feeling hollow but doing OK) …when I realised I could get rid of the sofa. I thought it was ugly, she thought it was a bargain. A sofa’s not a keepsake and it was certainly no heirloom. I’d not inflict it on my kids. I got rid. If I could’ve had her back then? I would’ve done. Even if it meant keeping the sofa. Redecorated. Bought a new telly. Spent frivolous amounts of cash on scatter cushions. She disliked scatter cushions. I thought they were cosy. My little boy drew on one of the cushions. On purpose. I was about to smack the back of his legs… (Mum would have, she smacked me when I was little) … I stopped. I never wanted to. Had known all along, somehow forgotten. If I could’ve had her back then? I would’ve done. But she would not smack my children. Mum had been gone a year… (Planting bulbs, feeling conspicuous carrying a shovel ‘round the churchyard) …and I missed her. It was as hot as the day she died. There was no breeze up on that hill, no cloud. Beautiful views stretched right out to the sea. My little boy had grown, he helped carry water and dig holes. My baby was learning to walk, she wobbled on uneven turf between the headstones. I wanted Mum to see. If I could’ve had her back then? I would’ve done. No question. Mum had been gone three years… (Bulbs were doing OK. There was nothing left to plant that rabbits wouldn't nibble) …and I realised it was time to move on. I kept the ghosts quiet while agents showed people round. The house sold. We moved away. A warm, terraced place in a small town by the sea. Dad died. Mum has been gone eight years and I miss her. Looking out from the Downs across cliff-top and sea, the churchyard seems nothing more than a soft-grey fleck on the green edge of town. If I could bring her back now? Everything’s changed. Ghosts exist. They sit in empty chairs and speak kettle-whistle. Wishing us well.
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17
Me, I play the piano said one me, I play the violin said another me the harp, me the banjo me the cello me the bagpipes, me the flute and me, a rattle. And they talked talked talked about what they played. No music was heard everyone talked talked talked and no one played but in a corner one man remained silent: "And you, Sir, who remain silent and say nothing, what instrument do you play?" the musicians asked him. "Me, I play the barrel ***** and I also play the knife," said the man who until now had said absolutely nothing and then he advanced knife in hand and killed all the musicians and played the barrel ***** and his music was so true and so lively and so pretty that the daughter of the house’s owner came out from under the piano where she lay bored to sleep and said: "Me, I played hoop ball, chase I played hopscotch I played with a pail I played with a shovel I played house I played tag I played with my dolls I played with a parasol I played with my little brother with my little sister I played cops and robbers but that’s over over over I want to play assassin I want to play the barrel ***** And the man took the little girl by the hand and they went into towns into houses, into gardens and killed as many people as possible after which they married and had many children. But the oldest learned piano the second, violin the third, harp the fourth, the rattle the fifth, cello and they all took to talking talking talking talking talking so that no more music was heard and all was set to begin again!
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7.2k
The barrel *****
Me, I play the piano said one me, I play the violin said another me the harp, me the banjo me the cello me the bagpipes, me the flute and me, a rattle. And they talked talked talked about what they played. No music was heard everyone talked talked talked and no one played but in a corner one man remained silent: "And you, Sir, who remain silent and say nothing, what instrument do you play?" the musicians asked him. "Me, I play the barrel ***** and I also play the knife," said the man who until now had said absolutely nothing and then he advanced knife in hand and killed all the musicians and played the barrel ***** and his music was so true and so lively and so pretty that the daughter of the house’s owner came out from under the piano where she lay bored to sleep and said: "Me, I played hoop ball, chase I played hopscotch I played with a pail I played with a shovel I played house I played tag I played with my dolls I played with a parasol I played with my little brother with my little sister I played cops and robbers but that’s over over over I want to play assassin I want to play the barrel ***** And the man took the little girl by the hand and they went into towns into houses, into gardens and killed as many people as possible after which they married and had many children. But the oldest learned piano the second, violin the third, harp the fourth, the rattle the fifth, cello and they all took to talking talking talking talking talking so that no more music was heard and all was set to begin again!
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63
Check back soon to resume and consume every tight-lipped, slack-jawed fool in the room. See, it's all what you know as the fires start to grow and the future burns slow. Keep your eyes on the ceiling, and your antenna feelers feelin', for when your senses stop reeling, you will finally start believing. Kick-back to the basics, not too far from the basement, and close enough to show that **** really isn't basic. It's another mid-west, ****** ******** freak show. Another evening drinking whiskey with the seedling's peep-show. So, it's time to relax and relapse into acidified broken synapse. The lights keep flickering and the couples keep bickering: ***** I am not above homicidal snickering.” I steer clear of these diversions, and wander past the sermons, just to chew up all the crooked talk and spittle out inversions. I shovel mockery to hypocrisy, pin-prick the empty ***** whose passions lack predicates, and in the background, I'll be complexifying my medic-kit: ketamine, morphine, ecstasy; marijuana, mushrooms, LSD. Watch those ******* jitter-bug college ***** procreate while sloppy drunk, but keep an honest eye on the flies that will rise above – then fall back down in existential angst, like: “Dear God, why must I be free? Oh, God! Why is every universal eye on me? I'm just another acid war veteran, sneakin' through these gutters with pestilence and bitter sin. When they reach the promised land of golden clouds and holding hands, I'll be underground with the slugs and the spider band.” Yet here I sit, sick of sippin' poisons with illiterates. So, let the skies fall and the buildings crash, as you stand on the wall with a fist full of cash. I'll be on the front lawn, picketing for dawn, while the night around me slowly ambles on.
0
Aug 21, 2012
Aug 21, 2012 at 12:23 AM UTC
Kentucky Fry-day
Check back soon to resume and consume every tight-lipped, slack-jawed fool in the room. See, it's all what you know as the fires start to grow and the future burns slow. Keep your eyes on the ceiling, and your antenna feelers feelin', for when your senses stop reeling, you will finally start believing. Kick-back to the basics, not too far from the basement, and close enough to show that **** really isn't basic. It's another mid-west, ****** ******** freak show. Another evening drinking whiskey with the seedling's peep-show. So, it's time to relax and relapse into acidified broken synapse. The lights keep flickering and the couples keep bickering: ***** I am not above homicidal snickering.” I steer clear of these diversions, and wander past the sermons, just to chew up all the crooked talk and spittle out inversions. I shovel mockery to hypocrisy, pin-prick the empty ***** whose passions lack predicates, and in the background, I'll be complexifying my medic-kit: ketamine, morphine, ecstasy; marijuana, mushrooms, LSD. Watch those ******* jitter-bug college ***** procreate while sloppy drunk, but keep an honest eye on the flies that will rise above – then fall back down in existential angst, like: “Dear God, why must I be free? Oh, God! Why is every universal eye on me? I'm just another acid war veteran, sneakin' through these gutters with pestilence and bitter sin. When they reach the promised land of golden clouds and holding hands, I'll be underground with the slugs and the spider band.” Yet here I sit, sick of sippin' poisons with illiterates. So, let the skies fall and the buildings crash, as you stand on the wall with a fist full of cash. I'll be on the front lawn, picketing for dawn, while the night around me slowly ambles on.
Continue reading...
51
Clayton How I know you Paternal parenting DNA infused Carbon contribution, to my physique Father In everything My skin, eyes toes, Unfortunately; inside my mouth Spitting plaster-walled Copy-paste personality The same Intimately Close-dangerously Different Me a bold-faced fraction of ill abated love Something that didn't work out Photocopy Blond-blasphemy of useless flesh Reminder of her Mom Enough! Teeter tottering Tip-Toe tangling opinion Excuses Words fermented Rotting-rigor I know you. Slit-eyed palefaced ****** of bigot ideas Bearing pronged poker Clicking glinting-clawed finger fondling fake religion Suppressing supplement thought ******** God's love the good life Living a life to be proud of Excuse me! For not being as I am "supposed" to be Eatting rancid lies Your reality relative To kiss-ass preferred siblings Who like the taste of **** What you shovel Hung on lipsucking harlot, hinged hip hung-over Descending oppressidly upon willing wanton will of man Letting cracked-cackled toothed Field Gap-smile Decide your next move I know you I see what you push into hidden corners The bias, nasty film of your character Under whitecollar shirttails Citizen, Patriot Americas American I know you Your oppression Not new As underhanded and seedy as it was And still is I know you As much as I'd like not too.
0
Oct 1, 2012
Oct 1, 2012 at 4:18 PM UTC
I know you.
Take your shovel shield the light it burns my skin. You have unearthed me when I did not know I was buried. Internal sufferings my home now brought into open air. writhing. my lashes bleed in fear I escape — away from myself the warmth reminds me my scars shine in the sun cover me, until I understand.
0
Aug 19, 2018
Aug 19, 2018 at 3:20 PM UTC
earthworm; dirt worm
*i'm not moralising, i see the toilet as the throne for the trinity of my excavations, like a coal-miner, i have my **** (the helmet and light bulb), i have my urinary duct (my chisel)... and i have my testicular duct (my shovel)... well... can't miss out on all the fun you peeps are having and not join in.* verboclasm is real, in england it's basically f@!& etc., and in america it's ****** (n@!*i'm not moralising, i see the toilet as the throne for the trinity of my excavations, like a coal-miner, i have my **** (the helmet and light bulb), i have my urinary duct (my chisel)... and i have my testicular duct (my shovel)... well... can't miss out on all the fun you peeps are having and not join in.* verboclasm is real, in england it's basically f@!& etc., and in america it's ****** (n@!'m not moralising, i see the toilet as the throne for the trinity of my excavations, like a coal-miner, i have my **** (the helmet and light bulb), i have my urinary duct (my chisel)... and i have my testicular duct (my shovel)... well... can't miss out on all the fun you peeps are having and not join in.* verboclasm is real, in england it's basically f@!& etc., and in america it's ****** (n@!*i'm not moralising, i see the toilet as the throne for the trinity of my excavations, like a coal-miner, i have my **** (the helmet and light bulb), i have my urinary duct (my chisel)... and i have my testicular duct (my shovel)... well... can't miss out on all the fun you peeps are having and not join in.* verboclasm is real, in england it's basically f@!& etc., and in america it's ****** (n@!*i'm not moralising, i see the toilet as the throne for the trinity of my excavations, like a coal-miner, i have my **** (the helmet and light bulb), i have my urinary duct (my chisel)... and i have my testicular duct (my shovel)... well... can't miss out on all the fun you peeps are having and not join in.* verboclasm is real, in england it's basically f@!& etc., and in america it's ****** (n@!'m not moralising, i see the toilet as the throne for the trinity of my excavations, like a coal-miner, i have my **** (the helmet and light bulb), i have my urinary duct (my chisel)... and i have my testicular duct (my shovel)... well... can't miss out on all the fun you peeps are having and not join in.* verboclasm is real, in england it's basically f@!& etc., and in america it's ****** (n@!'m not moralising, i see the toilet as the throne for the trinity of my excavations, like a coal-miner, i have my **** (the helmet and light bulb), i have my urinary duct (my chisel)... and i have my testicular duct (my shovel)... well... can't miss out on all the fun you peeps are having and not join in.* verboclasm is real, in england it's basically f@!& etc., and in america it's ****** (n@!*i'm not moralising, i see the toilet as the throne for the trinity of my excavations, like a coal-miner, i have my **** (the helmet and light bulb), i have my urinary duct (my chisel)... and i have my testicular duct (my shovel)... well... can't miss out on all the fun you peeps are having and not join in.* verboclasm is real, in england it's basically f@!& etc., and in america it's ****** (n@!'m not moralising, i see the toilet as the throne for the trinity of my excavations, like a coal-miner, i have my **** (the helmet and light bulb), i have my urinary duct (my chisel)... and i have my testicular duct (my shovel)... well... can't miss out on all the fun you peeps are having and not join in.* verboclasm is real, in england it's basically f@!& etc., and in america it's ****** (n@!&#£ if you prefer political sensitivity and a blanket and a ***** and a nanny); unlike germ- -any (+)- where they love to **** on each other in the shadow of the crucifix procreating for films, while in england they're into children; owning a use of a word, venerating its usage: where's the Schengen vocabulary? i want to be there - free flow of words like spotting a kestrel in my garden one time, while the traffic shovels hours into comparison with sea waves and a traffic-jam becomes a static tsunami for the eyes.
0
Mar 4, 2016
Mar 4, 2016 at 11:17 AM UTC
Schengen vocabulary
*i'm not moralising, i see the toilet as the throne for the trinity of my excavations, like a coal-miner, i have my **** (the helmet and light bulb), i have my urinary duct (my chisel)... and i have my testicular duct (my shovel)... well... can't miss out on all the fun you peeps are having and not join in.* verboclasm is real, in england it's basically f@!& etc., and in america it's ****** (n@!*i'm not moralising, i see the toilet as the throne for the trinity of my excavations, like a coal-miner, i have my **** (the helmet and light bulb), i have my urinary duct (my chisel)... and i have my testicular duct (my shovel)... well... can't miss out on all the fun you peeps are having and not join in.* verboclasm is real, in england it's basically f@!& etc., and in america it's ****** (n@!'m not moralising, i see the toilet as the throne for the trinity of my excavations, like a coal-miner, i have my **** (the helmet and light bulb), i have my urinary duct (my chisel)... and i have my testicular duct (my shovel)... well... can't miss out on all the fun you peeps are having and not join in.* verboclasm is real, in england it's basically f@!& etc., and in america it's ****** (n@!*i'm not moralising, i see the toilet as the throne for the trinity of my excavations, like a coal-miner, i have my **** (the helmet and light bulb), i have my urinary duct (my chisel)... and i have my testicular duct (my shovel)... well... can't miss out on all the fun you peeps are having and not join in.* verboclasm is real, in england it's basically f@!& etc., and in america it's ****** (n@!*i'm not moralising, i see the toilet as the throne for the trinity of my excavations, like a coal-miner, i have my **** (the helmet and light bulb), i have my urinary duct (my chisel)... and i have my testicular duct (my shovel)... well... can't miss out on all the fun you peeps are having and not join in.* verboclasm is real, in england it's basically f@!& etc., and in america it's ****** (n@!'m not moralising, i see the toilet as the throne for the trinity of my excavations, like a coal-miner, i have my **** (the helmet and light bulb), i have my urinary duct (my chisel)... and i have my testicular duct (my shovel)... well... can't miss out on all the fun you peeps are having and not join in.* verboclasm is real, in england it's basically f@!& etc., and in america it's ****** (n@!'m not moralising, i see the toilet as the throne for the trinity of my excavations, like a coal-miner, i have my **** (the helmet and light bulb), i have my urinary duct (my chisel)... and i have my testicular duct (my shovel)... well... can't miss out on all the fun you peeps are having and not join in.* verboclasm is real, in england it's basically f@!& etc., and in america it's ****** (n@!*i'm not moralising, i see the toilet as the throne for the trinity of my excavations, like a coal-miner, i have my **** (the helmet and light bulb), i have my urinary duct (my chisel)... and i have my testicular duct (my shovel)... well... can't miss out on all the fun you peeps are having and not join in.* verboclasm is real, in england it's basically f@!& etc., and in america it's ****** (n@!'m not moralising, i see the toilet as the throne for the trinity of my excavations, like a coal-miner, i have my **** (the helmet and light bulb), i have my urinary duct (my chisel)... and i have my testicular duct (my shovel)... well... can't miss out on all the fun you peeps are having and not join in.* verboclasm is real, in england it's basically f@!& etc., and in america it's ****** (n@!&#£ if you prefer political sensitivity and a blanket and a ***** and a nanny); unlike germ- -any (+)- where they love to **** on each other in the shadow of the crucifix procreating for films, while in england they're into children; owning a use of a word, venerating its usage: where's the Schengen vocabulary? i want to be there - free flow of words like spotting a kestrel in my garden one time, while the traffic shovels hours into comparison with sea waves and a traffic-jam becomes a static tsunami for the eyes.
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All winter the fire devoured everything -- tear-stained elegies, old letters, diaries, dead flowers. When April finally arrived, I opened the woodstove one last time and shoveled the remains of those long cold nights into a bucket, ash rising through shafts of sunlight, as swirling in bright, angelic eddies. I shoveled out the charred end of an oak log, black and pointed like a pencil; half-burnt pages sacrificed in the making of poems; old, square handmade nails liberated from weathered planks split for kindling. I buried my hands in the bucket, found the nails, lifted them, the phoenix of my right hand shielded with soot and tar, my left hand shrouded in soft white ash -- nails in both fists like forged lightning. I smeared black lines on my face, drew crosses on my chest with the nails, raised my arms and stomped my feet, dancing in honor of spring and rebirth, dancing in honor of winter and death. I hauled the heavy bucket to the garden, spread ashes over the ground, asked the earth to be good. I gave the earth everything that pulled me through the lonely winter -- oak trees, barns, poems. I picked up my shovel and turned hard, gray dirt, the blade splitting winter from spring. With *** and rake, I cultivated soil, tilling row after row, the earth now loose and black. Tearing seed packets with my teeth, I sowed spinach with my right hand, planted petunias with my left. Lifting clumps of dirt, I crumbled them in my fists, loving each dark letter that fell from my fingers. And when I carried my empty bucket to the lake for water, a few last ashes rose into spring-morning air, ash drifting over fields dew-covered and lightly dusted green.
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Sacrifices
All winter the fire devoured everything -- tear-stained elegies, old letters, diaries, dead flowers. When April finally arrived, I opened the woodstove one last time and shoveled the remains of those long cold nights into a bucket, ash rising through shafts of sunlight, as swirling in bright, angelic eddies. I shoveled out the charred end of an oak log, black and pointed like a pencil; half-burnt pages sacrificed in the making of poems; old, square handmade nails liberated from weathered planks split for kindling. I buried my hands in the bucket, found the nails, lifted them, the phoenix of my right hand shielded with soot and tar, my left hand shrouded in soft white ash -- nails in both fists like forged lightning. I smeared black lines on my face, drew crosses on my chest with the nails, raised my arms and stomped my feet, dancing in honor of spring and rebirth, dancing in honor of winter and death. I hauled the heavy bucket to the garden, spread ashes over the ground, asked the earth to be good. I gave the earth everything that pulled me through the lonely winter -- oak trees, barns, poems. I picked up my shovel and turned hard, gray dirt, the blade splitting winter from spring. With *** and rake, I cultivated soil, tilling row after row, the earth now loose and black. Tearing seed packets with my teeth, I sowed spinach with my right hand, planted petunias with my left. Lifting clumps of dirt, I crumbled them in my fists, loving each dark letter that fell from my fingers. And when I carried my empty bucket to the lake for water, a few last ashes rose into spring-morning air, ash drifting over fields dew-covered and lightly dusted green.
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52
Love isn't a word I throw around foolishly Simply because I've been denied the opportunity Of being held , filled with the possibilities That one touch can carry A simple caress That serves as if to say You're perfect I wouldn't want you any other way No such touches have came in my direction Causing me to pick apart my reflection Imperfections, one after the other Become apparent Because of one thing that was said Even if I wasn't supposed to hear it - I did and those words? they haunt me I'm sorry I don't believe it when you say you love me My head pounds and my knees start to tremble   As a precaution I ignore whatever It is I'm feeling, burying it so deep It'll need a shovel and a rope to emerge You think it's unbelievable the extent I go to so I won't be hurt I think it's unbelievable that you claim to know my worth When I'm not sure myself Fearing you're just one more of many Attempting To take advantage Of the self image I posses that's in shambles I'm sorry I can't believe your compliments Those sweet words you say with honesty sincerity, unquestionable truth A rarity in itself, especially coming from you Inside me there's a girl smiling   Next to the one crying, bruised from years of being used poisoned with sugarcoated  I love you's And promises made With fingers crossed I'm sorry I don't believe I'm enough I look in the mirror and I hate what I see Automatically I think of other girls and the joy they may bring to your life While I sit happily alone And I know I can't possibly love you if I don't love myself
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Dec 12, 2013
Dec 12, 2013 at 6:23 PM UTC
Apologies from My Insecurities
Love isn't a word I throw around foolishly Simply because I've been denied the opportunity Of being held , filled with the possibilities That one touch can carry A simple caress That serves as if to say You're perfect I wouldn't want you any other way No such touches have came in my direction Causing me to pick apart my reflection Imperfections, one after the other Become apparent Because of one thing that was said Even if I wasn't supposed to hear it - I did and those words? they haunt me I'm sorry I don't believe it when you say you love me My head pounds and my knees start to tremble   As a precaution I ignore whatever It is I'm feeling, burying it so deep It'll need a shovel and a rope to emerge You think it's unbelievable the extent I go to so I won't be hurt I think it's unbelievable that you claim to know my worth When I'm not sure myself Fearing you're just one more of many Attempting To take advantage Of the self image I posses that's in shambles I'm sorry I can't believe your compliments Those sweet words you say with honesty sincerity, unquestionable truth A rarity in itself, especially coming from you Inside me there's a girl smiling   Next to the one crying, bruised from years of being used poisoned with sugarcoated  I love you's And promises made With fingers crossed I'm sorry I don't believe I'm enough I look in the mirror and I hate what I see Automatically I think of other girls and the joy they may bring to your life While I sit happily alone And I know I can't possibly love you if I don't love myself
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The flowers are exceptionally cold this season The rain leaves much to be desired Mr. & Mrs Sunflower are expecting seedlings. Good old sounds of pitter-patter on the mud; "Delve deep little ones - for the earth is rich and good". Standing two meters tall Where did I leave me shovel? Grannies dead and buried, Grandad he went to war. Yes, in our house, like a bees -nest There's honeydew; it feeds us Gosh, I am so very tired I need to take a rest Lying here - just catch my breath Let Mother Nature do the rest R.I.P as they will say One day upon my grave Lest we pray; behold, my children laugh And rise again shall I, Through the wonders of an age old myth Of time and evolution - life! Now praise the Lord my soul to give And keep me warm inside A glow of peace in troubled times My memories, a myth God Bless You! © all rights are reserved B M Coldwell
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Oct 13, 2011
Oct 13, 2011 at 8:34 AM UTC
The Sunflowers
. •unchain me from unrest• shovel me out of the dirt• une-                              arth my conge-   sted chest• let my secrets blurt• let them spill.....• just   for the wor- ld to see •..string me up... ..against my  will •harvest the fruits of the bi- tter tree• let    eyes see  what will show •...let feet be caught in stubbo- rn mud...• let prying minds be baffled.....by what they would come to know •...let wanting hearts choke...on the dirges of my stale blood....• now dig me up quickly•'cause it's been far too long..... and i have been readied•exhume all of me completely•for no longer should i remain as........ buried• .
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Jan 20, 2015
Jan 20, 2015 at 7:36 AM UTC
Dig
It's cold outside and the birds don't sing when my birthday strikes me once again. I shovel snow the sleet the sand, the weather does the best it can. The wind it blows and the gravel freezes, Antarctic disaster pieces. But there's one thing that makes my day I'm her Capricorn in every way. It's cold outside, I gaze from within She steps to me, I touch her skin. She brings a grace I cannot replace this Capricorn has found his fate.
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Jun 10, 2010
Jun 10, 2010 at 1:10 PM UTC
Her Capricorn
My pen, the shovel, you have one too, that digs for nuggets, of gold and finds coal. Messy writing shuffle, pen and ink, hug its place on my paper soul. The trick is like finding truffles, writing to spread the fungus, add heat, duress, be an atoll, and you may produce a gem a diamond in the rough is still a diamond.
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Apr 23, 2013
Apr 23, 2013 at 1:49 AM UTC
Let me introduce,...
A handy Mole who plied no shovel To excavate his vaulted hovel, While hard at work met in mid-furrow An Earthworm boring out his burrow. Our Mole had dined and must grow thinner Before he gulped a second dinner, And on no other terms cared he To meet a worm of low degree. The Mole turned on his blindest eye Passing that base mechanic by; The Worm entrenched in actual blindness Ignored or kindness or unkindness; Each wrought his own exclusive tunnel To reach his own exclusive funnel. A plough its flawless track pursuing Involved them in one common ruin. Where now the mine and countermine, The dined-on and the one to dine? The impartial ploughshare of extinction Annulled them all without distinction.
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A Handy Mole
Digging down deep is difficult So many things these days only skim the surface Or what we are capable of No one dares to look inside Afraid to shovel out the bones buried in the graveyard of memories Afraid to be paralyzed with the fear that is ever apparent Cry the tears that are ever evident Be struck with the burning lightening of anger Or the shallow mallet of loss We bury them all so deep We believe nothing can touch us There is no way any being on this earth can touch this stone cold iron heart, no one Then someone comes along And without knowing, teases out little bits of that heart Melting it slowly Leaving us vulnerable once again Exposed to others What we wished to avoid in the first place Sometimes, the person tosses the glass heart aside Shattering it into a thousand sharp pieces And other times, they cradle the masterpiece of human desire gently between their hands and place it on a shelf only they can reach And toss you theirs for safe keeping A gamble of emotion An exchange of hearts Love it is Feeling all Embracing all Fearing not Love it is...
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Mar 13, 2015
Mar 13, 2015 at 10:24 PM UTC
Love It Is
When my ****** showed up on under the "people you may know" tab on fb. It felt like the closest to investigating a crime scene that I've ever been. That is if you don't count the clock work ****** that I make of my own memory every time I go down Colfax avenue. Still I sit in my living room and I search for clues. Click He is Smiling... And I see myself caught in his teeth, He's Dancing in some club In a city I have never been to. Click. He is eating sushi over a few beers with friends And I am under his finger nails. Click, I know that alley. Click. I killed the memory of that t shirt. Click. This... Is a baby picture, There is also an older man, Presumably his father. They're are both round, And bright and still Smiling.... Click. He is shirtless, And I see myself in the weight room mirror, "#beastmodeselfie" I call him the WOLF, when I write about him. The WOLF! So as to make him as story book as possible. The WOLF! When I write about him. Which is to say my Memory.. Escapes the ****** When the internet suggests it. Facebook, Informs me we have 3 Mutual Friends.. Which is to say, That he is people you may know. And that, I AM People you may know. And there are people who know, And people that don't know, And  people that DONT KNOW THAT I WANT TO KNOW, people that I am afraid to LET KNOW, and probably people that know him, That know of me, that know OF the word NO! NO! NO! NO is a flock of sleeping sheep sitting in my mouth. And now..... Now I know the wolf's middle name... And what he listens to on spofiy. And the all to familiar company he keeps, And he can no longer be "The wolf." Or the nameless grave I dig for Myself. We have... 3 Mutual friends on Facebook. And now it feels as if they Are holding the shovel. 64 people.. liked the shirtless gym pic. 4 people Have told me that they'd rather I said Nothing. 2 police officers, Told me I must give his act a name or it didn't happen! That obviously I could have Fought back. Which is to say No one comes running for young boys who cry **** When I told my brother, He also asked why I didn't fight back. Adam.... I am... Right now. I promise. Everyday, I write a poem titled "Tomorrow" It is a hand written list Of the people I know that Love me. And I make sure  to put my own name at the top By Kevin kantor
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Sep 17, 2015
Sep 17, 2015 at 11:25 PM UTC
"People you may know"
When my ****** showed up on under the "people you may know" tab on fb. It felt like the closest to investigating a crime scene that I've ever been. That is if you don't count the clock work ****** that I make of my own memory every time I go down Colfax avenue. Still I sit in my living room and I search for clues. Click He is Smiling... And I see myself caught in his teeth, He's Dancing in some club In a city I have never been to. Click. He is eating sushi over a few beers with friends And I am under his finger nails. Click, I know that alley. Click. I killed the memory of that t shirt. Click. This... Is a baby picture, There is also an older man, Presumably his father. They're are both round, And bright and still Smiling.... Click. He is shirtless, And I see myself in the weight room mirror, "#beastmodeselfie" I call him the WOLF, when I write about him. The WOLF! So as to make him as story book as possible. The WOLF! When I write about him. Which is to say my Memory.. Escapes the ****** When the internet suggests it. Facebook, Informs me we have 3 Mutual Friends.. Which is to say, That he is people you may know. And that, I AM People you may know. And there are people who know, And people that don't know, And  people that DONT KNOW THAT I WANT TO KNOW, people that I am afraid to LET KNOW, and probably people that know him, That know of me, that know OF the word NO! NO! NO! NO is a flock of sleeping sheep sitting in my mouth. And now..... Now I know the wolf's middle name... And what he listens to on spofiy. And the all to familiar company he keeps, And he can no longer be "The wolf." Or the nameless grave I dig for Myself. We have... 3 Mutual friends on Facebook. And now it feels as if they Are holding the shovel. 64 people.. liked the shirtless gym pic. 4 people Have told me that they'd rather I said Nothing. 2 police officers, Told me I must give his act a name or it didn't happen! That obviously I could have Fought back. Which is to say No one comes running for young boys who cry **** When I told my brother, He also asked why I didn't fight back. Adam.... I am... Right now. I promise. Everyday, I write a poem titled "Tomorrow" It is a hand written list Of the people I know that Love me. And I make sure  to put my own name at the top By Kevin kantor
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