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Nat Lipstadt Jul 2017
asked the gathered dancers of the choreographer?

This was back in the 70's,
when we naively thought the revolution had been won,
and a gay black man could walk the streets of
NYC
holding hands with his  
white jewish partner

The choreographer,
a gay black man,
pauses before answering
considering
what he believed,
and what he knew to be reality.

"How much freedom can you afford?
How much freedom are you willing
to die for?"


 In the days
when men thought freedom was everywhere just for the taking,
freedom for
daring to just be,
meant
new wars on new days.

The choreographer was/is
Bill T. Jones.  
He related this story to me tonight.

<•>

wikipedia.org/wiki/BillT.Jones
judy smith Oct 2015
She's been enjoying her time while living and working in London.

And Nicole Kidman was clearly thrilled to be one of the star guests at The 60th Women Of The Year Luncheon & Awards in the British capital on Monday afternoon.

The 48-year-old actress - who is currently starring in West End play Photograph 51 - cut a beautiful figure in a multi-tonal lace dress as she arrived at the prestigious event, held at the InterContinental London Park Lane.

The willowy beauty covered her slim figure in the mid-length dress, made up of several different lace panels in pale lilac, purple, yellow, black and white.

Cinching in at her slender waistline, the dress billowed out into a full A-line skirt, and also included long sleeves.

A Victoriana-style high-necked black lace section finished off the gorgeous garment, giving her a serene, ladylike air.

The Australia actress teamed the eye-catching dress with a pair of strappy black heels with pointed toes, and a tiny black box clutch.

Her pale red locks were swept back into a chic updo, her mid-length fringe framing her face.

The actress' bright blue eyes were highlighted with just a touch of mascara, and her beauty look was pulled together with a pretty pink shade on her lips.

Nicole was one of many star guests at the annual central London event, held to honour amazing women across all industries.

The famous event, which paid special tributes to six remarkable women from all fields, saw plenty of other star guests in attendance, with 400 in total at the luncheon.

After rising to fame as the winner of this year's The Great British Bake Off, Nadiya Hussain was one of the star attendees at the highly-significant ceremony.

The talented baker and busy mum, 30, rocked a simple and chic ensemble of slim-fitting black trousers and a crisp blue blazer, and bright turquoise heels.

Another familiar face was singer/songwriter Katie Melua, who opted for a cool androgynous ensemble.

The Call Off The Search hitmaker showed off her lovely long legs in a pair of black leather trousers, teamed with a sheer white blouse, a blazer and a cute black ribbon ******* around the collar.

Writer-comedian-actress Meera Syal rocked a typically unconventional ensemble as she arrived, cutting a striking figure in a bold patterned shirt dress with a lovely long black scarf and a jacket thrown over the top.

Princess Diana's glamorous niece Lady Kitty Spencer channelled a power-dressing 1980s vibe in a standout black shirt dress with bright, colourful buttons donw the front.

The pretty blonde finished her luncheon look with a chunky white clutch bag and perspex heels.

Choreographer and former Strictly Come Dancing star Arlene Phillips was a chic addition to the guest list in a figure-hugging red dress, and TV presenter and journalist Julie Etchingham wowed in an understated taupe dress with an origami-folded skirt and matching cropped jacket.

Also in attendance were the likes of Dame Esther Rantzen, TV's Lorraine Kelly - who was glorious in a gold lace frock - Maureen Lipman, Mary Nightingale, Jo Brand and

The Women of the Year winners were whittled down and chosen by a panel of notable, accomplished women: Sandi Toksvig CBE, Sue MacGregor CBE, Dame Tessa Jowell MP, Baroness Doreen Lawrence OBE, Jane Luca, Ronke Phillips, Eve Pollard OBE, Lisa Markwell, Gill Carrick and Sue Walton.

And viewers of popular morning programme, ITV's Lorraine, were also able to vote for their Inspirational Woman of the Year via a phone poll.

Sandi, President of the Women of the Year Awards, said: 'Women of the Year has celebrated the wonderful achievements of women since 1955.

read more:www.marieaustralia.com/mermaid-trumpet-formal-dresses

www.marieaustralia.com/formal-dresses-perth
Poetoftheway Dec 2023
(when first I learned my
intellect paled by compare,)

I,
did not weep,
for my eyes
with love keeps

reminding with
every glance,
my intuition
is where my
value lay…

<>

of course, it a genius creative choreographer,
Lar Lubovitch,
to remind of the obvious
I forget
Miguel Diaz May 2016
I am jiggling on that stage.
The egoless strut.
The humorous tap.
The spectacular trip.
Fall over,
over. and
Over
again.

Get up,
find a ballroom
Dancer.
Find a hand holding
Partner.
Play "Spice Up Your Life".
Spice Girls,
listen to the bridge.
tells you to Salsa.

Watch that scene.
Billy Elliot,
With the pianist.
Dancing Billy.
He loves it.
Just do it,
you love it too.

Cheesy pop,
You don't need to
embellish yourself.
No grace notes.
No flat 7th.
You don't need
to sugarcoat,
the truth.

Let loose to riddims.
live on the dancefloor.
Feel the *****,
and the reggae.
Feel the triplets.
Rocksteady your way.
Dancehall to sounds.
Bounce and echo.
Side to side.
Left to right.

And we'll slow it
right
down.
The ballad starts.

Your beautiful structure on the left of your head,
the one called the ear.
The that ear controls aural empathy.
Let love be the choreographer to your moves,
Play the concept album, your heart.
Place it onto the record player and watch it spin
Start the track track with an International groove.
End. Replay.
There are a lot of pop culture and music reference here.
Flat 7: A musical interval, this can make melodies or chords bluesy or "****" depending on how it is used.
Grace note: Passing notes used in music to add flavor, its like a musical sprinkling of pepper or parsley.
Riddim:
Triplets: Very commonly used in carribean jamaican music, dancehall, reggae, swing, gypsy jazz.
*****: The backbeat in reggae music.
MC Hammered Oct 2016
A well-rehearsed dance,
the waltzing waitress tosses The Times
on table 1 as if she’ll actually finish
the Sunday crossword this morning.
She won’t.

Grease lined lights flicker on one
by one.
Like spotlights on a stage.
It’s show time.

Twostepping while taking down chairs,
she flows to the rhythm of ritual,
across a worn checkered dancefloor.
No applause.

In a dining room of Astaire’s and Rogers
she is the coffee choreographer.  
Pirouetting to the ***,
then a sidestep, quick! Quick!
Slow.

Warming up now, she stretches.
Switching on the metal machinery.
It grinds and growls as if it prefers
decaf.

Rings from rusted bells
hanging from the door chime
to the beat. This is her
cue.
Sameer Denzi Nov 2014
Like in a ballet of Bolshoi
She dances round and round
Lost in a galaxy of glittering stars

Like a shaman by a feverish fire
She goes round and round
The sun for her warmth and glow

Like a smitten little puppy
The moon goes round and round
Her for love and in utter devotion

But in the midst of it all

Like a whirling dervish
She spins round and round
In a dance of venerating trance

To the Grand Choreographer;
Never seen, but always conducting
In response to Born's challenge... but not exactly :) I'm afraid I can only go where my inspiration takes me.
My Heart Was Saying One Thing, My Mind Another ...

Some things you just know — like the feeling I get when looking at my children or the way I felt the first time I looked into the Grand Canyon. Some experiences are too strong for reason or words. There are some things, that even though they defy all conventional wisdom in your heart and your mind — you just know.

Never dying on a motorcycle is one of those things. I can’t explain it rationally, it’s just something that I’ve always known. It’s a feeling that has been deep inside of me since I first threw my right leg over the seat of that old powder blue moped. I knew I was never going to die as the result of a motorcycle crash. In many ways, I feel safest when I’m back on two-wheels and headed for points previously unknown.

Lately Though, I’ve Been Made To Feel Differently

I now had my daughter on the back of the bike with me. I’ve started to wonder whether my premonition covers just me, or does it also protect all who ride as co-pilot and passenger? Would the same Gods of 2-wheeled travel, who have watched over me for so long, also extend their protection to those I love and now share my adventures with?

Our flight from Philadelphia had arrived in Idaho Falls five days ago. We hurried to the dealership, picked up our beloved Yamaha Venture Royale, and then began our quest of another ten-day odyssey through the Rocky Mountain West. This was Melissa’s third tour with her dad, and we both shared the intense excitement of not knowing what the next week would hold. We had no specific destination or itinerary. This week would be more important than that. Just by casting our fate into the winds that blew across the eastern slopes of the great Rocky Mountains, we knew that all destinations would then be secure.

Then We Almost Hit Our First Deer

Three days ago, just South of Dupoyer Montana, two doe’s and a fawn appeared out of nowhere on the road directly in front of us. Melissa never saw them as I grabbed ******* the front brake. The front brake provides 80-90% of all stopping power on a motorcycle but also causes the greatest loss of control if you freeze up the front wheel. As the front wheel locked, the bike’s back tire swerved right and we moved violently into the left oncoming lane just narrowly missing the three deer.

They Never Moved

The old axiom that goes … Head right for the deer, because they won’t be there when you get there, wouldn’t have worked today. They just watched us go by as if it happened to them every day. Judging by the number of dead deer we had seen along highway #89 coming South, it probably did.

Strike One!

We pulled into Great Falls for the night and over dinner relived again how close we had actually come — so close to it all being over. Collisions with deer are tragic enough in a car or SUV, but on a motorcycle usually only one of the unfortunate participants gets up and walks away — and that’s almost always the deer. The rider is normally a statistic. We thanked the Gods of the highway for protecting us this day, and after a short walk around town we went back to the motel for a good (and thankful) night’s sleep.

The next morning was another one of those idyllic Rocky Mountain days. The skies were clear, there was no humidity, and the temperature was in the low 60’s with a horizon that stretched beyond forever. If we were ever to forget the reason why we do these trips just the memory of this morning would be enough to drive that amnesia away forever. We had breakfast at the 5th Street Diner, put our fleece vests on under our riding jackets, and headed South again.

We had a short ride to Bozeman today, and my daughter was especially excited. It was one of her all-time favorite western towns. It was western for sure, but also a college town. Being the home of Montana State University, and she being a college student herself, she felt particularly at home there. I loved it too.

We stopped mid-morning for coffee and took off our fleece vests. As I opened the travel trunk in the rear to put the vests away, I noticed that two screws had fallen out of the trunk lid. These were the screws that secured the top lid to the bottom or base of the trunk. I had to fix this pretty quickly, or we were liable to have the top blow off from the strong winds as we made our way down the road. We spent most of that afternoon at Ackley Lake, in the Lewis and Clark National Forest, before continuing South on Rt #89 towards Bozeman. I was still worried about the lid falling off and was using a big piece of duct tape as a temporary fix.

It was about 5:45 p.m. when we entered the small Montana town of White Sulphur Springs. They had a NAPA automotive store and by luck it was still open until six. I rushed inside and found the exact size screws that I needed. Melissa then watched me do my best ‘shade tree mechanic’ impersonation. I replaced the two missing screws while the bike was sitting in the parking lot to the left of the store. We then had fruit drinks, split a tuna salad sandwich from the café across the street, and were again on our way.

The sun was just starting to descend behind the mountains to our west, and we both agreed that this was truly the most beautiful time of day to ride. We were barely a mile out of town when I heard my daughter scream …

DAAAAAD !!!

At that moment, I felt the back of the bike move as if someone had their hand on just the rear tire and was shaking it back and forth. Then I saw it. An elk had just come out of the creek bed below, and to our right, and had misjudged how long it would take us to pass by. It darted across the highway a half second too soon brushing the back of the bike with its right shoulder and almost causing us to fall.

This time my daughter saw it coming before I did, and I’ll never forget the sound of her voice coming across the bike’s intercom at a decibel level I had never heard from her before. She is normally very calm and reserved.

We had actually made contact with the elk and stayed upright. If it had happened in front of the bike, we wouldn’t have had a chance. Thank God, with over forty years of experience and some luck, I didn’t lock up the front brake this time. That would have caused us to lose control of the front tire and as we had already lost control of the one in the back, it would have almost guaranteed a crash to our left.

Strike Two!

We rode slowly the rest of the way to Bozeman. We convinced each other that two near misses in less than a week would be enough for five more years of riding based on the odds. At the Best Western Motel in Bozeman, we unloaded the bike and went to my daughter’s favorite restaurant for Hummus. As the waitress took our order and then left, Melissa stared at me across the table with a very serious look in her eyes. “Dad, I don’t think we should ride anymore after about four o’clock in the afternoon. The animals all seem to drink twice a day, (the roads following the rivers and streams), and it’s early in the morning and later in the evening when we’re most at risk.” I said I agreed, and we made a pact to not leave before 9:30 in the morning and to be off the road by 4:00 in the afternoon.

This meant we wouldn’t be riding during our favorite part of the day which was dusk, but safety came first, and we would try as hard as we could to live within our new schedule. Our next stop tomorrow would be Gardiner Montana which was the small river town right at the North entrance (Mammoth Hot Springs) to Yellowstone National Park. There were colder temperatures, and possibly snow, in the forecast, so we put our fleece vests back on before leaving Bozeman. At 9:30 a.m. we were again headed South on Rt. #89 through Paradise Valley.

After a few stops to hike and sightsee, we arrived in Gardiner at 4:10, only a few minutes beyond our new maxim. It had already started to snow. It was early June, and as all regular visitors to Yellowstone know, it can snow in the park any of the 365 days of the year. We hoped it wouldn’t last. There was not much to do in Gardiner and as beautiful as it was here, we wanted to try and get to West Yellowstone if we were going to be stuck in the snow. We had dinner at the K-Bar Café and were in bed at the motel by the bridge before nine. All through the night, the snow continued to fall intermittently as the temperature dropped.

When we awoke the next morning, the snow had stopped but not before depositing a good two to three inches on the ground. The town plow had cleared the road, and the weather forecast for southern Montana said temperatures would reach into the high 40’s by mid-afternoon. The Venture was totally covered in snow and seemed to be protesting what I was about to ask it to do. I cleaned the snow off the bike and rode slowly across the street and filled it up with gas. I then came back to the motel, loaded our bags, and Melissa got on the bike behind me.

“Are we gonna be alright in the snow, Dad?” she asked. As I told her we’d be fine if it didn’t get any worse than it was right now, I had the ******* crossed on my left hand that was controlling the clutch.

We swung around the long loop through Gardiner, went through the Great Arch that Teddy Roosevelt built honoring our first National Park, and entered Yellowstone. As we approached the guard shack to buy our pass, the female park ranger said, “You’re going where? There’s four inches of snow at the top. We plowed it an hour ago, but you never know how it’s going to be until you get over it.”

‘OVER IT,’ is where we were headed, and then down toward the Madison River where we would turn right and continue on to West Yellowstone. Even though the Park is almost 100% within the state of Wyoming, two of its entrances (North and West) sit right inside the border of the great state of Montana.

“If you keep it slow and watch your brakes, you’ll probably be fine.” “Two Harley riders came through an hour ago, and I haven’t heard anything bad about them. They were headed straight to Fishing Bridge and then to the Lodge at Old Faithful.” “Well, If the Harleys can make it we certainly can” I told my daughter, as we paid the $20.00 fee and headed up the sloping, and partially snow-covered, mountain.

We made it over the top which was less than a ten-mile ride headed South through the park. This part of the trip didn’t require braking and would be easier than the descent on the backside of the mountain. As we started our way down, I noticed the road was starting to clear. Within ten minutes, the asphalt on this side of the mountain was totally dry and our confidence rose with each bend of the road. It was just then that my daughter said, “Dad, I need to stop, can you find me a restroom?” A restroom in Yellowstone, not the easiest thing to find. If I did find one, at best it would be a government issue outhouse, but I told her I’d try. “Please hurry, Dad,” Melissa said.

In another mile, there was a covered ‘lookout’ with three port-a-potties off to the right. I pulled over quickly, and my daughter headed to the closest one on the left. I then walked over to the observation stand and looked out to the East towards Cody. As most Yellowstone vistas, the beauty was beyond description, but something wasn’t quite right, and …

Something Felt Strange

I looked off in the distance at Mt. Washburn. The grand old mountain stood majestic at almost 10,000 feet, and with its snow-capped peak, it looked just like the picture postcards of itself that they sold in the lodge. I still felt strange.

Then I Understood Why

As I looked off to my right to walk back to the bike, I saw it.

Standing to the left of my motorcycle, and less than thirty yards in front of me, was the biggest silver and black coyote I had even seen. Many Park visitors mistake these larger coyotes for wolves, and this guy was looking straight at me with his head down. As I walked slowly back to the bike, he never took his eyes off me with only his head moving to follow my travel. I got to the bike and wondered if I should shout to my daughter. I knew if I did, it would probably scare the Coyote away, and this was shaping up to be another of those seminal Yellowstone moments. I wanted to see what would happen next.

I slowly opened the trunk lid on the back of the bike. We always carried two things in addition to water — and that was fig-newtons and beef jerky. The reasoning was, that no matter what happened, with those three staples we could make it through almost anything. I took a big piece of beef jerky out of the pouch and showed it to the hungry Coyote. His head immediately rose up and he pointed his nose in the air while taking in the aroma of something that he had probably never smelled before.

I don’t normally feed any of the animals in Yellowstone, but this encounter seemed different. This animal was trying to make contact and on instinct alone I reacted. As I walked slowly to the front of the bike, I ripped off a small piece of the beef jerky and threw it to the coyote. He immediately jumped backwards (coyotes are prone to jumping) while keeping his head and eyes focused on me. He then took two steps forward, sniffed the processed beef, picked it up in his jaws, and in one swallow it was gone. He now looked at me again.

This Time I Was Two-Steps Closer

He was now less than fifteen feet away with his head once again down. He was showing no signs of aggressive behavior, and as I still had my helmet and riding suit on, I felt like I was in no danger. I didn’t think a fifty-pound coyote could bite through Kevlar and fiberglass, and I was starting to feel a strange connection with this animal that was getting a little closer all the time. I threw him another piece.

Was It About The Beef Jerky, Or Was It Something More?

Again, he took two steps forward to retrieve the snack and then raised his eyes up to look at me. At this close range I started questioning myself. What if it is a Wolf I asked, and then once again I looked at his tail. Nope, it’s a Coyote, I convinced myself, as I held my ground and continued to extend my hand out in the direction of my new friend. This time he didn’t move. It was now my turn. I was down on both knees in the leftover snow from last night and started to inch my way forward by sliding one knee in his direction and then the other. He took a small step back.

I then started to talk to him in a low and hushed tone. He moved one step closer. The beef jerky at the end of my hand was now less than five feet from his mouth. We stayed in this position for the longest time until I heard a loud “DAD!!!” coming from the direction of the port-a-potties. My daughter was finished and saw me kneeling down in front of the ‘Wolf.’

When she screamed, the Coyote bounded (jumped) again and ran off in the opposite direction (East) from where I was kneeling. He ran about fifty yards and then turned around to take one more look at me. He then slowly entered the tree line that bordered the left side of the road up ahead.

“Dad, what were you doing?” my daughter asked. “Do you think you’re Kevin Costner in Dances With Wolves?” I laughed and said no, “just trying to communicate with a new friend.” My daughter continued to shake her head in my direction as she put on her helmet. I started the bike, put it in gear, and we headed again South down the park mountain road.

We had gone less than a quarter of a mile when something darted right out in front of the bike. It was that same Coyote that I had tried to feed just minutes before. He was about twenty yards in front of me and thank God I didn’t have to do any fancy maneuvering to miss him. I didn’t even have to use the brakes.

Still, this was now three encounters in less than a week. Or was it three? I convinced myself that running over a Coyote wouldn’t have been fatal. Painful maybe, but we would have survived it.

Strike Two And A Half!

We couldn’t help but laugh as we wondered if the Coyote had done it on purpose. Was he trying to scare us for not leaving the rest of the beef jerky or just saying goodbye? We’d never know for sure, but I wanted to believe that the latter was true. I will always wonder about how close he may have come.

As we got to the bottom of the long mountain descent, the sign announcing the Madison River and the road to West Yellowstone came up on the right. We made the turn and then spent what seemed like forever marveling at the beauty of the Madison River. It looked like an easy ride into West Yellowstone until it started to snow again. We crested a large hill with only ten miles left to go. At the bottom of the hill was what looked like a lake covering the entire road. The bottom of the road where the hill ended was lower than the surrounding ground and was acting like a reservoir for the melting snow from the hills that surrounded it.

This Low Spot Was Right In The Middle Of The Road

We approached slowly and stopped to survey the approaching water. We needed to decide the right thing to do next. The yellow line that divided the road was barely visible through the water, and we both guessed that it couldn’t be more than twelve to fourteen inches deep. I decided guessing wasn’t good enough and put the kickstand down on the bike. Melissa held the clutch in to allow the motor to keep idling. I then walked into the water in my waterproof riding boots. The boots were over sixteen inches high. “Yep, no more than six or eight inches,” I yelled back to Melissa. “It just looks deeper. If we go slow, we’ll be fine to go through.”

I walked back, got on the bike, and retracted the kickstand and then put it in first gear. Just as I started to approach the pool, I noticed a huge shadow to my right. Two large Moose were standing just off the apron on the right side of the road. It looked like they either wanted to cross the flooded asphalt, or drink, as they stood less than twenty-five feet away from where we now were. Every time I moved closer to the water, they did the same thing. Three times we did this, and a Broadway choreographer couldn’t have scripted it better. The two Moose moved in concert with our timing getting closer to not only the water, but to us, each time we moved.

Moose, like Grizzly’s, have no real natural enemies except man, and unlike all other members of the deer family, they have a perpetually bad disposition. They seem to be permanently in a bad mood and are not to be trifled with or approached. Even the great Grizzly gives the Moose a wide berth. I stopped the bike again unsure of what to do next.

It Was A True Mexican Standoff In The Woods Of Wyoming

“Melissa then said, “Dad; Let’s try banging on the tank and blowing the horn like we do with Buffalo. Maybe then they’ll cross in front of us, and we can get outta here.” I thought it was a good idea and worth a try. I again put the kickstand down and told Melissa that if they charged us not to run but to get down low beneath the left side of the bike. That way, the Venture would hopefully take the brunt of their charge. I started banging on the tank, as I pushed the horn button with my other hand …

Nothing, Nada!

Both Moose just held their ground stoically looking at the water. It was a true ‘Mexican standoff,’ where we were Speedy Gonzalez faced off against the great Montezuma. No matter how much noise we made, the Moose never budged an inch. After fifteen minutes of this, we decided to go for it. I put the bike back into gear, and going faster than I normally would, I entered the reservoir on top of the still visible yellow line. With a rooster tail of water shooting out from behind the bike over twenty-feet long, we crossed the flooded road.

Once across, we went fifty yards past the water and then stopped to look back. Both Moose had turned around and were headed back into the woods from where they had come. They either had no more interest in traversing the water or had been playing with us making our crossing difficult, while at the same time memorable, and another great story to tell.

Strike Three!

We pulled into West Yellowstone, and the snow was coming down in blizzard like sheets. We spent the next two days touring the shops and museums and even visited the Grizzly Bear ‘Habitat,’ which neither of us will ever do again. Grizzly Bears belong in the wild and not in some enclosure to be gawked at by accidental tourists. We also talked about our past four days ‘communing’ with the animals. We both agreed that we had been lucky and that we would continue to live within our 9:30 to 4:00 schedule as we continued our trip.

I lay in bed that night both thankful and in wonder of all that had happened. I thought about the deer, elk, coyote, and moose that had crossed over into our world. As hair-raising as it had been at the time, I wouldn’t have a changed a thing. I also thought about my over forty years of motorcycle riding. It was just then that a familiar maxim was once again forefront in my mind — as well as my heart. I repeated the familiar words over to myself as I slowly drifted off to sleep …

“When I Die, It Will Never Be On A Motorcycle”
Sonder through suburbia,
Distort reflections in the glass,
Slow the frame rate on the film,
Saccadic masking, bridge the gap.

Focus closer, narrowing aperture
See cerulean wondering past
Heart murmur, tempo change
The choreographer sits back.

Rigor mortis sit's deep behind
A clock-tower's frozen hands
Obscured, in the clouds above
A backdrop of smog and ash.

First printed, never copied
Light swamps the negative.
Lucidity - luxury of the present
Rarely present in the past.

As the hanging shadow lifts
The clock-face remains steadfast
Witness hands skip a beat,
Background characters advance.

Step after step, strangers move along;
Each vivid moment lost in sepia
But she, the blue eyed girl glances
Back at you, frozen, stiff, aghast.
Daniel Wetter Sep 2015
It’s crazy how relatable  
mistakes can be.

I'll put it all on the table,
you can take from me.

If you can’t take the heat,
don’t go putting out my fire.

The desires that I’ve had,
haven’t always been inspired.

Man, I’m way too drunk to drive,
stuck on the curb.

I’ve been swerving in my life,
bust out the herb.

Gotta find another woman,
luck out on her.

I’m not a poet
just a word choreographer...

Your problems when you got em,
will fuel the gossipers.

So profit off the topics
that are coming out of hurt.

The pain inside the struggle,
shaped this word philosopher.

Paint my pain in letters,
just to try and stop it first.

Then I let it fly
like hell-i-cop-ter-er.

I'm higher than the sky when,
the limits start from earth.

Winning by the minute,
watch my hits and clocks emerge.

Having too much fun,
time is gonna stop the verse.
Some wordplay
Lee Jan 2013
Its rare that I hear
the words truly express
things that seem so truly indescribable.
How am I to describe?
How am I to relay such thoughts to men?
It's impossible to imagine the dark from the suns point of view
It would take true pride
and blistering ignorance
to see oneself in such collosal
and lonely shoes.
the first wind chill spells geese in the sky
and the squacking made me think of you
so i took out my old 30 aught 6 and fired away
they said the stuffing was bad
but that the rest was perfect
and i think about the sky blue
but for an instant splattered red during some southern migration
good god himself was once a paradox
I'm sure something that has existed forever must be bored by now
worthless ******* that he is
Does heaven really sound that good?
i want debauchery and drunken laughter
and want my heaven to run red with immortal blood testing the limits of new found power
i want to be able to keep things strait
what am i talking about again?
wait
with who?
do i know you?
can i kiss you?
are you as drunk as i am?
Am i drunk?
no
no I'm not
**** a dog
a family insult by any standard
handed down through generations
of the worthless ******* in my family
******* too
but then again they weren't
do ******* get to go to Cornell?
yes
yes they do
I am lost
or confused
do you have a map?
i need a choreographer
Google maps hasn't made it here yet
that sky is still blue
the geese blood fell to earth
good gravity
cute gravity
why does gravity get its own laws?
spoiled *******.
How does this end?
wouldn't everyone like to know
wouldn't we all like to get our one on one
with some benevolent ****** in the skies
**** him
i would
in my one on one
its a power trip thing for me
I'm not gay
where was i going?
not here.
not ******* god.
I hope gods a woman.
Impossible
a woman couldn't **** things up this bad
unless her period was in proportion to eternity.
Men have drunken periods induced by testosterone flushed brains
We are ruthless, and indolent.
I miss the sun and beaches covered in drunkenness and freedom
I'm missing something
right
reason
who?
******!
Well at least I got that over with.
Deliberately chaotic and lewd.
Nat Lipstadt Jun 2016
And The Hungry Ocean Spoke:

sea the human modifier,
each wave,
a dance choreographed,
a fomented friction, a whitecap invitation,
dispelling man made fictions,
repititiously reminding to:

remember, ascertain, fail, try again,
to reckon the imprecise place
you occupy upon this Earth
and be ever wave grateful

you-man, speck sized,
suffer tenderly these unceasingly reminders,
provisions of stiff winds,
soft slaps of gusting humility
coming from a roughened atmosphere

perspective, not selective,
sea how much loss I have
eons stored for you-man

has time's tenure insufficient
to yet teach you-man,
to the one conclusion bring,
kindness towards a living thing,
is the life's solitary methodology
to survive upon our shared principality?

oh desperately,
this hungry ocean, inquires:

what advantage does
your kingdom of the shore provide,
upon both the soft soil and the hard boil water,
doth not life and death mutually coexist
beneath my watery bounds,
yet killing for pleasure
here has no measure,
unlike your cursed you-man
internecine interactions

you, man, every-one, and each
a cornerstone, an etched mark so slight,
footprint in the sand, a shifting, imperfect, yet lasting,
molecular impression for all time

all time,
till the next second, the next air lifting, the next wave,
our creator's begging method of commanding,
surrender your Babel Tower's mortal arrogance

I am not human, yet I am modified.

each wave an accusation.

Oh Orlando!

what have you-men become,
infinitesimal but universal,
sparking containers of miraculous
creation breathing,

what justifications
do your bloodied solutions
that be no answers, provide?

here you-man
come once more to my irregular edges,
to replenish regularly my stores.
with your unwanted salted tears,
the sullied bodies of thy children,
mourning deaths you have fostered

Oh Orlando!

weeping, weeping,
even as your pulse's fury speedth,
every dance must end,
for to time subservient,
even as time ever forwards,
living men must slow weaken...

live by the sea,
die by the sea,
come unto me only as,
unruined mortals,
worn only by happy ending of
molecular disintegration,
the sweetness of time's decay,
a recording completed,
your resolute dancing resolved

come unto me
only from deaths
which one cannot void
but come concluded peaceful

Oh Orlando!*

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Shakespeare­ Sonnet LXIV

When I have seen by Time's fell hand defaced
The rich proud cost of outworn buried age;
When sometime lofty towers I see down-razed,
And brass eternal slave to mortal rage;
When I have seen the hungry ocean gain
Advantage on the kingdom of the shore,
And the firm soil win of the watery main,
Increasing store with loss, and loss with store;
When I have seen such interchange of state,
Or state itself confounded to decay;
Ruin hath taught me thus to ruminate
That Time will come and take my love away.
This thought is as a death which cannot choose
But weep to have that which it fears to lose.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

“Wild animals never **** for sport. Man is the only one to whom the torture and death of his fellow creatures is amusing in itself.” James Anthony Froude (British historian, 1818-1894)

~~~
June 12 ~ 18, 2016
Shelter Islamd

also inspired by Jessica Lang,
Choreographer
I press play
and let the music completely transform me
I am no longer just attached to the sounds through a chord
I am a dancer, fluid and powerful
I see intricate choreography that my body can no longer replicate
pause
my leg throbs from the nerves
the temperature rapidly changing
as it has done for over a year
the expulsion of molten earth- Vesuveus
mingles and transforms
the frozen winter of Russia, where no army can win
my leg throbs
play
I try to memorize the world I am taken to
I practice ways to explain what I see
maybe I can't translate this world
but somebody else can.
I recently have had a flare up of my nerve damage, and am unable to perform with my dance crew. I am still determined to play a role, and find ways to show my world, to the world. If not through my body, then somebody else's.
Jason Drury Jun 2012
She is the pedal
they come to gaze upon
her slow dance
where she will meet the ground
the music starts this custom
filling the air with a hypnotic trance
she begins her decent
bending and twisting
the wind her choreographer
she beautifully floats
not one scuff of her feet
she has honed this skill
the stage is set
with a glow of orange lanterns
and perfect wood detail
frames her exquisite shape
as she gets closer
the instruments grow faint
in slow time lapse motion
the pedal has reached the ground
Andrew Wenson Nov 2014
Just 'cause I eat don't mean I waste
Didn't they pick the brain best for me
'fore I came out into the big sterile box?

Anyone speaking anything:
Look at, glare, scowl
Sniff palms before dance party
a little talc, not scary no more
Personality a *****, shoes too big
won't buy new, no new new no!
I'm faking it for a ticket to ride
source my quotes and I pretend
to tolerate your music blog monologue

Come on with me to manifest dreams!
space behind the couch where kief is free!
Couple decades to spare and the **** stacks high
Playing the bucket like a drum
Fair-trade hand-made local organic counterfeit bills
No Mama, I don' wanna punch card.
Dad, I ain't payin' rent 'er union dues
Tax man's comin' eat the root strike it too!

If I was a hippie don'tcha think I'd giggle?
I'm a good choreographer but this costume's threadbare
All the chakras in the world can't melt cold bars
The Black Iron Prison is bigger than God.
I become small, let me be the breath......
The baby's first laugh.
Jude kyrie Oct 2016
Stella

She awoke up on a bench in times square
She tried to remember who she was but nothing no name or family nothing.
Panicking she looked for a wallet or purse something with a clue to her ID.
She could say words in English but no familiar memories.
A beer truck passed by it had big advert even the side for the beer it contains
It said STELLA ARTOIS she needed a name she would use Stella as hers until she remembered her own.

A man came up to her and said you alright lady
you been sat there all night.
Err ...yes I think so I just can't remember anything
Nothing? he said  she shook her head.i have no ID nothing in my my pockets and no purse.
I see he said do you want me to take you to the hospital or police.
Just the mention of police brought a resounding NO not the police.
He was handsome and kind
he said look I can take you to my place if you like.
It's just two blocks walk.
Perhaps after you eat and rest you will remember
I can't leave a pretty lady like you out here.
She looked into his kind face
he was about thirty five handsome and well dressed
with piercing blue eyes.
She said would you mind I am so hungry and tired.
He took her arm gently and they walked to his apartment.
Then she looked into his bathroom mirror
her face was pretty her hair neatly styled
and dark red lipstick and grey eyes
with carefully applied eyeshadow she was pretty if not beautiful
yet she was a stanger to her.
She told him to call her Stella he introduced himself as Adam.
She slept all night
after her fed her a large plate of spaghetti with meat ***** it was so good. she drank a glass  of wine and they talked four a while.
He said he was divorced and single and if she liked she could stay at his place until her memory came back and she went home again.
The mention of home scared her she told him.
Home and police sent shivers.
Six weeks turned into three months and nothing changed.
Well almost nothing he fell in love with her.
He did not tell her of course
she was way too pretty for him out of his league really.
But she liked him that's for sure
she even kissed his cheek
when he took her shopping
and bought her several dresses and a coat.
It was not the kiss  he craved from her but still a kiss.
They walked together in the city
went to the theatre and movies
and took drives out of the city
to have a picnic lunch or eat at a wayside cafe.
He did not remember feeling as happy ever.
It was Christmas tide they watched
the tree being lit in the city it was beautiful
and he took her to watch the christmas show at radio city.
She was watching the leggy showgirls
and she said I know this place I am  remembering it.
His heart sank what if she remembered and then the biggie
What if she had to go home and leave him he was desolate.

But he smiled and said that's a good sign stella it's coming back.
She went back to the radio city the next day and waited at the stage entrance a group of pretty showgirls arrived for practice.
One came over to her Janie she said? Stella looked up and half knew the girl.
They are looking for you honey everywhere
Who she said I don't remember
Your husband and the police
she gave her her name Janie Evans.
She told her where she lived
she was a dance choreographer at the radio city.

She went home to her own place taking a cab
It was an apartment in a old walk up
She started to remember
fear caught her chest as she knocked on the door.
A big man answered he was angry looking.
Well well lookie who's  here it's back.
A drunken woman was in the room in her bra and pants.
Who's this she yelled it's just a ***** a  I married he sneered.
Who have you been ******* ***** he yelled.
You gone Nine ******* months without a word.
She did not see the fist as it hit her face.
Blood flowed from her nose
she fell and he kicked her in her ribs.
Then threw her down two flights of stairs
She lay at the bottom a woman screamed as the Brutish man came down the stairs to continue her beating.
A young policeman heard the scream
and went inside the man was kicking the prostrate lady in the ribs.
He drew his weapon and shouted
stand back but the man drew his boot back
and went to kick her head a deadly blow.
He shot twice the first a flesh wound in his arm
the second passed through his heart
he fell on the floor in a heap
he had hit his wife for the very last time.

She was in a coma at the hospital for six days
Her face bandaged she had four broken ribs a dislocated shoulder and a broken arm and leg.
When she awoke the room was empty she thought where am I but it all flooded back in waves she had been late from work he was angry where you been you ******* ***** he hit her and she fell back banging her head on the wall
Then she ran and ran not even picking up the purse on the table.
Then the park bench in times square
the truck Stella Artois ….Stella.
And Adam
oh her Adam her gentle friend she loved him so much.
Then she saw him he had sat with her on vigil all night every day since he phoned all the hospital in new York city and found her when she did not come home.
He had tears in his eyes and finally said what was overflowing in his sweet heart. Oh Stella thank God I have prayed for you made deals with God to save you. I love you honey
She looked into his beautiful eyes and saw all the love that heaven can bestow on one heart. I love you too my darling my sweet adam.

A year later

They went for the lighting of the Christmas tree now a new York tradition for them.
Adam  held his beloved  wife
close to him no one could ever hurt a single hair
on her head ever again.
She felt protected and loved.
Then as the first snowflakes fell in New York
Silent night was sang beautifully by a children's choir.
the magical Christmas  lights too many to count lit up the sky.
Their baby girl stirred in her stroller
...Stella... Janie cried to her little girl
look at the beautiful tree

And way way above them a wise old moon looked down on the old city
And added another beautiful love story with a happy ending
to its everlasting collection.*that it kept hidden deep inside his tender heart
Aww is it me but don't you love happy endings
Jude
Poetoftheway Nov 2017
"looking at the future of your creation...
when creation is the art of being in the moment"

~program notes from the Grand Finale, a dance by Hofesh Schecter, choreographer, composer~

<•>

as one who makes their living, affirms their existence,
by staring at the blue-white screen,
a blank black backdrop, an empty stage,
a blue lined spiral-notebook, stationary store fresh

thinking only of the inky black commandment of
what next -

a contradiction comprehended with perfect understanding,
for the composition unborn unimagined yet
shaping, chafing, child birthing, will be seeded thru
many tiny moments of webbed connected secretions,
imaging the whole, yet the future arrives serialized as drops,
slow and singular, additive and adhering, even addicting

throw them all up to the ceiling tableau,
a letter, a note, a visionary imagery
of many dancers bodies
in photo time-lapse time captured

what sticks, what returns, the returns
needy of refurbishment, a fresh dice throw,
the retrofitting of a new combination moment

thus the future forms, the wet moments fill the crystal glass,
spilling over, spilling out from within, when all spent,
all the next moments are silent, water stilling,
le futur est arrivé,
but the individuals that are its construct,
wave friendly to you, asking do you remember me,
tenderly, parentally, I concede to each their birthright,
how they transversed from the past,
presented into the future, only to arrive in
the here and now,

as a present to us all

11/11/17 8:55am
Natt Rozanska Jul 2012
i walked up the drive,
and was reminded
of how little attention
i actually paid to the place
when i had the luxury
of being there.
i never walked the drive,
far too lazy.
just twice,
once there, once back,
two separate occasions.
both at night,
both with company.

i debated hitchhiking,
still lazy.
i picked someone up once.
a third year choreographer.
she was late for a tutorial
and smelt of alcohol.
everyone i walk past has grey hair.
i look out of time.
two years late.
there's no room now
for an art student with a suitcase.

i walked the halls again,
because the door was propped open,
framed with familiar white handprints,
that fit comfortably under mine.
it smelt just as i remembered,
musty, and comforting.
with the paint still peeling on the stair rail,
from where we'd sat for hours,
pulling it off in strips.

i wrote a letter to my room.
the room in which i fell in love,
lost my mind,
and changed my life.
it's just a room.
just a place,
a space.
but so much was shared,
with the air in there.
and i can't explain the relief
that it isn't in rubble.

i hitch hiked back,
or i'd have missed my train.
a lovely man picked me up,
and i felt the drive from a car,
how i remembered it.
we talked about the place,
about it what it did.
he was as upset as i was.
he was the type of person
i'd forgotten existed.
someone who wasn't one of us,
but understood our loss.
a stranger on the street
who felt what i felt.
Josh Koepp Sep 2013
So i met a someone who doesn't walk but glides somewhere between her wings and her feet
And i find myself completely enthralled that her words dance like she does
Like her lips are a stage
Each word a tiny dancer falling in line next to each other
While you in the audience can only marvel and think
Whoever put this show on must be a brilliant choreographer
With a mind that weaves like they move
And breathes on the sound of a violin string
Thus the energy builds
And you leap from your seat to join them
Then you open your eyes
And there you are
Your lips locked with hers
Breaking character with reality
Drenched in the spotlight
Erica R Garcia Dec 2016
No pain no gain is an understatement

Pushups are a form of punishment

You respect your captains every single day

And trust your choreographer to lead the way

You leave the field sweating, makeup in your eyes

A fire burning in your heart... and in your thighs

Practice every day, dripping with sweat

That six-foot pole no longer a threat

Working hard to be the best

Every weekend is your test  

You gain new family and friends

With each other till the very end

Bonds that last all year

People to project all your fears

This is where you throw it all down

Because in the band, you're the crown

You make the show

And you need to know

To hold your head up high

And don't you dare be shy

Cause the countless hours you have spent

Can't be bought with any cent

Cause Denise's bleeding hands

And Beave's constant demands

Always changing

Always rearranging

Working hard to make the show great

Making sure to keep your posture straight

This. Is. Colorguard.

Which will always have a place in my heart
This was a prompt from a good friend of mine. Colorguard is also known as Flag Corps and other fun names.  Beave is our band director and Denise is the Colorguard sponsor/choreographer/guard mom.
Nat Lipstadt Mar 2023
Fri Feb 10
8:12 AM


“As artists, we are exposed to a heavy level of scrutiny, mostly from ourselves,” adds Villarini-Velez. “At times we might be insecure when a choreographer asks us to do something that takes us away from our usual, classical vocabulary. I felt like some of my peers who aren’t exposed to this movement would feel insecure at times, but nonetheless, rise up to the challenge of exploring new levels of artistry. It’s easy to rely on our usual bag of tricks, but I enjoy the risks of detaching from what looks good and moving in a way that feels good. It’s our responsibility to rise to these challenges and expand our artistic horizons.”(1)

<>

guilty. as charged.
so, incorporating new words,
differing styles.
do what does not come naturally.

“detach from what looks good,
moving in a way that feels good”

make radicalization your ethos
make new-for-you your eponym.
give your name to what you create,
a mere signature insufficient, it is not part of the work!

taste the wet words upon tongue and lips,
let the saliva linkage be to the following morseling phrase,
the mouth sac moist be where verbal embryos are birthed.

hear them spoke in your voice, but,
silently, in your mind, and yet, speak-say them inside
with the shocking thunderous force of a newborn’s first cry.

and when you read them assembled,
weep with pleasure, relieved, this, your child,
looks exactly like no one, with but trace elemental traits of you.

but it is all yours, sinew and cell, fiber and skin,
drawn unformed, ejected from the intramural hollows of the body,
then and only then, mark them at last as truly

*mine..
(1) https://www.nycballet.com/discover/stories/dancers-on-keerati-jinakunwiphats-fortuitous-ash?utmsource=wordf­ly&utmmedium=email&utmcampaign=FY23MKTRELBalletBriefing-February&utmcontent=version_A&uid=1075607&promo=58231
Mane Omsy Jan 2017
I hope there's a music playing
To dance along, in this farm yard
I wish everyday was peaceful, wavy
Like the breeze is the choreographer
The lengthy plants dance along
And confess, we will heal your pain
Just look at us, how happy we are
This evening will cherish my mind
By these dancers in the field, so green

I must feel the vastness inside me
Coz everything I worry, has vanished
I feel no more remorse, wasting time-
Here, I could fling into this lovely view
She gets the goosebumps everytime
The wind fondles on her belly, so soft
Must admit the show was enchanting
Sol oh paniter of visions, curator of those under your light. Your passion is easily confused with fury and your momentary absences are known to be a time of danger and chaos
Basting the blessed and decimateing the ******,a infernal bliss.
General of the soil, those born from it follow your call under you they toil. maestro of the bloom and birds their harmonious notes in the air ,smelled and heard, from the plains to the berg but at the coast is when that celestial sovereignty ends.

Enters,a vision, Oh Luna; soft yellow dipped and dyed in the honeied hues of the horizon or a radiant alabaster, stark and chilled. cut from the heavens, apart of the city resting on that which scratches the sky but only visitors in the sights, you Nobly looking over. Teach me as you are, not as they say ,cold but ever observing seen every day.
You the Choreographer of the waves they dance by your direction, beautifully and brutishly birthing rainbows from their violate bombardments, for the birth of Brilliant ideas they have been the midwife.we lose and find ourselves in your teachings

Raising higher as you we age, as one should, on the path of the sage.
Stayed by the sea for a few days and got to know sun and moon a little better
Poetoftheway Sep 18
this,  their-poem, emitting their call-sign,
those who once checked the box
of in love..a status of joyful revelation,
for all to see, all passerby’s, all witnesses
to the outstanding glowing skin,
the perms-frozen half smiles that
never are erased, you secret it not
so much,
for your body entire expels
the scent secreted of a world
in orbit
around
each other

then the unexplainable, threads go worn,
a slower tearing, one by one, till there
is not one, nary more any, you then
check the invisible box,
“not in a relationship”
and it feels like
a load has
been dropped onto you
from on high, flattened,

now cloaked in a demeanor
that cries out
they
put a load
right on me,
and you seek
excuses to recall ecstasy and

you start dancing to forget,
like a centrifugal whirlpool’s vortex,
whipping up the air surrounding

to heat a forgetting, till the until,
of collapsing shame offers up
arms to drown you, a relief offering,
and the words to “Yesterday”
are everywhere
reverberating


walking down the street
a somebody smiles to at, just,
for you,
without cause,
but a causal triggering
a singular event,

just a smile with edged up corners,
and suddenly you feet golightly,
and inexplicably inextricably
in the moment it is
all you can see,
and one starts to dance
to well
remember

and a poem
forms upon your silently moving
lips,
and a dance to remember
is finished,
starts up
a new one,
with similar familiar steps
a dance to believe  in~

and laugh when
you say your name

out loud

you!

are the poet of the way,
a new word choreographer


and there will be a way,
always another way…
Lewis Bosworth Oct 2016
Dancer: tune up
your body’s chords,
swaying strategically
to the rhythmic commands
of an ancient age.

Princes, kings, and
courtesans:
mark time until the day
when your dance is
recorded on the scroll.

Laughing hyenas:
grimace a yep and a yowl,
and shed your tears
stealthily as would
the muses pray.

Corrugated wrinkles
don the happiest face
when one dares look
upon the choreographer
and turn away.

And we believe
that the chorus is one
and the prima donna
creates a world unknown
where no one pulls the strings.

© Lewis Bosworth, 10/2016
Clarissa Jun 2021
There’s this little person inside me,
who tells me all this
There’s this whispering voice in my head,
which makes me feel like this,
There’s this way unpleasant shiver inside me,
which makes me question all this
They all come from somebody else
But at the same time
I am
This person, this voice, this shiver
I am
All of them
While being
The exact opposition
I try but I don’t
I stay, then I go
I care but I don’t
I scream while being silent
I ***** up to make up
Don’t even know who
Does my mind belong to
Anymore
Mateuš Conrad Oct 2017
i always seems to find too little falling stars'
worth of poetry in the night -
the prolonged tedium of day -
given to the challenge of the night -
sometimes leaves one less observant
of the actual night, and sloppy in observations
during the day...
   i took to the second liking of e. e. cummings
today - mind you:
only the selective poems from years x
through to years z -
   but then he's much more than ted hughes,
even with his crow...
              never quiet the τετραματια fiddling
of the glass marbles -
                of both huginn & muninn -
        like the graeae: the three blind witch sisters
sharing a single eye -
so unto odin - the eyes of huginn & muninn -
in the cauldron of odin's empty socket...
  the τετραματια feeds the paganistic observation
of the gods, of the one they call the
demiurge in human tongue -
            and since there's talk of twins -
as akin to h & h -
                                or rugby goal posts -
           the τετραγραμματoν is best exhumed,
best seen, with half of one sense missing -
for one eye for the graeae to share -
   four eyes of huginn & muninn share gouged
eye of odin...
     that eye surfaced in greece, while from
farthest north came the perplexity of
the merged four.
               yet i still can't believe people could
establish e. e. cummings are writing
orthographical poetry - by sImplY writing
like: and not like, what otherwise is
orthography (i.e. the need for diacritical
marks) -
                   **** in slavic, i.e.
the proper orthographic is: gówno -
             it's not guwno -
that's orthography - but nonetheless i like
the quirks of these poems, hidden, sometimes
lost, most of the time uncherished.
nonetheless, less observant during day
makes for a cul de sac of what is to be written -
unlike, say, spending the night
backwards & forwards between future-present,
future-past, past-and-present,
    future-and-the-immediate-past...
to bewilder myself, as any theory might
allow -
       to travel at the speed of light -
well, for one thing light is not a propeller -
at this stage of our understanding it's a storage
component of energy - hence speed of light
square -
               squared meaning it's vast in expansion,
but not in being contained and allowed
to trickle out of its storage unit of speed of
light cubed to perfect a source of stable energy,
and, from what i gather -
it's not a propeller, because the equation doesn't
treat the speed of light in linear terms -
        and light is not a propeller, since the object
is dragged by a solar-sheet of panels -
it isn't being pushed!
     can the speed of light become a propeller
if someone managed to mingle the speed
of gravity into an equation, that begins with mass?
back to the future are always the films to
watch over and over again -
for any insomniac - who decided to not do
a 32 hour stretch of being awake...
        as is this other bewildering fact:
if time is linear, it can only be linear
   in a converging parallel linearity -
       perhaps best represented by 0 & 1
points of origins - sine & cosine (can't
remember if respectively) -
    but to enforce a time travel concept where
the two expressions of time do not
intersect at certain degrees - converge
and then diverge - well, would we be given
the concept of choice, with only one choice
to be had? in fiction time travel is
           represented by some sort of rigidity
of a never converging parallel linearity (=),
and given this model, a single convergence
of this model is represented by (≠) -
      which means the beginning of the end -
as they say: waves... waves...
              this travels in waves, this doesn't...
then of course there's already talk
of matter, and antimatter -
    as there was in the early church by someone
with the same prefix -
        but if the two personas didn't
exist simultaneously in the same pocket
of time & space -
   then they could only exist in the same pocket
of time, but not space -
and if they could have existed in the same
pocket of space,
                       they'd be family;
history is a straight line, history is a singular
timeline, but even then there's the
dimension of: with or without hindsight -
the what if line of history...
                and they never run in a = parallel
fashion, nor do they meet in a ≠ fashion either:
for that sort interaction is a dead end
upon their first and only convergence...
       much like vita coeo mort...
  and only then - only then does this concept
of time work...
        space travel is impossible,
for the other already stated reason in trigonometric
terms of the continually interchanging
   parallels between the sine dynamic and
the cosine dynamic...
but enough science fiction,
  they gave this other movie only 3 / 5 stars,
billy lynn's long halftime walk -
now we all know the classic military movie,
the gruesome reality of warfare,
     the blood, guts, swerves of shaken nerves,
the barbarism, the madness,
   the unjustifiable motives...
  not this movie...
      this move was worse in reality,
to any platoon, full metal jacket, saving private
ryan, apocalypse now i've even seen...
it's precursor? american beauty and
colonel frank fitts...
                  these movies are stepping stones
to a movie they should actually make:
24 hours in a slaughterhouse -
i'd love to see humanity humanised a little
bit, by first watching about a dozen cows
get slaughtered: after all...
cows don't cry mama, they're poker faced
when addressing pleasure, and more so
when addressing pain, poker-faced tsars...
      but this movie, mmm hmm mmm...
absolute horror...
notably when they get shoved and punched
off the stage,
   and this guy being persuaded to by his
sister to ask a doctor for a notable discharge,
and almost doing it,
    prior hooking up with a cheerleader -
the ******* she says about god, jesus,
"connecting" - and then at the last minute
he says: let's run away together!
  and she replies: but you're a war hero!
you can't quiet the army.
   to be honest, no military movie can provide
the absolute horror of a soldier
returning from war for a brief spell between
tours... but at least when they fight
adrenaline does the talking, returning to
a police state where any violence is condemned,
after these guys just shot a *******
bazooka into a building?
   strange realising that p.t.s.d. is not actually
concerned about what you saw in battle:
but that you didn't realise you had it in you
to do what you did... to then expect to
go into a mental institute that society has become...
honest to god,
they can give this movie 3 stars out of 5 -
by far the best military movie i've seen -
        like i said - no point glorifying war
and engaging in solely the graphics -
                after all, the berserkers were real -
and making **** jokes in the army like
they make shower jokes in prison?
                 plus, the farce of the entertainment
industry is masterfuly attacked -
then these 7 guys are given
"army instructions" on how to become props on
stage, and they're like: what did
this choreographer just say?
  i can't explain it, you just have to see it -
the real horror remains back home -
      the real home remains in the horror;
i guess the only soldiers that will ever fit
into a snug place in society are the ones
   used for state functions, like funerals of
politicians, or the ones that have their pictures
taken with tourists...
       paper soldiers...
      met combat soldiers once...
drunk like skunks and outcast...
          one thought i looked at him funny when
he recanted a story of being *****
by a massive arab...
                 but yeah... the queen's guard:
take the tallest, the most handsome,
   and you have yourself an army of pedants.
Mateuš Conrad Apr 2020
my neighbour is having a solitary moment
with a wee bonfire in the backyard...
don't ask me... i watched his father trim the grass
a few hours ago...
maybe he's burning that...
or... whatever the reason... it's in the corner
of my eye... and the flame is big...
and small enough... that.. if warranted...
would make a great... theatre of soliloquy...
i'm yet to see a shadow enlarged
and gesticulating that it's talking...
with a raised arm... the other arm playing
the gratified ballerina when the applause comes...
hand entombing the heart...
      i'm yet to see a skull hamlet & co.
             "moment"...
                       so that's my neighbour...
i'm perched on a windowsill sitting on a folded
leg...
           and trying to crackle my throat
like a perched crow...
                the jay bird is of the same family...
        it's a crackle... i'm pretty sure the bird becomes
its new: "revised" distinct when bound to flight...
it's very hard to find...
boredom and existential exhaustion as...
synonyms... however back you look down the
entymological route...
   i couldn't have scribble: if only...
     i couldn't have scribbled this out of...
borne from a compliment to make "boredom":
a necessity...

          perhaps i am... existentially exhausted...
wouldn't you be?
if i were drinking some kalimotxo...
               or 20 beers... there would be an incremental
effect being felt...
which is what makes drinking a fun:
a social... something to borrow from:
"celebration": disinhibition?
                           only because of this one series
drama: sharp object... which made...
led zeppelin somehow "cool" again...
   in the evening... which didn't make it to...
the: the best of - led zeppelin double **** album...
either...
           so my neighbour is having a bonfire...
and there's nothing eerie about the silence...
esp. when there's a humming...
a fire is talking... but it's not the sort of fire
most associated with pine needles...
pine cones... and ancient oak...
           so he's doing that... i'm smiling... perched...
and drinking ms. know-it-all *****...
and... that's the problem with *****:
you have to wait for it... then again:
merely waiting is not a desirable affair...
and preoccupying myself with: "something else"
for a span of 20 minutes...
       waiting for a k.o. instead getting to play
the fiddle of grand itch-maestro with...
a if it isn't a cat nicknamed by schrodinger...
then all bets are on Pavlov...
                   but it's such a tiresome debacle...
had i made a video and had it... (x, y, x) of traction...
yadda-yadda...
          all the drama: soap-opera i could have
enjoyed... an imaginary street...
with imaginary squabbles...
        but none of the very translate-worthy
orientations of minor frictions...
         the bonfire is dying off...
the fire hasn't been fed dry pine needles...
or pine cones... or merchant oak retelling the story
of marco polo and... to the fire with me:
none of this... mahagonny sheen:
i fancy... a rough stone turned into a marble-esque
sheen?
                         it might just serve
a wooden hammer... to tell the difference between...
well... my initial presumption...
should lady justice be coupled with a gorgon?
lady justice and medussa?
  iustitia (who holds a sword and scales)
& prudentia (who holds a mirror and a snake)...

perhaps if Iustitia is blind-folded...
prudence can have her mouth stitched up?

but i'm still waiting for the ***** to kick in...
and so much for "fun" trying to find oneself:
with all the readily available knowledge and...
not... not: plagiarizing...
     or "jumping ship"...

   there truly isn't some sort of worthy compenation...
the served platter: the swedish table of...
all the foods presented... and you come
and stab at the nibbles... in a congregation of
those: given the advent of eating where:
no heart or its content is of a debate-worthiness...

beside the ancient roman glutton...
and... the well trained oesophagus...
          and regurgitation... and what was once
the celebrated icon: the snake...
would sooner or later have to be replaced
with a tapeworm...

    the serpent has had its day... and marble...
time... for the lesser creature... then again: perhaps not...

in "celebrating a drink of *****":
well... so much for... hunting a mammoth...
or... sitting beside a bonfire and...
telling stories or: dancing ****-naked
and dancing...

         i see no circus(es): beside the heaps and
heaps of bread: a character "assassination"
in writing...
sooner i'll catch a glimpse of a ballet choreographer
pirouette...
than know the difference between:
spinning an uncooked egg...
an egg soft-boiled and an egg: hard-boiled...

a racing track... equivalent to...
being hypnotized by... a spinning vinyl...
because... yore! that beacon of yawn rummaging
in the background of ambience...
and refrigerator drizzle of:
when falling rain became infused with...
electricity...

- alt. to "say" shish-kebab (let's be swabian...
and... "forget" the hyphen...)
like a toothless dog...
indeed... sometimes the tip of the tongue
teases the palet(t)e... hard or soft...
but sometimes the tongue-tip teases the top
frontal incissors: teeth...

where is the concept of the: rhapsodic...
the rattle-R... the quick... imitation
juggling of the tongue against the palete...
where the breath that involves
the uvula to swing like:
"for whom the bell tolls"?

                   do you see anyone taming
a ******* coch draig... anywhere?
this? this being "this"... "vicinity" of da-sein?
there-being: there's (there is)...
          on the moon... the alpaca trail...
in el dorado... in how the zulu tribe announced
a pristine: sod it...
          if only bulls were used instead
of horses: all that grit and armour...
notably of the cataphract...
                       if only bulls were used...
but: who's here to "rewrite" history
of that already, past... and inevitable?

the terrible has... already happened...
               í hiechyd ac tragwyddoldeb!
                          to health and eternity!
chiral: no...
     cheaper: no...
              i will find the "hark"...
   chosen... no no no...
                    similar (soft) to kid...
hybrid esque...
                 that "h" is not a surd...
verbatin 'e hie'....

                Olav! Dmitri!
Igor! meine hoonds!
                  ч - cheap... ah... roaming
in and around Midlothian...
                    loch ness! no prefix to suit up
a tux into... comes as a "surprise"
with the suffix: a loch...
                       х: hardly... k, s or c... or z...
xenophone: yuppy... aye aye...

              trag-wyd-dol-deb!
  zee velsh: sometimes the added same,
consonant... nurse! scalpel...
makes way for perfecting the syllable
incision... like so... trag-wyd-dol-deb!

   the lights have been dimmed on the tablet...
the battery life's longevity: expoinential explosion...
it takes so much little electric conversion
to feed the sap of sound...
that it takes to create blinking
and not blinking: murmur:
picadilly circus phantasmagoria of u.v. -

you can be crowned king deaf...
fall asleep with the radio... when the lights
are dimmed...
       no sooner me: no sooner you...
but... i'd much prefer the sound
of a fox at night...
than teeth gnashing... frothing: idly hungry...

all and no science: "or"...
all and no politics... "or" all of politics and all
of science... and most probably:
when the priest would wear a gown...
and the vatican remained neutral...
      
       etc. etc.              beside the vote:
or: woe... or woo...
        and such is the suffix association
with:      -man...
                    that there's some sexually
pervasive: attachment of either:
wooed by woe...
or... or...           to be woed by a woo...
  the beta gang would be singing:
bigmouth strikes again in a placebo
rendition...
                 because when you want to pirate
the original: it better sound just
a little bit more than then most...
    effeminate male available...
a morrisey will do jack ****...
you have to go full-tilt hindu and back
into transgender with
                                  a brian molko...

or at least that's how i concern myself
when managing to sit through
a production of tchaikovsky's ballet...
   beside the feet: what am i looking at?
spandex... the bulge?
     like it might be some covert name
for a battle, crisp on a piece of paper:
before the puff of a battle of crisps goes: pop!
in between the fudge of marrow
and the shrapnel of bone...
              here... i find my throne...
in a memory that's at best:
an amnesia...

             and somehow lodged in:
the... would-be... renting bums of dreams...
the squaters... the dream circuit...
when... in 1973... england drew 1 - 1
with poland...
                when being... just 7 years old
from 1966... an epitome for a very befitting
ending...
a closure... like any other...
             grandp'ah once said... once said...
and great-grandp'ah once said... once said...
sure as **** the logbow men of the 100 year war
weren't english... last time i heard
that churchill "mishandled" his V...
the original V voz viz zee velsh...
             index and ******* at
the fwench knights... since... if caught...
they'd cut 'em off!

                 V-salute! salute!
                           the blitzkireg overture...
         compound! no spaces in between: no hyphens!
der blitzkriegouvertüre...
        
   "together" come "together:... the disenfranchised
speculation of... what it was like...
to borrow from the first sequence
of the 20th century...

       and pass it into... what was it like...
acid neon: blonde... the culprit of bringing
the "congregation"
   past-participle: a romania a yugoslavia...
and a poland... nerve-riddled lithuania
and whittle estonia: etc.

      that grand boag bear o' ruzzia...
             wit' its ever persistent euro-fetish...
windows! windows! we need to see!
kandinsky translated into wind!

       on this democratic canvas...
           on this democratic canvas...
einz! zwei! drei!
     raz! dwa! trzy!
                   hey presto:
               on this demokratischleinwand!
meine stimme...
   meine: boo!
              meine: ghulrückzug!
               ich: bin zu sein gehört... ja?!
  
          this grand idea of a(n) european family:
get together...
   under the banner of: der VierteReich...
                the penned scribbles of
could always replace the boom-boom-'ombs...
and the brit-thai... would sit it out:
gob-smacked into shackles
and halos and angelic wings found
in the replica bargain of dry twigs...

the english sovereignty found among...
romanian root and fruit pickers...
              and if i too weren't lazy enough...
i'd have managed to find an atom-bomb...
glued my shadow to a wall...
and started a macaques' dance of freedom
from the magpie's cackle...
#metoo!

                   the cure and depeche mode made
it under the iron curtain...
the smiths? sorry... but i'm twice as likely
to appreciate them...

     the bass rummaging from fleetwood mac's
the chain...
and the bass rummaging from
pulp's wickerman...
            
                              canys y Çymraeg!
r. s. thomas...
                 that... battle of the season...
who is to know... beside auld lang syne:
whether the scots 'ave some gaelic in 'em...
except for the orthography: the diacritical & dialect
of somewhere akin to Glasgow...

  - that "unnecessary" war within the confines
of: the proud and selected: "empirical" and by invitation:
the trope... the welsh are...
are a silenced minority... and all that would
require "us" to confine "us" to "do"...
would be...
to stop thinking of england...
as a nation...
and... australia... or h'america...
as... a diaspora...

              clearly: "they" want to be at best:
and at worst: the distinct: genesis:
valkyrie first raiders...
in that non-essential war:
if the 1st world war wasn't...
seigl pandering lizzy...
sweden wuz neutralz...

                      woz she'iz notz?
            a pwetty pwetty: cobweb riddled face
like that of chris cornell...
               glue eyed but a background all
lacking in dimension for the sort
of immediacy of a curtain! cobain...
     yes: this is me... ******* on and dancing
on a grave:
last time i chequered my patience...
i found... the al fresco museum in a graveyard...
and the 3rd party artist working
on the marble... by gesture of wind and rain
and sun...

             how: exhausted by...
you cannot write an opera in italian...
to later translate it into german...
nor... clarity! sha! shtil!
                you can't... translate syllables:
like so... from... a japanese haiku...
into a... at best... a hiatus! a european sorting
factory of minor minded details...
of: adventure when licking a seal
on an envelope or...
a footnote that becomes a peacock
and a post-stamp when... detailing the affairs
of a piece of paper being governed by:
grieving having paired with it...
the metsphor / metaphysical aid of wings...

flake me: sire...
     boxing champ burroughs and all those
lost narratives that will never make it:
market a slow attention-span;
that's already available...

                          the muse my muse...
past the bob dylan and dylan thomas...
the priest and a cardiff...
        if only cardiff could boast akin
to how edinburgh can boast about
the old town and the royal mile...
and arthur's seat... and the craggs...

and... what women want...
mereditch brooks would never become
the next: the next to what next
of a... alanis morissette...
              never becoming... or being...
but all of that: for a continued cultural presence
of being in the recital rubric?
thank god for that...

quiet frankly? the la's": there she goes...
a little bit... a "little bit" irrelevant...
when you listen to the whole album...

the trouble with falling in love...
      is the trouble of: falling out of "love"
with one's mother...
                pursuit of the details
of a foetus... and all those details
of an unread book that staged its "fright"
on a bookshelf for circa close to a century...

             welcome party! or not so welcome!
i'd love to hear more about
welsh nationalism... since: on topic...
the scots have forgotten gaelic...
because of glasgow and being: oh so all
so-over pristine & perfect...
at least the welsh! oh god...
the welsh! on these isles!

hyphen! enter!
cymeradwyaeth

               cym-era-dwy-aeth
                      cym-erad-wyaeth

applause!­ and i'm trying: so trying...
to live for a liszt and lady gaga
as a summary of the jealous eyes
thst gave birth to bitter-tears...
yeah... fame...
and the cosmopolitan web of c.c.t.v.
"fame"...
the one already arrived at...
and the one pampered... with glitches
                               of editorial staff...

gu an cuimreach!
   - the escapade of keeping strict rigour / rubric
of being fed by adverts...
to have a buying impetus...
but not... the selling / haggling impetus...
from the cheap-*** moors and
the myriad of marrakesh:
   the berber: a latin for: hard-time:
quitting-time blues of...
            there are people still involved with
the a, z, via x q and... no readily available:
ph and th...
         because they were never...
the sort of brits... about to celebrate...
being conquered by ancient rome...
and ancient rome bulimia...
somewhere "circa": the baltic sea...

               - there's a "need" to be "coincidental":
pristine the developed mandibles
and the surname akin to singh...
        or... khan...
                   double that... for whatever reason...
and call it: Wales...
and then... the english-speaking conundrum:
"conundrum"...
and at best... nostalgia for 1990s
h'americana cultural export of:
fwends...

                    then: at best...
Wales is... Silesia... but at worst...
                    Ruthenia... and / or... Galicia...
that now Masovia is...
and how the Prussians were once
the fabled lot of the germanic left-over pieces
of a people: "******" by the standard
of teutons... or... what part of the glorification
of ancient rome...
oh, right... the parts not making
the germans the antagonists...
the "paraphrase" of the unexplored...

                    that only the english...
were to be so proud of...
a much later "digest" of... to have a "comfort"
within the confines...
last time i checked... there was pride in being
graffiti riddled as the afghanistan of
the ancient period...

             the unique history of island-dwelling
folk...
that they are... and i... can write
in their lingo: as... being devoid...
of... root...
              what is the great wall of china...
when what's already available...
given the la manche...
                                                       ­                 is...      
is not...
                 such a most pristine choice
of gentleman... and all!
and all! and all were tio be advocates!
and vote bound to stress!
king and country and the pickwick society
of: loitering gimps for worth of letters!

half a face divulging shadow...
half of which encompasses a play:
a ghost riddled... humanoid loiter
of exaspersation... and none... which,
would be most available...
to loiter... for the apple of Judas and
tht clinging... #30 pieces of silver...

thus wed: las vegas english...
      loitering actors' spew:
awound an Ilfowd 'n' Bawking 'n'
Dagenham... yo popsickle
'ipe and joy-c-c / jewc...
or whatsemfwench callz: sauz...
via dat: zu-not-my-*******-zoo.. ju...
plonkers & sons. (available)
jue: not juice 'ough...
******* kite-fliers!

            talks a cokckey slang like
a cherry... and that's...
the last left-over before mr. bangladesh
    before: quckie does one speakin'
"smart" did anyone any 'ood...

'oved up a 'arry 'n' the 'etter 'alf
of the... non-essential...
sounding "smart"
in cockeny: to be made export:
"loading essentials"...
is... hardly... the right sort of
***** avenue of:
escape from cwawddyff:
you... poke you poke my eyez
out... you... better start sounding
cockney shmartz...
eh: ja: herr?!

       **** it... whatever...
elt'z and etc. this bogus party back to...
and so call itz...
a limboz partez!
james nordlund Jan 2020
As an oak will not grow in another's shadow,
so too our struggles, solutioning with reality
while as one and three, a couple in harmony,
must also be independent to whatever degree.

Thus, being as water, yin, and as air, yang, we
find a dance gestured by seasons of romance.
The choreographer's mind's path undefined,
like last moment's awe makes way for this one's.

A canvas with frameless frame and reality
as the brush painting us, even it's shadows
speak of light.  Beingness as gleaned meanings
for all to share, seen through, if we were there.

A cacaphony, symphony heralding
song of the Universe, Earth and spheres.
From adagio, staccato, through to avante-garde.
Life sung accompanying the abundance of joy's Spring.

As poetry's music fathoms the depths of our heart,
heights of our intellect and imagination,
breadth of our spirit, well of our soul,
alluding to the unknown saliently.

Also, climate crisis demands a bond of Earthlings
stronger than ever before, and he or she
must be at the fore', if they want their progeny
community, partner, humanity to even live.
First draft.  Few love song titles come to mind to inspire   :)   'looks like we made it'; 'you're still the one'; 'no ordinary love'; 'aloha'; 'this love'; 'love stays'; 'i won't go for more'; 'concerto de aranjuez'; 'white flag'; 'thank you'; 'i can't make you love me'; 'love's in need of love today'; 'could  you be loved'; 'bring me your cup'; 'soldier of love'; 'rise'; 'the rose'; '**** i wish i were your lover'; 'oro se do bheatha bhaile'; 'nothing compares to you'; 'candles in the rain'; 'woodstock'; 'for free'; 'all about our love'; 'power of love'; 'my heart will go on'; 'crazy'; 'i will always love you'; 'i want to know what love is'; 'Merry Christmas mr lawrence'; 'either or both'; 'never letting go'; 'love don't live here anymore'; wishing on a star'; 'first time ever i saw your face'; 'i love you just because'; 'through the fire'; 'sweet love'; just the two of us'; ''ain't no sunshine when she's gone'; 'this will be'; 'got to be real'; 'angel'; 'this is it'; 'in your eyes'; 'what i am'; 'i do'; 'love like we do'; 'always on my mind'; 'shout'; 'in the air tonight'; 'the pina colada song'; 'all around the world'; 'un-break my heart'; 'ain't nobody'; 'just be good to me'; 'fire on babylon'; 'love's a battlefield'; 'don't dream it's over'; 'warpaint'; 'words weren't made for cowards'; 'sangria'; 'i hope you dance'; 'cowboy take me away'; 'lines in the balance'; 'colour of your dreams'; 'now and forever'; 'only love is real'; 'one more try'; 'like a prayer'; 'reach'; 'if'; 'what if'; 'higher ground'; 'river of souls'; 'torn'; 'one'; 'pride'; 'great love'; 'you were meant for me'; 'what about love'; 'love is blind'; 'you are love'; 'ghost dance'; 'huron beltane fire dance'; 'natural mystic'; 'less os more'; 'hissing of summer lawns'; 'forgetting ohio'; 'thank you (2)'; 'break your heart'; 'you've gotta be'; 'everybody hurts'; 'go your own way'; 'holding back the years'; 'the look of love';'as i lay me down'; 'the jungle line'; 'the beat of black wings'; 'pull up to the bumper'; 'rolling in the deep'; 'one man one vote'; 'together we rise'; 'smile'; 'feelings'; 'when we were young'; 'make you feel my love'.  May this New Year find you All new, everyday, all the way through   :)   reality
Dennis Willis Jan 2021
It's a small thing this answer I have
like a breeze settling itself down
in the bowls of now's hollows
It's the smoothness of night's light
blurring off the edges of silk shadows
where something rests something must
Be turning this air over my arms my back
turning me in to the stirring from dream
frozen to some lost artifice of dark song
it's reinventing it's just venting it's just

I find myself here 'neath waves
of ascertainment an' perspicacity
raking out corners of something
Having taken care of the horse
and the prehensile i moved on
to the choreographer's *******
And the question guilt-free laughs
at my stagefright what is peace
The Fire Burns Aug 2017
Roaming the depths,
the city's bowels,
a maze of catacombs,
and sewer pipes.

A ray of sunlight pierces
my monochromatic depths,
a lone beam, reflected through a storm drain,
projecting a beautiful shadow.

Intrigued, I look into the light,
blinded, not by the brightness,
but by the beauty standing within,
is she an angel, a fairy, a dream.

Red hair dances at her shoulders,
the breeze a choreographer,
bronzed skin glows, as her shoulders
are revealed by her white tank top.

I find myself staring into a pair,
of deep blue eyes, I begin to drown within.
suddenly I realize, that I am being seen by her,
no longer hidden in my dungeon existence.
KV Srikanth Jan 2021
I reflect upon my infancy living a life of fear and boredom
Had a brother who was a decade senior
Who was nothing short of a mentor
Fear drove me to the movies searching and yearning for stars
Who I found in abundance and what was absent in my soul was present in their role
Testosterone filled powder keg scenes blitzkrieg in front of me.
Mere Images they weren't
As real as reality was
The line dissolved as I vicariously fought the villains of my life
My mind wars were in full throttle
Me emerging the victor Unaware that imagination was making me the victim
Decades it took to draw the line again
Reality was reborn
And rickety split was leading a life of fear and boredom
Boredom took me in search of humans
None had humanity exploited my inadequacy again I went as perceptible was never obvious to me
Leading me on a circle of Savagery unleashed by the bullies
Fear and boredom outside adopted a demon called esteem inside
As it touched it's nadir
Living was given another name called hell
But none of this could I tell
Bruised ego is the soldier who replaces Sensitivity
The spiral road down has no end but has many stops
Picking the wrong passengers along the way
The boundaries are  dissolved between humane and inhumane
Diatribe rhetoric and tirades encompassed the being
Even the partisan benefactors saw no point in my living
Speaking the untruth is the first step on the Pathway to Hell
Other ignoble attributes are endowed upon effortlessly
Traveling on the path with fear boredom lies rants and the whole shebang I realised that I had been dumped unceremoniously
It's the river of no return that  I was sailing my boat on
What was I on
Could I continue living on that mode accelerating the demon inside at the speed of the Apollo
Mind Body intellect and soul was at a new low
Guilt was built with the concrete of dishonour blasphemy impiety and irreverence
Schizophrenic nature of piety religion and philosophy did not help
Reality remained blurred again
Only the Constants changed
Jeet Kune do translates as The art of the intercepting fist Founded by Bruce Lee Martial Artist Actor Writer Director Choreographer Producer Dancer Teacher and Philosopher
Addiction was replaced by Connection
Thinking was replaced by Feeling
Ranting was replaced by
Acting
Outward was replaced by Inward
Whatever led me to his path
The cause and effect I don't know
For his path is no path
I now know what I know
Reality had emerged
Tentpoles have submerged
I have Bruce to thank
Who says don't thank for I haven't thought you anything
Because there are no others to teach
There's only self
Which also ceases on enquiry
There are no others there’s no I
What is left is Right
Nothing is what it seems
Nobody is who they really are
Grumble moan and whine
Still surprised at paucity of  humanity benign
Realize he should for that is the  habitude
Paradigm followed blindly with the prototypes walking before him
Rehearsed and Crafted
Complicated he becomes
Complication is easy
Simplicity is tough
Were he to know
And if this were to grow
Extinct becomes of sorrow
In the dark about the light
Unable to conceive that
Honest expression is the hardest trait
Simplicity Fluidity and directness
The only path to oneness
Painful that they never meet
Feel from your heart and be driven by emotional competence,comprehend
Thinking and Rational leads often to a dead end
This world is not for honest men
But it cannot prevent men from being honest
And the gratification they derive from their conscientious conduct
And deprive them the luxury
of a good night s sleep
Impeccable invoking inspired infallibility is immune in inception
KV Srikanth Apr 2021
Fans of Bruce Lee
Think they are he
Fascinated by the Speed
He is God in every deed

Fight sequences
In short frequencies
Fans in a frenzy
Cast in a spell and dizzy


Hand to hand combat
Gave action genre
A new format
Bruce in a battle
Fans minds still rattle


At his very sight
Fans go Ballistic
Nunchaku RPM
Devotees create mayhem


Talented actor for every genre
Childhood roles the cause of the honor
Full house laughing
At his incredible Comic timing

Dramatic scenes upto task
More of it audience ask
Delivery and histrionic ability
Showcased overall capability


Cat sounds during action
Fanatics made it a fashion
Vampire quality tasting blood
Every Movie house public flood


Writer Director Producer & Choreographer
Roles performed other than that of an Actor
Roles performed as an Actor
Charisma a major factor

Re released in any country
Regularly since last century
Berserk when seen on screen
Made his Stardom evergreen

There will never be
Another Bruce Lee
Inspiration for fans to see
Black market seller
His fortune not foretold
By any fortune teller

****** of his film
Like life's broken rhythm
Started after interval
For Movie buffs a carnival
Screen filled with fight fest
Kept up the fans zest

Box otffice record broken
So his art his expression
Another record for repeat audience
Since have not seen anyone

Mannerism a Euphemism
Stance like breaking
Into a dance
Shirtless fashion icon
Saratorial oxymoron

With Bruce a devotion
With total emotion
Every style copied
Even after 50 years fancied

Loosing him early
Cost us all dearly
Total of 5 films
Proof that there is no limit

Pioneer of anti bully
Captured imagination fully
Can do it in reality
Cause of enduring popularity

Akin to property
Passed along the family tree
Father to son to the next one
Enduring fame second to none

Theme about a bully
Backed by a philosophy
Earned on screen immortality
Name etched for eternity

Appeal to all
Impossible the odds
Cartoon to a kid
Action film when he is older
Philosophy to the philosopher
Universal message to every viewer

Undivided society dreamer
Caste creed or gender
Rich Poor or neither
Religion taste or further
Can be found in a theater
Playing a Bruce Lee picture
R J Coman Apr 2020
To the Copyist, hunched over her writing desk,
as her flawless hand duplicates Bach's hurried scoring.

To the K-Pop Choreographer, who watches in the mist
as her fans swoon for someone else instead.

To the Masterer and Technician, kept behind insulated glass
as a talentless celebrity spits fire into their microphone.

To the Arranger, whose own pieces mean nothing
to the world, but whose touch has won over millions.

To the Orchestrator, fresh out of grad school, ******
into a contract that gives them neither money nor credit.

Your voices are heard. But nobody knows they are yours.
And each time we sing your praises to another,
the knife gets twisted again.

— The End —