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The girl was only eleven,
when she first thought

                            "What if I went?"

When even escaping
to magic-filled hardcovers
could not ease her descent

School bullies were not all
that pulled her
towards the yawning void,
on eggshells she walked
around him,

being careful not to flip
his switch
He'll twitch -
see red
It filled her with dread
Better to stay tight lipped -

                Better to be...

                                     His pet
The next part of the Retrospective poem series. A growing awareness of fear and control.
Within the fortress of my chest,
two armies rise at dawn—
one clad in crimson silk,
the other in shadowed steel.

Love, with hands warm as sunrise,
lays flowers along the corridors of my mind, promising peace in a voice
that feels like home.

Hate, with eyes like storm-torn skies,
sets fire to every blooming thing,
swearing the ruin is mercy,
and the ashes, my salvation.

They march the same veins,
drink from the same pulse,
speak in the same tongue—
and yet their banners
will never fly side by side.

Some nights, Love wins
and the world feels golden.
Some nights, Hate takes the crown
and I sharpen my silence into swords.

But more often—
they lock arms in stalemate,
pressing their weight upon my soul,
neither yielding,
neither retreating,
leaving me
to live in the uneasy kingdom
where both are king.

"The heart of man is a divided river,
and its two streams know not the other’s course."
— Epic of Gilgamesh

...
There was an eerie feeling in nature.
It was quiet.
It was unsettling.
It was creeping on me like a yearning feeling, but
I didn't recognise that feeling.

There were just trees and no man,
No ice cream trucks, just birds offering free words.
No conversations in my head
No struggle in my head
Yet it was a struggle.
Just a feeling which was alien to me
Something forgotten by me
Something called peace.
I knew that you planned to leave,
after all my text were left unread,
And you'd stop calling me every night,
it spoke the word you were afraid to,
so I did for you,
asking you why,
what had gone wrong,
And if it was my fault,
but you apologized,
and said it was you,
not me,
which I knew was a lie,
since you're just too kind to tell me.
Abdulla 3d
It was never that bad —
until it was.
Until I tested my luck
and didn’t pass the spoon.

I wasn’t the “good girl”
I had to be.
And it cost me — heavily.
You say I made you.
I knew the rules.
I broke them.
That's how you want me to think, right?

But I know the truth.
You’re a polar bear
to the unaware.
With your crisp white coat.

But even they slip —
leave blood on that coat.

You forgot to check my phone.
I have a video
of you preying on the weak.

But I won’t show anyone.
I won’t fight.

That’s the difference —
between me and the prey.
The prey doesn’t feel bad
for the hunter.
The prey asks for help.

And I?
I stay.

Your coat stays white.

Just hoping you leave me
alone to fight.
Play it slow-
not for romance,
but because the strings are blistered,
and every note splits the sky
with fire.

Stroll through the panic,
it’s routine:
duct tape on the windows,
radio on low,
a list of missing birds
tacked to the wall
like fallen saints.

You said you'd carry me,
but the world’s gone grey,
and the olive tree’s
just smoke now.

There’s no audience left.
Just wind
and its thousand-watt warning.

Still, your spine curves to the rhythm
like a fever dream from Babylon,
hips like warning sirens,
ankles sunk in ash.

I want to understand
what we ruined,
but only at a pace I can stand,
only with eyes closed.

There was a time
we dressed like lovers.
Now it’s mylar blankets
and filtered masks.

We knew the promise;
we broke it anyway,
above it,
beneath it,
inside it.

Someone keeps whispering
about children,
as if hope still blooms
in poisoned soil.

Play it slow,
with bare hands if you must.
But don’t pretend this isn’t a requiem.
Don’t dress it up in velvet or vows.
Just let the music float
and burn,
like everything else.
SoCal climate: golden skies, ash in your lungs, beauty on fire.
ash 6d
beauty is in the eye of the beholder
but what if the one to envision it is blind?
i could approach you with a clean slate
i always do—writing things on a white screen—
except the older the ink, the harder for it to be removed.
visions of you in my head—just not anyone could write over.
and if they try—if i hear things again and again—every time,
it's written over and over and over
until i do not have any clean slate for you, any longer.


actions so cheap, the best of ink fails to meet my expectations.
perhaps there are too many,
but what do i do
when you tend to perform in disguise
every time you see someone come around?

i slip in the lows of being unhinged almost,
the gates of emotional purgatory open to welcome me aboard.
it's tiring—i'm drained.
speaking it in metaphor, trying to paint over.
it brings me to wonder:
just how long do i play pretend?

been wrung dry of trust,
perspective from the third person
who stands in the rubble of ghosted flirtations,
half-friendships built on the foundation of lies.
expected nothing,
but the hope still flows—
straight to my river of misery,
now reeking shades of disappointment.
got lesser and lesser,
and now it's barely there.

this is my final letter,
a sigh of resignation—
hopefully the scientific dissection of this feeling that i entertain:
of the almosts,
weird hope-hangovers,
and all the games
that weren't even mine to begin with.

to name it is difficult—
perhaps it's the hope fatigue,
the burn of being ghosted,
or a nostalgia born from detached attachment.
i mourn for things that weren't real.
hungover from fake bonds,
relying on remnants of connections
that echoed in fallouts.

i asked ai—what do i name this feeling?
in my own words, it replied:
choose your favourite color and give it to this burnout.

grey—
in the middle of extremes,
where hope lay on one end,
ache at the other.
the rope stretched thin.
my being glitches—
a breath, every failed text,
trying to match up the vibe.
i feel like i've fallen in between the lines.
i see it, hiding in plain sight,
watching people perform me wrong.
lowest of expectations, ridden lower and low.

fake affection tastes like sour frosting
on a cake that's been left uncovered in the fridge
for way too long.
the outside’s rough, dry—
nevertheless, i take a bite.

there's eerie silence
as i sit at the edge of the windowsill.
numbness lingers.
i pull at the strings.
raw evenings,
i tend to wonder—
write notes, only to surrender.

kindness—they tally manipulation.
flirting, i take as a weapon.
come headfirst—i'm no longer wary.
having given up,
you just add to my list
of why i shouldn't let people carry
me,
or the weight of what i've become.

i don't despise it.
rather, it's a maturity
i ought to carry to a life—
unless i find someone to share this feeling with.

do you feel,
having already expected close to none,
but being handed even lesser—
gift-wrapped in guilt almost—
just please accept it?
expect it the least,
find it dealt in a heist.

even apathy tends to feel violated
when you drag it back to the beginning.
there ought to be a specific hell
for those who tend to exist
and make promises
like they aren't bartering their own.
calling me honest—
with a mouth that lies.
an ache with no name,
a feeling with no gain.

i been known,
been breathing in the sighs—feelings forlorn.
lover girl by laufey plays on my phone,
disappointment of having lost myself
to beliefs that held me strong.

believe,
trust,
exist,
let go.

four friends turned strangers
sitting on the edges of an x.
the centre, i settle upon,
asking what do i name this feeling
that's been born?

how hard is it
to not wear a mask
and change it every time you bask
in a different one’s setting?
a rare emotional creature,
i tend to sit in the foreign setting.

i do not recognize myself.
holding onto things that weren't even present—
this reads like a séance.
funerals held for feelings that needed strengthening,
got tampered with instead,
burnt down to the very bit.

excuse me as i scream in silence.
look at you, with eyes speaking imagery.
build a connection,
hold the other edge of the phone connected to this wire—
one that wouldn't carry any signals.
but i hope you'll still hear
the music that plays this side—
all the unspoken
that i let bleed through my hide.

masks are unrequired.

i've got an inkling—
you do not understand.
and i do not put it in words.
this, like a myth—uncanny and impossible to uncover.

unless i've got a name to put to this emotion,
i shall drain myself of all words, irrespective—
if it's meant with relating,
or with mirth.

you can only add to my reasons
of why it isn't ever worth.

i like grey
I got lost coming home tonight
To my surprise, the room was empty
You were not there, sweetie
The bed was made and the floor was bright.

I miss you, I miss you dearly
The room was very cold and sad
Like a lover who’s desperate and mad
Frankly, my heart felt weak and empty.

Your shadow was absent
Your silhouette was inexistent
You were not present in the room.

One can easily hear a domestic silence
Which was afraid of bothering the broom
I’m lost again. I lost my common sense.

Copyright © July 2025 Hébert Logerie, All rights reserved
Hébert Logerie is the author of several books of poetry.
Nicole Jul 24
We played hide and seek in the dark
But we didn't talk about shadows
We swam together in the pool
But speak only in the shallows
You told me not to do what you do
but to learn and do better
Now I call out the truth
but they like the silent me better
Go say I'm the broken one
because I talk about my feelings
But we all grew in the poison,
I'm just the one healing
An intense fear of death
Yet a burning hatred of life
A life of yearning for a lover's breath
For which we struggle and writhe

An inherent distaste for pain
But a cruel need to deal so to others
We try to stay calm yet struggle in vain
And refuse to rely on our sweet mothers

Silence can comfort but also destroy
Noise can be a comfort of sorts
Life can be full of love and joy
And can also be very short
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