"confessional" poems
No no no, this isn’t one of those commendable confessional rants of redounded reality.
We all know where that goes and what it leads to.
This rhetoric comprises solely of the faulty intuitive comprehension and the ******** behaviour people have while under the influence of the poor man’s ****
That could be mistaken for a typo.
Xeno-meph, would be what aliens are called if they did this too.
Extended warranty of your sinus cavity is a must.
And a mouth guard so you don’t churn away at the capricious calcium that are your teeth.
Smoke and dance till lungs and legs collapse.
Talk like you’re the spokesperson for an oil company that’s pillaging life and land.
Change your personality in a minute and become the ****** you always wanted to be.
That smart talking, **** wagging, ***** licking, *** ******* back stabbing, self serving, worthless piece of **** is now you, but it doesn’t feel like that to you.
Rational ******** your only reprieve.
Keep doing the same things over and over and over and over and over and over and over and over and over again hoping the outcome will change.
But you’re cool.
You’ve done this before, it’s solvable.
A break. That’s all there’s to it.
The itch in your nose has stopped. Your jaw doesn’t hurt.
You don’t feel like **** but you know somehow that something is amiss.
Things are not what they seem. Sense doesn’t make itself.
The dark is your sanctum. Fast is your peace.
That’s not a typo.
The world cannot slow down for you.
You have to speed up. Another gram, another line, another lie.
Control is what you say it is.
Handles are what your stomach has.
Fast forward a few months and you don’t have a handle on anything.
You don’t feel down, you feel fine. Nothing’s wrong
But just another fall, and you’re straight out of line.
Justify! Justify! Justify!
Listen, keep listening… Talk! keep talking!
Everything makes sense. Everything is a sense.
The difference is that I’m faster, quicker, sharper.
I’m handicapped.
Leverage is my mind, broken and blind.
I wish that was a typo.
Apr 10, 2015
Apr 10, 2015 at 5:12 AM UTC
Human directives, veracities unverified
Bellies belching with anger, murderers
Udders dripping hate, foundling banters
Hunters striking the hungered, unfortunate
Glare sight to seek the truth, hold me lets sink
Tear motions and debates of inequality
My Dafur, the realm of the fur, demise
All armed in Sudan, the arid, a battlefield
Emergency alarms sirens from 2003
The indefinite complications and hunger
A land of the displaced, starving nomads
Hear me out in these non-dissolving conflicts
Guantanamo bay detention a prison vicious
A base for “war in terrorism”, reciprocal laws
Inhumane human interrogations persists
A breach, a revolt, the hunger riots devolve
Force-feeding, torturous measures applied
All undressed, humiliated, genitalia exposed
A Rwanda slain in divide and rule
Civil clashes, mashes, all trashed
Swaying war rapes, tapes, the raves
Machetes slashing necks and hands
A lust of power, a genocide slaughter
The Tutsi slewed and unsewn from a patch
Autocratic regime boring divisions
Territorial ethnic cleansing, a holocaust
The oppression of Jews, Romanis, Poles
Homosexuals, the disabled and mentally ill
Indifference pooled in pits and camps
The institutional social indoctrination
The honor and killing to expose shame
The violation and dishonor of moral fabric
For what is “good”, “bad”, fixated moral values
Buried waists and head, awaiting stones to hit
Confessional secrets of only what lays within
A torment watching witnesses, all dangling
Marxists calls ships to stow ashore
Masses kidnapped, confused in deceit
Invalid contracts awaits signatures
The white immigrants to be enslaved
All aboard, now abroad to revolve labor
Wage packages taken to pay for freedom
Humans bought and sold to be owned
Slaves yorked and counted as assets
Bounded to serve plantations and homes
A human, non human, a chattel, a slave
A debt ******* offended and *****
Untamed and made to obey a master
A falling global strings unturned
Tunes strumming hate, war and pain
Human trafficking, violence, inequality
Child abuse, civil conflicts, capitalists
Commercialism, zero hour contracts
For if we have no rights, I have none
For if we have no peace I have none
Jan 20, 2016
Jan 20, 2016 at 6:54 AM UTC
Start and stop
Up the street,
Turn 180,
Repeat the beat.
The gurus on
Confessional wheels,
Absolve our sins,
Emptying bins.
I swear
They swear
A solemn oath
Never to
Disclose the truth
Found in our garbage
By the brethern,
Garbage stinking
To high heaven.
Bottles, syringes,
Boxes, bones,
Peelings, plastics,
Old cell phones,
Discarded trash
From our homes.
Wrappings bleeding
Seeping ****
*By our garbage
Ye shall know us.*
Mar 4, 2015
Mar 4, 2015 at 8:49 AM UTC
You know how the Lorax spoke for the trees? I feel the need to speak for my four-year-old niece. Not because she can't speak -- she can and rarely stops once she starts -- but because there are certain concepts time has yet to grant her. So until time does, I got you covered, Lucy.
Mommy,
you call it the "poetry" of a child's sleep,
ohh 'n ahh, she's so, so sweet,
I call it child's "pose." Not the yoga neither.
I'm posing and rolling and cooing
biding time until you're tripping on the
Ambien retreating to a dream.
You're only reprieve.
'Cause when your *** is asleep,
I be mixing up the Play-doh,
red and yellow, black and white,
'till it's 50 shades of brown, alright?
Dirt pies from the backyard,
put 'em by the brownies
in the morning world-weary in your pajamys
Slip-up, slip-up, I smell a slip-up.
Ain't a direct threat, Queen Buttercup
because you'd just say, "I ain't afraid of you, shorty."
Blood flow. Blood slow. Simmering, saucy.
Mommy, looking down skyscraper balcony.
May I remind, a giant ain't bringing down Manhattan,
It's that little, wayward wrecking ball, eh Captain?
Over my shoulder, drinking from a thermos --
stumble in your step mean you gettin' nervous--
hand me piece of paper and two crayons
macaroni orange and swamp water liaisons
these coloring sheets are so bourgeoisie.
These coloring sheets are so bourgeoisie.
"Color outside the lines, eh Lucy?
don't play by the rules," my Mommy say,
but I been around long enough to know dat
'dese rules pay. Outside the lines? Is just uh sloppy.
Been outside the club in front of the line
with my fellow shawties.
Slip-up, slip-up, I smell a slip-up.
Ain't a direct threat, Queen Buttercup
because you'd just say, "I ain't afraid of you, shorty."
Blood flow. Blood slow. Simmering, saucy.
Mommy, looking down skyscraper balcony.
May I remind, a giant ain't bringing down Manhattan,
It's that little, wayward wrecking ball, eh Captain?
Chicken and fries three meals-a-day.
Chocolate milk three meals-a-day.
Tricycle boys three wheels away.
Hands on your hips can't make me stay.
Lego blocks lodged in your skull.
I've hid the Advil. The Dayquil. Drank the Nyquil though.
Alright, alright, time to get confessional.
All my ***** accidents are intentional.
I melt my own Barbies to feel alive.
Snort glue sticks just to get hella high.
Mommy, you've got a messy ketchup face.
Mommy, you've got spiders in your hair.
Mommy, you've got ****** on your pants.
Ha. Ha.
Ha. Ha. Ha. Ha. Bi-otch.
Blood flow. Blood slow. Simmering, saucy.
Mommy, looking down skyscraper balcony.
May I remind, a giant ain't bringing down Manhattan,
It's that little, wayward wrecking ball, eh Captain?
Apr 18, 2013
Apr 18, 2013 at 7:29 PM UTC
It’s the kind of subtle trickle
That turns the asphalt into a glassy mirror
Ripples, ripples, ripples
Over it like a black pond
The silver lining of each little droplet
Streaking the sky with shades of gray
The streetlights cast an amber glow
Upon the shimmering mist
Hiss, hiss, hiss
Against your stinging flesh
Turn your face up towards the darkened sky
Let the rainfall and streetlights wash away the dust
The dust of the souls you carry on your lips and cheeks
Etched into your back and palms
Their burdens may cause you aches and pains
Let the rainfall and streetlights wash them away
Rainfall and streetlights
Rainfall and streetlights
An urban confessional
Where the sky leans in to listen
As every perfect drop of water hits your skin
It’s the sound of a cleansing
Only you can comprehend
And although the hope of purity may have been swept away
by the wind of unfixable mistakes
It’s still the belief alone in possible redemption
That keeps you from relenting to temptation
Drink up the tears of the sky, child
You are forgiven
You were always forgiven
After all
Paths were made to be strayed from
Straight lines are mundane, they all look the same
And never give a little boy glass when you haven’t taught him
how to grasp what’s right in front of him
When he drops it
It’s a dangerous job
Picking up the sharp shattered pieces
Do not make him do it all alone
Yes, inevitably you will cut yourself
On the broken shards
Crimson teardrops
If they tumble from you
Do not distrust your calluses
You made them through your own hard work and suffering
But they can only do so much for you
Remember your skin is a shell not impenetrable armor
So it’s best to avoid the things you know will cut unnecessarily deep
Bleeding is just another way your body assures you that your heart is still beating
Looking up from the gutter the universe awaits you child
Do you not realize what’s at your fingertips?
Infinity
So don’t give in just yet
Let the rainfall and streetlights heal you
Drip drop, drip drop
Let them bathe you in warmth
Radiating
Let the rainfall and streetlights take you away
To a better place
Wherever that may be
Dec 4, 2014
Dec 4, 2014 at 1:18 PM UTC
New Years Day
The 1st of the Month
Lent, Ash Wednesday
I swear I'll give it up
Maybe this Birthday
When's the new moon?
Start over every Monday
I continue to throw up
Perpetual sickness
Never small enough
At war with my body
So many food groups to give up
Dietary restrictions
The socially acceptable excuse
Undercover overeater
Will I ever be good enough?
Jul 6, 2015
Jul 6, 2015 at 1:07 AM UTC
i dream of a soft release
a gentle letting go
of responsibility, duty, life, love
the vintage film flicks and flickers through my mind
knotty, spotty, black and white frames
me, hiding behind long strands
hair, shrouding like a confessional booth
a pale, slight hand
a glinting of metal
an intake of breath
a waterfall
a lifetime of pain
pouring
flowing
slowly fading
gently falling
ending
pain, fear, finally ending
i'd finally end
Jul 7, 2011
Jul 7, 2011 at 1:26 PM UTC
the Hail Mary transgression:
falling in love with me when it crosses over the line
*guilty of the same, so even when I condemn the errant woman,
with an ice block from a Northeastern pond of no soft forgiveness,
which is still and yet, the only cutoff ending appropriate
but you woman, deserve to learn that
emboldened fantasy that crosses broken bold lines,
is a jagged rot that doesn’t cure the dreamy unreality of
the-cannot-be,
it’s pouring hot water on scalding burns entrenched
guess time to share that your fantasy is the
number one commandment
that this boy also violates routinely so he has a phd of experience,
and the burn proofs when he thot he too could be,
Cervantes, the knight errant, lover of the impossible woman
I, guilty as charged by “The Duke,” am an idealist and bad poet,
so many poet-women here I secret cherish at levels that are nonsensical, absurd, ludicrous
and hold the fantastical fantasty of them dear,
so close and so near, so mine
wrote them each love poems, and they know it,
now, here, in my confessional booth,
my priestly punishment always the same,
ten thousand Hail Mary’s,
but I cheat the cohen priest,
and just write another poem,*
this one is about the line that never can could will be
crossed, hail mary!
Feb 11, 2019
Feb 11, 2019 at 11:48 AM UTC
he had a third beer
before the hot platters came
he would have had another, had she not
stared, like she going to ask every question
he did not want to answer…
how did it feel to slap his first wife?
how did it feel to pull the trigger
and mow men down like so many weeds?
those were the questions in her eyes
and had he ever told anyone, what happened that night
when they came upon a village, where the young ones
slept with the dead, their ancestors
only a few feet away, watching, mute,
beyond the paddies where they planted the rice,
the narrow trails where they hunkered and spoke
the ancient tongue, not adulterated by the romance of the French
or the clumsy amalgam of shredded sounds from the new soldiers
the giants who ignored them in the steaming light of day
but came one night, bringing strange smells, oiled steel
muzzles pointed at their faces, shoved into their empty ears
grunting and groaning in an even more grotesque tongue
leaving tears and trembling in their wake,
the torn flesh, the wounded wombs, the silken vessels
meant to be there for the milky planting of tomorrow’s seeds
not the greedy groping of the interloper’s devilish deeds
was she asking about that night, the sounds he recalled
like puppies under heavy foot, or worse, like
the madding moaning of his own sister
when someone ripped her open
not in the distant killing fields
but in the back seat of her car
not two miles from where they sat
where he ordered more beer, and
she asked those questions with her silence,
with her eyes, the questions he would never answer
not after all the beer, in all the free world,
and he was pitifully glad
they served no sushi, in Kiki’s, though
the sharpened knives were there
ready for his confessional
and the raw slaughter of truth
Jul 30, 2013
Jul 30, 2013 at 2:43 AM UTC
Sin of gluttony
Bathroom stall confessional
My purgatory.
Dec 14, 2009
Dec 14, 2009 at 5:20 PM UTC
i always seem to be sitting
in the middle of intersections
like a traffic light that hasn't
hung itself yet, always
seem to be waiting in the
middle of the ghost town
of where our love was first
built. there's a hospital
down the road where the
waiting room chairs are
much more morbid than
the hospital beds and
every electric heart rate
line sitting on the screen
of the heart monitors flatten,
make long beeping sounds
like an alarm clock, like a
wake up call; they make
long beeps like the ringing
i hear inside of the phone
when i call the owner of
the voice mail i've seem to
have made a home out of.
they took every place
we kissed and turned it into
a church that closes on
Sundays and holds a choir
full of people that lost their
voice in their own war. i've
been in the line for the
confessional for about two
years now because every
time i go up to say how
badly i want you to feel it
back, i let the girl wearing
your t-shirt cut in front of
me. the sidewalks only
seem to crack when they
remember how it felt
when you walked on them,
when you gave the ground
its purpose. one of these
nights the traffic lights will
come to their senses,
drop into the intersection
and crumble right next to me
because it's not like they have
anything to stop or at least
slow down because this is
a ghost town, & nothing is coming back.
Oct 21, 2014
Oct 21, 2014 at 7:04 PM UTC
Tamed not
I cannot believe in this beating so much
Let rot
We need to calculate this, we’re *******
You Lady Laz-
No, you my Plath
With your heart in reverse
Your hand on mine
On the relation gears
Your lover and his shadow’s near
You cruel shrew
You insatiable cage of bones
******* like a goddess at daybreak
I do love you.
This, my confessional
This, my pornographic revival
Eat me
**** the air out of my
Thin second coming
**** the miracle marrow
Of my bones, make a soup
Say a spell, yell, melt.
A mouth like a witch
Hands for my itch
Bit chiseled by bit
Us, lower in an atmosphere
Hidden from the house on the hill
Hands full of placebo-sex-pills
Tiny wrists shaking in fear
Tamed not
The muddied housewife
The war plot
The trapped door trigger shot
God is love
Love is biochemical
Love is the bathroom stall
Holes everywhere
In the walls
In everyone
In the suspension
I cannot believe
In at all
Mar 27, 2011
Mar 27, 2011 at 10:52 AM UTC
Thrift Shop Confessional
Old carts squeak down re-sale aisles
"One of," "two of,"
Sometimes "three of" items
Tempting treasure-sifting shoppers,
Bargain-needing families,
Women seeking up-brand names at low-brand prices...
Our wives, followed by their husbands,
Acquiescent, but quiescently seeking
Seeking a thrift shop oasis.
A cast-off dining set beckons,
Sturdy enough, if a little battered,
To make us solemnly content to wait
Carted clothing trundling
Off to fitting rooms.
He shuffled up with a foolish grin.
"I think I'll join this convocation of
Waiting gentlemen.
My wife is a shopper...
She'll close the place down."
I moved a chair and gave some space;
Strangers become brothers in this place.
Five minutes on,
I knew he was a vet:
Army, Vietnam Nam...
"I don't like to think about it,"
Cleared his throat,
"Never can forget."
I turned to look at him.
"A little girl came running,
With her hand behind her back.
She only stood this high," he said,
And showed me with his palm her height,
"They carried grenades that way...
All of 'em...couldn't tell which ones...
Sergeant told us, 'Don't ever check...just shoot.'"
The voice trailed off....
I sat sweating in a thrift store,
Captive of my own politeness,
Half a century,
Half a planet,
Transported in his words
into a soldier's Hell.
"So I shot...
Nothing else to do."
Silence then.
A total stranger staggering
under the weight of having
Murdered his Albatross....
Of having carried this thing,
This memory,
Inside him all these years,
Of finding me,
The unsuspecting thrift shop guest
Who'd listen to his lonely tale,
Perhaps so he could earn some rest....
I, his unwitting Confessor,
Uncertain what to say,
Certain something must be said...
Certain nothing could be said...
Sat dumb, but understanding
The wisdom of confessional dividers,
The private comfort of two booths
Where prayerful exchanges
Intersperse uncertain silences,
Present in the overhanging need:
Demanding sorrowful returns,
Impending memories of sorrows...
And lonely trudgings home....
(Connections with Fr. Laurence's "Riddling confession finds but short shrift," in Romeo & Juliet, and Coleridge's "Rime of the Ancient Mariner")
Apr 7, 2013
Apr 7, 2013 at 5:39 PM UTC
there is an old persian legend of a man who falls in love
with a woman and goes insane when he cannot have her.
even after she is married to someone else, he spends his days
composing love songs in the dirt, building sandcastle hearts
just to watch them collapse again when the tide rolls back in.
years pass, and the girl never writes anything back.
i still wonder if she was ever given the chance to.
i was twenty-seven when i learned that you could fashion a
stethoscope out of a cassette tape, broadcast the sounds of your
heart to a double guitar riff that screamed desire. you pressed
play and in an instant, i was priest to your deepest confessional.
i never asked about how you looked at me on the days that my
husband was too busy finding god to join me in bed at night.
i never wanted to know that you sinned in the color of my eyes.
i never thought i’d be remembered for the moment that i traded
krishna for ******* and the thousand days that followed:
day 176: we mix love and self-destruction in an old hotel room
until they go down my throat as easily as sweet red wine.
day 472: you turn watching me get ready for a party into an
excuse to make love to my reflection with the windows open.
day 894: you spend the entire morning restringing your guitar
but i can still recognize another woman’s voice in its tone.
day 1000: i loved you but never had the instruments to prove it.
we’ve both realized that obsession is a drug best left to legend.
to this day, they still call me the greatest muse of rock and roll,
but each switch of the radio dial is just another reminder that i
once tasted like music in the mouths of men, that their words built
me up like a flower-child mona lisa in all the permanence of three
minutes of vinyl, that though i inspired the most beautiful lyrics
ever written about love, they never called me onstage to sing them.
i was once told that if you love a woman to the point of madness, she
will become it. but any insanity i have remains etched on the insides
of my veins; i walk beaches now, much too old for sandcastle-building.
years pass, and the girl has never written anything back.
i still wonder if she will ever be given the chance to.
even the world’s greatest muses sometimes want to hold the pen.
Oct 7, 2013
Oct 7, 2013 at 8:47 PM UTC
She bleeds ‘all tragic steam work blasted mists
‘All hobbled clamped free fall for ‘all seasonal depression slump
She’s ‘all death knell cramp urgency and held back suffering kneeling
on kitchen floors ‘all like boarding school broomsticks lessons
with ‘all that theoretical **** the ***** save the man type
schlock shock rhetoric shtick
so ‘all I’ll be is her savage heretic wagon burner page-turner
on the hot coal back burner ‘all boarded up sealed shut in the walls
until she calls
Expecting me to be 'all combat ready
‘all back with a vengeance
while her thrift store hazard suit groups and droops
‘all over my haphazard dream sliced hang nailed hangover hands
hiding ‘all derelict style while between the sheets confessional
gets voided by social media air raid sirens
bringing me ‘all too close to rocks and crystals
and who ‘all needs another pathetic apathetic
junk punk when
‘all and ‘all
I'd rather die for you
because
I just can't live with myself
Jan 17, 2014
Jan 17, 2014 at 3:08 PM UTC
Romantic arson,
a thousand lovers burning
to the blooming flowers
of my accelerant:
amoral, senseless rage.
Because I do not
or will not consider
another vice
for your confessional.
Come shed indifference.
Thumb the holy water font.
Theorize inconclusive evidence
of life apart from love.
Crawl into
the vacant church
which is my heart.
Idolize Me.
Jul 6, 2010
Jul 6, 2010 at 3:05 PM UTC
~one more for the r man~
almost Monday
and its weighty five day oppressive lead poisoning on the horizon,
is but a thirsty thirty six minutes away from its fortified Sumter, first shot to be fired at midnight, how we love to mark the commencement of hostilities and killing
but I am already wounded, a casualty of having spent evening with pleading, pleasing timer eating, reading of your work,
r
the sounds of inestimable admiration and infectious jealousy
make this old man eager to discard a lifetimes work and
begin fresh, but only as a copyist of you,
r
I know you’re thinking "what in the hell is he blubbering about?"
so I willingly will my confessional offering in the dark of the
holy bedroom; for you make me eat my words, and
spit them out as wastage, in dumbfounding humility
god you and yours, make me frail and blessed that I stumbled
upon your abbreviations of the human life,
r
shut up and accept my three r’s
reading ‘riting and rising
up to sing hymns of praise
for a man with a historical perspective and
whose few occasionals
are carved in the granite bench
of what makes my life
worthy of load bearing;
more than bearable,
all are soul-enlightened by
baring our humility, our admiration
11:24pm 4/15/18
nyc
Apr 15, 2018
Apr 15, 2018 at 11:53 PM UTC
It is
Whatever you want it to be.
How you perceive is your perception,
Your perspective is not deception
-But why are we so reluctant to make use of affection?
The detection of attraction exhibits bits of satisfaction
That neither of us can speak of.
If push comes to shove,
Don't make me make you fall in love.
If I can't have your body
I don't want no body.
Celibacy.
It will be a delicacy to insituate the thoughts that insituate your time
I'll obituate your loss
And re-birth worth in your mind-
The situation
Is a mind **** manipulation.
I will eliminate the
No
And inseminate the
Yes
Undressed across your expression
The progression
Of **********
The contents of your mind until you bare a confessional corruption
For when mutuality is in play;
Manipulation is just seduction.
Mar 28, 2013
Mar 28, 2013 at 2:50 PM UTC
Days drift away, mind ease the pain
The rains wash away, passion still remains
I think of her smile and the lips as they purse
How I want to feel her skin between my tips
It gets worse
Because there's no privacy in life
No place we can go
The desire for romanticism, blown away by my ego
So my mind runs wild
Does she compare me to others
or do I not have her desire
Does she mean when she says 'I love you'
Or am I simply hallucinating
Whens she dreams, is it of me
because it's her when I do
In fact it's her when I don't
and it's here where I confess
that every waking moment I am thinking of her ***
I know that she might see this
and that it's too personal to be public
But I take leafs from her book
Stylistically, confessional release
Removed from zones of comfort
but I can't rhyme
I tried a few times
I try too to be a feminist, and to respect every boundary
But truth is, I want to let loose sometimes
Take her, make her mine
Show her that her body is perfect in my eyes
Use my body, pin her down
Make her head spin around
Learn every spot of pleasure
On her body, in her mind
Wishful thinking maybe
She'll never call me baby
That's a good thing maybe
Pet names are lame and lazy
She has more important things to worry about
Not my over stimulated testosterone fantasies
Of how I want to tear away her-
That would be crass, so I won't say it
Instead I'll load up her favourite song and play it
or open up her pictures, touch myself and-
Again I can't help myself
I hope she never reads this ****
Because it's truly my most personal composite
Every word I write, I'm hating it
So for that reason I'll end this bit
Sep 16, 2014
Sep 16, 2014 at 3:40 PM UTC
Its 1:28am and I can't sleep.
Instead of seeing films of technicolor
on the backs of my eyelids,
I'm wondering whether your lips
taste like strawberries or vinegar.
Its amazing how heavy
a chest can feel just fondling
the idea of drowning in you;
and i think about the time you
accidentally called me an angel.
Now its 1:32 and I'm wondering
if an angel falls for you,
does that mean she's plummeting to hell?
Poetry is meant to display something magnificent,
but the only thing magnificent about this
is the tragedy.
(I don't want to write because there is nothing beautiful about this.)
And all I can think about
is how much of a sin it must be
to think about you,
instead of the boy who has built himself
around me like a cathedral.
About how it's dark outside,
but how this longing for you is darker.
About how I only write about boys
I could see myself loving.
And wonder why my thoughts
are dancing around Lucifer
instead of Saint Michael.
Aug 21, 2015
Aug 21, 2015 at 3:19 AM UTC
Side 1
1. "I Lied When I Said (I'd Love You Forever)"
2. "Endearing Habits (Not Quite So Endearing Anymore)"
3. "Take Her, She's Mine"
4. "Two Jokes, One Punchline"
5. "Time Will Tell, You Won't Age Well"
6. "I'm Eatin' Out Tonight"
Side 2
1. "Bedtime Stories (Gettin' Me Off)"
2. "Sit Down, This is Gonna Hurt"
3. "Time (The Master Healer)"
4. "I'm a Grape"
5. "Over the Counter Love Affair"
6. "Master of the Obvious (Pleased to Meet Me"
Jan 25, 2015
Jan 25, 2015 at 11:38 PM UTC
Sometimes we are made aware of beacons in the rest of the dark.
Like stars littered across the attics we trap ourselves in.
Sometimes we chase rainbows with beggars eyes and wishes like children.
Some people are like soup soaked bread crumbs and wool mittens with the fingers cut out.
The rest of us are chimney soot.
And they are ‘chim chim cheree‘.
They are song filling every corner of the antique shop.
Silver under tarnish and weights and measures
balancing on the hands of the scale
suspended from the spear of a woman in white robes
with blue eyes that match the sky when we stare at it
and it usurps the corners of our eyes
and we are made aware of how small we are
as we get lost in how complete it is when it is with out clouds
with silver linings that never seem to follow through to rain.
And some of us?
Some of us are rain.
And thunder that shakes your soul.
And images of gods in black and white that burn themselves onto our minds
for us to study with our eyes closed.
And some of us are doing the best we can.
And some of us are not us.
But are the others.
And we would be lost without them
to point beyond red sails on sundown ocean horizons,
just before the world turns blue.
And some are the pops and cracks between the notes of Coltrane on Vinyl.
And you.
You smell of confessional walls and a nursery.
You smell of camp fire blankets and bruised roses.
You move like corner of the eye shadows
and windshield wipers with no chance of beating the rain.
You write like stone tablets and feathers.
Blown bubbles and spun webs.
And you feel like chance.
And love.
And strength.
You change like ropes on ship decks and tarot meanings from gypsy to gypsy.
And you are beautiful.
And beautiful.
And beautiful.
And everything.
And everything.
And everything.
Strong like ropes on yard arms of old ships in ancient seas.
And you go and you take us there.
And we go, because we want to see too.
And we want to be full on wild flowers and raspberries.
And we want you to show us the line on our palm
that separates the dark from the light.
And we want bed time stories and lullabies.
And with my eyes.
And with your own too.
And more importantly.
You.
You are the place where there is hardly no day time and hardly night. Things half in shadow and things half in light. On the roof tops of forever. Coo. What a sight…
Feb 23, 2014
Feb 23, 2014 at 1:48 AM UTC
a message sent to me:
“I know you, Marrano, secret Jew of my heart, weakened by words and strengthened thereby...stout man of words”^
a stranger invasion - his technology, a new combine of words,
percentage of perception high, a ferreting scraping of tissue,
an abrasion of spoiler alerts that are not hidden but now summoned, despite being unbidden early on a Sabbath morn
and at this, my haunted hours, this secret Jew,
wanders unexplored yet familiar routes
of his well traveled innards,
pondering this sweet Shylock Accusation, nay,
this confessional truth, but more, the nut of his essence that ‘tis
his conviction, his twisted sentencing, the exact lived-level of
a hellish Dante verse that shreds the escape of sleep,
that is home
“weakened by words and strengthened thereby”
words forced to the fore, peremptorily summoned,
this inconsistency so constant, his battle,
where neither victory, loss or truce, are resolutions legitimate,
contradictory poems are the tension production
of this high wire act of the man, a performance
best assessed as one of always slipping,
more near-falling failing than cross walking,
employing his word emissions as a balancing pole,
and balancing is a sometime thing
I am not an illusionist - if anything, a disillusionist
there are stanzas writ
but unspoken
that shall not be out-spit
here or now; for lengthy answers already exist,
in a thousand prior scripts
and
the thin wire of preservation
teaches the value of brevity
stout, I think not,
man of words,
no doubt,
one who is both,
a secret Marrano and a Jew, fully exposed,
and one who is
“weakened by words and strengthened thereby”
12/2/17 The Sabbath 3:33am
<•>
extra credit reading
https://hellopoetry.com/poem/529429/the-true-tale-of-shylocks-pound/
Dec 2, 2017
Dec 2, 2017 at 1:43 PM UTC
Some 'others'
and so-and-sos
don't want to be found.
They don't want to be
solid.
They don't want to:
dematerialize or to rematerialize or to manifest.
They don't want to come into being or exist.
Some so-and-sos are vagrant and delinquent.
Truant vagaries of brush strokes
mushrooming in the tresses of dresses.
Indeed, some 'others' wish to remain anonymous.
They reckon it’s reasonable
to protect a human standard.
Their privacy a prison of unwatchfulness-
the walls closing in like they did for Hans Solo,
Chewbacca, and the princess...
like Indiana Jones or some platform pitfall romance.
The 'others' wish to remain alone.
How else would they be 'others'?
Anonymity is the preferred state of 'others'
and so-and-sos.
It is their church confessional.
Safe harbor to their ******
Oct 4, 2012
Oct 4, 2012 at 12:28 AM UTC
a confessional screen
chambered in opaques
the pearly gates would sport
checkers sovereignty with grime
between myself
and the other side of this poem
another acolyte had founted
from our species-widened narthex-maw
the answer to the test
the answer i have tested since
despite the veto of a roshi's sleeve
while adults justify in frowns and threats
commandment-etched
i am a child still
aghast at drawing lines in sand to mark the living
from the soon to die
one i knew who drew such lines
for whom a line was drawn to mark himself as well
not just in votes and homeland hate-speech
you see
he crossed the line
no unadulterated childhood can cross
he shot his own face
or at least his face was shot
when he was found
who can read the final lonely moments of another
when mistakes are easier than ownmost acts ?
bombing bullies politicking death
can sanctify the safe
unpunctuated traps
dividing moods in swallows
pills
swilled with undigested fear
of nozzled death
mercilessly sudden
.
Oct 6, 2013
Oct 6, 2013 at 2:18 PM UTC