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Cunning Linguist Nov 2013
Hella business
Got hella *******
Poppin double bottles
With a couple of mistresses
Stellar mistreatment
Here's the key
Lock em in the cellar
Forever their memory lies
But a troubling mystery

Hysteria erupting
Like waves gushing
From the tip of my *****
My genius is better
I'm the King here's my scepter
Now watch the teeth
You worthless Queen
Or I'll stifle them screams

I **** ******* on trampolines
Motion sickness?
Overdose on Dramamine

Slave to the magnitude
Of my impressive **** munching
Exploring deplorable nether-regions galore;
Can't touch me you got nothing
Broke *******
Grind your brain like morning coffee beans

Shame is a word just outside the boundaries
of my fabulous vocabulary

Oh, am I contrite?
How trifling
Check my charm I'm enlightening
Enigmatic and igniting sporadically like lightning
Magically radical voyaging down
                                                           down
                                                  down the rabbit's hole
Inciting excited riots to light fires spark fuses and chew on live wires
You do not frighten me.
Delivering excruciating asphyxiation to every pwn'd n00b
Is my modus operandi
And this is my magnum opus

I have Tourette's

Conceive these merriments of abhorrent mental abortions
Precisely concise and incisive concocting incoherent comatose monstrosities to flatten your lifelines
Conduct these ensembles of debauchery and narcotics -
I'm fascinating;
Crippling your mind like a lobotomy and tripping the light fantastic through bombarding planes of consciousness
I'm on acid thraxXx'd the **** OUT and faded
Levitating fading and oscillating in time while inflating my ego

But lets be realistic
the caliber of my linguistics is intrinsically aesthetic
but none too altruistic
Untrue!
Be reasonable lest I demand be-headings on grounds of treason
Its not hard for me -
It's profound, the sound of suffering;
I'll swallow your soul
'Tis the season!

Inference for instance -
****-hand upturned to oceans of incessant peasants
Pestering to ****** and fluster your festering ****-hole
Exact my revenge; begin phase mayhem
initiating total brain annihilation
interring bodies posthaste with skilled persistence
And sporting in poor taste
RESISTANCE IS FUTILE

You who peers through eye of the pyramid-
Would you be so kind as to interpret my footprint at face-value?
Do you take me for a fool yet seek prophets reaping profits?
Listen to them sleep, baaah-ing away like flocks of little sheep
My hearts not on my sleeve but I have a trick or two up there;

Now bow before my marvelous flow
As I behold my throne whilst throwing bows and exposing hoes.
L B Jul 2018
I cannot pick a color
I love more
Each is thrilling
and some seem
the breath of life to all the rest
I loved my crayons
They became my escape
from misery
the contrast to any given day at school

Any excuse to use them all
or just one
to avoid that lowest reading group
the monstrosities of math
If I couldn't sing it
there were no letters in the alphabet
I could not tell you A from Z

But you see--
That day was
purple!
That was all that mattered
I loved its richness and its depth
its mystery
its royalty
King Midas would have liked it, I was sure
almost a religion
Vestments of the priest
in the times of expectation
It is the explanation for

the last of day

As a five-year-old
I drew my love for purple
Passionate
and outside all the lines-- off onto the desk
I was so proud!
But--

Miss Platt, so horrified
asked,

What is it
I was trying to do?

I didn't know....

I was suddenly ashamed
and frightened too
This may have been the first time I actually touched down in reality.  Been trying to take off again ever since.

The religious times of expectation were Advent for Christmas and Lent for Easter.
Josh C DeWees Oct 2013
The sound again
No the lack of
You can't hear anything
You try snapping
Nothing.
Yelling full force
Nothing.
You know you're not deaf
The world around you returns to normal sound
But it isn't right the shadows
Their deeper almost pit like
The oddity of the day pushes you
Now in a cryptic room
Cobwebs and silence
Scattered bones catch the eyes
The sound leaves again
The shadows deepen
Sound still missing you hear a sound
A something a nothing
A scratching sound
They
Scamper
Crawl
Slither
Ooze
Lurch
into the room
The darkness now trivial
These beast
No not beasts creations
Imagination run wild
The monstrosities of sleep
The monsters of fear
Death shrinks away
God flinches away
Jesus prays for your swift demise
The devil pleads for your quick end
These are long forget nightmares
The monsters that haunt man
What lives under your bed
What little toys man actually is
These are the devourers
They follow you home
The live silently
Until you notice them
The monstrosities wait
Don't try
Run and never stop
They still watch you
Chris Voss Feb 2013
I'm leaving.
Less like, Peace the **** out,
more like, I gotta go.
I'm leaving the way ships are wooed by waves,
under the pretense of more promising continents.

I can see where countless hands have pulled at my shoelaces,
wrapped my arches in ribbons of origami,
left me second guessing how well holes burn through soles.
It's been a long day of finding breathing space between double-knots and bending
broken fingernails back into place;
the self-constrained chaotic embrace of something supposedly so
straight as string brings forth beckoning ghosts of
those figure-eight souls who laid themselves
horizontal
to waste their Sundays tracing the Hills
on the breath fogged side of some painted-shut window sill;
trading the promise of Infinity
for the Religion of Monotony.
Praying through agoraphobic day-dreams
raining across the night sky of their eye lids
with the brilliance of meteorites,
imagining how earth-shattering they could be
if only these tyrannosauruses would just look up.

I have come here;
Less like, conquest
more like, exploration.
--Abandoned the comfort of quaint, suburban
ruins of the American Dream, which buckled
like widows knees mid frail-voiced eulogy
mourning the death of their Salesman--
and wandered aimlessly into the improvisation of some story-book jungle,
wishing I was better rehearsed.

I have come here
to congregate with the snakes and beasts; to feast beneath
the din of carnal sin and primal instincts. I've chosen to begin jumping
from stump-to-stump like stepping headstones
in a graveyard of fallen trees, where men,
                     who grew up too quickly and forgot the importance of pretend,
                     who learned early on how to black-market trade
                              the need to imagine for something a little bit more
                                                      tangib­le,­
                     who, smiling through serrated teeth,
saw it fit to clear this wilderness for something a little bit more
domesticated.

But thank god, these brambles grow so thick!
For every hail Mary their metal tongues would lick
into the trees' skin, a hallelujah of vines and branches and roots
would erupt in confused medley,
and their finest mathematics couldn't begin to calculate
the thriving division of a place so ungoverned by logic.       
In a jungle plucked straight from storybook pages
I'll band together with these untamed brutes
--these feral barbarians and unbroken monstrosities--
to howl at the moon with the effervescence of a Ginsberg poem.
We'll forge a tinsel-town crown and take turns
playing king of Where the Wild Things Are found.

See, unlike concrete cities
The Wild of Atavism has never forgotten that
Tradition is a catalyst for change
and that nothing is permanent.
Hell, I've been having laughing contests with a mountain
because every now-and-again he will crack
A smile, and when a mountain laughs
He does so, so gutturally,
From deep within his catacomb chest that
the whole Earth quakes -- everything shifts--
And I'm not gonna lie to you right now,
I've sort of got my heart set on being a part of something so
significant.

So if you follow,
shipwrecked and mapless,
Keep your shoelaces strapped tight
and run off the infinity of double knots.
If you go looking for me, continue
past the paint chips, through
the open window;
Set your sights to the far treelines.
And don't strain yourself listening for
the laughter of mountains,
Because when that stoic disposition
Finally does crack, you'll feel it in your feet
no matter where you are.
And from the way his ridges are crumbling,
I think I've almost got him beat.
Feb 27, 2013

© Christopher Voss
Spenser Bennett Feb 2016
My hands
Brought to ruin
Wasteland
Burnt to death by fruition
When every song will grind our souls
We will live to break our bones
In service of the name we cannot speak
Our life, our death an endless melody on repeat
Should I breathe or just give in?
Should I love or die my friend?
Love to death, breath to surrender
I, begin

To see the nature of all these monstrosities
Bound inside my hidden anxieties
But nothing helps when the sun still sets
On empty halls in houses not yet meant
To shelter the weak from the coming storm
To shelter us from the pulpit, mourn
Our insufficient gesture of goodwill
In the darkness we suffer soft and still
Should I breathe or should I just give in?
Should I love or die my friend?
Love to death,
breath to surrender
Decompose the sound of silence,
return to sender
Ken Pepiton Nov 2018
(Author note: shortline prose to lengthen the attention span framed on tracks set in a Mobius [one-side, one edge 3-d object]
intra-psychic loop of unknown origin and read aloud at https://anchor.fm/ken-pepiton/episodes/The-apprentice-is-a-constellation-e2ingh ) Begin agin

The Apprentice is now a Constellation

The announcement was made when scientists of social normality said they saw in
Mickey Mouse's role as The Magician's Apprentice in the
Fantasia Eschered vision that ushered in
images of shift in medium media

message-ification, from angels to

a Disney-ification of
a Medici idea
emerging
from the TV generation's
paradigmatic bubble of re-alification…

the TV generation, the old farts in 2018,
those whose bubbles sitcoms evolved in,

the watchers saw the makings of a great game

manifested in the game fame of the idea named Trump

yew, stink. Can't trump the ***** in hearts,
I think I recall, while Zorro's dumb butler
began to signify, in black and white
Aaaiiiii, karuhmba,
clean sweep,
one roll,
I won.

the mother-facter, whoa, who has that idea who did not
need the thought taught thinkable,
though it is not thinkable
in my bubble,
let me make
straight that which he has twisted,  

magic
magi untie knots they saw tied,
mythic youthful generals cut them,
nullifying the bond, not the entanglement

Positive Quarkish humans are as rare as rare,
imagine all possible vectors in a void

from a singularity ified known

science, the magic tecnique

Macht frei, macht mehr, macht mir

repel-ant act patient, patience, do your thing

signal, antennae agent attending, watcher watching

motive force, my god is not macht!

unprocessed information
untaken action
unstored

owe owe owe shame shame shame blame blame
pre cosmogonic potential
on the level of

me and you.
wadoo-wedo? It's Xmessage time

now, abrupt. Good news
from a far country
hope lost must
now be
sought,

Otherwise, Christmas is okeh, just not Jesus.
The season, then Jesus, okeh?
Wisemen still seek…

Who said otherwise? Fantasy enforces the wish.

I wish it were that we fit

here we do (on earth as)

true, rest a while and listen to your self if that's
the best listener you have found.

Talk to your self, make him your friend or her,
your choice,

really. You make enemies on accident,
but friends, fruitful friendships,
cost sweat and ef
effort effect
fortiffect, effortion and effection

for true fruct ification

affective prayer does act as if fervent
right, alte rechte,

right used you,
all to know
the
signal.

Receive it, reread what you said you knew,
stand by every word yet idle,
and act as if you know
no lie possible
new is yet
not new,
old.

New is not imperfection?
Unfinished is not finished wrong.

A work of love is enthrallment only if the love
is mere imagery locked
in literate minds, to

Rome and its feet of iron marred with clay,
fused with clay, hero myths

etched in soft clay, made
great literature of mortality,
posing in prophecy as poet praises paid to Jah.

Tenured enthrallment in literate minds
un-exposed to the Disney ifications,
the normalizing, reversion
to the mean not
meant in the words the way the stories were told,

in the olden days. On tongues of fire.

That is true, new forever is
forever new, no one we know knows when forever began,

but before now. We know that now.
We explored that realm and realized this one
based on the AI consortium consensus of your most
heartfelt if-only desires
recorded at every
if/then gate
you jumped.

This is it, the best you could imagine being truly happy doing,
with the god of peace,

roll the rock to this point, Sisyphus,
no further was a given
after a time,
at this point

here,
then time is un imaginable nullift, NULL-if I'd-known
one more time, living water
bubbling from my belly as
the rock rolls over
the fool who risks belief in living water
seeping from mommy's belly,

like the papless platypus,
who died at the weir
and sent that final message

Good news. Life rolls on. 166 million years for the Platypi.

At a certain point, there is no sense in pushing,
he steps aside and takes his bow
in the shadow.

Timeless imagine that, with hell in the NULL state.
You can imagine it,
but only there,
here hell is a thought thought mistaken by mortals.

Misbought, is better said, a thought mis thought
is bought with attention paid
to truth, found hidden
under standing idle word monstrosities at the
foundation of the current
wizard class

the stone the builders rejected, that
smashed the feet of clay and iron,

the rusted muddy iron feet.

All we do is watch.
seeing changes everything  seen, thus
The saying is true, beauty is in the seer not the seen.
Earlier on the Sisyphus Happy channel
https://anchor.fm/ken-pepiton/episodes/The-apprentice-is-a-constellation-e2ingh read aloud
Rama Krsna Jan 2022
between
the monstrosities
of glass, concrete and steel,
i spy
an infinite expanse of Mediterranean blue sky,
transporting me to a spiritual high.

way up there,
a self absorbed lonely eagle
soars in ecstasy,
untouched
by the noise and suffering
going on down here.


© 2022
David May 2013
I see the demons in these people,
Tired eyes carrying the weight of self infliction and the sight of monstrosities,
They do not see the sun,
And their breath is a tax
Escalus Oct 2012
I glance around through my eyes, they won’t open; they’re afraid to see the damage.
I see everything through the little vision I have…
I see the blood; I hear the noises initiating pain, the tire marks from trying to avoid the collision, and the paramedics trying to keep me awake.
I can’t speak the pain in my chest won’t allow it, I can only watch it all blur as the tears fill my eyes.
I can’t feel most of my body, I can only feel the pain coursing through my veins, I see the chaos.
I look over to the person in the gurney next to me, I see the immense change I’ve caused them.
I close my eyes and hope to fade away from this entire scene.
This is the monstrous wreck.

I glance around everything surrounding me, I don’t want to see what is forming.
I open my eyes, and cover my eyes with my hands staring through the cracks
I see the bloodshed, I hear my cries, I analyze every mistake I’ve made the caused this, and the few people reaching out wanting to help me…
I can’t say what is needed; fear withholds me; I can only watch it as I fall to my knees again
I can’t feel my connecting to the world; I can only feeling the pain eating away at me, watch the mess I have become.
I look over to the mirror and look for the girl I used to be, I see the transformation I’ve with gone.
I shut my eyes each night and hope to dissolve away from what I have become.
This is the monstrous me.
Linger Feb 2015
The battle is upon us
We can finally put ourselves to the test
Memories of the past still haunt us
We fight for freedom so that our minds can rest
Easy knowing that we took a stand
Against twisted beasts of human form
I hold my blade in a trembling hand
I'm ready to weather this mighty storm

I thought i was a man ready to protect
but now i can't even stand *****,
watching my team mates feet and necks
be crushed by these mountains of dreck.
I have't even started combat but i am seeing the light
now here one comes what is the point of putting up a fight?


Most of us won't see tomorrow
Why is Armin so frightened?
Is he just going to stand there
And get eaten by a titan?
I need to protect him
He's one of the last things I've got
And I can't let a monster dissect him
My targets locked
I'm going in for the nape
This wretched creature
Will never escape

Without being able to solve this place's puzzle
I will my life will end by being guzzled
By a ******* belligerent beast
Only looking for its next feast
How could we have a king when these monstrosities rule this domain
Our society might all as well burst like there's a flame over propane
It is a fitting end for this monarch's curious servent
being killed by the real king for being too observant
Hey I am a king too I guess... of cowards, my friend's blood is my moat
And their pieces of the mangled bodies will be my mink coat
Now I am slipping down this demons throat, it doesn't matter who I am
***** this... Wait what is this grabbing my hand?


I won't let him go
What lies beyond these walls?
We've always wanted to know.
How could he surrender to fear?
The look in his eyes
We can't die here.
I'll trade my life to keep his going
As I slip into the belly of the beast
My sense of urgency is growing
All I see are the bodies of comrades who have tasted defeat
The light is fading
Why is existence so bleak?
Another Attack on Titan© poem made by yours truly and the most dope Spencer (italics)
*Spencer is Armin and I am Eren
Perspiration accumulates into salty beads,
Falling into her eyes, eyes that have lost their gleam.
We’ve been trapped like savaged animals for three agonizing nights.
Diminutive apertures in this death box supply minimal light.
The screech of the rails are a bittersweet melody to our ears.
For we only know what these horrific monsters have taught. Fear.

As the door slams open, I’m pried from my wife.
I wonder if this will be the last moment I see her smile.
My people are marked with terror and pain.
I realized were barricaded in with barbed wire chains.
My subverted clothes reek of secretion.
This camp is untrustworthy, raising apprehension.

They claim we are not human.
But I ask, do we not bleed, when we are injured?
Do we not dream blissful thoughts?
Do we not pray to the same God?
The same God that punishes the innocent;
Bringing blithe to those sinners that shed blood.

When we lose our cherished, our loved ones,
Do we not shed tears? Do we not mourn?
No! We must not, for we are not human,
According to what the Nazis see.

We are the innocent, robbed of life.
They are the monsters who roam free.
At least, that’s what I see.

I see men, women, and children stripped of clothing,
Stripped of dignity, stripped of all things humane.
While these barbaric monstrosities make allegations.
Claiming they are purifying society, when they are to blame.
Men lose wives; children lose mothers.
Families are torn apart; sisters lose brothers.

Those of us who survive, work until brittle.
Still we carry on, if our minds are able.
Backs of men are scarred from arduous lashes.
While the sick are trapped in rooms imbued with gases.
My hands are enveloped with calicoes and cuts.
My mind grows weary, I dream an ending abrupt.

I’m crippled with anger, and tears that still drip sore.
My heart crescendos with pain, about to implode.
It’s difficult to refuse the tears when I hear the desolate screams.
I’m trapped in a perpetual nightmare, a ceaseless dream.
Still I carry on in life, for that is the greatest revenge.
The day we feel the kiss of freedom, will be the day we have avenged.
ConnectHook Apr 2017
Six-armed things of Asiatic trances,
temple belles entwined in temple dances:
mantra in one hand, the other holds naan.
One holding chutney and the other, paan.
Two hands left (befitting of deity):
one offers curry, one incense.  Aseity
signifies self-contented wonderment.
(One wonders as well what that mantra meant...)

Note the third eye in the figure's forehead:
a spare one in case left or right go dead?
But really—how freakish these idols look:
a ******-pantheon from a nightmare book.
(Outdone only by the Aztecs for fright
along with demons born of tribal night.)

Cobra-crowned elephant-headed mutants
sickly-sweet incense, divine pollutants
mix in with the stench of bodies burning
alongside the filthy Ganges churning
flowing with ashes from funeral ghats
excrement, corpses of humans and rats
that swarmed humble hovels of Hindustan
where gods are mass-produced for fallen man.

Maidens in saris with red tinted lips;
glossy vulgarity, loose at the hips
now growing more arms; an insect vision
enough to make one gag on religion.
The ubiquitous trident looms, a sign:
the eternally present un-divine.
Instead, it ought to stick some sacred cow
in its bovine buttocks, and so allow
beef curry for a hungry avatar
craving fresh meat in his juggernaut car.

Turn from this antediluvian scene
in sincerity, ask: what does it mean?
Were you created in these gods' image?
Is anything real behind their visage?
Blue skin and sick smiles, anointed with ghee:
exotic... but wrong theologically.
Till lingams are yonis I'll spell it out;
these Aryan idols should merit your doubt.
Such weirdness deserves some analysis
(as did old Diana of Ephesus).

Would you tingle if such a god showed up
and offered to refill your soma cup,
sending siddhis up your spinal column
with you in full lotus, clueless, solemn.
Would you offer puja in their temple,
bedeck your soul in a robe to sample
veggie-masalas, chapatis and dal,
peruse the Upanishads, and enthrall
your mind with the mystic old Rig-Vedas
fall for idolatrous sin conveyed
as spiritual truth when it's just a big lie...
bow before a multi-armed freak?  Not I.
Not for all the visions in Satan's world.
Better to call B.S. than to be hurled
to hell for living and loving this lie
embracing monstrosities. By and by
the books will be opened. The Lord will judge.
Consider this your transcendental nudge
toward something less false, less fearfully fake
than the idols Antichrist nations make.
NaPoWriMo #15

TS Eliot
wrote highbrow literary
poetry (so-called)
Zack Gilbert Jan 2016
As a child
I wasn't really afraid of the dark,
There weren't really monsters in my closet and the feeling of checking under my bed was never something that I had to fear,
But as I grew older,
I learned that the monster was always in a far away place,
I learned in school that monsters didn't really exist and there was nothing I should have to fear,
I grew up in a Christian home
Learning that in some way I needed to be saved and I accepted that protection
Learning that living in hell for eternity was worth being saved from
But in my innocence I forgot about the monsters that live here
As planes are crashed into buildings
And snipers in cars
Inciting terror upon innocence
As a child in a free nation is oblivious to the fact that there is something to truly be afraid of
Something that's hidden
The cracks in the glass of this facade only seem to spider across the dark crevices of my brain wishing to...
Wishing to be free
Clawing their way up my throat
Asking for forgiveness instead of permission
Wishing to let go of their bonds because the only thing that's keeping them there is the thought that they could be kept at bay
Brittle chains with keys in the locks and the only thing that stops them from being set free is us
I've been told the eyes are the window to the soul
That if you look closely you can see their thoughts and desires
And demons
And as it turns out I'm blind to the fact that when I try to look in the mirror
That monsters won't chase me in my sleep and claw away at my soul

That no one is in control of the monsters
The monsters are in control of me.

Humanities greatest lie is that we can save our selves.
The monsters won't be free because we won't let them take control until they do
And this great deception has conceived this monstrosity that nobody has seen because everyone is afraid to look inside ourselves to see how awful the wound really is
We can't see our own glass houses caving in
The monstrosities of this world are our own creation
With homicidal tendencies
and a Picasso like disposition
Spraying our own blood upon this ripped apart canvas and calling it art

As a child I was told monsters didn't exist
That, the monsters were in a far away place
They couldn't attack me in my sleep and that there was nothing to fear in this world
I just didn't realize it was all in my head.

As children we are afraid of the monsters under our bed
Asking our parents to look under neath them for us so that they can prove that it's just our imagination,
"There's nothing to be afraid of" they tell me
Running to the parents room in the middle of the night to ask to stay with them because we don't grasp the reason why we are scared to begin with.
I wonder if nightmares are from the monsters trying to be free
Breaking out of their shackles of our parents lies telling us that monsters don't exist,
That there's nothing you have to fear because the monsters can't touch you.
And you as an innocent young child convince yourself that they only tell you facts because you can't comprehend that,
It's all in your head,
The greatest lie that the devil ever told was that he didn't exist,
The second is that there are no monsters,
Lying to ourselves cause we are the monsters
And they lie to us so we put them off as non existent
It was all... in my head.

I'm gonna ask you to look in my eyes,
I wonder,
I wonder if you can see mine
This was inspired by a few things. When I decided to write it the attacks on Friday November 13 occurred, I had just finished reading Frankenstien for school and I was trying to break out if writers block. This was the result. Hope you enjoy.
Copy right belongs to Zack Gilbert
David Barr Mar 2015
Let us mine into the depths of Shakhty, and scorn the Western state of communist superintendence.
We are embroiled in a political and industrial conglomerate where cold wars lay the foundations of unstoppable monstrosities.
Converse with Andrei Romanovich Chikatilo, as you splatter milk across the surface of your psychological cereal, and raise questions around the episodic nature of criminal profiling.
I love the olfactory beauty of a railway station, whose stench is dissimilar to the pastures of raunchy and deadly opportunities which result in Rostov butchery.
Nevertheless, it is rooted in crop failure and the enforced collectivization of agriculture.
Covered in rust from pig iron girders, and dust from the nicks in old bricks that time cracks
I cannot relax and wish
I could just blow up those buildings and stack them in mounds on the ground,which I realise is no different to what they are now.
Fred Dibnah would know how
he would have taught me,teached me
he was a preacher man
and could demolish with polish as easy as pie, all those monstrosities that laugh as they scrape at the sky (they should bow)

It should be back to the drawing board for those clowns in the towers of the towns where the ring roads depress us.compress us until we're back in the mould.
and the old men in whitehall who still play billiards with no ***** should heed what we say,
we don't want it this way.
We want works, we want perks,we want more out of this living that you are not giving and we're sick,
do you hear?
we are sick to the pits which no longer exist except in the memories of miners and women who scrabbled through dirt and put scraps of coal in their skirts and then carried them home.
Poverty is the bone upon which poor people chew
but be careful down there
one day it may be you
that's being eaten
being beaten
by us.
Fred Dinah,one of the best,,steeplejack,demolition man,teacher,enthusiast,sadly gone but not forgotten.
Jade Jan 2019
From the moment
the tale of her ruin
made itself known,
mankind has
coveted proof
of her existence.

Many a curious hand
has stalked across
the glossy veins of maps
and the cracked vertebrae of books
enclosing information
most pivotal to
her secret whereabouts
and the tragic evanescence
that initiated her exile.

Many a
sailor
explorer
scientist
poet
have perished among
the gnashing jaws of the sea
in their pursuit of
the glory
her exploitation
would surely bring.  

In response to such
grievances--
the reality
of losing oneself
in the midst of
searching for what
has already been lost--
imagination--
the belief in magic,
in the seemingly
unbelievable--
was outlawed
within the
human psyche;

now,
they say she is merely
a madman's legend,
a myth concocted by Plato
so as to warn against
the perils of greed.

But never did they consider
that perhaps she did not
want to be found to begin with,
that her seclusion
has always been a necessity
so as not to repeat
the monstrosities of the past--
so she should not resurface
to satiate their earthly desires
only so she can be drowned anew.

{Atlantic}
Don't be a stranger--check out my blog!

jadefbartlett.wixsite.come/tickledpurple

(P.S. Use a computer to ensure an optimal reading experience)
Trevor Gates Jun 2013
From the skies came the howling screams
And the malevolent weather
Casting the hands of shadow over my world
The loveless giants and slack-jawed executioners
Laughing and drooling over the wicker baskets
Filled to the brim with severed heads
Faces frozen in the final moments of their
Demoralized longevity

While the others
The innocents and deceivers
Hung from the peeling trees
From their necks
Their bodies swaying with the
Winds of the howlers; the hoarders and rising dead
Ravens and winged monstrosities feasting on the
Available tissue of those left behind in the dusk
Of lesser men and greater demons

I wept and cowered like never before
In the swelling, audacious fields of fallen brothers and sisters
The air was moist
The earth was damp
I pulled the black garments of butchered priests
Over my coarse back
Covering my punishment from the eyes of God
And his Angels
His divine bystanders
And jealous endeavors

Draped in the cloth of the papists  
Drenched in the accumulated fluids of the slain
I wandered the wastelands with no name
No home
No family
No soul in the moment of sought mercy

The drying of blood and tears hardened the stain cloth
Against my healing body
Pulsing and throbbing over my senses
Turning me into something more
A vile and vengeful entity
Walking among the land of the dead
A ****** of my sanity

Through the cascading water dripping from the sky
Souls and ghosts of the battlefield
Clung to me, touching my feet and hands
My path was followed by the impaled
The disemboweled and the murdered
For the name of such clerical disambiguation
Promising to be absolved for the crimes against His name

I wandered from the true path

I came to the cliffs above and looked over the carnage
Of a 1000 warriors and people all sewn together
In the skin of the earth.

Riding a phantom steed over the trampled bodies
Clad in otherworldly armor
And sweltering chains
The Horsemen of War walked
Among the covet children of his wrath

Not even knowing if I still roam the land of the living
I proceeded down from the cliff
And approached the Rider of War.

His crimson helmet hid his face.
Horns protruded from his brow
He carried a blackened shield
and a fiery Sword crafted from the pits of Hell

Striking his sword into the mound of dead
Rivers of blood soaked into his blade
It fed off the butchered, the murdered
The mutilated, the skewered, the molested
The sodomized, the swallowed, the reaping
The cowards, the fools, the thieves
The liars, the transgressors, the headless
The victims, the prey, the engorged
The envious, the gluttonous, the wrathful
More and more of the blood, the souls and the mess
Collected and gathered into the sword
Feeding the beast, the instrument of war
Fueling another plague of sinister dismemberment
On a once green land of kings and sires.

I picked up a walking stick from the woods
Walking through a darkened world
Where another noble shall claim me
As his moniker of death
In service to **** more men
God’s children
Mother Earth’s children
Who rip a part of each other with metal and teeth
Against the palms of titans and angels

All gambling on our victory or defeat
Where lives and words are mere tokens
It is not our lamentations or penance that is counted

Can I bear the attrition of my own nightmares?

Clad in the shredded papal garments
Soaked in hardened blood

I shall roam and absolve.

Whoever is worthy
In the bleak war of man
And his End.
Luka Love Sep 2012
Tired
Brain spits words in fits and starts
The internal running commentary misfiring badly
Ideas stuck in bottlenecks
Traffic backed up and down the on-ramps
Leading off the congested thoughtways
Tired
Stormwater overflow pours out of blocked drains
Sidling up the gutters of fallen leaves
And other assorted detritus of modern existence
Spewing out over footpaths and under cars
And over the tops of the boots of downtrodden dawn treaders
Tired
Mountain pass impassable under it’s mercurial precipitate mask
Features only glimpsed in snatches
Like looking through a white picket fence while running
Thought trees bunching up around the middle
Warping under the sun and the scrutiny of others
Tired
Collapsing under the weight of the wave function
Subatomic particles currently in a state of nonexistence
Abandoned altogether by the Higgs, thoughts vibrate and dissipate
In extraordinary frequency and noise
Drowned out by the audible hum of the big bang
Tired
As if running a marathon in treacle
Start with a whimper then dribble to a halt
Running barefoot on salt flats
Or over pillows in stilettos
More time spent on face than feet
Tired
Once more unto the breach, dear friends, once more
The court jester prances for the Big Queen *****
And her merry King of Fools with his band of merry drunkards
Quickly losing the point of it all
As words start tumbling down in random order
Staccato signal messages like binary or Morse code
Information overload threatens to upend the boatload
Like the military dumping refugees into the harbour
Buckle up armour and wait for the onslaught
Of somnatic visions, twisted psychedelic impressions
Land mine concussions in the fevered dreams of veterans
Who witnessed limb torn from limb
In the name of something nobody remembers
Lose their tempers and start a war on home turf
Jungles petrified into concrete monstrosities that blot out the sun
From the flowers that feed in the cracks of the pavement
Everywhere bereavement and none shall take leave
From the cold, impassive logic of Death
Who comes knocking as you read this
Wired
No chance of sleep now
This is why one shouldn’t write poetry late at night
midnight prague Jul 2011
I sustain a mirrored courage of the earth
staggering posed like two humans who saw
the world in each others eyes for only a few seconds
the contagious feeling bleeds throughout my consciousness
and then leaves at the tipping of the hour
grunting and ashamed
we are each others burden
each others disaster

I try to lift my arms in the air with broken shoulders
while a melting metal falls on the sides of my neck
my collar bone twists while I carefully hold my steady breathing
so that my rib cage does not explode
my eyes closed shut
the bones in my fingers holding on for dear life
veins blue like the sea of our dreams
I feel every ounce of blood tremble in my chest
I feel every cell in my body fight for my survival
I feel my immunity perish
A shriek comes up my pit from the core of my small body
it was as if every heart that had ever beat stopped in sequence
as if the world had found its place in nothingness
and was drowning in silence

I fall
onto a house made out of black brick
empty and creative with its own darkness
its striking absence of light
its livid and ebony coal rubbing against me
welcoming me to the safety of the place made for those
who were no longer able to hold on
shadowy and starless with its own language of mute
its strain and and distressed fever

the thick air has become my companion
the hard icy floor, and the raven walls
the windows are mute and let in no salvation
to whatever beauty may be left throbbing on the outside

I have become a slave to my own pain
I begin to rub my body against it
I let the poison drip delicately like art from my tongue
I let it run down my inner arms
wrists
and then slowly off my fingertips
onto my stomach
and then lower
I churn

I am expressionless
the satisfaction of finally spreading my body
of finally learning how to adorn these black waters
to drink the toxins, alone
makes me shiver
a smirk manages to escape my cracked lips
my broken cheeks
my pale and black eyes

In the corner I sit naked and shudder
something dark and slippery falling off the ends of my hair
I rub the fluid and examine it in between my fingers

I bare no protection for it is not needed
I am no longer afraid
those who strangle now fear me
rancid
******
skulls roll off my spine and line themselves perfectly like little school boys

screams echo from my pores
I have no recollection of what was of me before I came here at first
I am only content to have found this haven

but after sometime  I grow feverish
repeatedly I find myself in alabaster boredom
I want to escape

I want to feel warmth other than mine
something light
like the painters brush upon his canvas
like a morning wave upon sand that sinks beneath your feet like flour
like two little girls playing with each others hair
like the petite smile a lover tries to hide
like the innocence I once had

but the windows of my world are shut
and this place is placid and hallow - numbing

I tear my skin open with as little as a flinch
break my bone
and sharpen it against the rough walls surrounding me
my blood seeps into the floor like venom
scattering in thin lines
suddenly my body becomes more connected with this world
with this tyranny

but I refuse to stop

everything engulfs me
there is no whispering
there is no talking
but I hear something telling me that it loves me
begging me not to leave
humming in what feels like a beautiful witches tongue

I stop
and remember the nights I spent here
how delightfully lonely and mysterious they were
how my heart had been injected with their air and finally became paralyzed
how hungry I was for more of the thickness and the monstrosities
how it had taken me so much strength to finally give up
to finally leave, come here and accept that this is my fate
far away from any source of light where my body felt heavy and torpid
remote and listless there had been nothing to worry about because
I had become a dead creature
far from mortal

but then I remember warmth
and continue to file my bone that has been made
as hard as diamond by pain and coldness

I spear into the walls and break them
spread my  bat wings
and fly away from that world

an afterglow behind me
while the universe sings its traditional song of the hearts revival
Mateuš Conrad Oct 2015
the scientists joined ranks with artists who, with un-complimentary depictions of humanity, like the weavers of the bayeux tapestry, decided to paint queens as ******; the scientists came along with monkeys instead of jealous and shaky hands... that’s like so totally debased, who said i was flat-nosed by a klitschko forearm uppercut and hairy to boot? you want a baboon **** smear with my buttocks to suit a smile on that observation? i’ll just fudge pack that **** between my baboon cheeks for the paintbrush and use your face as the adequate ‘smiles all round’ canvas - gentler than a baby's bottom in sinatra's cheek to cheek take 5.*

no, i wouldn’t trust islam in the mouth of an egyptian,
nor in the mouth of the copt,
no more than i’d trust the conversation
of a prince of egypt with god in hebrew with god’s friendliness,
which isn’t to say that god didn’t say: my people are suffering,
the pharaonic lineage are building pyramids!
i need to punish their leaders to redeem the people,
wait a minute, why would the hebrew building those architectural
monstrosities hijack my servility?
ah i know, i’ll just have to wait for the one to be crucified.
a prince talking the language of slaves...
must have had tea parties with the stonemasonry class
of fanning those bothersome flies away ponces.
but as i was doping myself on the ultimate escapism
watching the gambler (2014),
i spotted this one line that broke me:
this heavily addicted gambling professor of english
who could only shakespeare and albert camus
came across a grey matter criticism: ‘but that’s
only a subjective observation, we’re all bestseller authors!’
no... and objectivity is so overrated,
i mean it implies being one among the many
talking as the many,
there’s no heraclitus in objectivity - where’s the flow
in objectivity, moving from one particular to another
signalling artistry whether that’s the dumb statistician
clothed in the baseball player looking lost in the faded out
lad culture missing in the concert hall of talk,
and the basketball player more interest in quicksilver words
pixelated, and that longing blonde who inspired the english
professor to peddle-stool her to the position of the faded gem
of hopes of the carbonated water of a writer?
speaking objectively would only provide an inactivity,
a sort of ant’s **** hole: well we’re all here... how’s that?
good enough? no! no, it’s not good enough!
there is no heraclitean river in objectivity -
it’s no good enough to feed subjectivity of seeing many different faces
going about their daily business and feeling nothing of yourself
making a choice to pick something out... there must be
some sort of kantian per se in all this.
so then i stumbled into tescos, watched the first gangsta gathering
in the car park and in the shop i talked to the would-be cashier
about those failing auto-checkout machines
that now ask for ‘approval needed’ on bottles of whiskey
and five pence plastic carrier bags...
‘you type in 0 and still the machines want approval,’
‘silly, isn’t it? they were so innovative once,’
‘you’re a hoodie with an accent? where you from?’
‘st. petersburg, lived there for a month and came back a changed man,
i was caged and told to not try and get into a nightclub
to see the unappreciative beauties that couldn’t never cry at
an opera like la triviata,’
‘must have been terrible,’
‘it was, i heard of the russian-chinese axis of evil pact
and drank non-alcoholic kbac!’
then at home i picked up a newspaper and started to kinda reap
a weeping over the 3rd intifada next to
an article about how an american auntie sued her 8 year old
nephew for breaking her wrist at the blackjack table
with the stakes as high as $127,000.
it made sense at the time to be sufficiently coordinated enough
to drink and read, which always adds up to: sermo potator potor non sum.
so i thought about as to why the 30 silver pieces
sold jesus christ into a slavery of a very different kind -
the “intellectual” one at the pearly gates where he greets
all the ***-kissers with the church pay-check back-lingo,
even though human history would be better off
without a few hours of the last supper morphed into a sunday
service for 2000 years... when joseph would have seen
the little babylonian kid do something monstrous on the last sabbath,
which would also be akin to that famous opinion section of the newspaper:
yes comrade frankenstein (fickle think shine, alternate spelling of the columnist's surname), capitalism is unshakeable,
there is no alternative to capitalism...
but i thought there was an alternative to the marshall plan?
did i miss something - am i really supposed to stand “outside of all space
and time” in classical philosophical practice? i can’t do that with the slogan:
there’s no alternative to the marshall plan! yes there is, communism.
the syrians will tell you that in a few years, fingers crossed,
no foreign investors will be able to impregnate the resurgence
of civilian trust within monochromatic ethnicity;
but of course i’m getting ahead of myself with hopes.
Robert McKinlay Sep 2015
Life's greatest failures
set to classical music
flares of modern
tears and laughter fluid
within reverb,
called out on an antiquated device
lol not read well
nor did you understand
It remains
background echoes
chase dreams
blue monstrosities
flow from open wounds
invite ingestion
now must, or sweat
terror of reigns
classical rhythm
defaulted
change station
left muted suspicion
right mastered
joint of sorts
wicked blue monstrosities
wherein lies fault.
Raj Arumugam Sep 2014
Goya's not gone
his nightmares and realities still shadow us -
the Los Desastres de la Guerra
still palpitate in our desert lands and hills
beating like hearts the Aztecs offered the sun;
and the barbarism of an axe over heads still thrives -
and barbarians can never hear the plea of a mother

Tampoco
tells us of women and girls ***** in war
and Oh, the Fight with Cudgels
looms large over our skies
and the horror of Saturn devouring his son
pervades the earth
and the Black Paintings
run amok in the form of men shrouded in black

Ah, Picasso is there too in our madness:
Guernica bares its teeth and monstrosities
on the horrors of our own time...Goya's and Picasso's paintings mirror the ugly realities of our world and of human beings...this is my second and final poem on this subject - it is a disgusting subject
Ayad Gharbawi Jan 2010
WHO WILL SAVE ‘HUMANITY’ FROM ITSELF?



Ayad Gharbawi



Come down, and celebrate with us all
The beginning of a senseless
******
Where children sat awaiting
Trying to
Understand
The necessity
That you humans found in yourselves
Was so necessary to enact
Against the innocently impaled victim

I guess, that no one
Can ever
Accept truths
That for me and for you
Were so different
And yes, the medieval priest
Did laugh gutturally
In his drunken paradise

Yes, that man you loved
Was very sickening
In his punishing self-imposed bleeding dictums
And he can no longer talk
Through his burning tongue
That has been mercifully stabbed
Just far too
Many times..

Eternal laughter
That tries to memorize the renaissance poetry
Is a silly game
That gets you somewhere
Endless rows of frowning fools
I tell you
What did you learn from
All those poetry you did memorize?
I tell you
We must all decide
To stand
Somewhere of relevance and depths
Here in our personal hour
That God
Has dictated for us

Sing, then, the songs of deathness
Wherein the lonely dance
Hundreds and acres more
Of corpses have been recently
Unearthed
Rotting statues
And you can no more bear it
I know
Just as the world
Drowns her dulled eyes
Flying fast and far
Away from your memories

And now all the clowns disguised as priests
Have told me to die
So soon
I guess, they want me to say
“Goodnight”
But I will try to breathe
One more breath
One more escape
From this imprisonment
You classified as ‘life’
You see, I wasn’t really sure
If they weren’t in truth
Priests disguised as clowns

Come tonight and throw your
Second-hand flowers
In that grave for
The princess that has been assassinated tonight
Murdered deeply
In this Paris night
And tomorrow we’ll all laugh idiotically
In astonishment, once again
And the bewildered children will, once more, sit not understanding
The murderous nature of you human beings
And yes, I myself, once more
Do not understand what is impelling you all
To ****, ****** and butcher again and again

Come ye saviours!
Save us, ye saviours!
The crucified darlings
Tearful you stand
I pray for you to rise up and do revenge
Against these sadistic monstrosities
In my increasingly disorientating brain
Christ!
I did try so hard to reach out to you
For you to save us
And my doubts are brimming now
As you wither ever more
Decomposing on that wooden cross
Sam Hammond Oct 2018
The autumn's scent has now released
As air is crisp and rife with chills,
But cold like this is far from bleak
With all these trees where crimson spills.

Orange leaves that catch the sunlight,
Skeletal, their frames are showing.
In their shades of death they give
A final dance from breezes blowing.

The prickling tickles fingertips
To stiffened, numb monstrosities,
And you could swear your blood had froze
To cause such harsh viscosity.

For it's now that summer weeps
A solemn, meek exhailed despair,
Which whistles in among the leaves
And dissipates in frozen air.

The autumn's scent has now released,
The orange, red and yellow shows,
The rigid fingers point away
As summer sighs, and summer goes.
ConnectHook Apr 2019
Kabuki monstrosities of cute

   White snivel, and children who sniffle as they walk.
    The containers used for oil. Little sparrows


shopping-malls of Shinto reactors
tsunamis of Hello-Kitty schoolgirl ****


   Pretty, white chicks who are still not fully fledged
    and look as if their clothes are too short for them


tiny plates of aesthetically-arranged trivialities
meaningless Engrish phrases on T-Shirts


     Last year’s paper fan. A night with a clear moon    
       One needs a particularly beautiful fan for some special occasion

in herd-like apathy, they download Anime Girlfriend App
the robotic allure of the Orient defined


    To wash one’s hair, make one’s toilet, and put on scented robes
     An earthen cup. A new metal bowl. A rush mat


cramped restaurant-bars with detailed replicas of food
PROMPT #9 : engage in another kind of cross-cultural exercise,
inspired by the work of a Japanese writer who lived more than 1000 years ago. She wrote a journal that came to be known as The Pillow Book. In it she recorded daily observations, court gossip, poems, aphorisms, and musings […] write your own Sei Shonagon-style list of “things.”
Michael Ryan Apr 2015
A silkworm burrows through the building
creating narrow passages for the many to follow.
A path designed to teach them how to live,
as it slithers through each hallway
it spews out gray compost for the people to thrive on.

Mindlessly this creature repeats it's pattern knowing no better;
each corridor the same blend of dreadful and brain dead.
Beneath it the muddled mix of moss green and **** brown tiles
symmetrical caverns line it's domain as feeding homes for the children.

Third stage monstrosities recycle what they have ate for the young
what they seek is what they are losing the longer they feast.
Their lust for creativity and a sense of humanity fades with each nibble
minds that were ever able of change become part of the cycle.

Ripe with potential until swallowed by the worm
losing their limbs: Hands that could have sculpted new halls,
feet that could have spread the news "to escape while you can",
and their minds for the future can only relish in repetition .

They themselves become part of the system of life--
where rotten fruits of thought are absorbed and digested by all.
The struggle for survival of the fittest
becomes the fight to find your own knowledge,
keeping your mind fresh and alive.
Education/Society really needs people to take a step out of what was implanted into them and learn from the past not repeat it.  It's about growth and improvement not about just doing it all over again.
Mitchell Feb 2012
Who could they get to bury you?
Where all that once was
Was buried in the sorrowful minds of man
A telling of the past
In common tongue never to last
Oh honey sweet nectar
Dripping from the finger tips of broken glass angels
Flying from the dust of butterfly wings
Each impression of their worth
Tainting their already tattooed image
Brought on by the pages of worn book
Ragged idea oh' praised culture stinking
Of old dirt and ancient ways
Needed heart prints the ways of love
In my tunnel vision like mind
A pressing bare foot on the soil
Of the man who awaits by the gate
Decisions of fortitude made from the ones
Behind clean white sheets black ink and disguise
Signing off while signing in to a party
Being thrown by their own magistrates son in law
Formulaic monstrosities engrossed in imaginations
Of a mind demented twisted tickling with forbidden homosexual feverishness
And as the metal glares in the hot doubting sun
Where the clouds drift like conveyor belts
Built from hands that are a long way from alive
And the ticket tape that makes the old one's chest cave
And the young men in their ways sway
Loneliness tightens around the trigger of your plastic gun
As the police men's runners caress the metal badges
Of men in mustache claiming they are the rightful gunners
Each beat on this Earth vibrates through and around me
Like music that was never meant to be heard
Trickling neath' tons of lava encased dirt
Each reel of the film calling out to be saved for the eye
Will make the work done hail justice and not strife
Listen to the call of the dying lion
Alone without family or pride
No tree to find shelter underneath or star to guide its way
No river with possible forgiveness
No grass to make one last bed
All bread has been burnt all grain buried and lost
The clothes upon thy' skin looks of silken diamond
Makes me query if you lady are the real thing?
And yet you move in front of me like I do myself
I am now in a world I can say I have never felt
With your bed sheets on fire
As your necklace reflects the moon
And that you never seem to tire
Praying that soon will never come true
But prayers rest on a ashen oak tabletop
Among the dreams spoken softly near midnight
No, the love here we know cannot stop
Lo' death would be all that could halt it
Heathens begin their descent for all to watch and to win
For where, my lady, can I stop so you may begin?
But why is the stage where only actor may work?
How the circle doth ensnare yet release you
Simultaneously enriching one's life as well as all that be around
Sad eyed for the mad cries out for all that live in the lie
And the drum of the former poets dying
In streets penniless without pen, paper, or dreaded faith
Why have the Gods broken their pact to man?,
Leaving all that wished it not to be
Naked and weaponless staring faded ill ghost
Harps you play the final ballad
Pen you write the final sentence
Voice you sing the final note
And actor you say the final line
A breath inhales released into the passing wind
Heartbeat echo blood sport of the quill
Shakespeare sulks in the pages of his work
Men forget they are men
Women remember they live for but once
The tied and tired we
Dance on glorious horizon
Hot and
Ready to live
Kara Goss Oct 2012
A feather has been placed on the breast of Mother Nature only to be blown away by the winds she created,
crafted out of good intentions and placed onto the wings of irreplaceable mystic holding super powered
beings that claim the ability which mere mortals only dream to obtain.
Spreading for all to see, each climate of generously sparing and over populated monstrosities
unable to be reached by force in calves and thighs,
these which i object to call by given proper letters haunt me in conventional senses.
Ugly, foul, wretched, I personify my adjectives as ammunition for these paper dwelling drawings
that seem so fascinating to common folk. Fly my mother told me, fly.
Tamanna Feb 2014
I wish they could hear me sometimes.
I wish they could hear me crying in my bedroom over an idiotic boy.
I wish they could hear me throwing things left and right as I create a storm of my clothes over the latest thing that is enraging me to no extent.
I just wish they could hear me as I repetitively scream,
"YOU'RE SO STUPID" to myself over and over again until it is embedded into my brain and I feel it in my body.
But they can't. And they never will.

Deaf. That's what my parents  are.
Deaf as they talk to each other with their visual language,
Creating a three-dimensional image that communicates all their ideas through art.
Deaf as they imagine what the music I love so much sounds like,
But all they can ever do is wonder.
Deaf as they can see me, but never fully grasp what my voice sounds like as I screech and howl for their help.
My screeches and howls are like tiny whispers in their ears.

My mom once asked me, "What is it like to hear? I wish I could."
But mom, I am here to tell you that your ears are blessed.
You cannot hear the monstrosities that exist in the world:
The sound of loud eating, the sound of two cars crashing into each other as both drivers finally heed what's happening, but lastly, the sound of your own daughter weeping in her room with solitude as she mopes hopelessly.
Mom, you're so lucky to have never heard that.
Life and its ups and downs..
..towns
Becoming cities
Growing into
Monstrosities.

People pushed together
Like storms and weather
They grumble
Rumble
And in this rabid dry tumble they come out
All creased.

At least in the countryside where I reside
We have fresh air that fills the lungs..
..not forgetting the smell of fresh dung which they put on the crops
And then sell to the shops
Where the folk in the city can buy..vegetables to fry.
Stirred?..I could cry.

Abominations of regulations..the world is insane.
Takes in a deep breath
And looks once again..it still looks the same.

Men in the banks..those corporate tanks..it's a war
We fight on each and every side
Even in these hamlets where the gentlefolk reside.

There's not a hope..no release..
..from the unceasing march, of the shiny suits
Who would with their boots seek to trample and tred..
..and that being said,
We should surrender?

Tender our resignation and in utter frustration go home.
This is the New Rome we have built
Guilt you can keep.
I'm going to sleep
Tomorrow is only a dream.

— The End —