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its a blue Monday
after Super Sunday
Americas 45th funday
yesterdays spectacle

the dip is done
the broken bones
of buffalo wings
fill giant glad bags

the ridged ripples
of broken Doritos
scattered on the floor
wait for a vacuums hum

dead soldiers rattle
a melodious cascade
the aroma of flat Bud
plunge into recycle bins

ribbed Trojans
dripping bagged ****
rim plastic trash cans
confirm an ****'s frenzy

the game forgotten
commercial reveries remain
seared into the briney mush
of compliant olfactories

collective hallucinations
successfully branded
a new and improved
global consciousness

Madmen Shamans
ebulliently channel
transactional zeitgeists
from the ripped boxes of
Best Buy plasma screens

Monday morning
water cool scuttlebutt
the planet is buzzing about...

Google's cool slap
of IPod clad automatons
the vanquishers of IBM's evil empire
Apple's brave new world is next
("meet the new boss,
same as the old boss?")

we all dug
rolling with Eminem
through the glitzy
streets of Motown

How cool is 8 Mile?
The hoods lookin good
angelic chorus lifts spirits
Swing Low Sweet Chrysler

The artistic types
faun over
the graphic beauty
illustrious aestheticism

moving story line
the epic journey
of the worlds
greatest brand

heroic product marketing pros
rival Jason and the Argonauts
sojourning trans-formative odysseys
of clever packaging and fat tail shelf life

holding precious real estate
of living imaginations
infecting hearts and minds
of future generations

realizing
everything
ends better
with coke

The State Farm Pre-Game
Jimmy Johnson's new coiff
jawed away with his old boss
rattlesnake booted Jerry Jones

A poignant embrace captured in
living color on grand jumbo trons
lording over a cavernous palace
a new stadium for Homeboys

Jimmy J asks Jerry J
"Why you overpaid
for The Boys New
Crib?"

"A billion 4,
a palace for the masses".
Jerry breaks some news
with an impish wink.
"No expense is spared
for the peeps."

"I always make out,
get a good return. I
make a profit. Ain't
America great."

This year Super Bowl
went Hollywood
and installed
a long red carpet.

Mike Strahan, collared
Harrison Ford.
Bagging his greatest sack
on a dazzling red rug.

"How many Super Bowls
is this for you?"
Strahan whistles
through his gaped teeth.

The aging Indiana Jones
came to promote his new flick,
"Cowboys and Aliens"
(I'm told an early Cannes
favorite. And it should be. Spoiler alert,
the movie is a moving story of an American tragedy.
Romo blows another one
throwing an interception in overtime.
The Aliens return it 95 yards for a touchdown.
Boy's lose again. America's Team vanquished by bubble headed Martians.
All of Texas weeps.)

Indy
coolly quips an answer
whipping with sarcasm,
"after today, one."
yuck yuck
lol

Strahan continues
to stalk Ford like a
scrambling quarterback,
"where will you be sitting?"

Ford shrugs
"dunno,
somewhere
up-there,
I guess",
he points to
the lofty
luxury boxes.
Royalty sits
next to God
in Jerry Jones
house of the
people.

Ford dons a green scarf.
He's down with the Pack.
Another sunshine *****
in the seat.

Michael Douglas and Zeta Jones
arrive in time to hear
Keith Urban sing
"Who Wouldn't Want to be Me?"

"He's alive
He's free
Who wouldn't
want to be me?"

Indeed who?

The parade
of heroes
continue.

The walking,talking
little S Corp, LLC's
dance their way
into the stadium
on resplendent
cushions of red.

Terrific brands
all earnestly
questing to
urgently
deliver
messages
to promote
themselves
and plug
shameful
products.

A Black Eye Peas
teaser
blinks onto
my giant
flat screen.

Will I Am
a black man
in a blacker mask
marches down the street
zapping people
with a ray gun.
(fascist culture is so cool, a
little light on liberation,
but **** does he look bad as all get out
in that leather rumble don't **** with me
outfit)

Jamie Foxx on the royal carpet leaks
that he yodeled three tunes
at a pregame party for Jerry's Kids;
T Boone and the Big W among them.

Quick cut
to Jamie's
new movie
Rio.
(I wonder if its
about Mexicano's
crossing the river?)

Wealth
Power
the perfect
image of ourselves
take a pill

I am Limitless
a new movie?
I've seen this one before.
I think I'm watching it now.

Just Go With It
Adam *******,
Jennifer Aniston
Americas sweetheart
teamed with Americas
kosher jokester.

He looks hot
in his droopy
pretend
don't give a ****
orange sweatshirt
and acid washed jeans.

Jennifer's ****, legs
what can you say
about America's sweetheart?
I think Brad Pitt
made a big mistake.

Bill O
is next.
Posturing,
arm wrestles
with the Prez,
shadow boxes
with the Big O.

"Muslim Brotherhoods
Rendition
Mubarack goes off the reservation
knows where the bodies are buried"
***!
***!

(Do we really need a dose of Fox Fear?
Is there no escape from the pernicious harangue?
Don't they know its Super Bowl Sunday?)

Bill O's drive by continues,
"Obamacare,
why do Americans hate you?"
Great journalism by this Fox ****.

Bill O is
haughty,
arrogant,
disrespectful
a despicable bully
and a self serving blow hard.

(My bladder is busting.
Its a great time to take a ****.)

We escape to
the freshness
of Owen Wilson's
smiling face,
playing two hand touch.

His bent nose
shining
he trots about
Jerry's field
carefree as a child.
(Is this a pitch, pass and punt
contest for A Listers?)

Other stars
join the light fun;
goose cheerleaders
give the cabana boys
hand-jobs
and themselves
a well earned blow-job.

Its an **** of photo ops
product placement
a sizzling collection
of dancing brands
prancing on the gridiron
of the New Cowboy field.

Ashton Kutcher
peeks over the shoulder
of a tweeting W.
I'm impressed
W knew
how to use
his thumbs.

Mrs. W's
permanent smile
was clearly visible
from the stadiums
cheapest seats.

Condie sat
way to the right
quietly stewing
lamenting
lost opportunities
of a gig as NFL
Commissioner.

On the stadiums floor
the frenetic dancing
of the
bumping
brands
fast
approaches
ecstatic elation.

Hollywood's version of
Whirling Dervishes; is
immediately stilled
as the solemn portion
of the program
commences.

The Declaration of Independence
is read by a bright galaxy of stars
accompanying armed service personnel
and other diligent American's.

"We hold these truths
to be self evident"

"United colonies
levee war,
dissolve bounds,
our day of allegiance
lives, fortunes and sacred honor
freedom is common sense,
free, equal, united"

CEO's
imprisoned
in Jerry's
luxury boxes
overcome
with
emotion
pound fists
on the glass
smearing
cocktail sauce
on the windows
of the suites.

Illegal
Chicano's
bravely
step forward
with rolls
of Bravo
and Windex
to wipe
it clean.

The focal point
of festivities
seismically
shifts like a
tectonic plate
almost as large
as Jerry's Stadium.

The stampede
of cheers
thunder like
canon shots,
the patriotic
ramparts of
militant
free market
capitalism
supplants the
shallow frivolity
of consumer slavery.

We are
compelled
to kneel
to celebrate a
Eucharist of
nationalism.

My partner explodes,
"Can't watch a football game
and view it for what it is,
a ******* football game."

The Fox
broadcasters
dedicate
this segment
of the show
to our military.

I squirm in my seat.
Sorry,
but the declaration is about
free people in free societies
not militarism.

Next up
dis old cowboy
Sam Elliot.
He knows
how to speak
the language
of real football fans.
Finally, a man of the people.

Sam introduced the cities.
He starts with Pittsburgh.

"Built on steel
a place where
terrible is good
these are the
enduring qualities
of this great American City."

The Steelers
make a timely entrance
onto the floor of the stadium,
as millionaires erupt
shaking their terrible towels.

Sam's
fuax
folkism
for
Fox Sports
continued.

"Green Bay is Title Town
the people never quit.
Crafty veterans are winners
exhorting all to greatness"

Images
of Lombardi's
toothy grin
fills my 72 inch screen.
A visitation by
America's Saint,
the sanctifier
of all competition
anoints the proceeding,
the quest to claim
the trophy named
for the games
very own
Archangel
of the
Gridiron.

The extended gig of
Lombardi's ghost
has haunted America
for over half a century;
has reportedly been seen
stalking the stage
on Broadway.

The anointed
Packers sprint
onto the field and
millionaire cheese heads
taking big bites out of life
erupt in cheers.

My hi def wide screen
made by Sharp reports
Battle of Los Angeles
opens 3/11/11.
The Chicago Code
premiers on Fox
sometime in March.

Walter Payton
Man of The Year Award
is presented
to an NFL Player
watching the game
with the troops
in Iraq.

The millionaires
don't cheer,
but the Fox announcers
are verklempt
overcome with patriotism.

Michelle Lee,
star
of Fox'***** show
Glee,
poses in front of a
sanitized choir
in blue uniforms to sing
America the Beautiful.

The beautiful song
is but an opening act
for the musical centerpiece
Star Spangled Banner.

The cameras cut
to a smiling W.
He can't get into Switzerland
but ******, he won't be turned out
of JJ's OK Corral.

Christina Aguilera
takes center stage.
She mounts
the silver football
crowning the
Holy Logo of the NFL
to sing the hallowed
Star Spangled Banner.

She fumbles her lines!
She forgot the rockets red glare!
The Steelers are crying.
The Packers are angry.
Ice melts from the stadiums roof.
The foundations of Jerry Jones
new stadium shakes.

A fly over of 4 fighters in formation
appears to be unaffected by the flub.
The planes do not crash.
They stay in formation.

The pilots spare Christina
a strafing and drone strike.
The republic remains
secure for now.

An unfamiliar announcer
addresses TV land.
He offers an apology to the fans
who cannot be seated.

The fire marshals
have revoked
Jerry's seating plan.
Greed got the better
of this man of the people.
Cowboy Stadium
is overbooked!

What is happening?
Is this America?
An ATT commercial
arrives just in time.

ATT has a new plan for America.
They encourage us to live social
with the new ATT AG.
Free market solutions
always work best.

Michael Douglas
reads another
patriotic exhortation.

"United we,
see the journey
of Acme Packers
as our journey."

"We see the resolve
of US Steel
as our resolve.
Big dreams
believe the best
journeys are
celebrated together."
(I'm down with that.
Whats good for Jerry Jones
is still good for me.
Right On! Check this stadium.
Power to the people!
It may not apply to the people who
will not be seated but tough nuggies.
This is America ******. Everybody
can't be seated at the table.
Even if they paid for their seat.
This ain't Red China.)

Neon Dion and other inductees
into the Football Hall of Fame
tosses the coin.
Steelers' call tails.
Heads it is.

At half time
The Black Eyed Peas
descend from
an upper Valhalla.

Still attired in
black fascist threads
The Righteous Peas
start wailing as
white metallic minions
dressed as
Imperial Storm Troopers
gallop to surround
their idols.

Precise formations
goose steppin bops
choreographic steps
the visceral *****
perfect counter-point
to swabbles of wiggling Peas.

Slash,
Guns and Roses
guitar hero
gunslinger
strode on stage
winging
this gal of mine
in choreographed
unison with
the leggy
Fergie.

Pumping it louder
the spectacle incites
the dancing
Imperial minions
quick steppin
and fetchin it
as Usher descends
in white unison
to leap and dance
over nasty
black peas.

The Gods
are descending
upon us.
Their words
have become
flesh.

The BEP's bleat
"kids are dying
wheres the love?"
Art does mirror life.

The neon hearts
of cheap
glow sticks
light up
the time
of our lives.

We are
cubed box heads
happily dancing along
the 50 yard line
answering China's
resounding drum
of frantic proletarians
bashing away
neocolonial disgrace
during the opening
ceremony of the worlds
greatest Olympian
display of
the pounding will
of an emerging nation
arriving on the world stage
with urgent insistence.

In America
we party on
every night
swiping
revoked
credit cards
for express lane
exits at the
local Walmart.

We are proud
highly personal
bar codes!

We refuse to be
marked down and flung
into discount bins at a
Tupelo Dollar Store.

Our light of life
flashes across screens
directing the trading pits
at the Chicago Board of Trade.

Each Super Bowl Sunday
souper bowl beggars
collect canned soup
for hungry Americans
at the local Shop and Drop

begging for larmen
boxes of Kraft
freeze dried noodles
and cans of Progresso
the feast of kings

A triumph
of the
Will I Am
BOOM BOOM
Says
Will I Am

I finish my bag of
Cool Ranch Doritos
and lick my partners
fingers clean.

Music Selection
Steve Miller,
Livin in the USA


2/7/11
Oakland
jbm
(WIP)
Even as the sun with purple-coloured face
Had ta’en his last leave of the weeping morn,
Rose-cheeked Adonis hied him to the chase;
Hunting he loved, but love he laughed to scorn.
Sick-thoughted Venus makes amain unto him,
And like a bold-faced suitor ‘gins to woo him.

“Thrice fairer than myself,” thus she began
“The fields chief flower, sweet above compare,
Stain to all nymphs, more lovely than a man,
More white and red than doves or roses are;
Nature that made thee with herself at strife
Saith that the world hath ending with thy life.

“Vouchsafe, thou wonder, to alight thy steed,
And rein his proud head to the saddle-bow;
If thou wilt deign this favour, for thy meed
A thousand honey secrets shalt thou know.
Here come and sit where never serpent hisses,
And being set, I’ll smother thee with kisses.

“And yet not cloy thy lips with loathed satiety,
But rather famish them amid their plenty,
Making them red and pale with fresh variety:
Ten kisses short as one, one long as twenty.
A summer’s day will seem an hour but short,
Being wasted in such time-beguiling sport.”

With this she seizeth on his sweating palm,
The precedent of pith and livelihood,
And, trembling in her passion, calls it balm,
Earth’s sovereign salve to do a goddess good.
Being so enraged, desire doth lend her force
Courageously to pluck him from his horse.

Over one arm the ***** courser’s rein,
Under her other was the tender boy,
Who blushed and pouted in a dull disdain,
With leaden appetite, unapt to toy;
She red and hot as coals of glowing fire,
He red for shame, but frosty in desire.

The studded bridle on a ragged bough
Nimbly she fastens—O, how quick is love!
The steed is stalled up, and even now
To tie the rider she begins to prove.
Backward she pushed him, as she would be ******,
And governed him in strength, though not in lust.

So soon was she along as he was down,
Each leaning on their elbows and their hips;
Now doth she stroke his cheek, now doth he frown
And ‘gins to chide, but soon she stops his lips,
And, kissing, speaks with lustful language broken:
“If thou wilt chide, thy lips shall never open”.

He burns with bashful shame; she with her tears
Doth quench the maiden burning of his cheeks;
Then with her windy sighs and golden hairs
To fan and blow them dry again she seeks.
He saith she is immodest, blames her miss;
What follows more she murders with a kiss.

Even as an empty eagle, sharp by fast,
Tires with her beak on feathers, flesh, and bone,
Shaking her wings, devouring all in haste,
Till either gorge be stuffed or prey be gone;
Even so she kissed his brow, his cheek, his chin,
And where she ends she doth anew begin.

Forced to content, but never to obey,
Panting he lies, and breatheth in her face;
She feedeth on the steam as on a prey,
And calls it heavenly moisture, air of grace,
Wishing her cheeks were gardens full of flowers,
So they were dewed with such distilling showers.

Look how a bird lies tangled in a net,
So fastened in her arms Adonis lies;
Pure shame and awed resistance made him fret,
Which bred more beauty in his angry eyes.
Rain added to a river that is rank
Perforce will force it overflow the bank.

Still she entreats, and prettily entreats,
For to a pretty ear she tunes her tale;
Still is he sullen, still he lours and frets,
‘Twixt crimson shame and anger ashy-pale.
Being red, she loves him best; and being white,
Her best is bettered with a more delight.

Look how he can, she cannot choose but love;
And by her fair immortal hand she swears
From his soft ***** never to remove
Till he take truce with her contending tears,
Which long have rained, making her cheeks all wet;
And one sweet kiss shall pay this countless debt.

Upon this promise did he raise his chin,
Like a dive-dapper peering through a wave
Who, being looked on, ducks as quickly in;
So offers he to give what she did crave;
But when her lips were ready for his pay,
He winks, and turns his lips another way.

Never did passenger in summer’s heat
More thirst for drink than she for this good turn.
Her help she sees, but help she cannot get;
She bathes in water, yet her fire must burn.
“O pity,” ‘gan she cry “flint-hearted boy,
’Tis but a kiss I beg; why art thou coy?

“I have been wooed as I entreat thee now
Even by the stern and direful god of war,
Whose sinewy neck in battle ne’er did bow,
Who conquers where he comes in every jar;
Yet hath he been my captive and my slave,
And begged for that which thou unasked shalt have.

“Over my altars hath he hung his lance,
His battered shield, his uncontrolled crest,
And for my sake hath learned to sport and dance,
To toy, to wanton, dally, smile, and jest,
Scorning his churlish drum and ensign red,
Making my arms his field, his tent my bed.

“Thus he that overruled I overswayed,
Leading him prisoner in a red-rose chain;
Strong-tempered steel his stronger strength obeyed,
Yet was he servile to my coy disdain.
O be not proud, nor brag not of thy might,
For mast’ring her that foiled the god of fight.

“Touch but my lips with those fair lips of thine,
—Though mine be not so fair, yet are they red—
The kiss shall be thine own as well as mine.
What seest thou in the ground? Hold up thy head;
Look in mine eyeballs, there thy beauty lies;
Then why not lips on lips, since eyes in eyes?

“Art thou ashamed to kiss? Then wink again,
And I will wink; so shall the day seem night.
Love keeps his revels where there are but twain;
Be bold to play, our sport is not in sight:
These blue-veined violets whereon we lean
Never can blab, nor know not what we mean.

“The tender spring upon thy tempting lip
Shows thee unripe; yet mayst thou well be tasted.
Make use of time, let not advantage slip:
Beauty within itself should not be wasted.
Fair flowers that are not gathered in their prime
Rot and consume themselves in little time.

“Were I hard-favoured, foul, or wrinkled-old,
Ill-nurtured, crooked, churlish, harsh in voice,
O’erworn, despised, rheumatic, and cold,
Thick-sighted, barren, lean, and lacking juice,
Then mightst thou pause, for then I were not for thee;
But having no defects, why dost abhor me?

“Thou canst not see one wrinkle in my brow,
Mine eyes are grey and bright and quick in turning,
My beauty as the spring doth yearly grow,
My flesh is soft and plump, my marrow burning;
My smooth moist hand, were it with thy hand felt,
Would in thy palm dissolve or seem to melt.

“Bid me discourse, I will enchant thine ear,
Or like a fairy trip upon the green,
Or like a nymph, with long dishevelled hair,
Dance on the sands, and yet no footing seen.
Love is a spirit all compact of fire,
Not gross to sink, but light, and will aspire.

“Witness this primrose bank whereon I lie:
These forceless flowers like sturdy trees support me;
Two strengthless doves will draw me through the sky
From morn till night, even where I list to sport me.
Is love so light, sweet boy, and may it be
That thou should think it heavy unto thee?

“Is thine own heart to thine own face affected?
Can thy right hand seize love upon thy left?
Then woo thyself, be of thyself rejected,
Steal thine own freedom, and complain on theft.
Narcissus so himself himself forsook,
And died to kiss his shadow in the brook.

“Torches are made to light, jewels to wear,
Dainties to taste, fresh beauty for the use,
Herbs for their smell, and sappy plants to bear;
Things growing to themselves are growth’s abuse.
Seeds spring from seeds, and beauty breedeth beauty;
Thou wast begot: to get it is thy duty.

“Upon the earth’s increase why shouldst thou feed,
Unless the earth with thy increase be fed?
By law of nature thou art bound to breed,
That thine may live when thou thyself art dead;
And so in spite of death thou dost survive,
In that thy likeness still is left alive.”

By this, the lovesick queen began to sweat,
For where they lay the shadow had forsook them,
And Titan, tired in the midday heat,
With burning eye did hotly overlook them,
Wishing Adonis had his team to guide,
So he were like him, and by Venus’ side.

And now Adonis, with a lazy sprite,
And with a heavy, dark, disliking eye,
His louring brows o’erwhelming his fair sight,
Like misty vapours when they blot the sky,
Souring his cheeks, cries “Fie, no more of love!
The sun doth burn my face; I must remove.”

“Ay me,” quoth Venus “young, and so unkind!
What bare excuses mak’st thou to be gone!
I’ll sigh celestial breath, whose gentle wind
Shall cool the heat of this descending sun.
I’ll make a shadow for thee of my hairs;
If they burn too, I’ll quench them with my tears.

“The sun that shines from heaven shines but warm,
And lo, I lie between that sun and thee;
The heat I have from thence doth little harm:
Thine eye darts forth the fire that burneth me;
And were I not immortal, life were done
Between this heavenly and earthly sun.

“Art thou obdurate, flinty, hard as steel?
Nay, more than flint, for stone at rain relenteth.
Art thou a woman’s son, and canst not feel
What ’tis to love, how want of love tormenteth?
O, had thy mother borne so hard a mind
She had not brought forth thee, but died unkind.

“What am I that thou shouldst contemn me this?
Or what great danger dwells upon my suit?
What were thy lips the worse for one poor kiss?
Speak, fair; but speak fair words, or else be mute.
Give me one kiss, I’ll give it thee again,
And one for int’rest, if thou wilt have twain.

“Fie, lifeless picture, cold and senseless stone,
Well-painted idol, image dull and dead,
Statue contenting but the eye alone,
Thing like a man, but of no woman bred!
Thou art no man, though of a man’s complexion,
For men will kiss even by their own direction.”

This said, impatience chokes her pleading tongue,
And swelling passion doth provoke a pause;
Red cheeks and fiery eyes blaze forth her wrong:
Being judge in love, she cannot right her cause;
And now she weeps, and now she fain would speak,
And now her sobs do her intendments break.

Sometime she shakes her head, and then his hand;
Now gazeth she on him, now on the ground;
Sometime her arms infold him like a band;
She would, he will not in her arms be bound;
And when from thence he struggles to be gone,
She locks her lily fingers one in one.

“Fondling,” she saith “since I have hemmed thee here
Within the circuit of this ivory pale,
I’ll be a park, and thou shalt be my deer:
Feed where thou wilt, on mountain or in dale;
Graze on my lips, and if those hills be dry,
Stray lower, where the pleasant fountains lie.

“Within this limit is relief enough,
Sweet bottom-grass and high delightful plain,
Round rising hillocks, brakes obscure and rough,
To shelter thee from tempest and from rain:
Then be my deer, since I am such a park;
No dog shall rouse thee, though a thousand bark.”

At this Adonis smiles as in disdain,
That in each cheek appears a pretty dimple.
Love made those hollows, if himself were slain,
He might be buried in a tomb so simple,
Foreknowing well, if there he came to lie,
Why, there Love lived, and there he could not die.

These lovely caves, these round enchanting pits,
Opened their mouths to swallow Venus’ liking.
Being mad before, how doth she now for wits?
Struck dead at first, what needs a second striking?
Poor queen of love, in thine own law forlorn,
To love a cheek that smiles at thee in scorn!

Now which way shall she turn? What shall she say?
Her words are done, her woes the more increasing.
The time is spent, her object will away,
And from her twining arms doth urge releasing.
“Pity!” she cries “Some favour, some remorse!”
Away he springs, and hasteth to his horse.

But lo, from forth a copse that neighbours by
A breeding jennet, *****, young, and proud,
Adonis’ trampling courser doth espy,
And forth she rushes, snorts, and neighs aloud.
The strong-necked steed, being tied unto a tree,
Breaketh his rein, and to her straight goes he.

Imperiously he leaps, he neighs, he bounds,
And now his woven girths he breaks asunder;
The bearing earth with his hard hoof he wounds,
Whose hollow womb resounds like heaven’s thunder;
The iron bit he crusheth ‘tween his teeth,
Controlling what he was controlled with.

His ears up-pricked; his braided hanging mane
Upon his compassed crest now stand on end;
His nostrils drink the air, and forth again,
As from a furnace, vapours doth he send;
His eye, which scornfully glisters like fire,
Shows his hot courage and his high desire.

Sometime he trots, as if he told the steps,
With gentle majesty and modest pride;
Anon he rears upright, curvets and leaps,
As who should say ‘Lo, thus my strength is tried,
And this I do to captivate the eye
Of the fair ******* that is standing by.’

What recketh he his rider’s angry stir,
His flattering ‘Holla’ or his ‘Stand, I say’?
What cares he now for curb or pricking spur,
For rich caparisons or trappings gay?
He sees his love, and nothing else he sees,
For nothing else with his proud sight agrees.

Look when a painter would surpass the life
In limning out a well-proportioned steed,
His art with nature’s workmanship at strife,
As if the dead the living should exceed;
So did this horse excel a common one
In shape, in courage, colour, pace, and bone.

Round-hoofed, short-jointed, fetlocks **** and long,
Broad breast, full eye, small head, and nostril wide,
High crest, short ears, straight legs and passing strong,
Thin mane, thick tail, broad buttock, tender hide;
Look what a horse should have he did not lack,
Save a proud rider on so proud a back.

Sometime he scuds far off, and there he stares;
Anon he starts at stirring of a feather;
To bid the wind a base he now prepares,
And whe’er he run or fly they know not whether;
For through his mane and tail the high wind sings,
Fanning the hairs, who wave like feathered wings.

He looks upon his love, and neighs unto her;
She answers him as if she knew his mind:
Being proud, as females are, to see him woo her,
She puts on outward strangeness, seems unkind,
Spurns at his love, and scorns the heat he feels,
Beating his kind embracements with her heels.

Then, like a melancholy malcontent,
He vails his tail that, like a falling plume,
Cool shadow to his melting buttock lent;
He stamps, and bites the poor flies in his fume.
His love, perceiving how he was enraged,
Grew kinder, and his fury was assuaged.

His testy master goeth about to take him,
When, lo, the unbacked *******, full of fear,
Jealous of catching, swiftly doth forsake him,
With her the horse, and left Adonis there.
As they were mad, unto the wood they hie them,
Outstripping crows that strive to overfly them.

All swoll’n with chafing, down Adonis sits,
Banning his boist’rous and unruly beast;
And now the happy season once more fits
That lovesick Love by pleading may be blest;
For lovers say the heart hath treble wrong
When it is barred the aidance of the tongue.

An oven that is stopped, or river stayed,
Burneth more hotly, swelleth with more rage;
So of concealed sorrow may be said.
Free vent of words love’s fire doth assuage;
But when the heart’s attorney once is mute,
The client breaks, as desperate in his suit.

He sees her coming, and begins to glow,
Even as a dying coal revives with wind,
And with his bonnet hides his angry brow,
Looks on the dull earth with disturbed mind,
Taking no notice that she is so nigh,
For all askance he holds her in his eye.

O what a sight it was wistly to view
How she came stealing to the wayward boy!
To note the fighting conflict of her hue,
How white and red each other did destroy!
But now her cheek was pale, and by-and-by
It flashed forth fire, as lightning from the sky.

Now was she just before him as he sat,
And like a lowly lover down she kneels;
With one fair hand she heaveth up his hat,
Her other tender hand his fair cheek feels.
His tend’rer cheek receives her soft hand’s print
As apt as new-fall’n snow takes any dint.

O what a war of looks was then between them,
Her eyes petitioners to his eyes suing!
His eyes saw her eyes as they had not seen them;
Her eyes wooed still, his eyes disdained the wooing;
And all this dumb-play had his acts made plain
With tears which chorus-like her eyes did rain.

Full gently now she takes him by the hand,
A lily prisoned in a gaol of snow,
Or ivory in an alabaster band;
So white a friend engirts so white a foe.
This beauteous combat, wilful and unwilling,
Showed like two silver doves that sit a-billing.

Once more the engine of her thoughts began:
“O fairest mover on this mortal round,
Would t
RAJ NANDY Jul 2018
Dear Readers, concept of Time has bewildered our ancient sages, philosophers, poets, artists,  including our famous scientists and physicists even to this day. It has no doubt also impacted my    
mind in several ways! Therefore, this series about the ‘Enigma of Time In Verse’ is now being composed and posted to share my thoughts with my Poet friends on this Site. If you like it kindly re-post this poem. Thanking You, - Raj Nandy from New Delhi.
             

   THE ENIGMA OF TIME IN VERSE : PART ONE
                           BY RAJ NANDY

                 A  SHORT  INTRODUCTION

During my childhood days, time appeared to be joyful and endless.
Though my parents had observed the clock all the while,
Telling me when to rise, when to eat, play, do my homework, -
till it was my bed time.
Alas, my childhood days as cherished memories are now left behind.
With rest of the world  I am now chasing that winged arrow of Time!

Those Management Gurus say, that our twenty four hours day,
Is time enough for those who can manage time from day to day.
Yet I do find, that I am generally chasing time, not to be left behind!
Hoping that a full time job will provide, some quality time, with the desired comforts of life.
Therefore, I abide my time, hoping to have the time of my life one day, with some quality time coming my way.
But in this mad race against time, while chasing that butterfly of happiness,
I must learn to cool down and breathe, before time decides to elude me!
For with patience and perseverance, that butterfly of happiness, will alight gently on my shoulder in good time, and perhaps at
the right time!
While time is universally regarded as the fourth dimension by our physicists,
It is said to flow at different rates for different individuals as mentioned by Shakespeare the English dramatist.

          FEW  LITERARY  QUOTES  ABOUT  TIME

In ‘As You Like It’ Act 3, Shakespeare refers to ‘the swift steps’ and the ‘lazy foot’of time  in a relativistic way.
Time ‘trots’ for a young woman between her engagement and marriage when a week feels like seven years for her every day!
Time ‘ambles’ for a priest who doesn’t know Latin and a rich man without gout;
Since the priest is spared the burden of exhausting study, and the rich man is spared the burden of exhausting poverty - no doubt.
But time ‘gallops’ for a thief walking to the gallows, for even if he walks slowly, he happens to gets there too soon!
While time ‘stands still’ for lawyers on vacation, since he sleeps his holidays away!

Now moving forward to Einstein who once described his ‘Theory of Relativity’ very humorously in the following way; -
“When you sit with a nice girl for two hours you think it’s only a minute, but when you sit on a hot stove for a minute, you think it’s two hours,” he had said with a chuckle!

Getting back to Shakespeare’s ‘Macbeth’ Act One on that blasted heath,
Macbeth asks the three witches, “If you can look into the seeds of Time,
And say which grain will grow and which will not,
Speak then to me, who neither beg nor fear…”
And finally that brilliant piece of soliloquy about Time by Macbeth in Act 5:
“To-morrow, and to-morrow, and to-morrow,
  Creeps in this petty pace from day to day
  To the last syllable of recorded time,
  And all our yesterdays have lighted fools
  The way to dusty death….”

John Milton’s poem ‘On Time’ composed in 1930 ends with his optimistic lines:
“Fly envious Time, till thou run out thy race,
  Call on the lazy leaden-stepping hours,
  Whose speed is but the heavy Plummets pace …..
  When once our heavenly-guided soul shall clime,
  Then all this Earthly grossness quit,
  Attired with Stars, we shall forever sit
  Triumphing over Death and Chance, and thee O Time.”

Alexander Pope in his ‘Imitations of Horace’ (1738) writes:
“Years following years steal something every day,
  At last they steal us from ourselves away.”
Romantic poets have dealt with the transience of time, which got popularised by the Latin phrase ‘Carpe diem’ which tells us to ‘seize the day’;
This Latin phrase has been borrowed from the Roman lyrical poet Horace of ancient days.

Charles Dickens’ novel ‘Hard Times’ is an autobiography describing his difficult childhood days.
While the famous opening lines of his historical novel ‘A Tale of Two Cites’ take us back to 18th century London and Paris under times sway.
I quote Dickens’ memorable opening lines:
"It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us ......”

We have the Nobel Laureate Tagore’s well known poetic lines on the subject of Time:
“The butterfly counts not months but moments, and has time enough.”
“Let your life lightly dance on the edges of Time like dew on the tip of leaf.”
He described the Taj Mahal as “a tear drop on the cheek of Time,” in his unique poetic style!

TS Eliot’s ‘Four Quarters’ of 1935,  include extended rumination on the nature of Time:
“Time present and time past,
  Are both perhaps present in time future.
  And time future contained in time past.
  If all time is eternally present,
  All time is unredeemable.
  What might have been is an abstraction
  Remaining a perpetual possibility,
  Only in a world of speculation….”
(Notes: This concept will become clearer in my Part Two, presently under construction.)

Next I have a quote from WH Auden’s poem ‘As I Walked Out One Evening’composed in 1937:
“But all the clocks in the city
  Began to whirr and chime:
  O let not Time deceive you.
  You cannot conquer Time.”

Subject of Time forms an important part of science fiction even to this day.
HG Well’s ‘The Time Machine’ (1895) interests both the layman and the Scientific community even today!
Finally, I would like to conclude my Part One on ‘The Enigma of Time in Verse’ with my favourite poem composed by the British poet Ralph Hodgson:
  
TIME, you old gipsy man,
  Will you not stay,
Put up your caravan
  Just for one day?
  
All things I'll give you
Will you be my guest,
Bells for your jennet
Of silver the best,
Goldsmiths shall beat you
A great golden ring,
Peacocks shall bow to you,
Little boys sing,
Oh, and sweet girls will
Festoon you with may.
Time, you old gipsy,
Why hasten away?
  
Last week in Babylon,
Last night in Rome,
Morning, and in the crush
Under Paul's dome;
Under Paul's dial
You tighten your rein—
Only a moment,
And off once again;
Off to some city
Now blind in the womb,
Off to another
Ere that's in the tomb.
  
Time, you old gipsy man,
  Will you not stay,
Put up your caravan
  Just for one day.

In Part Two I shall cover the Concepts of Time along with its Philosophical speculations.
Before moving on to Einstein’s concept of Time, and its present Scientific interpretations.
Thanks for reading patiently, from Raj Nandy of New Delhi.
its a blue Monday
after Super Sunday
Americas 45th funday
yesterdays spectacle

the dip is done
the broken bones
of buffalo wings
fill giant glad bags

the ridged ripples
of broken Doritos
scattered on the floor
wait for a vacuums hum

dead soldiers rattle
a melodious cascade
the aroma of flat Bud
plunge into recycle bins

ribbed Trojans
dripping bagged ****
rim plastic trash cans
confirm an ****'s frenzy

the game forgotten
commercial reveries remain
seared into the briney mush
of compliant olfactories

collective hallucinations
successfully branded
a new and improved
global consciousness

Madmen Shamans
ebulliently channel
transactional zeitgeists
from the ripped boxes of
Best Buy plasma screens

Monday morning
water cool scuttlebutt
the planet is buzzing about...

Google's cool slap
of iPod clad automatons
the vanquishers of IBM's evil empire
Apple's brave new world is next
("meet the new boss,
same as the old boss?")

we all dug
rolling with Eminem
through the glitzy
streets of Motown

How cool is 8 Mile?
The hoods lookin good
angelic chorus lifts spirits
Swing Low Sweet Chrysler

The artistic types
faun over
the graphic beauty
illustrious aestheticism

moving story line
the epic journey
of the worlds
greatest brand

heroic product marketing pros
rival Jason and the Argonauts
sojourning trans-formative odysseys
of clever packaging and fat tail shelf life

holding precious real estate
of living imaginations
infecting hearts and minds
of future generations

realizing
everything
ends better
with coke

The State Farm Pre-Game
Jimmy Johnson's new coif
jawed away with his old boss
rattlesnake booted Jerry Jones

A poignant embrace captured in
living color on grand jumbo trons
lording over a cavernous palace
a new stadium for Homeboys

Jimmy J asks Jerry J
"Why you overpaid
for The Boys New
Crib?"

"A billion 4,
a palace for the masses".
Jerry breaks some news
with an impish wink.
"No expense is spared
for the peeps."

"I always make out,
get a good return. I
make a profit. Ain't
America great."

This year Super Bowl
went Hollywood
and installed
a long red carpet.

Mike Strahan, collared
Harrison Ford.
Bagging his greatest sack
on a dazzling red rug.

"How many Super Bowls
is this for you?"
Strahan whistles
through his gaped teeth.

The aging Indiana Jones
came to promote his new flick,
"Cowboys and Aliens"
(I'm told an early Cannes
favorite. And it should be. Spoiler alert,
the movie is a moving story of an American tragedy.
Romo blows another one
throwing an interception in overtime.
The Aliens return it 95 yards for a touchdown.
Boy's lose again. America's Team vanquished by bubble headed Martians.
All of Texas weeps.)

Indy
coolly quips an answer
whipping with sarcasm,
"after today, one."
yuck yuck
lol

Strahan continues
to stalk Ford like a
scrambling quarterback,
"where will you be sitting?"

Ford shrugs
"dunno,
somewhere
up-there,
I guess",
he points to
the lofty
luxury boxes.
Royalty sits
next to God
in Jerry Jones
house of the
people.

Ford dons a green scarf.
He's down with the Pack.
Another sunshine *****
in the seat.

Michael Douglas and Zeta Jones
arrive in time to hear
Keith Urban sing
"Who Wouldn't Want to be Me?"

"He's alive
He's free
Who wouldn't
want to be me?"

Indeed who?

The parade
of heroes
continue.

The walking,talking
little S Corp, LLC's
dance their way
into the stadium
on resplendent
cushions of red.

Terrific brands
all earnestly
questing to
urgently
deliver
messages
to promote
themselves
and plug
shameful
products.

A Black Eye Peas
teaser
blinks onto
my giant
flat screen.

Will I Am
a black man
in a blacker mask
marches down the street
zapping people
with a ray gun.
(fascist culture is so cool, a
little light on liberation,
but **** does he look bad as all get out
in that leather rumble don't **** with me
outfit)

Jamie Foxx on the royal carpet leaks
that he yodeled three tunes
at a pregame party for Jerry's Kids;
T Boone and the Big W among them.

Quick cut
to Jamie's
new movie
Rio.
(I wonder if its
about Mexicano's
crossing the river?)

Wealth
Power
the perfect
image of ourselves
take a pill

I am Limitless
a new movie?
I've seen this one before.
I think I'm watching it now.

Just Go With It
Adam *******,
Jennifer Aniston
Americas sweetheart
teamed with Americas
kosher jokester.

He looks hot
in his droopy
pretend
don't give a ****
orange sweatshirt
and acid washed jeans.

Jennifer's ****, legs
what can you say
about America's sweetheart?
I think Brad Pitt
made a big mistake.

Bill O
is next.
Posturing,
arm wrestles
with the Prez,
shadow boxes
with the Big O.

"Muslim Brotherhoods
Rendition
Mubarack goes off the reservation
knows where the bodies are buried"
***!
***!

(Do we really need a dose of Fox Fear?
Is there no escape from the pernicious harangue?
Don't they know its Super Bowl Sunday?)

Bill O's drive by continues,
"Obamacare,
why do Americans hate you?"
Great journalism by this Fox ****.

Bill O is
haughty,
arrogant,
disrespectful
a despicable bully
and a self serving blow hard.

(My bladder is busting.
Its a great time to take a ****.)

We escape to
the freshness
of Owen Wilson's
smiling face,
playing two hand touch.

His bent nose
shining
he trots about
Jerry's field
carefree as a child.
(Is this a pitch, pass and punt
contest for A Listers?)

Other stars
join the light fun;
goose cheerleaders
give the cabana boys
hand-jobs
and themselves
a well earned blow-job.

Its an **** of photo ops
product placement
a sizzling collection
of dancing brands
prancing on the gridiron
of the New Cowboy field.

Ashton Kutcher
peeks over the shoulder
of a tweeting W.
I'm impressed
W knew
how to use
his thumbs.

Mrs. W's
permanent smile
was clearly visible
from the stadiums
cheapest seats.

Condie sat
way to the right
quietly stewing
lamenting
lost opportunities
of a gig as NFL
Commissioner.

On the stadiums floor
the frenetic dancing
of the
bumping
brands
fast
approaches
ecstatic elation.

Hollywood's version of
Whirling Dervishes; is
immediately stilled
as the solemn portion
of the program
commences.

The Declaration of Independence
is read by a bright galaxy of stars
accompanying armed service personnel
and other diligent American's.

"We hold these truths
to be self evident"

"United colonies
levee war,
dissolve bounds,
our day of allegiance
lives, fortunes and sacred honor
freedom is common sense,
free, equal, united"

CEO's
imprisoned
in Jerry's
luxury boxes
overcome
with
emotion
pound fists
on the glass
smearing
cocktail sauce
on the windows
of the suites.

Illegal
Chicano's
bravely
step forward
with rolls
of Bravo
and Windex
to wipe
it clean.

The focal point
of festivities
seismically
shifts like a
tectonic plate
almost as large
as Jerry's Stadium.

The stampede
of cheers
thunder like
canon shots,
the patriotic
ramparts of
militant
free market
capitalism
supplants the
shallow frivolity
of consumer slavery.

We are
compelled
to kneel
to celebrate a
Eucharist of
nationalism.

My partner explodes,
"Can't watch a football game
and view it for what it is,
a ******* football game."

The Fox
broadcasters
dedicate
this segment
of the show
to our military.

I squirm in my seat.
Sorry,
but the declaration is about
free people in free societies
not militarism.

Next up
dis old cowboy
Sam Elliot.
He knows
how to speak
the language
of real football fans.
Finally, a man of the people.

Sam introduced the cities.
He starts with Pittsburgh.

"Built on steel
a place where
terrible is good
these are the
enduring qualities
of this great American City."

The Steelers
make a timely entrance
onto the floor of the stadium,
as millionaires erupt
shaking their terrible towels.

Sam's
fuax
folkism
for
Fox Sports
continued.

"Green Bay is Title Town
the people never quit.
Crafty veterans are winners
exhorting all to greatness"

Images
of Lombardi's
toothy grin
fills my 72 inch screen.
A visitation by
America's Saint,
the sanctifier
of all competition
anoints the proceeding,
the quest to claim
the trophy named
for the games
very own
Archangel
of the
Gridiron.

The extended gig of
Lombardi's ghost
has haunted America
for over half a century;
has reportedly been seen
stalking the stage
on Broadway.

The anointed
Packers sprint
onto the field and
millionaire cheese heads
taking big bites out of life
erupt in cheers.

My hi def wide screen
made by Sharp reports
Battle of Los Angeles
opens 3/11/11.
The Chicago Code
premiers on Fox
sometime in March.

Walter Payton
Man of The Year Award
is presented
to an NFL Player
watching the game
with the troops
in Iraq.

The millionaires
don't cheer,
but the Fox announcers
are verklempt
overcome with patriotism.

Michelle Lee,
star
of Fox'***** show
Glee,
poses in front of a
sanitized choir
in blue uniforms to sing
America the Beautiful.

The beautiful song
is but an opening act
for the musical centerpiece
Star Spangled Banner.

The cameras cut
to a smiling W.
He can't get into Switzerland
but ******, he won't be turned out
of JJ's OK Corral.

Christina Aguilera
takes center stage.
She mounts
the silver football
crowning the
Holy Logo of the NFL
to sing the hallowed
Star Spangled Banner.

She fumbles her lines!
She forgot the rockets red glare!
The Steelers are crying.
The Packers are angry.
Ice melts from the stadiums roof.
The foundations of Jerry Jones
new stadium shakes.

A fly over of 4 fighters in formation
appears to be unaffected by the flub.
The planes do not crash.
They stay in formation.

The pilots spare Christina
a strafing and drone strike.
The republic remains
secure for now.

An unfamiliar announcer
addresses TV land.
He offers an apology to the fans
who cannot be seated.

The fire marshals
have revoked
Jerry's seating plan.
Greed got the better
of this man of the people.
Cowboy Stadium
is overbooked!

What is happening?
Is this America?
An ATT commercial
arrives just in time.

ATT has a new plan for America.
They encourage us to live social
with the new ATT AG.
Free market solutions
always work best.

Michael Douglas
reads another
patriotic exhortation.

"United we,
see the journey
of Acme Packers
as our journey."

"We see the resolve
of US Steel
as our resolve.
Big dreams
believe the best
journeys are
celebrated together."
(I'm down with that.
Whats good for Jerry Jones
is still good for me.
Right On! Check this stadium.
Power to the people!
It may not apply to the people who
will not be seated but tough nuggies.
This is America ******. Everybody
can't be seated at the table.
Even if they paid for their seat.
This ain't Red China.)

Neon Dion and other inductees
into the Football Hall of Fame
tosses the coin.
Steelers' call tails.
Heads it is.

At half time
The Black Eyed Peas
descend from
an upper Valhalla.

Still attired in
black fascist threads
The Righteous Peas
start wailing as
white metallic minions
dressed as
Imperial Storm Troopers
gallop to surround
their idols.

Precise formations
goose steppin bops
choreographic steps
the visceral *****
perfect counter-point
to swabbles of wiggling Peas.

Slash,
Guns and Roses
guitar hero
gunslinger
strode on stage
winging
this gal of mine
in choreographed
unison with
the leggy
Fergie.

Pumping it louder
the spectacle incites
the dancing
Imperial minions
quick steppin
and fetchin it
as Usher descends
in white unison
to leap and dance
over nasty
black peas.

The Gods
are descending
upon us.
Their words
have become
flesh.

The BEP's bleat
"kids are dying
wheres the love?"
Art does mirror life.

The neon hearts
of cheap
glow sticks
light up
the time
of our lives.

We are
cubed box heads
happily dancing along
the 50 yard line
answering China's
resounding drum
of frantic proletarians
bashing away
neocolonial disgrace
during the opening
ceremony of the worlds
greatest Olympian
display of
the pounding will
of an emerging nation
arriving on the world stage
with urgent insistence.

In America
we party on
every night
swiping
revoked
credit cards
for express lane
exits at the
local Walmart.

We are proud
highly personal
bar codes!

We refuse to be
marked down and flung
into discount bins at a
Tupelo Dollar Store.

Our light of life
flashes across screens
directing the trading pits
at the Chicago Board of Trade.

Each Super Bowl Sunday
souper bowl beggars
collect canned soup
for hungry Americans
at the local Shop and Drop

begging for larmen
boxes of Kraft
freeze dried noodles
and cans of Progresso
the feast of kings

A triumph
of the
Will I Am
BOOM BOOM
Says
Will I Am

I finish my bag of
Cool Ranch Doritos
and lick my partners
fingers clean.

You Tube Music Video:
Black Eyed Peas
Joints and Jam

2/7/11
Oakland
jbm
(WIP)
Mateuš Conrad Jan 2020
finding gravity on a bicycle...

surely... given that most people
don't write a ******* hemmingway...
and there's no william buckley jr.
doing the interview...
and there's no norman mailer...

and that: no one really bothers
with kierkegaard and that:
kant "famously" didn't marry starry crap...
why didn't i have kids
and start a family?
uh... dunno... mother's best lie...
or the best lie a neighbour brings
with her... whenever you're
being a 2nd witness without
the 1st witness being there...

and she says an "also" with regards
to her son having the same luck
with women...
when the comparison comes:
a koala bear versus a gorilla...
bonsai tiger!
like a koala is a ******* bear
to begin with...
cuddly soft-pouch toy-ah-thing!

but there's that great feat!
finding gravity on a bicycle...
my mother helped me with that...
and that famous fail of
a rotondo... well... more or less
a cricket ground egg shaped, oval...
or a rugby ball...
the shoulder on the salto bike
hard... rammed into a car....

as a child you were supposedly well
loved...
and this is modern poo'etry i hear about?
here's to: john sounding like johny...
will sounding like *****...
richard sounding like: **** and not richy...
it's cute... matthew... matti: finnish...
leonard is: leo oh leo...
why art we all not named: Li Lo Po!

of course everyone managed to spot
the tetragrammaton vowel catchers that's
hey'zeus! no... not the bloke strapped
to the mannequin of tailoring...
oh no... not the crucifix pendulum
"for us all"... by blood... by cross...
who is to exfoliate on the crucifix...
better than some well scouted for materials
on a mannequin canvas for tailoring
a suit?
the guilt?! oh the guilt!
well... thank god this metaphysician would
never address the material realm of
enjoying a... dabble with... wool...
when donning a suit...
or leather shoes... or any presence of suede...
beside the crucifix mannequin: replica
and pittance!

- but finding gravity on a bicycle is one thing...
finding gravity when swimming is another...
it's called gravity...
but some heretical circles call it:
balance...
after all... it is both gravity...
and balance... given that while riding
a bike... or swimming...
you're pretty much sure, assured:
to not be falling...

you can find gravity with newtonian hindsight...
of sure...
that's there... it involves the magicians orbs...
copernican mathematics and...
target practice when it comes to
propaganda spew...
and Steward... the lesser... Stew...
cousin of the house of Stuart...
not Steward... Stuart...
which is (again)...
a McKiteit and MacCoddlewit...
some Glaswegian *****-donor clinic
"miss-up" mix-it: tend to...
lounging busy... which is of course...
besides the "look"...

5 bazookas cleared for a salvo!
hip hip! burger-pound!
hip hip! boom shizzle shoom!
hip hip! hooray!
oh now we'z getz uz best
partay birth doy wishy-washy
"protagonists"!

but given the current Persian affair...
i couldn't help to notice...
love actually... the narrative...
the u.s.a. and england...
the Z-spezial re-la-tion-ship...

so... who's spastic... and who's fantastic?!
spaz: B-bristolian-esque joking...
never aside...
who's the spaz and who's the frizzy-fuss?!

spe-zial mother russia talks down
to dog Kiev: yes, it's in (the) Ukraine...
spezial iz not what iz?

h'america... kept a yorkshire terrier...
media leetches of england
firmly in its grasp...
cuz onez we woz: once -
the militia contra the crown...
of north virginia...

coz b'rah: a 79-year-old man
who lit himself on fire protesting
against russia's language policies
in the capital of the volga region
of udmurtia has died;
name? alberto raisin...
which sounds terrible in its
non-native spanish...

but there's something worth of gravity
without debating
the heliocentric model...
finding one's balance on a bicycle...
a posteriori events...
but... the same balance can be
translated into a swimming session...

my god my father tried to teach me...
if i was supposed to learn
to swim in the sea...
with the fear: of not seeing the depth?
isn't that like a thesaurus
congestion of: acrophobia?
isn't there a word in the borrowed
lexicon of the ancient greeks...
concerning... fearing to swim in a body
of water... where you can't see the bottom?
i could learn to swim in a swimming
pool... thankfuly all because and due to...
moi...

i also found gravity in water...
i could... lie in water and become...
the antithesis of: the body consists
of 90% of water...
yes sherlock watson & sons... ltd...
but in water i'm mostly fat...
if i find the right balance...
i float...
which is why swimming is a bit
like riding a bicycle...
you find: the center...
or gravity...

again... in this special "relationship"
of bruv-love...
between h'america and whittle brit-pop interlude...
oasis on the continent...
my my... blur, even...
breakfast at tiffany's back in the dough-dough-us...
who is the ******* SPASTIC?
in this "SPEZIAL" relationship?
i guess the english must be the SPEZIALS...

a bit like watching:
go-go-gonzales trip up on a spelling mistake...
which is all i care for...
like a comedia...
a deviation from the informal, later,
subject of language implementation...
and all this peacocking prior...

where else does gravity allow itself...
a presence of the multi-vector?
up and down... left and right...
it's not as easily explained as:
on a ledge... with an apple...
drop it... newton with a header!
a 1-all equalizer in stoppage time
an F.A. cup re-match!

gravity on a bicycle...
it's hardly a drop affair...
gravity in water...
it's hardly merely swimming...
there's that aspect of finding... buoyancy...
there's not need for you to swim...
to exhert so much effort...
that you might as well drown 10 meters
in after swimming the 'undred...

no buoyancy: no chinese fortune cookies...
i still don't know which is more grand...
beside the acrobatics of... olympic level
acrobatics...

it's not bound to youth via lifting weights...
or supreme mao tse tung's winter olympics
of: hunger strikes in Vinter...
the gravity bound to a bicycle...
or the gravity bound to swimming...
after all... the latter is a bit "funny"...

"levitation" and buoyancy...
the dracula soundtrack:
only because of gary oldman and the composer
wojciech kilar... and the given, current...
b.b.c. spin-off and how...
yes... it's that terrible...
i don't even know where those five-stars
came from!
the archetype of feminine romance novels?
the syphilitic lover? the "vampire"?

yes, no? two guesses as good as: nein - keiner...
and, quiet honestly...
nothing could make this exercise in:
not engaging in any of all the available
comments sections on any website...
any worse... than it already is...

it comes as no surprise that: i write this poo'ems
not because i don't write poetry...
but because i will neither write
a poem by standards reserved for
pedagogy or demagogy...
or write identifiable puzzle-bog-trots of...
language reserved for politicization:
and not for... counter-marxist...
"psychiatric" post-...
hardly modern or... "today's journalism"...
eh... pushing it toward a Beckett-clause...
concerning language that is not expected...
oh but i certainly do know
a difference between formal language
and... this... the informal language...
the cognitive extension that does not
require a "free speech" protection bias...

none of this was spoken...
it was seen...
weaved into "thinking"...
that's the difference... isn't it?
from my end of the tenniscourt "promenade"
i've heard nothing but clickick...
off this dead-end replica piano
of a qwer
asdf
zxcvbnm

unless my shadow spoke... or there was some
telepathic connection
with the schizoid "group-think" of me
sourcing my sometime odd...
cognitive-murmors of "thought"...
"hallucinations"...
so be it...

this defence of a freedom of speech...
how does that even extend into writing?
i will never know...
and to be honest? i don't want to know...
writing is an extension of thinking...
which is also an inversion of speaking...
but it's never speaking...
where's the audio on this piece?!

how about... plucking your eyes out,
after fating yourself with the
original curiosity to begin with?
sounds better: than... what still persists as...
not being, said!

this was written, it wasn't said...
this is not a transcript...
this is not a transcript...
if this is censored...
then my... "schizophrenia" is not even
my original thesis of: bogus
mono-lingual parody of bilingualism...
no need to cite **** sapiens
jurisprudence advocates...
lawyers... the thesaurus bargain barons etc.
this is... what's those words they use?
invasion of the tabernacle?
do my "auditory hallucinations" stem from...
these words...
a private investement in internet access...
again: nothing is being said!
because this is a "public arena"...
a "forum"...
and the eyes on the other side of this text...
are c.c.t.v. eyes?!
not private eyes?

what's the point of freedom of speech?
when the freedom to think:
and subsequently write... is bombarded
by being who: see via reading braille...
and read... comments likes dislikes and all
those other ratios?

writing is an extension of a freedom
to think... most people who speak freely
don't speak via a precursor script...
that's not free speech: that's scripted speech!
and just because it happens be placed
in a public "forum"...
that's the argument that this writing
is a freedom of "speech"?!
really?! i guess your average u.s. citizen
is more despotic than the *******
president... then...

again.. blah blah blah blah blah...
blah blah.... blah blah blah blah blah...
blah... blah blah... blah blah blah blah blah blah...

you'd sooner convince a parrot to sing
you a song in sparrow than call this "debate"...
evenly focused on one or neither side "winning".
.....
The Evening Came with the Clouds
On the New Trot leaves,
Monsoon’s traditional tune
Bats come and gather on the branches
Very young  Night,
On the other side of the  window
Fluttering of wings, brawl
In the dark,
On the wet ground,
Continuous dropout of Trot Flowers,
Rain mingled with bathed in
Opened the window at dawn
The air smelled of Wet Tanned Trots
....
@Musfiq us shaleheen
Smell of Wet Tanned Trots(মজা কদমের গন্ধ)
mark john junor Nov 2014
the dog in the neighbor's yard
trots his little path between the two fences
over and over....back and forth
the grass is threadbare when he runs
spends a moment hawkishly staring out one fence
at the world going by
angry barking at a cloud
then trot to the other fence to see what has
transpired there
a rain begins
he trots back and forth
leaves begin to fall
he trots back and forth
the wind gets chill
he trots back and forth
isn't my life such
sitting here at my fence
looking out at all of you
trotting back and forth looking out your own fences
trotting back and forth
in our own little universes
i only got one thing to say...."woof"
Andrew Rueter Mar 2018
I argue
To harm you
The protective computer screen
Allows me to be rude or mean
Without feeling your pain
So it becomes a game
Or a simulation of fame
If I can ignore the shame

The tread is wearing off the tire
After the internet stripped
The rubber off the telephone wire
And we lost our loose grip
After being shocked
By the rest of the flock
Their existence
Shows a difference
That is hard to accept
We're not what we expect

We push the boundaries of communication
But we can't handle the technology
I feel it gives me social immunization
But I feel the darkness follow me
And swallow me
Until I'm wallowing
Yet I don't know why
I try to ignore it
Only if it gets me high
Will I be for it

This utilitarian keyboard
Should help me see more
Instead it transcribes my anger
As I turn into an electric stranger
The words on my pixelated screen
Do not reflect my childhood dreams
But the bitterness of dreams being crushed
My petulant reactions are thoughtlessly rushed
And I represent my views in a negative way
Until I'd be more useful with nothing to say

There is a need for empathy
In the electronic discourse
Right now there is only entropy
And words without remorse
Spoken from a high horse
That looks down on peasants who own it
It's also a slave but doesn't even know it
So it arrogantly trots along
Never admitting that it's wrong
Until it hears the slithering snakes rattle
Then it doesn't mind wearing a saddle
But the venom has already been injected
And its mind becomes hopelessly infected

We argue without blinking
We argue without thinking
We argue with poor logic
Our ignorance we flaunt it
Until the internet is haunted
Can be found in my self published poetry book “Icy”.
https://www.amazon.com/Icy-Andrew-Rueter-ebook/dp/B07VDLZT9Y/ref=sr_1_1?keywords=Icy+Andrew+Rueter&qid=1572980151&sr=8-1
1

Senlin sits before us, and we see him.
He smokes his pipe before us, and we hear him.
Is he small, with reddish hair,
Does he light his pipe with meditative stare,
And a pointed flame reflected in both eyes?
Is he sad and happy and foolish and wise?
Did no one see him enter the doors of the city,
Looking above him at the roofs and trees and skies?
'I stepped from a cloud', he says, 'as evening fell;
I walked on the sound of a bell;
I ran with winged heels along a gust;
Or is it true that I laughed and sprang from dust? . . .
Has no one, in a great autumnal forest,
When the wind bares the trees,
Heard the sad horn of Senlin slowly blown?
Has no one, on a mountain in the spring,
Heard Senlin sing?
Perhaps I came alone on a snow-white horse,-
Riding alone from the deep-starred night.
Perhaps I came on a ship whose sails were music,-
Sailing from moon or sun on a river of light.'

He lights his pipe with a pointed flame.
'Yet, there were many autumns before I came,
And many springs. And more will come, long after
There is no horn for me, or song, or laughter.

The city dissolves about us, and its walls
Become an ancient forest. There is no sound
Except where an old twig tires and falls;
Or a lizard among the dead leaves crawls;
Or a flutter is heard in darkness along the ground.

Has Senlin become a forest? Do we walk in Senlin?
Is Senlin the wood we walk in, -ourselves,-the world?
Senlin! we cry . . . Senlin! again . . . No answer,
Only soft broken echoes backward whirled . . .

Yet we would say: this is no wood at all,
But a small white room with a lamp upon the wall;
And Senlin, before us, pale, with reddish hair,
Lights his pipe with a meditative stare.

2

Senlin, walking beside us, swings his arms
And turns his head to look at walls and trees.
The wind comes whistling from shrill stars of winter,
The lights are jewels, black roots freeze.
'Did I, then, stretch from the bitter earth like these,
Reaching upward with slow and rigid pain
To seek, in another air, myself again?'

(Immense and solitary in a desert of rocks
Behold a bewildered oak
With white clouds screaming through its leafy brain.)
'Or was I the single ant, or tinier thing,
That crept from the rocks of buried time
And dedicated its holy life to climb
From atom to beetling atom, jagged grain to grain,
Patiently out of the darkness we call sleep
Into a hollow gigantic world of light
Thinking the sky to be its destined shell,
Hoping to fit it well!-'

The city dissolves about us, and its walls
Are mountains of rock cruelly carved by wind.
Sand streams down their wasting sides, sand
Mounts upward slowly about them: foot and hand
We crawl and bleed among them! Is this Senlin?

In the desert of Senlin must we live and die?
We hear the decay of rocks, the crash of boulders,
Snarling of sand on sand. 'Senlin!' we cry.
'Senlin!' again . . . Our shadows revolve in silence
Under the soulless brilliance of blue sky.

Yet we would say: there are no rocks at all,
Nor desert of sand . . . here by a city wall
White lights jewell the evening, black roots freeze,
And Senlin turns his head to look at trees.

3

It is evening, Senlin says, and in the evening,
By a silent shore, by a far distant sea,
White unicorns come gravely down to the water.
In the lilac dusk they come, they are white and stately,
Stars hang over the purple waveless sea;
A sea on which no sail was ever lifted,
Where a human voice was never heard.
The shadows of vague hills are dark on the water,
The silent stars seem silently to sing.
And gravely come white unicorns down to the water,
One by one they come and drink their fill;
And daisies burn like stars on the darkened hill.

It is evening Senlin says, and in the evening
The leaves on the trees, abandoned by the light,
Look to the earth, and whisper, and are still.
The bat with horned wings, tumbling through the darkness,
Breaks the web, and the spider falls to the ground.
The starry dewdrop gathers upon the oakleaf,
Clings to the edge, and falls without a sound.
Do maidens spread their white palms to the starlight
And walk three steps to the east and clearly sing?
Do dewdrops fall like a shower of stars from willows?
Has the small moon a ghostly ring? . . .
White skeletons dance on the moonlit grass,
Singing maidens are buried in deep graves,
The stars hang over a sea like polished glass . . .
And solemnly one by one in the darkness there
Neighing far off on the haunted air
White unicorns come gravely down to the water.

No silver bells are heard. The westering moon
Lights the pale floors of caverns by the sea.
Wet **** hangs on the rock. In shimmering pools
Left on the rocks by the receding sea
Starfish slowly turn their white and brown
Or writhe on the naked rocks and drown.
Do sea-girls haunt these caves-do we hear faint singing?
Do we hear from under the sea a faint bell ringing?
Was that a white hand lifted among the bubbles
And fallen softly back?
No, these shores and caverns are all silent,
Dead in the moonlight; only, far above,
On the smooth contours of these headlands,
White amid the eternal black,
One by one in the moonlight there
Neighing far off on the haunted air
The unicorns come down to the sea.

4

Senlin, walking before us in the sunlight,
Bending his small legs in a peculiar way,
Goes to his work with thoughts of the universe.
His hands are in his pockets, he smokes his pipe,
He is happily conscious of roofs and skies;
And, without turning his head, he turns his eyes
To regard white horses drawing a small white hearse.
The sky is brilliant between the roofs,
The windows flash in the yellow sun,
On the hard pavement ring the hoofs,
The light wheels softly run.
Bright particles of sunlight fall,
Quiver and flash, gyrate and burn,
Honey-like heat flows down the wall,
The white spokes dazzle and turn.

Senlin, walking before us in the sunlight,
Regards the hearse with an introspective eye.
'Is it my childhood there,' he asks,
'Sealed in a hearse and hurrying by?'
He taps his trowel against a stone;
The trowel sings with a silver tone.

'Nevertheless I know this well.
Bury it deep and toll a bell,
Bury it under land or sea,
You cannot bury it save in me.'

It is as if his soul had become a city,
With noisily peopled streets, and through these streets
Senlin himself comes driving a small white hearse . . .
'Senlin!' we cry. He does not turn his head.
But is that Senlin?-Or is this city Senlin,-
Quietly watching the burial of the dead?
Dumbly observing the cortege of its dead?
Yet we would say that all this is but madness:
Around a distant corner trots the hearse.
And Senlin walks before us in the sunlight
Happily conscious of his universe.

5

In the hot noon, in an old and savage garden,
The peach-tree grows. Its cruel and ugly roots
Rend and rifle the silent earth for moisture.
Above, in the blue, hang warm and golden fruits.
Look, how the cancerous roots crack mould and stone!
Earth, if she had a voice, would wail her pain.
Is she the victim, or is the tree the victim?
Delicate blossoms opened in the rain,
Black bees flew among them in the sunlight,
And sacked them ruthlessly; and no a bird
Hangs, sharp-eyed, in the leaves, and pecks the fruit;
And the peach-tree dreams, and does not say a word.
. . . Senlin, tapping his trowel against a stone,
Observes this tree he planted: it is his own.

'You will think it strange,' says Senlin, 'but this tree
Utters profound things in this garden;
And in its silence speaks to me.
I have sensations, when I stand beneath it,
As if its leaves looked at me, and could see;
And those thin leaves, even in windless air,
Seem to be whispering me a choral music,
Insubstantial but debonair.

"Regard," they seem to say,
"Our idiot root, which going its brutal way
Has cracked your garden wall!
Ugly, is it not?
A desecration of this place . . .
And yet, without it, could we exist at all?"
Thus, rustling with importance, they seem to me
To make their apology;
Yet, while they apologize,
Ask me a wary question with their eyes.
Yes, it is true their origin is low-
Brutish and dull and cruel . . . and it is true
Their roots have cracked the wall. But do we know
The leaves less cruel-the root less beautiful?
Sometimes it seems as if there grew
In the dull garden of my mind
A tree like this, which, singing with delicate leaves,
Yet cracks the wall with cruel roots and blind.
Sometimes, indeed, it appears to me
That I myself am such a tree . . .'

. . . And as we hear from Senlin these strange words
So, slowly, in the sunlight, he becomes this tree:
And among the pleasant leaves hang sharp-eyed birds
While cruel roots dig downward secretly.

6

Rustling among his odds and ends of knowledge
Suddenly, to his wonder, Senlin finds
How Cleopatra and Senebtisi
Were dug by many hands from ancient tombs.
Cloth after scented cloth the sage unwinds:
Delicious to see our futile modern sunlight
Dance like a harlot among these Dogs and Dooms!

First, the huge pyramid, with rock on rock
Bloodily piled to heaven; and under this
A gilded cavern, bat festooned;
And here in rows on rows, with gods about them,
Cloudily lustrous, dim, the sacred coffins,
Silver starred and crimson mooned.

What holy secret shall we now uncover?
Inside the outer coffin is a second;
Inside the second, smaller, lies a third.
This one is carved, and like a human body;
And painted over with fish and bull and bird.
Here are men walking stiffly in procession,
Blowing horns or lifting spears.
Where do they march to? Where do they come from?
Soft whine of horns is in our ears.

Inside, the third, a fourth . . . and this the artist,-
A priest, perhaps-did most to make resemble
The flesh of her who lies within.
The brown eyes widely stare at the bat-hung ceiling.
The hair is black, The mouth is thin.
Princess! Secret of life! We come to praise you!
The torch is lowered, this coffin too we open,
And the dark air is drunk with musk and myrrh.
Here are the thousand white and scented wrappings,
The gilded mask, and jeweled eyes, of her.

And now the body itself, brown, gaunt, and ugly,
And the hollow scull, in which the brains are withered,
Lie bare before us. Princess, is this all?
Something there was we asked that is not answered.
Soft bats, in rows, hang on the lustered wall.

And all we hear is a whisper sound of music,
Of brass horns dustily raised and briefly blown,
And a cry of grief; and men in a stiff procession
Marching away and softly gone.

7

'And am I then a pyramid?' says Senlin,
'In which are caves and coffins, where lies hidden
Some old and mocking hieroglyph of flesh?
Or am I rather the moonlight, spreading subtly
Above those stones and times?
Or the green blade of grass that bravely grows
Between to massive boulders of black basalt
Year after year, and fades and blows?

Senlin, sitting before us in the lamplight,
Laughs, and lights his pipe. The yellow flame
Minutely flares in his eyes, minutely dwindles.
Does a blade of grass have Senlin for a name?
Yet we would say that we have seen him somewhere,
A tiny spear of green beneath the blue,
Playing his destiny in a sun-warmed crevice
With the gigantic fates of frost and dew.

Does a spider come and spin his gossamer ladder
Rung by silver rung,
Chaining it fast to Senlin? Its faint shadow
Flung, waveringly, where his is flung?
Does a raindrop dazzle starlike down his length
Trying his futile strength?
A snowflake startle him? The stars defeat him?
Through aeons of dusk have birds above him sung?
Time is a wind, says Senlin; time, like music,
Blows over us its mournful beauty, passes,
And leaves behind a shadowy reflection,-
A helpless gesture of mist above the grasses.

8

In cold blue lucid dusk before the sunrise,
One yellow star sings over a peak of snow,
And melts and vanishes in a light like roses.
Through slanting mist, black rocks appear and glow.

The clouds flow downward, slowly as grey glaciers,
Or up to a pale rose-azure pass.
Blue streams ****** down from snow to boulders,
From boulders to white grass.

Icicles on the pine tree melt
And softly flash in the sun:
In long straight lines the star-drops fall
One by one.

Is a voice heard while the shadows still are long,
Borne slowly down on the sparkling air?
Is a thin bell heard from the peak of silence?
Is someone among the high snows there?

Where the blue stream flows coldly among the meadows
And mist still clings to rock and tree
Senlin walks alone; and from that twilight
Looks darkly up, to see

The calm unmoving peak of snow-white silence,
The rocks aflame with ice, the rose-blue sky . . .
Ghost-like, a cloud descends from twinkling ledges,
To nod before the dwindling sun and die.

'Something there is,' says Senlin, 'in that mountain,
Something forgotten now, that once I knew . . .'
We walk before a sun-tipped peak in silence,
Our shadows descend before us, long and blue.
Matthew Mar 2014
"Has it not never occurred to you," he said, eyes rolling like dice,
"The grab to bake cannot be left undone?
The neck to slip will save the top of leg?
When they lift we ****** the rotten *****?
Six trots can win the flat softball netting?
Lost rocks find tabs undone by the grandpas?
It's like unbecomingphilomancy!"

You know what I mean?
Daan Nov 2019
Ik heb zoveel om tevreden van
maar niets om trots.

Ik heb alles al gekregen, verwend,
ben het echte werk nog bijlange niet gewend
en het staat voor de deur.

Zal ik me beter voelen?
Wanneer ik iets nuttig doe?
Of zal ik vlak erna vergeten wat
en verdrinking in het moe?

Was ik maar trots of had ik nut
maar zelfs als vergeet ik het.
Ik werd jaren verweten niet grappig te zijn en het wel van mezelf te denken.
Terwijl ik gewoon graag mensen zag lachen.
Eigenlijk ben ik geen slachtoffer
waarom doe ik dan alsof?
Jaanam Jaswani Oct 2013
For Jay - whose light never ceases to shine.


Wounded with darkness
he reflects each light
like a diamond, they say
Oh, what a sight!

He trots down with his black shield
And blunt daggers on his face
He smiles
With such kindness; with such grace

The Man with The Black Shield;
Alas - he's taken a wound to the chest!
He sends shivers to monads
"Hence!, she says, "let him rest!"

The Man's breaths were long -
And unwavered -
Feel free to comment :) please help me finish it.
Nikki Wolmarans May 2014
Dit is die trane wat niemand sien nie
Die seer wat niemand voel nie
Dit is die koue gevoel in jou hart
wanneer jy van buite af inkyk *** almal lag
Dit is die eensaamheid op naweke
Die stilte wanneer jy skree
Dit is die afwesigheid van n warm hand
Die oorblyfsels van n gebroke sielsband
Dit is die spasies tussen jou vingers
Elkeen n herinnering van n tekortkoming
Dit is die koue winters alleen
Die somers spandeer onder skaduwee
Dit is die hinkering na "ek is lief vir jou" briefies
Die drome oor die "ek is trots op jou" soentjies
Dit is al die gebroke beloftes
Die "liefde met voorwaardes"
Dit is die idee van *** alles moet wees
Wat keer dat jy gelukkig is
Dit is die wonde wat brand wanneer jy dalk mag glimlag
Om jou te herinner van jou seer se mag
Dit is die donker aande sonder sterre
Jou dood stille foon op die moeilikste tye
Dit is die konstante bevraagteken van jou waarde
Die "gaan nie eers probeer" nie's
Omdat jy voel niemand sien jou raak
En skielik is gelukkig wees, n verbode taak
Maar dit is die leemte in my hart
Die swaarte krag van al die vrae
Die "Opsoek na die vermiste stuk van my legkaart"
Wat die hartste praat
Dit is die gewoonte om te voel jy misluk
Dit is die "minderwaardige" plakker in die plek van jou gesoekte legkaartstuk...
Language: Afrikaans
I

In my beginning is my end. In succession
Houses rise and fall, crumble, are extended,
Are removed, destroyed, restored, or in their place
Is an open field, or a factory, or a by-pass.
Old stone to new building, old timber to new fires,
Old fires to ashes, and ashes to the earth
Which is already flesh, fur and faeces,
Bone of man and beast, cornstalk and leaf.
Houses live and die: there is a time for building
And a time for living and for generation
And a time for the wind to break the loosened pane
And to shake the wainscot where the field-mouse trots
And to shake the tattered arras woven with a silent motto.

In my beginning is my end. Now the light falls
Across the open field, leaving the deep lane
Shuttered with branches, dark in the afternoon,
Where you lean against a bank while a van passes,
And the deep lane insists on the direction
Into the village, in the electric heat
Hypnotised. In a warm haze the sultry light
Is absorbed, not refracted, by grey stone.
The dahlias sleep in the empty silence.
Wait for the early owl.

                                    In that open field
If you do not come too close, if you do not come too close,
On a summer midnight, you can hear the music
Of the weak pipe and the little drum
And see them dancing around the bonfire
The association of man and woman
In daunsinge, signifying matrimonie—
A dignified and commodiois sacrament.
Two and two, necessarye coniunction,
Holding eche other by the hand or the arm
Whiche betokeneth concorde. Round and round the fire
Leaping through the flames, or joined in circles,
Rustically solemn or in rustic laughter
Lifting heavy feet in clumsy shoes,
Earth feet, loam feet, lifted in country mirth
Mirth of those long since under earth
Nourishing the corn. Keeping time,
Keeping the rhythm in their dancing
As in their living in the living seasons
The time of the seasons and the constellations
The time of milking and the time of harvest
The time of the coupling of man and woman
And that of beasts. Feet rising and falling.
Eating and drinking. Dung and death.

Dawn points, and another day
Prepares for heat and silence. Out at sea the dawn wind
Wrinkles and slides. I am here
Or there, or elsewhere. In my beginning.

II

What is the late November doing
With the disturbance of the spring
And creatures of the summer heat,
And snowdrops writhing under feet
And hollyhocks that aim too high
Red into grey and tumble down
Late roses filled with early snow?
Thunder rolled by the rolling stars
Simulates triumphal cars
Deployed in constellated wars
Scorpion fights against the Sun
Until the Sun and Moon go down
Comets weep and Leonids fly
Hunt the heavens and the plains
Whirled in a vortex that shall bring
The world to that destructive fire
Which burns before the ice-cap reigns.

That was a way of putting it—not very satisfactory:
A periphrastic study in a worn-out poetical fashion,
Leaving one still with the intolerable wrestle
With words and meanings. The poetry does not matter.
It was not (to start again) what one had expected.
What was to be the value of the long looked forward to,
Long hoped for calm, the autumnal serenity
And the wisdom of age? Had they deceived us
Or deceived themselves, the quiet-voiced elders,
Bequeathing us merely a receipt for deceit?
The serenity only a deliberate hebetude,
The wisdom only the knowledge of dead secrets
Useless in the darkness into which they peered
Or from which they turned their eyes. There is, it seems to us,
At best, only a limited value
In the knowledge derived from experience.
The knowledge imposes a pattern, and falsifies,
For the pattern is new in every moment
And every moment is a new and shocking
Valuation of all we have been. We are only undeceived
Of that which, deceiving, could no longer harm.
In the middle, not only in the middle of the way
But all the way, in a dark wood, in a bramble,
On the edge of a grimpen, where is no secure foothold,
And menaced by monsters, fancy lights,
Risking enchantment. Do not let me hear
Of the wisdom of old men, but rather of their folly,
Their fear of fear and frenzy, their fear of possession,
Of belonging to another, or to others, or to God.
The only wisdom we can hope to acquire
Is the wisdom of humility: humility is endless.

The houses are all gone under the sea.

The dancers are all gone under the hill.

III

O dark dark dark. They all go into the dark,
The vacant interstellar spaces, the vacant into the vacant,
The captains, merchant bankers, eminent men of letters,
The generous patrons of art, the statesmen and the rulers,
Distinguished civil servants, chairmen of many committees,
Industrial lords and petty contractors, all go into the dark,
And dark the Sun and Moon, and the Almanach de Gotha
And the Stock Exchange Gazette, the Directory of Directors,
And cold the sense and lost the motive of action.
And we all go with them, into the silent funeral,
Nobody’s funeral, for there is no one to bury.
I said to my soul, be still, and let the dark come upon you
Which shall be the darkness of God. As, in a theatre,
The lights are extinguished, for the scene to be changed
With a hollow rumble of wings, with a movement of darkness on darkness,
And we know that the hills and the trees, the distant panorama
And the bold imposing façade are all being rolled away—
Or as, when an underground train, in the tube, stops too long between stations
And the conversation rises and slowly fades into silence
And you see behind every face the mental emptiness deepen
Leaving only the growing terror of nothing to think about;
Or when, under ether, the mind is conscious but conscious of nothing—
I said to my soul, be still, and wait without hope
For hope would be hope for the wrong thing; wait without love,
For love would be love of the wrong thing; there is yet faith
But the faith and the love and the hope are all in the waiting.
Wait without thought, for you are not ready for thought:
So the darkness shall be the light, and the stillness the dancing.
Whisper of running streams, and winter lightning.
The wild thyme unseen and the wild strawberry,
The laughter in the garden, echoed ecstasy
Not lost, but requiring, pointing to the agony
Of death and birth.

                              You say I am repeating
Something I have said before. I shall say it again.
Shall I say it again? In order to arrive there,
To arrive where you are, to get from where you are not,
    You must go by a way wherein there is no ecstasy.
In order to arrive at what you do not know
    You must go by a way which is the way of ignorance.
In order to possess what you do not possess
    You must go by the way of dispossession.
In order to arrive at what you are not
    You must go through the way in which you are not.
And what you do not know is the only thing you know
And what you own is what you do not own
And where you are is where you are not.

IV

The wounded surgeon plies the steel
That questions the distempered part;
Beneath the bleeding hands we feel
The sharp compassion of the healer’s art
Resolving the enigma of the fever chart.

Our only health is the disease
If we obey the dying nurse
Whose constant care is not to please
But to remind of our, and Adam’s curse,
And that, to be restored, our sickness must grow worse.

The whole earth is our hospital
Endowed by the ruined millionaire,
Wherein, if we do well, we shall
Die of the absolute paternal care
That will not leave us, but prevents us everywhere.

The chill ascends from feet to knees,
The fever sings in mental wires.
If to be warmed, then I must freeze
And quake in frigid purgatorial fires
Of which the flame is roses, and the smoke is briars.

The dripping blood our only drink,
The ****** flesh our only food:
In spite of which we like to think
That we are sound, substantial flesh and blood—
Again, in spite of that, we call this Friday good.

V

So here I am, in the middle way, having had twenty years—
Twenty years largely wasted, the years of l’entre deux guerres
Trying to use words, and every attempt
Is a wholly new start, and a different kind of failure
Because one has only learnt to get the better of words
For the thing one no longer has to say, or the way in which
One is no longer disposed to say it. And so each venture
Is a new beginning, a raid on the inarticulate
With shabby equipment always deteriorating
In the general mess of imprecision of feeling,
Undisciplined squads of emotion. And what there is to conquer
By strength and submission, has already been discovered
Once or twice, or several times, by men whom one cannot hope
To emulate—but there is no competition—
There is only the fight to recover what has been lost
And found and lost again and again: and now, under conditions
That seem unpropitious. But perhaps neither gain nor loss.
For us, there is only the trying. The rest is not our business.

    Home is where one starts from. As we grow older
The world becomes stranger, the pattern more complicated
Of dead and living. Not the intense moment
Isolated, with no before and after,
But a lifetime burning in every moment
And not the lifetime of one man only
But of old stones that cannot be deciphered.
There is a time for the evening under starlight,
A time for the evening under lamplight
(The evening with the photograph album).
Love is most nearly itself
When here and now cease to matter.
Old men ought to be explorers
Here or there does not matter
We must be still and still moving
Into another intensity
For a further union, a deeper communion
Through the dark cold and the empty desolation,
The wave cry, the wind cry, the vast waters
Of the petrel and the porpoise. In my end is my beginning.
Nikhil Chauhan Oct 2014
The river has no purpose,
no life or feeling.
No meaning, no dreaming,
Nothing with meaning.

What then is the point of this river that trots,
Erodes rocks,
Splashes rapids that flow to a stop?

The river moves.
No do, no see, no be.
The river moves.
No different from you or from me.
Siska Gregory Dec 2016
Wanneer n mens jou gedagtes laat dwaal, oor die jarre laat verdwaal dan besef mens weereens die wonderwerke van mense.
Mense wat sterk is, sterker as wat ek is.
Mense wat wense laat waar word, soos in n storie lyn waar alle hartseer verdwyn.
Dan is daar n spesifieke mens wat ek die beste voor wens.
Wat my elke dag laat weet dat pyn mens nie kan terug hou van n lewe vol lewe en geluk nie.
n Ware punt van krag, wat regtig niks terug verwag behalwe die omgee en die liefde van n mens wat niks het om terug te gee behalwe n dankbare hart nie.
Jy is my beste maat, my nooit verlaat, my buddy en my sussie.
Ek is jou grootste fan dall. Beslis is jy alles en meer waarvoor ek kon wens en sal jou altyd lief he en trots wees op jou.  2016-04-16
To my best friend and sister... You mean the world to me
Diesel Jul 2021
But she was my lover,
For a moment's time:

Like a dream no other,
In her dreamy eyes.

Her hair so suede brown,
Like sweet chocolate to the air;

Her shirt an lion's gown,
With eyes that cradle everywhere.

Her lips so refined,
As if furnaces her soul from meld:

And remention must her eyes—
Which capture god like citadel.

Oh but when she trots away,
My sadness comes to me,

My heart broken at queens' bay
Where my lover walks away.
With Donne, whose muse on dromedary trots,
Wreathe iron pokers into true-love knots;
Rhyme’s sturdy *******, fancy’s maze and clue,
Wit’s forge and fire-blast, meaning’s press and *****.
Terry O'Leary Jul 2013
Remember all the Wise Men on their knees upon your yacht?
With orphans on their backs they’d crawled (with others that they’d brought)
Through rubble on the highway sands and residues of Lot.
They came from severed cities selling postcards of your thoughts,
Though offered for a penny piece, not even worth a jot.

They mused
               “How are you feeling? What it is you want, you’ve got.
               The words you scrawl on calling cards: ‘I AM – the others NOT’
               Shun wisdoms of the Seven Seas: ‘Salvation can’t be bought’ –
               Your fathers tried before you and your fathers came to naught.

               “You started out by gelding goats and then by casting lots
               Of bodies to the battlefields, contorted, tight and taut,
               Then wallowed in the wake of trails the dervish devil trots.

               “With marching bands of fatherlands, and drums of Hottentots,
               You lure your legions in harm’s way like giant juggernauts.
               Like Tweedle Dum your minions come (the sober and the sots,
               The troglodytes, barbarians, and mislead patriots,
               The Vandals, Huns and Hannibals and seaport Cypriots,
               The Japanese, the Congolese, Americans and Scots)
               To vanquish bows and arrows, spears and catapulted shots
               Of those who hide in bamboo huts their families, pale, distraught,
               (Their withered wives with dried up *******, their swollen babes in cots)
               Who swoon, engulfed in poison darts and vats of acid hot,
               Consumed by magic mushroom clouds, atomic megawatts.

               “In churches of your deities, your Holy Huguenots,
               Your Imams, Rabbis, Voodoo Dolls and Mitered Lancelots
               Lit wicked kindled candled walls in temples (while we fought)
               (Used pins and needles, magic spells on makeshift mock whatnots)
               And mosques, cathedrals, synagogues have blessed each new onslaught
               With prayers for pipers, puppets, pawns, your rigid armed robots.

               “Upon your knees in golden naves, while peeking through the slots,
               You horded thirty silver pieces, downed a whiskey shot,
               Then crossed yourself and wrapped yourself in furs of ocelots,
               And danced on cleated cloven hoofs in purple polka-dots,
               Then drank His blood from chalice cups with pious afterthoughts.

               “You’ve treated men like mongrels chained, like little flies to swat,
               By doing what you wanted to, instead of what you aught;
               You’ve wiped your nose with dollar bills and paid your serfs with snot,
               But when you’ve paused to preen your pride, you’ve scrubbed a scarlet blot.

               “In ashes of our victories: the diamonds that you sought,
               The crock of gold, the Golden fleece of bogus Argonauts -
               In mirrors of your lifelessness, the evils you begot.
              
               “The haunted winds strew leaves of time across a shallow plot
               Where now, beneath the frozen stones blanched bodies bathe in rot,
               Disintegrate, return to dust to feed Forget-Me-Nots
               Amidst the bane and pits of pain where broken bones lie caught.

               “In fields above the catacombs and tombs of Camelot
               The black and withered tree of Death arises from the spot
               Where oft beneath a bleeding moon you hid your gold in pots
               Embedding doubts neath barren bogs where roots of wormwood squat.

               “While waiting at the river Styx, in twisted time untaught,
               From branches of the gallows tree, in recollections wrought,
               Your soul, a beggar’s blanket, hangs in crazy quilted knots,
               With dangling pearls and diamond studs mid dripping crimson clots
               And gaping wounds with bulging eyes like fouling apricots,
               For wrapped in chains around your throat, the Reaper’s grim garrote.”

Yes, that’s the fate of all your kind, disclosed by Wise Men taught.

But that was, oh, so long ago, by now you have forgot…
read this to your children its a tale that you can tell all about a fairy and a wishing well
its all about a leopard who one day lost his spots so off to the fairy the poor leopard trots. she took him to the well
to get his spots returned so he could be happy again thats all the leopard yearned.
and as he made his wish in to the wishing well. the fairy waved her wand and cast a magic spell.
when the spell was finished she made him count to ten. when the leopard looked his spots were back again
Lynda Robson Jun 2016
I have become a gran again,
To a special girl,
Shes's got warts on her face,
And a squashed-up nose,
And she trots at a fast pace.
She's cute and she's brown,
Apricot to be correct..
I love her so much
Even when she's being greedy,
Which is most of the time
But we keep her in line
As pugs tend to go fat..
And we don't want that,
I find it a joy
To have her stay,
My cat isn't impressed
And does her best
To ignore Peggy the pug,
I hope one day
They will be friends,
As I care for them both,
The love from a pet
Is unconditional,
Their loyalty knows no bounds
To stroke a pet is therapy they say
I know being with Peggy makes my day
I never knew much about pugs until my daughter got one, and they are the most lovely dogs ever.
......
In this edge of the end
Where simplicity flows
Through the straight river
The upstream songs
As the ****** sunshine of Lost spring

There today,
Exhausted Myna drying feathers
In the wet air
Sitting on the shade of the window
Steadfast attention on the distant horizon

Slothful day in a comfort bed
With a cup of tea
A longed cigarette,
Romanticism become struck

Outside the open window
Inside out
Light clouds of August
As if the "will" cradling to and fro
Dropping the ageless poetry
Filled with the words of dance

Rain comes down on the unleash field
Essence of mystic tunes flowing
From the tearful trots of rains
Moving, Flooding
The both sides of the river
..............
@Musfiq us shaleheen
She stands with dignity in the middle of the field
Perks her ears at the sound of my boots.
She swings her big head toward me and looks.
I whistle to her, knowing it will never work.
She will wait for me, but never come.
I approach her and slip the halter over her ears,
Kiss her nose.
I brush her graying mane, and try to pretend she is not old.
And she trots with pride and
Is not embarrassed when she trips.
Nox Mar 2017
Jag går såhär, dag efter dag.

Det känns i varje andetag.

Vinden i ditt hår,

varje liten tår.

Jag vill låta dig gå

men trots allt gör det ont ändå.

Jag vill bli kvitt denna smärta,

men den kommer alltid finnas i mitt hjärta.

Det känns i allt jag gör.

Jag går såhär till den dag jag dör.
Swedish Svenska
In die hart van Afrika se suidegrond,
Styg ’n taal, sterk en bond.
Diep in son en sand,
Stemme dra oor hierdie land.

Afrikaans, die taal van hart en kin,
Gevleg met stories van waar ons was en bin.
Van boereveld tot stad se straat,
Sy ritme sterk, sy klank hard.

Woorde wat van berge hoog weerklink,
Stories oud, na die hemel gesink.
Met elke “sê,” ’n belofte gegee,
Van erfenis wat nooit sal verdwyn.

Ons taal sing van lag, van trane en vrees,
Van stryde gewen en drome geheg.
Al verander die tyd, al rol die gety,
Afrikaans bly staan, sterk en vry.

So hef jou stem, laat dit luid wees,
’n Lied van trots, ’n taal om te lees.
Want in elke frase, elke woord en rym,
Dra ons ons Afrikaans, deur elke tyd.
Here the horse munches the grass
little knowing the trots of yore
for time when lays the bricks with curse
unhinges the strongest door.

Here the horse is tethered to feed
little hearing the neighs of past
for time when crumbles sows a seed
grows new order from soil of dust.

Here the horse lazes in sun
little seeing the shadow's growth
for time when ends a period's run
buries in the walls a lover's oath.

Here the horse walks in a round
little feeling the earth's spin
for time when shrinks the highest to ground
kingdoms fall in heaps of ruin.
On visiting a palace in ruins on a June afternoon, whereupon a lone horse was grazing.
Josephine Lnd May 2013
An empty ******* tank, but with full throttle
been running on idle on top gear,
now the engine has seized up and I
am forced to surrender every morning
to the fact
that I have to eat pills not to go into myself,
go into a corner and go under

and even though I’m on the maximum dose
there are still days when I can’t
get outside the door
just laying down, sinking through the couch, back down
to a state I don’t want to allow
but I have no other choice but to keep breathing
as if I were on ten thousand meters altitude

and I have no other choice but to surrender to
the fact that I can’t handle myself,
that I wouldn’t get up without
these forty milligrams a day
yet still I stand there with my sword drawn behind my back
can’t let the guard down unto the enemy that is reality

and now they say I have a bipolarity they
want to medicate, stabilize
my moods
I have a flawed brain, I have a flawed history
been making too many bad choices, involved myself
in too many ****** up people and got stuck
as if I didn’t have any other choice
when really I just could have opened my eyes
and see my own part of the story
  that I’ve always been looking for someone more broken than
what I’ve been,
to take care of, in stupid attempts
to drown out my own weakness

it’s as if I’ve always wanted to find excuses
for feeling the way I do, being the way I am,
that I don’t function at all
  never wanted to realize that it was in me
the fault lied
  always on the hunt for someone who could destroy me anew
so I didn’t have to see that I was already annihilated
by myself,
so I didn’t have to see that there were no hangman,
that I stood there with the axe in my own hands
and blood on my shoes

//

en tom jävla tank, men med gasen i botten
har kört på tomgång på högsta växeln,
nu har motorn skurit och jag
är tvungen att kapitulera varenda morgon
inför det faktum
att jag måste knapra piller för att inte gå in i mig själv,
gå in i ett hörn och gå under

och trots att jag ligger på maxdos
så finns det fortfarande dagar då jag inte klarar av
att ta mig utanför dörren
bara ligger, sjunker igenom soffan, ner tillbaka
till ett tillstånd jag inte vill tillåta,
men jag har inget annat val än att fortsätta andas
som om jag befann mig på tiotusenmeters höjd

jag har inget annat val än att kapitulera inför
det faktum att jag inte klarar av mig själv,
att jag inte skulle idas resa mig upp utan
dessa fyrti milligram om dagen
  ändå står jag där med svärdet draget bakom ryggen
kan inte släppa ner garden inför den fiende som är verkligheten

och nu säger de att jag har en bipolaritet
som de vill medicinera, stabilisera
mina stämningar
jag har fel på hjärnan, det är fel på min historia
har gjort för många dåliga val, har involverat mig
i för många fuckade människor och fastnat där
som om jag inte hade något annat val
när jag egentligen bara kunnat öppna ögonen
och se min egen roll i det hela
  att jag ständigt sökt någon trasigare än
vad jag själv varit,
att ta hand om, i korkade försök
att överrösta min egen svaghet

det är som att jag alltid velat hitta ursäkter
för att jag mår som jag mår, är som jag är,
att jag inte fungerar alls
har aldrig velat inse att det var hos mig
felet låg,
ständigt på jakt efter nån som kunnat förgöra mig på nytt
så jag slapp se att jag redan var tillintetgjord
av mig själv,
så jag slapp se att det inte fanns någon bödel,
att jag stod med yxan i min egen hand
och blod på mina skor
CA Guilfoyle Feb 2013
A merry forest pig was he
he woke up very early and hunted until three
snorting, sniffing, the air he's whiffing
never is he ruffled, only focused on his truffles
He goes **** rumping
grunt, grunting for truffle - O's!

Wild he runs and trots the greeny forest
with a jolly jig he wriggles and digs
his cloven hooves moving dirt like lightening
hunt, hunting for truffle - O's!

When at last he finds his gourmet morsels
a squeal is heard and fly the birds
clear from the forest, a happy hog
a squealing song of treasures found, his beloved
Truffle - O's!
just a little silliness.....
Samuel Apr 2018
It’s fine
Is what she tells everyone
This day
Like so many others.
Fears run through her,
Her mind a mess of possibility
Infinite in number and horror.
Deaths here.
Failures there.
Maybe a grave injury at best.
Can they best this foe?
Is this the end of the Sages?
Is this the end of the world?
She ponders this
Over a cup of coffee
Poured by Moojdart,
All concern and bother.

It’s fine
Is what she says as she slinks off,
Telling Mooj again and again
Don’t worry, don’t worry
It’s fine,
She can handle it.
She always can, she always must.
Grus is worried too
And Milest
And even their leader
Who’s normally too vain to care.
She brushes past them all
To go and hide away
As she tries to fix it,
As she runs through bad ends
In search of a single good.
She can’t find one
Or even the hint of one
No matter how hard she picks
At the threads of potentiality.
There’s only more worries,
Only more failures,
Which darken the flame of Hope
Burning inside
Which she clings to so stubbornly
Even though it’s not her natural Will.
She’s got to.
She’s got to cling,
Got to be strong.
She’ll fix it, she will.

There’s a knock at her door
And it opens
Before she can even say no
Because that’s just how Fiethsing is,
Because that’s just how little she cares.
Really it’s amazing she knocked,
But there you go.
You never can guess with her,
But Zero can know she’s annoyed.
She snaps at her.
An admonition, a demand
To go, to leave.
That you shouldn’t just barge in
“I mean really, Fieth,”
And it’s fine anyway.
It’s always fine.

But that’s not what she came for.
So she claims.
She’s just here to find a book,
Steal it more like,
Like she always does
And Zero’ll never see it again.
It’s just a ploy anyway,
It’s just a ploy thankfully,
Unfortunately.
Fieth sets in on the search,
Looking for a book
And not speaking a word more,
Of concern or otherwise.
She’s simply an annoyance
That rummages through her things
After barging into her space.
Fieth’s one that’ll be ignored.
Has to be, must be.
So she drinks her coffee
And goes to reading,
Or more like looking at pages
As the words blur together
From fear
Now tinted with anger.

It’s fine
And Fiethsing sighs
Finally feeling fit
To make a sound
And even words.
“Wow, it’s hot.
Don’t you think so, Zero?”
There’s more sound too
Of rustling clothes
Falling off
Onto the floor.
A shirt gone,
More than likely.
Still searching too.
She pays no mind,
As little as she can.
She has a book to not read.

A book to not read
As a thought invades her mind
Of what Fieth must look like.
******* and slick with sweat
As she digs through her shelves
Musing to herself,
“Oh it’s not here either, oh dear.”
There’s a book to not read
As an image invades her mind
Of a hug,
Of a kiss,
A touch, anything.
Contact, warm and simple.
Memories flood
And imaginings more
As she has a book to not read.

Still it’s fine,
Just fine.
She’ll just read and think
On all the ways the world can end
Because that’s better.
Better than admitting she’s scared,
Better than admitting she needs help.
Help of any sort.
A talk, advice, a decision
Or a pair of arms
Wrapped around her waist
As she falls apart
Just for a moment.

“Oh, there it is!”
Rings out Fieth’s sing song tone
And she trots on over,
For once bothering to walk
And not float.
Just so she’ll hear,
Just so she’ll know.
It’s a kindness but it doesn’t feel like it,
More like a threat
That makes her sigh
Heavy and hard
In frustration
As she turns around to see
Fieth ******* and grinning.
It’s enough to make her sick.
With fury.
With fear.
With want.
She holds out her book
Arm outstretched
As far as it can go,
A barrier between them both.
She doesn’t want to play this game,
She wants to play this game.

Fieth takes the book with glee
And a pleased, “Thank you!”
Before she rambles on and on
About dull history being her passion
Don’t you know, Zero?
It’s charming,
It’s cute
And she just wants her gone.
Gone and away
With her mirth,
Infectious as always,
And her plans,
Impish as always.
So she turns back around
And grabs another book.
Another thing to not read
As she tells herself
That it’s fine.

It’s fine
As Fieth steps forward and
rests a hand on her
Gripping her shoulder.
It’s fine
When she says, “I went a bit far
Didn’t I, Zero?”
Which she did
But it’s fine
And it’s not.
It wasn’t far enough, not close enough.
She didn’t just grab her
Right there, right then.
She didn’t just force her down
Against her desk
And whisper in her ear
Just what she’ll do to her.

So she falls to her side
Just far enough
To fall back into Fieth,
Head resting right between her *******.
The grip becomes a hug,
Arm wrapping firmly around
Her frightened frame,
So frail,
Right now, right here.

“It’s fine,”
She says again.
This time it’s the truth,
And a lie
And she closes her eyes
And she melts
Right there, right then
In Fiethsing’s arms,
Though she wants nothing more
Than to chase her off.

“Just need a moment?”
Fieth asks
With a sincerity
That she so often lacks.
She’s not going to run off.
She’s not going to lie.
She’s not going to force the matter
Even if Zero wants her to.
It’s frustrating,
The fiendish way that Fieth
Makes her fend for herself
By pushing just enough
To get a decision.

It’s fine,
Frustrating or not,
As she pushes herself up and off.
Just enough to sit up,
Just enough to lean in
As she makes a decision at last.
Her lips part
And she kisses Fiethsing.
A moan escapes her,
A desperate plea
Muffled as Fieth’s tongue meets hers
And as Fieth’s hand crawls up her front.
Up her front, to her shoulder
To her neck,
Thumb rubbing idly, intently.
Intoxicating, it’s intoxicating
That sensation and more
As she leans forward the more,
Body pressed
Against Fieth’s.
Fieth who takes hold of her waist
With a free arm
And pulls her forward and up
To get her standing.
Two bodies, pressed together.
The kiss deepens,
Desperate all the more.

Her hands snake up Fieth’s back
And her nails dig into Fieth’s back.
Fieth who breaks the kiss
As she lets out a hiss
Of pained satisfaction
And who looks down
At her
As she buries her face
Into her chest.
She’s coming undone.
She’s starting to cry.
She’s clinging as she can,
Telling herself
Over and over
That it’s fine.

It’s fine
And Fieth’s here
Resting her cheek
Against her head
And with her hand
Stroking her hair
And her other
Holding her firmly,
Tightly
Just as she needs.
Just as she needs
Until she needs more,
More than a hug
And fingers in her hair.

She slips away,
Steps on back
One step, then two
Until a boot clicks against her desk.
She looks on
Eyes pleading
As she looks on at her
Her shirtless lover standing there
Unsure now of what she wants
But so sure of what she wants.
More, her.

So Fieth steps forward herself
Hands taking to her dress,
Undoing the buttons
As Zero tries to slip out of it.
Abandoning it on the floor,
Her bra goes there next
And her underwear
And her boots too.
It all goes
Until she is laid bare
For Fieth to look upon.
Fieth who doesn’t strip entirely,
Keeping her skirt on
And her boots too.
She dips down into her neck,
Pressing her lips against
That flesh
Vulnerable, sensitive
Enough to elicit a sigh.
Enough to get a roll of the hips.
Just enough
And not enough
As she buries her fingers
Into Fieth’s hair.
Pulling, stroking,
Needing simply to feel
Her and only her.
The her that slips a hand
Right between her thighs
Right then, right there.
A finger searching,
A finger finding
Just how wet she is.
A finger searching,
A finger finding
Just how hard her **** is.
Zero finds too
Once again
Just how skilled Fieth is.
How Fieth can circle her ****
Just the right way, just firm enough.
Enough to get her biting her lip
And resting her forehead
Into Fieth’s shoulder
As she comes apart
In her hands.

It’s fine
As her knees grow weak
And her breathing quickens.
It’s fine as Fieth slides a finger in
And a second.
The welcome stretch,
The familiar tension
Makes her shiver
As Fieth reaches deeper,
Deeper inside
And as Fieth pulls out
And pushes back in.
She pulls her head back,
And lets out a moan
Saying her name
As she pulls her hair.
God she’s near,
God she’s close,
God she’s in.
In her
Both in body and soul
And it’s all she can do
But say her name again
And again.
A fevered plea
As she begs for more,
Begs for her.
As doubts begin to clear
And leave
Just for a time.
Just right here, right now
And it’s fine.

Fieth pulls out again
This time fully
Leaving a dull ache,
An urgent need for more.
She wants to swear at her,
She wants to beg to her
To go back.
Back in,
Take her right there.
She needs it, needs her.
Desperately.
Fieth doesn’t though.
She grabs Zero’s thighs
And lifts as she can.
And she gets it
Though she’d rather not.
Rather not wait,
But she does wait and she knows
And she shifts her weight
Until she’s seated right on her desk,
Until she’s pressed down on her desk.

Fingers out of Fieth’s hair
She gropes at hard wood
That’s cold against her back
While the warmth burns
Between her legs.
She looks at her,
Looks to her.
Fieth’s hands rest on her thighs
As she looks back
Right at her,
Like she sees right through her.
Because she does,
She always does.

A hand travels up her thigh
Tracing a finger across her body.
A touch electric,
But not enough.
Not enough but enough
To get her speaking, to get her begging.
“Fieth, please.”
But Fieth just grins,
Feeling her *******,
Admiring the look in her eyes.
“Fieth please just stop looking,
Just this once and **** me.”
The words excite
And torment
And her cheeks burn red,
More ashamed to say it
Than have it happen.
Yet
The word she hears back isn’t a yes.
It’s “No.”

It’s fine
Isn’t it?
What had she done?
What could she have done?
Is it ending here, now?
Is it ending with still more to go?
What could she have done,
What could have Fieth have done?
Her fears come quick
And they’re tossed aside quick
As Fiethsing’s grin widens
And she says
“I’ve got a better idea.”
That’s fine.

More than fine.
Fine as Fieth bends down
Hand resting against the desk,
The other heading right back down
To her thighs.
Right back to part her lips
And then she feels her lips
And she feels her tongue
Against her ****.
Her fears are dashed
Right against the wall
And she lets out a cry,
A trembling moan.
So satisfied, yet not at all
As Fiethsing traces her ****
With her tongue.
As Fiethsing ***** at her ****
She claws, she scrabbles
Searching for purchase on the desk.
Which can’t be found
And she can’t find words
As she bucks her hips
Against Fiethsing’s mouth.
Not concerned about noise,
Not concerned about poise
Her worries gone entirely
And only this moment exists.
Only their bodies so close
Yet not close enough.
Time fades, distance fades.
A finger slips in again,
Then two, then three
But Fieth pulls her head up
Just to get it all situated.
Just to get it right.
Zero whines,
“Fiethsing please. ”

It’s more than fine
As Fieth dips back down
And Zero grabs wildly
Looking for something to hold
To touch.
All the better if it’s her,
If it’s Fieth and it is,
Her hair.
Her hair that Zero ***** into her fist,
Her hair that she pulls upon
As the tension builds,
As the ache grows.
Until at last it rolls over,
A rush of sensation
And feeling
That shakes her body
And gets her to cry out
Impassioned, fevered ramblings
About her, about her,
God just her.
Just.
Fiethsing.

And it’s fine
As Fieth keeps working at her
Through the ******,
Past the ******
And into the pain
Of too much sensation, too much.
She moans, she whines.
She begs, she even swears
And she bangs a fist on her desk
To stifle the pain, the pleasure.

Fiethsing slides out
And sits on up
And she laughs and prods
Right at her thigh.
“I bet even Milest heard that.”
What can she do
But roll her eyes
And groan in exasperation
At that comment.
What can she do
But be glad
Glad deep down for it,
For it all.
Glad enough that she sits up,
Glad enough that she hugs Fieth.

“It’s fine.”
Thomas Davies Aug 2018
Ek skrik die 10de Augustus wakker.
Iets voel verkeerd, so swaar, so leeg.
Met 'n knop in my keel raak my gemoed swakker.
Min het ek geweet, dat treur so swaar kon weeg.

Vaagweg **** ek, "I look to you"
"And when melodies are gone"
"I hear you in a song"

Ouma was ons eie Whitney Houston
Haar sterk gees was ons rots.
Al het ons met tye lekker koppe gebots.
Sy was my vestiging, ons familie se trots.

Mag die rose in Bloemfontein altyd ouma se naam onthou.
Die pragtige rooikop dogtertjie in liefde toegevou.
Ouma se omgee het my soveel keer gered.
Die dankbaarheid gekoester in my mooiste gebed.

Mag die voëltjies altyd bly sing
Terwyl ouma se stories mooi herinneringe bring
Ouma was altyd bereid om te help
Vol genade het ouma, harde harte versmelt

Mag oupa altyd verlief bly
Sodat ons verdwaaldes, ook die regte prentjie kan kry
'n 53 - jaar, onvoorwaarlike liefde verhaal
So opreg, en eerlik, die mooiste mylpaal

Dankie dat ouma my aanvaar het vir wie ek is
Al sit ek heel wat die potte mis
Dankie vir alles wat ek by ouma kon leer
Dankie vir elke drukkie, vergifnis, keer op keer.

Dankie vir elke koppie soet tee
Vir al die miljoene trane wat ouma moes afvee
Dankie dat julle vir my alles kon gee
Dat hulle harte net liefde kon skree

Dankie dat ouma my veilig kon hou
Ons verlang alreeds, en sal verewig onthou.
Ons bly, onvoorwaarlik lief vir jou.


Ek gaan ouma mis, al my liefde, Thomas.
Written by myself and Kayla Hofmeyr
L B Sep 2012
hidden from human sight
whilst glowing like a candle in the night
a ghostly wolf floats through the woods
staying to the shadows
as rays of light dance round her
a wolf white as frost pauses by the water
she lowers her head and sees a burning sky mirror
in the distance bells toll from a church
the clip clop of hooves on a bridge spanning the lake
as white wolf pauses... lifts her head
water drips golden ripples
the night settles soft as a raven's wing
as the cart sounds drift slowly away
leaving the sweetly singing woods
crickets loud in the gloom
as wolf waits sniffing the breeze
her spirit calling from a secluded glade
she walks alone her family now gone
all souls lost in a hunt
now she trots slowly in gathering dusk
each step brings her closer to her heart
a lone gray wolf pup in a hidden den
...awaits her

by l. b.
sept 3 2012
Sophie Mar 2022
midnight black arabian prince,
his neck, impressed by the wired
fence
holding him back forever
from the woman of his dreams.
        dark horse
they came for him in the evening
soft, dimming sunlight grazed his eyes
an endurance horse, for one hundred miles
they wanted him but
        he was lazy
his inclination was to stand still
to stroll slowly about a green pasture
forevermore
forevermore, his dream,
spent on his own name.

he fell in love with the mare
on the other side
of the wired fence
she teased him, an older woman,
awakened his rebel soul,
inspired to break out
of this arbitrary cage
his courage and his passion
only roused by love by desire
something a human would not understand
could not understand
not in the same way

he felt alone he felt trapped inside himself
so he tore down the fence,
cut his legs on the wires
just to be close to
       her
to brush his nose against her
sharpened spine, inhale the scent of
dust mixed with love mixed with
pheromones,
for only a moment
that could extend into
       forever
encapsulated in his memory
a snapshot: one piece
of chaotic bliss
amidst all that running
the flying floating cloud of dust
still chases him.

though he no longer runs in fear
no longer gallops away,
lazily trots, hooves dragging sand,
happy under his bold, italian rider
she doesn’t come around
often enough.
today he is young but
soon he will be aged by experience,
wherever they send him,
he has no real home,
only belongs to the night sky,
only matches the color of darkness,
i hope he remembers the way i tickled his lips and
fed him handfuls of dead grass.
he could be gone tomorrow because
animals do not choose their homes anymore.
Kush Nov 2015
The Stag trots across a bleached horizon
Howling into the wind with echoes that curdle blood
Its form is liquid nightmare, drenching snow in ebony flood

Wispy vapor flares around antlers of pure, lucid black
Moonbeams shimmer off plumage fraught with drear
Violet feathers assure that bizarreness the Ravenstag does not lack
Dark fangs ravage human flesh, infecting tissue with fear

The Wendigo glides past fallen pine and split oak
Its viscous hooves leave tracks of unearthly essence
Through white deserts flecked with red and bodies left to soak
Based on the Stag from Hannibal-I can't recommend the show enough
Creep Jan 2015
Once upon a time,
there was a prince,
the prince of all the VASHs,
aka Vampire Angel Super Humans.
He lived amongst them,
cherished by all his subjects.

He had everything but what he needed,
he had the good looks,
the "L" skills,
the girls,
the money.

What he longed for was
his parents to help guide him through the wonders of the world,
a girl to treasure and be by his side.

But his parents were gone,
and no girl had a heart as golden as his.

One day, as he trekked through the swamplands with his trusty horse,
he came across a peculiar little girl.
She wasn't much to look,
dark hair, large brown eyes, button nose.
He walked up to her and asked,
"Hello, miss. Might I ask what you are doing here on this splendid day?"
"SHHH!!!"
He stared at this bizarre, short thing and listened.
All he heard were the wings of the dragonflies,
the fluttering, haggard breaths from the girl,
the chirping of the cicadas.

She collapsed.

"Milady!" he caught her in a french dip, right before she fell into the mud.
He carried her over to his mighty stead and carried her home to his castle. There, he brought her to the infirmary and stayed there as the doctors tended to her. Luckily, she had just fainted. What a peculiar thing.

She gasped, and sat upright, looking around.
"Where am I?" she whispered, and turned to the prince, wide eyed.
She fainted again. The prince shook her, calling desperately, "Milady! Milady!" and finally she woke up.

She shook her head and ran out the door.
He caught up with her down the hallway, she wasn't a very good runner.
He cornered her, and leaned in to ask her, unintentionally very sexily,
"Are you okay...? Why did you faint?"

She just looked away, terrified, her eyes round, her face painted red with blush.
"I... I... saw you and was... astounded that you, the prince, was talking to me, and that you were so... dashing..." she stuttered under her breath, and looked up, straight into his cerulean eyes.
He blushed, a bloom of crimson sprinting across his face.
She looked away.

They remained in that awkward position of him with his arms cornering her to the wall, she trying to meld into the wall, for a couple more moments, until the young flabbergasted prince realized what he was doing and let go.
She scurried away and the prince shook his head.

What was he thinking, getting mesmerized by her?
He didn't even know her.
But yet...his heart pounded.
Or rather what was supposed to be his heart.

He walked to his bedroom, locked the door,
and went to sleep dreaming of Ms. Peculiar.

The next day he awoke,
showered,
the girl still running through his mind,
and went to breakfast.
As he sat down,
a servant asked him,
"What would you like to drink this lovely morning, your majesty?"
He looked up, startled, to see the girl he was thinking about all night standing before him, in the traditional ****** maid outfit, blushing, hiding behind her hair, looking at her shoes.
"I would like some orange juice, and some of you please." he replied, realized what he said, abruptly stood up, and walked out of the dining hall.
She stood there, in shock and turned slowly back to the kitchen.

The next meal,
he walked into the dining hall again as if nothing happened.
"What would you like to have to drink for lunch today, your majesty?"
The girl. She was still here.
"Water. Just water. And, I would like to talk to you after lunch, if you would mind."
She was startled, but she nodded and walked away.

After lunch, he fetched her and brought her outside the dining hall.
"Miss, what is your name?"
"Alice, your majesty."
"Alice, would you like to accompany on my adventures? And please, do just call me Cole."
"As you wish, your majesty."
"But do you wish to accompany me? Please, it's Cole."
"I do. Thank you, Co... Cole." she bows deeply, waiting to be dismissed.
"Do you like nature?" She looks up, startled.
"I do, very much."
"I remember you staring at the cattails yesterday. I hope you do forgive me for startling you yesterday."
"No problem, Cole. I shall see you tomorrow?"
"Certainly, I will find you." She scurries away, and unknowingly to him, her heart is pounding, and as she rounds the corners, she presses against the wall, trying to stop blushing, to stop smiling and the drumming in her chest. She peeks around the corner to see him looking longingly back in her direction. They make eye contact, and she quickly hides. He blushes and walks briskly away before he can do something else to embarrass himself even further.

The next day, he jumps out of bed,
Refreshed and awaken by the thought of
Her.
He eagerly gulps up a quick, hearty breakfast and finds Alice with a call of a servant.

"Shall we leave mademoiselle?" He bows and kisses her hand. She blushes, nods quickly, and they walk side by side out of the castle and into the woods, both on horse. She trots slowly behind him, taking in the scenery as he takes in her, her practical clothing,  tough leather boots, tied hair.
"What are you looking at?" She self conciously looks down at her frayed old clothing.
"I'm just looking at the beauty in front of me."
She looks up, startled. He looks ahead and continues down. For the rest of the day, the two talk, about aimless things at first, but soon began to open up to each other.

She longed for him, but he was a prince, it was forbidden.
He longed for her, but she was a maid, it was forbidden.

By the end of the day, both knew each other very well, like old friends, but both yearned to learn even more. Both were shy.
Days like this continued for months on end,
They never ran out of things to talk about, things were so easy between them.

Then one day,
The prince made a picnic.
It was basic, just ordinary peasant food,
Layed out on a blanket
In the magical meadow they discovered not too long ago.

They sat down to eat,
Them afterwards,
Layed on their backs in the grass,
Watching the clouds pass overhead.
When they got up,
There were little shards of grass in her hair
And he laughed.
She looked around,
"What's so funny?"
"Nothing, you just look really cute with all that grass in your hair. Here, let me help you out with that..." he brushed the grass out of hair and tucked her soft hair behind her ear. He slowly brought his hand from her ear to her chin, followning her jawline, gently, delicately cupping her chin, bringing her face closer to his, brushing his lips on hers, ever so faintly.
He opened his eyes, looked at her.
She stared back at him, smiled a little bit,
Surprised them both by leaning in to kiss him full on,
just a bit more passionately,
and he felt the playful smile he had come to love play across her lips.
They melted into each other,
And for a couple more hours,
They lay side by side, hands entwined,
Looking at stars, quietly taking in each others love.
It was a nice kind of quiet.

When it was time to leave, they kissed sweetly goodnight
Both wanting to be with each other,
Both waiting for time to pass so they could be together again.

And time did pass.
Maybe not quick enough,
But it passed.

At court, everyone argued,
Saying a prince should never be with a maid!
But his mind was made and there was nothing anyone could do to change it.
He didn't try to change her,
Nor did she try to change him.
After a month of trying in vain,
Everyone gave up, and let the two lovers be in peace.

After a year of
Loving each other,
Always being there,
Cole took her to the same meadow again,
The very meadow they kissed for the first time in.
The same day,
The same picnic.
But this time,
Once they got up,
He brushed away all the grass from her hair,
And got down on one knee.

"Alice. We have spent the last year together, and I actually lived for once. I have never felt so alive until now, nor have I ever felt so much in love with a girl as I have with you. From the moment I saw you in the swamp, I knew you were something special. I loved you then, and I love you more still today. I don't think I'd ever be happy without you in my life... so I want you to make me the happiest man alive, and be here with me on all the journey life brings, I want you to be with me always, so I can always protect you and cherish you. I love you. Will... will you marry me?"
Before he was even able to withdraw a ring, she kissed him fiercely.
"Of course I will, you dummy!"

And they lived happily ever after.
The end.
Guess whos who? No? Well kiyu, ur the prince. Guess who I am? XD sorry this ***** and came out hella rushed and long and weird.... guomenosai! *bows repeatedly* i deeply apologize for this being so terrible. But srsly, I do love you and I hope we do get a happily ever after ^^ started this early this morning, ending it late today. Yay ^^ this shall be the first in many.

Pretty woman
By roy orbison
the  leopard he his lovely with all his little spots
all along the jungle he just gently trots
looking for his pray then he begins his chase
changing up a gear for a faster pace

he likes to hunt at dark hunting through the night
looking for a feed with his nocturnal sight
they just love to climb high up in the trees
sitting on the branches in the summer breeze

such a lovely creature with his coat of gold
a lovely piece of nature a creature to behold
ExulSolus Jun 2015
( Girl  Ghost dude Normal-Both )

The weather's unstable,  Papapa~
First it was raining, then the sun shows up,  Shining~
And into my boring, normal days,
This crazy totally unbelievable guy shows up!!!

Osaka’s the new world of the South.
Wearing a thin kimono to Tengan,
Stuffing his cheeks with skewered fried pork,
Even if I play the straight man, he still looks like an idiot!

Indirect kiss!!

Oh great Father, hear me!!
Who the hell is this guy!?
Why does he have to,
Follow me everywhere?

Hey, wait a minute!
  Oh yeah!
This feels just like high sense nonsense!
This isn't a rom-com!?
I don't smell weird but he's still floating around me!

Everywhere on Earth, to hell and then back,
This ****** trots at full speed!!
Oh my God! God!! GOD!!!
Hey you, hey you, yes you, are you a spirit!?

Nights I suffer from sleep paralysis,
With you always beside me,
"We'll always be together won't we?"
  You bet!
What a seriously messed up guy!

He creeps slowly behind me...
And steals my lunch before running off!
That's the kind of childish guy he is!
Offering my prayers to the deities, seriously this guy...

Oh great Father, hear me!!
Who the hell is this guy!?
Why is he still sticking around!?

Excitement always leads to a sunny day,
Before a storm comes blazing through.
And when I' with you,
Why does my heart flutter away!?

Blasting off at the speed of light,
Don't get the wrong idea wise guy! Buzz off already!
Oh my God! God!! GOD!!!
Hey you, hey you, yes you...

He's always, always such a pain,
Despicable, sly, goofy,
And kinda see-through
But, sometimes I can see,
His kindness show through...
Aaah! Come on!

Hey, wait a minute!
  Oh yeah!
This feels just like high sense nonsense!
This isn't a rom-com!?
I don't smell weird but he's still floating around me!

Everywhere on Earth, to hell and then back,
This ****** trots at full speed!!
Oh my God! God!! GOD!!!
Hey you, hey you, yes you, are you a spirit!?

The moment you appeared,
This world grew light years brighter!
My flushed cheeks in everyday...

Oh yeah! Oh ye-ah!
*Under Japan's blue skies, my heart is thumping...
Surely, the reason for this is... Aaah!!!
I don't wanna say it, but... Could this be!?
Could this be...

Love in disguise!?
special thanks to ghost love and everyone behind it! Peace~

— The End —