it's the 50th anniversary edition of william burrough's naked lunch, with the original cover, looking at all the annexes is like watching modern history with Russian annexing Crimea, anyway...

indeed the nature of addiction, i chose mine to
cure my insomnia - i *chose mine -
the less nasty less mythical name for it is indeed
metabolism - any hard-craft alcoholic walks into
a bar - drunk ******* and egoistically gluttonous
idiots come out like giraffes - vomiting into
the gutters, more Marilyn Monroe moments
showing off knickers even without the metro gust -
you drink enough and watch people drinking
for the psychoactive ingredient for dis-inhibiting
effects (buttered up talk, smooth there, quasi
Don Juan wannabes) - as Burroughs said: PLAN
YOUR ADDICTION - become addicted if some other
weakness is beating you - amtitriptyline doesn't
work without alcohol to what's desired as the lullaby
effect prior to K.O. - don't measure up to a veteran,
he'll beat you with experience, given it works -
i can imagine why hallucinogenics aren't metabolically
affecting - too much implants concerning the
world beyond, and god, and the secret of the universe -
you can't get addicted to these things - because there's
the bad trip, and you're off the hook - no more spiritual
trips looking for answers - repetition of the everyday
kills it off like flicking off a light switch - but, years
after the Beat movement, the Beats really did underestimate
the addiction of marijuana - they thought it was
the ****** drunk... oddly enough marijuana is linked to
alcohol and ****** addiction, it too is metabolic -
i'm not a medical expert... but i have heard of stoners
and their munchies - anything relating to food,
to metabolism is included, marijuana is the middle-guy
between the standards and Disney -
you heard of being monged, right? marijuana is as addictive
as alcohol - originally a giggly drug, a conversation
starter - marijuana - ends up being
an Jason Segel and Ed Helms film Jeff, who lives at Home,
it's this uncontrollable effect that proper intentions of
marijuana have: supreme thoughtlessness - or
the present vogue concerning "mindfulness" -
Jeff basically overthought himself on the high - he didn't
detach himself from thinking, now he's paying the price -
he's making completely random associations -
and why do stoners always waste their time in front
of t.v. or television - marijuana is a purely auditory drug -
******* to the park, pretend to be a fake Buddha imitation
and create the void in yourself to make your mind
the M25 at 3 a.m. - but this innocence with the Beat
movement associating itself with marijuana is partly
why it was legalised - the government wants rejects and,
to be frank? retards - that's why they legalised it -
they knew with the munchies jokes that marijuana had
the same metabolic addiction components as alcohol and
***** - you're metabolic dude! once addiction sets in
you're no longer in control of brain-freeze - you didn't
think it up on the psychoactive Everest - when the nice
sensation was still there, marijuana realised you zombie much
later - all the in-jokes of stoner culture suddenly passed you,
simulation dementia ensued - i'm way past the psychoactive
asset of alcohol, no slurred speech, no nothing -
but i retain the psychoactive point of metabolising excess
alcohol: if i didn't, i would sleep! i wouldn't sleep!
don't get me wrong, i get the point that i can't really
experience the negatives of reaching the psychoactive purpose
of alcohol and ***** in a street or join the football hooligans -
and surgeons drink to calm the nerves and calm the hand -
but alcohol is more cool headed and less phantasmagorical
than ***** addiction, for one thing your palette improves -
you find the most boring tasks liberating -
but the nights are the real nights, esp. if slumped on the sofa
watching t.v., unless you don't have a backlog of un-watched
Versailles or Billions episodes, you really need to go for
a 4 mile walk and breath the air - then half-sleep for
about an 2 hours (because you have limited money and
sometimes you pass a day without Auburn Whitney) -
you become rigorous - the prime solipsism - no time for
girlfriends, doesn't matter, my genitals weren't mutilated
as a child, no one forced a ****-*******-marriage-ring
on my finger - i can actually enjoy addiction - i end up
eating one meal a day - of course my face looks candyfloss
puffed up - but my soul is partly helium pubescent -
alcohol addiction is not ***** addiction even both
are primes of metabolism takeovers - no hung-overs too,
no blackouts - no fake "i can't remember" stories
when something ****** up happened - and certainly no
innocent look at the fact that marijuana is also a metabolic
addiction - unless of course you limit psychic ingestion
(excluding music, music is great to arrive at thoughtlessness),
but as most stoners (the next alcoholics) prove,
garbage the mind with American Dad and then get hungry -
binge eat - the stomach can drag the brain right down
into the acid pit and fry it - zombies galore - you won't be
able to catch yourself stopping thinking, the stomach
will do that for you, and you'll enter the zombie apocalypse:
just like my neighbour - there's a rat-like ritual involved,
for example, most people get sleepy from marijuana -
so it's not an addiction standing at a bus stop
pretending to be waiting for a bus and smoking?
that's addiction - the metabolic Gargantua has already caught-up,
addiction is primarily a solitary affair - it just depends
what you do with it... i'd be ashamed with my alcoholism
if i didn't write poems - the counter-effect is that i feel
some sort of social-inclusion when the day finishes -
i feed the cats, write invoices for my father (40% of
18 - 35 year olds live with their parents, because all
the foreigners bought all the houses intended as: buy to let -
is my money going down my drain, or is this
a post-Freud Oedipus stigmata killing familial relations
altogether?), cook, clean the house once a week,
cut the cats' nail and brush them - and to counter
what i don't do? can you imagine listening to a symphony
with only violins playing? not so genius hearing that
sort of Hollywood story with only cameo characters speaking.

The man decked in blue
     sits quite content
          on a sofa
               and observes wealthy offspring

               waltz in flashing their brilliant teeth
          glossed with potent peppermint.
     These teens
don't know love,

lust is all it is.
     While the Jazz bops away,
          more whisky is poured
               and they zip out to get jammy.

               The man, mid-twenties,
          kind of blue, dapper apparel,
     has one on the rocks.
Sees them

walk in most evenings,
     cute blondes with flawless skin,
          guys in suits, bow ties, the works,
               gaze into each other's pupils.

               There are regulars,
          Robert, the chap from Yale,
     Quentin, sly guy at Harvard
and Carly, still at school the man believes,

who's coquettish, fresh,
     these two want to have her
          but she's astute,
               knows just what she wants.

               They're all after her in fact.
          Every male in the room
     turns their head,
can't blame them,

she's like Candyfloss,
     all the men want a taste
          but there's not enough for everyone
               and they don't look like the sharing kind.

               The man in blue
          just grins to himself
     thinking how grand it is
that he's single, sensible, secure.

I stared at the big blue cloud,
It was in my hands,
It was so blue that it depressed me
But it was only fluffy candy

I picked a piece from the cloud
I digested it with my eyes and soul,
It was the brightness to a child's life
It was my only happiness

You look at candy,
As sweetness to your life,
but to me it was more,
It was the only freedom I had in the world

I bit into the blue sweetness
As it dissolved in my mouth,
It dissolved my pain,
I was sure everything would be fine again

Then, when the cotton got stuck between my teeth,
So did my hopes and dreams.
I felt like a fool for believing
A fool for trying

A tear slid down my cheek
Making the candy bittersweet
No Cotton Candy can make it go away
Rewrite my story

When they fought and screamed,
I'd try find my happy place,
Eat my sweet Blue Candy,
And just pray it away

I've tried everything
Clovers to Rabbit's Feet,
But this heavenly cloud
was the only price to pay

If my life was all drunk and dead
Would it **** to find my demise-free zone
And just eat some Cloudy Candy instead?

If wishes came true,
With every bite I took
I would have father with me
A Mother to love me

I kept eating the candy though
Even if it didn't taste heavenly anymore
Tears kept streaming down with every bite
I kept the harshness inside

The faster I ate, the more it hurt,
I couldn't swallow the lumps in my throat,
The pain developed inside of me,
Like a tumour, I was a waste, never needed.

You eat all the Candyfloss in the world, it won't work.
It just sweetens the pain, lessens the hurt.

I come from sunlight,
      The sweeping of leaves,
      South London streets,
      Lurburnum seeds;
      Hot semolina,
      A spoonful of jam,
      Hands full of gooseberries,
      That's who I am.

      I come from rose petals,
      The sound of the fairs,
      The smell of candyfloss
      Mist in the air;
      I come from warmth,
      My parents hands,
      Outings to parks,
      Both small and grand.

     I come from knowledge,
     True and false,
     From nursery rhymes,
     And stories and pictures of God;
     I come from gentleness,
     A quiet afternoon,
     From visions of loveliness,
     Sewn on a spool.

    I come from two worlds,
    With different ways,
    A threaded pearl necklace,
    And sensible soles
    A mother and father,
    I think I knew,
    I came and I wandered,
    I looked at the view.

       By Mary **

You occupy my brain like candyfloss
My thoughts feel cloudy
My words become a jumbled mess when you're around
But it eventually fades away
Until the next time we meet

You occupy my brain like candyfloss

I am sorry
That I was hungry and you were weak

I was insatiable
What I had was not enough
And you were there
Irresistible
Sweet and perfumed
As coy and cloying as candyfloss
I had to consume you
And throw away the paper stick
Damp from my tongue

I live within green and blue
Today, blue with white candyfloss.

Somewhere unknowable
unknown and alone,

But full of companionship.
The enigma of living.

The subtlest nuance of cherry blossom,

Drifting down into the banks of my memory,

Twisting miniature pirouhettes.

Upon candyfloss clouds
You rest your soft head.

Gurgling, smiling as
Innocence plays out.

Taken from life, only
A breath breathed out.

You are on candyfloss
Clouds, peace in your
mind, eyes look down.

Little one, angelic one,
Taken before your time.

Look down and know, that
You are loved even though
On candyfloss clouds, you
Are and will be in the hearts
And minds of everyone.

I absorbed,
Blotted misery,
Lapped with eyes,
Soaked-up transgressions,
Mopped-up history,
Was steeped in trials,
Ingested triumphs,
And truly assimilated.
But the ground is saturated,
My prints fill
With the brine
Squeezed out.
I am the salt on the earth,
Parched and cracked.
You preferred candyfloss;
I dripped the last drop.

Sign in the staffroom at work.
Stay positive they said,
Stay positive I read,
Stay positive in the work you despise,
Turn a blind eye as your life goes by,
Leave your thoughts at the door,
Don’t think they implore,
Pretend there is no sun,
Look out of the window at your life on hiatus for eight hours,
Can’t get rid of the smell of this jail even after a thousand showers,
Take solace it’s for the money that I didn’t even want to use,
The books you could be reading now will only get you confused,
The songs you could be listening to now won’t speak to you anyway,
Silence your mental jukebox and toil for your pay.
Stay positive today,
The cash they flash,
I can see on my face a fiscal rash,

They can say put down your pens,
Strip your pencils of lead,
Tell creativity to slumber,
Put your canvas to bed,
But can’t stop us drawing in our heads,
Stay positive,
Like don’t start on that waitress and treat her with chagrin,
Cos she doesn’t bound over with your pie and chips with a leap and a grin,
“We’ve paid for this food, she better start smiling,”
Or the tip it is non and the polite police I’m dialing “
Have a word with yourself shes working,
And more than that she could be hurting,
Cos John in the kitchen isn’t flirting,
Or she could be wearing that frown,
Cos shes realised she only got £30.00 for her night out in town,
That’s not much when you consider the taxi back,
Plus after shes done serving you shes got dishes to attack,
But no she has a grimace,
Shes finished,
We have all felt like that, bit lonely and that,
Stay positive.
Stay positive,
Cos sometimes words cling to the air,
Like candyfloss to hair,
And birds sing for their bread while the cat bosses just stare,
At the endless charade of hierarchy,
John then Paul then George then Starky,
But star key unlocks the door to the skies,
Hope is life, I summarise,
There’s beauty in your summer eyes,
Don’t count the calories in pies,
Dietary information often lies,
Distracting from the truth with garish rides,
That only seek to compromise,
Our promise and delightful ties,
Forged from friendship not to buy,
Feel your waist and touch your thigh,
Dietary information often lies,
Love is all,
No chance to take,
No dast to cie,
Be brilliant and hear them sigh,
Stay positive.
I feel like,
Tintin going exploring,
Paths opening up, new days dawning,
I’m done with yawning it’s a waste of breath,
I don’t feel lethargic, I don’t feel bereft,
Heads down dive me a test,
About anything cos this beat in my chest,
Means I’ll beat Kasparov at chess,
Armani couldn’t make a sexier dress,
Allivate stress quicker than Prozac,
Cut the beanstalk down faster than Jack,
I can stretch my mind more than that guy on the rack,
Cos I think if our lips locked together we could throw away the lucky heather,
No more boring days of monotony,
Fingers crossed watching the national lottery,
Not just waiting around thinking I’ll chill,
But striving for the horizon over the hill,
Stay positive.
But the best thing I saw recently,
Was when I’d just finished my tea,
And I saw these two old folk who live near me,
One about 89 the other 93,
Twilight of their lives to say the least,
Real hunched and stooped over, all false teeth,
But the way they held each other’s hands the tenderness was palpable,
Cradled and soft the care undoubtable,
Cos some things are not withered by age,
They stick through this life to every page,
Decrepit vocal cords that would have a job to sing,
But there demeanor hit the high notes bellowing loves the greatest thing,
And whatever they think the next life is, earth, air or above,
At least the opening gambit can be, “we ended that one with love”
And everybody wants that, everybody,
Everybody with this life to live,
Peace be with you and bless you
And stay positive!

Here are my eyes
my fried eggs
teal lily-pads floating
on white albumen.

Here are my elbows
like deformed peaches
my knuckles the peas
wrist corn on the cob.

Here are my teeth
my frosty Stonehenge
a ring of slabs
solid halibut.

Here are my ankles
four gobstoppers
cracking as rocks
under her size-five feet.

Here is my nose
fastened to my face
the garbage chute
meets hoover hybrid.

Here are my knees
two wrinkled potatoes
mashing in their sockets
as waves crumble on me.

Here is my hair
my straw candyfloss
unlike her buttered popcorn
curly-wurly waterfall.

Here are my tonsils
squashy strawberries
wedged at the back
of the cave I once made.

Here are my lips
azalea-pink sweets
flecked with salt
from our slice of sea.

I'll ask you not to turn off the lights,
I want them to blind me
with their brilliant filaments
until the bulbs break
like a vase on a tiled floor,
the walls, the door go back
to being charcoal black
as they have been so many times before.

I have started to abhor
the roads that define me,
the words that describe me
and my traits,
the way I must walk in wintery air
to a migraine inducing wilderness
to be squashed into old moulds,
will this be adequate for you now and when?

What is this fall,
does it affect you, your actions,
your jumbled jigsaw piece thoughts?
These bruises are purple,
this brain is strained,
inject me with zest
until my wrist pains
so much it must combust.

Out of the glass is nothing,
a candyfloss cloud, a tree, a lawn,
it bores me,
an artist is needed,
paint a new canvas
swathed in colour
and things from my weekend dreams
lucid and intense.

I am a ******* up ball
of paper, unfold me, still legible?
Fold it again, an airplane
chucked into an angry breeze
or please,
if the lamps are tough enough,
watch my words illuminate,
drool across the table.

they lived
like the only customers at a funfair;
weeks caroselling
with swollen rise and fall,
like the horses forgot
to gallop in circles.
they had their own world
of haunted houses
and helter-skelters
but the stalls were all out
of candyfloss
and, as they slotted coins
into cork-rifles,
they shot themselves
to pieces
without winning
a single prize.

i never understood why poetry books were and are so expensive, there's Darwin lounging smoking a cigarette listening to some Victorian erich segal, e. l. james, diana gabaldon or a loretta chase - while imaging, well, you know, why the the Bayeux tapestry represents the Normans invasion with humanoids, hence the pressure on artists to follow-up with self-portraits, otherwise it ended up with two monkeys ******* in his head... but such writers are equivalent to manual labourers, they don't care if their books aren't finished, they are equivalent of bricklayers, ploughing the fields of blanks unearthing potatoes and more potatoes (words)... some Chinese poet-drunkard trying to escape Tibetan meditation writes a haiku... and that's about it, he says laughing at the moon: 'this is bothersome! for one thing our ancestors chose a ****** difficult phonetic encoding, maybe this was xenophobia in disguise, but the Ming dynasty project is nothing compared to how we write she and shin, no amount of labour will be as effective as our pictographs, some say this is a defence against invaders, and i believe them, they got as far as ***** trading with us, now we have cheap steel and Russian allies... forget the great wall, the real defence against invaders and accusations of xenophobia is in the encoding, which also means we can **** the mathematical encoding like an elephant ******* a chicken, with its trunk, blowing air into it so the chicken ends up flying, along with the ostrich'.

when i write crude i know i'm exhausting a poem,
or at least the introduction, to a poem,
but such are crude comparisons, they tell you when
to stop the flux of the unintended direction -
but i agree with him, western powers abuse
the haiku mechanism, back in the east the haiku
appears from blank, partly due to that Tibetan
baldy blubber in later age in India -
in the west we have the crown of myrrh, and due
to the overload of sensual stimulation with that,
and the lashing prior to the crucifixion,
an over-exited state of sensuality, meaning more
cognitive outpourings, hence not one haiku
in a year about some freckled salmon jumping
over the moon with a momentary diamond of snow
on its tail... but a whole list of them...
without any verbal tradition to remember either...
take the Tibetan lounging and the Hebrai hanging,
why did we ever take the latter up?
well, question answered, the west is quietly shunning
the church's influence, all you need is a Buddha
head in your living room and it's primo aprilis -
well, not it's Prima Aprilis, *Prima dies Aprilis,
it's a jokers day in Poland, i experienced one myself,
you run around the town drenching each other in water,
or as i call it, baptising each other, for jokes,
buckets of water... in the west it's just a toys 'r' us
advert owning a water-gun, but you hardly see
children in western society, esp. in England,
they're exposed to overt-sexuality prematurely,
they're stiff on the monkey bars, stiff on bicycles,
stiff playing football, stiff climbing trees (if ever),
stiff or coffin like only ready to play the one game they
know best: bullying and make-up, and short-skirts,
and karaoke dreaming all the leaves are brown,
and the sky is grey, i've been for a walk, on a winter's day,
i'd be safe from walking, if i wasn't in L.A., california
dreaming, on such a winter's day, it's only
outdoors if there's a prize involved, not the smell of grass
or cow ****... strap me up Scott'e, i'm about to venture
into the grand world wearing a ******... anyway,
you never write more than one haiku a year...
but before i do a Robert Frost as cited by Jack Spicer
"any ****** fool can get into a poem but it takes
a poet to get out of one", citation? helen: a revision
part of the San Francisco Renaissance mini movement.
but today's panorama show, about the exit vote,
Hilarious **** being investigated by the F.B.I., Trump
turned into a T-Rex in a children's book - tiny hands,
big quiff - and in a global community where slavery
is frowned at, piracy is not really, the vain hopes
of former glories, listening to old farts reminiscent of
the empire esp. in the north is like listening to a fake ******,
my grandparents could say the same ******* in Poland,
the loss of the steel industry, much due to the extinction
of communism in Europe, feminism and the soft-industry
jobs of primarily advertisements, the manly jobs?
they're all Chinese... why blame eastern europeans?
you like your ******* chicken chow mein you little *****?
well i'm certainly liking my korma chicken curry, eat it!
an economy that prizes only profit and not continuity
exporting everything to King Kong Mao will look for
scapegoats anywhere, i'm surprised it's not the Jews this
time, and it's so funny, i mean, born & prop'ah bred
Anglo, imported from Pakistan, oh yeah, "prop'ah",
now they're the best mates, once master and the slave,
now two masters, hand in hand, should be a joke
poster like the socialist fraternal kiss (the capitalist
fraternal kiss is - you guessed it! mouth kissing an ****!),
so you have to really trim the curtains of the ethnic
dress of King Abdullah bin Abdulaziz Al Saud to get
a selfie with Tony Blair and Bush Jr. getting stuck in -
at a time when no Londoner feels safe outside
of England, esp. in the north, perhaps in Scoot-land
(three years up there, i built up an affinity with
them against Jacky Uno and the flag,
right now i'm burning it in my head, ah, for scrap jokes);
and then they box in the idea that whoever earns money
can't do what the hell he wants with it... listen...
after not being given the Marshall Plan option, and instead
given an ideal like communism i think it's best some
of the money heads east to fund the post-Gorbachev plan
(why was Sweden included in the plan? Sweden
was neutral! they were the myth-machine generators
of ******'s late discovery of the ability to bleach your hair!),
and why would i spend my money in Southend anyway?
or Blackpool on candyfloss? community?
you want a community? how the hell is community going
to work... this ain't a village, this a globalised world...
plus, why associate yourself with vermin?
and all this is going around while the rats from
respective parties jump the boat and leave the public
to blame themselves... but that's how it is, in this
schizoid metaphor, bilingualism is extreme as much as
mono-lingual psychology, but less rooted and historic
and continuity biased... happy those who know only
one tongue or three and more... with bilingualism
you become a psychological mongrel, while others are mongrels
of the flesh, soul-mongrel breeding is harsh,
you're neither here, nor there, and your idea of heaven
becomes something like: wake me up again speaking
Norwegian, because at least i can identify in that region
something that isn't here or there - but being first
generation and remembering to speak the mother,
i wasn't going to do the solo ethnic cleansing and speak
only one tongue... if i did... you think i'd be speaking with
my father and his broken English? ha! *nie!

mit hjerte er stadig skrøbeligt
plukker flere liljer end sidste år
men hvem skal det skrøbelige
hjerte, der er meget mindre end
normalt
forære blomster til
jeg ved det ikke længere, men
dengang var solen også varm og
dagene føltes blødere og duften
var som candyfloss og dine årer
var så tydelige og næsten smukke
mit hjerte var ikke skrøbeligt dengang
der kunne du sige alt til mig
der kunne mit hjerte bære alt fra dig
nu er mit hjerte lille og skrøbeligt
og gemmer sig bag liljer jeg vander
med rød saftevand
mit hjerte er stadig skrøbeligt
det har det været lige siden den dag
hvor du sagde, du elskede mig lidt
højere, end det var passende

To drift in the wind on the edge of a dream,
chasing our thoughts on the back of a moonbeam,
candyfloss mornings and effervescent nights,
cascading  rainbows in a box of delights,

pretty girl smiles and puppy dog tails,
candy stripe slugs and polka dot snails,
ride the light on a sunlit wave,
into the void of the crystal cave.

YADA TASHY ( "Originator Stone" )

Outside the first snow falls.

Her wounds are photographed.

Spoken of.

Described in detail.

Technical.

The overhead microphone
takes it all in.

Being dead she is
more naked

than she ever was.

Stripped of her
humanity.

She had ceased to be
who she used to be.

She is now
merely a cadaver.

The autopsy can not tell
her name.

She is Kuzuku.

Her mother called her
KuKu.

She had been born
with a caul.

KuKu was pregnant.

She was going to call
the child if it was a girl

. . .Yuki.

She couldn't conceive what
she would call it if a boy?

It was always going to be
a girl.

She liked candyfloss
and her hair up.

Now her hair is down.
It touches her shoulders.

As if her hair were
still alive.

The autopsy
wound by wound

tells of the hell
of her dying.

The voice is
deadpan.

Mechanical.

The coroner
breaks for coffee.

Bitter.  Black.

"Ya da!"
as the Turks say.

"...with nothing..."

*

Kuzuku was named after the flowering plant/rampant ****. Her mother always drank a tea made from it. Only her mother called her her pet name; "Kuku!" Her blacker than black hair always seemed like a living entity in itself as it danced upon her shoulders or splashed over her clavicles. She always wore off the shoulder dresses or tops even in winter cold. I once told her she had the cutest clavicles( "rekishi no naka de kawaī sakotsu" )in history which....always made her laugh. I told her she had well tempered clavicles and she laughed even more when the pun was explained to her. She had been born with a caul...a red caul. She it was who told me the Turkish tale or the Yada Daşı and of the Yadachy.

She had just met the man who would eventually stab her to death and she was greatly in love with him and his culture.

All these little scraps of humanity could not be disclosed by the autopsy which could never tell of how beautiful she was and what a joy she was to be around.

Her death was a horror tale told by a friend of a friend of a friend and hard to comprehend or believe.

Grimsby, a murky wee northerly town
And lousy with houses of seedy renown
The ladies wear only a loose fitting gown
Transactions are furtive and quick
And every street corner is coated in brass
With a ****** for every discernable class
In a spectrum of hues and selection of mass
All awaiting a dip of the wick
Diseases are spreading and taking a hold
With pimples and blisters and, finally, mould
But just when the punters are starting to fold
A saviour arrives in the nick

Doctor McNaughty, King of the Kink
And his brothel of many surprises
A welcoming smile, a comfortable bed
And some help with whatever arises
The rooms are fantastic, the ropes are elastic
With feathery leather and spikes
It wanders the street on mechanical feet
And it scoops up the punters it likes

There’s something to suit almost every wish
With strawberries and freshly whipped cream in a dish
There’s a bucket of springs and a kettle of fish
And the manacles, shackles and chains
A selection of ******* and optional clamps
There’re pulleys, tackle and half-pipe ramps
A physio suite for reduction of cramps
And the treatment of ****** strains
A marshmallow room with a candyfloss bed
And hookers of platinum, purple and red
And for those who are hankering after the dead
There’s a room full of human remains

Doctor McNaughty, Lord of the *****
A magical, mystical ****
With wonders galore behind every door
And occasional chicken or gimp
His visits are brief, but of major relief
To the multitude often attending
Then he’s off in a flash with a bundle of cash
He so loves a happy ending

I lie and listen to her breathing
like the whisper of seduction.

The murmur of a promise
the sigh of a summer breeze.

The scrape of the chair
the roar of an engine.

The sand in my trainer
water gurgling through the pipes.

The turn of the wheel.
The meaning of my words.

Back to tranquillity
and she is once more

the wine in my glass
the cork in my bottle.

Marks to my Spencer
my chip ‘n’ pin.

The stone in my cherry
the warm breathe of the oven door.

Candyfloss at the fair
Blood in my veins.

a note before i end the pending poem.

i know i'm not writing anything "in the groove"
or whatever urban tonguing i should use to invent
the new form of glue: to stick with the trends.
                    when people read candyfloss
literature i read lead literature,
  that's how it goes, i find too many poets
angry shouting down other people's throats,
i find them in positions where they think
they empower people: but rarely do.
   i write for the sole purpose of a demographic,
a democracy of sorts, i never want to hear
my voice regurgitated back at me,
i find it prickly, apart from the half-digested content
i am actually opposing being fed it...
  i can't explain why i don't entertain,
write one poem every two years either, apart from
the fact that: well, writing a poem and then
performing it? performance doesn't really do much
for what's an ongoing voyage, performance to
the art is like a Moby **** moment:
   you get to tell the adventure of a shipwreck,
rather than the proof that the earth is not flat.
the additional benefit, you get to see how your
thinking interacts with symbols, and how these symbols
will never betray the tongue that doesn't speak them...
   you get to do x-ray upon x-ray and find that
stuff like this: is actually equivalent to a bone in your
tongue. as with the moment: when artists are quoted
as having said: words are meaningless...
     i guess there comes a time when, with that said:
punching someone dead means more.
   oh this pithy sentiments that only empower politicians
and the media... i might have said
    a baby's gluttonous gaga drool and you'd be like:
yay! happy days upon us!
                      when poetry isn't performed it continues
into the nether region of thoughts: it's not jeopardy
of suddenly fizzling out into a state of a stale champagne
bottle... the residual power is confiscates from speaking
it retains a close proximity of actually writing it,
on the basis that it becomes prolonged, and more concentrated,
it cannot be allowed to diffuse into the open,
into a crowd, for a democratic hurrah on we go.
  i wanted to simply see poetry as an optical exploration,
rather than a vocal necessity of the art,
      philosophy was clogged up in too many truths
and untruths, and basically too many paragraphs,
   i wanted to make frank the medium that abhors paragraphs,
and by the looks of it: punctuation marks.
well, it's all about pedantry to be honest,
               but then i never desired the urban lingua
of keeping with the zeitgeist... i see how keeping up
with the times is enshrined with materialism and how
fickle it all eventually becomes... you can never reach
a status of cool reaching for the obscure,
but that's what all attempts at fame end up being:
a quiz show, trivia, obscure knowledge, 0 points
means the best points available, and after that, the realisation
that all is empty, and that attempts at fame
become questions in a quiz show where the aim of
the game is to: name the most obscure answer possible...
oddly enough the same show invites celebrities to
take part in the quiz for charity... *pointless celebrities,
first word, yep, that's the name of the show.
oh no, i don't shun television, i do admit that watching
a brick wall is more entertaining drunk than television,
but the sober me has to do something from time to time.
so poetry: a medium that's opposite of vocally necessary,
a medium to explore the bone inside the tongue
that writing invokes: ****** stalemate...
      would i care to say why every word has a meaning?
unless you can speak hundsprechen i'd say only this,
that sort of reasoning is dangerous...
            we wouldn't get anything done is units of language
was meaningless... (hold on, i'm going to create
a crescendo for this point)...
you can say language is meaningless when you're
singing... vocalising language from these depths of
what would otherwise be known as the graveyard of surds
on the pure basis of optics and all cognitive parameters...
      sure, from these depths into an angelic gospel choir
you can get a meaninglessness: because it's so ******
    pleasurable... you can't deny a good song, you
can't compare the use of language in singing to the use
of language in lecturing some obscure topic by simply
talking... for thus words are sounds, and not the dreaded
pluralism of conventional talking: i.e. meanings.
              unlike the Chinese who have a certain capacity
to remember about 3000 ideograms, we have a much
bigger capacity, but our words are shrapnel and what we
don't have that the Chinese do have is:
                 a capacity for the multiplicity of meaning.
i can't imagine any ambiguity with Chinese ideograms
in the range of 3000 symbols... but there is clearly ambiguity
in our system...
                      obviously we can say words are meaningless
at times when rules of using language are lax given
the lies of politicians and the media roulette:
the fact that media is not state owned is even worse,
shadow brokers and a tarantula venom disorientating people.
   singing is an escape route from the socio-political
conventions of using language, hence the ambiguity trail
of what's deservedly called: socially-acceptable mode
of conduct, something that doesn't receive the ****** frown
of what would probably look like a lemon smiling.
  yet, if language doesn't give you a chance to see a labyrinth
then you have the shallows of singing... mm, yeah, mm, boo...
         ye-ha! ******* cowboys the whole lot of them...
but it's what it's supposed to be, something to be sung
for someone else to hear... it's not something written
down for someone else to see... and subsequently maybe
think about... oh how dreaded that statement seems in
English, a bit like denken scheiße / shy-se!
          people only make statements about the meaningless
of language when they sing... but that's the point:
you're making sounds, akin to the rhythm of my heart,
hence i don't think and subsequently go into a moshpit
or nod my head with some pigeon-like "cool" approval...
language is a bit like Shrek talking about onions...
it has layers, "spooky" other dimensions, oooh oooh...
Casper asked for a weener so he could invert necrophilia
and ghost-**** that ***... it has layers...
         somewhere between the Antarctica and the Arctic,
perhaps in the tropic of Capricorn, but who knows?
but i'll tell you one thing... it's not a white guy thing...
i finally understand why i don't like rap...
a bit like saying: a crowd shouting at a football match
is not an onomatopoeia of whatever is **** sapiens worthy...
   i think that classification actually predates
the expression of it... it's out there, but on the fringes...
         it's like this standard of protestantism with the concept
of predestination: we might just get there by Sunday
in the year 2099, but who knows?
        now i do understand why i don't like rap...
never liked it... couldn't stomach it...
   then i come across a beauty... so all those things i said
before, it culminates into this...
    Akua Naru, ring a bell? probably not,
3mil is nothing in today's celebrity cut-throat backstabbing...
     http://tinyurl.com/lt8ayhg... now that's entertainment...
that's what i love, how every instrument is
actually heard... the bass kicks in to set the tone
with the tickly percussion accents...
                       she's baking a cake...
she's layering...
  it's unlike that ****-culture music of pounding pounding
overly rhythmic and for every band these days
   it's one guitar = 20 violins of an orchestra's worth...
                  this is the new-jazz, or what John Coltrane
insinuated with the words: a love supreme, a love supreme.
            i don't know if it's poetry...
                                   a weak message on a stage might
always require a backing band, like a weak voice
might require a backing band... but this little critique doesn't
necessarily mean i can appreciate it,
   and is the reason why i don't understand rap, and never will.

Cleethorpes


Shoveling sand up Sally's ***
n passing gas in the Lido,
Fitties camp n a loose hipped *****;
somefuckers dog named Fido.

Oh yeah; shove-halfpenny with gennyreny
and pitch n toss in big alley,
candyfloss, Bruce Lee's Big boss
n slurping on Sally's valley.

Bad news falls from his mouth before I can catch it. Hands and knees on the floor, searching, bad news escapes me. It buries itself in the carpet like hundreds of little black fleas. I claw at the fibres but words wriggle deeper into the floor. I try to crush them with pounding fists but they are strong.

On the edge of my vision I see them in clusters that make sense but, as I turn, the words scatter and squirm back into the carpet. Some of the words jump, biting. They leave me stunned and itchy. Some climb up my neck and make me shiver. I can feel bad news crawling over my scalp, feeding and laying eggs. I try to rake it out with my fingers- end up with nothing except hair.

I remember the man then, so I stand. I see my children playing with train track. Around them the floor is alive with bad news. Outside the Sun shines. The pavement, the trees, the grass, are crawling with nothing except happiness and summer. I tell the man that we are going to the park. These words are candyfloss pink and butter yellow. They drift like confetti at a wedding and bad news is scared of them.

I talk more and more about the park, swings and river while I get my children ready to go. The man says something about identifying a body. I catch these words but drop them quickly to the floor. They wriggle down into the carpet and I leave them there. The man pours instructions into his radio. Navy blue worker ants, easy to ignore.

I keep talking the happy words which hold bad news at bay. Bad news can't get me now. But I can see the man looks sad and cross. Bad news is feeding on him now instead of me. I notice the words he tips into his radio are infested with little black fleas. Somehow this is my fault. If I tried harder to catch the bad news and contain it the man would be safe. I care about that. Then I look at my children, bad news scrabbling around their shoes looking for a way in, and I care about that more.

I try to explain to the man that we must go. These words are deformed and don't make sense. Their wings won't work. They fall to the floor and bad news feasts on them. The man says we can go to the park, so we do.

My children run ahead. Bad news hasn't spread this far yet. I speak to friends in words of lilac and blue. Children's voices ring out over the river like silver dragon flies. Little black fleas are biting me under my clothes, no one can see them.  

I see the police car out on the road, the man watching. I can ignore them. But my children are tired and hungry. It's chilly and we didn't bring jumpers or coats. Friends have gone back to their houses. It's getting dark and starting to drizzle. It's the happy words that escape me now.

It's time to go home and be eaten alive by bad news.

My father took me to the circus, once.
Pink candyfloss spun in a web of sugar cotton
and the acrobats whose contortions mystified my childlike eyes
Flames simmered and sparks flew,
like that little girl's smile when she learnt how to love.

She's older, now.
And her father doesn't take her to the circus
or the zoo
because she's too old for it.
And she thinks it's childish.

And really, she knows that time ticks,
no matter what,
but she is resilient,
her reflection warped by someone else's ideas.

She can't bring herself
to think of what she has left.

As I looked up
I saw the fluffy clouds
Candyfloss
I want to go up there
This expanse was binding
I wanted to observe
So I lay down on the green lush grass
With my eyes open
Blinking was not permitted
My eyes watered
But this was one beautiful gift of nature
That I couldn't miss
It was everlasting
Is it real?
I want to  dance on the candyfloss
Like I jump on a trampoline
I want to be carefree again
I want to live again
I want to go up there and play
I want my childhood back
I want my innocence back
I want to go back
I want to grow up again
Mend  all the mistakes I made
Start afresh
On the clouds that dance
In the sky
So fresh.
Let's go
Let's take the omnibus
And jump on the clouds
Like carefree kids again.-L

Flesh hooked on lampposts (ribbon-like)
Railings, bus stops, fences too
Unlooping miles and miles of eager skin
Colouring the pavement with vivid

Bone strung like windchimes (hoisted high)
In all the brightest places
Mainly on rooftops, we have an affinity
The sun splatters them pastel each day

Muscle- candyfloss on benches
Warm, thick (seeps into their mouths)
Chunks of wriggling bliss in the tighest corners
Embossed with sweet disaster sprinkles

Me me me; the essence of Me
My pulse spread out across the city
My veins in the underground
My heart cut up onto various plates
The pieces will take years to be found
And they're not all mine anymore.

But under the ivory moon
When I'm sighing, "I'm lost" to each night
My city rocks me straight to sleep
And walks me through the dying light
So while I'm here, my soul's all right.

it's been a long trip since innocence
the distant city of joy
where my tongue believed in candyfloss
my footsteps in lyrics
sugar coated moments wrapped in colorful layers of truth
so many layers of truth

I since took a degree in doubt
they taught me how to earn a living
feeding fear to babies
selling carrots to dinosaurs
how all immortal things
are shiny posters on double-decker buses
running over bridges at night

fantasies are clinging to minds
like fluff to a sticky tape
when church bells ring till death do us part
I sigh, lift my pint and cheer:
another graduating photo.

The best days
Are not the Best Days
Or even the good days
They are the unremarkable
Inconsequential
Days
When you take a step away from yourself
And observe the rise and fall of a moment
From beyond its swell
When you are driving fast
Through a slow-moving night
And the headlights are smearing themselves on the roads
Like they’re trying to redecorate
And the radio is singing Yellow
And you turn your head out the window
To find a moon hung there
Blue-tacked to the infinity of sky
As thick and yellow as your grandmother’s smile
Or when it is winter and the sun has set
But the world doesn’t want the day to be over
And so pulls a musty, mustardy-grey blanket
Right up to its neck and prays
That the time for streetlights
Will insist on running ahead of it
Or when the shadows grow long in summer
And they fall like dust on the sand dunes
You run down to the sea
And try to hold it in your hands
Until the tide prises it from your clenching fingertips
Or when the sunrise is pink
And the cloud caps skid
Like ice-creams on hot plates
And you can’t help but bask in
The creativity of God
The painter
Who’s masterpiece could simply not be framed
And hung on your kitchen wall
And for a little while you want to be able
To lick the colours and candyfloss
Until someone says that little rhyme
About red sky in the mornings
And a shepherd’s warning.

You make me lose my words.
They seep out of me into the floor,
and hide under the boards with the dust and mice.
Candyfloss tongue, sandpaper throat.
Hurricaine thoughts, tsunami feelings.
I have lost my voice,
It lives in the air between our faces,
and gently settles on your lips.
Drowning eyes, burning ears,
volcano hands, earthquake chest.
I have lost my words,
they have dripped down my body,
and lay in the deepest part of me.
Grounded feet, rooted thighs,
stormy hands, falling breath.
I lose my words, my thoughts, my feelings, my actions, my response,
mmmyy iinnttreppid, stammering, heart,
in you.