Overnight, very
Whitely, discreetly,
Very quietly

Our toes, our noses
Take hold on the loam,
Acquire the air.

Nobody sees us,
Stops us, betrays us;
The small grains make room.

Soft fists insist on
Heaving the needles,
The leafy bedding,

Even the paving.
Our hammers, our rams,
Earless and eyeless,

Perfectly voiceless,
Widen the crannies,
Shoulder through holes. We

Diet on water,
On crumbs of shadow,
Bland-mannered, asking

Little or nothing.
So many of us!
So many of us!

We are shelves, we are
Tables, we are meek,
We are edible,

Nudgers and shovers
In spite of ourselves.
Our kind multiplies:

We shall by morning
Inherit the earth.
Our foot's in the door.

A rose in the high garden that you desire.
A wheel in the pure syntax of steel.
The mountain stripped of impressionist mist.
Greys looking out from the last balustrades.

Modern painters in their black studios,
Sever the square root's sterilized flower.
In the Seine's flood an iceberg of marble
freezes the windows and scatters the ivy.

Man treads the paved streets firmly.
Crystals hide from reflections' magic.
Government has closed the perfume shops.
The machine beats out its binary rhythm.

An absence of forests, screens and brows
Wanders the roof-tiles of ancient houses.
The air polishes its prism on the sea
and the horizon looms like a vast aqueduct.

Marines ignorant of wine and half-light,
decapitate sirens on seas of lead.
Night, black statue of prudence, holds
the moon's round mirror in her hand.

A desire for form and limit conquers us.
Here comes the man who sees with a yellow ruler.
Venus is a white still life
and the butterfly collectors flee.

Cadaqués, the fulcrum of water and hill,
lifts flights of steps and hides seashells.
Wooden flutes pacify the air.
An old god of the woods gives children fruit.

Her fishermen slumber, dreamless, on sand.
On the deep, a rose serves as their compass.
The ****** horizon of wounded hankerchiefs,
unties the vast crystals of fish and moon.

A hard diadem of white brigantines
wreathes bitter brows and hair of sand.
The sirens convince, but fail to beguile,
and appear if we show a glass of fresh water.

Oh Salvador Dalí, of the olive voice!
I don't praise your imperfect adolescent brush
or your pigments that circle those of your age,
I salute your yearning for bounded eternity.

Healthy soul, you live on fresh marble.
You flee the dark wood of improbable forms.
Your fantasy reaches as far as your hands,
and you savor the sea's sonnet at your window.

The world holds dull half-light and disorder,
in the foreground humanity frequents.
But now the stars, concealing landscapes,
mark out the perfect scheme of their courses.

The flow of time forms pools, gains order,
in the measured forms of age upon age.
And conquered Death, trembling, takes refuge
in the straightended circle of the present moment.

Taking your palette, its wing holds a bullet-hole,
you summon the light that revives the olive-tree.
Broad light of Minverva, builder of scaffolding,
with no room for dream and its inexact flower.

You summon the light that rests on the brow,
not reaching the mouth or the heart of man.
Light feared by the trailing vines of Bacchus,
and the blind force driving the falling water.

You do well to place warning flags
on the dark frontier that shines with night.
As a painter you don't wish your forms softened
by the shifting cotton of unforeseen  clouds.

The fish in its bowl and the bird in its cage.
You refuse to invent them in sea or in air.
You stylize or copy once you have seen,
with your honest eyes, their smal agile bodies.

You love a matter defined and exact,
where the lichen cannot set up its camp.
You love architecture built on the absent,
admitting the banner merely in jest.

The steel compass speaks its short flexible verse.
Now unknown islands deny the sphere.
The straight line speaks of its upward fight
and learned crystals sing their geometry.

Yet the rose too in the garden where you live.
Ever the rose, ever, our north and south!
Calm, intense like an eyeless staute,
blind to the underground struggle it causes.

Pure rose that frees from artifice, sketches,
and opens for us the slight wings of a smile
(Pinned butterfly that muses in flight.)
Rose of pure balance not seeking pain.
Ever the rose!

Oh Salvador Dalí of the olive voice!
I speak of what you and your paintings tell me.
I don't praise your imperfect adolescent brush,
but I sing the firm aim of your arrows.

I sing your sweet battle of Catalan lights,
you love of what might be explained.
I sing your heart astronomical, tender,
a deck of French cards, and never wounded.

I sing longing for statues, sought without rest,
your fear of emotions that wait in the street.
I sing the tiny sea-siren who sings to you
riding a bicycle of corals and conches.

But above all I sing a shared thought
that joins us in the dark and the golden hours.
It is not Art, this light that blinds our eyes.
Rather it is love, friendship, the clashing of swords.

Rather than the picture you patiently trace,
it's the breast of Theresa, she of insomniac skin,
the tight curls of Mathilde the ungrateful,
our friendship a board-game brightly painted.

May the tracks of fingers in blood on gld
stripe the heart of eternal Catalonia.
May stars like fists without falcons shine on you,
while your art and your life burst into flower.

Don't watch the water-clock with membranous wings,
nor the harsh scythe of the allegories.
Forever clothe and bare your brush in the air
before the sea peopled with boats and sailors.

Of that sort of Dramatic Poem which is call’d Tragedy.


Tragedy, as it was antiently compos’d, hath been ever held the
gravest, moralest, and most profitable of all other Poems:
therefore said by Aristotle to be of power by raising pity and fear,
or terror, to purge the mind of those and such like passions, that is
to temper and reduce them to just measure with a kind of delight,
stirr’d up by reading or seeing those passions well imitated. Nor is
Nature wanting in her own effects to make good his assertion: for
so in Physic things of melancholic hue and quality are us’d against
melancholy, sowr against sowr, salt to remove salt humours.
Hence Philosophers and other gravest Writers, as Cicero, Plutarch
and others, frequently cite out of Tragic Poets, both to adorn and
illustrate thir discourse.  The Apostle Paul himself thought it not
unworthy to insert a verse of Euripides into the Text of Holy
Scripture, I Cor. 15. 33. and Paraeus commenting on the
Revelation, divides the whole Book as a Tragedy, into Acts
distinguisht each by a Chorus of Heavenly Harpings and Song
between.  Heretofore Men in highest dignity have labour’d not a
little to be thought able to compose a Tragedy.  Of that honour
Dionysius the elder was no less ambitious, then before of his
attaining to the Tyranny. Augustus Caesar also had begun his
Ajax, but unable to please his own judgment with what he had
begun. left it unfinisht.  Seneca the Philosopher is by some thought
the Author of those Tragedies (at lest the best of them) that go
under that name.  Gregory Nazianzen a Father of the Church,
thought it not unbeseeming the sanctity of his person to write a
Tragedy which he entitl’d, Christ suffering. This is mention’d to
vindicate Tragedy from the small esteem, or rather infamy, which
in the account of many it undergoes at this day with other common
Interludes; hap’ning through the Poets error of intermixing Comic
stuff with Tragic sadness and gravity; or introducing trivial and
****** persons, which by all judicious hath bin counted absurd; and
brought in without discretion, corruptly to gratifie the people. And
though antient Tragedy use no Prologue, yet using sometimes, in
case of self defence, or explanation, that which Martial calls an
Epistle; in behalf of this Tragedy coming forth after the antient
manner, much different from what among us passes for best, thus
much before-hand may be Epistl’d; that Chorus is here introduc’d
after the Greek manner, not antient only but modern, and still in
use among the Italians. In the modelling therefore of this Poem
with good reason, the Antients and Italians are rather follow’d, as
of much more authority and fame. The measure of Verse us’d in
the Chorus is of all sorts, call’d by the Greeks Monostrophic, or
rather Apolelymenon, without regard had to Strophe, Antistrophe
or Epod, which were a kind of Stanza’s fram’d only for the Music,
then us’d with the Chorus that sung; not essential to the Poem, and
therefore not material; or being divided into Stanza’s or Pauses
they may be call’d Allaeostropha.  Division into Act and Scene
referring chiefly to the Stage (to which this work never was
intended) is here omitted.

It suffices if the whole Drama be found not produc’t beyond the
fift Act, of the style and uniformitie, and that commonly call’d the
Plot, whether intricate or explicit, which is nothing indeed but such
oeconomy, or disposition of the fable as may stand best with
verisimilitude and decorum; they only will best judge who are not
unacquainted with Aeschulus, Sophocles, and Euripides, the three
Tragic Poets unequall’d yet by any, and the best rule to all who
endeavour to write Tragedy. The circumscription of time wherein
the whole Drama begins and ends, is according to antient rule, and
best example, within the space of 24 hours.



The ARGUMENT.


Samson made Captive, Blind, and now in the Prison at Gaza, there
to labour as in a common work-house, on a Festival day, in the
general cessation from labour, comes forth into the open Air, to a
place nigh, somewhat retir’d there to sit a while and bemoan his
condition. Where he happens at length to be visited by certain
friends and equals of his tribe, which make the Chorus, who seek
to comfort him what they can ; then by his old Father Manoa, who
endeavours the like, and withal tells him his purpose to procure his
liberty by ransom; lastly, that this Feast was proclaim’d by the
Philistins as a day of Thanksgiving for thir deliverance from the
hands of Samson, which yet more troubles him.  Manoa then
departs to prosecute his endeavour with the Philistian Lords for
Samson’s redemption; who in the mean while is visited by other
persons; and lastly by a publick Officer to require coming to the
Feast before the Lords and People, to play or shew his strength in
thir presence; he at first refuses, dismissing the publick officer with
absolute denyal to come; at length perswaded inwardly that this
was from God, he yields to go along with him, who came now the
second time with great threatnings to fetch him; the Chorus yet
remaining on the place, Manoa returns full of joyful hope, to
procure e’re long his Sons deliverance: in the midst of which
discourse an Ebrew comes in haste confusedly at first; and
afterward more distinctly relating the Catastrophe, what Samson
had done to the Philistins, and by accident to himself; wherewith
the Tragedy ends.


The Persons

Samson.
Manoa the father of Samson.
Dalila his wife.
Harapha of Gath.
Publick Officer.
Messenger.
Chorus of Danites


The Scene before the Prison in Gaza.

Sam:  A little onward lend thy guiding hand
To these dark steps, a little further on;
For yonder bank hath choice of Sun or shade,
There I am wont to sit, when any chance
Relieves me from my task of servile toyl,
Daily in the common Prison else enjoyn’d me,
Where I a Prisoner chain’d, scarce freely draw
The air imprison’d also, close and damp,
Unwholsom draught: but here I feel amends,
The breath of Heav’n fresh-blowing, pure and sweet,
With day-spring born; here leave me to respire.
This day a solemn Feast the people hold
To Dagon thir Sea-Idol, and forbid
Laborious works, unwillingly this rest
Thir Superstition yields me; hence with leave
Retiring from the popular noise, I seek
This unfrequented place to find some ease,
Ease to the body some, none to the mind
From restless thoughts, that like a deadly swarm
Of Hornets arm’d, no sooner found alone,
But rush upon me thronging, and present
Times past, what once I was, and what am now.
O wherefore was my birth from Heaven foretold
Twice by an Angel, who at last in sight
Of both my Parents all in flames ascended
From off the Altar, where an Off’ring burn’d,
As in a fiery column charioting
His Godlike presence, and from some great act
Or benefit reveal’d to Abraham’s race?
Why was my breeding order’d and prescrib’d
As of a person separate to God,
Design’d for great exploits; if I must dye
Betray’d, Captiv’d, and both my Eyes put out,
Made of my Enemies the scorn and gaze;
To grind in Brazen Fetters under task
With this Heav’n-gifted strength? O glorious strength
Put to the labour of a Beast, debas’t
Lower then bondslave! Promise was that I
Should Israel from Philistian yoke deliver;
Ask for this great Deliverer now, and find him
Eyeless in Gaza at the Mill with slaves,
Himself in bonds under Philistian yoke;
Yet stay, let me not rashly call in doubt
Divine Prediction; what if all foretold
Had been fulfilld but through mine own default,
Whom have I to complain of but my self?
Who this high gift of strength committed to me,
In what part lodg’d, how easily bereft me,
Under the Seal of silence could not keep,
But weakly to a woman must reveal it
O’recome with importunity and tears.
O impotence of mind, in body strong!
But what is strength without a double share
Of wisdom, vast, unwieldy, burdensom,
Proudly secure, yet liable to fall
By weakest suttleties, not made to rule,
But to subserve where wisdom bears command.
God, when he gave me strength, to shew withal
How slight the gift was, hung it in my Hair.
But peace, I must not quarrel with the will
Of highest dispensation, which herein
Happ’ly had ends above my reach to know:
Suffices that to me strength is my bane,
And proves the sourse of all my miseries;
So many, and so huge, that each apart
Would ask a life to wail, but chief of all,
O loss of sight, of thee I most complain!
Blind among enemies, O worse then chains,
Dungeon, or beggery, or decrepit age!
Light the prime work of God to me is extinct,
And all her various objects of delight
Annull’d, which might in part my grief have eas’d,
Inferiour to the vilest now become
Of man or worm; the vilest here excel me,
They creep, yet see, I dark in light expos’d
To daily fraud, contempt, abuse and wrong,
Within doors, or without, still as a fool,
In power of others, never in my own;
Scarce half I seem to live, dead more then half.
O dark, dark, dark, amid the blaze of noon,
Irrecoverably dark, total Eclipse
Without all hope of day!
O first created Beam, and thou great Word,
Let there be light, and light was over all;
Why am I thus bereav’d thy prime decree?
The Sun to me is dark
And silent as the Moon,
When she deserts the night
Hid in her vacant interlunar cave.
Since light so necessary is to life,
And almost life itself, if it be true
That light is in the Soul,
She all in every part; why was the sight
To such a tender ball as th’ eye confin’d?
So obvious and so easie to be quench’t,
And not as feeling through all parts diffus’d,
That she might look at will through every pore?
Then had I not been thus exil’d from light;
As in the land of darkness yet in light,
To live a life half dead, a living death,
And buried; but O yet more miserable!
My self, my Sepulcher, a moving Grave,
Buried, yet not exempt
By priviledge of death and burial
From worst of other evils, pains and wrongs,
But made hereby obnoxious more
To all the miseries of life,
Life in captivity
Among inhuman foes.
But who are these? for with joint pace I hear
The tread of many feet stearing this way;
Perhaps my enemies who come to stare
At my affliction, and perhaps to insult,
Thir daily practice to afflict me more.

Chor:  This, this is he; softly a while,
Let us not break in upon him;
O change beyond report, thought, or belief!
See how he lies at random, carelessly diffus’d,
With languish’t head unpropt,
As one past hope, abandon’d
And by himself given over;
In slavish habit, ill-fitted weeds
O’re worn and soild;
Or do my eyes misrepresent?  Can this be hee,
That Heroic, that Renown’d,
Irresistible Samson? whom unarm’d
No strength of man, or fiercest wild beast could withstand;
Who tore the Lion, as the Lion tears the Kid,
Ran on embattelld Armies clad in Iron,
And weaponless himself,
Made Arms ridiculous, useless the forgery
Of brazen shield and spear, the hammer’d Cuirass,
Chalybean temper’d steel, and frock of mail
Adamantean Proof;
But safest he who stood aloof,
When insupportably his foot advanc’t,
In scorn of thir proud arms and warlike tools,
Spurn’d them to death by Troops.  The bold Ascalonite
Fled from his Lion ramp, old Warriors turn’d
Thir plated backs under his heel;
Or grovling soild thir crested helmets in the dust.
Then with what trivial weapon came to Hand,
The Jaw of a dead ***, his sword of bone,
A thousand fore-skins fell, the flower of Palestin
In Ramath-lechi famous to this day:
Then by main force pull’d up, and on his shoulders bore
The Gates of Azza, Post, and massie Bar
Up to the Hill by Hebron, seat of Giants old,
No journey of a Sabbath day, and loaded so;
Like whom the Gentiles feign to bear up Heav’n.
Which shall I first bewail,
Thy ******* or lost Sight,
Prison within Prison
Inseparably dark?
Thou art become (O worst imprisonment!)
The Dungeon of thy self; thy Soul
(Which Men enjoying sight oft without cause complain)
Imprison’d now indeed,
In real darkness of the body dwells,
Shut up from outward light
To incorporate with gloomy night;
For inward light alas
Puts forth no visual beam.
O mirror of our fickle state,
Since man on earth unparallel’d!
The rarer thy example stands,
By how much from the top of wondrous glory,
Strongest of mortal men,
To lowest pitch of abject fortune thou art fall’n.
For him I reckon not in high estate
Whom long descent of birth
Or the sphear of fortune raises;
But thee whose strength, while vertue was her mate
Might have subdu’d the Earth,
Universally crown’d with highest praises.

Sam:  I hear the sound of words, thir sense the air
Dissolves unjointed e’re it reach my ear.

Chor:  Hee speaks, let us draw nigh.  Matchless in might,
The glory late of Israel, now the grief;
We come thy friends and neighbours not unknown
From Eshtaol and Zora’s fruitful Vale
To visit or bewail thee, or if better,
Counsel or Consolation we may bring,
Salve to thy Sores, apt words have power to swage
The tumors of a troubl’d mind,
And are as Balm to fester’d wounds.

Sam:  Your coming, Friends, revives me, for I learn
Now of my own experience, not by talk,
How counterfeit a coin they are who friends
Bear in their Superscription (of the most
I would be understood) in prosperous days
They swarm, but in adverse withdraw their head
Not to be found, though sought.  Wee see, O friends.
How many evils have enclos’d me round;
Yet that which was the worst now least afflicts me,
Blindness, for had I sight, confus’d with shame,
How could I once look up, or heave the head,
Who like a foolish Pilot have shipwrack’t,
My Vessel trusted to me from above,
Gloriously rigg’d; and for a word, a tear,
Fool, have divulg’d the secret gift of God
To a deceitful Woman : tell me Friends,
Am I not sung and proverbd for a Fool
In every street, do they not say, how well
Are come upon him his deserts? yet why?
Immeasurable strength they might behold
In me, of wisdom nothing more then mean;
This with the other should, at least, have paird,
These two proportiond ill drove me transverse.

Chor:  Tax not divine disposal, wisest Men
Have err’d, and by bad Women been deceiv’d;
And shall again, pretend they ne’re so wise.
Deject not then so overmuch thy self,
Who hast of sorrow thy full load besides;
Yet truth to say, I oft have heard men wonder
Why thou shouldst wed Philistian women rather
Then of thine own Tribe fairer, or as fair,
At least of thy own Nation, and as noble.

Sam:  The first I saw at Timna, and she pleas’d
Mee, not my Parents, that I sought to wed,
The daughter of an Infidel: they knew not
That what I motion’d was of God; I knew
From intimate impulse, and therefore urg’d
The Marriage on; that by occasion hence
I might begin Israel’s Deliverance,
The work to which I was divinely call’d;
She proving false, the next I took to Wife
(O that I never had! fond wish too late)
Was in the Vale of Sorec, Dalila,
That specious Monster, my accomplisht snare.
I thought it lawful from my former act,
And the same end; still watching to oppress
Israel’s oppressours: of what now I suffer
She was not the prime cause, but I my self,
Who vanquisht with a peal of words (O weakness!)
Gave up my fort of silence to a Woman.

Chor:  In seeking just occasion to provoke
The Philistine, thy Countries Enemy,
Thou never wast remiss, I hear thee witness:
Yet Israel still serves with all his Sons.

Sam:  That fault I take not on me, but transfer
On Israel’s Governours, and Heads of Tribes,
Who seeing those great acts which God had done
Singly by me against their Conquerours
Acknowledg’d not, or not at all consider’d
Deliverance offerd : I on th’ other side
Us’d no ambition to commend my deeds,
The deeds themselves, though mute, spoke loud the dooer;
But they persisted deaf, and would not seem
To count them things worth notice, till at length
Thir Lords the Philistines with gather’d powers
Enterd Judea seeking mee, who then
Safe to the rock of Etham was retir’d,
Not flying, but fore-casting in what place
To set upon them, what advantag’d best;
Mean while the men of Judah to prevent
The harrass of thir Land, beset me round;
I willingly on some conditions came
Into thir hands, and they as gladly yield me
To the uncircumcis’d a welcom prey,
Bound with two cords; but cords to me were threds
Toucht with the flame: on thi

The lion had just lost his dear wife,
Madam lioness a couple of years ago,
She was in the prime of her life,
When she succumbed to deathly udder cancer,
Mr. Lion grieved with all energy of the bereaved beast
To make it worse, he was also terminally ill
Of the vicious lung cancer, boring his windpipes,
That when he respired sweet music came out,
Like classical xylophones of eyeless Mehrun Yurin,

His sons were away commanding respective territories
Each son a territory in the order of traditional monarchy,
No one was to cook for the sick lion, don’t mention washing,
Hence the sons hired the squirrel alias madam Caroline,
She cooked as she did all other chores in the palace,
She was good in a concocting a matchless soup
From white mushrooms and cured goat’s meet,

As Caroline cooked she also sampled by tasting for her perfection
This little by little tasting made her to increase the strength,
Her skin became smooth, her buttocks swell
Her tail became shorter and steady, but very clean,
Her skin very oily and comely, exuding no evil smell,
Her walking style purged to majestic fashion
Even the type of songs she sang
Were not peasant spirituals,
Mr. Hyena wondered and wondered;
Is the squirrel pregnant?

Only to discover she was not,
But she has a new job;
Of cooking for the sick king lion,
Hyena also heard from the public domain
That she often cooks, goat meat and mushrooms,
But the ram tail twice in week; Tuesday and Sunday,
Jealousy and bigotry, malice and prejudice ganged up at once
And gripped the hyena simultaneously,
And swore to himself that come anything;
Spells of sunshine or blizzards of snow,
He must and must; root out the squirrel
From the palace kitchen,

That bright morning he went to the palace,
Singing a Christian song in praise of Lazarus,
Who resurrected from the dead,
He entered the palace still singing,
He commanded every to stand, put off the laurels,
For he wants to pray for the sick,
He made long and noisy circumlocutions of a prayer,
With regular stamping of feet and amen,
Commanding the devil of cancer to leave,
The lungs of the king, the mighty lion.


He said final amen and all sat down
Two sons of the king, the young lions,
Were all in somber moods, their father was sick,

From the kitchen, the squirrel surfaced,
With goats meat on a metallic platter,
He served the sick lion first,
Then each of them present,
On the first taste of food,
Hyena lost control of nerves
His tail jumped out of the white trouser
That he was wearing that day,
He ate voraciously with a crazy appetite,
No such delicious food had ever crossed his way.

He cleared his food first as expected,
Then he kept mum like a stooge,
Only wagging his long tail
His long tongue hanging out
Flagging in avarice like leaves of banana,
When all others stopped eating,
Hyena began in form of a question,
To which the lion’s family listened
Indeed with kingly caution;
Am asking you the king,
Why is Madam Caroline the squirrel,
Eating your food everyday,
And you are dying of a treatable disease,
To which she has the medicine,
Why is she betraying you?
To such a simple death?

All the lions plus the sick one
Jumped to the squirrel with all horror,
For the squirrel to bring the cure
Or the be killed first be the lion dies,
She pleaded for a minute to bring the drug,
Hyena in full gear of happiness
As his friend chews misfortune,

She blamed her small body size to be the  barrier
To bringing the medicine for king lion,
But nonetheless medicine was available,
Lions roared tell us! Where is the medicine?
In a soft voice the squirrel said;
The only cure for this disease of the king,
Is a fresh liver of a male hyena!

The hyena was frozen with surprise,
Like any other foolish bigot,
He begged to leave as his time was over,
No answer came to his request,
Other than abysmal darkness
Of violent death gulfing his body,
King lion drunk Hyena’s blood
In addition to the liver
On the squirrel’s instructions,
The lion became well
And began walking strong,
Out of this joy
King lion  promoted the squirrel
To be a minister of health
In the kings palace.

Violets are blue,
Your blood is red,
The window was open,
I’m under your bed.

the world sits on the wing of a dove
being swallowed whole by a fiery goddess
descended from heaven on a chariot of ivy
i am incarcerated by shaking flesh and itching cloth
the road before me is giant and knows no bounds
the graveyard is warm and wet with spirits and dew
and red clouds are born from fire in the dawn
there is an intelligent horse being ridden by a snarling insect
and this man has come to claim our souls
our sunset blood burns boils blisters until a million animals wounded
i'm still alive, transfigure me into a creator
choke up my nostrils with the scent of your ***
invade my lungs with the burn of your god
caress my toungue with the infinite promise
enter my brain from above, and regurgitate your anxiety on me
slimy worms devour a psychadelic tomato laughing
into transendency, an eyeless eel has dissappeared into a pocket
i speak from balconies, from terrible heights, from hastened windowsills
in a million desperate quarrelling cities
this is where i **** up illusion, i give up to despondency
i ring the great iron bell that resounds with corruption, with hatred, with hideous *** and admiration,
i scream and cavort on rooftops alone with a black & blue midnight
covered in electric lights and gunpowder tongues
here comes the disintegration of my mind
disgraced by the eye of the earth and spat into
a realm of salivating light
i am swimming through digested heartbreak and melancholy livers
sickened by madness and homemade bombs and ******
the rainclouds carry a truckload of babies' hearts
and it's raining eyes over the city now
the cry of the mind escapes from waving mouths in impotence
as millions of bacteria invade the brain
may these lines be answered by the bird of the sun
by the worm at my ear
by the sight of my skeleton
by the stench of ***** in the air
by the dead gong shivering through midnight
by the bleeding eye of abandoned dreams
by the prophets in proclamation
by the god of all my sorrows

beyond the brittle towns asleep

beyond the brittle towns asleep
i look where stealing needles of foam
in the last light

thread the creeping shores


as out of dumb strong hands infinite

the ***** deep upon me
in the last light
pours its eyeless miles


the chattering sunset ludicrously
dies,i hear only tidewings

in the last light
twitching at the world

The roadside weeds that clutter my hometown,
tangled skinny stems and yellow flowers.
Sing oh reverence, glory come down
to us, they sing, in daylight’s fading hours.

I cannot stomp them out, I cannot press them
in between the pages of my books.
Flower after flower, stem by stem
grow ugly. I can barely stand to look.

The preacher, he had called the place salvation
when telling us to where the high road led.
But the stars all seem to spell damnation,
and the moon, an eyeless, bloodless head.

Tonight the roadside weeds sing mercy, mercy
come for a homeward soul in need of thee.

****** don't want respect no more
they just want clout
stealing **** they didn't used to be about
but i guess it's "**** or be killed"
and yeah, it's crooked
but the world doesn't let you be skilled in something that's already in you
i can't sit here and write for free
because i'm supposed to be looking for money
scratch my head and worry over answers i'll never find
i know what i want though
so i shade my eyes so they don't know i'm not blind
i can't go with the rest- it's a struggle
going against the flow
is bruising me; i'm wounded
the others like me are slowing turning wilted
i'm left standing in the sun
and even though i'm shining, they don't see it
they're eyeless and i'm the only one

Pale-skinned girl from Indiana,
with freckles,
yes, freckles, on your cheek,
this is who I am. This is my story.
It is only coincidence that I sing it
to you,
but sing, nonetheless, I do. One morning
amidst the restlessness of my top-bunk sheets
I heard a whispering and thought it might be God it was
me. My unconsciousness begging me
for nourishment, silently loudly attacking
my awareness with questions: it asked why
I neglect it. Pale-skinned girl from Indiana,
with freckles,
yes, freckles, on your cheek,
is this, too, why your body vibrates
when your thoughts are feelings? Because you too
have recognized feeling as thought? That that
faculty of wonder you hush about as if a
***** secret of forgotten childhood memory
is something that is as real as
the metaphysical pores of a skin you cannot touch,
but know is not some foreign, distant, effacing
thing, but is thick, is thick, thick as words
creaking like old wood in a library filled
with students who read so much ******* to get into
college but never venture forth for such skin
in the skin of those unconscious voices in the
shelves? Selves: we call them books but they breathe.
The ideas wriggle in your veins like
a worm. They block your blood yet move
your soul. The stillness of your speechlessness
is some movement in itself. So I suspect of you,
pale-skinned girl from Indiana,
with freckles,
yes, freckles, on your cheek.
                                                So I suspect of myself.

I do not understand how else I could have been born
without eyes which we call eyes. I cannot see
why else.
                I cannot.
                                 You cannot.

There is light over there in that darkness.
               A glimpse of it- a sliver of silver
has shocked you into your paleness. Into my
blackness. It is the same difference. A different
same.
            
Line break:

A mirror tells me things with my eyeless eyes.
My brownness ***** me into journeys with
tunnels so deep that we call them pupils.
In the distance that I gaze into I find
myself gazing into a distance I gaze into. Fathom
it. Do not. Will not will it will it will not
willed. Touching it will wilt it without touching:
this is the soul you said does not exist.
              
             It is not there. It is.

In Indiana.

Where's that? asks my blood.

In Indiana.

Over there? my finger points out the window.

No. It is.

It is. Not.

Suddenly I smell something and it is myself.
It is not Indiana or freckles or pale-skin.
I ask you where it is.
Suddenly you smell something and it is yourself.
It is not Gaborone or curly-haired or black.
You ask me where I think it is.

What the **** do we know?

Thousand minstrels woke within me,
"Our music's in the hills; "—
Gayest pictures rose to win me,
Leopard-colored rills.
Up!—If thou knew'st who calls
To twilight parks of beech and pine,
High over the river intervals,
Above the ploughman's highest line,
Over the owner's farthest walls;—
Up!—where the airy citadel
O'erlooks the purging landscape's swell.
Let not unto the stones the day
Her lily and rose, her sea and land display;
Read the celestial sign!
Lo! the South answers to the North;
Bookworm, break this sloth urbane;
A greater Spirit bids thee forth,
Than the gray dreams which thee detain.

Mark how the climbing Oreads
Beckon thee to their arcades;
Youth, for a moment free as they,
Teach thy feet to feel the ground,
Ere yet arrive the wintry day
When Time thy feet has bound.
Accept the bounty of thy birth;
Taste the lordship of the earth.

I heard and I obeyed,
Assured that he who pressed the claim,
Well-known, but loving not a name,
Was not to be gainsaid.

Ere yet the summoning voice was still,
I turned to Cheshire's haughty hill.
From the fixed cone the cloud-rack flowed
Like ample banner flung abroad
Round about, a hundred miles,
With invitation to the sea, and to the bordering isles.

In his own loom's garment drest,
By his own bounty blest,
Fast abides this constant giver,
Pouring many a cheerful river;
To far eyes, an aërial isle,
Unploughed, which finer spirits pile,
Which morn and crimson evening paint
For bard, for lover, and for saint;
The country's core,
Inspirer, prophet evermore,
Pillar which God aloft had set
So that men might it not forget,
It should be their life's ornament,
And mix itself with each event;
Their calendar and dial,
Barometer, and chemic phial,
Garden of berries, perch of birds,
Pasture of pool-haunting herds,
Graced by each change of sum untold,
Earth-baking heat, stone-cleaving cold.

The Titan minds his sky-affairs,
Rich rents and wide alliance shares;
Mysteries of color daily laid
By the great sun in light and shade,
And, sweet varieties of chance,
And the mystic seasons' dance,
And thief-like step of liberal hours
Which thawed the snow-drift into flowers.
O wondrous craft of plant and stone
By eldest science done and shown!
Happy, I said, whose home is here,
Fair fortunes to the mountaineer!
Boon nature to his poorest shed
Has royal pleasure-grounds outspread.
Intent I searched the region round,
And in low hut my monarch found.
He was no eagle and no earl,
Alas! my foundling was a churl,
With heart of cat, and eyes of bug,
Dull victim of his pipe and mug;
Woe is me for my hopes' downfall!
Lord! is yon squalid peasant all
That this proud nursery could breed
For God's vicegerency and stead?
Time out of mind this forge of ores,
Quarry of spars in mountain pores,
Old cradle, hunting ground, and bier
Of wolf and otter, bear, and deer;
Well-built abode of many a race;
Tower of observance searching space;
Factory of river, and of rain;
Link in the alps' globe-girding chain;
By million changes skilled to tell
What in the Eternal standeth well,
And what obedient nature can,—
Is this colossal talisman
Kindly to creature, blood, and kind,
And speechless to the master's mind?

I thought to find the patriots
In whom the stock of freedom roots.
To myself I oft recount
Tales of many a famous mount.—
Wales, Scotland, Uri, Hungary's dells,
Roys, and Scanderbegs, and Tells.
Here now shall nature crowd her powers,
Her music, and her meteors,
And, lifting man to the blue deep
Where stars their perfect courses keep,
Like wise preceptor lure his eye
To sound the science of the sky,
And carry learning to its height
Of untried power and sane delight;
The Indian cheer, the frosty skies
Breed purer wits, inventive eyes,
Eyes that frame cities where none be,
And hands that stablish what these see:
And, by the moral of his place,
Hint summits of heroic grace;
Man in these crags a fastness find
To fight pollution of the mind;
In the wide thaw and ooze of wrong,
Adhere like this foundation strong,
The insanity of towns to stem
With simpleness for stratagem.
But if the brave old mould is broke,
And end in clowns the mountain-folk,
In tavern cheer and tavern joke,—
Sink, O mountain! in the swamp,
Hide in thy skies, O sovereign lap!
Perish like leaves the highland breed!
No sire survive, no son succeed!

Soft! let not the offended muse
Toil's hard hap with scorn accuse.
Many hamlets sought I then,
Many farms of mountain men;—
Found I not a minstrel seed,
But men of bone, and good at need.
Rallying round a parish steeple
Nestle warm the highland people,
Coarse and boisterous, yet mild,
Strong as giant, slow as child,
Smoking in a squalid room,
Where yet the westland breezes come.
Close hid in those rough guises lurk
Western magians, here they work;
Sweat and season are their arts,
Their talismans are ploughs and carts;
And well the youngest can command
Honey from the frozen land,
With sweet hay the swamp adorn,
Change the running sand to corn,
For wolves and foxes, lowing herds,
And for cold mosses, cream and curds;
Weave wood to canisters and mats,
Drain sweet maple-juice in vats.
No bird is safe that cuts the air,
From their rifle or their snare;
No fish in river or in lake,
But their long hands it thence will take;
And the country's iron face
Like wax their fashioning skill betrays,
To fill the hollows, sink the hills,
Bridge gulfs, drain swamps, build dams and mills,
And fit the bleak and howling place
For gardens of a finer race,
The world-soul knows his own affair,
Fore-looking when his hands prepare
For the next ages men of mould,
Well embodied, well ensouled,
He cools the present's fiery glow,
Sets the life pulse strong, but slow.
Bitter winds and fasts austere.
His quarantines and grottos, where
He slowly cures decrepit flesh,
And brings it infantile and fresh.
These exercises are the toys
And games with which he breathes his boys.
They bide their time, and well can prove,
If need were, their line from Jove,
Of the same stuff, and so allayed,
As that whereof the sun is made;
And of that fibre quick and strong
Whose throbs are love, whose thrills are song.
Now in sordid weeds they sleep,
Their secret now in dulness keep.
Yet, will you learn our ancient speech,
These the masters who can teach,
Fourscore or a hundred words
All their vocal muse affords,
These they turn in other fashion
Than the writer or the parson.
I can spare the college-bell,
And the learned lecture well.
Spare the clergy and libraries,
Institutes and dictionaries,
For the hardy English root
Thrives here unvalued underfoot.
Rude poets of the tavern hearth,
Squandering your unquoted mirth,
Which keeps the ground and never soars,
While Jake retorts and Reuben roars,
Tough and screaming as birch-bark,
Goes like bullet to its mark,
While the solid curse and jeer
Never balk the waiting ear:
To student ears keen-relished jokes
On truck, and stock, and farming-folks,—
Nought the mountain yields thereof
But savage health and sinews tough.

On the summit as I stood,
O'er the wide floor of plain and flood,
Seemed to me the towering hill
Was not altogether still,
But a quiet sense conveyed;
If I err not, thus it said:

Many feet in summer seek
Betimes my far-appearing peak;
In the dreaded winter-time,
None save dappling shadows climb
Under clouds my lonely head,
Old as the sun, old almost as the shade.
And comest thou
To see strange forests and new snow,
And tread uplifted land?
And leavest thou thy lowland race,
Here amid clouds to stand,
And would'st be my companion,
Where I gaze
And shall gaze
When forests fall, and man is gone,
Over tribes and over times
As the burning Lyre
Nearing me,
With its stars of northern fire,
In many a thousand years.

Ah! welcome, if thou bring
My secret in thy brain;
To mountain-top may muse's wing
With good allowance strain.
Gentle pilgrim, if thou know
The gamut old of Pan,
And how the hills began,
The frank blessings of the hill
Fall on thee, as fall they will.
'Tis the law of bush and stone—
Each can only take his own.
Let him heed who can and will,—
Enchantment fixed me here
To stand the hurts of time, until
In mightier chant I disappear.
If thou trowest
How the chemic eddies play
Pole to pole, and what they say,
And that these gray crags
Not on crags are hung,
But beads are of a rosary
On prayer and music strung;
And, credulous, through the granite seeming
Seest the smile of Reason beaming;
Can thy style-discerning eye
The hidden-working Builder spy,
Who builds, yet makes no chips, no din,
With hammer soft as snow-flake's flight;
Knowest thou this?
O pilgrim, wandering not amiss!
Already my rocks lie light,
And soon my cone will spin.
For the world was built in order,
And the atoms march in tune,
Rhyme the pipe, and time the warder,
Cannot forget the sun, the moon.
Orb and atom forth they prance,
When they hear from far the rune,
None so backward in the troop,
When the music and the dance
Reach his place and circumstance,
But knows the sun-creating sound,
And, though a pyramid, will bound.

Monadnoc is a mountain strong,
Tall and good my kind among,
But well I know, no mountain can
Measure with a perfect man;
For it is on Zodiack's writ,
Adamant is soft to wit;
And when the greater comes again,
With my music in his brain,
I shall pass as glides my shadow
Daily over hill and meadow.

Through all time
I hear the approaching feet
Along the flinty pathway beat
Of him that cometh, and shall come,—
Of him who shall as lightly bear
My daily load of woods and streams,
As now the round sky-cleaving boat
Which never strains its rocky beams,
Whose timbers, as they silent float,
Alps and Caucasus uprear,
And the long Alleghanies here,
And all town-sprinkled lands that be,
Sailing through stars with all their history.

Every morn I lift my head,
Gaze o'er New England underspread
South from Saint Lawrence to the Sound,
From Katshill east to the sea-bound.
Anchored fast for many an age,
I await the bard and sage,
Who in large thoughts, like fair pearl-seed,
Shall string Monadnoc like a bead.
Comes that cheerful troubadour,
This mound shall throb his face before,
As when with inward fires and pain
It rose a bubble from the plain.
When he cometh, I shall shed
From this well-spring in my head
Fountain drop of spicier worth
Than all vintage of the earth.
There's fruit upon my barren soil
Costlier far than wine or oil;
There's a berry blue and gold,—
Autumn-ripe its juices hold,
Sparta's stoutness, Bethlehem's heart,
Asia's rancor, Athens' art,
Slowsure Britain's secular might,
And the German's inward sight;
I will give my son to eat
Best of Pan's immortal meat,
Bread to eat and juice to drink,
So the thoughts that he shall think
Shall not be forms of stars, but stars,
Nor pictures pale, but Jove and Mars.

He comes, but not of that race bred
Who daily climb my specular head.
Oft as morning wreathes my scarf,
Fled the last plumule of the dark,
Pants up hither the spruce clerk
From South-Cove and City-wharf;
I take him up my rugged sides,
Half-repentant, scant of breath,—
Bead-eyes my granite chaos show,
And my midsummer snow;
Open the daunting map beneath,—
All his county, sea and land,
Dwarfed to measure of his hand;
His day's ride is a furlong space,
His city tops a glimmering haze:
I plant his eyes on the sky-hoop bounding;—
See there the grim gray rounding
Of the bullet of the earth
Whereon ye sail,
Tumbling steep
In the uncontinented deep;—
He looks on that, and he turns pale:
'Tis even so, this treacherous kite,
Farm-furrowed, town-incrusted sphere,
Thoughtless of its anxious freight,
Plunges eyeless on for ever,
And he, poor parasite,—
Cooped in a ship he cannot steer,
Who is the captain he knows not,
Port or pilot trows not,—
Risk or ruin he must share.
I scowl on him with my cloud,
With my north wind chill his blood,
I lame him clattering down the rocks,
And to live he is in fear.
Then, at last, I let him down
Once more into his dapper town,
To chatter frightened to his clan,
And forget me, if he can.
As in the old poetic fame
The gods are blind and lame,
And the simular despite
Betrays the more abounding might,
So call not waste that barren cone
Above the floral zone,
Where forests starve:
It is pure use;
What sheaves like those which here we glean and bind,
Of a celestial Ceres, and the Muse?

Ages are thy days,
Thou grand expressor of the present tense,
And type of permanence,
Firm ensign of the fatal Being,
Amid these coward shapes of joy and grief
That will not bide the seeing.
Hither we bring
Our insect miseries to the rocks,
And the whole flight with pestering wing
Vanish and end their murmuring,
Vanish beside these dedicated blocks,
Which, who can tell what mason laid?
Spoils of a front none need restore,
Replacing frieze and architrave;
Yet flowers each stone rosette and metope brave,
Still is the haughty pile *****
Of the old building Intellect.
Complement of human kind,
Having us at vantage still,
Our sumptuous indigence,
O barren mound! thy plenties fill.
We fool and prate,—
Thou art silent and sedate.
To million kinds and times one sense
The constant mountain doth dispense,
Shedding on all its snows and leaves,
One joy it joys, one grief it grieves.
Thou seest, O watchman tall!
Our towns and races grow and fall,
And imagest the stable Good
For which we all our lifetime *****,
In shifting form the formless mind;
And though the substance us elude,
We in thee the shadow find.
Thou in our astronomy
An opaker star,
Seen, haply, from afar,
Above the horizon's hoop.
A moment by the railway troop,
As o'er some bolder height they speed,—
By circumspect ambition,
By errant Gain,
By feasters, and the frivolous,—
Recallest us,
And makest sane.
Mute orator! well-skilled to plead,
And send conviction without phrase,
Thou dost supply
The shortness of our days,
And promise, on thy Founder's truth,
Long morrow to this mortal youth.

II

Blue base and pink hues, black lining, framing the face saw once in dreams, a face with a name that began with the letter M. The other painting – a hazy black, red lips, no eyes – is a man’s face. Flying across shadowed, spiralling stairs, I encountered exits blocked by chairs – all these impressionist paintings hanging along the corridor, where a painter was explaining to his students the woman he met in his dream… they all called to me as a dream factory, dream logic – where everything was bound and unburdened, and we were told to identify faces in these coffin paintings. All day we tried matching, mouth stuttering half-formed names, lost faces, amputated body parts, strangers’ fragmented memory. Then the old lady I was working with let out a wail. She bolted, I followed, and there we saw creatures known as man and woman – to the woman on the right, she greeted with the M-lettered name, and to the man on the left she pointed at the eyeless painting, said, stranger, this is you– and they wept together.

Hard light bathed them-a whole nation of eyeless men,
Dark bipeds not aware how they were maimed. A long
Process, clearly, a slow curse,
Drained through centuries, left them thus.

At some transitional stage, then, a luckless few,
No doubt, must have had eyes after the up-to-date,
Normal type had achieved snug
Darkness, safe from the guns of heavn;

Whose blind mouths would abuse words that belonged to their
Great-grandsires, unabashed, talking of light in some
******'d, etiolated,
Fungoid sense, as a symbol of

Abstract thoughts. If a man, one that had eyes, a poor
Misfit, spoke of the grey dawn or the stars or green-
Sloped sea waves, or admired how
Warm tints change in a lady's cheek,

None complained he had used words from an alien tongue,
None question'd. It was worse. All would agree 'Of course,'
Came their answer. "We've all felt
Just like that." They were wrong. And he

Knew too much to be clear, could not explain. The words --
Sold, ***** flung to the dogs -- now could avail no more;
Hence silence. But the mouldwarps,
With glib confidence, easily

Showed how tricks of the phrase, sheer metaphors could set
Fools concocting a myth, taking the worlds for things.
Do you think this a far-fetched
Picture? Go then about among

Men now famous; attempt speech on the truths that once,
Opaque, carved in divine forms, irremovable,
Dear but dear as a mountain-
Mass, stood plain to the inward eye.

The moth with newspaper wings sat under the arrow lungs of the eyeless
blood dripped falcon, more whole than the super-glued roman sculpture.

Next door a 50’s con held up church with a roulette table in the kitchen,
and boarded up the massage parlor
downstairs.

The eye of the man was a centrifuge of ducks, mallard and hen, spiraling
outward into evaporated roach-ground
asphalt.

Next door, slits in the picket fence displayed perfectly formed **** & broach,
empty shoes made of feet below, blending
fields.

The marble foundation formed from twine lollipops and fuzzy candy tabs,
ice-etched to the frequency of splintered seashell
angels.

Next door through the forest of knives a spaceship bearing gargoyles peaked
bodies through collages of faces in technicolor sepia
mitosis.

The heiress molted into tiled pieces, her own dog and sunhat caught in blizzard
cuneiform, kaliedescoping again to fractalled inchworms cemented in motion.

(France -- Ancient Regime.)

I.

Go away!
Go away; I will not confess to you!
His black biretta clings like a hangman's cap; under his twitching fingers the beads shiver and click,
As he mumbles in his corner, the shadow deepens upon him;
I will not confess! . . .

Is he there or is it intenser shadow?
Dark huddled coilings from the obscene depths,
Black, formless shadow,
Shadow.
Doors creak; from secret parts of the chateau come the scuffle and worry of rats.

Orange light drips from the guttering candles,
Eddying over the vast embroideries of the bed
Stirring the monstrous tapestries,
Retreating before the sable impending gloom of the canopy
With a swift ****** and sparkle of gold,
Lipping my hands,
Then
Rippling back abashed before the ominous silences
Like the swift turns and starts of an overpowered fencer
Who sees before him Horror
Behind him darkness,
Shadow.

The clock jars and strikes, a thin, sudden note like the sob of a child.
Clock, buhl clock that ticked out the tortuous hours of my birth,
Clock, evil, wizened dwarf of a clock, how many years of agony have you relentlessly measured,
Yardstick of my stifling shroud?

I am Aumaury de Montreuil; once quick, soon to be eaten of worms.
You hear, Father? Hsh, he is asleep in the night's cloak.

Over me too steals sleep.
Sleep like a white mist on the rotting paintings of cupids and gods on the ceiling;
Sleep on the carven shields and knots at the foot of the bed,
Oozing, blurring outlines, obliterating colors,
Death.

Father, Father, I must not sleep!
It does not hear -- that shadow crouched in the corner . . .
Is it a shadow?
One might think so indeed, save for the calm face, yellow as wax, that lifts like the face of a drowned man from the choking darkness.


II.

Out of the drowsy fog my body creeps back to me.
It is the white time before dawn.
Moonlight, watery, pellucid, lifeless, ripples over the world.
The grass beneath it is gray; the stars pale in the sky.
The night dew has fallen;
An infinity of little drops, crystals from which all light has been taken,
Glint on the sighing branches.
All is purity, without color, without stir, without passion.

Suddenly a peacock screams.

My heart shocks and stops;
Sweat, cold corpse-sweat
Covers my rigid body.
My hair stands on end. I cannot stir. I cannot speak.
It is terror, terror that is walking the pale sick gardens
And the eyeless face no man may see and live!
Ah-h-h-h-h!
Father, Father, wake! wake and save me!
In his corner all is shadow.

Dead things creep from the ground.
It is so long ago that she died, so long ago!
Dust crushes her, earth holds her, mold grips her.
Fiends, do you not know that she is dead? . . .
"Let us dance the pavon!" she said; the waxlights glittered like swords on the polished floor.
Twinkling on jewelled snuffboxes, beaming savagely from the crass gold of candelabra,
From the white shoulders of girls and the white powdered wigs of men . . .
All life was that dance.
The mocking, resistless current,
The beauty, the passion, the perilous madness --
As she took my hand, released it and spread her dresses like petals,
Turning, swaying in beauty,
A lily, bowed by the rain, --
Moonlight she was, and her body of moonlight and foam,
And her eyes stars.
Oh the dance has a pattern!
But the clear grace of her thrilled through the notes of the viols,
Tremulous, pleading, escaping, immortal, untamed,
And, as we ended,
She blew me a kiss from her hand like a drifting white blossom --
And the starshine was gone; and she fled like a bird up the stair.

Underneath the window a peacock screams,
And claws click, scrape
Like little lacquered boots on the rough stone.

Oh the long fantasy of the kiss; the ceaseless hunger, ceaselessly, divinely appeased!
The aching presence of the beloved's beauty!
The wisdom, the incense, the brightness!

Once more on the ice-bright floor they danced the pavon
But I turned to the garden and her from the lighted candles.
Softly I trod the lush grass between the black hedges of box.
Softly, for I should take her unawares and catch her arms,
And embrace her, dear and startled.

By the arbor all the moonlight flowed in silver
And her head was on his breast.
She did not scream or shudder
When my sword was where her head had lain
In the quiet moonlight;
But turned to me with one pale hand uplifted,
All her satins fiery with the starshine,
Nacreous, shimmering, weeping, iridescent,
Like the quivering plumage of a peacock . . .
Then her head drooped and I gripped her hair,
Oh soft, scented cloud across my fingers! --
Bending her white neck back. . . .

Blood writhed on my hands; I trod in blood. . . .
Stupidly agaze
At that crumpled heap of silk and moonlight,
Where like twitching pinions, an arm twisted,
Palely, and was still
As the face of chalk.

The buhl clock strikes.
Thirty years. Christ, thirty years!
Agony. Agony.

Something stirs in the window,
Shattering the moonlight.
White wings fan.
Father, Father!

All its plumage fiery with the starshine,
Nacreous, shimmering, weeping, iridescent,
It drifts across the floor and mounts the bed,
To the tap of little satin shoes.
Gazing with infernal eyes.
Its quick beak thrusting, rending, devil's crimson . . .
Screams, great tortured screams shake the dark canopy.
The light flickers, the shadow in the corner stirs;
The wax face lifts; the eyes open.

A thin trickle of blood worms darkly against the vast red coverlet and spreads to a pool on the floor.

The eyeless labourer in the night,
the selfless, shapeless seed I hold,
builds for its resurrection day---
silent and swift and deep from sight
foresees the unimagined light.

This is no child with a child's face;
this has no name to name it by;
yet you and I have known it well.
This is our hunter and our chase,
the third who lay in our embrace.

This is the strength that your arm knows,
the arc of flesh that is my breast,
the precise crystals of our eyes.
This is the blood's wild tree that grows
the intricate and folded rose.

This is the maker and the made;
this is the question and reply;
the blind head butting at the dark,
the blaze of light along the blade.
Oh hold me, for I am afraid.

Mother, mother, what ill-bred aunt
Or what disfigured and unsightly
Cousin did you so unwisely keep
Unasked to my christening, that she
Sent these ladies in her stead
With heads like darning-eggs to nod
And nod and nod at foot and head
And at the left side of my crib?

Mother, who made to order stories
Of Mixie Blackshort the heroic bear,
Mother, whose witches always, always
Got baked into gingerbread, I wonder
Whether you saw them, whether you said
Words to rid me of those three ladies
Nodding by night around my bed,
Mouthless, eyeless, with stitched bald head.

In the hurricane, when father's twelve
Study windows bellied in
Like bubbles about to break, you fed
My brother and me cookies and Ovaltine
And helped the two of us to choir:
'Thor is angry; boom boom boom!
Thor is angry: we don't care!'
But those ladies broke the panes.

When on tiptoe the schoolgirls danced,
Blinking flashlights like fireflies
And singing the glowworm song, I could
Not lift a foot in the twinkle-dress
But, heavy-footed, stood aside
In the shadow cast by my dismal-headed
Godmothers, and you cried and cried:
And the shadow stretched, the lights went out.

Mother, you sent me to piano lessons
And praised my arabesques and trills
Although each teacher found my touch
Oddly wooden in spite of scales
And the hours of practicing, my ear
Tone-deaf and yes, unteachable.
I learned, I learned, I learned elsewhere,
From muses unhired by you, dear mother.

I woke one day to see you, mother,
Floating above me in bluest air
On a green balloon bright with a million
Flowers and bluebirds that never were
Never, never, found anywhere.
But the little planet bobbed away
Like a soap-bubble as you called: Come here!
And I faced my traveling companions.

Day now, night now, at head, side, feet,
They stand their vigil in gowns of stone,
Faces blank as the day I was born.
Their shadows long in the setting sun
That never brightens or goes down.
And this is the kingdom you bore me to,
Mother, mother. But no frown of mine
Will betray the company I keep.

The headdress danced in the sun
On the Indian's hollow
And eyeless skull.

It was framed in feathers
Brightly-colored serpents in the
Salty air flames licking at
Dancing and ***** bare feet.

Dark-skinned, tall, high cheekbones
And solemn eyes full of
Wisdom--he surveys the
Badlands, Moses's rigid face
Blank and silent in a
Heatwave desert.

Beyond the teepees and the
Black bonfire smoke and
The buffalo rhythm, the plateau has
Risen, bleached bones
Litter the plains as a constant
Reminder.

Through darkness, laced in edges of light,
And rain, falling like angels plagued by blight,
Shattering their heavenly bones and wings,
Onto the eyeless dust of their return;
Through paths stranger to the hope of spring,
Where voices of ghosts hang with cries of “Burn!”
And moss mottled trees, like macabre jesters
Dance, limbless, leaves flailing grotesquely
To the secret japes of wind-bourn nesters;
Through corpse-ridden forests of insanity,
To where the rocks dress as the three witches
And chant midst their vainglorious riches
*“All hail, Eremita, bound to the adamah altar,
All hail, Eremita, your blood soma from the mortar,
All hail, Eremita, thou shalt be dead hereafter”...

Last night, I couldn’t sleep because
the dark and the blankets felt like guilt
and I couldn’t live as myself anymore.
I woke up in the morning anyway
and took a boat into the fog and found myself
on the island, walking across a cliff top into cloud -
walking into the unseeable, feeling alive.

-

So here I am on the island,
the fog – the symbol for that murky future –
is rolling in across the hills, across the cliff top
in one straight barrier.

I feel alive as I face the fog
and I stomp right through it.
One day, I tell myself,
I’m going to make it.
One day, things will be
different.
I just can’t see it yet.

I smile in the fog. I love the fog.

It clears and there’s the monument
that I’ve seen so many times before.

There’s the familiar at the end of the tunnel
it would seem
and I'm going to make it.

-

Let’s not get ahead of ourselves here though.
It’s always going to be easier to face the symbol
as the I in the poem than as the I in the real,
facing the actual.

-

Back in the now, the fog has gone
and everything is blue and green.
I’m sitting on a bench below the monument,
remembering how a poet once walked here
and I really do feel alive today.

I stay on the bench in the blue and green,
quoting other people’s poetry to myself:

See, I’m sad because I’m sad. It’s psychic, it’s chemical.
I should hug my sadness like an eyeless doll
or just go back to sleep.
And I know there are promises I really ought to keep,
and miles to go before I get that sleep,
but aren’t the woods so lovely dark and deep?
And they are, but when it comes right down to it,
and the fog fails and the light rolls in
and I’m trapped in my overturned body
with fears that I may cease to be,
before I’ve had chance to write or love,
I must go to the shore of the wide world and stand alone and think –
and let there be no moaning there, when I look out to sea.
Let it just be sunset and evening star and one clear call for me.

-

I’m still sat on the bench, enjoying the sun
and suddenly I think

one day i’ll bring my girlfriend here
she’ll probably know of more exciting places
but i’ll bring her to the island
and we’ll sit by the monument
looking at this very same view

I find myself thinking in the future tense and it’s strange because
I don’t have any hope for beyond the now.
I’m still thinking I’ll probably be dead
and yet out of nowhere,
here’s the shift into a different tense
and the view of the end of the island
where it looks like it should plummet straight down
into the sea, but it doesn’t.

There’s more island beyond the end.

I sit on the bench, shocked at myself,
but I keep trying to believe that one day it will be different
and one day I will come here again,
with my girlfriend, whoever she maybe,
if she may be, maybe, please?

-

I come down from the cliffs and go to the shore,
to walk alone and think.

The sea casts gold and silver on the sand,
the sunlight gives puddles lilac halos
and I think maybe, just maybe.
Maybe, just maybe,
because today I feel alive.

-

The beach is a beautiful blue winter.
Winter, being the time of death,
blue being the colour of the endless sky and sea,
the colour of sadness and the colour of calm.
Beautiful, there because it is beautiful
and to nuance it further

The sea has left traces of itself
on the beach and I concentrate on those.
I look at the smaller elements
and try to forget the wide ocean.

The cliffs are crumbling and eroding.
The beach is rocky and ragged.
They are symbols for my own erosion
and my own weakness against the sea.

-

The beach is also real
and I walk on the sand,
feeling separate from everything,
feeling the possibility of everything,
feeling that maybe, just maybe.

I feel like something could go right
in this beautiful blue winter.

-

But this is also a liminal moment and while
I feel at home in the liminal      in the space inbetween,
you cannot build your home there.
The future needs a more solid base
and the liminal will eventually rip you apart.

-

I feel like a child here, but not quite.
I feel like an overgrown child
or a child in a too big body
or a child who knows too much about this world,
or an adult, who still feels inadequate.

I balance across stones, I jump puddles.
I don’t care anymore.
I’ll be the child or the adult.
I’ll be the I.

-

There is hope here, hope in feeling alive,
in curling my hand and imagining someone
will one day hold it.

For now, I walk across the sand and
look at the cliffs, the gold,
the lilac, the blue, the shipwreck,
the deposits of the ocean
and I write them down
into the notes on my phone
so I can turn them into poetry later.

I want to capture these precise scenes,
these precise feelings of being so alive
for the first time in forever,
of seeing the end of the beach and thinking,
maybe, maybe, some part of this will turn out okay.

-

The problem is,
I want it, this future, this something else,
and I think maybe it’s possible,
but I’m not sure I can get back on the boat
and carry this belief home safely.

Here on the island,
sipping at the brimming nostalgia,
breathing the blue winter,
living on the shore,
camping in the liminal,
it is all maybe, just maybe,
but maybe is a fragile word
and could easily get lost in the ocean.

-

I’m so caught between
wanting to end it all and wanting to survive it
and maybe it’s just the liminal moments
that make me want to live.

I pick maybe up off the shore
and tuck it into the pocket.

I have no idea if it will survive the journey back
but maybe, just maybe, it will.

Death patiently files his nails
And smokes a casual cigarette
Grinning and eyeless
He says so calmly
"Catch you later
Brave little dreamer"

Despite such brittle certainty
Men and women build
Despite such small mortality
Every space is filled
In the midst of death's destruction
Men and women build again

Fear, like a cringing bowel
Exudes an acrid stench
And whimpers and whines
Simpers and cries
"Don't you dare
Don't you ever dare"

Despite this clinging dread
Some will need to dare
Despite the bursting head
Dreams insist on birth
In the midst of our stupidities
Something wondrous strives

                                    By Phil Roberts

(A Virginia Legend.)

The Planting of the Hemp.

Captain Hawk scourged clean the seas
(Black is the gap below the plank)
From the Great North Bank to the Caribbees
(Down by the marsh the hemp grows rank).

His fear was on the seaport towns,
The weight of his hand held hard the downs.
And the merchants cursed him, bitter and black,
For a red flame in the sea-fog's wrack
Was all of their ships that might come back.

For all he had one word alone,
One clod of dirt in their faces thrown,
"The hemp that shall hang me is not grown!"

His name bestrode the seas like Death.
The waters trembled at his breath.

This is the tale of how he fell,
Of the long sweep and the heavy swell,
And the rope that dragged him down to hell.

The fight was done, and the gutted ship,
Stripped like a shark the sea-gulls strip,

Lurched blindly, eaten out with flame,
Back to the land from where she came,
A skimming horror, an eyeless shame.

And Hawk stood upon his quarter-deck,
And saw the sky and saw the wreck.

Below, a **** for sailors' jeers,
White as the sky when a white squall nears,
Huddled the crowd of the prisoners.

Over the bridge of the tottering plank,
Where the sea shook and the gulf yawned blank,
They shrieked and struggled and dropped and sank,

Pinioned arms and hands bound fast.
One girl alone was left at last.

Sir Henry Gaunt was a mighty lord.
He sat in state at the Council board;
The governors were as nought to him.
From one rim to the other rim

Of his great plantations, flung out wide
Like a purple cloak, was a full month's ride.

Life and death in his white hands lay,
And his only daughter stood at bay,
Trapped like a hare in the toils that day.

He sat at wine in his gold and his lace,
And far away, in a ****** place,
Hawk came near, and she covered her face.

He rode in the fields, and the hunt was brave,
And far away his daughter gave
A shriek that the seas cried out to hear,
And he could not see and he could not save.

Her white soul withered in the mire
As paper shrivels up in fire,
And Hawk laughed, and he kissed her mouth,
And her body he took for his desire.


The Growing of the Hemp.

Sir Henry stood in the manor room,
And his eyes were hard gems in the gloom.

And he said, "Go dig me furrows five
Where the green marsh creeps like a thing alive --
There at its edge, where the rushes thrive."

And where the furrows rent the ground,
He sowed the seed of hemp around.

And the blacks shrink back and are sore afraid
At the furrows five that rib the glade,
And the voodoo work of the master's *****.

For a cold wind blows from the marshland near,
And white things move, and the night grows drear,
And they chatter and crouch and are sick with fear.

But down by the marsh, where the gray slaves glean,
The hemp sprouts up, and the earth is seen
Veiled with a tenuous mist of green.

And Hawk still scourges the Caribbees,
And many men kneel at his knees.

Sir Henry sits in his house alone,
And his eyes are hard and dull like stone.

And the waves beat, and the winds roar,
And all things are as they were before.

And the days pass, and the weeks pass,
And nothing changes but the grass.

But down where the fireflies are like eyes,
And the damps shudder, and the mists rise,
The hemp-stalks stand up toward the skies.

And down from the **** of the pirate ship
A body falls, and the great sharks grip.

Innocent, lovely, go in grace!
At last there is peace upon your face.

And Hawk laughs loud as the corpse is thrown,
"The hemp that shall hang me is not grown!"

Sir Henry's face is iron to mark,
And he gazes ever in the dark.

And the days pass, and the weeks pass,
And the world is as it always was.

But down by the marsh the sickles beam,
Glitter on glitter, gleam on gleam,
And the hemp falls down by the stagnant stream.

And Hawk beats up from the Caribbees,
Swooping to pounce in the Northern seas.

Sir Henry sits sunk deep in his chair,
And white as his hand is grown his hair.

And the days pass, and the weeks pass,
And the sands roll from the hour-glass.

But down by the marsh in the blazing sun
The hemp is smoothed and twisted and spun,
The rope made, and the work done.


The Using of the Hemp.

Captain Hawk scourged clean the seas
(Black is the gap below the plank)
From the Great North Bank to the Caribbees
(Down by the marsh the hemp grows rank).

He sailed in the broad Atlantic track,
And the ships that saw him came not back.

And once again, where the wide tides ran,
He stooped to harry a merchantman.

He bade her stop. Ten guns spake true
From her hidden ports, and a hidden crew,
Lacking his great ship through and through.

Dazed and dumb with the sudden death,
He scarce had time to draw a breath

Before the grappling-irons bit deep,
And the boarders slew his crew like sheep.

Hawk stood up straight, his breast to the steel;
His cutlass made a ****** wheel.

His cutlass made a wheel of flame.
They shrank before him as he came.

And the bodies fell in a choking crowd,
And still he thundered out aloud,

"The hemp that shall hang me is not grown!"
They fled at last. He was left alone.

Before his foe Sir Henry stood.
"The hemp is grown, and my word made good!"

And the cutlass clanged with a hissing whir
On the lashing blade of the rapier.

Hawk roared and charged like a maddened buck.
As the cobra strikes, Sir Henry struck,

Pouring his life in a single ******,
And the cutlass shivered to sparks and dust.

Sir Henry stood on the blood-stained deck,
And set his foot on his foe's neck.

Then from the hatch, where the rent decks *****,
Where the dead roll and the wounded *****,
He dragged the serpent of the rope.

The sky was blue, and the sea was still,
The waves lapped softly, hill on hill,
And between one wave and another wave
The doomed man's cries were little and shrill.

The sea was blue, and the sky was calm;
The air dripped with a golden balm.
Like a wind-blown fruit between sea and sun,
A black thing writhed at a yard-arm.

Slowly then, and awesomely,
The ship sank, and the gallows-tree,
And there was nought between sea and sun --
Nought but the sun and the sky and the sea.

But down by the marsh where the fever breeds,
Only the water chuckles and pleads;
For the hemp clings fast to a dead man's throat,
And blind Fate gathers back her seeds.

Last night,
I dreamt that the friend of a friend had died.

His body floated lifeless on the surface of the Pacific,
tossed about between the Bering Sea whitecaps

like an orca’s seal-pup plaything
while the Arctic wind whipped

and beat the freezing cold water
across his pallid face and through his chestnut hair.

Then his body
began to sink,

its silhouette appearing
against various monotone

canvases of blue
on its trip downward:

a vivid cornflower,
a pelagic cerulean,

a chasm of cold cobalt,
a starless twilight,

a forest of indigo,
a velvet curtain of navy.

Finally,
as it reached the deepest possible shade of midnight—

only a quantum away from black—
it stopped sinking.

There, in that void,
where daylight and color are considered but outlandish theories,

strange fish of all and shapes and sizes
began to surround the decomposing corpse:

Greenland sharks hailing from the frozen arctic,
mantis shrimp from the mangrove labyrinths,

eyeless electric eels from undersea caves near the Galápagos,
vampire squid rising cautiously up out of their World War One trenches,

scores of spindly ***** and pale worms that had ventured far beyond
the safe familiarity of their alien geothermal worlds.

At first, they approached the corpse gingerly,
nibbling only the tips of its hair and fingernails,

and then suddenly, voraciously,
they consumed it—until not even a skeleton remained.

Now, only a single point of light was left
there floating in the void.

And from this single point of light,
where just a moment before the corpse had floated,

a brilliant white lattice structure emerged,
unfurling as would a fern across a forest floor.

It fanned out onto the seabed
and then swept upward, upward

back toward those reaches of sea
where color is known

and fresh air gleefully permeates
that foamy outer membrane that skirts the base of the sky.

Scores of familiar fish began to lift up the crystalline structure—
schools of shimmering sardines,

stately, dignified manta rays,
skipjacks, bluefins, and white-tips,

brilliant cuttlefish, humble pufferfish,
shifty barracuda, gargantuan whale sharks,

all of them
beating their tails in concert

to carry this lattice away,
this measure of a life,

this husk of a soul
at last freed from its earthly bindings.

The fish were carrying it somewhere deeper,
somewhere darker,

to a place that I understood—
even from the inky depths

of my dreaming mind—
that I could not enter.

But then again,
I knew that someday

I would.

in the silver of morn, little bird joyful trills
five lines remain blank
the notes won't play on
its breathe lies below the sand
where tranquil bulrushes grow


1.
in the hue of sombre afternoon
    knees drawn up to chest
    memories intent on knocking loud
cold harbour between these sheets
   no blotting out that light -- it has to be faced
there's no silver in the clouds.. so bulbous and so there
only a tie on the path


2.
can you please let me be?
need to be left alone a while
while I clean up the righteous-mess of this dread
           hours to make me presentable before that
which must be lived through

smiles can be pasted on.. by old-habit, so well-mastered
it's an old tale caught in a twist by its own wick'd-tail
perhaps some gale to shake up the roster
and relieve from parallel track.. liberate
surely, they can hear the stylised bass-chords inside me
             leave their odd-resonance
boom.. boom

3.
treble is missing..
your laughter, I can still hear your tinkling-laughter
         even as I see you being lowered slowly, slowly, slowly
s l o w l y
down into the bowels of where we all go to rest one day
you take with you.. the *one clef needed for clarity to live

shut eyes tight against that bright-red insolence
        struggle with the process of accepting the impossible
reliving anguish through swollen eyes in a clip of vision
imposing terror.. grips tummy-muscles and twists
eternally deforming galaxial-dust in my eyes


4.
in the grey of eve.. no hunger, no thirst
    place food in mouth - must
    shove fluids down constricted-throat - must
..baking sun waves at me, setting in gilt-smiles

clean out the navy-attic of my overdrawn-mind
find your blue bubblegum on the counter
and suddenly, my arms are clad in shivers-cold
                       head is spinning
I pick up the morsel, turn it over and unwrap
stare at it, discovering you.. again
tears well but never fall..
         I place the gum inside
         chew and chew and chew....................
it is you.. not lost
place the bubblegum on silver wrapping
'cause the clouds.. they offer no solution

I have to eat, my hunger grew
my sanity is toast


5.
yes, smiles can be pasted on.. by old-habit
        but not this time
why let love be secured so.. then harshness steps in
to wrench away.. leaving such monstrous-gaps?
perhaps it's safe to just.. not love..
close up the heart - pack away in congelator

(weird.. a heart is just a piece of meat)
love-letters and sweet-poems are for the eyeless
hearts for eyes.. render blind-suite
tenderly hack out these.. hack, hack!



the only remnant now.. a hard-ball of gum found stuck
      hid as a half-moon under the pedestal

still.. earth turns again
          birds sing on

your laughter never lost.. completes the score
        the symphony unfolds
as sage doth reveal.. one step at a time :)



S T -  14 Feb 2014

There is a place, far out there in the darkness
where shades of black are the only companions
there monsters stand bold but moments away
withered, eyeless creatures untouched by sun
never seen, though presence felt in terrors embrace
in this roiling expanse of unseen horror but thought
direction once known is lost, a meaningless farce.
Here then comes a glow, a way leading forth
bringing shape to the formless, stalking void
that fire is you, burning consuming the night
Now with smile and hope, stride into the light.

My mind's a map. A mad sea-captain drew it
Under a flowing moon until he knew it;
Winds with brass trumpets, puffy-cheeked as jugs,
And states bright-patterned like Arabian rugs.
"Here there be tygers.-" "Here we buried Jim.-"
Here is the strait where eyeless fishes swim
About their buried idol, drowned so cold
He weeps away his eyes in salt and gold.
A country like the dark side of the moon,
A cider-apple country, harsh and boon,
A land of hungry sorcerers.
                                              Your mind?

--Your mind is water through an April night,
A cherry-branch, plume-feathery with its white,
A lavender as fragrant as your words,
A room where Peace and Honor talk like birds,
Sewing bright coins upon the tragic cloth
Of heavy Fate, and Mockery, like a moth,
Flutters and beats about those lovely things.
You are the soul, enchanted with its wings,
The single voice that raises up the dead
To shake the pride of angels.
                                                 I have said.

Don't sleep
Don't sleep
I begin to
Like you
A little bit more
I shift and sigh
Say your name
Fatigue rolls
Somewhere by
But, alert I
Imagine
So many paintings
To make for you

You mumble
Childishly
Your laughter
Is glittery
I wish
For so little
I wish too
Intensely
Dont wipe me
With a stiffened cloth
Soaked
In turpentine
And a hundred hues
Dont stir me
I might be disturbed
Out of skill
Out of thought
Onto a burlap scene
Grotesque
Picturesque
And so, so true

Don't move
Or I might too
I might too
Become a facet
Among the facets
Of your horrors
I might
Become art
Might become
Beautiful
In that strange
Black way
Of art

Dont sleep
Talk to me
Speak to me
Let us be
Normalities
Let us
Hold
Technicalities
Forget
Sentimentality
In the silly blue painting
Of an eyeless pretty
Smooth and porcelain
Perfectly closed

No night
To mourn into
Dissolve into
To stumble,
To tremble into
Don't sleep
I become too much alone
Shrivel, burnt sienna
I cannot move alone
I become the paintings
That I fear to paint
I become the sombre
Debris of your laughter
Cold, blue
Featureless
A moonlit night
Nothing but red
You don't know
That I like you
In my head
Come back
Come back

Milestones Toward Oblivion
by Michael R. Burch

A milestone here leans heavily
against a gaunt, golemic tree.
These words are chiseled thereupon:
"One mile and then Oblivion."

Swift larks that once swooped down to feed
on groping slugs, such insects breed
within their radiant flesh and bones ...
they did not heed the milestones.

Another marker lies ahead,
the only tombstone to the dead
whose eyeless sockets read thereon:
"Alas, behold Oblivion."

Once here the sun shone fierce and fair;
now night eternal shrouds the air
while winter, never-ending, moans
and drifts among the milestones.

This road is neither long nor wide . . .
men gleam in death on either side.
Not long ago, they pondered on
milestones toward Oblivion.

Keywords/Tags: oblivion, milestones, markers, tombstones, radiation, fallout, nukes, winter, path, destruction, Armageddon, Apocalypse, nuclear, a-bomb, atomic bomb, hydrogen bomb, Hiroshima, Nagasaki, Bikini Atoll, Manhattan Project, Trump, planet, earth, war, violence, America, environment, holocaust

a nacreous tossing around at
the sides, a dappled silver
sunlight if looked one way, an

apocalyptic gloam if another,
exhaled from a seeming
mouth, feeding on what has

already eviscerated an unfelt
*****, a predator certainly its
own prey, a heat certainly

poison-breath on a cheek
falling when a meretricious
lover spouts that spurious

hypocorism, and also just a
wavering, iridescent puddle—
cornered, soft as a liquid steel

echo of a futile struggle
rolling around, bouncing off  
a wine glass, and a porcelain  

table edge, while a listening
head shakes, looks down
despondently, gloom glowing

out the hair, a voice jaded
since birth saying some
thing about differences, or a

helpless slender strap of hope
hanging itself on the way two
other eyes look at it across

checkered watered wings, two
swirling god whorls, two
effulgent galaxies the color of

melting pine bole circling
around in living umber striae,
pulling its gaze, raising it, as if

they, they were blazing truth
cased behind lithophane, and it,
only an aporetic puddle now

of tepid ocher, a mild earth
stone placed in a hand, asked
what is thought of it and the

response: yes, yes of course,
before foreign distance splutters
its face, and it retreats from

its meaning imparted to every
thing (with the vulnerable
precision of a swaying finger

tip) to the baby lanugo of a
delicate floating, through
human rills, of what is horizon

docked, dead, not merely
deciduous—forever jilted with
breath bulging as when beating

a flopping eyeless fish to
half-dead, head tilted up a
throat trying to pry itself

free, trying to live by
streaming snagless, airful,
without spirant sound of going

lost straight from the hands—
then a short chop of fullness
finally expunged and sputtering

like an escaped tuft of
shackled wonder soaring up
the sky in a puff and soul ring.

FIRST:  the poem which inspired...oh, yes, laugh--it's reminiscent of, of, would that be the old "the house that jack built"? ie, Joshua Amos Graff/aka Graff1980's poem--

Graff1980
4h@18:04, 29Oct17
Untitled

The phone store
is closed,
but I can still see
the sharp blue glow
of those
bright screens
blinking out at me
from the window
to the streets
where I am walking slowly.
https://hellopoetry.com/poem/2187429/untitled/

SECOND:  the comment his poem inspired and which he too generously told me I "should post."--

[He said Jenny Williams]--Like a ghost none sees, catching the lurid eye of those eyeless windows to the black hole of an eerie yonder, the speaker treads as if slippered through the darkness which itself is alive and aware, the scene commonplace, yet rendered thus with a poignant ghastliness, a delicacy. Thank you for sharing.

THIRD:  the sonnet which I told him I'd endeavour to compose from that same comment, yet which is a frustrating reminder why as Stella Armour was it? told me years ago she did NOT want to force thoughts into sonnets, and I heartily concur:  I'd far rather pour the unformed thought into that "most exquisite form of poetry" than try to squeeze a complete thought into that "gilded cage"--

...for Joshua Amos Graff's poem--



(sonnet #MMMMMMDCCXXII)


Likeas a ghost none sees where streetlamps fence
The blacker shroud of night, how in betrayl
'Non catching lo, the lurid eye's detail
Of those more eyeless windows harking thence
Unto the black hole of an eerie sense
Of yonder, how you tread as if t'avail
Now slippered through the darkness which in pale
'Scuse ah, itself's alive and 'ware.  What hence?
You only put down for the page as twere
That lonely walk through naked streets left to
None else.  Yet where dead cellphones look in poor
Excuse out, la, you render thus anew
What's common, but whose ghastliness in tour
Is poignant, delcacies I cherish.  You?

29Oct17a

Your lips bleed
like the scarlet syrup of a
dark passion fondue;
two curly lines of red
peeking from behind
your hallowed veil,
and you,
you lay them upon
my neck,
my very body you hail
as your own.
This then, is like
a red petal falling on
alabaster
or a rose stained in blood
as I pull you closer to me
and together,
we drown in a pool of
crimson wine
you anoint
my lips with.
The taste of you
is like the tip of a sword
dipped in sparkling liquorice;
and our ******* becomes
the hypnotism
my tongue
slickly wrap around,
or perhaps,
the ****** of this
eyeless world.
We’re just like
diamonds sleeping on their
velvet cushions,
or illuminating puppets
showing the way.
Love, may you claim me,
till death do us part.