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cuando arthur donovan vino del sur
hizo una parva con sus maldades resentimientos tristezas
les prendió fuego en el crepúsculo
para espantar a los mosquitos de paso

quedó solísimo apoyado en bellezas
"y qué va a hacer" decía arthur donovan con luz
o suavidad o dulzura pechonas
contando su poquito

"y qué va a hacer" decía
pero una mirada que le dieron como amparo o amor le sostenía el esqueleto
en esa mirada arthur donovan estaba parado
y hacía señales contra el mundo

"ah mirada" decía arthur donovan el entendido en sombras
"solos estamos por aquí" decía y ya la noche le rebajaba el sufrimiento
a pájaros a tierra
mojada respirando

cuando arthur donovan murió
sacó una mano afuera extendiéndola
como quien pide lluvia o nido o no tanta soledá
olvido si no hay caso

cómo llovió sobre esa mano
no hubo gente que no llorara por allí
pero ni hojita le creció al puro hueso
comido por el aire

"y qué va a hacer" decía arthur donovan
mientras el viento lo limpiaba
y él levantaba su mirada famosa
como calor desobediente a la suerte fatal
Nat Lipstadt Jun 2020
bent Hallmark card (for BJ Donovan)

”I'm a bent Hallmark card with no stamp. It won't reach my love”
                   BJ Donovan (HP gone, Gray Dotted, r.i.p.)


at the drug store, loose poems,
no right-sized envelopes left,
loosie cigs, for newly ‘underemployed’
both, thumbed, finger oil anointed-stained,
and
bent

all available for purchase
24/7, in these United States,
in national drugstores jailed,
kept in “chains” till discarded

therein hides the rub-bled best,^^
great verse writings, deadline-
inspired in a Ohio bullpen office,
@ corp. HQ by an Eng. Lit. major

composed, vetted, approved, yet
marked ‘failure,’ by quality control,
third Tuesday of every month, ritualized,
manager freshens display, victims chosen

Hallmark display, pruning the die-marked,
the no-hope cards, consigned, to a green
in-the-back-garbage dumpster resting place,
where you just may see me climbing-in

(and where America safe keeps its treasures)

droning on, as per usual, I’m kicked away by a
rent-a-cop, muttering insurance assurances, just
business, not personal, grab what cards I can, mine,
stolen pleasures, resending via insertion here ‘n there

my resurrection act, a new business, wife thinks
me stinks, but for me, a perfume of saved  words,
an act of rebirthing, god bless America, making it
great by giving Hallmark poems a second chance

gonna send one of those cards in envelope,
addressed to BJ Donovan U.S.A., no stamp,
inside note, your poems were ordinal, small
plates of sardonic pith, human foibles, on being

old, recalling youth, both celebrated, Icarus and Daedalus

pretty sure this poem may not get there but I believe
in poetry and the US Post Office, who delivers
mail to me, marked “Nat”^ and to Santa Claus,
which impresses, cause I’m mythical, he’s real

your compositions were breathtaking, literally,
miss your hallmarked witticisms, criticisms,
glad you escaped that virus nursing home jail,
if needed, write to “Nat, NYC, living somewhere
in a park, scribbling close by the East River
^

I’ll get it, like I got you, they know my special tree,
and the rock nearby, that too, is a known hideout,
no worries buddy good stuff may perish, but somehow
it gets a second wind, can’t keep a good scrip, down forever...

a very humbled admirer...

NaTTy
^^ https://www.pinterest.com/betteshallmark/hallmark-quotes/

———————-
^emerging from the store, walking home in the
now doubly ***** darkly dusk,
a set of white teeth from a passing shadow-man says to me
“you’re home late and have a great weekend,”

she asks, “who is that?”

“why,” I reply, “that is our very own personal postal carrier’

she says:
“he delivers mail to ten thousand people all in buildings tall,
yet knows your name, your face,
where u buy your lottery tickets,
your coming and going hours,
how came that to be”

but waits not for an answer
she just shakes her head, from side to side

https://hellopoetry.com/poem/2220471/she-just-shakes-her-head/
Brooke hit it off with Edric from the moment they met.

The dangerously ****, tattooed ex-SEAL and always a poet, Detective for the LAPD, remains as one of the best friends she’s ever had, the main star in her wildest fantasies.
When they met he did not see her that way. And she would have died of embarrassment if he found out she was still a ******. And he was about to stake his claim, struggling to keep his attraction to the beautiful, blond dancer a secret.
He was not good enough for her; that is what he thought. On a day when an attacker targeted Brooke, Edric’s protective instincts went into overdrive.
With the attraction between them burning like a torch flame, he would do whatever it took to protect her and tell her they were meant to be together.  
One evening, deciding to express her love for her, Edric waited outside the door, keeping watch over the woman he loved secretly. Then he saw her through the curtain, dressed in her black fur coat.
Not realizing that she was being watched, yet fantasizing about the man of her dreams, Brooke lowered her fur coat standing in front of her mirror.
Her soft ******* protruding out from her black lace bra, in her mind waiting for Edric’s hands to touch her love her, want her like she wanted him... As the coat slipped down her black lace skimpy ******* seemed so inviting. Her dreams of him were getting so vivid. She would imagine him standing over her, kneeling, as he slipped his hand under the cover, exploring her body, wanting her, making her desire so real. Seeing Brooke in her lingerie, he was awestruck by her beauty and wondered what to do next.
Hesitatingly, he moved towards the door and to his shock saw a shadow, moving slowly, stealthily, trying to pry the windows. Failing to open the window, he moved towards the door. He pulled out a bunch of keys trying out one by one. Edric’s first response was to call for backup. He called leading detective Donovan Mallow his partner. Then the shadow opened Brooke’s door and started creeping in, Edric wasting no time, Edric charged to stop him. Suddenly he heard a shot that rang out into the night. There was Brooke standing in her black lace bra and *******, holding a gun and the intruder lay dead on the floor.

“Brooke drop the gun, please Brooke drop the gun.” Brooke was shaking… “Brooke, sweetheart, drop the gun. “She looked at Edric and let the gun fall to the floor softly.  On the verge of tears, petrified out of her wits since she had never used a gun before,  and to **** a man, she shook violently. Edric walked over to her and picks her and covered her half naked body with his coat.
When Detective Donovan showed up, Edric held her close while the former checked  the body and called for the paramedics and further back up. When the police came, CIS took finger prints, investigating the crime scene.
Edric found Brooke some clothes and dressed her, escorting her to the precinct for recording of her statement. She was questioned and released.
With Edric’s story and Detective Donovan backing her up, she was released. Not wanting to disturb the crime scene, Edric escorted her to his home and put her in bed. Brooke, I need to tell you something, is what he said.
“I am listening”…Brooke was shivering after having gone through the trauma, yet attentive listening to the man that she had secretly admired. “I want you to know, I love you”.  “You love me? I love you too. I always have.” Brooke looked at Edric with an adulation emanating from her very soul.
As an instinctive response, shivering, she let her head lean on his shoulder. “Edric then please make love to me. I have yearned for you so long”.
As the sun slipped from its perch in the sky slowly, drawing well into the darkness, the shores where the waves would roll and sigh, Edric slowly undressed Brooke, one piece at a time. As he took off her blouse admiring her beautiful soft protruding ******* with each moment her ******* getting hard. Taking  off her pants and there were the black lace ******* he had seen from the window. Her firm and tight stomach and legs, she looked so delectably **** and beautiful. She was lying with a look of anticipation on her face. He enveloped her with his arms and kissed her softly, passionately. He didn’t want to scare her.
“Edric, I have to tell you.” Brooke whispered in his ear. “Later Brooke, you can tell me later.” He was so aroused and was getting so hard. “No, Edric now.. I have to tell you now.” Edric stopped and looked at her, “What is it darling?”
“Edric I am a ******. You are my first man. I have never been with another man.” Edric sat there and couldn’t believe what he was hearing. He knew then that he had to be gentle. A wrong step and he would scare Brooke. He held her hand and kissed it.
"I kind of suspected but am surprised. You always had a naïve gentleness and girlishness about you. You always seemed so vulnerable that I always wanted to protect. You always had affected me in a way that I couldn't explain; no other woman has ever done that to me.”

Saying that he helped her dress and holding her hand led her towards the ****** beach outside his cottage. Wrapping her in his arms, they watched the beautiful glow of the stars, eyes aglow with passion of locked hands. Edric spoke his favorite lyrics, into her mouth as he started kissing her.
What a poet was he!! Impatience getting the better of her, “Edric, please make love to me… Oh! how I want you.”
His kisses were soft but passionate; they started at her lips to the base of her neck sliding down to her *******. When they got to her stomach her breath trembled, yearning for more.
Electric shocks ran down her spine. She almost screamed. The winds gently swirled, dancing to their rhythm of their passion. A girl, morphed that sweet evening, as Edric make sweet passionate love to her and made her into a blossoming woman.
Guess, there is nothing in the world that matched the feeling of eclectic emotions that were born that night. When a tired sun finally arose as a grim reminder of the end of an ethereal night, it sighed endlessly, spreading a gentle caress across Brooke’s cheek, pledging that she was bound to Eric for eternity.

Debbie Brooks 2014 -
Politics is a shame
Two Donalds to blame
So if the name is black listed
Please don't get it twisted
I'm not one of em
Named after Donovan
Let me clarify
Spell my name with a Y
Let me testify
So you can't deny
I'm not one of em
Named after Donovan
Just read about Donald Jr's emails.... never use to care when people thought I was a Donald, no disrespect to any other Donalds or Donnies out there.
False Poets Sep 2019
"Colours" by Donovan.                         
“Colors” by a False Poet.

Yellow is the color of my true love's hair    
sun dapples her gold shadings
In the mornin', when we rise                        
sun searching for the truest color
in the mornin', when we rise                      
peaking, she’s peeking, we waking, uprising
That's the time, that's the time.                  
her best time, sleepy doe eyed, all yellow,
I love the best                                                
bangs tickling eyes, I write of sun sparks

Blue's the color of the sky                          
blue is the primary, the selected color,
In the mornin', when we rise                        
that’s chosen to be a lovers greeting,
In the mornin', when we rise
a cloudy white pastel of blue,
That's the time, that's the time
that’s the days first part, our best parting
I love the best

Green's the color of the sparklin' corn
green Granny Smith apples, ****
In the mornin', when we rise
our mouths pucker, drool, chin juices
In the mornin', when we rise
that’s the days first part, a best parting
That's the time, that's the time
that’s the days first part, a best joining
I love the best

Mellow is the feelin' that I get
mellow is with me, all de day
When I see her, mm hmm
seeing her first eye blinking smile
When I see her, uh huh
the feeling infused, all de day,
That's the time, that's the time
she grants me loves freedom
I love the best

Freedom is a word I rarely use
except when I look upon her
Without thinkin', mm hmm
with knowing, full complete
Without thinkin', uh huh
with knowing, fully, completely
Of the time, of the time
of every time our morning glances meet
When I've been loved
https://www.azlyrics.com/lyrics/donovan/colours.html
martin challis Sep 2014
Axel, who never had a rocking horse, once rode a bright blue tricycle. He called it his ‘Athenian Rhapsody’. He loved to play the tuba in bed, and when he was feeling particularly happy, would sit on the loo in the outside shed, pants around his ankles oompa-pa’ing till the cows came home.

That was quite a while ago; the tuba and the tricycle have gone, yet he can still hear the triangle sound the bell made on his tricycle, and still remembers the scraping of the old keys on the ancient tuba.

Axel listens to old sounds very well (all the time): he loves Bach, Mendelssohn and Donovan. He loves to eat crumpets with honey and drink a large white mug of milky tea; it reminds him of summer fishing trips to Lake Eucumbine, mushrooms and gnats in the full-sun morning air, (he loves to talk fishing when he’s playing chess with Carl the orderly, often quoting from his favourite magazine, ‘Modern Fly Fishing’).

Axel was once an expert at fly fishing; tying the ‘super moonshadow’ to perfection (he named the fly after what he thought was a Donovan song, written by Cat Stevens).

When the hospital staff remember to buy him a new box, Axel loves to drink Lady Grey tea made from tea bags, he prefers tea bags, he feels that somehow they bring clearer definition to tea making.

Axel thinks a lot about definition, noting how the edges of his bed are very clearly defined by the clean-blue hospital blankets that drop suddenly to the ocean of the grey linoleum floor. He likes the smell of cleanblue, it’s somehow a new sea to sail and sometimes the feel of his favourite jumper when he was a boy: a definite edge of beginning and end. He knows that soon he’ll cross the floor-grey ocean, sailing under a white sheet. But this is not a thing Axel dwells on for very long, he prefers to think of such things as his next chess move and flirting with Miriam the night nurse.



Axel has just beaten Carl in a game of chess. He’s said goodnight to Miriam, a long quiet goodnight, a good long, good night. He won’t wake again, he senses this  –  and is peaceful.

When his last breath comes he hears; a faint scraping sound and a single precious note from a triangle bell on a bright blue tricycle.

They’re good sounds.

They are old sounds.

They bring him…
Nat Lipstadt Aug 2013
In a strange mood - see/write art



in a strange way, disorganized but straight on,
light tinted magenta, issuing, in frothy large pours, from my mouth,
knowing what to say, and the meaning too,
I can more than walk, can write, on water,
where all can read weeping, Mary-miracles of seeing, living words,
themselves, on light waves lapping in a
shifting rotunda vision, color reorienting spatial senses.^

in a strange, strange stitch, seasonal spirits and witches,
Chagall, Baez, Dylan Thomas, Donovan, Richie Havens
doing their knitting in my brain, from Montmartre to the Midwest to Monterey,
painters and poets in lockstep head-messing with me,
imperfect clarity but still one voice,
see/write art,
so went and caught the wind, going gently into night
to banish the hodgepodge of uncertainty from inside out.

knowing well you don't understand fully, but jumbling tumbling
verses are sliding off my rusted tongue as fiddlers fly above,
roughened words, hewn from a paper cup, spilling diamonds uncut, imported from Sarajevo, Montparnasse, the Lower East Side.
wretched me, in the hour I first believed, this amalgamated conception conceded,
seceded from my mind into your palate for a tasting,
tho neither drugged, nor deaf and dumb, just slammed poetical-like, this write is
all I have to portend is your affections, your attentions, to yours, am beholden.

a *****, well respected man in daylight,
the hidden references accuse,
woke up to see Wednes-day Caesarian born,
askance glanced at the prior passages of the night before,
when my palate clefted,
when eyes chose not to distinguish
between right and lefted,
in the nightlight,
a ***** man disrespects language convection/convention,
and lays before you activating stanzas and his mind, prone,
but always the truth, speaking,
the visions, leaking, mind to eye,
recombinant, into our minds eye.




^ http://www.guggenheim.org/new-york/exhibitions/on-view/james-turrell


Rather than write extensive notes on the many references, inspirations in this poem, if there is a line that intrigues, ask me
Cunning Linguist Nov 2013
throw some ****** coal in this steam locomotive
fueled by drugs, fame, money, *******, and notierity
all them girls know its me,
and some think its Reid,
but they not in the game
muhfuckas know my name (Charlie Sheen)

all these ****** uppers in my nasal passages
can't handle this
parents goin through my phone and they check my text messages
they like - "riddle me this
all you do is talk about drugs and spittin game on *******
when you gon make us proud son
you sling dope but we aint seen one
penny - and we gettin sick of it
not because your raps are ill
but because you're selfish
clean your room, do your homework, and get a job
or you'll be homeless
suckin **** for crack
and you don't want that
then you won't be able to attack and conquer
Make some change - cause you're drivin me and your father bonkers
and your ****** moniker is Reid Donovan not Charlie Sheen"

Uh...

And i be like...
"don't fret Mom, urrbody love me
i'm a terrorist droppin bombs on these rap songs
and one day
i'ma be rich as ****
all because i'm a genius
ballin, swag my *** out like Josef Stalin
and i dictate, reiterating as I weave my words so great
too late, to stop my hostile take over
i'll show her, how to ****** peddle and be stellar
mean smokin green
well up, runnin these streets
watch me take over the world
cause the name I sign my checks with is Charlie Sheen
I be, conducting
noxious, fallout as I spit
cause my saliva is toxic
white *** *******
but i'm still hood rich

We gon take over the world
while I'm on my Charlie Sheen ****
watch me stand tall
high above all the rest
see me on national TV
believe they'll remember me as the best
stick me with a knife
and watch me bleed liquid gold
nationwide tours, sold out shows
winning - throw my fastball
three strikes - all the oppositions out
wolf gang **** them all

and you know I be on those strikes
cause I aint about them ***** - no
I'm Charlie Sheen *****

I'm gon take over the world
while Mac Miller's getting mad
you're only seventeen kid,
how you write **** like that
Its because
the only present I ever got for christmas
was a big box of swag
just messin take some lessons

man i'm jonesin
8 am, gotta hankerin for a fixin
call the operator cause i'm on a ****** mission
big dave answers my call
and I reach those outer limits,
all he says is press pound and i'll connect you to the mooooon

When girls ask me if I be on that Charlie Sheen ****,
I just tell em no - I AM CHARLIE SHEEN *****
I wrote this when I was 17.
Brent Kincaid May 2016
(I seldom publish anyone else's poetry, but this one is so exceptional on so many levels, I had to reproduce it here. Hillary Clinton reposted it, so why not me?)

“Education then, beyond all other devices of human origin,
Is a great equalizer of the conditions of men.” – Horace Mann, 1848.
At the time of his remarks I couldn’t read — couldn’t write.
Any attempt to do so, punishable by death.
For generations we have known of knowledge’s infinite power.
Yet somehow, we’ve never questioned the keeper of the keys —
The guardians of information.

Unfortunately, I’ve seen more dividing and conquering
In this order of operations — a heinous miscalculation of reality.
For some, the only difference between a classroom and a plantation is time.
How many times must we be made to feel like quotas —
Like tokens in coined phrases? —
“Diversity. Inclusion”
There are days I feel like one, like only —
A lonely blossom in a briar patch of broken promises.
But I’ve always been a thorn in the side of injustice.

Disruptive. Talkative. A distraction.
With a passion that transcends the confines of my consciousness —
Beyond your curriculum, beyond your standards.
I stand here, a manifestation of love and pain,
With veins pumping revolution.
I am the strange fruit that grew too ripe for the poplar tree.
I am a DREAM Act, Dream Deferred incarnate.
I am a movement – an amalgam of memories America would care to forget
My past, alone won’t allow me to sit still.
So my body, like the mind
Cannot be contained.

As educators, rather than raising your voices
Over the rustling of our chains,
Take them off. Un-cuff us.
Unencumbered by the lumbering weight
Of poverty and privilege,
Policy and ignorance.

I was in the 7th grade, when Ms. Parker told me,
“Donovan, we can put your excess energy to good use!”
And she introduced me to the sound of my own voice.
She gave me a stage. A platform.
She told me that our stories are ladders
That make it easier for us to touch the stars.
So climb and grab them.
Keep climbing. Grab them.
Spill your emotions in the big dipper and pour out your soul.
Light up the world with your luminous allure.

To educate requires Galileo-like patience.
Today, when I look my students in the eyes, all I see are constellations.
If you take the time to connect the dots,
You can plot the true shape of their genius —
Shining in their darkest hour.

I look each of my students in the eyes,
And see the same light that aligned Orion’s Belt
And the pyramids of Giza.
I see the same twinkle
That guided Harriet to freedom.
I see them. Beneath their masks and mischief,
Exists an authentic frustration;
An enslavement to your standardized assessments.

At the core, none of us were meant to be common.
We were born to be comets,
Darting across space and time —
Leaving our mark as we crash into everything.
A crater is a reminder that something amazing happened here —
An indelible impact that shook up the world.
Are we not astronomers — looking for the next shooting star?
I teach in hopes of turning content, into rocket ships —
Tribulations into telescopes,
So a child can see their potential from right where they stand.
An injustice is telling them they are stars
Without acknowledging night that surrounds them.
Injustice is telling them education is the key
While you continue to change the locks.

Education is no equalizer —
Rather, it is the sleep that precedes the American Dream.
So wake up — wake up! Lift your voices
Until you’ve patched every hole in a child’s broken sky.
Wake up every child so they know of their celestial potential.
I’ve been a Black hole in the classroom for far too long;
Absorbing everything, without allowing my light escape.
But those days are done. I belong among the stars.
And so do you. And so do they.
Together, we can inspire galaxies of greatness
For generations to come.
No, sky is not the limit. It is only the beginning.
Lift off.

Donovan Livingston
Harvard Commencement 2016
Madison Curtis Apr 2015
Fashion and beauty retailers from across Hull are uniting to celebrate the region's independent shops.

The sixth annual Hull Business Improvement District (BID) Fashion Week is in full swing, with more than 70 retailers taking part. During the festival, business owners will showcase their best products and offer prospective shopkeepers an insight into how they have made their companies successful. Organiser Adam Clark said the celebration offered a platform for Hull's retail sector to demonstrate its strengths.
He said: "Hull Fashion Week celebrates and promotes independent retailers in Hull city centre.

"They are one of the driving forces to what makes our retail offer unique, along with our three city centre shopping centres and department stores."
Gillian Long opened her bespoke tailoring service, **** Of The Walk, in Hull two years ago.

The Savile Row-trained tailor will be opening up her studio to give prospective customers and fellow retailers a look behind the scenes.

She said: "I enjoyed Hull Fashion Week last year, but I did think there weren't that many men's fashion retailers or designers taking part, so I wanted to get more involved to show people what is out there.

"I think the event is a great thing to raise awareness about all the different independent shops out there.

"People might not realise we are here, but if you scratch under the service you will see there are actually lots of us who are doing really well."

Family-run jewellery firm Hugh Rice is another Hull company getting involved, with a meeting at its branch in St Stephen's shopping centre today.

Sales and marketing director James Rice said it would give fellow shopkeepers a chance to learn about the latest jewellery trends and let customers try on the latest pieces.

He said: "For us, it's just great to be involved in an event on this scale.

"We are a Hull company and we want to be as involved as possible in events like this, which promote the city and promote Hull businesses."
Mr Rice said it was an exciting time to be a city centre retailer in Hull.

"Around the marina in particular, there are lots of young, trendy shops emerging in an area that has probably been a bit neglected in the past year or so," he said.

"As we move towards the UK City of Culture in 2017, it's great to see more businesses thriving and I think it has given the rest of us something to aim for."

The week will culminate with a grand finale on Saturday, hosted by BBC Look North weather presenter Keeley Donovan.

Source: http://www.sheindressau.com
R Arora Jan 2016
Sherlock is indebted, forever;
To Mike,
For he made it possible for Holmes,
To meet the (only) friend of his life.
Oh look at John,
How baffled he was,
For he had just met a man,
About him, who knew all.
The army doctor thing, the Afghanistan war,
And that his sibling was alcoholic,
About this Sherlock was sure.

Without a word about himself,
Just the name and address,
Holmes went away,
Leaving John, with many questions,
And their answers for him to guess.

A queer flat mate, he was, a bit rude
Sherlock, you know;
Mrs. Hudson was nicer,
But not their housekeeper!
Apparently, SH would play violin to think,
Knew it was DI Lestrade at the door,
And there was another ******,
Including this one, counting to four,
Without a hint.

The crime scene was sealed,
Under supervision of Donovan,
And according to Sherlock,
There was something going on,
Between her,
And Anderson.

A woman was dead,
Wore everything in pink,
Holmes deduced her marriage state,
Just by her ring!
He slammed the door at Anderson,
For he (SH) found him irritating.
Rache is not for revenge”, Holmes said,
“She was writing Rachel, obviously”.
Left-handed she was,
And was carrying a suitcase,
But as Lestrade said,
There was never a case.

Mr. Holmes was so excited then,
He teased others to be stupid,
Watson helped him make a point,
In order to find the criminal,
But Holmes believed,
The pink case was the cupid.
SH means Sherlock Holmes; I used it because he signs off that way.
Ah, this one is going to be very long... You see, I have covered only one-third of the episode, and it has already become so long. So, I have decided to write it in parts. Nobody likes to read long poems, eh?
Writing this, I realized when you write a poem without a planned idea, it is much easier than what you write when you are given the idea. You have to steer it that way. And to rhyme- that becomes sort of a challenge...
Laterzz!
Nat Lipstadt Aug 2019
Alaska:
“though the whole world should be mad at once
though the elements should be changed, though the angels should rebel: yet verity (irrefutable truth) cannot lie.”  
                                                         ­                  Erasmus of Rotterdam

<> <>

for BJ Donovan, a fine, fine poet
<><><>

verity, irrefutable truth, cannot lie,
or belie it’s non-contradictory nature,
even, in a small airport, a one runway affair,
somewhere in Alaska
ribboned tween icy crags and dagger-ous peaks,
low cloud coverings of sub-zero visibility,
that inquire, in an indigenous tongue
of the flying fool pilots,

“really?”

if I or you ask me why I’m here,
Alaska,
the answers come in only three Heinz varieties,
true or false positive, no differentiation needed,
the other, is called
“one who doesn’t know how to ask”

you know him,
the simpleton, the simple one, me,
who can’t frame the question without

risking that he frame himself

betraying and displaying his woeful ignorance,
a veneered confidence of knowing so little about much

in the shed, a/k/a
‘the terminal,’ we wait,
me and an ex-Buddhist priest,
head stubble shaved, of course, round horn rimmed glasses wearing,
stone washed jeans blue, the color of his eyes,
reflecting mine as well as the blue glacier ice
surrounding us both, we,
the extraneous human eagle interlopers

showed him the Erasmus quote, provoking one of them,
thin lined, whimsical, eye-glinting smiles of those
who know the answer
to the knotty ones, or,
know better, that knotty questions one asks himself
when high up in the mountainous glacier ranges,
get answered just by silent patience

he smiled for an eternity of
at least five minutes,
my heart pulsating big time,
this modern man anticipating, in his calm, dulcet two tones,
his understanding of another ancient translating another,
even more ancient, speaking:

”the world is indeed mad,
through neglect letting the elements warp, glaciers melt;
the angels have indeed rebelled at the
foreseen fated falsehoods perpetrated,
verity,
torn asunder,
and the line between balance and imbalance,
so jaggedly ripped in too many places that verity a victim
so badly assaulted, its face is no longer identifiable by AI, worse,
so covered, dying, undiscoverable.

but you ask!
ask of yourself, asking of others, and tolerating
uncurled, uncut uncertainty, you retreat and reconsider,
this then is your answer!
it is the
ASKING,
that is verity, itself! there can be no lying thing in the
quest of questioning
that accepts, rejects, and unceasingly asks again^

this is a the only irrefutable truth and what it asks of you:

never accept the illogic of belief, let your own eyes be the best judge;
ask and ask thrice, be satisfied that being disastrously dissatisfied
is the norm, the mean,
the line toward a perfection that may not ever exist(ed)
for our flaws define us, thus so much greater is our truths when we
we reshape them, ourselves, for verity itself is not so hard to find,
but the finding of one self is too difficult for most


for asking is too painful,
too primordial, and why I am no longer a priest nor teacher,
but a simple observer of the answers that can be found in the
silences of places,
the Alaska’s inside of us,
where nature’s sets
an open table for anyone
wiling to just ask...”
8/18/19
S.I., N.Y.

^”It is not in the asking, but in the searching and wrestling that we gain clarity.”
Zero Nine Apr 2017
Wave to your boy, he's fading fast.
Sickness incarnate, not meant to last.
In the evening sprinkle, under dying skies,
he's sailing his paper boat into unknown
waters.
Wave to your boy as he departs.
There was no self love, ever.
Ever.
It's when the herb hits me hard I
knew masculine was never meant.
Never.
Catherine Jan 2014
Little pebble upon the sand
Now you're lying here in my hand,
How many years have you been here?

Little human upon the sand
From where I'm lying here in your hand,
You to me are but a passing breeze.
The sun will always shine where you stand
Depending in which land
You may find yourself.
Now you have my blessing, go your way.

Happiness runs in a circular motion
Thought is like a little boat upon the sea.
Everybody is a part of everything anyway,
You can have everything if you let yourself be.

Happiness Runs.

Why? Because.
Why? Because.
Why? Because.
Why? Because.

Happiness runs in a circular motion.
Thought is like a little boat upon the sea.
You can have everything if you let yourself be.
Donovan Philips Leitch, artist, singer, songwriter.
Poetoftheway Feb 2018
there’s a woman

in Minneapolis
where winters mind-bend, her face on my hands engraved,
she makes my fingers love her once more, saying I am the
real dream come see me when you can, I’ll give you summer
when the calendar says no, but you know I can

in Paris
a woman in the shape of a young girl,
her eyes wider than a grand boulevard,
who writes me in scattered verses I can’t comprehend
takes my hands in the metro on our way to
St. Germain-des-Pres, where she will make confession
she loves another, forgetting that was her first reveal
and why I now love her maintenant, plus complètement

in northern California
my golden raisin with smooth skin, six foot tall and gold hair
longer than Rapunzel, and don’t know what she wants from
this short older eastern man and when I ask she laugh kisses
saying because you are everything I am not, an acorn of real,
Vermont maple syrup for my green grapes and bring me scents
of genuine that your pores secrete

a married woman in Florida or was it Texas
who says come inside me, you are already there, make it real,
we will sail from the Gulf to the Keys in the escape pod
of our specters, our blunt physical connection,  
we’ll go ashore for barbecue when we need
a break from consuming each other and tire of tarpon

in London town
who impaled me with dreams of wet walks on the moors
I’ve never seen except in her poetry; she will warm me with porcelain tea and bitter pints from hide-away pubs, both drinks I despise but will love If she asks: will share chips and wine waiting for the tube or the boat to Greenwich, where we will ask time to suspend itself for a day or two so we can sing old Donovan tunes and be each other’s scarf against that ****** chill we know is coming

I am
their fantasy, their harsh escape to sweet caress for hours
they surrender to my desires for that’s what they’re wishing for,
in our peculiar language, no word for a sorrowful au revoir
or even,
will I ever see you again or even for
peculiar
for we are a physics mystery
a singlet and a multiplet simulation simultaneous,
spectral lines

to call them muses would be an abusal, they are lovers
of spun words I profess in devotionals made just for them,
and lovers for devouring and feasting and then fasting

until I dream once again come tomorrow’s sleep-writing
satisfaction

2/9/18 3:47am
A spectral line is a dark or bright line in an otherwise uniform and continuous spectrum, resulting from emission or absorption of light in a narrow frequency range, compared with the nearby frequencies. Spectral lines are often used to identify atoms and molecules. These "fingerprints" can be compared to the previously collected "fingerprints" of atoms and molecules,[1] and are thus used to identify the atomic and molecular components of stars and planets which would otherwise be impossible.
Lawrence Hall Feb 2018
This is neither history nor theology;
this is Romance:

                                       A Liturgy for the Emperor

In memory of
Patrick Joseph Donovan,
Stratiotis

Processional

How, then, will we find death?  With rifle in hand,
Perhaps, or flowing with the warm, worn prayers
That slip with beads through one's fingers and soul.
Rifle or Rosary, either will do.
One's death might rise in the boldness of youth,
Or in the wearied wisdom of old age,
In wild combat against ancient evils,
Or softly, while planting a red-apple tree
For grandchildren to summer-celebrate,
In wild red martyrdom, or obscure white.

The nights still whisper how the Emperor fell,
Fell with a faithful few upon the walls,
The old land walls of Constantinople.
But we are not to speak of martyrs whose
Transcendent beauty reproaches our times,
Our drifting dark age, drab, dreary, and dim
Our tomb-like lives cluttered with small darkness,
Our talk all common, colourless, and cold:
The thoughts assigned programmed into our souls,
Daymares programmed into us for our good,
Pitiful, pattering, prosthetic prose,
Cacophonies of casual cruelties --
No brave iambic lines for golden dreams.

But dare we also whisper truths, and speak
Of what a wind-wild people once we were,
And we will want our syllables to sing
In honour of the Martyr-Emperor
And those who followed him into his death,
And in this knowing of him we can live
Among those souls who are forever young.

Introit

In Nomine Partis, et Filli, et Spiritus Sancti

We will go to the Altar of God
To God, Who gives joy to our youth
We will go to the Altar of God
We will go to Byzantium

Kyrie

Lord have mercy -- when the shadows surround us
Christ have mercy -- when we forget the Three Romes
Lord have mercy -- when we forget You

Gloria

Glory to God in the highest
And peace to His Byzantine people
And all His peoples
Lord God, Heavenly King
who once blessed us with Emperors
Send us another
Send Your waiting people their Emperor

The First Reading

As Constantine his walls he watched, he wept,
Lost in the Gethsemane of his soul
His tears they fell upon the ancient bricks
Warm with centuries of sun, saintliness,
And the passions of a glorious race

The City!  Long reigning on the Golden Horn
The Summer Country of our childhood dreams
There playing, praying, working, selling, and,
Yes, sinning too.  Passionate *Romanoi
--
What a magnificent people we were.

(fast)

When armies marched to the Byzantine beat
Sophia ruled from her Byzantine seat  
When Byzantine sails sheltered Odysseus' sea
The wave-roads of trade were open and free  
When Romanoi feasted, blood mixed with wine
Daggers drawn over a dancing concubine
A newer Helen who provoked desire,
She seared men's eyes with her own Greek Fire
When Blues and Greens howled in the Hippodrome --
Such rowdy citizens in Second Rome! --
Then even Emperors in purple shoes
Feared stoning by Greens or hanging by Blues
The rough, loud democracy of the street --
Mobs also marched to the Byzantine beat

The Second Reading

(slowly)

But –

Above all rose Justinian's gem
The holy place where God called us to Him
The Mother Church of dawn-lit Christendom
Sophia -- the Queen of Byzantium
Where Patriarch, patrician, people, and priest
Gave worship.  Then the greatest and the least
Abandoned sin to hear the sweet bells ring,
Stood penitent before our God, our King:
In consecrated hands, through wine and bread

Christos Pantocrater fed us Himself

And then all hearts were cleansed, all souls were fed

(Very slowly)

But centuries passed, and this City of God
Heart of the Empire, became the Empire,
As lands and peoples were lost forever
to the creeping new age.  When Constantine,
The last Constantine, was called to the Throne,
All that was left was The City herself,
The Morea, and islands, and memories.
The fleet whose sails had shaded the Inner Sea
Was but a few hopeless hulks in the Horn

From the dust, dark shadows metastasized,
Shadows who stole and slew their way to power
And swept the land bare of free folk and fields
And more and more the shadows grasped and held,
A dead world of slaves whose backs were bloodied
Beneath the whips of masters, slaves whose eyes
Were cast carefully, cautiously to the ground
Lest demeanour manly and bearing proud
Attract the executioners' busy blades.

Finally, after devouring lands and souls,
The shadows coveted Constantinople,
The Red-Apple Tree where continents meet,
The City they could never build for themselves
And nothing stood between them and their lust
But one bold man: Constantine Dragases.
The faithful few who stood the walls with him,
Gathered around proud, stubborn Constantine:
Workers and monks and nuns, beggars, merchants,
Proud, arrogant Byzantines, and the few
Wild Latins From the barbarian West
Whose Greek was in their hearts, not on their lips,
Who gave their loyalty late to their liege lord,
The Emperor, who could have safely lain
A shadow's golden-caged slave, obedient,
Well-fed, well-bedded from the shadows'
Catalogues of pretty girls and prettier boys,
A memory of what had been a man.

But Constantine stood proudly on his walls,
Defiantly, bravely, sadly there on
His crumbling ancient walls, and gave his faith
To God and the City, to his people,
Even to the faithless ones, even to his death.

And others came, From Rome and Spain and France,
From Germany, and even from the Turks,
Brave, lonely men with reasons of their own
For ending their lives there on the Land Walls.

But they were not enough.  And late that night,
After the last Mass in Hagia Sophia,
The Emperor knew that his was the blood,
The blood of sacrifice that would be shed
In remembrance of ****** Golgotha,
For the people he was given to rule,
For the people for whom he chose to die,
Sheltering, protecting, until his end.


A Gospel

No angel appeared to the Emperor,
No voice of God from a burning bush
He parted himself from his followers
And for a few minutes grieved alone

And this was given Constantine to know:

The eternal Constantinople is
Never to be lost, never defeated --
In every Christian flows Dragases' blood
Every village is the Holy City
Every church is Hagia Sophia
Every prayer is a Mass for the Emperor
Every children's foot-race the Hippodrome
Every poor family's poor supper
A banquet under the Red-Apple Tree.
Constantinople will live forever.
Know that, and, laughing, give your last earth-hour,
And your joyful eternity, to God.

Credo

We believe in God's holy empire too,
Byzantium, eternally golden
The Red-Apple Tree in the eastern sun
The City that echoes with laughing light
Through memory and history and beyond.
We believe in God and His Emperor,
And we believe that in the absence of
The Emperor, even then we must be
The Emperor's subjects, stubborn and true,
Wherever God has chosen to send us.
We then must rule our passions and our hearts,
Tend our gardens as if they were Eden --
Because they are -- and care for our children
As if angels were visiting tonight,
Until our God restores our Emperor,
Restores His City where the Earth-halves meet,
And finally, some day, some happy day,
Returns Himself to sit and rule enthroned
In His Three Romes, and in Jerusalem.


Communion

Constantine shook himself, and gave commands,
Commending all to duty and to God.
Above him the dome of Hagia Sophia
Glowed eerily on that last, wild night
While lightning slashed among the sliding clouds
Byzantium rose again for one glorious hour
And the world marveled that such things could be,
That Christ and Rome and Constantinople
Could be found in one man at the end of an age.

Blood, *****, screams, and death;
blood, *****, death
Blood, *****, screams, and death;
blood, *****, screams
Blood, *****, screams, and death;
blood, *****, death
Blood, *****, screams, and death;
blood, *****, screams
The glory is that there is no glory.
Chaos.  Horror.  Stench.  Sweat.  Pain.  *****.  Death.
Hi­s -- His -- body broken again for us.

On that dark morning of a dark new age,
Constantine turned and faced its slithering shadows
With a Byzantine end to his ruler's art,
With the peace of Christ and a hero's heart.

DISMISSAL

The Mass is ended.  Byzantium is ended.  
Escape, if you can -- make Byzantium live.
Escape to live in some peace, if you can.
Escape in peace to love and serve in exile.
Escape in peace to love and serve the Lord.

"O Lord save Thy people and bless Thine inheritance;
And to Thy Faithful king grant victory over the barbarians.
And by the power of Thy Cross, protect all those who follow  
          Thee"1

Not an End at All

1Troparion for the Sunday of the Elevation of the Cross, Divine Prayers and Serves of the Catholic Orthodox Church of Christ, copyright 1938.

Many thanks to Mr. Tod Mixson and others of St. Michael's Orthodox Church for assistance at many points, both liturgical and artistic, to Dr. Dan Bailey, of happy memory, and Dr. John Dahmus of Stephen F. Austin State University.
tangshunzi Jul 2014
Si può o non può avere sentito un po 'di qualcuno di nome Kelly Clarkson sono sposati lo scorso fine settimana .E il suo matrimonio?Total .TOTALE .Svenire .Le nostre LBBers talento ultra dietro Archetype Studio Inc. ha fatto gli onori di catturare il giorno e stanno dando a noi anatre poco fortunati una sbirciatina a tutti la bella .


e dire la verità .un piccolo sguardo a Tennessee fattoria matrimonio di Kelly è tutto quello che dobbiamo sapere che siamo con tutto il cuore in amore .Non siete d'accordo



?
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Prima di testa fuori nel fine settimana .abbiamo pochi vincitori super speciale !

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E complimenti a Fiona McGregor \u0026Nick Connellan .che hanno vinto una sessione impegno libero da Adrian Tuazon Fotografia !

Buon fine settimana !xoxo SMPTemperley London è un membro del nostro Look Book .Per ulteriori informazioni su come vengono scelti i membri .fare clic qui .Archetype Studio e Adrian Tuazon Fotografia sono membri del nostro Little Black Book .Scopri come i membri sono scelti visitando la nostra pagina delle FAQ .Archetype Studio Inc. vedi portfolio Adrian Tuazon Fotografia VIEW
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Nozze di Kelly Clarkson - A Sneak Peak_vestiti da sposa
Nat Lipstadt Mar 2016
Yellow Freedom

"Yellow is the color of my true love's hair
In the morning, when we rise
In the morning, when we rise
That's the time,
That's the time
I love the best...

Freedom is a word I rarely use
Without thinking, mm-hmmm,
Without thinking, mm-hmmm,
Of the time,
Of the time
When I've been loved"


Lyrics from 'Colours' by Donovan*


~~~

just another old folk rock ballad,
memory wrested from
your years as a young teen lad,
growing up rebel singing in the
Dylan and Donovan first decade
of rock n' roll and revolution

these lyrics, always a fav,
for despite your ability to
mangle a tune,
this one when you sang,
never sounded quite so bad

a precise half century from the first time,
till tonight,
when you once again
caught yourself humming
those two juxtaposed and particular
two stanzas, quiet out loud

the words yellow and freedom,
merge as one, a phrase ripe,
coloring precise,
your present circumstances

that simple is the finest
in defining us,
and these lyrics are
my simplest truth,
fifty years on

as the clock nears the 00:00 hour,
the unobservable line
between this one and tomorrow,
between just another day
and one with a poem born,
yellow freedom are words
that define his world

blurry edges,
and for no godly reason on earth,
your become a writer of a
thank you note
entitled, to the title
Yellow Freedom

to whom should this signed note
be addressed,
be delivered,
with a smile and a languid caress?

there's a blonde in my bed,
inches from my head,
so close, why not,
leave it neath her pillow,
for her awakening,
for she stirred in me
an awakening too,
so this one,

is my simplest truth,
still singing,
fifty years on*

~~~

March 23, 2016
11:53pm
Tyler Matthew Dec 2019
The caterpillar
sheds all his skin to find the
butterfly within.
Song: "There is a Mountain"
Artist: Donovan
I did not write this, only converted it to haiku form. This needed to be done. That is all.
Donall Dempsey May 2017
"FIRST THERE IS A MOUNTAIN, THEN
THERE IS NO MOUNTAIN, THEN THERE IS."

she was Swedish
squeamish that a man could
still live at home with his "Mam"

she tried to get him
to...you know...think
about an "ecological self"

"You gotta think..."
she informed him
"...like a mountain!"

he looked like he had
just fallen off
a continental shelf

"Mannnn!" she thought
"He's just never grown up
a Mammy's boy...devoid of self."

he hadn't heard of Lovelock
or even Arne Naess
she spoke better English than he did

he blushed when asked
if he had read Luce Irigaray's
THIS *** WHICH IS NOT ONE

had never heard of Simone
de Beauvoir's THE SECOND ***
just the word made him blush

all he was intent on
was getting his hands on
her ample *******

so shortsighted to go on
a blind date...never again
he talked only to her cleavage

she gave him her number
a false one
the Well Woman's Centre

sang as she quickly
hurried away
Donovan's "First there is a Mountain..."
Connor Apr 2016
Everyday the weather tastes like Amusement Park,
drinking a glass of milk right after brushing my teeth
reflects nice pop art, worthy of being hung on an imaginary wall!
she loves me
she loves me not
she loves me
she will riot,
surely!
I can already hear the fire.                 Where in the world is she now?
Making angels in the Moroccan sand or... (well that's just it, if I had any idea I'd tell you)
                                      "I hear she lives in a big heritage home!
                                       struck thirteen various colors, making
                                       paintings with her heart!"

                                      "No, no.. you got it all wrong! She's
                                       chewing on crayons and spitting out
                                       watermarks! Something to do with art, tho
                                       she was always fond of that stuff"

I'm walking past a bygone stucco house with a bold red sign plastered on the backyard entrance gate, it says
"BEWARE OF DOG"          across the street, a woman walks her Yorkie
                                               n' I laugh to myself.

Everything feels like icecream cones
or romance movies, I don't know.
All this traffic is flashier in the sunshine,
the leaves on trees are glossy, just like Indonesia!
(I miss it still)
Mailboxes have sudden whales on them, decorated with the ocean
or seashells or bikes leaned on an ivory fence          and something
as simple as a song can take you to a hot place where you can get away with wearing anything!
Maybe an exotic hat..

People always asking me, first thing they say
"Oh oh oh where is she now??"
your guess is as good as mine
I'm not gonna go looking she doesn't
want to be FOUND see
that ruins the whole point..
                 and really when I think about it
                 all of us are slowly disappearing

These are the days of bus stops without needing a coat, journal entries I find impossible to decipher in the months past when they were written,
                 souvenirs and misplaced phone numbers..
                 slowly evaporating to time
                 +  the sacred cross-continental.
Days of leaving my umbrella behind
to hang on the dusty closet handle,
yellow fading out,
that too, bygone.

Donovan's "Ferris Wheel" resonating thru my bedroom backdrop

                           "A silver bicycle you shall ride
                      To bathe your mind in the quiet tide"
  

The bicycle comes closer by the day/
catching the heat of nearby July/
reflecting my decisions on it's mercury surface/

Somehow, my naive midnight Tofino phonecall to an
eyeless air been answered here,
in a different way than I expected
but no less appreciated.
Thank you.
Connor Jan 2016
I

Flowers already,
sputtering bicycles and the mad drums of foreshadowed
Springtime,
Massage therapist of the universe!
The extracted final note in a bird's outcry and my ears are full of sound
and sleep.
A cities undeterred heartbeat welcomes me to the continuous span of events only separated by the lambent verve,
windowless eyes watching each other
a signal-light blue ocean winding around a wicked mattress
seductively spinning a cowl into the night for her lover
(who's thoughts have been paused!  he's 100% clocked in and spun out, a hanging aluminum)
DAZZLING!
toothpaste spit outside into January's soft grass from a second story dorm room that's curtains reminds me of The Glenshiel..
(or maybe I'm suddenly feeling sublime death slowly knotting itself into my lungs, always been there but kinda like noticing your nose resting on your face for the first time)
On the bus home I thought of new years eve, 2015.
After the countdown, emerged from the underground
James Joyce pool hall,
rushing out to the streets
an asphalt madhouse
lunacy, absolute, and stabbings nearby tortured parkades.
Here's the new year made real,
a tangible calendar
an authoritative sentiment
while I listened to Donovan's "To Sing for You"
My new friends laughed, arms together,
I felt like I was standing on the edge of an undiscovered sun,
replaced by Vietnamese clouds
(Which I'll sail by come September)

II**

A crow waits on a balcony, wet and lonely from the rain.
Radios buzzing an electric tuba.
Smoke is the father and
dew is the mother
I am the son cold and clothed, while others soak beneath
canopies, cement gaps, they pray, I pray for them although I
wouldn't consider myself religious,
"Agnostic spiritualism"
yeah, the has a nice flow to it
but that's just my opinion..
Waking up before the sun has breathed
the first western factory.
Yellow hats
****** fists
a faint star is singing
I'm listening
ears are ringing
a static drone collapses
consciousness reaches a peak before subsiding to sunlight
(sequel to the last day, prequel to the days to come)
I'll fall in love again, I know it
I have it marked on my calendar you'll see!
Water a few hours still/room temperature/is shaking because my foot
beats against the carpet/
this music isn't exactly conventional or pure as the morning
more a glass shatter
or a psychotic scream in distant queer Victoria nightclubs.
Passing Christmas,
Oak Bay,
Spanish holiday (potentially)
and ** Chi Minh City market walks
(future events ^^^^^^^^^^^^^^^^^^^
A university lecture from Vandana Shiva,
watching my dad's cat for four months
(Where my room was destroyed in a forty-five minute
terrified chase thru the house to lock him in a carrier for an urgent vet appointment due to kidney stones, or what we thought was urinary crystals at the time. He howled the entire car ride there)
I think back to childhood, 1996 Apartment light and the December blizzard which buried parking lots, blocked entrances/exits n forced people to be patient for once, sit and talk, make love without setting an alarm for the morning after
(before I was even 5, or 10, long before I wrote poems, and lost those I would come to care about..)
Hopefully all those elementary school friends turned out okay.
Since moving, I've frequently passed great corner store curtains,
green and grey dusty
by the rusting tills
an empty town
where the soccer fields became overgrown and ice cubes melt slow on
people's fingers (As they wait for time to roll by like it always has)
a forgivable loss of community.
Even so, there's that consistent disappointment in lost years,
a waiting room, and I'm choking on oriental carpet threads lodged one by one into my throat and here I thought I'd eventually taste the Chinese
but it appears that they have instead swallowed me, downed me with tequila (label torn from passing months and birthdays not celebrated)
The holy temperate wind expands down and through bare branches,
argumentative hours
desperate hands
a loudspeaker CALLING!
and the WILD MACHINE cuckoo cuckoo past the insulation.
Silvery sweet, undreamed kisses, misunderstandings,
the cool reflection of a kettle while two wait for midnight and for the butterfly to creep up on their shoulders.
(cradled by cosmic lobotomy, hours where not one person can sleep,
and Sadhus give spiritual advice for those that need it, India, while I need their voices here on Vancouver Island, far from the Ghats)
When can I go for that intercontinental voyage??
to escape the warehouse cathedrals,
capital Christs,
nettled lipstick,
weariness in the age of wireless consciousness
and a spectrum of commonplace goddesses who wake with no lucidity.
My breathing getting heavier every day, with the weight of wanderlust,
an asthma designed for those who's material position is dictated by a secluded room
(slowly catching fire)
I'm only months away from the prophesied airplane..
all been leading to this
here, now
soon.

The only known alleviation
on this unrest for experience
resides in poetry.
Medusa Apr 2019
"Ballad Of Geraldine"

Oh, I was born with the name Geraldine
With hair coal black as a raven.
I traveled my life without a care,
Ah, but all my love I was savin'.
Oh, the winds blew high and the trees did sway,
Not much from life was I askin'.
Till I met someone to give all my love,
All my love, so long an' lasting.
Oh, good were the parts we played in our game
And a long ways off was tomorrow.
But my love was a rambler and restless as the sea,
And in the tide came sorrow.
Oh, a child of the night is goin' to be born,
I can't explain my confusion.
Is my love thinkin' to marry me at all
Or of the freedom he thinks he'll be losin'?
I sit with my friends in the gay crowded room,
My friends they're smokin' and a-talkin'.
But it all seems so empty, my love is not there,
So I'll go into the streets a-walkin'.
My baby is a-growin' as a-growin' it must,
If I were to lose it, it would grieve me.
My love is so helpless and I'm wonderin' what to do.
Oh, how I yearn to help him.
Oh, we could go to the land of your choice
Where the false shame won't come knockin' at our door.
I've a feeling in my heart and it's crushing all my hopes,
I think I'm gonna be hurt some more,
Oh, I was born with the name Geraldine,
With hair coal black as a raven.
I travelled my life without a care,
Ah, but all my love I was savin'.


https://www.youtube.com/watch?v=t5jv5UF2ZPo
I love this song, it goes with "Advice to Geraldine on her Miscellaneous Birthday" by Dylan from 1964 Halloween performance at Carnegie Hall in NYC.
Only if you see it that way on your own Trip.
~
July 2024
HP Poet: Gregory Alan Johnson
Age: 69
Country: USA


Question 1: A warm welcome to the HP Spotlight, G Alan. Please tell us about your background?

Gregory Alan Johnson: "I grew up in a suburb of Cleveland, Ohio called Brook Park. Son of a US Steel customer service rep and a law firm receptionist, both alcoholics. Outside of the occasional chaos and abuse of having alcoholic parents, I suppose I had a fairly normal upbringing. I loved reading, art and baseball in that order. After graduating high school, I got a job as an auto mechanic apprentice. I fell in with a motley crew of reprobates, in which the pursuit of *****, drugs and girls was of the utmost importance. Amid this swirling of foolishness I also incessantly drew and wrote poetry in journal after journal. After 2 years I had assembled enough of a portfolio to be accepted into Cooper School of Art in 1974. Here I fell in with another group of ne'er-do-wells, but this crew was of a deeper variety; intellectuals, artists of course, and thinkers, all fueled by the seventies drug scene. It made for some very interesting days. I dropped out of art school after a year and a half, having learned pretty much all I needed to, and being thoroughly disgusted with the contemporary art scene which was populated with smug know-it-alls. (Laziness and a lack of discipline may have had something to do with it as well, but my current work reflects my disdain for these types and what they consider to be "good"). I ended up with a steady job as a warehouse manager, god help me, but always hanging with the eccentric creatives. I called this tribe the "levy Group" after fifties Cleveland beat poet and lunatic d.a. levy. This group may have made an impact on the Cleveland arts scene, if we didn't place so much emphasis on getting ****** and ******* off. But it resulted in some really amazing creative moments and would inform my work for the rest of my life.

I got married in 1980 if you can believe it, I still don't, and proceeded to raise a family. I was a part time free-lance illustrator and cartoonist, as well as working my full time job as a "manager". All during this time I wrote poetry and created artwork that I showed to NOBODY. I was in the midst of becoming a chronic alcoholic dealing with crushing depression, all the while showing the world a happy face, and this art turned out to be deeply therapeutic, but dark and strange...confronting my shadows, if you will. I managed to raise three boys, who seemed to turn out pretty well in spite of me, but my alcoholism was taking me over. After several breakdowns and some suicide attempts, I finally got sober in 2004. I remain sober today. I love it.

I retired in 2021 after having several scintillating logistics jobs, and decided to become a full-time creative artist. I have had some success doing this, including 3 solo shows. The arts center that was hosting one of my shows actually put up a billboard for it, as surreal a moment as you can get. My work is displaying in galleries in Cleveland and Columbus, and I've even sold a few. I have won "Best of Show" in three different exhibitions, which I can't quite grasp. I am an active member of the Ohio Poetry Association and have been published in three anthologies, and a couple on-line lit mags. I've never pursued publishing a book. I think my poetry is okay, but I'm an artist first. I am hosting an ekphrastic poetry event at my home gallery in Willoughby Ohio this month, which I'm really excited about. And of course I write on this site, which I love."



Question 2: How long have you been writing poetry, and for how long have you been a member of Hello Poetry?

Gregory Alan Johnson: "I have been writing poetry since the age of 18, having been inspired by E.E. Cummings. I wrote and illustrated hundreds of poems in scores of art journal books. The majority of these were destroyed in a flood about ten years ago. I managed to salvage three. I have been a member of HP since 2019."


Question 3: What inspires you? (In other words, how does poetry happen for you).

Gregory Alan Johnson: "I just write. Like my art, my muse sort of taps me on the shoulder. When that happens, I delve deep. There is rarely any theme, it's mostly stream of consciousness. Sometimes I play with rules of verse, but I prefer free verse, which is more fun. I rarely rhyme. When I do, it sounds too much like Dr. Seuss, so I leave that to the other poets here. I tend to reminisce, I suppose because I'm pushing 70. I hardly edit except for spelling, and just hit "save" and put it out there. This ****** off some of my more accomplished poet friends, who labor over their work until beads of blood appear on their foreheads. But I always tell them that I don't take my poetry seriously, to which they scoff with derision...and smile."


Question 4: What does poetry mean to you?

Gregory Alan Johnson: "I have come to realize that the act of being a living human being is profound and miraculous. We are surrounded by incredible things all the time. There is no mundane. There is no boredom. When I contemplate this for even a second I am overwhelmed. All poets understand this instinctively. And I don't mean life is all la dee dah happy time. It can be terrifically terrible and incredibly wonderful, with an infinity of shades in between. We as poets have this thirst to describe all this; most of us feel a deep obligation to do so. And we fall miserably short, which fuels us to try again. And again. We attempt to describe the indescribable, and explain the inexplicable."


Question 5: Who are your favorite poets?

Gregory Alan Johnson: "First, my favorites on HP: Anais Vionet, you Carlo, S Olson, Melancholy of Innocence, Thomas W Case, BLT, patty m, Marshall Gebbie (that wonderful coot), Lori Jones McCaffery, William J Donovan, Jamadhi Verse, Old poet MK, N, John Edward Smallshaw, and so many others, but these names popped right out.. This site houses some amazing talent.
As for the stars: d.a. levy, EE Cummings, Anne Sexton, EVERY SINGLE BEAT POET, but most especially William Burroughs, Charles Bukowski, Keats, Robert Miltner, Mary Oliver, Bob Dylan, Oscar Wilde, Dylan Thomas and Leonard Cohen."



Question 6: What other interests do you have?

Gregory Alan Johnson: "I read voraciously. I'm currently reading "Hotel Utopia" by poet Robert Miltner, "Slick Wrist" by poet Morgan Renae Mat, " A Confederacy of Dunces" by John Kennedy Toole (for I guess the tenth time), and "The Fourth Turning" by Neil Howe and William Strauss. I am consumed by my art career with continuing shows and submissions, some for which I am rejected, which keeps me grounded. I spend a lot of time being a grandpa, doing yard work and staring out the window. I meditate daily."


Carlo C. Gomez: “A big thank you for allowing us this opportunity to get to know the man behind the poet, G Alan! We are honored to include you in this ongoing series!”

Gregory Alan Johnson: "Thank YOU Carlo. I appreciate your support of poets!"



Thank you everyone here at HP for taking the time to read this. We hope you enjoyed coming to know Gregory Alan Johnson a little bit better. I most certainly did. It is our wish that these spotlights are helping everyone to further discover and appreciate their fellow poets. – Carlo C. Gomez

We will post Spotlight #18 in August!

~
Gregory Alan Johnson is on
tik tok @gregjohnson8009,
Instagram @gregoryalanart,
Facebook: GregoryAlanArtBusiness,
website: www.gregoryalanart.com,
email: greg@gr­egoryalanart.com

Below are some of Gregory Alan Johnson's favorite poems and links to each one:

Hyperactive Observations:
https://hellopoetry.com/poem/3227290/hyperactive-observations/

Love Amoeba:
https://hellopoetry.com/poem/3478844/love-amoeba/

Several Hungers:
https://hellopoetry.com/poem/3303045/several-hungers/

I Was A Stranger:
https://hellopoetry.com/poem/4628017/i-was-a-stranger/

**** Moon:
https://hellopoetry.com/poem/4735861/****-moon/
Nat Lipstadt Sep 2022
7:00am
Shelter Island,
Sat Sep10

on the south west edge of the isle,
the slowrise sunrise just behind the trees,
so early day yet, no full frontal of a sun
bathing to wake up woman, babes asleeping, but the
animals know exactly this hours early
perfection.

indeed, the crazy squirrels are random
hither and dithering in spurts of energy,
only stopping to observe a viewing of the humans
nest~resting through the glass doors with their
inquisitive, self-possessed, bedside reckless manner,
perfected.

the suns pealing gleaming gleanings picks
out any shiny reflective surface that enhances
its low-rise greeting, with a chorale of living objects
singing “Hallelujah orb, what’s in store for us today,”
river~bay, wake-less, its becalming, marbling surface, again,
perfected.

me?

I’m mugged by the perfection intersection of
my eyes-scape, first coffee, the holy quietude, only
the regular soft breaths beside, lend a counterpoint
to these thoughts and the litany of chores the iCal happily, annoyingly,  prematurely but with certainty lists, resistance (Walk!)
perfectly ok.

ok not to move an inch, watching this daily movie rerun,
that energizes hope, a contemporary localized contented without the
humdrum of blaring headlines, talking heads, and the
infiltration of the guilty unfulfilled responsibilities demanding a due,
then heavens signal me, Donovan, earbud singing Colors, confirmed
perfectly ok!


Yellow is the color of my true love's hair
In the mornin', when we rise
In the mornin', when we rise
That's the time, that's the time
I love the best

Nat Lipstadt Aug 5
~a unconscious commissioned poem~

<>

La Lumière est une Dame d'honneur

advantage Frenchies,
everything sounds
better in their language,
we readily concede

we make do
with those tongues
whose fluidity
clothes & coats,
those,  we are
best at
confessing in

first light this morning
was emasculated, in thickened
first fog, eerie, discomforting,
but yet, mine alone to utilize,
and make discomfiture into
a poem of coffee and cream,
stirring within, colored dreams

Lady Light finally arrives,
descending on a staircase
from heaven, radiating all
with patience, the animals
all, proclaiming in a thousand
tongues, their thanks, their
love, for everything breathing
understand best she is the source
of creation, reanimation, and a
sharing, unsparing, birth mother
to animate and inanimate, and
the death father to all we & us,
guide to our ultimate end

the waiting is most interesting,
for indeed, there is honor within,
as I compose, the sunrises to the
precise angle to bar my vision,
power to blind and enlighten,
how can this be, but it is so,
my bones warmed, suggest I
do not complain, accepting with
no exception for this is the power
source to us all, and humility is
the key to acceptance & understanding

is this poem, is this the missive,
me~my, intended, to write,
know not,
for the words leech from my skin,
in format uncolored, uncontrolled
by mine minuscule impoverished
compost of senses, morals and my
compote of cells that are products
of a thousand prior generations

morphed into a mess of me,
as of yet, purpose hidden,
undisclosed, perhaps my
reasoning is unseasoned,
my presumption of purpose,
is just a fool’s ridiculousness

Lady Light smiles kindly on my
rambunctious ilreasoning,
for I just one of billions come,
gone, and rebirthed in chains
of endless possibilities, two
words permanently paired,
conjoined, and though the
light has now risen to heights
to totally absolve my sight,
can no longer track what
is being written, accepting my
temporally blindness with grace,
even with solace, and-bid you
adieu, adieu, (bye~bye)
so musically,
until relief will
honor me with its presents…

and I can contemplate my
foolishness once more…
and the letting…
of the
Lady’s light
of
honor illuminating
(even me)


<>
commissioned by Pradip

7:35 am
in the sunroom where
the intersection of all light
illuminates all kinds

<>

music:
To Try for the Sun, Song by Donovan
Aquarius/Let the Sunshine In by Fifth Dimesion
8/5/2024
Francie Lynch May 2014
The **** on the steeple
Proclaimed and denied to
Four corners, looked down,
And twisted.
Old men in green suits with crow's eyes
And alabaster covered bones push open doors
With wooden feet.
The postman, empty-kneed, rides his Deere
Over green fields with rabbits,
Laughing to himself.
Rentals in drives plan the day's jaunts
To ****** or Kenmare.
Shops carry faded signs:
Donovan, O'Sullivan, Finnegan.

The crow drops on the roof of Holy Cross
Which doubles as a retirement home;
Its clients plaint palms skyward with the wind.

Five hundred leave each week:
          "Ireland's best... so fresh it's famous."

The laggers serve tea and scones,
Or ply in shops they may someday own.
There are no slow boats here.
The green suits leave naturally,
Others by air.
This is no country for the young
With their hillside tilting windmills of power.

Below, a young woman eats, holding
Her knife like her father, eating,
Silent, staring.
Crow and rabbit inhabit,
Stones tumble and lay for a hundred years.

Each day a new apocalypse offering
One opening. No wrappings,
No ointments, no fresh water.
No throne to approach, no voice calling
Them home.
No seventh son to dip his finger in the well
And soothe.
jeffrey conyers Jun 2013
We all have our taste.
We all are judgments.
And in music there's no different.
Except, people personal opinions.

Benny Goodman.
Duke Ellington.
Glenn Miller.
Doing their time, they were the music of soul to many.
When people probably dance a little different.

Frank Sinatra.
Vic Damone.
Nat King Cole.

Doing their era music had changed.
More was borrowed from the previous decade.

Elvis.
Little Richard.
Buddy Holly.
Fats Domino.
Gene Vincent.
Jackie Wilson and Sam Cooke.
And yes, Pat Boone too.
The music of the soul were beaingt to a different tone.

Then came the sixties.
And a various style came before us.

The Rascals.
The Beatles.
Donovan.
The Beach Boys.
The Temptations and the Supremes and the Miracles.
Was totally changed from Neal Sedaka early days.

James Taylor, Carole King, Elton John and the Eagles.
Marvin Gaye, Teddy Pendegrass and the O'jays.
Was the masters of the seventies decades

The the eighties came.
And again the music changed.
Rick James, Prince and Madonna too.

Don't we see all the above artists in the music of today.
Especially, in rap.
Where they take an old song and tries to create a new tune.
And questions, why they getting sued?
Mateuš Conrad Sep 2017
first you want to rob me of a mother tongue,
then you want an uncle tom's worth
of an english person?
   what's next, chimps with rucksacks?
you're pushing the line, kind anglo!
you're really pushing the ******* barrier!
you think i'll treat my next-door neighbour
like a king? you ******* kidding me?
the **** deserves his: "compliments":
what are these people think they are?
sacred hindu cows?
**** em, a pleb is a pleb, doesn't matter
what country of origin...
do i see your face on a banknote, or nodding
with a crowd? no... well then...
plebs till the field, ****!
why? i know all too well why
monster magnet covered three kingfisher
by donovan...
           so? go **** yourself...
     i didn't want capitalism in my land,
you didn't want capitalistically competitive
economic workers...
  shame on you! you taught your sons nothing!
if i wanted to teach leeches, i'd teach them:
we attune to the hunger.
i don't feel jealous with my neighbour,
i'd just like to beat, the ****, out of him...
   if he owned a bulldog, i'd punch the dog
first, before starting an aim at him...
but that's how it goes: gotta punch
the slobber...
   honest to god i don't remember being
in the last fight since i was 12...
i miss the fighting... i feel: rusty...
  no amount of ******* celibacy
does the trick...
            i just haven't been in fights...
i scratched my head more times than laid
a plum pouch...
          in the years i can remember...
i'd love a ruffle with a fellow man
just as i'd love to have intimate *** with a woman
outside the appeal for prostitutes...
sometimes it comes along, that dog
on a leash: loss of object-object riding
the donkey pleasurable: goof ball and
side-tracking the end result...
       "relationships"...
first i watch the ***** of candidmommy,
and then comparative "literature"
of donovan's vs. monster magnet's
three kingfisher...
            beat ****, esp. if:
by bloodhound gang -
ain't nostriptease if the stripper is crying...
and my neighbour?
   he doesn't own a crown,
he doesn't own an amnesty international
immunity,
         ****, i'm starting to think that
missing fighting is worse than missing ***...
so i started punching myself in the face,
and while wearing sunglasses,
seeing them fall off my visage after a lazy punch...
i know that men can really get worked up
over not having enough ***,
but that's sadistic, playing this game of
****** endeavour with them...
i'm starting to realise that,
   what i really miss?
  it's almost homophilic, in that:
    i miss punching someone...
       i miss being punched,
  i miss punching someone, but not it a sport
affair of competition,
i mean: the rough & tough impromptu...
i miss that more than ***...
i'd love to have a fight with my neighbour...
naked, and the ultimate fetish of such a scenario?
smeared in olive oil, or smeared in
butter...
     like some gag's worth of a gay pride brigade
march parade... the charlie salvador
reenactment type...
oil up ***: foul mouth 'as to speak...
beauty punch that lad into a botox pair
of puckers...
           i swear to god,
i miss having a fight more than i miss having
*** with a woman...
   last kidney pie i ever made was with
kieran o'mahoney...
               in school, before a c.t.d. lesson...
thank **** he's a nightclub bouncer
these days... too the skin-head to
the butcher of scalps: and made a decent
living, looking fat, and ugly... miracle!
        yeah, i know, i have a chili's worth
of tongue waggling...
   i can't say i'm a decent fight,
       let's just say: i'm rusty...
        so i beef up, punching myself in the face
a few times, every few days...
sometimes i manage the lazy grit
with a plum hue on my knuckle...
          sensibility of talking the proof,
after having engraved yourself as a tattoo
on a *****'s ****...
         and: well: the pleasantries
of western woman's freedoms,
and their subsequent harems...
oh believe me: i still have dream-contents
akin to a child...
    i'd still prefer to have a proper fight,
than ******* my favourite **** star;
i'm building up a compendium...
         don't worry, i'm not squirm-ish;
all i have to hide, is an afro's worth of *****,
which i would invite a gardener to sort out,
had i, a regular partner to engage with.
Mateuš Conrad Jan 2020
re.: a mini-psychotic detour -
it's off the stream! it's off the stream!
it's been catalogued in: latest!
it's off the stream! i'm aiming to reach
1million words and...
it's off the stream... so the word
count will not be incorporated...

oddly enough i still know how
to use a toaster - and a kettle -
i am also fabled with having to perform
week long chemistry experiments...
why i didn't look into the basics
of

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funny that... how ever many of years
in school, then at university...
i was teased with this language...
for half a semester at university...
the rest of the time school was...
a bit like being in prison...
making sure the prison guards had
a job, were paid...
same with school...
the teachers were paid...

did they teach us basic computer language?
no... i'm pretty sure they didn't...
were we all expected to go to the coalmine
first... before being told to...

which isn't so much lazy as...
i can still remember chalk and chalkboard
at school...
and the holy trinity of (
                                    {      [
how many crescent moons - and altering
a piece of: would be paper?

oh my god... e. e. cummings wasn't even
born...
can you imagine if e. e. cummings
was born 20 years ago...
and started smashing out his:

stand-
;still)

i was honestly being technologicaly
paranoid...
about to cite archive numbers
of "missing" / "shadow-banned"
poo'ems...

e.g. 3479319, 3482972, 3485309,
3484258, 3483083, 3480751,
3480555, 3478158 etc.

but how is that even an over-hyped
reaction - when you're only scratching
the bare minimum -
of what's nonetheless, to me:
a 2 dimensional canvas...

and the point of school was to ensure
that we could fathom our naiveness even more so...
nothing of importance...
just passing the time...
it's not like they could have taught
us to code -
school is not some preface for:
all the subsequent self-taught mechanisms
you will ever encounter:
further on life...

why did i go to school?
why is the cult of school and the nostalgia
culture associated with: popular kids,
nerdy kids, bowling for columbine...
the everyday leftover kids -
i don't even remember being
taught grammar: proper...
we were told... as long as you sound
coherent...
nature came - nurture ****** off somewhere...
but nature didn't come
with <basic> or not so </end of>
with this sort of <bracket>
and this sort of (bracket)
and this sort of {bracket}
and this sort of [bracket] -

"back in the day" you'd read some heidegger
and not "bother" to code -
" " implies /misnomer
/metaphor - solo....

as: burgundy < red
     red being the base marker...
     given that rose < red (is also)...
     since burgundy > red
     since: burgundy ≈ purple...

<approx>
     cardinal < crimson
                                           </approx>

a "debate", and another debate -
in a thesaurus entry...
red - cardinal, crimson, burgundy appear
<sim>
           cardinal < burgundy
                                             </sim>

that is... cardinal ~ burgundy
   ergo cardinal > crimson...
or do we call these the prefixes: quasi~
and pseudo≈?

cerise and all that's suddenly expected to turn
into fluorescence of some underwater Florence...
from carmine and maroon -
brown starts to creep in...

     bobby vinton - blue on blue and...
spaghetti westerns -
somehow i wish to be held in the hands
of a coroner -
i should really think about
donating my body to a medical school -
and bobby has another great track:
velvet blue...
sure... he's no sam cook...
all the way riddled with h'american
suburbia psychopathy:
a smile can hide a thousand
little lies...
a smile is something anti-stoic...
because... the shine of the ivory sheen...

and all i can think of...
not even beginning sentences -
esp. not ending them -
the narrative went with the baby
and the bathwater -
the canary had a coalmine -
the budgerigar had a cage...
the sparrow were tattooed
along with swallows onto convicts
bodies in some jean-genet
minor *****-porky-teen-flick...

tender-bits from some Olaf or Oleg...
or better still an Olga...
recitations would also require:
bumblebees and petula clark!

and that one song that surfed right
above my head and started towing
a hoarding of kippahs
and a... my my... all those
abrahamic beards turned into sabbath
bound brooms for the fwench
brides of boredom...

some might say it's:
strawberry alarm clock -
incense and peppermints...

      as Herman's Hermits aged much worse
than a Donovan...
no milk today and the three kingfishers...

welcome citations...
what's more apparent? someone is clogging
up the arteries of time...
the veins are... the veins that stretch as far
back as jazz from the 1920s...
through to the wock and woll of the 50s...
don't get me started on what's the leftover
of the 90s of the 20th century...

new beginnings they will cite...
here's one... if e. e. cummings was to be born...

swing low
sweet ca

rr
y on

(pass the freedoms pappy
or uncle shylock not interested

- notes on finland the elsewhere estonia,
latvia and li... i will not give lithuania up
that easily... the once grand duchy...
married to the crown -
and all my hitorical adventures -
the sensible today...
the modern sensibility the current man!
me and my historical... what did i call them?

no... they're not idiosyncracies...
they're... detours in infantalism...
but if e. e. cummings was born circa...
and he - he would mosty certainly
succumb to code logic poetics...

bracket (a) "bracket" <b> bracket {c} bracket [d]...
!red is blue -
outright negation...
!red isn't red - the "is" is therefore questionable...
for some reason: no, it doesn't have to be:
but it's blue... blue is !red

should a mr. buckling bucktooth still
be introduced?
well: we do need to indroduce a next to nothing
worth nothing new: cipher unit...

a faux pas needs to have an addressee -
namely me - and i need to wallow in infuriated
agony of a petty detail that no life will
require to cherish!

- and that i am to be fond of tomorrow in that
the only promise that awaits me there is:
me baking a four tier cake - literally...

how terrible a faux pas becomes -
a bull so enraged by red that he becomes blinded
and no longer is able to hone onto
the originating crux -

even somehow "somewhere" with a dasein in
tow... intermitten years...
no... not without a T attached...
and even by now as by then:
that's a misnomer...

- apparently tautology is not a logical
fallacy... but something worth
a thesaurus rex and peacock's: "age of discovery"...
how we can all speak a language
of aphorisms and verb conjectures -
as ever: nouns retain their form as being
the most complete category of everyday
toils - a hammer will never become
an iron shrapnel hanging by a hook chin
off the clide edge of a nail's head...

set with time in mind - temporal thinking...
otherwise set with space in mind -
spatial thinking -
otherwise: when thinking was simply
thinking - exploring the moral architecture...
with that moral-theta of 'ought... and i:
probably not...

save me from linguo-savvy h'american
media pundits and their acronyms!
the boss, the bot the bot, the boss...
the bottom liner - the beatnik and the bolshevik
and... some other b- prefixed outlier...

- otherwise: it's pretty **** evil...
for movies to showcase the hygienic act of
washing ones teeth...
washing the teeth...
spitting out the remaining toothpaste
(oh jeez louis! why don't they simply,
swallow it?)...
and then... not rinsing their mouths?
at this point... rinsing the mouth...
after having just washed the teeth using
toothpaste... is probably as much good
as using mouthwash to begin with...
no one; no one rinses their mouths
after brushing their teeth on film?!

i've too many dreams about teeth
to know - i am actually the sole proprietor of
a memory of my great-grandfather...
and how... he would eat 20 sugar cubes
a day... smoke 40...
and have his first tooth pulled out...
aged 62...
myth, history... journalism?
i dream about teeth...
i would have clearly asked for:
and he dreamed about moths...
but then... oh Eden is still in my grasp...
i can see the next forbidden fruit
hanging...
her name is Layla... and she's...
borderline 16 years old...
i see my Eden already...
i see the forbidden fruit...
apparently i never left...
as i was never apparently Adam...

problem is: you already know what
the forbidden fruit is...
and it's bothering you that i know
what the forbidden fruit is, for me...
now comes the juggling act
of me entertaining not making my will
into a resolve... which is to not:
act upon it...
maybe the apple was too complicated...
maybe a Layla circa 16 is...
a more obvious deterrent...

i think it's also called:
the prosecutor's *****...
but... enough gob and enougn dosh...
you can be the new st. andrew of windsor...
even in the taxi driver the ****
is 0... negated...

my my... what sort of language could
even become so casual...
the burning bridges of informality...
strapped to the formal tool of
orientating one's spatial creed of:
for the exchange of goods and services...
long gone the per se
of a school and a playground...

or some do... want to find and rekindle
the brotherhood of childhood...
they'll join the army...
they'll commit themselves to crime...
some men... it's hardly the adventure riddle
first lady's history society of
rhode island's desperate housewife club...
but...
it's hardly a deviation from imagining
how fudge is packed,
or for that matter: sausages...

a major faux pas...
some e. e. cummings... and what would never
become a code(d) poo'em...
but... for what today had to offer:
and what i had to offer today;
it's enough... it's peaches and cream...
a well balanced butterfly of reciprocation...
it's a death... but a death with a promise
of returning: in situ...
although in situ is always a flexible
requirement when reincarnation is fiddled
with.
Jude kyrie Aug 2018
The portrait of a lady

1926 London England

He was poor.
who needed a starving artist in this coldest of  winters.
Spending his last few shillings
he bought a ticket to the play.
It was at the London hippodrome.
Staring Miss Abigail Kendrick.

He had read of her for years
in a theatre magazine
in the little country hamlet
that he had spent his whole life.

In the theatre she shone like the star she was.
Even when the spotlights faded
All that he could see
was the beautiful color
of her turquoise eyes.

In the second act
he was in love with her.
By the end of the play
he was besotted.

He went back to his tiny room
By not eating
he bought the paints and canvas.
Carefully mixing his colors
on the pallet.

he found the exact hue he sought.
The perfect turquoise of her eyes.
When it was completed
he thought it to be the pinnacle
of his work thus far in his life.

After the next show was over
he waited outside
by  the theatre stage door.
Several Hours later
she appeared dressed beautifully

He stepped forward into the gaslight
from the flickering streetlamp.
You are the most beautiful creature
in gods creation he uttered.
I am in love with you
so much in love.

He passed the small painting to her.
And she took it from him.
It's ...it's.. so beautiful she whispered.
Not as beautiful as you milady

She kept the painting
for her whole life.
Always in a predominant position
in her stage dressing room.
She heard the artist had died
a few weeks later
after he gave her her picture.

2017 London

The young woman entered
.the old building in London.
Her great great grandmother
had passed on
she was left all of her possessions.
She was over 100 years old when she died
and the girl knew there
would not be much of earthly value.

But it was her duty to clear her apartment.
She saw the programs of the the plays
her great grandmother had been in.

Then she saw the painting
on her old mantle shelf.
It was so beautiful
a portrait
of her great great  grandmother
in her maytime.

The eyes were dancing in the light
even now so turquoise
She had been a great beauty.
She looked at the name
of the artist in bottom corner.
It was signed.
With all my heart and love
Roger Donovan

Her heart stood still for a moment.
She had to call her own artist man
who had stolen her heart forever.

She. Pressed his name in her contact. List
Her cell phone sent the call.
The receptionist
at the art gallery answered.
Can I speak
with James Donovan please.

He answered the phone
He was excited rushing to tell her his news.
and said darling I have just completed
your portrait it is the best work
I have ever done.
I truly believe
I have the exact hue
of your beautiful turquoise eyes.
Ahhh romance
jude
Aztec Warrior Nov 2015
HUMAN NATURE**

Many come from lands
that seem light years away.
Speaking tongues that tickles,
as neurons flow in an open mind.
Strange, yet like the sounds of Jade,
makes you giggle as you realize
all that is being said is,
“Hey Red, how are you doing man?”
~~~
Many come looking for HOPE;
work, a way to feed their young ones.
Many come simply to survive
the destruction
that once was home.
They come to escape being disappeared;
come because of disappeared loved ones;
sons, husbands, daughters
found some day, maybe, in mass graves.
Disappeared by:
Ton Ton Macoutes,
Death Squads, Dincote,
Special forces conquistadors,
or any number of SOA trained
armies/soldiers stamped with:
“Made In The U.S.A.”
~~~
They come to ‘live free’ or
find ‘democracy’, ironically
to the very place
that is responsible for this disgrace-
fullness committed against humanity.
~~~
They come to live
and yet, their dreams are of
HOME!
Home where there is peace.
Home, where jobs are meaningful,
not enslaving.
Home, where the land is yours
and crops plentiful,
allowing you to live as human beings.
~~~
These are proud,
brave and daring men
with names like:
Thanh, Aftab, Simon, Mukesh
and Donovan.
These are determined, dignified women
with heads held high
and names that seek the skies:
Ekta, Mai, Kenya, Nazma
and Sing.
~~~
Looking out at their varied shades of skin,
wistful eyes, reflecting like
fall leaves in a vast rain forest,
it is easy to get lost
in these cold waters of diversity.
Looking
Lost
Wishing
Dreaming of a dripping wet world
as seen from outer space;
AS ONE.
No borders,
No boundaries,
flying thru a blue, cloudless sky.
Breaking ALL traditions chains.

(written using the pen name)
~~redzone 4.2.01~~
Posted 10.31.15  Aztec Warrior
This is a poems I wrote a while ago about the  last placed I worked in before being laid off and moving to NYC. It was "International City" and I loved the diversity.
Chuck Kean Dec 2021
Yet Venomous Is The Lie


    William J Donovan wrote and I quote
                                 Poison

                           Truth is poison
                             This monster’s
                              Back in town
                            Stay away from
                        My door. don’t come
                       Around here no more.
                    Shut the windows down.
                         Poison is the truth.

This is my reply at the risk of miss interpretation. After reading it twice
I feel his anger in what seems to be about
A good love gone bad. The truth is deadly
It’s over so don’t come around love bites
And love kills, the truth is poison and poison is the truth.  I hope that I am right.

I’m gonna work a different angle
Go in opposite direction but his words
Are the inspiration.

     Yet Venomous Is the Lie

    Poison is the truth
The truth is poison, this is our life
Today’s world, today’s problems
This is today’s strife

What’s good is evil
What’s right is what’s wrong
We’re living in turmoil
We don’t hear the lyrics in the song

The Devil in this time, he reigns
For he is the master deceiver
Oh Lord please have mercy
For the non believer

For they let themselves be tricked
They cannot see through the disguise
What they see is their truth
But blind are their eyes

I pray that they soon realize
The reality before they die
Truth is not poison
Yet Venomous is the lie

Written By: Charles Kean
Copyright © 12/04/2021
All rights reserved
Chuck Kean
Poison is not the truth and the truth
Is not poison yet venomous is the lie and
The great deceiver will always disguise the
lie in the way of the truth, therefore
It can seem like you've been bitten by the
poisonous truth but underneath the
disguise it was nothing more than the
venomous lie.
Jude kyrie Dec 2017
The portrait.

1926 London

He was poor.
who needed a starving artist in this cold winter..
Spending his last few shillings
he bought a ticket to the play.
It was at the London hippodrome.
Staring Miss Abigail Kendrick.

He had read of her
in a theatre magazine
in the little country hamlet
that he had spent his whole life.

In the theatre she shone like the star she was.
Even when the spotlights faded
All that he could see
was the beautiful color
of her turquoise eyes.

In the second act
he was in love with her.
By the end of the play
he was besotted.

He went back to his tiny room
By not eating
he bought the paints and canvas.
Carefully mixing his colors
on the pallet.

he found the exact hue he sought.
The perfect turquoise of her eyes.
When it was completed
he thought it to be the pinnacle
of his work thus far in his life.

After the next show was over
he waited outside
by  the theatre stage door.
Several Hours later
she appeared dressed beautifully

He stepped forward into the gaslight
from the flickering streetlamp.
You are the most beautiful creature
in gods creation he uttered.
I am in love with you
so much in love.

He passed the small painting to her.
And she took it from him.
It's ...it's.. so beautiful she whispered.
Not as beautiful as you milady

She kept the painting
for her whole life.
Always in a predominant position
in her stage dressing room.
She heard the artist had died
a few weeks later
after he gave her her picture.

2017
The young woman entered
.the old building in London.
Her great great grandmother
had passed on
she was left all of her possessions.
She was over 100 years old when she died
and the girl knew there
would not be much of earthly value.

But it was her duty to clear her apartment.
She saw the programs of the the plays
her great grandmother had been in.

Then she saw the painting
on her old mantle shelf.
It was so beautiful
a portrait
of her great great  grandmother
in her maytime.

The eyes were dancing in the light
even now so turquoise
She had been a great beauty.
She looked at the name
of the artist in bottom corner.
It was signed.
With all my heart and love
Roger Donovan

Her heart stood still for a moment.
She had to call her own artist man
who had stolen her heart forever.

She. Pressed his name in her contact. List
Her cell phone sent the call.
The receptionist
at the art gallery answered.
Can I speak
with James Donovan please.

He answered the phone
and said darling I have just completed
your portrait it is the best work
I have ever done.
I truly believe
I have the exact hue
of your beautiful turquoise eyes.
Just a sentimental love story
Jude kyrie Dec 2018
The portrait.

1926 London

He was desperately poor.
who needed a starving artist in this cold cruel English winter..
Spending his last few shillings he bought a ticket to the play.
It was at the London hippodrome.
Staring Miss Abigail Kendrick.
He had read of her in a theatre magazine
in the little country hamlet
that he had spent his whole life.
but here he was in London
and she who had stolen his heart with a magazine picture.
Was here, he must see her.

In the theatre she shone like the star she was.
Even when the spotlights faded
All  he could see were the beautiful color of her turquoise eyes.
In the second act he was in love with her.
By the end of the play he was besotted.

He went back to his tiny room
By not eating he bought the paints and canvas.
Carefully mixing his colors
on the pallet.
he found the hue he sought.
The perfect turquoise of her eyes.
When it was completed
he thought it to be the pinnacle
of his work thus far in his life.

After the next show was over
he waited outside the theatre stage door.
Several Hours later
she appeared dressed beautifully

He stepped forward into the gaslight
from the flickering street lamp.
You are the most beautiful creature
in god's creation he uttered.

I am in love with you so much in love.
He passed the small painting to her.
And she took it from him.
It's ...it's.. so beautiful she whispered.
Not as beautiful as you milady

She kept the painting for her whole life.
Always in a predominant position
in her stage dressing room.
She heard the artist had died
a few weeks later after he gave her her picture.
So sad so very sad.

2018

The young woman entered
.the old building in London.
Her great great grandmother
had passed on
she was left all of her possessions
She was over 100 years old when she died
and the girl knew there
would not be much of earthly value.

But it was her duty to clear her apartment.
She saw the programs of the the plays
her great grandmother had been in.
Then she saw the painting
on her mantle shelf.

It was so beautiful
a portrait of her great great  grandmother
in her beautiful maytime.
The eyes were dancing in the light
even now so turquoise

She had been a great beauty.
She looked at the name of the artist in bottom corner.
With all my heart and love Roger Donovan
Her heart stood still for a moment.

She had to call her own artist man
who had stolen her heart forever.
She pressed his name in her contact list
Her cell phone sent the call.

The receptionist at the art gallery answered
Can I speak with James Donovan please.
He answered the phone excitedly
and said darling I have just completed
your portrait it is the best work
I have ever done.
I truly believe
I have the exact hue
of your beautiful turquoise eyes.
Serendipity perhaps
Jude

— The End —