Fairfax Station’s socialite, a trustfundee
Still hallucinates on a lone hammock
In her penthouse.
Her ex-idols still burn the light green foliage
From the Tree of Experience. Her sister’s a screenwriter
Who lives near downtown in a cobwebbed basement.
Each morning she composes a page of dialogue. Usually
There the fragments of yesterday’s conversations
With an insomniac. She is the turned page
In a worn storybook.
Her shutter snaps mental photographs
Through a blurred lens. The girls’ father
Is a patient in an asylum, in his leisure, he treads
Water in a soiled bedpan. Psychotherapy and straightjackets
Cannot restrain his work ethic for Art. Before his admittance
To the institution, in his studio, on a giant canvass
He painted the green youth that struggles to
Grow in an elementary school. The socialite is undeclared
In her major. Unsure of faith leaping.
Remains pessimistic at charity functions. Vast
Auditoriums with smudged tablecloth. She’s accompanied
By an entourage of underdeveloped emotions.
On occasion she side glances from a hand mirror
At a potential love interest. It’s too soon.
The spring is a late bloomer, blue frost clings
To the edges of grass blades. At a coffee shop on
The corner of Main and North Harrison Street,
The screenwriter raps away at her laptop; talking
Her coffee foams at the mouth with expired cream.
A welcomed patron to this local getaway;
This is where her father used to read her articles
From the Washington Post. He nearly hanged himself
After the car accident. His wife’s body smashed
Halfway through a windshield. Around his wrist
Is the Movado, she gave him for their anniversary.
For months now, for an hour before night class,
Our writer opens up her treasure chest of demons
To a word document.
She’s almost thirty. The divorce took her strength,
Along with her two legacies. Yesteryear, or
Was it the day before yesteryear? The talented
Family met at a Hibachi restaurant. They had a
Gift card to use. It was a day after the funeral; there black
Clothes were wrinkled, just a bit. Napkins lay
Folded over their laps. Silverware untouched.
Hot bowls of miso soup grew cold. Visits to
The bathroom were common. Tsnumai of
Mixed emotions: trickled, flooded, filled there eyes.
The foreign chef noticed their mood, he
Could only offer body language. In the air
Swan eggs were cracked into two halves.
The yolk sizzled on the aluminum surface.
Fire soared from an onion volcano. Mouths
Watered, and eyes were parched. Kobe steak,
Grilled vegetables, juicy chicken, fried rice.
They chewed their food with shut mouths
And gutwrenched eyes. They sat and ate
Until every last morsel disappeared.
Over her balcony, she leans on the railing
Of her loft. Ashtray spills Marlboro’s remains
That plummet onto a city of funny people.
She can’t use humor as a defensive mechanism,
Why should she? Her credit card is her alcohol.
Her eyes daydream of elevators
And clothing stores. She lays out in
Her hammock, wondering why an automobile
Had to be the antagonist.
They all live above the billboards, below the heavens.