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RatQueen Apr 2019
I feel our arms they're intertwining
inosculation through the years
I want your heart to beat erosion
armored from my salt and tears
They say its all apart of process
we all have to pay our dues
I was scraping off the mosses
and broke off some bits of you

here it comes
I hide it all
for another day
scratch and scrawl
crumpled paper *****
just thrown and tossed away
I'm so small
but I have time
so much more to gain
I may fall
but know my call
the one and only protégé

tear the heart off of my sleeve
tissue deep under your nail
you snatched it up, scratched it
threw it down, and watched it flail
desperate chambers
pumping restless but alas to no avail
my breast is empty, yet its tempting
my innards set to sail

here it comes
I hide it all
for another day
scratch and scrawl
crumpled paper *****
just thrown and tossed away
I'm so small
but I have time
so much more to gain
I may fall
but know my call
the one and only protégé

are you hollow are you gasping?
are you just like me?
a beached whale thrashing
rolling 'round in debris
no you are different
a tiny treasure I adore
perfect pearl shining big and bright
washed right next to me ashore
how rare it is to find such a tool amongst the trash
but was this jewel made of parasite or lonely grain of sand?

here it comes
I hide it all
another day
scratch and scrawl
crumpled paper *****
just thrown away
I'm so small
but I still have time
so much to gain
know my call
the one and only protégé
Seán Mac Falls Aug 2014
In braze, silent breeze of dreams incantations,
Shiva arms sway in the forest dark, mushroom,
Cloud, lord with fungi, mosses whose clinging
Shades of branches, braids deep, forking stories
Of old, brooding cauldron Druids, sidles Eastern
Spindrift words of Sanskrit spake, told in veined
Sacred hands unfound, celestial spines, moulded
Green, in the windy monkish statutes of the fallen
And single handed claps of the missionary leaves.
The hazel's unusual branch formations make it a delight to ponder, and was often used for inspiration in art, as well as poetry.

The bards, ovates and druids of the Celtic day would intently observe its crazy curly-Q branches. Doing this would lead them into other worlds of delightful fantasy. Much the same way our modern imaginations can be captured by a good movie, the creative Celts were artistically motivated by the seemingly random and wild contortions of the hazel.

A more commonly known fact is that the hazel is considered a container of ancient knowledge. Ingestion of the hazel nuts is proposed to induce visions, heightened awareness and lead to epiphanies. Indeed, the legend of Fionn Mac Cumhail tells of his gaining the wisdom of the universe by simply coming in contact with the essence of the hazel nut.
Al Drood Jan 2018
Grey October dawning, mist hangs low in woodland
Fading is the season, beech and oak leaves falling
Tangled are the brambles, overgrown and berried
Spider in her leaf-hide, sees her web bejewelled
Drowsy cattle standing, breath and wet flank steaming
Sunrise gleams on water, streamlet coldly flowing
Wasted grasses leaning, trampled under hoofprint
Fern and mosses greening, close by wall of sandstone
Early sings the sparrow, yarrow flowers whiting
Sluggish flies the bee now, nectar scarce inviting

Owl in tall tree sleeping, shuns the day awaking
Fox in earthen breastwork, sated now from hunting
Rabbit sniffs the morning, burrow mouth beguiling
Scent of mould and mushroom, undergrowth pervading
Fallen tree trunk rotting, spotted red with fungus
Naked roots stand grasping, fingers locked in death throe
Down in dew clean meadow, foal lies red and stillborn
Sadly stands the old mare, one year past her blessing
Nevermore to call home her stallion by evening
Hidden in the hawthorn, behind the leaves a-turning
Carrion crow watches, waiting for her leaving
Patience is his virtue, soon to know the feeding.
October from a different angle, with a nod to the Anglo Saxons.
Devin May 2014
She greets the dawn with her cold eyes
Eyes chiseled by ancient architects
Ever so slightly cracked
Forever gazing upon the changing seasons
And the wilting of sanguine roses.

Her still hands forever out stretched
Reaching for something long forgotten
Perhaps a lost love
The gentle rain
Or the birds of spring.

Her fading smile
Forever bringing happiness
To photographs
And paintings lost to time.

Her delicate feet
Fixed upon the dark marble
Walking to imaginary lands.

Dusk comes . . .
She laughs in her still serenity
As the mosses
The darkness
And the chills of the northern winds
Envelop her once more.

And in silence
She drifts in a deep slumber
Awaiting a new dawn
A new day . . .
A statue I saw on the way home one day.
Stephe Watson Jan 2021
I believe I believe
I believe in the stars
I believe in the sound of the rain
I believe in the seas
I believe in the ear on the track and the sound of the train.

I’m no monk
I’ve no gasoline can
I’m no protest symbol
I’m no match for the believer with struck match
I believe in the unseen support of the choir
I believe we can sing out, shout out, or flame out
I believe we can’t tire out or put the fire out
I’m no monk
I’ve no match
I’ve not set myself afire.

But I believe
in the echo’s return
But I believe
in a soul fire’s ash-free burn.

I believe in the felled forest
I believe in the dissipating clouds
I believe in the march without rest
I believe in testing those testing us
I believe in the pains cried aloud
I believe in the speech no longer allowed .

I believe in the unvoiced voices
I believe in the tentative choices
I believe in the scarred bark
and the broken branch.
I believe in the disease’s footprint, this burl
I believe in the taproot, the sunshine; this world.

I believe in the electricity
I believe in the chemistry
   (Not in the wire, not in the flask.)
I believe in the electricity and chemistry
between two hearts with everything to sing
and nothing to ask.

I believe in the broken voice
I believe in the stolen tide
I believe in the dying breeze
I believe in the bald cypress, lonely on the cliff
I believe in the windblown tuft of seed
I believe in the healing palm and loving hand
I believe in the rot and the pebbles’ fate
to return to these beaches one day as sand.

I believe in the scent of frankincense
and the furry power of the purr.
I believe in the smile
I believe in the tear

I believe in the lamplight
I believe in the campfire
I believe in the stories planted in songs
I believe in the buzzard
I believe in the Sky.

I believe in the human heart
and the bird brain.
I believe in the whisper of pinecones
I believe in the spirit
   of komorebi,
      of petrichor,
         of kami,
            of qì.

I believe I believe
I may be deceived
but I believe I believe
I believe in the power of song
I believe in the shade and the lit
I believe in mosses and stones
I believe the weak are also strong, always strong
I believe in taking a stand and the power of sit
I believe in losses and bones.

I believe in the Elders
   I believe in forgetting.
I believe in the Ancients
   I believe in remembering...
I believe in the handprint in ochre.

I believe in the great and the lost
I believe in the good and the grand
I believe in the minuscule and the beginner
I believe in the mediocre.

I believe in the story of soot
I believe in the heart as well as the foot.

I believe in the canker, the scar
I believe in the cancer
trying to carve a life from life.
I believe in the piglet
and the nest-fallen, crestfallen wren.
I believe in the inbreath, the out
I believe in the powerless and the rumbling of stomachs.

I believe in the plaintive howl of the empty.
I believe incense rising in silken curl
I believe in the dragon and the caretaken pearl
I believe in the cold and the dying
I believe in the old and the ancestral
I believe in the young and the transcendental.

I believe in the moon a balloon
caught up in January trees.
I believe in the rain droplets
   (long after the Rain)
I believe in the dew droplets
clung to fern, clung to turtleback, clung to clay
   (long after the Sunup)

I believe in the frost-heave
of silent sod on a Winter’s eve.
I believe in the hoarfrost
I believe in the petroglyphic vernal pool,
closing in to itself, cracked and drying
and too parched to be crying.

I believe in the sweet pull
of angular momentum;
rounding a corner too far and too fast,
palming the corner or column
and swinging unaligned to face a new path.

I believe in the the cat's fur and the cat's purr,
the sound of lark and the scent of the larkspur.
I believe in the post-rain bejewelment of Winter birch branch.

I believe I believe
And though I know
I won’t achieve
the depth of belief
of a shorn-headed man in a robe
taking a match to himself for the globe
I continue to believe that I believe
in the many simple things
the many simple not-at-all things
that the mind brings to light
and the light brings to mind.

I believe in this moment
that I believe in this moment.
Al Drood Mar 2019
Ponderous, she lumbers on
through frozen wastelands,
shaggy body bejewelled  
with a million icy diamonds.

Keen is the wind,
born in the high peaks
and honed to razor sharpness
over groaning, green-blue glaciers.  

Head raised to bitter skies,
she bellows a mournful, unanswered cry
against distant night-black conifers,
bowed and encrusted with fallen snow.  

Long tusks scrape the ground now
in search of hidden mosses,
for hunger is upon her, and she is
oblivious to the hunters’ approach.  

Squat are these bearded skin-clad men,
hair-matted, breath steaming, gesturing quickly,
moving ever closer, surrounding,
stepping out silently,
flint-tipped spears and arrows poised.  

And then the sudden cry of attack!
Again and again the thud of flint into flesh!
Stone into bone!

Shouting wildly, the hunters
circle rapidly, calling on
their long-dead ancestors
to witness the great shrieking beast
brought down in agony;
until at length they halt exhausted,
breath steaming and energy spent.

And as the moon rises above the far horizon
an awful silence falls across the bitter wastes.

For it is done,
and the last mammoth
is no more.
Brad Lambert Apr 2014
All's wet in the woods.
Big bets been placed and diced in them forests.
Austrian pines are never to be trusted–
I'm never to be trusted so much, too.
So much for them healthy spines!
That's a question mark if your frame ends a sentence.
So much for good times and good measure!
They plain-prohibited plants in the soil –
That there's my soil and we all share the sun.
Listen to that, son.
Shaking overhead.
Summer storms rumble loud.
All's loud overhead.
Calling it out, the thunder warns me so:

Wind in the trees!
Wind in the trees!
Rain on the grass and
wind in the trees!

Blades of grass where
wind only breathes.
Patterin' on grass–
Whooshin' through trees!


And what was first to fillin' the woods?
It was feet on the soil and toes in the sand.
Plants in the soil and bare feet in the sand.
Skinny boys have been dipped all skinny in streams.
Sun's been refractin' for years in them streams.
The night was borne of embers in winds and
blankets made out as whole as that sky.
Mountains breathing out across their own flat feet with
whispers in wind's breath humming through the blue mountain's teeth:

Drums in the woods
be drum-circlin' them flames.
Roots in the woods
done wrap-choked my heartstrings.

Beats in the wild
be drum-beatin' us tame.
Whips in the wild
done whip-shaped his heartstrings.


Never had I heard a call like that.
Howling and hopeful, hoping to be whole.
That mountain's been chipped all dusty in streams.
Them streams been runnin' across them whole-skins.
Howl and be happy.
Paint night-skies on his leg.
Brush them tendrils from them eyes,
howlin' and bein' happy.
I hear the wind and I wonder if cedar pines are to be trusted.
I feel the soil, chilled and wet beneath the grass.
The storm has passed overhead.
Smellin' green grass and mild mosses.
I'm seein' stars overhead.
Fingers runnin' across them foggy windows.
I think of the wind and the rain–
We will see.

*Wind in the trees!
Wind in the trees!
Rain on the grass and
wind in the trees!

Sorrow blows where
no man can breathe.
Rain patters on grass–
Wind in the trees.
Mr Mojo Risin Nov 2015
Paris my love, your more than my friend... your city has suffered death today but this isn't your end. Paris my love, we stand with you, Paris united and free! This world needs parted with terrorist ****** and we shall part it like mosses and the sea! Paris my love, imagine no religion, there's scars upon your face! What's happened to you has only left scars upon all the human race! No bomb can bring us down my love, we shall overcome!! we stand with you Paris my love through the sands o' time that run, and with every prayer for Paris, is a prayer for humanity in tow. We stand in awe of you Paris my love, I will never let you go.

#PrayForParis ❤️
John Mahoney May 2012
all day long, their banging disturbed me at my work
startling me from my reverie, lost deep in the world
of I Wish I Had A Heart Like Yours, Walt Whitman

the birds, returned early from wherever it is they hide
during the long winter, have come to fling themselves
against the over-sized picture window in my living room,

songbird pitch themselves into my poet's dull daytime
so that i am moved to rise from my desk, to look out,
to seek a bird flying away, or peer down to search for the

tiny body maybe roosting among the stalks of the overgrown
hydrangea, which captured  autumn’s maple leaves, worn
like a Chicago matron's mink to keep the winter chill at bay

and, as the spring surrenders to the warmer days, i mow the
brightly greened grass, innocently cutting row after row,
to turn finally to the narrow strip nearest the picture window,

a mixture of grass, dried leaves and tiny twigs, all mulched
by the power mower, where i discover these dessicated bodies  
exhumed from shallow graves at the base of the newly leafed

hydrangea, their stiff, dry feathers bristly, colored a washed
out grey, tiny feet tightly balled, with all the soft parts missing
and the beaks a startling white, as though bleached, bright against

the dullness of the little corpses which seem to have sunk into
the mosses of the yard, so that they lay preserved below the blade
for the first late-spring chore -- mowing the bird bone garden

i sleep with the bedroom window ajar despite the overnight chill
and dream of the memory of birds, their shapes, their white beaks
and, still, the bird songs wake me in the cool green spring morning
Mahima Gupta Aug 2014
In the backyard near the mosses
electric blue wrens
The blackbird singing away
A myriad of stars
In this sky with subtle humour
Tingling away with mischief
Changing hue every now and then
Sun toughened lovers
Walking hand in hand
Fade away into the darkness
Collapse in the middle of nowhere
Lost
With their voices echoing
from under cedar covers
Waves dancing under the crimson sky
Transformations hiding its alibi
They're floating on the blue vitriol
Of early February
Northwest autums turns to winter
The snowflakes melt in the presence of the heat
I'm still finding the chameleon
And the lovers who disappeared last night
I'm still lost in the shades of blue
An electric energy reaches out to paradise.
CA Guilfoyle Jun 2014
Eyes, crystalline, shine awake
newborn suns stream, blue light
mists of fog breaking through
cool breath, of forest's wet
steaming bark, clouds of water smoke
trees breathe deep, drinking dawn
mosses warm in wooded sun
raven call penetrates the soul, an ageless echo
pulse of forest drums, awake my heart
in birded rhythmic song, connection, meditation
I am home, I am home
Pea Sep 2014
I almost thought that I was screaming but at least it should have been a safer place. I let my face seem like pig but my chest kept thinking that I was just having a sun diameter long run. It is true that my shirt smells like sweat but it was just delivered by my sweet but not tasty laundry aunt. I am sitting here, in front of me is the library. I try to respect my hunger by just admiring the stairs and thigh thick books from afar.

On the right side there are my schoolmates pretending to be a friend with this one gay guy, invisibly bullying but who cannot see it? I can feel insecurity bawling out of his nostrils and it fills the air with an intense reeking of headache and street lights sold cheap perfume. I think I should go back to my place and wash my hair until it smells like grass or something nice, like seawater or grandma's handkerchief.

I must pretend to be insane or else I am going to spend my life seeking for the top I do not want to step on.

There is no safe place at all. This is the safest I could find, but there are voices of people chatting and laughing and the smokes of their cigarettes and the sound of airplane and footsteps and life, and life, I even can hear the leaves beside me photosynthesizing. Send me home already.

On Wednesday my roommate does not have class and that means if I go back now I would find her sleeping on the desk with her eyeglasses on, or worse, I think I would find her studying her latin names of the animal bones and when I open the door she would greet me with her usual green smile and I would have to reply with at least half of her smile and now I already feel the balloon in my chest hugged too tightly by the ribs.

I should have taken another major instead. Maybe something like agriculture so I at least could be a use for the soil or to feed the worms. The people passing by seem to be looking through my skin. It's not my fault that they have to run to the toilet as fast as they can. At first I thought the sport festival was here. It was perfectly normal for them to be so much competitive.

The flushes sound exactly like this one neuron I got, or these split ends that have split ends that have split ends.

I am the only one inanimate here. My shoes speak German and I think they just want to go to an elegantly candlelit restaurant but all I can think of is a cave with blue and green mosses and cavemen with their torches. Only this square, blue thing with blinding pink font in my gray backpack tries to keep me safe. But I let it stay in the dark, and it was a right decision because I would not know what I would be if I had felt safe when a friend greeted me and asked what I was doing here.
SilverSpoon Oct 2015
Orange canoe leaves and castling roots
   and a potpourri of rocks and twigs and mosses
     hailed my pathway.
Fresh, white flowers mingled with their rusted sisters
upon the ground, like copper-splashed jasper.  
        The canoe leaves curled
as the white and rusted flowers tumbled through them
like toppled teacups and feathered, Victorian party hats.  
     Their christened sisters mirrored them among the boughs above
and talked loftily about the treetops
      as the fallen ones chattered amidst *******
      and the roots dividing the tables of their tea party—
unaware, and heedless, of how far they’d fallen.
Seán Mac Falls Feb 2015
I see myself in you—
With a spike we two spoke out,
Vagaries of wind, verisimilitudes
And the moon gives us her light.

Black bird, black robed Druid,
We both are spinning round
The hills draped in psalms
Of the oak and windy leaves.

Your words, I hear, go unsaid,
My utterings babble, ring in a rill,
Cold and cascading to mosses,
Bleeding from a lone escarpment.
Ken Pepiton Sep 18
this, and that,

what good and fine as can be,
may be limited by, in fact,
one bit of both of us acting

as reader one and writer one
assigned to frame a mindform

an aspirant's aim, a mortal hero,
no superior anything, Joe Blow,

Johnny Come Lately, and
Johnny Lunch Pail, and Big Bad John

as a mind user holds self evident
what another holds sacred and undeniable

peace has a rule, least said, soonest mended.

Suffer it to be so, now
fully fected per form re co known,
true rest, debt free, fret free, ready
recognize trust as post warring, after
war reasoning retired, generally,
in peace

knowing using time we share,
my side of the situation produces
peace past understanding we live as part

of something we are reactions to as parts
required to inspire our realization as a whole.

From our marveling minds, we may so wonder
as mankind ever has minds we may open wider
while we are resting, re estimating worths costs

what's it cost to think in English a Hebrew word
a foreign idea, to think in miyn kind classified we

not me, nor you, we ag re spond aghast, what if

this is finished but
for our final faith's polishing touch. A reader.

My dare to say, the way I lived, worked.
My bet if time were today, what I live in;
then we live in it together, rationally balanced

at this previously unthinkable point. Ready

to experience thought slowed to ink speed…

elipses signify, thought pauses to think, read
right to left or up and down or left to right,

front to front, face to face, mirroring mind,
relearn from famous heros, mirroring kind-ness

like me beings shown our premyelinated brain rind,
bring me guile, show me some unprejudged idle word

logical extender of thought you heard said, hermit

hero's… the hidden practically only quiet certainty,

Cartesian or Pascalian, pre trib rapture revelation,
addendum on the end of the narrative, eh,

curses, foiled again… Mighty Mouse, ah,
shoot gee ****, kids

you better eat your Wheaties, be like Bruce,

tangled in a time of thinkable self will power,
dedicated to a timeless sufferage practice
to perfect a performance costing more,

than any other person ever paid, right
at one single point piercing everything

perfectly.
Storywise. Told and retold, to you, your story,

who are you but my audience, or our audience,
as we think during instances of mistaken belief.

The function of the mind, in a verb, by leaving
today the same everywhere right now, belief

can release potential peace, right when lief
as well think of green green moss after rain,

if there be any good, think on that.
Prepose your mind's eye on that goodness,

noticed, mosses and lichens shout bright
reflecting back through our whole being
beauty at the sight, at the action seeing

as today,
where I am, on purpose,
proposing one pastence,
everything everywhere all at once,
now, then

thinkable, in a crazy unsortable
fluid in a bubble, bubble in a foam,

message sent, Peace on Earth.
My parts were often prat falls, but what's a good laugh worth, in time?
Prathipa Nair Jun 2016
Walls wet after a breezy rain
Small green mosses grown
Snails slowly moving on the wet greenery ground
Flowers blooms from tiny plants
Yellow, red and Violet
Muddy scent spreading fragrance through out the earth
Butterflies kissing their flowers of love
Rain flies enjoying the rain's visit
Rivers and lakes are fresh and cool
Children running to jump in streams of water
Me, under blanket sleeping tight !
Lotus May 2012
Verdant mosses swiftly spreading
Over rocks soft-foot treading

Little turtle-necked boletus
Escaping the soils clutches
Drinking the sun’s warm light

Dripping trickles of water pure
Tongue flooding
Mind filling
Forest’s music undying

Sentry eyes peering over
Folia of twig entangled arms
Scanning the ground below
For movement to break
The forest silence
Wistfully glancing...
Forlorn sky - bluest of blues;
A cosmic, black pit.

Grounds - desolated, old.
Mosses sprouting; here it is,
Dusky beginning.

Sad, withering tree.
An uncanny resemblance;
Beseeching for life.
Lotus Nov 2012
Tree’s ravaged roots
By axes a thousand
Spilling the blood of forest barks and mosses
The trunk’s weeping screams
Enough to deafen the nearest fowl

Each branch sheds tears
Of liquefied organs and veins
That once hitting the ground
Flow in rushing meanders
Enough to drown soil housed insects

Every leaf that was born
Green and luscious under the sun’s beams
Now recoil and shiver
Into a rusted deathly brown
All the breath that once recycled
Back through its green body
Chased into a withered chasm

One by one
The axe takes a thousand lives in one
One by one
The world that nurtured humanity
Decays by humanity’s hands
One by one
The ruin of all
Will occur
By the axe
Of humanity
Seán Mac Falls Sep 2012
Who said cemeteries are for the dead?
For those who celebrate such silence
A commotion’s something too.
Crow about the stones, smeared by sun  
All gawking formal and sharply dressed, rung  
A black congregation that drilled and sermoned  
My ears down to coffin nails beneath  
My feet, a voice that hung the wanting
Waves.   

And over head I saw the braised yearling  
Eagle bobbing past the undivided sun,  
Who tottled about the sky in circles out  
Of center, a wearing down of gear
Churning with the grave
Bruising birds, that spoke  
And wheeled over dusty  
Stones.  

Sea spray, leaning trees, slant  
Of cloud, spilt green grass of one  
Sided mosses all pointing which was to be —
The way,  

And leaving there, I saw the sign and it read:  
    ‘Ocean View Cemetery,’
Opens at sunrise —
Closes at sunset.
I dwell in a lonely house I know
That vanished many a summer ago,
  And left no trace but the cellar walls,
  And a cellar in which the daylight falls,
And the purple-stemmed wild raspberries grow.

O’er ruined fences the grape-vines shield
The woods come back to the mowing field;
  The orchard tree has grown one copse
  Of new wood and old where the woodpecker chops;
The footpath down to the well is healed.

I dwell with a strangely aching heart
In that vanished abode there far apart
  On that disused and forgotten road
  That has no dust-bath now for the toad.
Night comes; the black bats tumble and dart;

The whippoorwill is coming to shout
And hush and cluck and flutter about:
  I hear him begin far enough away
  Full many a time to say his say
Before he arrives to say it out.

It is under the small, dim, summer star.
I know not who these mute folk are
  Who share the unlit place with me—
  Those stones out under the low-limbed tree
Doubtless bear names that the mosses mar.

They are tireless folk, but slow and sad,
Though two, close-keeping, are lass and lad,—
  With none among them that ever sings,
  And yet, in view of how many things,
As sweet companions as might be had.
Seán Mac Falls May 2014
Who said cemeteries are for the dead?
For those who celebrate such silence
A commotion’s something too.
Crow about the stones, smeared by sun  
All gawking formal and sharply dressed, rung  
A black congregation that drilled and sermoned  
My ears down to coffin nails beneath  
My feet, a voice that hung the wanting
Waves.  

And over head I saw the braised yearling  
Eagle bobbing past the undivided sun,  
Who tottled about the sky in circles out  
Of center, a wearing down of gear
Churning with the grave
Bruising birds, that spoke  
And wheeled over dusty  
Stones.  

Sea spray, leaning trees, slant  
Of cloud, spilt green grass of one  
Sided mosses all pointing which was to be —
The way,  

And leaving there, I saw the sign and it read:  
    ‘Ocean View Cemetery,’
Opens at sunrise —
Closes at sunset.
A Tale

“Of Brownyis and of Bogilis full is this Buke.”
                              —Gawin Douglas.

When chapman billies leave the street,
And drouthy neebors neebors meet,
As market-days are wearing late,
An’ folk begin to tak’ the gate;
While we sit bousing at the *****,
An’ getting fou and unco happy,
We think na on the lang Scots miles,
The mosses, waters, slaps, and stiles,
That lie between us and our hame,
Whare sits our sulky, sullen dame,
Gathering her brows like gathering storm,
Nursing her wrath to keep it warm.

This truth fand honest Tam o’Shanter,
As he frae Ayr ae night did canter,
(Auld Ayr, wham ne’er a town surpasses,
For honest men and bonie lasses).

O Tam! hadst thou but been sae wise,
As ta’en thy ain wife Kate’s advice!
She tauld thee weel thou was a skellum,
A blethering, blustering, drunken blellum,
That frae November till October,
Ae market-day thou was nae sober;
That ilka melder, wi’ the miller,
Thou sat as lang as thou had siller;
That ev’ry naig was ca’d a shoe on,
The smith and thee gat roarin fou on;
That at the Lord’s house, ev’n on Sunday,
Thou drank wi’ Kirkton Jean till Monday.
She prophesied that, late or soon,
Thou would be found deep drowned in Doon;
Or catched wi’ warlocks in the mirk,
By Alloway’s auld haunted kirk.

Ah, gentle dames! it gars me greet,
To think how mony counsels sweet,
How mony lengthened sage advices,
The husband frae the wife despises!

But to our tale: Ae market-night,
Tam had got planted unco right;
Fast by an ingle, bleezing finely,
Wi’ reaming swats, that drank divinely;
And at his elbow, Souter Johnny,
His ancient, trusty, drouthy crony;
Tam lo’ed him like a vera brither;
They had been fou for weeks thegither.
The night drave on wi’ sangs an’ clatter;
And aye the ale was growing better:
The landlady and Tam grew gracious,
Wi’ favours, secret, sweet, and precious:
The Souter tauld his queerest stories;
The landlord’s laugh was ready chorus:
The storm without might rair and rustle,
Tam did na mind the storm a whistle.

Care, mad to see a man sae happy,
E’en drowned himself amang the *****;
As bees flee hame wi’ lades o’ treasure,
The minutes winged their way wi’ pleasure:
Kings may be blest, but Tam was glorious,
O’er a’ the ills o’ life victorious!

But pleasures are like poppies spread,
You seize the flow’r, its bloom is shed;
Or like the snow falls in the river,
A moment white—then melts for ever;
Or like the borealis race,
That flit ere you can point their place;
Or like the rainbow’s lovely form
Evanishing amid the storm.—
Nae man can tether time or tide;
The hour approaches Tam maun ride;
That hour, o’ night’s black arch the key-stane,
That dreary hour he mounts his beast in;
And sic a night he tak’s the road in,
As ne’er poor sinner was abroad in.

The wind blew as ‘twad blawn its last;
The rattling showers rose on the blast;
The speedy gleams the darkness swallowed;
Loud, deep, and lang the thunder bellowed:
That night, a child might understand,
The De’il had business on his hand.

Weel mounted on his grey mare, Meg,
A better never lifted leg,
Tam skelpit on thro’ dub and mire,
Despising wind, and rain, and fire;
Whiles holding fast his gude blue bonnet;
Whiles crooning o’er some auld Scots sonnet;
Whiles glow’rin round wi’ prudent cares,
Lest bogles catch him unawares;
Kirk-Alloway was drawing nigh,
Whare ghaists and houlets nightly cry.

By this time he was cross the ford,
Whare in the snaw the chapman smoored;
And past the birks and meikle stane,
Whare drunken Charlie brak’s neck-bane;
And thro’ the whins, and by the cairn,
Whare hunters fand the murdered bairn;
And near the thorn, aboon the well,
Whare Mungo’s mither hanged hersel’.
Before him Doon pours all his floods;
The doubling storm roars thro’ the woods;
The lightnings flash from pole to pole;
Near and more near the thunders roll;
When, glimmering thro’ the groaning trees,
Kirk-Alloway seemed in a bleeze;
Thro’ ilka bore the beams were glancing;
And loud resounded mirth and dancing.

Inspiring bold John Barleycorn!
What dangers thou canst mak’ us scorn!
Wi’ tippenny, we fear nae evil;
Wi’ usquabae, we’ll face the devil!
The swats sae reamed in Tammie’s noddle,
Fair play, he cared na deils a boddle.
But Maggie stood right sair astonished,
Till, by the heel and hand admonished,
She ventured forward on the light;
And, wow! Tam saw an unco sight!
Warlocks and witches in a dance;
Nae cotillion, brent new frae France,
But hornpipes, jigs, strathspeys, and reels,
Put life and mettle in their heels.
A winnock-bunker in the east,
There sat auld Nick, in shape o’ beast;
A towzie tyke, black, grim, and large,
To gie them music was his charge:
He ******* the pipes and gart them skirl,
Till roof and rafters a’ did dirl.—
Coffins stood round, like open presses,
That shawed the Dead in their last dresses;
And by some devilish cantraip sleight
Each in its cauld hand held a light,
By which heroic Tam was able
To note upon the haly table,
A murderer’s banes in gibbet-airns;
Twa span-lang, wee, unchristened bairns;
A thief, new-cutted frae a ****,
Wi’ his last gasp his gab did gape;
Five tomahawks, wi’ blude red-rusted;
Five scimitars, wi’ ****** crusted;
A garter, which a babe had strangled;
A knife, a father’s throat had mangled,
Whom his ain son o’ life bereft,
The grey hairs yet stack to the heft;
Wi’ mair of horrible and awfu’,
Which even to name *** be unlawfu’.

As Tammie glowered, amazed and curious,
The mirth and fun grew fast and furious:
The Piper loud and louder blew;
The dancers quick and quicker flew;
They reeled, they set, they crossed, they cleekit,
Till ilka carlin swat and reekit,
And coost her duddies to the wark,
And linket at it in her sark!

Now Tam, O Tam! had they been queans,
A’ plump and strapping in their teens;
Their sarks, instead o’ creeshie flainen,
Been snaw-white seventeen hunder linen!—
Thir breeks o’ mine, my only pair,
That ance were plush, o’ gude blue hair,
I *** hae gi’en them off my hurdies,
For ae blink o’ the bonie burdies!

But withered beldams, auld and droll,
Rigwoodie hags *** spean a foal,
Lowping and flinging on a crummock,
I wonder didna turn thy stomach.

But Tam kenned what was what fu’ brawlie:
‘There was ae winsome ***** and waulie’,
That night enlisted in the core
(Lang after kenned on Carrick shore;
For mony a beast to dead she shot,
And perished mony a bonie boat,
And shook baith meikle corn and bear,
And kept the country-side in fear);
Her cutty sark, o’ Paisley harn,
That while a lassie she had worn,
In longitude tho’ sorely scanty,
It was her best, and she was vauntie.
Ah! little kenned thy reverend grannie,
That sark she coft for her wee Nannie,
Wi’ twa pund Scots (’twas a’ her riches),
*** ever graced a dance of witches!

But here my Muse her wing maun cour,
Sic flights are far beyond her power;
To sing how Nannie lap and flang,
(A souple jade she was and strang),
And how Tam stood, like ane bewitched,
And thought his very een enriched;
Even Satan glowered, and fidged fu’ fain,
And hotched and blew wi’ might and main:
Till first ae caper, syne anither,
Tam tint his reason a’ thegither,
And roars out, “Weel done, Cutty-sark!”
And in an instant all was dark:
And scarcely had he Maggie rallied,
When out the hellish legion sallied.

As bees bizz out wi’ angry fyke,
When plundering herds assail their byke;
As open pussie’s mortal foes,
When, pop! she starts before their nose;
As eager runs the market-crowd,
When “Catch the thief!” resounds aloud;
So Maggie runs, the witches follow,
Wi’ mony an eldritch screech and hollow.

Ah, Tam! ah, Tam! thou’ll get thy fairin!
In hell they’ll roast thee like a herrin!
In vain thy Kate awaits thy comin!
Kate soon will be a woefu’ woman!
Now, do thy speedy utmost, Meg,
And win the key-stane of the brig;
There at them thou thy tail may toss,
A running stream they dare na cross.
But ere the key-stane she could make,
The fient a tail she had to shake!
For Nannie, far before the rest,
Hard upon noble Maggie prest,
And flew at Tam wi’ furious ettle;
But little wist she Maggie’s mettle—
Ae spring brought off her master hale,
But left behind her ain grey tail:
The carlin claught her by the ****,
And left poor Maggie scarce a stump.

Now, wha this tale o’ truth shall read,
Ilk man and mother’s son, take heed:
Whene’er to drink you are inclined,
Or cutty-sarks run in your mind,
Think, ye may buy the joys o’er dear,
Remember Tam o’Shanter’s mare.
The time has been that these wild solitudes,
Yet beautiful as wild, were trod by me
Oftener than now; and when the ills of life
Had chafed my spirit--when the unsteady pulse
Beat with strange flutterings--I would wander forth
And seek the woods. The sunshine on my path
Was to me as a friend. The swelling hills,
The quiet dells retiring far between,
With gentle invitation to explore
Their windings, were a calm society
That talked with me and soothed me. Then the chant
Of birds, and chime of brooks, and soft caress
Of the fresh sylvan air, made me forget
The thoughts that broke my peace, and I began
To gather simples by the fountain's brink,
And lose myself in day-dreams. While I stood
In nature's loneliness, I was with one
With whom I early grew familiar, one
Who never had a frown for me, whose voice
Never rebuked me for the hours I stole
From cares I loved not, but of which the world
Deems highest, to converse with her. When shrieked
The bleak November winds, and smote the woods,
And the brown fields were herbless, and the shades,
That met above the merry rivulet,
Were spoiled, I sought, I loved them still,--they seemed
Like old companions in adversity.
Still there was beauty in my walks; the brook,
Bordered with sparkling frost-work, was as gay
As with its fringe of summer flowers. Afar,
The village with its spires, the path of streams,
And dim receding valleys, hid before
By interposing trees, lay visible
Through the bare grove, and my familiar haunts
Seemed new to me. Nor was I slow to come
Among them, when the clouds, from their still skirts,
Had shaken down on earth the feathery snow,
And all was white. The pure keen air abroad,
Albeit it breathed no scent of herb, nor heard
Love-call of bird, nor merry hum of bee,
Was not the air of death. Bright mosses crept
Over the spotted trunks, and the close buds,
That lay along the boughs, instinct with life,
Patient, and waiting the soft breath of Spring,
Feared not the piercing spirit of the North.
The snow-bird twittered on the beechen bough,
And 'neath the hemlock, whose thick branches bent
Beneath its bright cold burden, and kept dry
A circle, on the earth, of withered leaves,
The partridge found a shelter. Through the snow
The rabbit sprang away. The lighter track
Of fox, and the racoon's broad path, were there,
Crossing each other. From his hollow tree,
The squirrel was abroad, gathering the nuts
Just fallen, that asked the winter cold and sway
Of winter blast, to shake them from their hold.

  But Winter has yet brighter scenes,--he boasts
Splendours beyond what gorgeous Summer knows;
Or Autumn with his many fruits, and woods
All flushed with many hues. Come when the rains
Have glazed the snow, and clothed the trees with ice;
While the slant sun of February pours
Into the bowers a flood of light. Approach!
The incrusted surface shall upbear thy steps,
And the broad arching portals of the grove
Welcome thy entering. Look! the massy trunks
Are cased in the pure crystal; each light spray,
Nodding and tinkling in the breath of heaven,
Is studded with its trembling water-drops,
That stream with rainbow radiance as they move.
But round the parent stem the long low boughs
Bend, in a glittering ring, and arbours hide
The glassy floor. Oh! you might deem the spot
The spacious cavern of some ****** mine,
Deep in the womb of earth--where the gems grow,
And diamonds put forth radiant rods and bud
With amethyst and topaz--and the place
Lit up, most royally, with the pure beam
That dwells in them. Or haply the vast hall
Of fairy palace, that outlasts the night,
And fades not in the glory of the sun;--
Where crystal columns send forth slender shafts
And crossing arches; and fantastic aisles
Wind from the sight in brightness, and are lost
Among the crowded pillars. Raise thine eye,--
Thou seest no cavern roof, no palace vault;
There the blue sky and the white drifting cloud
Look in. Again the wildered fancy dreams
Of spouting fountains, frozen as they rose,
And fixed, with all their branching jets, in air,
And all their sluices sealed. All, all is light;
Light without shade. But all shall pass away
With the next sun. From numberless vast trunks,
Loosened, the crashing ice shall make a sound
Like the far roar of rivers, and the eve
Shall close o'er the brown woods as it was wont.

  And it is pleasant, when the noisy streams
Are just set free, and milder suns melt off
The plashy snow, save only the firm drift
In the deep glen or the close shade of pines,--
'Tis pleasant to behold the wreaths of smoke
Roll up among the maples of the hill,
Where the shrill sound of youthful voices wakes
The shriller echo, as the clear pure lymph,
That from the wounded trees, in twinkling drops,
Falls, mid the golden brightness of the morn,
Is gathered in with brimming pails, and oft,
Wielded by sturdy hands, the stroke of axe
Makes the woods ring. Along the quiet air,
Come and float calmly off the soft light clouds,
Such as you see in summer, and the winds
Scarce stir the branches. Lodged in sunny cleft,
Where the cold breezes come not, blooms alone
The little wind-flower, whose just opened eye
Is blue as the spring heaven it gazes at--
Startling the loiterer in the naked groves
With unexpected beauty, for the time
Of blossoms and green leaves is yet afar.
And ere it comes, the encountering winds shall oft
Muster their wrath again, and rapid clouds
Shade heaven, and bounding on the frozen earth
Shall fall their volleyed stores rounded like hail,
And white like snow, and the loud North again
Shall buffet the vexed forest in his rage.
Nick Stiltner Oct 2018
A soundtrack from behind the blinds,
fleeting and skittering steps into the rocking water,
crossing the ebbing tide's line in the sand.

I cross the barrier between,
I open my eyes and I see
the castle standing on an arching hill
over the snaking river.
The tower reaches high,
stretching to meet the clouds
and the bricks of the walls sit in piles
of rubble, left to the mosses
and vines that drape their faces.

My vision fades to black and it forms again,
the gray sea and shimmering light appear
as i wade deeper, now up to my knees
in the lifeless water.

Up the spiraling staircase,
a glance through the hole in the wall
as the valley shrinks below
and the hazy purple sky
envelopes the whole of my sight.

The water reaches my chest now,
my steps scraping the rocky bottom
and the white moon lighting the path
forward, reflecting in a white sparkle
on the top of the slow moving wake.

The crumbled roof at the top of the tower
gives way to the dark and starry night.
A hazy mist surrounds,
of a cloud slowly drifting through
like an ambling specter,
on the long march home.

I crouch at the edge,
at the edge of the hole at the bottom.
I fill my lungs with a last breath
and dive downwards,
the gray sea covering me
and pushing me into the lightless cavern.

The mist of the cloud passes
and the view of the valley
is cleared.
I sit at the edge of the tower,
with my feet dangling over the side.

Lost in the stars,
once again my vision fades
But the gray waves do not return,
the white moonlight dimmed and extinguished
as I sigh and sit at the top of my conquest
and remember the days i've lost
in the traceless place,
with its tranquil waves.
CA Guilfoyle Jul 2014
Woods, the birds on branches, swing
words, the forest trees, will sing
of summer winds, a leafy song of green
blue the sky is painting, not a cloud
only the sparkling of sun, a song
of mosses warmed, a fragrance undone
black and fuzzy yellow bees, circle hypnotically
tiny hunters, drunk with pollen, disappearing
in the tiger lily towers, and fly they
home to serve a sacred queen
all the day, the sweetness
of gathering honey
Seán Mac Falls Jul 2019
.
I see myself in you—
With a spike we two spoke out,
Vagaries of wind, verisimilitudes
And the moon gives us her light.

Black bird, black robed Druid,
We both are spinning round
The hills draped in psalms
Of the oak and windy leaves.

Your words, I hear, go unsaid,
My utterings babble, ring in a rill,
Cold and cascading to mosses,
Bleeding from a lone escarpment.
.
Ken Pepiton Jul 2021
If Dexter's Parents had not divorced and he had not moved away with his mother,
Who was beautiful as I recall, today would have played out or worked out or turned out
Differently. Very differently, considering that little twist in my six-degrees of separation base pattern
Hapt seventy-years ago, or so,
----
Watch starlings, if you have starlings, or watch congregations of kippers on Netflix.
Their steering is on auto. Do you agree? Then we are in Agreement, which is an odd place to find one's self in the midst of so great a cloud of witnesses.
-----
'e goes a gain a ginning, grinning all the while
Aye, and radioman turned on just
Now listen -Radio Mumbai

I meant, you and I agree schools of sardines and flocks of gulls are all on auto-pilot-propulsion-maintenance programs,
Right?
I thought so. The code in a gnat must be so much more elegant than the vast terabytes of programming in the GPS constrained self-drivers evolving on earth. Gnats never collide and are nearly impossible to hit, unless you have bat tools, which you don't. Nobody wrote that gnat code, right?
Of course not, evidence of programming only appears to be programming, evidence of design only looks like design it's not design. Right? So says Carl Sagan, Richard Dawkins, and all the people so called to win the battle for the minds of **** Sapiens Augmentatious, lest, as the confusion of Babel subsides, those minds should begin to reason together more clearly in light left after the lies standing on men's minds are revealed inferior to what our senses sensationally acknowledge. Whew. Long thought.

I meander, but you do as well. That is how things flow.
Not over immovable objections, around.

One life that was connected to mine in boyhood friendship was severed about half-way through my sixteenth year.
He died. I don't remember how. Alcohol-related, I can imagine. I did not attend the funeral, though some acquaintances did; one of whom was later my lover. She is dead now as well, too late to tell me anything. She had a baby less than a year after I returned from Vietnam, more than nine months later. That is a heavy thought, but not one I think does much good now.

So little of history is noted. So few lives function to trigger generational unctions that devolve into wars against imbalance, iniquity, slavery and death.
Fraternity, Egality, ******* *** the mob all riled-up, burn , baby, burn.
Whole people die in history's whims,
If whims they were.

Rebellions…

Watch the starlings steer through 4-d patterns eternally random,
fueled by bugs they convert to food for the soil itself.
Their life is their work and they do it beautifully. As one.

Can Boeing-Raytheon-L3 et al build a self-propelled, self-refueling drone that can fly at top-speed, maneuvering millimeters in each direction from other self-propelled, self-refueling drones while dropping their payloads without a single friendly-fire crash, ever?

Starlings don't **** on each other.

If war-profiteers could build such things, would you watch such things perform and wonder at the minds that built them, or deny such minds played any role from concept to creation, and ask who authorized development and deployment of such an expensive fertilizer distribution system that fertilizes wild weeds as well as gentled weeds?
Which would you say: "Wow, how did those get made, who paid?" or "Wow, look what billions of years and energy alone can do against absolutely insurmountable odds and impossible physics, with chaos and corruption always on the job?" Holy entropic bad moon.

Are ye not more precious than starlings, or sardines, or gnats. Would a sense pertaining to immediate locational proximity, evident in birds and fish and bugs, not be apparent in Adamkind, at least as a metaphor regarding benefits gained in knowing where you are relative to your own environment, regardless of any sense of personal purpose?

I can see it in the fact that we can agree, for good or ill.

As generations mature and regenerate, might there be patterns in the tumbling of the powerful and the powerless populations. Patterns depicting group or herd preservation by fully mentally equipped populations of mature and maturing Adamkind are detectable. Facts now overflow the cup of knowns. These are those days when knowledge is increasing and increasing and increasing to the point of being a destructive force in tightly closed minds.

Name dropping, rather than restating, Helen Arendt, "The Origins of Totalitarianism"(1966), Bertrand Russell, "The Problems with Philosophy"(1912), Pankaj Mishra, "The Age of Anger"(2017).

These three books and some browsing of names and titles the authors drop, have spurred me over the top of a rise I had not seen coming. My path had become gradually uphill without my noticing. I was interested in other things and ignoring notices from my body that oxygen stores were being depleted more rapidly than current inventory of red blood cells and nurse lymphocyte-bots can recycle the quadra-monthly disassembly turnover, H2O stores for sweat heat-dispersal systems and plasma regeneration and digestion of what little remains to be digested are now at "caution, think about stopping" levels. But I saw that from the top I might see to the top of the next rise before I chose the downhill part of my path. The down hill path determines the uphill path.
In the desert, you can see trails marked in many ways, mosses grow in least-heat zones created by angular location relationships with the sun. Breezes whisper into shade puddles by ever slow slight temperature inequilibria shifting some heat to the triggering of my sweat system.

If you were compelled to reason about every step you take in life as if it were your responsibility to regulate and control every function of your flesh vehicle in which you abide in relationship to all around you that you could harm or that could harm you, you would be mad. {mad?} illusion of reality

assumes reality is friendly here. I'm okeh
with that improbability aside,

implied as self explicatory and unfolding life…
examined,
for what its worth in words redeemed may be,
in the future, when this is what they thought,
you think, and I say know,
I thought this,
on a bet. Or an oath, depends on the fret.

Crazy mad, but angry auch. That would be unfair, because you don't know how to do what you are being compelled to do. Reports of persons who can control ****** functions not commonly consciously controlled are easily found. Such persons spend their time so countering the rolling rhythms beat by heart doors slamming shut and swooshing open in response to electricity, that, we, Adamkind, have yet to truly understand. We've no need, that which concerns us was
to be perfected, not by us.

If my use of Adamkind offends you, the reality of my benefits, wrought from my comprehension of my relation to Adam, will likely make me your enemy, in your own mind, not mine.
Ax'em, do they love po' o'hate rich?

Believe one chance in practically infinity of current evolutionary-nontheistic thought being the way things must be, then multiply the number of times you make that bet by the number of insects on earth or even by the number of mitochondria in your kidneys.

Ignoring life's delicate imbalances in light of what can be known today, breaks our minds's ability to agree perfectly. The social dichotomy that seems to arrange adamkind's affairs over eons and eras: rich and poor, have and have not, mean and meek, is ego-driven, self-benefit seeking and not part of the original program.

Contemplate the sweet influences of Pliades, silently questing the truth of hope and matter. There is more power in this stream.

Chapter end.
The future is in BASIC ATTENTION TOKENS. Mental fodder content creators can share in any ads that pay for the attention paid to your work. It is in a neotny of adaptive evolution -- if you pay attention it pays you back for letting AI know what helps more than hurts. Check it out, ats.
Carmelo Antone Jan 2013
Shotgun shells sound like church bells when you’re aiming to heal,
No longer concealing something you hostler with a smile,
When you see the eyes of those you despise,
Those that have taken too much life to embrace the precious present of perception,

Revenge runs like a river Mosses could never part,
Tumultuously pulsating my persistence,
To fit the final piece,
To solve the puzzle without your presence,

Culture cultivated conflicts,
Decades of decadence,
Helms of disillusionments,
Steering us towards a powder-keg revelation,

A man of peace is still a militant in the wake of Diablo’s dissidence,
There is no such thing of justified killings,
Only ending life for economic stability,
Can’t ******* me when your ethics are themes of fables,

Not trying to incite fear, just sharing the truths of this rough reality,
The intolerance tolerated by so many ignorant maggots,

Not saying we are a lost cause but if you are keeping your mouth shut you’re just a bystander while the vagrants harvest the infection,

So many hurdles to split but so many who can overcome a conflict of greedy governance,
To many tyrants to topple when they trickle down table scraps,
Why do you think so many of us stay strapped?

Unity will be the divinity of the 21st Century,
So come and askew the ancestral atrocity,
It is ours and it is time to mend what went wrong,

For years your parent’s have allowed the intolerance to thrive,
And I don’t plan on dying without continuing the strive to question those that came before me,
Never forget our Nation’s success thus far found a foundation on the broken backs of Africans,
Never forget economics ignited the 1776 resistance,
And the Civil War only highlighted the plague of intolerance,

For generations we’ve been jaded by the justification of covering the cracks of a indentured foundation with mortar laid by the enslaved,

Censored, questioned, and indoctrinated because gramps likes his traditions,
Nothing but renditions of racist propositions to steal land from Native Americans
Nothing but blissful ******* to forget the fact that this was the land of the free, with some restrictions,
Some historically cited situations,

Guilt is something that their conscience can suppress,
When the money is present,
When wealth has no limits, at the sake of the impoverished,
Greed is just the first pest we must end.

Yet there are so many faults to overcome,
And seven billion should be enough,

Personally united because of our right to explore humanity,
Peacefully.
My Name Here Jan 2013
shed that shell
translucently
lacquered
by childhood

that insect
fluttering  behind
the ivory
bars of your ribcage
was once buried
under funerary mosses
of a fallen oak tree
three hundred years
of aged silence
basking in it's demise
saying
"I stretched
to the heavens
but they scurried away
every night  of every day"
Lotus Sep 2012
Fingers
Picking ****** flowers
Dripping spice burgundy
Staining serenity
A touch of
Surreal simplicity
Undaunted movement of
Molecular fractals
Bursting in waves
Of fantastical light
Sensual trickles

Tongue
Licking sappy mosses
Amber and honey
Expanding swiftly
An odyssey through the
Gums and divisions
Between ivory teeth
Ecstasy aplenty
Flooding down through
The body
Leaving stains
Of serenity

Nostrils
Sniffing smoky cedar
Microscopic air ripples
Orchestra of tune and note
Tune and note
Whispers and cries
Kisses and sighs
Invisible in form and sight
These do travel
Through tunnels
Those give sense of smell
Droplets of spice burgundy

Toes
Sinking through layer
Under layer of moist clay
Descending in time shaken
Matter
Pores of the skin
Breathing air and soil
Replenishing vital veins
Rivers of beating blood
Unending
Molecular fractals  

Fingers
Picking ****** flowers
Dripping spice burgundy
Staining serenity
A touch of
Surreal simplicity
Undaunted movement of
Molecular fractals
Bursting in waves
Of fantastical light
Sensual trickles
Seán Mac Falls Sep 2015
In braze, silent breeze of dreams incantations,
Shiva arms sway in the forest dark, mushroom,,
Cloud, lord with fungi, mosses whose clinging
Shades of branches, braids deep, forking stories
Of old, brooding cauldron Druids, sidles Eastern
Spindrift words of Sanskrit spake, told in veined
Sacred hands unfound, celestial spines, moulded
Green, in the windy monkish statutes of the fallen
And single handed claps of the missionary leaves.
The hazel's unusual branch formations make it a delight to ponder, and was often used for inspiration in art, as well as poetry.

The bards, ovates and druids of the Celtic day would intently observe its crazy curly-Q branches. Doing this would lead them into other worlds of delightful fantasy. Much the same way our modern imaginations can be captured by a good movie, the creative Celts were artistically motivated by the seemingly random and wild contortions of the hazel.

A more commonly known fact is that the hazel is considered a container of ancient knowledge. Ingestion of the hazel nuts is proposed to induce visions, heightened awareness and lead to epiphanies. Indeed, the legend of Fionn Mac Cumhail tells of his gaining the wisdom of the universe by simply coming in contact with the essence of the hazel nut.
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I robbed the Woods—
The trusting Woods.
The unsuspecting Trees
Brought out their Burs and mosses
My fantasy to please.
I scanned their trinkets curious—I grasped—I bore away—
What will the solemn Hemlock—
What will the Oak tree say?

— The End —