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Nat Lipstadt Jun 2013
All my poems are copywrighted!

Not a typo,
I am the cobbler,
The leather restorer,
The itinerant knife sharpener,
The wandering spice seller who knocks on your door.

My wares, my tools are my factory,
Where I fix what ever sorrow
You bring me in need of repair.

I am a smithy,
I am a wright,
So I am legally obligated to inform you:

Every word I wright, ever stanza healed,
Every fix-it-upper restored,
Has been authored by you,
All I did was
Copy it wright down
And returned almost as good as before*
but modified, in poetic form.

So when I warn,
All my poems are copywrighted,
My meaning simple, words crystal,
They belong to us, but mostly to you
Who are reading these words,

and were created to be shared,
writ in disappearing ink to vanish
if you don't pass them on!

****!




8:30 am
June 9th, 2013
Steal This Poem, N.Y. 10000
Sorrows real are memories too, and need tending, keeping, in their original form
Nat Lipstadt Jul 22
All our senses concatenate, building on each other

<>

this interplay is truly interplanetary,
for each of us a unique solar system,
our brains,
intricacy literally personified,
and our five senses, working
in
concatenation
our long range sensors, busy bees compiling inputs
by the nanosecond second, distilling, integrating.
blending and then reconstructing…into a whole!

a gentle breeze ruffles the hair,
the tree swing rises and flows
of its own accord, no passported
passenger required, and a neighbor’s
American Flag, moves majestically &
impressively, whipping, dancing, yes, prancing
to a tune only it can hear,
the syncopated air currents providing
a rhythmic awesome inspiring beat…


and the brain takes this all in, a momentary
second of a vista that is constantly flexing,
yet remains unchanged, a muscular view
of a real world, living but yet immutable,
and I utter thanks to my motor functions,
that bless me with the eyes to perceive,
the nostrils to smell sea salt flavored air,
the hearing ears that the know the imperceptible
orchestrations of silences by their absence
and their intrusion, and I touch my fingertips
to my tongue, wetted, and hyper sensitized
to that gentle breeze that decorates the
landscapes external,

and the combinatory
addition of the all of it, into a single momentary
poem of recall, what I “knew” yesterday, & will
greet again this coming day, as an old unfamiliar
friend, who grasps me entire, and proclaims:
this is living…and the greatest satisfaction that
a speck of mortal can achieve, retain and
through impoverished words…share


4:14am
Mon Jul 22
2 0 2 4
a single moment recalled… forever
Nat Lipstadt Aug 2017
all poets are human, therefore, all humans are  
poems*

<•>

"In logic, a tautology (from the Greek word ταυτολογία) is a formula that is true in every possible interpretation."

<•>
hardly a tightly taut tautology,
yet true this, in every possible instance

all humans, poems,

as if their portrait painted

from words dipped in a vocabulary palette

which is why,

you my million muses,

are so oft the themes of *who
I write

and when foolish think there is no
inspiration in the air,
your names
each and every,
a title awaiting
finishing
a gift for Jamadhi Verse

Friday, August 25, 2017 6:10 PM,
S. I.
Nat Lipstadt May 2016
~for Marion~

all poets are junkyard scavenger connoisseurs

who wear suits to Manhattan faculty afternoon tea parties,

broken-in jeans to Brooklyn midnite poetry slams,

regalers, tall tale storytellers, subway words pickpockets

of the  extra-ordinary,

claiming innovations but from all saints stolen,

insights inside other's waste,

refusing to acknowledge the true owner's title

by fusing other's refuse.

the original recyclers,

junkyard dog liars,

willful sufferers of the plague of overhearing,

exceptional excerpters of the gems of coal dust noise,

"Connoisseur of old thoughts
Bound in new gilt bindings"*


them's me.


~

12:37am may eighth
Collectors

by Marion Strobel

The barnacle of crowds—
Like a tuck
On a finished skirt, unnoticed—
He collected his material
Covertly:
A ragpicker,
A scavenger of words.

And the gleanings
Of his hearing
He would costume
In his own words,
And parade before
A listener.

So that now,
Across the tea-cup,
He was telling
Of his research,
Of his study,
Of his deep thought-out
Conclusions.

And the lady,
Connoisseur of old thoughts
Bound in new gilt bindings,
Smiled approval
At the finding
Of another curio
To place
In her long gallery.


This poem is in the public domain.



Marion Strobel was born in 1895.
Nat Lipstadt May 2020
an unrequited, unrequested poem title that nonetheless,
(a fav. word, so economical) it’s a burr, an *** splinter,
festering, pestering, and it’s just easier to write it, cause
triple antibacterial ointment never cured a finger gone poem-
infectious

had two beers for breakfast, not my usual,
don’t care if you’re a Baptist or a Hassidic Jew,
I’m an ecumenical sorta guy, be informed that,
one was a long necked Corona (light), the other
a Pabst Blue Ribbon, which means I’m a ******* anti-Trump
globalist.

ain’t yet nine o’click, already had two fights with
my woman, is toastier a word? I took the negativity
position, but my heart wasn’t in it, cause I know me
words, was feeling muy ornery combative, a morning existential
verbalist.

the other was too infuriating, she asked for ten cherries,
after checking the calories per, which I knew and told her,
but she’s gotta check hit herself, so I brought a bowl uncounted,
annoyed, she anti-overage, threw the extras rudely on bed, she’s a
precisionist.

that I listen to music pretty much nonstop, even in my sleep,
and my fav. lyric of the late John Prine is from Montgomery & goes:
”But how the hell can a person, Go on to work in the mornin'
To come home in the evenin', And have nothing to say”

Amenist.

The German^^ dishwasher maschine summoned me near round
2 AM, TO INFORM ME  (vich is how de Choiman appliances speak)
without apology, that it was done with its multiplicity of cycles,
needy for emptying bowels forthwith, because that’s the way it is,
and wasn’t I gonna get up anyway, there are poets in Manila and Mumbai, waiting to speak their minds, re burning issues of life and pentameter, ah, them wisdom and wonderful people, all answer
seekers!

cause I’m an economist by habit, drink cups of coffee in trinity clips,
cause it’s efficiently economical, one less trip to the kitchen, and
anyone  who doesn’t drink at least three simultaneously, cannot be
redeemed by the verifiable angels in charge of saving coffee-colored
souls-tices.

my tempo is ironic, write poems too long for you attention deficit
disaffected teenagers, but haven’t read a book in years, cause
reading a poem is all I can manage nowadays, cause I’m a ****
attention deficit diseased old man, justifiable, when you got few days
leftist.

yes, I could go on, and on and on, but I hear your skin crawling and
sighs and moaning, enough already, while I don’t really care cause
every word I ever writ is a South Sea Pearl of something excellent,
truth is God has his ******* foot on my neck, whining way too loudly, “Jeez, enough” echoing your guttural cultural groaning, youse
alreadyists.

so I’m quitting here and letting y’all know, that I authored
the lyrics to American Pie, the longest song ever to be No.1,
the Don stole them, but as you can plainly see, it’s my style,^ when
we were drinking whisky and rye and told him it was copyrighted,
he laughed & said, I’m gonna copy them right down, ain’t that the kind of truthful ******* that drunk writers say because they think they are
“artistes.”

that’s about it for now, gotta do the breakfast dishes, so
Auf Wiedersehen, meine guten Männer und Frauen!


(yeah, yeah, learning German from Herr Bosch, the dish washer-man)
down by the levee? nah, Levy!
whew.

Tue, 26 May 2020 = 3rd of Sivan, 5780

10:30am
Nat Lipstadt Jul 2019
A love poem for Terry Collett

**** it, not a single word affixed,
and tears come gushing, flooding my cheeks paths,
into my mouth comes the salty outpouring

my nose blubbery, it’s hard to type
when you can’t see and the tissue is
engrossed, engrasped in your only
good writing hand

a lovely Sunday by the Atlantic coast,
listening to 60s folk and rock n’ roll,
mostly love songs of seeded sadness,
simplistic so many tunes of heartbreak
long ago planted in our respective souls

each one reminds, restores,
a heart poking,
all your recollections penetrate,
as if I was nearer to thee,
and I too, weep,
missing your Oliver

be advised there will never be enough poems
to make one/me not want more,
for ****** you, these love poems into my interior,
learning from you the human

how

so much more than
the when where and why one loves
a child resolutely, absolutely

for each child the unique reasons differ,
but never the

how,

for you, of this,
are the the poet exemplar

this makes me weep
for so man-many reasons,
strangely, a stream of delight
runs sweeter deeper within my tears,
for which I thank you
with this
love poem
Nat Lipstadt Mar 2014
(An After Dinner Desert Conversation)

He: I love you

She: I love you more

(this repartee ballet, has been rehearsal~danced  since our first season)

He: Why? That surely cannot be!
(on certain paths, he is more skeptic, than convert)

She: Because you are
kind and generous,
to street beggars,
my single friends,
(all who want to meet your
non-existent brother)
good and smart,
love dance, the Giants, and art,
go to bad superhero movies,
accommodating me
(as if you wouldn't go secretly),
never let me down,
love my cooking,
kiss my neck like no other,
hand me a tissue just before
I sneeze (how you do that..)

leave space for others
when you car park,
go thru life making
waiters, doormen and ticket takers
smile and laugh-appreciated,
then you tip crazy generous,
money worries put aside

restful sleep for hours,
head on my bumpy hip,
write me crazy love poems,
Veal Chops and a Day at the Ballet,^
never show me your love poems,
(tho one can peek, when you're asleep)
lest I might cook for you every night,
which you would feel guilty about

woman-injured,
you let me
repair the damages,
and I wonder how
she missed the gentle,
what the world so easy sees
when you sneezes poetry
from its crazy atmosphere

always have a plan,
the best of which is when
you announce no plan today,
maybe bed, maybe movie,
maybe movie in bed,
maybe all maybe none,
and that was exactly
what I was thinking,
which you already knew,
but have reservations made for
our special days through 2024

He: This mystery boy,
whom I don't recognize,
can't be me, for I am the
restless and writing type,
in the wee morning hours,
not a planner or plotter,
a slow and steady plodder,
lazy as the day is long,
shaves but once a week,
keeps his inside stuff,
well hid and most discrete,
drives like a madman in the
video game of Manhattan's streets,
delays the pressing troublesome matters,
asking only workman's wages and
what's for dinner tomorrow night?

She: A ****

He: This mystery boy,
never met him, never seen,
his existence, Einstein failed to prove,
maybe he's roaming the hallways,
oblivious to gravity,
(but not hunger pains,)
overhearing poems,
in languages he doesn't speak,
while riding the M31 bus,
for free, on an expired Metrocard,
cause the bus drivers wave him on knowingly,
his poetry writing sanctuary, they drive,
where they will be perchance, immortalized

if **** is your menu upcoming,
set a table for three,
his heart and soul will be in attendance,
his growling stomach sending his
appointed messenger,
tin foiled wrapped communications

surely as sure can be,
this mystery boy,
gonna want an extra slice of
life tarted with you,
in order to prove gastronomically,
The Theory of Relativity Poetically,
*should I ever see him
Yes, I have a love poem called Veal Chops and a Day at the Ballet, of which, this is an excerpt, and is the After Dinner Desert Conversation conclusion.
Nat Lipstadt Jan 2016
~~~

for S.

~~~


six months, two seasons later,
summer poet,  
now a transpositioning,
chilled, blustered & wind blistered,
winter observer,
arm chair couching,
poetry compositioning,
beneath a cashmere blanket of
the lush quietude of an early
Saturday morning
in the city of eight sleeping
millions

you, poet,
stumble upon yourself,
thumbing upon prior dusty
man-you-tell-all
man-you-scripts,#
recalling the where and the when
of an old ecrire composed,
all the while,
the whole world-arounding,
rests, theater-encased,
in the early morn
sound-surrounding
of

true quiet,

for there is nary a visible
source of sound
in this old citified heart &
house

but

true quiet is not the absence of noise

heat-felt fires on a wintered January dawning,
in a silence noisy,
emotionally reverberate,
wild spreading from icy toes, to red nosey,
heck, the body entire,
quiet sweet jam filling,
with the silent crackling fires
of the metaphors of
love

the mind reversely calmed by
fevered puzzlement
mystified by the mystery,
simplistically complex,
how his soul got married
in manner beyond extra-legal,
an internet irregular,
superseding the less-than-the-so-superior,
superior courts of regulatory
administration

to another
currently sleeping, resting only,
a Fitbit confirmed,
thirty nine steps
away,
but a lifetime needed,
to be taken to her,
hidden in a but-a-block-away location,
to find and keep
nearer

in a way, a way,
discovering Columbus-you,
a cacophony of silent metaphors,
waxing, ruminating,
upon the detailing
of a strange and straining
voyage
to this no longer remote,
undisguised visionary land of
love

in the summer the insects battled,
who could chirp most vociferously,
under the trees of competive birds,
mostly mocking the tiny creatures efforts

while the summer ease breeze called out,
in tunes soul-refreshing,
and you were then
quieted
in remote places,
in remote places within
where calm,
rarely claimed knowledge or
kinship

in the city, with sky undecided,
night to flee, day to welcome,
the streetlights flicker in a muted code,
cold air shakes the street signs to and fro
diligently, silently, working
while its underling humans,
all still noisly
dreaming

the racketing pounding of
a love poem escaping,
the whooshing breaths,
all capitulate to the supremacy of a
new testament definitional

true quiet

is reinterpreted,
better understood,
it is a locale precise, a
terminus finale
where calm intersects, perfects, blends,
with a certain warming temperature,
both being,
natural noise suppressers,
both beings,
a combination reflection,
viable only in a
singular coupling

the ending
reached,
a realization
breached,
true quiet comes best
in pairs,
when the heart and mind are
synchronized with
another's
composed Saturday, 5:30 am,
January 2, 2015
nyc

below, the country, summery version
June 7, 2015
~~~
# Lush is the quietude of the late Saturday afternoon
~~~
Lush is the quietude
of the late Saturday afternoon,
rich are the silencing sounds,
as variegated as the shades of greens
of a man-seeded, nature-patchworked lawn

rays reveal some bright,
some yellowed spots,
all a potent color palette

resting worry wearied eyes,
untroubled by the gentle fading light's illumination,
that soon will disappear and seal officially,
another week gone by

the lawn,
acting as an ceiling acoustic tile,
absorbing and reflecting
the varied din of disharmonious
natural sounds orchestrated,
an ever present reminder
     that true quiet
is not the absence of noise

I hear
the chill in the air,
insects debating vociferously
their Saturday evening plans,
the waves broom-swishing beach debris,
pretending to be young parents
putting away the children's toys for the eve

the birds speak in Babel multitudes of tongues,
chirps, whistles, clicks and clacks,
then going strangely silent as if all were
praying collectively the afternoon sabbath service,
with an intensity of the silent devotion

this moment, i cannot
well enough communicate,
this trump of light absolutes,
and animal maybes,
that are visually and aurally
presented  in a living surround sound screen,
Dolby, of course,
all a plot of
ease and gentility,
in toto,
sweet serenity

here to cease,
no more tinkering,
leave well enough,
plenty well enough

DeadRoseOne
Nat Lipstadt Apr 2014
Prosecco cocktails, être pour la danse,
cassis pour moi avec limoncello,
madame, passion fruit, and blood oranges

très grownup, breakfast at Tiffany's,
she is all sunglasses and Audreyfied,
me and George P., struggling writers,
checking if i got enough cash
or have to exit smooth, just in case,
maybe we leave our
coats behind, as ransom?

lincoln center plaza cross-dressers,
past the opera,
the sun, a balmy thirty five degrees,
laughing at us teasingly,
cause tonight and tomorrow,
******* all the day,
winter kisses
in case we forgot,
early March
first belongs to the Ides of Winter

Afternoon of a Faun,
another ballet, origin,
a Mallarmé poem.
(you begin to comprehend)
yes quite so,
a perfect synopsis of the day,
Acheron imported from Scarlett Liam
who lives in the U.K.,
but comes to choreograph here,
for gloria Americana

sundown, soul cold back,
"lest we forget,"
but the dancers bid us adieu
with a rousing waltz, frenchified,
La Valse, une poème chorégraphique,
by Ravel, bien sûr!
aroused and heart gladdened,
return home for

for veal chop love

two hours of *** banging,
kitchen banishment, (Yay!)
chanterelles steeped in red wine,
coverlet for a non-vegan tasting,
English peas, red and purple potatoes,
and for desert,
a diet dream of verbal exchanged of detailed
I love you's

He: I love you,
She (happy), replies: I love you more.
(this repartee ballet, has been rehearsal danced before)
He: Why?
She: Because you are kind and generous, to street beggars, my single friends, good and smart, love art,
and never let me down, and love my cooking, leave space for others when you park, go thru life making waiters and ticket takers smile and laugh, sleep for hours your head on my hip, write me crazy love poems about veal chops
He: What's for desert tonight?
She: A ****
Just an afternoon in the city...whatever
Nat Lipstadt Jan 2023
morning prayers are
always
a trilogy

the rounded evenness of three,
provides the necessary gravitas
of sufficiency,
three being
not too short,
not too long,
not too quick

just three right,
to impart
the seriousness
of gratitude
for having gained
another day upon earth,
with it,
many multitudes of
chances to share
thankfulness,
kindness,
yes,
& love too,
and to write,
one more poem


encapsulating
all of the
above
.
excerpt from “Morning Prayers” poem
trilogy
Nat Lipstadt Dec 2013
Always!*  
fall in love with a poet,
they cannot disguise the truth,
yet, soften it when needed, somehow,
for the only words they possess
are kindness and kindness...

Should you travel with a poet,
new ways of seeing will they introduce,
delighting you, and for ever in you, delight,
for every word that passes thru their lips,
gifts to keep, for the days of when...

There cannot be always good times,
poets know, so they write today,
for when tomorrow's intrusion is
the other end of life's continuum,
their words recalled, restore, revive...

Poets are the predecessors,
your torment, anguish, they have known,
so when they write today, it is
preparation when the future demands,
changes that require tissues, shoulders, arms...

Worry not about their torment,
t'is a seasonal change, comes and goes,
but in the winters of your life,
yours - warm fire, warm poets, summer kind words,
so, always, always,


Always fall in love with a poet...
A riposte to Mr. Hawkins of Canada
Nat Lipstadt Aug 2013
Always use the best you have...first

That what she says, when she makes us breakfast.
Then the next best, and the next...
Then life will always be curving, on a tangent of the finest line,
Linen before cotton, cotton before paper.

She brings champagne and fresh orange juice to our table,
challah so soft, we could lay and love upon it.
All I have to proffer, tears-of-the-saddest of souls and some
scribblings, and a philosophy of fear, hoarding,
lest the day come of none,
when I have a true zero.

She smiles.

She says:
Nonetheless, I think I got the best of you,
I am-contented, for now,
for each new last poem you surrender up..
will be, the best you have,
and your eyes see poetry continuously,
your poems reveal your courage,
that which I recognize, that you cannot hide.

August 31
Nat Lipstadt Nov 2013
always woke up with nothing to say to her
not a thing.

we slept in rooms separate,
but she would bust in on me,
occasionally, to have an occasion,
never knocking, just door pounding,
just to annoy, just to see
if I still cared, hoping to revoke
what passed for pseudo-serenity.

some times entireties
would pass
before you had the energies
to swing
your legs over the
side of the day~bed,
conceding, white flag surrendering,
losing the commencing-avoidance of
the start-of-the-day battle of
pseudo-existence.

hoping against hope
you don't meet,
hoping against hope
she doesn't say accidentally,
good morning.

so you don't have to
Lincoln~Douglas debate,
aerate, concentrate, orate,
how to answer without bitterness
intended to maim.

knowing you could not e'er possess
a good morning, day, night,
by definition, by ruling of the
gods in charge of never.

sometimes you made it out
of the apartment that had
no ingress,
only egress,
happy happy no converse.

used to go to a Barnes & Noble,
get a refillable endless Starbucks,
from open to closing.
read all day, sitting with strangers,
till my **** hurt so bad,
didn't think I could walk again.

now and then,
smiled at the ladies,
tho nothing could come of it,
nothing ever did.

she never asked me
where I egressed too.
didn't care, that was better
for sanitizing my pseudo-sanity.

came home cautiously,
door opening silently
in case I was home prematurely,
she still there.

sometimes you wake up with nothing to say
to yourself.
that is even worse,
cause the meaning clear,
breaking point is near.

have a picture of me from those days.
a cellphone photo I took myself,
of course.
serious, bearded, short haired,
red eyed, unfiltered.

Sometimes I think I will banner it,
so you can tap into a part of me
that words just cannot do injustice to,
more than was already done.

here, while composing,
I fell asleep.
tired?

maybe.  maybe,
sometimes you just don't want to remember.
Nat Lipstadt Jun 2013
A Man In Search of His Style

It so happens to be June.
It so happens that the picture window,
Frames a contented, bay lit, full moon.

Searched for an answer lifelong,
A devolving, lilting song refrain:
Man what is your tune,
What's your style, finally?


Examined so many rooms,
Tried out different beds,
Jumbled now, assorted, some sordid,
Some long winded, florid,
Some cursive, cursory and accursed,
Some so bitter-filled I shared them not
Lest I infect you, a sin in F major...

Love poems galore, and yet to come,
Many more.

Some seriously desperate suicidal,
Some ditty, even a mite witty,
Some eurythmic, most freely versed,
Rhyming is where you start,
Free verse when you're all grownup,
But all this delay, begs the question,
What's your style, conclusively?

Con-cluded, cannot be all things,
Took the ships conn to dissolve the occluded,
Find the truest course of my abilities,
At Port Serenity,
I arrived.

I write what I see.

A head lifted from pillow,
A one-second-long act of inspiration~duration
Becomes in moments,
A fully formed poetic inclination~curation.

Literally my eyes see words awaiting, coordinating,
Poems flying by, needing plucking,
How a child eats his morning cereal,
His rituals, informing of the man yet to be,
How our bodies lay, hair unbrushed,
Naturally tying us into a conjoined knot.

T'is the mundane, the profane of every action,
Makes my lips move, personalized prayers framing.

Perhaps this is a condemnation of sorts,
Ordinary things might bake
ordinary poem cakes,
Residue of an ordinary man,
An ordinary poet makes.

So be it, tomorrow is a farther day, when
My vocabulary may be a word greater, lesser,
But knowing now that the
Spring's source so topical,
Fills a well so deep, so close nearby,
I rejoice, mineral mental springs,
waters of inspiration, plentiful.

No matter that plain words are my ordinary tools,
With them I shall scribe the small,
Cherish the little, grab the middle,
Simplicity my golden rule,
Write they say, about what you know best,
Surely in the diurnal motions,
The arc of daily commotion,
Do we not all excel?


For this, if be,
my gift meager,
I, on blended knee,
freely embrace eager,
Promising you that the
best of our lives ordinar,
Together, we shall celebrate,
Fully, and most fair


June 15th, 2013
Nat Lipstadt Jul 2013
so it is, so it be.

life granted me a boon, come to me, the honey.

not the merest of coating, but a power enrichened,
capable of driving out the slow acting, daily killing,
poisonous venom.

makeover, coverup of tears of ancient marriage-madness,
black swan hate disguise, her lies, venom injection of
coffee blood staining love pretense, now just scar tracks  for a
new boulevard.

the slow pour,  the golden russian amber intertwined tones,
tongue tasted, inside me now, revealed in slow exiting, beauteous,
mellifluous tears.

you dance with the stars, I watch you watching,
clueless that my thee-flavored tears, dance and pour down
my face.

destitute, nearer my God than thee, god blessed this child's life,
love gifted from sweet bees, late in life, flew from my computer screen and sonnet-stung me with antidotes of
love n' honey...
Writ Oct. 12th, 2012
Tinkered with just now, at the bus stop, on the bus, and missed my stop.

New stanza:

"Honey,"
Not the daily address of my man-erred woman,
Babe or Sweetie, I think are in my employ,
But having read this dusty poem,
It will be Honey, tho hackneyed and corny,
Of that, She will inform me most hastily.
But I will know, but never tell, the resonating joy
Unleashed when I think of this poem instantly

gives
Nat Lipstadt Jul 2020
Serving up poetry like ***** and ginger ale
(with a ***-soaked crook and a big fat laugh),
the anti slow-soul-erosion antidote to...normality

way up ‘high’ on a ledge, overlooking the mountain range,
got my Stetson on, canteen full of ***** and ginger ale,
matches in my pocket, Chris Stapleton in my ears, and
a *** soaked blunt between my lips to get even hi-higher

a big fat laugh crosses my lips, creases my face, it’s time
to lean up against that big tree, light myself up, strategize,
how to get even higher, how to get down, how to do both
simultaneously, at the same time, without dying too slowly

the sunrise cheats, clods of plain ugly clouds covered it up,
i know it’s on account of me accumulating, stuff, bad poems,
delayed gratification of not confronting the situational, at the
cellular level, though the intersection with macro-international
clusters of men destructing their corner of the world surely
ain’t helping, but the drip into veins cools the paining’s ardor

the woman is edgy, debating if it’s that time, to give up, to snap
that towel across her face like a forgotten hotel wake up call request,
should-she take the truck and go visit her sister in Ashtabula
for a week of *******’ and staying longer, a couple of years more,
and me muse what i recall from living alone, and how it was easier
and so much harder that the shakes begin but that don’t stop,
but adjust the *****/ginger ale ratio, and things seem fuzzier
and for that I am eternally grateful for the miracle of potato
distillation

could do much more additive, but you don’t got the patience
like I do, so, forgive in advance and here’s hoping that maybe

someday you’ll learn this craft and the  extreme patience it
requires, how to savor a word, its conjunction with the one that
comes before and after, the combinations that make a verse, a stanza
sobering beautiful that it robs your breathtaking sensors, a scar minder to, for god sakes, ****! **** that trip to trite, give us something to shout about,


exhale on the moraine morass, that’s the other side of, yup, over
the rainbow that landed on the peak, cause a peek, is just the start of a trip downwards sloping doggy on my hands and knees and yeah, i’m drunker than I care to deny so I’ll head back down, or roll down, to find out what my next adventure will take, maybe I’ll chase after her,

and fall on her neck with sorries, sorrows, and kisses, besides,
now that I’m done, the sun decides to show a couple of cracks
and that’s some kind of of sign to wrap this sonata up and try a
new fugue, letting its contrapuntal composition tune cleanse me
and
save the day, and a corner of the world, hell it could even spread
like somethings good, successful  counter terrorism, zero shootings in New York and Chicago, forget, yeah, what they call that?  oh yeah,
peace on earth.

just maybe.
07052020
530am

always write about, of and to your peer poets..
Nat Lipstadt Dec 2019
”so oft we trifle words, expel them from the country of our body,
without passport and earnestness, as if they were the cheapest of
footnote filler, day tourists, to be treated as leavings, refuse for daily discardation, barely noting their fast comings and faster disappearance, but leaving not, a mark of distinction”^ nml  2015

<|>

these very words, the issue of my Old Abraham body,^^
children, these, young children, now four year olds,
but
so ancient in word years, for they,
the product of decades lived, lost,
wisdoms now sudden unearthed by teenage poet siblings,
youthful all, who, stumble on,
uncover and resurrect as accidental tourists in a foreign land,
these very words to:

surprise me, remind me, recall to me,
how the words were cherished, tenderly loved,
now newly loved by those tender only in their years,
grasping pen and paper to diary their youthful travels and travails,
witnesses to their new early days,
exploring the boundaries of body + mind, exciting pleasures and

even more exciting,
their heartaches,
as they dabble in the unexplored,
the trial and error of life

Like life itself,
my writings follow no meter,
free in form, lineage and linage, to wander and to wonder,
follow machete carved new paths,
each essay, composite of the drips and dabs of a human,
a pastiche,

a composite
held together with spit and tears, reflections fresh on old memories, an accumulation of past deeds requiring final payments,
all stamped overdue as if we knew life’s actual due date,
when we draw the double line of final summation,
uttering, here, here are my totals!

it is the wee hours of the early day,
nighttime of the prior,  the when we humans pass
back and forth from the real to the spirit world,
when the unconscious and the faint hearted scheming merge,
when bare remembered imagined and real life dreams blend,
a potpourri
of our unique treasured immeasurable, red rich soil for our mining

this years land’s end draws nigh,
the belt drawn tighter though a new notch,
just now punched and prong filled, the airy atmosphere rushes into
spaces that did not exist moments earlier,
our belts, the tree rings of a human’s life,
our waist expands and mind shrinks simultaneously,
but one metaphor of our journey to ebbing

enough ramblings.

young poets, look forward and new, by screen refreshing eyes,
by visiting the trails cut by your predecessors,
like the breadcrumb words left behind with you in mind,
paste them anew in unforeseen combinations,
valued for being both prime time polished and real renewables
just “reborn”

our, nay, now your precious words,
precision tools to shape new dies, your poems,
for mine are almost all expelled


Dec. 18, 2019 2:30am
^ https://hellopoetry.com/poem/1425812/oh-poet-be-ever-gentle-to-thy-words/

^^ Abraham laughed, and "said in his heart, 'Shall a child be born unto him that is a hundred years old? and shall Sarah, that is ninety years old, bear?'"[Genesis 17:17
Nat Lipstadt Mar 2016
~~~
"I would look at them in the audience:
the frail old lady with thin white hair;
the big, rough biker-looking guy;
the pleasant middle-aged teacher;
the silver-haired accountant with two young kids;
the beat-up middle-aged woman with rheumy alcoholic eyes who is sweetly gracious, modest, as she moves to give you a seat;
the obese, wild-haired man bursting out of his torn, cracked leather jacket;
the giggly, chatty middle-aged redhead in the NoLabels.org sweatshirt;
the Patti Smith-looking woman, tall, pale and austere; the hunky football player;
the skinny hipster girl in architect eyeglasses and torn jeans. Everybody listening so closely to the candidates.
Beret guy, too, with a white bandage on his eye and a beard that went down to the third button of his shirt.
What a crew we are."

Peggy Noonan, political columnist, writing about a New Hampshire meet-the-candidates Town Hall 2016

~~~

confess here an avowed legally, registered voter,
who fails to vote with almost
perfectly regular regularity

for his solitary voice almost always
swallowed whole,
living in the futility utility of a self-selected body politic,
geographical location where
dissent is a now pathetic revolutionary concept lost
in the new intolerance of a place,
where there is none of the
demanding New England hampshired state
that brooks, adheres to
only the standard highest,

"live free or die"

in the sweeping crush of nationalized,
commoditized would be Commodores,
whose sounds bite,
elephantine donkeys and donkeyed elephants,
leading us to the same slaughterhouse,
by different paths

but I am a crew member here...

proud and free,
proud to be,
amidst this mess of characters,
homogenous in their pursuit
of independent assaying
of the character of men
to whom we would
our liberty, entrust

God, it gives me breathing space,
these unusual common folk, who with the
unpracticed eye of a periodic literary critic,
in their first-in-the-nation primary,
selected the would be revolutionaries extremists,
polar opposites

God bless their orneriness,
though both of their final aisles choices to me,
anathema,
message received,
we are tired of the ordinary hacks,
who think their longevity means success,
want a sea core change,
a fresh revolution
as principled as the original...

but they suit up, on uncomfortable
folding chairs,
willing to listen,
all the while acknowledging
their presence physical,
evidentiary proofs each,
that you can fool some of the people
some of the time,
but you cannot fool
all the people
all the time

a man proud to be a crew member,
of this cantankerous irascible population
who will vote this time
but not on any machine that offers up
more of the same ole insane,
will exercise my vote,
in the most old fashioned now waining way

*the same way
I write poetry,
upon a ballot where I will
write in, write on with
ink and paper,
tag a name of person
good enough for representing the
interests best
of this rag tag crew o'mine,
who I love so....
July 4th - There are no tribes in America
There are no tribes in America.  This is my annual reposting of my July 4th poem, written years ago.  After reading about some tribal warfare in a far away land, I wrote this true story down....
~~~~~~~~~
one July 4th,
many years ago
walking the streets,
of the city of Nice, situe
on the Cote D'azur of France,
on the Mediterranean Sea,
where ships of navies
may safely park,
sailors ashore
leavened to
disembark^

how I came to be there is a
poem for another time

walking the streets,
of the palm tree resort
along Le Promenade Des Anglais,
coming at me,
Three Sailors,
unmistakably
American

One white,
One black,
One from California,
which I believe,
is still part of the USA

how we fell upon each other
in warm embrace,
smiling, bestowing
blessings of grace
not as strangers,
but as fellow signatories
on the Declaration of Independence

brothers,
long lost, reunited
as if it had been many years,
since we had our arms entwined,
one family from one far away united place

dialectical differences ignored,
even the wide-eyed 'Bama boy,
totally comprehensible,
for on that say,
we spoke a language that
encompassed a single brotherhood,
a common history,
all on that
holy day

no tribes in America, no colors,
no religions,
only brothers-in-arms

I need not choose to believe
that should it happen again
twenty years hence,
perhaps with their sons,
my embrace will exactly
the same be,
for I know it true,
for there are
no tribes
in an
American heart
Nat Lipstadt May 2014
for SJR
who lets me borrow his voices, a good man, asks for nothing in return
and therefore, is given all I got...

~~

“She's as sweet as tupelo honey
She's an angel of the first degree
She's as sweet as tupelo honey
Just like the honey, baby, from the bee
She's my baby, you know she's alright.....“

Van Morrison


~~~~~~<<<<<>>>>>~~~~~~~~~

old folk listen to old folk
and rock,
stung and sprung
from Pandora's box

someday
maybe,
you'll understand,
certain phrases,
from certain phases,
first tasted at a flavored oxygen bar
where youth drank,
worshipped and adored

and when those certain
word combinations reenter,
slipping in from unawares,
recalling easy the first time
you tasted with your ears,
Tupelo Honey

but what you remember is

that differentiating phrase

and
what you believed,
what you needed,
why you existed,
all because there was a new knowing
,
that
an angel of the first degree,
was out there waiting for you...
Tupelo Honey is the gold standard by which all other honeys are measured. For two weeks every spring, White (Ogeche) Tupelo Trees in the Southeastern swamps bloom with fine sunburst-shaped flowers that glisten with nectar.
Nat Lipstadt Aug 28
the waters of the Sound, churning,
make my hands a five-in-hand knotted,
full of writhing wriggling writing poem
lines with an go<hesitant~go  slow, knowing that,inspiration is daring me, just as the  whitecaps are, troubled trolling so nearby,
gone can hear them mocking me with their
17knot  ‘breeze,’ your lyrics are but
blowing in the wind, soon enough will
shift to someone else, leavening your
deflation with a non~riser sour-dough mix
of unfinished sadness

in advance, knowings that every poem
more like a Monarch butterfly, here but
for a momentary traversal travesty,
gone faster than the eye blink, and this
infilling fleeing fleet urgency more
likely to die on the pyre of unfinished
rejected draftees, unselected for service

nonetheless ~ “follow” lyrics refuse me
to let~leave a poor tribute to vine~die, the
fingers speak in unison, urging me on,
not wanting to escape from this fantasizing
moment, urging me to tap tap tap
evermore!

“ Come taste and smell the waters of our time,”
Richie invites us all to find our own water,
let it work its magic upon our
nerve endings, but,
mine full of sendings, how?

can one sit seated in the Poet’s Nook,
same vista, no visa required ~
just to see it each time
differently, only the truly creative can love it
so much, that they tip into unexplored unexploited
veins of fresh blood and words
and eyes that discern and earn the ability
to write of the old with new inside insights

those! they are the ones you need to follow!
creators! with a small C, see them feel, see them divine with rod, their original water,
from which they emerged, and drink once more, for the water follows them like nutrients, raw materials that nourishes
and they in turn, return to their watery
birth site, their emotional placentae,
drawing from, returning to it new creations

for all of us to follow, fire our senses,
make us!
make art in all our hearts,
and don’t mind me, just

”close your eyes, child, and look at what I'll show you;
Let your mind go reeling out and let the breezes blow you,
And maybe when we meet then suddenly I will know you.
If all the things you see ain't
Quite what they seem,
Then don't mind me 'cos I ain't nothin' but a dream .
‘cos


We
ain’t nothing but a dream,
our disguised muses visiting,
pleading to be
usefully used…
A recurring line from “Follow” lyrics by Richard Merrick, sung most famously by Richie Havens, who made it his marquee signature song, and a standard, immediately ’ recognizable by anyone who listened to music in the Sixities (20th century)

<>
Let the river rock you like a cradle
Climb to the treetops, child, if you're able
Let your hands tie a knot across the table.
Come and touch the things you cannot feel.
And close your fingertips and fly where I can't hold you
Let the sun-rain fall and let the dewy clouds enfold you
And maybe you can sing to me the words I just told you,
If all the things you feel ain't what they seem.
And don't mind me 'cos I ain't nothin' but a dream.
The mocking bird sings each different song
Each song has wings - they won't stay long.
Do those who hear think he's doing wrong?
While the church bell tolls its one-note song
And the school bell is tinkling to the throng.
Come here where your ears cannot hear.
And close your eyes, child, and listen to what I'll tell you
Follow in the darkest night the sounds that may impel you
And the song that I am singing may disturb or serve to quell you
If all the sounds you hear ain't what they seem,
Then don't mind me 'cos I ain't nothin' but a dream
The rising smell of fresh-cut grass
Smothered cities choke and yell with fuming gas
I hold some grapes up to the sun
And their flavour breaks upon my tongue.
With eager tongues we taste our strife
And fill our lungs with seas of life.
Come taste and smell the waters of our time.
And close your lips, child, so softly I might kiss you,
Let your flower perfume out and let the winds caress you.
As I walk on through the garden, I am hoping I don't miss you
If all the things you taste ain't what they seem,
Then don't mind me 'cos I ain't nothin' but a dream .
The sun and moon both arise
And we'll see them soon through days and nights
But now silver leaves are mirrors, bring delights.
And the colours of your eyes are fiery bright,
While darkness blinds the skies with all its light.
Come see where your eyes cannot see.
And close your eyes, child, and look at what I'll show you;
Let your mind go reeling out and let the breezes blow you,
And maybe when we meet then suddenly I will know you.
If all the things you see ain't
Quite what they seem,
Then don't mind me 'cos I ain't nothin' but a dream .
And you can follow; And you can follow; follow...
Source: Musixmatch
Nat Lipstadt May 2016
(Return to Shelter Island)^^

~

"And even silence found a tongue,
To haunt me all the summer long;
The riddle nature could not prove
Was nothing else but secret love"^


   ~

the winter's quietude
slowly dissipates,
like a miser's reluctantanc to-part-even-with
unwanted, yet saved up tears,
now finally shed, 
tears easy ease on down to please,
morphing into spring rain  
creating a horn of plenty of
les amuse-bouches,
summer tastes,
hints of mint,
all to commence, orchestrate,
miniature, slews of budding teases
of what may yet come

t'is only summer peekings coming to refresh,
memorized friends, recalling a former full bosomed lover's
abundant bounty,
untying the quiescent, frozen tongue,
relieving it of its stale,
suffocating, whited, slushed crust,
issued a full pardon and
twenty bucks pocket money and
freedom
to see the
new full born poems,
without the interference
of grey baited, metallic bars,
poems, floating by, on summer breezes,
air borne for lovers

the same water vista,
under grayscale sky and
winter cloud cover,
is uncrackable and the
Hollow King of Words,
silently languishes, jailed alone,
wretched and deposed,
a wrecked winter's tale told,
an empty throne forlorn

no-way-out aperture extant,
no keyhole found to unlock,
all the songs
that to no avail,
the ineffectual poets impatiently
have prayed,
beseeching an unresponsive sky to rain forth
uniforms of pastel blues and whites

only summer sun-rays
seasonly ready now, fully ripened,
rays notably higher angled,
that can ***** and crack open
the skull and bones,
rejoice the soul's soil,
filling eyes with leafy canopy of green down,
while reheating the heart's chambers,
un-encoding the precise temperature formulae,
for the degree exacting,
where the words-wanting-for-extracting,
release and rouse themselves from a
deeper dreamless hibernating,
and even a last remaining,
napping, spring drowsiness

awaken to a symphony spoken
pitch perfect,
a woven rainbow color palate ensemble,
all full throated blooming

before and by my water view,
an old empty Adirondack throne has grown
one more winter-withered and wise and weary,
aging well,
if aging a well be,
and yet visibly poorly,
unable to speak,
bereft these so many months
of its human companion's conjoint, howling voice

chair asks him now plaintive,
not
where I've been,
knowing that any answer
immaterial

nor
does it inquire,
have I come to stay,
knowing any human answer
is always at best
an uncertain truth

only this it seeks ascertaining,
desiring a newly needed-seeded knowing

do I return
carrying with me,
a summer's secret love?

strong enough to make our single tongue
break the wet dog woeful silences,
to sing the praise of
those refreshed elements now blossoming surrounding,
that all come to enhance,
the secret purpose of the human

do I carry the tune
that will unlock,
at long last,
the somber silence,
that no winter's gale roar or
noisy, erratic spring chirping ,
however loud,
yet leaves nature, alone, clouded,
incapable of solving
the riddle of human nature,
that bring summers birthing to fruition

do I in my possess,
own the love,
that's strong enough to end
the silenced weeping
of the other season's mourning abscesses,
the absence of summer?

they say it is but the mechanical turning of
the hardware store's calendar, kitchen-walled hung,
that marks the man's semi-automatic returning,
yet the paper's crossed out, numerical dates,
cannot foretell,
if the necessary passion,
the requisite human love,
the provident kindling of summer's furnace
whose heat,
can provide life's
reasonings,
will arrive on timely so that


even silence will now have found the tongue
to haunt me all the summer long;
the riddle nature could not prove,
was nothing else, but secret love
5/23~28/16
^^written in anticipation
and completed
upon the return to
Shelter Island

^John Clare, English Poet
1793 - 1864
Nat Lipstadt Jan 2014
and he does not think it strange,
watching two hours of the hottest hip hop,
in freezing cold surround sound air,
returns home to a medium warm bath,
where the drink served, icy cold vitamin water,
liquefying the mournful, dismal~gloomy,
lugubrious poems of lost love he finds
under his hello poetry pillow,
that gives no one relief,
neither to the writer or the victimizer

and he does not think it strange

reads strange takes n' poem tales from Avenida Paulista,
but his body dances to an Argentine milongia melancholia,
a contrast and a contest,
his heart asks where is Patagonia,
as the Arctic Vortex melts into the bath water

and he does not think it strange

for he know, he knows that this makes little sense,
but perfect sense to the poet-man,
try to see it his way,
there is a fussing and fighting inside,
that cannot be worked out

and he does not think it strange

but this be the funk groove of his extra
ordinary life wherein his body and heart,
and hundreds more,
can be held aloft
on a single wrist with fluid ease,
if allowed

and he does not think it strange

when he says,
aside aside fellow dancer,
and he does not think it strange,
he wants you to understand
for that, you must be
*be beside beside, fellow dancer
You deserve some explanation.

Saw two hours of this dance company

http://www.youtube.com/watch?v=5EZ-eS-LClY


went out into the sub freezing cold.
climbed unto the holy water to
read and write, and reads poems on HP from SP,
and poems of busted love while
McCartney sings We Can Work It Out
writes of the streams mingling,
and he does not think it strange
but duty bound to ask you to join
the ride, and herein he signs your
permission slip,
for his woman is off dancing Argentine tango at a milonga
till long after he falls asleep
Nat Lipstadt Aug 2015
~~~
dedicated  to the three, who read this first
(S.B, J.A.,  & T.M.R.)
and know it all too well

~~~
more than ever presumed,
more than ever thought realizable,
indescribable attainable,
a modernizing magic powder,
synthesizing my intemperate body
~
at last, all ego falls away,
now but corn husk mulch,
detritus, non-toxic nuclear waste,
for growing better visions,
fruits undiscovered
~
write for me,
my recordings, my blog,
not to differentiate,
to substantiate,

to integrate

your gasps imagined,
mine realized,
exhalations upon lips grazing,
the soil of our rainforest
wetted by
living smiling,
eye droplets,
forming a singular stream
~
write for you,
sharing too close,
are you my first or second skin,
for there are no spaces
~
satisfaction discovered that is insatiable,
this pleasured seeing,
this pleasured sharing,
this poetic reason,
to exist
*I watch your face
as you write

in the furrows of the brow,
see you and the
word-seeds being seized,
harvested,
prepared, ready-roasted
for sumptuous consumption

grimace and smile,
alternating currents,
grimace and smile,
ponderous pondering
chew each word,
flavor extracting,
does its taste fit,
is it only,
but,
perfect?

you get up, you sit,
you move about,
pretending, misleading,
purposed to be aimless

yet eyes squinting
betray
a fearsome full
concentration rapture,
a mind computing
the numerical quality of
words,
summing, subtracting,
solving for X

you employ technique,
formats, tools and aids,
thesaurus, dinosaurus, dictionary,
even pictionary
when
the guppy letters
swim spring river current fast,
little boy catch me fast run past,
cannot be caught and easy captured

why
do I watch
your face
as you write?

for there visaged,
is your truest work,*
**you, your best poem**

*what words you select
matters little to me,
t'is the struggles,
the blush of satisfactory,
the distempered white of
disillusionment,
of inspiration sought
but not found

all these dancers,
you choreograph
a word-ballet in three acts,
scheme a midsummer nights dream
upon the stage of your face

return the favor poet?

watch mine,
watch my face,

as I read your poem
and see thine own best
reflection
in teary eyes caught inside crows-feet,
pencil thin smile lines of fine wine whimsy,
in feet that airlift,
the contour of
who you are
and
think*

You, Poet,
you are your best poem
Nat Lipstadt Dec 2022
Few people know how to take a walk. The qualities are endurance, plain clothes, old shoes, an eye for nature, good humor, vast curiosity, good silence,
and nothing too much.

—Ralph Waldo Emerson

<>

A late-in-life walker, the words above resonate in my mind,
with a check, check, check, check and a voluble ding, reading

and nothing too much”

many a poem mine labored, birthed arrhythmically walking,
eyes see verses, verses fill the mouth, mind desperate as
the feet unceasingly trod round new corners, new visions,
Emerson’s words remind my well worn weary path daily renewed, a vocabulary child re-newborn, and how to keep all this forever,
until tomorrow, and nothing is everything all too much carried over

and nothing too much”

speaks to an openness in every orifice, be prepared scout-boy,
to adapt to nothing too much as hours earlier now recalled are ancient history, mind staggers at the minuscule differences tween yesterday and this exact moment in this exact place that has been reimagined, deserving of recording, notating, and my desperation struggle to
semi-successfully delineate, report, on all these
mini-magnificent miracles countenanced, overwhelms…

the brain furnaces/furnishes a thousand thoughts, a million worries,
slew of infinity-sized emotions like love of children, so it’s confusing to window-peeking  strangers watching for the walking man with tears pockmarking his cheeks, unaware that his each stride is a story, a unique grace forward and too, backwards, history mine, reviewed, graded, and the comfortable shoes, the old sagging clothes well worn and beloved, fit like gloves, whispering in the good silence,
a lamb sacrifice to the

good silence,
“human, your foibles and deeds, admixture of
blood inherited, a morality crafted by ancestors,
so the next step is
alway$

and nothing too much”* and everything…

Sat Dec10 2023
Shell Beach, Central Park, in my mind, and nothing is perfect
Nat Lipstadt Jul 13
From the Prayer of Saint Ignatius of Loyola (see notes)

<>

the phrase grabs my eyelids,
a forced opening,
nay,
a denial of closing,
our most human
and natural
escape hatch


and I wonder…
is it self~slander,
or is it the obverse,
that explores a desire
to enumerate honestly
for what is…is…
let the costs count us!

is that it?

merely
poetry
airy escapery,
what passes
for  t r u t h  in
these dark days?
<>
the damning costs count me
in their number!p
as ******!

<!>

hapless victim of living,
pondering ponderous
divination of saintly
defiant definitions
of ‘greater good’

’tis the difficile,
entre the pill and the
bitter, oh so bitter the herbs,
for it is
so plainly & so hard
to differentiate, et
distinguer mais être distingué(1)
distinguish tween but not to be distinguished

memories that are costs disguised,
reverting as dreams, in the true~alone
hours of the twenty four, when it’s
just you, & fighter and worthy opponent
them costs,
who needs no definition
tolling the steeple bells
of utter anguish,

as you're thre greatest living expert
in these matters,
(le plus personnel)
the sins of action and transaction,
And the worst, those  truly heinous
inactions,
face off in opposition in the boxing ring
<>
and the costs paid, a savage skilled
opponent, intimate of your every trickery,
the bare knuckled brawler, whose knows,
knows! the true tally, the bodies you’ve
buried, the children witnesses to your
creative abominations, lies you tell no
one else, but yourself- every single day!


the urge to cease here
grows stronger by the second,
minutes past and les défenses have risen,
what disclosures revelations bring forgiveness?

this my spotlight,
caught in the headlights,
where fessing up is in reverse,
fessing down to the black bottom,
where ugliness is the normative and
vain attempts at denial offers no escapes
from glutinous disgusting mess of gelled of
nothing but the truth

nah,
you don’t want to know,
what a human can accomplish
in a short seven decades of decadence
and recount constantly the costs of consternation
<>
so I‘ll let you
retreat to the gray masses
all your own where your very
owned
wonderings
are intercepted
for where I go now
willingly, unfailingly,
failing
needing not, requiring not
no company
Teach me to serve as you deserve,
To give and not to count the cost,
To fight and not to heed the wounds,
To labor and not to seek to rest,
To give of my self and not ask for a reward,
Except the reward of knowing that I am doing your will.
http://www.stignatiussacschool.org › ...PDF
St. Ignatius Prayer

SB- threw in some french for you to learn

(1) to distinguish between but to be distinguished
<>
writ, second week
of July 2024
Nat Lipstadt Jul 2023
And So the Day Begins (Bring Them Home)

~ With love for T.R. & S.R., my friends ~

<>

Their spirits, sensed, well kept,
in a sudden breeze, a sudden sneeze,
at the precise exacting, millisecond,
when skin, mind intersect, coinciding,
Mine, Theirs, and wet eyes and
smile traces arrive unbidden but both
together, always simultaneous and I know,
full hearted, full throated gasp grasping,
my soul and hands, touching, clasping,
in the kitchen odors, morning coffee,
early daylight across my face sweeping,
on the tongue, their taste on mine,
and I am present in this moment
as they are too, with me forever if
but just for a heartbeat, maybe two,
stilled yet, my heart trembles as it fuses
with Them and Everyone of Us is renewed,
and so the day begins,
Oh Our Children!
remembering, a point on our journey,
our always unbroken continuum.



<>

7:17AM
July 22
Two Thousand and Twenty Three
but one more day until…
mine eyes wet, can’t be dried,
and all around no one notices,
but there is contentment even
in that,
as it is my private momentary placement,
in Heaven on Earth,
all together,
merging…
Nat Lipstadt Jan 2017
"two birthday presents are better than one"
sayings of the wise men

"and what an honor it is, and how could we be anything greater
(than all too human)?" 
 R.A.

~

for Rebecca, a birthday gift

~
a message of notification,
comes early one evening, an agent provocateur,
a paparazzi peeping tom,
a cat burglar presuming the poet-receiver nat is
a rat-man out and about, galavanting around town,
dancing perhaps, seeing a Pinter play, a movie,
a lecture on string theory, an underground railroad rock concert,
reading a book of priestly poetry, or himself,
lost in a mesmerizing revery of poetic composition

her question, a statement of fact, a reflection,
one or all, all for one, this pronunciation,
a witness deposition re the human condition

the man is knocked askew in about
an instantly,
sitting before the voluptuous fireplace's crackling complications,
fire sensing the multiples of implications,
contemplating the failing honor of human limitations,
sensing the uniqueness of our successes,
a claiming race prize
for all of we humans
in her words

now how great is this knowledge that we,
all to human,
all too human,
need let this then be the first
thought/ message/ notification -
meditation of our every day

that we honor ourselves first,
our upstart blessing,
in order to honor our world
and its bedazzling human creativity


~
We find our poems in many different ways.  Of late,
I keep finding inspiration from the messages that many of you send to me, re the poems I choose to publish here. So I repeat my disclaimer, "any message you send can and will be used as a poem."
Nat Lipstadt Apr 2016
and you want to write,
get the insides out,
let the outsides in

you half start
half a dozen,
leave them in the fridge
next to the half finished ones,
on the shelf where the
almost spoiled fruit,
can't let yourself throw 'em
not-quite-yet,
ages on
begging to be finished, discarded

and you want to write...

cull and ****, analogize,
separate the chafe from the sweet,
write about what you want,
which will never be good enough

review the incompletions,
candidates for renewal,
they lie to the left of this
work in progress,
mocking, preening, begging arrogantly,
flaunting failure to your face

and you want to write

but you are the hanging judge,
hung up on the braking shadows
that fight you, make the wholesome sodden words sound
terrible unright trite

and long for the days of might,
torrents of passion that arrived fully formed,
but those sweet place and days are
"currently unavailable"

and you want to write,
so you write of need,
rather than deed,
leaving yourself
disappointed

that you have been culled and weeded
but no flora,
spring sprites spike through
the concretized city streets of your
inabilities

7:18am EST
April 2 2016
nyc
Nat Lipstadt Jan 2015
for the sey-hey man

word bird droppings
scattershot sent
disguised neath flora,
a name by any other,
sally sent forth,
never looked back upon

untenable pursuit
GMO words planted in an
untended garden,
man-made wild sent seeds

purée of amputated lesions,
a divorcées convention,
bon mote note comparison,
freely shared, plagiarized,
by-product of a man's waste,
bidding adieu,
but never
au revoir

*let them spawn
more and others,
will love them
better just for knowing
even never
seeing them again,
still and always,
whatever wherever
they ride~write on,
still and always,
I'm in them,
unflinchingly personal,
even if signed by
another's name...
I write here under many names, freeing me of the burden of counting my words
Nat Lipstadt Sep 2014
5 X 5

sitting in that chair, once more,
that chair that is my picture of me...

One:
The bay laps quiet rhythmic hellos
knows better than to ask,
just graciously accepts,
one of us says Hallelujah,
and the other, Selah!

a torrid summer of morose and illness,
lingers still, and here I am, cosseted,
comforted by familiar comfort foods,
baby waves, the gentlest of precision-crafted currents  
of air, all together a baklava so sweet,
one could forgo forever eating,
but never, writing of them, to you

Two:
Crumpled tissues,
absorbers of ****** fluids,
crumpled poems,
absorbers of mental fluids,
evidence of a body and soul's
dismal anguish, creativity extinguished,
weeks of weak, months of morbid,
were the pretense that a lovely physical shelter exterior,
could ever successful well-mask the human upheaval within,
as if a summer tan could disguise the illness exposed in his eyes

Three:
Sun of moderated fall heat enters via the nostrils,
crimping the bacteria of depression,
that come from an overrun immune system,
a summer of discontent for the summer man,
who has been encapsulated by the suicide
of a man he knew only from his humorous artistry

am I better? some. healed?  of course not...
but here I begin a summation of my silences,
that came with no explanation substantive,
for which I formally apologize

Four:
Four is for me, a self-addressed postcard,
way past the point of clean slates,
I am a blackboard with years of dust cumulated
from scrawls, equations, mistakes,
and here n' there a teachers favorite,
a large exclamation point!

decide that it is perhaps time
to relearn how to write poetry for pleasure,
wipe that chalk dust off some,
not for pain disclosures hall marked,
though the pain must be played through,
today, a new season starts and my record,
unblemished a perfect 0-0

Five:
Why 5 X 5?  No idea!
this is how it starts for me,
a title, a notional emotion,
a horse rider with a head,
but no body attached,
no direction home,
and the words, disassociated,
pulled together and now there are
five babies tendered for your
care and consideration,
perhaps even,
for your pleasure...
Sept. 7th,  2014
if I had to choose one sense, then, once he wrote:
what then, weary reader,
is the supposed Laureate's approved analytical tool?
(How to Read a Poem (Hint! not with your eyes))
Taste

Each letter, a morsel in your mouth,
Each phrase, a fork full of pleasure,
Each stanza, a full fledged member in a tasting menu,
Perfect only in conjunction with the preceding flavor,
and the one that follows,  and the one that follows.

Taste each poem upon thy tongue and then pass it on,
you know how....

Each word, whether chewed thoroughly,
or lightly placed upon a bud for flavor,
needs the careful consideration of your mouth.

Feel the light pressure of the tongues tip upon the roof of your mouth
and the exalted exhalations of air rushing past thy cheeks
as you messenger breath from your chest to be shared with the world,
over the poem's interpreter, your tasting lips.

As I lay each word down, a brick by brick edifice construct
of mine own design, I am sated, fulfilled only,
when with I see your lips move as you savor my words,
my taste you share, and we are closer for it.

Deaf, dumb and blind, all such travails can be conquered, assailed,
but when I cannot, no longer anymore taste
my poems upon thy lips, then I breathe no more.
Nat Lipstadt Sep 2014
(For Sia Jane)

once he wrote:

"Writing is more important than any of the individual senses that feed this (writing) addiction. Without sound, sight, touch, smell and taste, I can (still) live quite well."

and she loved this,
for well she lived this ideation

so textual emendation
for this girl,
one of god's human poems

irony kick in the head,
truth driven home by body of late,
crossed and staked,
weeks pass, I cannot taste or smell,
eyesight distorted by streaming eyes, no matter,
sight, sees only a decrepit man lousy
repeating repetitiously older spasms of writing,
all this time he is one
who touches nothing lest he infect the world,
with something other than joy...

all thanks to some insidious bacterial invaders
and one or two Lifetime Movie Channel dramas
playing out in full color in his own sad reality

so let me amend my prior write,
for this time, I make no overly boastful claims,
for I could pen nary a verse all these hours,
that was deserved of your affection...

write I could with any one of the five,
if four were repleted, deleted, none elited,
but one is
this man's de minimus

need at least one to function,
to master the bronco impulse to create...
don't matter which one,
which orifice writes the code,
all sensory inputs end up residing
in your heart and soul

but gotta have at least one in order to
express my love for love...

and if I can't do that,
then experience shows,
no way can the being supersede its
thrumming, hum drumming, existence,
motoring along highways circularized
of watching old tv shows

if I lose my hands I will write with
elbows, nose or toes...

my tongue cut, my mind will love more,
its recollection of your taste, delicious twice over

blinded and bereft, my mind's eye
will do double shifts, get paid overtime,
for reliving connecting your birthmarks

my jesting muted, my seers closed,
my nostrils sealed, even terminated,
dare you think, that I cannot hear or
smell my thoughts,
of the pleasure of a world in which
loves existence demands we heal the sick at heart,
so we can
extend love to ourselves and others
beyond the mere limitations
of our corporeal senses....

one, but one, all I need,
any one,  in order to
sense who I am,
to love, and be loved,
therefore,
to write
Sept. 7, 2014
but what if forced to choose one sense above all?
Once he wrote:
what then, weary reader,
is the supposed Laureate's approved analytical tool?

Taste

Each letter, a morsel in your mouth,
Each phrase, a fork full of pleasure,
Each stanza, a full fledged member in a tasting menu,
Perfect only in conjunction with the preceding flavor,
and the one that follows,  and the one that follows.

Taste each poem upon thy tongue and then pass it on,
you know how....

Each word, whether chewed thoroughly,
or lightly placed upon a bud for flavor,
needs the careful consideration of your mouth.

Feel the light pressure of the tongues tip upon the roof of your mouth
and the exalted exhalations of air rushing past thy cheeks
as you messenger breath from your chest to be shared with the world,
over the poem's interpreter, your tasting lips.

As I lay each word down, a brick by brick edifice construct
of mine own design, I am sated, fulfilled only,
when with I see your lips move as you savor my words,
my taste you share, and we are closer for it.

Deaf, dumb and blind, all such travails can be conquered, assailed,
but when I cannot, no longer anymore taste
my poems upon thy lips, then I breathe no more.
Nat Lipstadt May 2015
from the beckoning nookery
a firework sign comes,
a warning bow shot
of summer commencing,
the ever present
natural elemental companions
sun, sky, water, earth and wind
in unison,
their voices commanding,
calling out

write!

poet has painted this vista~poem
so so many times,
all is as before,
yet nature's sirening,
   a compulsed fierce fire catcall
poet once more,
endeavor,

write!

poet resists
for all seems a priori,
impossible to change his older visionaries,
defending himself to them

"all is before"
(except for the poet)

the Nookery is
the poet's corner,
self-proclaimed,
in soul warfare taken,
oasis of composition,
truthfully, a
confessional
seclusion salvation place,
within it heard only
the voices of
twinning earth and water,
sun and sky
striking poet's fomenting
heart~throat beating chest

other poets have been invited here,
for their solacing arrival
this poet attends,
perhaps only  together he thinks,
two poets with luck,
in contra-unison can devise
new ways of capture of  the
unceasing harmonies,
unnaturally eternal
ripened to perfection,
a constancy of hope,
in the unchanging, island setting

river and bay breeze,
sun-warmed waters
bring to him once again as in the past,
Shaker Melodies of West Side Stories,
Air adagio's of rock and roll anthems,
Pachelbel's Canon

this, nature's subtle way
of edging him on,
beseeching the poet

sit, rest,
one more time
upon the Adirondack wood worn throne,
pluck poems from us,
about us

write!

the environmentals,
so persistent -
refuseniks of the tyranny
of the past shout

lay us down to sleep
on coverlets of refreshed verse,
ours to keep,
when to the must of the city,
you
must

the poet,
contented
with the written word of
what has long ago
been removed from him,
fears plumbing yet again
the unoriginal error of repetition,
a sin of cardinals and small minds

the unrepentant wind whips
insistent,
seering sun shines
consistent,
water waves lap speak
one continuous shushing sound
persistent,
all together
demanding, non-stopping,
new homages and sacrifice
deny past connectivity

all is not as before
maintaining, complaining
(even the poet)

poet sees
the elements,
sees that all appear similar
in last year's' form,
and the year's before,
lacking the comprehension
of subtle modifications

eyes uncircumcised
see harder, look closer,
perceive
new combinations of
varicose veined blue shadings
in the waterways and the
fresh waving-hello colored whitecaps,
updated saluting salutations
quite like those of
friends past, rewelcoming him,
more real
than the error of self-delusion of
unchained unchanged
all, nothing
is as before

these waters molecules
have never been here before,
newly flowing nouvelles arrivées
from the South Seas and Antartica,
the Yangtze and the Amazon

today's temperate breeze
so adamant,
boasts of having come here first time
from cold Canada,
or balmy Bombay,
melting as immigrants to his sheltered island

all speak now in
new tongues, new accents,
all a collective
here,
come to me,
all the same quest

write!

the sun same,
yet newly born daily
burnished with a forever glory
send fresh light
to the poet's eyes,
each ray politely suggesting,
this summer's novice poet,
pay them
poetic obeisance dues,
and

write!

all is as surface as before,
but all have changed,
new summer, new elements,
decay wiped away,
man~poet must now speak too,
using uncovered new verbal molecules,,
recreating the ineffable solace
of a new summer
brought to him in the guise only of
familiar friends

all of us
have changed,
though seemingly minimally surficially,
Poet,
self-taught,
acknowledges, he too
evolves

it is this tale then,
the poet proffers
as his first serving of
summer-only fruits,
owning up now,
though man and nature
revolve in planetary unison,
all things change,
even the poet,
when in nature's nookery,
his compulsion
is sun blood heated,
and
skin breathes differently
in the nookery,
his natural old time, revival tent

happily now, he weeps
in tenderest of embraces,
when old, familiar
changelings
charge him

write!

Shelter Island
May 2015
Nat Lipstadt Sep 2014
Blessedly, funerals,
don't have to go to too many,
though went to one
just this day,
for our next door country neighbor,
the nicest dour-looking,
rascally dearest man

The Catholic church full,
the hymns lovely,
the priest spoke
simple and beautiful,
about the paschal lamb
and the
Judeo-Christian Heritage
and
Life Everlasting,
an interesting concept,
that I had long forgot about

Must have conjured up
three minimum ideas
for poems,
not even including
this reportage

maybe I will write some,
tho the normative jelly of
Manhattan bus shaking
mine own recipe for inspiration,
when combined with
my peanut buttered
sheltered island by the Great Peconic Bay,
both, will be my swirled
inspiration everlasting

Can't write about
moon and June,
alabaster is a fine word,
but white suits me fine,
don't know the diff
tween dragon flys and lullabies,
the way I write is
just the way I think
writ out loud

so to the essay at hand,
funeral of a man,
mine all planned,
the invites ready,
awaiting the correct postage stamp
of a future time and place

the date, more or less sketched,
the poems, selected, notated
for whoever shows,
pick a read,
win a free trip to the cemetery
and maybe one back to his "parlor"
where food, drink and bon mots are
vous parlez'd and his spirit,
now a parolee, will be watching

smiling, for funerals are camaraderie,
so longs and fare-thee-wells,
and the hands of friends embracing,
celebrations in their own way,
and a time to tell stories of what
treasures they have left you,
silver linings of a life well writ,
and tho someday,
they'll be time-tarnished,
even half forgot,
the stories and the love poems
are the seeds of life everlasting



Passover/Easter
March 2014
written a few months ago, but fermenting till this fall day on my sheltered island.
Nat Lipstadt Jun 2014
The Real Poets Here

are small craft
sailing between the narrows of crack'd lines,
employ the spyglass and luck to you,
for them to find

their voyages do not widen the chasm of waste,
yawning greater now by propped up boasts of
ugly shipowners who sin by commission,
national ***** crowing of the greatest length of their prow,
thinking that is a measure of prowess,
their tubs,
all but empty wordy new container ships,
that are forever lost at sea,
even before leaving port

they,
the real poets,
are the quiet lost lot,
a troop of forgettable ordinary  Marines,
the sailors in the engine room toiling,
exploring cartographers ***** from the ****** crafting struggle,
looking to discover unmapped,
invisible poles,
East and West

opening up new passages,
within us,
with new passages

when called to arms,
the real poets
spill fresh ***** fluids from within the heart and mind borne,
upon the blank spaces,
they stain us with the grasping gasps of their sight insided

fertile are the pastures
where they lay low modest lay thinking,
amidst the splendor in the grass

of them
I*
proudly will ever boast,
hold them close and ever nameless,
but deep inscribed inside of me

Ah,
the real poets keep me
whole within the
ever smaller white purity of this narrow space
that has lost the struggle
to contains the
unceasing ever spawning black letter'd oceans and navies of
repetitive sad, sadly repetitive,
puerile singsong cant
that never sings,
can't never please,
but trends to the masses madly

dewdrops of tears,
are my own trees felled,
an acknowledgement that
when I read their unintended homages to humankind,
that when realized,
they speak with great respect,
all quietly scream this whisper...

all this,
that I have written,
and will yet to write,
this is all,
to give
greater glory to all human ability
whose
sole purposed to fill us,

wrench us from our lackadaisical comfort,
or  urgently comfort us when none else can,

these are my friends,
the real poets here*

god keep you well

my trite words insufficient
so I gift you
some words worthy from
Wordsworth
"Of splendour in the grass, of glory in the flower;
      We will grieve not, rather find
      Strength in what remains behind;
      In the primal sympathy
      Which having been must ever be;
      In the soothing thoughts that spring
      Out of human suffering;
      In the faith that looks through death,
In years that bring the philosophic mind."

William Wordsworth. 1770–1850

Compose and Posted 3:30am June 12, 2014
Nat Lipstadt Sep 2017
a new poem (words, words, words but another drug), bolt upright, uplight, reattach yourself to the liquid of the music,
soothe the irritation, slowdown the shaking hand,
give god or his creatures, the nocturnes and sonatas,
a chance to restore the pounding of the chest to a leveling
equanimity

to no avail, the sleep angels have fled from the
forest fires in the chest, and the helicopters must quench
with the commence of dropping clouds of wet words,
when, when will I be released from a life that has no
easements

words, words, words but another drug, a habit that gives
everything but a temporary state, every poem nothing but
another her, another lady puncture in my restless body,
another juncture, where all your choices are the way of
error

the high will last, shorter each one, but the track will exist
for all the time, a token of human foolishness, the more is
the inevitability of the ending, writ, drawn a little closer,
and comes with a hand written spongy-apology begging for
existing

in his notes, motes, dust mites of titles, single verses,
elegies, essays half written, passing thots claiming to
want to be wannabes, this appears and it's a perfect
ending

there is no security in poetry, only the unresolvable

man in his perfect certainty, never was, nevermore, n'ere will be never, and one poet walks a razor's edge, that is his three tenses struggling for mutual coexistence, one of
a calming beauty, a dark glory, a perfect closing, choosing
a final solution, a belief in relief, that simultaneously
engraves, erases, and
equates

another new poem fissures to the surface, and the palpable
is a magician's illusion, a trick, a feat of dismemberment,
an excise of a piece, a drink, a Tennessee whiskey of him,
an emission that never gains remission status, all this fakery,
a new poem (words, words, words but another drug),
excellent, worthless and self-
effacing

{|||}

3:48am-5:46am
9/24/17
Nat Lipstadt Mar 2020
up at your regularly scheduled night sky patrol,
the colorful clock says 2:47 and
dark skies confirm which 2:47 it is,
for flecks of blackened peppery light exude at this hour,
a time period for former lovers, those old writes enfolded, enveloped,
hiding an active poem volcano spewing bare feet words in clouds of
kidskin soft velveteen cumulus, fleece-comforting slippers of poems

there are half started poems waiting, more than one, triplets in fact,
waiting to be born in the time of pandemic, thinking quietly,
will they emerge healthy and living and grow up to be adults
contributing to society, additives to the engine oil of human living

but the old familiar, dissatisfaction with quality control leaves them
unfinished, poet lurches from dead roses head hanging, a new blues,
disease as an economic and societal differentiation, that you hope,
believe, poems that in due course, all will emerge, for better or for worse,

poetry birthed in the time of pandemic

the city of new york, where I was birthed and will die, a city of
tall buildings, tall tales, short attention spans there is but one nighttime moving automobile observed in a city that never sleeps but now hides blanketed in weariness of trepidation of what are the

well known unknown possibilities in the time of pandemic

and you wonder in this new, different quietude if poems can be born
with birth defects and survive, breathing on a ventilator till they can
breathe by their own lungs, or were they perma-infected on a supermarket trip, a walk by the East River, a pizza delivery man, even

if inspired by a decade-lover, next, in bed, in the time of pandemic

waving to grandchildren in their second story window, you on the street, keeping them safe from you, a modern Auschwitz train station where they separated, the we-useless out, children and their parents, safe in a barbed wire atmosphere, a demarcated world, where some billion of brimming droplets of tears are stillborn

stillborn poems, or perhaps just poems-in-waiting, to still be

born in a time of pandemic


3:29am Sunday March 22, Twenty Twenty
New York City, the epicenter, crossroads
Nat Lipstadt Mar 2014
on fine paper,
quality paper,
deserving of thoughtful
care and consideration,
summon courage,
write for one,
even if too many will indifferent read

write for the one,
who will wait for you,
long after closing time
for the need to say
Something
of thanks,
something that cannot go
unsaid

write for the one,
who cannot say
what they needs to say,
and in their stumbling style,
fumbling unsuccessful reach,
says it better than anyone

write for the blind and
sing for the deaf,
be their guide,
be their intimate,
aid them to escape boundaries,
by granting them the saws
to cut loose binding emotions,
share with them your most
intimate courage

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
"Poetry is not a turning loose of emotion, but an escape from emotion; it is not the expression of personality, but an escape from personality. But, of course, only those who have personality and emotions know what it means to want to escape from these things."

T.S. Eliot (1888 - 1965)
Nat Lipstadt Oct 2013
Waiting for you,
Yes you!
To toss me a stanza,
Feed me your lines,
Give a starter, an appetizer,
An antipasti,
A few morso's please,
To complete a meal.

So we make this connection
Permanent and when we break
Such being the course of all
Uncoiled, unoiled machines,

We will look back and say,
It was the best poetry of my life,
For two made three
The most fantastic words...
Unto one, into one, one.

So send me your pregnant,
half born, song with no lyrical end,
That won't complete themselves.

Titles in search of body,
Touch me in places,
That only you can provide
A path, a travelogue,
So I visit, and show you places,
You missed!

Send me those lost bereft ones,
Yearning not for freedom,
But creation itself!

Let us collaborate,
And make a marker's mark,
That cannot be auto corrected,
Since the morrow's daylight will
Bring its inception,
A new name, a new poem,
That will be added to the global
Dictionary.
My creativity oft juiced,
My fallow mine, goosed!,
By your incompletions,
So send me the half writs,
Needy for consolation,
And let us see if two
Makes one greater.

A serious invitation to anyone.

5:09 in San Fran, where the time confuses,
But the body refuses to leave behind,
The physical aches that emanate
From my shoulders to my tail.
So here I am authoring a provocation, not to nobody, not to everyone,
But to you, the brave the foolish the ones who say
What the heck...
Nat Lipstadt Oct 2013
The day after my birthday, my check up.
Doc called me, knowing I was a poet,
He said to me:
Every year to me you come,
Every year I tell you what you know,
If once again, you ignore my Rx,
Please poet, source me a kindness,
Find a new doctor, cause your
"Yeah, yeah, yeah,"
Is the saddest poem I ever heard.
He has been our family physician for let's say 50 years...he and I do the dance and once in awhile I listen...but he found abnormalities that ****** him off so he said it twice, My way or the highway, otherwise find another doctor
Nat Lipstadt Sep 2014
Two men, one poem
Two men, one poem.

This day, on this site.
Two men wrote to me.
One called me brother.
The other, an arrogant *****,
Called me little.

One shared his life,
With humility and gratitude,
That I lost it. Wept. Baby like.
Honored me with trust.
Swapped spit stories
That bled into my brain,
And a tattoo appeared on my
Writing arm, one word,
Humility.

One boasted of his beans.
His bean counting reads.
Analyzed his trends,
Predicting by Christmas (!),
He would have this many.

His **** poems he informed,
Would be published.
What need did he have
For punk-u-ation,
His rants, his **** stream of words.
Better than mine,
Just cause his stuff I said,
Not my cup of tea.

What a crazy place this place.
Holy and *******, sided.
Humble humble, always humble.

He invoked, this arrogant one,
God's name.
Not knowing I talk to Him.

So I rang Him up and said,
How did a little peenus-genius
Find his way onto this
Holy Place, HP, of kindness.

He smiled in brevity.
Did I not create both,
Angels and devils?

I love God's brevity.
His commas, his question marks,
His pointed punctuation.

I love that He could create
A man whose sight of
Me, unseen, but found capacity
To love me in ways
Undreamed.

Because I peered in to the man's reveal,
Saw quality, value,
Saw humility.

So of arrogance, I said,
I would write.
But it is of humility
I will sing,
Of loving human kindness extraordinaire.

Of weeping endless.
At the joy afforded me
To read so many lovely poems,
Here.

If my poems never see the
Imprimatur of a publishing house,
It matters not,
For I have seen a human being
Weep real tears reading mine.

I have shed rivers of my own
Upon discovering yours.

Humble, humble.

If it is glory you seek,
You will find it,
All alone. Mastur-bating.

Me, I live here, in the midst of a
Good Company.
Sept. 7th, 2013
Nat Lipstadt  
I appreciate this, but it does not connect for me...many beautiful phrases and images, but I am left confused other than the general tenor...just not my cup of tea. Sorry


Unnamed:

Well friend I guess I will take comfort in my writing being published through the University of Arizonian and being invited out to the winter and spring release parties. Then I have two hundred and thirty eight thousand reads on my two writing sites that will reach three hundred thousand by Christmas I will try to go on God bless you.
Nat Lipstadt Oct 2013
Why employ an ordinary word
When an extraordinary one
Excels?

Let us wed, let us vow,
Henceforth, let us never
Wish ourselves away plain humbly,
Goodbye.

Let us end our day,
Bid our lovely comings,
The tragedy of our departures
With a gentling
Fare thee well.

In the company of the dawn,
Let us greet the one
Who lies besides us a stirring,
Not with merest hello, morning or
The accursed howareyou,
Replace haste with a deliberate
Welcome, well comely,
To this newborn day!


Tho do confess,
That like numerous others
Who have counted the ways,
There is no sweetener substitute for
I love you.

I will n'ere address thy grace
With appellation dissatisfying of "girl"
When woman suits thee best,
With all its attendant glories.

Should we encounter upon the street,
Address me as man,
For of that word I am a fan,
But say it not with routine irrelevance,
But in tones of softest reverence,
For I am not a child or dude,
A sir or sire, a mister mister,
But I am a man.

Our lives are not a game of chance,
Yet chance aplenty do we countenance.

Having stumbled, fallen into a subterranean,
A place where I know thee well
But likely not your face, your visage,
Thy honest name,
Accept these excelsiors as mine
Poeming opening gambit,
My closing statement,
Summary of the that, that has and yet to pass
Between us:

Peace be upon you.
This new poem came to me at 430am, as a companion to Lamentations (a psalm).
October 25, 2013
Nat Lipstadt Aug 9
“hey.. yes, trying to get some things updated around here… now... so sorry for the outage! but things should be tip top now.. still ironing out a few kinks though
Regards”
Nat Lipstadt Oct 2013
My life:**

Kernels of truths,
Amidst the make-believe
Nat Lipstadt Nov 2013
The seat, 15C,
it calls itself,
screams at me,
let me out!
can't breathe,
with you in it.

pretty sure
sir seat,
it ain't me
that got wider,
but that you
are slimmer.

your momma cut you
3/4 inch, on a metallic line,
on either side, each wrist,
read it in the Journal,
their motto, no fooling!

yup,
even at 10,000 feet,
the ****
cutting word
gotta put in a
guest appearance.

in the exit row
we swore an oath,
administered with
great solemnity to a
no-nonsense stewardess.

bowed we did,
to the AAlmighty,
in the event ,
we needed to operate
the emergency exit,
we would a good job.

**** right,
all cheerfully replied.
nat, women and children first,
which was perhaps
why my fingers
were crossed
under my iPad.

sweetly, they offered me
juice, soda or water,
hard crust of bread,
cost 6.99 if you could
squeeze your hand
in between
your **** and the seat,
your wallet to retrieve.
(credit cards only)

plenty turbulence on board,
the east coast weathering,
you may well have heard,
inclement weather
up and down its entirety.
at least,
I read that in Miami,
the rain is warmer.
(no charge for the
RRR, real rock n' roll)

because I am feeling
the holiday spirit,
signed up for the
up-in-the-air Internet,
the price paid,
I won't reveal,
lest you call me Midas.

somewhere over Tennessee,
I thought I would drop you
this note, pretending it was a
for-real, certified, sorta of a
poem, disguised as a
Genuine Thanksgiving Prayer.

in a way you will never understand,
that lovely thunderbolt lit up yellow,
just a click, a finger tip flick,
kind words in accompaniment,
make feel better about myself.

much do I have,
for it is given unto me,
to be thankful for.

you cannot be thankful for
having,
only for giving and receiving.

this is my first thanksgiving here,
and though jocular do I prose,
with earnest almighty I promise myself,
I will share my corn, feed you pieces
of me that I don't speak of to others.

my feast of words, more glorious,
because of your attentions,
the warmth of of your fires of
appreciation are recorded,
each in its own unique neuron,
cherished, cared for,
and as promised,

I will shake your hands,
then your body
and your soul,
as long as
I have breath,
an Internet connection,
eyes to weep
at mine own foibles,
fingers to record,
and something
worth sharing,

I am sending you a thunderbolt,
and a notification official,
that you have given me much
thanksgiving in the year
two thousand and thirteen.

thank you.
Avoid seat 15C, just won't shut up.
Also,  http://blogs.wsj.com/corporate-intelligence/2013/10/23/feeling-squeezed-in-coach-class-its-not-just-you-plane-seats-are-shrinking/?KEYWORDS=Coach
Nat Lipstadt Jun 2013
She lifts her head

She lifts her head
But a few inches from pillow,
Where head, a blonde mess,
Has night time rested

Is it dawn or day,
Sky or rain,
Time to rise, coffee make or time to lay
Back down.

I answer all,
For I've been up for h/ours,
(You know doing what),
Place my hand  'pon her head
and gentle it back down.

Pillowed, I thrown in a few kisses
To that tangled mess,
For my hands, my lips,
My writing utensils,
Write her poem,
This poem,
And answer all her questions,
never spoke, never asked,
N'ere a single word out loud passes.
At 5:45 AM, just now.
Nat Lipstadt Aug 2013
Why are the children
if not hurting themselves,
so busy hurting others?

I know hurt in ways you cannot fathom,
And I rise up daily with a but a single quest:
Banish the hurt, expel the hurters,
And practice the one true faith:
Kindness and Grace.


Sometimes the madness I read, too much, too much,
And I walk away and store my poems in another place.

But I am reminded,
There is no such thing as too kind,
So I wander back,
Chagrined and Chastened,
Hoping one among you
Will help to raise up
Me.
Nat Lipstadt Jul 2014
A Roman Catholic concept rooted in a Jewish tradition where, if you cannot attend Sunday mass, you can go to the Saturday mass, the evening prior...

http://t.answers.com/answers/#!/entry/anticipated-mass-definition-in-the-roman-catholic-church,4ffcc10b­7af68a84dcfcad8b

not a religious man,
another "ain't behaving Jew,"
been long time passing,
since I went to a synagogue
of my own free will

(that,
free will,
a subject,
I won't discuss,
a free will choice,
unlike this poem
which writes itself,
me, just the telephone company
common carrier transmitting)


the holy days and
the holidays
come cycling through,
recycled sung sing tunes from
genes that once trained,
once disturbed and reawakened,
pass it on down
willingly or unwanted,
the calendar and
human marker thereupon,
in your face, undeniable,
you are, or start,
being what
they want you to be

been to midnight mass
on a Christmas past,
with a friend who happened
to be a Jesuit priest,
yeah, I'm an electric eclectic
ecclesiastical poetic natty vibe,
with many a
neutral nomenclature,
happens to live with an atheist,
so, tonight, we watch together
at her suggestion,
Fiddler On The Roof

boy oh boy
there I am,
Tevye the Poet,
writing poems on the roof
up on the wide screen,
talking to god
every where I go,
whatever I am doing,
even cursing the
Cossack ***** of the traffic hell on the
Long Island Expressway,
*******, you see

{but you grow weary
waiting for a writ called
Anticipated Mass,
and not a sermon
of a nonreligious miscreant,
who just happened to be
created, born on
the Jewish Festival of Booths,
in an R.C. hospital
on Fifth Avenue,
right next to his coreligionists edifice,
Mt. Sinai
(go figger, all part of the plan,
says my fellow new yorker, Allah}


if you are busy Sunday,
NFL football perhaps,
or a summer FIFA World Cup match,
Wimbledon working,
while on your deck surfing,
(Go Federer)
or a working stiff,
serving man for tips,
waitressing, taxi driving,
in order
not to starve,
for a living
must be made on
the day of rest,
so you go to
Anticipated Mass,
the eve of the day before
the prom dance

now that is something I like,
a flexibility that
inflexible dictums and regs
don't often offer,
like birth control being ok,
every other day

but anticipating my prayers,
just a bit too
OCD compulsive organized,
no matter
9:00am or midnight,
or even 6:00pm
the night before,
I can't anticipate
when the need to
go verse
with The Lord above,
arises

so I like to inform you,
when anticipating
the wine and the wafer,
the sabbath candle lighting,
the prayer rug time,
don't have to wait,
for a mass, a mullah's call,
or a minyan,
do a Tevye!

speak to him
with this Rx prescription,
"as needed"

let your own mass
be lightened, lighted, leviathaned,
relieved, celebrated,
the freedom from
anticipation and feel free
to listen to what god has to say,
cause he loves those
individual requests,
custom crafted,
even noises simple
grunted with good intent,
for those who posses not
the gift of
god gab

an informal sort,
a busy deity,
who appreciates brevity,
which is why
he gives my
long poems short shrift,
but sometimes attends
to my low whispered
observations for the needy,
for the masses,
whose body,
in his image,
I human share
and so often,
pray for...
Nat Lipstadt Jul 20
the most beautiful roses are not red,
but palest of yellow with pink
streaks,

violets reside in a giant Etruscan urn
before our modest home, a
reminder to the modesty
and brilliance of color spotting in a sea
of immense waves of ski-ed blue and
verdant green, a visual, floral,
peak,

the violent virtual of the week,
wrecks a soft creamy despair across
the nation’s cheek, another slap at
the notion of our greatness residing
in our above all, unifying and
basic simplistic notions of kindness,
and the violets turn out insufficient
to gladden our hearts in a sea of
bleak,

and I turn my eyes to the great scapes
that surround my soul, absent
only snow capped mountains
but memory works, serves up,
what resides a mere thousand miles away,
so now my visual vistas completed,
and a tea of c a l m, aroma soothing,
massages my temple and rests my
blood pointy fingertip composers,
and I am somehow, someone who is
tweaked,

upon my heart in the real of solid
dark of fog and cloud that is my
true tempered reality,  where I am
wrecked and wreaked,
a havoc of pain relief cream,
soothing, relieving the anguish
that rests within and periodically
calming, thus alive to survive,
and yet remind:

a-salve to inject,
to still,
and yet,
permit stll,
a streak of

shrieks
10:55pm
Fri Jul 19
2/0/2/4
Nat Lipstadt Mar 2020
for her.

<>

“you will laugh with surprise, as the anointing oil of relief
crowns your head, slicking down to caving cavities,
river running in crevices, that feed the buried places, replenishing the almost forgotten secret of letting go”^

                                                         ~

the mind caches certain skills, once learned, never to return,
but tucked away, just in case, maybe, in the nightstand junk drawer of: “don’t need it now but, ****, you never know”

kept around in the lost and hopefully, not to be searched for & found,
a skill set painfully gained, a muscle memory, flabby from no use
but quick taut tightly, snapping back when ****, here we go again

I loved you in ways theoretical impossible till you enabled the possible

lost you for no good reason, in an act history labels beyond belief,
refuses to record, lest by memorializing it became/becomes re-realized,
this intolerable, would be past the ****** eroding barrier reef

the difference between junk and treasures is in which drawer placed,
the steps to letting go once learned, cannot be forgot, the cost,
way way too high, kept around, in a damnable place beyond grief

not to close, handy, findable but easily, avoided, but strange, when
living in the epicenter of the virus, you do some cataloguing, ridiculous,
this touchy-feely escapade, nothing ****-it to be gained, all-too-brief

head shake, took a pandemic to make you go back, rustling among
the ancient, old hand-writ poems, another keepsake kept for reasons
known and unknown, to be **** sure you once owned it, survival skills

In the Pandemic Days of Almost,
somethings will die, some go forgotten,
but the almost-forgetting-skill will survive,
a necessity of the how-to’s:


how to grieve,
how to believe,
how to leave
but live on,
hoarding
all the **** necessaries
ready to be retrieved



<>
Tuesday Mars 24 Twenty Twenty noon

In the Epicenter, New York City
Nat Lipstadt Jun 2020
when you’ve written too many poems
vaguest of recollections of the prior,
having not seen many for years,
till someone drops one on my path in a
wave-by-remember-me, did I write this?

all I know, all I’ve learned from this long gig,
the best poems from my fingertips that came
tap tap tapping, were the ones, the provocations,
driven by loving the poetry of others, or those
all about others.

my eager meager ain’t much to write home about,
but when your stuff is a trigger, gotta figure,
there’s a bottle in the ocean that just hit me
on the head, messaging me go forward,
pay thanks to those who evoke, yeah, provoke,
new spillages of inspiring gratitude for
relocating my New Moon Melange^

yep that’s it.


so is there
such a thing?
as re-remembering,
just knowing
my name is hard
(you understand),
the inspiration
oft forgot,
so I write it all
up and down,
insurance so to speak,
for re-remembering
when you stumble
on it, wont’t fumble.



yep that’s it.
arpana reminds of a forgot poem, 7 years old

thank you

^
https://hellopoetry.com/poem/455651/new-moon-melange-sept-2013/
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