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"screenwriter" poems
Billy arrived when the sky was all ****** "Sailors take warn Red sky at dawn." He never was a sailor and he never awakened so early. He stopped for a coffee at a Brew and Blue This is when he met Rainbow - a hippie child all stunted and rude. "Enlightenment will never be mine" Billy muttered as he climbed into the orange booth. Eying Rainbow's ***** Rainbow looked him over she had seen one too many dusty would be sailors. But something about his manner-gave her hope for something that mattered. They looked into each other's eyes to find two companions without disguise. This rather shocked them into disbelief but life takes twists and turns definitely different than whatever we expect. Billy was a screenwriter's son with wealth and health Abandoning all fantasy he claimed he rode the rails in order to be free. Rainbow raised by a bipolar soul, who claimed never to know, wandered aimlessly with no where to go - she had slept in stairwells of stranger's homes - till mother's flip was over and she was taken to the car - her new home, again. Billy and Rainbow, as ridiculous as it comes, tried to deny it, but knew they had already begun. It has slipped their minds they were lovers from kingdom come. Billy left and went searching for other scars. Rainbow sat on her porch and searched the stars. The train blew its whistle at the crossing and the rains began to come. A week later, Billy was back setting up a home, waiting to find Rainbow who had hit the road searching for Billy, that lost soul. They both remembered what had slipped their minds being together was one moment when life was kind.
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Nov 20, 2013
Nov 20, 2013 at 2:09 AM UTC
Billy arrived when the sky was all ******
Billy arrived when the sky was all ****** "Sailors take warn Red sky at dawn." He never was a sailor and he never awakened so early. He stopped for a coffee at a Brew and Blue This is when he met Rainbow - a hippie child all stunted and rude. "Enlightenment will never be mine" Billy muttered as he climbed into the orange booth. Eying Rainbow's ***** Rainbow looked him over she had seen one too many dusty would be sailors. But something about his manner-gave her hope for something that mattered. They looked into each other's eyes to find two companions without disguise. This rather shocked them into disbelief but life takes twists and turns definitely different than whatever we expect. Billy was a screenwriter's son with wealth and health Abandoning all fantasy he claimed he rode the rails in order to be free. Rainbow raised by a bipolar soul, who claimed never to know, wandered aimlessly with no where to go - she had slept in stairwells of stranger's homes - till mother's flip was over and she was taken to the car - her new home, again. Billy and Rainbow, as ridiculous as it comes, tried to deny it, but knew they had already begun. It has slipped their minds they were lovers from kingdom come. Billy left and went searching for other scars. Rainbow sat on her porch and searched the stars. The train blew its whistle at the crossing and the rains began to come. A week later, Billy was back setting up a home, waiting to find Rainbow who had hit the road searching for Billy, that lost soul. They both remembered what had slipped their minds being together was one moment when life was kind.
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67
"Who ****** Marsha Brady?" "I," said the Sparrow "With my bow and arrow, I ****** Marsha Brady" "Who saw him **** "I," said the Fly "With my little eye, I saw him **** "Who caught his *** "I," said the Fish "With my little dish, I caught his *** "Who'll make the movie?" "I", said the Beetle "With my thread and needle, I'll make the movie" "Who'll make his advert?" "I," said the Owl "With my pick and shovel, I'll make his advert" "Who'll be the screenwriter?" "I," said the Rook "With my little book, I'll be the screenwriter" "Who'll be the cameraman?" "I," said the Lark "If it's not in the dark, I'll be the cameraman" "Who'll carry the camera?" "I," said the Linnet "I'll fetch it in a minute, I'll carry the camera" "Who'll be chief editor?" "I," said the Dove "I **** for my love, I'll be chief editor." "Who'll carry the actors?" "I," said the Kite "If it's not through the night, I'll carry the actors" "Who'll bare it all? "We," said the Wren "Both the **** and the hen, we'll bare it all." "Who'll sing a song?" "I," said the Thrush "As she ate on a mush, I'll sing a song" "Who'll make him *** "I," said the bull "Because I can pull, I'll make him *** All the crew of the film, fell a-sighing and a-sobbing When they witnessed the ******** yell, from poor Marsha Brady.
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Oct 4, 2019
Oct 4, 2019 at 8:04 AM UTC
Who ****** Marsha Brady?
Oh how I'd love that and from a San Francisco organization no less a month in the Santa Cruz mountains, no less the most liberal city in America no less and last year's winner has his picture displayed and it is not innovative or interesting or shocking but all too predictable Like something I saw how long now has it been?  twenty five years ago... how many times have I seen this picture a white guy, looking very much the suffering, creating artiste handsome, like an actor, but not an actor, a creator of meaning of art, and he can't smile, but looks away from the camera mimicking an ad for J. Crew it's amazing how only white men can write about the important things in the world and the background, how many times before have I seen it a graffiti sprinkled nowhere in an urban jungle somewhere where preppy white guys never go street art, street communication created by people who don't see this concrete as an exotic backdrop for their egoistic posing but as a part of their lives, as part of their meaning, their world and he stands there, in front of it, Mr. Screenwriter, the gulf of culture separating him from that background spans the entire country, or an entire universe but the implication of the picture is: he is home here this is who he is and he can emcompass everything, since white men as we know, have a magic ability to understand and synthesize everyone all genders, all races, all religions the rest of us are merely stuck in our own myopic little worlds of gender, race, socio-economic status but these spanner of time and space and human difference, they can be anyone they can understand and represent anyone So I look at the picture and think, I could apply, but I'm busy during the blissful month of the residency but how dissapointing, that I feel looking at this picture, now online of course that it is the same picture that I looked at over twenty five years ago pinned to a film school wall in Los Angeles, in New York, in those edgy more conservative places and it is the same guy.  the white screenwriter artist who will write about me and others and it will be a lie and we are excluded.  all the rest of the human race. but what he writes will be exalted as truth when I know, that no matter how time he spends wandering the foriegn worlds of ghettos and genders the one thing he knows, the only thing he knows how to write about is white guys, because he is no superhuman he is like us.  He will write about white guys and there will be more films about white guys, who are supposed to represent all of us but they don't, because they are only human, and can only represent themselves.
0
Jun 19, 2013
Jun 19, 2013 at 12:29 PM UTC
Screenwriting Residency
Oh how I'd love that and from a San Francisco organization no less a month in the Santa Cruz mountains, no less the most liberal city in America no less and last year's winner has his picture displayed and it is not innovative or interesting or shocking but all too predictable Like something I saw how long now has it been?  twenty five years ago... how many times have I seen this picture a white guy, looking very much the suffering, creating artiste handsome, like an actor, but not an actor, a creator of meaning of art, and he can't smile, but looks away from the camera mimicking an ad for J. Crew it's amazing how only white men can write about the important things in the world and the background, how many times before have I seen it a graffiti sprinkled nowhere in an urban jungle somewhere where preppy white guys never go street art, street communication created by people who don't see this concrete as an exotic backdrop for their egoistic posing but as a part of their lives, as part of their meaning, their world and he stands there, in front of it, Mr. Screenwriter, the gulf of culture separating him from that background spans the entire country, or an entire universe but the implication of the picture is: he is home here this is who he is and he can emcompass everything, since white men as we know, have a magic ability to understand and synthesize everyone all genders, all races, all religions the rest of us are merely stuck in our own myopic little worlds of gender, race, socio-economic status but these spanner of time and space and human difference, they can be anyone they can understand and represent anyone So I look at the picture and think, I could apply, but I'm busy during the blissful month of the residency but how dissapointing, that I feel looking at this picture, now online of course that it is the same picture that I looked at over twenty five years ago pinned to a film school wall in Los Angeles, in New York, in those edgy more conservative places and it is the same guy.  the white screenwriter artist who will write about me and others and it will be a lie and we are excluded.  all the rest of the human race. but what he writes will be exalted as truth when I know, that no matter how time he spends wandering the foriegn worlds of ghettos and genders the one thing he knows, the only thing he knows how to write about is white guys, because he is no superhuman he is like us.  He will write about white guys and there will be more films about white guys, who are supposed to represent all of us but they don't, because they are only human, and can only represent themselves.
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48
For some, certain places hold a rather mythic oeuvre in our veins; they are seen as places of magic. Maybe a cyclist couple have spent most of their money on traveling the world for their blog, their last stop is New York City so that they may get pictures of themselves at places like The Brooklyn Bridge, Lady Liberty & that megalithic skyline reaching the clouds. Or maybe a foodie from Wisconsin just wants to try Famous Ben's Pizza on the West Side because its New York fuckin' New York pizza. Maybe a doe-eyed screenwriter skips his flat square suburban town to sell his words and soul to the sprawling sunny L.A where dreams are made in pixels. Maybe some New Age beaded wrist to ankle lady spent her life savings to jump over the ocean to visit the ancient pyramids built for a purpose yet fully known. Maybe a bearded dude visits Easter Island to try and understand the complexities of his ancestors while soaking in the rich vastness of nature around. Maybe I used to see places this way. Probably... But in these places people live! It's not mythology to them. Maybe every night a homeless man prays & begs for food on the late night A-train in NYC. Maybe a middle-aged fading blonde couple spend their time in L.A at a health food store to recoup the savings they lost joining a cult way back when. Maybe a Swedish teen traverses the trash and littered-burned streets of Giza everyday on her way to work hoping funny looks aren't shot her way for the way she dresses or shouted at by bearded Salafi men. Maybe a rare species of bug is unknowingly stepped on in Easter Island. Today, i see magic in getting lost on the NYC subway. I found magic mythology on the beaches of Dahab, 80 miles away from Cairo. I see magic in the mythologies, while others live it, the daily grind. It's all around if you know where to look.
0
Mar 13, 2014
Mar 13, 2014 at 11:46 AM UTC
Living Mythologies
For some, certain places hold a rather mythic oeuvre in our veins; they are seen as places of magic. Maybe a cyclist couple have spent most of their money on traveling the world for their blog, their last stop is New York City so that they may get pictures of themselves at places like The Brooklyn Bridge, Lady Liberty & that megalithic skyline reaching the clouds. Or maybe a foodie from Wisconsin just wants to try Famous Ben's Pizza on the West Side because its New York fuckin' New York pizza. Maybe a doe-eyed screenwriter skips his flat square suburban town to sell his words and soul to the sprawling sunny L.A where dreams are made in pixels. Maybe some New Age beaded wrist to ankle lady spent her life savings to jump over the ocean to visit the ancient pyramids built for a purpose yet fully known. Maybe a bearded dude visits Easter Island to try and understand the complexities of his ancestors while soaking in the rich vastness of nature around. Maybe I used to see places this way. Probably... But in these places people live! It's not mythology to them. Maybe every night a homeless man prays & begs for food on the late night A-train in NYC. Maybe a middle-aged fading blonde couple spend their time in L.A at a health food store to recoup the savings they lost joining a cult way back when. Maybe a Swedish teen traverses the trash and littered-burned streets of Giza everyday on her way to work hoping funny looks aren't shot her way for the way she dresses or shouted at by bearded Salafi men. Maybe a rare species of bug is unknowingly stepped on in Easter Island. Today, i see magic in getting lost on the NYC subway. I found magic mythology on the beaches of Dahab, 80 miles away from Cairo. I see magic in the mythologies, while others live it, the daily grind. It's all around if you know where to look.
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48
Being divorced is not very much fun Two kids, no dad, life on the run A king-size bed with two pillows But she’s sleeping alone On a whim she headed East to the West The Cowboy convention in Tucson With her new boots and hat And old friend Laura Lee, wearing a vest This Hollywood screenwriter has seen them all Jive city slickers with cell phones and new cars It had been so long since she’d really been kissed Her love life needed a punch, it could not make a fist Samuel Dawson was born on and still lived on the ranch He rode fence, chased cattle, is one studley man With a soft streak as demonstrated by his craft He works wonders with leather, why it was art He too was lonely, this singular man He’d cleaned himself up since his wife went and made other plans For he had deserved it, so he sat hoping to sell Wishing he’d find that artesian well Stop the action, let me set the stage There he sits at his craftsman’s booth Underneath the canopy in the hot afternoon sun Here comes Rebecca meandering along She lingers and fingers his feathered and leathered strands He smiles and she notes his mustache and tan They talk, she will not turn away Laura Lee shouts, “Let’s get on the way.” This is where the story begins One cowboy love that has no end She’s still a writer on fine TV shows Sam is the wrangler, whom everyone knows Loves a lady who fancies parasols On hot Summer days, who now rides a horse Who no longer leads a half-finished life Where western handicraft is everywhere in sight And their love is on course Some don’t understand, some don’t want to know But bridges are built wherever you go Even on land with no river in sight When a cowboy finds love he succumbs without fight The ranch is now located in Southern Cal The fence he mends is picket, see for yourself For I know them, and please call me Sam She’ll be home in a few, I’m her lover man.
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Dec 16, 2016
Dec 16, 2016 at 2:15 PM UTC
Cowboy Love
Being divorced is not very much fun Two kids, no dad, life on the run A king-size bed with two pillows But she’s sleeping alone On a whim she headed East to the West The Cowboy convention in Tucson With her new boots and hat And old friend Laura Lee, wearing a vest This Hollywood screenwriter has seen them all Jive city slickers with cell phones and new cars It had been so long since she’d really been kissed Her love life needed a punch, it could not make a fist Samuel Dawson was born on and still lived on the ranch He rode fence, chased cattle, is one studley man With a soft streak as demonstrated by his craft He works wonders with leather, why it was art He too was lonely, this singular man He’d cleaned himself up since his wife went and made other plans For he had deserved it, so he sat hoping to sell Wishing he’d find that artesian well Stop the action, let me set the stage There he sits at his craftsman’s booth Underneath the canopy in the hot afternoon sun Here comes Rebecca meandering along She lingers and fingers his feathered and leathered strands He smiles and she notes his mustache and tan They talk, she will not turn away Laura Lee shouts, “Let’s get on the way.” This is where the story begins One cowboy love that has no end She’s still a writer on fine TV shows Sam is the wrangler, whom everyone knows Loves a lady who fancies parasols On hot Summer days, who now rides a horse Who no longer leads a half-finished life Where western handicraft is everywhere in sight And their love is on course Some don’t understand, some don’t want to know But bridges are built wherever you go Even on land with no river in sight When a cowboy finds love he succumbs without fight The ranch is now located in Southern Cal The fence he mends is picket, see for yourself For I know them, and please call me Sam She’ll be home in a few, I’m her lover man.
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45
If I ever get addicted to cigarettes, it will be because of you, Mike— the screenwriter and smoker from Miami who I met amidst the gentle crashing of the calm waves. It’s not that I needed to smoke to accent the stars, already so powerful in their summer sky without haze, but I did need the smoke to accent you, Mike, to hear about the time you climbed a mountain where the air was so cold and the wind so fierce that in your tent, your body created an atmosphere dialectical in its warmth and surreal rain. When I cough up phlegm in the morning, I’ll be thinking of you, Mike, and as that brownish yellow glob slides down the thin metal drain, I know I’ll think that if I get addicted to cigarettes because of you, Mike, then it won’t be such a bad thing.
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May 26, 2014
May 26, 2014 at 10:57 PM UTC
Notes on a Conversation with a Stranger
How am I supposed to act now? One moment, we were like a movie The main characters of a cheesy script Fulfilling our roles so perfectly The next, I find myself acting alone Do I pretend it didn't hurt? Do I pretend it didn't happen? Do I pretend that the only person Who knows all of me, who had me Pretend they're not there anymore? I don't want fame or Hollywood I don't want to be some superstar I don't want to have a new set of skills Of changing faces and attitudes No coach, no instructions, no guidance I keep rewatching the moments we made Rereading our last drafts of conversations I am no actor or director or screenwriter I have no plans for a scene or direction I am just a man Pretending to not love you afterwards
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Aug 7, 2025
Aug 7, 2025 at 10:44 AM UTC
Let's Pretend
There was a tale of three. A he, a she, and a me. He had eyes, Projector screens, Reflecting the films you play in your head. She, a Hollywood queen, Hair as gold as her heart, A sucker for romance, Caught by his flashbulb smile. Me, the screenwriter, Knowing the business enough To recognize the mechanics Behind the greatest actor In the world. Award winning half truths That I could swear were written by me Find their other halves Written in starlight Shooting from the mouth of he, The lifetime achievement of She Limited to their happily ever after. Me, playing back over footage Replaying the scene unfolding between them, Trying to hear a romantic score, But rather being bored By the actor's lazy gestures, Me, being deafened by the silence Of this pantomime. She, while skilled at book work, Had simply been miscast By he, who had not yet planned his end scene. There is a temptation within Me, To write myself into her part, But I know, This show is not about me. She was not the wrong actress, Just simply playing a part Diverting from action. She froze the plot, So they existed as pictures, Perfect in pixels, Worth a thousand words, Only no one would ever speak them, Potential untapped. I gaze at the screen, Drifting to sleep in boredom Being woken at any sign of the screen going Dark, Only to have their starlight, Lull me back Into the writer's dream.
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Sep 16, 2016
Sep 16, 2016 at 3:05 PM UTC
Love in Lime Light
It was meant to be the most important line of all known history but you forgot it screenwriter your sheer deed equips your script with perpetual discretion                                      prompting props                                      praising speeches                                      persuading species                                      Prussian Blue and Russian Spirits.
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Mar 31, 2017
Mar 31, 2017 at 12:27 AM UTC
Prussian Blue and Russian Spirits
Im a writer that doesn't write I tell myself that's it's normal That it's natural That I must have writers block I know that's a lie People ask me what I want to do I say screenwriter They think I'm smart, witty, creative All of the above The look they give me is a drug I'm one of the special ones I have ideas To them I make things But I don't. I like to think I do. Sure I tell myself that. But I'm stuck writing stories I'll never finish Down in books I'll never read Why do I not read them? I think it's because of a belief that I am inadequate And therefore anything I create must be that way as well The belief that someone like me shouldn't be able to create I think that's why people look at me adoringly when they hear "screenwriter" They want to love their ideas as much as they think I do mine. They think I'm one of the ones that made it out Which is something I desperately I want to be So for now I am a writer that doesn't write Which sadly means I am not a writer at all But maybe I spoke to soon Because if I wasn't a writer I wouldn't have written this at all
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Aug 10, 2015
Aug 10, 2015 at 1:25 AM UTC
Am I a Writer?
it is like trying to pinpoint the body’s first secret. dear depressed woman. unpopulated cities abound. a screenwriter has a wet dream and one is supposed to say what exactly train sounds trigger. the human head passed around at a party. partially, but also. the human head my life parades with confidence. past children sitting on their hands to make them sleepy. into something even the third act would understand.
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Jun 26, 2013
Jun 26, 2013 at 3:36 PM UTC
sonance
I found out why a lot of people started hating me. I was a screenwriter and I wrote Superman III. I never dreamed that I'd be bullied when I became a screenwriter. But people think my writing ***** and I had to become a fighter. The Warner Bros. executives quickly wished they had thrown my screenplay in the trash. Years later, I wrote an even worse screenplay which is titled 'The Adventures of Pluto Nash'. My days of being a screenwriter were over and I was in tears. Eddie Murphy beat the hell out of me because I ruined his career. Other people also beat me up so I started taking karate classes. I earned a black belt and I started kicking people's ***** If you're another bully, I need to tell you something before we start fighting. You should back off because I'm far better at karate than I am at screenwriting.
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Aug 23, 2019
Aug 23, 2019 at 6:03 PM UTC
The Abominable Screenwriter
we all want a movie ending those romcoms you see on valentine’s day that kind of ending after all, i am a film student but film has taught me more than the hollywood romance it has taught me the crushing realities of life the noir, lesser known tragedies and the indie, underappreciated art of living so the days that i wander and think about how we might reunite on a new york city street, coffee in tow and heels on, catching up and suddenly eloping in a whirlwind romance, i curse hollywood for tainting my imagination for cursing me with unnecessary pain through setups and disappointments but then again, film has taught me that i will get my movie ending, except i am not, and will not be the audience i am the director, the screenwriter and the editor.
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Apr 25, 2019
Apr 25, 2019 at 5:05 AM UTC
lessons from hollywood