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RAJ NANDY Oct 2014
Dear Friends, kindly read the Foot Notes at the end for
better appreciation. I tried to convey some interesting
information in my verses for my few interested readers!
Thanks, -Raj

THE STORY OF ALPHABETS:
PART ONE

INTRODUCTION
Alphabets are the noblest and the greatest of
inventions of our civilization,
For transmitting human thoughts and concepts
through visible notations!
In the olden days those magical symbols and
signs,
Could be written and understood only by the
priests and scribes !
But with the invention of printing, literacy began
to spread, * (see notes below.)
When people began to read and write with standard
Alphabets!
The 26 English letters with which we read and express
ourselves so easily and well,
Has a legendary and checkered past, and an unique
Story to tell !

FROM PICTOGRAM TO WRITTEN SCRIPTS :
The story of writing can be traced back to over
thousands of years you see ,
From pictogram to ideograms and various cuneiform
scripts!
From the ancient Sumerians and the Egyptians, to
the Semitic tribes;
Up to the Phoenicians, the Greeks, right up to the
Roman times !
Till the Latin script got refined into modern alphabets,
And with 26 letters our literary aspirations were met !

PICTOGRAM & IDEOGRAMS :

Ancient pictogram and symbols were painted and
carved on rock walls and caves, -
But speech sounds and letters remained unrelated !
Followed by the ideographic, logographic, and the
syllabic stages ,
Evolving into written alphabets through these different
phases!
Ideograms expressed an idea through visual or graphic
symbols,
Giving rise to Chinese script without alphabets, but
with only ideographic symbols! @(notes below)
The Sumerian cuneiform and Egyptian hieroglyphs
were the oldest of these,
Let me now tell you something about the Sumerian
script !

CUNEIFORM WRITING :
On that land between the two rivers the Tigris and
the Euphrates,
Which the Greek’s called ‘Mesopotamia’,
Rose the earliest of ancient civilizations called
Sumeria!
Those Sumerians used a stylus, - the head of a
squared-off reed ,
To inscribe wedge shaped angular symbols on
clay tablets - for their accounting needs!
These tablets could be dried in the sun to form
hardened scripts ,
And also recycled if necessary, giving birth to the
Cuneiform Script!
The earliest clay tablets date back to 3500 BC ;
While archeologists and linguists could detect
and see ,
That with modifications over the centuries this
script was also used, -
By the Akkadians , Elamites , the Hittites and the
Uratians ;
And scholars say that it was the forerunner of the
hieroglyphs of those ancient Egyptians!
The earliest clay tablets found in Mesopotamia,
Indicate accounting of barley crops by the Sangu
of Sumeria!
Sangu was the Chief Official of their Holy Temples ,
Who recorded all temple wealth on clay tablets, –
with cuneiform symbols !
Herodotus the Greek historian tells us a story ,
About a letter sent by the Scythians to the Persian King
during the days of Scythian glory!
This letter contained symbols of a bird, a mouse,
a frog, and five arrows;
When translated it read: “Can you fly like a bird, hide
in the ground like a mouse, leap through the swamps
like a frog? If not, do not go to war with us, -
We shall overwhelm you with our arrows!”

EGYPTIAN HIEROGLYPHS :
Hieroglyph comes from a Greek word meaning
‘sacred inscriptions’ ,
Consisting of a large variety of images representing
sounds, as well as ideas and actions !
The images were depicted in rows or columns , -
oriented from right to left ,
And the signs were positioned as if looking towards
the beginning of the text!
They were used from end of Prehistory to 396 AD,
And the last text was written on the walls of the
Temple of Isis, on the Island of Philae !
The oldest one dates back to 3100 BC, - inside the
Temple of Ramesses II at Abydos ,
Where Thoth the ibis-headed God, - patron Deity
of Writing and Scribes is seen ,
Holding a scribal palette in one hand and in the
other a stylus of reed ;
And King Ramesses II holding up a water *** , -
To assist the great Thoth, their Writing God !

HIERATIC, DEMOTIC & COPTIC SCRIPTS :
The hieroglyphics were used for many varied
situations; -
Written on temple walls, statues , tombs , papyrus ,
and as monumental inscriptions !
Through its 3000 year’s long history it developed
into three other written scripts; -
The Hieratic, the Demotic and the Coptic, as
reformed hieroglyphic scripts !
Hieratic script was simplified with a more cursive
form ,
Could be drawn more quickly as over the years it
also reformed !
Though used in administrative and business text ,
Also found its way into literature and religious texts!
Around 600 BC it was supplanted by the most cursive
of all scripts,
Herodotus called it ‘Popular’ so it became a ‘Demotic’
script, meaning 'popular' !
Unlike the Hieratic, which on papyrus with a stylus
and ink was written ,
This 'popular' one could be engraved, and also hand
written, -
On a hard surface, and on papyrus by the ancient
Egyptians !
This script was found in the middle section of the
famous Rosetta Stone, $ = (see notes below)
Which for centuries held the secrets of the Hieroglyphic
Code alone !
And finally, during the 4th century AD, when Egyptian
was written with Greek alphabets,
We arrive at the last stage of the Egyptian language;
Which came to be know as the Coptic Script, with the
adoption of the Greek alphabets.
During the 2nd and 3rd centuries AD , Coptic became
the pre-Christian Egyptian language.
However, after the conquest of Egypt by the Muslims
in 642 AD,
Arabic became the main language of Egypt gradually.

A PAUSE & A BREAK :
It is interesting to note that all these ancient scripts ,
Inscribed on rocks , or written on papyrus or
engraved on wooden strips ;
Were written from right to left, with only consonants ,
Without any punctuations or any break!
Till centuries later, due to the innovative Greeks, -
Vowels got introduced to shape up the Alphabets!
Here friends I pause to take a break .
In my Part Two I shall tell you about those Semitic
Scripts ,
About those seafaring Phoenicians who preceded
the Romans and the Greeks;
Those worthy forefathers of the Latin alphabets ,
Which gave birth to ‘English’ with its Anglo-Saxon-
Germanic roots ,
Happily blending with some French vocabulary, -
Making English as unique as it possibly could !
-by Raj Nandy

FOOT NOTES : -
Friends, I tried to keep it as simple as possible for my readers;
adding Notes as explanations & for all knowledge seekers!
= Johannes Gutenberg in 1440 set up the first Printing Press in
Europe. William Caxton in 1476 set up the first printing press in
Westminster, England, he was the first English retailer of books!
* = Lascaux cave paintings of animals in SW France are 16,000
years old! Similar types also found in Spain and Africa!
= Pictogram date from the earliest cave paintings; represents
concrete nouns. Some civilizations like the North American Indians never
ventured beyond pictogram stage! Ideograms – the next stage, represents an abstract idea and verb also.
The Egyptian word-sign showing image of an Eye +a Bee+ a leaf = meant ‘I Believe’, i.e. Pictogram & Ideogram combined ! Since they did not write verbs, we do not know how they pronounced it!
Logograph = each written sign represents an actual word & Not sound of the word!
A tree is shown by the image of a single tree. A single logogram could be used by a plurality of languages to represent words with similar meanings.
After 3000 yrs of use, a large no. of symbols & the chasm between oral & written script made the Hieroglyphs obsolete!
The Semitic people tried to improvise a better script with limited consonant signs only!
@ = The Chinese use a combination of pictogram & ideograms along with complex symbols, but with only through association of spoken words; instead of alphabets!
$= Rosetta Stone, discovered by the soldiers of Napoleon in 1799 in Rosetta. The hieroglyphics on the stone was inscribed in 196 BC in the Ptolemaic Era. The French scholar Jean Champollion deciphered the script, and thereby solved the mystery of Egyptian Hieroglyphics for the world! .
*
ALL COPY RIGHTS RESERVED BY RAJ NANDY
INFORMATIVE 'FOOT NOTES' HAVE BEEN ADDED JUST AFTER THE VERSE.
Kiernan Norman Oct 2012
I
There is a 3% chance I'll find you here. But if in each pair of eyes I dip, I find 1/8 of you; I'll be there soon.

II
I didn't crawl here; I took a plane. I spent six hours tracing the Atlantic from my window and you rose from the sea, dry and unsalted, twice each nautical mile. I would say it was my imagination, or the California wine, but I wear glasses now and never lie about what I see. It was you. And you and you and you.


III
Stealing is easier here. Maybe it's the crowds or the way the men smile at me like I'm harmless, but my hands move without question. They don't fumble or miss pockets, my heartbeat doesn't even protest. In prayer beads, silkworm cocoons, oils and sea rings, I am in debt to a city who doesn't know it.


IV
I have no ethnicity. Deep in bone coils the apathy and flight of someone's non-heritage. But I am forgiven; in a world of paranoia, brown eyes are always trusted and the way my hair falls reminds them that I'm on their side. Even my name curls within itself, folded flat and dead before it's over. It's better this way; no allegiance, no responsibility.

V
From a curb in district nine, I see your star. It's hanging where you said it would be but I can't see god in it the way you promised.

VI
On the other side of the world you told me about a quad of green. You waxed flowers of every color, the sky I've only ever painted and the people, beautiful and dark, who will save me. I found it. In broken French and broken sandals I found it and the sun was setting and you had just left. So now we both know you won't be the one to save me.

VII
With one foot in the slanting gutter I walk until the city circles and I'm back where I started. In a daydream I found you. I smiled and quoted your book, the part that said 'When we heard the guidance, we believed in it' and you looked at me in a way that scared me. A way that translated your face into thousands of alphabets, ancient and invented. And I knew none of them. Suddenly I'm illiterate to you. Suddenly I'm gone.

VIII
I'm with a man who's made of smoke and each strawberry ring that escapes my lips is dedicated to someone that I’ve laughed with.

IX
With the intensity of archives on fire, I withdraw. You are still a body; a few hundred bones calcified and aging, a mind of words streaming like spider webs, blood you never shed, and  muscles that cross in blinding precision, but you are not who you used to be. You bound to me in a way that's irreversible and now we're both stitching. Awkward and broken we pull at flesh to remove each other. We have scars now, like stickers ripped from wallpaper. The outline of a palm stains my shoulder, a thumb the size of yours in the crook of my elbow. Small, white fingerprints tattoo your neck.


X
I might be free. Over cobble stones with broken sandals I don't trip until I realize that a city where I loved is now part of me. I can get as far away from her as the modern map allows but the red and gold bangles that crowd my wrists are not to be taken off. They're a part of me too. Like blood spilled on a cobble stone, you will walk over us every day of your life.
written January 2008. Seventeen.
Kuzhur Wilson Sep 2013
My poetry, which knew it was
the cry of a lonely bird
on a solitary tree
in my village,
asked Spring its name.

Spring began to speak –

The fruit laden Vayyankatha, her thorny pangs, hijab-wearing  Guf, her minarets, Thondi  blushing red with kisses,  her moist lips, orphaned Adalodakam, Nellippuli in a polka dotted dress, Pulivakawaiting for the breeze, Anjili   head towards the south, yawning Cherupuuna, Pera with the names of grandmas scribbled on her leaves, Ilantha blowing into the hearth, Ilapongu rubbing his eyes, Irippa, Atha laughing noisily,Cholavenga in tattered clothes, Irumbakam, Padappa catching his breath after running, Pattipunna wagging his tail, bare footed Pattuthali, Thekku the noblest among them, Thekkotta, Neervalam  recollecting her last birth, Neeraal, sobbing Neelakkadambu, Pathimukam, lazy thanal murikku, Karimaruthu, Karinkura, Asttumayil, Velladevaram, Kattukadukka, the gluttonous Badam, amnesiac Vazhanna, boredVarachi, Nangmaila, Eucalyptuswith a sprained back, viscous red Rakthachandanam, saffron robed Rudraksham, Vakka, Vanchi,  Parangimaavu nostalgic of his ancestral home, Vari, Nedunaar, Marotti with a hundred offsprings, Malangara, Malampunna ,Nenmeni Vaka trying his luck in a lottery, Nelli with a sour smile.

Kadaplaavu doing sketches with leaves, Kari straying from the queue, Kattuthuvara buying things on credit, Kattutheyila boiling over, Kattupunna with a pus-oozing sore, Kumkumam putting a bindi on her forehead, starving Ventheku, Vellakadambu making a missed call, Kattadi standing aloof, her feeble hands,  flowering Ilanji, her fragrant trunk, sighing Aalmaram, Pachavattil, Pachilamaram  gossiping with the chameleon, Panachi,Pamparakumbil, Kadambu memories adorning her head, Kudamaram carrying provisions for the home,  Punnappa,Poongu, gray hairedChuruli, Chuvannakil  singing a folk song, dark skinned Vattil, Kulaku, Karinjaaval, sozzled Pamparam, Chorappayir, njama, Njaaval  tempting the birds, Njaara, Alasippooscratching his palm, Ashokam  humming a sad song.

Ezhilampala chewing on a masala paan, Peenaari wearing a tie, Peelivaka, Pulichakka with a broken leg, Pezhu demanding his wages, Kumbil, Kurangaadi, Kasukka with a dislocated elbow,Valiyakaara, Vallabham, Chavandi, stunning Chinnakil , Chittal with a failed brake, Vidana, Sheemappanji, the loan shark Odukku, Oda  on musth,fatherless Kadakonna, childlessShimshapa, Sindooram with a flushed face, Karinthakara singing the thannaaro, Vellappayir high on grass, Poothilanji showing off her blossoms, sour faced Kudampuli.

Wet in the rain Kulamaavu, Kudamaavu circling around himself, Pari from the netherworld,Poopathiri in a priest’s robe,  Poochakadambu on all fours, Kulappunna covered in a blanket, Kundalappala checking his astro forecast, Pachotti, ******* Perumaram, Perumbal  thinking of the sea, phlegm clogged Anathondi, Anakkotti, Cheruthuvara, Ilavangam, Thanni,naughty Thirukkalli,  Karappongu, embracing Kattadi, Thudali, Thelli, Kara, Malayathi,Malavirinji, shameless Kashumaavu,mud slinging Karuka, Vedinal, suicide prone Attumaruthu,Attuvanchi  who glides on the stream like a fallen shadow.

Mandaram  dressed in white, Vanna, brazen Mahagani, Karivelam doing the accounts,Jakarantha, Koombala, friendless Koovalam, Kattukamuku with his hands around friends, Kolli, Paruva,Krishnanaal with a crooked smile, Cocoa with no one to turn to, Cork,Palakapayyani, Pavizhamalli wearing necklace and bangles, a lonely Mazhamaram, Mangium, Mathalam exposing her *******, Chemmaram, Pashakottamaram, Malavembu, tearful Chamatha, Vatta, Vattakoombitired of running around, smoking Pine, Porippovanam, Kaaluvnthatherakam, Thembaavu, grinningDantaputri, Narivenga, Navathi, grumbling Mazhukkanjiram,Arayanjili,  Arayal playing a game with the wind.

Choola kissing the sizzling wind, Arinelli, Maavu reciting sadly the poem Mampazham,  Chandana vembu, Peraal stretching its back, Pulivaaka, Unnam, Naythanbakam,Karpooram in a slow glow, Naaykumbil, trumpeting Pongu, outcast Pottavaaka, bursting Poriyal, vagabond Ponthavaaka, Plaavu lost in some thought, Pootham  head covered , Ethappana  greening while yellowing, Manjadi, Mullanvenga, Mullilam lifting his dhoti to expose his genitals, Mullilavu hopping around, Moongappezhu, Neermaruthu saying enough is enough, withered Neermathalam ,Moottikkay, Ithi, Ithiyaal, Vella velam, Kalppayir, Kallar, Majakkadambu singing a lullaby, Choondappana wary of fish bones.

Stooping Punna, Matti scared of her big brother, Paarijaatham watching the midnight movie, Paalakal, Paali,Paarakam doing cartwheels, Viri, Athi showing off  her seeds,Ampazhammassaging his chest, Ayani inlove with her son, Manjakkonna, Manjamandaram in search of something, Chullithi with eyes closed, Kallilavu like an oozing rock, Malamandaram eyeing the vultures,Velleetti cursing the thunder, Venga,Veppu, Vraali, Akil, sighing Acacia,Balsa, Blanka, Beedimaram with a rattling cough,  Agasthi, Cherukonna with a sheepish smile, Kambali, woundedNagamaram.

Pathiri, touching his forehead to the ground, his eyes heavenward, Ankolam ruined by debts,Kattumarotti, Kundalappala, Aattumaruthu,Poovam, Erumanaakku, Karingotta, Vediplaavu his salary still unpaid, Venmurikku, Manjanaathi, Manimaruthu jolted awake, Mathagirivembu, Karaanjili  escorting his daughter, Karakongu,Karappongu, Ilippa on her way back, Ooravu half-awake after a dream and with a sucker smile, Ennappana about to immolate himself, fattened  Ennappine,Azhantha waiting for someone, Chorapatri with a cracked head,Sheemappoola,Poovankara, Malampuli, Puli with sharpened stakes.

Obese Theettipplaavu,Malambongu, Chorimathimurikku, Irippa bailing out his friend, Irumbakamwho lost his job, Kunkumappoo, Karinthaali, Scoot, Rose Kadambu, Aamathali, Aarampuli,Attilippucaught in the crowd, Irul  blessed by the elders, Vellavatti, whistling Mula, Kattukonna in a hat, Kaniiram learning the alphabets, broker Cheru,Kattuchembakam exposing his arm pit,Thandidiyan, Neeroli, Ezhachembakam waiting for her bus, Karimbana in a newly constructed house, Karivenga,Karivali writing a poem, Ungu in a baby frock, Udi, Plasha, Elamaruthupromising to meet later, Chembakam dying to hug.

Vellakil who bathes the kids, Vellavaaka who forgot his umbrella, Attuthekku who failed the exam, lustful Aattunochi,Malanthudali with her legs spread, Malanthengu with chest ****** up,Malamanchadi who is learning to count, Malambarathi exposing her *******, intoxicated Aval, Arana reciting the poem Karuna, insane Alakku who dashes off to the temple, Cheru who cannot stop washing clothes, Kudappana ready to elope, irreligious Jaathi, Silver Oak laughing boisterously, Kattuveppu waiting for the kids, Sumami ******* on a toffee, annoyed Parappoola,frightened Pinar, Ithi stopping her ears at swear words, Ithiyal with lots of smiles, Kovidaram with music in his mind, Ilakkali showing her belly, blossoming Ilavu, Chadachi who ***** sadistically, cool fingered Chandanam.

dominating Charakkonna, office going Cheelanthi, Gulgulu glued to Kochu channel, Gulmohur with dyed hair, Irul with a fuming face, early rising Kanikonna, Kanala who has a sound sleep, Karingali  who pees standing, Kambakam with an ***** *****, Kallavi  beseeching to stuff her up, Karanjili  quivering in lust, calm Karaal, Kaari who hums while *******, Kaavalam who naps after the toil,Thannimaram showing off her petals, Thambakam kissing the ****, Thellipayar savouring a *****,Neerkurunda in post-****** languor, Malaya breastfeeding her kid, bullying Kathi, mad hat Eetti,Cheeni  not remembering his mom,  Kunnivaka showing his gums, Kuppamanja who laughs in sleep, Othalanga swallowing poison, blooming Poovarasu.

Spring went on,
reeling off names to me.
The rain the sun the wind and the cold
Rolled in one after the other.
Spring kept pulling out
names from its memory.

People got scared of
my poetry gone wild.
They stopped passing that way.

A snake goes slithering away.
A hare finds its own path and dashes away.
A poothankiri, from a bush, flies away.



(Trans from Malayalam by Ra Sh)
1.      Mampazham (Ripe Mango) is the title of a famouspoem by Vyloppilli.
2.      Karuna (Compassion) is the title of a long poemby Kumaran Asan.
3.      Poothankiri – A white headed babbler.
4.      Thanaaro - An obscene devotional song.
Without ruing all the lost chance
should I tell her once
or now it's really too late
to say what's unsaid from the first date.

Stopping long at the tongue's tip
they're gone into me hiding deep
breathing in heart as one quiet peace
speaking their voice in the bud of a kiss.

But hasn't died their wish to be told
love's alphabets carved in gold
uttered in silence at the sight of her
till today unsaid till now deferred.

Do they need to be told anymore
what's embedded within fondly secured
or is it so from her first date
she's dying to hear those alphabets!
Patricia Drake Feb 2013
An angel arose
from atomic adventures
all arteries aching
awaiting
another armed attack
awaiting the Antichrist
and His adversaries
aching for his all encompassing alterations
alternative altars
and
apochryphal alphabets…
mk Oct 2016
there must be a place where broken words go
the ones without a limb
not fully formed
not spoken right
not heard

there must be a place where broken words go
the sentences left uncompleted
the trailing words that never left the lips
the "but" and the "and"
that were always left hanging

somewhere between silence and speech
there must be a place where broken words go
full of stutters and writers block sufferers
somewhere between the "i love"
and the "you" that never followed
or the "wait"
that was whispered into the air
the "please come back"
that made peace with dying
on the corners of a turning mouth

there must be a place where broken words go
the words spoken but never heard
the letters written but never posted
the train of thought that crashed into the clouds
the words in the bottle that traveled the sea
but sunk to the bottom before it could ever reach

there must be a place where my broken words go
the stains on my diary that didn't come from a pen
and the letters on my thighs that don't make sense
the things i could never say
and the things i said that came out all wrong
all the broken alphabets in my song
that cry for salvation
for one more chance

there must be a place where broken words go
there must be a place i can call home.
Cheryl Mukherji Dec 2014
Later that day, I sat with an empty notebook in my lap to write down thoughts: as a child, the routine was to repeat alphabets until I had them straight but I always started to lose my breath by the time I reached L. That day was no different.

A- your arms wrap around me under the moonlight;
B- the only sound I can hear is the rise and fall of your heart beat;
C- you light candles with the same lighter you burn your cigarettes with;
D- and shut the door behind me.
E- I have always loved how your eyes look into mine and so I do, today-
F- as your fingers move through my messy hair-
G- and I give in as prey.
H- Your hands feel cold on my skin;
I- your legs intertwine with mine under the ***** sheets we’re lying in-
J- and your jaded voice calls my name.
K-we kiss;
L- and I hear you stutter when you say that you love me.
A for apple B for ball
You're cute baby beautifully small
C for cat D for doll
You baby is the sweetest of all
E for egg F for fish
Baby you're my fulfilled wish
G for goose H for hen
I look at you baby forget all pain
I for ink J for jar
You're baby my brightest star
K for kite L for leaf
Baby you're my strongest belief
M for milk N for nose
You're baby more fragrant than rose
O for owl P for pea
Baby your smile makes me happy
Q for queen R for rain
You're baby my richest gain
S for sun T for toy
Baby you're precious be girl or boy
U for umbrella V for van
Loving you baby is all I can
W for wool X for xylophone
With you baby I feel never alone
Y for yak Z for zoo
Rule my heart baby only you
A childish poem, for Lady RF, prompted by my comment on her poem Tree House.
derelictmemory Jul 2013
A
is the ache
You leave behind
when you leave

B
is the broken
Person I was
before I had you

C
is the carvings
on my wrist
that you kiss

D
is the sense of defeat
I often felt
when I was alone

E
is the elatedness
that fills me
when we speak to each other

F
is the friends
that I made
because you believed I had to give them
a chance

G
is the good
I can finally see
that's always been around me

H
is the hope
that you give me
that I'll see another day

I
is the imagination
that graces my mind
when I think of you

J
is the joy
that you give me
even when you're gone

K
is the kindness
you showed me
that fixed me

L
is the love
that I feel
because I have you

M
is the time I mourned
when you were gone
for good

N
is the newness
of the empty feeling I get
now that you left

O
is being ostracized
because I'm too depressing
to be around

P
is the pain
I feel when I see
Happy couples everywhere

Q
is the quiet
indifference I feel
towards every **** thing

R
is the refrain
it takes me
not to plunge that knife
into my throbbing heart

S
is the suffering
I feel to get through
every ******* day

T
is the torture
I put myself through
looking at our old photographs

U
is the underwhelming
need to live
dissipitating day by day

V
is the vows
you promised to make
but you didn't make it.

W
is the words
you used to say
to make the pain go away

X
is the mark
on the calender
of the anniversay we didn't have

Y
is the question
I ask everyday
since you died

Z**
is the end
of this poem
of our love
forever

All these alphabets
mean something to me
no amount of morphine
Takes the pain away from me

You made me happy
and now that you're gone
I'm back to the ghost
I once was
Mateuš Conrad Oct 2015
as i once wrote... and i’m not about to change my mind
as to how i managed to spot the two major tools
in language, but for added SHOCK value,
ich kampf... the pronoun takes on an indefinite nature,
as does the complete expression,
it expresses future struggles more than past struggles,
and thus with future struggles there is a process of becoming
rather than being, hence there is no possessiveness
in relation to the past, for a translation into the future;
utilising the definite and indefinite articles within the pronoun
category is my keenest of all observations - the struggle in itself
is as indefinite due to the coupling with the pronoun that allows
dis-possessiveness of concepts, whether they be being at ease
or struggling... as such i know this is incoherent
because the meanings of certain words are so tightly knit that
it is bound to happen, a bit like red and crimson / blue and azure,
but that is as much due to schizoid conditioning of a symptom,
whereby a schizoid conditioning is a complex splintering of
what was once wholly unified, and upon dis-unification the unified is trapped
in a trans-grammatical state of symptom, without any categorical
orientation, whether that’s with nouns, verbs etc.,
primarily stressed by what i can only fathom as pre-nouns
(you know, the vocabulary unit
before new words enter our vocabulary, mostly nouns -
since the quality of things rarely changes -
like sodium and lady gaga, the pre-noun is almost
like a pronoun, although the pre-noun is kept
in a dark room and the pronoun is kept in
a room with a lightbulb),
that which could be uttered and is unnecessarily “thought.”
so through this medley i was only crafting a revision as to whether
call the compound ich kampf within the orientation of:
ich is a definite pronoun or an indefinite pronoun?
and if so... which pronoun orientation in terms of articulation makes
the second aspect of the compound definite or indefinite
for the overall persuasion?
well... anyway... it will make me think rather than read knausgård,
i already read kierkegård - søren
(ø = cut open o for a u, and angstrom = aa, i.e. roll over beethoven):
this is why english is problematic compared
with all the other latinised languages of europe...
due to its diacritical ****** / lack of accent stressors,
ø = u and oo: ***** / luck / pull -
the second use of u is less stressed in the sense that it's short,
a short / dwarfed u (ù), rather than the third example of u,
which is a long / pronounced u (ú)...
or as in the first example the elongated u (ū)
by god,
this is like forging a new linguistic system
in english from all the other languages of europe...
avoiding the linguistic notative system,
characteristic with: /ˈæŋstrʌm; -strəm/;
but obviously that would make spelling words in english
look pretty ugly... but not as ugly as LOL *** ***?!
i never got the hang of the teenage acronym alphabet,
even though i lived as a teenager, and the acronyms were already
in use.
Nat Lipstadt Oct 2017
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~


This is not a poem.  This is about a poem.

Poems require words.  This poem does not require words.

This poem requires memories' muscles.
This poem requires what is called colloquially love.

Learn that what we share here is not poetry.

Your poetic senses that produce the words that mark you present
are but surgical tools to extract, release the whole and the parts of you that help shape that single sense borning in your chest that defines you at any particular moment.

Quæ est mater Laureat.

She is the Mother Laureate.

She is the boundary you must learn to cross to be more than a re-arranger of letters and alphabets, but a translator of the human essence and fill our veins with the a sense of awe and wonder felt when we read each other and think aloud,
"yes, exactly, that was and is precisely what I was feeling."

She is the glue that keeps us sticking here, sticking together, each of us sticking to it.  

You do not know her?  
No worries, she will find you when you least expect it, perhaps
when you need it.

This is not a poem.  This is a human who's a poem.

Understand the difference and then you may begin a journey
that has no destination other than weaving the connective tissue that makes us anticipating excited when we log on.

Happy Birthday Mother Poet Laureate!

I do not think I can write a better not poem for you.  
Forgive me then, if going toward, I repost this every
October 24th as long as the chemical composition of
blood, God, spirit, logos or reason runs free within,  
exiting as words encased in tears that formulate into
human poetry.

nattyman

P.S.There are 800 poems here with Sally in the title, and least 700  are about Sally B.   If you like, please  feel to free to add yours, old or new.
andrew juma Aug 2016
Crawling over broken glass for adoration,
Acceptance and fulfilment
The heart beats fraily
Hemorrhaging with disappointment

The world spoke promises that never came back
Occasionally they echo in mocking reverberation
The D man below eager, drinking and licking
Every drop leaking from my sour cuts

The world is beautiful with its facades
Encouraging young roses bloom beautifully
But then they wither sadly
The sky leaks happy showers occasionally
That dissolve in a sea of sourness

I look out from my pensive window
Streets are washed in acidic struggles
Trees suffocated and emaciated
Someone once cared for them
Now they don't

Sadistic eyes stare at me
As i watch the world from my window
I dare not step out, I retreat to my cocoon
Where it is just me and my faithful alphabets

Unconditionally the love
Faithfully they never let go
I roll and twirl them into a bandage for my wounds
So the horned man below does not **** life out of me
Poetic hope
vircapio gale Oct 2012
Haiku:

hiking new forests
mountain homes of moss and dew
more roots deepen


berries ripe
dot taiga heath--
alien planet


yellow blazing sun
'packin'rocks'
from maine to georgia


pain born hero
in oven boots of blood and pus--
summit breeze


barefoot hiker
calls herself 'FearNot'--
toes enjoy same mud


snake rises up
fangs gleam at water lair
cold spring quenches all


***** at each view--
water comes in and goes out
like a filter


at waterfalls, swans
alighting air-- noble poise
on the way to sea


gunas intertwine
my sweet mountain hunger paths
bitter taste of bark


sour grass
garnish of an earthen tract
saliva honeyed


strands of spider flight --
i too catch myself making
web after web


"nature loves to hide"
hidden hermit roars of all
strife and fire flux


spider bite at dusk
afterswing of scenting food
shoo the meal away


change becomes the same--
people streams talking pixels
aging static web

symbols set in light
speed of optic living nodes;
clicking finger fibers


websites spin and stick
plastic tropical alphabets
ant waves clean the keys


fueling in process,
living fossils already
drilling seas--on earth


give or take six months,
happy birthday!
two seasons gone


Haibun:*

A mountain poet has come to the city, blisters pushing up his toenails. His smile spans 15 blocks of concrete and rebar. Strangers coo to see his sunshine gait but cough at his aroma. Hospitality is found after all, in parks and in the drunken streams from clubs gregarious for midnight novelties.

poet's apology--
not exactly 'myself' to
license gratitude
when time gifts symbols distance--
terror war towers still fall

Emergencies of all sorts force their way into my mind, as I live, sometimes as I write. Ambiguities serve as fulcrum nooks for meanings incompossible to hide, not being ready to share what can't be shared, obscurity offers the ineffable reprieve to be spoken nonetheless.

peering in the word--
sound signs meta symbol
witty sea of *****

property stings
abstract fights to earth
mixing labor

i found a haiku
on my coworker's desk--
where is the frog pond?

dad drinks alone--
photo recalls sunlit leaf
and beer can stare

opining fire false
freezing hearts with argument--
cold spring, winters warm

It is with the love of a child that I write, wincing harder into that self-given 'Indian-Burn' of cathartic fetish and psychological indulge. Where is maturity, and what use is it when faced with endless ground-zeros? Still open to answers, still unwilling to speak plainly or straight about the blanket crookedness and blissful meander that colors life most vividly. I imagine dacrygelosis understood.

thawing pond
creaks in headstand calm--
autumn air released

night's insight pierce
heralds migraine's ease--
gong of moon or sun

on dead wood, against
live trees, hours of *** by
mycelia blooms--
fragrant rot and sweat collide
skin spotted with forest sun

love signs everywhere--
two trunks spiraled
in a yellow wood

vocal awe resung
this is love! this is love!
deep summer fruit

rub of bark                      
vast forest sways across skin
                        naked expanse

My broken alphabets dance
on the first page for a preface;
My writing pen’s nib is now facing a soul;
I long for a wild word; a long sentence;
You became a deep ocean;
I am your throat to drink you away!

My scattered thoughts blaze
on the first language for a phrase;
My waiting mind’s tip is now chasing the body;
I hug for a soft touch; a heavenly lust;
you became a flooded river;
I am your tongue to spit you away!
*
BY
WILLIAMSJI MAVELI
williamsji@yahoo.com
www.williamsji.com
From MICROTHEMES, a collection of short poems, by WILLIAMSJI MAVELI.
Àŧùl Apr 2015
A: Admiring everything done by the lover
B: Beautifying all habits of the lover
C: Caring always enough for the lover
D: Demonstrating love to the lover
E: Experiencing pain of the lover
F: Flirting exclusively with the lover
G: Glorifying all qualities of the lover
H: Holding hands with the lover
I: Inching closer towards the lover
J: Joking sufficiently for the lover
K: Kindling the flame with the lover
L: Loving every bit about the lover
M: Moving together with the lover
N: Never-ending love for the lover
O: Obeying with wishes of the lover
P: Praying for success of the lover
Q: Qualifying in the eyes of the lover
R: Reinforcing trust with the lover
S: Softening preferences for the lover
T: Trusting forever in the lover
U: Understanding words of the lover
V: Valuing all the feelings of the lover
W: Willing to always help the lover
X: Xenophiling always with the lover
Y: Yearning often to be with the lover
Z: Zooming in on the positives of the lover
Not exactly a conventional poem.
:-)

My HP Poem #824
©Atul Kaushal
Alphabets are key
for impressive
communication skills 
for onscreen display
RAJ NANDY Jan 2022
Friends, this is a short poem about naming of the mutated forms of Corona virus. So far the names of the variants ‘Delta’ and‘Omicron’ have been taken from the Greek Alphabets which are 24 in number. But the Chinese who gifted the World this deadly Corona virus, have around 20,000 charters for their use. Therefore, they have a wider option to choose from for naming the virus when it mutates  in China in the future. With Prayers For a Corona Free World, - Raj Nandy, New Delhi, 09 JAN. 2022

+NAMING THE CORONA VIRUS VARIANTS +

MY FRIEND ASKED ME ONLY THE OTHER DAY,
DO YOU KNOW THAT OMICORN VIRUS IS ALSO
SHOWING FLASHES OF DELTA VIRUS THESE
DAYS?
I TOLD HIM I ONLY KNOW THAT THE WORD
‘CORONA’ HAS BEEN DERIVED FROM THE
LATIN WORD FOR CROWN WHICH IS ‘CORONAM’,
AND THAT ON 11 FEB 2020 W.H.O. NAMED THIS
NEW DISEASE AS ‘COVID-19’, WHICH IS SAME
AS ‘CORONAM’.
IN THAT CASE HOW ABOUT THIS ‘DELTA’ AND
‘OMICRON’ MY FRIEND HAD ENQUIRED.
I TOLD HIM THAT THEY ARE MUTATED VARIANTS
OF CORONA, USING THE TWO LETTERS OF THE
GREEK ALPHABETS BETWEEN ALPHA AND OMEGA.
NOW MY FRIEND WAS AWARE THAT THERE ARE
24 LETTERS IN THE GREEK ALPHABETS.
SO 22 LETTERS ARE STILL LEFT TO CHOOSE FROM, -
AT A FUTURE DATE;
LETTERS LIKE BETA , GAMA, LAMDA, MU, SIGMA AND
UPSILON, AND SO ON.
BUT THIS VIRUS SHOULD DIE DOWN BY THAT TIME
I HAD HOPEFULLY REPLIED.
BETWEEN ALPHA AND OMEGA THERE WOULD BE
SUFFICIENT  TIME!

BUT IN CHINA THINGS ARE NOW GETTING
OUT OF CONTROL I HAVE HEARD.
EVEN FRUITS THERE ARE GETTING CONTAMINATED
WITH THEIR HOME- MADE VIRUS!
FOR THAT YOU NEED NOT WORRY AT ALL MY LEARNED
FRIEND HAD CONFIDENTLY REPLIED.
THE CHINESE HAVE MORE THAN 20,000 CHARACTERS
INSTEAD OF ALPHABETS, - ON THEIR SIDE!
BUT THE CHINESE HAVE TO KNOW ONLY BETWEEN
3000 AND 4000 CHARATERS FOR THEIR DAILY USAGE.
WITH ENOUGH CHARACTERS TO **** THEM SEVERAL
TIMES OVER, SHOULD THE VIRUS CONTINUE TO
MUTATE AND SPREAD!

WHILE I PRAYED FOR THIS CORONA VIRUS TO
DIE DOWN AND FADE,
WHICH HAS BADLY SHAKEN UP OUR WORLD
AS ON DATE;
BUT AS A POET I ALSO SEEKS ‘POETIC JUSTICE’
FROM THE GODS OVERHEAD, -
TO PUNISH THE COUNTRY RESPONSIBLE FOR
ITS INITIAL SPREAD!  AMEN!
                                    -RAJ NANDY, NEW DELHI.
When we are kids,

Alphabets are broken pieces
lying scattered in the book,
and
when woven together
magically
creates a sentence,
a story
and
our name.

Sparkle In Wisdom.
15/10/2021
Ugo May 2012
EXU
Ever heard your voice take a trip mid sentence
And start scrambling eggs,
Ending sentences with verbs,
Mixing Soy sauce with Bacardi
And chasing the laughter down your throat with onions

Cuckolding in the middle of the afternoon
Where violet doesn’t recognize blue
As a hue worthy enough to frolic with the afternoon dew,
And then your brain smiles to your ******

And you choke on a giggle
And wiggle an index finger just a little
And remember black widows
Were once angels who bought into self fulfilling prophecies

Like wearing Armani suits barefoot
And breathing through your skin
Hoping life doesn’t die in your arms
And leave a beautiful corpse
With great stories suffocating inside

And make the subpar ambitions of an unborn child jealous.
Now ever heard a genius cry?
‘cause then you’ve heard an artist cry.
Ever ate pork fried rice on a Sunday afternoon?
‘cause if you have you’ve heard the words of Leviticus cry.

Ever read these written words?
‘cause if you have you’ve heard memories die
And pains scream in alphabets of pleasure—
The universal language of immaculate deception
That sweeps through every tongue in involuntary pneumonia

Like waltzing to the Amen’s of the devil
With oxygen choking your nostrils
And monoxide nodding your fingers to pull the trigger
Of death dancing on the tomb of your destiny

Like how a dose of metamorphosis
And a 1mg of juxtaposition
Is the repertoire of a king of curmudgeon.
But ever heard a musical note?  
Then you’ve heard the story of how joy lost the war of happiness to bitterness.

Ever heard the sound of silence?
Then you’ve heard the face of evil and the thoughts of serenity
Joined at the hip of rock of Gibraltar,
Nodding heads at the gospels of Gothic prophets
Spewing sermons of a perfecter way to word the meaning of love.

Ever heard a Mockingjay sing?
Then you’ve heard the lullabies of suicide,
Like falling from grace from the eyes of your one true love
And landing on the plastic bag made of her silence
Only to wake from the land of death and catch your voice breaking at mid sentence
And mend it with the lies of sunshine that you call your life.
http://www.amazon.com/OLAF-Nothing-Above-Fiction-ebook/dp/B009XZ9OVY/ref=sr_1_1?ie=UTF8&qid;=1353822133&sr;=8-1&keywords;=olaf+last+king+of+nothing
Swarup Som Jun 2013
Wrapped in a sensitive shadow of frozen alphabets
They engrave an intimate definition of private insanity
Quiet tremors freeze an unknown violence
Leaving to eyes to bury the dregs of scarlet shame
the words stopped coming.
not to my mind,
but to my mouth--
forming in the chamber of teeth and tongue,
out with my breath,
into the air(
creating)
what we call
'voice'.

bottled up letters
filled my brain to the brim
like a stack of  tethered
dictionaries
that mildewed
and smell of
doubt and old dogs
with no new tricks.

the gathered dust
on my lungs-- look
closely enough it is
alphabets upon alphabets--
the unspoken sentences
my heart forged
and mouth rejected, swallowing
them back, crumbling
them into
a graveyard of lost
thoughts,
killed by the fear
of being an unsolicited
opinion.
Mateuš Conrad Jan 2020
.i do expect you to become lost in this labyrinth - at least that's what i'd rather say - sleep-deprivation is for "some" reason to escape the mediocre of having catched the "8 hour wink"... or whatever the Minotaur wouldn't call it... because i wouldn't call it a "problem" of "gender-neutral pronouns" either... i would call it a "problem" of noun-acquisition-status of letters; notably in greek and hebrew.

friends of "the" family have been looking
for on fb,
****... the caron S (š) will not do!
i need to use two alphabets that...
did not nurture yiddish into existence!
cyrillic didn't accept hebrew...
it'll have to do...
it wouldn't be enough to simply write
my name in cyrillic...
and no... in hebrew no less!
since the vowels are hidden...
and inserting the proper hebrew vowel...
it still wouldn't matter that...
my surname is missing... the galician germanic
e(ch)lert or the e(sch)lert...
no... but how is one to insert
the right kind of vowel: all in hebrew niqab
harem of diacritical markers subscript...
when... you don't have...
enough letters as nouns as scientific
constants as the greeks... do...
i guess only η (eta) stands out as a sore thumb /
black sheep... but i am bound to be wrong,
in the meantime:
well it's hardly a letter-with-a-noun
inclined akin to alpha (α) -
otherwise all is well...
we use the prefix prime (the grammaton per se)...
and discard the suffix when constructing words...
ergo? a-lpha...
and so an so forth...
till be arrive at...
blasting your ears nearing deafness because:
beethoven's mrs. H is:
music so you have to shout over it!
loud! what?! loud music!
loud music what?! loud music
to shun the "pain"...
oh... see you in one of those classes
when you can write sign-language for the dead
when you've been allowed to write braille!
see you sputnik ****!
yeah, see you deaf in one year divine John!
but you get the promise that's:
not your everyday latin castrato sing-along...
those greeks sure have all the best
science... stabilizers... not a lot of songs
to sing along to... because their letters
are also noun-status: also have noun-status...
otherwise the ol' prefix use...
and the suffix recycling centre...
a word like: matter...
well...
   ματτερ - no... i will not use the greek word...
i'll state... mmm... hm!
mu implies m- and cutting off the -u...
alpha implies a- and cutting off the -lpha
tau implies t- and cutting off the -au...
epsilon implies e- and cutting off the -psilon
rho implies r- and cutting off the -**...
and so... we have the word matter...
and the recycled materials for...
some other words...

hebrews? hebrews do have... noun-status letters...
(א) aleph - what's vogue?
inserting the iota into the omicron that's
the marriage: φ (phi)...
or whether it's the turning of the iota in
the omicron to provide the opening of the door
θ (theta) to see: that light at the end of the tunnel
delta (Δ)... again... it's only aleph we're "investigating"...

the other letter in hebrew with a noun-status?
(ג) g'imel...
another is (ד) d'alet...
(ז) z'ayin...
(ל) l'amed...
(ס) s'amekh... most certainly (ע) a'yin...
(צ) t'sadi...

interlude: what is the distance
between (א) a'leph and (ע) a'yin?
a kametz...

now we can "debate" - noun-status letters...
the greeks are in the same sort of pickle
as the hebrews...
there can be a debate whether...
the greeks have more than:
alpha, beta, gamma, delta, epsilon, iota,
lambda, omicron, sigma, upsilon, omega
as noun-status letters...

why? because it becomes silly...
(ק) qof and (κ) kappa...
(ר) resh and rho (ρ)...
(שׁ) and... well... to be honest...
that's heading into cyrillic territory...
and the caron S (ш)...
given (ס) samekh and sigma (σ)...

this always happens to me when i come
across a hebrew...
even if he's old and riddled with dementia...
i see him with his polish bride
and i see a "romanian gypsy"...
the feeling is... strange...
this hebrew is like an old cousin of mine...
but it's always a touch of magic...

i am not good at solving crosswords...
(כ) 'xaf' and chi (χ) -
perhaps i have exagerrated the letter-as-noun
status on some of this greek and hebrew...
tightly-knit bed-fellows...
as the boasting resounds in the labyrinth
of the rise and fall of the roman empire...
and the barbarian attempts to have
settled the lands near the seven hills...
and revived the eagle...
spec-ta-cu-lar failures!

the germans should console themselves
with having a crow on their marching banners...
and polacks should...
satisfy themselves with the unicorn myth
of an all-white bald eagle... albino eagle...
and so the harry potter: minus ***** 'arry
can have their unicorns, swans,
honey-badgers, welsh dragon,
st. andrew's gryffindors... etc. -

name, a name... i need to... change it...
obviously...
no hebrew vowels will be used...
since... their use... is devoid of what's already
concrete usage of diacritical markers
in established letters...
if cyrillic and hebrew is to be used...
and not greek and hebrew:
because... well thank you for the new testament
riddle... let's move... away...
to "greater" / other... things....

i can't use a kametz alpha
a tzere epsilon
a chirek iota
a cholem omicron
or a shurek upsilon (omega)...
so all the vowels will have to by cyrillic...

my... latin, name?
mateusz konrad... let's drop the surname...
let's call it a game of:
ibn... or ben... matthew son of konrad...
and since i don't have a... confirmation name...
what name? i would have chosen: Isidore...
after the saint of seville...
or... Ignatius (of Loyola) -
the only fun part of going to a catholic school
was... learning about the counter-reformation
and writing an essay about it...
and their library was decently stacked...
so... plus plus...

this is but a simple exercise...
first the name in cyrillic...
there will not be a full name in hebrew...
which i'll probably lace with greek...
and it will still make all the more perfect
sense... should it be transliterated back
into anglo-ßaß...
yeah: why i don't have a girlfriend...
with these sort of interests?
i guess an hour with a *******
once a year is enough for me...
and for womankind in the hospice of omni...

just following the laziness
of the russian visa authorities are the embassy...
they didn't translate mateusz into matvei
or konrad into: Дракон...
мат-вей...

these are the sort of idiotic tier-1 level
кaцaпс... working in the russian embassy in Loon'don...

because i was never going to be the матвей
who'd **** an илoнa like the 300 deadly mongrel
saracren mameluks or the spartans... no...
i counter the 7 headed beast on her
with every ****** in that one night
i was making my final goodbyes...
but keeping the mikhail bulgakov novel...
through a repose in Warsaw and...
i finished what, "apparently" i wasn't supposed
to finish...

and she is one of those troubled girls...
every ****** partner that meant anything to her...
she will have a tattoo of that lover
on her body... i know my place on her body...
it's on the right shoulder-blade...
the tattoo is of a dragon...
i know because i've met girls like her...
elsewhere...

even as i was being driven home after taking
my mother for her rheumatoid arthritis check-up,
blood test, x-ray... and the pakistani cab-driver
was talking about all the precautions he needs
these days: video ahead of the bonet for insurance
policy... a camera looking in...
and audio recording on his smartwatch...
because what he said... didn't surprise me...
i once picked up a spanish girl - Tamara in a club...
and she decided to take me home
for a one night stand...
as we were approaching the house she was
sharing with three homosexuals
she decided to jump out of the cab...
and make a runner... i calmed the cabbie:
i'll pay for it...
we tried to later **** the hetreosexual way
with her calling me angel because
of my "erectile dysfunction" under the bed sheets
in that putrid smoke of cocoon ***...
like the birth of a rancid moth embryo and
choking from the heat of dust and alcohol
and... what i am alluding to is that some girls
do jump out of cabs to avoid paying the fair...
i knew what the pakistani cabbie was saying...
she owed him 40 quid...
he filed the whole thing to the police...
she accused him of ****** assault...
the story would have fit...
she run from the cab when he tried to sexually
assault her... but... he did have
that audio recording from his smartwatch...
in the end the girl was fined 700 quid...
which is nothing... compared to...
what's that called in h'america? a false accusation?
slander?
i know that girls jump out of cabs...
to avoid paying the fare...
i drove with one... who did just that...
i guess she was so used to this act that she
forgot i was sitting next to her...

- all the *****... but then all the chem-soup
post-psychiatric *******?
the ***** i can stand...
the pills are just tasmanian devilish when
it comes to catching the perfect
battery insomnia recharge...
and always meeting and respecting
the elder of the group darwinistic:
prat pact... a hebrew...
there always needs to be a yew
a *** in the equation...
no... not some english society
uncle tom worth of a high society rabbi...
i mean a jew that will support
west ham... because...
it's an irrational team...
it can fathom beating chelsea (A)...
but then... "forget" to win against...
for god's sake! Norwich (H)!

i know! i know! joseph conrad took his place!
here's my part anagram!
Mатвей Дракон...

the near non-existent diacritical presence
in the english language...
well... no "surprise surprise" if...
you're starting with
и (i) or rather (ı)...
and what's being the flock of salmon
up the river, being caught?
the j but not (ȷ)... imagine my... "surprise"
that the russians arrived at...
и and ı - in tow... ȷ and the й...
the breve...
parabolla or... my eyes only see
the microscopic details when someone
will simply slurr?

- borrowing from yesterday and...
in the early night of winter standing
in the garden with four potatoes
and something else...
looking up at the sky...
i am used to seeing unusual "things"
in the sky -
i'm not unusual when it comes
to having seen a u.f.o. - fluorescent
and squid like in colour -
but i'm also the sort of person that
would carry a few beers for such
spontaneous encounters -
rather running around like a raving
lunatic armed with a camera
filming the whole thing...
i have no proof: i hope my words are enough...
and if they're not?
well... if it can be seen with a naked eye -
i don't need to blink via a technological
feed and argue about: quality of the picture...

but even i wasn't ready for...
what i saw today...
those are roaming stars? aren't they?
and i really did forget to count how
many moved in the same direction
askew - one by one with equal distance
between them - before the distance between
extended - there must have been more than
10 - i'd say there were around 20!

is this always how things are -
when one contemplates the tetragrammaton?

part anagram? well because the russian
do have a version of the hebrew matisyahu...
but they do not have the german conrad
in their language...
probably as to why the germans do not
really have... a yuri or nikita in their language...
nikita after all sounds more feminine than
masculine - anyone could with hindsight
speak of mr. rocketman's lover of
the same same... as not some russian beau
example of the fairer ***...
but a comrade khrushchev...

- and why wouldn't i call those russians
that work in the russian embassy in Loon'don
кaцaпы? for one... they just type letter for letter:
a mateusz / a matthew is a мaтэусз...
for all "legal" purposes...
they already have the сз = ш...
bureucratic purposes...
and no wonder some are like:
how do you say that?
too many consonants some add...
and i really did think that all of us were
allowed to be fully literate...
that's not the case... blowing my own horn...

having a wet ***** over: because i like my given
names... perhaps that's why i didn't want
the confirmation option of being allowed
to change any of my given names: legally...
to one of my own chosing...
when i was 15 / 14 i didn't even known
or think about a name like Isidore...

when the german name became coupled
with a hebrew loan...
otherwise the russian with the first
being an anagram... drakon -
Mатвей Дракон - it's just a name -
it's my name - what's in a name is what's
precisely not in anonymous names
.666 handles and avatars on the internet...
i can own my face - and i can own my name...
because - i kind of like it...

again: on in russian can the west slavic
C be distinguished from the K... Ц -
and back into the cyst of the western lands...
Ç or what came with sigma's tail...
it's so... boring... to have less the different
sounding letters - given no diacritical markers -
and only the "exotica" of spelling -
all the metaphysics in the world combined
and concentrated in greenwich...
but no real orthography...
i could begin the day by bemoaning this poverty
of the english language...
oddly enough as both the outsider coming in...
the immigrant who became a citizen...
and as the insider coming out and coming in
again on that expatriate spectrum of
working from the thesaurus: IMMIGRANT...
for all the beauty of Macbeth...
i can have to ruse myself to bemoan
conventional english... the formal english...
the antithesis poetica...

but i do somewhat "know" why it's called
a tetragrammaton...
i wouldn't classify any of the letters that make it up
as noun-worthy letters...
the kametz (a) and the tzere (e) are nouns...
and letters... but you don't see them when
the hebrew doesn't exfoliate and is left
crude with "missing vowels" for the gentiles
to read...
saying that... calling ה (he) a noun is pushing it...
as is calling ו (vav) a noun...
or י (yod) - although...
the yod could be allowed a noun-status
as... an apostrophe... or a version of the caron -
but the remaining letters of the tetragrammaton...
are "syllables" in that they are consonants...
and when the tetragrammaton comes face
to face with noun-status letters of its own
universe: g (ג) gimel, d (ד) dalet, z (ז) zayin -
l (ל) lamed, s (ס) samekh, ц (צ) tsadi -
resh? shin? the gates are open to allow the question
in... but when...
there's also siamese Adams aleph (א) and Ayin (ע)
being and nothingness respectively...

what could Islam possibly offer me...
intellectually?
when i once asked a muslim what...

alif, lam, meem                                      meant...
he replied... only god knows...
so i thought... only god?
i must have been talking to one of those muslims
who have arabic overlords...
before they can catch a whiff of the almighty
blah'llah...
ا, لَـ, مَـ
again... greek only touches upon...
the initial - the medial and the final
version of sigma...
isolated you would see the capital sigma...
Σ - which could also be treated as the initial
letter - given that the σ looks more like a medial
form - although it's also initial -
whereby ς is the final form -
almost like the english: 's... apostrophe s -
which could be claimed to be an article of possession...
or the plural article when the apostrophe
disappears - or when the ς altogether disappears
when: the possession is plural:
a teachers' strike... e.g.

no not with a fatha - we have our own diacritical
markers... thank you...
but good question...
so... why is the meem written in an isolated
form in the word - yawm (day)...
but not in a final form?
but i do not write in a squiggly line in this digital
arena... perhaps my language looks simply
written... oh yes, the aesthetic of the arabic script
is always stressed...
but even the hebrews think like the greeks
and the latins... in a way...
nothing has to flow in one river-wry format...
there's no isolated letter... of a letter -
as there's no initial no median and no final
form of it... but there is a "question"
of the hiding of vowels...
for gentiles and muhammadians alike...

- perhaps some will call it the trans-community...
there was once a dead poets' society...
evidently with the rise of de-transitioning...
there's now a nag hammadi library society...
circa 1945 when this library was left unchecked
in the hands of: the children
with too many toys and too many sandpits...
probably that one neu-mecca of san francissco...
at least the dead sea scrolls:
that were unearthed at about the same time...
treated the hebrew far better than
the nag hammadi library treated its children...
and why the former power, the vatican,
didn't step in... to control these text...
as they flew out on a *****-nilly without
herr zensor... herr inquisitor...
i will never know...
the scouts of medicine left... black holes
of having advanced in the field of anaesthetics...
too many toys for the the children
with too many sandpits...

- because i would rather the fascination
with a language... than its immediate...
polyglot acquisition and use...
if i put my head to it... perhaps i could
speak the 7 languages my great-grandfather spoke
before jumping into the Niagara Falls
leaving a postcard sent...
but when i peer into the details...
i quiet like these two trenches of mine...
this english this canvas and my eye toward
the east and the south and semites...
just because english is a language without
diacritical markers...
a language filled with metaphysical dialectics:
but missing any mention of orthography...

a hebrew might hide a vowel...
and write only consonants on street signs
for a gentile to read...
but then the gentiles' languages morphed...
and a vowel became distinct...
there is A that begins the word: ah-men...
but there's also an A that is invoked with a tail
to point and identify a tree, an oak:
dąb...
so much for kametz being hidden...
if there's no 2nd tier "complexity" of kametz...
but there is one for the visible...
A - vowel - a vowel with a tail...
but without a name -
as all letters are - whether vowel or consonant...
in the litany and choir of the castratos
of ancient Rome...

pause with me...
what music are you listening to?
i'm listening to... years of denial - burning sun
(veyl channel) - 1,319 views...
i like to... find the better alleys of my entertainment...
as i can't hate kevin spacey...
not because of kevin spacey...
but because of lester burnham...
or more to the point...
why thomas newman reminds me of a...
reincarnation of Satie...
not a Chopin or a Liszt virtuoso of the piano...
not a when a hammer strikes
a line of 88 nails...
but when a butterfly chances the here and there,
on a shy-loot of a beauty of scarce sounds...
just the same of nostalgia for this era of
movies borrows me from out any new
suspence... as that sort of nostalgia creeping
into people born in the 1960s who truly
admire h'american movies from the 1950s...
even i am to blame when i feed
a nostalgia - more to the point for the technicolour
acryllic glow akin to...
richard quine's 1958 bell book and candle...
but of course scandinavian existential cinema
of a Bergman would be in black and white...
black and white photographs...
but if we're talking movies?
Undogmatic & Kernfeld - thought experiments...
Amanti d'oltretomba (1965)...

i will have to refine the greek to hebrew to greek
similarities...
an Ezra Pound can hide behind counting
matchsticks and reading into chinese ideograms...
when lo and behold! some japanese *******
comes up with a minimalism of the on'yomi...
or perhaps japanese is a language
that fuses elements of braille?
no point question the matter since
the mongols famously didn't come over to Japan
to add to the already Mandarin caste of
the kun'yomi...

but no... these greek letters are nouns...
even though π is equivalent to understanding
the wheel a posteriori: as a circle -
prior to there was only a wheel but no
knowledge of the dynamic of the radius,
or the diameter...
but it's still a prefix weak hardly a noun...
alpha and beta are nouns because they
denote something - prefix category shared -
but... the alpha and the beta male...
even gamma rays...
what's that? π-networks of coming back
to point (0, 0) in terms of:
no more than three powers of seperation between
you and some random from hugh yawn'khh?
my bad...
but η, μ, ν, ξ, π, ρ (ρ requires delta epsilon
and sigma to imply island of Rhodes)...
τ - but this is not China and tau is not Tao...
to tow is... to tow...
φ, χ, ψ... these could be names...
but ψ is like a crucifix for psychologists...
so these are... but at the same time:
are not names...
working from Latin, "borrowed"...
A (or aye)... B (queen bee)... C (i çee)...
D (dye or dry or d.i.y.)... E (eh? vowel catcher
arm no. 1 of the tetragrammaton)...
surd if the other arm... most notably in gujarati...
or not...
but this leftoever ancient Latin:
                                sing along! sing along!
a, be, cee, dee, e, ef, gee, h "hatch" / hay,
i, jay, kay, em, en, o, ***, que queue cue,
Ar, Tee, U, Vee, ekhs (x), why (y), zee or general Zod /
Zed... etc.
do i remember the "correct", french pedagogic
sequences of: letters of the alphabet?
i thought the whole "game" was about
the lexicon? and the lexicon within the lexicon
of the correct spelling?
are there 26 letters in the english alphabet?
there are! mein gott!
do i have to monkey-play-me-harmonica -
monkey-play-me-the-acordeon and tap to play
the drums... really? now?!
there were never going to be any alphabetical
sequence of events...
if i can remember that there are 26 letters:
the order of the pedagogues doesn't matter...
the lexicon matters... one's own vo(gue)-ca-bu-Larry...
short of Lawrence...
and shouldn't i give up my Lawrence Vogue...
i will certainly to remember to give
the "correct" order of what begins
with abc- and ends with -xyz...
this is the inbetween...
please see fit to spot a sparrow or a typo...

becuase if the british are to be proud of their past...
proud in the sense that it is...
fermenting and all this decline of the west "thing"...
of the people that has to "somehow" welcome
a revival... кaцaпы (plural of кaцaп)
is a racial slurr - designated for russians...
by those who had a pseudo-isarel interlude...
of what was known as the polish-lithuanian
commonwealth - of the last european pagans -
who didn't become the prussians
and made the bavarian spirit rigid
and militaristic...

i find this part of history... rather... infantile...
i have been taught a version of history
through the lense of infantalism...
perhaps science-fiction was the serious medium
of literature after all -
all of the past - if it is to be called a past -
is prescribed by zeitgeist -
my contemporaries' suggestion to be an infatile dream!
it must be a version of infantilism!
at least: that's my response in relation to:
the past having any aspect of being worth
celebrated...
me struck dumb being coerced by a...
genetic archieology of a past...
what some of the current people invest in...
mirror mirror: on no wall beside
mirror mirror: my face...
speculum speculum: well! there's always history
as etymology!
i don't like the word faciem...
where does visage come from?
oh... right...

quest to perfect the algorithms to escape
the everyday speculum was prime suspicion:
to speculate...
i guess any search engines requires:
etymological root...

mirror mirror: my void eating face...
my pulpit of vanity -
my valley of aeons...
my detail of the smirk the demonic glee...
of your most greyish glee...
of no concern for celebrated beauty...
or at best: no beauty to be exemplified
and stealing memory having invested
in the memory of cinema...
mirare mirare: comesse vacare visage meum...

now that's rather different...
isn't it? a history lesson with...
a stress for a post-scriptum in-and-out
"epilogues" (misnomer) and a return
from the trivia interlude back into the narrative...
only with an understudy of etymology...

who do i look like? some ******* ***
who would use such a ***** word as epistemology?
"epilogue" is a misnomer in the context when...
there was never a justifiable metaphor...
a misnomer is a metaphor:
for the **** by the ocean of the shore
in the vicinity to claim town status - Dover -
albino cliffs: more or less...
epistemology is a word most frequently used
by people... who read to people...
encyclopedic entries... cyclopes reading...
all that matters is the cwowd: which is the Velsh
variation of: that already numb-R lost trill
of tarantula bit anglo-ßaß...
which didn't require zeppelins or h'american
spaghetti accent westerns of draw and drule
and drawl...

such a minor racial slur when it comes
to the russians... soviets or red barons...
you must have never visited Moscow or St. Petersburg...
**** the right sort of ******-up russian girl...
and... if you're lucky!
she's take you to... the russian versailles!
Peterhof -
the racial slur stills remains...
a thank you matka rosiya...
satellite son over 'ere: the bellowing from Berlin
is like a sudden plague of hyenas attempting...
no... the foxes are imitating the hyenas...
which is which or rather: which is why?
a mutual agreement: reciprocated...
a great a great much decent ****...
for both of us...
the memory still feeds me...
oh no, it doesn't haunt me:
it feeds me... i could only find replicas
in brothels... i would never dare usurp
this catherine this tsarina of my memory...
i would never dare invest my personality in someone
else... she can be married her... 3rd time...
and this might be her 10th repentence...
of an 11th lover...
on this sinking ship: Potemkin i go as one -
reincarnation or no...
i still don't believe: this hindu myth of:
only a fixed number of people were every to be
born... and the rest are the harsh realities
of the base focuses of animals...
as we somehow drag these n.p.c. mysterions with
us... whether strangers or fathers or mothers...
are you not attached to your grandson:
dearest "catherine"?

such is the tyrany of the hindu polygamy
trans-temporal polytheism...
a diadem with a mouth for an eye...
and an eye for a mouth: or what better way
to salvage this grief of being only being 20 and 21
when having met and having to vow to
allow ourselves our each his and her seperate
lives...
at least some people call it:
the house of lords... and the house of commons...
on a much grander scale...
oh i'm pretty sure tsar (ras)Putin is much amused...

as i am now speaking with a borrowed tongue:
someone lent me a tongue -
i desired to speak with it -
imagine this complete lack of horror with regards
to being lent -
when reicarnation comes to the fore...
i agree: with "him": a most disagreeable
metaphor for... whatever it is the hindus truly believe
to be: the most humane form of
being allowed a human: self-consciousness
and a relationship to all those teenage
*****-dear-diary entries of... precursors
to the menapause and... the blue blood gremlins
of the big pharma pills-down...
the big pharma *******...

unless asked... always in uniform before your "majesty"...
as with any decent *******...
god forbid one of them thinks i'm jesus christ...
come back...
but never with these... grey-area maidens...
this "tool" will not be aroused
on the simple signature end contract promise
of: he made it to the finish line of a one-night stand!
where's the finish line of a one-night stand?
the next day? the *******, the *******...
her ******? at least the new generation
have the... cipher password for sexting...
or whatever has become of a good old fashioned
**** your brains out?
via you **** a plum sore tattoo into my pelvis
with your coccyx like a well balanced
african body of ivory beauty?!
you know the type... it looks like butter
in moonlight... like... what's the point of a niqab
in africa?! it's already... a warewolf has come
among the wolves...
and how i miss you, i esp. miss you when
i sit on my windowsill and listen to foxes
mating...
how those ******* squeal yank and bite nothing
but bone having omitted both the flesh
and the fur!
i miss you the most when i sit at night -
and listen to foxes mating;
after all... this is essex... this is england...
foxes at around 1am are my cognac...
beside ms. amber: and you know you'll also
be ******* her when i've had my fill...
but oooh... look at me: oooh...
gravy...
but i've watched! crows don't attempt fucky-fucky
tow-dollar sucky-sucky bangkokh style
during the die... all that is black that's worth
the crow is done in the night...
perverted pigeons during the day!
****-*******-me-into-a-voyeurism of their
greedy insect esque antics of coo coo...
then jump onto the rucksack of a female...
and all those beta-male pigeons... and that: huh?!
moment of bewilderement when he "thinks"
he has cooed like an alpha...
only the memory of you...
and all the prostitutes after you...
which always made imagining ******* you again
all that more simple; there was no кaкaшкa
with them to begin with.
RAJ NANDY Nov 2014
AN INTRODUCTION TO THE STUDY
OF HISTORY IN VERSE : PART ONE
              BY RAJ NANDY
              INTRODUCTION
The very mention of History brings to mind
many civilizations, its wars, with endless
succession of ruling dynasties and kings;
Its many dates and events, which appear to be
rather dull and boring!
“If history were taught in the form of stories, it
would never be forgotten”, said Rudyard Kipling!
So if a good teacher of History narrates those
events like a story within a broad chronological
frame work,
While skillfully linking the present in light of the
past;
Mentioning both important and lesser known
interesting facts to arouse the interest of his
class; -
History would be better appreciated by us!
Perhaps in its narrowest sense, History may be
viewed only as a chronological succession of
dates and past events!
But let me assure you that History is a dynamic
linear progression, adapting and evolving with
changing times,
As present recedes into the past all the while!
These changes could be environmental, socio-
economic, or political changes faced by mankind.
But we remain as a living part of History all the
while!
Yet while we live through History, we fail to realize
the impact we make upon history and time;
And this is perhaps the very magic and enigma of
History,
Which occasionally lends it a touch of mystery!
Our family album is a record of our history we
create and leave behind at the micro level;
Just as past civilizations have left behind their imprints
in their architecture, statues, literature, and works
of art at the macro level !
History breathes and speaks to us from the distant
past,
If only we could pause to hear its unspoken words,
As the Romantic poet John Keats had once heard!
Keats’  “Ode on a Grecian Urn” composed during
early 19th century, -
Harks back to the Classical Age of Greek History!
Keats waxes eloquent in his description of pastoral
scenes painted on the urn which lies frozen in time;
While Keats leaves behind his exalted and eternal
aesthetic message - ‘Beauty is Truth and Truth
Beauty’, - which shall outlive our mortal time!
So it is with History, like the Grecian urn the past  
remains eternalized in time with its lessons and
stories;
While it beckons us to unravel her mysteries!
For the historian, the architect, the geologist,
the anthropologist, scholars and the artist,
‘’History is a continuous dialogue between
the present and the past’’;
As observed by the English historian and
diplomat EW Carr.
Even though we cannot change the past, we can
surely absorb the lessons it has left behind for us!
The Spanish born American philosopher George
Santayana had said; -
“Those who cannot remember the past are
condemned to repeat it!”
The Dutch philosopher Soren Kierkegaard had
once remarked; -
“Life must be lived forward, but it can only be
understood backward.”
So let us learn from past History to create a
better future for humanity.
For the past gives us a sense of belonging
and an identity;
Since our very roots lie enshrined in History!
By the time you complete reading my entire
composition,
I hope to convert you into a Lover of History
by broadening your perception!

HISTORICAL BACKGROUND OF HISTORY!
Ancient Greece, the cradle of Western Civilization
during the 6th century BC, -
Saw the birth of Philosophy!
Thales of Miletus, Anaximenes, and Anaximander,
from the Greek colony of Ionia on the west coast
of Asia Minor,  (now Turkey)
Broke the previous shackles of all mythical and
superstitious explanations.
With their questioning mind and rational thinking
they sought,  -
To seek the real behind the apparent, and substance
behind the shadow;
By seeking natural and logical reasons for explaining
natural phenomena, -
Free from all previous religious and mythical
interpretations!
Thus, these Milesian School of thinkers in their quest
for truth with their intellectual lust, -
Gave rise to ‘philosophia’, Greek word for ‘love
of truth’, an early birth!
Subsequently, this newly born Greek Philosophy with
its progressive thoughts inspired scientific methods
of inquiry;
Along with Logic, trial by Jury, and the very concept
of Democracy!
The Greeks also inspired Literature, History, Tragedy,
Comedy, the Olympic Games, Astronomy, and Geometry!
Around 500 BC the Greek written script had stabilized,
going from left to right;
And the first addition of vowel letters by the Greeks
to the adopted Phoenician consonants, can never
be denied!
The first two Greek letters ‘alpha’ and ‘beta’ which
gave the name to our Alphabets forms a part of
early History.
Now Herodotus, during the 5th century BC, had
inherited this intellectual Greek Legacy!

HERODOTUS – ‘THE FATHER OF HISTORY’
Herodotus is said to have been born in the ancient
Dorian Greek city of Halicarnassus in south-west
Asia Minor, which is now Turkey;
During the latter half of 5th century BC!
During his days, the city was under the rule of Persia;
Since the Persians had captured the Greek colonies
in Asia Minor!
Frequent revolts by these colonies against the
Persians with help from Athens,
Made the Persian King Darius, and later his son
Xerxes, - decide to invade Athens!
The Persians also wanted to extend their Empire
into Europe across the Bosporus Strait, -
Which divided Asia from Europe in those days!

In 490 BC, when the massive Persian army of King
Darius landed at Marathon as assured victors;
The Athenian running courier Pheidippides ran
150 miles in two days, to seek help from Sparta!
Again later, he ran 25 miles from the battlefield
near Marathon to Athens, to announce that the
Greeks became the final victors!
This historic run by Pheidippides gave rise to the
discipline of Marathon, in our Olympic Games
later on!
Such Marathon runs are now held in many cities
of the world annually,
Thus we remain connected with our past as you
can clearly see!
Years later in 425 BC, Herodotus narrated these
invasions in his famous narrative ‘Histories’.
Cicero the Roman scholar, philosopher and orator,
Had called Herodotus the ‘Father of History’ many
centuries later!
Very little is known about Herodotus’ early life,
But from historical evidence which survive,
We learn about his stay in Athens, and his many
wanderings;
Visiting Egypt, Libya, Syria, Babylon, Susa in Elam,
Lydia, and Phrygia;
Collecting information which he called ‘autopsies’
or ‘personal inquiries’, and hearing many stories;
Prior to composing his famous ‘Histories’!

“THE HISTORIES”: HERODOTUS (430-425BC)
This was written in prose in the Iconic dialect of
Classical Greek,
Covers the background, causes, and events of the
Greco-Persian Wars between 490 and 479 BC.  
Scholars divided the entire work into 9 Books, with
each dedicated to a Greek Muse, - those goddesses
of art and knowledge,
Thereby the Homeric tradition they did acknowledge!
For example, Book-I was dedicated to Calliope, the
Muse of Epic Poetry, and Book-II to Clio, the Muse
of History.
Herodotus begins his narration with these following
words;-
“Here is the account of the inquiry of Herodotus of
Halicarnassus in order that the deeds of men not be
erased by time, and that the great and miraculous
works – both of the Greeks and the barbarians not
go unrecorded.”
Now Herodotus with his lucid narrative style, had
pioneered the writing of History with a specific
framework of space and time!
His style got emulated by later writers of History,
Who improved their narration with better authentic
source and methodology;
Thereby giving birth to the subject of ‘Historiography’.
(Historiography = critical examination of source & selection
of authentic material, synthesis of particulars into a narrative
whole, which shall stand the test of critical methods.)

HERODOTUS’ ‘INQUIRY’ GAVE BIRTH TO ‘HISTORY’!
The ancient Greek word “historia” meant ‘knowledge
acquired by investigation or inquiry’’, and the Greek
‘histore’ meant ‘inquiry’.  
It was in this sense Aristotle later used it in his ‘’Inquires
on Animals’’- during the 4th Century BC;
And this mode of ‘inquiry’ later became ‘History’!
The term ‘History’ entered English language in 1390
as a “record of past incidents and story”.
However, the restriction to the meaning “record of
past events” only, came during the 15th century.
But the German word ‘Geschichte’ even to this day,
Means both history and story, without making
distinction in any way!
Since the story element remains inbuilt in all historical
narrations,
And also remains as a tribute to its author’s creation!
CONCLUDING PORTION WILL BE POSTED LATER AS
PART-TWO. Thanks, - RAJ NANDY.
**ALL COPY RIGHTS WITH THE AUTHOR RAJ NANDY,
OF NEW DELHI
Friends, this is a short intro. to the subject of History in Verse, composed in a simplified form. The concluding portion will be posted later as Part Two. Hope you like the same! In case you like it, do recommend to your other friend! Thanks, -Raj
Pea Aug 2014
The story behind me
is made of the pages of a torn book
of alphabets, the one your older
sister used to learn from;
A is for Apple
B is for Bee, or Butterfly,
C is for Cat
D is torn and gone
So is E
F is for Fire
G is for Grudge
H is for Hatred, especially towards self
I is for It becomes wrong,
J is for Jesus, oh and Just
K, for Kidding
L, M, N,
O, they are not here anymore
I am afraid the rests are gone too
P is for Pizza
Q is for Queen
R is for Resentment
S is for Sardonic
T is for T, a nickname of a ballet dancer,
U is for Umbrella
V is for Vanilla
W, X, Y? Why should they exist, when
Z is for Zoo, where I am caged?
Jwala Kay Jun 2014
Am I just a flaunting fancy
specified set of alphabets?

Now listen, sir!
My brain has owned you
a long while back
like say, a hundred times.
But ya, my mouth
is zipped for the
Terms and Conditions
I signed to intern here.
My heart is a masked
Superhero that goes
for the needy and
the helpless, while
yours just desires
to sit in the next
luxurious sedan out.
My body serves
for the nation;
no, not in war
but in the agony of being
a good citizen when things
(like you) are nomore right.
I manned up instead of you.
I can prove my worth
to the world w/o you.

Again, I shall repeat, sir!
Am I just a flaunting fancy
specified set of alphabets?
I am more than my name.
I am definitely, more human than you.
Martin Narrod May 2017
Restless alphabet staggering in this mist, mischief and debauchery, until it gets closer to midnight, I'll keep my fingers flirting with the skirt sitting on my knees.

Lonely invaders, they've been, searching for the words inside of me, in my heart I've got my dictionary guarded with the strongest adjectives from my unspoken vocabulary. I'll keep my fingers flirting, it's about time to eat dessert, I'll have two servings of the girl sitting on my knees

And about this time of night, I try and survive, is this oblivion that I'm supposed to achieve? I smoke, drink, and trip until my spaceship begins to lift, then I set my transmission up to hyper-speed. There's lust in the air, and I've got dessert I won't share, a **** girl in a skirt, my fingers climbing towards the heaven between her knees.

Backwards ways, today is the last time. I can't begin to let my heart beat or else I'll lose control. I don't want to feel anything I've never known, I'd rather dream up reality than live something familiar my mind had once been exposed.

Loose leaf royalty, she might only be a princess on paper, but she rolls my joints while she takes turns at high speeds driving my Rolls-Royce Phantom stopping where my sidewalk ends.

Restless alphabet staggering in the mist, mischief and debauchery, until it gets closer to midnight, I'll keep my fingers flirting with the girl sitting on my knees.

She is weaponized, pre-exposed to the lurid and fantastic, she's fancy, fueled, and ready for sin. I've got the music blearing, something vampirical and scary, but it works when you'd rather avoid candy and just eat the living.

Today has been grave, I woke up sweating from a life-mare, heavy-petting last night, every time we go to bed. We unmade the sheets, she wrapped her tentacles around me, then she told me I'm her number one squeeze. I said, "Please bring me to pain, I promise I won't complain, don't untie me, but please leave me in one piece." I twisted and I shouted, as I climbed back up the water spout, to find the wetness hadn't come from the rain.

This tremendous magic had procured from such a habit, my fingers had turned into legs. I tried my hardest to keep my steps, but found I'd lost my grip, then she turned round me, smiled, and tore off my head.

I've kept my fingers flirting with her disasters, afterwards nothing happened at all, but I'm still hungry, I still might go dancing tonight, I love the eight step arachnid twist. Venomous squeeze, I know she'll come back for the rest of me, the body's even better than the head. But now I've woken up again, her legs wrapped tightly around my head, my eyes open enough to spot a spider crawling up my legs.
Robin Carretti Feb 2019
Hey, another week whispers love to win "W" That womanly wonder I need to take a step back to "V"  just need to vent out.
I'm here not over there? Medieval times "Roman Festival" of love
I have to catch up to get to V- Valentine things are the sublime wake up take a bite the "Viennese Whirls" biscuit "The Cats Meow"
The Siamese to suit me just fine. The Valentine recruit her day of pursuit. Her lower V back to her higher love loot plays up to her **** and boots.

A victory versus the villain Mama Mia striking gold but I am a face to red like grapes. The Italian Villa making love in her red hot chinchilla. But somewhere over her sheer rainbow, he got sidetracked all the way she looks divine in her "Rosy" slingback chair. Read my lips go smack CD track "V-Valiant" multiplying like ants. She flaunts herself such a venom demonstration. The biblical (V)-sword wins her love sentimental. What aims the bow and arrow a heart is her V village daring. Quite shocking and alarming the poems red silk ties her love force the light shines romantically warm red. V Virtual reality Strawbery Sponge cake.

Her V-Valentine the first day she met him. Where she came from will we ever know? What's in the card do we win or lose to know what in store for you?

You will get to know me 
The sweets got her set
The bittersweets only yet
Plays the different drum
The Valiant V venture
Hum all *** about him
The ricochet "Russian *****"

This is not the end of the alphabet
zoomed in like the Zebra
You got me V for Visa
But Y where did the
( L)_ go we are losing some??
Alphabets 
More victories firelight sunset

Lionhearted heroic I bet
Did you throw me into Lion's den?
Refresh my L- love ******
"O" only roses pink/red sonic
Zippety do day happier
V Day the wine glasses
L-O-V- E Ecstacy

I suppose another tempting
Dose V vitamins
"Valiant Rose" Face
Such velocity
I feel pretty dancing
high castles
   "Valentine"

 Herbivore love me messy
Victorian sleeping beauty
Rose Kiss Hibiscus
Vampire rosebuds
Cherubs ****** red
Red Mercedes
Hubs of love
husbands

For the "Valiant Smart ladies"
High society noses
Pluto-Venus Starwars
V Valentino and their singles
Cappuccino in Italy Portofino
Chic centerfold V candles
Damask Rose pretentious pose

She's the V Voluptuous
Red devil ventriloquist
Pink/Wink Strawberry mousse
The Bulgarian with her cute
Pomeranian and spouse
Elephant Tusk smells
of musk E-love

"Marilyn Monroe" baguettes
Yves The Saint Laurent
So Valiant bond deep
Cut thorns of Reds
Bergdorf Blondes and
Brunettes
Valentine duet V-shape
Headset  vivacious escapes
So mindset
Never forget the one day

February 14 your
Valentine ring
heartedly set
Salute to the cadet
This is the sweet smell of Valentines day or any day that you have plenty of loving your heart will tell you don't lose that feeling be the mindset to take a sip of coffee to melt your heart inside his love words
Nat Lipstadt Dec 2014
t'was not so long ago
in simple human years,
but eons, in poetic ones, that...

visions of fruited plains,
dimpled mountains,
candied wall-nutty natives,
easy lifted from his
eye's casual glances,
reformed to scribbled essays,
while daily walking on the
concrete steppes of his city,
gems of glass shard sidewalk sparkles
and bluest mailboxes were
raptured word tableaus,
rupturing easy with
volcanic force,
his body's planet,
mantle breaking,
crust-conquering poems,
breakout pimples waves,
molten and easy flowing...

he knew not then
what well now he knows,
the exhausted trembling
of asking,
the slowing wearing pace of
heartbeats of constant query,
the wonder of
wondering incessant,

Are You My Poem?

awoken by the body clock
in the wee, streaming,
rem sleeping hours,
asking the no longer
faithful friend,
his bathroom mirror,
is the accuracy of this
stubbled mess,
the white crusted lips and eyes,
is that my, my nowadays,
answer to

Are You My Poem?

he waits,
he, a red taillight speckle
among many, wait watching,
on a Brooklyn minor bridge
over a minor inlet
one of many, on a longer isle,
as the bridge lifts its arms,
opens its middle belly,
waving bye to a
passing-through freighter,
perhaps
destined for
happy springtime Morocco,
perhaps,
the Malay's divided isles,
wandering wondering
one more time,
if that's his etching,
line drawing poem,
passing by, bye, bye,
so each breathe forcing,
escape-asking,

Are You My Poem?

sometime ago,
a grown man,
his voice changed,
like a teenager,
writing now in but the
simplest terms,
plain jane poems,
in the cadence
of spoken words

for all the fancy phrases,
exhausted,
the sewing box of
precious alphabets,
emptied, leaving only
the tyranny of
hello, have a nice day, how are you feeling,
that's nice, goodnight sleep tight...

there were fewer poems
therein contained,
ceasing to fear,
no need for constancy of asking,
but failing in crafting to craft
even then,
trying but no one answering to

Are You My Poem?

one or two true,
asked,
are you busted,
the nib nub rusted,
your silence, long pauses,
worry us, your poem lovers,
if spent,
how deep is thy rent,
let our concern heal,
patch n' fill,
the cuttings,
the empty grooves that pockmark,
hope wishing asking,
sir sire man,
are you still hopeful,
interrogating,
asking the world,

Are You My Poem?

weeping from the
believed warmth
of their caring,
they too, knowing,
that life has its ways
of choking your voice off,
compelled to advise,
still and then and now,
the constant in my equation,
extant yet,
extant yes,
a voice that still rises
at the end of the
periodic element interrogatory of

Are You My Poem?

the poem answers,
muddled, muddied,
everyday life eats you up,
instead of you feasting upon it,
the tempo, the style,
all now humbug static interference,
but every know and every then,
a long winded answer dances
it's way from the core,
answering well
the question less asked,

Are You My Poem?

spent,
the poet
lol's,
for his truest friends here,
answer the pondering,
in deed, indeed,
you, near and dear
poet brothers and sisters,
you are the answer,
to words looking now,
a tod-toad-tad silly,

**You Are My Poem!
I am alive, not kicking much, but present....and this is my thank you present to those who ask, where are thy poems hiding?
You no longer cross my mind
I burned that bridge.
You took the wrong hand
and left.
This time my tears became mathematical, as I watched you walk away they drew 11 on my cheeks.
I knew this time you weren't coming back so like dividing a 7 with 3, I remained here.
Thinking about you, thinking about us
Thinking about that last day you came into my room and we ****** i mean it felt so real
I miss U
like I am reciting alphabets and skipped the 21th letter.
I miss you
What 4?
Like I was counting 1 2 3 5 and forgot a numeral.
May my feelings for you Rest In Peace, like our relationship was a funeral.

You were my Hat I couldn't get you off my head,
but now the sun is set, I don't need sun rays protection.
Like a lawyer can I make an objection,
You used to be my babe
now you're my 24th alphabet
X.
Like excuse me, did I date you? What was I thinking
Like Ex Curse you, I Hat you now get off my head.
I gave you my heart but you took my soul too,
Satan.
I gave you my Hut but you thought you were so High Class so You couldn't Stay.
I called you Rihanna, but you didn't Stay.
Just because I begged you not to leave, you thought I was a street kid
so like choosing not to go to the right direction you left me Standing there on the streets.

Now like a comrade who went exile can you please comeback and UNSAY you love
Comeback and UNHUG me
Comeback and UNKISS me
Comeback and UNLAY next to me on this bed
UNLAUGH at my jokes.
UNSMILE at me.
I want you to UNREAD that letter I wrote you
Comeback I want to UNTOUCH you
and UNMAKE love to you.


Unlove Me.
Kiernan Norman Jul 2014
I try to live Here. Here is humid-sticky-underground-dance-hall hot. I’m caught tight in a mess of limbs- bodies stretch and sway from this to Eden. I have never been more lonely. Together we inhale metallic Old Spice. Together we exhale stale tap water hymns. I am breathing all alone.

My tired tongue kicks awake to cheap nail poison as I tap each fingernail against bottom teeth and lightly push three times.
(Four times or eight times. Ten times in one quick, heart-drop minute but who’s counting?
Me. Of course I’m counting. There’s not a beat, rhyme or giggle that hasn’t busy-bee buzzed around my foggy brain. Each thought its own color, each touching down on a different set of crumb-glazed quilts or a different tower of gutted magazines. Each bee is long and thin, pointy in a terrifying way. Each bloated and dripping with a grand idea- which they leave like droppings and are so specifically intense they will never make any sense a breath apart from this moment and this context which crumpled and blew away while I dully, dutifully checked my pulse. I'm alive but my thoughts took off. I can see their exhaust but they fled fast, like they knew I could only begin to gnaw on them. They were born to quickly, maniacally live and die- in and out and there then off and gone.)

Here. Here the walls are chipping off one hundred years, one hundred lives of lead-based paint and are dripping onto the frayed denim of my ****** cut-offs. Impossibly long hair, absurd to call it mine, hangs heavy and wet. The strands shed drops of atmosphere on my (and their and your and-) bare feet. I’m my own sumi brush- my calligraphy is not words, but a footprint-marked path to treasure. Braided bits cling heavy and soaked to the curve of my neck and then billow like sheets hung out in the wind. My sharp, slick scapula must be the laundry line. It’s one of the good bones. Good bones only exist while jutting. The scapula is the beautiful ******* of my skeleton and we finally have made nice.

Here the music is so loud. The bass ignites my dental cavities. They sting and pierce as a reminder of how terribly I’m taking care. Lights blink, the room quakes and I need water.  I’m throbbing and flickering and faces attached to bones slither between each other and grind up into my own perfect focus. They’re smirking.

One at a time they appear with a warm, grainy hand on the small of my cold-sweat back. Each face of bones lean in close, dry and cracked lips that graze my own fever-hot ears. Goose bumps sling up and down limbs and the lips, all smudgy red lipstick and cigarette breath, whisper something to me that is absolutely crucial. It’s something beautiful or something hilarious or something crude but I can’t hear it. I’ll never hear it. They throw their bones back and cackle-laughing so hard it must be painful. All I can hear is my eardrums cracking and breaking, laying the bass for a high pitched dial tone.

One by one they do this and then, with a huge play-dough smile and eyes as deep as I feel, they slowly back away from my flimsy, electric body. I know they’re relieved they didn’t get stung. This goes on for forty straight hours. I feel like the Queen bored and still as they file through to kiss my ring. I feel like I’m at my own wake. I am beginning to erupt. I am lightly vibrating with the burden of militant creativity. I think I'm melting from the inside out. The bones still laugh and the bees, diving like war missiles, are screaming that it’s time to flesh out that novel, string precise words together in a huge, monumental way down golden strings that will change the world for the better and forever hang on God's graceful neck. It's time to record that beloved lullaby and sculpt that masterpiece or put on black clothes, sneak out and vandalize monuments. It is all absolutely crucial and so very urgent. Everything is wailing and I’m nodding slowly because if I do not do it, ALL OF IT, now- right this instant and quickly- I will die having said nothing. I will have wasted my opportunity to matter.

Here. Here the bone-bodies continue to mock me. The room stays dim and damp and I don’t think I’ll ever get clean. After twenty minutes or seventy years the crowd thins out, lights switch on illuminating exit signs and the room slowly, sadly, empties. I am sticky and aching and have never felt dumber. The bone-bodies left their blurry sweat, their empty bottles and their void inspirations like blank fortunes trailing across the bar top. There’s a real, fur, calf-length coat and a fake Birkin bag in the corner. My feet are filthy.

Here. But I’m not really Here. Here is bougy and exclusive. There’s no list but you probably can’t get in because actually Here is utter *******. Here is the moldy bricks and pre-war ceilings inside my head.
Leaving Here is too easy. You blink and you’re gone. Then I try to remember what party I even went to but I’m sitting Indian style and cramped on rough carpet and my back is in knots and everything I’m thinking is slow, melting taffy lose and inconsistent.

The sun starts to rise up pink through broken bedroom blinds and I know that I went way down deep and danced and gripped tight to flurrying ideas and made a big mess and now I’m stuck ripping papier-mâché, three inches thick, off coat-check walls and trying to read the graffiti-ed bathroom stalls but the Sharpie is dripping and I might be illiterate.

The Somethings I came to flirt with are hiding and won’t answer ‘POLO’ no matter how loudly I scream ‘Marco! ******* Marco!’ I’m reeling and under-breath begging ‘and please come find me and let’s make stuff and we can’t waste this and I can’t be a waste.’ But below all the pacing and knuckle-cracking I know that there are no Somethings listening to my panicky prayers. They sneaked out while I was braiding my hair for the sixth time, humming something old and Johnny Cash-y that I remembered and liked and had to Google and perform eight times for a mirror. I sneeze and I want to cry. I don’t think I know how to read. Edges start to blur and the alphabets a mess.

In defeat I’ll wash my face and slide under one light blanket and quickly sweat through it. I’ll lower my heavy, thick-thought and dizzy head onto a stack of three pillows. My vision will fall away from me and stars will explode in a chatty whisper that has be immobile and straining and sore. I will treat them like a sky full of fireworks blazing just for me. I'll ooh and ahh and my heart will palpitate under the weight of them. (Really I do know they're just amphetamine snowflakes falling slowly and burying my wasted night.  I swear next time I won’t waste it.) But at that moment I'll watch the show and feel safe and small and inconsequential, at last.
I am in high school
but I don’t care
Parents’ r screaming
but who gives a ****
Cause I am teen
who lives in fantasies
Friends r my life
n girls in my dreams
Eyes r red, haven’t taken a nap
late night movies n busy on whatsapp
Drinks on table and hands with book
but mind still wondering, “should I check facebook?”
They say I am grown up
they say I am adult
But tell this to my buddies
who know who I am
Cause I still recite whole alphabets
to check which position it stand
Tell this to my mother
who know who I am
cause she still wonders what happened and feel the pain
when I return from school with white shirt turned into black with stains
So if you r thinking
that I will be changed
so let me tell you
I am in high school
but I don’t care
Stanley Mungai Jun 2012
My great grandfathers wore dreadlocks
Yet stood firm, proud as peacocks
Patrolling their territory paddocks
Today they are a source of mocks
A representation of sheer evil
In the world we foolishly call civil
Like an attempt on a biscuit by a weevil
We lost it.

Our great forefathers drank milk
And then over the mountains take a hike
Had absolute no need for a bike
Treated all men with respect alike
We are taking concoction for drink
May never cease to suffer sick
Rounded and diabetic as tick
We lost it.

They went to schools to learn practice
Learnt virtue and shunned away vice
To obey all the elders without a voice
Then there was little necessity for police
We are learning to sit all day in office
To treat subordinates with blowing malice
Learning theory, understanding without choice
We depend on book, written advice
Alphabets unlike words know no justice
Scratching as mice full of lice
We lost it.
*We left our heritage in search for western enlightenment and we lost the beautiful and the magnificent aspects of the African culture*
abecedarian May 2020
~for r, just because~


put her in my mouth and she became my
mouth.

put myself inside her and she became my
insides out.

spill good words on her belly, licked & laced us together, then came my 
poetry.


on elbow, she claimed coauthor-ship, demanded her name above        
          mine.



I smiled, answering most matter-of-factly,
surely they’re your creations, you-a-ruler, procreator, foremost, first,

the ABCedarian

the muse goddess of alphabets, all that is poetic divine mistress to
thousands

I’m mortal,
your transcriber, copyist, alphabetically seconded, merest mere,

the ABEcedarian

I’m rudimentary without you, lost midst the masses o’poets nameless.

She snorted, said
“sounds like poetic ******* to me”
*
but returned to her sleepy heaven,
mumbling most contentedly.
ABECEDARIAN (noun)
a person who is learning the letters of the alphabet.
a rudimentary beginner in any field of learning.
A B C D E F G
for my own comfort I’m busy
H I J K L M N
I give a **** for others’ pain
O P Q R S T U
‘I’ is more valuable than ‘YOU’
V W X Y Z
but the world is not just for me made
A C E G I K M
if I a little differently aim
B D F H J L N
not just live for my own gain
C E G I K M O
but care for the other fellow
D F H J L N P
feel good when the other is happy
E G I K M O Q
not just mind ‘I’ but mind ‘YOU’
F H J L N P R
know how precious also you are
G I K M O Q S
and love to see your smiling face
H J L N P R T
share this world you and me
I K M O Q S U
its wealth and beauty ‘I’ and ‘YOU’
J L N P R T V
love all life as I love me
K M O Q S U W
give each one what is its due
L N P R T V X
thus save me from the ‘I’ complex
M O Q S U W Y
to take my life to a new high
N P R T V X Z
where I can hold high my head
in a world that’s not just for me made.
Kevin OLeary May 2011
A semblance of civility
Blurs my true periphery

Catch my eye, draw me in
Drop the ball, it reeks of sin

Elsewhere in this hedgerow maze
Freedom lies throughout the haze

Growing now beyond its bounds
Happenstance, it stains the grounds

If you should stumble, lose your way
Join in the chorus of the day

Knowing can be all the difference
Leave me to my present-tense

Mind the guardians, ever-wary
Noose the neck, a strike to parry

Open your eyes and let it go
Perhaps there's magic in the snow

Quality is oh-so subjective
Reality needs no further directive

Something bleeds within the court(ship)
Tending only to the tongue-slip

Under sway: Of push and pull
Victorious is the slaughtered bull

When do we know the truth of all?
X-crossed eyes before the fall

Young blood taints these monuments
Zero is the question we can't make sense.
izi Jul 2020
“Full of loneliness/This garden bloomed”

surrounded by people yet isolated
my heart yearns for someone it cannot have,
the roses twist around empty air,
they yet cannot grow without the weeds

“What is your name?”

your name is all the letters of the alphabets,
sprawled along the floor of my soul like cats relaxing in the sun,
i feel them purring through my chest, my hands, my mouth,
and your name slips between my lips as i unravel.

“All of your warmth is real/The blue flower your hand was picking/I want to hold it but”

the first time i held your hand was by accident,
the second time a soft tug at my wrist,
the rose within my heart pursued your roots,
i held on and you never ever let go.

Don't smile on me
Light on me

“It’s my fate/Don’t smile on me/Lie to me”

my mama told me true love was hard to find,
you smiled at me and told me you loved me,
and the light and darkness separated like the red sea,
but was it light or a lie? there really is no difference, is there

“I can’t show you a ruined part of myself/Once again I put a mask again and go to see you”

if you knew i loved you the way i’ve always wanted to,
what would you say to me? twice i’ve broken
a light a lie and a lesson
can you teach me not to cry?

“But I still want you”

in the deepest darkest night, i take off my mask
see the cracks etched on my face,
and smile uncertainly at the mirror, imagining you
i’ll see you tomorrow. i can’t help but want you.

— The End —