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Vince Paige Jun 2010
when i was a boy,
i collected seashells.
i had the most beautiful collection
when i was a boy.

i dreamt of seashells
and what i dreamt was beside
me every morning of everday
when i was a boy.

i had red ones and blue ones
white ones and rounds ones
ones of beauty and of majesty
when i was a boy.

the world marvelled at my collection
the world coveted my collection
i had the most beautiful seashell collection
when i was a boy.

one day i looked out through a window
and saw a boy walking along the beach
he picked up the plainest of seashells
and smiled
i raged and raged and raged
for forty days and forty nights
i raged
when i was a boy.
07:56 PM 12/7/04
Nat Lipstadt Oct 2017
once upon a wrote


here and there, in fables and tales,
some in no guile and others
in chancier disguises,
some sine-known and some sign-unknown,
some dead in stillbirth,
some penned these words,
some a few decades old,
some of but a moment ago eyelash distant,
making me think that
someday I will scribe,
cobble some truths and
some falsehoods into one
leaping heaping melting scoop,
letting you decide,
which for better,
which for worse...


<•>

"No matter that plain words
are my ordinary tools,
With them I shall scribe the small,
Cherish the little, grab the middle,
Simplicity my golden rule,
Write they say,
about what you know best,
Surely in the diurnal motions,
The arc of daily commotion,
Do we not all excel?"

<•>

the reason we say so oft,
in whispers emboldened,

I love you

to our children
is not the utility of
its summarizing brevity

no, no.
it is because
the eloquence of simplicity
supersedes any other poem
any of us could ever write...

<•>

is this craft that chose you,
not defined by machine millimeters,
precision absolute,
curvatures, so eye-pleasing,
they demonstrate no tolerance
for tolerance of the ordinary?

the skill of words, too, cut so fine,
find the  extraordinary within,
refine, refine, refine,
shave away the trite,
the reused,
discard the instant recognition,
unusable

<•>

There are natural toxins in us all,
if you wish to understand the
whys, the reasons,
of the nearness of taking/giving away
what soully belongs to you,
do your own sums,
admit your own truths,
query not the lives of others,
approach the mirror...

<•>

The Truth Burden
is the accursed need obligatory,
the sacred sanctity requisitioned,
when the whenever,
chooses to drop in and upflag the mailbox,
an uninvited invitation,
announcing with precise bluntness,
that precisely now,
is the tool crafted moment
and you fool,
the selected tool

you must render unto Ceaser,
by your own hand,
render your own rendering,
do your own undoing,
go forth and in haste,
will thyself into the cauldron of the
Great Mystery of Creation

you cannot lie in poetry

<•>

come, sit for awhile, in poet's nook,
soft pillows for our hard Adirondack chairs,
situe hard by the bay, if too hot, we'll slow
drift to the sun room of
lace curtains and suicide poems,
still we'll observe the water, the rabbits, the cacophony low,
listening to all the noisier, nosier
creatures asking themselves,
and the trees and leaves,
where did all those poets come from?

<•>

to the interior delve,
via brush or limb,
pen or music,
the exposition, the exploration,
the reconstruction of composing
one's self, creation and destruction
of your own myths

movement of arms and legs,
sparseness of simplicity,
subsidiaries of centricity,
tributaries of complexity

<•>

how cold are the carpenter's hands,
the weather, but an added obstacle,
this heat, makes dying different difficult,
the wood bearing cross requires additional nails
and flesh, for the extra load he's bearing,
when it snows blood in Jerusalem

the whole world can transition
when one man dies and another is risen,
where oh where lies then, the juxtaposition?

there is none, for man is man,
his divine spark, embedded,
to his maker's mark, welded and wedded,
neither snow or sun,
can ever extinguish


<•>

now I ken better distance 'tween
artist and art,
I, a workingman's
daily dallying in simplistic machine craft,
my works deservedly lost in
the water-falling
of the endless also rans

non-nebulous distances.between skies of
Oregon country blue and
the worldy worn asphalt grayed words of
a graying man aging,
then let clarity speak, in plainest harmony,
know my deference’s soars to the high above,
one of us at birth, god gifted,
was not I,
it ain't me babe, but
one of us, his tongue,
like Moses-stung
with a hot coal
of language's divinity


<•>
"Hark! Lakshman! Hark, again that cry!
                 It is, — it is my husband's voice!
             Oh hasten, to his succour fly,
                 No more hast thou, dear friend, a choice.
             He calls on thee, perhaps his foes
                 Environ him on all sides round,
            That wail, — it means death's final throes!
                 Why standest thou, as magic-bound?


             "Is this a time for thought, — oh gird
               Thy bright sword on, and take thy bow!
           He heeds not, hears not any word,
               Evil hangs over us, I know!
           Swift in decision, prompt in deed,
               Brave unto rashness, can this be,
           The man to whom all looked at need?
               Is it my brother that I see!


           "Oh no, and I must run alone,
               For further here I cannot stay;
           Art thou transformed to blind dumb stone!
               Wherefore this impious, strange delay!
           That cry, — that cry, — it seems to ring
               Still in my ears, — I cannot bear
           Suspense; if help we fail to bring
               His death at least we both can share"


          "Oh calm thyself, Videhan Queen,
               No cause is there for any fear,
           Hast thou his prowess never seen?
               Wipe off for shame that dastard tear!
           What being of demonian birth
               Could ever brave his mighty arm?
           Is there a creature on earth
               That dares to work our hero harm?


           "The lion and the grisly bear
               Cower when they see his royal look,
           Sun-staring eagles of the air
               His glance of anger cannot brook,
           Pythons and cobras at his tread
               To their most secret coverts glide,
           Bowed to the dust each serpent head
               ***** before in hooded pride.


           "Rakshasas, Danavs, demons, ghosts,
               Acknowledge in their hearts his might,
           And slink to their remotest coasts,
               In terror at his very sight.
           Evil to him! Oh fear it not,
               Whatever foes against him rise!
           Banish for aye the foolish thought,
               And be thyself, — bold, great, and wise.


           "He call for help! Canst thou believe
               He like a child would shriek for aid
           Or pray for respite or reprieve —
               Not of such metal is he made!
           Delusive was that piercing cry, —
               Some trick of magic by the foe;
           He has a work, — he cannot die,
               Beseech me not from hence to go.


           For here beside thee, as a guard
               'Twas he commanded me to stay,
           And dangers with my life to ward
               If they should come across thy way.
           Send me not hence, for in this wood
               Bands scattered of the giants lurk,
           Who on their wrongs and vengeance brood,
               And wait the hour their will to work."


           "Oh shame! and canst thou make my weal
               A plea for lingering! Now I know
           What thou art, Lakshman! And I feel
               Far better were an open foe.
           Art thou a coward? I have seen
               Thy bearing in the battle-fray
           Where flew the death-fraught arrows keen,
               Else had I judged thee so today.


           "But then thy leader stood beside!
               Dazzles the cloud when shines the sun,
           Reft of his radiance, see it glide
               A shapeless mass of vapours dun;
           So of thy courage, — or if not,
               The matter is far darker dyed,
           What makes thee loth to leave this spot?
               Is there a motive thou wouldst hide?


           "He perishes — well, let him die!
               His wife henceforth shall be mine own!
           Can that thought deep imbedded lie
               Within thy heart's most secret zone!
           Search well and see! one brother takes
               His kingdom, — one would take his wife!
           A fair partition! — But it makes
               Me shudder, and abhor my life.


           "Art thou in secret league with those
               Who from his hope the kingdom rent?
           A spy from his ignoble foes
               To track him in his banishment?
           And wouldst thou at his death rejoice?
               I know thou wouldst, or sure ere now
           When first thou heardst that well known voice
               Thou shouldst have run to aid, I trow.


           "Learn this, — whatever comes may come,
               But I shall not survive my Love,
           Of all my thoughts here is the sum!
            Witness it gods in heaven above.
         If fire can burn, or water drown,
             I follow him: — choose what thou wilt
         Truth with its everlasting crown,
             Or falsehood, treachery, and guilt.


         "Remain here with a vain pretence
             Of shielding me from wrong and shame,
         Or go and die in his defence
             And leave behind a noble name.
         Choose what thou wilt, — I urge no more,
             My pathway lies before me clear,
         I did not know thy mind before,
             I know thee now, — and have no fear."


         She said and proudly from him turned, —
             Was this the gentle Sita? No.
         Flames from her eyes shot forth and burned,
             The tears therein had ceased to flow.
         "Hear me, O Queen, ere I depart,
             No longer can I bear thy words,
         They lacerate my inmost heart
             And torture me, like poisoned swords.


         "Have I deserved this at thine hand?
             Of lifelong loyalty and truth
         Is this the meed? I understand
             Thy feelings, Sita, and in sooth
         I blame thee not, — but thou mightst be
             Less rash in judgement, Look! I go,
         Little I care what comes to me
             Wert thou but safe, — God keep thee so!


         "In going hence I disregard
             The plainest orders of my chief,
         A deed for me, — a soldier, — hard
             And deeply painful, but thy grief
         And language, wild and wrong, allow
             No other course. Mine be the crime,
         And mine alone. — but oh, do thou
             Think better of me from this time.


         "Here with an arrow, lo, I trace
             A magic circle ere I leave,
         No evil thing within this space
             May come to harm thee or to grieve.
         Step not, for aught, across the line,
             Whatever thou mayst see or hear,
         So shalt thou balk the bad design
             Of every enemy I fear.


         "And now farewell! What thou hast said,
             Though it has broken quite my heart,
         So that I wish I were dead —
             I would before, O Queen, we part,
         Freely forgive, for well I know
             That grief and fear have made thee wild,
         We part as friends, — is it not so?"
             And speaking thus he sadly smiled.


         "And oh ye sylvan gods that dwell
             Among these dim and sombre shades,
         Whose voices in the breezes swell
             And blend with noises of cascades,
         Watch over Sita, whom alone
             I leave, and keep her safe fr
Mariana Nolasco Sep 2014
Cierra la boca,
Mi dulce criatura.
Estas hambriento
Lo puedo notar.

Mas hoy no hay comida
y, yo lo presiento,
No la habrá en un tiempo más.

Cantaré un rato,  si eso es de ayuda
Siéntate quieto en éste lugar.
Olvida el hambre y duerme profundo
Sueña que en un banquete estás.

Basta comida, música viva
Corre y ve con el general.
Dile que en casa los niños suplican
Por una mordida

                      Del más simple pan...

***translation

Close your mouth,
My sweet child
You are hungry,  
And I can tell.

But today,  there is no food
And I can just feel it,
There won't be
For another long while.

I'll sing a while, if that helps a little
Sit down still. Right  here,  beside me.
Forget the hunger, sleep peacefully
Dream that you are in a feast.  

So much food, and lovely music
Run to speak to the General.
Tell him,  back home the children are begging
For just one bite

                 Of the plainest bread
The Holodomor was a famine in the Ukrainian Soviet Socialist Republic in 1932 and 1933 that killed up to about 10 million Ukrainians. Holomodor literally translates as "hunger"

Poorly translated at the moment, shall improve it later on.
Perplexed and troubled at his bad success
The Tempter stood, nor had what to reply,
Discovered in his fraud, thrown from his hope
So oft, and the persuasive rhetoric
That sleeked his tongue, and won so much on Eve,
So little here, nay lost.  But Eve was Eve;
This far his over-match, who, self-deceived
And rash, beforehand had no better weighed
The strength he was to cope with, or his own.
But—as a man who had been matchless held
In cunning, over-reached where least he thought,
To salve his credit, and for very spite,
Still will be tempting him who foils him still,
And never cease, though to his shame the more;
Or as a swarm of flies in vintage-time,
About the wine-press where sweet must is poured,
Beat off, returns as oft with humming sound;
Or surging waves against a solid rock,
Though all to shivers dashed, the assault renew,
(Vain battery!) and in froth or bubbles end—
So Satan, whom repulse upon repulse
Met ever, and to shameful silence brought,
Yet gives not o’er, though desperate of success,
And his vain importunity pursues.
He brought our Saviour to the western side
Of that high mountain, whence he might behold
Another plain, long, but in breadth not wide,
Washed by the southern sea, and on the north
To equal length backed with a ridge of hills
That screened the fruits of the earth and seats of men
From cold Septentrion blasts; thence in the midst
Divided by a river, off whose banks
On each side an Imperial City stood,
With towers and temples proudly elevate
On seven small hills, with palaces adorned,
Porches and theatres, baths, aqueducts,
Statues and trophies, and triumphal arcs,
Gardens and groves, presented to his eyes
Above the highth of mountains interposed—
By what strange parallax, or optic skill
Of vision, multiplied through air, or glass
Of telescope, were curious to enquire.
And now the Tempter thus his silence broke:—
  “The city which thou seest no other deem
Than great and glorious Rome, Queen of the Earth
So far renowned, and with the spoils enriched
Of nations.  There the Capitol thou seest,
Above the rest lifting his stately head
On the Tarpeian rock, her citadel
Impregnable; and there Mount Palatine,
The imperial palace, compass huge, and high
The structure, skill of noblest architects,
With gilded battlements, conspicuous far,
Turrets, and terraces, and glittering spires.
Many a fair edifice besides, more like
Houses of gods—so well I have disposed
My aerie microscope—thou may’st behold,
Outside and inside both, pillars and roofs
Carved work, the hand of famed artificers
In cedar, marble, ivory, or gold.
Thence to the gates cast round thine eye, and see
What conflux issuing forth, or entering in:
Praetors, proconsuls to their provinces
Hasting, or on return, in robes of state;
Lictors and rods, the ensigns of their power;
Legions and cohorts, turms of horse and wings;
Or embassies from regions far remote,
In various habits, on the Appian road,
Or on the AEmilian—some from farthest south,
Syene, and where the shadow both way falls,
Meroe, Nilotic isle, and, more to west,
The realm of Bocchus to the Blackmoor sea;
From the Asian kings (and Parthian among these),
From India and the Golden Chersoness,
And utmost Indian isle Taprobane,
Dusk faces with white silken turbants wreathed;
From Gallia, Gades, and the British west;
Germans, and Scythians, and Sarmatians north
Beyond Danubius to the Tauric pool.
All nations now to Rome obedience pay—
To Rome’s great Emperor, whose wide domain,
In ample territory, wealth and power,
Civility of manners, arts and arms,
And long renown, thou justly may’st prefer
Before the Parthian.  These two thrones except,
The rest are barbarous, and scarce worth the sight,
Shared among petty kings too far removed;
These having shewn thee, I have shewn thee all
The kingdoms of the world, and all their glory.
This Emperor hath no son, and now is old,
Old and lascivious, and from Rome retired
To Capreae, an island small but strong
On the Campanian shore, with purpose there
His horrid lusts in private to enjoy;
Committing to a wicked favourite
All public cares, and yet of him suspicious;
Hated of all, and hating.  With what ease,
Endued with regal virtues as thou art,
Appearing, and beginning noble deeds,
Might’st thou expel this monster from his throne,
Now made a sty, and, in his place ascending,
A victor-people free from servile yoke!
And with my help thou may’st; to me the power
Is given, and by that right I give it thee.
Aim, therefore, at no less than all the world;
Aim at the highest; without the highest attained,
Will be for thee no sitting, or not long,
On David’s throne, be prophesied what will.”
  To whom the Son of God, unmoved, replied:—
“Nor doth this grandeur and majestic shew
Of luxury, though called magnificence,
More than of arms before, allure mine eye,
Much less my mind; though thou should’st add to tell
Their sumptuous gluttonies, and gorgeous feasts
On citron tables or Atlantic stone
(For I have also heard, perhaps have read),
Their wines of Setia, Cales, and Falerne,
Chios and Crete, and how they quaff in gold,
Crystal, and myrrhine cups, imbossed with gems
And studs of pearl—to me should’st tell, who thirst
And hunger still.  Then embassies thou shew’st
From nations far and nigh!  What honour that,
But tedious waste of time, to sit and hear
So many hollow compliments and lies,
Outlandish flatteries?  Then proceed’st to talk
Of the Emperor, how easily subdued,
How gloriously.  I shall, thou say’st, expel
A brutish monster: what if I withal
Expel a Devil who first made him such?
Let his tormentor, Conscience, find him out;
For him I was not sent, nor yet to free
That people, victor once, now vile and base,
Deservedly made vassal—who, once just,
Frugal, and mild, and temperate, conquered well,
But govern ill the nations under yoke,
Peeling their provinces, exhausted all
By lust and rapine; first ambitious grown
Of triumph, that insulting vanity;
Then cruel, by their sports to blood inured
Of fighting beasts, and men to beasts exposed;
Luxurious by their wealth, and greedier still,
And from the daily Scene effeminate.
What wise and valiant man would seek to free
These, thus degenerate, by themselves enslaved,
Or could of inward slaves make outward free?
Know, therefore, when my season comes to sit
On David’s throne, it shall be like a tree
Spreading and overshadowing all the earth,
Or as a stone that shall to pieces dash
All monarchies besides throughout the world;
And of my Kingdom there shall be no end.
Means there shall be to this; but what the means
Is not for thee to know, nor me to tell.”
  To whom the Tempter, impudent, replied:—
“I see all offers made by me how slight
Thou valuest, because offered, and reject’st.
Nothing will please the difficult and nice,
Or nothing more than still to contradict.
On the other side know also thou that I
On what I offer set as high esteem,
Nor what I part with mean to give for naught,
All these, which in a moment thou behold’st,
The kingdoms of the world, to thee I give
(For, given to me, I give to whom I please),
No trifle; yet with this reserve, not else—
On this condition, if thou wilt fall down,
And worship me as thy superior Lord
(Easily done), and hold them all of me;
For what can less so great a gift deserve?”
  Whom thus our Saviour answered with disdain:—
“I never liked thy talk, thy offers less;
Now both abhor, since thou hast dared to utter
The abominable terms, impious condition.
But I endure the time, till which expired
Thou hast permission on me.  It is written,
The first of all commandments, ‘Thou shalt worship
The Lord thy God, and only Him shalt serve.’
And dar’st thou to the Son of God propound
To worship thee, accursed? now more accursed
For this attempt, bolder than that on Eve,
And more blasphemous; which expect to rue.
The kingdoms of the world to thee were given!
Permitted rather, and by thee usurped;
Other donation none thou canst produce.
If given, by whom but by the King of kings,
God over all supreme?  If given to thee,
By thee how fairly is the Giver now
Repaid!  But gratitude in thee is lost
Long since.  Wert thou so void of fear or shame
As offer them to me, the Son of God—
To me my own, on such abhorred pact,
That I fall down and worship thee as God?
Get thee behind me!  Plain thou now appear’st
That Evil One, Satan for ever ******.”
  To whom the Fiend, with fear abashed, replied:—
“Be not so sore offended, Son of God—
Though Sons of God both Angels are and Men—
If I, to try whether in higher sort
Than these thou bear’st that title, have proposed
What both from Men and Angels I receive,
Tetrarchs of Fire, Air, Flood, and on the Earth
Nations besides from all the quartered winds—
God of this World invoked, and World beneath.
Who then thou art, whose coming is foretold
To me most fatal, me it most concerns.
The trial hath indamaged thee no way,
Rather more honour left and more esteem;
Me naught advantaged, missing what I aimed.
Therefore let pass, as they are transitory,
The kingdoms of this world; I shall no more
Advise thee; gain them as thou canst, or not.
And thou thyself seem’st otherwise inclined
Than to a worldly crown, addicted more
To contemplation and profound dispute;
As by that early action may be judged,
When, slipping from thy mother’s eye, thou went’st
Alone into the Temple, there wast found
Among the gravest Rabbies, disputant
On points and questions fitting Moses’ chair,
Teaching, not taught.  The childhood shews the man,
As morning shews the day.  Be famous, then,
By wisdom; as thy empire must extend,
So let extend thy mind o’er all the world
In knowledge; all things in it comprehend.
All knowledge is not couched in Moses’ law,
The Pentateuch, or what the Prophets wrote;
The Gentiles also know, and write, and teach
To admiration, led by Nature’s light;
And with the Gentiles much thou must converse,
Ruling them by persuasion, as thou mean’st.
Without their learning, how wilt thou with them,
Or they with thee, hold conversation meet?
How wilt thou reason with them, how refute
Their idolisms, traditions, paradoxes?
Error by his own arms is best evinced.
Look once more, ere we leave this specular mount,
Westward, much nearer by south-west; behold
Where on the AEgean shore a city stands,
Built nobly, pure the air and light the soil—
Athens, the eye of Greece, mother of arts
And Eloquence, native to famous wits
Or hospitable, in her sweet recess,
City or suburban, studious walks and shades.
See there the olive-grove of Academe,
Plato’s retirement, where the Attic bird
Trills her thick-warbled notes the summer long;
There, flowery hill, Hymettus, with the sound
Of bees’ industrious murmur, oft invites
To studious musing; there Ilissus rowls
His whispering stream.  Within the walls then view
The schools of ancient sages—his who bred
Great Alexander to subdue the world,
Lyceum there; and painted Stoa next.
There thou shalt hear and learn the secret power
Of harmony, in tones and numbers hit
By voice or hand, and various-measured verse,
AEolian charms and Dorian lyric odes,
And his who gave them breath, but higher sung,
Blind Melesigenes, thence Homer called,
Whose poem Phoebus challenged for his own.
Thence what the lofty grave Tragedians taught
In chorus or iambic, teachers best
Of moral prudence, with delight received
In brief sententious precepts, while they treat
Of fate, and chance, and change in human life,
High actions and high passions best describing.
Thence to the famous Orators repair,
Those ancient whose resistless eloquence
Wielded at will that fierce democraty,
Shook the Arsenal, and fulmined over Greece
To Macedon and Artaxerxes’ throne.
To sage Philosophy next lend thine ear,
From heaven descended to the low-roofed house
Of Socrates—see there his tenement—
Whom, well inspired, the Oracle pronounced
Wisest of men; from whose mouth issued forth
Mellifluous streams, that watered all the schools
Of Academics old and new, with those
Surnamed Peripatetics, and the sect
Epicurean, and the Stoic severe.
These here revolve, or, as thou likest, at home,
Till time mature thee to a kingdom’s weight;
These rules will render thee a king complete
Within thyself, much more with empire joined.”
  To whom our Saviour sagely thus replied:—
“Think not but that I know these things; or, think
I know them not, not therefore am I short
Of knowing what I ought.  He who receives
Light from above, from the Fountain of Light,
No other doctrine needs, though granted true;
But these are false, or little else but dreams,
Conjectures, fancies, built on nothing firm.
The first and wisest of them all professed
To know this only, that he nothing knew;
The next to fabling fell and smooth conceits;
A third sort doubted all things, though plain sense;
Others in virtue placed felicity,
But virtue joined with riches and long life;
In corporal pleasure he, and careless ease;
The Stoic last in philosophic pride,
By him called virtue, and his virtuous man,
Wise, perfect in himself, and all possessing,
Equal to God, oft shames not to prefer,
As fearing God nor man, contemning all
Wealth, pleasure, pain or torment, death and life—
Which, when he lists, he leaves, or boasts he can;
For all his tedious talk is but vain boast,
Or subtle shifts conviction to evade.
Alas! what can they teach, and not mislead,
Ignorant of themselves, of God much more,
And how the World began, and how Man fell,
Degraded by himself, on grace depending?
Much of the Soul they talk, but all awry;
And in themselves seek virtue; and to themselves
All glory arrogate, to God give none;
Rather accuse him under usual names,
Fortune and Fate, as one regardless quite
Of mortal things.  Who, therefore, seeks in these
True wisdom finds her not, or, by delusion
Far worse, her false resemblance only meets,
An empty cloud.  However, many books,
Wise men have said, are wearisome; who reads
Incessantly, and to his reading brings not
A spirit and judgment equal or superior,
(And what he brings what needs he elsewhere seek?)
Uncertain and unsettled still remains,
Deep-versed in books and shallow in himself,
Crude or intoxicate, collecting toys
And trifles for choice matters, worth a sponge,
As children gathering pebbles on the shore.
Or, if I would delight my private hours
With music or with poem, where so soon
As in our native language can I find
That solace?  All our Law and Story strewed
With hymns, our Psalms with artful terms inscribed,
Our Hebrew songs and harps, in Babylon
That pleased so well our victor’s ear, declare
That rather Greece from us these arts derived—
Ill imitated while they loudest sing
The vices of their deities, and their own,
In fable, hymn, or song, so personating
Their gods ridiculous, and themselves past shame.
Remove their swelling epithetes, thick-laid
As varnish on a harlot’s cheek, the rest,
Thin-sown with aught of profit or delight,
Will far be found unworthy to compare
With Sion’s songs, to all true tastes excelling,
Where God is praised aright and godlike men,
The Holiest of Holies and his Saints
(Such are from God inspired, not such from thee);
Unless where moral virtue is expressed
By light of Nature, not in all quite lost.
Their orators thou then extoll’st as those
The top of eloquence—statists indeed,
And lovers of their country, as may seem;
But herein to our Prophets far beneath,
As men divinely taught, and better teaching
The solid rules of civil government,
In their majestic, unaffected style,
Than all the oratory of Greece and Rome.
In them is plainest taught, and easiest learnt,
What makes a nation happy, and keeps it so,
What ruins kingdoms, and lays cities flat;
These only, with our Law, best form a king.”
  So spake the Son of God; but Satan, now
Quite at a loss (for all his darts were spent),
Thus to our Saviour, with stern brow, replied:—
  “Since neither wealth nor honour, arms nor arts,
Kingdom nor empire, pleases thee, nor aught
By me proposed in life contemplative
Or active, tended on by glory or fame,
What dost thou in this world?  The Wilderness
For thee is fittest place: I found thee there,
And thither will return thee.  Yet remember
What I foretell t
Valsa George Jan 2017
Sitting in a restaurant
Over a cup of coffee
And silently having our dinner
With hardly anything exciting
Either to brag or blather
My eyes got hooked
On the occupants of the table, next

Two kids, seated on small chairs
A boy and a girl, obviously a pair of twins
Adorably cute, their father, so young
Who having placed the order
Were in wait for their turn

Carrying a tray, as the waiter arrived
With something of the plainest kind,
Small cartons of French fries,
Bottles of sauce and plain ice cream
The little faces gleamed in excitement
Their beaded eyes riveted,
And their heads bobbed in happy approval

As their Dad opened the carton
And placed before them
French fries sprinkled with some sauce
The children, sprang to their feet
With an upsurge of delight,
Jumping up and down,
Clapping their hands and shouting!

At a small distance, sat we
‘Solemnly’ consuming our meal
With nothing to titillate our palette
Or excite our toned nerves

I thought;
How, in course of time,
Everything becomes a routine ritual
And what stark difference
Between our subdued composure
And the overwhelming excitement of kids!
They haven’t learned yet
That such open expression of emotions,
Is not in keeping with accepted norms

To what peaks of joy, they get catapulted
With mere trifles and silly baubles
While we remain ever at the bottom
Unable to be lifted up

Is this what we call aging?

Or is it

The death of spring
The summer’s dirge
Autumn’s mellowing
Or the chill wave of winter’s blast??
I don't know if it is a poem or a simple narration! But this can be read like a story. Life presents so many such interesting scenes if we are watchful ! Observing children's artless behavior is always a pleasure!
Nirali Shah Aug 2014
A quaint little bazaar
In the heart of the town
Tells a story
Of a thousand moments
Dal Bazaar as they call it
Or "Curry Market" for others who don't know.
I have fragments of memorable memories
Deep within my mind
The smell
The intoxicating smell of spices
Blended with the quiescent yet cacophonous lives
Of Merchants and Beggars
Of Buyers and Sellers
Of Bullions and a single calloused rupia
In the hands of the old *****.
The sunlight baking
Bags of turmeric.
Suspending the scent
In the minds of men.

Capering clouds of black and grey
And the sudden squall
Stirring the monotony
Of the customary.
The pirouette of rain
The one that excites the plainest of the plain
Painting the whitewash with shades of grey
The chalky walls
Dust
Moist corriander
And the relief of earth
Conciliating
So rewarding
For the ruins of the bare sun.

This flashback into my soul
Where all my senses seem to be so awake.
The feel of the wooden veranda
Scent so inexpressible
My eyes devouring the sunset
Tasting the heavens
Hearing it all.
Feeling it all.
Oh the plight of poets
The ritual to end a poem.
Painful.
August 16,2014
Seth Johnstone May 2013
you're on my mind
let me lend you my shadows
let me give you the crannies to sit in a while
and contemplate this kind space called life
because i don't mind the layers that you made on top of my skin;
they kept me a special kind of warm.
I can still feel you from here.

Let that whisper reach you through the depths of my ribs
they rub together like the horse hairs played on a violin
so coarse and yet so finely tuned.
let it lay across them until we pluck the plainest melody that
we have yet to hear because we are too young.

It takes 200 strings to make a proper bow. A violin is a genius saw;
It cuts kind of deep, stroking until we shiver into sleep.
Amina Sibtain Dec 2011
She sits with her legs folded to the right,
head covered in red satin bordered with gold brocade.
Strands of dark brown hair sneak out from under the satin.
Gold earrings dangle from her small honey colored ears.
She has the plainest lips I’ve ever seen.
They’re just a centimeter apart with no hint of a smile.
Her dark brown eyes are laden with thick black mascara.

I keep trying to look away.
I wonder what she’s thinking as she sits there,
clueless like a young bride.
I think about how many have lusted for her scent before me.

The silk curtain in front of her window closes,
solidifying the boundaries of our two worlds.
Her voluptuous shadow visible behind the curtain pulls me away from my world
and ***** me into hers’.

It’s gone now, and I sit back in my chair and look around.
I hear people discussing the stock market plunge but all I can think about is the dark figure behind the silk curtain.
She will never know I had been so close,

and the woman with the plainest lips will forever remain my secret.
mEb Jun 2010
I wake up at 7 AM, its raining, go figure. I catch the bus by Cohen’s Food Co., soaked, on the bus now, and the windows are down. Lucky me. I brought my big Boss head set because last night the convenient apple iPod ear buds got soaked too. I guess it was karma. But at least these have good bass. Transit bus, not yet to arrive to the station, we travel over a vi doc, the distant fogged *** view? A St Louis skyline. Busy people in and out of the station. Babies. Druggies. Fuglies. The woman in front of me has no teeth. She kept doing a ritual gum technique with her lips. Smacking them inward as if her teeth were actually there. ****. I ride for awhile through the town. The plainest Jane land around, at least this Monday morning it was. My feet can’t touch the bus floor when I sit in the back. I like this, it reminds me of trips to California when I was small. The rental car was boring though once we got off the plane, Dad was asleep through the whole desert interstate. And my birthday, and your birthday. I’m at school. This junior college of filth. Free coffee though, I take a high advantage. MATH DRILL. Math. Simplifying the trickiest equations. Ratios and angles. Lateral products and dividing something half way through solving the problem. ***** math. 30 minute break. Smoking section. Nice little ash trays they supply, it would be a total turn off to walk far for a smoke in the wind. More coffee, I hate the taste, but need the caffeine. Second class starts. Writing. I like writing, but the projector smart board was broken, so we covered grammar from a text. We read something about complete sentences in the early 1920’s. In Europe. They would try as little as possible to use add verbs. Re-read this.
judy smith Jun 2015
Jonathan Anderson's collections walk a confounding tightrope between naïveté and decadence. Much of his new menswear looked like clothes for a futuristic, spiritual retreat (Anderson himself said he wanted something "laid-back, Zen-like"), but the buckled patent shoes were purest dancehall *****-tonk. The fitted leather jackets were pretty flashy, too, especially when contrasted with multi-pleated pants in plainest calico or denim.

"He took himself seriously," said the voice-over that launched Michel Gaubert's stirring soundtrack (a journey all in itself), but that felt like Anderson poking a little fun at his own expense—or at least anticipating reactions to his quirky rationale. He insisted his collection was actually like an imaginary world that a child might create for himself, akin to the tree houses he and his brother used to build. The preciousness that such a boy would bestow on things that are essentially valueless was reflected in the ordinary objects—keys, tools—that were transmuted into jewelry, the board game that mutated into a constructivist jacquard, and the calico or denim artfully constructed into the pants that made up the foundation of the collection. Some of the models were carrying a small metal frame on which curious little things were suspended, almost like charms to ward off who knows what.

That subtly occult tinge has become something of an Anderson signature, the way he disturbs the refined with the raw, for instance—a thin strand of bamboo or a bandage of calico nipping the waist, or a crude smear of paint across a tulle top so fine it is barely there, or even a white feather stuck to a shoulder. Such touches feel last-minute spontaneous, but also off-kilter, which is exactly where Anderson wants to keep us. But his work is now so consistent that off-kilter is proving a rather pleasant place to be.Read more here:www.marieaustralia.com/evening-dresses | www.marieaustralia.com/formal-dresses
Cliff Perkins Jan 2019
I was five when the snow came.
“Come look outside!” my mother said.
Sleepy eyed, I stumbled to the kitchen,
Opened the door.

The world had changed!
Heaven come to earth.
The plainest things
Now objects of great beauty.

Crazily, I ran to join the magic,
Stopped in the middle of the yard
To take it all in
And let myself be taken.

But all beauty is not kind.
The cold was now seeping
Into my bare feet,
Fluttering through my thin pajamas.

“Come in” my mother called.
“I can’t.”
I believed this to be true,
Though now I can’t say why.

No logic could convince me
I was still able
To make those few short steps
Back onto our porch.


I was seventeen when I met her.
“You can come inside” she said.
Awkwardly I fumbled
Into the shelter we made for each other.

The world had changed!
Heaven come to earth.
The plainest things
Now objects of great beauty.

We ran to join the magic,
Played at house and lovers,
Young, foolish and happy,
Beautiful and blind,

But all beauty is not kind,
The cold was seeping
Stealthily
Into our daily lives.

“Come back.” she said.
I really believed I couldn’t.
Much easier doing nothing
Than taking any risk.
  

I was sixty when Death came,
Forced me to look with open eyes
Into the deep abyss
Where one must fall or fly.

The world had changed!
Heaven come to earth.
The plainest things
Now objects of great beauty.

He bade me come and join the magic,
Make the world my lover,
Take it all in
And let myself be taken.

But all beauty is not kind.
The cold was again seeping
Into my bare feet
Fluttering through my thin pajamas.

“Come in.” He called
“I can’t.”
I really felt this to be true
Though now I can’t say why.

No logic could convince me
I was still able
To take those first few steps
Away from my back porch.
Blue-eyed and bright of face but waning fast
Into the sere of virginal decay,
I view her as she enters, day by day,
As a sweet sunset almost overpast.
Kindly and calm, patrician to the last,
Superbly falls her gown of sober gray,
And on her chignon's elegant array
The plainest cap is somehow touched with caste.
She talks Beethoven; frowns disapprobation
At Balzac's name, sighs it at 'poor George Sand's';
Knows that she has exceeding pretty hands;
Speaks Latin with a right accentuation;
And gives at need (as one who understands)
Draught, counsel, diagnosis, exhortation.
Hannah McMullan Nov 2013
It was just simple summer home,
Nothing fancy, really.
Water with a slightly odd taste,
And furniture with a distinctly "coastal" flair.

We called it "fish camp"
As an affectionate reminder that of the houses on the street,
It was the simplest, the plainest.
Meant to be lived in only for short times.

Not far from Harker's Island,
The sound became my playground.
My mother would play with me on the sound's gentle shallows,
While my father and grandfather would fish.

Even after my grandfather remarried,
And moved into his new wife's home
(A permanent residence down the street from our beloved fish camp),
Fish camp stayed in the family.

Now, our fish camp is ours no longer.
No longer is fish camp of the McMullan clan.
It belongs to another
Whose name I do not know.

What I would not give to be there again,
Now that I am older, hopefully wiser
More attuned to the rich history of the sound,
Of its waters, of its places, of its people.

What I would not give
To learn the waters of the sound
To learn the shallows and the tides
To sail with my grandfather again.

And, at the end of the day, to come home to
the fish camp at Straits.
mûre Jun 2015
-First Date-

Shirt goes on. Shirt comes off. Wriggle into jeans. Bend knees. No jeans. Maybe the newish skirt? Loose dress? Bearing in mind it’s a nightclub, I close my eyes in a quick bid to channel my inner Oracle for foresight on how to dress myself appropriately for the occasion. Twelve years ago I went on my first “date”, yet I’ve Benjamin Buttoned one of the first skills I’ve learned- once so bold, I’ve since regressed- now so perplexed with clothing, in wonder at the texture of colours, the worn-mama of a Technicolor sock orphanage, unable to wear a sweater without wearing every memory woven within. Wool makes my hippocampus itch even more than my skin. Stumbling around my room like a strange toddler-giant, I harvest outfits from my floor, assess, and toss back down into my unapologetically red **** carpet. It came with the house, unlike me. I should have been downstairs 5 minutes ago. Boy’s razor has stopped whirring and all I can hear is the soft swish of my own rummaging, punctuated by the immensely dear and clumsy strumming of my guitar as he patiently waits. A basic four-chord pop progression, and then the bones of a Radiohead song I taught him months ago when we were Just Friends and I was simply the older sister of his best pal from undergrad. Strictly off-limits, and so we grew close in the plainest, most innocent of ways, letting our insufferably weird senses of humor and quirky authentic selves hang out like big bellies over unbuttoned pants. He laughed at all my jokes and I became addicted to the sound. In spite of my five left-arms I tried my damndest to learn Ultimate when he invited me to his league just so we had another excuse to spend our Sundays together. How suddenly and beautifully it changed, very late one night and as naturally as if we had been together for months and the only oblivious parties were us. How fitting now that we should have our first date with my favourite musician, an artist who we had bonded over in our early days.

Unless, of course, I take so long to get dressed that we miss it. I abide by Murphy’s Law as I don my original ensemble and scramble down the stairs with my hands open in apology. Boy is lying on the couch with a button-down plaid shirt and a clean face, a stunning picture of leisure even though we are late. He smells magnificently fresh and I stifle the urge to cough out the butterflies that tickle my throat. Soon we are in a car and the city glides by like a watercolour backdrop, darkened and intensified by the rain. Finding weekend parking on Granville Street is a trick and I feel my driving-nerves swirling about with infatuation for my date and my unbelievable excitement to hear Kishi Bashi and his magical violin live, creating a swamp-water of adrenaline that intoxicates me. I probably shouldn’t be behind the wheel at this point. A side street holds the space for the vehicle and we stumble out into the glorious fresh and chilly spring evening to The Venue. We share smiles and quiet stumblings through conversations that feel suddenly new as we dog-paddle the waters of What We Are Now (What Are We Now?) Normally this would fill me with anxiety, but there is a warmth and earnestness to his electric blue eyes that arrest my fear. I am floating. He is floating. We are red balloons attached by a string to each other and everything about this moment feels buoyant and filled with light, each quick step up the busy, wet sidewalk seems a little freer of gravity. With the seamless quality of a dream-montage our surroundings change and we are inside the bar. It is dark and the scene has been set by a subtle smoke machine that beckons people closer within an otherworldly fog. The lighting is nautical, a deep and dreamy pallet of purples, teals, sapphires that are opaque in the smoke- thick, sliceable beams from the ceiling that rotate lazily through the bar. I wonder out loud at how gorgeous they are and Boy agrees as we marvel at the watery beauty of the frozen fireworks around us. He buys us beer and the bottle is very cold, juxtaposed with the warmth my free hand finds as it punctuates our conversations with a magnetism to his arm, his side, like a bird testing out the tree it hopes to nest in. The bitter, hoppy fizz cuts through the mint in my mouth and I am purring, utterly content. As the minutes pass more and more people appear in singles and doubles and groups. Some are dressed in spandex and skin- ready to dance and flirt, others in heavy layers and caps, looking suspiciously like they had brought their knitting right with there with them. The best music draws out all types of people.

Suddenly I am arrested by the presence of a slight Japanese man, hair spiked up in an edgy bedhead and wearing a sand-coloured suit and bowtie who says “excuse me” as he passes in front of us like a common mortal, just some other dude of average height and appearance and not the music god whose albums have become a part of my blood. Boy catches my shock and follows my laser eyes to the passing man, before exclaiming: “No- no, that isn’t? Was that...?!” With my empathic affirmation I allow my knees to buckle, one third for comedic effect, one third because I am literally star-struck, and one third for the delicious slump into my stunning companion’s arms. It is Hallowe’en. It is Valentine’s Day. It is Christmas. “I’m dying!” I laugh, “I’m literally dying, I’m dying- this is too much, too much- I’m dead!” Boy laughs, his shy voice like a cozy bell and he kisses me firmly, purposefully, dominating my senses with his heat and fresh-smell and endorphins. He grins as he pulls away, shaking his head at me- “No. You’re alive. You’re so alive.” We smile in helpless excitement at each other. “Besides, I think he totally looked at you” he teases. My brain literally can’t process this and I gasp at him to stop. The lights dance more quickly and the man and his violin are on the stage. People are cheering and the room thrills in anticipation. The speakers are so loud and I don’t care, I am hungry for the bass that pulses up through my feet and entrains with my heartbeat. Kishi Bashi introduces himself and my brain stops. Boy’s arm is around me and for the first time in years I am full of an innocent, earnest sensation that I had left for false or even dead. I could almost weep for the joy of it.
Oh hello, will you be mine? I haven’t felt this alive in a long time... my lips move soundlessly with the song I had shown Boy casually months before (“this is my all-time favourite, you’ve gotta check it out”) In our makeshift guitar lessons he had assured me that he would learn this song for me, just to show off how good he was getting- a small jest that left me spinning for nights in sleepless analysis of what that could mean and if he felt the same way about me after all.

I read the signs, I haven’t been this in love in a long time... and I feel Boy’s chest move in a sigh and he draws slightly closer within the chorus so that we are cocooned in the blue and purple and heartwrenching sweep of the violin loops. The crowd sways but we are very still. I notice that my hand is in his and the imperceptible, feathery stroke of his thumb along my palm is as loud as the speakers. Boy was right. I feel this moment tattoo upon my bones, a picture that I will trace over with my mind again and again as time stops and stretches, bending the continuum into an impossible possibility of falling in love and realizing it is for keeps. That no matter how the rest unfolds, this first date, this moment, knew true happiness and belonging in what it means to be

alive.
Memoir assignment for a creative writing class.
Disclaimer: I'm helplessly twitterpated.
Sorry (not sorry)
kgl Jun 2013
my time was wasted, your ego was bruised
it takes more than a memory
to keep me amused
but in moments of sadness, of plainest regret
i surrender to feelings
i ought to forget
so melancholic, i sit and think:
my mind - the abyss
into which
i sink.
Rowan Mar 2016
Hello again, heartless friend.
So slyly in the backgrounds blend.
Your veering vanish, vaguely here.
Your gaze of increments - insincere. 
Healer of the hearted scars.
Swallower of the heavened stars.
The paths in which we dream and delve.
Allow the doubling ones to twelves.

Slices of the eternal elude.
Movements of monstrous magnitude. 
A hesitant dawdle. A lingered delay.
The mountainous sway is steered away. 
Hoarded heaps of hourglass bliss.
Outnumbered by wasted nothingness.
With interludes of want, of miss.
To slowly morphed indifference.

The pendulums that abruptly swing.
The burdens they still hope to bring.
The envied earn of Earth's endeavor.
The better late. The better never.
The eerily empty echoed need.
The blossomed tree from planted seed.
The curse of a continuous grief.
The ever stealthy, silent thief.

The cogs, gears, hours and hands.
The burn of beauty, bleak and bland.
The coziest, surrounding choke.
The whelm from the transparent cloak. 
The running out. The ever essence.
The grand keeper. The watchful presence.
The potential of the plainest plan.
The currency of the wisest man.

What horrors - hallowed by the tick.
Will sound for both healthy and sick?
Will compose secrets, never told?
Will fumble flame to frigid cold?
The end stays always promptly nigh.
For the intimate, infinite blink of eye.
I fear your wasting, more and more.
The constant count to twenty four. 

Unresurrectable and second to none.
Airborne, regardless of having fun.
As retrospective wisdom blinds.
Our youthful hopes and manic minds.
On and on. From time to time. 
Song to song and rhyme to rhyme.  
Betrayer of all mice and men. 
Less of if and more of when.
Of all phrases of mouth and pen.
The worst are "I've done nothing, again".
JoJo Nguyen Jun 2013
This is it;
the deepest I can fathom,
the fastest I can light
the flying arrow quick
released from not
so sure cocked
finger.

This is it;
the flattest I can color
the plainest I can reek
thru silicon weaving
densely threaded cloth
fibered shirt,
insignia emblazon
on Polo front
pocket.

This is IT;
the peak,
the twin peaks.
The n-peaks?

I realize
the game continues
and IT sets to zero,
derivatized as partial
IT-equations, is easier
to solve.
Sarah Mae Aug 2011
There has always been excuse made for the behavior my father has displayed.
The mean spirited remarks at family gatherings, feelings hurt and egos bruised.
Everyday routines have turned into the **** of a joke
There is nothing you can do to stop it. He'll always be an *******.

There once was a time when I wanted a relationship with my father.
I used to try to find ways to communicate with him, in the plainest of ways.
I tried for years but . . .
Nothing ever worked, I failed every time.

Spending your childhood afraid of a parent and never feeling loved
It leaves you broken, and feeling unwanted.
There were times when I looked at the father/daughter relationships all around
Jealousy overcame me. I cried at night because my uncles were nicer, my grandfather was nicer.

Little did I realize back then as a child that things would work out.
I had father figures in my life, just not a father - I had many fathers.
My seven uncles would protect me from everyone and everything.
My grandfather would teach me to swim.
I would get a love of the outdoors from them.
I would learn to ride a bike, tie my shoe, mathematics, and self-defense.

My father is still a hateful, passive aggressive man.
Someone that no one truly wants to be around,
I think sometimes that even the TV anchors despise him -
Maybe they can hear him calling them names and yelling at them when they cant pronounce a word correctly.

Time has passed by, I'm in college now.
I'm a part of the International Honors Society.
I've made the Dean's List every semester.
My father has yet to acknowledge my accomplishments.

Somedays it hurts, others I could care less.
When I run into my uncles now, they see me two ways.
The girl they helped raise, and the woman I have become.
My uncles always greet me with a kiss hello and a compliment.
I know they're proud of me, that's what matters.

The man who is a seated statue in front of a big screen TV doesn't care
The men who showed me the world and continue to encourage me do.
I remind myself that I am more like them.
They are the ones who raised me.
I don't really care what people think of this, I just had to get it out.
Big Virge Oct 2020
So When It Comes To Poetry...
What Really Can Be Deemed...
To Be A... " MASTERPIECE "... ?!?

A Really COOL HAIKU...
Where Words Number A FEW... !?!

Or A Poetic... Stanza...
With IMPERVIOUS Data...
That HITS Like A Gun Clapper... !!!

Or Verses That SHATTER...
A Readers BRAIN MATTER... !!!

Because Of Wordplay...
That’s TRUTHFUL And BRAVE...
On Subjects That Make...
Most Writers AFRAID... !?!

Or Masterpieces Releasing.....
The PLAINEST of Speaking...
And TRUE DEPTH of MEANING... ?!?

Or... Poetry Seeking... ?
To BREAK Through Glass Ceilings... !!!

Where Judgements Are Made...
About... What Is Claimed...
To Be A... " Masterpiece "...

Are Judges Like THESE...
Those... TRULY WORTHY...
of KNOWLEDGE And WISDOM...
About... ALL Words Written... ?!?

Are They REALLY Objective...
About Words That They Credit....
As Being … IMPRESSIVE... ?!?


Is A Masterpiece Short...
Or... Can It Be LONG... ???

Can A Poem Be Thought...
To Have Masterpiece Form... ?!?

Like That of A Painting...
Because of Its CADENCE...
And POETIC Statements... ???

AND.............

Whose Mind Can Decide... ?!?
What It Is That DEFINES..
A... MASTERFUL Piece...
of Verse And Poetry... ???

And What About WRITERS... ?
Do We REALLY ASPIRE...
To Have Our Written Works...
Be Seen As GREAT VERSE... ?!?

Or As A MASTERPIECE...
of A... Poetic Breed... ?!?

Sounds Like EGO To Me... !!!
I’d Rather Inspire Young People To READ...
And Write REALITY Within Their Poetry... !!!

That ENSURES LEGACIES...
of Words With... Qualities...
That Breed MORE UNITY...
That Have POSITIVE Impacts...
On... HUMANITY... !!!

Because THAT HONESTLY...
Would Be The Kind of FEAT...
That I TRULY Would See...

As Something That Could Be...
A POETIC Piece of GREAT Artistry... !!!

That Indeed Could Be Deemed...

As A REAL...

..... “ MASTERPIECE “..... !!!
Inspired by the idea that artists/writers strive to create masterpieces.....
However, do they, and what and who, gets to decide what is, or, isn't one ?
Nat Lipstadt Oct 2016
~for bd~

there is a well in our backyard,
a cooperative well of sorts,
for the water source is a
earth stream deep, an east-west latitudinal,
attitudinal canal,
well traversed, intercontinental and interoceanic,
belonging to no one, free to those who
drink with their eyes

given its diversity,
it's salty sweet earthy soiled provenance,
strike me strange, strikes me well,
its fiercest flavor is its
mundanity,
the plainest cool of tasteless, clear, fresh water,
so easy taken for granted

but therein lies the rub,
for the mundane is the gold vein,
from which we mine our greatest stories,
the best crumbs,
the mineral origins of our words,
to capture the gift of needed inspirational,
for our daily living hymnal
songbook

the aging parental care-taking
wisely and sadly seceded,
the golden child learns lessons of
illness and passing, renewal and replacement,
how to mourn and how to love anew,
when one pet goes, and another comes to
roost and roam in his youthful heart,
and a lover ages and so does she,
for tandem is the ever-changing, graying color of their
fierce attached tenacity

a professor supervises the household management,
grading student papers, grading life,
secretly writing love paeans to celebrate
what it's all about, the visible so oft ignored,
recorded, recored, reordered,
in the observatory of
bed crumb starry words

I,
a stranger never to be seen,
a million miles from the scene,
smile and weep, loving the shallow for its deep,
finding amazement in the complexity
that only humans have the capacity to commit,
all of us captains of the capital we store,
in the small hallmarks of every day living,
and in an overdue,
catchup e-transmission,
a well wish comes true,
a poem born,
a kindness to myself,
the best gift of and to,
those who are both,
well,
friends and strangers

who remind us that hope too,
is a
well

~~~~~
The Message

Hello Natty man....we are all well...but it has been a busy and difficult year, Mum finally went into residentail care, very busy at work, the golden boy grows in leaps and bounds, my surfer dude grows more grey hairs as do I....sadly there has been a shift change in the demigods of the house the little blue cat, got sick (bowel cancer)...and after much heartache..we made the decision to let him go with dignity and he was put to sleep...We are now presided over by a little tuxedo boy (still a devon rex)....whose energy is sometimes insurmountable....he and the golden boy have bonded....*

hope all is well your end
Take care...and be kind to you
I read a message, I write a poem...
Emily Sep 2014
I never was one for autobiographies, and to be honest, I couldn’t tell you a thing about me. So instead I’ll tell you what’s inside of me, I’ll trace for you the outline of my soul, you just have to promise you’ll do the same for me someday, I want to know everything there is to know about yours, as it is the other half to my own. For as long as I remember, I swore I wasn’t human, humans are so frivolous at times and I swore I was some consequence birthed out of some fit of passion. What I’m trying to say, I suppose, is that the world was too sensitive for my liking, I burned everything I touched and carved words into cement walls because the intensity of my soul possessed me like a demon in those biblical stories I couldn’t stand reading. And this fervor made me lonely, though lonely could never even begin to cover it, rather, it made my heart feel like an old stone well and echoes of my past bounced off of it. And after twenty years of the blackness I was on the brink of giving up, and to put it in more simple terms I found poetry in free falling off bridges and envied the deer for their suicide dashes. And in the metaphorical sense you could think of my heart like an old abandoned apartment, the pitter patter of the water droplets that dripped off the ceiling into a bucket, and the radiator, weighed down by rust, would groan and heave during the winter months, there was a moth-eaten mattress in the corner and books toppling over one another in heaping masses, like warfare in the 1800s. And in the plainest of language, the gig was up, I threw in the towel and shook hands with the darkness, I surrender, a triangle trying to conform amongst circles. I was nothing more than a hollow soul, my bones rattled like a dead-beaten cage with the bars all bent and worn. And what I’m trying to say is that the vastness within me could not be described, I would know because I tried, it was all I could write about for years, I had lines beneath my eyes like all the poets, Plath, Bukowski, they were my comrades. And the loneliness was so great that I never saw the sun for months, the fire within me incinerated my every inside to dust. And this was much too drawn out for an introduction, but you’re the only one who deserves this explanation, I want you to understand the gravity of who I was before I tell you who I am, the person I became the moment I set eyes on you. Do you have but a clue of what you are to me? No, I doubt you ever could. What I’m trying to say is that I want to kiss you everywhere it hurts. And who knew, that you’d fall in love with a wildfire, and to think I had spent my whole life trying to extinguish it, when it was everything you wanted. But wanting you doesn’t even begin to cover it, what I mean is that sometimes I feel this swelling within me that would make every ocean recede in admiration, it’s rushing through my fingertips at this very moment with a passionate nature that I never knew existed. And what I’m trying to say is that the day I met you everything changed, I saw the world in all its brilliant colors and all the gray dissipated. And what I’m trying to say is that you healed my splintered bones like glue, you made flowers sprout through my ribcage like a meadow in June, and you sketched stretch marks on every inch of my hollow heart.  Falling in love with you is like coming up for air after a deep sea dive, it’s my heart pounding to its greatest capacity after a marathon and the wind beneath my wings like some sparrow in flight. And ******* I will never begin to scrape the surface of it, but I sure as hell will try, and what I mean by that is that I’ll continue to write to you every day of my life. And there’s nothing I wouldn’t do to run to you, sometimes I find myself halfway out the door, I never feel more alive than when I take you in my arms after a long drive. And that is what I ache for at this very moment, I can almost feel you against me, my fingers through your hair, and to be honest I couldn’t be more surprised that we don’t have bruises from pulling one another closer, because closer in this world is still lightyears away from the close we want to be. And don’t you feel it, my love? Don’t you feel it every time that we make love? Every time I run my fingertips along your spine I’m writing you a poem in a language no one could have ever dreamed of. And sometimes in the middle of it all I find myself clutching at you, and my apologies if I leave claw marks along your shoulder blades, but when you kiss me I can’t tell whose breath is whose and that’s how I know that somehow we’ve left this place. Because darling, perhaps we were not made for the world and the world was made for us, I know because there are more landscapes in your eyes than I can count and who needs the world when there are galaxies in the wells of your collarbones. And I swear these bodies of ours were constructed for one another’s, I can tell by this endless ache, and when I say I miss you I mean that without you I feel like an animal with a missing limb. So if you hear the wolves howling it’s because I told them about you, and if the moon blinds you it’s because I asked her to remind you of the glow you light within me, and if I sound out of breath it’s because I’ve already ran halfway down the street again, hoping that time and space will collapse in awe of the love I have for you, if only just this once. And you wanted me to write you something, well, my love, I’ll write you a poem:

Your skin against my skin
Tangled breaths
Clasped hands.

And if that isn’t poetry than I don’t know what is, all I know is that I spent my life devouring novels and nothing scrapes the surface of what you are, you are worlds that have yet to be discovered that I wish to spend my whole life writing about. And when I say I’d do anything for you I mean that you are everything in this world to me, you are the blue-gray skies and the winter green pines and more than I have ever dreamed about. And I will describe this love if it kills me, but if you’re ever wondering just look into my eyes and that’s how you’ll know, hurricanes and tsunamis and tornados don’t even know what it’s like to have this ardor. And to make a long story short, I thought the world had ******* up somehow, I thought I was in it alone, but now I know I was made for you, and you for me, and no one else. And I can’t even tell you what it feels like to find the other half to your soul, to find a hand that fits perfectly inside your own. And I know I’m a writer, baby, but I swear that we’re extraordinary, even time stops when we make love and only tears can explain what you are to me. And my whole life I watched the waves in awe, I never believed anything could be so relentless, but I learned that the waves crashing over and over is a lot like falling in love with you, one touch, one glance, one thought and I’m falling again
And again
And again
And again
Seán Mac Falls May 2015
Flowers so rare and fine,
Missing from this dry world,
Lost, unwatered, unseen, yet
No ones and none despaired,
They then planted their garish
Seed in blot sun, most sodden,
Soppy soils sprayed which fell
On the plainest, most commoner
Grounds, such fertile dirt, wrought,
Then, all who came to view where
But gaggles of proud mediocrity
Who arrived to revel and preen,
Unjust, they remade this earth,
Once lively, to be lame, what
Celebrations they now need
What praises they do crave,
Sadly, they could not know,
A flower for the weeds.
Coral Estelle Jan 2011
Wise and for granted,
Don't call it being shy.
You die for those who **** you,
And you never ask why.

Take comfort in the plainest things,
Or run on none at all.

Stand still between turning tables.
Humble, silent through the fight.
Extract truth from penny fables
Imagination recreates,
All the things you lack.


Gave hope away, but not refilled.
Weighed down, yet still believe in flight
Subdued for now, But soon shall see
Trust has won eternity.
And why is it that with every sip of bourbon
I gaze into your eyes?
How can it be that I smell your perfume everywhere?
What sense does it make that I see your face in my dreams?
I have not seen you in so long yet almost every thought I have reverts to you....
Though I do not complain,
Somehow it causes pain
To see all yearn, no gain, from seeming I'm insane,
I awake with your kiss on my lips,
For false dreams and hopes, your memory sticks,
What's worse, is that we converse with quips
Of how it may have been, yet is,
You sway as the ocean's tide at dawn,
When beautiful sunlight crest's its yawn,
As innocent as a devout deer's fawn,
Yet your guile does show its brawn,
Your vision to me in dreams is steady,
Stagnant at night while my heart grows heavy,
If only you knew, if only I'd say
That the warmth for you yet grows each day,
Each moment that passes craves detention,
Respect for all my admiration,
Betwixt your legs and arms' invention,
I pray to spend each night's volition.
Of all the words in my graspable language,
You escape all knowledge of my brain's sanguine,
And of all the things I could say and do,
The plainest and strongest, I Love You.
onlylovepoetry Nov 2016
~


smile and weep,
love the shallow for its deep,
finding amazement in the complexity of life

this prior script-thought
re-arrives but this time,
tonal differences,
a spoken aloud cascading cacophony,
no  protective cocoon of silent email,
jus plainest pain masquerading beneath a tensile casual remark

and how you wish you could poetry, write, torrentially in simple lines,
to match the transverse and reverse
the only two gears,
so overcome with anger worry and pain no killer can
****,
so deep and swift
its haphazard rambling rambunctious
cursing coursing

and all she said was this:


this is going to be the end of us

and you, charged to interpret this sentence,
like your namesake Daniel
the invisible handwriting on the
Babylonian wall
that is under construction for which
you will both pay

equally
Anon Mouse Jul 2011
On paper, you are all wrong.
The list is long that describes your faults.
On paper, you are not right, at all.
The adjectives are many that paint you negatively.

But with one drag from your cigarette,
and a grin, cloaked by your black and grey whiskers,
I forget.

When my name flows out of your mouth,
even in the plainest of tones,
I forget.

The long list, the one that I always turn to,
and try to convince myself out of this,
vanishes.

I swim in a sweet, sublime pool of bliss.
I feel love for you, in the simplest of ways.
I love you.  Simply and purely.
List or not.
Still in my Plainest Sense should Comprehend
How Fortunate be my Base Apples were
Compared to yours; Such Royalty descend
Though Priced in Demand for Freedom defer
So Liberty - now the French-Filled Couillaise,
Took her Luxury to the Plym's Neighboured South
And so were our Hearts cry Supply your Embrace
Though Heads tagged least be Consumed in your Mouth
Was it not then for their Lot's Landlord come
To confirm which Leech be Best sip your Wounds
To Promote for Many; Yet Condensed by Some
Then Harness un-needed Points for your Rounds.
Great Souls still Applaud by the Clothes you wear
Which soaked in Sweat must your Proud Mornings bear.
#tomdaley1994 #tomdaleytv
Julian Aug 2020
Eyelash blinkered in hubris Rubik’s knight
Elevation of pogrom ennobled by triaged triumph minus the cynic summation of all light
Littoral swank bronzed like starlet fantasia with a Carey mountaintop jeer
Reichstag extinguished blaring sirens of cacophony capers to benumbed Linkin Park cheer
Knells intrepid by quakes of remonstrance staged in histrionic applause
Southern Colonies shifting in Charleston surgical in orderly slugabed dogged laws
Slipshod through ribbacles of rengall zenkidu among the sertivine poison ivy
Grimace at gamboled rivulets of a moribund Vanilla Sky for departed wiseacres of savvy dicey ICE toxic Harvey Dent slimy
A mannequin Marx Ralph alienated the truest alien by pioneering disdain of a hostage giraffe summiting a Swiss Alp
Master of time 12th bradycardia for Generator design parked beneath escarpments of base aphasia milquetoast in killjoy Strickland nickels away from a gubbertushed mouth
LOST legend enunciating the furor of epochs of egalitarian traipse
Trapped by the bootlick of a wrinkle of Van Winkle revolutionary agape
Curved by soliliquy master of belletrist prose
The vogue can’t help but bunt, balk, denounce the remembrance of Lady Madonna pose
We beat the muckrakers of rummaged lisp of culinary suns that the sons of privilege are emoluments to apolaustic zeal first known to transmogrified nuns, before the poppies made the few into many and the notion of an insuperable line of infinity into a spherical nullification of the concept of none
Estrapade engorges the fustilug magnet of the kitsch Kenosha Chicago Demolition drive-by-derbies “once read”
That two kings one Titanic by skin-color dashed dreams the other both the coins of tails eloped with heady dreams of head
Sacrifice shadow dancing with pettifoggery in slumps of aboriginal dances of marsupial rice
Native to extortion gouged blind as Samson exacts lachrymose cremations of Pikes Peak trick-or-treat aghast with fright
Temples raised in 46 years cemented never in the Mumbo Jumbo politics of those lacking the oceanic schadenfreude among queers
That by their exclusion the panmixia of fluid alchemy is dauntless scrabble limited by NORAD notions of Tears for Fears
Henpecked rooster awakens the serfdom of Ronald’s (sly spy) Drugs sailing with dovetails of elapse downtrodden in modern clubs
Drunken *** addict sell-out charlatans berated  by Ingram Angles sent by maleficence are the grubhub of Harriet Tubman torching promising tapestries with rugged rugs
Slinging the bait of fish-hook dimples on freckled effigies of ****** humiliation outmantled by Mickey weight
I thunder a fulgurant explosion against recrimination of white-collar criminals that philander saturnalia in pretense with facetious swarpollock freight
Crooks of tyranny exhort the paranoiacs of indemnity to sunken canned soup applause of a Warhol extortion
Berating my audience with drooling slavers of inelegant tortoise byzantine like an Istanbul dredged with intortion
Mr Deeds is not a champion of BRE Properties nor the pinnacles of inertia, a psychiatric squeeze
My orange juice is not a car chase against treecheese in terminal punitive disease
Soaring with the prosperous tongue against the walloped nativism of pounced impounds having too much fun
I let the other guardians of the order of salvation pivot vitriol in loaded dice against Orangutans of Swedish minted gum
Caesar died for the seizure of Anglican pride of a namesake percolating millenia for Brutus in the Washington Bullets of a conquered Ottawa on strike carnal with Chauvinism in regional divide
Never has there been a more hollow trope than the agency of deep state defamation of a scurrilous backbite of gnashing pride
Lost to pollster tricks of acquiescence and caricatures of a menacing personage Swift on the Riff but never the snarling Menace of a Blondie Biff
I tower above the anthills of conformity of luxury in Jamaican Bob Sled Teams testing the curiosity of enlightened “What Ifs”
Canada Dry for striking people enthused by Rye abides in the memory of reform that skulks the skunks that make every Scudworth cry
Because a Dental Dam damsel living in streets of peril fascinated by distance is the contortion of entreaty in the pasquinade of attempts at American Pie
May the city of a figurative crucifixion burn with the irony of a thousand suns as Wendy’s burgers unload on prejudice with albatrosses of winsome puns
Fixed data interpolated by convenient lies of serial killers who aim for blue skies shanked in Oswald infamy for the imposture of any flashbang revenge against cinematic guns
I blacklist the Zemeckis villainy as a trudge of travesty
Hedged lies blinkered by Batman and Robin puns redeemed by Dinosaurs of Amnesty
Obviously belittled by futures etched by a more honest infinity
Because 88 keys are not a stroke because the infinite bees know the parlance of divinity
Invited lissome taxidermies of Capone against teetotalers of parvanimity of vainglory overthrown
Showers the honest hominist reckoning of a world where neither crudity of know-nothing radical polarization owns every inept baritone
Crusading a secular war because the gubbertushed eccedentesiast spinsters of Santa Cruz deserve a gassy overtone
Torch the SC Pacific Avenue for peace
Let the world unite behind a singularity with purpose in ventilation of Speedman’s release
That antithetical Jacks of many names are wed with the progeny of enduring lists of NSA protection rather than rentgourge Denver PD eager to chaos decimated by the decimals of a region forever boycott and impeached
To the decisive curling of the frolicked Abandoned Pool servitude crass disasters are the sheol of impudent flagrant overreach
Regnant on the turmoil of invented throne
I scowl at the chicanery of Capone’s Chicago sweltering with Kenosha infamy tossing contortionist strippers a vulcanized bone in a DIA Diamond that even 11,500 years of knowledge is surpassed in condemnation of screaming E.T. calling the right home
Speak Now because the reach of forever is God appeased not by a kowtow but a mobilized ambition for Why? When? And How?
History will remember gentility as the kind steward rather than a Disco Demolition Derby of urbacity venerating a seasonal Golden Cow
Hipsters flock with folly to South African extortion for freebooters who bootlick the aceldama of war against the sublime currency of a winner surrounded by thugs
TOO MANY URBAN KIDS ARE TAUGHT BY REDUCTIVE TAUTOLOGY TO HATE The United States of America RATHER THAN NURTURING SYNCRETISM IN PATRIOTIC HUGS
Imperfect in design with disagreement in plainest sight
Sometimes libertarianism with a Democratic twinge is clearly in the right that should believe in reform even when the footloose girouettism is too tight
Yet forestalled for authentic grit the grisly rentgourge of venal abysses knows the countermand against Rand with hyperboles of the clearest *******
The true flock congregates around scepters built not with militant graft but a promenade of sultry dance for the defiant C.L.I.T.
Exercise with the Rock knowing school buses of dogmatism inferior are distraught
Dying dogmatism is a peacock of industry the yeggs can easily unlock rather than truckle with truculent Scottish Rites tasty with Connery Scotch
Defenders of the misleading staircase because of the carapace of Hovering pertinacity easily won and bought
Neither scary nor deliberate streets are rumpus of elevations of unbounded anarchy considerate but robbed by the illiterate
That the delegated mansion will be robbed by the cooperation of the remorseful idiot recognizing his snide mendaciloquence in destructive Roswell Records limerick
Scowls are on petrol and patrol hoping Tesla is a short of bravado too intrepid to sanction free-for-all profligacy in alleys that bowl
To the Emerald Street lie of hypes of perdition rather than merely a seasonal token embarrassment coal
The fossilized future is the irrevocable past because more respect is needed than the ***** of a maskirovka caste
Diamond Lightning in Bhagavad Gita prancing with the delusion of the everlasting mummification of Brawndo ash
Dinner with Egyptsy malingers on tomes etched flippant in integrity and all about the curated snare of kitsch cash
The cache valley of LASER tag shattered like Joseph Smith flagellating the confederate hayday with articulate gnash
Fast & Furious the amused by Suburban subway know the trailblazer trashes of The Stupids’ being Einstein about Boogie Dubs rather rash
Streaking through a Tucker rule the Buccaneers live for the SoulSeek of a riddled ruler benighted of prerogative of Roger Goodell bumping in his Ferrari the tucked serenade of Tool
Wrong band because they linger in the shadow dancing backpages of scandals of Norweigan hourglasses of shameful hush hush Vikings mining furloughs of pulverized anticipation sand
Humbled retinue shelves the ossified limpid droll drool
As the haze of submarines scouting pridefall galls of indolence betraying innocence becomes moral cigarettes of Menthol Kool
Reparations for chappy chapstick games of bowery riches
The urbane needs to read, discern and maneuver against whiplash found in Navi witches
Swapping homes with crack addict legalese an *** to a bronzed party crackling with cackles Home Alone
Knows a toiletry of escape gullible like Seahawks wishing they could contain a fumbled season by Mahomes
Jones methamphetamine paranoiac manure desiccated by folksy homilies of brimstone cremation deserts his flock to abide by a flagging wayward temptress
Decimated by the agency of time his Austin crenellation flounders in grimace of the untimely swoon his covert empress
Blinded by the light of darkness in subversion
Excoriated for the deeds of his permission to demote commotion into only an acquiescent dance with barbed etch-a-sketch conclusion- a half-baked *******
Quacksalver poetaster wrinkled with hatred simpering paranoia strangled by Hendrix abeyance of turgid delusion
Lurid underground Princeton gilds infested with defected dementia in cozens in the fritty of heralded mistress SHE appointed
Sandlot ravens cloistered the bravado of thirst for chosen words scrappy in clawed henpecks the pointless illegal sanctioned to brusque witticism anointed
Lamps of pathway sparkle with coruscated stargazer Winslet dreamy swank illustrious by providence
Engrenage of delopes of pettifoggery identity staggers the woozy dismal day of disjointed wounds on Native sons Denver can’t damage in a lonely campaign for the prodigal bends of Overlook Lorraine Motel bent
Intrepid in gallantry I swoop the scrivello tusked with might
Penetrating the vivid dreams of the serenade of alpenglow daylight
That love might rule over chance and probability above the specter of dynasty prodigy progeny tithing gravity in rent
Yet this taper of majestic poise will outfox even the careless gambles of the prodigal son Mr Sender already traipsed conquered and went
The mountaintop is so clear from the cloister of authenticity drinking Eminence Front of the WHO rather than the coherence of the near
Because titans shepherd the good flock without insult and not quavering with insuperable time flackey with tremulous fear
I dare this day to outlast benighted ignorance of the narrow gate of a persecution tsunami on a Lisbon tear
Because galloping ahead of the internecine sheds the serpentine craft of 3:1 Genesis met with the worst fleeced fleer
Not auctioned off like ******* vogue to the disfavor of poor taste
I am the true Royal Flush that can always count on the aced basic but mostly acidic flourish of a jest in bass predicated on the basis for Mozart pH
Today could be the summit of acclimated prodigy in startled degrees temerity could never bet against
Because you better bet the Bros and Cos of civilization are skilled in ostentation of Sterling Pound defense
Never offensive to the liturgy of triumph beckoning an apocalypse now tentative memory on a Manifest Destiny frontier rarely on wickers of extinguished cattle ranchers knowing the gamut of acumen to defend a fortress with the best fencing James Bond could dispense
Now is either a cordial joke of a flagrant anarchy balking at destiny
Or the sunrise majesty of the twelve tribes and beyond defeating the stingy bees of infamy
Your choice doesn’t defeat my voice
But your action heralds my loyalty with a triumphant Victoria of an age not for agelast geeks intimidated but living clairvoyance with fidelity to the right choice for the right time to swim in elegant rejoice
(1977 Words)
Seán Mac Falls Mar 2019
.
Flowers so rare and fine,
Missing from this dry world,
Lost, unwatered, unseen, yet
No ones and none despaired,
They then planted their garish
Seed in blot sun, most sodden,
Soppy soils sprayed which fell
On the plainest, most commoner
Grounds, such fertile dirt, wrought,
Then, all who came to view where
But gaggles of proud mediocrity
Who arrived to revel and preen,
Unjust, they remade this earth,
Once lively, to be lame, what
Celebrations they now need
What praises they do crave,
Sadly, they could not know,
A flower for the weeds.
.
It was written before it was stone, my friend
She tells me a thousand reasons why her tides turn as they do
Each one of them knotting up
Before she ties the noose
She says it’s nothing personal
To disregard anything that was misconstrued
but Wasn’t it you, my darlin’?
I think it was you

I saw her again, late last night
She was wearing a ball gown and was
Sporting her converse tennis shoes
I caught a glimpse of her
As she kneeled down before him
That’s the hard thing about her
She’s a lie, but you can’t know that
Until you know her
and If you’ve known her, you’ll know
That there is no use
It’s a repetitive cycle that just
Begs to be true

When they put it on the stone
They put it on the cross
They made molds to make shapes
To accommodate
For what was lost
They found that what they’d hoped for
Was just a mask, a mirage
So they made up their own story to tell the masses
and On the next Sabbath, slaughtered the cause

and I suspect they took their time sewing shut the valves of your heart

and I don’t know what to do
You always ask me
Like I pay attention to the news
You’re surprised each time
I can’t tell you the truth
But you know what I am, don’t you honey
You’ve got my number, and you’ve got a plan
and I hope you don’t take me down with it
I hope you don’t take me down in it

The street lights, they don’t need a guide
To show them how, to show them out of
The dark night, the street lights
Don’t mind if you mind’s swollen
and Your heart is left open like a
Gaping wound, the street lights
They’ll keep you company tonight

In that moment, I became afraid
There was a disassociative effect
There you were, on the bed
and Then here I was, on the floor
Pulling at my skin
and I glanced at the window pane
Hoping the snow would lift my spirits
Instead I saw shards of glass
In my fists, going at it
I can’t even trust my mind anymore
It used to be my safe haven
Suddenly everything I came here for is
Out of sight, out of vision
and You’ve left your sword
and Abandoned your mission

You walked me home
You came and got me
I didn’t think you’d come, or anybody
I didn’t care,
I never expected anyone to come anyway
I mean that in the plainest way
We are conditioned in circumstance
Nothing else

Some of us fair better than others
and You’ll either survive, or you won’t
It’s the natural order, the law of evolution
We’ll **** out the defective genes,
and Enhance the most
We live in a society that insists
You stand on your own
but We live in a world
With a collective mindset
Who do we trust,
Our roots, or society as a whole?

and In the meantime we’ll try
We’ll do our best
Not to feel alone

I think you better get yourself
Some medical attention
You might have to call an ambulance kid
It could be serious
but I know how serious
Serious gets
and Right now this mess we got here,
This ain’t nothin’
I’m not gonna even
Worry myself about it

When I left I took
All my stuff with me
I took your heart, as it was bleeding
I got in my car, and
As I was leaving
I saw you standing in the window
You were crying, I shut my eyes
Slipped into reverse
Couldn’t help but glance in the mirror
and There you were, still standing
I saw the woman in the day room
Behind mountains of boxes
I knew you’d never leave, in that moment
That I’d return to a silhouette
Still crying, and
I’ve loved you in a way that a monster cannot feel
I don’t understand it, but I had to go
It was one of those moments when
Everything you’ve learned goes out the window
and That queer sensation, that lump in my throat
I didn’t know what it was until something willed me
To return home, you can’t identify
What you don’t know

In plain language
I don’t know how I’ll find a way
To forgive myself, but you
Keep trudging, you keep
Moving forward, because you
Don’t know what else to do
With yourself, because you can’t
Go home, this is your home,
but You are candescent
and Until the light returns to her heart
You will stand in the backdrop of it
Nat Lipstadt Mar 2017
~dedicated to Robert Lepage^, a master at remembering~

~
we enumerated our days thusly,
each one was commenced with skyward glance,
eliciting an epithet, a blessing or a curse,
none passed unremarked, the plainest even,
acknowledged with an indecipherable glancing
mmmm* from the chest cut or purred,
quick withdrawn and quietly shared

thus recorded, our history disordered,
who can recall if it rained or snowed
on the last Sunday of July of 1998,
or even the sunset fabulous
that was its global signature signing of au revoir

of course, agreed, we remember the great hurricanes
as if they were births or deaths of our most intimates,
but the vast attended, unto mounds collected,
the ticket stubs of dead leaves, sunburns,
rain showered soaked ruined silk blouses
and pairs of good shoes, are not recycled,
but forlorn forgotten condemned men in
a life's imprisonment of an unmarked grave,
with no epitaph possible for no one knows what here lies

~~
written on Sunday March 26th, 2017  9:08am
inspired by the happy happenstance intersection of
this poem and Robert Lepage's memory play 887,
but of course in no way equal to either.

Dead Leaves
by
Georgia Douglas Johnson,
1880 - 1966

The breaking dead leaves ’neath my feet
A plaintive melody repeat,
Recalling shattered hopes that lie
**As relics of a bygone sky.**

Again I thread the mazy past,
Back where the mounds are scattered fast—
Oh! foolish tears, why do you start,
*To break of dead leaves in the heart?*

~~

887 is a journey into the realm of memory. The idea for this project originated from the childhood memories of Canadian director, actor and playwright, Robert Lepage; years later, he plunges into the depths of his memory and questions the relevance of certain recollections. Why do we remember the phone number from our youth yet forget our current one? How does a childhood song withstand the test of time, permanently ingrained in our minds, while the name of a loved one escapes us? Why does meaningless information stick with us, but other more useful information falls away?

How does memory work? What are its underlying mechanisms? How does a personal memory resonate within the collective memory?

887 considers various commemorative markers—the names of parks, streets, stelae and monuments—and the historical heritage around us that we no longer notice. Consequently, the play also focuses on oblivion, the unconscious, and this memory that fades over time and whose limits are compensated for by digital storage, mountains of data and virtual memory. In this era, how is theatre, an art based on the act of remembering, still relevant today?

All of these questions are distilled into a story where Lepage, somewhere between a theatre performance and a conference, reveals the suffering of an actor who—by definition, or to survive—must remember not only his text, but also his past, as well as the historical and social reality that has shaped his identity.
Kevin Millers Jul 2015
I will smelting the scentest sweet
Smelt it over an 'I forgot' times
Smells the morningest freshness
Will smell petrified joy always.

I will stareding at the simplest complexity
My eyes saw the warmest merry
Seeing night sky spill over sight
Will stare at plainest intricacy.

I felting a sugar glaze
Felt it coat my moonest blue
Feeling his sugary hands
Had warmth so will feel it melt..

Will felting foreverness sticky.
E Nov 2014
3%
i miss you
in the plainest of cliches
between smoke breaks during work
when taking trains to unfamiliar locations
when i meet new people who share your name

you put love into me
yet left nothing but dry blood

every thing relates back to you
i ate you up
and now i'm having trouble digesting
how fresh the world was complex and still strange
as we crossed shark-filled seas with little thought
of what bright magics in the clouds were caught
or what the cities past the mountain range
would have for us instead we sought the grange
the country quiet where oldest rules were taught
in plainest movement from old is to ought
from then to now where all we did was change
into clear selves who know the middle way
by just refinement of that youthful choice
made all rejoicing under bluest sky
for we who learn the paths and tracks of day
know it's no simple thing to have a voice
and far more difficult to keep an eye
A de Carvalho May 2012
Don’t give me love nor memories that fade.
Don’t give me words nor pointless promises.
Don’t tell me you love me in so many brilliant manners,
nor how much you want me as if you were tying a knot.
Let it be night when I close my eyes, and please leave my soul alone.

Don’t give me flowers that have perished and will surely rot.
Nothing that’s dead can stand for us.
Don’t give me stones to carry nor a trench that I must fill.
Don’t give me smiles that are not yours, nor tears only shed to move me.
Show me the plainest of the plain in you, without prejudice nor pride.

Don’t give me anything, except your life, and I will tie it down with mine.
Give me your mornings, your fears, and your humanity.
Let our tomorrows be a garden, of smiles, tears, and laughter,
of children running dippily in merry-go-rounds,
of tender caresses, sighs, and whispers.
Give me your now and your forever and ever, in this life.
anonymous999 Dec 2013
my heart belongs to no one
you were always and forever the only one
to make the stormy skies brighter,
to make the dark places lighter
so we could face the coldest nights
with each other by our sides
so we could fill the plainest day
make all of our worries go away
my heart belongs to no one
you were always and forever the only one
to make it all okay.
Lillian May Jun 2018
a walk of cobble
the sky blue and sunbeams
draping over the scene
through leaves and branches gleam
walls of pure history
the plainest street a dream
class dancing about
thinking thoughts without
a hint of a doubt
that this place would be worthy of a story
in all of its glory
and on the page i'd pour me
and everything i am and everything
that i saw
that i felt
that i touched and smelt
holding and grasping
and clutching and clasping
onto any sensation i could get my hands on
hoping for a memory to last
so i could look onto the past
and remember it clearly
remember it dearly
forget all my worries
and the tears on my face
and my blues
and instead think of all my stories
and the places i've been and this place
well
that's where i got my brown leather shoes
A couple years ago I went to mesmerizing Sicily, and this is just a small anecdote from that sunny Sicilian day.
A Yellow Domino Sep 2013
Me?
Why me?
Look at me.

I write with
The plainest language
The shallowest meanings

I lack that
Special ingredient
To spice it all up

Aptitude?
Disposition?
I think I'm far from that.
Your breath upon the window pane,
leaves the impression that you were here, again.
Hold me closer as I sleep,
mumbling your name while I dream,
of you
and only you.
Please, tell each star goodnight, for me.
"Adieu, to each wish, for now."
Tell me stories as I wake,
of who and what and how.
Keeping up with conversation,
you look back amongst the stars.
And in the plainest tone of voice,
said *"I love you."

— The End —