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"saran" poems
dalam soal perasaan dan cinta-cintaan, satu saran dariku ialah   jangan kau gunakan banyak-banyak hatimu    kau tentu boleh merasakan,     asal tidak terlalu dalam.       jangan.       bahkan kalau kau mampu      biarkan orang lain menganggapmu     berhati beku soal itu    biar saja mereka menganggapmu begitu   asal dalam hati kamu tahu, perasaanmu sesungguhnya hal yang paling murni untukmu.
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May 13, 2016
May 13, 2016 at 8:15 PM UTC
Hal Yang Murni Untukmu
though said to be golden like that of Eris, the mores which you so savor are hollow with worms. your stony statutes, finally crumbling, now remind me of rose-colored saran wrap: stretched too thin across the epochs to bind each lawless Julia at present. able now to be whole—free from your unadulterated peace, spun, measured, and cut are your class lines at last. and so with a sigh of relief so great that it could echo across all of the Caucasus, your Ovid, cast away, has returned.
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Jan 18, 2014
Jan 18, 2014 at 7:55 PM UTC
To every Augustus
To be perfectly clear … I’m a nut case. Not only a nut case, but a hard-luck case Wrapped up nice and neat With Saran wrap of mental maladies And bubble wrapped with faulty perceptions And you know what? It’s ******* comfortable in this box. Relaxed is a side effect of anxiety, Like having an ****** you get tense Then that sweet release that leaves you Melting into the mattress, that’s what my “disorder” does to me. And while you sit and you stare and you judge and you blame I … smile and wipe the sweat and tears from my face. So, to be perfectly clear. I’m nothing but a beautifully taped box Of stress, anger, resentment and depression With a slight mixture of joy and pride mixed in Waiting to be shipped off To anyone, anywhere, away from that gaze Of unrestrained disdain. And so, again, to be ever so clear. I’m what you’d call emotionally unavailable, Damaged goods, as I’m sure you can see The dents my last handlers left behind for me To bash out to regain a sense of normalcy, Then you had to come along and reveal them all again. Thanks for that. And sorry, but the person you are trying So desperately to reach is Unavailable. To be perfectly clear.
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Jan 15, 2012
Jan 15, 2012 at 12:11 PM UTC
Just another stupid poem that makes no sense
. I looked Thru the glass at a trembling lil thing Beady eyes of a worried gerbil In a worrisome place The Petco by my house had Everything you could have -almost Rhino's, Daffodil's Lynx's, Gecko's & even Alaskan Klee Kai's Wrapped up in Saran wrap Or in little glass cages With little bobbly water dispensers And kindly placed dishes Holding nifty pellets of tasty food That fits their Specialized Diet Plan They don't have elephants yet We'll have to ask the manager to order some of those
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Nov 11, 2012
Nov 11, 2012 at 1:16 AM UTC
Petco
after watching the videos of children and humans striving for a breath their bodies limp from a saran attack I would strap my *** to a cruise missile after getting a tattoo all over my body saying Assad this is for you! It was sickening beastlike satanic and I cried my stomach wretched I shuddered here this world is in the 21st century and some of us are still barbarians I pray we listen to the little girl some call the Syrian Anne Frank my heart breaks again
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Apr 6, 2017
Apr 6, 2017 at 9:26 PM UTC
War crimes
Jumat, 1 Oktober 2010 Aku punya banyak teman dekat Mereka semua baik pada ku Tapi ada saat aku bingung Bingung akan saran yang mereka beri Yang ini bilang ACD Yang satu kembali ke ABC Yang itu bilang jangan Ada lagi yang bilang coba dulu Semua membuat ku bingung Aku berkata, dibilang salah Aku diam saja, dibilang tambah salah Ku ambil keputusan sendiri Tapi aku tak yakin Oh... Hidup memang sulit Penuh pilihan dan tantangan Created by. Aridea .P
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Oct 17, 2011
Oct 17, 2011 at 12:48 PM UTC
Bingung %-(
The cyclones are cellophane saran raptures, and gale forced smiles in the rain     that comes after a dead-end starts with a grave intuition. Out of the blue, a sky you knew would be safe as sun-strokes- of genius, proof that love had a heart... you found mars That's you wishing where stars don't fall they just hang in the black hole dark...
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Oct 21, 2011
Oct 21, 2011 at 10:00 AM UTC
The Cyclones are Cellophane
i’m a flytrap in Saran Wrap Definition clingy shouldn’t be satisfied to be qualified as the gum that’s stuck to your shoe This anxiety could be all from nowhere It might not be real But honestly and actually it’s just how i feel
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Apr 22, 2019
Apr 22, 2019 at 4:22 PM UTC
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Seren-dip-me-pity,               (she was self-accepting failure,  bad luck wannabe, wears black and sniffles) the ardent opposite of Seren-dip-i-ty,       (she was an accidental discovery, no recovery needed, awe, found objects, in the    moment) they are part of the seven sisters Seren, wherein lies the rub Saran-wrap, was third           (caught up on herself, clean and air tight, fresh as the day, tough like teflon) in line, (changed the spelling of the family name - to be sooner alphabetically) Seren-ate,                         (she sings she dances, she eats, she sings some more, she waits for applause) does not speak or gesticulate unless she performs in song. Seren-ade, used to sing well           (jealous, performance orientated, sometime for love, lately for money) as well but when the other came along and did it better she got bitter and moved in to retail sales        (lemonADE, pomADE, calvacADE of arcADEs, you get it,                                                                                                                        everything became a parADE) And as for the twins who are always fighting Seren-ity    (lacks calmness, lacks peace, wants a piece of you, uneven temper) Seren-e                                         (more easy to be obscene, like evening air with a heavy chill, not bright). The seven sisters of Seren, who were always preparing for a fight to the right to the next beau to knock on the door, but soon they all stopped calling, they were no longer falling, over one another, as the Seren-ities were now old biddies, no longer remained a worth-while dowry, befitting sitting silently as the seven sisters of Seren squabbled soiling the solitude of the soul.
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Aug 21, 2013
Aug 21, 2013 at 1:44 AM UTC
The Seven Sisters Seren (don't confuse this with anything)
Seren-dip-me-pity,               (she was self-accepting failure,  bad luck wannabe, wears black and sniffles) the ardent opposite of Seren-dip-i-ty,       (she was an accidental discovery, no recovery needed, awe, found objects, in the    moment) they are part of the seven sisters Seren, wherein lies the rub Saran-wrap, was third           (caught up on herself, clean and air tight, fresh as the day, tough like teflon) in line, (changed the spelling of the family name - to be sooner alphabetically) Seren-ate,                         (she sings she dances, she eats, she sings some more, she waits for applause) does not speak or gesticulate unless she performs in song. Seren-ade, used to sing well           (jealous, performance orientated, sometime for love, lately for money) as well but when the other came along and did it better she got bitter and moved in to retail sales        (lemonADE, pomADE, calvacADE of arcADEs, you get it,                                                                                                                        everything became a parADE) And as for the twins who are always fighting Seren-ity    (lacks calmness, lacks peace, wants a piece of you, uneven temper) Seren-e                                         (more easy to be obscene, like evening air with a heavy chill, not bright). The seven sisters of Seren, who were always preparing for a fight to the right to the next beau to knock on the door, but soon they all stopped calling, they were no longer falling, over one another, as the Seren-ities were now old biddies, no longer remained a worth-while dowry, befitting sitting silently as the seven sisters of Seren squabbled soiling the solitude of the soul.
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my words stumble out of my mouth like a drunk from a bar without direction and ugly as sin banging uncerimoniously against my teeth on their way out as if they had some hidden sober thought begging for me to stop them because they can't stop themselves my skin feels like saran-wrap stretched over the bony remains of something forgotten left to rot within protective plastic my heart is alone it locked itself in a safe so it could pretend it was worth something but even if the key was not inside with it nobody's looking anyway
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Oct 23, 2013
Oct 23, 2013 at 12:32 AM UTC
Anatomy
Recluse beneath congestion of cigarette smoke and spirits a crippled voice deteriorates His mornings are bleak; Rise to the sink to the shower to the wardrobe to the door to meet the day Slacks, overcoat, and loafers topped off with some novelty tie from the local drug store He coasts along the brick-stone walk-ways careful not to place his feet upon cracks or cross a path with a black cat A superstitious man he is a white rabbits foot tucked beneath his ankle socks a turkey wishbone key-chain clanging against his satin-lined pocket and a four-leaf clover preserved in saran-wrap pinned against his chest With each stride he nears the corner market and purchases a pack of Perdomo along with a bottle of unlabeled ***** concealing it bellow the buttons of the coat He then exchanges with the cashier and exists His journey leads him around the block and passed pedestrians only to be reunited with his stoop The cold concrete is inviting he sets himself in on the third step and prods his pockets removing his lite and Perdomo's for better use aflame they go between crackled lips Greeted with the sour beverage his face molds like dry leather crinkles and all in reaction to the addicting bitterness His eyes pick out people from a crowd the business man who hurries on by to important to give a hoot the youth of who laugh in mockery yet to prideful to admit they're foolish the tourist twisting the map above their face searching corner streets a sign the woman who bustles her child through avoiding contact with the man who sits on the stoop Not person goes by that he wishes he were he is perfect perfectly content in his subliminal life The smoke rises and falls from his throat he wheezes averting from his train of thought it wasn't important either way
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Mar 4, 2012
Mar 4, 2012 at 12:22 AM UTC
Cliche Man
Recluse beneath congestion of cigarette smoke and spirits a crippled voice deteriorates His mornings are bleak; Rise to the sink to the shower to the wardrobe to the door to meet the day Slacks, overcoat, and loafers topped off with some novelty tie from the local drug store He coasts along the brick-stone walk-ways careful not to place his feet upon cracks or cross a path with a black cat A superstitious man he is a white rabbits foot tucked beneath his ankle socks a turkey wishbone key-chain clanging against his satin-lined pocket and a four-leaf clover preserved in saran-wrap pinned against his chest With each stride he nears the corner market and purchases a pack of Perdomo along with a bottle of unlabeled ***** concealing it bellow the buttons of the coat He then exchanges with the cashier and exists His journey leads him around the block and passed pedestrians only to be reunited with his stoop The cold concrete is inviting he sets himself in on the third step and prods his pockets removing his lite and Perdomo's for better use aflame they go between crackled lips Greeted with the sour beverage his face molds like dry leather crinkles and all in reaction to the addicting bitterness His eyes pick out people from a crowd the business man who hurries on by to important to give a hoot the youth of who laugh in mockery yet to prideful to admit they're foolish the tourist twisting the map above their face searching corner streets a sign the woman who bustles her child through avoiding contact with the man who sits on the stoop Not person goes by that he wishes he were he is perfect perfectly content in his subliminal life The smoke rises and falls from his throat he wheezes averting from his train of thought it wasn't important either way
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I want to love you, but I'm afraid to feel the hollow space in my chest--hallowed ground. I want to kiss your lips and warm your skin with the vibrations pulsing through your sense of touching me where I can't reach in that cavern housing my thoughts, the "will they see me? will they want to know" that I cover myself in dog hair disarray, that I stand with the fridge door open, chewing shriveled carrots; hoping to shrink what is soft, weak, feminine, emotional, dangerous. but you never respond. you match my arched eyebrows and my tired dry skin, stretched like saran wrap, keeping my stench our secret for now. a mirror never lies, so why doesn't she love me as I love her.
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Oct 8, 2014
Oct 8, 2014 at 12:39 AM UTC
show me you love me
We are on the hunt, Hunting hunters, hunting. And desolate travellers are we Surprised by sinking ships Wrapped in saran-wrap, forced to stick together All reaching a Shakespearic end to a means that never really mattered in the first place. Is that what you believe now? We are the players playing. And we are the grey, sunken in eyes of a child needing sleep, dreams of fishing for Nessie in the local lake, far-fetched fantasies only exhausting the youth, we are the needy needing. Surprise me of your fleeting lost memories of old, we are the laughter, laughers laughing. We mock feeling, reality. The raw human emotives. And we are the biting bile taste that follows slaughter and unsuspected chaos, The moment pre-regret, where innocence is forever lost in a tossed about immoral sea. Salty and familiar. And we are the prey, prayers preying For things we can’t even remember like unmotivated love and a taste for fate.
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Feb 10, 2011
Feb 10, 2011 at 4:05 PM UTC
wordy
Rubber faces. Foreheads sweat, stream clown makeup when cheeks meet. Sweet blood: corn syrup, water, starch. Lick then smell. Vampires pick jolly rancher debris from teeth. Blue fangs. A skeleton in the closet undresses a nun. Open door open window sit three cats. Watch the sun set. Crows murdered around oak trees. Darkness. Lights, music, karaoke, Elvis sings Franki Valli. Richard Nixon gropes a slutty nurse. Left hand, right breast. Alcohol permeates air. Skin, sweat. Touch. Marilyn Monroe hoards candy corn souped with beer broth in her stomach. Passes out. Steve Irwin wears a sting ray through his chest, ***** tail through his shirt, surrounded in blood. First place in the costume contest. Alter egos. Fred Flintstone feels snubbed. So does a saran wrapped girl. Nipples hidden with black fabric circles. Black balloons. Orange ones. Red balloons. Popped. Silent girl in white stands in the corner. Caresses a small bottle of cyanide in her fingers. Thumb, middle, pointer, pointed at Marilyn. She knows she will not wake up. They’ll call it suicide. Elvis finishes his song in a falsetto, Oh, what a night.
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Oct 5, 2010
Oct 5, 2010 at 10:46 AM UTC
The Night Before the Day of the Dead
so sometimes I'm just right, cold, calculating and perceptive. and sometimes I can't make it through the night, policing my thoughts and perspective. But tonight is a night of freedom and purity, closing the doors to opression, spilling inpure and conformist thoughts, and avoiding resurrection. smoking and snorting and popping and coughing, breathing, decieving, and barely talking, focused now. never later. still breathing this atmosphere of pure hatred. can't see past my hands in this tomb, alone i lay and quietly consume, every last one of them. I've let them all go. the part time, doin time, ebb and flow of cold. growing old. when I finally outgrow this taste in my mouth, i'll be able to breathe. when she finally outgrows me maybe she'll leave. never looking back, always forward, never late. she quietly escapes the debate of our fate. never look back kid, cause your soul might turn blue, tied tight with saran wrap wrappers, duct tape and glue.
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Aug 17, 2010
Aug 17, 2010 at 8:29 PM UTC
Unfocused free Writing
in pealing season, she is a girl of lousy ingrowth she is an unkempt corner; kitchen sink. legs pulled like knives. phone call her curled tendons; isolation in grit and fibril       she is women with wings. this is how we stymie the rapunzel. we carve the ugly into her. we teach her to wear skin like saran. skin like punishment                         cut-coin the rumpelstiltskin. how she is  wound and string, paper-doll; bird-in-a-box how we wring the juice of her on washcloth. hung upturned from the ceiling fang; plucked and feathered like apology. cherry-picked; veins like mikado. how it is dark and she is blind-bat wind-warriors; waterboarded with no hands upturning the paper boats of her in every follicle; how the flipswitch insecurity eats her like pickle. in a storm she is neither nor tongue nor limb just breast, bone, the weight of mirrors how we jettison when the grief is heavy. abandon. thick, empty abandon. alone in grit-cusps when the monsoon has eaten into the white, wispy mortuary. dark in hallways; yet pale and slender. she is beautiful. we lift her ribbed corpse off the shoreline. we unload the offering like red carpet; this is how we wrap her in white and weary-eyed translucent. how unavoidable we become when we are the last hope. crippled. when we look hope in the eye. askance. how she will beg you to look at her with the heart in the honey-jar; torso in tourniquet how the walls are ripped in shades of askance. how we look away. how us, walls, look away. how, us, walls, askance. how we drip of askance; how the pink flesh and cherry-limb slips like matchstick on brushfire how there is purple and primrose and bruise there are some spots on the floor where it still reeks purple and yellow and bruise how we are                lousy                          ingrowth here.  how we                                                                  try to pluck                              and erase
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Apr 27, 2016
Apr 27, 2016 at 8:33 AM UTC
tweezers
in pealing season, she is a girl of lousy ingrowth she is an unkempt corner; kitchen sink. legs pulled like knives. phone call her curled tendons; isolation in grit and fibril       she is women with wings. this is how we stymie the rapunzel. we carve the ugly into her. we teach her to wear skin like saran. skin like punishment                         cut-coin the rumpelstiltskin. how she is  wound and string, paper-doll; bird-in-a-box how we wring the juice of her on washcloth. hung upturned from the ceiling fang; plucked and feathered like apology. cherry-picked; veins like mikado. how it is dark and she is blind-bat wind-warriors; waterboarded with no hands upturning the paper boats of her in every follicle; how the flipswitch insecurity eats her like pickle. in a storm she is neither nor tongue nor limb just breast, bone, the weight of mirrors how we jettison when the grief is heavy. abandon. thick, empty abandon. alone in grit-cusps when the monsoon has eaten into the white, wispy mortuary. dark in hallways; yet pale and slender. she is beautiful. we lift her ribbed corpse off the shoreline. we unload the offering like red carpet; this is how we wrap her in white and weary-eyed translucent. how unavoidable we become when we are the last hope. crippled. when we look hope in the eye. askance. how she will beg you to look at her with the heart in the honey-jar; torso in tourniquet how the walls are ripped in shades of askance. how we look away. how us, walls, look away. how, us, walls, askance. how we drip of askance; how the pink flesh and cherry-limb slips like matchstick on brushfire how there is purple and primrose and bruise there are some spots on the floor where it still reeks purple and yellow and bruise how we are                lousy                          ingrowth here.  how we                                                                  try to pluck                              and erase
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Flay me, shroud my body in Saran wrap, for others to see what you mean to me: a relief map of live suffering, writhing organs in a plastic bag, a human soup to drag behind you, sensitive to everything you do, overflowing with formless worship, pink, raw and dreaming of a vicious kinship: Open yourself and slip my parts in, we can exist, two hideous beasts within a single beautiful skin.
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Oct 22, 2020
Oct 22, 2020 at 5:20 PM UTC
Innermost
Were you alive when the bricks began to crumble beneath our hand-held, kiss puppets? Our mumbled whispers that tapered ladders on gargantuan folds and slung-held boy-grips. Cohorts torn into flip stands layered toward standing sores -- tell me how to cross rapid waters of social trends. We were strung up the flag pole, almost posted as decapitated heads for the public. Under teeming hammer-strikes : glasses shred to paper-splinters before a car crying white chalk bricks onto saran-wrapped concrete. There were antennas perched like speckled, mangy feathers, poised, reflecting defiance toward the wool-ashed sky. With dirt-trekked journey marks, there were trees growing silver hair outside the grocery store -- and frown-marked women -- that skin-folded war paint -- yelled at their daughters to pay attention.
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Dec 22, 2011
Dec 22, 2011 at 9:30 PM UTC
Occupied and Empathized
This reality, different from yours. Sandpaper ice-cream cones sold in engulfed, aflame stores. This body, tense yet soft tears underneath the rub of rope. My friend's feet swiped a flailing chair, And her neck did snap, feces everywhere. This sky, wrapped in saran wrap, becomes pregnant when it rains, the plastic weighed down by water, slumps down the aquarium sky, we slump down as it kisses us, crushes us, mashes us, thrashes us. - It all changes here, from god to god, from year to year - Her hips lay like cursive, pale, promising, pent up like the shoulders of an anxious angel. Her hair a burnt brown, wrapped around a whatever-count pillow, like a L'Oréal snake, sleeping sullen, drifting off into a designer dream, unsure of this, unsure of me. I see her as a child -- No, I see me as a child -- No, I see us as children. This. This surreal feeling I get when you're around me. When the world is around me, vibrating underneath my Toms. Vibrating in my prescription bottle. Vibrating between her legs, my ribs. Between each page, so much is hidden: my early swearing that my late love is slowly draining.
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Apr 18, 2016
Apr 18, 2016 at 4:34 PM UTC
Alternate Earth
the words catch on my tongue like they're bound with saran wrap I can feel them clawing for escape I bite and bite and bite on the speckled pink flesh but I cannot free these pathetic slaves in my museum of emptiness chained to my esophogus by long, thin, elastic threads my teeth are too dull to rip through despite my constant gnawing like that rat I once saw in a memory so faint I may have imagined it
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Feb 8, 2012
Feb 8, 2012 at 9:07 PM UTC
Rat
I watch as his hands reach over the couch underneath my arm towards her body like he’s saran wrapping his left overs he’s drunk so he trips, falling onto her lap and resting his head oh so conveniently she makes a face at me I don’t recognize and merely allows his eyes to rest on her she turns to me and shrugs and I feel it like she feels his stubble on her neck, his beer breath between her teeth, his hunger, appetite, desire to devour I watch as his hands wrap around her thighs like it’s time for thanksgiving dinner and rather instinctively I slap them away because she’s a ******* vegan after all I watch his eyes burn holes into her skin I watch him lick his lips and size his prey I can hear his stomach growling I don’t want to know you’ve loved men cause I know the way they touched you slowly at first then fast and rough skimming over your edges and dog earring each page to the point of causing damage I keep a pen with me so I can scribble in my books but only ever to remember   for the sake of nostalgia not ownership for enjoyment not overconsumption it smells like cologne everywhere I go and some days I’m scared we’ll never be able to escape the gaze
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Jul 18, 2019
Jul 18, 2019 at 10:40 PM UTC
I love women as I am a woman
Different voices whirl Around brain mass. Pang for a tone That hasn’t gone mad. Create a realm Where memories, Of November, Are cut out and sold. Tell the voices To draw a tale. Boxes popping about; From dry air. Screeching rhythms As you fold Onto men, Like Saran Wrap.   Authority can’t resolve Genetic stigmas. Hidden formulas appear, Toxicity enthralls. Grasp her bony joints, Bathe in unkempt hair, Let marsh stricken irises Put an anchor inside.
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Mar 21, 2012
Mar 21, 2012 at 11:38 PM UTC
Straw House
Maybe If I buy new sheets I'll have an easier time forgetting you And your shifting eyes All morning sun and maroon. I had better get a new color too Just not blue... That was the one before you With the thin hair and half lies And winter city lights. And before that I like to remember nothing besides the yellow daisies on a peachy sunrise of my youth, But the silky stitches will forever hold Their petals;   White centered with a splintering, Tainted innocence; A pasty white puddle of Bodies too young- Caught in the riptide of our Childhood storms And a desire for adulthood Or something seemingly more.... Stable. Details will only cause us to once again derail so I must insist you don't question this. I've been going out of my way so long Trying to wrap up my Saran facade. Now every interaction Feels wrong And rubs me raw. My plastic skin is wearing thin And I might melt against the heat Of the confrontational defeat That I suppose ... We all just get used to. I keep tripping over perceptions Strewn across a convex looking-glass Of stereotypes and slurs that shaped my past; And I suppose Made a lasting impression Rooted deep enough to now be the Instigator of my regression And unrelated, runaway thoughts That seem to always get deeper On accident. Everything will become a hazy memory And glob into two word phrases Of the forced politeness That accompanies the acknowledgement Of a past regret- Still freshly gawky As a transitional stranger; I am inquiring In an attempt to find an explanation  for this untold something That remains unseen Until we're too disheveled To distinguish it from a A misplaced dream or idea. Relativity counteracts the sheen And perspective is everything, But I feel myself slipping away Into a despondent complacency. I left all my linens in places I no longer cared to be. Yeah, Maybe new sheets are what I need. C.e.M 12.23.14
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Dec 23, 2014
Dec 23, 2014 at 12:42 AM UTC
Completed Sheets
Maybe If I buy new sheets I'll have an easier time forgetting you And your shifting eyes All morning sun and maroon. I had better get a new color too Just not blue... That was the one before you With the thin hair and half lies And winter city lights. And before that I like to remember nothing besides the yellow daisies on a peachy sunrise of my youth, But the silky stitches will forever hold Their petals;   White centered with a splintering, Tainted innocence; A pasty white puddle of Bodies too young- Caught in the riptide of our Childhood storms And a desire for adulthood Or something seemingly more.... Stable. Details will only cause us to once again derail so I must insist you don't question this. I've been going out of my way so long Trying to wrap up my Saran facade. Now every interaction Feels wrong And rubs me raw. My plastic skin is wearing thin And I might melt against the heat Of the confrontational defeat That I suppose ... We all just get used to. I keep tripping over perceptions Strewn across a convex looking-glass Of stereotypes and slurs that shaped my past; And I suppose Made a lasting impression Rooted deep enough to now be the Instigator of my regression And unrelated, runaway thoughts That seem to always get deeper On accident. Everything will become a hazy memory And glob into two word phrases Of the forced politeness That accompanies the acknowledgement Of a past regret- Still freshly gawky As a transitional stranger; I am inquiring In an attempt to find an explanation  for this untold something That remains unseen Until we're too disheveled To distinguish it from a A misplaced dream or idea. Relativity counteracts the sheen And perspective is everything, But I feel myself slipping away Into a despondent complacency. I left all my linens in places I no longer cared to be. Yeah, Maybe new sheets are what I need. C.e.M 12.23.14
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