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BLESSED be this place,
More blessed still this tower;
A ******, arrogant power
Rose out of the race
Uttering, mastering it,
Rose like these walls from these
Storm-beaten cottages --
In mockery I have set
A powerful emblem up,
And sing it rhyme upon rhyme
In mockery of a time
HaIf dead at the top.
Alexandria's was a beacon tower, and Babylon's
An image of the moving heavens, a log-book of the
sun's journey and the moon's;
And Shelley had his towers, thought's crowned powers
he called them once.
I declare this tower is my symbol; I declare
This winding, gyring, spiring treadmill of a stair is my
ancestral stair;
That Goldsmith and the Dean, Berkeley and Burke
have travelled there.
Swift beating on his breast in sibylline frenzy blind
Because the heart in his blood-sodden breast had
dragged him down into mankind,
Goldsmith deliberately sipping at the honey-*** of his
mind,
And haughtier-headed Burke that proved the State a
tree,
That this unconquerable labyrinth of the birds, cen-
tury after century,
Cast but dead leaves to mathematical equality;
And God-appointed Berkeley that proved all things a
dream,
That this pragmatical, preposterous pig of a world, its
farrow that so solid seem,
Must vanish on the instant if the mind but change its
theme;
Saeva Indignatio and the labourer's hire,
The strength that gives our blood and state magnani-
mity of its own desire;
Everything that is not God consumed with intellectual
fire.
III
The purity of the unclouded moon
Has flung its atrowy shaft upon the floor.
Seven centuries have passed and it is pure,
The blood of innocence has left no stain.
There, on blood-saturated ground, have stood
Soldier, assassin, executioner.
Whether for daily pittance or in blind fear
Or out of abstract hatred, and shed blood,
But could not cast a single jet thereon.
Odour of blood on the ancestral stair!
And we that have shed none must gather there
And clamour in drunken frenzy for the moon.

IV
Upon the dusty, glittering windows cling,
And seem to cling upon the moonlit skies,
Tortoiseshell butterflies, peacock butterflies,
A couple of night-moths are on the wing.
Is every modern nation like the tower,
Half dead at the top? No matter what I said,
For wisdom is the property of the dead,
A something incompatible with life; and power,
Like everything that has the stain of blood,
A property of the living; but no stain
Can come upon the visage of the moon
When it has looked in glory from a cloud.
n)Ethno-spirit and Biodiversity (Diogiversity)

Given its ethnikos factor and contribution towards a common origin of multiethnic and languages, in values and traditions, its morphological factors of Verthian sub-mythology, are provided with content, features, colors, and textures of neutrality, focused on a biosphere ecosystem, where the air conditioning, flora-fauna will make Sub-mythological Biodiversity, where the beings that inhabit it and will be in the range of evolution of mythological living beings, whose diversity of genetic seizures, will adopt natural and compound patterns, but always predominant in the biological pattern and organic. Wandering the world in desert places, in alloys and classified plant compounds, emptying their species through the hollow of the atmosphere and through the green grasslands in the reviving surviving evolution of organisms and species that for the first time see each other as a biotype between rocks and plantations, reciprocally among themselves, and extemporaneously generating mythological genetics heritages. Considering millions of years in evolution with explosions of multicellular and fossilized species extinct in massive and occlusive memories. Inert matter and geological strata will make millions of years converted into microseconds in the Verthian Biodiversity of the Duoverse, in a Psychic and spiritual Universe, emerging in all macroscopic perspectives and parapsychological regressions. Impact They will cause the maturity of all the diversity of externality and sensations in new topologies of anonymous universes and species of biodiversity, under a pillar of culture based on the Sub-Mythological biosphere process, encompassing all mythological species where the hope of Life and Super life. Transforming systems of functionality under the protection of spontaneous generation and in a matter that is availably underlined in the mountainous tissues of the mechanics of the subset of the air mass, water, climatic biospheres, and biogeochemistry, that in the unreal juncture of, and inter-procedural reality of carbon, that factor the species key and specimen disclosure, in the collection and in sinks, water drains but without carbon. encompassing all mythological species where the Life expectancy and Super life unfolds.

Hyperdisis, the galaxy connected to the Duoverso, in its biotic diversity, reinsert thick clumps of Nothofagus Obliqua forests, in waste processes, to domesticate the Leiak ethno-forest species, as balance nutrients and repair the disgraceful disgrace of unnatural toxicity and fragile of the agrosystem, maturing cultures and preventive pollination in succulent transfers for purposes of food webs and the environment. Making the appearance of species more effective and perceptible, reunited in community chains of coherence, to amortize low-resource needs and distance economic-political impacts, in view of new base resources and the sustainability of balance of allopathic crops, for the good of driving the extinction of plagues or flagrant excesses not converted, Hyperdisis has a mass of inert matter that creates accesses of resilience, for salinity, rainfall, and human adaptive mythological innovation, given its versatile opening of complement and generation of substances, for the convenience of living beings and No. Having adopted in the context of mythological Galaxy, related to beings of light comparable to distant elements, by means of Psychic Trisomies and tell transportation, for energy sources and soil and water mechanics with Leiak, constituting molecules for the simplification of phenomena of exacerbation of chronic diseases and endogenous. Forests and parks of Hyperdisis in the symbiotic open air, for more airs in microbiological space, in the intimate portion from greatest to least challenge of elements exclusive of antinomies of hieratic human bio culturalization, in a showcase of communities with an interest in technologies and renewable empirical usability, each part doing its scientific role and biodiversity in the portico of its home. As a hieratic quality, presenting amendments that are glimpsed and more existing, although it passes before our eyes without a Carbon Footprint, figuring logical mathematics by sponsoring its count more than a shadowy synthetic body, anticipating super-appraisal measures, averaging them in tiny theological portions, with varied and dissimilar levels of genetic habitats and alleles or heterozygous in the taxonomic functionality of reproductive and approving biological elements. The wealth and abundance of this item are delegated to Leiak, in all the revolutionary processes of the oak forests and the high mountains,

Within the gasifications of Cinnabar, there was Carbon in its Life cycle, being Zefián; the curator of the Duoverse, destined for a lifetime, under Universal and intergalactic effects. Claiming innocent beings with greater attributes of predation survival in the ecological chain, with the mix of Tsambika and Theoskepatis, granting multidirectional dynamic residual matter for green energy emissions. Feedback quantifies offset options in carbon circulation, offsetting multipurpose CO₂ inventory. Through the darkness Zefián and Vernarth traveled in the streets of Rhodes, and in Tsambika looking for the distilled portions of the carbon and sulfur emanated by the Cinnabar. In the same way Etréstles in Theoskepatis initiating with the Archpriest by virtue of the honors and the rubies of accumulations of water mass and of sulfur and carbonated air, which hung over the low sky of Rhodes and Kimolos. They were going to the Necropolis of Hellenika, when the gnostic rampages were glimpsed in the surrounding slab, minting half of the gold bars for the great goldsmith who erects the conventionality of having the physis imperturbably established, as a matter of patriarchal character. They entered Helleniká and the souls that wandered were ringed under crescent-encrusted rings, lavishing the independence of the night in the hands of Borker, which was reflected in the capitals of a mausoleum. Borker is consistent in saying that he is free in Helleniká, In the myth of the dustbin woodworm of the frieze where Etréstles perched next to Zefián's strap, who would manipulate the gold and alabaster chain, to pull its ascetic and rubies from it, approaching a final night in the astronomical autumn, in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn, and the mountainous temple of the one that follows the equinox in the meridian of seven days towards the southern and northern hemisphere. in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn. They enter the Necropolis of Helleniká, by upper and lower trays, cordoned off by obelisks in a series of petrified labels, in the square sections of the convergent ones and the linearity of the central pyramid, where they sponsored all the sectors of the stones of the prismatic geometric body, next to some piloneos that flanked the third of those that were in the figurative memory of funerary monuments of Vernarth. In harmony with the radiosities of the Cinnabar, they purged the carbon emanations in the intra-bodies of petrified breaths, expanding in the segments of frenetic life of the behavior of the inert matter, crushed by the organic, polishing the degrading character of the excavated prayers, under a superfluous shade. It was already dawn, Etréstles and the Archpriest broke the loaves to deposit them in the bowl of the Day, stretching in the arms of heaven under the gargle of the god Vertumnus who forged from the materiality of Jupiter. Vernarth nodded his head to the movement of the winds that cut the profile of a Citarista yawning on the frieze that raises all the crowns of the princes of the living-dead, making them part of the royal occasion, preparing petty spaces and tyrannies for devouring vassals in Helleniká, from the lair of his rib one, sees Diogenes of Sinope emerge, splitting with his doctrinal staff all the Isthmian paroxysms, which declared the cell of his life as Diogiversity.

"There were murmurs of astonishment at the surprising response of the wise man because no one dared to speak like that to the king. Alexander the Great asked: "Why do they call you Diogenes, the dog?", To which Diogenes replied: "Because I praise those who give me, I bark at those who don't give me, and the bad ones I bite." Again, more murmurs, but Alejandro was not moved by those answers and said: "Ask me what you want." So Diogenes, undeterred, replied: "Get away from where you are, you cover the sun for me"..., Vernarth replied: "Look for him in the bones of those who refused to die and fear beyond expiration who rejoices in the cold of the dean ossuary seed, without heat or memory here in Corinth and its Diogiversity ".

o)Reflection space length (π)

The hemispheres were out of proportion, one another was modified in the air, leaving the horizon exorbitant and the poles out of square. Coastal the lengths of the sun around areas that some Helleniká countrymen had never put on the crowns of their consciousness. Certain pressure changes dislocated other modules in the filaments that had rudimentary inaccuracies, creating reflection space failures in the installation of the Duoverso, due to the due calculation defect. The observations of Hyperdisis, generated superpositions of the Zigzag Universe, before the crescent moon, after the full moon, again de-calculating the sphere of Hyperdisis in relation to the ecstatic length of itself in the hands of a third of a second a day, to overflow in impositions that They revealed Dekas Cove in Kimonos(π).

The value of the opinion of reflections will be the originality of breaking of statics, of the motors of the verb and the conscience of the flushed being, and of erudition of the naive contrast when decanting the perceived morality. They concur with the moral value in every sub-mythology of an ambivalent being of supernatural human co-belonging, not dependent on gnoseological reflections, rather spontaneous under the embankment of reason. The latter being absent in the shadow of its shadow, no reflection can take hold of anti-values, self-valorized in contingencies under the effects of the drug of lies or truth, in a difficult equation to refer to in gnosis treatises, declaring the absence of consciousness to species without reflection or length of their molecular evolution, in evidence of mythological humans. The triangle Patmos, Rhodes, and Kímolos, make up a Venusian adonis, of stimuli in the nostrils of Aion, which sneezed on the integrity of the reflex arc at high speed superseded in the tremors of Athens until Hyperdisis, flashing anatomical and pejorative on the optic nerve of the Colossus Rodino, and the twisting of the multi-personal muscles..., but already depersonalized..., with little telluric reaction in the core of the symmetry of his legs, dodging as he thrashed on his frowned arms, behind the legs of the lycaons..., digging his jaws in reflex arches, for ages that only an immemorial one would enchant him, and be it the throbbing of the earth in the crust and seams of the calcined Colossus. Existing like this their reflection of attenuated light, they shook through the sea full of sinewy pieces of precise length. Frequently in the hydronium cations, undermining the temporality of Tsambika in random stones in the humid, and dark narrowness of the anthropic reflection, having lived in the heavenly paradise that formed them by the volcanic tube and its syngenetic, by the erosion of the subsoil of Rhodes. In Helleniká, everything that is expected, flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas it flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas from Devonian to Cretaceous, escaping from the ferocities of the Etesios and these same escaping from the roars of Vernarth.

p) One-Dimensional Beams II

When their ears fell in love with the Orthoptera or Grylloideas before Joshua, the night became restless, abandoning them from their shelters, they brushed the seeds of the thistle that trembled with the new millennium of the Duoverse. Levitating their ailerons in the tenors of their birth and dilettante sounds, before an ovipositing candor of the remains of the abdomen that remained in their jaws, always being from one of the Beams, for the largest Enciphers that hung from their antennas in search of Joshua's telepathic messages in the manger. Sappho of Mytilene, also known as Sappho of ****** or simply Sappho, pretended to be a marigold proliferating in the twenty corridors of the Greek poet, and also as the tenth poet in the other ten that was reflected with transparent wings of the dew that stuck, phenomenal of physique -Saphonic and in the recent rain of wind and condensed air, in the form of drops due to the sudden decrease in temperature in contact with cold surfaces. Sappho's dew was talked about in Kafersesuh, usually when it comes to condensation on a Poetic Grylloidae surface, naturally on the ground cover or artificially in a dull cloudy crystalline, in the amount of supernatural tradition, heroes, superheroes, and anti-heroes conspiring with the territorialities of hexagonality.

The Aramaic message comes forward with vigor from the orthopterans and birds that piled up on the journey, going back and forth. The Beams shone from the celestial kingdom holding on to the Cherubim and the Archangels, through the paths of conversion and the support of the bizarre Christian time, in implacable hegemony for the propaedeutic of phylogeny, but more than perfumers chemistry and the same creation. carrying Lepidoptera winged tetra and Sand Crickets, on the interlocking and obfuscated pheromones from a nascent-elemental child, in his own evangelical philosophy, from a winged dimensionality and in the gloom of Manger shouted and aligned, before the compendiums of double pyramidal landmarks and of inflection, of his word in the Grylloids and panaceas created in the affinities of the world and Animalia, stylizing muleteers carriers, phrasing acronyms and parabolizing the polygonic nomenclature of the child made a territorial man on the wings of a Cricket, already being it !, but representing himself as a lifeless man in the entirety of an advantageous canon child, from a sudden bi-dimensionality of Grylloideos. A great Zohar light gathered all towards a whole in those vantage points of terrestrial columns and orthopterans that Joshua felt in advance in his resined ears, like irreversible entropy giving back his wise existence to prepare them for the day of his holocaust. Pre Existing in catharsis and busilis substance of divinity connected with the Grylloid phylogenetic species, classifying until the Aramaic crackle, pontifying pheromones settled in the lithosphere site of Gethsemane, coincidence in the wading of a Libraco period, or in the phenomenological simultaneity of Eukaryota and Glaucophyta until late Animalia, giving relation parental in the characters of the vibrational timbre of the Beams and the atavistic pedestal, readapting in the evolutionary ellipticals of tetra-winged species, allowing to change the ancestral linguistic accouterments in processes of redesigning the genetic historical tree..., divine and increasing.

Inter-Duoverse, in space demography, has been frequented since today in a nuptiality between the Sun and Earth, wrapping the inter-generational homes that have prostrated themselves to the One-dimensional Beams, evolving millions of years between links of angels from the north and the south., for each year between half years and decades that the ancestors are passionate about, unleashing in what they aged in their youthful lives and eternal ideals, as an atom not guaranteed in families that did not get to know their Duoverse. When they walk through the urbanized farm of their parents they go in their shoes and in the paternal and inter-parental sun barefoot, the children travel far from the monographic patriarchy, declaring themselves between psychic families and unstable plots of core conformity and procreation.

The line of supra healthy cerebral is born from the Beams of deforested family trees and treasured in the Trunk of the seventh ascending generation, towards a nefarious tribal of industrious and vegetating regressive parapsychology, bringing zombie societies, to great lethargy that disorganizes the parallel emotion of the Being descended from a Messiah, with the prophetic organization. There in the Koumeterium of Messolonghi, in past generations, the "IO" was omitted to limit them from the spellings like Ghost Cemetery lost in other lost sacramental ancestors. The inappropriate location of our ancestral duties has guided us in the axis of the pabulum, before the second coming of Messiah Parousia, to continue the re-sprouting foliage of the Universal theological tree. The children of the seven intergeneration generations, will be from the endearing of a patriarchal family, and those of Exo family lineage will be from outside the non-generational family, where everything flourishes according to the requiems of ******-domestic economies, and in the new chimera from new shocks and reprimands, already being spouses the Sun and the Earth after being divorced from a deluge of immolations and inter-millennia and rotations, further than those of any prophet wandering without advancing or rotating, enlisting and expiring in succumbed and pre-historicized generations of other prehistoric ones. Pre and post Flood; not presenting itself as the object of linking a thousand decades where not even a holy chirp from the Thrush, praises on the windows of the world bringing us babies that are born without past or future quantum generations. Ready to the hint of Duality and its nuptiality with the Sun and the Earth, They will make us magical creditors of the increase in demography and of unions that will marry in inter generations, not seeing passions in exhaustion, under the grass of the allegory of defeated love. Giving ourselves conjugal virtuosity, but of immanent dogma for the purposes of multi-figurative coexistence, under the Yoke of an individualized Faith, in the passing of millennia, we continue to crawl on the floor of the nebulae, and we do not rise to establish ourselves as masters of ecstasy, and the pendulum of the stars, creating us more in the orthogonal egalitarian of the cosmos and its Vernarthian architecture, of poly productivity, of Sun-Earth and its post-genetics, of high-grade clay, expanding with halberds on the self-insolated Suns, and highly calorific inherited towards a rupture of Solar freedom leaving us in the horizontal, not having ascendants of sin enriching their illicit chromosome. Made a beast, from the inertia of a paradise full of hidden public and private exchanges, but not secular, for those who pay tributes of ecstasy in a reborn and weakened state. This is how Diogiversality is verticalized (Diogenes's anthological action), concluding the variants that weaken the nexus of the denatured society of its atavistic social nuclear concomitant, extending eco-life gaps, but eco-unstructured and crucial inter-generational nature, being of arbitrary passion and of seismological doctrines, of haughty morality and of sociology fabrics without body or motor, with frail of castes and generations evolved age in a retrograde and elemental psychic sense, but biologically and reversibly to their boomerang lineage.

q)Amphibology Cosmogonic, Sub-Mythological root

The threshold, as a minimum rubric, must be in force from the Constellation of Orion, with barely a hundred millionths under the same eye of Orion and his psychophysical space, sensitive to the falcado charioteers and the water vessels on the backs of the probable Barnard Loop., and its nebula presence. The icy impulsiveness brought her under her right shoulder and the lean hollow under her arm unraveling from a staircase, at the entrance point of Betelgeuse coming from the cosmogony of Eridanus and in tune with Ptolemaic astrology. In the Sibyl and with a hint of a metric brilliant mass triplet, Betelgeuse Orionis, is the scale of the Aulos and piccolos expelling hydrogen as an Ace in 240 scales of harmonies and in sounds of light, for cycles and years of Light. The binary of Orion, is pre-born of the sub-mythological root, with binaries of Poetic Parapsychology, or Para-poetical; which is the trapezoid and the kinetics of the hunter Orion arrowing the Pleiades and its nebulous plains, with diametrical diarthrosis in his synovial joints, with the third militarizing joints already formed by the hyaline cartilage, which joins the two bones with the synovial fluid, before reaching the deltoid of Hunter Aurion, to awaken the Asleep world.

Vernarth in one of his adventures in Pella, scapula with his arms the force of the friction discs of the Olympics and corrected his hands and shoulders, for this purpose of Aurion and his dilettante Astro Betelgeuse, with giant arrows against matters towards the sky of its Constellation, embedded in beaten Odyssey and turpentine in the sullen Hellenistic, being for May its amber trapeze of trunk and arm, in each hand a Xifos and Dorus, always in right-handed hemispheric pathologies of their shrewd hands in Kopis swords, and in the memories of the wind that throws pain to the whistle of the combatant, when the meteorites decay in the Tyrrhenian Sea. With his brass-bronze club and Vernarth's corrosive breath, he proceeded to file odyssey on Eos's ******* and peduncles; Goddess of the Dawn, in Dionysian beauty in bulk, Mintaka, Alnitak, Alnilam, (The Three Mariah), For the twelfth lunation of the Celestial Vault, together with Pleione, in its bolometric Oceanid matrix; against borderline stellar magnitude in the major and minor dogs, and in there a priori waves of misdeeds lending measurements in the eyes of Aurion, always henchmen on their Pleiades.

From this intricacy, Cosmo-is born the Vernarth Duoverso incited towards the Horcondising, so that it is mythical co-property at the origin of the universality of the Duoverse in the Vernarth scapulae, bleeding towards the cosmos that was born from his stellar blood, conjuring chaos and uncertainty in messenger Gonies, facilitating community life free of ethnocentric, psychic, intersubjective life, the metaphor of myth and dogmatic, by the imaginary struggle that leads its bleeding back over the Cosmos, and its demiurgic brilliance over the atmosphere of the earth like bronzes that twist in the necks of oxen, that urinate on the officers of the Barnard Loop, and its polyphonic magnetic exciter, on it the ***** of Orion falling on the poles, like flagrant Amphibology.

The Kanti Steed and the Aurion nebula, to the beat of a waltz ionize, lavish chemical ions free of electrons, on the neutral molecules of Betelgeuse, to proclaim in the nerves of the shoulders and its bronze club, as musical praxis and harmony net, giving way to the nebula and the art of the Duoverso, which shows the pristine astral days, how his alchemical arm sprouting in chemo-astralities of the pectoral, and his armpit that joined in its maximum stick, cutting down roots of Olive Bernar, behind Barnard's Loops, in the midst of runaway stars that are systematized in their ionized bleeding esplanade, such as Stellae Novae, who retrograded the astronomical ritual into cosmogony, and in her escape by going at night to sleep near her father Poseidon and Euryale, who cheered him near the grassy fields to paste explosive clay on the sheet of his drunken smiley face with Ionic wine, in advance of spreading the nascent Duoverso throughout the new world.

r) Hyperdisis

Sitting on the edge of Andromeda, in his planetary chamber Zefián; The Duoverso computer separated the parasitic inter-chamber from the Duoverso, which would be born from the Auriga, which in his buggy would unleash the senses of structures and luminosity between this colossal interplanetary chamber. Being between points that venture through the axon of time infinitesimal and longitudinally for light-years, which even so, will intervene from the Duoverse, for thermal purposes and other changes of the remnants, when especially the luminosity will speak of the destruction of the darkness inherent in the eyes of the universe, which can only stabilize areas that have not been fused in the discs of the Universe-Duoverse spatiality, long before the initial explosive between the Constellation of Orion and Andromeda. Globular clusters that will make up the perfect delay of transfusing the blood and no other, which makes the character Hyper naming and hyper-pectoral blood, which flows from this tri-astral polynomial, compromising the method of area, shape, and refinement of the sagittal profile of Hyperdisis in the Duoverse in the reversible intergalactic plane. Going from lenticular to irregular over the keystone of the trapezoid, towards the right arm of Orion, where its radius becomes hypocentral sequentially, but it takes advantage of interstellar matter, to generate its own light. Some explicit explosive arms of Andromeda were expelled from their center towards the right arm of Orion, for the purpose of implosions in the effect of the clubs or snails, as a sublime effusion on other stars, which lost essential stellar mass, to differ from one another.

Radio-Patmos, or galactic energies of Andromedian origin, would arrive as devout prayers at the border of Skalá, such astro-omegas and Invisible Universes, which inhabit the flaccidity of the Universe of Consciousness of the pole contact with the Xifos or Kopis, when Andromeda contacts the spur of the clubs or snails, inciting the capos of Astro-Omegas spaces, which would begin to take the front and front, after having been the atrium of invisible stars, only visible in the spurs of the swords, which were only moistened with the viscous blood draining from Orion, towards Hellenic lands as Omega age, for Vernarth early when he carries the keys of the Omega World, towards the shadowy proto galaxies, knowing that the Milky Way and Andromeda come so close in their stellar mass, being able to collide in a few million of light years, in advance, since the Duoverse of Hyperdisis will be formed as a Galaxy of change, to interact with each other, dismembering, but re-transforming into the new speculative nucleus of the Duoverse as a great Black Hole, embedded in the Kardiá of Patmos.

Hyperdisis, navigates from the most ancient confines, from the origin of nothingness itself on the threshold of the Universe, but now it is already converted into the Duoverse, re-implanting itself in helical polarity, and in bifurcations of luminosity, of colorful reincarnations or astral, to consent to the cessation of darkness and valuing luminance, possessing colorimetry and chromatic steps of childish tales in infant galaxies, which in all the lives of Greece and Vernarth delivered for their ancestors, articulating the iconology of Orion, in candlesticks per square meter, in vigils of:

LV is the luminance, measured in Nits or candela per square meter (cd / m²).

• F is the luminous flux, in lumens for the Andromeda triad, Milky Way e Hyperdisis in conjunction with Orion.
• dS is the surface element considered in the triad of Kímolos, Rhodes, and Patmos.
• dΩ is the solid angle element, from Vernarth Omega and the origin of the Duoverse.
• θ is the angle between the diameter of Andromeda and the Milky Way (2.5 million light-years)

The luminance can be defined from the radiometric magnitude and the radiance without more than weighting each wavelength by the sensitivity curve of the eye. Thus, if LV is the luminance, Lλ represents the spectral radiance and V (λ) symbolizes the sensitivity curve of the Vernath's eye of the Betelgeuse area below, dumping plasma and bruises on the galaxies and the Orion Eyes.

s) Zigzag Universe

The Zig Zag Universe was and will be excluded between time and space, in a world adjusted to the senses that are driven within the contextual totality, the world and the biosphere framed in the phenomena of the Zig Zag Universe, being born on a stellar night when Our life searched the earth, being able to see how cordial matters of the cosmos caressed its cosmology, making it its magistracy and descendants of the Hellenic cosmos, in constant caresses of the universe already predisposed to the Bing Bang, emerging from another type of self-observation, seeing ourselves in the face of Horcondising anti-material and Universal Biomass. We preexist under science that models the system of energy and matter in causes of ancestors, with whom their vital and ours sneakily crashed. Gravity made great paternity in the Vernarth Biomass, being in the Dodecanese, being cosmos in its arcuate curvature, which makes us screen with the moon in its romantic astrophysical swings, and with the exaggerated geometry of a zigzag. We are the versatile and multi-dynamic mass that expands simultaneously in the head that pauses in the Nothofagus Obliqua of Vernarth's Horcondising and also time2-space2, which has not been troubled by the origin or abscess of the stars that move irregularly in zigzag, for the fractality of its component, which is clearly Aramaic blue light, in circuits of clusters and movements brushing the air, attracting the attention of the entire order of the hypnotized universe and making the duplication of the universe itself appear before them; in Duoverso that is the Universe shaken and young of its gratitude's ".The distribution of nearby galaxies are keys to the paleo universe already arranged in macro waves, which are percentages of spaces in the Trisolate energy fields, which interact with the Mashiach of Gethsemane phylogeny, now tending to a stagnant decomposed future, towards a specific frozen present. Its final station is to bet the Zig Zag Universe on the re-expanding temporal Medieval chrestomathy, in gregarious qualities of Sub-mythology, already conformed here in Archangelos. The implosion of gravity has created worlds of visibility in great astronomical yearnings, in some fractions of time zigzagged by millions of fractured light-years, as an irregularity that resembles the measurements of everything quantifiable, being omniscience or not, acquiring the hexagonality of the birthright in the passage, Here the Mashiach emerged and died in its abstraction in the One-dimensional Beams and in the foreign eyes, eroding those who are mortal and do not see with divine eyes in the self-resemblance, of our hypochondria and of the failed plan to amplify the size of the unknown analytic, of this new dimension in the implosive movement of the Verthian Duoverse. The nature of the snowflakes in Bethlehem are natural fractals, detailed in their nature and in the natural infinity, here the privileged new world was envisioned, for self-similarity in the speculative and cosmogonic functions of Vertnarth, at intervals in each space of the shadowy walls, bringing accelerated courier bombs from Gethsemane among mutated olive trees to other humans. "Its correlation is an infinite fractal with reversible observable time.

Finite is the curvature, between the time that walks between the grove of the Duo-Universe as an alternative of energy Zig Zag and Duoverso, which triggers our subconscious observable world, which is a great reflecting lantern eye, which ignores and prescribes extreme distant and focal parts of the One-dimensional Beams of Kafersuseh in Ein Karem, since the Duoverse is the trial Universe that the Mashiach had, before coming to the Holy Land, provided by his form of Hyperdisis escorting him from Betelgeuse and in Orion. Change from arduous colors to the gradient in Avant-Garde, for the confines of perspectives and verbality, in amendments of physical fields, interwoven by an external gravitational means. The macro waves, are exposed matter not contained in the abrupt changes of the optical selection of the Mashiach with the One-dimensional Beams, attracting selection crystals to atomize them, in reaction disturbances and recreation of multiform plasma saviors of Christian cosmic. The double expression of macro waves and the equation of them over the axial of the universe turned into the universe Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion energy with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all being more than time... !, remaining at the expense of the wick of all electro-matter " The double examination of the macro waves and the equation of them on the axial of the universe turned into Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all of them being more than time... !, remaining at the expense of the wick of all electro-matter. The sub-mythology having already been constituted, Hestia appears, having slept a great slumber. When he appeared before Vernarth in Tsambika, he was seen changing in size, when he was six meters away he looked dwarf and when he was already two meters from him he looked monumentally huge, but in a versatile physiognomy, therefore he was already appreciated in his last steps, with her domestic Goddess figure that emanated light-years from the chimneys of the habitable galaxies. The critical immanence will happen, pre-existing of the perfectible plan for the Universe Zig Zag and Hyperdisis, as Hyper-Hestia, bringing torn words for those who were approaching the main altar of Vas Auric, which was in the great ratio of the proscenium in the vicinity of Tsambika, between Mind / Meditation for constant mechanisms of Wisdom / Meditate, according to the cosmological constant, taking them perhaps to the beginning of a decade and the third universe called Traverse. The oscillations of all these fantasies, Vernarth observed, but he knew that he would have to collide with these worlds finally already precipitated, and of temperature that acted on the average of the normal range, therefore it was imminent to mutate it to the provisional Christian Duoverse, which moves backward. among the dizzying lights of creation. Immediately afterward, the Universe has torn apart and lost among those around it, establishing itself in units of millions of years of light compressed in the piccolo Aulos, which Hestia carried in one of its golden hands, from the prytaneion, igniting with the flames of the Kardiá on fire and the passion of consanguineous love, "Prytaneum", the omphalos stone, marking the navel of the world with the boast of wandering towards the island of Delos, in the daily warmth of a spring afternoon in Rhodes. She is a woman with veils on her face, always walking to and from her virginal abode, in the house of foolish or vestal virgins, there is no Hestia, only maybe there are some similar ones staying in the cold fire of her menopause, losing fertility afterward. that his father swallowed it, and then it was expelled from himself, regurgitated in flames of love candles in a blessed house and full of immunity, giving the Duoverse another geometric category with never contained angles, sliding vibratory between the distances that discount minutes of the Hestian space, for such a corollary by approaching its finitude, and inaugurating the sub-finite, that it will never be the source of the end of a disconcerting end of time, neither equationally consummated nor physical. "This consolidates the Duoverse into Duo-Universe, expressed in figures that moderate the length of a physical state before it is finished and restarted in a process that does not end (sub-infinity)

t) Vernarth Omega (Ω) - Preface

before facing the Achaemenides. Being Omega and Micron in the warlike primer of their cause, within the prophetic in all necropolises of tiny omega (ω), towards an Omega that reaffirmed the good hand in Saint John the Apostle by rewriting the Apocalypse twice, coexisting the same but with the voice of Vernarth commanding the ten thousand Falangists, who made up inter-generational gaps, of camouflaged alien ancestors. For this purpose, he opened the windows with their pillars sheathed with tetrachloride of chlorine, at solid angles of Ω, in what was Virgo institutionum / Aurion-entity that interfered by projections and leaks, which converged on the strut of the omphalos of his heavenly father dealing frequently and bled his immortality, constituting from a helper being to the planes of subconscious reprogramming and perspective. With his arms raised, in each hand a raised sword to pierce the vanishing point, between the spaces that were ascribed, under the solid projection, from an observer that inhibits ad limits the biomass in all the masses of aqueous filter and lumen flow, towards the throne of the angelic guardian of Avant-guard by the stereotype and sclerosis of Zeus in his dissociated physicality, even though he is an amorphous entity with pulverized magnitudes, between Pi and Golden numbers, fading away without area or volume. Vernarth in the humanoid apocalypse was transfigured from a solid point in Hyperdisis, as a direct escape settlement to Aurion, towards a surface of conical vestige in three-dimensionality towards Andromeda, the Milky Way, and the shoulder of Betelgeuse,

Vernarth distracted the emeritus stars in the corner of his room and in the convex the points of his celestial patriarchs in the conical spheres of perenniality, leaving only solid angles in each of the two parts of space-delimited by two semi-planes that start from their common edge, under the ideal geometric concept and that it is only possible to partially represent it as duplication in parallelograms with a common side, symbolizing two half-planes, making from all distances seclusion of visions in the culmination of imagination and apparent angles, seen from any point of the Celestial Vault in invisible counterpoint.

The decalcified cells of Vernarth solfying together with Sophocles in orpheons after the victory of Salamis. Already being a tragedy in the next act of the prologue and their friendship bordering on his tragedy, he continues to exist in energetic arms to write, and Vernarth to dispute the characters from a regular prologue writing with his own blood hematology verses, which traveled meters and that they shrunk from the anti-verses scarring their declaimed intra-breath, in corals that only the wind clarifies of what precedes and happens towards the suffering, in the metrics of the Areimos chorus that were lectured anti-verses, and that they tried to ****** him from the hands to Sophocles, in immortality that refined him by abandoning him in sub-units. With masks and mythical cycles, he mixed the metaphorical facsimile of momentum and the separation of friendship with him, seeing him in an episode of his works, and instead of Vernarth's transcript sheltering him in the origins of the volatilizations of his orpheons, converted into physical waves of a dramatic-oracular order. Gods re-transformed into divination and futuristic germination, they were hidden dormant and forgotten in times of subconsciousness in the Selenite collection, felt in the Colossi signs of parliamentary, where the oracle leans on the lines of vibrational words and how they cough their " páthis "in the place where the language dissociated from the heart nucleus speaks. In misguided divination, the oracular mantic brought the cold of loneliness and the fiery heat that guesses in the laurel forests in oracular daphnomancy, Vernarth omega self-erects as a versatile column that temporalizes the threads of his organic brain, creating synaptic logos in Pashkein or the alert regret of abandoning the arm that rewrites his heroic Sophoclean and tragediographic biography, in ancients transiting in disintegrated emotionality and ****** Hellenic neurotransmission, "Two omega men or omega speedometers, carrying neurons from ankylosed and frustrated herd of pleasure, for tripartite meson form of routine grinding in Alzheimer's lost, lost in sympathetic and para-sympathetic routines, with probability of Hellenic gray matter; That is to say, of all memory that does not sin of ignorance in the ancient world, in more than nineteen hours of vehemence, the dangers will brighten when reliving nth times in the twilight of omega, Vernarth, was already narrowing on the tracontero Eurydice, to save his pains, deposed in terms that would renew anti-economies by supplying unsustainable in liquefactions and in synaptic melts, extra energetic vesicle of pure natural law of the eyebrows, of lunation that rests in the inter millennium, beating with ecstasy in the Buddhist suttas, and in the adaptation of the flesh of the hypersonic fissures of the Meltemi, and attachments that still beat over the dermis of pain. Vernarth draws his sword Xifos of phenomenal structure and he cuts on the Sutta or sermon that mimicked him at the time of the lunation, doing sabotage of redemption of the anti-verse from the court of Sophocles, as a myth-saboteur and anti-value, overvaluing the wiles of the same utilitarian tragedy, conquering in the curtain of mourning and sadness, unguarded and overcome by the stoic duel of jubilation. From here Vernarth, opens the gates of hell, eight hundred times going mad with omega value, by reiterating omeganymy, creates the numbering of the anti-verse and the suffering that does not even sleep further from the departure of a soul and a body only asleep of concave omega, overlapping in golden transfinite chests, which reorder the natural numerals with the ordinal transfinite omega, but on frictionless wheels of other omegas that break in recirculation rules on alpha, in supra omega levels such as parades, stamens, episodes, and Vernarth-omega paradigmatic exodus.

Omega I Prologue: "Once upon a time, amidst a rain of clouds full of drama, in a time that was oriented regime of the armpit of Betelgeuse and Aurion, 334 BC, it was the penultimate breeze of Tsambika, in the spiritual devotion that hovered over the unison voice in the magnanimous Zeusian chorus, as an alternate event of imprisoning past and next in an episode of the present act. The expectant was curious about the retouched makeup of the drama's superlative consonant, in a disembodied place, but with a good narrative source when it came to fruition. Here the myth is plausible, among everything mythical, more than all the super sums of expectations of the Ismo "

Parod I: "For the submissive words on the stage of the trident fire, where I have to warm my hands with ashes of eternal fire"
(Directing the scenes through the coripheum, there is the master lord who, in flames and by unequal numbers, pawned in the Aulos and piccolos, whose bare feet bordered the risk of the bellies of the Maenad damsels united in processions, between princes, powers and Dionysian dances holding on to the Pufios; in Baquian and ceremonial liturgy near Vernarth, taking a glass every seven minutes in animosity, in cages of his stuck little finger, whistling from organic pimping, next to dancers raising an arm and directing the palm towards the heaven, while the other remained down with the palm towards the earth; in this position, since he was like Vernarth buried by the tides of Patmos wandering him in times that marked the entrance from Mars to Jupiter, and from autumn to winter in fifteen times agreed with Sophocles, hanging from the penultimate to the entrance with his trembling voice desalted..., tolerating himself in his own tragedy)

This is I: "Through the right hemi-body, Vernarth intoned his laterality exposed in harsh penumbras, while Hera brandished over his existentialism clouds of oatmeal and candies in a liturgy, a homily that personified the Stasis, in the choral intermission resisting his angry hands in tragic passion and frenzy, unleashing oratory of self-blame, unraveling drama-tragic, and in each pause the emotion that was accompanied in new episodes when it was stoked "

(Vernarth says: "submitted in parts that are not its parts, my pain has blinded me, where it has embittered the conflict of ethical interest if the stars as a public cheer are anointed, sentencing the opposition of other lesser stars who cheer what that does not shine. The principle of the voice violates the normal parenthesis, which is governed by itself in the omega voice, mocking the modal in four magistrates, in martyrdoms of an ideal of the procession, each one being with his super-private toga, before me It must not be who recognizes if I will be who I am, on the seventh judgment of my surviving ethics)

Episode I: "Vernarth extrapolates the values of his judgment, which override the first, the coryphaeus directs his promenade from the countryside on his Horse Alikantus"

(Vernarth says: "I have instantiated the steps that my chestnut crossed with you in the future if I am to sing with a sorrowful voice, no choir will be able to follow me when you are gone. However, I have to define what personifies who, more than a thousand miles away, carries with him the lamp that opens the light of your roguish contemplation... "
Alikantus wailing says: "From the luster of your heartbeat, I obfuscated the jailer from your ribs, for the preference of the one who takes you even further in tempestuous pro-hedonistic prose "

Exodus I: "Sometimes the endings smell like fields of lavender, where the call of the almighty is heard, to take him over his loaded plantations, which are emerging from the dialogues in the afternoon with its twilight, as well as stanzas that smell of lavender anointing, separated in syllables and tonic that flex my charm, not to say that I was anointed with Lavender when I was prepubescent "

(In fifteen times, in syllables and rakes, the sentences of its paragraphs are sterilized, leaving the audience speechless, without a gesture or word that emanates from a sacred paradise, rather from the Stasis that never purged the omission of the syllable that is not of proscenium nor trident, but it is umlauts on Omega, between syllables of fire that burn from its proscenium)

With few and precise changes of consciousness, Vernarth approaches his Omega Point, as the end of his self is identical to his consciousness. He was leaving Tsambika and Kímolos, diligent towards Theoskepatis, warning Etréstles for defiance goods in the aftermath of the Eschaton. His spiritual cerebellum faded identically when he wandered through the distances of the entities that competed and are prominent, transforming his Hetairoi reliquary, here his tendentious impulse begins and dehumanizes him by becoming a Celestial entity, but with Noosphere endowment. The tendencies are established hyper-connected, with him Tsambika, Theoskepatis, and Patmos were triangulated for consummations and finality from the rudiment of Universal deity, reprogramming the end of restricted humanity to a mere boundary of dogmatic morality declared existential.

Within the Omega points, his unfolding acted as a disembodied statue and redemption of similarity and humanity, leading him to a self-conspiracy, by abandoning himself to his own equal, for the duration of the final sulfurous sublimation of the Cinnabar's margin of abstraction, after joining in all the quantum, physical and biological lines, making the Duoverse an inter chamber of the prior Master in a process of change, to sensitize his image of physical-chemical Man, but of God in his rigid powers. Cataloged as hommo sapiens who expresses himself in fallen beings under the arms of his sword in a limpid target, rather than in his own pointed tongue, and steely towards the point of unification in the hyper-dimensional of good achieve spatiality and volume, only contacted by his devoid of a Xifos hand. Consciousness rarely loomed in its compendium in nth bytes and data, much more than those recirculated in astrobiological quantum, creating blind exclusive and patrimonial universes, on the basis of nth bytes, which kept reorganizing itself in the personality of the unknown, fewer than four bridges of consciousness united in their own gregarious universe. The transcendence of the basic data of consciousness will lie in the Maenads, and their deliberate acre magic, extending through the limbs of the Nymphs, to re-possess it and take them to the confines of mystical paranoia, perhaps towards the embodied Vestal Virgins, purging their paths that they notice a variant of licentious departure in the stanzas when seeking final swings, which are not for the sake of shedding everything before the Universe rescinds its intellectual limitations, contracted in an orgiastic Imaginary Universe, and the precariousness of the concept transporting us to the origins of the species and its behavioral rapture of loss of sensation, and reason, for this reason, Vernarth takes them with him for his ******* and alienated perceiving of inherent reality and its opposite sunset. The ministry of the sacramental mystery is the consciousness of the Dionysian being in gestation, wanting to be the paroxysm of its equivalent, in an eternal Omega effect, for the purposes of omeganymy of conscious chaos, being the same portion of omega ad limit of its secondary reluctant personality of being, to found the hermit solitude on his revived empty ego, residing in his being by bilocating with two idiosyncrasies for a Venarthian Thiasoi, succumbing to weightlessness over all the Maenads and the intoxication of community in its opacity,

The madness was a transcript of reasons lost by the Vernarthian Omeganymy, sometimes the disproportionate of his steps by more than what should be generated was objected to in the circles of the Tsambika monastery. The unification of blood was confused by the viscous wine of the mysterious foliage of the Diospyros tree that led them through the enigmatic unaware, in primary practices that tore apart some somatized ones of the order of a third body, which still transmitted the last organic matter, refusing to spread at the omeganimic points. The consciousness of replicated beings of themselves challenged themselves towards the perfect copy of their transcendent alter ego, in an understanding of the present-future elucidating for whom or those who demystify the visions of an arbitrary creation, allied to the evolutionary myth-truth, in the face of any real and human maturity gap, the conclave of the near pious Christ, bequeathed in us and in the venerated hominization, at his sole and directional will. Now we are all in the aqueducts of Christian Science, for specimens of eternal categorization and frontally in view of a God-Mashiach, as ordinal inclusion and in greater ecumenical diversity, with variables of independence range, for staggering motor skills, retaining the attention of all the powers of the Christian world at an Omega point that seemed to be Alpha. The sense of the Duoverse in Vernarth Omega makes us rethink the central phenomenon of thought and frustrations, by the socialization of distant species from prudent dogmatic ostracism, towards refractory empathic and ultra-rational reasoning.

The supra intelligence has to become in them and those, the pre-existing point of duality, to reunify them in Patmos, as the only spirited meaning, and biomass evolving on the super-dimensioned materiality, in a greater radius where it will have to be delivered to whoever speaks with words. of living energy, and not complex towards all processes of emancipatory concord of personal authorship, on levels of relative lust in the absolution of medium integrity, and towards an elemental unitary totality of animal instinct guarded by the instinct of Being, that from its similar awakened rebirth of the sleeping mass matter, and in the animal purifying multiplicity. The man stands in his memorandum bend, like a haughty memorial, evolving in the cosmic expiration of the molecular transverse, admitting us in its vestige of complex extinction, but not in human slip, nor in acid and self-instituting scenery, on the real creation of its DNA, which reverts from the formality of helical reiterative rings, by heights of whoever oscillates in their coupled pairings, and their silent probable associations, in the nature of real origin and their structural perfection. The acceptability scenarios derive from the feasible concretion, and the approval of their tendencies and mobilizations of the structure of life, and codes greater than those that limit them to reside, to more than one body, residing from an incorporeal body, capable of its quantitative life and the extension of existence, super existing in the heights of the helical rings, which may vary more than they are, and which could be, without being seen under a scientific gaze. "Becoming a mechanics of maturation and prayer, which the energy from the material world to the spiritual, as a moving particle of inert matter in parasitized free radicals, which are re-energized by the mystery of the helical trans-threshold of the Aramaic mystery of the Olives Bern. "Vernarth disintegrates in omeganymy in laxity towards Aurion, descending pro-tenebrosity towards the profanity of Patmos, engulfed by Love in a dark summer, brushing the silos of DNA in the will of the automated world"
DUOVERSE
RAJ NANDY Nov 2015
GREAT ARTISTS & THEIR IMMORTAL WORKS :
CONCLUDING ITALIAN RENAISSANCE IN
VERSE.  -  By Raj Nandy, New Delhi.

Dear Readers, continuing my Story of Western Art in Verse chronologically, I had covered an Introduction to the Italian Renaissance previously. That background story was necessary to appreciate Renaissance Art fully. Now, I cover the Art of that period in a summarized form, mentioning mainly the salient features to curb the length. The cream here lies in the 'Art of the High Renaissance Period'! Hope you like it. Thanks, - Raj.

                          INTRODUCTION
“Painting is poetry that is seen rather than felt, &
  Poetry is painting that is felt rather than seen.”
                                                        – Leonardo Da Vinci
In the domain of Renaissance Art, we notice the
enduring influence of the Classical touch!
Ancient Greek statues and Roman architectures,
Inspired the Renaissance artists in their innovative
ventures!
The pervasive spirit of Humanism influenced
creation of life-like human forms;
Adding ****** expressions and depth, deviating
from the earlier stiff Medieval norms.
While religious subjects continued to get depicted
in three-dimensional Renaissance Art;
Portraits, **** figures, and secular subjects, also
began to appear during this great ‘Re-birth’!
The artists of the Early and High Renaissance Era
are many who deserve our adoration and artistic
due.
Yet for the sake of brevity, I mention only the
Great Masters, who are handful and few.

EARLY RENAISSANCE ARTISTS & THEIR ART

GITTO THE PIONEER:
During early 13th Century we find, Dante’s
contemporary Gitto di Bondone the Florentine,
Painting human figures in all its beauty and form
for the first time!
His masterwork being the 40 fresco cycle in the
Arena Chapel in Padua, depicting the life of the
****** and Christ, completed in 1305.
Giotto made the symbolic Medieval spiritual art
appear more natural and realistic,
By depicting human emotion, depth with an
artistic perspective!
Art Scholars consider him to be the trailblazer
inspiring the later painters of the Renaissance;
They also refer to Giorgio Vasari’s “Lives Of
The Eminent Artists,” - as their main source.
Giotto had dared to break the shackles of earlier
Medieval two-dimensional art style,
By drawing lines which head towards a certain
focal point behind;
Like an illusionary vanishing point in space,
- opening up a 3-D ‘window into space’!
This ‘window technique’ got adopted by the
later artists with grace.
(
Giorgio Vasari, a 16th Century painter, architect & Art
historian, was born in 1511 in Arezzy, a city under the
Florentine Republic, and painted during the High
Renaissance Period.)

VASARI’s book published in 1550 in Florence
was dedicated to Cosimo de Medici.
Forms an important document of Italian Art
History.
This valuable book covers a 250 year’s span.
Commencing with Cimabue the tutor of Giotto,
right up to Tizian, - better known as Titan!
Vasari also mentions four lesser known Female
Renaissance Artists; Sister Plantilla, Madonna
Lucrezia, Sofonista Anguissola, and Properzia
de Rossi;
And Rossi’s painting “Joseph and Potiphar’s
Wife”,
An impressive panel art which parallels the
unrequited love Rossi experienced in her own
life !
(
Joseph the elder son of Jacob, taken captive by Potiphar
the Captain of Pharaoh’s guard, was desired by Potiphar’s
wife, whose advances Joseph repulsed. Rossi’s painting
of 1520s inspired later artists to paint their own versions
of this same Old Testament Story.)

Next I briefly mention architects Brunelleschi
and Ghiberti, and the sculptor Donatello;
Not forgetting the painters like Masaccio,
Verrocchio and Botticelli;
Those Early Renaissance Artists are known to
us today thanks to the Art historian Giorgio
Vasari .

BRUNELLESCHI has been mentioned in Section
One of my Renaissance Story.
His 114 meter high dome of Florence Cathedral
created artistic history!
This dome was constructed without supporting
buttresses with a double egg shaped structure;
Stands out as an unique feat of Florentine
Architecture!
The dome is larger than St Paul’s in London,
the Capitol Building of Washington DC, and
also the St Peters in the Vatican City!

GILBERTI is remembered for his massive
15 feet high gilded bronze doors for the
Baptistery of Florence,
Containing twenty carved panels with themes
from the Old Testament.
Which took a quarter century to complete,
working at his own convenience.
His exquisite naturalistic carved figures in the
true spirit of the Renaissance won him a prize;
And his gilded doors were renamed by Michel
Angelo as ‘The Gates of Paradise’!
(
At the age of 23 yrs Lorenzo Ghiberti had won the
competition beating other Architects for craving the
doors of the Baptistery of Florence!)

DONATELLO’S full size bronze David was
commissioned by its patron Cosimo de’ Medici.
With its sensual contrapposto stance in the
classical Greek style with its torso bent slightly.
Is known as the first free standing **** statue
since the days of Classical Art history!
The Old Testament relates the story of David
the shepherd boy, who killed the giant Goliath
with a single sling shot;
Cutting off his head with Goliath’s own sword!
Thus saving the Israelites from Philistine’s wrath.
This unique statue inspired all later sculptors to
strive for similar artistic excellence;
Culminating in Michael Angelo’s **** statue of
David, known for its sculptured brilliance!

MASSACCIO (1401- 1428) joined Florentine
Artist’s Guild at the age of 21 years.
A talented artist who abandoned the old Gothic
Style, experimenting without fears!
Influenced by Giotto, he mastered the use of
perspective in art.
Introduced the vanishing point and the horizon
line, - while planning his artistic works.
In his paintings ‘The Expulsion from Eden’
and ‘The Temptation’,
He introduced the initial **** figures in Italian
Art without any inhibition!
Though up North in Flanders, Van Eyck the
painter had already made an artistic innovation,
By painting ‘Adam and Eve’ displaying their
****** in his artistic creation;
Thereby creating the first **** painting in Art
History!
But such figures greatly annoyed the Church,
Since nudes formed a part of pagan art!
So these Northern artists to pacify the Church
and pass its censorship,
Cleverly under a fig leaf cover made their art to
appear moralistic!
Van Eyck was also the innovator of oil-based paints,
Which later replaced the Medieval tempera, used to
paint angles and saints.

Masaccio’s fresco ‘The Tribute Money’ requires
here a special mention,
For his use of perspective with light and shade,
Where the blithe figure of the Roman tax collector
is artistically made.
Christ is painted with stern nobility, Peter in angry
majesty;
And every Apostle with individualized features,
attire, and pose;
With light coming from a single identifiable source!
“Render unto Caesar the things that are Caesar’s,
and unto God things that are God’s”, said Christ;
Narrated in Mathew chapter 22 verse 21, which
cannot be denied.
Unfortunately, Masaccio died at an early age of
27 years.
Said to have been killed by a jealous rival artist,
who had shed no tears!

BOTTICELLI the Florentine was born half a
century after the Dutch Van Eyck;
Remembered even to this day for his painting
the ‘Birth of Venus’, an icon of Art History
making him famous.
This painting depicts goddess Venus rising out
of the sea on a conch shell,
And the glorious path of female **** painting
commenced in Italy, - casting a spell!
His full scale **** Venus shattered the Medieval
taboo on ******.
With a subject shift from religious art to Classical
Mythology;
Removing the ‘fig-leaf cover’ over Art permanently!

I end this Early Period with VERROCCHIO, born
in Florence in fourteen hundred and thirty five.
A trained goldsmith proficient in the skills of both
painting and sculpture;
Who under the patronage of the Medici family
had thrived.
He had set up his workshop in Florence were he
trained Leonardo Da Vinci, Botticelli, and other
famous Renaissance artists alike!

FOUR CANONICAL PAINTING MODES OF
THE RENAISSANCE:
During the Renaissance the four canonical painting
modes we get to see;
Are Chiaroscuro, Sfumato, Cangiante and Unione.
‘Chiaroscuro’ comes from an Italian word meaning
‘light and dark’, a painting technique of Leonardo,
Creating a three dimensional dramatic effect to
steal the show.
Later also used with great excellence by Rubens
and the Dutch Rembrandt as we know.
‘Sfumato’ from Italian ‘sfumare’, meaning to tone
down or evaporate like a smoke;
As seen in Leonardo’s ‘Mona Lisa’ where the
colors blend seamlessly like smoke!
‘Cangiante’ means to ‘change’, where a painter
changed to a lighter or a darker hue, when the
original hue could not be made light enough;
As seen in the transformation from green to
yellow in Prophet Daniel’s robe,
On the ceiling of Sistine Chapel in Rome.
‘Unione’ followed the ‘sfumato’ quality, but
maintained vibrant colors as we get to see;
In Raphael’s ‘Alba Madonna’ in Washington’s
National Gallery.

ART OF HIGH RENAISSANCE ERA - THE
GOLDEN AGE.

“Where the spirit does not work with the
hand there is no art.”- Leonardo

With Giotto during the Trecento period of the
14th century,
Painting dominated sculpture in the artistic
endeavor of Italy.
During the 15th century the Quattrocento, with
Donetello and Giberti,
Sculpture certainly dominated painting as we get to
see!
But during the 16th century or the Cinquecento,
Painting again took the lead commencing with
the great Leonardo!
This Era was cut short by the death of Lorenzo the
Magnificent to less than half a century; (Died in 1493)
But gifted great masterpieces to the world enriching
the world of Art tremendously!
The Medieval ‘halo’ was now replaced by a fresh
naturalness;
And both Madonna and Christ acquired a more
human likeness!
Portrait paintings began to be commissioned by
many rich patrons.
While artists acquired both recognition and a status
of their own.
But the artistic focus during this Era had shifted from
Florence,  - to Venice and Rome!
In the Vatican City, Pope Julius-II was followed by
Pope Leo the Tenth,
He commissioned many works of art which are
still cherished and maintained!
Now cutting short my story let me mention the
famous Italian Renaissance Superstar Trio;
Leonardo, Raphael, and Michael Angelo.

LEONARDO DA VINCI was born in 1452 in
the village of Vinci near the City of Florence,
Was deprived of a formal education being born
illegitimate!
He was left-handed, and wrote from right to left!
He soon excelled his teacher Varrocchio, by
introduced oil based paints into Italy;
Whose translucent colors with his innovative
techniques, enhanced his painting artistically.
Sigmund Freud had said, “Leonardo was like a
man who awoke too early in the darkness while
others were all still asleep,” - he was awake!
Leonardo’s  historic ‘Note Book’ has sketches of a
battle tank, a flying machine, a parachute, and many
other anatomical and technical sketches and designs;
Reflecting the ever probing mind of this versatile
genius who was far ahead of his time!
His ‘Vituvian Man’, ‘The Last Supper’, and ‘Mona Lisa’,
Remain as his enduring works of art and more popular
than the Leaning Tower of Pisa!
Pen and ink sketch of the ‘Vitruvian Man’ with arms
and leg apart inside a square and a circle, also known
as the ‘Proportion of Man’;
Where his height correspondence to the length
of his outstretched hands;
Became symbolic of the true Renaissance spirit
of Man.
‘The Last Supper’ a 15ft by 29ft fresco work on
the refectory wall of Santa Maria, commissioned
by Duke of Milan Ludovic,
Is the most reproduced religious painting which
took three years to complete!
Leonardo searched the streets of Milan before
painting Judas’ face;
And individualized each figure with competence!
‘Mona Lisa’ with her enigmatic smile continues
to inspire artists, poets, and her viewers alike,
since its creation;
Which Leonardo took four years to complete
with utmost devotion.
Leonardo used oil on poplar wood panel, unique
during those days,
With ‘sfumato’ blending of translucent colors with
light and shade;
Creating depth, volume, and form, with a timeless
expression on Mona Lisa’s countenance!
Art Historian George Varasi says that it is the face
of one Lisa Gherardini,
Wife of a wealthy Florentine merchant of Italy.
Insurance Companies failed to make any estimation
of this portrait, declaring its value as priceless!
Today it remains housed inside an air-conditioned,
de-humidified chamber, within a triple bullet-proof
glass, in Louvre France.
“It is the ultimate symbol of human civilization”,
- exclaimed President Kennedy;
And with this I pay my humble tribute to our
Leonardo da Vinci!

MICHEL ANGELO BUONARROTI (1475-1564):
This Tuscan born sculptor, painter, architect, and
poet, was a versatile man,
Worthy to be called the archetype of the true
‘Renaissance Man’!
At the age of twelve was placed under the famous
painter Ghirlandio,
Where his inclination for sculpting began to show.
Under the liberal patronage of Lorenzo de Medici,
He developed his talent as a sculptor as we get
to see.
In the Medici Palace, he was struck by his rival
Torregiano on the nose with a mallet;
Disfiguring permanently his handsome face!
His statue of ‘Bacchus’ of 1497 and the very
beauty of the figure,
Earned him the commission for the ‘PIETA’ in
St Peter’s Basilica;
Where from a single piece of Carrara marble he
carved out the figure of ****** Mary grieving
over the dead body of Christ;
This iconic piece of sculpture which along with
his ‘David’ earned him the ‘Superstar rights’!

Michel Angelo’s **** ‘DAVID’ weighed 6.4 tons
and stood 17 feet in height;
Unlike the bronze David of Donatello, which
shows him victorious after the fight!
Michel’s David an epitome of strength and
youthful vigour with a Classical Greek touch;
Displayed an uncircumcised ***** which had
shocked the viewers very much!
But it was consistent with the Mannerism in Art,
in keeping with the Renaissance spirit as such!
David displays an attitude of placid calm with
his knitted eyebrows and sidelong glance;
With his left hand over the left shoulder
holding a sling,
Coolly surveys the giant Goliath before his
single sling shot fatally stings!
This iconic sculpture has a timeless appeal even
after 500 years, depicting the ‘Renaissance Man’
at his best;
Vigorous, healthy, beautiful, rational and fully
competent!
Finally we come to the Ceiling of the Sistine
Chapel of Rome,
Where Pope Julius-II’s persistence resulted in the
creation of world’s greatest single fresco that was
ever known!
Covering some 5000 square feet, took five years
to complete.
Special scaffoldings had to be erected for painting
scenes from ‘The Creation’ till the ‘Day of Judgment’
on a 20 meter’s high ceiling;
Where the Central portion had nine scenes from
the ‘Book of Genesis’,
With ‘Creation of Adam’ having an iconic significance!
Like Leonardo, Michel Angelo was left-handed and died
a bachelor - pursuing his art with devotion;
A man with caustic wit, proud reserve, and sublimity
of imagination!

RAFFAELLO SANZIO (1483-1520):
This last of the famous High Renaissance trio was
born in 1483 in Urbino,
Some eight years after Michel Angelo.
His Madonna series and decorative frescos
glorified the Library of Pope Julius the Second;
Who was impressed by his fresco ‘The School
of Athens’;
And commissioned Raphael to decorate his
Study in the Vatican.
Raphael painted this large fresco between 1510
and 1511, initially named as the ‘Knowledge of
Causes’,
But the 17th century guide books referred to it
as ‘The School of Athens’.
Here Plato and Aristotle are the central figures
surrounded by a host of ancient Greek scholars
and philosophers.
The bare footed Plato is seen pointing skywards,
In his left hand holds his book ‘Timaeus’;
His upward hand gesture indicating his ‘World
of Forms’ and transcendental ideas!
Aristotle is seen pointing downwards, his left
hand holds his famous book the ‘Ethics’;
His blue dress symbolizes water and earth
with an earthly fix.
The painting illustrates the historic continuance
of Platonic thoughts,
In keeping with the spirit of the Renaissance!
Raphael’s last masterpiece ‘Transfiguration’
depicts the resurrected Christ,
Flanked by prophets
The First. My great-grandfather spoke to Edmund Burke
In Grattan's house.
The Second. My great-grandfather shared
A ***-house bench with Oliver Goldsmith once.
The Third. My great-grandfather's father talked of music,
Drank tar-water with the Bishop of Cloyne.
The Fourth. But mine saw Stella once.
The Fifth. Whence came our thought?
The Sixth. From four great minds that hated Whiggery.
The Fifth. Burke was a Whig.
The Sixth. Whether they knew or not,
Goldsmith and Burke, Swift and the Bishop of Cloyne
All hated Whiggery; but what is Whiggery?
A levelling, rancorous, rational sort of mind
That never looked out of the eye of a saint
Or out of drunkard's eye.
The Seventh. All's Whiggery now,
But we old men are massed against the world.
The First. American colonies, Ireland, France and India
Harried, and Burke's great melody against it.
The Second. Oliver Goldsmith sang what he had seen,
Roads full of beggars, cattle in the fields,
But never saw the trefoil stained with blood,
The avenging leaf those fields raised up against it.
The Fourth. The tomb of Swift wears it away.
The Third. A voice
Soft as the rustle of a reed from Cloyne
That gathers volume; now a thunder-clap.
The Sixtb. What schooling had these four?
The Seventh. They walked the roads
Mimicking what they heard, as children mimic;
They understood that wisdom comes of beggary.
Ashley Chapman Mar 2018
Everyday caught
In the labyrinth of mind,
I am,
Where dreams,
And desires
And lust,
From nothing
Conspire something.

Destination: Canada Water.
The next station is Surrey Quays.
Doors will open on the right-hand side.
Exit here for Goldsmith's College.

In the cerebellum
Fragments flash cerebrum bright:
Wheels in tunnels burn,
A neural screech amplified deep,
As waves of electrons churn,
And in multiple places keep.

This stop:
- My birth -
Is in Westminster!

It’s time:

Do you love me?
DO YOU LOVE ME?
          Yes, No, Ohhh (the audience).

In the space-time continuum,
The labyrinth is forever,
Within a fourth dimension.

It’s time …

You love me, right?
YOU LOVE ME, RIGHT?
    Yes, No, Ohhh (the audience).

DO-MI-NA-TION
DEATH FREE
DO-MI-NA-TION
ASH FREE

Lost in the labyrinth: a journey to an exit.
The Overground train pulls!
And from floor to ceiling,
Between vertical orange pins,
A medley of languid listless limbs lulls,
       Seated hips,
       Angled legs,
       Dangling feet,
And neck-less heads,
Lost, ghoul-like,
The disconcerted move doggedly on,
Everywhere somewhere; but forever nowhere
Through London's hills and bogs.

From  STOP to STOP,
In the labyrinthine network,
In tubes splayed out on cubes,
Of bright brushed viscose comfort,
Overhead, the ads exhort:

       Top Up Your Soul,
       Fast Forward Your Escape
And
       uSwipe
       uSwitch
       uSave

Like these,
A hundred escalating messages,
Each more insistent than the last,
Compel, enough to distract,
So man’s desire enslaves his heart.

Its time…

         You love, right?
YOU LOVE, RIGHT?
    Yes, No, Ohhh (the audience).

DO-MI-NA-TION
DEATH FREE
DO-MI-NA-TION
ASH FREE

How? Why?
Has bacterial sludge,
Built these edifices of glass and steel.
This labyrinthian cage,
Whose walls race up at the speed of light,
While the inner commuter flame gutters,
Everywher, in multiverses,
Supernovas explode in showers.
And for a moment, in the moment, The Overground chromatic glows.

New Cross Gate, Canada Water, Southwark.

Lit and digital and LCD:
        
  ALL CHANGE, PLEASE.
  THIS TRAIN TERMINATES HERE

A few automated steps, and:
       Southwark,
       Green Park,
       Then Baker Street,
Appear, fade and disappear.

Now walking down Belsize Road,
On the evening of the
Super Gibbous Moon,
As it rises high over the Ziggurat dimensions of the Alexandra Estate,
And all is blood orange at dusk,
As I, a slinking silhouette,
Make for the event horizon of home,
For surely given, and taken,
A few more bends, another turn,

It’s time, again.

         Love, right?
         LOVE, RIGHT?
    Yes, No, Ohhh (the audience).

DO-MI-NA-TION
DEATH FREE
DO-MI-NA-TION
FREE ME.

To the event horizon of consciousness,
To that black hole at the core.
In death's star-like eye,
Embrace, pass through,
(Fear not),
On, through the labyrinth northward,
Entering and exiting,
We go awhile, a little longer.

Stars, my Stars,
Again, it's time.

You love me, right?
YOU LOVE ME, RIGHT?
Yes, No, Ohhh (the audience).

SU-PER-NA-TU-RAL
SU-PER-NA-TU-RAL
DEATH FREE.
LOVE!
BE,
WINGS FREE:

     SU-PER-NA-TU-RAL

One more stop:

       New Bond Street.

GET BEYOND
DESIRE,
BEYOND THE LABYRINTHEAN LIE,
CONSUMER, DIE!
BE
MATERIAL FREE.

Last stop:

       No-name, this one:

BE:

     SU-PER-NA-TU-RAL.

SAY IT:

     SU-PER-NA-TU-RAL
     SU-PER-NA-TU-RAL
     DEATH FREE.
     LOVE!
     BE,
     WINGS FREE:
    
     WE ARE:
     SU-PER-NA-TU-RAL
Dedicated to Steven Hawking, RIP, this poem is designed to be read to a live audience. To this effect, it was performed at the Hundred Year Gallery in Hoxton, London, and has been altered considerably ahead of being performed at The Mediterranean Cafe, Berwick Street, in Soho, London. All welcome, March 28th at 7pm.
Given its ethnikos factor and contribution towards a common origin of multiethnic and languages, in values and traditions, its morphological factors of Verthian sub-mythology, are provided with content, traits, colors, and neutrality, focused towards a biosphere ecosystem, where the air conditioning, flora-fauna will make Sub-mythological Biodiversity, where the beings that inhabit it and will be in the range of evolution of mythological living beings, in whose diversity of genetic seizure, they will adopt natural and compound patterns, but always predominant in the pattern biological and organic. Wandering around the world in desert places, in alloys and compounds of classified plants, emptying their species through the hollow of the atmosphere and through the green shoots of grasslands in the reviving surviving evolution of organisms and species that for the first time take a look as a biotype among rocks and plantations, reciprocally among themselves and extemporaneously generating heritages of mythological genetics.  Considering millions of years in evolution with explosions of multicellular and fossilized species extinct in massive and occlusive memories. Inert matter and geological strata will make millions of years converted into microseconds in the Verthian Biodiversity of the Duoverse, in a Psychic and spiritual Universe, emerging in all macroscopic perspectives and parapsychological regressions. Impact They will cause in the maturity of all the diversity of externality and sensations in new topologies of anonymous universes and species of biodiversity, under a pillar of culture based on the Sub-Mythological biosphere process, encompassing all mythological species where the hope of Life and Super life. Transforming systems of functionality under the protection of spontaneous generation and in a matter that is availably underlined in the mountainous tissues of the mechanics of the subset of the air mass, water, climatic biospheres, and biogeochemistry, that in the unreal juncture of and interprocedural reality of carbon, factor the species key and specimen disclosure, in the collection and in sinks, water drains but without carbon.

Hyperdisis, the galaxy connected to the Duoverso, in its biotic diversity, reinsert thick clumps of Nothofagus Obliqua forests, in waste processes, to domesticate the Leiak ethno-forest species, as balance nutrients and repair of the disgraceful disgrace of unnatural toxicity and fragile of the agrosystem, maturing cultures and preventive pollination in succulent transfers for purposes of food webs and the environment. Making the appearance of species more effective and perceptible, reunited in community chains of coherence, to amortize low-resource needs and distance economic-political impacts, in view of new base resources and the sustainability of balance of allopathic crops, for the good of driving extinction of plagues or flagrant excesses not reconverted, for compliance with the exercise of light beings as a parallel systematic contribution and ******-transmission of applicable inputs of quality of life and deflation of risk of biological cyclical deterioration.

Hyperdisis, has a mass of inert matter that creates accesses of resilience, for salinity, rainfall, and human adaptive mythological innovation, given its versatile opening of complement and generation of substances, for the convenience of living beings and No.  Having adopted in the context of mythological Galaxy, related to beings of light comparable to distant elements, by means of Psychic Trisomies and teleportation, for energy sources and soil and water mechanics with Leiak, constituting molecules for the simplification of phenomena of exacerbation of chronic and endogenous diseases. Forests and parks of Hyperdisis in the open and symbiotic, for more airs in microbiological space, in the intimate portion from highest to lowest challenge of proprietary elements and antinomies of hieratic human bioculturation in a showcase of communities with interest in technologies and empirical usability and renewable, each part doing its scientific and biodiversity role in the portico of its home. As a hieratic quality, presenting amendments that are glimpsed and more existent, although it passes before our eyes without the Carbon Footprint, figuring logical mathematics by sponsoring its count more than a shadowy synthetic body, anticipating super valuation measures, averaging them in tiny theological portions, with varied and dissimilar levels of genetic habitats and alleles or heterozygous in the taxonomic functionality of reproductive and biological approval elements. The richness and abundance of this item is delegated to Leiak, in all the revolutionary processes of the oak forests and of the high mountains, where Vernarth directs him and is condescending of his dynamics, from countless temporary revolutions of other species.

Within the gasifications of Cinnabar, there was Carbon in its Life cycle, being Zefián; the curator of the Duoverse, destined for a lifetime, under Universal and intergalactic effects.  Claiming innocent living beings with higher attributes of predation survival in the ecological chain, with the mix of Tsambika and Theoskepatis, granting multidirectional dynamic residual matter for green energy emissions. The feedback quantifies carbon circulation offset options, offsetting the multipurpose CO₂ inventory. At night Zefián and Vernarth roamed the streets of Rhodes, in Tsambika, looking for the distilled portions of the carbon and sulfur emanated by Cinnabar. In the same way Etréstles in Theoskepatis initiating with the Archpriest by virtue of the honors and the rubies of accumulations of water mass and of sulfur and carbonated air, which hung over the low sky of Rhodes and Kimolos. They were going to the Necropolis of Hellenika, when the gnostic rampages were glimpsed in the surrounding slab, minting half of the gold bars for the great goldsmith who erects the conventionality of having the physis imperturbably established, as a matter of patriarchal character. They entered Hellenika and the souls that were hanging around were ringed under the encrusted crescents, lavishing the independence of the night in the hands of Borker, which was reflected in the capitals of a mausoleum. Borker is consistent in saying that he is free in Hellenika, in the myth of the woodworm of the dustbin of the frieze where Etréstles perched next to the strap that Zefián, who would manipulate the gold and alabaster chain, to pull it and its ruby ascetics approaching a final night in the astronomical autumn, in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Hellenika friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar the epithet of heraldry in the noble metals and woods of the autumn and mountainous temple of the one that follows the equinox in the meridian of seven days to the southern and northern hemisphere.

They enter the Hellenika Necropolis, through the upper and lower trays, cordoned off by obelisks in series of petrified ebels, in the square sections of the convergent ones and the linearity of the central pyramid, where they sponsored all the sectors of the stones of the prismatic geometric body, next to some piloneos that flanked the third of those that were in the figurative memory of funerary monuments of Vernarth. In harmony with the radiosities of the Cinnabar, they purged the carbon emanations in the intrabodies of petrified breaths, expanding in the segments of trepidating life of the behavior of the inert matter, crushed by the organic, polishing the degrading character of the excavated prayers, under a superfluous shadow. It was already dawn; Etréstles and the Archpriest were breaking the loaves to deposit them in the bowl of the Day, stretched out in the arms of heaven under the gargle of the god Vertumnus that he forged from the materiality of Jupiter. Vernarth nodded his head to the movement of the winds that cut the profile of a Yawning Citarist in the frieze that raises all the crowns of the princes of the living-dead, making them part of the royal occasion, preparing petty spaces and tyrannies for devouring vassals in Hellenika, Diogenes of Sinope is seen coming out from the lair of his rib, splitting with his doctrinal staff all the isthmic paroxysms, which declared the cell of his life as Diogiversity.

"There were murmurs of astonishment at the surprising response of the wise man because no one dared to speak like that to the king. Alexander asked: "Why do they call you Diogenes, the dog?", To which Diogenes replied: "Because I praise those who give me, I bark at those who don't give me and I bite the bad guys." Again, more murmurs, but Alejandro was undaunted by those responses and said: "Ask me what you want." So Diogenes, undeterred, replied: "Get away from where you are, you cover the sun for me" ..., Vernarth replied: "Look for him in the bones of those who refused to die and fear beyond expiration who rejoices in the cold of the dean skeleton seed, without heat or memory here in Corinth and its Diogiversity ”. Everyone is silent and fear takes hold of everyone in the sybarite contemplation of Alexander the Great ..., expropriating his speed more than a contempt for the cranium that is advocated for Vernarth "
Ethno-spirit and Biodiversity (Diogiversity) / part 14
RAJ NANDY Jun 2016
Dear Poet Friends, I hope you like this slice of Early History presented
below in simple verse. Please do read the short notes at the end, before giving your comments.  Thanks, - Raj

ARCHIMEDES : THE PIONEERING
       STREAKER OF HISTORY!

There lived in the Third Century BC, in the Sicilian
town of Syracuse, then a Greek colony,
A Greek mathematician named Archimedes.
He was tasked by King Hiero of his town,
To find the purity of gold in his crown;
Suspicious of the goldsmith having mixed
some material of inferior kind,
Which the King wanted Archimedes to find!

So, Archimedes lost in thought one day,
Entered the public bath on his way!
And as his body began to get submerged,
He happened to notice perchance,
Water spilling over from the tub!
The answer suddenly flashed across his
mind,
And he jumped up leaving everything
behind,
Wearing only his birthday suit,
Running through the street of Syracuse,
Exclaiming -  “Eureka! Eureka!”
(I have found it! I have found it!)
Perhaps to become the first known streaker  
of History!
While establishing the Principles of Buoyancy!
@ (see notes)

Archimedes, son of the astronomer Pheidias,
studied at the great Alexandrian city,
Remembered even to this day for his many
pioneering works, -
In Hydrostatics, Mechanics, and Geometry.
With his ingenious mechanical discoveries,
He held the great Roman galleys of Marcellus
at bay,
For more than three years, as Plutarch the
Roman Historian says!    + (see notes)
Later one day, while lost in deep thought,
When some intricate problem of geometry
he was trying to resolve,
Refused to hear Marcellus' bidding,
To be slain by the Roman soldiers who had
come to fetch him!
O those Romans, with lesser brains and more
brawn!

And some hundred and thirty years after
his death in 75 BC,
Cicero, then the Roman Governor of Sicily,
Found the tomb of great Archimedes, near the
Agrigentine Gate, over grown with bushes and
thorns;
Where he lay buried in the scented dust of History!
                                                   - Raj Nandy, New Delhi.

NOTES:
@ Principle of Buoyancy = any floating object displaces its own
weight of fluid. So weight displaced by a crown of pure gold and
the one already made could be compared to find the truth!
+ Archimedes designed large stone throwers, & crossbows, and
also grappling hooks using large cranes to grab Roman ships and
capsize them!
Yamini Aug 2020
In the pandemic of trust
what I found was him
he made sense of my mess
all that he cared of was my stress
all I must say to him
was a brother

He uplifted the standards
of brother for me
where I could be a commander
and he being a tree
to provide all that I need
or what I deprive of

Where there is no way
out there
he would not betray
what I choose are devils
And what he pray is
high-level

In the pandemic of love
he taught me something beyond
beyond feelings
beyond security
he gave the safest place
to reside in
he booked it for my entire life
and the irony is
I am not known for its rent

What I am familiar with is
he is a goldsmith
and I being his jewelry
would be in his locker
one more familiar thing
is there
this ornament is nothing
without her goldsmith.....
💕
judy smith Oct 2015
Mandy Moore spent a casual Wednesday visiting friends at a beauty salon.

The 31-year-old actress appeared in great spirits as she left the Striiike Salon in Beverly Hills in a black midi-dress with thigh-high split and snakeskin sandals.

During the outing the Because I Said So actress shared a snap from inside the salon where she showed off her matching hairdo with stylist pal Ashley Streicher.

Mandy captioned the snap: 'Hair twins with my fav, streicherhair. #striiike'

The actress's golden brown locks fell in beachy waves to just above her shoulders while her blonde friend rocked a similar longer version.

Mandy kept her eyes covered in stylish eyewear and wore her denim jacket draped casually over her shoulders.

She dressed up her look a little with orange-red lipstick.


Smiling as she headed back to her car, Mandy carried a blush pink handbag and black fedora.

The actress was reunited with an old flame this week as she hung out at Universal City's Halloween Horror Nights.

Pictured with her ex Wilmer Valderrama, 35 - who now dates pop star Demi Lovato - Mandy smiled in a selfie with the actor and another friend and shared it on Instagram writing: 'I've know this goof since I was 15!

'So many indelible memories and stories with these 2. Always fun to catch up with an #HHN run,'

Mandy dated the That '70s Show star from 2000 to 2002.

Mandy added another snap of the trio posing with pals, including Cupcakes and Cashmere's Emily Schuman, in front of one of the haunted houses.

'At the ****** house at #universalhhn w the crew including emilyschuman, wilmervalderrama and a hidden rp1313. Quite the Sunday evening....' wrote the Because I Said So actress.

Mandy has been linked to Dawes frontman Taylor Goldsmith following her split from her husband of six years, singer Ryan Adams, in January.

read more:www.marieaustralia.com/cheap-formal-dresses

www.marieaustralia.com/****-formal-dresses
DIYA May 2019
(1)                 Peter Holcusker was not a sinner          
                    tanned and dried like a prune
                    eyes wandering, glinting the petty change in his pocket
                    cobblestone bruised knees and half-eaten bagels
                    denim overalls, probably stolen
                    the land was impolite
                    it's inhabitants no less
                    "who could love a *****", they hushed
                    aren't they the children of filth and ****
                    they steal and they stare
                    the grumbling of their belly is it not an excuse enough


(2)                 I've heard he lives in a barn
                    near lake Marshdon
                    he keeps to himself
                    a sly and sneaky little chap, he is  
                    he is no guileless soul
                    we all know his truth
                    he needn't say much
                    Peter Holcusker is the worst of us
                    vices know him well
                    he hides the devil in his trenchcoat pocket


(3)               now you ask
                   why has Peter not spoken up for himself?
                   gossip and tattle envelop him
                   yet he like all of us has fallen prey to it
                   why don't we forget
                   all our past- doings  
                   like the town-people have forgotten his goodness
                   everything Peter did with them
                   they have labeled him, caged him in a flurry of words
                   they cut his tongue and spoke for him
                   oh Peter, how did it come to this!


(4)                I saw him begging on Downbury lane
                   his beret was from Harrods
                   who in their right mind would  give money or pity
                   to a prince-like pauper
                   Mrs. Zeta  saw him in the pharmacy
                   "He must have stolen all those medicines", she hollered
                   "Disease  is an apt punishment  for people like these
                    these villains must live in constant  misery
                   ; that's all these slimy miscreants  deserve "
                  

(5)               The goldsmith and carpenter, radical believers
                    of the notion of heaven and hell
                    look at Peter as if he is already living in the fiery pits of
                    shame
                   but they do not pray for him, looking all polished in
                    their Sunday suits
                   the army of hypocrites walking in unison to  church
                   singing baseless hymns in great fervor
                   they leave religion an all its virtues in the bible at the
                   pew
                   then gossip away to glory eating pudding  after service
                   mostly about the widowed or Holcusker


(6)            all the gossip-mongers huddle
                their spiteful remarks like invisible daggers aimed at their
                 latest victim
                their words pierced  poor Holcusker's ear
                 echoes of opinions and beliefs
                hound his mind, for who knows how long
                oh look, God, at Peter drowning in a sea of helplessness
                how often he sits, whiskey in hand
                looking for ways to sway his mind
                away from his unsaid murderers
                


(7)            "Peter, are you as bad as they claim
                tell me you're not the anti-christ, they say you are"
                he does not wish to say who he is, or not
                but he knows for a fact that 5 years ago
                he was just like these hearsayers
               looking down on the so-called plebeians  
               salivating at stories about them and gulping them just the
               same
               circumstances and karma are powerful beings in this
                universe
               He regrets ever saying anything, for the postion, he is now
               in


(8)           Holcusker was a farmer, living happily with his
                sweetheart
                he had three precious cherubs, whom he cherished deeply
                he too went to church every Sunday
               with Mrs. Zeta, the goldsmith, and carpenter
               eating chocolate truffle after service, mocking the poor
               widowed Carrie,
               now a harlot, trying to make a living for her children
               his words were sharp and ruthless
              and now he is at a loss for them
              the great misfortune took everything away from him
              "Oh, Peter tell me what did you do so ?"



(9)           tears stained his eyes, he wept and wept and wept
                he cursed the past and its unruly effect on the future
                "oh dear, o dear  I did what I had to
                I did what I thought was right in the heat of the moment
                but I can assure my heart guided my unlawful actions
                even the psychic could not predict my dreary winter  
               the opinions I kept ever so freely, were now aimed at me
               I was the runt of the town, the fool, the disgrace
               now stories and rumors are synonymous with my name
               yet no one has come up to me to ask me the reality of the
                situation
               why would they I don't blame them
               for, I wouldn't have done it either "



(10)         now Peter Holcusker lives alone
                he carries the burden of his past mistakes with him
                he is  prey to mockery and stares
                the source of all gossip and rumors  
                but I ask you, witness to the story
                Is is right, in all its entirety
                to reduce the dynamic **** - sapien
                subject to change and circumstances
                to a mere static picture of that one thing
                he once did,?
                I leave it to you the same species to answer this lingering
                 question
                are villains always villains?
                who's to say who did what?
                and can we for once break free from the atmosphere of
                suffocating hearsay
               and see things for ourselves
                I ask this humbly, the rest my dear is up to you
Mary Winslow Oct 2017
The only thing brighter than hope
is loss
it chews into the goldsmith
that makes the soul
and gnaws me into colors
each part of me flying down
into the wilderness I am fluttering
as the farmer ploughs me into earth
where my intensity can rest.

In full dress once
I left an economy of boughs,
the candle isn't lit, a wick without its crown
I leave the world schooled in lean and lithe, a yogi,
I am here to study my own neglect.
The rest of the world, lion bodied,
glances at my century of rough.

But I robed the ground with my convictions
I couldn’t keep them
seasons burst out of me
even if I wanted to hoard my greedy treasures for myself
I couldn't
thus robbed of my enfranchisement
I mutter in time to the wind
sorrow gave me this reason-flayed second purpose

Which is to feed others, my body now a spilled nut
I am birded by the sowing belly of earth
my bells are rained and pinched
by this tapering
I am being shrunk to get through the door to death
only snow will enter in the end
when I am covered white and immaculate
together we give up color for the season of bones.
©marywinslow2016 all right reserved. This is a re-post of one of my favorites. It is also in the collection "Dea Tacita" that I published with Jeff Stier. This was published in Avocet online, fall 2016
Marieta Maglas Aug 2015
(Erica went into her room to rest. Geraldine and Carla started to read the journal they had found in the box.)


He left England with a ship and sailed east until he reached
Portugal; then, he took a stagecoach and traveled to Venice.
He was in danger of highwaymen who couldn't be impeached.
His coach had a high speed, ‘cause those men could become a menace.


He had made a gold deposit at a goldsmith, who gave him
Some receipts to exchange them with money at the British bank.
Then, he traveled through Europe choosing those pathways which were dim.
There, he missed London and its air being restless and dank.



He achieved knowledge of the Europe major languages.
He was seemingly traveling at his own expense,
Covered, by his own account; in fact, he carried messages,
And any of his messages had an important sense.


He traveled as merchant bringing drugs, rare books, and some
Exotic commodities like pine nuts, pistachios, and coffee
From the Royal Exchange instead of waiting a false peace to come.
In London, his luxury shops looked like covered in toffee.



(In her room, Erica started to read the document written in the Russian language. It was one of the most fragrant, pleasant smell papers she ever had in her hands. The person owning that document was a Russian one living in London.)



This document was also a letter from the Surveyor
Of the Royal Exchange, to an Indian official asking
Him help to buy some new shops in India; the payer
Could reveal the understanding of the retail shopping.



(Geraldine continued to read from his journal written in the Russian language.)



The man described the luxury life of the British elite,
His grand house, which had been built in the rich west of London,
And his horse-drawn carriage used for rides on the main street.
He wanted lead pipes for his house as any rich Londoner.


(Erica continued to read the document.)



That paper had an annexed one about the gold needed
To help a noble lady forced to spend the rest of her life
As a penniless nun; her words about freedom were heeded.
Imprisoned as a nun, she was, in fact, an abandoned wife.




The gold was brought with a ship that should anchor in that place.
Ivan was the liaison with that man and had to take that gold
To pay the lady's freedom; tears appeared upon Erica’s face.
Ivan caused the deviation from the ship's course as he was told.




He didn't know that the carrack had been hunted by some pirates.
Erica realized that the merchant had died, but she
Did not know whether the gold had been stolen or not, those bandits
Were still around having the link letter; she fell down on her knees


To pray for her life; she understood that the ex-husband
Of that lady could torture them to death for having plotted
Against him; she prayed while needing to be many thousand
Miles away and while looking at the hill with olives dotted.



(Erica burned the document.)
(Geraldine became meditative and told Carla,)



''These treatises generate some ideas of magnificence
And splendor; the luxury is realized with the skilled
Workers and the specialized knowledge, '' ‘‘the extravagance
Of these books is declined by the wars, where the life is killed, ''



(Replied Carla. She continued,)



'' These wars bring the decline of retailing, the stagnation
Of building, and the disappearance of a real
Art market, '' ''They use all the methods to fight for their nation
On the waters to protect the land; their strife is a squeal, ''



(Replied Geraldine. Maya entered the room to invite them to dinner. She said that she had seen someone having two dogs and walking around. Suddenly, Geraldine said, ‘’ I think I give birth to my child now. I have a sharp pain. I’m so afraid! ’’)


(..To be continued.)

Poem by Marieta Maglas)
K Balachandran Jan 2016
I enjoy, the subtle shades, connotation of each word,
probe, how dexterously they are put together in an order
like jewels in an ornament for generations to wear.
The way the construct speaks to the brooding solitude
that moves in and out of my soul,as the reading proceeds.

I smell a fragrance, like the scent of fresh ripe fruit,
eager to taste it, sink my teeth deep, draw juice,
now find a memory awaiting to resonate with the
cadence of my heart.
                                                 I am such an animal
that can smell poetry's worth from a distance,
a goldsmith who could  predict it's weight in gold
my avarice for a poetic diet, never dies, only swells.

Every poem of my kind, to me does something
my lover does, decidedly every imagery, carry forward
a memory, like wind a cloud, reaches a space beyond
touches eternity with it's magic wand,  a flash results
Even if the poet leaves me mid way, I'd still see the light.

I've an enticing excuse to imagine what I want to see
a poem doesn't produce anything,but what it does to mind,
is pure magic,I am in that flow,far from the illusory reality.
Ken Pepiton May 2019
Samesame, ripple, ripple, splash

against
the wall.
Still,

some way of thinking, some
idea
still doesn't like a wall, a

boundary, a barrier, a pallisade of
implausibility
beyond which

we are.
For a while,
what can we do? Live, right?
Live. Live right.
Right.
That idea, samesame, yours or your's
right's right, like

equal's equal

or,
better may be...
beauty is beauty, right, in the eye

of the be
holder, the holding being

holding steady, nuetrial calm

equatorial doldrums

art is bound to save the world,
it is something to do when there is nothing to do.

Angels embodied by men as men might imagine
a message bearer or
a christopher

jar of an ointment. Dr. Ruth's **** for Rubes.

Doktor doktor tell me tales, riddles only magi know

emmett fox--- chong says the audience will luv,
joel s. goldsmith--- the Bible is the truth, en code.
Okeh.

Ever learning
Coming never to the fullness of the godhead ******,

y'know? No lie is any part of truth, but parts of many lies are true.

You see that right, common sensed by the we we agree to be
ad hoc 'n'all.

Vectoring from our being modeled on Vetruvius's
form for man in harmony with

ever lasting things, measurable means transmute  metaphoric gold.
Bestness.
Per fectual in effect, per se, y'know, y'know, magic,

and not knowing any ever things is not samesame as
not knowing now things that are ever things.

Pay attention.
Mean is never meant to be mean like "worthless" or "hateful"
"naughty" is "as nothing", literally, virtually, actually, really.

naughty children made mean, on the bell,

C students can elect a presider over a we, the people, without me in it.
I float in the shallow calculus edge area of a plain
surficial bubble, after the wave
flushes the sand casting

a grain of meaning in a nue light...

Quant, quant, quant
and half a quant

convert that to horsepower or
candle power or

BTUs British Thermal Units.
The empire is not weaker now, the ice is melting,
the crushed polar surface is feeling free
flowing current,
a sixth gyre, as seen from a far.

------- Go, set a watchman-----

Find the old sergeants, where have they all gone?
Gone to seed,
rotted under clods.

Old broken guardians, unwilling to live under the lie of the law.
Opposistion to tyranny is obediance to

the highest reason you answer to.
By any other name, samesame, good has al
ways won. Ought causes naught to flee.
---
Me, flee? NO. I'm the great, great grandson of the
white trash, overseer seen empiratical,
Tonton boyz drum drum drum

Old rastifarianish lookin's guy, old
man, wombless hermit holy
man, set aside for
later

by faith.
Made set aside,
Pre-served in right use of spice and salt and fire and greasy savory
meat smoke,

mouth waterin', finger lickin' good
greasy green goblin guts.

Dandelion soup. The diary entry was,
"We had wild greens for supper." That being,

apparently all a tired, hungry fifteen year old girl considered
recording for the family chronicle of the journey,
Texas to Arizona, 1917,

while staring at more stars than any naked human eye
can see in twenty nineteen,

light is thicker now, around the inner edges of life's bubble
we abide in.

---- what if learning is the work?
Then, now we learn

ever, then we learn yon
yonder we find

godliness as defined by men who found no better word.

are there words better able to
hold being
really?
Acting asif whats were ours

chaching I ching's a thing
AI see
co rect me, in a lefthand way.
Make me right, in an underhanded way.

Listening prayer,
cast all your care, upon...

what if, per se, there
we planned to keep a secret sacred,
set a part,
a
rite a role. play an otherwise magician's apprentice enspeliered

up against the wall.
No light, no flight, no fight.

Birds eat my fruit and s
hit my seeds,

I am the vine growing up the wall
intentionally espelliered, planted to scale the wall
bhering fruit
full time

Kali fornia ifity

de-if now. Give it y'best ef
fect com
fort ify the lie "why is an unreasonable quest."

Try,

effectual, fervent prayer of a right using man, eh?

Pascal, m'man, layomoneydown!
While watching Tommy Chong on Rogan
Heeral Kothari Apr 2010
New-year untamed festivity finally wrapped up
Customary hustle-bustle and normalcy submerged
Folks again commenced that occupation 9-5
And it was the picturesque evening of January 11th 2010 at 5 pm

A man headed home after a day’s hard work to spend time with his loved one,
Children playing soccer with a glorious sun setting in the horizon!
A gorgeous woman, dazzled with stunning, pristine jewels at a goldsmith’s
Maybe its final shopping for her wedding on January the 12th!

24 hours have gone by but the situation now was not foreseen
Unexpectedly, the Earth ferociously fired up trembling and roaring in anger
Revenge it maybe sought for by bringing all of the existence to a standstill
Confusion, Chaos, Anxiety and Fear engulfed the tranquility of this serene orb

Endurance of a few seconds but everlasting pain inked on the victims’ hearts
Flattened roofs and crumpled concrete
Alleys upon alleys of collapsed buildings
Streets crowded with screaming people, pain simply too excruciating to handle!

People still in a state of shock,
Denial to accept the vengeance with which the Earth shuddered
Or a joke maybe the nature played
People still dazed over what just happened in about 30 seconds!

People lying down flat on the streets,
A sharp piece of concrete rocketed in the eyes of a passerby
A little more focus and some realized hours later they still lay amidst the dead
Road junctions littered with the dead, wounded, screaming people!

Children just orphaned and women just widowed
Struggling amidst the rubble trying to avoid being crushed by concrete
Still unaware of the abuse they might face later,
When in such darkness the evil within many may rise.

The Haiti Earthquake left the country in utter rubble,
More than 100,000 feared dead came the figure days later
A number of injured a lot more higher, some still stuck under the debris
Stories about women *****, children kidnapped and jewels from the dead stolen started doing their rounds!

But, amidst such horrendous stories, a ray of hope shone in the outer world
The countries fighting with each other attempting to force their faith on each other
People in conflict wanting to win the fight at any potential cost
Suddenly, dropped their weapons and joined hands to support the friends in the distant world

From a race to find wealth and conquer the world,
It became a race to provide help and save lives
Surely it turned to a race to reduce pain and extend a helping hand
The world united and suddenly, there was no lack of countries offering help.

No phones, No electricity, no communication
No food, no water, no shelter, no medicines
Planes from countries many, ammunition in abundance parked at the airport
Flattened concrete jungle having no path to enable these reach the littered people

Hope still was not lost, people still held hands together, fighting for a common cause
Trying to cut through the concrete jungle
Cutting and lifting enormous giants slashed their way through the rubble
A race to find survivors who still lay buried under the concrete was still to be won!

A wondrous phenomenon materialized!
A 5 year old still breathing as the rubble was finally raised after 72 hours!
A joyous scream amongst the people around, tears of happiness from his parent’s eyes!
Doctors and nurses ready to attend to him with food, water, medicines and a hug!

Hope seems to grow stronger
A few toys donated by a girl maybe from Australia, reached the impoverished girl
Who lost both her legs under the concrete!
Everything that’s gone wrong would not be fixed, but I do see a sign that humanity’s not totally vanished!

People working together tirelessly day and night
No track of the time since they last had their lunch!
They didn’t seem to care, for the joy of witnessing every miracle was worth a lot more!
Some battles lost, as casualty number rose,
But I salute to the soldiers on the battlefield for the chivalry they have bestowed!

A slap on the face of skeptics, that the big bad world still has angels
In the event of an adversity, our world together has still shown rock-solid humanity
Maybe a year or two down the line, the country would be back in its glorious state!
A show put up by the citizens of the world that humanity is not totally yet forgotten!

~ Heeral Kothari.
preservationman Sep 2015
Bleecker Street, a name associated with New York City in the section of Soho
But makes Bleecker Street many don’t know
Just what made Bleecker Street unique?
It’s straight out history is what makes the street complete
It was a Goldsmith shop
Just a gallop hop
The shop was the most famous on the block
The Goldsmith owner being Manny Strong
He was a man who knew how to get along
Mr. Strong was also a professional strongman
His strength was always in demand
Mr. Strong could bend bars to shape horseshoes
However, he could lift heavy weights and even horses himself
Now Manny Strong was ahead of his time, but not like everybody else
Mr. Strong was a valued Circus strongman being the star of the show
But a good glance of his physique was just follow the flow
He would often lift weights over his head
But he would often break chains instead
Mr. Strong had no trouble in getting a female date
But it always had to be a woman who could relate
It was Mr. Strong’s strength that was his build up
His massive muscles were his character in making female’s feel safe in his arms
Yet it was his confidence in don’t be alarmed
Mr. Strong was all strength in being a sturdy solid man
The call of his trade, a business man in demand
One of the strongest in the land
This was Manny Strong’s life that made Bleecker Street his caravan.
Mateuš Conrad Apr 2016
poetry can't be given the function of instructional language, the instructions akin to putting together a table... if philosophy excused it, and music over-shadowed it... poetry can only find a natural partner in painting - given these times, where painting has become so crude, no detailed forms in sight... philosophy excused the practice of poetry, yet it persisted, music overshadowed poetry with its crude lack of innovations due to rhyme - and so while painting debased itself from all the known schools, it found poetry in the depths eating its own tongue, and painting said: you might, you must as well welcome me into the golden ring of your crap couplets so we can call it marriage; personal affairs are inconsistent with this theorem, personal sacrifices or entanglements of jealousy - because that's the mediated love at a distance without a care for jurisprudence to delve into.*

a momentary guise of fame, less shadowy,
shaking pedestrians from their traffic orientation
of sleep, into a momentary  puppeteer show -
blink and blind what used to be
the pecked sockets by crows - indeed innocent fame
shakes pedestrians rather rather
acts to puppeteer - the public cannot be a nearly
and cleverly turned into puppets, they have the vote
after all - too many solemn victims
in the skin of masculine youth
braved their ship against the tyrannical sea,
and sea the failures, now - congregating apathy
as a democratic success - 'wake up! wake up! wake up!'
they won't wake up, hardly a wise concern,
encrust a perpetually solidified
populace source, create the atom for politics:
proton as power, neutron as the mediator
for the supposed non-existence of such a
power of attraction (dissolving civilisations
emerging as tribal affairs of necessary congregations)
and the mariner's disappearing trick
via bureaucratic consolidations - the r.n.a.
of democracy (d.n.a.) is bureaucracy -
please excuse my contentment at such a suggestion,
but please don't ask me to hold your hand
when you think language acts as vector formulae -
nothing supposed, non-instructive,
please don't ask for the caging of the animal
that's hunting in the wilderness of blank pages
readied for an anomaly of narration lessened in
recurrence that's a security of the oligarchs and
autocrats; the apathy of the right to vote also translated
as a transliteration of having a political opinion -
a new "transliterate" - to craft secondary meanings
for those nearby of mutual opinion -
but beyond the egg of centred yoke and gooey
white uncooked protein and shell into an educational
dispersion of apparently educational rubric of
the existence of easily wavering synonyms -
trust zoom and the goldsmith go-go taste of acid -
is language in the possession of poets always to be
made instructive? why... let me get my xylophone out
and play you the songs of the nativity play...
maybe that will work? maybe language ought to look
like joseph merrick rather than jane austen?
let's say that conversation took place in a crowded place -
and we also said that there was freedom
from techniques that were used to easily identify
an expression to get the tag: poetry... hmm?
anything to do with scraps of leftovers can be called
the new poetry - neo poetics - the ars is gone -
the art is no longer really identifiable as such -
imagine poetry with its rhymes to be like
playing a tennis ball against a wall, you're hitting
the same note to make it a couplet, but then
ask yourself, why no coupling in music?
some fame is here for the shaking of pedestrians
rather than the allowances of a puppeteer -
but the true fame, the fame kindred of power
involves the lost entertainment of the pedestrians,
the fame of being a puppeteer rather than
an entertainer - obviously had i  watch
and you asked me on the street what time it was,
i would have replied the obvious of, say, 8 p.m.,
nearing sunset in april - obviously that's stating
the obvious; i rather not crave shaking pedestrians
into becoming an aquarium of a spectacle -
i prefer those who chose the chance to become
puppeteers - lessened chance of becoming
a photosensitive epileptic on the red carpet.
A little bit of ***
In a canvas bag
And a wallet full of notes
And a piece of rag
A tooth brush and comb
And a letter pack
And a bit of paper
With a number on the back
And a crisp old sheet
From a writing pad
Is a folded memory
And a poem so sad
Yet with joy in the lines
That live on still
While the love they were for
Will no longer thrill
For the cause is lost
Like the canvas bag
Left by the seat
With no name tag
How can I find
That fleeting two?
They won't be in Oxford
They were passing through
I met them in London
By the cold roadside
They wanted a lift
So I gave them a ride
They'll pass on
Down Exeter way
The cost of that lift
Was dear to pay
For now I am left
With a canvas bag
With a leather flap
For a naming tag
All covered with names
That student wrote
So when standing so cold
At a glance he'd note
The words of his subject
Written thereon
And his mind would warm
As he pondered on
The lecture from where
The thought first came
And the hour of the day
When he wrote the name
Nameless he was
And his lady too
Till the *******
Was sifted through
Then a card
Came to light
With a name upon it
Plain to sight
And I remember
The college hall
Goldsmith's was
The name let fall
So to the English
Scholar then
I may return
The bag again
With a little bit of ***
And a sad love poem
I'll return them all
To their former home.
A hitch Hiker left his bag in my car and I had to think hard to find a way of getting it bag to him.
aurora kastanias Jun 2017
When Archimedes jumped out of his bathtub
Shouting ‘Eureka’ naked down the streets,
He had finally found a way to uncover
The deceit on behalf of His Majesty’s goldsmith.

Had he stolen gold replacing it with silver
While carving the divine wreath commissioned by the Tyrant?
The Golden Crown of Syracuse to be placed on the head
Of a goddess to be tested without being disturbed.

It all began with overflow as he dipped his body in water.
It was evident and easy to observe
That some objects floated while others sank,
Occupying more or less, tri-dimensional space.

Fluids rejecting or enveloping the intruder,
Displaced proportionally to the latter’s
Volume, density and mass, led to the revolutionary
Discovery of buoyancy, sparkling new beginnings.

The understanding suggested, that if an object displaced
An amount of water heavier than its weight, it would float.
The opposite being true, an object displacing
An amount of water lighter than its weight, would sink.

Fluid’s volition to reclaim its legitimate space.

Although the system was unable to assess the fraud,
As shape came into account and a kilo of solid gold
Was smaller than the kilo of golden wrath,
Dipped into water discrepancy ignored the math.

Unpredictably, the genius found higher purposes,
Buoyancy to determine whether a steel ship would sink
Or float, make it through the Mediterranean and beyond,
Where the Pillars of Hercules warn sailors to go no further.

Non plus ultra to the realms of the unknown.

The understanding suggesting that if an object displaced
An amount of water heavier than its weight, it would float,
Bigger volumes, lower densities, empty hulls and ballasts,
Succeeded in opening the gates to new oceans and new worlds.

Buoyancy to explain why our bodies float at sea
Apparently rejected by expelling waters claiming back their territory.

Gases being fluids, air acts the same,
With the extraordinary result that a kilo of feathers
Is indeed lighter that a kilo of lead.
By 0,9 grams.
When each of us, reach another,
a soul can be eternally saved;
the path has been laid out and
you must be courageously brave!

Are you willing to die to self?
Can you access the mind of Christ?
Do others see that you live for Him?
Do you have… His everlasting Life?

Better than a sermon on your lips,
is a contented spirit of humility;
in Life’s brokenness, you can shine
with His Light and vulnerability.

Christianity isn’t for wimpy souls;
many have died, having been martyred.
Become born-again on this very day;
Faith with Christ, can’t be bartered.
.
.
.
Author notes

Inspired by:
John 3:7; Matt 28:18-20 and

You can preach a better sermon with your life than with your lips.
-Oliver Goldsmith

Learn more about me and my poetry at:
http://amzn.to/1ffo9YZ

By Joseph J. Breunig 3rd, © 2016, All rights reserved.
Quinn Fox Mar 2016
i’ve been wondering lately
about the cynical views i hold dear
i identify with them greatly
but i’m not sure if they’re sincere

i don’t want to be sixty
and have not appreciated life while i have it
i never even wanted to live till sixty
but life’s all i have isn’t it

the idea of God always merely humoured me
and while an afterlife still eludes me
does nihilism’s peace really compete
with a serenity birthed purely from belief?

i’m non-committal for a family
but a child to guide and be close with
is a ***** kind of alchemy
that maybe would make me a goldsmith

i’m not one for a spouse
but i'd love someone to know me
maybe i could settle for a real house
enough to quench the wanderlust in me

society is cruel
too, life’s fatal rules
but i'd sooner be cast aside and sixty
than six feet deep at twenty

the selfishness of humanity always disgusted me
and while the blindness still eludes me
does humanity’s grief really compete
with a beauty Earthed like a stampede?
time is subjective. don't let life pass you by.
be content with your cynical views if that's what you enjoy, but don't enjoy them just because you're miserable.
have the courage to see the good things life can offer
you'll have to look for them because life isn't usually so courteous
but, well, strength lies truly in the recognition that we have none
courage, really, is living though you've many a reason to die
- there is a difference between being alive and living. it's more than surviving -  
life is what you make of it, as is everything, so enjoy the little things while they're there. and while you're here.
Sharina Saad Jun 2013
A grand dinner at Park Royale
Mingling with the aristocrats
the celebs and the royals
was introduced to a goldsmith
showing off her 24.4USD
fancy bue grey diamond ring..
she mentioned her name
gave a card written Jacob & Co
i am impressed same time i felt too small
when she asked me what I did for a living..
Unsure whether to be proud or shy...
told her i am simply a wordsmith
i write words of love and of virtues
Astonished.... she looked at me... amused and confused
WORDSMITH? She asked for my business card but i gave her this site
http://hellopoetry.com/write/poem/
she rolled her pretty eyes again
her diamonds shine...
my shy eyes met  her questioning eyes...
and I slowly bowed and said...
"if you can't find me anywhere"
you shall meet my words
even if I die today or tomorrow
my poetry remains....
i am a wordsmith forever i shall be
the gold is in my words the carat 30.11
is me.
no profit will it make understand the
written word.
your ring will be forgotten in the years to come
my words will still be read ,the perfect word
will never die
just promise you will never stop writing ..it,s important to never let poetry die the next generation must be as fired up and passionate as we are. i love the use and sound of the word "word smith" this has only one meaning to me ,and this is the sound of words when correctly put together form something quite beautiful. (Ken George Newman, 2013)
Julia Robertson Dec 2013
ice turns to air, freezing my insides with
every breath intake. the trees seemed as though
they were soldered, engraved by a goldsmith.
yet the grass is still alive without woe.

i sit isolated at a small park.
kicking the stones with many mindless swings.
cars ruin what’s to be silent as bark;
things have changed the old poets’ viewings.  

old poets like emerson who said that
nature leads to truth, but how could truth be
found in a place consumed by noise and chat.
worlds transcendentalists would hate to see.

this park may still be calming like before
but only lies are hiding in the core.
Dark n Beautiful Apr 2022
Lady Folly
He did not kiss me when he said good-bye;
I let him go, not asking why,
Self-reflection
But I knew why, today I am taking a break
To reflect on myself, on this blessed Palm Sunday
What do I really want, what do I really need?
Somedays I think I know,
especially then I fall back into my mode
I see things others don’t,
my ****** muscle contracts each time
he rolled over, and touched, another,
even as he spoke kindly, I always knew
It's not cheating for him. Somehow for me
It's an invasion of one's privacy
As I feud within: I shattered mirror,
Of myself, this can’t be love it's not real:
Even though,
I’ve learned it is far better to lay in an empty bed
Then to lay next to someone who makes me feel empty(quote)
In my case, I am experiencing a folly of a woman
When Lovely Woman Stoops to Folly


WHEN lovely woman stoops to folly,
And finds too late that men betray,
What charm can soothe her melancholy,
What art can wash her guilt away?
The only art her guilt to cover,
To hide her shame from every eye,
To give repentance to her lover,
And wring his *****--is to die.

Oliver Goldsmith
URL: https://able2know.org/topic/6894-1
Poetry can be therapy, poetry can be therapeutic,
These past memories, months of longing feelings,
I need the touch of his hand, his voice I can easily retrieve
The path of my writing is a path of truth,
I am the one that contributed to this madness,
I am the one with the poet's keyboard and pen
I am the one that should have just stayed friends,
I am the one that hate all men,
I am the one that loves, hates, and then love again,
Emotions, emotions, keep taking me in the wrong direction,
I want to go back, to my safe place, called loneliness
My heartbreak hotel
Vidhi Agarwal Nov 2014
I feel a sensation of tingling in my heart.
The fear that was locked in me is leaving.
I breathe the fresh air in.

Will this feeling of  change do good to me?
Or will this change make me worse forever?
I don't know how to describe this feeling.
Is it only me ?
Or everybody does feel it?

The change is like a storm,
And it will give me a whole new form.
Which will mark the start of a new begining in my life .

I do believe that the God wants me to face reality,
And live a life full of morality.
The change will either destroy me or create me.
I am like a metal and the god is like a goldsmith.
Moulding me into a beautiful peice of  shining gold.
First making me feel cold.
And then making me bold.
Rob-bigfoot Nov 2021
Rarely a winner, the sad lonely long-distance sinner,
A heart of broken rubble, repair not worth the trouble,
In conflict with life’s rabble, their ill-informed babble,
Lacking civilised patina, that saps my spiritual stamina.

I face a blank wall of ignorance, solace is a constant séance,
Lifeless I drift in hyperspace, a freefall from grace,
A bat-squeak whispers what a waste! wake up and chase!
Those youthful hopes and romance, you so readily denounce.

Soar away wordsmith! banish all doubts as myth,
Word by word and line by line, rise up and shine!
Love and valour will align, poetry will become your new divine,
Forge beauty as any talented goldsmith, oh sweet songsmith!

Some will mock and wonder, let courage be your rudder,
Through cruel shoals of torment, that masquerade as comment,
Rip away the tattered cloak of lament, hail poetry’s debutante!
Let soul and passion cast asunder, the years of sorrowed shudder.

Arise Sir Poet! your old world is there to conquer and outwit!

© Robert Porteus
Poetry can unlock so many feelings and passions that hitherto have been hidden away.
KV Srikanth Mar 2021
Ennio Morricone
Collaboration with Sergio Leone
Whips And Whistles
New sound to background
Sphagetti Westerns backbone
Never left Rome
Music his home
400 plus films scored
Distinct sound endured
Many Auteurs frequently collaborated
Fan favorite for decades
Won Oscar for The Hateful Eight
One of two to
To get the honor
Lifetime Oscar
For Composer extraordinaire
All roads lead to Rome
All notes lead to Morricone

Lalo Schifrin
Argentinian Pianist
Cult following with memorable Scores
Jazz themed band and Grammys Galore
Television Series & Movie themes
Added value with his Name
Superstars  first choice
Studios rejoice
A list Star to Act
Lalo to compose the Soundtrack
Fans across the world
Saw movies for his score

Henri Mancini won 4 Oscar's
Immortal theme for Pink Panther
Baby Elephant Walk
For Howard Hawks
Romeo and juliet love theme
Number one on the Billboard scheme
Partnership with Directors
  Everlasting music created
Deserving Hall of Famer
Years later for many
Still the favorite composer

Elmer Bernstein
Creme de la creme
Only composer
Nominated for oscar
Every decade since the 1950s
Won for Thorough Modern Millie
Versatility the key
Budget did not  affect
Genre did neither
The Magnificent seven & The Great Escape
Tunes stand testimony
For creativity and longevity

Dave Grusin patnership with
Sydney Pollack cruising
Director Composer  combination
Last of the Finest
Grammy s lost count
Oscar made the count
Composed the music for
Columbia TRISTAR logo
Outstanding musical score
Grusin music totally pure

Roy Budd Composer
Who learnt by ear
Could play by Three
At birth a Prodigy
Soldier Blue with Candice Bergen
Gave him the due recognition
Best Pianist Award
5 years consecutive
Soundtrack for films
Each one Superlative
Score for Get Carter
In our memories forever
Brain hemorrhage
Took him away  at an early age

Jerry Goldsmith debuted
in live television
Rambo and Star Trek
Franchise to name a few
His compositions always new
Composers like him
A very few
The Omen finally
got him his due
Paramount & Universal pictures
The music accompanying
The logos of the Studios
Jerry doing his wizardry
With the audio
Grammy and Oscar nominations
To be counted
Four more pairs of hands
Need to be included

Marvin Hamlisch winner
Of three Oscars
All in the same year
The Sting and The Way We were
Nobody does it better
Only one after Richard Rogers
To win The Grammy Tony Emmy Oscar and the Pulitzer

Bill Conti score for Rocky
One of the most Remembered in movie history
Replaced John Barry
In For your eyes only
Scored for the Oscar
Ceremony
19 times a record
envy of many
Won Oscar and Emmy
No Dynasty or Cagney & Lacey
without Conti

John Barry score for Sean Connery as James Bond
The super spy
A permanent legacy
Created by the supremacy
Of his musical ability
5 time oscar winner
From North Yorkshire
Illness threatened career Came back better then ever
Sold out concerts
Arena sized halls
Glory again after a fall
Oscar for The Lion in Winter
His personal favorite Goldfinger

Maurice Jarre  Composer and Conductor
Won 3 Oscars
All collaborations
with David Lean
Big Budget Films
His speciality
The Themes popularity
Showcased his versatility
His music told the story
Close your eyes and
You will know the reality
Appealing to every taste
Was Jarre's forte

David Shire
Winner of the Oscar
For Norma Rae
Composer & Songwriter
Streisands Pianist
Scored for Television & Movies
Conversation and Pelham
Musical confirmation
That his compositions
Will bear the
Test of time

Michel Legrand
son of a Composer
Winner of 3 Oscars
Conductor for many of
The French New Wave directors
Founder of the French Musical
Windmills of your mind
Forever etched in our minds
Over 200 films in a career
Prolific in nature
Select from his repertoire
Of music
Fill the air with Legrand magic

Michael Small son of an actor
Became a composer
Parallax View & Night Moves
Provides you with the mood
Alan Pakula & Arthur Penn
Directors for whom notes he penned
Sidney Lumet Bob Rafelson & John Schleisinger
Legends in their own right
Small' talent shined bright
Prostate cancer
Took away this Great Music Director

Charles Bernstein used Music & Sound effects
To maximum effect
Oscar Winning Documentary
Which had no oral commentary
To tell the story
Scored for horror genre
A cult in the sub culture
Burt Reynolds in White Lightning first chance to
Score for a feature
Charles Bronson in Mr Majestyk
Made these films click

John Williams pianist for
Goldsmith Bernstein & Mancini
Second only to Walt Disney
In Oscar Nominations
52 and counting
Winner greatest Soundtrack
Of all time
Star Wars earned him that name &  fame
Widely regarded as most successful  Musician
Positivity is the key
Particular theme  for different characters
Greatest ever
anthony Brady Dec 2019
1.
Sweet Blaisdon, loveliest village of the name,
by chance I come back here to live again.
There smiling Spring its earliest visit paid,
while Summer Autumn’s blooms delayed.
Dear lovely haven of innocence and ease,
joy of my youth, where every face did please.
In bygone times I wandered Velde House Lane,
stood by its gates to watch the passing train.  
Oft, have I sensed and seen thy every charm:
strolled Nottswood height, gazed on Stud Farm,
loitered by Longhope Brook, aside the water Mill,
heard St. Michael’s bells peal over Cinder’s Hill.
Now in my Winter years The White Hart bench
awaits where often I was wont my thirst to quench.
In mind, above plum tree blossom watching over all,
I clearly see the stately tower of noble Blaisdon Hall.

2.
Remembrance is music whose sweet refrain
echoes as I flee the spheres of peopled pain.
In all my wanderings round this world of care,
in all my griefs, of which I’ve had my share,
I still have hopes, my final years to crown,
here in Blaisdon before I lay me down;
to trim life’s guttering candle to its close,
to fan a gem-like flame from dying. In repose.
I still have hopes, dear Muse attend me still,
to show the curious my life-learned skill,
in open forum a growing group to draw,
to tell in poems of all I felt, and all I saw.
For, as a fox whom hound and horse pursue,
flees to the place from whence at first it flew,
I still fond hopes hold, my long travails past,
here to return, recline, to die at home at last.
O blest retirement, friend to life's decline,
I find at last all I never thought was mine.
How happy man who crowns, in years like these
a toiling youth of labour with such an age of ease.

Tobias - after Oliver Goldsmith.
Aged 80 I return to a village in Gloucestershire, UK where I worked 60 years ago  as a teenage farm labourer. In this poem I use Oliver Goldsmith's poem - The Deserted Village - as a template.
The Fable of Jesus

Jesus was skeptical of his tribe, as a trainee carpenter
so lousy couldn't even make a bookshelf, they kidded him
for that and Jesus took umbrage and criticized
the priests who served the Romans.
He took to hanging out with a group of radicals of the day
and since he was good with words, became their leader.
They had groupies too, one of them was Magdalena and
Jesus took a shine to her without saying so, but them all
knew from the way he looked at her.
Being admired by his flock, Jesus thought he could take
on the establishment, like when he chased money lenders
out of the temple; he was wrong.
When the Romans mocked him and crowded him a king,
he thought the people would come to save him, no such
a thing happened, he was strung up (Crucified).
The women came to his rescue, healed his wounds and
sent him to France where he took the name of Pierre,
married Magdalena had seven children and was
a much-respected Goldsmith
Michael ayodeji Mar 2018
THE SEED OF TALENT

.The mustard seed
Fell on the thorny part
It found it death

.The winter marƙed its funeral
The summer
markeɗ it resurrection
Now green has becomes it hue

.The amorphous unrefined pebble
Has wiggled leisurely
To the workroom of the goldsmith
He has made
the iron passed it's aggression on it
And it ***** ***** has turned golden

.The one quarter of the talent
Has found its way
to the care of a productive servant
Riches has he made from a little talent


.Green has it becomes
The mustard seed of talent
Golden has it become
The amorphous pebble Of divine gift
Riches has he made
From the little talent

By
Ayodeji Lawson lawmyk
©2018
Sandeep malviya Jan 2018
Little beautiful white girl
Your eyes like brown pearl
Beauty of your Iris
Remember for centuries my wish
Timid pupil is very sensitive
Those pearl are too executive
Peeping out from rose petal eyelid cleft
Looks delicated when you uplift
Suddenly when your eyes enlarge
It create a Corona discharge
Your eyebrow is made up of silk
Sclera is white as a milk
Your willpower is too strong
Stops you in doing wrong
Oozing out of a hot tear drop
While they are full of hope
On your Hurt When You blink
All those tears they immediately drink
Redness in eyes while you anger
It looks very danger
Like a brave Lion in a cage
It's Lethal when you gaze
Deep as ocean
Powering out your emotion
Those glittering eyes Speaks alot
People will understand not
It's like an illuminating whorl
Only a goldsmith values a pearl
No one knows the path of Heaven or hell
You are owner protect them well
Little beautiful white girl
Your eyes like brown pearl
Browny eyes of a little girl

— The End —