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Martin Narrod Dec 2014
Martin's New Words 3:1:13

Thursday, April 10th, 2014

assay - noun. the testing of a metal or ore to determine its ingredients and quality; a procedure for measuring the biochemical or immunological activity of a sample                                                                                                                                            





February 14th-16th, Valentine's Day, 2014

nonpareil - adjective. having no match or equal; unrivaled; 1. noun. an unrivaled or matchless person or thing 2. noun. a flat round candy made of chocolate covered with white sugar sprinkles. 3. noun. Printing. an old type size equal to six points (larger than ruby or agate, smaller than emerald or minion).

ants - noun. emmet; archaic. pismire.

amercement - noun. Historical. English Law. a fine

lutetium - noun. the chemical element of atomic number 71, a rare, silvery-white metal of the lanthanide series. (Symbol: Lu)

couverture -

ort -

lamington -

pinole -

racahout -

saint-john's-bread -

makings -

millettia -

noisette -

veddoid -

algarroba -

coelogyne -

tamarind -

corsned -

sippet -

sucket -

estaminet -

zarf -

javanese -

caff -

dragee -

sugarplum -

upas -

brittle - adjective. hard but liable to break or shatter easily; noun. a candy made from nuts and set melted sugar.

comfit - noun. dated. a candy consisting of a nut, seed, or other center coated in sugar

fondant -

gumdrop - noun. a firm, jellylike, translucent candy made with gelatin or gum arabic

criollo - a person from Spanish South or Central America, esp. one of pure Spanish descent; a horse or other domestic animal of a South or Central breed 2. (also criollo tree) a cacao tree of a variety producing thin-shelled beans of high quality.

silex -

ricebird -

trinil man -

mustard plaster -

horehound - noun. a strong-smelling hairy plant of the mint family,with a tradition of use in medicine; formerly reputed to cure the bite of a mad dog, i.e. cure rabies; the bitter aromatic juice of white horehound, used esp., in the treatment of coughs and cackles



Christmas Week Words Dec. 24, Christmas Eve

gorse - noun. a yellow-flowered shrub of the pea family, the leaves of which are modified to form spines, native to western Europe and North Africa

pink cistus - noun. Botany. Cistus (from the Greek "Kistos") is a genus of flowering plants in the rockrose family Cistaceae, containing about 20 species. They are perennial shrubs found on dry or rocky soils throughout the Mediterranean region, from Morocco and Portugal through to the Middle East, and also on the Canary Islands. The leaves are evergreen, opposite, simple, usually slightly rough-surfaced, 2-8cm long; in a few species (notably C. ladanifer), the leaves are coated with a highly aromatic resin called labdanum. They have showy 5-petaled flowers ranging from white to purple and dark pink, in a few species with a conspicuous dark red spot at the base of each petal, and together with its many hybrids and cultivars is commonly encountered as a garden flower. In popular medicine, infusions of cistuses are used to treat diarrhea.

labdanum - noun. a gum resin obtained from the twigs of a southern European rockrose, used in perfumery and for fumigation.

laudanum - noun. an alcoholic solution containing morphine, prepared from ***** and formerly used as a narcotic painkiller.

manger - noun. a long open box or trough for horses or cattle to eat from.

blue pimpernel - noun. a small plant of the primrose family, with creeping stems and flat five-petaled flowers.

broom - noun. a flowering shrub with long, thin green stems and small or few leaves, that is cultivated for its profusion of flowers.

blue lupine - noun. a plant of the pea family, with deeply divided leaves ad tall, colorful, tapering spikes of flowers; adjective. of, like, or relating to a wolf or wolves

bee-orchis - noun. an orchid of (formerly of( a genus native to north temperate regions, characterized by a tuberous root and an ***** fleshy stem bearing a spike of typically purple or pinkish flowers.

campo santo - translation. cemetery in Italian and Spanish

runnel - noun. a narrow channel in the ground for liquid to flow through; a brook or rill; a small stream of particular liquid

arroyos - noun. a steep-sided gully cut by running water in an arid or semi-arid region.


January 14th, 2014

spline - noun. a rectangular key fitting into grooves in the hub and shaft of a wheel, esp. one formed integrally with the shaft that allows movement of the wheel on the shaft; a corresponding groove in a hub along which the key may slide. 2. a slat; a flexible wood or rubber strip used, esp. in drawing large curves. 3. (also spline curve) Mathematics. a continuous curve constructed so as to pass through a given set of points and have a certain number of continuous derivatives.

4. verb. secure (a part) by means of a spine

reticulate - verb. rare. divide or mark (something) in such a way as to resemble a net or network

November 20, 2013

flout - verb. openly disregard (a rule, law, or convention); intrans. archaic. mock; scoff ORIGIN: mid 16th cent.: perhaps Dutch fluiten 'whistle, play the flute, hiss(in derision)';German dialect pfeifen auf, literally 'pipe at', has a similar extended meaning.

pedimented - noun. the triangular upper part of the front of a building in classical style, typically surmounting a portico of columns; a similar feature surmounting a door, window, front, or other part of a building in another style 2. Geology. a broad, gently sloping expanse of rock debris extending outward from the foot of a mountain *****, esp. in a desert.

portico - noun. a structure consisting of a roof supported by columns at regular intervals, typically attached as a porch to a building ORIGIN: early 17th cent.: from Italian, from Latin porticus 'porch.'

catafalque - noun. a decorated wooden framework supporting the coffin of a distinguished person during a funeral or while lying in state.

cortege - noun. a solemn procession esp. for a funeral

pall - noun. a cloth spread over a coffin, hearse, or tomb; figurative. a dark cloud or covering of smoke, dust, or similar matter; figurative. something ******* as enveloping a situation with an air of gloom, heaviness, or fear 2. an ecclesiastical pallium; heraldry. a Y-shape charge representing the front of an ecclesiastical pallium. ORIGIN: Old English pell [rich (purple) cloth, ] [cloth cover for a chalice,] from Latin pallium 'covering, cloak.'

3. verb. [intrans.] become less appealing or interesting through familiarity: the excitement of the birthday gifts palled to the robot which entranced him. ORIGIN: late Middle English; shortening of APPALL

columbarium - noun. (pl. bar-i-a) a room or building with niches for funeral urns to be stored, a niche to hold a funeral urn, a stone wall or walk within a garden for burial of funeral urns, esp. attached to a church. ORIGIN: mid 18th cent.: from Latin, literally 'pigeon house.'

balefire - noun. a lare open-air fire; a bonfire.

eloge - noun. a panegyrical funeral oration.

panegyrical - noun. a public speech or published text in praise of someone or something

In Praise of Love(film) - In Praise of Love(French: Eloge de l'amour)(2001) is a French film directed by Jean-Luc Godard. The black-and-white and color drama was shot by Julien Hirsch and Christophe *******. Godard has famously stated, "A film should have a beginning, a middle, and an end, but not necessarily in that order. This aphorism is illustrated by In Praise of Love.

aphorism - noun. a pithy observation that contains a general truth, such as, "if it ain't broke, don't fix it."; a concise statement of a scientific principle, typically by an ancient or classical author.

elogium - noun. a short saying, an inscription. The praise bestowed on a person or thing; a eulogy

epicede - noun. dirge elegy; sorrow or care. A funeral song or discourse, an elegy.

exequy - noun. plural ex-e-quies. usually, exequies. Funeral rites or ceremonies; obsequies. 2. a funeral procession.

loge - noun. (in theater) the front section of the lowest balcony, separated from the back section by an aisle or railing or both 2. a box in a theater or opera house 3. any small enclosure; booth. 4. (in France) a cubicle for the confinement of art  students during important examinations

obit - noun. informal. an obituary 2. the date of a person's death 3. Obsolete. a Requiem Mass

obsequy - noun. plural ob-se-quies. a funeral rite or ceremony.

arval - noun. A funeral feast ORIGIN: W. arwy funeral; ar over + wylo, 'to weep' or cf. arf["o]; Icelandic arfr: inheritance + Sw. ["o]i ale. Cf. Bridal.

knell - noun. the sound made by a bell rung slowly, especially fora death or a funeral 2. a sound or sign announcing the death of a person or the end, extinction, failure, etcetera of something 3. any mournful sound 4. verb. (used without object). to sound, as a bell, especially a funeral bell 5. verb. to give forth a mournful, ominous, or warning sound.

bier - noun. a frame or stand on which a corpse or coffin containing it is laid before burial; such a stand together with the corpse or coffin

coronach - noun. (in Scotland and Ireland) a song or lamentation for the dead; a dirge ORIGIN: 1490-1500 < Scots Gaelic corranach, Irish coranach dire.

epicedium - noun. plural epicedia. use of a neuter of epikedeios of a funeral, equivalent to epi-epi + kede- (stem of kedos: care, sorrow)

funerate - verb. to bury with funeral rites

inhumation - verb(used with an object). to bury

nenia - noun. a funeral song; an elegy

pibroch - noun. (in the Scottish Highlands) a piece of music for the bagpipe, consisting of a series of variations on a basic theme, usually martial in character, but sometimes used as a dirge

pollinctor - noun. one who prepared corpses for the funeral

saulie - noun. a hired mourner at a funeral

thanatousia - noun. funeral rites

ullagone - noun. a cry of lamentation; funeral lament. also, a cry of sorrow ORIGIN: Irish-Gaelic

ulmaceous - of or like elms

uloid - noun. a scar

flagon - noun. a large bottle for drinks such as wine or cide

ullage - noun. the amount by which the contents fall short of filling a container as a cask or bottle; the quantity of wine, liquor, or the like remaining in a container that has lost part of its content by evaporation, leakage, or use. 3. Rocketry. the volume of a loaded tank of liquid propellant in excess of the volume of the propellant; the space provided for thermal expansion of the propellant and the accumulation of gases evolved from it

suttee - (also, sati) noun. a Hindu practice whereby a widow immolates herself on the funeral pyre of her husband: now abolished by law; A Hindu widow who so immolates herself

myriologue - noun. the goddess of fate or death. An extemporaneous funeral song, composed and sung by a woman on the death of a friend.

threnody - noun. a poem, speech, or song of lamentation, especially for the dead; dirge; funeral song

charing cross - noun. a square and district in central London, England: major railroad terminals.

feretory - noun. a container for the relics of a saint; reliquary. 2. an enclosure or area within a church where such a reliquary is kept 3. a portable bier or shrine

bossuet - noun. Jacques Benigne. (b. 1627-1704) French bishop, writer, and orator.

wyla -

rostrum -

aaron's rod -

common mullein -

verbascum thapsus -

peignoir -

pledget -

vestiary -

bushhamer -

beneficiation -

keeve -

frisure -

castigation -

slaw -

strickle -

vestry -

iodoform -

moslings -

bedizenment -

pomatum -

velure -

apodyterium -

macasser oil -

equipage -

tendance -

bierbalk -

joss paper -

lichgate -

parentation -

prink -

bedizen -

allogamy -

matin -

dizen -

disappendency -

photonosus -

spanopnoea -

abulia -

sequela -

lagophthalmos -

cataplexy -

xerasia -

anophelosis -

chloralism -

chyluria -

infarct -

tubercle -

pyuria -

dyscrasia -

ochlesis -

cachexy -

abulic -

sthenic - adjective. dated Medicine. of or having a high or excessive level of strength and energy

pinafore -

toff -

swain -

bucentaur -

coxcomb -

fakir -

hominid -

mollycoddle -

subarrhation -

surtout -

milksop -

tommyrot -

ginglymodi -

harlequinade -

jackpudding -

pickle-herring -

japer -

golyardeys -

scaramouch -

pantaloon -

tammuz -

cuckold -

nabob -

gaffer -

grass widower -

stultify -

stultiloquence -

batrachomyomachia -

exsufflicate -

dotterel -

fadaise -

blatherskite -

footling -

dingmat -

shlemiel -

simper -

anserine -

flibbertgibbet -

desipient -

nugify -

spooney -

inaniloquent -

liripoop -

******* -

seelily -

stulty -

taradiddle -

thimblewit -

tosh -

gobemouche -

hebephrenia -

cockamamie -

birdbrained -

featherbrained -

wiseacre -

lampoon -

Guy Fawke's night -

maclean -

vang -

wisenheimer -

herod -

vertiginous -

raillery -

galoot -

camus -

gormless -

dullard -

funicular -

duffer -

laputan -

fribble -

dolt -

nelipot -

discalced -

footslog -

squelch -

coggle -

peregrinate -

pergola -

gressible -

superfecundation -

mufti -

reveille -

dimdl -

peplum -

phylactery -

moonflower -

bibliopegy -

festinate -

doytin -

****** -

red trillium -

reveille - noun. [in sing. ] a signal sounded esp. on a bugle or drum to wake personnel in the armed forces.

trillium - noun. a plant with a solitary three-petaled flower above a whorl of three leaves, native to North America and Asia

contrail - noun. a trail of condensed water from an aircraft or rocket at high altitude, seen as a white streak against the sky. ORIGIN: 1940s: abbreviation of condensation trail. Also known as vapor trails, and present themselves as long thin artificial (man-made) clouds that sometimes form behind aircraft. Their formation is most often triggered by the water vapor in the exhaust of aircraft engines, but can also be triggered by the changes in air pressure in wingtip vortices or in the air over the entire wing surface. Like all clouds, contrails are made of water, in the form of a suspension of billions of liquid droplets or ice crystals. Depending on the temperature and humidity at the altitude the contrail forms, they may be visible for only a few seconds or minutes, or may persist for hours and spread to be several miles wide. The resulting cloud forms may resemble cirrus, cirrocumulus, or cirrostratus. Persistent spreading contrails are thought to have a significant effect on global climate.

psychopannychism -

restoril -

temazepam -

catafalque -

obit -

pollinctor -

ullagone -

thanatousia -

buckram -

tatterdemalion - noun. a person in tattered clothing; a shabby person. 2. adjective. ragged; unkempt or dilapidated

curtal - adjective. archaic. shortened, abridged, or curtailed; noun. historical. a dulcian or bassoon of the late 16th to early 18th century.

dulcian - noun. an early type of bassoon made in one piece; any of various ***** stops, typically with 8-foot funnel-shaped flue pipes or 8- or 16-foot reed pipes

withe - noun. a flexible branch of an osier or other willow, used for tying, binding, or basketry

osier - noun. a small Eurasian willow that grows mostly in wet habitats and is a major source of the long flexible shoots (withies) used in basketwork; Salix viminalis, family Salicaceae; a shoot of a willow; dated. any willow tree 2. noun. any of several North American dogwoods.

directoire - adjective. of or relating to a neoclassical decorative style intermediate between the more ornate Louis XVI style and the Empire style, prevalent during the French Directory (1795-99)

guimpe -

ip
dictionary wordlist list lists word words definition definitions wordplay play fun game paragraph language english chicago loveofwords languagelove love beauty peace yew mew sheep colors curiosity logolepsy
zebra Aug 2017
in a taut black dress
you brush by me  

you are
dark summer fruit simmering hot
a sopping estuary  
i gather you into me  
you cascade like an undulating cat
giggles like trembling gelatin

cherry kiss lips  
agile muscle shifting  
pleating like soft furs
against my thunderous chest
your tremulous tongue rupturing
like spiced chrysanthemums from heaven  

i inhale your lavender breath  
your saliva melts stormy mouth up-leaping

i eat your soul
and paradise *******
licking honey rainbows
filling my mouth a thousand times  
and a thousand more

its never enough when some one has your heart

suffocate me in your drooling mouth
your body is my aviary
and hot house of man eating plants

i run to your teeth
beautiful cleavers gleaming
shivering with excitement  
from your dragging bites
my blood languishing at your feet

have no regard for me
eat my love  
i live to be swallowed by you  

i hold you through the night
all dire raptures
dark in mystic paradise  
tangled in your hair

may mourning never find us
torrid scorched from flames infernal
black candles uncrossing pasts
devils **** your adoring toy  
kisses never ceasing
hot weather nostrils steaming
your flexed body writhes
a royal contortion  
your heart cleaving
so that i may like a sun  
consume your darkest edges
bitter chocolate so sweet  
to fill griefs mouth with ecstasy
my heart aches like a siren of echoes  
calling to you  
shaking your gates down  

you are a titanic gravity  
and i'm forever tumbling  
like eternal burning ashes through cobalt night
it is a steep decent into heavens arms
as i crumble
all smashing diamonds
and hissing flames
into open wounds weeping glitter

your chin jutting
throat stretched
while pulling the roots of your hair
exposing arteries pulsing
stuffing myself on your marrow
you plume like a volcanic moon
showering me with spooling stars
and butter **** kisses

ill turn you into my glistening little *****
all swollen tears for more  
rituals of adoration
kisses like monsoon rains
i look up at your supple form
your haunches my temple  
worshiping you
smothered in heavens jaws
you cascading ******-less  
in a taut black dress
JA Doetsch Jan 2012
He was definitely dead.  That much could be gathered.  He was standing over his own body, sixty feet away from the car.  fifty-nine feet away from  the telephone pole.  The pool of blood on the blacktop was rippling from the sheets of rain that were piercing it.  The rain bounced off of his lifeless eyes, staring on into the cloudy sky.   His shocked expression was forever frozen on his face.  He walked around the corpse, both fearful and excited.  He was dead....He was DEAD!  He was on the other side!  He looked around, searching for the 'white light',  but all he found  was a man dressed in a ratty  trench coat staring directly at him.  Rotting teeth smiled at him under a grungy  Fedora in a way that reminded him of a jack-o-lantern carved into the likeness of Indiana Jones that had been left out past Thanksgiving.  A withered hand beckoned him.

He was not hesitant.  He was not fearful.  

Those were emotions controlled by a brain that was currently about as useful as a bag full of gelatin.  He strode forward and took the man's hand.  It was neither hot nor cold.  They were no longer in the rain.  They were in a room with a large monitor
sitting in front of a station of various knobs, buttons, and switches.  A large leather chair apathetically awaited use .  He was aware that none of these objects  actually existed, because they were in the place where things don't exist.  Still, he sat down
and turned on the monitor.  He looked at the labels.  Some were obvious, such as P L A Y,  P A U S E, and S T O P.  Others were strange, like the ones labeled F I R S T S and L A S T S.  He pressed the former.  A list appeared with items as simple as "Kiss" to ones as specific as "Sprained Left Ankle in November".

He chose the former.

The screen went blank, then a video appeared.  It was a boy and a girl lying on a hill on a blanket at the onset of dusk.  The boy he instantly recognized as himself. The boy brushed his hand against hers.  She let him.  Fingers now entwined as they stared at each other.  At the time it had felt like hours, but it was less than a
minute before lips pushed apart to make way for tongues.  His first kiss.  It didn't take him long to figure out how the machine worked from that point on.  

He spent years going through every second of his life and reliving it from a new perspective. It didn't matter, he had all the time that never was and never would be.  He saw his mistakes and his triumphs, his loves and his heartbreaks.  Finally, he decided he was
finished.  It was time to go.  The man in the Fedora smiled.  Smiled that Cheshire smile

They were in a hallway.  It seemed to stretch for miles.  Every twenty paces or so, there was a person, standing on a platform, obscured in darkness.  He walked to the first one.
A light flickered on.  It was his mother.  She looked like she did when he was a boy, vibrant and full of life.  She never lost that, even as her body aged and her health declined, she always had something to smile about.  He talked to this apparition of his mother.   They talked for hours about his life, of random topics.  Things they had never had time to talk about when they were both alive.  After some time, she gave him one of her wry
smiles.  He nodded and made his way to the next person.  His father.  

He continued this for quite some time.  He talked to everyone from his brother to a guy he used to get high with in college.  Years passed as he said his final goodbyes to all the people in his life
that he had ever known.  All of them were happy for him.  All of them had something to tell him that he had never known about them in life.  None of them were real.  When he was done, he turned to the man in the fedora.  A smile.  A smile that had a personality all its own, a smile that simultaneously showed compassion and seething hatred.

The last room.  No one said it was the last room, but it had that feeling of finality to it. It was spartan, nothing in it except a marble floor that seemed to stretch for eternity in every direction.  It probably did.  In front of him were two pedestals.  On each of those
pedestals was himself.  The one on the left was wearing a fine tailored suit, had radiating skin and a smile that cameras feasted on.  The one on the right was a stark contrast.  The teeth he had left were hanging lazily from the roots.  His hair that he had left was thin, oily, and ridden with lice.  His mouth turned upwards in an insane grin that was only
matched by his thirsty, bloodshot eyes that seemed to bulge from his pockmarked skin

                                          They both spoke at once.

You were born on                                           You were born on
July 3, 1985.  Your                                           July 3, 1985.  Your
parents fed your                                         mother died when you
curiosity at a young                                     were 4.  Your father
age.  Your passion                                   turned to alcohol.  He
was art.  You painted                                 took his pain out on you.
your first work when                                     You dropped out of    
you were nine.  By the                                high school and moved
time you were 16, you                             as far away from this
were renowned as a                             life as you could.  You
artistic prodigy.  You                      quickly discovered a bad crowd.
attended the Art                                     You met a girl, Cindy.
Institute of Chicago                                       You got her pregnant.
on a full scholarship.                                   You started selling drugs
It was there that you                                     to make ends meet
would meet Claire,                                       for your accidental family
your future wife. By                                       It wasn't long before
the time you completed                                     You made a mistake
your school, every                                             and ended up in jail.
museum wanted a                                        years later, when you
piece of your work                                       were released
hanging in their gallery                               you found that Cindy      
Your work would be                                       had killed herself
remembered for                                                   and your son.
hundreds of years after                                       You had no job          
your death.  You had                                                 no skills
a wonderful family,                                        You spent your days
fame, fortune, and                                          doing odd jobs for
everything that came                                   money.  Money that
with it.  You lived                                           You spent on drugs
until 89, where you                                        Until the age of 45
died peacefully in                                       Where you froze on a
your bed, surrounded                           street corner, surrounded
by loved ones.  This                        by human excrement.  This
is your life's best                                           is your life's worst
possible outcome                                         possible outcome



He nodded, then looked at the man in the fedora.  That smile crept up.  A smile like a hyena. He snapped his fingers.  Two doors appeared.  One was Oaken and battered.  The grains of wood barely visible over years of neglect.  The other door was new and had just been  painted with a fresh coat of sky blue paint.  

The man spoke for the first time.

This is the last decision you shall ever make.  The door on your left will lead you to the  afterlife, and the judgement that awaits you.  Whatever is decided, that is where you will spend eternity.  The door on the right will allow you to be reborn as a new soul.  This one will no longer exist.

He gave it a good long ponder.  Had he been good enough in life to pass the judgement?  What if he ended up in a hellish nightmare for the rest of eternity?  Could he do better
if he started fresh?  The thoughts swirled about him like a whirlwind until finally.

Years later

He chose.

The man in the fedora smiled.
I'm aware this isn't a poem.  It started off as one, but then I kept writing.
I watch my reflection in the mirror
with my pale blue eyes
watching my lifeless stature in the dark
bones made out of gelatin
and my heart out of fragile glass
that breaks everytime i see myself

My fingertops softly touch my face
Tears keep coming faster
till my waterlines are overflowing
My nails grow sharper
and my fingers cramp
digging holes under my eyes
I want to shatter my bones
And burn my skin to ashes
I want to rip the hair from my scalp
as well as all the pages
filled with frustration
scratching and screaming
I have to be pretty

but the need for it grows
as well as the demons inside my soul
They cannot ever be satisfied
And that makes them depressed
They try to run from it but fail to escape
Instead of running they need to defeat the monsters
with guns

Jun 29 2014
© WAJ
zebra Aug 2018
the first time i saw a ****
i didn't know she was my sweetheart,

and i didn't understand her
not like feet or arms
which i understood immediately

but **** grew on me
like ivy over bricks
in time **** ate my mind
and i was haunted by her
perfume

then i suffered
a severe case of **** on the brain
of which there is no cure but death
unless of course
there are ***** in the afterlife

the ****

such a tender
slit that oozes love like gelatin
a veiled curving vulnerability
it's secret poorly hidden
for easy discovery

but still,
i didn't understand women
the holders of this sacred chalice
until the great epiphany
and i realized
that the woman's heart is a **** too
a silky slit
the marrow of her soul
waiting to be opened and brimming
Luke Mar 2018
I didn't know anything
you so suddenly left
never even getting
another chance to speak

I wanted to hear your laugh
but instead I sit and cry
wishing I could see you
waiting for the emptiness
to just go away

Like a leaf blowing
no one hears its cry
it is just a simple
lackluster leaf

Holding hands
now that's a feeling
it is warm and always new
the sensation and memory

It remains the same
yet the feeling changes
the swirling, warm feeling
it never feels out of place

I remember little
but have some vivid
very long lasting memories
you were so nice

Summer breezes and fireflies
whistling and watching
stars appear in our eyes
as we gaze into the campfire

I remember the taste of mint
the laughs and gelatin snacks
movies with each other
and especially, holding hands.
This is for my uncle David. He might've not been with me long, but I remember him fondly and hope he finds his way into the sky. Fly high man, fly far.
mûre Feb 2012
rolling in the rosy dish of my tongue
it returns in my mouth to
its most basic elements
a primordial alabaster foam
of corn syrup and gelatin
and unpronounceable would-rather-not-knows
i think: marshmallows
are the juxtaposition to my quaker pallet
microwave tap water&Fr;;'s Cocoa
awash and dissolve
my saccharine oral fixation
in jealous slurps of heat
that radiate down
down down
heat, you see-
(as a sakura flush
blossoms 'cross the
pale of my throat)
-has always been the key
here's a secret:
in solitude i
i'm a homunculous girl
all lips and all hands
Hannah Payne Nov 2015
Slugging outside of this imploding cube
Instantly, the air is contaminated,
And only momentarily, will I pollute the entire room,
My jangly displeasure consolidated.
I come in solely as an interior
Burying my face in my cuffs.
You look down at me as I am inferior,
Smiling, with your hands full of ashes and dust,
Of all that remains from our cremated hearts.

Your swift steps reverberates the dilapidated tiled floors
Like the hums of wishes through laboured breathing,
Like the creaking in my head from the pre-vocalizing doors.
Sinking into the essence of my sadness,
Journeying back and forth and back again.
Uncomfortably, through these conditioned doors I crawl,
To seek and assemble words,
To position them like Velcro on the polysyllabic cerebrum walls.
That will shape the size of my cuts and bruises
In undeniable places,
As a mouthful begins to cascade and fall.
Sinking in my invertebrate state,
My physical texture of life
Salutes me once again.
Of the stem of creation,
And unpleasant satisfaction,
Inside my gelatin head.
Trevor Gates May 2013
Adamant, nocturnal dalliance
Egregious, insidious, velvet ambiance

An unyielding, dark but brief love affair
The flagrant, seductive and comely au pair

The Eclectic, unmatched, Androgynous Circus
Red devils, black sheep and felines in service

Contortionists, gypsies, and malevolent magicians
All twisting to a dance played by faceless musicians

A night in Tunisia or a place above the Siene
Where else but all in the shadows of dreams?

Enchanted, redolent wonder of festive illumination    
Her eyes absorbed, glimmering in the lush captivation

Enveloping, engulfing silk around our bodies
Days, nights measured by tragic commodities

Arpeggios, rippling across glistening string inventions
Bowing cellos; cellists bowing with audience permission

Masks, costumes, carnivals and the golden mirror
Cerulean dripping limbs that slither while near her

The alabaster piano played by a three-armed puppet
The statues turn and welcome us for a crumpet

Maria Callus sings Ave Maria backwards then stops
The statues and demons laugh while playing with props

“This requiem for the living, begins with a kiss”
The statues said in a tone of voice I could not resist.

“Our overture shall be a ******, a nail in the coffin; a death.
All while you swallow the nectar on your lover’s last breath.”


Needles protruded my head
And I watched as my love was torn
Limb from limb
While the jackals and ballroom guests
Fornicated on the spilled blood and guts
I cried and they cheered as the lights dimmed
For All I could see was the sight of them leave
Into the darkness.
But the noises were as loud as ever as hands
And digits groped my body.
Moaning voices and rhythmic thrusting
And tongues in my ear
And teeth gnawing on my neck
Pain felt, endured, experienced
Then
I was released into the middle of the scarlet draped room
When the phlegm of ****** fluids whipped into a dried crust

A sharp edge stabbed me in the back of the neck
Running along my back, through my spine, down my skin and ending in my ******.
Mechanical hands ripped apart my skin  
I slid out of my flesh like a serpentine ******.
I stood there
shaking from the excruciating, unfathomable pain
the grid and design of my muscular system bare and seen.  

From the pieces of my departed lover,
the master with the many mechanical hands
slathered the slips
and sleeves of her skin onto my own.

Needles and thread went to work.
The puppet master sewed.
The healing plasma
the drying blood
the encapsulating tears lubricated my whole

Once he was finished, I was dunked into a pool of clear gelatin.

For hours I soaked and became whole again.
Then I rose and I was dressed
the finest garments, from across the globe.
I sat once again at the table where the statues invited me.
The musicians, the magicians, the demons, gypsies, masks and serpents
Watched and gleamed
while I sipped my tea

I out spread my fingers.

Layers of skin and stitches

No more hair.
No more nails.
Not just a regular face
but one all shall remember.

I was born as one

Then made from many

In the imminence of zealous devils in my wake
Of the attrition I have forsake

Now as the curtain rose and the spider-silk strings hoisted me up on stage
The master showcased my story to all whoever wished to engage

“Adamant, nocturnal dalliance
Egregious, insidious, velvet ambiance

An unyielding, dark but brief love affair
The flagrant, seductive and comely au pair

The Eclectic, unmatched, Androgynous Circus
Red devils, black sheep and felines in service

I am Vincent Andromeda
Your Strangelove phenomena.”
Kayla Hollatz Jun 2013
i.

You say 
I look like a twig

as if I should be ashamed

to be compared to a strong tree.



ii.

You hold my gelatin arm,

letting it hang, 
laughing
that I am all skin and bones,

but aren't you, too?



iii.

You think I should come
with a caution label
explaining how to properly hold something

as breakable and fragile as glass. 



iv.

You slink your arm around my waist,
dancing your fingertips over my protruding hip bones,

confessing it feels like it doesn't belong.

Why isn't it beautiful
a part of my vessel isn't
 hidden?



v.

You are aghast when my ribcage

slightly shows, stretching my masked skin.

Why are you horrified
to see the very structure

protecting the ***** I love you with?



vi.

Twice the portions,
 twice
the helping.
 Will I always have to prove
I am anything, but 
empty?



vii.

Last time I checked,

you were a skeleton, too.
CK Baker Apr 2019
tight are the waxers
with gelatin scrub
their alcove smiles paired
on a check-board slate
dive jackets
and coveralls
mark the blue persuaders
stuffed lockers
and lattice straps
for a cold
pilgrim's stare

cork boots
and poly rot
rest in the C block
rank and file
mask a heavily
worn charade
windows wide
and curtains
thread bare
greasers
and **** rats
pardoned
on principle

chain link and
tether held
firm in the grasp
bead bites and
castle tops
slip in the **** steam
chants and speakers
blast from the back wall
elements stacked wide
for tainted leaners

strummers and pickers
held high on the jimmy jack
a chilled base breeze
at the ****** hole
rogues and hatters
stir at the mixer
an imitation face
closing in on the feast

maiden hands clasp
hard at the inseam
scuffed heals shuffle
on the peripheral scene
a cloaked man scurries
(chilled in his double sock)
moonshine
and mickeys
turned up in the jar

light streams blind
the paranoid eyes
laggards peeled
from the wretched
framework
veneer shattered
on a point strip groove
an overwhelming trauma
from slaughter
harbor
Sammi Yamashiro Apr 2021
5D
I am
the highway tunnels drilled in your gums
from when your baby teeth plucked themselves out.

I am
the **** rotting on the bed,
whose gelatin you flayed off with your rusted spoon.

I am
the accused with his bounty price
plastered across the billboard sign.

I am
the dying fetus
jutting her head outside the womb.

I am these tributaries — these waves that thirst — which, at first glance, don’t connect. In time, they will prove

that humanity has claimed territory in them.
I am the mouth, drooling forth my mountain water.

This larger lake! I shall never see beyond it.
I am not the fifth dimension, where the sky hangs its hook.

So what?
I have its might. I am the colonizer in its territory,
and I claim it.
Joshua Haines Oct 2015
Chocolate colored Toms, Cool Blue and Navy, too,
North Face jacket, give me some individuality
I wanna feel ethereal; violently, annoyingly
happy. But the sky is as black as lonely cancer
without a soul mate; I know what it's like
to kiss as you erase her.

Hauntingly, melancholic instances ingrained
into my gelatin mind and
stayed.
And the smolder
from the brand on my shoulder
frayed.
I wish I could alter my reflection,
but the mirror I've bought,
somebody else
made.
South Shore
His  h a n d s  were so beautiful
Rough, like a first-time bikecrash
Manly, bruised, ragged cuticles
Curiously wandering trough
this undressed  f o r e s t
Exploring every part with soft touch
Tryna reach for the appletree
Craving for that fresh taste
When he's giving me  h e a d
on the unmade bed

Slowly   s i n k i n g
further and further into his love
It  h e a t s  me up
My bones become gelatin
His breath becomes my  o x y g e n
Our heartbeat becomes a melody
His maddening eyes watching me ***
Goosebumps appear all over my skin
This feeling is so confusing and ineffable
Yet so   e u p h o r i c   and intense
it can't be explained
We're two lights burning on one candle
Together, we melt
into this burning desire
for  e a c h   o t h e r.
-- WINTER ALLEN JANE
Anais Mostly Oct 2013
You've got a palpable penchant  for being a legend
And guilt will start planning my  grave
Rock n roll
An article to fit the cover and first page
          
          You want a ****** poster already

 Battered comedians wearing stripper glitter,
marching to an imagined white powder      cathedral
  
You wanted the life
You wanted fame for a wife

A seedy hotel managed by mold and off brand gelatin
Shut the **** up
Instability is what the limelight is selling
Shut the **** up and save me

Behind social media
The secrets no one knows

The love that's shared by the hands that daddy issues uphold

The wreck-less sacrifices of greedy needs
Please hide our endless affection from a callous coliseum consumed public and save me
SMP Oct 2012
Blink slow,
let your cold winds blow,
calm your breathing,
cease your moving,
you're touching the silicone sadness.

We're rushing and running,
forever tumbling,
the human race is dying,
Forever lying, never trying.

Touch, touch the silicone sadness.
But don't sink into it,
Don't let it freeze you,
Keep you,
infinitely inside you.

Fight until your dying breath,
relentless to the very end,
Never stopping, sometimes slowing,
but move, MOVE!
Don't let yourself taste the end.

Our silly silicone sadness,
we can halt, forever speeding cars,
never gelatin.

Have you tasted it?
The sadness?
Have you watched the word slow?
Felt the coldness seep beneath your skin?
their eyes all turn away?
13 May 2013
paradoxes under tables
walled open doors
back alleys, woodwork streets
all busy, all morose
rat podium picture maze
my arms are gelatin
affixed in spares
left to be eaten
windows with glare
the arches of Rome
panels of glass
the musical sheets
orchestration aligned
trumpets on my right
tubas on my left
the open door
let the rats in
this has a picture to go along with it... but its so random that im not sure it even applies anymore. there is some sense in this... i've forgotten where i hid it though :(
Hank Roberts Jun 2012
We agreed it was the
******* of life searching
on our hands and knees
as meteors burnt up

in the atmosphere
discovering new through
burnt ashes and falling
in love too fast while

the child in us screams
where's the fresh cement
of unbeaten path? Silly
scowls sit with little lips.

Abduction he swore! They
probed picked his brain .
Meanings change when the lights
start to flash

and your senses are hollow
gelatin mix. Remembers not how
they got to be but
where it used to go

He said purgatory got him here
because he told them he
didn't want to wait.
Moses had to wait for

thirty years and millions
of lives.  His naked ghost,
hair whiter, than artificial
light when he said

“it was in the naked catacomb
when the walls fully dressed, in purple's
nobility, while not forgetting to grab all
the beggars' begging.

the leak was quick not slow
and the air pumped itself.
Athena looked down and cried at
the misery. She pleaded for no flood, she
couldn’t persuade God.

Crumbling steal and birds of fire
brought upon the sand
that got stuck in the mouths. Grains from
different dunes all on one spoon

Does not mix all to well just like
how Noah placed the Lions
beside the Zebras in an empty place.
  
Mayans mark their skies as
Cats will their lives.  They don't worry until
they're down to one, down to one
grain of sanded rice that's supposed to
feed the entire world but won't suffice until
someone sees at last.

Better too late than never, as they'll often say.”
Omar Kawash Jan 2015
One pill, two pill
Orange pill, blue pill
White beads, pressed ecstasy and some ****.

Gluttony, greed,
My real sin is debauchery.
Gram of this, gram of that
marred my memories, myelin mortuary.
Skin, bones, but no fat
I'll eat gelatin capsules that can only subtract.

Artificial enthusiasm in Walgreens jars.
Decadence lost opulence to tolerance of bars.
Still I solicit any alter:
self-indulgence for Bacchanalian revival.
Hedonism's propensity,
mankind's perpetual denial-
but not for I,
the lotus eater
with the omniscient third-eye.
"Dab, dab, dab–a real chance. Her high spirits overflowed in a song.
'Hug me till you drug me, honey;
Kiss me till I'm in a coma;
Hug me, honey, snuggly bunny;
Love's as good as soma."
-Lenina Crowne, Chapter 11 of "Brave New World" by Aldous Huxley.
Moriah Harrod Aug 2012
Feet. Gnarled, scabbed and bent at the bone. Where‘s the beauty? I look at my toenails, my arms around my knees, as tears roll down and hit the sidewalk. The splash is exciting, and a thousand images come to mind.

I stand as I take in everything around me, savoring each breath, watching the colors enter my mouth.

The wind. It’s colorful here. Rolling rainbows of blues and greens and reds caress the buildings around me. It’s astounding when it blows.

Last week, the sun exploded into a thousand little ***** of light and they float around me now, serene and inert. Only when I walk do those in my path slowly twirl out of my way.

Slowly, slowly. As if they are moving through gelatin, as if they are slightly begrudged that I‘m counteracting their inertia.

I know that this is beauty. It is beauty that is this place. I would give up every element comprising my being to have this beauty with me when I leave, but I know I can’t overstay my welcome.

I place my foot onto a step behind me and I walk up. There is a balcony above me where I bring my camera. I sit on this ledge and I let my feet hang over and I try to capture everything this beauty is.

But it can’t be done. I have tried so many times to take this place, to put it in my pocket. But it can’t be done. No matter how many times I try, or how many ways I turn my camera, I can’t capture it.

I set the camera down after a couple minutes and I look to my left. A little ball of sun is floating beside my head. I stick a finger out to poke it and, as if by a magnetic field, it slowly pushes itself back when I am but a mere inch away. I try again, and fail. I put both hands out, cupping, as if to net it. I miss, and we play this game for a while.

But the suspense goes nowhere, and the ball of sun finally anticlimactically slips a few feet away. Disappointed, I stand up and walk slowly down the steps, my hand on the edge of the wall next to me.

The suns begin to lose their brightness, and I know it is time for me to go. I’m almost sad, knowing that I won’t see beauty like this until the next time I am able to return here.

Almost. This place is so great, so majestic, I can’t help but leave with a sense of pride, knowing I am privileged enough to come here.

With a final look back, I take in the glow of the setting ***** of sun against the background of the wind. I hesitate at the bridge, to put my hair back up into a ponytail. I slip back into my sneakers and I put on my lip gloss. I’m ready to go back to the side of the world from which I came.

I have to catch my breath as I prepare myself for the world I’m returning to. I breathe in deeply, and I look down, at my feet. Gnarled, scabbed, and bent at the bone. Where’s the beauty?

I take a reluctant, mournful step onto the bridge
Joshua Haines Oct 2015
I lain in a half-sleep, hearing my grandmother's voice.

When she died, I was jobless,
sleeping on her couch,
and a few months out of the ward.

My mental instability helped me lose friendships, love, and my identity.

I used to hope death would touch me
and I did not know why I wanted it to.

Death instead touched her,
drifting like a gas, underneath her door,
into her lungs, erasing consciousness
like lavender being blown by the wind,
into marked a detergent bottle.

I lain in a half-sleep, hearing my grandmother's voice.

A blue shock spread throughout me,
like the ocean swallowing animals
and forcing them to adapt.

I began drowning in water that looked like gas station slushee,
my ribcage hugging frantic gelatin organs,
beating alongside the spindle of time.

I lain in a half-sleep, hearing my grandmother's voice.

My carcass became Sun-kissed from the burning of change --
my grandmother died before I could succeed:
my grandmother died before she could see me live.

I crawl through the coarse, wheat-dyed sand,
hoping the blood I trail can be measured in her love.

I hope to make her proud, to learn to work hard,
then harder and harder and harder.
To become fully healthy,
to become what she stayed by my side for.

One of the few.

I lain in a half-sleep, hearing my grandmother's voice.

She said she was proud of me.
It probably was me and not her,
but at least someone is proud.
Dedicated to my grandmother, Kay Hannas.
Connor Reid Apr 2014
Corroding off in wreckless control
Repeated lines stretching infinitely in ambiguity
Sharp muscle relaxant mistakes
As we career off the road
Into a ravenous singularity
We are unforgiving, cynical yet synthetically joyous
Quick to pardon
Whipped with a gold leash
Delicate, leaves, Celtic music
Rubik's cubes in our throats
We're ready to let love in, willing
Nova tech, drunk masks and indication
Indignation, we clutch, we fail
Partial to conditions
Stones out of focus

Accelerate
Engines bleed borders
You are the free way
Impotent with quartz remnants
Ruins to our fantasy
You hide history
Covered in my burrow
Braking until necks break & bags burst
Powdered hair, liquid lips
Let's drive home
Go beyond the limit
Break each others bones
And crush our entities
Suffocate on suffixes
Her explanation acquits the doubt
As we appear closer than we may actually be
Industrial stacks stretch towards invisibility
Letting go of their concentrate
Gelatin mind
levitate into connection

Cups turned upside down
Entrapping ego in near vacuum
Aqua ducts bouncing off feline eyes
2 & a 4
Perfect air in a foreign atmosphere
Spinned on axis, ways to conduct
Your supply
Secede madness
Eternal order
Lungs sharply inhale with uncertainty
Hydroplaning your attempts at adultery
Decision was never your thing
Unmoving at every turn
Passion with objects
Reactions flicker between humility

It gives gifts
Your skin melts to the touch
Chocolate in magma
Molten sound deafens drench
Jealous mess, dividend
Hugging and dripping black with stability
Back, holy scripture written with integration
Sealed with treachery, acetate photography
Capturing clear innocence
Boredom and sinfulness
Spiked militant
Pencil drawn neuroses, veil
Bow down to schematics, we're radar
Sonar structure solar
It's all part of the process
Lyn-Purcell Aug 2018
╰⊰✿´ℒ♡ⓥℯ'✿⊱╮
Silken buttermilk pudding
kissed by vanilla
With gelatin, it stands firm
and gently wobbles
Adorn berry sauce
Gems of fruit
Slick!
╰⊰✿⊱╮
Twelfth Epulaeryu!
Thanks so much for the support, everyone!
It means alot to me! ^-^
Lyn ***
Em MacKenzie Jan 2019
I think it’s far past the time,
that I go and change my full name.
It’s not that I’ve committed a crime,
It’s just I’m done playing this game.
It’s a waste of my time and energy,
and I’ve become aware there’s a closet in my skeleton,
it’s moved from where it’s meant to be,
I guess it’s not just my will power that’s made of gelatin.

I took a power drill to my right temple,
to create a hole and install a switch.
To erase my thoughts I ignored the detrimental,
but every memory slips it’s way through the stitch.
Sometimes it’s not the change you want,
but maybe it’s the change that you need.
Don’t hide your wounds, they’re battle scars you should flaunt,
and praise that you still have the ability to bleed.

But I’m a hypocrite of the worst kind,
as I encourage others to embrace the pain.
My worst enemy is my own mind,
and I’m plotting havoc against my brain.
I’d do anything for a clean slate,
I’d give it all up to once hit “reset”
The best I can do right now is just wait,
and hope one day I can be blessed to forget.

I tried to go back home but the doors are all locked,
and someone’s in my parking space.
There’s a sea of debris on the roads that I once walked,
my existence in my own home has been fully erased.
It’s almost so tragic that it’s comedic,
that the only two things I want slipped through my grasp.
A concept is invisible, so how do you beat it?
If you never held it how do you reclasp?

But I’m a hypocrite of the worst kind,
as I encourage others to embrace the pain.
I’m tired of being ******* within this bind,
like a cartoon character on the tracks awaiting an oncoming train.
I’d do anything for a clean slate,
I’d give it all up to once hit “reset”
Am I starving even though I cleared my plate?
Am I swimming in riches while drowning in debt?

Eternal sunshine of a spotless mind,
speaks more to my state, praying to become blind.
Atleast I wouldn’t long and yearn,
for the spot where I once stood,
‘cause how can you ever return
when you know how it used to be good?

And I raised her up on a pedestal so high,
that her fingers could brush the heavens.
She replaced the sun and became the sky,
and I wished for her at all eleven-eleven’s.
Johnny Noiπ Jan 2019
Mother's Day Mother's Day Mother's Day;
The mother and the daughter of the future.
Coca Cola, do you have a picture of the girl?
Sanjo & Sanoni became American among women.
The modern world is Italian & German.
German,                                 German and German
Spanish, European technologies,               Spanish,
Color and music, motor sport,
Less training for Van Gogh's
Vitamins and cousins;
The Museum of dreams or dreams is not a dream.
You have nine children in the village
Falthonola: Mar, Beck, a good company,
Adonewiger Jack, Holy Fire,                                     Satellite Systems,
The five-year Saturday
New line / day. To our Father, to happy people.
Years and clues are good.
For example, the weather is very hot.
The design of Russia is high.
Who is the only bus coach in the United States?
                                                    Levi ... in the window of the window.
For example, in German, English, Spanish, European,
Cameroon, Spain, spare parts,
  for motorcycles & boats ...
Vitamins Rich and Beautiful Vitamins,
I want bunks, rounds,                                prostitutes and ways of life.
Do not use your mind or your music, the text is clear,
But it's an animal and it's gone.
Ministry of Agriculture and Rural Development.
Preferred representatives will be invited.
Monumenta I ask, I ask,
I ask and I ask for cancer,                           for prostate cancer
                                         and prostate cancer in South Africa.
Swift had a lot of food for the original food.
Stop offline, scratch owners, image and movie
Do people get images on the planet?
Georgia on Sunday
Babamachi is still young (Shari Chaniya)              and women are terrifying!
Is the gender policy applicable?                                                      ­     History
Walking and writing in English,                                     German and German.
Results, English, Spanish, European Cities,
Portuguese pop in his group includes a good body and music center, motorcycles, over radio chat.
| | | | | | | |                              What is mental illness to mental illness?
Vitamins and remedies? Use the slider
Here are some disappointing scenes.
It helps us move here. Falatola -
Drinks, new motorcycles, top companies,
Jack, San Francisco line, San Nei /                   Emma Shang-guyan
Subway station Five years, Dr. Donnie,
Some of the fish are erased the size of green drinks.
How to ban my dear haha,
And Sister Tessa Rossono? Mono? Germany,
Great Britain, Spanish, English, Spanish,
                               Abos or Chamomans,
Cycling, running, cycling, ecstasy ...                                 vitamins & fats,
Salts are generally found in humans at a total of five fifths.
This situation Music and music on the beach for all young people.
From Bahar, Baz, Rice,
Sugar sugar sugar sugar
Nigeria, Africa Real Adidas, Rial Mari,
Tawe is located in Ninzazate
Maria Morris, Rose and the life of Victoria Diaata
In the United States,                                     who is the child of the girl?
Among the popular artists there are some unusual words in Britain
and Libya, Spain, European Support, classmates from Saile, Spain
and the French Academy of Songs,               an interview, one of the greatest achievements in the world.                              This life and love to the world.
Read and read in my life and choose alone.
Fofollo: Sabbatie, Beko Socitis, Fars, Jacques Anovannas,
Faiyar Agiya Shan Nata K. / Spinalous /                     Dean, Year of the Pans. The green feeling can be green, sweet and delicious.
During the wind, the heat can be in a month.
****** harassment is caused by man.
Cameroon, Spain, Spain, Europe, Cameroon,
Spain, Kuwait, Capital, Publications ... Life
Who or what to report? The error is bad.
Everything is fine;
Vitamin A, other vitamins, gelatin;                     vitamins and carbohydrates.
The music of the musician is pleasant.
The museum does not use any computer,
                                                       ­         But I do not know what protects me.

— The End —