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Nathan Squiers Jul 2014
Look, I was gonna go easy on you not to hurt your feelings, but I’m only going to get this one chance!
Something’s wrong… I can feel it.
Just a feeling I got, like something’s about to happen… but I don’t know what.
If that means what I think it means, we’re in trouble—big trouble—and if he’s as bananas as you say I’m not taking any chances!

(You are just what the doc ordered)

I’m beginning to feel like a write god (write god).
Can all the readers out there who think I’m right nod, right nod.
Now here I am again for another rap talk, rap talk…
They said I write like a monster, so call me scribe-star,
But for me to write like a beast means I’m a demon at least;
I got a devil kept in my pocket,
On my shoulder’s when I rock it.
Talkin’ of killin’ and of thrillin’; won’t stop it!
Write a demon doorway, now knock on it!
Ever since the dark days when I’d just lost it,
Way back when the world would pace and chant “Nutcase!”
I’m a ******, but I’m charming;
Yes, a crude, rude dude, but I’m still disarming.
Using syllables to **** ‘em all with this
empowering empire of powerful vampires.
The writer-type clackin’ back with typewriters, like way back, right?
Clackity-clack!
Rockin’ stack after stack, clackin’ out more attacks,
Ideas tacked out while hacks hack out their crap (but ******* spew **** all the time),
so I perform written parkour tricks so you’re not bored; strike a chord.
Show you Stryker’s tortured life of suicide ‘n strife turnin’
to strength and a fiery passion burnin’ while readers’ guts are churnin’—
teary eyes all burnin’.
Their fears are returnin’ from a story I turned out when I got turned on
to my own life.
Now I drop F-bombs;
exploding real-life scenes—
these ain’t your G-rated dreams, so take your outdated themes—
It’s the **** I’ve seen; don’t make me obscene.
I’m mean, I mean, it’s my means to screen a scene between a matte sheen.

‘Cause I’m beginning to feel like a write god (write god).
Can all the readers out there who think I’m right nod, right nod.
Now here I am again for another rap talk, rap talk…
They ask me to thaw out these oily blocks called ink-wads, ink-wads.
There’s a body in everybody , but not all bodies have a brain that makes them feel sane.
Like a train—just the same—
Might be runnin’ but we still cast blame,
The loading docks of our thoughts; they’re locked-up in a box,
And they’re stackin’ up like blocks
That turn the stacks to empty tracks (****!)
Trainees blame their brainees when it’s not easy training brains, see?
But the boarding isn’t boring—training brains; not trading pains—
Remember: the station’s self-exploration!
Me? I’m a hodgepodge! From train station to abandoned lodge;
Bully dodgin’, fully locked-in when I freaked out, fattened-up and then I geeked out,
Told “keep it down” but then peaked when I peeked deep down.
Creepin’ up, now, and keepin’ up (WOW!)
I swear it up and tear it up scribbled swords,
And now I wear awards for slingin’ words;
Offered praise; a chance to forget about the craze that once darkened all my days,
But I write that way—say “that’s okay ‘cuz it helps me write this way—each and every day!
And hacks think I act this way just to seem this way, ‘til come the day when the cray-cray takes the doubt away.
Demon obsessed? I’m possessed! Can’t own what you don’t possess!
“Hey, devil-lookin’ boy!”
So ***** for my honey I’m rockin’ horns, look here boy!
A Literary Dark Mass-acre,
Like the devil laid waste to a church on the page, looker boy!
They got a gold star, and a high five,
Felt so alive to see their own scribes make it to Momma’s fridge, ****** boy!
Hey, schnook-ah boy, looky here, looker boy,
I’m held up by The Legion, book-it boy!
Had to push for every word—every page—had to swallow all the rage,
Now you want out of your cage, schnook-ah boy?
I’m legendary—literary—and you’re literally just a *****, little boy!
So sell out while I’m bought out, ******-boy!

‘Cause I’m beginning to feel like a write god (write god).
Can all the readers out there who think I’m right nod, right nod.
The way I’m burnin’ through these pages, call me Dark Lord, Dark Lord!
But they’d rather burn my books, so start a fire war, fire war!
Can’t get it through your head? Words are more than Edward! He’s dead! WORD!
Let me drag you off to meet Dracula; take you back to the dawn of the dark lord, yea?
Fast forward to the foreword where the F-word’s “fangs” (you’re welcome);
This is my Hell, come! Be free!
Part Morningstar; part Morpheus! I throw up a kiss and jot down the kills like they’re red-apple pills.
Go ask Alice back at my palace what you should read to feed your head.
Sentence structure so smooth they call me FE-line, and my cat’s got better plot lines,
That the hacks will all call “sublime” (it’s “sub-fine”)
But me?
My **** scenes are brutal,
And my romance? Not frugal. I don’t saturate—I arrogate—
But I don’t condemn my characters to *******!
I wanna make readers care—if readers dare—
To connect and feel and follow where they can find some hope and power there.
While also giving them a place somewhere that isn’t here—though filled with fear—
A place where they don’t feel jeered or feel weird.
Horror ain’t just movie monsters, or gore-****** scopin’ sponsors!
You speak French? C’est de la merde, monsieur!
You look unsure! But I have the cure in the written word!
And though you once were achin’ for a rockstar author cravin’ bacon,
The role has since been taken by your man, Squiers.
And like a pair of pliers, I can reach into readers’ brains and cross all sorts of wires!
I’m settin’ cranial fires behind the eyes of all my buyers!
And while I’m growing Ghost Riders—ridin’ shotgun on the bullet-train ‘tween the pages—
There’s a horde of haters harboring growing rages
With a narrow gaze of who scribes pages.
They say I can’t write ‘cuz of my tattoos or my gauges
So allow me to assuage this: y’all can’t cage this!
If you don’t like it, let me show you where the grave is!
You’re well-aged, but I’m ageless!
Like the undead through the ages!
And like Shakespeare took to stages you can find me where the page is:
I’m hip to a script, I’m at home with a poem and feeling groovy writin’ movies; and I’ll be EZ on your TV.
You write normal? **** being normal!
What a novel theory! So very dreary!
Why the **** are they so leery, they say “Writing fear? We don’t want to hurt no feelings.”
Feelings? Setting up ceilings! Just more limits! It’s life! Live it!
Set the roof on fire!
Plot is getting hotter than a 24/7 squatter on a ***** channel!
So what if some **** gets a hair up ‘er ****? Don’t make it ****!
They wanna say “Hey you, we’re here to stifle!”
‘Cuz I mentioned rifles? Do they really want to trifle?
So I say:
“Better bring a sweater ‘cuz this thriller’s gonna chill ya—sure hope it doesn’t **** ya—and ya gonna get’a fill o’ all the ***** that I don’t give, ‘cuz I don’t live to let ******* quip or give me lip about my lit.
I’m entertaining and elating and also demonstrating how devastating a stream of escalating scenes can be so penetrating—although frustrating—to a mind that’s celebrating what it means to be vacationing between the pages; wading through the stages of a war that forever wages; meditating through the escalations now that they know what TRUE rage is!
“Oh, he’s too ******!”
That’s right! Ain’t right. That’s life: not nice; it’s strife.
It’s not just me; it’s we.
I just found a better way to show it:
Monsters that aren’t monsters;
Abuse put to good use; bred virtues!
“I don’t know how to plot plots like that;
I don’t know what words to use.”
Did it really never occur to them that to read a book—just to take a look—and THEN take up the pen?
You read King if you want to be king, strictly speaking.
A writing mind that isn’t a reading mind is a weakling; a weak link.
I’m a scholar—not a bawler—so I’m a flyer where there’s fallers;
Raised on Goosebumps and Creepy Crawlers so I’d Stine while others whined.
Got a dark side, but that’s The Dark Side on my side; counter haters with my Vader:
“I would be your father… but your dog beat me over the fence.”
No offense. Pretense: incorporate comedy and film; common sense.
Suicide pushed aside, though I still burn inside. **** myself on
the page each day so my readers can feel what it’s like to be alive.
It’s okay to hide.
Only your own devil knows what’s inside.
I own mine; he’s my co-pilot when I write. My demonic side; my demonic scribe.
Flipping my words to the birds—‘cuz, you see, that’s how I wing it—and flipping the bird while I throw down and sing it:
“Tiger, Tiger, burning bright,
My words are my roar and tonight I write!”
The fights are in your sights like you were seated inside a movie theater;
You’d see Xander and Estella—wouldn’t you want to meet her—
Have a front row to the creatures in a feature presentation…
But ‘til then
Eat some Rice An’ read a piece by a man who
Had an “Interview with a Vampire”—
I’m a fiction author, why would I lie to ya?
Prince of lies? I ain’t Satan!
Close friends, but I’m Nathan.
Judged for appraisal—I’m priceless—I’m  nice: no; charming: yes.
Got a razor-sharp and Shining wit like a crown left
on a King… but not.
Why be a left king, when I’m a write god.
So I did a lyrical re-write of Eminem's "Just Lose It" that wound up being pretty popular, so when I heard "Rap God" for the first time I knew I had to do the same. While I hope it's entertaining on its own, I think those who have heard the song will enjoy that I remained true to the source material in terms of flow, rhythm, and syllable count (Marshall Mathers is really quite an astounding wordsmith in his lyrical writings).

Hope you enjoy ^_^
Tashea Young Mar 2017
She is A Queen
She's something special, similar to a candy coated dream.
The God in her will sooth you soul as if you were Listening To the sound of the rushing river Streams
Her spirit Shines brighter than a car's high Beams.
Her love is sweeter than brown sugar
And Me oh my she is Looker
Her big chestnut sultry eyes reveals the beauty of Her soul inside.
I can just smell the aroma of her Shea butter and coconut fragranced skin as it glows due to her internal flame shinning within.
Cocoa Brown is the color of her melanated Bronze complexion.
Man, her smile drives me wild.
That luminous smile, her glorious smile, is as gorgeous as the clouds when she shows her pearly whites.
It brightens my day like a lamp in the darkness of the night.
And her mind Is a secret treasure That only her King Can discover and uncover the bountiful mountains he'll climb.
She's Artistic and Musically Inclined
And at the drop of a dime shell bust out in A poetic rhyme
And her words, Gosh her blissfully profoundly spoken words, will send chills up your spine
She's My own little personal ray of sunshine
Radiating truth and her words are so kind
She's simply divine
She's a peacemaker staying serene
From the inside out she is a beautiful Human being
She's good for your mental hygiene
Kinda like how your body needs protein.
Royalty is embedded in DNA gene
And her crown is made of lustrous flowing locks shining like oil sheen.
She is Royalty, She's My sister from another Mister, She is an Unshaken, Strong, melanized Beautiful Queen.
Tara J Williams Apr 2016
I've been telling my therapist about you.
I've been trying to sleep, yet all that fills my head is you and her.
You talking to her. A filthy wreck. I feel sorry for her.
Me working into the early hours of the morning, watching a sunrise on the long drive back, me wanting to get home to you.
You getting involved with her while I'm gone. You inviting her to the bar. Let me make you a drink.
You could be wiping her lipstick away before I return, erasing her taste from your lips. I bet it's disgusting.
I thought you hated dreadlocks.
I've been going over and over in my head if this is what I'm worth. I know I'm not a looker.. My hair is messy, my clothes are ripped, I'm all marked up from the past.
I thought my personality shone through that though.
Sometimes though, I guess that's not enough.
What hole do you need to fill? Please tell me.
Please, oh please tell me why you knocked me down. Why am I not enough.
I've been crying a little each day, then pulling it back together.
I've been trying to still be that stone wall I always am throughout this horrible pain.
I smell like cigarettes, you smell like lies.
I've been telling my therapist about you.
Derrek Estrella Oct 2018
By the 1960s, a disillusionment with Nationalism and war was permeating within the public consciousness.

Man: jazz. Jazz! Everything sounds like jazz when you lend your hears an oscilloscope. You know what j-a-z-z sounds like? Well, it’s sweet, serendipitous or nonsensical, nihilistic. Modern in stainless steel or anachronistic in brass. Jazz! So what? Jazz sounds like anything that’s everything and vice versa. It’s a limb of that omniscient looker up and over: the tune itself. Oh, the tune? It’s what lies between your fingers when you’re writing, forging, loving, giving, perishing. You strut with the frequency of a conduit, but an unaware one at that. A change is gonna come in mere years, I know that much. Everyone will be deloused in the pain of the world; Mother Sympathy for all, even the charlatans who hide behind their crimson fur! All I’m saying is, whoever brings it ought to be from this place. I can’t fathom a recalcitrant extraterrestrial handling our own business at the expense of their planet’s water supply. I’m excited for whatever comes, believe me. So long as it ends me and with me.
Tyrus Jun 2017
Oh Ramen, Sweet as sugar
You shall fill my stomach with a myriad of tastes.
I am like putty because you’re my ******
Your enchanting dance at an unstoppable rate

Sip, slurp, and swallow
Everywhere you go I follow
I can’t help but be the cooker
Since you’re an amazing looker

You’re the heart inside my soul
seeing you every day is my goal
It is my heart that you stole.
I really like noodles in a cup; what better way to express my love? Write a poem
Nat Lipstadt Oct 2013
The groove, the rut, and the cut
were walking down the street.

As good friends do oft,
Cousin in name and in shape,
They strode sided, but said not a word.
Still understood that three
So different, nonetheless, one design.

The cut was old yet still bled
From time to time.
The groove and the rut, always in touch,
T'issued spear-carriers, armed and
Loving, dabbed and blotted the cut clotted.
For that is what the friends are 'the for,'
For the clotting, the knitting and the closing.

The bleeding came when it came,
They jested that they could never leave him,
For tho he bled regular, there was no schedule,
No knowing the when, but the why, that they
Understood. They would not have left him anyway
Exception of course now and then, but leave
Their man, their cuz, was not to be conceived.

The rut was long, thin, you had to look down
To see his full length, for he grew bottom-down,
Every day another ring, another inch, on the soles
Notched, they dared not, count them, so many days
Rutted in the tedium of a blood count of unable,
Incapable of being broken, his enemy, arch, was his friend.
Tedium his companion, his drug dealer,
When groove and cut were at work, failing to supervise.

Rut could only sigh. Sole solitary sound, except for the
Quiet ringing only he could hear, rings forming,
Day after day, and he could not count that high,
So instead each rut was given a name,
For blessed endless the world of words that say
I am a daily existence, nothing more, nothing but less.

The groove, hero to the cut and the rut,
Had his moments.
But he had secrets he did not share with them,
But as an outside-looker-in, I was privy to the
Privy of everything.

The groove was oval, wiry, snakey shaped,
But prone when prone to twisty turns when
Objects like objectives met, in counter ed.
But when groove was grooving,
There was full blown full mo, the world observed.

Strict silence for the poems that
Shook lose from his frame,
Bad his eyes, wept he,
Lines of ones and twosies,
Fat and wide his fame,
For when the groove was
Cooing and cooling,
Life infused him and sips of tea,
Each transformed into the heat of ooh and the ahh,
When the cup was empty, he had his finished 'aha,'
Of a new parting, gift giving in his heart.
For he she see saw the angle of simple, and thus could
Groove on grooving.

The rut and the cut were happy for him,
Watch with incredible incredulity and an itty bitty
Jealousy of which they never rudely spoke.
But they would board his poetry-train sled,
Down they rode, the white snow
Of being a a lookalike groovy kid,
Even if and but, for just a few minutes.

Everyone loved groovy, and watch his every movie,
Licked the whiskey wooden snowball words from his lips,
but would not admit they kept them hid,
So they could be reread when they were at home
In the closet with flashlight, and the weeping was easy.

The three cuz went to the carnival.
Fun house with mirrors that made you look like
Who You really were.

But not them, for "the for" was different,
For when they strode sided before those mirrors,
They could plainly see that the
Groove, the rut the cut
Looked exactly alike,
Exactly alike,
All looked
Like
me.
For Rebecca, just because.
Created October 19th, 2013
Jonny Angel Jan 2014
It was early fall,
the leaves were vibrant
when I crawled to the bar,
catch myself a weekend buzz.

Fred’s drinks were pure trouble,
more jet fuel than mixer.
I mean you could torch your breath
after just one sip.
Rock blared there like a live concert,
loud enough to make you a deaf mute
after just one drink.
The dark walls swirled,
moved in & out, carnival-like,
I purred-down
Jack-elixirs.

I first saw her shining
from across the Mahogany bar.
She was hidden in the shadows,
a real good looker.
Her amber hair was crazy,
blowing everywhere
like the bride of the stitched-man,
electrode-neck.

She might have been a ******
or a nose-candy queen,
but after what the bartender gave me,
it really didn’t matter,
life was played ******* the edge
in them days.

I was enthalled with her,
captivated by her lady-vibes,
she was the perfect last call.
We sang rock and roll songs
in my 455 rocket, crawled
the back roads,
looped
all the way
to my country-place.

We were on auto-pilot,
dropped our guards,
fell into each other’s embrace.
She smelled like salty-patchouli,
had a killer innocent-face,
kissed me with fire,
such strong desire,
a beautiful-wantonness.
Her eyes were so red & green,
indeed she was
the consummate,
the prettiest,
late-night dream girl.

She was bathed in bright ink,
the sun, the moon, the stars,
vividly scrawled on her back
along with a frowning-tiger.
Above her privacy, I spied
a smiling-gnome
with outstretched arms
screaming, “I Wuv You.”

I obliged him,
there was no fighting
her ***** to the wall demeanor.
We shook the planet,
frolicked way past the wee hours,
deep into the noon hour.

When the earth-shattering stopped,
I was hung over on her & the jp4.
We crashed still trashed,
I still don’t know
how I ever got her home.
One of those times you remember in bits & pieces.
Kason Durham Jun 2014
The slits of glass give way to light,
Which cuts through the air and sun leeched curtains.
It falls weightless on warming skin,
Breathing life into stillness.

A gentle caress, a sultry glance;
Statuesque, they cast shadows on the wall.
Shadows that illuminate and contour,
Express and entrance.

Longing rapture in eyes, incandescent and iridescent;
Loveless yet sensuous silken skin that tells of life well lived.
Your broken heart rests on shoulders, colored and vivid;
A world is painted in timeless elegance.

What horrors has she seen? Said the looker so enthused.
What grandness has passed her eye? Says another just as true.
Oh the colors so earthen tell of pleasures and sorrows, yet whisper of frailty.
They speak in tongues that can never be trusted, only pondered.

The intricate oil work from a badger’s fair coat,
Show delicate and smooth,
All the features of her roistering frame;
Passions of the heart now told by passions of the brush.

The life is still, but forever infinite.
Spy
It became patently obvious to me, that
the more that I looked
the less I could see
and I looked a lot
because time's all I've got
but still couldn't see
what should have been obvious, to
the looker in me.
Taylor Peters Oct 2010
i love it so much when you see a looker and walker in the sun and wind
looking straight ahead or slightly down
with eyes sliding up sometimes to see again for the first time the tops of buildings always entered at the lowest runoff point
sliding down sometimes to interrogate turnless stones

this eye wandering distracts and more sharply attunes the looker and walker to the smile
the smile that is trying to kickbox its way onto the proscenium of the eyes, mouth, and probably the hands and the whole body
and to the spark that started all this kickboxing in the first place
Gabrielle F Feb 2010
The photo reminded her of bruised fruit. Well first and foremost:fruit.
Her body, curled around itself, sheltering the fibrous crunchy pit of her, her body white and frayed looking, rounded buttock, calf gently sloping, feet modest, willowy toes toenails like shale
face blurred, questionable dark spots where her eyes could have been. they closed as the shudder buckled, her mouth sagged open, lip lolling to one side, brow ancient furrowed like folds of sand nudged by a lazy tide.  None of it concise, only guessing. Her knees brought up, squeezed against small  
crunch-able chest. Full, heavy with pulp (stringy sweet, what snags on the teeth) but what if it were to fall from an appreciable height? Filmy is the flesh. Daring the looker to look closer, see what mite be hidden there.
Ripe:questionable. Sweet like nothing, pouring from the corners of a mouth: what a bite it would be.
That first bite.
The bruising comes in when she thinks of the brain beneath, that open, limitless figure so pale and forefront and brimming with intent, so crush-able with careless fist, so lovable with thirsty mouth. But what of the mind that put her before you, that turned her vulnerable, shameless, open for discussion?
Put her before you. naked.

— The End —