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"ritualistic" poems
Dough making with flour and water Salt and butter Calls for kneading In ritualistic candor As parts come together To an irreversible matter The soft cushion of dough between the palm and the bowl pliable with every push and shove stretched and compressed In sheepish conformity Blistered on  skillet Puffed up to a chapati Heavens thanked with each bite For flat bread with savory curry Fills nostrils with soft aromas- Relished as heaven on tongue- One is contented of this flat bread
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Nov 5, 2015
Nov 5, 2015 at 8:59 PM UTC
Ode to the Flat Bread
Crazy feelings flood my paper As my pen begins its Ritualistic dance. Insane voices fill my head Upon the possibility of Second chance. Silence speaks the truth When angel choirs sing Their songs. It’s not what you have, But who you have When you no longer belong.
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May 4, 2012
May 4, 2012 at 3:55 PM UTC
Belonging
i want to perform. in front of hundreds. yes. but its not like **** as people watch on www.pleasewatch.com something more ritualistic MORE primal like a divine act. feminine and masculine integrating with an honest envelope. sign sealed delivered by the ultimate act of universe. it is soulful with lust but pure as a dust. lust for the very first time. you are tasting it for the first time and you realize that you have a magnificent power that never stops to rhyme. that you can keep on and on. then all of sudden it will be like nobody is there. the audience dissapeared. and there you go. we are adam and eve. there for the first time. there goes the prakriti and purusha like rebellion to the addicted and hedonist world of amnesia.
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Dec 23, 2020
Dec 23, 2020 at 7:33 AM UTC
MY FIRST fictional ****** STORY
Cups runneth over and over & over from absinthe to zinfandel. Men & women parade the streets with whimsical abandoned swaying bodies smiling, like they just got laid-- or are about to. ******* bathrooms roar while marijuana balconies cackle-- even the folks staying in have their music turned up so nobody can hear them ******* Barefoot indulgence and tropical dresses flowing in the midnight air-- even the cops don't care, this is business. Every whoop and hollar is a dollar in their pocket. Each vehicle blaires a different song chaos to the ears becomes rhythm for the body- shots don't need to be in glasses, grinding is the traditional greeting. The young come for the atmosphere, the older for the work release... everyone is reckless on the weekend, all the bars runneth over and over & over. A ritualistic hedonism leads to a collective sleep that slowly, slowly overtakes us all as we slowly fade, for a few hours until Cups runneth over again and over & over from absinthe to zinfandel.
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Jun 9, 2012
Jun 9, 2012 at 7:16 AM UTC
I Refer to my Neighborhood as the Belly of Dionysus
Kiss after sensual kiss leads to what I would find as an inevitably ****** placement between us, that avenue of lust which we mutually entered once we were on the same level of thinking. I lean into you, inhaling the intimacy second after second from your tasty lips, biting your lip and running my fingers through your hair as my hands ease slowly down to your neck, caressing you and easing down farther and farther until I'm caressing a breast. Call me crazy, but I think I'm in love, or at least its unmistakably destructive premonition. Lifting your shirt and kissing on flesh, making your toes curl under overwhelming chills being sent from your abdomen. Easing back up to you, I can see your eyes, I catch them and keep them in place, letting you know full well that I intend to enjoy you fully. And you let me. Easing down and absorbing your figure, kissing and tracing down your belly and easing into a certain heaven before coming back up and stripping you down gently, making you smile at the gentlemanly figure that you call yours. Can I love you down? lying you down fully extended, can I get onto you as if we could share the same space against scientific belief? I ease into you slowly, only speeding in a way as to show my own urgency isn't priority. And we make one. easing into your form, our bodies become entwined, become one at last. suppressing your pleasurous scream with my own warm kisses, I allow us to combine again and again, and become one once more as our nerves and hormones take over in this ritualistic connection. Made love? we make emotion. Stripped bare and enjoying the ****** pleasures given us, ****** after ****** kiss after juicy kiss and scream after luscious, pleasured filled scream until we finally reach what I like to call climactic end and level up in our relationship. At last, though we are still levels away from the final intimacy, we are closer than we have been before, and the closer we get, the deeper and more sensual our encounters are.
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Sep 5, 2015
Sep 5, 2015 at 8:46 PM UTC
Level Up ****** poem)
Kiss after sensual kiss leads to what I would find as an inevitably ****** placement between us, that avenue of lust which we mutually entered once we were on the same level of thinking. I lean into you, inhaling the intimacy second after second from your tasty lips, biting your lip and running my fingers through your hair as my hands ease slowly down to your neck, caressing you and easing down farther and farther until I'm caressing a breast. Call me crazy, but I think I'm in love, or at least its unmistakably destructive premonition. Lifting your shirt and kissing on flesh, making your toes curl under overwhelming chills being sent from your abdomen. Easing back up to you, I can see your eyes, I catch them and keep them in place, letting you know full well that I intend to enjoy you fully. And you let me. Easing down and absorbing your figure, kissing and tracing down your belly and easing into a certain heaven before coming back up and stripping you down gently, making you smile at the gentlemanly figure that you call yours. Can I love you down? lying you down fully extended, can I get onto you as if we could share the same space against scientific belief? I ease into you slowly, only speeding in a way as to show my own urgency isn't priority. And we make one. easing into your form, our bodies become entwined, become one at last. suppressing your pleasurous scream with my own warm kisses, I allow us to combine again and again, and become one once more as our nerves and hormones take over in this ritualistic connection. Made love? we make emotion. Stripped bare and enjoying the ****** pleasures given us, ****** after ****** kiss after juicy kiss and scream after luscious, pleasured filled scream until we finally reach what I like to call climactic end and level up in our relationship. At last, though we are still levels away from the final intimacy, we are closer than we have been before, and the closer we get, the deeper and more sensual our encounters are.
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11
Sings hymns to appease the wrath of the gods. Plough the fallowed ground and acknowledge that feminine seductions are the source of interplanetary equilibrium. Is that the best that you have got? Well, we know your wiles and will not succumb to your enticements, despite those expectations of the authorities. A wet orifice certainly comes at a price, yet her warmth contains forbidden properties in the face of ritualistic defiance. So, my heavenly being, I urge you to bow the knee in humble adoration to your anatomical deceptions.
0
Dec 31, 2013
Dec 31, 2013 at 3:41 PM UTC
Moist Friction
We didn’t sleep that night the fire burning in our eyes, our lungs filled with smoke and ash. We didn’t have the heart to put it out. No, we didn’t have the heart to **** it, but we didn’t dare leave it unattended. At some point we'd resolved to let it die off on its own – but we didn’t have the heart for that either. All night we fed the flames with stories told in delirium-states, our truths embedded in fictions occasionally exploding in crackles. All night we circled the fire-pit in ritualistic and futile attempts to escape the capricious winds. All night the flames danced hypnotic while the waves on the shore sang lullabies: homicidal, tempting melodies of sleep. But, when the morrow broke the sky and faint blue crept in, when the clouds gasped coloured in superfluous reds and oranges, when the last flicker finally puffed out and we could at long last close our eyes, there, eternally etched, we would still see the flames burning under our eyelids.
0
Apr 2, 2017
Apr 2, 2017 at 9:23 PM UTC
Bonfire
*        *A tear is shed For those who are blind to the beauty of this world Who can only feast on sarcasm, writhing in irony * *It soon evaporates. Pictures of a future dressed in ribbons and lace, cast off and burned Pictures of the future carrying disdainful dystopia, infamous for invalids Hung to admire in sublime distaste by those that seek knowledge And see the repetitious antiquities of time that come to pass         But others care not for plans and the imminent Those that keep to the light of the gas And carry the past to the present Hoping for trends to try again, reliving what they had never lived Laconic and loquacious in emotions and words Against the gossip, but paradoxically Pushing for the creation of their “ritualistic social Golgotha”. Those who abuse the glory of their munificent, malicious mentality Pathetically unable to procure authentic happiness        A tear is shed. Inside the recesses of the soul where emotions dare not dwell.        It too evaporates. Trapped in fear and the “cliched harlequin speech of suicide” Begging for the masses to cast them out and find each other        A tear is shed. Never seen but felt as it evaporates. Felt by those who envelop themselves inside themselves Those who plagiarize their sick self-conscious souls Those who bring about the very misfortune they strive to devour Those who are effortlessly envied as they exploit their habitual recreations        By those who wouldn’t dream of falsified euphoria Those who bastardise and deface the name of creative individualism As waters of the soul are purged and discarded        They are felt by those And are quickly washed away in doubt and regret Keeping to the light of the gas, dangerous and warm
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Feb 25, 2013
Feb 25, 2013 at 10:48 PM UTC
Melodramatic hipsters burned in effigy
*        *A tear is shed For those who are blind to the beauty of this world Who can only feast on sarcasm, writhing in irony * *It soon evaporates. Pictures of a future dressed in ribbons and lace, cast off and burned Pictures of the future carrying disdainful dystopia, infamous for invalids Hung to admire in sublime distaste by those that seek knowledge And see the repetitious antiquities of time that come to pass         But others care not for plans and the imminent Those that keep to the light of the gas And carry the past to the present Hoping for trends to try again, reliving what they had never lived Laconic and loquacious in emotions and words Against the gossip, but paradoxically Pushing for the creation of their “ritualistic social Golgotha”. Those who abuse the glory of their munificent, malicious mentality Pathetically unable to procure authentic happiness        A tear is shed. Inside the recesses of the soul where emotions dare not dwell.        It too evaporates. Trapped in fear and the “cliched harlequin speech of suicide” Begging for the masses to cast them out and find each other        A tear is shed. Never seen but felt as it evaporates. Felt by those who envelop themselves inside themselves Those who plagiarize their sick self-conscious souls Those who bring about the very misfortune they strive to devour Those who are effortlessly envied as they exploit their habitual recreations        By those who wouldn’t dream of falsified euphoria Those who bastardise and deface the name of creative individualism As waters of the soul are purged and discarded        They are felt by those And are quickly washed away in doubt and regret Keeping to the light of the gas, dangerous and warm
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34
I use ‘oh, my god’ as an expression not of faith, but surprise, of wonder at beauty untouched by ideology or dogma as if caught, and pulled, from a dream. I exclaim ‘oh, my god’ when stunned not by holy ghosts, but the living, who do kindness as though it were nothing unmindful of securing safe passage into heaven, or paradise. ‘Oh, my god’, I cry, when words fall idle or are muted to quiet reverence. Where twisted skeins of empiric memory, rush in crashing surf of reminiscence and nostalgia. I am godless, but not without reason ‘oh, my god’ being a slip of historical, idiomatic vernacular. Even as curiosity drives me to understand your own ritualistic, devotional motivations. Raise the cup, my friend it gives us both what we need. For you, transubstantiation for me a divine and luscious tableaux. For Saint Teresa in her ecstasy no doubt exclaimed ‘Oh, my god’!
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Jan 26, 2015
Jan 26, 2015 at 10:50 AM UTC
***
There's the mosh...sordid details that thing... creeping of sort...retelling...to stay in focus. A silent film whose black borders encapsulate a  slab of skyward white. Visages...opening...opened...to interpretation. "The apparition of these faces in a crowd; Petals on a wet, black bough."....ashen... daguerreotype of a Zen Garden. All of nature's pretties cast in an occult brew... stirred, and stirring...composite sketches posted and burned upon lampposts. At large...ritualistic making-of-face...illusion trafficking the ever present primes of lives... "the center of which is everywhere, the circumference nowhere."...attestation o' mugs. Visages...plucked from a year of our lord, to be...rendezous of all light's putting to... years thereof. Alien unto thyself...oogly boogly, yet mirror-imaging... behold/beheld/beholden. By sleight of Hand...visages, who'd otherwise be as soon pruned and leathery, inanimate under the sun.
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Oct 14, 2013
Oct 14, 2013 at 11:19 PM UTC
Visages, Movements
a break in routine is necessary when momentary sadness becomes ritualistic pain
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Nov 13, 2018
Nov 13, 2018 at 3:15 AM UTC
❝A change of scenery❞
Eskimos have a Gazillion words for snow. We have teraflop words for coffee. Wikipedia it! But don't get distracted by the Tales. Recounted stories of empires held together by zeitgeist brand, a belief, a set of ritual, buying in bulk, a role of thumb, opposable heuristics. They've clustered history in bunches like expanding matter, as if it matters who was king or Augustus. Empires & civilization held colloidal by the quirks of geology and brand feeding food-forward with ritualistic sacrifice in Megazillion iterations. From Fertile crescent to Nile Valley silicon, when we bind ourselves to brand, and move in belief, secure in synchronized stability, then comes the rubric cubes miraculously built high upon slave backs, holding pyramidal server tombs.
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Jul 24, 2013
Jul 24, 2013 at 9:14 PM UTC
Eskimos have a Gazillion words for snow
When they were entangled in the orange coils of passion again, she reminded him of the moonstone. **When he and she were in a band, at its wild crescendo, the moonstone had melted, a molten green fluorescent liquid, roared in his ***** she felt the tremor, the spasms that comes like waves, to embrace the shores, wild winds, cloudburst. "Come deep" she pleads to him in between. Winds still in the wings kept roaring as if the thirst remains, didn't he see moonstone in her eyes, an eager glint, unspoken words, obscene perhaps, erupting from deep? He ate apples, she had peaches, she combed her long hair, with a ritualistic meticulousness.** He  spat the seeds of the fruit. She stared at him with unbelieving eyes, at that night, something strange happened, the river went dry, in the morning he saw dead fish amidst pebbles smooth and round, shaped by long years of rolling through the riverbed,  now lying orphaned, naked without the cover of water. *She had already left, was the moonstone yet another myth?*
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May 4, 2013
May 4, 2013 at 10:57 AM UTC
The Moonstone
Thanks thespis for another muse anew, Filliping my soul with the spirit of a song, To chant for the young world in these pepperish letters, before my callous eyes on the skull of historical future on my pykitonic torso of I another African pykin, as I finish my coffin for the cadaver of poetry that the law of poetry is a distorting neurosis, neurotic abnormality its baseboard of time giving classical balance for wondrous poetry. Compensatory motivation a charm of its seed, Taking dear eyes from the skull of Demodocos Leaving songfull mouth his legacy for humanity, Warped physique not short of history, Teaching the world to drink in full pyrene spring As hunchbacked dwarfism of Alexander Pope was not in any sense dwarfism of his poetry, nor club foot of Byron in ******* to Maugham Byronic heroism to Europe of yester times, That sired Proust, the Jewish neurotic And Keats the most dwarfish and Wolfe the tallest Of man and woman to the cultural matrix Of Europe, the mother of art, poetry and synaethesia, From which was born Pushkin that took poetry Out of his nymphomaniac heart, to the solace of czars, And Shakespeare the dear thief, luckily converted Childhood kleptomania into royal theatre of King Lear, The parallel of four brothers from the house of Karamazov, Their father; impecunious penny penchant muzhik In the name of Fydor epileptic Dostoyevsky. A lull of the time to escape from world of rent and tax, Gripped nerves of the duo to a new realm of art wherein sensuous glory from ***** and Indian hemp propelled the souls of Coleridge and De Quincey to grandiose highness of poetry in the dreams of ***** bordering on the teutonic greatness of ritualistic breed, poetry that transcended from rotten apples in the writing desk of Fredriech von schiller the begotten son of Germany, writing under the arms of Balzac dressed in monkey clobus, that along with Milton in the lost paradise, gave him swaddles only when the poetic vein of Milton flowed happily from nothing, but from the ritualized autumnal equinox to the spiritual vernal, as Coleridge was in full recondite of marquetry,mosaic and miracles, the miraculous white male sheep, the white ram of Wole Soyinka, that he gave as a gift to Achebe at the last anniversary, evil decoy that become a car which deathly crushed Chinua Achebe down to demise in the catacombs for the law of poetry as abnormal human neurosis an equation of perfect art.
0
Jun 6, 2014
Jun 6, 2014 at 8:26 AM UTC
NEUROTIC LAW OF POETRY
Thanks thespis for another muse anew, Filliping my soul with the spirit of a song, To chant for the young world in these pepperish letters, before my callous eyes on the skull of historical future on my pykitonic torso of I another African pykin, as I finish my coffin for the cadaver of poetry that the law of poetry is a distorting neurosis, neurotic abnormality its baseboard of time giving classical balance for wondrous poetry. Compensatory motivation a charm of its seed, Taking dear eyes from the skull of Demodocos Leaving songfull mouth his legacy for humanity, Warped physique not short of history, Teaching the world to drink in full pyrene spring As hunchbacked dwarfism of Alexander Pope was not in any sense dwarfism of his poetry, nor club foot of Byron in ******* to Maugham Byronic heroism to Europe of yester times, That sired Proust, the Jewish neurotic And Keats the most dwarfish and Wolfe the tallest Of man and woman to the cultural matrix Of Europe, the mother of art, poetry and synaethesia, From which was born Pushkin that took poetry Out of his nymphomaniac heart, to the solace of czars, And Shakespeare the dear thief, luckily converted Childhood kleptomania into royal theatre of King Lear, The parallel of four brothers from the house of Karamazov, Their father; impecunious penny penchant muzhik In the name of Fydor epileptic Dostoyevsky. A lull of the time to escape from world of rent and tax, Gripped nerves of the duo to a new realm of art wherein sensuous glory from ***** and Indian hemp propelled the souls of Coleridge and De Quincey to grandiose highness of poetry in the dreams of ***** bordering on the teutonic greatness of ritualistic breed, poetry that transcended from rotten apples in the writing desk of Fredriech von schiller the begotten son of Germany, writing under the arms of Balzac dressed in monkey clobus, that along with Milton in the lost paradise, gave him swaddles only when the poetic vein of Milton flowed happily from nothing, but from the ritualized autumnal equinox to the spiritual vernal, as Coleridge was in full recondite of marquetry,mosaic and miracles, the miraculous white male sheep, the white ram of Wole Soyinka, that he gave as a gift to Achebe at the last anniversary, evil decoy that become a car which deathly crushed Chinua Achebe down to demise in the catacombs for the law of poetry as abnormal human neurosis an equation of perfect art.
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47
Nightfall, through the door, Bedsprawl, a ritualistic bore. Movements, they're oppressive. Actions, they're aggressive but his eyes, they're depressive. Our synthetic connection and self-hatred is created with projection and misplaced indignation. There is no love in our heads, no lust in our beds. The fear of emasculation and eternal damnation hides all self-loathing with boasting and congruent clothing. My Y was castrated. I'm a ****** from the womb. I'm Female, for unsated gloom  my X is berated. I'm named a disgusting mutation as he projects his deveation onto the population. When his shameful "pride" has diminished, I know our joyless formality has finished. He doesn't sit in the pew, yet he stands in the aisle, locked in a prison of denial. Tough and brisant, trying to be what he isn't. He walks out like a ragdoll, his steps aneurysmal with alcohol. Beside myself, salty tears act as an anaesthetic, the antonym of emotion. An apathetic ocean. I clutch my centre, the daunting tormentor. Impregnation is a STD, an infection, an infestation. Glue for our miseries to undo our joys. Merriment induced torment, fidelity induced gaiety
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Dec 12, 2018
Dec 12, 2018 at 8:03 AM UTC
An (Ex)-Friend of Dorothy.
Handprints stain my heart. They're yours. I am plagued; comatose, a ritualistic rebirth I claw my way out by morning. Steady, inescapable, and raw, colorless thoughts I wake, a hollow shell a crescent. Crumbs of my Eden remain they linger as you linger burlesque, a temptress stepping softly. I'll not let the words crawl across my lips I'd rather let them form brief, violent hailstorms than risk it all again. Wrists heavenward, breathless, I submit.
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Oct 12, 2011
Oct 12, 2011 at 12:23 PM UTC
Fool
Be wild Be free So to leave the hollowed masses blushing With reminders of forgotten roots Tear clothing from imprisoned flesh And let light nestle back Into ruins abandoned not through time But for ugly Godful shame Savagely unhinge choking steel doors And let loose a fiery green Send forth flames of growth And sparking soul Leaping high into the night Taunting the darkness Beyond the reach of Jove Light pagan candles And chant ritualistic Prayers of Yes
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May 15, 2013
May 15, 2013 at 10:13 AM UTC
Remembrance
Was the heat that melted to the seat She stood out in the lawn A cigarette hangs from her lips As she pins clothes to the line Hot devil heat Firecracker town Downtown Not too hot for coffee Or the wide open window The waitress wears her same Sunday dress That girl has got to let go Sugar cookie skin Making smiles at the manager Even when everyone In their right mind is looking It's a street or two to the sea A ritualistic walk of black frying pan Asphalt Barefoot and broken I climb to the end of the jetty As the sun starts to set If you were here this is where I would take you On the edge of the sea Where no one is looking I would try to kiss you Or hold your hand But I know you would just laugh and say "You're such a silly boy" So I know better So the sun sets The stars come out with the moon So beautiful on the sea God **** its so beautiful! I just wish you could see
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Mar 4, 2012
Mar 4, 2012 at 2:53 PM UTC
Ice Cream/Postcards/Mexican Beer
synaptic overload grief relieved through chemical intervention despite contention homogenized noise comprised from a strive to stay alive for sake of refrain of brain quake candle lit writ of sanity to feel a sense of somnambulance just to accomplish a brisk ritualistic dance through knowledge plow the fields of glowing rigor I thought I could do this on my own go figure
0
Sep 29, 2014
Sep 29, 2014 at 3:36 PM UTC
flourish
Lips sealed, forced quite One rivet, two rivet There we go, three otta do it Last step here is to blow both eardrums with a dangerous harmonic Ah, there we go, perfect But I forget This negativity comes from a resident One living rent free from infancy in my attic And amidst my constant panic I barricaded the wrong side of the door by accident Now help can't get in to stop the punishment AND I'm trapped inside my head with a lunatic Obviously this is problematic Hear no evil, see no evil but the mind is never silent A silver tongue tyrant, my downfalls conduit I know it knows I'm on to it But a relic like toxic thoughts doesn't give a shiit I've proven I can't go toe to toe with it My wins are really just me escaping THE moment It can return to being a problem at ANY moment It never fights fair, super over dramatic Big signs posted, "Bipolar, Beware", looking post apocalyptic Wait, how many are against me in here? I thought "me Vs the world" was more just symbolic Ritualistic hunter and the hunted, predator and prey, animalistic Unapologetic No one ever sees the bouts, to barbaric to air it Try to grin and bare it but it's apparent I can no longer dodge, duck, dip, dive and dodge the bombastic rhetoric And I've literally just locked myself in with the traumatic and away from the public I don't feel safe in here with myself and don't know what to do about it... ©2024
0
Jan 11, 2024
Jan 11, 2024 at 5:29 PM UTC
~•§•~ Locked Inside a Skull and Bone Prison with a Lunatic ~•§•~
They all gather to the deadhouse Like actors taking to a well trodden stage Whether from London's' Kings Cross Or the finery of NYC's Queens borough Back to the fold all prodigal sons must return To join with those that could never find a way From this barren cold land and its insular bitter lies All united now in a grief of one that has been lost   All divided by a rivalry, a rumor, some generational feud The priest commences his weary and over versed tone As he summons his God, his Jesus and his Litany of Saints Incense burns as a symbol of the prayer of the faithful rising Yet rising no further than their hypocrisy descends And where do you look when even Jesus lets you down As you turn to wipe that burning tear from your face One not born from holy water nor from their devils grace Doors are opened and a captive audience awaits A procession of mourners to take their turn to the stage Heads bowed all and one, as hands are extended In weak and feeble grips amid their mumbled exchanges "Sorry for your loss" and "taken too soon" None hesitate too long as they navigate this fallowed room An occasional recognised face among a community of strangers A moment of warmth emanating from this ritualistic parade All gone too soon unlike those memories of years past Of wanting to get out and get free, promising never to go back Yet to the last of this line they swear that they remember you well Whilst retiring to The Old Stand with promise of more stories to tell Where the whiskey chasers flow like the Guinness on draught Helping to swallow the lies on how good it is to be back Rehashing of old platitudes but nothing really said For no one shall ever speak ill of the dead
0
Jan 17, 2017
Jan 17, 2017 at 4:39 PM UTC
scenes from the deadhouse
They all gather to the deadhouse Like actors taking to a well trodden stage Whether from London's' Kings Cross Or the finery of NYC's Queens borough Back to the fold all prodigal sons must return To join with those that could never find a way From this barren cold land and its insular bitter lies All united now in a grief of one that has been lost   All divided by a rivalry, a rumor, some generational feud The priest commences his weary and over versed tone As he summons his God, his Jesus and his Litany of Saints Incense burns as a symbol of the prayer of the faithful rising Yet rising no further than their hypocrisy descends And where do you look when even Jesus lets you down As you turn to wipe that burning tear from your face One not born from holy water nor from their devils grace Doors are opened and a captive audience awaits A procession of mourners to take their turn to the stage Heads bowed all and one, as hands are extended In weak and feeble grips amid their mumbled exchanges "Sorry for your loss" and "taken too soon" None hesitate too long as they navigate this fallowed room An occasional recognised face among a community of strangers A moment of warmth emanating from this ritualistic parade All gone too soon unlike those memories of years past Of wanting to get out and get free, promising never to go back Yet to the last of this line they swear that they remember you well Whilst retiring to The Old Stand with promise of more stories to tell Where the whiskey chasers flow like the Guinness on draught Helping to swallow the lies on how good it is to be back Rehashing of old platitudes but nothing really said For no one shall ever speak ill of the dead
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32
i hold onto the way the air feels in october it brings out the best in me unlike the violating heat of august that fills the space between the dirt and the heavens only a handful of moons prior to the golden treetops and the ritualistic pumpkin and maple that stir our hearts and reveal our need for stupid, cheery things the earth is falling asleep lying its head to rest in the fading foliage on the ground folding up the day into smaller and smaller glimpses of light but here i am bathing in the soft wind here i am grinning in a grey sweater here i am waking up
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Oct 22, 2018
Oct 22, 2018 at 9:35 AM UTC
the tenderness of autumn
sitting here in the cusp of a greedy world where each seeks something only for own good, i would rather have a bouquet of goodies for me and my folks particularly as the new year begins, i look back at the cosmic awareness of knowledge seeking ancient brahmins, and get amazed at the altruist spirit and sense of renunciation,  they made a common daily practice, that rang loud in chants during elaborate rituals of fire sacrifice in ancient times. one by one, putting an enormous collection of offerings ; butter,variety of sacred wood, flowers,herbs and grains in to flames, with the accompaniment of chants of benediction and good thoughts, in unison, each one asserted in chaste Sanskrit: "This is not for me" "idem na mama" with each offering. the Gods could  have any reason, not to accept those offerings, given away with purest of intensions, that changed the ionic configuration of the atmosphere, more beneficial to humans by changing air, land and water, pure and full of life force.
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Jan 1, 2012
Jan 1, 2012 at 1:03 PM UTC
what did the brahmins of yore, mean by their ritualistic chant