A Poem for Three Voices

Setting:  A Maternity Ward and round about

FIRST VOICE:
I am slow as the world.  I am very patient,
Turning through my time, the suns and stars
Regarding me with attention.
The moon's concern is more personal:
She passes and repasses, luminous as a nurse.
Is she sorry for what will happen?  I do not think so.
She is simply astonished at fertility.

When I walk out, I am a great event.
I do not have to think, or even rehearse.
What happens in me will happen without attention.
The pheasant stands on the hill;
He is arranging his brown feathers.
I cannot help smiling at what it is I know.
Leaves and petals attend me.  I am ready.

SECOND VOICE:
When I first saw it, the small red seep, I did not believe it.
I watched the men walk about me in the office.  They were so flat!
There was something about them like cardboard, and now I had caught it,
That flat, flat, flatness from which ideas, destructions,
Bulldozers, guillotines, white chambers of shrieks proceed,
Endlessly proceed--and the cold angels, the abstractions.
I sat at my desk in my stockings, my high heels,

And the man I work for laughed:  'Have you seen something awful?
You are so white, suddenly.'  And I said nothing.
I saw death in the bare trees, a deprivation.
I could not believe it.  Is it so difficult
For the spirit to conceive a face, a mouth?
The letters proceed from these black keys, and these black keys proceed
From my alphabetical fingers, ordering parts,

Parts, bits, cogs, the shining multiples.
I am dying as I sit.  I lose a dimension.
Trains roar in my ears, departures, departures!
The silver track of time empties into the distance,
The white sky empties of its promise, like a cup.
These are my feet, these mechanical echoes.
Tap, tap, tap, steel pegs.  I am found wanting.

This is a disease I carry home, this is a death.
Again, this is a death.  Is it the air,
The particles of destruction I **** up?  Am I a pulse
That wanes and wanes, facing the cold angel?
Is this my lover then?  This death, this death?
As a child I loved a lichen-bitten name.
Is this the one sin then, this old dead love of death?

THIRD VOICE:
I remember the minute when I knew for sure.
The willows were chilling,
The face in the pool was beautiful, but not mine--
It had a consequential look, like everything else,
And all I could see was dangers:  doves and words,
Stars and showers of gold--conceptions, conceptions!
I remember a white, cold wing

And the great swan, with its terrible look,
Coming at me, like a castle, from the top of the river.
There is a snake in swans.
He glided by; his eye had a black meaning.
I saw the world in it--small, mean and black,
Every little word hooked to every little word, and act to act.
A hot blue day had budded into something.

I wasn't ready.  The white clouds rearing
Aside were dragging me in four directions.
I wasn't ready.
I had no reverence.
I thought I could deny the consequence--
But it was too late for that.  It was too late, and the face
Went on shaping itself with love, as if I was ready.

SECOND VOICE:
It is a world of snow now.  I am not at home.
How white these sheets are.  The faces have no features.
They are bald and impossible, like the faces of my children,
Those little sick ones that elude my arms.
Other children do not touch me:  they are terrible.
They have too many colors, too much life.  They are not quiet,
Quiet, like the little emptinesses I carry.

I have had my chances.  I have tried and tried.
I have stitched life into me like a rare *****,
And walked carefully, precariously, like something rare.
I have tried not to think too hard.  I have tried to be natural.
I have tried to be blind in love, like other women,
Blind in my bed, with my dear blind sweet one,
Not looking, through the thick dark, for the face of another.

I did not look.  But still the face was there,
The face of the unborn one that loved its perfections,
The face of the dead one that could only be perfect
In its easy peace, could only keep holy so.
And then there were other faces.  The faces of nations,
Governments, parliaments, societies,
The faceless faces of important men.

It is these men I mind:
They are so jealous of anything that is not flat!  They are jealous gods
That would have the whole world flat because they are.
I see the Father conversing with the Son.
Such flatness cannot but be holy.
'Let us make a heaven,' they say.
'Let us flatten and launder the grossness from these souls.'

FIRST VOICE:
I am calm.  I am calm.  It is the calm before something awful:
The yellow minute before the wind walks, when the leaves
Turn up their hands, their pallors.  It is so quiet here.
The sheets, the faces, are white and stopped, like clocks.
Voices stand back and flatten.  Their visible hieroglyphs
Flatten to parchment screens to keep the wind off.
They paint such secrets in Arabic, Chinese!

I am dumb and brown.  I am a seed about to break.
The brownness is my dead self, and it is sullen:
It does not wish to be more, or different.
Dusk hoods me in blue now, like a Mary.
O color of distance and forgetfulness!--
When will it be, the second when Time breaks
And eternity engulfs it, and I drown utterly?

I talk to myself, myself only, set apart--
Swabbed and lurid with disinfectants, sacrificial.
Waiting lies heavy on my lids.  It lies like sleep,
Like a big sea.  Far off, far off, I feel the first wave tug
Its cargo of agony toward me, inescapable, tidal.
And I, a shell, echoing on this white beach
Face the voices that overwhelm, the terrible element.

THIRD VOICE:
I am a mountain now, among mountainy women.
The doctors move among us as if our bigness
Frightened the mind.  They smile like fools.
They are to blame for what I am, and they know it.
They hug their flatness like a kind of health.
And what if they found themselves surprised, as I did?
They would go mad with it.

And what if two lives leaked between my thighs?
I have seen the white clean chamber with its instruments.
It is a place of shrieks.  It is not happy.
'This is where you will come when you are ready.'
The night lights are flat red moons.  They are dull with blood.
I am not ready for anything to happen.
I should have murdered this, that murders me.

FIRST VOICE:
There is no miracle more cruel than this.
I am dragged by the horses, the iron hooves.
I last.  I last it out.  I accomplish a work.
Dark tunnel, through which hurtle the visitations,
The visitations, the manifestations, the startled faces.
I am the center of an atrocity.
What pains, what sorrows must I be mothering?

Can such innocence **** and ****?  It milks my life.
The trees wither in the street.  The rain is corrosive.
I taste it on my tongue, and the workable horrors,
The horrors that stand and idle, the slighted godmothers
With their hearts that tick and tick, with their satchels of instruments.
I shall be a wall and a roof, protecting.
I shall be a sky and a hill of good:  O let me be!

A power is growing on me, an old tenacity.
I am breaking apart like the world.  There is this blackness,
This ram of blackness.  I fold my hands on a mountain.
The air is thick.  It is thick with this working.
I am used.  I am drummed into use.
My eyes are squeezed by this blackness.
I see nothing.

SECOND VOICE:
I am accused.  I dream of massacres.
I am a garden of black and red agonies.  I drink them,
Hating myself, hating and fearing.  And now the world conceives
Its end and runs toward it, arms held out in love.
It is a love of death that sickens everything.
A dead sun stains the newsprint.  It is red.
I lose life after life.  The dark earth drinks them.

She is the vampire of us all.  So she supports us,
Fattens us, is kind.  Her mouth is red.
I know her.  I know her intimately--
Old winter-face, old barren one, old time bomb.
Men have used her meanly.  She will eat them.
Eat them, eat them, eat them in the end.
The sun is down.  I die.  I make a death.

FIRST VOICE:
Who is he, this blue, furious boy,
Shiny and strange, as if he had hurtled from a star?
He is looking so angrily!
He flew into the room, a shriek at his heel.
The blue color pales.  He is human after all.
A red lotus opens in its bowl of blood;
They are stitching me up with silk, as if I were a material.

What did my fingers do before they held him?
What did my heart do, with its love?
I have never seen a thing so clear.
His lids are like the lilac-flower
And soft as a moth, his breath.
I shall not let go.
There is no guile or warp in him.  May he keep so.

SECOND VOICE:
There is the moon in the high window.  It is over.
How winter fills my soul!  And that chalk light
Laying its scales on the windows, the windows of empty offices,
Empty schoolrooms, empty churches.  O so much emptiness!
There is this cessation.  This terrible cessation of everything.
These bodies mounded around me now, these polar sleepers--
What blue, moony ray ices their dreams?

I feel it enter me, cold, alien, like an instrument.
And that mad, hard face at the end of it, that O-mouth
Open in its gape of perpetual grieving.
It is she that drags the blood-black sea around
Month after month, with its voices of failure.
I am helpless as the sea at the end of her string.
I am restless.  Restless and useless.  I, too, create corpses.

I shall move north.  I shall move into a long blackness.
I see myself as a shadow, neither man nor woman,
Neither a woman, happy to be like a man, nor a man
Blunt and flat enough to feel no lack.  I feel a lack.
I hold my fingers up, ten white pickets.
See, the darkness is leaking from the cracks.
I cannot contain it.  I cannot contain my life.

I shall be a heroine of the peripheral.
I shall not be accused by isolate buttons,
Holes in the heels of socks, the white mute faces
Of unanswered letters, coffined in a letter case.
I shall not be accused, I shall not be accused.
The clock shall not find me wanting, nor these stars
That rivet in place abyss after abyss.

THIRD VOICE:
I see her in my sleep, my red, terrible girl.
She is crying through the glass that separates us.
She is crying, and she is furious.
Her cries are hooks that catch and grate like cats.
It is by these hooks she climbs to my notice.
She is crying at the dark, or at the stars
That at such a distance from us shine and whirl.

I think her little head is carved in wood,
A red, hard wood, eyes shut and mouth wide open.
And from the open mouth issue sharp cries
Scratching at my sleep like arrows,
Scratching at my sleep, and entering my side.
My daughter has no teeth.  Her mouth is wide.
It utters such dark sounds it cannot be good.

FIRST VOICE:
What is it that flings these innocent souls at us?
Look, they are so exhausted, they are all flat out
In their canvas-sided cots, names tied to their wrists,
The little silver trophies they've come so far for.
There are some with thick black hair, there are some bald.
Their skin tints are pink or sallow, brown or red;
They are beginning to remember their differences.

I think they are made of water; they have no expression.
Their features are sleeping, like light on quiet water.
They are the real monks and nuns in their identical garments.
I see them showering like stars on to the world--
On India, Africa, America, these miraculous ones,
These pure, small images.  They smell of milk.
Their footsoles are untouched.  They are walkers of air.

Can nothingness be so prodigal?
Here is my son.
His wide eye is that general, flat blue.
He is turning to me like a little, blind, bright plant.
One cry.  It is the hook I hang on.
And I am a river of milk.
I am a warm hill.

SECOND VOICE:
I am not ugly.  I am even beautiful.
The mirror gives back a woman without deformity.
The nurses give back my clothes, and an identity.
It is usual, they say, for such a thing to happen.
It is usual in my life, and the lives of others.
I am one in five, something like that.  I am not hopeless.
I am beautiful as a statistic.  Here is my lipstick.

I draw on the old mouth.
The red mouth I put by with my identity
A day ago, two days, three days ago.  It was a Friday.
I do not even need a holiday; I can go to work today.
I can love my husband, who will understand.
Who will love me through the blur of my deformity
As if I had lost an eye, a leg, a tongue.

And so I stand, a little sightless.  So I walk
Away on wheels, instead of legs, they serve as well.
And learn to speak with fingers, not a tongue.
The body is resourceful.
The body of a starfish can grow back its arms
And newts are prodigal in legs.  And may I be
As prodigal in what lacks me.

THIRD VOICE:
She is a small island, asleep and peaceful,
And I am a white ship hooting:  Goodbye, goodbye.
The day is blazing.  It is very mournful.
The flowers in this room are red and tropical.
They have lived behind glass all their lives, they have been cared for
        tenderly.
Now they face a winter of white sheets, white faces.
There is very little to go into my suitcase.

There are the clothes of a fat woman I do not know.
There is my comb and brush.  There is an emptiness.
I am so vulnerable suddenly.
I am a wound walking out of hospital.
I am a wound that they are letting go.
I leave my health behind.  I leave someone
Who would adhere to me:  I undo her fingers like bandages:  I go.

SECOND VOICE:
I am myself again.  There are no loose ends.
I am bled white as wax, I have no attachments.
I am flat and virginal, which means nothing has happened,
Nothing that cannot be erased, ripped up and scrapped, begun again.
There little black twigs do not think to bud,
Nor do these dry, dry gutters dream of rain.
This woman who meets me in windows--she is neat.

So neat she is transparent, like a spirit.
how shyly she superimposes her neat self
On the inferno of African oranges, the heel-hung pigs.
She is deferring to reality.
It is I.  It is I--
Tasting the bitterness between my teeth.
The incalculable malice of the everyday.

FIRST VOICE:
How long can I be a wall, keeping the wind off?
How long can I be
Gentling the sun with the shade of my hand,
Intercepting the blue bolts of a cold moon?
The voices of loneliness, the voices of sorrow
Lap at my back ineluctably.
How shall it soften them, this little lullaby?

How long can I be a wall around my green property?
How long can my hands
Be a bandage to his hurt, and my words
Bright birds in the sky, consoling, consoling?
It is a terrible thing
To be so open:  it is as if my heart
Put on a face and walked into the world.

THIRD VOICE:
Today the colleges are drunk with spring.
My black gown is a little funeral:
It shows I am serious.
The books I carry wedge into my side.
I had an old wound once, but it is healing.
I had a dream of an island, red with cries.
It was a dream, and did not mean a thing.

FIRST VOICE:
Dawn flowers in the great elm outside the house.
The swifts are back.  They are shrieking like paper rockets.
I hear the sound of the hours
Widen and die in the hedgerows.  I hear the moo of cows.
The colors replenish themselves, and the wet
Thatch smokes in the sun.
The narcissi open white faces in the orchard.

I am reassured.  I am reassured.
These are the clear bright colors of the nursery,
The talking ducks, the happy lambs.
I am simple again.  I believe in miracles.
I do not believe in those terrible children
Who injure my sleep with their white eyes, their fingerless hands.
They are not mine.  They do not belong to me.

I shall meditate upon normality.
I shall meditate upon my little son.
He does not walk. &n

Dear Readers, concept of Time has bewildered our ancient sages, philosophers, poets, artists,  including our famous scientists and physicists even to this day. It has no doubt also impacted my    
mind in several ways! Therefore, this series about the ‘Enigma of Time In Verse’ is now being composed and posted to share my thoughts with my Poet friends on this Site. If you like it kindly re-post this poem. Thanking You, - Raj Nandy from New Delhi.
             

   THE ENIGMA OF TIME IN VERSE : PART ONE
                           BY RAJ NANDY

                 A  SHORT  INTRODUCTION

During my childhood days, time appeared to be joyful and endless.
Though my parents had observed the clock all the while,
Telling me when to rise, when to eat, play, do my homework, -
till it was my bed time.
Alas, my childhood days as cherished memories are now left behind.
With rest of the world  I am now chasing that winged arrow of Time!

Those Management Gurus say, that our twenty four hours day,
Is time enough for those who can manage time from day to day.
Yet I do find, that I am generally chasing time, not to be left behind!
Hoping that a full time job will provide, some quality time, with the desired comforts of life.
Therefore, I abide my time, hoping to have the time of my life one day, with some quality time coming my way.
But in this mad race against time, while chasing that butterfly of happiness,
I must learn to cool down and breathe, before time decides to elude me!
For with patience and perseverance, that butterfly of happiness, will alight gently on my shoulder in good time, and perhaps at
the right time!
While time is universally regarded as the fourth dimension by our physicists,
It is said to flow at different rates for different individuals as mentioned by Shakespeare the English dramatist.

          FEW  LITERARY  QUOTES  ABOUT  TIME

In ‘As You Like It’ Act 3, Shakespeare refers to ‘the swift steps’ and the ‘lazy foot’of time  in a relativistic way.
Time ‘trots’ for a young woman between her engagement and marriage when a week feels like seven years for her every day!
Time ‘ambles’ for a priest who doesn’t know Latin and a rich man without gout;
Since the priest is spared the burden of exhausting study, and the rich man is spared the burden of exhausting poverty - no doubt.
But time ‘gallops’ for a thief walking to the gallows, for even if he walks slowly, he happens to gets there too soon!
While time ‘stands still’ for lawyers on vacation, since he sleeps his holidays away!

Now moving forward to Einstein who once described his ‘Theory of Relativity’ very humorously in the following way; -
“When you sit with a nice girl for two hours you think it’s only a minute, but when you sit on a hot stove for a minute, you think it’s two hours,” he had said with a chuckle!

Getting back to Shakespeare’s ‘Macbeth’ Act One on that blasted heath,
Macbeth asks the three witches, “If you can look into the seeds of Time,
And say which grain will grow and which will not,
Speak then to me, who neither beg nor fear…”
And finally that brilliant piece of soliloquy about Time by Macbeth in Act 5:
“To-morrow, and to-morrow, and to-morrow,
  Creeps in this petty pace from day to day
  To the last syllable of recorded time,
  And all our yesterdays have lighted fools
  The way to dusty death….”

John Milton’s poem ‘On Time’ composed in 1930 ends with his optimistic lines:
“Fly envious Time, till thou run out thy race,
  Call on the lazy leaden-stepping hours,
  Whose speed is but the heavy Plummets pace …..
  When once our heavenly-guided soul shall clime,
  Then all this Earthly grossness quit,
  Attired with Stars, we shall forever sit
  Triumphing over Death and Chance, and thee O Time.”

Alexander Pope in his ‘Imitations of Horace’ (1738) writes:
“Years following years steal something every day,
  At last they steal us from ourselves away.”
Romantic poets have dealt with the transience of time, which got popularised by the Latin phrase ‘Carpe diem’ which tells us to ‘seize the day’;
This Latin phrase has been borrowed from the Roman lyrical poet Horace of ancient days.

Charles Dickens’ novel ‘Hard Times’ is an autobiography describing his difficult childhood days.
While the famous opening lines of his historical novel ‘A Tale of Two Cites’ take us back to 18th century London and Paris under times sway.
I quote Dickens’ memorable opening lines:
"It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us ......”

We have the Nobel Laureate Tagore’s well known poetic lines on the subject of Time:
“The butterfly counts not months but moments, and has time enough.”
“Let your life lightly dance on the edges of Time like dew on the tip of leaf.”
He described the Taj Mahal as “a tear drop on the cheek of Time,” in his unique poetic style!

TS Eliot’s ‘Four Quarters’ of 1935,  include extended rumination on the nature of Time:
“Time present and time past,
  Are both perhaps present in time future.
  And time future contained in time past.
  If all time is eternally present,
  All time is unredeemable.
  What might have been is an abstraction
  Remaining a perpetual possibility,
  Only in a world of speculation….”
(Notes: This concept will become clearer in my Part Two, presently under construction.)

Next I have a quote from WH Auden’s poem ‘As I Walked Out One Evening’composed in 1937:
“But all the clocks in the city
  Began to whirr and chime:
  O let not Time deceive you.
  You cannot conquer Time.”

Subject of Time forms an important part of science fiction even to this day.
HG Well’s ‘The Time Machine’ (1895) interests both the layman and the Scientific community even today!
Finally, I would like to conclude my Part One on ‘The Enigma of Time in Verse’ with my favourite poem composed by the British poet Ralph Hodgson:
  
TIME, you old gipsy man,
  Will you not stay,
Put up your caravan
  Just for one day?
  
All things I'll give you
Will you be my guest,
Bells for your jennet
Of silver the best,
Goldsmiths shall beat you
A great golden ring,
Peacocks shall bow to you,
Little boys sing,
Oh, and sweet girls will
Festoon you with may.
Time, you old gipsy,
Why hasten away?
  
Last week in Babylon,
Last night in Rome,
Morning, and in the crush
Under Paul's dome;
Under Paul's dial
You tighten your rein—
Only a moment,
And off once again;
Off to some city
Now blind in the womb,
Off to another
Ere that's in the tomb.
  
Time, you old gipsy man,
  Will you not stay,
Put up your caravan
  Just for one day.

In Part Two I shall cover the Concepts of Time along with its Philosophical speculations.
Before moving on to Einstein’s concept of Time, and its present Scientific interpretations.
Thanks for reading patiently, from Raj Nandy of New Delhi.

To me eternity lies in thy eyes,
and thy rejection my demise.
If so but accept and heal me likewise;
whilst shun and stab my sore heart, otherwise.
Thou hath always been to me a surprise;
Though a doubtful, but sparkling surprise,
So any dejection of thine shall be odd,
And a thousand times bitterer than a cold rapid retort;
For thou art pure; and sometimes too pure and fine
As how thy immortal soul stayest still, and growest not old
And in toughness and roughness is to remain,
So long as thy dried flesh shall age, and afford;
And with such songs so prolific as prayers
By friendly laudations like bewitching storms
Thou shall forever stay, and newer grow fader
And in such coldness thou shall offer me warmth;
Beside yon raging fire, and about thy manly arms,
Thou shalt but lull and cradle me like a baby-
until sleep comes and whispers dreams onto me,
Thou shalt be far more tender and smart-
Unlike that ungrateful preceding heart,
Which claimed to be civil, but uncivil,
United but then left my unsuspecting heart apart;
So unlike thee, who is but a smart little devil
Thou who earnestly tempted my soul, and lured my blood
Thou returned my blushes, and caught away my heart
Ah, and now-whenever I thinkest of thee,
All pain and gloom shall revert to oneness,
But how still I know not, as whose days remain but a mystery
For everything in which is at times barren and colourless;
But when alive, they are just as simple
as those brief dreams of thine and mine,
With a love but too sufficient, majestic and ample
Delicately shall they turn troubled and unseen,
But caring and healing and blinding and shaking,
taking turns like oceanic birds which go about
swimming and singing and strumming and swinging,
like a painting of prettily sure clarity-but unseen,
or perhaps a pair of loving, yet unforgettable winds.

To thee whom I once loved, and now still do,
To thee towards whom my hardened heart-again, turns soft,
To thee whom my delirium is all kept safe and true,
To thee for whom I canst feel never reproach-and only love,
And to thee-ah, to thee, thee only-by whom
the grandeur of the blue sky shalt melt;
Ah, thee! And betwixt thy gaze,
All fictitious sunsets shalt perhaps become wet-
Just like those azure spirits in thy fair eyes,
Sometimes too indignant but unquestioning,
and too pure-as to whom even the Devil hath no lies;
To thee only, to whom this enduring love is ever assigned,
And forever, even its temptation be mine, and only mine,
Like unforgivable sins, which are sadly left unatoned
In its eternity standing still like a statue;
beside its wrathed, and bloodied howling stone
And to thee merely, to whom this impaired heart shall ever return,
As it now does, with cries and blows that makest my heart churn
And canst wait not 'till the morn, for on morns only,
thou shalt creepest down the stairs, and stareth onto me,
Often with eyes full of questions;
Questions that thou art too bashful to reflect,
So that turn themselves later on, into emotions,
Which withereth and dieth days after, of doom and neglect.
Ah, but still I loveth thee!
For this regret makest me but loveth thee more and more,
and urge my soul greater, to loveth thee better-than ever before.
For 'tis thee who yet stills my cry, and silences my wrath;
The one who kills my death, and reawakens my breath.
Thou on whom my love shall be delightfully poured,
A love as amiable as the one I hold for dearest Lord,
A love for thee, for only thee in whom I'th found comfort,
A comfort that is holier than any heaven, or even His very own divine abode;
Thou art holier than the untouched swaying grass outside,
Which is green, with greenness so handy and indulgent to every sight,
Thou who art madder than madness itself,
But upon Friday eves, makest my joy even merrier,
And far livelier-than any flailing droplet of rain
Showering this earth's clustered soil out there,
Which does neither soften nor flit away my pain
But makest it even worse, as if God Himself shan't solicit, nor care
Like any other hostile love, which thou might kindly find, every where.

To thee whom I once loved, and now still do,
To thee towards whom my hardened heart-again, turns soft,
To thee whom my delirium is all kept safe and true,
To thee for whom I canst feel never reproach-and only love,
And to thee-ah, to thee, thee only-by whom
the grandeur of the blue sky shalt melt;
In my mind thou art the lost eternity itself,
And by its proud self, thou art still even grander,
For thou makest silence not any more silence,
but joy, in return, even a greater joy.
Ah, thee, thou who the painter of my day,
and the writer of my blooming night.
Thou who art the poet of my past,
and the words of my courteous present.
Thou shall ******* flirty orange blossoms,
And cherish its virtue, which strives and lives
As a most sumptuous, and palpable gift-
Until the knocking of this year's gentle autumn.
Ah! Virtue, virtue, o virtue-whose soul always be
a charm, and indeed a very generous charm-
to my harmonious, though melancholy, *****.
Ah, thee; o lost darling-my lost darling of all awesome day and night,
My lost darling before starlight, and upon the pallid moonlight,
My lost darling above the reach of my sight, and height;
Thou art still a song-to my now tuneless leaves,
and a melody to their bottomless graves,
Thou shalt be a cure to their ill harmony;
Thou art their long-betrayed melody.
And even, thou art the spring
my dying flowers needst to taste,
fpr being with thee produces no haste;
and or whom nothing is neither early, nor late;
And whenst there be no fate, thou shalt be
yon ever consuming fate itself-
And by our inane eyes, thou shalt makest it
but adorable and all the way strong,
For thou, as thou now do, nurture it better
than all the other graciousness among;
Thou art the promise it hath hitherto liked; but just
shyly-and justly refuted, for the bareness of pride,
and often inglorious resistance-all along.

To thee whom I once loved, and now still do,
To thee towards whom my hardened heart-again, turns soft,
To thee whom my delirium is all kept safe and true,
To thee for whom I canst feel never reproach-and only love,
And to thee-ah, to thee, thee only-by whom
the grandeur of the blue sky shalt melt;
Ah, thee! Even in undurable haste, thou art still like a butterfly,
fast and rapid flowing about the earth and into the sky;
Thou who art grateful not for this earth's soil;
Thou who saith 'tis only the sky that canst make thou feel.
Thou who cannot sit, thou cannot lay,
but on whose lanes thou always art secure,
as though from now thou shalt live too long
And belong to this rigorous earth
to whom our mortal souls do not belong.
And as to its vigour, death cannot be delayed,
and words of deadness shalt fast always, be said.
Ah, yet but again, I cannot simply be wrong;
for thou art immortal, immortal, and immortal;
To death thou art but too insipid and loyal;
that willing it not be, to take thy soul into its mourning,
and awkward prayers so scornful and worrying.
Thou who needst not be afraid of death;
for breath shalt never leave thee, and thou shan't breath.
Unsaid poems of thine are thus never to remaineth unspoken,
and far more and more thoughts shalt be perfectly carved, and uttered;
Unlike mine; whose several mortal thoughts shalt be silenced, and unknown
And after years passed my name shalt be forgotten, and my poems altered.
But thou! By any earth, and any of its due shape-thou shalt never be defaced,
and whose thoughts shalt never, even only once-be rephrased,
for thou art immortal, and for decades undying shalt be so;
And to life thou remaineth shalt remain chaste, and undetached;
as the divine wholeness whenst 'tis all slumped and wretched,
and white in unsoiled finery, whenst all goes to dirt and waste;
For grossness shalt escape thee, and stains couldst still, not thee fetch.
To every purity thou shalt thus be the best young match;
Ah, just like my mind shalt ever want thee to be;
but thou art missing from my sight-ah, as thou art not here!
Our paths are far whenst they are but near,
and which fact fillest me still, with dawning dread and fear
Unfortunately, as in this poem, my words not every heart shalt hear;
And to my writings doth I ever patiently retreat, the one,
and one only; whom to my conscience so dear.

To thee whom I once loved, and now still do,
To thee towards whom my hardened heart-again, turns soft,
To thee whom my delirium is all kept safe and true,
To thee for whom I canst feel never reproach-and only love,
And just to thee-ah, to thee, thee only-by whom
the grandeur of the blue sky shalt melt;
How fate but still made us here and meet,
That clue shall never makest me blind, and forget!
Now blighted I am, by dire ungladness and regret,
for having abhorred, and slighting thee too much!
For should I still cherish thee before my mortal death,
and be bitter and testy not; much less grim or harsh.
For fate is what fate is, as how love is just it looks;
and God's doings cannot be wrong; and true and faithful
as words I found crafted, and deciphered in old books.
Ah, and God's blessings are to arriveth in time,
and to taste whose due I indeed needst to be patient.
Be patient t'wards the love on which I climb,
ah, as for me-and whenst the right time cometh-
thou shalt be my sole wealth; so dear and sufficient!
And so for thee, no matter how thou hath my heart now torn,
Still I canst, and shalt reward thee not-with scorn;
for thou art my fate, my path, and my salved destiny;
For of which I am assured, definite, and convinced-
with all my degrees of humble pride, and vivid certainty-
Ah, darling, and thou art my humbleness, but also too many a time-my vanity;
For whom I shan't go and venture but anywhere-
As long as thou stayest and last-verily and for yon whole eternity, by me.

The neighborhood was silent. There wasn’t a soul around this eerie town and the sun hadn’t peaked out of the clouds for days. The darkness of the land had swallowed the smiles of the population and nature had ceased to show its existence. The birds must have migrated early. The wind disrupted the branches of every tree that was in front of the houses; it left only the whisper of its presence behind.
Shadow’s alarm clock blared at the appropriate time of eight in the morning and he grunted at its ignorance. His girlfriend, Jessie, didn’t seem to care too much about his morning laziness. He didn’t even bother turning off the alarm. He simply rolled on his opposing side to ignore it. That seemed to require a larger effort than if he’d just gotten out of bed. Jessie remained motionless and wasn’t snoring like she usually did. She wore a long sky blue nightgown to bed and it brought out the true color of her blondish hair. She was lying on her stomach and her hands were tucked underneath the fluffy pillow. Shadow just peered at her through the crack of his eye as the sound of the alarm clock withered away his patience. Shadow heard his three-legged basset hound, Tripod, hobble to the nightstand and he began to lick Shadow’s left foot that was hanging out of the white silky bed sheets. The saliva dripped towards the floor and the grossness of the dog’s actions still wasn’t enough to get Shadow’s dead *** out of bed. The dog realized it had no affect on him and left the room.
Shadow had just gotten fired from his job as a technical engineer at a no-name computer store. He put computers together with both new and used parts and resold them to the customers. When he told Jessie, she was not supportive at all. They didn’t speak all last night and Shadow couldn’t imagine how this morning was going to go- another “Yes, MOTHER” conversation. He always had a problem with his temper. All hell broke loose when shadow didn’t get his way, but you’d think he had been taught not to swear at his boss when he got angry. Well, on the contrary his mind and anger had gotten the best of him. Guess Shadow saw that there was no reason for him to get out of bed. But his three-legged dog seemed to think so. He kept ignoring Tripod for some time and he **** all over the rug as a result of it.
Shadow felt a discomfort among his genitals as he stumbled to his feet to go to the bathroom. He concocted his usual bowl of cereal once he reached the kitchen across the hall and slurped up every last drop of milk. He thought distressingly about what Jessie was going to bring on him this morning. The sounds of static and distorted voices echoed through the room from the television- he walked back into his bedroom to get dressed. Shadow called out for his dog.
The job wasn’t so good anyway. Shadow was displeased with his boss from the beginning but he knew he needed to receive the checks- the pay was so good. He always had a passion for building computers and when he first explored this field, Spot would sit and watch Shadow build. Spot was his first dog, around the time when he was a teenager. He would sit there until Shadow was done and that might’ve been what caused him to like building them so much- it was the memory.
Shadow continued to call for Tripod but there was no response. The aroma of the dog **** grew more and more noticeable. The doors were closed so there was no doubt he didn’t escape again. He ran all around the house, opening doors and calling outside for him; peaking behind the furniture and the clothes within his closets for him. He spotted the pile of dog **** on the living room floor.
“What are you doing, Shadow?” Jessie asked.
“I am looking for the **** dog. He **** on the rug again.”
“What are you talking about?” asked Jessie.
“OUR dog!??” said Shadow.
The air began to blow through the rooms of the house and the papers that were neatly stacked on Shadow’s desk began to fall to the floor. Jessie sat up in bed and the wind carried her hair across her scull and it made her look even more beautiful than ever. Her hazel-green eyes remained staring a Shadow with the same goofy look of concern but she still looked beautiful.
“I don’t know if I’m alright. My face hurts…” said Shadow.
“Shadow, I DID hit you pretty hard last night. Remember?” asked Jessie. “I threw that little book-end at you and it hit you in the cheek bone. I didn’t mean it, I AM sorry.”
“It’s fine, Jess. I was being a ****. But really, where’s the dog?”
“I don’t know, he’s you’re dog. Let me get dressed and I’ll help you look for him,” said Jessie.
The window shades were pulled up so the light could shine throughout the house but there wasn’t much light to affect anything. It was still dark and moody in the sky and the storm was still passing though the area. Shadow had to turn every light on in the house to see, even though it was ten in the morning. He knew he needed to find a job, but he wanted to find this dog. He ran around the house looking for every trace of dog fur. The sounds of Jessie getting dressed were coming from the closet.
“Could you hurry up and help me, honey? I need to find this mutt,” said Shadow.
Shadow had given Jessie a special license plate for her birthday last year. It said “Jessie” on it and it was very hard to get. He had to call months in advance to purchase that plate. It was now implanted on his silver Jetta. Shadow’s job was right down the street, so he just rode a bike to work every day and let Jessie use the Jetta.
The job Shadow had used to drive him crazy. He’d work for hours on fixing or building motherboards and if it didn’t work, he’d have to start over. He’d come home in the worst moods after a hard day’s work. He didn’t want dinner; he didn’t want to hear from anybody, though Jessie liked to talk. And that’s where Shadow got very aggravated. He began to yell at her because she asked him questions and he would kick over Tripod’s food and water and storm out of the house in a rage; leaving the front door open behind him. But Shadow didn’t leave last night. He wasn’t the one who stormed out in a rage because he was too tired for that. Jessie left with the dog and claimed she was going to stay at her mother’s for the evening. They must have come back in the house late last night. The dog must be here. Shadow and Jessie kept looking for Tripod while calling out his name to come in sight. Tripod finally walked through the door form the back yard and barked a weak screeching bark.
“It’s about time, Podders! It’s about time we accomplished that dilemma” said Shadow as he looked up at Jessie and back at Tripod.
“What the ****?!” he said. The dog had blood all around his gumball nose and his droopy lips and walked away from them into the bedroom.
“I give up,” said Jessie. “You gotta clean that dog up because I am not going to go near that Blood; I already cleaned up the dog ****. What has he been through?”
“I don’t know…” answered Shadow.

In the mean time, I’m going to go shopping for some new shoes,” Jessie. “I’ll be back later this afternoon, alright?”
Shadow sat on his favorite recliner chair in the living room. She kissed his forehead, grabbed her keys and walked out the front door.
There was silence. He was alone.
Shadow immediately got up and opened the front door to grab the daily town newspaper from the steps. He noticed that the Jetta had already left the driveway and wondered why Jessie must have been in such a hurry. He looked down the gloomy dark street and saw no sign of life. He closed the front door, locked it, and sat back down on his recliner. He unfolded the newspaper and wiggled his toes to the melody of his improvisational hum.
The hum suddenly came to a halt. The toes stopped wiggling. Shadow didn’t seem to breathe. He read the front page of the news paper and couldn’t believe his eyes. There was a Jetta- or maybe it wasn’t because it didn’t look like one. Maybe that was the point. There was no hood; there was no front seat. There were two photos: one of the car and one of the whole accident. A Tractor trailer was involved and no one in the Jetta made it. Shadow started to breathe slightly again and came to his senses; tried to collect himself. He saw the license plate and couldn’t believe his eyes.
There was silence. He was alone. He was alone the whole time.

O, why but I am like t'is! Hath I, since t'at last sober night,
as th' wan, dull clouds crept nearby, been bequeathing
tragic, credulous insecurity to myself. Like t'at frail moonbeam
disturbed by starless rain! And a turbulent voyage
didst I take, alongst my dreary sleep, into th' grounds
of scythed lands-full of horror, nightmarish leaps,
and dire-some terrors. Why didst I do so! I hath come, to comprehend
not, why t'is turbulence of brave grossness seemeth like nothing else
but perniciously irredeemable, as though I accidentally, or even
consecutively-inflicted it, without the wakeful knowingst
of my brains. Indecipherable! T'is vacant delirium of mockery, and its abysmal hearth
inside-set alight by invisible flames-torches of hell, and gruesome
shrugs of untimely malevolence. Insatiable deployment, indeed! How
miraculous it would be, should I be free from t'is inconvenience
in th' course of some upcoming days, but still, doth I hope so!
Waggish remarks, jests, and playful turns of ancient riddling-
areth but exchanged outside, with airs so snobbish, from t'ose
pampered youngeth dames, blind to t'eir silenced world's grievous
suffering, and laborous perspiration. How unfair t'eir fiendish hearts areth-
once and againeth-sneering at th' pure, stoical beds of t'ose airy rivers,
andth t'eir dim solitude, with t'ose rings of presumptuous laughter!
Spaciousness in its holy sphere, untouched by th' turmoil t'at lingers on it
surface, neither driven away nor shaken by ungratefulness. Toil
improperly apprehended! And insulted as it might become, tenderness
shalt it leave behind, insolence but be crafted along th' insidious rims
of its face. Marvelous in wild ways! Wild, devilish ways! And unwatched
by th' stomping blokes on its visage, shalt it rise, rise like an unforgiving
tidal wave, soulless in its aliveness, blighting and scratching
t'eir shoulders, with blades unmarred-dormant powers t'at ought not
to be ignored by seconds t'at feebly tick away. And t'eir ends
shalt 'ey meet, granted liberally by t'eir
deliberate neglect, and repulsive indulgence.

In th' nothingness of aggravation I am but naturally not a hard-hearted creature,
too of a stony appearance I possess not-intimate and even, t'at should be how
my being is paraphrased mercifully! With t'ose perpetual-and even limitless-
replenishing jewels of ardour, flawed only by harmless faults, I would consider myself treasured
by nature, o t'at precious creature whom hath so adorably vouchsafed t'is
spring-like life to me; warmth can I gratefully feel in t'is winter every day,
in my prayers, studies, and amongst t'ose invigorating fits
of my daily perambulations. How truthful, aye t'is confession is made! As I am
but a pious, sanctified child, ye' in spite of being a humaneth as I am, a snake is bound
to dwell within my *****, asleep in its quiet slumbers, unawakened so long
as I unbetray my redolent virtues.
But last night! How nigh my soul from t'at anxious burst of agitation,
melancholiness so undesired but abruptly avenged my silence. My indulgent
silence! Th' one frame of my unresting mind t'at I so fastidiously preserved!
Hatred encountered my countenance, and bifurcated my ******
dispositions; flew into anger then I-so sudden as gripped my soul was
by paths of hostility sent onto me-overwhelmed by t'is ineloquent treatment,
howled in despair, and agony was all I felt within my cheerless heart-
until everything amounted into a blurry shadow-insignificant as it was,
but th' fraud was still t'ere-stupefying desire, so ardent within th' leaves
of my conscience, to slaughter even th' most innocent skins-
'till no more breath t'ey shalt but gasp for. And triumph shalt I procure,
ascendancy shalt be painted onto my palms, and opulent pride shalt I be
endowed with, so unlike all t'is hateful remorse, and slithering chastisement!
Amongst t'ose seas of disillusionment; whilst frowning in desperation-combusting
all t'ose wretched spirits wert all I wasth but able to think of;
and all I conjectured wert proven worthy of my thoughts. Inevitable! Entrenched
was its root-t'is flourishing tiny devil on my inner self, as it is-'till th' morning but
retreated and vanquished t'is gust of little hell, which had decoyed me
and my lithe genuineness like a trivial shell.

O dear! My flawless prince, hath thou but thoroughly gone from me?
Still, a painting of thy kiss roam silently th' rooms of my heart. Now scanty
as to emptiness, roaring fussily as to loneliness, for thy being unhere!
Distorted hath been now its breaths-adored only by groans
of misery-like caprices t'at laid unwanted, abhorred by t'eir masters-
for t'eir yesterday's pricelessness, and valuable crowns! How ungrateful masters,
my dear! And how t'eir proceedings shalt recall
t'ose pristine shines, yes, my dear, (of my golden gems) t'at areth gone,
with unsounding returns t'at are unexplainable, and too unattainable-
and shalt remain dim be t'eir whereabouts, amongst t'ese winds
of fervent, but sultry days. O, come back, my love, come back to my arms,
and hate me not, for my threads are woven alongst thy charms-
ah, t'ose threads of life, of soulfulness, and unabashed mortality!
Clashes of feelings, emotions, and mutual usurpation
of endless infatuation. Chaste, and unimpure, passion! Yes, yes, my love-
t'at's how we ou't 'a be, next to t' fireside, lulling each ot'er to sleep,
and welcoming t'ose night dreams with hearts so dear, lullabies
so near to our ears, of t'at unwavering breaths of passion, and unchangeable
affection, for th' rest of our lives! Leave me not-once more, but stay hereth
with me, and make me forgive
and forget cheerethfully t'is seditious, thoughtless, but most of all
irresolute conflagration.

Locksley Hall

by Alfred, Lord Tennyson

Comrades, leave me here a little, while as yet 't is early morn:
Leave me here, and when you want me, sound upon the bugle-horn.

'T is the place, and all around it, as of old, the curlews call,
Dreary gleams about the moorland flying over Locksley Hall;

Locksley Hall, that in the distance overlooks the sandy tracts,
And the hollow ocean-ridges roaring into cataracts.

Many a night from yonder ivied casement, ere I went to rest,
Did I look on great Orion sloping slowly to the West.

Many a night I saw the Pleiads, rising thro' the mellow shade,
Glitter like a swarm of fire-flies tangled in a silver braid.

Here about the beach I wander'd, nourishing a youth sublime
With the fairy tales of science, and the long result of Time;

When the centuries behind me like a fruitful land reposed;
When I clung to all the present for the promise that it closed:

When I dipt into the future far as human eye could see;
Saw the Vision of the world and all the wonder that would be.--

In the Spring a fuller crimson comes upon the robin's breast;
In the Spring the wanton lapwing gets himself another crest;

In the Spring a livelier iris changes on the burnish'd dove;
In the Spring a young man's fancy lightly turns to thoughts of love.

Then her cheek was pale and thinner than should be for one so young,
And her eyes on all my motions with a mute observance hung.

And I said, "My cousin Amy, speak, and speak the truth to me,
Trust me, cousin, all the current of my being sets to thee."

On her pallid cheek and forehead came a colour and a light,
As I have seen the rosy red flushing in the northern night.

And she turn'd--her ***** shaken with a sudden storm of sighs--
All the spirit deeply dawning in the dark of hazel eyes--

Saying, "I have hid my feelings, fearing they should do me wrong";
Saying, "Dost thou love me, cousin?" weeping, "I have loved thee long."

Love took up the glass of Time, and turn'd it in his glowing hands;
Every moment, lightly shaken, ran itself in golden sands.

Love took up the harp of Life, and smote on all the chords with might;
Smote the chord of Self, that, trembling, pass'd in music out of sight.

Many a morning on the moorland did we hear the copses ring,
And her whisper throng'd my pulses with the fulness of the Spring.

Many an evening by the waters did we watch the stately ships,
And our spirits rush'd together at the touching of the lips.

O my cousin, shallow-hearted! O my Amy, mine no more!
O the dreary, dreary moorland! O the barren, barren shore!

Falser than all fancy fathoms, falser than all songs have sung,
Puppet to a father's threat, and servile to a shrewish tongue!

Is it well to wish thee happy?--having known me--to decline
On a range of lower feelings and a narrower heart than mine!

Yet it shall be; thou shalt lower to his level day by day,
What is fine within thee growing coarse to sympathize with clay.

As the husband is, the wife is: thou art mated with a clown,
And the grossness of his nature will have weight to drag thee down.

He will hold thee, when his passion shall have spent its novel force,
Something better than his dog, a little dearer than his horse.

What is this? his eyes are heavy; think not they are glazed with wine.
Go to him, it is thy duty, kiss him, take his hand in thine.

It may be my lord is weary, that his brain is overwrought:
Soothe him with thy finer fancies, touch him with thy lighter thought.

He will answer to the purpose, easy things to understand--
Better thou wert dead before me, tho' I slew thee with my hand!

Better thou and I were lying, hidden from the heart's disgrace,
Roll'd in one another's arms, and silent in a last embrace.

Cursed be the social wants that sin against the strength of youth!
Cursed be the social lies that warp us from the living truth!

Cursed be the sickly forms that err from honest Nature's rule!
Cursed be the gold that gilds the straiten'd forehead of the fool!

Well--'t is well that I should bluster!--Hadst thou less unworthy proved--
Would to God--for I had loved thee more than ever wife was loved.

Am I mad, that I should cherish that which bears but bitter fruit?
I will pluck it from my *****, tho' my heart be at the root.

Never, tho' my mortal summers to such length of years should come
As the many-winter'd crow that leads the clanging rookery home.

Where is comfort? in division of the records of the mind?
Can I part her from herself, and love her, as I knew her, kind?

I remember one that perish'd; sweetly did she speak and move;
Such a one do I remember, whom to look at was to love.

Can I think of her as dead, and love her for the love she bore?
No--she never loved me truly; love is love for evermore.

Comfort? comfort scorn'd of devils! this is truth the poet sings,
That a sorrow's crown of sorrow is remembering happier things.

Drug thy memories, lest thou learn it, lest thy heart be put to proof,
In the dead unhappy night, and when the rain is on the roof.

Like a dog, he hunts in dreams, and thou art staring at the wall,
Where the dying night-lamp flickers, and the shadows rise and fall.

Then a hand shall pass before thee, pointing to his drunken sleep,
To thy widow'd marriage-pillows, to the tears that thou wilt weep.

Thou shalt hear the "Never, never," whisper'd by the phantom years,
And a song from out the distance in the ringing of thine ears;

And an eye shall vex thee, looking ancient kindness on thy pain.
Turn thee, turn thee on thy pillow; get thee to thy rest again.

Nay, but Nature brings thee solace; for a tender voice will cry.
'T is a purer life than thine, a lip to drain thy trouble dry.

Baby lips will laugh me down; my latest rival brings thee rest.
Baby fingers, waxen touches, press me from the mother's breast.

O, the child too clothes the father with a dearness not his due.
Half is thine and half is his: it will be worthy of the two.

O, I see thee old and formal, fitted to thy petty part,
With a little hoard of maxims preaching down a daughter's heart.

"They were dangerous guides the feelings--she herself was not exempt--
Truly, she herself had suffer'd"--Perish in thy self-contempt!

Overlive it--lower yet--be happy! wherefore should I care?
I myself must mix with action, lest I wither by despair.

What is that which I should turn to, lighting upon days like these?
Every door is barr'd with gold, and opens but to golden keys.

Every gate is throng'd with suitors, all the markets overflow.
I have but an angry fancy; what is that which I should do?

I had been content to perish, falling on the foeman's ground,
When the ranks are roll'd in vapour, and the winds are laid with sound.

But the jingling of the guinea helps the hurt that Honour feels,
And the nations do but murmur, snarling at each other's heels.

Can I but relive in sadness? I will turn that earlier page.
Hide me from my deep emotion, O thou wondrous Mother-Age!

Make me feel the wild pulsation that I felt before the strife,
When I heard my days before me, and the tumult of my life;

Yearning for the large excitement that the coming years would yield,
Eager-hearted as a boy when first he leaves his father's field,

And at night along the dusky highway near and nearer drawn,
Sees in heaven the light of London flaring like a dreary dawn;

And his spirit leaps within him to be gone before him then,
Underneath the light he looks at, in among the throngs of men:

Men, my brothers, men the workers, ever reaping something new:
That which they have done but earnest of the things that they shall do:

For I dipt into the future, far as human eye could see,
Saw the Vision of the world, and all the wonder that would be;

Saw the heavens fill with commerce, argosies of magic sails,
Pilots of the purple twilight dropping down with costly bales;

Heard the heavens fill with shouting, and there rain'd a ghastly dew
From the nations' airy navies grappling in the central blue;

Far along the world-wide whisper of the south-wind rushing warm,
With the standards of the peoples plunging thro' the thunder-storm;

Till the war-drum throbb'd no longer, and the battle-flags were furl'd
In the Parliament of man, the Federation of the world.

There the common sense of most shall hold a fretful realm in awe,
And the kindly earth shall slumber, lapt in universal law.

So I triumph'd ere my passion sweeping thro' me left me dry,
Left me with the palsied heart, and left me with the jaundiced eye;

Eye, to which all order festers, all things here are out of joint:
Science moves, but slowly, slowly, creeping on from point to point:

Slowly comes a hungry people, as a lion, creeping nigher,
Glares at one that nods and winks behind a slowly-dying fire.

Yet I doubt not thro' the ages one increasing purpose runs,
And the thoughts of men are widen'd with the process of the suns.

What is that to him that reaps not harvest of his youthful joys,
Tho' the deep heart of existence beat for ever like a boy's?

Knowledge comes, but wisdom lingers, and I linger on the shore,
And the individual withers, and the world is more and more.

Knowledge comes, but wisdom lingers, and he bears a laden breast,
Full of sad experience, moving toward the stillness of his rest.

Hark, my merry comrades call me, sounding on the bugle-horn,
They to whom my foolish passion were a target for their scorn:

Shall it not be scorn to me to harp on such a moulder'd string?
I am shamed thro' all my nature to have loved so slight a thing.

Weakness to be wroth with weakness! woman's pleasure, woman's pain--
Nature made them blinder motions bounded in a shallower brain:

Woman is the lesser man, and all thy passions, match'd with mine,
Are as moonlight unto sunlight, and as water unto wine--

Here at least, where nature sickens, nothing. Ah, for some retreat
Deep in yonder shining Orient, where my life began to beat;

Where in wild Mahratta-battle fell my father evil-starr'd,--
I was left a trampled orphan, and a selfish uncle's ward.

Or to burst all links of habit--there to wander far away,
On from island unto island at the gateways of the day.

Larger constellations burning, mellow moons and happy skies,
Breadths of tropic shade and palms in cluster, knots of Paradise.

Never comes the trader, never floats an European flag,
Slides the bird o'er lustrous woodland, swings the trailer from the crag;

Droops the heavy-blossom'd bower, hangs the heavy-fruited tree--
Summer isles of Eden lying in dark-purple spheres of sea.

There methinks would be enjoyment more than in this march of mind,
In the steamship, in the railway, in the thoughts that shake mankind.

There the passions cramp'd no longer shall have scope and breathing space;
I will take some savage woman, she shall rear my dusky race.

Iron-jointed, supple-sinew'd, they shall dive, and they shall run,
Catch the wild goat by the hair, and hurl their lances in the sun;

Whistle back the parrot's call, and leap the rainbows of the brooks,
Not with blinded eyesight poring over miserable books--

Fool, again the dream, the fancy! but I know my words are wild,
But I count the gray barbarian lower than the Christian child.

I, to herd with narrow foreheads, vacant of our glorious gains,
Like a beast with lower pleasures, like a beast with lower pains!

Mated with a squalid savage--what to me were sun or clime?
I the heir of all the ages, in the foremost files of time--

I that rather held it better men should perish one by one,
Than that earth should stand at gaze like Joshua's moon in Ajalon!

Not in vain the distance beacons. Forward, forward let us range,
Let the great world spin for ever down the ringing grooves of change.

Thro' the shadow of the globe we sweep into the younger day;
Better fifty years of Europe than a cycle of Cathay.

Mother-Age (for mine I knew not) help me as when life begun:
Rift the hills, and roll the waters, flash the lightnings, weigh the Sun.

O, I see the crescent promise of my spirit hath not set.
Ancient founts of inspiration well thro' all my fancy yet.

Howsoever these things be, a long farewell to Locksley Hall!
Now for me the woods may wither, now for me the roof-tree fall.

Comes a vapour from the margin, blackening over heath and holt,
Cramming all the blast before it, in its breast a thunderbolt.

Let it fall on Locksley Hall, with rain or hail, or fire or snow;
For the mighty wind arises, roaring seaward, and I go.

I fret torpidly in my lair;
Your scent is around, but I've seen nobody.
'Tis sordid about me, with rolls of dutiful smoke—
and unleashed winds growling about unseen.
Beside me here stands a perfect mirror, a perfect glass,
But nothing seems imperative, nor talkative, nor patient;
Everything is just silent—what a robust fear—foolish impediment.
Ah, if only can I fast **** this petulant temperament—
do you think I shall feel better, or magnified?
I feel that myself is like a wind:
Thin, fragile, and constantly diving and swelling upwards.
Even my narrative is about to betray me;
Vehemently indeed—should this happen,
I might be able no more to write any poetry—
As my chest above there hysterically bellowed, I shall be pushed upwards—
Upwards, upwards, I am curling upwards—like we all naturally are,
Over the earth, along the oceans, and their sample images of Paradise;
Every single day, at noon, and against this midnight sky.
 
My darling has left, and thus I have but Him in my shabby hands;
With skin marred and scratched and dried by the rude winter;
Ah, say, but who says that winter is clever and polite?
Like my love perhaps is, she is but a relic—or even statue, of blunt disgrace—
She is neither merry nor cordial; she never is aromatic, and flaws us with its brutal haze.
 
I am alone, alone, alone, and totally alone—
O my love, my love, my love, where can I peruse
your felicity just once more?
I have but loved thee all along;
I love thee as magnificently and preciously
as I loved thee one year back and yesterday.
You are my purplish, reddish, greenish, but incompatible moon,
You are comparable still, to the joyous soul of this stained poem;
by whom my love has thrived, by whom I can always replenish.
I shall rise you again within my dreams;
I shall face myself within your sour vapour—but never let you fade.
I shall let you halt my paint, and brush dirt upon it;
I shall let you scatter your grossness over me, and acquire even your sins;
But as long as you are there, over me, I am not scared but keen;
I shall not be mesmerised, nor even heart be broken and pained.
May my heart break, so long as it has its consolation floating by.
 
Ah, and who, beside this breakable moon—can claim my erupt forth;
To comfort my sleep and give solace to my shrieking doors;
And throw unheeded calm into my quiet walkways;
While looking me in the eyes as we step sideways.
Who can ambush my chest along this hairy path;
With a charm far stronger than yon behind the grass;
Who can heal me, and who can heal me not,
Ah, have I but still the courage to make this right?
I shall look for you again amongst the city roars and rumblings;
I shall look for you again in the mornings—and amongst the bleakness of evenings.
 
Look, my love, how the rainbows have a turquoise face today;
So beautifully crafted and charted like the skies of yesterday;
I should fall asleep now, but still—I don't want to be lulled alone without you;
Even though you are faraway, I can still feel your breath and air.
Your absence, as I hope then, shall fast perish;
For I want to grow old not by the countenance of miseries.
I want to be injected into your space now—as maelstroms of sleeps greet me again,
And as the clouds of heaven start to feed on me;
I shall feel light again, and thereby not turn grey;
I shall feel that you have welcomed me back;
I shall feel your breath tingling by the sides of cheeks;
I shall feel my hairs anew—as they raise against the corners of my neck.
 
And there we shall play together against the sky;
Against its pedal who anew blooms in wan suspicion;
Ah, my love, I shall entangle you then—in my varied, and multiplied visions;
I shall tell you the funniest of one thousand lies.
I shall give you only the finest of kisses, and jokes;
I shall startle you by my poem and my beautiful black locks.
Ah, thee, to you whom I have written this poem, and shall always do;
To you whom I have loved, and have to this day admired;
To you for whom a forest of grace and salutations has been dreamed;
To you for whom my heartbeat grows, and fastens and slows,
To you for whom I woke up today, and open my eyes tomorrow;
 
To you whom I have loved in the name of Him;
To you for whom I lit the glitters of the sky;
To you for whom my heart was startled and passed justly by;
To you for whom my palms sweated and eyes started to cry;
 
To you for whom griefs disperse into brighter saturations;
To you for whom life continues, and gives birth to more immediate sparkles;
To you for whom I have celebrated my soul; and made one true promise;
To you by whom I have halved my heart, and without whom shall never 'come the same anew;
 
To you for whom all favours are spelled, and words dedicated;
To you for whose grins I shall wait again forever;
To you whose eyes are darker than the midnight river;
To you by whom my belief shall stay strong, and consciously devoted;
 
Ah, you, my love, so this remorse shall fall over me and back again,
With creases I curse, and remarks that my ruined chest censures;
Abhorred by the moon, and its very own celestial abode—
Which shakes and stretches along the crimson universe,
I have thrown my life into your horizontal, and longitudinal spectrums—
In both superficial and artificial ways, you have haunted me.
Ah, but still—cannot I erase your name from the fruit of every essentiality;
You are the sweet tyranny of my soul, and the leaves of my very gay sensibility;
You are the throne of my love; you are the specified satire—
though but funny and not—you are my destiny.
 
Like a vinyl birch tree that howls when stabbed, I have become your prey;
I shall wait for you at dawn and give my whole self to you at dusk.
I shall wait for you to claim my destined—and prescribed heart;
I shall wait for you to finish your abominable task,
As long as you can emerge for me—and listen to my poems and follow what I say.
 
And like a scar that stays for long in one's fair skin;
You are stubborn though things not go well;
Ah, let's now confess that your heart needs me;
But still—you are too proud, and far too docile, to admit your sin.
The question now is: how should we ever eradicate love?
Love is a prison, I know, and it is the most unforgiving jail;
It is merciless and painted by colours of abomination;
And nothing in it is plentiful—like Him in the shivering sky;
It is where tears crowd and gather—as I have perused;
It is where insolence and crudeness unite—even when not provoked.
 
Ah, my love, but have I fallen into this snare of love—whether or not I want it;
And your gaze is still the sole sweetness I hope to meet;
Never is my love sweeter—or petite, than a grain of wheat;
You are the foreverness for whom I shall sweat;
 
And in the loss of you lies my venomous assassination;
And I am wary now—and afraid of facing this everlasting trepidation;
Your shadows shall never go away, and for this I can be wronged;
For when I am dying—shall my mouth be falling asleep and recite your song.
 
My art has torn; it has been filthily murdered.
Its fervour was lost in, as you saw, just one wave of scenic mortality—
But still, the true essence might still be there, as it was once fertilised—
As by you, my Imagist, my Wilde, I was terrifically astonished by you.
You are my painting, my picture, and even the shared portrait of my self.
You share my veins, as how I supposedly hold some share of your blood.
Ah, and I remember now, how your warm blood did once touch my wrists—
So engagingly, so thrillingly, so brilliantly.
My heart, my head, my mind—all were brutally consumed by thee.
 
I want to die by thee, but you pierced my heart—
and in brief, made my spine grow dead tears;
Everything grew worse and I was manifested into your bitter triangle;
I was your lonesome moon who got forgotten soon;
Ah, it seems that yon French lady is better than I am—
With her curly hair and tittering oceanic eyes,
She was the filter of your noons, the storms
And devilish desires of your nights.
She was as gusty and spooky as the windblown thorn;
poisonous were her words, but still, you carried yourself to her.
I fretted and screamed and my blood gurgled—
but I guess I was fortunate still;
for I had the chance to keep myself pure and chaste
while you unstoppably sinned and defiled yourself.
So you were disgraced.
 
And you were enduringly consumed by your own fires;
The fires to which you confined yourself;
Not the calming, sooting, leafy bonfires we use in winter;
but ones you will also greet in the earth after.
Ah, thee, I felt but disgust towards your molested heart and deeds;
You grew for yourself, instead good ones—sick, avoidable seeds.
At that time, I swore to never ever share any more of my blood with you;
I would looked for one more honest, playful; one decorated with more virtues.
 
But still—as I said before,
I have again decided to sit and pray for you.
While my love for the other is not true;
It has faded and you are irreplaceable still;
You are congested, invalid, and not new;
But should you come back again to me;
I shall receive you with open hands
And one seal of heartfelt goodwill.
Ah, my love, look at the smiling heavens above—
As night deepens and snowfalls come low,
I shall think and think again about our postponed love—
Which, perhaps—though happens not amongst the jumble of this juvenile night,
Shall come again when dusk is cleared, and the first bud of spring leaps into sight.

the night was already crazy-wild by the time
we arrived at Jarred's pool.
he had a big house but we never went in

4 teens, teen dream, a dream team;
but I knew deep down just what it was
we snuck out for.

a "transform-optional" rite, this hollow night.
but I still had doubts...
as Jarred offered me an aluminum can of something and I nervously said, "no thank you",
the moon had proudly jut out

he had a big house but we never went in.

I hadn't noticed, without the moonlight, just how
sharp Jarred's teeth and fingernails were.
canines, ivory & sporadic. looking at me

I hadn't noticed how reptilian our 2 friends were
The fangs and dislocating jaws, tendrils & scales.
Man-o-war for a head, giant earthworm for an arm
She looked scarier than he.

Those 2 went at each other in a murderous way
A blood sport of sorts. Confusing to me.
She spread her jaws wide - a parachute with teeth
And bit down hard between his legs.

Blood everywhere. Blood spattered on her face
She looked ****** god-awful by then.
The meat of his dead body then re-animated
And assimilated with hers. Anabiosis + Differentiate

Jarred, a werewolf or something like it, approached me.

He had a big house but we never went in.

we chatted poolside for a while
he'd go harmoniously from monster to human, human to monster.
Boiling cancerous growths under his fur
Grew angry eyes that glared at me.
clawhand on the back of my neck,
he went in for a kiss (or a bite)
with a puckered face and bared teeth.

This is it.
I finally felt a grossness so profound that I,
without thinking, jumped in the pool
to splish-splash, cool, to escape, whatever

I opened my eyes and just floated there for a bit.
hanging in the stillness
trying to forget those alien freaks
staring up at the moon
from the bottom of a pool.

I trusted you and her but you laid my body down
The alcohol it poisoned me with a burden
The mind set of you and her on me
My body it’s ***** my mind is filled
All I can think about is the grossness of it
She cut we tried to protect her
But the alcohol poisoned me
Blood and dark red
A tortures red hands horror
The lies were told the hands the were everywhere
The story will never be heard
The pain will forever be felt
Dark red hands they leave marks I know now
Never will I never know again

They named their youngest
Sarah Sweet
And you would too
if you chanced to meet

There wasn't a thing
she wouldn't do
Well maybe one
to tell the truth

Her parents pleaded, and begged,
rubbed Genie bottles for wishes
But Sarah Sweet
would not do dishes

She could not even
stand to think
Of sticking her hands
down in the sink

From tuna crusted
casseroles
To globs of oatmeal
days past old
Green and what?
watermelon rinds
Banana peels
way past their prime
From brussel sprouts
to pigs pickled feet
Cereal bowls
in what appears to be
Clumps of one time
Shredded Wheat
And don't forget
the mystery meat

So many nasty things
the sink holds within
That it makes poor Sarah's head
want to do a double spin

From something purple
to something pink
Something with
an awful stink
Something swimming
for it's life
Something else
that lost that fight
A little something
that's half chewed
That one time was
passed off as food
A little something else
to heighten the mood
Who put it there
no one knew

So much grossness
In the sink
To turn the stomach
Of Sarah Sweet

Now you see why
Despite her parents wishes
Their Sweet Sarah
WILL NOT DO DISHES!!!

This cough never goes.  It's the same cough my grandfather had in Auschwitz. We both don't have shoes that fit, but nobody cares. Somebody could be a famous keyboard player, a violinist, she may have been good with a pen- all of us our apes now and frozen. Maybe it's you who eats the intestines, heart, and eyeballs. Some say the taste is great, but it won't be I who eats the sight out of anything I've sent into the afterlife. A world of people who send the ****** carcasses blind, dead, and mute bumping into the brimstone walls in the middle Earth. It could be a hollow sounding hell or the sweet sounds of the Elysian fields, but now they are deaf, mute, and blind. These aren't the same persons using all of the hot water when they take their once a week shower. Even she could have showered every day. Even if there was a fire, a shower is safe from a fire. Steam is great for the lungs. Every creak is haunting, every peep is a beast living in the walls. I've been so scared I might never have an ******* again. This past week I got dust for nostalgia two for one.

You should remember this: people who aren't ***** don't wonder if they are or not. Your mom isn't right but everything you've been up to is off-putting, makes us all uneasy, what you're after is very, very wrong for you. You won't know you're wrong until you're tortured watching someone you love going through it. It is so ******* dry in here. This morning I must've blown my nose and coughed out an ounce of grossness. Dried throat problems, soot, ashy soot, not enough water or miracles, or simple answers to the questions racing through my head over and over. I ask you for an answer and all you can say is you're sleeping. Liars are weak at producing results. He is a liar that you are okay with somehow. I thought you might even fake or pretend something to give us assurance. We don't know what to do or what we're doing, but at least we admit we don't have a clue.

The first problem was stealing those sunglasses. $600 for another pair; that's not happening. I paid for dinner for you because you forgot to eat, then when they got it wrong you tried to take it out on me, and when they refunded the money, you kept it. That hardly makes any sense, and it's not the first time you've robbed me when you thought I didn't notice. I just haven't mentioned it because it gives me a bit of a smile watching you glide around your life thinking you're the ****- but really you are the ****. The coolest girl ever, I just wish you saw you the way I do; you deserve more than I think you'll give yourself. Maybe your **** is painted gold, since you still managed to squeeze your hips and lips and smile at the right time. It's nothing. Don't worry about it. When people have tried to fool me, it never happens the way they think it would. I tried to let you know you were worthy of me and that you're worthy of your own happiness and self-worth.  You have always impressed me one way or another. Nelson Mandela may have been a great musician. I've watched women and angels morph into biting flies and fish with ick, I've watched my wife lose her mind, second to that and I thought that was the worst....but second to that was watching you sabotage our trending beauty within one another. To take on someone else's child is like getting The Gift, but more expensive and depressing. I will never respect the way you've come to know him, and I cannot tell you how ridiculous it is to hear you talk about commitment. You're not even committed to yourself yet. But I'm here for you. I'm just going to tell the truth...

So maybe that makes him *** then. Idk i don't care

(This is by no means an attempt at poetry. It is, instead, a piece of satire.)

Making Adultery Great  Again
Make America Groan Aloud
Making Americans Greedy *******
Male American Grandiosity Association
Many Americans Grabbing *****
Mediocrity Actually Grows Annually
Men Acting Grossly Asinine
Masculinity And Grossness Amalgamated

Meanness And Greed Acceptability
Megalomaniacs Abrogating Government Accountability
Mostly ******* Getting Aggressive
Masking All Government Aggression
Miserable Atrocious GOP *****
Mad Animals Getting Angry
Making America Grow Antisocial.
Misanthropic Association Gutting America

Mistaking Accuracy, Growing Artless
Misery Accompanies GOP Analyses.
Misquoting Anybody Gains Approval.
Misspelling Anything Good Anytime.
Magic Ain’t Gonna Appear
Maybe All GOP Avoid
Meanness And Gouging Anytime
Money And Greed Always

nonny is slipping away.  she can’t eat  her eggs, they dry on her lips.  her hand is a claw, deformed, unusable.  she shakes.  she moans.  her legs are thinner than they've ever been, her stomach too.  she is just a straight line, no more womanly, comfortable, grandma curves.

for the first time she looked at my face and no smile broke out and no shine showed in her eyes.  it is time for her to go.  it time for her to know peace and joy and comfort again.

i hold her boney, contorted hand, and kiss it.  i forget about the grossness of old age and just want to hold her.

i think i’ve heard the last words, and i couldn't even understand them.

Don't make me get out of the car
Jolt me out of my dream
Pulled back by the heave in the brakes
It's the only time I'm not sure
if I'm supposed to be
Here
I just want to be, my love
pulled by the force of the car
And you
carrying me in a hammock over a river of grossness
Adding weight to my eyelids
I can't move
Safety to take for granted
that's what we all want
Safety to take for granted
And that we forget we have

Mercy Mercy Forget my grossness


Let me forget my grossness/ Let me
Forget your grossness.  Let us be Who
We really are Let us learn mercy .....

she was the kind of crazy people thought they liked
had a bit of a wild streak
not much of a filter
and didn't really distinguish who could get with her

at least
that what they thought was all to her

in reality
behind that beautifully masked facade

she was a fragile girl
going through the world
looking only for affection
with maybe just a hint of validation

her eyes dreamed for the world
thinking she was ready
going head first but never steady
not afraid of difficult feats
but quick to leave if her desires never meet

maybe she was fickle
loathed tediousness
and badgering of regrets
(also, the grossness of sweat)

but on the contrary
her patience was weary
and with the dullness of life
she was starting to lose her faith in faeries

maybe a bit scary

but you
you loved her
full and through
and there was nothing
you would not do
just to hear that goofy laugh
and see that dimpled grin

you finally came to terms with it,

your love for her was a blissful sin.

I love kisses-
they arm warm, soft, sometimes kinda gross
they make you feel appreciated and wanted
sometimes you catch little bursts of other peoples' dreams in them
and little spurts of hope and desire
I love kisses because I use them to express my love
and that I simply have no better way to tell them
no words or hug is good enough, so I must take the next step
THIS is how much my affection is for you
but what is confusing is the line drawn- the hug
cannot be the epitome of love but you cannot kiss someone
without it being romantic- why must the epitome of love
be romantic? why must things change now
and why must it be not-the-same and confusingly
not how I meant it? kisses are beautiful things
and I would like to share them with as many people as I can
not to say 'quantity over quality' but rather
that I would like to spread as much love, warmth, softness, and
kind-of-grossness as I can until my time here is done.

She's an
Alright
Kind a' gal

She smiles at you
When you sneeze
She smiles at you
When you tease
She grins whenever you're
Trying to win
But,
There's the sin -
She always grins
When you
Try to
Win

But there's the finest
Form
Of gender
Wars

A chore
That wears the pants
And the ants
And the clearest time ticking
Of futures
Pasts
And imaginings alike

Another send off
In the right toss
Who's sincerity never bleeds
But
Sees
That love is endless
Dealing in pity,
In grossness,
In sadness,
In anger and utter absurdity; we
Are the writhing flesh too dumb
To admit
To
Death, yet to still
Believe in it so,

Like

Gospel.

There's another word.
A word I've yet to find.
A generation
A mess.
And they howls
With laughter
And the spines on my arm
Go hard

Like good ****
Like *******
Like Mount Vesuvius
And she spills out
Pouring fine words tasting
Of turkey gravy and pine,
Filled with the absence of money and the
Disillusion of the comfort of wine.

I take the finest word
And I make it yours.
You are the one
Down to my pores.

What else would you want
But everything,
And evermore?

Am I willing?
Oh', am I seeing?
What you've got to give me,
Is what I'm breathing
And what I'm seeing
What you're telling
Is nothing but your
Silly reason

I can't help what you tell me
And I can't help what you wish to see
But there is something you keep
And that is the key you key you keep from me

I'm only twenty three yet i've seen the world
And when I think of love
There is nowhere else
I'd rather be

Take me to the mountain
Take me to the mountainside
A simple way
A forgetful say
Another nod,
Just saying

"It's O.K."

You may find me barefoot
With my hair stuck up
In a mess on
The back of my head.

You may find me
Covered in dirt
And sweat
And other grossness.

You won't ever
Find me startled.

You can't sneak up on
A woman like me.

Actually, and after,
Beds, before, bravely built
Came cross crew, caulked, caved
Dove, dived, dug
Entered, expected every entrance ever.
Finally, few first felt
Gaul, grace, grossness,
How high her heaven held
In interspaced indifference.
Just jokes,
Kiddies kidded
Like little liveries. Like lost little laughs.
Most meet
Not next, not never, not neat, not nice.
Only over onager onery.
Please place people, perhaps past pain, past peaks, past pimples.
Quit quivering,
Right rangers, running round ranges
So soften such seals
Take tough touches
Under udders, undulating urges.
Very verified visages.
Why worry? What's worth when worrying?
Xenonphobic xenons xeroxing
You. Your yummy, yearly
Zone, Zoo.

I am the
true alchemist.
I'm back again,
resurrected
from the dead.
I died but still
not dead to
this down world.
Reborn again,
transmogrified and
regenerated,
renewed recreated
into something
never existed before,
alive and well.
For everything dies
to sprout again.
I have woven
the web of
mortals into
immortality.
Immersed in the
water of life,
raised by the
elixir of the gods.
I am the
solution to mankind.
Like the drops
of sulphur and
salt into the
alchemists cauldron,
changed occurred,
transforming its liquid
into beautiful solid pearls.
So I turned my pain
into something
truly beautiful.
My sorrows became
my gain.
My worries turned
into true gem.
My troubles is
now my bread.
All grossness and impurities
turned into gold.
Impossibility configured and
nurtured to possibilities.
My sadness became
the true essence
of my being.
I am delighted
for who I've truly
turned out to become.
Look at me now,
the man of dust
now becomes the
diamond and priceless.
©2019,Emeka Mokeme. All Rights Reserved.

your four to my nine
your pale to my luminesce
your density to my pure brilliance
your lower bases to my edifice highness
your grossness to my sublime refinement
your anguished noises echoing your emptiness
your delusions speaks your shame and insecurities
yours is finding refuge in mendacity and your poverty of wit
your little tools and limits of your incapacity enshrines your rages
yours are the open sores that weeps in defiance pointing bent fingers