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Jene'e Patitucci Nov 2012
and when i smell you in my clothes
for days after
like the burn of black coffee
when my arms retrace yours
and when i taste you on my teeth
for days after
like the sour of nicotine
when my tongue retraces yours
and when i feel you on my skin
for days after
like the strumming of strings
when my fingertips retrace yours
and when i hear you in my ear
for days after
like the setting of the sun
when my words retrace yours
and when i see you in my dreams
for days after
like the ghost of memory
when my thoughts retrace yours

that is when i begin to worry
that i no longer worry
© 2012 Jene'e Patitucci
Still must I hear?—shall hoarse FITZGERALD bawl
His creaking couplets in a tavern hall,
And I not sing, lest, haply, Scotch Reviews
Should dub me scribbler, and denounce my Muse?
Prepare for rhyme—I’ll publish, right or wrong:
Fools are my theme, let Satire be my song.

  Oh! Nature’s noblest gift—my grey goose-quill!
Slave of my thoughts, obedient to my will,
Torn from thy parent bird to form a pen,
That mighty instrument of little men!
The pen! foredoomed to aid the mental throes
Of brains that labour, big with Verse or Prose;
Though Nymphs forsake, and Critics may deride,
The Lover’s solace, and the Author’s pride.
What Wits! what Poets dost thou daily raise!
How frequent is thy use, how small thy praise!
Condemned at length to be forgotten quite,
With all the pages which ’twas thine to write.
But thou, at least, mine own especial pen!
Once laid aside, but now assumed again,
Our task complete, like Hamet’s shall be free;
Though spurned by others, yet beloved by me:
Then let us soar to-day; no common theme,
No Eastern vision, no distempered dream
Inspires—our path, though full of thorns, is plain;
Smooth be the verse, and easy be the strain.

  When Vice triumphant holds her sov’reign sway,
Obey’d by all who nought beside obey;
When Folly, frequent harbinger of crime,
Bedecks her cap with bells of every Clime;
When knaves and fools combined o’er all prevail,
And weigh their Justice in a Golden Scale;
E’en then the boldest start from public sneers,
Afraid of Shame, unknown to other fears,
More darkly sin, by Satire kept in awe,
And shrink from Ridicule, though not from Law.

  Such is the force of Wit! I but not belong
To me the arrows of satiric song;
The royal vices of our age demand
A keener weapon, and a mightier hand.
Still there are follies, e’en for me to chase,
And yield at least amusement in the race:
Laugh when I laugh, I seek no other fame,
The cry is up, and scribblers are my game:
Speed, Pegasus!—ye strains of great and small,
Ode! Epic! Elegy!—have at you all!
I, too, can scrawl, and once upon a time
I poured along the town a flood of rhyme,
A schoolboy freak, unworthy praise or blame;
I printed—older children do the same.
’Tis pleasant, sure, to see one’s name in print;
A Book’s a Book, altho’ there’s nothing in’t.
Not that a Title’s sounding charm can save
Or scrawl or scribbler from an equal grave:
This LAMB must own, since his patrician name
Failed to preserve the spurious Farce from shame.
No matter, GEORGE continues still to write,
Tho’ now the name is veiled from public sight.
Moved by the great example, I pursue
The self-same road, but make my own review:
Not seek great JEFFREY’S, yet like him will be
Self-constituted Judge of Poesy.

  A man must serve his time to every trade
Save Censure—Critics all are ready made.
Take hackneyed jokes from MILLER, got by rote,
With just enough of learning to misquote;
A man well skilled to find, or forge a fault;
A turn for punning—call it Attic salt;
To JEFFREY go, be silent and discreet,
His pay is just ten sterling pounds per sheet:
Fear not to lie,’twill seem a sharper hit;
Shrink not from blasphemy, ’twill pass for wit;
Care not for feeling—pass your proper jest,
And stand a Critic, hated yet caress’d.

And shall we own such judgment? no—as soon
Seek roses in December—ice in June;
Hope constancy in wind, or corn in chaff,
Believe a woman or an epitaph,
Or any other thing that’s false, before
You trust in Critics, who themselves are sore;
Or yield one single thought to be misled
By JEFFREY’S heart, or LAMB’S Boeotian head.
To these young tyrants, by themselves misplaced,
Combined usurpers on the Throne of Taste;
To these, when Authors bend in humble awe,
And hail their voice as Truth, their word as Law;
While these are Censors, ’twould be sin to spare;
While such are Critics, why should I forbear?
But yet, so near all modern worthies run,
’Tis doubtful whom to seek, or whom to shun;
Nor know we when to spare, or where to strike,
Our Bards and Censors are so much alike.
Then should you ask me, why I venture o’er
The path which POPE and GIFFORD trod before;
If not yet sickened, you can still proceed;
Go on; my rhyme will tell you as you read.
“But hold!” exclaims a friend,—”here’s some neglect:
This—that—and t’other line seem incorrect.”
What then? the self-same blunder Pope has got,
And careless Dryden—”Aye, but Pye has not:”—
Indeed!—’tis granted, faith!—but what care I?
Better to err with POPE, than shine with PYE.

  Time was, ere yet in these degenerate days
Ignoble themes obtained mistaken praise,
When Sense and Wit with Poesy allied,
No fabled Graces, flourished side by side,
From the same fount their inspiration drew,
And, reared by Taste, bloomed fairer as they grew.
Then, in this happy Isle, a POPE’S pure strain
Sought the rapt soul to charm, nor sought in vain;
A polished nation’s praise aspired to claim,
And raised the people’s, as the poet’s fame.
Like him great DRYDEN poured the tide of song,
In stream less smooth, indeed, yet doubly strong.
Then CONGREVE’S scenes could cheer, or OTWAY’S melt;
For Nature then an English audience felt—
But why these names, or greater still, retrace,
When all to feebler Bards resign their place?
Yet to such times our lingering looks are cast,
When taste and reason with those times are past.
Now look around, and turn each trifling page,
Survey the precious works that please the age;
This truth at least let Satire’s self allow,
No dearth of Bards can be complained of now.
The loaded Press beneath her labour groans,
And Printers’ devils shake their weary bones;
While SOUTHEY’S Epics cram the creaking shelves,
And LITTLE’S Lyrics shine in hot-pressed twelves.
Thus saith the Preacher: “Nought beneath the sun
Is new,” yet still from change to change we run.
What varied wonders tempt us as they pass!
The Cow-pox, Tractors, Galvanism, and Gas,
In turns appear, to make the ****** stare,
Till the swoln bubble bursts—and all is air!
Nor less new schools of Poetry arise,
Where dull pretenders grapple for the prize:
O’er Taste awhile these Pseudo-bards prevail;
Each country Book-club bows the knee to Baal,
And, hurling lawful Genius from the throne,
Erects a shrine and idol of its own;
Some leaden calf—but whom it matters not,
From soaring SOUTHEY, down to groveling STOTT.

  Behold! in various throngs the scribbling crew,
For notice eager, pass in long review:
Each spurs his jaded Pegasus apace,
And Rhyme and Blank maintain an equal race;
Sonnets on sonnets crowd, and ode on ode;
And Tales of Terror jostle on the road;
Immeasurable measures move along;
For simpering Folly loves a varied song,
To strange, mysterious Dulness still the friend,
Admires the strain she cannot comprehend.
Thus Lays of Minstrels—may they be the last!—
On half-strung harps whine mournful to the blast.
While mountain spirits prate to river sprites,
That dames may listen to the sound at nights;
And goblin brats, of Gilpin Horner’s brood
Decoy young Border-nobles through the wood,
And skip at every step, Lord knows how high,
And frighten foolish babes, the Lord knows why;
While high-born ladies in their magic cell,
Forbidding Knights to read who cannot spell,
Despatch a courier to a wizard’s grave,
And fight with honest men to shield a knave.

  Next view in state, proud prancing on his roan,
The golden-crested haughty Marmion,
Now forging scrolls, now foremost in the fight,
Not quite a Felon, yet but half a Knight.
The gibbet or the field prepared to grace;
A mighty mixture of the great and base.
And think’st thou, SCOTT! by vain conceit perchance,
On public taste to foist thy stale romance,
Though MURRAY with his MILLER may combine
To yield thy muse just half-a-crown per line?
No! when the sons of song descend to trade,
Their bays are sear, their former laurels fade,
Let such forego the poet’s sacred name,
Who rack their brains for lucre, not for fame:
Still for stern Mammon may they toil in vain!
And sadly gaze on Gold they cannot gain!
Such be their meed, such still the just reward
Of prostituted Muse and hireling bard!
For this we spurn Apollo’s venal son,
And bid a long “good night to Marmion.”

  These are the themes that claim our plaudits now;
These are the Bards to whom the Muse must bow;
While MILTON, DRYDEN, POPE, alike forgot,
Resign their hallowed Bays to WALTER SCOTT.

  The time has been, when yet the Muse was young,
When HOMER swept the lyre, and MARO sung,
An Epic scarce ten centuries could claim,
While awe-struck nations hailed the magic name:
The work of each immortal Bard appears
The single wonder of a thousand years.
Empires have mouldered from the face of earth,
Tongues have expired with those who gave them birth,
Without the glory such a strain can give,
As even in ruin bids the language live.
Not so with us, though minor Bards, content,
On one great work a life of labour spent:
With eagle pinion soaring to the skies,
Behold the Ballad-monger SOUTHEY rise!
To him let CAMOËNS, MILTON, TASSO yield,
Whose annual strains, like armies, take the field.
First in the ranks see Joan of Arc advance,
The scourge of England and the boast of France!
Though burnt by wicked BEDFORD for a witch,
Behold her statue placed in Glory’s niche;
Her fetters burst, and just released from prison,
A ****** Phoenix from her ashes risen.
Next see tremendous Thalaba come on,
Arabia’s monstrous, wild, and wond’rous son;
Domdaniel’s dread destroyer, who o’erthrew
More mad magicians than the world e’er knew.
Immortal Hero! all thy foes o’ercome,
For ever reign—the rival of Tom Thumb!
Since startled Metre fled before thy face,
Well wert thou doomed the last of all thy race!
Well might triumphant Genii bear thee hence,
Illustrious conqueror of common sense!
Now, last and greatest, Madoc spreads his sails,
Cacique in Mexico, and Prince in Wales;
Tells us strange tales, as other travellers do,
More old than Mandeville’s, and not so true.
Oh, SOUTHEY! SOUTHEY! cease thy varied song!
A bard may chaunt too often and too long:
As thou art strong in verse, in mercy, spare!
A fourth, alas! were more than we could bear.
But if, in spite of all the world can say,
Thou still wilt verseward plod thy weary way;
If still in Berkeley-Ballads most uncivil,
Thou wilt devote old women to the devil,
The babe unborn thy dread intent may rue:
“God help thee,” SOUTHEY, and thy readers too.

  Next comes the dull disciple of thy school,
That mild apostate from poetic rule,
The simple WORDSWORTH, framer of a lay
As soft as evening in his favourite May,
Who warns his friend “to shake off toil and trouble,
And quit his books, for fear of growing double;”
Who, both by precept and example, shows
That prose is verse, and verse is merely prose;
Convincing all, by demonstration plain,
Poetic souls delight in prose insane;
And Christmas stories tortured into rhyme
Contain the essence of the true sublime.
Thus, when he tells the tale of Betty Foy,
The idiot mother of “an idiot Boy;”
A moon-struck, silly lad, who lost his way,
And, like his bard, confounded night with day
So close on each pathetic part he dwells,
And each adventure so sublimely tells,
That all who view the “idiot in his glory”
Conceive the Bard the hero of the story.

  Shall gentle COLERIDGE pass unnoticed here,
To turgid ode and tumid stanza dear?
Though themes of innocence amuse him best,
Yet still Obscurity’s a welcome guest.
If Inspiration should her aid refuse
To him who takes a Pixy for a muse,
Yet none in lofty numbers can surpass
The bard who soars to elegize an ***:
So well the subject suits his noble mind,
He brays, the Laureate of the long-eared kind.

Oh! wonder-working LEWIS! Monk, or Bard,
Who fain would make Parnassus a church-yard!
Lo! wreaths of yew, not laurel, bind thy brow,
Thy Muse a Sprite, Apollo’s sexton thou!
Whether on ancient tombs thou tak’st thy stand,
By gibb’ring spectres hailed, thy kindred band;
Or tracest chaste descriptions on thy page,
To please the females of our modest age;
All hail, M.P.! from whose infernal brain
Thin-sheeted phantoms glide, a grisly train;
At whose command “grim women” throng in crowds,
And kings of fire, of water, and of clouds,
With “small grey men,”—”wild yagers,” and what not,
To crown with honour thee and WALTER SCOTT:
Again, all hail! if tales like thine may please,
St. Luke alone can vanquish the disease:
Even Satan’s self with thee might dread to dwell,
And in thy skull discern a deeper Hell.

Who in soft guise, surrounded by a choir
Of virgins melting, not to Vesta’s fire,
With sparkling eyes, and cheek by passion flushed
Strikes his wild lyre, whilst listening dames are hushed?
’Tis LITTLE! young Catullus of his day,
As sweet, but as immoral, in his Lay!
Grieved to condemn, the Muse must still be just,
Nor spare melodious advocates of lust.
Pure is the flame which o’er her altar burns;
From grosser incense with disgust she turns
Yet kind to youth, this expiation o’er,
She bids thee “mend thy line, and sin no more.”

For thee, translator of the tinsel song,
To whom such glittering ornaments belong,
Hibernian STRANGFORD! with thine eyes of blue,
And boasted locks of red or auburn hue,
Whose plaintive strain each love-sick Miss admires,
And o’er harmonious fustian half expires,
Learn, if thou canst, to yield thine author’s sense,
Nor vend thy sonnets on a false pretence.
Think’st thou to gain thy verse a higher place,
By dressing Camoëns in a suit of lace?
Mend, STRANGFORD! mend thy morals and thy taste;
Be warm, but pure; be amorous, but be chaste:
Cease to deceive; thy pilfered harp restore,
Nor teach the Lusian Bard to copy MOORE.

Behold—Ye Tarts!—one moment spare the text!—
HAYLEY’S last work, and worst—until his next;
Whether he spin poor couplets into plays,
Or **** the dead with purgatorial praise,
His style in youth or age is still the same,
For ever feeble and for ever tame.
Triumphant first see “Temper’s Triumphs” shine!
At least I’m sure they triumphed over mine.
Of “Music’s Triumphs,” all who read may swear
That luckless Music never triumph’d there.

Moravians, rise! bestow some meet reward
On dull devotion—Lo! the Sabbath Bard,
Sepulchral GRAHAME, pours his notes sublime
In mangled prose, nor e’en aspires to rhyme;
Breaks into blank the Gospel of St. Luke,
And boldly pilfers from the Pentateuch;
And, undisturbed by conscientious qualms,
Perverts the Prophets, and purloins the Psalms.

  Hail, Sympathy! thy soft idea brings”
A thousand visions of a thousand things,
And shows, still whimpering thro’ threescore of years,
The maudlin prince of mournful sonneteers.
And art thou not their prince, harmonious Bowles!
Thou first, great oracle of tender souls?
Whether them sing’st with equal ease, and grief,
The fall of empires, or a yellow leaf;
Whether thy muse most lamentably tells
What merry sounds proceed from Oxford bells,
Or, still in bells delighting, finds a friend
In every chime that jingled from Ostend;
Ah! how much juster were thy Muse’s hap,
If to thy bells thou would’st but add a cap!
Delightful BOWLES! still blessing and still blest,
All love thy strain, but children like it best.
’Tis thine, with gentle LITTLE’S moral song,
To soothe the mania of the amorous throng!
With thee our nursery damsels shed their tears,
Ere Miss as yet completes her infant years:
But in her teens thy whining powers are vain;
She quits poor BOWLES for LITTLE’S purer strain.
Now to soft themes thou scornest to confine
The lofty numbers of a harp like thine;
“Awake a louder and a loftier strain,”
Such as none heard before, or will again!
Where all discoveries jumbled from the flood,
Since first the leaky ark reposed in mud,
By more or less, are sung in every book,
From Captain Noah down to Captain Cook.
Nor this alone—but, pausing on the road,
The Bard sighs forth a gentle episode,
And gravely tells—attend, each beauteous Miss!—
When first Madeira trembled to a kiss.
Bowles! in thy memory let this precept dwell,
Stick to thy Sonnets, Man!—at least they sell.
But if some new-born whim, or larger bribe,
Prompt thy crude brain, and claim thee for a scribe:
If ‘chance some bard, though once by dunces feared,
Now, prone in dust, can only be revered;
If Pope, whose fame and genius, from the first,
Have foiled the best of critics, needs the worst,
Do thou essay: each fault, each failing scan;
The first of poets
1970 Odysseus visits cousin Patsy in New York City she introduces him to her best friend Lauren’s older less attractive more reclusive sister Tanya Mulhaney extremely wealthy family father founded corporation manufactures pinball machines which years later develop to video games then casino empire he favors and spoils Tanya but dies suddenly her envious sisters and mother gang up on Tanya is pale skinny flat-chested copious brown bush Odysseus sits in bathtub with Tanya and he probes in a way they hits it off maybe no boy has ever touched her in that way her complexion is so fragile slightest fluster prompts pink blotches on her cheeks neck chest back he admires her book smarts he’s attracted to her refined strangeness he thinks her bush and flat-chest are **** she laughs shyly offers to take him around the world he accepts Odysseus tells his parents Mom goes crazy yells into telephone what are you a ******? you father and i work like fools to send you to the best schools so you can make something of yourself you’re going to throw everything away to be a ***? i tell you we’ll disown you you won’t have a home to come back to do you hear me? we’ll disown you! she sobs how can you just walk out after all we have done for you? you ******* kid! Odysseus takes leave of absence from art school he and Tanya take Iberia jet 12 hour flight with stopover in Iceland to Belgium Tanya sinks into one of her moods swallows several pills to help her rest sitting on other side of Odysseus is curly haired skinny talkative musician claims he has jammed with Miles Davis and other jazz greats Odysseus says yeah right and i’ve shown with Johns and Twombly where exactly are you heading in Europe? musician answers he is a scientologist on his way to visit L. Ron Hubbard in England Odysseus does not know what Dianetics are and wants explanation he asks many questions and musician talks for hours they enjoy each other’s rapport as jet descends in Brussels they exchange home addresses in the States 9 months later when Odysseus returns to America a friend notices scribbled address while skimming through his travel journals Odys! how did you get Chick Corea’s address? do you know him? do you realize how brilliant he is? he’s a keyboard virtuoso! Odysseus questions Chick Corea? who’s Chick Corea? he looks at journal page then says oh that guy i sat next to him on the jet to Europe so he really is a famous musician huh? wow!

in October 1970 Brussels is damp chilly Tanya wears hip-hugger jeans black turtle-neck top North Face shell she huddles her arms around her chest smokes cigarettes looks through hotel room window out into gray overcast sky speaks in defeatist voice i didn’t bring clothes for this weather she picks at her plate in hotel restaurant glumly vacillates later in bed after refusing *** decides they leave tomorrow fly to Canary Islands for several weeks to get tan before traveling through Morocco during winter months Canary Islands are laden with Swedish tourists including bikini clad young girls many not wearing tops Odysseus is thinking about how to swing some of that Swedish free love once Tanya gets drunk succumbs to Odysseus’s ****** overtures it is good  one day while returning to hotel from beach 2 Spanish police stop and question Tanya and Odysseus police order to see their passports then command them into squad car police bark in Spanish rifle through their daypacks point a finger Odysseus can smell alcohol on their breaths Tanya and Odysseus are terrified police drive off main road to remote location abandoned ruins no one is around police order them to step out police drive off laughing Tanya’s complexion is crimson she sobs they could have murdered us no one would know who we are or where to find us we’re lost where are we? Odysseus looks around replies don’t worry we’ll be all right i watched where the driver was going we’ll retrace their trail

they fly to Tangier travel south by train Tanya is irritable insisting Odysseus carry her backpack Casablanca is ***** 3 men peer from sunglasses act suspicious wear tattered trench coats Tanya and Odysseus snack at cafe which provides hookahs for smoking hashish Odysseus scores several grams Tanya laughs suggests they rent car drive south travel to sandy beaches of Diabet for 6 weeks in the morning she paces around French hotel room with cigarette in one hand ashtray in other like she is sultry 1940’s Hollywood actress she stays in room and devours Penguin Classics Tolstoy Stendhal Proust Huysmans Zola turns out Tanya is sexually frigid she buys Odysseus anything he wants but does not put out they take train Marrakech it is sun drenched with blue skies mountains in distance Odysseus wants to go out explore get ***** with the natives he visits Medina daily witnessing many bizarre scenes he does not understand a woman squatting over an egg a man with no legs dragging himself through marketplace holding up cigarette butts in his hand he meets a professor who is out of work because king of Morocco has closed the universities due to teachers’ strike professor explains woman squatting over egg is fortuneteller and man dragging himself has been offered crutches many times yet makes more money playing off pity of tourists cigarette butts are for sale the professor invites Odysseus to visit Berbers in mountains Odysseus persuades Tanya she reluctantly agrees the 3 travel by bus in first-class front row seats vehicle filled with lively families chickens pig bus driver has assistant who lugs people onto bus or shoves them out door at a midpoint bus stops in little town everyone exits bus then men women children urinate in street local venders sell trinkets snacks Odysseus buys nibbles shish-kabob that later professor informs is roasted cat and dog they reenter bus wait suddenly butchered lamb flank is flung onto Odysseus’s lap a man climbs aboard bus stairs then grabs large carcass and heedlessly walks to back seat Odysseus wipes blood and slime off his jeans Tanya demurely giggles bus climbs mountains arrives at small Berber village professor leads them along narrow winding street of shanty huts sheltering merchants open kitchens professor tastes from various steaming iron kettles finally decides on one they are directed to rickety roof where they sit wait a boy comes up with plastic bowl filled with water and small box of Tide following professor they wash their hands then minutes later proprietor brings up simmering *** of couscous serves it with scratched raw plastic bowls no eating utensils they eat with their fingers Tanya seems bothered declines to partake she withdraws into silence after meal she becomes irritable complains of headache says she needs to return to Marrakech she remains standoffish on bus all the way to French hotel

after Marrakech they take boat trip to Italy while onboard Odysseus meets Italian Count who has an eye for him Odysseus wears Jim Morrison beat-up leather jeans Bruce Lee t-shirt scraggly whiskers Count wears thin manicured beard tiny red Speedo swim trunks Tanya grins amused Count offers Odysseus and Tanya to be guests at his villa in Milan city flourishes with stylish clothes loud lively restaurants classical sculptures covered in car pollution following several weeks of aristocratic wining and dining amazing 11 course elegant soiree Odysseus botches compliance with Count’s desires they are asked to leave Tanya laughs hysterically they board train to Germany based on Tanya’s tour book they find historic hotel with wind rattling windows coin operated hot water bath in Munich Tanya stays in room Odysseus goes to dance club meets brown-hared pale skinned German girl neither speak the other’s language he pays for hourly rated room they play German girl in animated gesturing warns him as he is going down on her but he does not understand until several days later scratching beard finds ***** seeks A-200 lice treatment German version leather pants disposed Tanya knows but says nothing she buys Volkswagen they drive through Black Forest Tanya wants to visit King Ludwig’s castles Odysseus does the driving mostly they listen to the Who’s “Who’s Next” and Joni Mitchell’s “Blue” he follows Tanya’s instructions not knowing who King Ludwig was eventually he learns Ludwig was colorful character built extravagant Disney like castles and friends Richard Wagner Bavaria is cold gray brown deep forest green scenic Swiss Alps visible in southern view they drive from Neuschwanstein to Linderhof to Herrenchiemsee then Freiburg lodge in bed and breakfasts Tanya grows restless by all the driving decides to ditch car along road in northern France as Odysseus unscrews car license by road side several cars stop French people concerned they need help Tanya is anxious hoping for clean get away from abandoning vehicle they board train to Paris Tanya speaks a little French in spring of 1971 they are backpacking in search of hotel on Left Bank it rains all morning sky is overcast Tanya reads “Pride and Prejudice” Odysseus draws in sketchbook at sidewalk café sitting next to them are older Parisian couple man detects they are Americans he turns to them expresses in English his contempt why can’t you Americans learn from France’s lessons in Vietnam? Tanya and Odysseus don’t look up they feel like dumb ugly Americans within days they leave Paris

cross English Channel by boat they find temporary apartment in Earl’s Court in London it is overcast almost every day within a month they move to larger place in Chelsea with backyard with run down English garden Odysseus weeds garden plants tomatoes lettuce carrots radishes flowers Tanya stays in her room smokes reads at night they go out to ethnic restaurants one night they visit Indian restaurant a very proper English woman sitting at next table orders exotic fruit for dessert Odysseus asks waiter what kind of fruit waiter answers mango Odysseus has never seen or tasted mango English woman delicately eats the fruit with fork and knife Odysseus orders mango for dessert he attempts to imitate how English lady proceeded fruit slips around on plate finally out of frustration he picks it up in his hands bites into it he is aroused by how luscious mango is sniffing with nose scraping fruit’s skin with front teeth then ******* the seed Tanya makes a face suddenly the seed slides from his grasp shoots across table Tanya’s cheeks neck turn scarlet voice raises stop it Odys! you’re disgusting! are you intentionally trying to embarrass me? why are you doing this? he replies i’m not doing anything to you i’m enjoying the most delicious fruit i’ve ever tasted who cares what it looks like? later she laughs about incident offers to buy more mangos promises to take him shopping at Harrods tomorrow he goes along with their arrangement until it all seems like pretty background scenery to an empty intimacy missing all his friends back at art school he writes about his loneliness he feels trapped in Tanya’s web several times he sneaks English girls into his room when Tanya jealously confronts him he admits he has had enough and wants to go back to Hartford she suggests at the least they fly to Bermuda for several weeks to get tan before returning he declines on June 30 1971 Odysseus returns to Hartford and Tanya moves to San Francisco on July 3 Jim Morrison overdoses in Paris
“I cannot but remember such things were,
  And were most dear to me.”
  ‘Macbeth’

  [”That were most precious to me.”
  ‘Macbeth’, act iv, sc. 3.]


When slow Disease, with all her host of Pains,
Chills the warm tide, which flows along the veins;
When Health, affrighted, spreads her rosy wing,
And flies with every changing gale of spring;
Not to the aching frame alone confin’d,
Unyielding pangs assail the drooping mind:
What grisly forms, the spectre-train of woe,
Bid shuddering Nature shrink beneath the blow,
With Resignation wage relentless strife,
While Hope retires appall’d, and clings to life.
Yet less the pang when, through the tedious hour,
Remembrance sheds around her genial power,
Calls back the vanish’d days to rapture given,
When Love was bliss, and Beauty form’d our heaven;
Or, dear to youth, pourtrays each childish scene,
Those fairy bowers, where all in turn have been.
As when, through clouds that pour the summer storm,
The orb of day unveils his distant form,
Gilds with faint beams the crystal dews of rain
And dimly twinkles o’er the watery plain;
Thus, while the future dark and cheerless gleams,
The Sun of Memory, glowing through my dreams,
Though sunk the radiance of his former blaze,
To scenes far distant points his paler rays,
Still rules my senses with unbounded sway,
The past confounding with the present day.

Oft does my heart indulge the rising thought,
Which still recurs, unlook’d for and unsought;
My soul to Fancy’s fond suggestion yields,
And roams romantic o’er her airy fields.
Scenes of my youth, develop’d, crowd to view,
To which I long have bade a last adieu!
Seats of delight, inspiring youthful themes;
Friends lost to me, for aye, except in dreams;
Some, who in marble prematurely sleep,
Whose forms I now remember, but to weep;
Some, who yet urge the same scholastic course
Of early science, future fame the source;
Who, still contending in the studious race,
In quick rotation, fill the senior place!
These, with a thousand visions, now unite,
To dazzle, though they please, my aching sight.

IDA! blest spot, where Science holds her reign,
How joyous, once, I join’d thy youthful train!
Bright, in idea, gleams thy lofty spire,
Again, I mingle with thy playful quire;
Our tricks of mischief, every childish game,
Unchang’d by time or distance, seem the same;
Through winding paths, along the glade I trace
The social smile of every welcome face;
My wonted haunts, my scenes of joy or woe,
Each early boyish friend, or youthful foe,
Our feuds dissolv’d, but not my friendship past,—
I bless the former, and forgive the last.
Hours of my youth! when, nurtur’d in my breast,
To Love a stranger, Friendship made me blest,—
Friendship, the dear peculiar bond of youth,
When every artless ***** throbs with truth;
Untaught by worldly wisdom how to feign,
And check each impulse with prudential rein;
When, all we feel, our honest souls disclose,
In love to friends, in open hate to foes;
No varnish’d tales the lips of youth repeat,
No dear-bought knowledge purchased by deceit;
Hypocrisy, the gift of lengthen’d years,
Matured by age, the garb of Prudence wears:
When, now, the Boy is ripen’d into Man,
His careful Sire chalks forth some wary plan;
Instructs his Son from Candour’s path to shrink,
Smoothly to speak, and cautiously to think;
Still to assent, and never to deny—
A patron’s praise can well reward the lie:
And who, when Fortune’s warning voice is heard,
Would lose his opening prospects for a word?
Although, against that word, his heart rebel,
And Truth, indignant, all his ***** swell.

  Away with themes like this! not mine the task,
From flattering friends to tear the hateful mask;
Let keener bards delight in Satire’s sting,
My Fancy soars not on Detraction’s wing:
Once, and but once, she aim’d a deadly blow,
To hurl Defiance on a secret Foe;
But when that foe, from feeling or from shame,
The cause unknown, yet still to me the same,
Warn’d by some friendly hint, perchance, retir’d,
With this submission all her rage expired.
From dreaded pangs that feeble Foe to save,
She hush’d her young resentment, and forgave.
Or, if my Muse a Pedant’s portrait drew,
POMPOSUS’ virtues are but known to few:
I never fear’d the young usurper’s nod,
And he who wields must, sometimes, feel the rod.
If since on Granta’s failings, known to all
Who share the converse of a college hall,
She sometimes trifled in a lighter strain,
’Tis past, and thus she will not sin again:
Soon must her early song for ever cease,
And, all may rail, when I shall rest in peace.

  Here, first remember’d be the joyous band,
Who hail’d me chief, obedient to command;
Who join’d with me, in every boyish sport,
Their first adviser, and their last resort;
Nor shrunk beneath the upstart pedant’s frown,
Or all the sable glories of his gown;
Who, thus, transplanted from his father’s school,
Unfit to govern, ignorant of rule—
Succeeded him, whom all unite to praise,
The dear preceptor of my early days,
PROBUS, the pride of science, and the boast—
To IDA now, alas! for ever lost!
With him, for years, we search’d the classic page,
And fear’d the Master, though we lov’d the Sage:
Retir’d at last, his small yet peaceful seat
From learning’s labour is the blest retreat.
POMPOSUS fills his magisterial chair;
POMPOSUS governs,—but, my Muse, forbear:
Contempt, in silence, be the pedant’s lot,
His name and precepts be alike forgot;
No more his mention shall my verse degrade,—
To him my tribute is already paid.

  High, through those elms with hoary branches crown’d
Fair IDA’S bower adorns the landscape round;
There Science, from her favour’d seat, surveys
The vale where rural Nature claims her praise;
To her awhile resigns her youthful train,
Who move in joy, and dance along the plain;
In scatter’d groups, each favour’d haunt pursue,
Repeat old pastimes, and discover new;
Flush’d with his rays, beneath the noontide Sun,
In rival bands, between the wickets run,
Drive o’er the sward the ball with active force,
Or chase with nimble feet its rapid course.
But these with slower steps direct their way,
Where Brent’s cool waves in limpid currents stray,
While yonder few search out some green retreat,
And arbours shade them from the summer heat:
Others, again, a pert and lively crew,
Some rough and thoughtless stranger plac’d in view,
With frolic quaint their antic jests expose,
And tease the grumbling rustic as he goes;
Nor rest with this, but many a passing fray
Tradition treasures for a future day:
“’Twas here the gather’d swains for vengeance fought,
And here we earn’d the conquest dearly bought:
Here have we fled before superior might,
And here renew’d the wild tumultuous fight.”
While thus our souls with early passions swell,
In lingering tones resounds the distant bell;
Th’ allotted hour of daily sport is o’er,
And Learning beckons from her temple’s door.
No splendid tablets grace her simple hall,
But ruder records fill the dusky wall:
There, deeply carv’d, behold! each Tyro’s name
Secures its owner’s academic fame;
Here mingling view the names of Sire and Son,
The one long grav’d, the other just begun:
These shall survive alike when Son and Sire,
Beneath one common stroke of fate expire;
Perhaps, their last memorial these alone,
Denied, in death, a monumental stone,
Whilst to the gale in mournful cadence wave
The sighing weeds, that hide their nameless grave.
And, here, my name, and many an early friend’s,
Along the wall in lengthen’d line extends.
Though, still, our deeds amuse the youthful race,
Who tread our steps, and fill our former place,
Who young obeyed their lords in silent awe,
Whose nod commanded, and whose voice was law;
And now, in turn, possess the reins of power,
To rule, the little Tyrants of an hour;
Though sometimes, with the Tales of ancient day,
They pass the dreary Winter’s eve away;
“And, thus, our former rulers stemm’d the tide,
And, thus, they dealt the combat, side by side;
Just in this place, the mouldering walls they scaled,
Nor bolts, nor bars, against their strength avail’d;
Here PROBUS came, the rising fray to quell,
And, here, he falter’d forth his last farewell;
And, here, one night abroad they dared to roam,
While bold POMPOSUS bravely staid at home;”
While thus they speak, the hour must soon arrive,
When names of these, like ours, alone survive:
Yet a few years, one general wreck will whelm
The faint remembrance of our fairy realm.

  Dear honest race! though now we meet no more,
One last long look on what we were before—
Our first kind greetings, and our last adieu—
Drew tears from eyes unus’d to weep with you.
Through splendid circles, Fashion’s gaudy world,
Where Folly’s glaring standard waves unfurl’d,
I plung’d to drown in noise my fond regret,
And all I sought or hop’d was to forget:
Vain wish! if, chance, some well-remember’d face,
Some old companion of my early race,
Advanc’d to claim his friend with honest joy,
My eyes, my heart, proclaim’d me still a boy;
The glittering scene, the fluttering groups around,
Were quite forgotten when my friend was found;
The smiles of Beauty, (for, alas! I’ve known
What ’tis to bend before Love’s mighty throne;)
The smiles of Beauty, though those smiles were dear,
Could hardly charm me, when that friend was near:
My thoughts bewilder’d in the fond surprise,
The woods of IDA danc’d before my eyes;
I saw the sprightly wand’rers pour along,
I saw, and join’d again the joyous throng;
Panting, again I trac’d her lofty grove,
And Friendship’s feelings triumph’d over Love.

  Yet, why should I alone with such delight
Retrace the circuit of my former flight?
Is there no cause beyond the common claim,
Endear’d to all in childhood’s very name?
Ah! sure some stronger impulse vibrates here,
Which whispers friendship will be doubly dear
To one, who thus for kindred hearts must roam,
And seek abroad, the love denied at home.
Those hearts, dear IDA, have I found in thee,
A home, a world, a paradise to me.
Stern Death forbade my orphan youth to share
The tender guidance of a Father’s care;
Can Rank, or e’en a Guardian’s name supply
The love, which glistens in a Father’s eye?
For this, can Wealth, or Title’s sound atone,
Made, by a Parent’s early loss, my own?
What Brother springs a Brother’s love to seek?
What Sister’s gentle kiss has prest my cheek?
For me, how dull the vacant moments rise,
To no fond ***** link’d by kindred ties!
Oft, in the progress of some fleeting dream,
Fraternal smiles, collected round me seem;
While still the visions to my heart are prest,
The voice of Love will murmur in my rest:
I hear—I wake—and in the sound rejoice!
I hear again,—but, ah! no Brother’s voice.
A Hermit, ’midst of crowds, I fain must stray
Alone, though thousand pilgrims fill the way;
While these a thousand kindred wreaths entwine,
I cannot call one single blossom mine:
What then remains? in solitude to groan,
To mix in friendship, or to sigh alone?
Thus, must I cling to some endearing hand,
And none more dear, than IDA’S social band.

  Alonzo! best and dearest of my friends,
Thy name ennobles him, who thus commends:
From this fond tribute thou canst gain no praise;
The praise is his, who now that tribute pays.
Oh! in the promise of thy early youth,
If Hope anticipate the words of Truth!
Some loftier bard shall sing thy glorious name,
To build his own, upon thy deathless fame:
Friend of my heart, and foremost of the list
Of those with whom I lived supremely blest;
Oft have we drain’d the font of ancient lore,
Though drinking deeply, thirsting still the more;
Yet, when Confinement’s lingering hour was done,
Our sports, our studies, and our souls were one:
Together we impell’d the flying ball,
Together waited in our tutor’s hall;
Together join’d in cricket’s manly toil,
Or shar’d the produce of the river’s spoil;
Or plunging from the green declining shore,
Our pliant limbs the buoyant billows bore:
In every element, unchang’d, the same,
All, all that brothers should be, but the name.

  Nor, yet, are you forgot, my jocund Boy!
DAVUS, the harbinger of childish joy;
For ever foremost in the ranks of fun,
The laughing herald of the harmless pun;
Yet, with a breast of such materials made,
Anxious to please, of pleasing half afraid;
Candid and liberal, with a heart of steel
In Danger’s path, though not untaught to feel.
Still, I remember, in the factious strife,
The rustic’s musket aim’d against my life:
High pois’d in air the massy weapon hung,
A cry of horror burst from every tongue:
Whilst I, in combat with another foe,
Fought on, unconscious of th’ impending blow;
Your arm, brave Boy, arrested his career—
Forward you sprung, insensible to fear;
Disarm’d, and baffled by your conquering hand,
The grovelling Savage roll’d upon the sand:
An act like this, can simple thanks repay?
Or all the labours of a grateful lay?
Oh no! whene’er my breast forgets the deed,
That instant, DAVUS, it deserves to bleed.

  LYCUS! on me thy claims are justly great:
Thy milder virtues could my Muse relate,
To thee, alone, unrivall’d, would belong
The feeble efforts of my lengthen’d song.
Well canst thou boast, to lead in senates fit,
A Spartan firmness, with Athenian wit:
Though yet, in embryo, these perfections shine,
LYCUS! thy father’s fame will soon be thine.
Where Learning nurtures the superior mind,
What may we hope, from genius thus refin’d;
When Time, at length, matures thy growing years,
How wilt thou tower, above thy fellow peers!
Prudence and sense, a spirit bold and free,
With Honour’s soul, united beam in thee.

Shall fair EURYALUS, pass by unsung?
From ancient lineage, not unworthy, sprung:
What, though one sad dissension bade us part,
That name is yet embalm’d within my heart,
Yet, at the mention, does that heart rebound,
And palpitate, responsive to the sound;
Envy dissolved our ties, and not our will:
We once were friends,—I’ll think, we are so still.
A form unmatch’d in Nature’s partial mould,
A heart untainted, we, in thee, behold:
Yet, not the Senate’s thunder thou shall wield,
Nor seek for glory, in the tented field:
To minds of ruder texture, these be given—
Thy soul shall nearer soar its native heaven.
Haply, in polish’d courts might be thy seat,
But, that thy tongue could never forge deceit:
The courtier’s supple bow, and sneering smile,
The flow of compliment, the slippery wile,
Would make that breast, with indignation, burn,
And, all the glittering snares, to tempt thee, spurn.
Domestic happiness will stamp thy fate;
Sacred to love, unclouded e’er by hate;
The world admire thee, and thy friends adore;—
Ambition’s slave, alone, would toil for more.

  Now last, but nearest, of the social band,
See honest, open, generous CLEON stand;
With scarce one speck, to cloud the pleasing scene,
No vice degrades that purest soul serene.
On the same day, our studious race begun,
On the same day, our studious race was run;
Thus, side by side, we pass’d our first career,
Thus, side by side, we strove for many a year:
At last, concluded our scholastic life,
We neither conquer’d in the classic strife:
As Speakers, each supports an equal name,
And crowds allow to both a partial fame:
To soothe a youthful Rival’s early pride,
Though Cleon’s candour would the palm divide,
Yet Candour’s self compels me now to own,
Justice awards it to my Friend alone.

  Oh! Friends regretted, Scenes for ever dear,
Remembrance hails you with her warmest tear!
Drooping, she bends o’er pensive Fancy’s urn,
To trace the hours, which never can return;
Yet, with the retrospection loves to dwell,
And soothe the sorrows of her last farewell!
Yet greets the triumph of my boyish mind,
As infant laurels round my head were twin’d;
When PROBUS’ praise repaid my lyric song,
Or plac’d me higher in the studious throng;
Or when my first harangue receiv’d applause,
His sage instruction the primeval cause,
What gratitude, to him, my soul possest,
While hope of dawning honours fill’d my breast!
For all my humble fame, to him alone,
The praise is due, who made that fame my own.
Oh! could I soar above these feeble lays,
These young effusions of my early days,
To him my Muse her noblest strain would give,
The song might perish, but the theme might live.
Yet, why for him the needless verse essay?
His honour’d name requires no vain display:
By every son of grateful IDA blest,
It finds an ech
Jordan Molina Jul 2014
I don't know what happened to be honest
Maybe it was the first time I'd driven by there alone
Or I just felt the wave of nostalgia grip me just right
and drag me with it

I couldn't even remember which apartment was yours
Because even though I'd held you in my heart since I was Twelve
We never really discovered magic
Not enough for me to remember directions anyway

But I pulled into a lot that looked somewhat like yours
and stared up to the balcony on the third floor
Remembering bright orange hair
Me pretending to be drunk
Fireworks and getting you to count down with me
To a new year that you wouldn't be a part of

When I saw no lights
And no you smoking a clove cigarette
I got back into my car and sped off
Thinking if I drove by your job maybe you'd be walking home like you always did
That I could offer a ride
That I could offer an explanation as to why I was gone

When I retrace my steps with you I still don't know where to go
It's like they didn't belong to us, like I was a place holder
And I think about seven years and no understanding
That on valentines day all I ever wanted was a stupid box of candy
Or a note about how much I meant to you

Seven years was a long time in my life
Filled with honey brown eyes, freckles, loose curly golden hair
Many late night walks in our old neighborhood
Lunches spent in the library reading and sleeping
One date to get sushi, one night sleeping in your arms
So many debates I could't even count
And the first time my bitter heart felt love

But I drive home instead
Remembering why I just hung up when you yelled that I cheated on you
Letting you break up with me and never uttering goodbye
Why I spent the last few months as yours
Daydreaming about him

When I retrace my steps there is no sign of you
I'm starting to realize it's better that way.
Aaron LaLux Dec 2016
American Refugee


Head feels like a ton of bricks,
trying to retrace my misstepped steps…

Where have I awoken?

What country am I in?

Who was that girl last night?

Why did I choose to go through it again?

When will I finally say enough is enough?

Enough is enough.

Why does the poison feel so good?

I love everything that hates me,
alcohol and cigarettes,
promiscuous girls date me,
but only for a night…

A night was had,
dancing music,
flirting new friends,
we were all in it together,
a glorious moment,
with people from all over the world,
we were on top of the world,
surfing on a rocket,
on Cloud Nine with some fine felines,
bumping beats with a pocket full of sunshine,
flashy lights and flashy ladies,
drinks on me,
literally,
drinks on me,

I felt like we all felt,
so together,
so how’d I end up,
so all alone,
nursing a hangover,
with poached eggs and mochaccinos,
served by a surprisingly cute waitress,
at a cafe somewhere in New Zealand…

Head feels like a ton of bricks,
trying to retrace my steps…

I came here,
to this country,
to escape Hollywood,
where I was trapped in it’s trapping trappings,

trapped in it’s clubs,
trapped in it’s women,
trapped in it’s drugs,
trapped in it’s cliches,
so why is it,
I found myself,
on the other side of the world,
at club with some women on drugs trapped in this same cliche?

Same ****t,
different country,
I guess you can take the boy outta Hollywood,
but you can’t take the Hollywood outta the boy…

I am the world’s first American Refugee,
except I didn’t come on a boat,
in ragged clothes clinging to my body,
and ragged hopes clinging to my psyche,

I came,
on an airplane,
in a first class seat,
dining on the offerings of a corporate worldwide empire,

but it is not the means of movement,
it is the intention behind the actions that matters,

and I came,
with the intention to create a healthier life,
a cleaner life,
a better future for myself and all those I love.

I am an American Refugee,

I am an American Refugee,
fleeing the subconscious oppressions of my country,
fleeing the persecution of all things I held holy and sacred,
I am tired of witnessing the spiritual ****** of my falling comrades,

I am a American Refugee,
more specifically,
a Hollywood Refugee,
fleeing the bright lights and large egos,
searching for solace and refuge,
amongst the towering rainforest trees of New Zealand,

I fled the toxic water the toxic air and the toxic people,
to drink fresh water breathe clean are and befriend friendly people,

so why,
why,
why would I subject myself,
to the same oppressions that I’ve attempted to flee from?

Justin Bieber echoed across the dance floor,

“Is it to late to say I’m sorry now?
Yeah I know that I let you down,
is it too late to say I’m sorry now?”

“I’m sorry.”,

“Sorry.”,

“Sorry.”,

“Yeah I know that I let you down,
is it too late to say I’m sorry now?”,

and as cheesy and cliche as it sounds,
I get the chills because I knew exactly what he was saying,
and I wondered if anyone else in that club was an American Refugee,
I wondered if anyone else in that club knew what Justin Bieber was saying,
or if they were just dancing because of the beat,
and they were just singing along because that’s what they think they’re supposed to do,
because most people have to be told what’s cool,
then force fed that coolness until they have too many pairs of shoes,

no amount of shoes will ever bring you real happiness,
and I honestly apologize,
we Hollywoodians were put in a position to lead the free world,
and everyone listened to us,
you all listened to us,
you gave us your ears and your hearts,
your souls and your minds,
and all we gave you were improbable dreams,
and glorious visions,
of an unsustainable lifestyle that you go broke trying to duplicate,

when will you realize you can chase,
but you can never catch something that doesn’t really exist?

And I’m sorry,
but I give up,
I’m done,
because,

“Yeah I know once more I’ve let you down,
is it too late to say I’m sorry now?”.

I’m sick and tired so I’m retiring,
I’m retreating to build a retreat,
somewhere in New Zealand,
where I can be free again,

and I’ve finally made it here,
but it seems mentally I’m not prepared,
because I’m still going to clubs with a bunch of girls,
then getting used up foolishly because I foolishly thought they cared,

who cares?

I don’t want the weight of the world on my shoulders anymore,
I don’t need all eyes on me,
I just want to get rid of all my wants,
so that I can finally be freed and have all that I need,

you must get rid of your wants,
so you can do what you like,

and I do feel a little bit relieved to finally be in New Zealand,
but honestly the weight of the world is still on my shoulders,

I still can’t shake this feeling,
that I’m just going through the routine,
as I write these words on this laptop,
and fuel my words with free range eggs and caffeine,

up on this mountain all alone,
even though I’m at a crowded cafe,
and it feels like sunrise,
even though it’s already mid-day,

my head feels like a ton of bricks,
trying to retrace my misstepped steps…

∆ Aaron La Lux ∆

author of

The Poetry Trilogy
The Holy Trilogy
The HH Trilogy
Clem N Tine May 2016
My anxiety is not me.

My anxiety is shaking hands.
My anxiety is imaginative.
My anxiety is sleepless nights.
My anxiety is never satisfied.

My anxiety sits on my shoulder.

My anxiety keeps me from making important phone calls.
My anxiety forces me to want to isolate myself.
My anxiety makes me cry over nothing.
My anxiety makes me cry over everything.
My anxiety tells me a C may as well be an F.
But my anxiety forces me to avoid important tasks I have to deal with. Everything scares me.

What am I so scared of?

My anxiety wakes me up vomiting.
My anxiety forces me to pull away from the people I so badly want to fall into.
My anxiety keeps me from living.

My anxiety makes me at least two to twenty minutes late everywhere because I don’t believe I am ever prepared,
so I have to retrace my every other step,
constantly checking and re checking.
Constantly doubting.

My anxiety is a thin stream of fear trickling through my mind.
My anxiety is a menace, a monster, a fish with teeth,
black yarn, lawn chairs sinking in the sand.

My anxiety rules me.
Amitav Radiance Apr 2015
Retrace the light’s path
Go back to the origin
Started with a flicker
Now, burns itself
Infinite and inexhaustible
From an unknown source
Only eternity
Keeps alive the core
Life’s caressed by light
Centuries of gratitude
Path of light
Is a revelation
sempiternal Apr 2014
Stop trying to remember his scent, he smelled like summer and reminds you of the time he made you laugh so hard, you snorted out milk on that dead, hazy day.

2. Don't waste your day trying to decipher what colour his eyes were, it'll only remind you of the galaxies and constellations that you once saw in his eyes

3. Stop trying to retrace the shape of his mouth in the middle of the night, you'll choke on your tongue trying to taste the mint he devoured seconds before pulling you in for a kiss

4. Stop reliving the times you clasped hands together, the glass plate will fall off your trembling hands.

5. Burn this list, admit that the galaxies and constellations shining in his eyes were wilted, the one in yours are bursting with fire. Remember on the dead, hazy day his laugh sounded like nails running down a chalkboard. Remember when you kissed, the weeds growing from his mouth entangled the roses blooming in yours.

Realize that one day, another boy is going to come and plant daisies where he left behind thorns.
I

Out of the little chapel I burst
Into the fresh night-air again.
Five minutes full, I waited first
In the doorway, to escape the rain
That drove in gusts down the common’s centre
At the edge of which the chapel stands,
Before I plucked up heart to enter.
Heaven knows how many sorts of hands
Reached past me, groping for the latch
Of the inner door that hung on catch
More obstinate the more they fumbled,
Till, giving way at last with a scold
Of the crazy hinge, in squeezed or tumbled
One sheep more to the rest in fold,
And left me irresolute, standing sentry
In the sheepfold’s lath-and-plaster entry,
Six feet long by three feet wide,
Partitioned off from the vast inside—
I blocked up half of it at least.
No remedy; the rain kept driving.
They eyed me much as some wild beast,
That congregation, still arriving,
Some of them by the main road, white
A long way past me into the night,
Skirting the common, then diverging;
Not a few suddenly emerging
From the common’s self through the paling-gaps,
—They house in the gravel-pits perhaps,
Where the road stops short with its safeguard border
Of lamps, as tired of such disorder;—
But the most turned in yet more abruptly
From a certain squalid knot of alleys,
Where the town’s bad blood once slept corruptly,
Which now the little chapel rallies
And leads into day again,—its priestliness
Lending itself to hide their beastliness
So cleverly (thanks in part to the mason),
And putting so cheery a whitewashed face on
Those neophytes too much in lack of it,
That, where you cross the common as I did,
And meet the party thus presided,
“Mount Zion” with Love-lane at the back of it,
They front you as little disconcerted
As, bound for the hills, her fate averted,
And her wicked people made to mind him,
Lot might have marched with Gomorrah behind him.

II

Well, from the road, the lanes or the common,
In came the flock: the fat weary woman,
Panting and bewildered, down-clapping
Her umbrella with a mighty report,
Grounded it by me, wry and flapping,
A wreck of whalebones; then, with a snort,
Like a startled horse, at the interloper
(Who humbly knew himself improper,
But could not shrink up small enough)
—Round to the door, and in,—the gruff
Hinge’s invariable scold
Making my very blood run cold.
Prompt in the wake of her, up-pattered
On broken clogs, the many-tattered
Little old-faced peaking sister-turned-mother
Of the sickly babe she tried to smother
Somehow up, with its spotted face,
From the cold, on her breast, the one warm place;
She too must stop, wring the poor ends dry
Of a draggled shawl, and add thereby
Her tribute to the door-mat, sopping
Already from my own clothes’ dropping,
Which yet she seemed to grudge I should stand on:
Then, stooping down to take off her pattens,
She bore them defiantly, in each hand one,
Planted together before her breast
And its babe, as good as a lance in rest.
Close on her heels, the dingy satins
Of a female something past me flitted,
With lips as much too white, as a streak
Lay far too red on each hollow cheek;
And it seemed the very door-hinge pitied
All that was left of a woman once,
Holding at least its tongue for the *****.
Then a tall yellow man, like the Penitent Thief,
With his jaw bound up in a handkerchief,
And eyelids ******* together tight,
Led himself in by some inner light.
And, except from him, from each that entered,
I got the same interrogation—
“What, you the alien, you have ventured
To take with us, the elect, your station?
A carer for none of it, a Gallio!”—
Thus, plain as print, I read the glance
At a common prey, in each countenance
As of huntsman giving his hounds the tallyho.
And, when the door’s cry drowned their wonder,
The draught, it always sent in shutting,
Made the flame of the single tallow candle
In the cracked square lantern I stood under,
Shoot its blue lip at me, rebutting
As it were, the luckless cause of scandal:
I verily fancied the zealous light
(In the chapel’s secret, too!) for spite
Would shudder itself clean off the wick,
With the airs of a Saint John’s Candlestick.
There was no standing it much longer.
“Good folks,” thought I, as resolve grew stronger,
“This way you perform the Grand-Inquisitor
When the weather sends you a chance visitor?
You are the men, and wisdom shall die with you,
And none of the old Seven Churches vie with you!
But still, despite the pretty perfection
To which you carry your trick of exclusiveness,
And, taking God’s word under wise protection,
Correct its tendency to diffusiveness,
And bid one reach it over hot ploughshares,—
Still, as I say, though you’ve found salvation,
If I should choose to cry, as now, ‘Shares!’—
See if the best of you bars me my ration!
I prefer, if you please, for my expounder
Of the laws of the feast, the feast’s own Founder;
Mine’s the same right with your poorest and sickliest,
Supposing I don the marriage vestiment:
So, shut your mouth and open your Testament,
And carve me my portion at your quickliest!”
Accordingly, as a shoemaker’s lad
With wizened face in want of soap,
And wet apron wound round his waist like a rope,
(After stopping outside, for his cough was bad,
To get the fit over, poor gentle creature
And so avoid distrubing the preacher)
—Passed in, I sent my elbow spikewise
At the shutting door, and entered likewise,
Received the hinge’s accustomed greeting,
And crossed the threshold’s magic pentacle,
And found myself in full conventicle,
—To wit, in Zion Chapel Meeting,
On the Christmas-Eve of ‘Forty-nine,
Which, calling its flock to their special clover,
Found all assembled and one sheep over,
Whose lot, as the weather pleased, was mine.

III

I very soon had enough of it.
The hot smell and the human noises,
And my neighbor’s coat, the greasy cuff of it,
Were a pebble-stone that a child’s hand poises,
Compared with the pig-of-lead-like pressure
Of the preaching man’s immense stupidity,
As he poured his doctrine forth, full measure,
To meet his audience’s avidity.
You needed not the wit of the Sibyl
To guess the cause of it all, in a twinkling:
No sooner our friend had got an inkling
Of treasure hid in the Holy Bible,
(Whene’er ‘t was the thought first struck him,
How death, at unawares, might duck him
Deeper than the grave, and quench
The gin-shop’s light in hell’s grim drench)
Than he handled it so, in fine irreverence,
As to hug the book of books to pieces:
And, a patchwork of chapters and texts in severance,
Not improved by the private dog’s-ears and creases,
Having clothed his own soul with, he’d fain see equipt yours,—
So tossed you again your Holy Scriptures.
And you picked them up, in a sense, no doubt:
Nay, had but a single face of my neighbors
Appeared to suspect that the preacher’s labors
Were help which the world could be saved without,
‘T is odds but I might have borne in quiet
A qualm or two at my spiritual diet,
Or (who can tell?) perchance even mustered
Somewhat to urge in behalf of the sermon:
But the flock sat on, divinely flustered,
Sniffing, methought, its dew of Hermon
With such content in every snuffle,
As the devil inside us loves to ruffle.
My old fat woman purred with pleasure,
And thumb round thumb went twirling faster,
While she, to his periods keeping measure,
Maternally devoured the pastor.
The man with the handkerchief untied it,
Showed us a horrible wen inside it,
Gave his eyelids yet another *******,
And rocked himself as the woman was doing.
The shoemaker’s lad, discreetly choking,
Kept down his cough. ‘T was too provoking!
My gorge rose at the nonsense and stuff of it;
So, saying like Eve when she plucked the apple,
“I wanted a taste, and now there’s enough of it,”
I flung out of the little chapel.

IV

There was a lull in the rain, a lull
In the wind too; the moon was risen,
And would have shone out pure and full,
But for the ramparted cloud-prison,
Block on block built up in the West,
For what purpose the wind knows best,
Who changes his mind continually.
And the empty other half of the sky
Seemed in its silence as if it knew
What, any moment, might look through
A chance gap in that fortress massy:—
Through its fissures you got hints
Of the flying moon, by the shifting tints,
Now, a dull lion-color, now, brassy
Burning to yellow, and whitest yellow,
Like furnace-smoke just ere flames bellow,
All a-simmer with intense strain
To let her through,—then blank again,
At the hope of her appearance failing.
Just by the chapel a break in the railing
Shows a narrow path directly across;
‘T is ever dry walking there, on the moss—
Besides, you go gently all the way up-hill.
I stooped under and soon felt better;
My head grew lighter, my limbs more supple,
As I walked on, glad to have slipt the fetter.
My mind was full of the scene I had left,
That placid flock, that pastor vociferant,
—How this outside was pure and different!
The sermon, now—what a mingled weft
Of good and ill! Were either less,
Its fellow had colored the whole distinctly;
But alas for the excellent earnestness,
And the truths, quite true if stated succinctly,
But as surely false, in their quaint presentment,
However to pastor and flock’s contentment!
Say rather, such truths looked false to your eyes,
With his provings and parallels twisted and twined,
Till how could you know them, grown double their size
In the natural fog of the good man’s mind,
Like yonder spots of our roadside lamps,
Haloed about with the common’s damps?
Truth remains true, the fault’s in the prover;
The zeal was good, and the aspiration;
And yet, and yet, yet, fifty times over,
Pharaoh received no demonstration,
By his Baker’s dream of Baskets Three,
Of the doctrine of the Trinity,—
Although, as our preacher thus embellished it,
Apparently his hearers relished it
With so unfeigned a gust—who knows if
They did not prefer our friend to Joseph?
But so it is everywhere, one way with all of them!
These people have really felt, no doubt,
A something, the motion they style the Call of them;
And this is their method of bringing about,
By a mechanism of words and tones,
(So many texts in so many groans)
A sort of reviving and reproducing,
More or less perfectly, (who can tell?)
The mood itself, which strengthens by using;
And how that happens, I understand well.
A tune was born in my head last week,
Out of the thump-thump and shriek-shriek
Of the train, as I came by it, up from Manchester;
And when, next week, I take it back again,
My head will sing to the engine’s clack again,
While it only makes my neighbor’s haunches stir,
—Finding no dormant musical sprout
In him, as in me, to be jolted out.
‘T is the taught already that profits by teaching;
He gets no more from the railway’s preaching
Than, from this preacher who does the rail’s officer, I:
Whom therefore the flock cast a jealous eye on.
Still, why paint over their door “Mount Zion,”
To which all flesh shall come, saith the pro phecy?

V

But wherefore be harsh on a single case?
After how many modes, this Christmas-Eve,
Does the self-same weary thing take place?
The same endeavor to make you believe,
And with much the same effect, no more:
Each method abundantly convincing,
As I say, to those convinced before,
But scarce to be swallowed without wincing
By the not-as-yet-convinced. For me,
I have my own church equally:
And in this church my faith sprang first!
(I said, as I reached the rising ground,
And the wind began again, with a burst
Of rain in my face, and a glad rebound
From the heart beneath, as if, God speeding me,
I entered his church-door, nature leading me)
—In youth I looked to these very skies,
And probing their immensities,
I found God there, his visible power;
Yet felt in my heart, amid all its sense
Of the power, an equal evidence
That his love, there too, was the nobler dower.
For the loving worm within its clod
Were diviner than a loveless god
Amid his worlds, I will dare to say.
You know what I mean: God’s all man’s naught:
But also, God, whose pleasure brought
Man into being, stands away
As it were a handbreadth off, to give
Room for the newly-made to live,
And look at him from a place apart,
And use his gifts of brain and heart,
Given, indeed, but to keep forever.
Who speaks of man, then, must not sever
Man’s very elements from man,
Saying, “But all is God’s”—whose plan
Was to create man and then leave him
Able, his own word saith, to grieve him,
But able to glorify him too,
As a mere machine could never do,
That prayed or praised, all unaware
Of its fitness for aught but praise and prayer,
Made perfect as a thing of course.
Man, therefore, stands on his own stock
Of love and power as a pin-point rock:
And, looking to God who ordained divorce
Of the rock from his boundless continent,
Sees, in his power made evident,
Only excess by a million-fold
O’er the power God gave man in the mould.
For, note: man’s hand, first formed to carry
A few pounds’ weight, when taught to marry
Its strength with an engine’s, lifts a mountain,
—Advancing in power by one degree;
And why count steps through eternity?
But love is the ever-springing fountain:
Man may enlarge or narrow his bed
For the water’s play, but the water-head—
How can he multiply or reduce it?
As easy create it, as cause it to cease;
He may profit by it, or abuse it,
But ‘t is not a thing to bear increase
As power does: be love less or more
In the heart of man, he keeps it shut
Or opes it wide, as he pleases, but
Love’s sum remains what it was before.
So, gazing up, in my youth, at love
As seen through power, ever above
All modes which make it manifest,
My soul brought all to a single test—
That he, the Eternal First and Last,
Who, in his power, had so surpassed
All man conceives of what is might,—
Whose wisdom, too, showed infinite,
—Would prove as infinitely good;
Would never, (my soul understood,)
With power to work all love desires,
Bestow e’en less than man requires;
That he who endlessly was teaching,
Above my spirit’s utmost reaching,
What love can do in the leaf or stone,
(So that to master this alone,
This done in the stone or leaf for me,
I must go on learning endlessly)
Would never need that I, in turn,
Should point him out defect unheeded,
And show that God had yet to learn
What the meanest human creature needed,
—Not life, to wit, for a few short years,
Tracking his way through doubts and fears,
While the stupid earth on which I stay
Suffers no change, but passive adds
Its myriad years to myriads,
Though I, he gave it to, decay,
Seeing death come and choose about me,
And my dearest ones depart without me.
No: love which, on earth, amid all the shows of it,
Has ever been seen the sole good of life in it,
The love, ever growing there, spite of the strife in it,
Shall arise, made perfect, from death’s repose of it.
And I shall behold thee, face to face,
O God, and in thy light retrace
How in all I loved here, still wast thou!
Whom pressing to, then, as I fain would now,
I shall find as able to satiate
The love, thy gift, as my spirit’s wonder
Thou art able to quicken and sublimate,
With this sky of thine, that I now walk under
And glory in thee for, as I gaze
Thus, thus! Oh, let men keep their ways
Of seeking thee in a narrow shrine—
Be this my way! And this is mine!

VI

For lo, what think you? suddenly
The rain and the wind ceased, and the sky
Received at once the full fruition
Of the moon’s consummate apparition.
The black cloud-barricade was riven,
Ruined beneath her feet, and driven
Deep in the West; while, bare and breathless,
North and South and East lay ready
For a glorious thing that, dauntless, deathless,
Sprang across them and stood steady.
‘T was a moon-rainbow, vast and perfect,
From heaven to heaven extending, perfect
As the mother-moon’s self, full in face.
It rose, distinctly at the base
With its seven proper colors chorded,
Which still, in the rising, were compressed,
Until at last they coalesced,
And supreme the spectral creature lorded
In a triumph of whitest white,—
Above which intervened the night.
But above night too, like only the next,
The second of a wondrous sequence,
Reaching in rare and rarer frequence,
Till the heaven of heavens were circumflexed
Another rainbow rose, a mightier,
Fainter, flushier and flightier,—
Rapture dying along its verge.
Oh, whose foot shall I see emerge,
Whose, from the straining topmost dark,
On to the keystone of that are?

VII

This sight was shown me, there and then,—
Me, one out of a world of men,
Singled forth, as the chance might hap
To another if, in a thu
True friends can help us seek inside our souls
For that which is true
Retrace our steps looking into burning coals
Of blazing fires, we left a smoldering
When life went all-askew

They help us see beyond our looking glass
Under places where we hide
Deep scars and wounds of days gone past
From all those bitter tears
That never dried

A true friend can help us see a side of us
We may not wish to see
While holding our hand in gentle trust
Even when
We don’t agree

The truest friend is the one who appears
To help put those fires out cold
Binds your wounds and dries your tears
While holding the hand
Of your soul
*Dedicated to Lorilynn

Copyright *Neva Flores @2010
www.changefulstorm.blogspot.com
www.stumbleupon.com/stumbler/Changefulstorm
We're falling from the sky,
how did we get so high?
Retracing our minds,
for reasons we can't find.

We were so high,
we were in heaven.
While everyone else was on cloud nine,
we were on cloud eleven.

We were invincible,
you and me together.
And you promised this would last,
always and forever.

But now we're falling from the sky,
wondering how we got so high.
Trying to retrace our minds,
for reasons we can't find.

We had the world,
in the palm of our hands.
But it slowly disintegrated,
turning to sand.

And the wings of love,
also did the same.
As our forever love,
became a game.

Now we've fallen from the sky,
wondering how we got so high.
Trying to retrace our minds,
looking for reasons we can't find.

But it doesn't help,
when we can't find,
either of our,
miserable minds.

Forget the sky,
forget the high.
It was all,
just a lie.

Time is irreversible,
and always moving fast.
Do not live with regrets,
you cannot change the past.

We've fallen from the shattered sky,
wondering how we got so high.
But I no longer retrace my mind,
because there are no reasons to find.
Copyright Barry Pietrantonio
hematoniss Mar 2014
I’m tired of waking up in tears
Cause I can’t put to bed these phobias and fears
I’m new to this grief, I can’t explain
But I’m no stranger to, the heartache and the pain
The fire I began is burning me alive
But I know better than to leave and let it die
I’m a silhouette, asking every now and then
Is it over yet? Will I ever feel again?
I’m a silhouette, chasing rainbows on my own
But the more I try to move on, the more I feel alone
So I watch the summer stars to lead me home
I’m sick of the past I can’t erase
A jumble of footprints, and hasty steps I can’t retrace
The mountain of things I still regret
Is a vile reminder that I would rather just forget
No matter where I go
The fire I began is burning me alive
But I know better than to leave and let it die
I’m a silhouette, asking every now and then
Is it over yet? Will I ever smile again?
Cause I walk alone
No matter where I go
I’m a silhouette, asking every now and then
Now and then Is it over yet? Will I ever love again?
I’m a silhouette, chasing rainbows on my own
But the more I try to move on, the more I feel alone
So I watch the summer stars to lead me home
Mateuš Conrad Nov 2015
it’s been foggy for the past two days,
i blamed fireworks on halloween
rather than guy fawkes’ celebration to
burn the magna carta... i still prefer the beltane
festival of burning rubber skin tires of pensioners
extending for a plastic surgeon’s career;
it was foggy these two past years,
i can almost start an art movement or set-up an art school
ensuring all paintings are painted with fog-overtones,
as i blow cigarette smoke into the air...
but this is the zenith of autumn,
the earth has started to breathe, the muddy field soil
has started to turn into mush, to mush,
it’s begging the plughole sepias of a hectare into easing into
moisture so the boots land a footprint into flemish tired in the trenches
for the toilet plop...i’ll dismember onomatopoeia spelling
and retrace the origins of dyslexia... i will!
insert this anti-intellectualism of england laughing at the words
sartre and *****... piston... etc.,
then become content with en masse surveillance.. everyone’s happy!
win win situation!
he he he... giggles for rounds of ***** shots and double-glazing...
keep the van gogh canvases... we need pristine voyeurism sights
across the street and never bothering to chip in to the gallery funds.
it’s autumn at its zenith with two foggy nests of the moon exposed
and i’m forcing cigarette smoke into the air to match up...
i’ve heard news that a lady psychologist and a professor are interested
in my works... back home in poland,
they are announcing a secret reading of my work
in the underground chambers of a church in szewna, akin me to a gombrowicz,
i’m about to become a merchant of poetry.... here’s cinnamon for words,
here’s chilli for specified terms that tingle the tongue.
back home i can reclaim this misunderstanding of all necessary jokes
in england...
so this article comes along... stresses the difference between england and france...
the difference?
in england: a. i’m trying to write a book... b. how much money did you get upfront?
typical of bank of england signatures being given with a safe investment...
in france? a. i’m writing a book... b. what’s it about?
that’s europe, cross-continental, with the isolationism of england
like the isolationism of england if f.d.r. was the prime minister
and everyone spoke gaelic, so there...
frogs are princes... with such cares the article mentioned...
it mentioned rousseau as the joker card of blames
for the french revolution...
well i know that scientist is a misnomer of intellectual,
after all, the scientist is the man with a ruler and centimetre
and the intellectual doesn’t bother to count up the centimetres
of welsh words... but a scientist is hardly a cobbler...
so i give darwin... the english intellectual exploit surfacing as
the modus operandi of the holocaust...
‘it’s almost like a darwinian pact,’ said faust,
'i peered into the monkey and knew of the trouble it would translate,
this collective categorical translation that didn’t say:
orangutan is chinese and chimpanzee is greek, the gorilla is italian...
how the hell could we have evolved from the monkey
if there is no single species of monkey, we’re already as diverse
as the ****** monkeys! so a chimpanzee ****** a gorilla
and the first humanoid was spawned?' ******* you english colonial
******* and your limb-for-limb relativity, oh wait...
i’m writing in english... now isn’t that paradoxical...
but the f.d.r. akin isolationism craves for artists that not only perform
with their backup cognitive singers, i.e. song writers...
(like the song by vanessa paradis - joe le taxi -
being almost like ellie goulding's on my mind)...
how did it all become defaced with karaoke and a prenuptial of fame...
i just want the original rolling stones... i don’t want people turned
into adverts... i don’t want artists turned into slogan pushers...
i rather keep the kites of drugs.... i can’t do this... my heart’s broken,
but that's because the audience that's being sold
the art is too young to respect the go-along practice of drug use with the arts.
Michael R Burch Apr 2020
Mirza Ghalib Translations

Mirza Ghalib (1797-1869) is considered to be one of the best Urdu poets of all time. The last great poet of the Mughal Empire, Ghalib was a master of the sher (couplet) and the ghazal (a lyric poem formed from couplets). Ghalib remains popular in India, Pakistan, and among the Hindustani diaspora. He also wrote poetry in Persian.

It's Only My Heart!
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

It’s only my heart, not unfeeling stone,
so why be dismayed when it throbs with pain?
It was made to suffer ten thousand darts;
why let one more torment impede us?



Inquiry
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

The miracle of your absence
is that I found myself endlessly searching for you.



Near Sainthood
by Mirza Ghalib
loose translation/interpretation by Kanu V. Prajapati and Michael R. Burch

On the subject of mystic philosophy, Ghalib,
your words might have struck us as deeply profound
and we might have pronounced you a saint ...
Yes, if only we hadn't found
you drunk
as a skunk!



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Not the blossomings of songs nor the adornments of music:
I am the voice of my own heart breaking.

You toy with your long, dark curls
while I remain captive to my dark, pensive thoughts.

We congratulate ourselves that we two are different:
that this weakness has not burdened us both with inchoate grief.

Now you are here, and I find myself bowing—
as if sadness is a blessing, and longing a sacrament.

I am a fragment of sound rebounding;
you are the walls impounding my echoes.



The Mistake
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

All your life, O Ghalib,
You kept repeating the same mistake:
Your face was *****
But you were obsessed with cleaning the mirror!



The Infidel
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Ten thousand desires: each worth dying for ...
So many fulfilled, yet still I yearn for more.

Being in love, for me there was no difference between living and dying ...
and so I lived each dying breath watching you, my lovely Infidel, sighing                       afar.



Bleedings
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Love requires patience but lust is relentless;
what colors must my heart leak, before it bleeds to death?



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Life becomes even more complicated
when a man can’t think like a man ...

What irrationality makes me so dependent on her
that I rush off an hour early, then get annoyed when she's "late"?

My lover is so striking! She demands to be seen.
The mirror reflects only her image, yet still dazzles and confounds my eyes.

Love’s stings have left me the deep scar of happiness
while she hovers above me, illuminated.

She promised not to torment me, but only after I was mortally wounded.
How easily she “repents,” my lovely slayer!



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

It’s time for the world to hear Ghalib again!
May these words and their shadows like doors remain open.

Tonight the watery mirror of stars appears
while night-blooming flowers gather where beauty rests.

She who knows my desire is speaking,
or at least her lips have recently moved me.

Why is grief the fundamental element of night
when everything falls as the distant stars rise?

Tell me, how can I be happy, vast oceans from home
when mail from my beloved lies here, so recently opened?



Abstinence?
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Let me get drunk in the mosque,
Or show me the place where God abstains!



Shared Blessings
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Drunk on love, I made her my God.
She soon informed me that God does not belong to any one man!



Exiles
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Often we have heard of Adam's banishment from Eden,
but with far greater humiliation, I depart your paradise.



To Whom Shall I Complain?
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

To whom shall I complain when I am denied Good Fortune in acceptable measure?
Thus I demanded Death, but was denied even that dubious pleasure!



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

You should have stayed a little longer;
you left all alone, so why not linger?

We’ll meet again, you said, some day similar to this one,
as if such days can ever recur, not vanish!

You left our house as the moon abandons night's skies,
as the evening light abandons its earlier surmise.

You hated me: a wife abnormally distant, unknown;
you left me before your children were grown.

Only fools ask why old Ghalib still clings to breath
when his fate is to live desiring death.


Bleedings
by Mirza Ghalib
loose translation by Michael R. Burch

Love requires patience while passion races;
must my heart bleed constantly before it expires?


Abstinence?
by Mirza Ghalib
loose translation by Michael R. Burch

Let me get drunk in the mosque,
Or show me the place where God abstains!


Step Carefully!
by Mirza Ghalib
loose translation by Michael R. Burch

Step carefully Ghalib—this world is merciless!
Here people will "adore" you to win your respect ... or your
downfall.


Drunk on Love
by Mirza Ghalib
loose translation by Michael R. Burch

Drunk on love, I made her my God.
She quickly informed me God belongs to no man!


Exiles
by Mirza Ghalib
loose translation by Michael R. Burch

We have often heard of Adam's banishment from Eden,
but with far greater humiliation, I abandon your garden.


A lifetime of sighs scarcely reveals its effects,
yet how impatiently I wait for you to untangle your hair!
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch


Every wave conceals monsters,
and yet teardrops become pearls.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch


I’ll only wish ill on myself today,
for when I wished for good, bad came my way.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch


People don’t change, it’s just that their true colors are revealed.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch


Ten thousand desires: each one worth dying for ...
So many fulfilled, and yet still I yearn for more!
—Mirza Ghalib, loose translation by Michael R. Burch


Oh naïve heart, what will become of you?
Is there no relief for your pain? What will you do?
—Mirza Ghalib, loose translation by Michael R. Burch


I get that Ghalib is not much,
but when a slave comes free, what’s the problem?
—Mirza Ghalib, loose translation by Michael R. Burch


My face lights up whenever I see my lover;
now she thinks my illness has been cured!
—Mirza Ghalib, loose translation by Michael R. Burch


If you want to hear rhetoric flower,
hand me the wine decanter.
—Mirza Ghalib, loose translation by Michael R. Burch


I tease her, but she remains tight-lipped ...
if only she'd sipped a little wine!
—Mirza Ghalib, loose translation by Michael R. Burch


While you may not ignore me,
I’ll be ashes before you understand me.
—Mirza Ghalib, loose translation by Michael R. Burch

Keywords/Tags: Mirza Ghalib, translations, Urdu, Hindi, love, philosophy, heart, stone, sainthood



Earth’s least trace of life cannot be erased;
even when you lie underground, it encompasses you.
So, those of you who anticipate the shadows:
how long will the darkness remember you?
— by Mehmet Akif Ersoy, Turkish poet, loose translation by Michael R. Burch



The following translation is the speech of the Sibyl to Aeneas, after he has implored her to help him find his beloved father in the Afterlife, found in the sixth book of the Aeneid ...

The Descent into the Underworld
by Virgil
loose translation/interpretation by Michael R. Burch

The Sibyl began to speak:

“God-blooded Trojan, son of Anchises,
descending into the Underworld’s easy
since Death’s dark door stands eternally unbarred.
But to retrace one’s steps and return to the surface:
that’s the conundrum, that’s the catch!
Godsons have done it, the chosen few
whom welcoming Jupiter favored
and whose virtue merited heaven.
However, even the Blessed find headway’s hard:
immense woods barricade boggy bottomland
where the Cocytus glides with its dark coils.
But if you insist on ferrying the Styx twice
and twice traversing Tartarus,
if Love demands you indulge in such madness,
listen closely to how you must proceed...”



Federico Garcia Lorca (1898-1936) was a Spanish poet, playwright and theater director. He was assassinated by Nationalist forces at the beginning of the Spanish Civil War and his body was never found.

Gacela of the Dark Death
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

I want to sleep the dreamless sleep of apples
far from the bustle of cemeteries.
I want to sleep the dream-filled sleep of the child
who longed to cut out his heart on the high seas.

I don't want to hear how the corpse retains its blood,
or how the putrefying mouth continues accumulating water.
I don't want to be informed of the grasses’ torture sessions,
nor of the moon with its serpent's snout
scuttling until dawn.

I want to sleep awhile,
whether a second, a minute, or a century;
and yet I want everyone to know that I’m still alive,
that there’s a golden manger in my lips;
that I’m the elfin companion of the West Wind;
that I’m the immense shadow of my own tears.

When Dawn arrives, cover me with a veil,
because Dawn will toss fistfuls of ants at me;
then wet my shoes with a little hard water
so her scorpion pincers slip off.

Because I want to sleep the dreamless sleep of the apples,
to learn the lament that cleanses me of this earth;
because I want to live again as that dark child
who longed to cut out his heart on the high sea.

Gacela de la huida (“Ghazal of the Flight”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

I have been lost, many times, by the sea
with an ear full of freshly-cut flowers
and a tongue spilling love and agony.

I have often been lost by the sea,
as I am lost in the hearts of children.

At night, no one giving a kiss
fails to feel the smiles of the faceless.
No one touching a new-born child
fails to remember horses’ thick skulls.

Because roses root through the forehead
for hardened landscapes of bone,
and man’s hands merely imitate
roots, underground.

Thus, I have lost myself in children’s hearts
and have been lost many times by the sea.
Ignorant of water, I go searching
for death, as the light consumes me.



La balada del agua del mar (“The Ballad of the Sea Water”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

The sea
smiles in the distance:
foam-toothed,
heaven-lipped.

What do you sell, shadowy child
with your naked *******?

Sir, I sell
the sea’s saltwater.

What do you bear, dark child,
mingled with your blood?

Sir, I bear
the sea’s saltwater.

Those briny tears,
where were they born, mother?

Sir, I weep
the sea’s saltwater.

Heart, this bitterness,
whence does it arise?

So very bitter,
the sea’s saltwater!

The sea
smiles in the distance:
foam-toothed,
heaven-lipped.



Paisaje (“Landscape”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

The olive orchard
opens and closes
like a fan;
above the grove
a sunken sky dims;
a dark rain falls
on warmthless lights;
reeds tremble by the gloomy river;
the colorless air wavers;
olive trees
scream with flocks
of captive birds
waving their tailfeathers
in the dark.



Canción del jinete (“The Horseman’s Song” or “Song of the Rider”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

Cordoba. Distant and lone.
Black pony, big moon,
olives in my saddlebag.
Although my pony knows the way,
I never will reach Cordoba.

High plains, high winds.
Black pony, blood moon.
Death awaits me, watching
from the towers of Cordoba.

Such a long, long way!
Oh my brave pony!
Death awaits me
before I arrive in Cordoba!

Cordoba. Distant and lone.



Arbolé, arbolé (“Tree, Tree”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

Sapling, sapling,
dry but green.

The girl with the lovely countenance
gathers olives.
The wind, that towering lover,
seizes her by the waist.

Four dandies ride by
on fine Andalusian steeds,
wearing azure and emerald suits
beneath long shadowy cloaks.
“Come to Cordoba, sweetheart!”
The girl does not heed them.

Three young bullfighters pass by,
slim-waisted, wearing suits of orange,
with swords of antique silver.
“Come to Sevilla, sweetheart!”
The girl does not heed them.

When twilight falls and the sky purples
with day’s demise,
a young man passes by, bearing
roses and moonlit myrtle.
“Come to Granada, sweetheart!”
But the girl does not heed him.

The girl, with the lovely countenance
continues gathering olives
while the wind’s colorless arms
encircle her waist.

Sapling, sapling,
dry but green.



Despedida (“Farewell”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

If I die,
leave the balcony open.

The boy eats oranges.
(I see him from my balcony.)

The reaper scythes barley.
(I feel it from my balcony.)

If I die,
leave the balcony open!



In the green morning
I longed to become a heart.
Heart.

In the ripe evening
I longed to become a nightingale.
Nightingale.

(Soul,
become the color of oranges.
Soul,
become the color of love.)

In the living morning
I wanted to be me.
Heart.

At nightfall
I wanted to be my voice.
Nightingale.

Soul,
become the color of oranges.
Soul,
become the color of love!



I want to return to childhood,
and from childhood to the darkness.

Are you going, nightingale?
Go!

I want return to the darkness
And from the darkness to the flower.

Are you leaving, aroma?
Go!

I want to return to the flower
and from the flower
to my heart.

Are you departing, love?
Depart!

(To my deserted heart!)
Vernarth and his companions delighted in the company of the biosphere since he was in the Eclectic Spiritual Portal, and in this dimension only he could be. Later, they communicated only through his donkeys, when they wanted to send them messages or share with him, they mounted one of these equids and they could pass into this atmosphere of ultraviolet light that separated them. More than an egregious Pythagorean calculation, he already stood out in his eon of matter-spiritual energy Vernacentricus, as a quantum station of the geodesy of the Megaron that has already begun to be built. At this precious moment the secular and demiurge satellites of him arrive, they came with the foundation of the points to refer to definitively raise the Ultramundis Vernacentricus. From the Vóreios or boreal the apocalypse of San Juan will be intertestamental with the canons of Zefian that transmigrated from the powers from the transversal valleys of the Horcondising, essentially following the sensory track of the Nothofagus Obliqua to attract the iterated populations of the forest.
The patriarchs and the orthodox mountain range appeared in the cords of the fungi called Ambrosiella ceratocystidaceae, to provide the Ambrosia Mercurial, as a nutritional addition to the main pilasters of the temple, with great influence of fungal fungi. Everything was beginning to demarcate from the eruv of the Zefian arrow that was named Tetarto Vélos, or fourth arrow that was already beginning with its culminating operation with the borer beetles, demarcating the urev of the Vóreios throughout the region and on the oaks of Patmos, that began to be located from the Meli Witran Mapu Mapuche winds, beginning with Pikún-kürüf Northwind with the first two arrows of the Taxotas, and Sur Waiwén, of the Pezhetairoi, of the quantum of transmigration of the Horcondising-Panhellenic sub-mythology. Then the Puelche drags the borer beetles with more force to lift the uprising fungi of the Mandragoron by the eastern vertical, to culminate with the Lafkén-kürüf all attached to the axis that supports them from this great bilocation. The boreal is demarcated, so that the Necromancer Ezpatkul with his Augrum and gold teeth, twisted the tendency of the beetles to move the main columns of the frontispiece, being colossal in reality with twice the diameter of the central ones. Then the conclusive and posterior ones of the rectangular quadrant of the Beit Hamikdash were bilocated, to bilocate the Bern Olive Trees from Gethsemane so that they finally joined the Meltemi, and towards the aeolian winds of Tramontane Eolionimia falling on the Tekhelet of Paul of Tarsus, dropping relevant heights of some cranes with gravitating silt on their extremities, and with garbeas that were secondarily colonized on the banks of the desert areas of the rocky Hamada. As was previously proverbial, three birds climbed reflecting the crown of the kings in Bethlehem, Arriving at the sacred native city, and beginning the choirs of Nativity and passion for the hiss in tenuity on the twelve Giant Camels, where they paid special attention to rebuild another temple with a sigh greater than a Sheba Dean. The canon of Policleto was renewed with Zefian who agreed with San Juan, for this kanon that will be the relevant line of topographic surveying. Thus the basal measurements of the golden number will begin with the acroteria concerted summer seats of prosperity next to the Metopes. Ezpatkul would bring with his magic the red blood cells of Betelgeuse along Leiak with all the Templar three-dimensional morphology, naming this singular parapsychology of Pope Urban II who proclaimed the First Crusade at the Council of Clermont, in France, on November 27, 1095, to delineate the paradigm in the anatomy of Gaugamela bled into Vernarth's breastplate, as the archaic and first crusade that would inspire Christian supremacy, which was already anticipated before the Christian era to come. It will be visible gestures of the trajectory of the arrows of the Zefian Torah that were deposited with their hallelujahs from the ***** of Crete. The sulfur yellow and red blood cells marked the radiosity of the Eclectic Portal that opened to give Vernarth material egress, so he would take his tools and go with his donkey's escorts for the chromatic that will be sulfur yellow and red blood cells, both dependent on the complementation with the Cinnabar, and in the raised bodies of Court V of the Helleniká Necropolis in Kímolos.

Under vileness or absence of light among darkness or apocryphal light of Evil, in contrast to the robust equanimity of light and shadow partisan of Saint John the Apostle, for the hegemonic good of his incorruptible vision. The naturalness made the world apologetic with the immune defenses of the polish textures, they invoiced proportional mathematical measures ibidem of the Hommo Novis, and of the Geometric Pythagoreanism for a body seven and a half times of Polykleitos, starting from the base to the feet as the base of the plinth or frieze until reaching near the capital that exemplifies the chin, before reaching the cornice, highlighting the figure of the capital with the front of the proportional ligament between the trunk, and the columns duly. Here the seven-headed Kanon of a David would recite the measures of the psalms, or beads in degrees with hoped-for dimensions. The kinetics was earth towed by towing carts in tetra bronze arrows, which balanced the unbalanced balance and harmony of the created whole. The symmetry of the transverse poles was muscled to make kinetic centripetal in the inertia of the bolt when hitting the faint glow of the canon rays. Making himself the sustenance in the stone and the mound, towards the Vernarth counterpose when the Himathion was tried, he appeared disguised and in composing. After this initial task, they approached the fire and scalding water to **** herbs, which pretended to be the formula of the backhoe extracted from the palimpsest of the generals of Alexander the Great, when they distributed their illegitimate Ark with royal titles; they were Perdiccas, Antipater, Crátero, Eumenes de Cardia, and others like the satraps who came to be enunciated as kings; Antigonus, Ptolemy, and Seleucus. Residing only the most substantial military colleague of them in this parapsychological saga Vernarth; and his brother Etréstles de Kalavrita who seconded and predestined him in his monolithic, and in the constituent sovereignty of Polis, for the purpose of reigning and raising his Kopis and Xifos intertwined in aldehyde manumissions and in the alcoholic carbonyl residues emanated from the Backhoe ferment and Nepenthe, depositing LSD in substantial amounts to align itself with Seleucus, and materially present itself in the sphere of Patmos as two representatives of both empires, one ancient Christian and the other Panhellenic, placing Seleucus in that totalitarianism over that of Alexander the Great, now extinct. On the last day after working and being satisfied with the construction work of the frontispiece, and its major columns, Vernarth joins them after temporarily leaving the eclectic portal, they sit by the fire to review the plans of the subsequent construction process del Megaron, along with his seven donkeys, mentioning Borker's necromancy. Since the omens of Wontehlimar, the linemen before Borker became reigning, for the static balustrade that will surround the Megaron, where all the Ibics rings were enlisted chorally by the patronage of the Hellenic Orthodox legacy of Alexander the Great after he was rescued by Wonthelimar from Babylon, and finally take you to your physical and spiritual shelter. The eruv of the Nótos was demarcated, surpassing the limits of the rings of stefánes Íbix, or Hoops of ibix, like nano kvantikoí daktýlioi, Nano-Quantum Ring auguring sensitize the dermis and its carpal phalanges. From the intertestamental, such as in Vóreios, passages from the Old Testament are explored here that says…: “The temple that was the only legitimate sanctuary of the Israelite people contained within it the Ark of the Covenant, a golden altar, and candlesticks of the same metal. , a table with sacred loaves and other utensils used to carry out the worship of the god Yahveh. It was located on the esplanade of Mount Moriá, in the city of Jerusalem, possibly where the Dome of the Rock and the Al-Aqsa Mosque are located. From this dome the larnax of the Great Macedonian, a prioris, the schismatics of ancient Christianity, and orthodox Judaic will be derived, separating from each other, after the fall of the second temple. Of this class and previously this was detonated due to the undivided troops of the Babylonian king Nebuchadnezzar II, who destroyed it in 586 BC, also taking captives a large part of the inhabitants of the Kingdom of Judah, to Mesopotamia, giving rise to the exile and captivity of the Hebrews in Babylon. A reflective Borker of this premonition, he takes the Ibics Rings and selects one of them to join them with the first Zefian Arrow, as nano Kvantikoí Daktýlioi, quantum Nano-ring, to ensue in future similar events, avoiding invasions that cause looting and destruction. of the temple to be built on Patmos.

Nano-scales for Borker's nanotechnological conception, and estimates of threats of invasions and climatic changes, in one billion (109) and one billionth (10-9). In a meter there are one billion nanometers or, in other words, a nanometer is one-billionth of a meter. For those who will have to configure the dimensions of the Mandragoron "Temple of Vernarth" with carbon atoms, the support will be made in chemical units for the re-conception of nature, and its two- or three-dimensional networks. The nanotubes with 60 carbons, distributed in 20 hexagons and 12 pentagons, according to the geometric patterns of the cellular scale, in the conformation of the Hexagonal Primogeniture, being in this way concealed by the Ibics Rings, for each linear meter and cubic, traced by a nanometer which is one-billionth of a meter. Here, the borer beetles will catch the fungi ambrosiella ceratocystidaceae and will displace the virals that move geometrically from the beams of the Icosahedron.

The ranks of Falangists moved triangularly in multiple directions, to reach the Austral del Nótos de Borker, thus they would form the magic vectors of the polyhedron internally, triangulating at the top of the ram that carries an illustrious triangular phalanx, opening up the areas with its prop. vulnerable, to consolidate the buttress of the façade; the Áullos Kósmos, and pay homage to the apse that was filled with rejoicing. Sones of the philosopher Plato, made them regular or perfect in convex polyhedra, such that on all their faces were regular and equal polygons were made, and in all solid angles also equal. From this boulevard, the theology of Vernarth and Alexander the Great, fully professor and Platonic guide, will follow, making nomenclatures of nanostructures that affirm the volume and structure of the central sections of the radier, and their foundation bases shielded by the icosahedron in the nanotechnological scale, having physical material cells, for adaptation of structural changes and their environment.

The volume will be adapted microscopically, to analyze small particles with the return of the fourth arrow or Tetra Sagita of Zefian, absorbing nutrients and discarding the environmental threats based on carbon dioxide, to make a limiting membrane beauty, which moderates the nanoparticles that borer beetles were developing. The solidity of the partitions and walls will have the exact proportion of the nanomaterials, to adapt to the general area of the Mandragoron Nótos, which will ooze the surpluses due to the porosities, towards a volume highly resistant to invasions of limestone nanomaterials, and boulders that are made from the flow of the buttress of the apse that rises towards Aorion. The interior and exterior faces will be supplements of prayers of Prochoro, in didactics that will shield with the Antiphons Benedictus, and the hive of Plato's Icosahedron, becoming a consular material organism, and solid in interstices or leftovers from the feces of the Borers, until pasting and to reach the volume of the polyhedron, and its twenty faces pointing towards the physiognomy of the boulevard, tracing the general volume of the Mandragoron, and intercommunicating the quantum support and its theological harmony.

Says Borker: “if the organic cells operate with homage and with greater multicellular fields, here are the nanoparticles, in greater fields of fiatto, and in the slides that will recirculate in favor of the throat of the Mandragoron, and in the carbon nanotubes, essential elements of the biosphere and in useful layers of life that retrace the rest. There will be 20 linear meters in the area that lavishes the width and height, the projection of this scale of nanotechnology, will make the three-dimensional shape and a large voluminous serial in the Austral Nótos ”Vernarth's purging dimension, made him materialize at times and laugh out loud because he knew that everyone who was with him loved him! and from this fraction of faith, the Angel Raphael diagnoses them bread with archangelic essence; herb with great healing powers, especially in the dimension of the eclectic portal that allowed Vernarth to concern himself with material living beings.

Definitely, the second step of consolidation of the Megaron was established in the linear that the seven donkeys eagerly left, as masons and cabinetmakers who worked together with the Hexagonal Primogeniture. From this moment everything begins to have an inter-dimensional aspect, from the Invisible Eclectic Portal to the majestic geodesy and orography of this temple, which incorporated everyone for a charitable epiphany together with everyone in the Profitis Ilias, which was already crowned as the cusp Spiritual World of the Vernarthian Eclectic.
Áullos Kósmos
Beatrice Jul 2010
I'm doing everything
We said we'd do
Together.
(What a horrible word, together)

Taking the trips,
Swimming in the lakes,
Yes, I swam in a lake.
More like a river...
But I did it
Without you.

Visited Mt. Scott,
Saw the longhorns,
Drove the exact same routes
As last spring.
Without you.

Funny how fate is so cruel
That I'm thrown back to
Exactly where we were.
Were.
Still past tense, still painful.
Still facing ghosts, still facing memories
Exact replication of what was.

Here I am, stuck in the in-between.
And you, where are you?

Gone, my ghost. Off to haunt someone else.
Goof Oct 2011
lacking stability
rocking, winding, slipping

distracting inability
missing the step beneath your foot

crawling now, just a bit further
before you reach the edge of the bed
only to realize you aren't even home

retract, revise, retrace
attempt to find that peaceful place
forget to remember
remembering to forget

once you awake
realize that you were never asleep
suicidalsmiles Mar 2015
I use to be like Summer. A burst of brilliant red like when you bite into a perfectly ripe Strawberry. I stained his lips with my sugar-sweet kisses. Like evening’s Cotton Candy sunsets and blushing clouds trimmed with falling golden light, I was your whole sky, morning, evening and night; you marveled at my untouchable beauty, so close but yet so far. I was a Summer storm, rolling thunder and shattering lightning, electricity running through your bones. I was the pitter-pattering rain, tap dancing upon your room, humming you to sleep, every night you saw me in your dreams and always played them back to me. In your sleep you would see me, dancing far away  to somewhere where there was no other-side-of-the-fence, grass was always green wherever my feet touched the earth in between joyful leaps. Where the wind was music in the trees and the grass flowed in fluid motion like dancers caught up in the melody, where the wildflowers bobbed up and down and where the fleeting Robin never left, for there it is always Spring. Yes indeed, I was like wild flowers in mid July, I was the magical meadow tender and warm, hidden away in the pockets of your heart away from the dark, I was a safe haven you happened to stumble upon while fleeing the snapping jaws of the shadow wolves in the Forbidden Forest. Bright and strong like a sunflower, I did not bend in even the most wild wind, and you could lean against me and take in my strength, my untainted, yellow light. Soft and simple but still enough, like a daisy. I made a necklace of my prettiest flowers and hung it around your neck, a most beautiful and delicate daisy chain, my petals kissed and tickled your chest. But I was also vibrant like a Indian Paint Brush, I painted you the prettiest picture, promising passion in streaks of brilliant color, I promised you everything, my roots, my stems, my leaves, my blossoms, everything. And the promise ignited a wildfire within your shivering heart, and spread through your bones, to the black of your eyes, reflecting the fragmented image of me swimming beneath the broken lake’s surface, the white of my skin and the ripple of my hair, you reached into the water blinded, you dug through the sand until you caught me. Oh yes, I was the sunlight dancing on the kaleidoscope forest floor, that you chased trying to catch a handful of light, and I was the fairy circle you wished upon. Yes, I was your Summer.

And as the days grew shorter and the nights became colder I discovered that whenever my mind would wander it would always seem to fall back to you. I remember one night, it must have been in August, the night was pure and honest, and I was caught up in the infinity of the swirling, silver cosmos. My father joined me at my side and pointed up at the sky and showed me the North Star, I had never seen it before. He told me that it was like a compass that would point you home; the lost man’s final hope. Something about that brilliant twinkling star rendered me helpless, I was lost in it’s hypnotizing light. I stared at that star for the rest of the night wonderstruck by it’s beauty and the comforting thought that it knew the way to anywhere you wanted to be. And as the Sun ascended the horizon’s heavenly staircase and peaked in a mirage of smudged pastels for the first time in my life, I felt lost, I felt lost without that star. I all of a sudden had so many questions but no answers, I grasped for sure footing in my jagged thoughts, but was startled to find that you kept popping into my mind, as bright and clear and undeniable as that, stupid, beautiful, bewitching star, and I found myself wondering if somehow, someway, you had become my North Star, the compass that could show my wandering soul the way. And as the world was morphed into view under Daylight’s knowing hands, I realized it was true, you were my last hope, you were going to take me home to a place I didn’t even know, but suddenly was desperately homesick for. And I tried so hard to fall out of alignment with you, to break away from your orbit and run from the galaxy that would soon be us, and the black hole that would **** me up. But I was going up against Gravity, and I was pulled down, down, down.

No matter how I tried, how much I told myself that you were not the only star I could see, that you were not my infinity. But it was futile and somewhere I knew that, I knew that as well as I knew that I wanted you to be my infinity, and I yours. I wanted to create the most beautiful galaxy the Seven Continents had ever seen, so vast and far that no telescope could capture it, and scientists would forever marvel how it came to be. But nowadays, I ask perhaps, If I had known what would happen when the Universe could no longer contain our overpowering glow, what would happen when my North Star exploded? When all I would have left would be memories that would leave a deep scar, but I wouldn’t be able to remember why, leaving me as clueless as I was that first night; when all I would have is whispers that were almost too quiet to hear but would constantly be a murmur in my ear? Have you ever stepped outside and looked up the night sky when the world is asleep and still, but the sky is more alive than you?  Have you ever tried to take a picture to remember the wondrous spectacle Mother Nature and the Heavenly Father have laid out for you? You can try all you want, and use up all the memory on your phone, but no matter what you do, you cannot capture the beauty above you. The pictures if not blurred from your frustrated shaking hands, are simply screens of black, with dots of white that could be dust where stars are supposed to be. And you must walk under those stars, to you they shine so loud and clear, they are right there for God’s sake, but you cannot capture their beauty, you cannot touch them. You must endure the torture of knowing but lacking. And that’s what would happen to me when my North Star exploded into whimsical stardust, when you left me in the pitch black; slowly I am being crushed by the weight of absolute nothingness. And ******, even if I had known this is what would happen to us, that this would happen to me...even if I had known all this to be true, I know I would follow you into that unsure, perilous blue where every man is for himself. Because everything is fair in love and war. And even to this day, over a year later, I would retrace my steps back to that night, and let you destroy my horizon, my faith in 11:11, and belief in shooting stars all over again, if only for a glimpse of you, my darling North Star, Pivoting Axle of my world, my Gravity, my Endless Summer; my Infinity.  

Because soon it became clear that you were my Summer too. You wrapped your loose ends around me and rocked me to sleep in your makeshift cradle like the hammock out back that we used to nap in, do you remember that? You were the pile of books that I whirl through every Summer under the Weeping Willow Tree. You made me smile, you made me laugh, you made me blush and you made me terribly sad. For even then you were my defining phrase and favorite quote that I felt spoke to me the most. You were the birds in the trees singing their fragile hearts out, you told me of Summers past, and how you accidently went backwards and migrated straight into the darkest winter you’d ever seen and couldn’t find your way out of the storm. And that’s why underneath my daisy chain your heart was laced with icy carnations, that’s why your lungs were filled with puffs of smoke that looked like a breath in the biting cold. And that’s why your lips were so ugly, bruised black, purple and blue, proof of what you’ve been through, and every time you tried to explain your torn past, your lips got worse, your skin became terribly chapped, and your voice cracked as you tried to fight back, but the words eventually bled through your lips, so you learned not to speak, because you hated to bleed. But regardless of your cold words and colder shoulder, you were still Summer to me.You were the fireworks on the 4th of July, you lit up the world and were all that I could see, I couldn’t look away, I was afraid to miss a thing. You were the crunch of graham crackers when you bite into a perfect s'more, and you were the laughter when your marshmallow catches on fire.  You were my favorite time of the day, in between night and day, when the sky melts into this glorious turquoise blue, and the silhouette of the pine trees stand out against the fading light. You were quiet and thoughtful, the feeling you get when you sit atop a Ferris Wheel at the the County Fair, you’re a little bit scared, but you can’t help but be blown away by the world below your dangling feet. You were the spike of fear and the adrenaline rush you get when you dive off a cliff into the water, you can’t help but wonder if there are dangerous rocks at the bottom, even though you know it’s too late and there is no stopping your falling body now. But you feel alive, you feel alive and when you survive, you feel unstoppable. That’s the way you made me feel, I was afraid of how much I loved you, how you could tear me apart and push me to the end of the world, and with a brush of your heavy fingertips I would topple over the edge, and I faced the monstrosity of wondering what it would like to be dead, and just before I would let myself go and come to an endless end, you would pull me back up and dust me off, wipe my tears and bandage my bleeding elbows and knees; I was scared that maybe you hurt me just to be the only one who knew what would save me. And I was absolutely terrified of that fact that if that was true, I would still love you. I was scared of you, I was scared of what would happen when Summer came to a end.

I remember I went to California that year for the very first time in my life right before school started. I thought it would be good, to be away from you. I told myself I hoped that you would get bored of waiting for me to come back home and find another girl to give the world, but deep down I knew that I wanted you to wait more than anything. But denial is my thing, as you would soon know all too well, it’s what I do best. So I denied my feelings for you, I denied having any at all. (I still do to this day.) And it was only in California, that I finally realized that I couldn’t keep lying to myself. It happened late at night, as I suppose the most truthful thoughts always do. I couldn’t sleep, I tossed and turned and rolled and stretched but the bed was lumpy and the sheets were suffocating and I found myself slipping away,  tiptoeing across the squeaking floor and squeezing out of the heavy wood door, into the fog and sea salt air. I walked for a very long time. I think when people are near the ocean, and have sins they have to wash from their bloodstained palms, they find a friend in the Ocean, someone to hold their hand and teach them how to stand and walk upon water. And that night, I glided to the ocean like a ghost whose tables had been turned and broken, and now finds itself the the haunted one with blistering splinters that it can not see, left over from a world that could not be; made up of broken promises, what if’s and missed moments they can never get back. The Ocean’s magnitude overwhelmed me and neutralized the quiet chaos bubbling beneath my skin. The rabid froth and spit of crashing waves put out the fire that was eating away at me and the undertow pulled me into the blue. I floated through the undefined blur of the the aqua world. I ran my hands through the rocky sand and felt the urgent weight and staggering cold of the water pulling me under, but risking my life in that current among the frothing foam horses racing against the Moon’s tide made me feel so alive. I am no mermaid, I cannot breathe underwater, but for the first time in seemingly forever I had air in my collapsing lungs, and I didn’t know you could drown on dry land until I was dying in the sea. But it was not my time, and I awoke washed up on the scraping sand with water in my ringing ears, knotted hair and no feeling in my blue fingers. I sat there on the diamond sand for a long time until I was strong enough again to lift my arm and slowly I reached into the sky, and grabbed my North Star and pulled it into my heart and where it glowed, I scrubbed myself clean of my history and orthodox scriptures with the salt of the sea and was born again free of frown lines. Something about the Ocean brings clarity, and yes it is dangerous and chaotic, it could destroy the world and wipe us all away, leaving not a trace of the human race, but the Ocean is a lifeboat, a saviour of many in a way. When you find yourself faced with a whole new infinity, a horizon that only ends when it meets another, you are small, and you are still. You are pinned against your past but then can remember how to breathe again, you exhale the toxic smoke swirling in your lungs and inhale the mist. Exhale the past, inhale the future, breathe child-for you are here, no longer there. You are small and you are still but you are real. And that night I learned two of Life’s endless lessons. First; People love what kills them. Faced with death you are flooded with life, it ignites your brittle bones and breathes music back into the silent calamity of your echoing heart. People love what kills them. Second; the person you think of when you stand in front of the ocean. That’s the person you’re in love with. And I thought of you, you, you. I thought of you and I never stopped. And it’s killing me.  

But I knew something but really nothing of death back then. So when I got home a week before school I asked if we could meet somewhere in between. And we did. Beneath glaring flick of fluorescent lights in the gas station’s parking lot that didn’t stay any open later than ten, surrounded by everything ugly about humans, rusty pennies, tumbling plastic bags, stomped out cigarette butts and smashed beer cans, you held my hands and kissed me for the very first time, and suddenly, the world was beautiful. We walked hand in hand for the longest time, but found ourselves just a block past the lonely parking lot, by the town’s fountain. We sat there and splashed out feet in the ***** water enjoying the feeling of being. You had brought a bag of Skittles and sorted the red ones from the rest, and when I asked why with a laugh you sheepishly admitted you remembered that I thought that the red ones were the best and that the lemons made my face wrinkle and nose tickle. I poked fun at you for remembering something that silly, but truthfully it meant the world to me, because it meant someone out there was listening to even the simplest things I had to say. And in the fluid reflection of those pool lights rippling across your perfect face, I could tell that even though that pitiful fountain was no ocean, that you were thinking only of me. That night we shot ourselves into the dark like shooting stars and fell into each other, that fateful night was the night we became each other’s North Star. But in the end, no one knows where that star is taking them, they call it a lost man’s compass and the last hope, but if he is lost is his compass not broken, or else wouldn’t he be home? Is hope then of no use? Are North Stars just poetry to salvage doomed souls? I often wonder if, regardless of our faith in each other’s sense of direction, if that night was the most we ever knew each other.

You told me you loved Cheezits, and Lucky Charms with Hershey’s Chocolate Syrup. You admitted that you chewed your nails to tiny stubs when you felt to much because all you ever wanted to be was numb. You confessed that you had trouble looking at your dad the same and saying,”I love you,” to your mom and tried to explain why video games were any fun. I pointed out all the scars on my legs and how I got them, whether it was from tearing through my childhood neighborhood on my Barbie tricycle or if it was from running over gravel trying to outrun myself and everything evil that clung to me. I muttered between my  hands and embarrassed giggles why I was terrified of fish and flies, and you laughed so hard you couldn’t breathe. I recalled for the first time the night mom died and everything that followed that night, awful night that never seemed to end, and with a quivering bottom lip counted off everything th
I'm making a mini series, after months of not writing, not sleeping, not eating & not feeling, the words have come back to me, and it's wonderful. I'm sorry for being gone so long lovlies. P.S I'm sorry it's so long oh my gosh
Megan Parson Feb 2018
With a letter to my love,
Flies away my pet dove,
Unbiased by what it contains,
Or by the ink blots and stains,
Concerned only of her kin,
Lest she be doomed to a bin.

So is my lover and I,
As we stare up at the night sky,
No wall nor vault can keep us apart,
Live only to love, until you depart.

Live for me, you may say,
But not one day will I lay,
Alone sans your sweet embrace,
I, your steps shall retrace,
And live and love you till eternity,
Ends its days of bliss serenity.
Envisaging lovers in the 18th Century. Hope we all find true love, Happy Valentine's Day !!
Silence ! reprenons les travaux de mon âge.
Que le pinceau docile obéisse à mes doigts,
Des lieux que j'ai quittés qu'il retrace l'image,
Que ma harpe se mêle aux accents de ma voix ;
Sur un brillant tissu, que l'aiguille légère
Arrête les contours d'une fleur passagère.

Oh ! pourquoi, dédaignant ces faciles bonheurs,
Mon âme en murmurant s'envole-t-elle ailleurs ?
Tel mugit un torrent quand son onde écumante,
Dans un lit trop étroit, s'agite et se tourmente ;
Sur de noirs rochers, meurt un impuissant effort.
Et je me brise ainsi contre l'arrêt du sort !
Devant moi, sur la rive, il ferme la barrière,
Et mon âme est captive en son étroite sphère ;
Reculant dans la lutte entre elle et le destin,
Sous la main qui l'écrase elle ronge son frein !

Silence ! reprenons les travaux de mon âge.
Que le pinceau docile obéisse à mes doigts,
Des lieux que j'ai quittés qu'il retrace l'image ;
Que ma harpe se mêle aux accents de ma voix ;
Sur un brillant tissu, que l'aiguille légère
Arrête les contours d'une fleur passagère.

Qu'exiger de la vie ? A-t-elle un seul trésor,
Pour qui le pèserait comme on pèse de l'or ?
Sous la froide analyse et sous la main qui sonde,
S'évente le parfum des bonheurs de ce monde.
La nuit répand son deuil quand le soleil a lui ;
Le bonheur qui brillait se couche comme lui,
Et l'âme qui le sait, se sentant immortelle,
Ne voudrait que des biens qui durassent comme elle.
Elle cherche, formant vingt rêves tour à tour...  
Le monde lui répond par ses bonheurs d'un jour !

Silence ! reprenons les travaux de mon âge.
Que le pinceau docile obéisse à mes doigts,
Des lieux que j'ai quittés qu'il retrace l'image ;
Que ma harpe se mêle aux accents de ma voix ;
Sur un brillant tissu, que l'aiguille légère
Arrête les contours d'une fleur passagère.

Mon âme, calme-toi, reprends un vol plus doux,
Et passe sous le joug d'un sort commun à tous.
Erika Soerensen Jan 2015
As I lay here in the dark of this room
in a city that's broken my heart over and over and over again
(or is it the other way around?),
I wonder why I keep coming back?  

Am I trying to retrace history in order to
somehow rewrite it?  

This love affair has been
tumbling along to Nowheresville
since the late 90s,
before it was a dream.
(Except in Portland).

Every corner, every amusement, every mid-afternoon sun break
has a memory attached to it,
like a
leech.

The flashbacks twist and turn
and tickle and  
feel hot and sharp -  
laced with the bittersweet taste of
melancholy and remorse.  

Shame.
Embarrassment.
Self-Destruction.
face palm

It's almost like every breath I take here
is in sync with me
lashing myself
RAW -
because, for some reason,
I deserve it.

I want this city to love me as much as I love it.
I want this city to embrace me as much as I embrace it.

I want it to want me,
as much as I want
it.

Or, maybe I just need to
Get
A
Clue.

It could be that....
Seattle
Is
Just
Not
That
Into
You.
Nat Lipstadt Sep 2017
Good on You (a love poem),
this one, is, good, on you.  

phrase uttered, measured, apace,
each comma,
a paused breath of:

admiration, enveloped by
a secret pleasure coating,
saucier prepared,
the base, the pleasured secret in this
mans minds eye unseen.

each comma,
precisely the carbon copy of the
comma curve of dark hair that
falls from a forehead down to the chin,
in a museum quality photograph,
as if it was intended to hold, contain,
your sly blunt moody,
and full plated whimsy,
when that half-smile poesy is in place.

good on you,
slow please,
not
goodonyou.

did you think, I did not have, a special bottle,
a Grand Cru,
a pinot noir, in the reserve,
inside the locked cellar of me,
to be used to anoint mine own
English Duchess of Burgundy?

well and proper aged,
but unlabelled,
till you provided
the appelation, the domaine,
good, on, you.  

the bottle dusty, the feelings, not.
if we never meet, matters not,
the gentility, tous les bons mots,
good in you,
hid in in all of the
astounding incredible poems
I well-addicted need,
those archeological mounds of a life,
I excavate and well heed,
going from one to the next,
me, the bumbling bee,
pollenating, following the path of the
watermarked tracks of
the King's Cross,
alas, they do not offer a couchette,
from Terminal 4 to London Bridge

unlike a teenager
happy to confess,
I am even younger,
an old fool, a geezer,
in love with a museum quality smile,
as he totters down to the Tottenham Hale station,
to catch the blue colored line, to the station after Vauxhall)
(oh dear, what's it called again?)
walking 10 to 2, saying ta to all
who assist his
two hands on an old man's bent feet,
steering the wheelhouse heart through its tubes

this is an undedicated poem,
retuned and returned,
addressee unknown, yet I know
by the greening dew droplets decorating faces,
that come so easy,
not a one wrung out,
you know
the who's of the true ownership,
the clarification,
in the bread crumbs,
fully disclosed,
left by me,
but for me,
in order to retrace my steps,
to find the railing,
when the steady on need arises

some Tuesday next,
will disembark from a riverboat,
at the old Tate,
spending my afternoon,
staring at an imaginary museum quality photograph,
till the guard surly reminds the pesky Yank,
its past closing time,
the man who will not be moved,
for already he, past overcome,
so why be thinking on why leaving,
for he will only be back again tomorrow.

so different.

mine, simple declarative sentences,
typically matter of fact,
so **** presumptuous,
those ill mannered,
know it all Ameddicans.

yours, lace doilles,
in a pub, with Hilda and Bill,
drinking pale ale,
from a porcelain cup,
and I am laughing,
Why?

It is all,
Good on Us,
a, love, poem,
indeed,
no kidding kid.
the object of my affection shall remain anonymous, in proper British poetic fashion
“It is the voice of years, that are gone! they roll before me, with
  all their deeds.”

  Ossian.


NEWSTEAD! fast-falling, once-resplendent dome!
Religion’s shrine! repentant HENRY’S pride!
Of Warriors, Monks, and Dames the cloister’d tomb,
Whose pensive shades around thy ruins glide,

Hail to thy pile! more honour’d in thy fall,
  Than modern mansions, in their pillar’d state;
Proudly majestic frowns thy vaulted hall,
  Scowling defiance on the blasts of fate.

No mail-clad Serfs, obedient to their Lord,
  In grim array, the crimson cross demand;
Or gay assemble round the festive board,
  Their chief’s retainers, an immortal band.

Else might inspiring Fancy’s magic eye
  Retrace their progress, through the lapse of time;
Marking each ardent youth, ordain’d to die,
  A votive pilgrim, in Judea’s clime.

But not from thee, dark pile! departs the Chief;
  His feudal realm in other regions lay:
In thee the wounded conscience courts relief,
  Retiring from the garish blaze of day.

Yes! in thy gloomy cells and shades profound,
  The monk abjur’d a world, he ne’er could view;
Or blood-stain’d Guilt repenting, solace found,
  Or Innocence, from stern Oppression, flew.

A Monarch bade thee from that wild arise,
  Where Sherwood’s outlaws, once, were wont to prowl;
And Superstition’s crimes, of various dyes,
  Sought shelter in the Priest’s protecting cowl.

Where, now, the grass exhales a murky dew,
  The humid pall of life-extinguish’d clay,
In sainted fame, the sacred Fathers grew,
  Nor raised their pious voices, but to pray.

Where, now, the bats their wavering wings extend,
  Soon as the gloaming spreads her waning shade;
The choir did, oft, their mingling vespers blend,
  Or matin orisons to Mary paid.

Years roll on years; to ages, ages yield;
  Abbots to Abbots, in a line, succeed:
Religion’s charter, their protecting shield,
  Till royal sacrilege their doom decreed.

One holy HENRY rear’d the Gothic walls,
  And bade the pious inmates rest in peace;
Another HENRY the kind gift recalls,
  And bids devotion’s hallow’d echoes cease.

Vain is each threat, or supplicating prayer;
  He drives them exiles from their blest abode,
To roam a dreary world, in deep despair—
  No friend, no home, no refuge, but their God.

Hark! how the hall, resounding to the strain,
  Shakes with the martial music’s novel din!
The heralds of a warrior’s haughty reign,
  High crested banners wave thy walls within.

Of changing sentinels the distant hum,
  The mirth of feasts, the clang of burnish’d arms,
The braying trumpet, and the hoarser drum,
  Unite in concert with increas’d alarms.

An abbey once, a regal fortress now,
  Encircled by insulting rebel powers;
War’s dread machines o’erhang thy threat’ning brow,
  And dart destruction, in sulphureous showers.

Ah! vain defence! the hostile traitor’s siege,
  Though oft repuls’d, by guile o’ercomes the brave;
His thronging foes oppress the faithful Liege,
  Rebellion’s reeking standards o’er him wave.

Not unaveng’d the raging Baron yields;
  The blood of traitors smears the purple plain;
Unconquer’d still, his falchion there he wields,
  And days of glory, yet, for him remain.

Still, in that hour, the warrior wish’d to strew
  Self-gather’d laurels on a self-sought grave;
But Charles’ protecting genius hither flew,
  The monarch’s friend, the monarch’s hope, to save.

Trembling, she ******’d him from th’ unequal strife,
  In other fields the torrent to repel;
For nobler combats, here, reserv’d his life,
  To lead the band, where godlike FALKLAND fell.

From thee, poor pile! to lawless plunder given,
  While dying groans their painful requiem sound,
Far different incense, now, ascends to Heaven,
  Such victims wallow on the gory ground.

There many a pale and ruthless Robber’s corse,
  Noisome and ghast, defiles thy sacred sod;
O’er mingling man, and horse commix’d with horse,
  Corruption’s heap, the savage spoilers trod.

Graves, long with rank and sighing weeds o’erspread,
  Ransack’d resign, perforce, their mortal mould:
From ruffian fangs, escape not e’en the dead,
  Racked from repose, in search for buried gold.

Hush’d is the harp, unstrung the warlike lyre,
  The minstrel’s palsied hand reclines in death;
No more he strikes the quivering chords with fire,
  Or sings the glories of the martial wreath.

At length the sated murderers, gorged with prey,
  Retire: the clamour of the fight is o’er;
Silence again resumes her awful sway,
  And sable Horror guards the massy door.

Here, Desolation holds her dreary court:
  What satellites declare her dismal reign!
Shrieking their dirge, ill-omen’d birds resort,
  To flit their vigils, in the hoary fane.

Soon a new Morn’s restoring beams dispel
  The clouds of Anarchy from Britain’s skies;
The fierce Usurper seeks his native hell,
  And Nature triumphs, as the Tyrant dies.

With storms she welcomes his expiring groans;
  Whirlwinds, responsive, greet his labouring breath;
Earth shudders, as her caves receive his bones,
  Loathing the offering of so dark a death.

The legal Ruler now resumes the helm,
  He guides through gentle seas, the prow of state;
Hope cheers, with wonted smiles, the peaceful realm,
  And heals the bleeding wounds of wearied Hate.

The gloomy tenants, Newstead! of thy cells,
  Howling, resign their violated nest;
Again, the Master on his tenure dwells,
  Enjoy’d, from absence, with enraptured zest.

Vassals, within thy hospitable pale,
  Loudly carousing, bless their Lord’s return;
Culture, again, adorns the gladdening vale,
  And matrons, once lamenting, cease to mourn.

A thousand songs, on tuneful echo, float,
  Unwonted foliage mantles o’er the trees;
And, hark! the horns proclaim a mellow note,
  The hunters’ cry hangs lengthening on the breeze.

Beneath their coursers’ hoofs the valleys shake;
  What fears! what anxious hopes! attend the chase!
The dying stag seeks refuge in the lake;
  Exulting shouts announce the finish’d race.

Ah happy days! too happy to endure!
  Such simple sports our plain forefathers knew:
No splendid vices glitter’d to allure;
  Their joys were many, as their cares were few.

From these descending, Sons to Sires succeed;
  Time steals along, and Death uprears his dart;
Another Chief impels the foaming steed,
  Another Crowd pursue the panting hart.

Newstead! what saddening change of scene is thine!
  Thy yawning arch betokens slow decay;
The last and youngest of a noble line,
  Now holds thy mouldering turrets in his sway.

Deserted now, he scans thy gray worn towers;
  Thy vaults, where dead of feudal ages sleep;
Thy cloisters, pervious to the wintry showers;
  These, these he views, and views them but to weep.

Yet are his tears no emblem of regret:
  Cherish’d Affection only bids them flow;
Pride, Hope, and Love, forbid him to forget,
  But warm his *****, with impassion’d glow.

Yet he prefers thee, to the gilded domes,
  Or gewgaw grottos, of the vainly great;
Yet lingers ’mid thy damp and mossy tombs,
  Nor breathes a murmur ‘gainst the will of Fate.

Haply thy sun, emerging, yet, may shine,
  Thee to irradiate with meridian ray;
Hours, splendid as the past, may still be thine,
  And bless thy future, as thy former day.
Georgia.
Three years under my feet sat
Georgia.
She wasn’t my mother,
My sister,
My aunt,
Or my cousin’s best friend’s transgender brother.

Georgia
Was 59, 425 square miles of home.
Family.
A place for unconditional love to roam.

Georgia
Was familiar,
Like the smell of my mother’s perfume,
Or my oldest family heirloom.

Georgia
Stretched as wide as she could
Until one hand met the ocean
And the other held hands with Alabama,
Their history together still slightly filled with tension.

Georgia
Bumped shoulders with South Carolina,
Each unaware of the changes that were about to take place
A fifteen year long path they could never retrace.
A needed look
of happiness
A smile upon my face
But way deep down
inside's
a hole
Let no one go
behind the gates

A changing shape
A life
that’s fake
The effort needed
I will make
Ingredients
A cake
I bake
Like shedding skin
I’ve been replaced

So 'cut-n-paste'
but life don't taste
My past
aren't steps
that I retrace
Each day
a race
Response; quick haste
Hide deep inside
Alone disgraced

A fall from grace
A gracious thought
Was never true
Instead
was bought
A jagged pace
Should be erased
One big mistake
How I
was taught

Repeating loop
Forever caught
An ending saved
For me
it's naught
My life I’ll waste
Won't have
what's sought
The things
I got
Did not embrace

Peered over shoulders
into space
Life long mistake
Dug my own grave
My hopes and dreams
I gave
or trade
All washed away
The price I pay

A birthing brightness
Road was paved
What love
I had
Chose not
to stay
None in return
and none
was saved
A dying star
begins to fade
Written: August 26, 2018

All rights reserved.
[Iambic Octameter format]
Joshua Haines Jun 2014
Dear Talia,


Acid rain has never felt so warm. We ran home today from the Rail Trail, underneath an umbrella, that you called a Monet and that I called home.

Before that, I sat in a cafe, using my heartbeats as a way to count the passing seconds. I frequently got up and left to go occupy myself. Honestly, I got up to try to remedy my anxiety.

Beyond reasonable punctuality, I was forty, give or take, minutes early. I don't know why I was early; I guess I just was really excited to see you.

When I did leave the cafe, I would always be on a mission to improve our day anyway I could.

At first, I bought a notebook and two cranberry juices. I wanted to write you poetry in the cafe, before you arrived. I started writing but nothing worth showing spilled onto the paper.

I wrote you this poem:

There is nothing that calms me like you do.
There is no one that smiles like you do.
I could find escape in your eyes, and home in your hands.
If you could understand me, like how I understand you.
There is no one like you.

The next time I left, I went to buy bread. I thought it was a good idea if we could feed the ducks, together.

The lady who sold me the bread looked like her dreams were passed onto me. She looked at me with hope, and realistic expectations.

When I went back to the cafe, you still weren't there. I was expecting you in a few minutes, so I was okay. I had horrible anxiety because I thought you would never come, despite your not having to be there until three minutes and however remaining seconds. I have a horrible fear of abandonment and it ignores all rational thought.

So I sat down and I wrote you another poem, hoping that you would surprise me while I was writing it.

I wrote this poem:

I love you.
And it's okay,
you don't have to love me.
It's my love and I want you to have it.

An hour passed and you still weren't there. It was okay because I thought something more important came up. I just wanted you to be happy.

Another twenty minutes passed and I decided to leave. My head sunk down to the ground, as I jaywalked across a street of inconsistent traffic. Then, I found the sidewalk. I was walking, not really paying attention to anything, when I found you. My god, your peripheral vision is bad, but you really do see me.

I was happy to see you.

I wanted to say, "I love you," but I didn't want to lose you.

You were wearing this top that looked like it was painted in cream, and you were exhausted from walking miles to see me. You profusely apologized for being late, and I profusely apologized for not checking my messages.

****, I really do love you. At first, I was stepping down stairs, and then I fell so hard onto the asphalt that had your face confidently drawn on with assorted chalks.

Your name flickers in every light, and your voice settles in my eardrums.

We walked down to the Rail Trail, and I felt like how I imagined those would feel after being baptized. You don't realize how lucky I feel to be walking next to you, talking to you, and knowing that you are on the Earth, and that we are in the same place, the same moment.

I got to hold the umbrella.

My mouth tasted like cheddar and sour cream ruffles, and my hands had trouble circulating blood, and my heart was circulating too much, too fast.

Your eyes were fountains trapped behind emerald.

I love you. I love you. And I love you. I thought all of this between every word that we exchanged, and every glance. I think you love me, too, but it's hard to tell sometimes. You don't have to, but sometimes I imagine that you do, and it's wonderful to imagine such things.

I'm afraid that I'll have to go to a mental hospital. If you were to leave me, I'd understand. I would just want you to be happy, Talia. I hope you wouldn't, though. I guess I'll find out in June.

Despite being reasonably unstable, I feel like the sanest person in a room, sometimes. I was sitting in my living room and I thought about us feeding the ducks, and I heard everyone else talking. I don't understand the point in alcohol and alcohol related stories, when there are ducks and feeding-the-ducks-with-someone-you-love related stories. I don't understand this town, sometimes. Maybe I don't understand how messed up I am, and how everyone is normal.

The mother ducks, and the children, were not there whenever we arrived. We fed the males and it was fun. I like it when you smile. Frequently, we talked about how unfair it was to the females that they would be deprived of our bread. I think things are unfair for females, no matter the species.

We tossed slices and half-slices of bread like safety nets. If our bread can make them live longer, then it'll be worth it. Is that too dramatic of a thought to have?

After looking at the sky, you and I both knew what would happen. It was to be a downpour of everything that would **** you and I, if collected into a cement hole in the ground, approximately six to twelve feet deep. I felt safe, though. I always feel safe with you.

We hunched underneath the umbrella, and scampered across downtown. Your feet were getting wet because of your sandals, and our clothes were sticking to our bodies like how we were sticking to each other. We laughed and spoke French underneath the umbrella, in the pouring rain.

You wore one of my shirts, once we were in my room, and I looked at you and knew that it was true.

Your nose had little cuts, underneath, from our kissing. Apparently, my stubble scratched your skin. I can feel you after we kiss, too, but in a different way.  I can feel you anywhere I go.

I watched you walk up the side of the road, and I turned around to retrace my steps back home, despite just watching my home walk up the side of the road.



Yours Always,

Josh
j May 2013
moonbeams shone
through the undrawn curtains
and danced goodnight kisses on
your skin
and in that moment
I swear I wanted nothing
more than to retrace the
moonlight's delicate footsteps
with my cracked needy lips
and fragile soul
Love has earth to which she clings
With hills and circling arms about—
Wall within wall to shut fear out.
But Thought has need of no such things,
For Thought has a pair of dauntless wings.

On snow and sand and turn, I see
Where Love has left a printed trace
With straining in the world’s embrace.
And such is Love and glad to be
But Thought has shaken his ankles free.

Thought cleaves the interstellar gloom
And sits in Sirius’ disc all night,
Till day makes him retrace his flight
With smell of burning on every plume,
Back past the sun to an earthly room.

His gains in heaven are what they are.
Yet some say Love by being thrall
And simply staying possesses all
In several beauty that Thought fares far
To find fused in another star.
Melissa Nye Jul 2013
How I feel for you is like trying to remember your dreams or recollecting where you left your phone,
Because I don't know where it started from,
Just like how I don't remember the exact moment when my head hits my pillow for the first time,
Or when I took my first phone call or replied to the first text that came through.
I can't retrace my steps to where it all began.
Because it was so slow,
And I don't ever intend to recognise the position I am in at 2:36am while trying to get some beauty sleep or the angle of my phone on the coffee table next to a tea stained coaster,
Just like how I didn't intend to realise the beauty of your face, the outline of your jaw or the mannerism of your voice as you say my name for the first time,
And how I feel for you is like a tonne of ******* bricks,
Because I can't even breathe when you're around,
And one by one each brick of insecurities that I have collapses onto me because I can't hold myself up to push away the bricks,
And say how I feel and it's concrete, set in stone that I am not for you.
I don't think that by finding my phone I can figure you out
Or buy myself some time to remove the aspect of sleeping from my life
So I never have to dream again just to live in the only constant of reality
In order to realise that I am naive and young and free minded but I am the world if I want to be.
Tell me, if I remember my dreams like I remember the solar system or the quadratic formula does that make me unworthy?
Because only astronomers can recall the solar system in a flash and only mathematicians use the quadratic formula day by day,
But we are not all astronomers or mathematicians but I know that one plus one equals two, me and you
And I know that as long as there are stars in the sky that you are important to me.
So believe me,
That when I say I need you I need you to need me too,
To need me in the sense that I probably can live without you but the fact of the matter is I don't want to
Because that wouldn't be as far as interesting as the two of us being crazy at 3am by throwing cookie dough at the wall.
Not to need me in the sense that I need you to be next to me every minute of every single ******* day
Because you don't.
You just need someone,
Someone to care or not to care but someone, anyone because then you won't feel even as half as alone as you did the night before
And I know you did as we all did but I want you to want me as in you want me to ride Saw with you at Thorpe Park
And I want you to want to walk me to the bus stop not because it's on your route home.
I can't remember where I've been
Or the dream that I had last night
Or where I left my phone,
But I know that I've been to the moon and back thinking about you
I know that last night's dream was about you stomping on a spider
I know that I put my phone on the breakfast bar of the kitchen.
I know fractions.
I will never know the full story to anything besides from my own stories and histories
Just like dreams and places I've been and where my phone has gone
I know fractions of you like how one third of the time you are sleeping
Three times out of eight you are at the bookies
Half the time you are on my mind.
The next time you remember your dream back to back and recite it like a subtitled drama,
Or the next time you find your phone once you realise you left it on the table on your morning train,
I hope that you recognise that nobody loves like that or lives like that in a constant perfection
I hope you realise how some people don't want to remember their dreams when they wake up because not all of them are good ones,
That sometimes it's best to leave our phones where they are to disconnect from a world of social media for a couple of hours
That maybe it's okay to not remember wherever we wish because bad things might have happened at those points in our pasts
And that's how I fell for you, in little bits.
This poem is Spoken Word.
fernando birlo Sep 2012
and i never said goodbye
but i don’t know where to start, anyway
though you’ve never been more at peace
apart, we just fell apart

please, please send your guidance
and don’t answer with a question
I’m just naive
don’t forgive, just forget, forgive again

I watch the evening smoke fade into orange
and the reds into black
you’ve always been a lamp unto my feet
in a blank world
give me comatose joy
like recurring memories
well the snow is shimmering in now
slanting dark colors, shading my destiny

can we just rewind time while I watch you age backwards?
forever changing the shape of memory
again, just show me how victory’s sweet,
even in death

hey, this dirt road’s empty
littered with cans from summer nights
deliver me, make me honest, make me clean
take me home, tell me where

wait, calm me with your voice
take me back to the old willow tree
make me dizzy with laughter
push me in the creek, again

like 2008 goodbye,
give me tears of pride
soft winds are sweeping away my days
as evening fades to night
you’ve always been a empty book to me,
an empty box to fill with notes
I still feel you, like a shadow on the empty plains
you’re a gushing waterfall
that’s run dry

can we just rewind time while I watch you age backwards?
forever changing the shape of memory
again, just show me how victory’s sweet,
even in death

you never judged
never condemned, cause that’s not you
and I never asked enough,
sought what I should have…
and tomorrow is here, unknown
all these changes and time—
and it’s you on my mind

like the evening smoke fading into orange
while the reds are fading into the black
oh today is just a nightmare
chaos and uncertainty
your boardwalk isn’t the same.
as I give way to **** poor dreams
like jumping out of a plane, with no parachute

I feel like you constructed this universe,
had it in the palm of your aged, lined hand
this perfect society of infinity

I lay and watch the sky get darker
the sunset through the naked branches of our tree
the stars emerge like diamonds
I remember how you always wished on the ones that
“have the courage to stay where they are”
and I retrace our steps of old to your empty room
to the datebook you lived by
you missed your dentist’s appointment,
never made it to my senior night.

but today, just hear my call
send me your voice
guide my feet as i walk away
as i take my steps into this ever-changing
presence we call life
watch over me from above with your knowing smile
and show me how victory’s sweet
even in death
Truth be told, I was skeptical.
Was this worth the cowry shell equivalent?
My mind was a dry skin covered foot caught on a fleece blanket.
My tongue, lined with the taste of that earthy bile.
Distant isles between Alaska and Ayahuasca,
but it all comes rushing back. Jungle visions.
-
I
        take
                    ten
               ­              sickly      
                                          steps
                ­                                     toward
                                                          ­         the
                                                             ­              teetering  
                                                     ­                                      ethereal
                                                        ­                                                  edge.
-
She's once again lined with that finespun glow.
I'm once again letting the little things go.
She's letting me know for the very first time.
I'm struggling to find words for the very last rhyme.
-
                                        Trudging
       ­     tip-toed
through
                                           ­                       the
                  nonlinear
      narr­ative;
                                       elegantly
                                                       ­     elephantine.
-
Lick your wounds, traveler.
Set your eyes to the pale star's gleam.
Dogma unraveller
with an elementary scheme.
We are nature's instruments.
We are watchers in the night.
Softened slightly by the dissonance
of the dearly departed Wight.
-
He's slipping in and out.
Orbium linguam avium.
Labra lege: hic sunt dracones.
Let us dine on cremated elves.
-
     m sw ll   w  ng sw rds   nd st rs.
R zn hdzooldrmt hdliwh zmw hgzih.
I a         a  o   i          o      a         a  .
I am swallowing swords and stars.
-
.ecnatsbus em evig dna eniltuo ym nekraD
.savnac eruza siht otno seye s'ti tsac dluow nuS eht hsiw I
?suhpysiS fo redluob eht I mA
.noitcerid gnorw eht ni gnilbmut no peek I
-
We're sailing on the calmest of waters,
but there is not a drop to drink.
Bad news for the boy who only rejects omens.
I will not hang a dead bird around my neck.
Retrace the lace and my hazy days of habit,
then let me know your honest opinion.
Exhibit an execution by exsiccation of the most exuberant exiles.
Or am I the only one who's thirsty?
-
                                                      ­                      Who here is the ghost?
I know **** well it's not me.
                                                             ­                            Who said that?
I know I did.
                                                            ­                                        Didn't I?
Couldn't be.                                                              ­            
                                                    ­                                                    Am I?No.                                  
                         ­           Hopper, this isn't sinking in.
I am not a liar.
-
0111011101100101

011000010111001001100101

01101111011­100100110011101100001011011100110100101100011

011011010110000101­1000110110100001101001011011100110010101110011

-
I was supposed to be writing something down.
Some kind of secret; some kind of rune.
Can you help me find our primal core?
Your carnal truths are mine to keep.
Weren't you supposed to be going somewhere?
The flea burrow, no, The Doubling House.
For in those halls of mold and paper walls
your memories were uneagerly forged.
It's time to shed your summer skin
and begin to eat with your hands.
Robin Ashley Sep 2015
I had a dream the other day I ran into a doctor, lawyer and a constable,
We came to an agreement that I  had lost some part of me and that "I" am totally responsible;
Then I had another dream I ran into a doctor, cousolor and a poet,
We came to an agreement there's certain things you just don't delegate but before then I didn't know it!
So now I'm taking six weeks off and explaining  why is basically the moral of this little rhyme,
I have to find that item I lost instead of intertaining getting high and ******* all the time!
There's a lot of back stepping I must do I could have lost it anywhere,
It's a powerful asset I've always had but I lost it somewhere over this past year.
It might be right next to you or me so please look around do you see it?
This is a necessary part of me I really need so I just can't ignore or say so be it.
I must retrace my steps to lead me back to what once led me to here,
To fix that error of my past when I lost the virtue of my despair.
Now a broken bone heals in six weeks and so I think this is a realistic amount of time,
This is a personal excursion I must take because believe me I feel all of your pain combined.
I have to find my virtue the disposition to keep on doing the right thing...
Without my positive attitude the strength and prudence I have just doesn't mean a god ****** thing!
You might miss me a little bit but I plead for you to stay away,
If you don't it doesn't matter cause I'm not answering my phone, texts e-mails nor doorbells anyway.
And if you've learned anything from me you'll listen to me when I say,
Loosing virtue is like jumping off a 55 ft. bridge you'll be hurting every day!
And if like me you ever lose your virtue you'll realize this then too,
You'll go on an excursion just like me this virtue you too you will persue.
Sediment, strength, prudence and wisdom go nowhere as far as prooving who one is,
Without the moral virtue we all have that allows us to make stinky things smell like roses.
Goodbye for now I'll see you soon and for me to do this you ought,
To love yourself much and me much too and for you... to Keep a Wonderful aThought!
                              Robin Ashley
smallhands May 2014
so you wanna play good cop, bad cop
I've got all you wanna know
thanks for the time out of your day spent on me
it means alot
retrace my steps just to satisfy you
claiming my innocence
but whatever I do
I end up being accused

-c.j.
Andrew Parker Jan 2014
Love So Strong it Hurts SLAM Poem
1/22/2014

My mother loved me in the ways she thought she should.
Sometimes she drove me to school.
Her nickname for me was 'Cool.'

My mother loved me in the ways she thought she should,
as much as she could that is.

For who could love with a broken heart.
still hanging on to your dead husband
that day I died too.
I knew
growing up had to do.

Turned 12 and games stopped,
lacked desire to talk
just sat - watched the clock
run out
hands break
couldn't escape
so many times
tried to recreate
that night.

Let's go back
Christmas Eve, before 20 four-teen.
I visited the cemetery
Showed my father I had grown.
What would he think could he see what I had shown.
Would he be proud I finished college.
call my generation's music garbage?

What would my father think if I told him I am gay.
"Son that's okay?"
Or would he push me away and say, "Son,
I don't know where I went wrong.
Mother must have loved you too much,
she made you sing a different song,"

But that's wrong,
I don't even know how to sing,
and don't think my mother ****** up on anything.
Can't help but feel resentment though,
which I try my best to hide
deny verbal abuse left feelings' scars everywhere inside.

Suffered a lot from tragic death,
she took it out on me, with that big mouth on her head.
One day, she told me, "I wish you were dead,
I wish you had died, leaving my husband alive instead."
It hurt more the next day,
Drove me, then she started to say,
"Wynn, is everything okay?
You seem upset today.
Don't forget your lunch,
Hey!"

I'm talking to you!
She forgot just how much it meant
things said in fits of rage.
I wouldn't, instead,
inside I'd age and age and age
until I broke down into mush.

Need a walker,
please a little push
of emotional support
stranger to kindly escort
me
keep from falling further
into a world that needed me not,
but never had me forgot,
just locked
up in miscreant prison
a palace for teenagers whose youth had gone missing.


Maybe it had left me on that fateful night,
filled with cold air, *****, and fright.

December 24th, twenty-oh-four.
My dad woke up walked through heaven's doors.
At morning I fought with my brother,
father was a lazy guy, stomach big bloat,
wanted us to get batteries for his tv remote,
and I,
didn't know that day my father would die,
but I,
wish I didn't fight with brother,
march away, ignore simple tasks for another.
Wish I got the batteries,
I didn't know that day my father would die
I didn't know that day my father would die
but why would I?

I learned to be kinder
listen a little longer
made me feel wiser.

My mother looked at his picture on the wall
screamed, "******* leaving me alone with no money at all!"
Just because she wanted to take care of us small
people in a big house
with big hearts match her big mouth
and a slowed heart
match the red hot
fire of hers.
I never tried to start the fights
then again, my memories blocked out blurs.

My mother loved me in the ways she thought she should.
telling me become best I ever could.
Brag about me to her friends,
"Look what my little Wynnie did today,
got his first job at 12."
had no time for my happy hooray,
been working ever since,
make ends meet,
mostly just to hear her say,
"Wynnie is my little prince, he can't be beat."
But I'd go home at night
and she'd say, "You little ****." spit in my eye.
Where were words of praise to be
vanished before they could reach my face

Still I tried to please her,
loved her as much as she loved me,
needed the world to see,
we could make it keep spinning,
with persistent power of our broken family.

Did well in school, got a 4.2 gpa
started partying,
didn't hesitate
to tell her everything,

Because each piece of me
or part of me
became a thing,
and led to yearning
for satisfaction
of recognition
I have motivation

She wanted me to be
the **** best.
Scream at me
and plead for me
Beg me please
that I wasn't trying my hardest.
Couldn't help that it was shallow,
I'd dug up where my heart was long time ago,
filled in cement, escaped torment
of a dead father at age 12,
never wanting to delve
any deeper into tragedy
of life's greatest comedy.

Letting him die that day,
leaving his family
to **** each other,
deny thy mother
and thy brother
any future lover
the ability
to clearly see
what I could be
you here with me,
still,
still,
still,

my heart stopped still
ceased its beating
ceased it bleeding,
ceased its needing,
for toxic things like love
or lust
or any other must
have must not
can't feel
too ****** up.
for you
still,
still,
still,

Still, I hurt from being loved too much
by a mother who could never care enough,
to stop the screaming,
end the shouting,
terrorizing my dreams,
my sight, my hearing,
is still fine

Yet I still I hear her shouting my name
distant in an open plane,
or on airplane
a million miles in the sky,
way up high,
still hear her
hear...her...in...my...ear.
or in my mind
in my memories
never in my sight
because love had me blind.

Now all grown up
I guess I am alright.
Although skin does look kinda white,
bleached from the lies,
I tried to erase,
these scars that still retrace
when I think back to that night,
my father died,
and how I thought my family could be just fine,
if I let my mother continue to love me in the ways she thought she should,
because with a dead husband I thought that was all she could.

I hurt from your love mom,
today we're in a better place,
the way we communicate,
sometimes you still get irate,
I no longer let it penetrate.

Now I love my fate,
the way life sold my childhood,
for that I am great-ful,
to have been so wishful
someday I could stand here say,
I love my mom still,
and that's okay,
because she loves me more, each minute of every day,
sometimes she just shows it in the wrong way.
Mark Steigerwald Dec 2019
Through loud crashes
And heroic smashes
Through long nights and lonely walks
July you stayed by my side.

July, you were there
When few could claim thus.
You showered your care
When others made hardly a fuss.

July, you were there
When the bottom fell out
July so fair, so constant
When all I could do was shout

July,
You were my first days without her
My first lonely nights,
my misery, my muse,
my history, my news

July I don't know why you came to me
Or how I ended up with you at my side.
But now that time has past, and those wounds have scared and healed
I'm ready to return to you and say that Im grateful for you, and for those really hard nights.

They taught me the brevity of life.
They taught me to hold on:
To those I love a little tighter,
To those I cherish a little deeper,
To stay up talking a little longer,
To drive a little farther,
To try a little harder,
To love a little richer

July July,
I cry to think
I cry to remember
I cry to retrace those summer steps
Those first days without her.

July July,
Thank you for being there
When I didn't understand
And I couldn't comprehend.
Though I didn't see it
You were what was best.
Paul d'Aubin Mar 2017
« Des Hommes prophétiques en face de leurs époques face à la souffrance causée par les périodes de réaction et de reflux »

(Relation d’une conférence donnée le 13 janvier 1940 à Toulouse par Silvio Trentin sur le principal Poète romantique Italien Giacomo Leopardi)

Prélude à une commémoration

C'est à la bibliothèque interuniversitaire de l’Université de Toulouse-Capitole alors que je me plongeais avec ferveur dans la lecture des ouvrages sur les « fuorusciti » (appellation donnée aux exilés politiques Italiens) que je découvris un opuscule de 118 pages, issue d'une conférence prononcée à Toulouse, le 13 janvier 1940 devant le « Cercle des intellectuels Républicains espagnols » par Silvio Trentin. Cette conférence fut prononcée avec la gorge nouée, devant un public d'intellectuels espagnols et catalans, la plupart exilés depuis 1939, et quelques-uns de leurs amis toulousains non mobilisés.
L'intense gravité du moment ne les empêchait pas de partager une ferveur commune ce haut moment de culture la culture Européenne intitulée par Silvio Trentin : « D’un poète qui nous permettra de retrouver l'Italie Giacomo Leopardi »
L'émotion fut grande pour moi car cet ouvrage me parut comme le frêle esquif rescapé d'un temps de défaites, de souffrances, rendu perceptible par le crépitement des balles de mitrailleuses, des explosions d’obus s'abattant sur des soldats républicains écrasés par la supériorité des armes et condamnés à la défaite par le mol et lâche abandon des diplomaties. Silvio Trentin avait gravé dans sa mémoire des images récentes qui n'avaient rien à envier aux tableaux grimaçants de nouveaux Goya. Il avait tant vu d'images d'avions larguant leurs bombes sur les populations terrifiées et embraser les charniers de Guernica. Il venait de voir passer les longues files de civils, toujours harassés, souvent blessés, emportant leurs rares biens ainsi que les soldats vaincus mais fiers de «la Retirada ». Il venait de visiter ces soldats dont parmi eux bon nombre de ses amis de combat, parqués sommairement dans des camps d'infortune.
Ces Catalans et Espagnols, qui s'étaient battus jusqu'au bout des privations et des souffrances endurées, étaient comme écrasés par le sentiment d'avoir été laissés presque seuls à lutter contre les fascismes, unis et comme pétrifiés par un destin d'injustice et d'amertume.
Mais ces premiers déchainements impunis d'injustices et de violences avaient comme ouverts la porte aux «trois furies» de la mythologie grecque et une semaine exactement après la conclusion du pacte de non-agression germano-soviétique, signé le 23 août 1939, par Molotov et Ribbentrop, les troupes allemandes se jetaient, dès le 1er septembre, sur la Pologne qu'elles écrasaient sous le nombre des stukas et des chars, en raison ce que le Général de Gaulle nomma ultérieurement « une force mécanique supérieure».
Une armée héroïque, mais bien moins puissante, était défaite. Et il ne nous en reste en guise de témoignage dérisoire que les images du cinéaste Andrei Wajda, nous montrant de jeunes cavaliers munis de lances se rendant au combat, à cheval, à la fin de cet été 1939, images d'une fallacieuse et vénéneuse beauté. Staline rendu avide par ce festin de peuples attaqua la Finlande, un mois après, le 30 septembre 1940, après s'être partagé, avec l'Allemagne hitlérienne, une partie de la Pologne. Depuis lors la « drôle de guerre » semblait en suspension, attendant pétrifiée dans rien faire les actes suivants de la tragédie européenne.

- Qu'est ce qui pouvait amener Silvio Trentin en ces jours de tragédie, à sacrifier à l'exercice d'une conférence donnée sur un poète italien né en 1798, plus d'un siècle avant ce nouvel embrasement de l'Europe qui mourut, si jeune, à trente-neuf ans ?
- Comment se fait-il que le juriste antifasciste exilé et le libraire militant devenu toulousain d'adoption, plus habitué à porter son éloquence reconnue dans les meetings organisés à Toulouse en soutien au Front à s'exprimer devant un cercle prestigieux de lettrés, comme pour magnifier la poésie même parmi ses sœurs et frères d'armes et de malheurs partagés ?
I °) L’opposition de tempéraments de Silvio Trentin et Giacomo Leopardi
L'intérêt porté par Silvio Trentin aux textes de Percy Shelley et au geste héroïco-romantique du poète Lauro de Bosis qui dépeignit dans son dernier texte le choix de sa mort héroïque pourrait nous laisser penser que le choix, en 1940, de Giacomo Leopardi comme sujet de médiation, s'inscrivait aussi dans une filiation romantique. Certes il y a bien entre ces deux personnalités si différentes que sont Giacomo Leopardi et Silvio Trentin une même imprégnation romantique. Le critique littéraire hors pair que fut Sainte-Beuve ne s'y est pourtant pas trompé. Dans l'un des premiers portraits faits en France de Leopardi, en 1844, dans la ***** des deux Mondes, Sainte-Beuve considère comme Leopardi comme un « Ancien » : (...) Brutus comme le dernier des anciens, mais c'est bien lui qui l'est. Il est triste comme un Ancien venu trop **** (...) Leopardi était né pour être positivement un Ancien, un homme de la Grèce héroïque ou de la Rome libre. »
Giacomo Leopardi vit au moment du plein essor du romantisme qui apparaît comme une réaction contre le formalisme de la pâle copie de l'Antique, de la sécheresse de la seule raison et de l'occultation de la sensibilité frémissante de la nature et des êtres. Mais s'il partage pleinement les obsessions des écrivains et poètes contemporains romantiques pour les héros solitaires, les lieux déserts, les femmes inaccessibles et la mort, Leopardi, rejette l'idée du salut par la religion et tout ce qui lui apparaît comme lié à l'esprit de réaction en se plaignant amèrement du caractère étroitement provincial et borné de ce qu'il nomme « l’aborrito e inabitabile Recanati ». En fait, la synthèse de Giacomo Leopardi est bien différente des conceptions d'un moyen âge idéalisé des romantiques. Elle s'efforce de dépasser le simple rationalisme à l'optimisme naïf, mais ne renie jamais l'aspiration aux « Lumières » qui correspond pour lui à sa passion tumultueuse pour les sciences. Il s'efforce, toutefois, comme par deux ponts dressés au travers de l'abime qui séparent les cultures et les passions de siècles si différents, de relier les idéaux des Antiques que sont le courage civique et la vertu avec les feux de la connaissance que viennent d'attiser les encyclopédistes. A cet effort de confluence des vertus des langues antiques et des sciences nouvelles se mêle une recherche constante de la lucidité qui le tient toujours comme oscillant sur les chemins escarpés de désillusions et aussi du rejet des espoirs fallacieux dans de nouvelles espérances d'un salut terrestre.
De même Silvio Trentin, de par sa haute formation juridique et son engagement constant dans les tragédies et péripéties quotidienne du militantisme, est **** du secours de la religion et de toute forme d'idéalisation du passé. Silvio Trentin reste pleinement un homme de progrès et d'idéal socialiste fortement teinté d'esprit libertaire pris à revers par la barbarie d'un siècle qui s'ouvre par la première guerre mondiale et la lutte inexpiable engagée entre la réaction des fascismes contre l'esprit des Lumières.
Mais, au-delà d'un parcours de vie très éloigné et d'un pessimisme historique premier et presque fondateur chez Leopardi qui l'oppose à l'obstination civique et démocratique de Silvio Trentin qui va jusqu'à prôner une utopie sociétale fondée sur l'autonomie, deux sentiments forts et des aspirations communes les font se rejoindre.

II °) Le même partage des désillusions et de la douleur :
Ce qui relie les existences si différentes de Giacomo Leopardi et de Silvio Trentin c'est une même expérience existentielle de la désillusion et de la douleur. Elle plonge ses racines chez Giacomo Leopardi dans une vie tronquée et comme recroquevillée par la maladie et un sentiment d'enfermement. Chez Silvio Trentin, c'est l'expérience historique même de la première moitié du vingtième siècle dont il est un des acteurs engagés qui provoque, non pas la désillusion, mais le constat lucide d'un terrible reflux historique qui culmine jusqu'à la chute de Mussolini et d'Hilter. A partir de retour dans sa patrie, le 4 septembre 1943, Silvio Trentin débute une période de cinq jours de vie intense et fiévreuse emplie de liberté et de bonheur, avant de devoir replonger dans la clandestinité, en raison de la prise de contrôle du Nord et du centre de l'Italie par l'armée allemande et ses alliés fascistes. Bien entendu il n'y a rien de comparable en horreur entre le sentiment d'un reflux des illusions causé par l'échec historique de la Révolution française et de son héritier infidèle l'Empire et le climat de réaction qui suit le congrès de Vienne et la violence implacable qui se déchaine en Europe en réaction à la tragédie de la première mondiale et à la Révolution bolchevique.


III °) Le partage de la souffrance par deux Esprits dissemblables :
Silvio Trentin retrace bien le climat commun des deux périodes : « Son œuvre se situe bien (...) dans cette Europe de la deuxième décade du XIXe siècle qui voit s'éteindre les dernières flammèches de la Grand Révolution et s'écrouler, dans un fracas de ruines, la folle aventure tentée par Bonaparte et se dresser impitoyablement sur son corps, à l'aide des baïonnettes et des potences, les solides piliers que la Sainte Alliance vient d'établir à Vienne. »
C'est donc durant deux périodes de reflux qu'ont vécu Giacomo Leopardi et Silvio Trentin avec pour effet d'entrainer la diffusion d'un grand pessimisme historique surtout parmi celles et ceux dont le tempérament et le métier est de penser et de décrire leur époque. Silvio Trentin a vu démocratie être progressivement étouffée, de 1922 à 1924, puis à partir de 1926, être brutalement écrasée en Italie. En 1933, il assisté à l'accession au gouvernement d'****** et à l'installation rapide d'un pouvoir impitoyable ouvrant des camps de concentration pour ses opposants et mettant en œuvre un antisémitisme d'Etat qui va basculer dans l'horreur. Il a personnellement observé, puis secouru, les républicains espagnols et catalans si peu aidés qu'ils ont fini par ployer sous les armes des dictatures fascistes, lesquelles ne ménagèrent jamais leurs appuis, argent, et armes et à leur allié Franco et à la « vieille Espagne ». Il a dû assurer personnellement la pénible tâche d'honorer ses amis tués, comme l'avocat républicain, Mario Angeloni, le socialiste Fernando de Rosa, son camarade de « Giustizia e Libertà », Libero Battistelli. Il a assisté à l'assassinat en France même de l'économiste Carlo Rosselli qui était son ami et qu'il estimait entre tous.

IV °) Sur le caractère de refuge ultime de la Poésie :
Silvio Trentin laisse percer la sensibilité et l'esprit d'un être sensible face aux inévitables limites des arts et techniques mises au service de l'émancipation humaine. A chaque époque pèsent sur les êtres humains les plus généreux les limites inévitables de toute création bridée par les préjugés, les égoïsmes et les peurs. Alors la poésie vient offrir à celles et ceux qui en souffrent le plus, une consolation et leur offre un univers largement ouvert à la magie créatrice des mots ou il n'est d'autres bornes que celles de la liberté et la créativité. C'est ce qui nous permet de comprendre qu'au temps où l'Espagne brulait et ou l'Europe se préparait à vivre l'une des époques les plus sombres de l'humanité, la fragile cohorte des poètes, tels Rafael Alberti, Juan Ramon Jiménez, Federico Garcia Lorca et Antonio Machado s'engagea comme les ruisseaux vont à la mer, aux côtés des peuples et des classes opprimées. Parmi les plus nobles et les plus valeureux des politiques, ceux qui ne se satisfont pas des effets de tribune ou des honneurs précaires, la poésie leur devient parfois indispensable ainsi que formule Silvio Trentin :
« [...] si la poésie est utile aux peuples libres, [...] elle est, en quelque sorte, indispensable — ainsi que l'oxygène aux êtres que menace l'asphyxie — aux peuples pour qui la liberté est encore un bien à conquérir] « [...] La poésie s'adresse aussi "à ceux parmi les hommes [...] qui ont fait l'expérience cruelle de la déception et de la douleur».
Le 16 03 2017 écrit par Paul Arrighi
Lost for words Nov 2009
30
I've spent so long trying
To forget each cringeworthy day
My mistakes & decisions
Took so long to go away

I've been a million different things
A million different times
I've done so many different things
Committed many crimes

I've changed my personality
And reinvented who I am
I don't recognise myself
I'm amazed that others can

I try not to talk about
The crazy times back then
The drama, the men, the music
The life of way back when

And now the people left behind
The good within the bad
In passing on the past
I lost out on what I had

This rolling stone has stopped at last
Ready to retrace her track
I think they've forgotten now...
Is it too late to go back?

— The End —