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"ives" poems
Don't let this self-effacing exterior fool you I am meglo-maniac in the making Social media the perfect introvert's mask Reinventing myself daily Vanessa Ives, girl-about-town, quirky geek An attention ***** ******* in the digital wind For a like, a follow, a retweet.
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Jul 18, 2014
Jul 18, 2014 at 7:24 AM UTC
******* in the digital wind
A bridge is a curious thing to cover. mile after mile of naked road - then a wooden box over stream or ravine. Why not cover the road instead leaving the bridge unclothed? But where's the charm in that, you say?   So perhaps it was fashioned for Currier and Ives or to embellish the music of iron shod hooves on oaken planks. Or maybe was built as a kiosk for fading feed and carnival posters and jackknife glyphs of amorous initials. No, all our covered bridges, imagined or real, guide our passage over deadly waters - holding us fast on the road and safe from drowning.   March,  2007
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Aug 9, 2013
Aug 9, 2013 at 4:17 AM UTC
Covered Bridges
Champagne and cup cakes. A Cornish beach with rippling swell. Love be cultured as a precious pearl. Where love be found with special girl. Projects full of rich intention. Health. Wealth. Happiness. The air is filled with childhood squeals. Summer flicks on the crown of her hair. Children ride horses with the sea on their heels. History steeped at the top of the hill. Empty mines. Cleared of tin. In the county, where Poldark first made his mark. Country delight? Nah. A county in England. Better not tell the Cornish man. Kernow man's birthright. The sovereign state of Cornwall. Not all of the Cornish men have seven wives. Nor do they live in the land of St Ives. One wife is enough for most. Your spirit in Southampton, now merely a ghost. (c) Livvi Good luck.
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Mar 20, 2016
Mar 20, 2016 at 7:05 AM UTC
FOR MY FRIEND
Let go what does that truly mean? are we to fall to our deaths or go on with our lives how does one truly, let go are you to forget everything or simple pretend you no longer care let go two words so simple but the action is so hard
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May 8, 2016
May 8, 2016 at 4:38 PM UTC
Let go
Don't you wish that Christmas Was a Currier and Ives scene Where the snow was falling softly In the woods of evergreen Where horses pulled the sleighs Through the village and the fields Where the children played at snowballs With just scarves to act as shields A time of innocence gone by Where Christmas was serene Where the world was fairly limited And not shown on a screen A time where people had some class And Christmas was a day For families to just spend some time Not compare how much they paid A painting showing everyone Out skating on the lake While carol singers sang their songs To see  the joy that they could make I would love to have a Christmas Like an old time Christmas card But today, it would be difficult It could be done, but would be hard A Child's Christmas in Wales we'd read And we'd follow it with more We'd sing songs to our hearts delight And we'd open up the door for Christmas is for sharing Not for self fulfilling greed A Currier and Ives type Christmas Might be just the thing we need This year, I'll watch no movies About Christmas elves and such I'll make each treat we eat at home And by the fire, stand a crutch I'll volunteer and feed the poor And I'll go to church as well Wait....who am I kidding Well, it was a nice thought....What The Hell!! Merry Christmas
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Oct 28, 2012
Oct 28, 2012 at 7:59 PM UTC
A Currier and Ives Christmas
H aven for those who’s words are never read E ven though they pour their souls and very L ives and spirit through their pens or L et their fingers nurture beautiful tomorrows O n the keyboards of their creativity. P oetry is the blood that pumps O ut wondrous magic from those fertile minds that E nds up on a glowing screen or printed page, in hopes T hat it can give birth to a long awaited R ennaissance in the thinking of the world, and create a Y earning for a better way to live and love. ljm
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Mar 4, 2017
Mar 4, 2017 at 4:24 PM UTC
HELLO POETRY
( for Virginia Woolf) Light & dark collide her life is a palimpsest of butterfly memories of twisted ills & happiness viewed through a pin hole captured in black & white The Lighthouse still stands in St Ives where it always was where she used to go as a child she writes “ Mrs Dalloway” & eats conference pears Occasionally she hears the birds singing in Greek as they fly by Death, which will claim her is always waiting.
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Aug 21, 2015
Aug 21, 2015 at 4:18 PM UTC
Camera Obscura
Deep weather Rough chopped rocks sunk in the sand Of St.Ives. Hostile invitations for a childhood party Where Joshua so loved then missed his grandad. Rock and rain pools December **** in August limpid. An adolescent's stomping ground of Skunk and cider Where first Lucy kissed, And felt age inside her. And a Pensioners painting, Anna remembered a figure On those black rocks All those years before, That could help her across no more. The town on the hill. Bewitching, twitching, still, Windows hammered on to cold homes - Bridesmaids, Flings, exiles, Remembered, loved in the married bed back home. And the girl that I love so much, Sits across the beach Sinked in to my sand like The alba washing coal on the beach After all these years. And the girl I worry about so much. Sits across the room sinked in sand, Hammering love in my chest. Rocks, coal and home.
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Apr 24, 2014
Apr 24, 2014 at 2:54 PM UTC
St Ives
There’s a burning in her eyes, High reaching lace like a poison choker, Hands around a swan’s throat, She’s the type who would ****** the world, Then break its neck, But even then, she still spits poetry every time she speaks, Everyone has their curses, She hides hers in the darkness.
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Jan 1, 2015
Jan 1, 2015 at 3:06 PM UTC
Ives
Giles Corey What is there, really, Left to say When you cannot trust The honest pay? Do you, really Hear the sounds, Of the clocktowers coming down? I do not, really, Know the time. We're just acquainted.. No friend of mine. No friends at all Are mine, per say. Just folks to call, From day to day. From day to day, And dusk to dusk. There's nothing left But empty husks. I'd gouge my eyes With forks and knives, If that would bring me To Saint Ives. Gouge my eyes At sight of her Hopes I despise: empty aquifer. That saturate the souls Of bedazzled bums And homeless ****** Sent to pick the crumbs. Great fallen father Oh, dying mother What way is water? Who hid the shelter? Your sons and daughters Are frightened now. They cannot win They don't know how. We all have fears Of how we'll fare When you say, "We need more engineers. To build the cities And the gutters And the gluttons And the guillotines And the gilded glaves that gorey Giles brings. To pile the stones On our frail young frames As we're forced to cry To **** our names, "More weight."
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Nov 8, 2011
Nov 8, 2011 at 6:48 PM UTC
Untitled
How many were going to St Ives?  Were the cats in sacks alive? Who cares if every one arrived? For the greatest riddle I derive Is how on earth, do you surmise, that poor man coped with seven wives?
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Apr 27, 2010
Apr 27, 2010 at 1:27 PM UTC
As I was going to St Ives
America the Beautiful is broken into variations, reassembled at fifteen, while your friends played ball, tumbled after grounders.  Met her, vows were spoken, children came, a job to feed and shelter. Insurance, managed risk made up your days while music filled your nights and underlaid a counterpoint of art and home.  She felt your dualistic muse; the age-old tale of starving artist held no taste for you. Forty years of working every breath until the night your muse's heart would fail. You lived for years with your worst fear come true, for you had starved your artist to his death.
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Mar 9, 2015
Mar 9, 2015 at 10:19 PM UTC
A Song for Charles Ives
Two Ones two O's two infinity symbols/ beyond that never is forever a perpetual discontinue/ a  critical crescendo Can it be that it was all so simple/ A difficult indefinite A decadent individual/ More to lessen when the lessons Goes spherical/ What comes must go Disregard the scenario/ In spite of facing the Ever so unbearable/ Imperial Regardless/ I un expected the unexpected/ I was endowed with/ this meticulous weapon/ the correspondent/ It came in a different direction   Not Money Diamonds, jewelry and necklaces/ As you would expect it/ Rather verbs, nouns, adverbs and ad-ject-ives/ My ob-jectives are selective For I now know what my quest is/ I'm just the messenger Please don't **** the message/ To your respective Much time invested/ If I just reach one That's a considered successes.
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Sep 4, 2016
Sep 4, 2016 at 12:47 PM UTC
Past Code: 101880
Silver alert, silver alert the gold Ford is gone we hope she's not hurt Silver alert, silver alert Grandmas run off with her new boyfriend Burt Silver alert, silver alert Burt's a gold digger a real piece of dirt Yes silver alert, yes silver alert we hope the cops find her with her monies unhurt Oh my, silver alert, silver alert don't spend our inheritance on Burt, the pervert
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Feb 27, 2018
Feb 27, 2018 at 10:10 AM UTC
Silver Alert (sorry Burl Ives and Johnny Marks)
Twinkle, star, you are So high, up in the sky. And Little Muffett Miss Has gotten so ****** Very upset that from Someone else’s thumb That was stuck in a pie. She didn’t know why. So she cut off tails Enjoying the wails Of sightless mice Though not nice Not fooling around She’d blow the house down Then give a harsh drub To three men in a tub. She swiped all the ciggies Of three little piggies But she could not see Why everything was threes. Narcissistically proud She was laughing out loud Then she started to croon About a cow on the moon. She looked for a fiddle She could hey ****** ****** But when she got there The cupboard was bare So, she left the dog home And began to roam. On the way past Saint Ives A man beating his wives Muffet did begin Beating with rolling pin And the guy ran away Not seen since that day. Miss Muffett turned old Folk tales into gold.
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Oct 10, 2015
Oct 10, 2015 at 6:27 AM UTC
CURSORY RHYMES
Lives forever Open to everyone Valued honestly Everyone can!
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Oct 1, 2016
Oct 1, 2016 at 4:59 PM UTC
L.O.V.E
Over the river And through Grant Woods Through Hallmark scenes we go. Through colors of white That are not quite right Not even for pissed-on snow. If Currier and Ives Tends to give you the hives You really might not want to go. By now we have cars And thank your stars No shoes for the horse to throw. Old men in jeans In bucolic scenes From a hundred years ago. Don’t be in a rush As driving through slush Can cause accidents, you know. Turkey and dressing And Parker rolls May suit the day just fine, But a warning here I’ll make it clear You might not like mulled wine. When you have eaten While women work The men can go off and drink. The men getting ********* A seasonal disgrace, The gals keep their minds on the sink. Later while driving back , The men passed out, The women behind the wheel. They women all try To figure out why They go through this yearly ordeal.
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Dec 20, 2015
Dec 20, 2015 at 3:21 PM UTC
OVER THE RIVER
February 28th, 1968 marked the date Boyce Brandon Harris (my octogenarian widower father) purchased a small tract of land constituting shadowed sliver once hailing, hallmarking, harkening, glorious vast "Glen Elm" estate, which circa 1910 encompassed a hundred plus acres of woodland Pooh would Winnie (including a pond frequented by migrating Canadian Geese) eventually zoned for commercial, industrial, and residential development (all in the name of productive land use) particularly put into motion courtesy Donald J. Neilson, who transformed expansive woodland rivaling shutterfly sprouting like mushrooms towed stools booming explosively after ample precipitation little houses on the hillside little houses made of ticky tacky... popped up overnight transforming landscape displacing flora and fauna with vinyl city (minus spit of property papa bought) manicured bumped uglies with wild wisp reduced pristine niche leftover jot haven squawking disoriented geese instincts thwarted, where drained wetlands a Arcadian past suburbanization overlaying (palimpsest like) rural setting trademark bucolic print Currier And Ives stock in trade signature prints landscape sparse human population country aire sprinkled with family farms fresh dairy, produce, vegetables butchered animals free ranging without synthetic injections nostalgia faintly recreated here Highland Manor Apartments Schwenksville, Pennsylvania a slip of country revered against a Paul Ling urbanization nothing appears familiar retracing roadways now major highways frequent moments breeds alienation familiar ground confusing, frightening, and perplexing.
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May 17, 2018
May 17, 2018 at 8:57 PM UTC
Eutrophication Of Golden Pond
February 28th, 1968 marked the date Boyce Brandon Harris (my octogenarian widower father) purchased a small tract of land constituting shadowed sliver once hailing, hallmarking, harkening, glorious vast "Glen Elm" estate, which circa 1910 encompassed a hundred plus acres of woodland Pooh would Winnie (including a pond frequented by migrating Canadian Geese) eventually zoned for commercial, industrial, and residential development (all in the name of productive land use) particularly put into motion courtesy Donald J. Neilson, who transformed expansive woodland rivaling shutterfly sprouting like mushrooms towed stools booming explosively after ample precipitation little houses on the hillside little houses made of ticky tacky... popped up overnight transforming landscape displacing flora and fauna with vinyl city (minus spit of property papa bought) manicured bumped uglies with wild wisp reduced pristine niche leftover jot haven squawking disoriented geese instincts thwarted, where drained wetlands a Arcadian past suburbanization overlaying (palimpsest like) rural setting trademark bucolic print Currier And Ives stock in trade signature prints landscape sparse human population country aire sprinkled with family farms fresh dairy, produce, vegetables butchered animals free ranging without synthetic injections nostalgia faintly recreated here Highland Manor Apartments Schwenksville, Pennsylvania a slip of country revered against a Paul Ling urbanization nothing appears familiar retracing roadways now major highways frequent moments breeds alienation familiar ground confusing, frightening, and perplexing.
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Eva Ives Dark sunk eyes She loves a pretty face Which dream are you Sweet lady blue Her heavy heart   Beats gay... Eva Ives Hidden in lies The creatures That she keeps All shall be told In the grim tales of old   The nightmares she let seep... Into my room Under a quaint T.V. moon Her passion pulls me in Oh Sweet Eva Ives In the distance of night   Evil shall rise again ...
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May 9, 2016
May 9, 2016 at 9:28 PM UTC
EVA IVES
Have you ever looked into the sky and thought your not the only one. Utterly impossible for you to be alone in the universe right? Maybe something is out there, but we can't see it. Another life. Another thing Nothings impossible right? Something so different from us but yet exactly the same? And what if we find out there is something out there. Really. Something that would astonish us to our last breath. Everything would change. Right? Absolute shock would take this planet and crush it. Lives would go on with fear of invasion. Is it fair for us to do the same? To go and change the way things are. Eventually we would have to be ok. We would just forget. Notorious known, we would be unfavorable, we would be aliens. Step out of the blindness you're in, and see them around you.
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Jul 31, 2015
Jul 31, 2015 at 8:11 PM UTC
1 - I AM A ALIEN
Falling asleep to the piano’s sweet sound, Then suddenly fooled with legerdemain. “HIT, BANG, SMACK, WHACK,” Scream the white and the black. Soul doth move Finger, Who intensifies Timbre. The tune it doth echo In mocking falsetto. Mind has been shattered By the torture he patterned. Shake with the fear— It’s a comfort, my dear.
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Oct 7, 2016
Oct 7, 2016 at 6:44 PM UTC
Charles Ives Piano Sonata No. II
Seven Crap Hours Of Our Lives, But we need to show them that our intelligence thrives. Where we get bad grades and low self of steam, Put on a fake smile so your faces beam. It ***** being here, To always be leer, Wether you fail a test, Or just need more rest, Just be a bit mere.
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Nov 19, 2014
Nov 19, 2014 at 8:07 AM UTC
School
Come on how often does that happen how often have you known it you can tell me if you like but I think you never will My toe hurts like hell as if you care think it split the nail Some bleeding come out now I will have to wash my socks do you know how hard for me things just like, that is **** me just stubbed my mind on my big toenail hope there is no bleeding in my head things like this make me feel red never know what EXP lease Ives come out.
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Mar 3, 2017
Mar 3, 2017 at 3:24 PM UTC
Stubbed my big toe, falling over my own head.
I never travelled to St. Ives, I met no man, no seven wives and as for pieman it's all lies man. I saw no crooked man no crooked mile, no Red Riding Hood, no Hansel, no Gretel no gingerbread house and no sign of the wood, no big bad wolf no fat little pigs, no Pooh Bear either no bridge no twigs. It was as it was because that's how it is.
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Aug 28, 2015
Aug 28, 2015 at 6:30 AM UTC
At thirty thousand feet
you cloaked yourself in pitch black darkness and planted barriers to thwart everyone out your only means for love is to drown in your own mess and the words you feed and leave me stout you release your demons so beautifully that even sweet little angels cry at your feet i'm outside the fences every time you write, waiting patiently the thought of your words make both of our ends meet you are a true Spoken Genius of your time with every word dropped, comes thousands of people in sight to flip on the light switch above you is what they cry and pine so the darkness is no more, but a room bathed in light
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May 26, 2016
May 26, 2016 at 10:48 PM UTC
Will St. Ives