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Slow sinks, more lovely ere his race be run,
Along Morea’s hills the setting Sun;
Not, as in northern climes, obscurely bright,
But one unclouded blaze of living light;
O’er the hushed deep the yellow beam he throws,
Gilds the green wave that trembles as it glows;
On old ægina’s rock and Hydra’s isle
The God of gladness sheds his parting smile;
O’er his own regions lingering loves to shine,
Though there his altars are no more divine.
Descending fast, the mountain-shadows kiss
Thy glorious Gulf, unconquered Salamis!
Their azure arches through the long expanse,
More deeply purpled, meet his mellowing glance,
And tenderest tints, along their summits driven,
Mark his gay course, and own the hues of Heaven;
Till, darkly shaded from the land and deep,
Behind his Delphian rock he sinks to sleep.

  On such an eve his palest beam he cast
When, Athens! here thy Wisest looked his last.
How watched thy better sons his farewell ray,
That closed their murdered Sage’s latest day!
Not yet—not yet—Sol pauses on the hill,
The precious hour of parting lingers still;
But sad his light to agonizing eyes,
And dark the mountain’s once delightful dyes;
Gloom o’er the lovely land he seemed to pour,
The land where Phoebus never frowned before;
But ere he sunk below Cithaeron’s head,
The cup of Woe was quaffed—the Spirit fled;
The soul of Him that scorned to fear or fly,
Who lived and died as none can live or die.

  But lo! from high Hymettus to the plain
The Queen of Night asserts her silent reign;
No murky vapour, herald of the storm,
Hides her fair face, or girds her glowing form;
With cornice glimmering as the moonbeams play,
There the white column greets her grateful ray,
And bright around, with quivering beams beset,
Her emblem sparkles o’er the Minaret;
The groves of olive scattered dark and wide,
Where meek Cephisus sheds his scanty tide,
The cypress saddening by the sacred mosque,
The gleaming turret of the gay kiosk,
And sad and sombre ’mid the holy calm,
Near Theseus’ fane, yon solitary palm;
All, tinged with varied hues, arrest the eye;
And dull were his that passed them heedless by.
Again the ægean, heard no more afar,
Lulls his chafed breast from elemental war:
Again his waves in milder tints unfold
Their long expanse of sapphire and of gold,
Mixed with the shades of many a distant isle
That frown, where gentler Ocean deigns to smile.

  As thus, within the walls of Pallas’ fane,
I marked the beauties of the land and main,
Alone, and friendless, on the magic shore,
Whose arts and arms but live in poets’ lore;
Oft as the matchless dome I turned to scan,
Sacred to Gods, but not secure from Man,
The Past returned, the Present seemed to cease,
And Glory knew no clime beyond her Greece!

  Hour rolled along, and Dian’******on high
Had gained the centre of her softest sky;
And yet unwearied still my footsteps trod
O’er the vain shrine of many a vanished God:
But chiefly, Pallas! thine, when Hecate’s glare
Checked by thy columns, fell more sadly fair
O’er the chill marble, where the startling tread
Thrills the lone heart like echoes from the dead.
Long had I mused, and treasured every trace
The wreck of Greece recorded of her race,
When, lo! a giant-form before me strode,
And Pallas hailed me in her own Abode!

  Yes,’twas Minerva’s self; but, ah! how changed,
Since o’er the Dardan field in arms she ranged!
Not such as erst, by her divine command,
Her form appeared from Phidias’ plastic hand:
Gone were the terrors of her awful brow,
Her idle ægis bore no Gorgon now;
Her helm was dinted, and the broken lance
Seemed weak and shaftless e’en to mortal glance;
The Olive Branch, which still she deigned to clasp,
Shrunk from her touch, and withered in her grasp;
And, ah! though still the brightest of the sky,
Celestial tears bedimmed her large blue eye;
Round the rent casque her owlet circled slow,
And mourned his mistress with a shriek of woe!

  “Mortal!”—’twas thus she spake—”that blush of shame
Proclaims thee Briton, once a noble name;
First of the mighty, foremost of the free,
Now honoured ‘less’ by all, and ‘least’ by me:
Chief of thy foes shall Pallas still be found.
Seek’st thou the cause of loathing!—look around.
Lo! here, despite of war and wasting fire,
I saw successive Tyrannies expire;
‘Scaped from the ravage of the Turk and Goth,
Thy country sends a spoiler worse than both.
Survey this vacant, violated fane;
Recount the relics torn that yet remain:
‘These’ Cecrops placed, ‘this’ Pericles adorned,
‘That’ Adrian reared when drooping Science mourned.
What more I owe let Gratitude attest—
Know, Alaric and Elgin did the rest.
That all may learn from whence the plunderer came,
The insulted wall sustains his hated name:
For Elgin’s fame thus grateful Pallas pleads,
Below, his name—above, behold his deeds!
Be ever hailed with equal honour here
The Gothic monarch and the Pictish peer:
Arms gave the first his right, the last had none,
But basely stole what less barbarians won.
So when the Lion quits his fell repast,
Next prowls the Wolf, the filthy Jackal last:
Flesh, limbs, and blood the former make their own,
The last poor brute securely gnaws the bone.
Yet still the Gods are just, and crimes are crossed:
See here what Elgin won, and what he lost!
Another name with his pollutes my shrine:
Behold where Dian’s beams disdain to shine!
Some retribution still might Pallas claim,
When Venus half avenged Minerva’s shame.”

  She ceased awhile, and thus I dared reply,
To soothe the vengeance kindling in her eye:
“Daughter of Jove! in Britain’s injured name,
A true-born Briton may the deed disclaim.
Frown not on England; England owns him not:
Athena, no! thy plunderer was a Scot.
Ask’st thou the difference? From fair Phyles’ towers
Survey Boeotia;—Caledonia’s ours.
And well I know within that ******* land
Hath Wisdom’s goddess never held command;
A barren soil, where Nature’s germs, confined
To stern sterility, can stint the mind;
Whose thistle well betrays the niggard earth,
Emblem of all to whom the Land gives birth;
Each genial influence nurtured to resist;
A land of meanness, sophistry, and mist.
Each breeze from foggy mount and marshy plain
Dilutes with drivel every drizzly brain,
Till, burst at length, each wat’ry head o’erflows,
Foul as their soil, and frigid as their snows:
Then thousand schemes of petulance and pride
Despatch her scheming children far and wide;
Some East, some West, some—everywhere but North!
In quest of lawless gain, they issue forth.
And thus—accursed be the day and year!
She sent a Pict to play the felon here.
Yet Caledonia claims some native worth,
As dull Boeotia gave a Pindar birth;
So may her few, the lettered and the brave,
Bound to no clime, and victors of the grave,
Shake off the sordid dust of such a land,
And shine like children of a happier strand;
As once, of yore, in some obnoxious place,
Ten names (if found) had saved a wretched race.”

  “Mortal!” the blue-eyed maid resumed, “once more
Bear back my mandate to thy native shore.
Though fallen, alas! this vengeance yet is mine,
To turn my counsels far from lands like thine.
Hear then in silence Pallas’ stern behest;
Hear and believe, for Time will tell the rest.

  “First on the head of him who did this deed
My curse shall light,—on him and all his seed:
Without one spark of intellectual fire,
Be all the sons as senseless as the sire:
If one with wit the parent brood disgrace,
Believe him ******* of a brighter race:
Still with his hireling artists let him prate,
And Folly’s praise repay for Wisdom’s hate;
Long of their Patron’s gusto let them tell,
Whose noblest, native gusto is—to sell:
To sell, and make—may shame record the day!—
The State—Receiver of his pilfered prey.
Meantime, the flattering, feeble dotard, West,
Europe’s worst dauber, and poor Britain’s best,
With palsied hand shall turn each model o’er,
And own himself an infant of fourscore.
Be all the Bruisers culled from all St. Giles’,
That Art and Nature may compare their styles;
While brawny brutes in stupid wonder stare,
And marvel at his Lordship’s ’stone shop’ there.
Round the thronged gate shall sauntering coxcombs creep
To lounge and lucubrate, to prate and peep;
While many a languid maid, with longing sigh,
On giant statues casts the curious eye;
The room with transient glance appears to skim,
Yet marks the mighty back and length of limb;
Mourns o’er the difference of now and then;
Exclaims, ‘These Greeks indeed were proper men!’
Draws slight comparisons of ‘these’ with ‘those’,
And envies Laïs all her Attic beaux.
When shall a modern maid have swains like these?
Alas! Sir Harry is no Hercules!
And last of all, amidst the gaping crew,
Some calm spectator, as he takes his view,
In silent indignation mixed with grief,
Admires the plunder, but abhors the thief.
Oh, loathed in life, nor pardoned in the dust,
May Hate pursue his sacrilegious lust!
Linked with the fool that fired the Ephesian dome,
Shall vengeance follow far beyond the tomb,
And Eratostratus and Elgin shine
In many a branding page and burning line;
Alike reserved for aye to stand accursed,
Perchance the second blacker than the first.

  “So let him stand, through ages yet unborn,
Fixed statue on the pedestal of Scorn;
Though not for him alone revenge shall wait,
But fits thy country for her coming fate:
Hers were the deeds that taught her lawless son
To do what oft Britannia’s self had done.
Look to the Baltic—blazing from afar,
Your old Ally yet mourns perfidious war.
Not to such deeds did Pallas lend her aid,
Or break the compact which herself had made;
Far from such counsels, from the faithless field
She fled—but left behind her Gorgon shield;
A fatal gift that turned your friends to stone,
And left lost Albion hated and alone.

“Look to the East, where Ganges’ swarthy race
Shall shake your tyrant empire to its base;
Lo! there Rebellion rears her ghastly head,
And glares the Nemesis of native dead;
Till Indus rolls a deep purpureal flood,
And claims his long arrear of northern blood.
So may ye perish!—Pallas, when she gave
Your free-born rights, forbade ye to enslave.

  “Look on your Spain!—she clasps the hand she hates,
But boldly clasps, and thrusts you from her gates.
Bear witness, bright Barossa! thou canst tell
Whose were the sons that bravely fought and fell.
But Lusitania, kind and dear ally,
Can spare a few to fight, and sometimes fly.
Oh glorious field! by Famine fiercely won,
The Gaul retires for once, and all is done!
But when did Pallas teach, that one retreat
Retrieved three long Olympiads of defeat?

  “Look last at home—ye love not to look there
On the grim smile of comfortless despair:
Your city saddens: loud though Revel howls,
Here Famine faints, and yonder Rapine prowls.
See all alike of more or less bereft;
No misers tremble when there’s nothing left.
‘Blest paper credit;’ who shall dare to sing?
It clogs like lead Corruption’s weary wing.
Yet Pallas pluck’d each Premier by the ear,
Who Gods and men alike disdained to hear;
But one, repentant o’er a bankrupt state,
On Pallas calls,—but calls, alas! too late:
Then raves for’——’; to that Mentor bends,
Though he and Pallas never yet were friends.
Him senates hear, whom never yet they heard,
Contemptuous once, and now no less absurd.
So, once of yore, each reasonable frog,
Swore faith and fealty to his sovereign ‘log.’
Thus hailed your rulers their patrician clod,
As Egypt chose an onion for a God.

  “Now fare ye well! enjoy your little hour;
Go, grasp the shadow of your vanished power;
Gloss o’er the failure of each fondest scheme;
Your strength a name, your bloated wealth a dream.
Gone is that Gold, the marvel of mankind.
And Pirates barter all that’s left behind.
No more the hirelings, purchased near and far,
Crowd to the ranks of mercenary war.
The idle merchant on the useless quay
Droops o’er the bales no bark may bear away;
Or, back returning, sees rejected stores
Rot piecemeal on his own encumbered shores:
The starved mechanic breaks his rusting loom,
And desperate mans him ‘gainst the coming doom.
Then in the Senates of your sinking state
Show me the man whose counsels may have weight.
Vain is each voice where tones could once command;
E’en factions cease to charm a factious land:
Yet jarring sects convulse a sister Isle,
And light with maddening hands the mutual pile.

  “’Tis done, ’tis past—since Pallas warns in vain;
The Furies seize her abdicated reign:
Wide o’er the realm they wave their kindling brands,
And wring her vitals with their fiery hands.
But one convulsive struggle still remains,
And Gaul shall weep ere Albion wear her chains,
The bannered pomp of war, the glittering files,
O’er whose gay trappings stern Bellona smiles;
The brazen trump, the spirit-stirring drum,
That bid the foe defiance ere they come;
The hero bounding at his country’s call,
The glorious death that consecrates his fall,
Swell the young heart with visionary charms.
And bid it antedate the joys of arms.
But know, a lesson you may yet be taught,
With death alone are laurels cheaply bought;
Not in the conflict Havoc seeks delight,
His day of mercy is the day of fight.
But when the field is fought, the battle won,
Though drenched with gore, his woes are but begun:
His deeper deeds as yet ye know by name;
The slaughtered peasant and the ravished dame,
The rifled mansion and the foe-reaped field,
Ill suit with souls at home, untaught to yield.
Say with what eye along the distant down
Would flying burghers mark the blazing town?
How view the column of ascending flames
Shake his red shadow o’er the startled Thames?
Nay, frown not, Albion! for the torch was thine
That lit such pyres from Tagus to the Rhine:
Now should they burst on thy devoted coast,
Go, ask thy ***** who deserves them most?
The law of Heaven and Earth is life for life,
And she who raised, in vain regrets, the strife.”
jemma silvert May 2014
I think of you in colours that don't exist --
     that's not to say that I don't think of you at all,
          because, of course, technically every colour exists:
Even the ones we cannot imagine,
   Even the ones we cannot see.
Even the ones either side of the spectrum that light up the notes used for money, not music, because the notes used for money
   are
      not
         always
            real.
Even the ones either side of the spectrum that light up the heat of your body like your presence does the room
      and your eyes do my smile
           and your smile does my eyes;
You tell me that technically every colour exits,
   even if we cannot see it,
   even if we cannot imagine it –

For think of it now.
          Imagine in your head a colour that does not exist.
                    Now describe it to me.
Is it a splash of red with tints of a yellowy-blue?
Is it a pinky-purple hue,
    a hint of green, turquoise, maroon, sapphire, olive, violet?
Does it already exist in colours we already have names for,
      have we lived so long that every thought we think is no longer our own,
            every thought we think has been thought of before,
I think of you in colours that don’t exist
   but so has everyone else.

We cannot see it,
      we cannot imagine it.
But if we cannot imagine something that does not exist
   simply because we are confined to describing it
      in the words of an already existent language,
   what does that say about us?
We can imagine a waterfall of chocolate,
       a glass elevator bursting through the roof;
   shrinking potions and growing potions and talking rabbits.
We can imagine standing on the top of a building
      looking out over the greying city lights
            with lungs full of water
            a noose round our necks
            and the sole belief in our heads that we are jumping to fly
We can rewrite the future and make up the past
We can imagine wizards and witches and fairies and goblins
We have unicorns, ******* it,
     we have God.

And yet when I present to you a lover,
   an artist,
      standing in front of you now,
         yearning to make you his canvas,
You are too scared to fall in love,
              too scared to admit that you don’t have the words in your encapsulating little language to describe the things that you feel towards him.
For he does not need language,
   he does not need words.
He will stand here now,
   in front of you,
      and let you grace his collarbones with a diamond noose,
                          crown his withered corpse in a wreath of daisies,
                          dress his bones in slashes of rubies.
He will tear himself apart for you,
     for you,
     for you to watch galaxies flow out of his veins,
  velvet red blood screaming unwritten poetry,
  a torrent of unimagined colours pouring into him and out of him
          and with his one last remaining breath
              and a trembling hand,
he picks up his paintbrush
      and draws you into orbit,
  and like his fingers used to trace your shattered ribcage
    like the keys of an ivory piano,
he traces the outline of your lips.
And at last you draw breath,
         to whisper his name, to whisper your love, and all that remains
   is silence.
And you choke on the air and sound is still
         for all words exist so none can be spoken and suddenly everything
   is black.
And I think of you in colours that don’t exist
     like the wolf howls in lament of the side of the moon he will never see
          for all colours exist, and when I think of you,
there are none.

                                                      *-j.­s.
A Poem for Three Voices

Setting:  A Maternity Ward and round about

FIRST VOICE:
I am slow as the world.  I am very patient,
Turning through my time, the suns and stars
Regarding me with attention.
The moon's concern is more personal:
She passes and repasses, luminous as a nurse.
Is she sorry for what will happen?  I do not think so.
She is simply astonished at fertility.

When I walk out, I am a great event.
I do not have to think, or even rehearse.
What happens in me will happen without attention.
The pheasant stands on the hill;
He is arranging his brown feathers.
I cannot help smiling at what it is I know.
Leaves and petals attend me.  I am ready.

SECOND VOICE:
When I first saw it, the small red seep, I did not believe it.
I watched the men walk about me in the office.  They were so flat!
There was something about them like cardboard, and now I had caught it,
That flat, flat, flatness from which ideas, destructions,
Bulldozers, guillotines, white chambers of shrieks proceed,
Endlessly proceed--and the cold angels, the abstractions.
I sat at my desk in my stockings, my high heels,

And the man I work for laughed:  'Have you seen something awful?
You are so white, suddenly.'  And I said nothing.
I saw death in the bare trees, a deprivation.
I could not believe it.  Is it so difficult
For the spirit to conceive a face, a mouth?
The letters proceed from these black keys, and these black keys proceed
From my alphabetical fingers, ordering parts,

Parts, bits, cogs, the shining multiples.
I am dying as I sit.  I lose a dimension.
Trains roar in my ears, departures, departures!
The silver track of time empties into the distance,
The white sky empties of its promise, like a cup.
These are my feet, these mechanical echoes.
Tap, tap, tap, steel pegs.  I am found wanting.

This is a disease I carry home, this is a death.
Again, this is a death.  Is it the air,
The particles of destruction I **** up?  Am I a pulse
That wanes and wanes, facing the cold angel?
Is this my lover then?  This death, this death?
As a child I loved a lichen-bitten name.
Is this the one sin then, this old dead love of death?

THIRD VOICE:
I remember the minute when I knew for sure.
The willows were chilling,
The face in the pool was beautiful, but not mine--
It had a consequential look, like everything else,
And all I could see was dangers:  doves and words,
Stars and showers of gold--conceptions, conceptions!
I remember a white, cold wing

And the great swan, with its terrible look,
Coming at me, like a castle, from the top of the river.
There is a snake in swans.
He glided by; his eye had a black meaning.
I saw the world in it--small, mean and black,
Every little word hooked to every little word, and act to act.
A hot blue day had budded into something.

I wasn't ready.  The white clouds rearing
Aside were dragging me in four directions.
I wasn't ready.
I had no reverence.
I thought I could deny the consequence--
But it was too late for that.  It was too late, and the face
Went on shaping itself with love, as if I was ready.

SECOND VOICE:
It is a world of snow now.  I am not at home.
How white these sheets are.  The faces have no features.
They are bald and impossible, like the faces of my children,
Those little sick ones that elude my arms.
Other children do not touch me:  they are terrible.
They have too many colors, too much life.  They are not quiet,
Quiet, like the little emptinesses I carry.

I have had my chances.  I have tried and tried.
I have stitched life into me like a rare *****,
And walked carefully, precariously, like something rare.
I have tried not to think too hard.  I have tried to be natural.
I have tried to be blind in love, like other women,
Blind in my bed, with my dear blind sweet one,
Not looking, through the thick dark, for the face of another.

I did not look.  But still the face was there,
The face of the unborn one that loved its perfections,
The face of the dead one that could only be perfect
In its easy peace, could only keep holy so.
And then there were other faces.  The faces of nations,
Governments, parliaments, societies,
The faceless faces of important men.

It is these men I mind:
They are so jealous of anything that is not flat!  They are jealous gods
That would have the whole world flat because they are.
I see the Father conversing with the Son.
Such flatness cannot but be holy.
'Let us make a heaven,' they say.
'Let us flatten and launder the grossness from these souls.'

FIRST VOICE:
I am calm.  I am calm.  It is the calm before something awful:
The yellow minute before the wind walks, when the leaves
Turn up their hands, their pallors.  It is so quiet here.
The sheets, the faces, are white and stopped, like clocks.
Voices stand back and flatten.  Their visible hieroglyphs
Flatten to parchment screens to keep the wind off.
They paint such secrets in Arabic, Chinese!

I am dumb and brown.  I am a seed about to break.
The brownness is my dead self, and it is sullen:
It does not wish to be more, or different.
Dusk hoods me in blue now, like a Mary.
O color of distance and forgetfulness!--
When will it be, the second when Time breaks
And eternity engulfs it, and I drown utterly?

I talk to myself, myself only, set apart--
Swabbed and lurid with disinfectants, sacrificial.
Waiting lies heavy on my lids.  It lies like sleep,
Like a big sea.  Far off, far off, I feel the first wave tug
Its cargo of agony toward me, inescapable, tidal.
And I, a shell, echoing on this white beach
Face the voices that overwhelm, the terrible element.

THIRD VOICE:
I am a mountain now, among mountainy women.
The doctors move among us as if our bigness
Frightened the mind.  They smile like fools.
They are to blame for what I am, and they know it.
They hug their flatness like a kind of health.
And what if they found themselves surprised, as I did?
They would go mad with it.

And what if two lives leaked between my thighs?
I have seen the white clean chamber with its instruments.
It is a place of shrieks.  It is not happy.
'This is where you will come when you are ready.'
The night lights are flat red moons.  They are dull with blood.
I am not ready for anything to happen.
I should have murdered this, that murders me.

FIRST VOICE:
There is no miracle more cruel than this.
I am dragged by the horses, the iron hooves.
I last.  I last it out.  I accomplish a work.
Dark tunnel, through which hurtle the visitations,
The visitations, the manifestations, the startled faces.
I am the center of an atrocity.
What pains, what sorrows must I be mothering?

Can such innocence **** and ****?  It milks my life.
The trees wither in the street.  The rain is corrosive.
I taste it on my tongue, and the workable horrors,
The horrors that stand and idle, the slighted godmothers
With their hearts that tick and tick, with their satchels of instruments.
I shall be a wall and a roof, protecting.
I shall be a sky and a hill of good:  O let me be!

A power is growing on me, an old tenacity.
I am breaking apart like the world.  There is this blackness,
This ram of blackness.  I fold my hands on a mountain.
The air is thick.  It is thick with this working.
I am used.  I am drummed into use.
My eyes are squeezed by this blackness.
I see nothing.

SECOND VOICE:
I am accused.  I dream of massacres.
I am a garden of black and red agonies.  I drink them,
Hating myself, hating and fearing.  And now the world conceives
Its end and runs toward it, arms held out in love.
It is a love of death that sickens everything.
A dead sun stains the newsprint.  It is red.
I lose life after life.  The dark earth drinks them.

She is the vampire of us all.  So she supports us,
Fattens us, is kind.  Her mouth is red.
I know her.  I know her intimately--
Old winter-face, old barren one, old time bomb.
Men have used her meanly.  She will eat them.
Eat them, eat them, eat them in the end.
The sun is down.  I die.  I make a death.

FIRST VOICE:
Who is he, this blue, furious boy,
Shiny and strange, as if he had hurtled from a star?
He is looking so angrily!
He flew into the room, a shriek at his heel.
The blue color pales.  He is human after all.
A red lotus opens in its bowl of blood;
They are stitching me up with silk, as if I were a material.

What did my fingers do before they held him?
What did my heart do, with its love?
I have never seen a thing so clear.
His lids are like the lilac-flower
And soft as a moth, his breath.
I shall not let go.
There is no guile or warp in him.  May he keep so.

SECOND VOICE:
There is the moon in the high window.  It is over.
How winter fills my soul!  And that chalk light
Laying its scales on the windows, the windows of empty offices,
Empty schoolrooms, empty churches.  O so much emptiness!
There is this cessation.  This terrible cessation of everything.
These bodies mounded around me now, these polar sleepers--
What blue, moony ray ices their dreams?

I feel it enter me, cold, alien, like an instrument.
And that mad, hard face at the end of it, that O-mouth
Open in its gape of perpetual grieving.
It is she that drags the blood-black sea around
Month after month, with its voices of failure.
I am helpless as the sea at the end of her string.
I am restless.  Restless and useless.  I, too, create corpses.

I shall move north.  I shall move into a long blackness.
I see myself as a shadow, neither man nor woman,
Neither a woman, happy to be like a man, nor a man
Blunt and flat enough to feel no lack.  I feel a lack.
I hold my fingers up, ten white pickets.
See, the darkness is leaking from the cracks.
I cannot contain it.  I cannot contain my life.

I shall be a heroine of the peripheral.
I shall not be accused by isolate buttons,
Holes in the heels of socks, the white mute faces
Of unanswered letters, coffined in a letter case.
I shall not be accused, I shall not be accused.
The clock shall not find me wanting, nor these stars
That rivet in place abyss after abyss.

THIRD VOICE:
I see her in my sleep, my red, terrible girl.
She is crying through the glass that separates us.
She is crying, and she is furious.
Her cries are hooks that catch and grate like cats.
It is by these hooks she climbs to my notice.
She is crying at the dark, or at the stars
That at such a distance from us shine and whirl.

I think her little head is carved in wood,
A red, hard wood, eyes shut and mouth wide open.
And from the open mouth issue sharp cries
Scratching at my sleep like arrows,
Scratching at my sleep, and entering my side.
My daughter has no teeth.  Her mouth is wide.
It utters such dark sounds it cannot be good.

FIRST VOICE:
What is it that flings these innocent souls at us?
Look, they are so exhausted, they are all flat out
In their canvas-sided cots, names tied to their wrists,
The little silver trophies they've come so far for.
There are some with thick black hair, there are some bald.
Their skin tints are pink or sallow, brown or red;
They are beginning to remember their differences.

I think they are made of water; they have no expression.
Their features are sleeping, like light on quiet water.
They are the real monks and nuns in their identical garments.
I see them showering like stars on to the world--
On India, Africa, America, these miraculous ones,
These pure, small images.  They smell of milk.
Their footsoles are untouched.  They are walkers of air.

Can nothingness be so prodigal?
Here is my son.
His wide eye is that general, flat blue.
He is turning to me like a little, blind, bright plant.
One cry.  It is the hook I hang on.
And I am a river of milk.
I am a warm hill.

SECOND VOICE:
I am not ugly.  I am even beautiful.
The mirror gives back a woman without deformity.
The nurses give back my clothes, and an identity.
It is usual, they say, for such a thing to happen.
It is usual in my life, and the lives of others.
I am one in five, something like that.  I am not hopeless.
I am beautiful as a statistic.  Here is my lipstick.

I draw on the old mouth.
The red mouth I put by with my identity
A day ago, two days, three days ago.  It was a Friday.
I do not even need a holiday; I can go to work today.
I can love my husband, who will understand.
Who will love me through the blur of my deformity
As if I had lost an eye, a leg, a tongue.

And so I stand, a little sightless.  So I walk
Away on wheels, instead of legs, they serve as well.
And learn to speak with fingers, not a tongue.
The body is resourceful.
The body of a starfish can grow back its arms
And newts are prodigal in legs.  And may I be
As prodigal in what lacks me.

THIRD VOICE:
She is a small island, asleep and peaceful,
And I am a white ship hooting:  Goodbye, goodbye.
The day is blazing.  It is very mournful.
The flowers in this room are red and tropical.
They have lived behind glass all their lives, they have been cared for
        tenderly.
Now they face a winter of white sheets, white faces.
There is very little to go into my suitcase.

There are the clothes of a fat woman I do not know.
There is my comb and brush.  There is an emptiness.
I am so vulnerable suddenly.
I am a wound walking out of hospital.
I am a wound that they are letting go.
I leave my health behind.  I leave someone
Who would adhere to me:  I undo her fingers like bandages:  I go.

SECOND VOICE:
I am myself again.  There are no loose ends.
I am bled white as wax, I have no attachments.
I am flat and virginal, which means nothing has happened,
Nothing that cannot be erased, ripped up and scrapped, begun again.
There little black twigs do not think to bud,
Nor do these dry, dry gutters dream of rain.
This woman who meets me in windows--she is neat.

So neat she is transparent, like a spirit.
how shyly she superimposes her neat self
On the inferno of African oranges, the heel-hung pigs.
She is deferring to reality.
It is I.  It is I--
Tasting the bitterness between my teeth.
The incalculable malice of the everyday.

FIRST VOICE:
How long can I be a wall, keeping the wind off?
How long can I be
Gentling the sun with the shade of my hand,
Intercepting the blue bolts of a cold moon?
The voices of loneliness, the voices of sorrow
Lap at my back ineluctably.
How shall it soften them, this little lullaby?

How long can I be a wall around my green property?
How long can my hands
Be a bandage to his hurt, and my words
Bright birds in the sky, consoling, consoling?
It is a terrible thing
To be so open:  it is as if my heart
Put on a face and walked into the world.

THIRD VOICE:
Today the colleges are drunk with spring.
My black gown is a little funeral:
It shows I am serious.
The books I carry wedge into my side.
I had an old wound once, but it is healing.
I had a dream of an island, red with cries.
It was a dream, and did not mean a thing.

FIRST VOICE:
Dawn flowers in the great elm outside the house.
The swifts are back.  They are shrieking like paper rockets.
I hear the sound of the hours
Widen and die in the hedgerows.  I hear the moo of cows.
The colors replenish themselves, and the wet
Thatch smokes in the sun.
The narcissi open white faces in the orchard.

I am reassured.  I am reassured.
These are the clear bright colors of the nursery,
The talking ducks, the happy lambs.
I am simple again.  I believe in miracles.
I do not believe in those terrible children
Who injure my sleep with their white eyes, their fingerless hands.
They are not mine.  They do not belong to me.

I shall meditate upon normality.
I shall meditate upon my little son.
He does not walk. &n
ryn Apr 2015
It's beginning...
As my day matured into the tangerine sun.
Familiar feelings effortlessly conjured as the same old tales were spun.

Some came in hues of marmalade
Traces of citrus that left in haste.
Initial sweetness on the palate that would fade
Only making way for a bitter aftertaste.

A few were wrapped in tints of ginger.
A jolt-like sensation that spoke...
Intense and unmistakable in nature.
Like glowing embers engulfed in latent flames and smoke.

Several bore the colours and scent of marigold
Boasting of orange petals whimsically waving to the clouds...
Whispering hints of rumours from days of old,
Days of when mine was the only silent face in a boisterous crowd.

The ones forged in bronze were few and hardly said.
Like the only compelling excerpt embedded within infinite chapters.
Hidden words in plain sight strung together boldly in
red.
Rubies cast carelessly in the swiftest of rivers...

It is beginning...**
The end of today as the sun grew redder...
I'd bide the sands of time as it slips away into forever...
into the strenuous briefness
Life:
handorgans and April
darkness,friends

i charge laughing.
Into the hair-thin tints
of yellow dawn,
into the women-coloured twilight

i smilingly
glide.    I
into the big vermilion departure
swim,sayingly;

(Do you think?)the
i do,world
is probably made
of roses & hello:

(of solongs and,ashes)
NUMB, half asleep, and dazed with whirl of wheels,
And gasp of steam, and measured clank of chains,
I heard a blithe voice break a sudden pause,
Ringing familiarly through the lamp-lit night,
“Wife, here's your Venice!”
I was lifted down,
And gazed about in stupid wonderment,
Holding my little Katie by the hand—
My yellow-haired step-daughter. And again
Two strong arms led me to the water-brink,
And laid me on soft cushions in a boat,—
A queer boat, by a queerer boatman manned—
Swarthy-faced, ragged, with a scarlet cap—
Whose wild, weird note smote shrilly through the dark.
Oh yes, it was my Venice! Beautiful,
With melancholy, ghostly beauty—old,
And sorrowful, and weary—yet so fair,
So like a queen still, with her royal robes,
Full of harmonious colour, rent and worn!
I only saw her shadow in the stream,
By flickering lamplight,—only saw, as yet,
White, misty palace-portals here and there,
Pillars, and marble steps, and balconies,
Along the broad line of the Grand Canal;
And, in the smaller water-ways, a patch
Of wall, or dim bridge arching overhead.
But I could feel the rest. 'Twas Venice!—ay,
The veritable Venice of my dreams.

I saw the grey dawn shimmer down the stream,
And all the city rise, new bathed in light,
With rose-red blooms on her decaying walls,
And gold tints quivering up her domes and spires—
Sharp-drawn, with delicate pencillings, on a sky
Blue as forget-me-nots in June. I saw
The broad day staring in her palace-fronts,
Pointing to yawning gap and crumbling boss,
And colonnades, time-stained and broken, flecked
With soft, sad, dying colours—sculpture-wreathed,
And gloriously proportioned; saw the glow
Light up her bright, harmonious, fountain'd squares,
And spread out on her marble steps, and pass
Down silent courts and secret passages,
Gathering up motley treasures on its way;—

Groups of rich fruit from the Rialto mart,
Scarlet and brown and purple, with green leaves—
Fragments of exquisite carving, lichen-grown,
Found, 'mid pathetic squalor, in some niche
Where wild, half-naked urchins lived and played—
A bright robe, crowned with a pale, dark-eyed face—
A red-striped awning 'gainst an old grey wall—
A delicate opal gleam upon the tide.

I looked out from my window, and I saw
Venice, my Venice, naked in the sun—
Sad, faded, and unutterably forlorn!—
But still unutterably beautiful.

For days and days I wandered up and down—
Holding my breath in awe and ecstasy,—
Following my husband to familiar haunts,
Making acquaintance with his well-loved friends,
Whose faces I had only seen in dreams
And books and photographs and his careless talk.
For days and days—with sunny hours of rest
And musing chat, in that cool room of ours,
Paved with white marble, on the Grand Canal;
For days and days—with happy nights between,
Half-spent, while little Katie lay asleep
Out on the balcony, with the moon and stars.

O Venice, Venice!—with thy water-streets—
Thy gardens bathed in sunset, flushing red
Behind San Giorgio Maggiore's dome—
Thy glimmering lines of haughty palaces
Shadowing fair arch and column in the stream—
Thy most divine cathedral, and its square,
With vagabonds and loungers daily thronged,
Taking their ice, their coffee, and their ease—
Thy sunny campo's, with their clamorous din,
Their shrieking vendors of fresh fish and fruit—
Thy churches and thy pictures—thy sweet bits
Of colour—thy grand relics of the dead—
Thy gondoliers and water-bearers—girls
With dark, soft eyes, and creamy faces, crowned
With braided locks as bright and black as jet—
Wild ragamuffins, picturesque in rags,
And swarming beggars and old witch-like crones,
And brown-cloaked contadini, hot and tired,
Sleeping, face-downward, on the sunny steps—
Thy fairy islands floating in the sun—
Thy poppy-sprinkled, grave-strewn Lido shore—

Thy poetry and thy pathos—all so strange!—
Thou didst bring many a lump into my throat,
And many a passionate thrill into my heart,
And once a tangled dream into my head.

'Twixt afternoon and evening. I was tired;
The air was hot and golden—not a breath
Of wind until the sunset—hot and still.
Our floor was water-sprinkled; our thick walls
And open doors and windows, shadowed deep
With jalousies and awnings, made a cool
And grateful shadow for my little couch.
A subtle perfume stole about the room
From a small table, piled with purple grapes,
And water-melon slices, pink and wet,
And ripe, sweet figs, and golden apricots,
New-laid on green leaves from our garden—leaves
Wherewith an antique torso had been clothed.
My husband read his novel on the floor,
Propped up on cushions and an Indian shawl;
And little Katie slumbered at his feet,
Her yellow curls alight, and delicate tints
Of colour in the white folds of her frock.
I lay, and mused, in comfort and at ease,
Watching them both and playing with my thoughts;
And then I fell into a long, deep sleep,
And dreamed.
I saw a water-wilderness—
Islands entangled in a net of streams—
Cross-threads of rippling channels, woven through
Bare sands, and shallows glimmering blue and broad—
A line of white sea-breakers far away.
There came a smoke and crying from the land—
Ruin was there, and ashes, and the blood
Of conquered cities, trampled down to death.
But here, methought, amid these lonely gulfs,
There rose up towers and bulwarks, fair and strong,
Lapped in the silver sea-mists;—waxing aye
Fairer and stronger—till they seemed to mock
The broad-based kingdoms on the mainland shore.
I saw a great fleet sailing in the sun,
Sailing anear the sand-slip, whereon broke
The long white wave-crests of the outer sea,—
Pepin of Lombardy, with his warrior hosts—
Following the ****** steps of Attila!
I saw the smoke rise when he touched the towns
That lay, outposted, in his ravenous reach;

Then, in their island of deep waters,* saw
A gallant band defy him to his face,
And drive him out, with his fair vessels wrecked
And charred with flames, into the sea again.
“Ah, this is Venice!” I said proudly—“queen
Whose haughty spirit none shall subjugate.”

It was the night. The great stars hung, like globes
Of gold, in purple skies, and cast their light
In palpitating ripples down the flood
That washed and gurgled through the silent streets—
White-bordered now with marble palaces.
It was the night. I saw a grey-haired man,
Sitting alone in a dark convent-porch—
In beggar's garments, with a kingly face,
And eyes that watched for dawnlight anxiously—
A weary man, who could not rest nor sleep.
I heard him muttering prayers beneath his breath,
And once a malediction—while the air
Hummed with the soft, low psalm-chants from within.
And then, as grey gleams yellowed in the east,
I saw him bend his venerable head,
Creep to the door, and knock.
Again I saw
The long-drawn billows breaking on the land,
And galleys rocking in the summer noon.
The old man, richly retinued, and clad
In princely robes, stood there, and spread his arms,
And cried, to one low-kneeling at his feet,
“Take thou my blessing with thee, O my son!
And let this sword, wherewith I gird thee, smite
The impious tyrant-king, who hath defied,
Dethroned, and exiled him who is as Christ.
The Lord be good to thee, my son, my son,
For thy most righteous dealing!”
And again
'Twas that long slip of land betwixt the sea
And still lagoons of Venice—curling waves
Flinging light, foamy spray upon the sand.
The noon was past, and rose-red shadows fell
Across the waters. Lo! the galleys came
To anchorage again—and lo! the Duke
Yet once more bent his noble head to earth,
And laid a victory at the old man's feet,
Praying a blessing with exulting heart.
“This day, my well-belovèd, thou art blessed,
And Venice with thee, for St. Peter's sake.

And I will give thee, for thy bride and queen,
The sea which thou hast conquered. Take this ring,
As sign of her subjection, and thy right
To be her lord for ever.”
Once again
I saw that old man,—in the vestibule
Of St. Mark's fair cathedral,—circled round
With cardinals and priests, ambassadors
And the noblesse of Venice—richly robed
In papal vestments, with the triple crown
Gleaming upon his brows. There was a hush:—
I saw a glittering train come sweeping on,
From the blue water and across the square,
Thronged with an eager multitude,—the Duke,
And with him Barbarossa, humbled now,
And fain to pray for pardon. With bare heads,
They reached the church, and paused. The Emperor knelt,
Casting away his purple mantle—knelt,
And crept along the pavement, as to kiss
Those feet, which had been weary twenty years
With his own persecutions. And the Pope
Lifted his white haired, crowned, majestic head,
And trod upon his neck,—crying out to Christ,
“Upon the lion and adder shalt thou go—
The dragon shalt thou tread beneath thy feet!”
The vision changed. Sweet incense-clouds rose up
From the cathedral altar, mix'd with hymns
And solemn chantings, o'er ten thousand heads;
And ebbed and died away along the aisles.
I saw a train of nobles—knights of France—
Pass 'neath the glorious arches through the crowd,
And stand, with halo of soft, coloured light
On their fair brows—the while their leader's voice
Rang through the throbbing silence like a bell.
“Signiors, we come to Venice, by the will
Of the most high and puissant lords of France,
To pray you look with your compassionate eyes
Upon the Holy City of our Christ—
Wherein He lived, and suffered, and was lain
Asleep, to wake in glory, for our sakes—
By Paynim dogs dishonoured and defiled!
Signiors, we come to you, for you are strong.
The seas which lie betwixt that land and this
Obey you. O have pity! See, we kneel—
Our Masters bid us kneel—and bid us stay
Here at your feet until you grant our prayers!”
Wherewith the knights fell down upon their knees,

And lifted up their supplicating hands.
Lo! the ten thousand people rose as one,
And shouted with a shout that shook the domes
And gleaming roofs above them—echoing down,
Through marble pavements, to the shrine below,
Where lay the miraculous body of their Saint
(Shed he not heavenly radiance as he heard?—
Perfuming the damp air of his secret crypt),
And cried, with an exceeding mighty cry,
“We do consent! We will be pitiful!”
The thunder of their voices reached the sea,
And thrilled through all the netted water-veins
Of their rich city. Silence fell anon,
Slowly, with fluttering wings, upon the crowd;
And then a veil of darkness.
And again
The filtered sunlight streamed upon those walls,
Marbled and sculptured with divinest grace;
Again I saw a multitude of heads,
Soft-wreathed with cloudy incense, bent in prayer—
The heads of haughty barons, armed knights,
And pilgrims girded with their staff and scrip,
The warriors of the Holy Sepulchre.
The music died away along the roof;
The hush was broken—not by him of France—
By Enrico Dandolo, whose grey head
Venice had circled with the ducal crown.
The old man looked down, with his dim, wise eyes,
Stretching his hands abroad, and spake. “Seigneurs,
My children, see—your vessels lie in port
Freighted for battle. And you, standing here,
Wait but the first fair wind. The bravest hosts
Are with you, and the noblest enterprise
Conceived of man. Behold, I am grey-haired,
And old and feeble. Yet am I your lord.
And, if it be your pleasure, I will trust
My ducal seat in Venice to my son,
And be your guide and leader.”
When they heard,
They cried aloud, “In God's name, go with us!”
And the old man, with holy weeping, passed
Adown the tribune to the altar-steps;
And, kneeling, fixed the cross upon his cap.
A ray of sudden sunshine lit his face—
The grand, grey, furrowed face—and lit the cross,
Until it twinkled like a cross of fire.
“We shall be safe with him,” the people said,

Straining their wet, bright eyes; “and we shall reap
Harvests of glory from our battle-fields!”

Anon there rose a vapour from the sea—
A dim white mist, that thickened into fog.
The campanile and columns were blurred out,
Cathedral domes and spires, and colonnades
Of marble palaces on the Grand Canal.
Joy-bells rang sadly and softly—far away;
Banners of welcome waved like wind-blown clouds;
Glad shouts were muffled into mournful wails.
A Doge was come to be enthroned and crowned,—
Not in the great Bucentaur—not in pomp;
The water-ways had wandered in the mist,
And he had tracked them, slowly, painfully,
From San Clemente to Venice, in a frail
And humble gondola. A Doge was come;
But he, alas! had missed his landing-place,
And set his foot upon the blood-stained stones
Betwixt the blood-red columns. Ah, the sea—
The bride, the queen—she was the first to turn
Against her passionate, proud, ill-fated lord!

Slowly the sea-fog melted, and I saw
Long, limp dead bodies dangling in the sun.
Two granite pillars towered on either side,
And broad blue waters glittered at their feet.
“These are the traitors,” said the people; “they
Who, with our Lord the Duke, would overthrow
The government of Venice.”
And anon,
The doors about the palace were made fast.
A great crowd gathered round them, with hushed breath
And throbbing pulses. And I knew their lord,
The Duke Faliero, knelt upon his knees,
On the broad landing of the marble stairs
Where he had sworn the oath he could not keep—
Vexed with the tyrannous oligarchic rule
That held his haughty spirit netted in,
And cut so keenly that he writhed and chafed
Until he burst the meshes—could not keep!
I watched and waited, feeling sick at heart;
And then I saw a figure, robed in black—
One of their dark, ubiquitous, supreme
And fearful tribunal of Ten—come forth,
And hold a dripping sword-blade in the air.
“Justice has fallen on the traitor! See,
His blood has paid the forfeit of his crime!”

And all the people, hearing, murmured deep,
Cursing their dead lord, and the council, too,
Whose swift, sure, heavy hand had dealt his death.

Then came the night, all grey and still and sad.
I saw a few red torches flare and flame
Over a little gondola, where lay
The headless body of the traitor Duke,
Stripped of his ducal vestments. Floating down
The quiet waters, it passed out of sight,
Bearing him to unhonoured burial.
And then came mist and darkness.
Lo! I heard
The shrill clang of alarm-bells, and the wails
Of men and women in the wakened streets.
A thousand torches flickered up and down,
Lighting their ghastly faces and bare heads;
The while they crowded to the open doors
Of all the churches—to confess their sins,
To pray for absolution, and a last
Lord's Supper—their viaticum, whose death
Seemed near at hand—ay, nearer than the dawn.
“Chioggia is fall'n!” they cried, “and we are lost!”

Anon I saw them hurrying to and fro,
With eager eyes and hearts and blither feet—
Grave priests, with warlike weapons in their hands,
And delicate women, with their ornaments
Of gold and jewels for the public fund—
Mix'd with the bearded crowd, whose lives were given,
With all they had, to Venice in her need.
No more I heard the wailing of despair,—
But great Pisani's blithe word of command,
The dip of oars, and creak of beams and chains,
And ring of hammers in the arsenal.
“Venice shall ne'er be lost!” her people cried—
Whose names were worthy of the Golden Book—
“Venice shall ne'er be conquered!”
And anon
I saw a scene of triumph—saw the Doge,
In his Bucentaur, sailing to the land—
Chioggia behind him blackened in the smoke,
Venice before, all banners, bells, and shouts
Of passionate rejoicing! Ten long months
Had Genoa waged that war of life and death;
And now—behold the remnant of her host,
Shrunken and hollow-eyed and bound with chains—
Trailing their galleys in the conqueror's wake!

Once more the tremulous waters, flaked with light;
A covered vessel, with an armèd guard—
A yelling mob on fair San Giorgio's isle,
And ominous whisperings in the city squares.
Carrara's noble head bowed down at last,
Beaten by many storms,—his golden spurs
Caught in the meshes of a hidden snare!
“O Venice!” I cried, “where is thy great heart
And honourable soul?”
And yet once more
I saw her—the gay Sybaris of the world—
The rich voluptuous city—sunk in sloth.
I heard Napoleon's cannon at her gates,
And her degenerate nobles cry for fear.
I saw at last the great Republic fall—
Conquered by her own sickness, and with scarce
A noticeable wound—I saw her fall!
And she had stood above a thousand years!
O Carlo Zeno! O Pisani! Sure
Ye turned and groaned for pity in your graves.
I saw the flames devour her Golden Book
Beneath the rootless “Tree of Liberty;”
I saw the Lion's le
Are you struck with her figure and face?
    How lucky you happened to meet
With none of the gossiping race,
    Who dwell in this horrible street!
They of slanderous hints never tire;
    I love to approve and commend,
And the lady you so much admire,
    Is my very particular friend!

How charming she looks — her dark curls
    Really float with a natural air;
And the beads might be taken for pearls,
    That arc twined in that beautiful hair:
Then what tints her fair features o'erspread -
    That she uses white paint some pretend;
But, believe me, she only wears red
    She's my very particular friend!

Then her voice, how divine it appears
    While carolling: "Rise gentle moon;"
Lord Crotchet lastnight stopped his ears,
    And declared that she sung out of tune;
For my part, I think that her lay
    Might to Malibran's sweetness pretend;
But people won't mind what I say —
    I'm her very particular friend!

Then her writings — her exquisite rhyme
    To posterity surely must reach;
(I wonder she finds so much time
    With four little sisters to teach!)
A critic in Blackwood, indeed.
    Abused the last poem she penned;
The article made my heart bleed —
    She's my very particular friend!

Her brother dispatched with a sword,
    His friend in a duel, last June;
And her cousin eloped from her lord,
    With a handsome and whiskered dragoon:
Her father with duns is beset,
    Yet continues to dash and to spend —
She's too good for so worthless a set —
    She's my very particular friend!

All her chance of a portion is lost,
    And I fear she'll be single for life;
Wise people will count up the cost
    Of a gay and extravagant wife:
But tis odious to marry for pelf,
    (Though the times are not likely to mend,)
She's a fortune besides in herself —
    She's my very particular friend!

That she's somewhat sarcastic and pert,
    It were useless and vain to deny;
She's a little too much of a flirt,
    And a slattern when no one is by:
From her servants she constantly parts,
    Before they have reached the year's end;
But her heart is the kindest of hearts —
    She's my very particular friend!

Oh! never have pencil or pen,
    A creature more exquisite traced;
That her style does not take with the men,
    Proves a sad want of judgment and taste;
And if to the sketch I give now,
    Some flattering touches I lend;
Do for partial affection allow —
    She's my very particular friend!
RAJ NANDY Jun 2017
Dear Poet Friends, this poem was composed as a tribute and praise
to the Creator of heaven and earth way back in the year 2008, & was posted on ‘Poemhunter.com’. The Creator’s handiwork has inspired Poets, Artists, and Humans alike since the dawn of our
civilisation, and shall continue to do so for our future generations! Hope you like this poetic composition. I will be grateful if you comment only after having read the entire poem.  Thanks, - Raj

VISIONS OF THE VAST BLUE EMPYREAN
                * BY RAJ NANDY*

       '’The heavens declare the glory of the Lord,
        The sky proclaim His divine handiwork!’’
                                                   - Psalm of David.

(I)
The SKY is a multidimensional manifestation of God's
creation,
A translucent blue canopy above all and one.
The sky has inspired humans for centuries to aspire
and dream, -
To seek His blessings and guidance from above;
And shall continue to do so for centuries to come!
The sky beckons and lures with its mystical spell;
Making humans with leaping aspirations to try out
and reach, -
Those frontiers where the sky is the unlimited limit of
all our hopes, aspirations and dreams!
The sky, lush, luring, luminous, and sweet, -
Invites, entice, and fills us with a sense of wonder!
How God-like in appearance, and almost human in
its expressions!
The sky has remained as a silent witness to the birth
of our planet,
Since God created the firmament and the heavens,
before creating the Earth.
The sky, a silent spectator since eons past,
Shall continue to see the fading away of old stars;
And formation of baby galaxies in a cosmic drama of
His creation,
Lying beyond the comprehension of Mankind!
While we try to delve His secrets with our space probes,
Which we can neither fully comprehend nor unravel;
And shall only continue to wonder and marvel!

(II)
The blue sky continues to inspire and even melts,
While its blue translucence silently seep into the
Poet's heart,
As he sits to reflect and shape his thoughts,
And the vast expanse of the ethereal sky,
Stretching his mind with future dreams and
visions!
While the azure blue begins to flow through his
veins, and gets transmitted through his pen, -
To convey his exalted thoughts and deepest feelings,
in poetic lines and verse, -
Which becomes the Poet's sole mission.
And at night when the Poet meditates, he catches a
falling star,
And writes a poem on it and keeps it in his pocket, -
Saving it for a rainy day!
And during the silence of the night, when the hours
grow dark and deep,
And the sky gently droops and drips;
The poet wakes up to write, and writes to sleep!

(III)
The sky flows on to the canvas of the Painter,
As he tries to depict its varied complexions and moods,
With his limited colours, shades and hues,
Flashing and spilling his canvas with touches of tints
and tones,
To captivate the capricious, transient and fanciful moods,
which the sky adorns!
The deep blue empyrean is at times blissful and sublime,
Changing from a radiant, opulent, and iridescent, -
To threatening, cruel, and violent;
Both devastating and destructive as the sweeping
tornado or a hurricane!
Yet when God decides to paint the Aurora Borealis those
magical Northern Lights, -
Those glowing diaphanous curtains of waving, swirling
streamers of lights,
With its red, green, blue, violet, and luminescent spell-
binding shades;
How can any artist foolishly dare to compete or replicate
His celestial art?
For the Auroras are a reflection of His live real time
handiwork, -
Which shall never diminish or fade!

(IV)
The crystal blue arch of heaven, a glorious canopy
cover over our head,
Blesses us with the much needed shade;
From the tormenting and scorching rays of the
relentless Summer's sun.
With its varying layers of passing clouds, -
As the sun completes its diurnal rounds!
Those high cheerful cirrus and cirro-stratus clouds
of the Winter sky,
The meditating alto-cumulus and alto-stratus clouds
of medium heights;
And those upward swelling, ambitious clouds of
cumulonimbus, -
Carrying the thunder bolts and lightning of the great
Zeus do confound us!
And finally those low sheets of stratus clouds of the
rumbling monsoon sky;
Bringing incessant rain and lightning darts, -
Flashing like a whip lash across the sky and the earth!
With the speed of sound always lagging behind that
of light, -
Thus thunder bolts always follow those blinding flashing
darts of dazzling blue lights!
While the good Earth absorbs it all like some suffering
soul,
And forever regenerates itself to transcend its
tormenting plight!

(V)
The clouds floating like fluffy wool of cotton and
the downs of white goose feathers,
Adds dimensions, visual depth, definition and a sense
of perception;
For the human mind to behold and meditate, -
Those vast measureless depths of the infinite space!
The clouds with its varying forms and shapes,
At times like the ice cream cones with vanilla
tops and wisps of cream;
Keep floating across the cerulean blue, forming
and melting, -
From one nothingness into another,  below the
arched vault of the heavens!
And at times the clouds coalesce to dissipate as
gentle rain,
With rhythmic beats, or follow some wild musical note,
Lashing against the earth like a dancer in trance!
While it brings down the cool aqua, the very elixir of
life to earth.

(VI)
The sky is held captive by its own void of eternal
silence.
As nature's mirror, it reflects and also shows us a
glimpse of the infinite!
While the night sky by itself exhibits a wondrous
sight,
With the sentinel stars shining like a living hymn
written in light!
And the ebony treasure vault of heavens hold the
sparkling and glittering countless gems;
Of pearls of lily white, rubies with red sheen,
And galaxies shimmering like hyacinth of purple
light!
The sky envelopes the earth all around in an elusive
embrace of unconsummated love!
But each night, in hope and expectations the Sky
adorns itself, -
With diamond necklace and pearls of milky white,
Woven round its dark black flowing stresses;
Casting longing looks towards the beloved Earth,
To whom she is attracted from her very birth!

(VII)
The sky despite its wide range of colourful
spectrum and moods,
Forever retains its pristine colour of azure blue,
behind its gray and somber clouds.
Each morning the sky presents us with a clean
blue slate,
Where nothing ever remains written or etched!
Inspiring humans to make a new beginning,
Before time runs out and it becomes too late!
Yet the sky never forgets to reflect the arched
rainbow over its brow,
Once the thunder clouds and storms dissipate!
Keeping our hopes and aspirations forever alive;
And impelling us to strive in all our endeavours
and to excel!

(VIII)
The sky remains as a revelation of God's immaculate
handiwork.
The blue welkin, God's treasure trove, with its
capricious moods,
Sometimes furious, sometimes iridescent, but by nature
divinely sublime!
The sky a recurrence of happenings, with its speckled dance, -
Of colours, cadence, and of light and shade,
Giving us a taste, smell and feel of eternity, -
Which appears as real, though illusory and ephemeral!
Transcending all our scientific formulas, speculations
and intricate *******-up logic;
Since many mystical and unknown energy forms exist in
our sky and space,
Beyond the realms of Quantum Physics , String Theory,
the Higgs Field and Relativity!  * ( see Notes below)
And forces can even be made to emanate from the human
mind and soul and to transcend, -
To blend with those vibrations in the celestial spheres of
the Divine!

(IX)
The sky shall forever remain a source of exhilaration
and exhortation for mankind, -
And as an exaltation of God's divine and lofty thoughts!
The sky also remains as our ultimate frontier, -
Stretching the dimensions of human consciousness,
Till our consciousness learns to merge with the Divine;
To become one and to blend, under the blue vault of
our blissful Empyrean!
                                                       -  by RAJ NANDY, NEW DELHI

(*NOTES: The five different versions of the String Theories know as the 'The M- Theory' of Quantum Physics, which tries to explain the origin of all things through the vibrations of nano strings. The latest discovery of the Higgs Field, which is said to add mass to subatomic particles; are our humble and insufficient efforts to understand God’s mysterious creation of the universe and space!)
      (ALL COPY RIGHT ARE WITH THE AUTHOR ONLY)
Vicki Kralapp Oct 2018
From my earliest remembrance,
to this hour I have maintained,
I've never been contented
with a life of the mundane.

I’ve sought to spend each day in life
in search of curious things,
like art and education,
and the richness that they bring.

I hope to write more poetry
and share my verse in print,
and with my use of written word,
paint art with shades and tints.

I’ve been to many distant lands,
but yet my heart implores,
I seek out farther mysteries,
our planet has in store.

But now my body slows me down,
like most as we grow old,
and though I try, oft I fall short,
of plans I can control.

So, to keep myself companion,
while I will myself to heal,
I’ve formed all my ambitions,
which one day I plan to reach.

Since I was just a little child
I dreamt of life abroad,
in Kenya with the Maasai tribe,
I’ve always been enthralled.

I've fancied a safari,
where the famous five are found,
a land where great giraffes stand tall,
against the setting sun.

But, it is the Land Down Under,
that is first among my plans,
and one day soon I’ll see the coast,
of Sydney once again.

My friends will come to greet me,
though a lifetime I’ve been gone,
and united we’ll share memories,
for the present and beyond.

I’ll go for walks amidst the bush,
and hear the magpie’s tunes,
I’ll stroll beside the ghostly gums;
with nature grow attuned.

I’ll tour along the Southern Coast,
drive past Apostles tall,
and see the sites of Melbourne fair,
with all its cultured draw.

Then off to Kiwi’s northern isle,
with nature’s beauty rare,
fulfilling dreams so long desired,
to glimpse the Mauri’s there.

Waitomo, with its glow worm caves,
and Rotorua’s pools,
with geysers, Eco thermal parks,
and Bay of Islands too.

As I make my way back to the states,
I’ll stop along the way,
to visit Fiji’s turquoise coast,
and snorkel time away.

I’ll learn about the culture,
and partake of Fiji’s fare,
and when I go, I hope to leave,
a part of my heart there.

The coast of California,
on my list of sites to see;
from the Wharf in San Francisco,
to the vineyards by the sea.

I dream of redwoods sure and tall:
the parks and smell of pines,
and stand amid the ancient firs,
lest they pass for all of time.

I plan to visit Florence,
where master artists roamed;
the heart of Tuscan Renaissance,
where da Vinci made his home.

I hope to cruise Amalfi’s coast,
with others at the helm,
to view the brilliance of the sights,
and others in the realm.

While in the South of Italy,
I’ll cross the briny foam,
and walk the hills in Athens,
where ancient Grecians roamed.

I dream of Amazonia,
where man has not destroyed,
and natives live within the wild,
with harmony employed.

The last one on my bucket list,
is one I’d left undone,
when first I made my maiden trip,
and I was twenty-one.

I’d hoped to see the Emerald Isle,
and England’s castles old,
Duke’s palaces and British Tate,
are marvels to behold.

I’ll drive the ring of Kerry,
and the magic Isle of Skye,
to see its Fairy Pools of hues,
and Highland’s brilliance sights.

The lush green grass of Glen Coe,
the Scottish hills await,
would be a lifelong dream fulfilled
when all my trials abate.

With this, my final dream fulfilled,
I see my list complete,
full circle with this Commonwealth,
my restless feet at peace.

But ‘til that time when I am healed,
and I can travel far,
I’ll dream of lands beyond my reach,
and one day touch the stars.
All poems are copy written and sole property of Vicki Kralapp.
LexiSully Jan 2016
There's something about the ever-moving sea,
Whose shimmering waves brighten every face,
Whose calming sounds bring joy to every ear that hears

There's something about the forever changing beach,
Whose soft sand holds treasures from the deep blue,
Whose sparkling granules clump together to create vast castles

There's something about the ongoing sky,
Whose blue tints are home to the warm, shining sun,
Whose colors magnify themselves onto the gorgeous sea

So look upon this picture and smile,
Because each figure is a piece of a puzzle,
Forming a complex but brilliant masterpiece.
She walks in beauty, like the night
     Of cloudless climes and starry skies;
And all that’s best of dark and bright
     Meet in her aspect and her eyes:
Thus mellowed to that tender light
     Which heaven to gaudy day denies.

One shade the more, one ray the less,
     Had half impaired the nameless grace
Which waves in every raven tress,
     Or softly lightens o’er her face;
Where thoughts serenely sweet express
     How pure, how dear their dwelling place.

And on that cheek, and o’er that brow,
     So soft, so calm, yet eloquent,
The smiles that win, the tints that glow,
     But tell of days in goodness spent,
A mind at peace with all below,
     A heart whose love is innocent!
Felix Sladal Apr 2017
Yawning mouth of the city beckons
Glittering jagged teeth tearing into
Passing souls
Walking on slick black tounges
Sand beaten breath fogs windowed eyes
The beast we come to love
Even as we live incased in it's cavities
The plaque in the grime of eroding gums

When did you last brush your teeth
Your buildings, starting to turn gray
Your tongue a tad flavorless
Do you grow old, fat, and tired?
Or is that just us?

Changes float on the breeze so subtle
You'd never see them unless you left
People slowly turning to dust
Blowing away
But everything still stands
As if nothing ever happened
We live our lives in nooks and crannies
Ghosts pressed between the glass
Tiptoeing enamel streets

Plush gold chairs and minty fresh
Oh peppermint fresh
Rain trickled saliva slips over your
swinging silk face
Breath, taunting tints of lavender
Your back is straight
Stressed crowsfeet pupils shine
Wake up tomorrow to find today
Your eyes are brown but green
Your mouth is wide but tight
Your grin not as cheap as the others

Everyone starts to bleed together
All traits the same
So very different
You weren't drinking mint
Nor lavender
Freeze frame in memory
Pick and choose what we see today
Who to be yesterday
Next week pickle plum I'll jump through a fire just to feel me, feel you

We're running from something
Day to day
Feels like time, might be ourselves
Your shoulders are curved, the slightest of slouches
Your eyes are oh so green and teeth so straight
Thin lips and a long face
Once opon a time I almost knew you
But not today not ever
Self chained straining towards freedom
But happiness wrinkles you cheeks
Self imprisonment won't bruise the will
Don't listen to me, your far more free than I'll ever be
Whistle to the stars
Shrug your shoulder at life's questions
Look it in the eyes with your peridot irises, tell it you've got this
I wish I know what you were drinking
Rainwater and honey

Your eyes are weary brown
Rosy cheeks blush on bronze
Hair shifts to straw spun gold
You haven't aged but I feel so old
Going places while I stand still
Doesn't feel the reverse though that's the truth, if only in theory
You paint life, I paint paper
I maybe younger but I'm wilting faster.
Is it wrong that I wanted to kiss you
For a millisecond and no more
Atune to a time warp lost in free space

Green eyes Brown
Rigged lines graceful limbs
I'm a overcooked noodle
With a halfcooked plot
And everyone seem so put together
I'll poor the pesto on myself and call
me done.
Eugene OR some time near me birthday 2016
I

Out of the little chapel I burst
Into the fresh night-air again.
Five minutes full, I waited first
In the doorway, to escape the rain
That drove in gusts down the common’s centre
At the edge of which the chapel stands,
Before I plucked up heart to enter.
Heaven knows how many sorts of hands
Reached past me, groping for the latch
Of the inner door that hung on catch
More obstinate the more they fumbled,
Till, giving way at last with a scold
Of the crazy hinge, in squeezed or tumbled
One sheep more to the rest in fold,
And left me irresolute, standing sentry
In the sheepfold’s lath-and-plaster entry,
Six feet long by three feet wide,
Partitioned off from the vast inside—
I blocked up half of it at least.
No remedy; the rain kept driving.
They eyed me much as some wild beast,
That congregation, still arriving,
Some of them by the main road, white
A long way past me into the night,
Skirting the common, then diverging;
Not a few suddenly emerging
From the common’s self through the paling-gaps,
—They house in the gravel-pits perhaps,
Where the road stops short with its safeguard border
Of lamps, as tired of such disorder;—
But the most turned in yet more abruptly
From a certain squalid knot of alleys,
Where the town’s bad blood once slept corruptly,
Which now the little chapel rallies
And leads into day again,—its priestliness
Lending itself to hide their beastliness
So cleverly (thanks in part to the mason),
And putting so cheery a whitewashed face on
Those neophytes too much in lack of it,
That, where you cross the common as I did,
And meet the party thus presided,
“Mount Zion” with Love-lane at the back of it,
They front you as little disconcerted
As, bound for the hills, her fate averted,
And her wicked people made to mind him,
Lot might have marched with Gomorrah behind him.

II

Well, from the road, the lanes or the common,
In came the flock: the fat weary woman,
Panting and bewildered, down-clapping
Her umbrella with a mighty report,
Grounded it by me, wry and flapping,
A wreck of whalebones; then, with a snort,
Like a startled horse, at the interloper
(Who humbly knew himself improper,
But could not shrink up small enough)
—Round to the door, and in,—the gruff
Hinge’s invariable scold
Making my very blood run cold.
Prompt in the wake of her, up-pattered
On broken clogs, the many-tattered
Little old-faced peaking sister-turned-mother
Of the sickly babe she tried to smother
Somehow up, with its spotted face,
From the cold, on her breast, the one warm place;
She too must stop, wring the poor ends dry
Of a draggled shawl, and add thereby
Her tribute to the door-mat, sopping
Already from my own clothes’ dropping,
Which yet she seemed to grudge I should stand on:
Then, stooping down to take off her pattens,
She bore them defiantly, in each hand one,
Planted together before her breast
And its babe, as good as a lance in rest.
Close on her heels, the dingy satins
Of a female something past me flitted,
With lips as much too white, as a streak
Lay far too red on each hollow cheek;
And it seemed the very door-hinge pitied
All that was left of a woman once,
Holding at least its tongue for the *****.
Then a tall yellow man, like the Penitent Thief,
With his jaw bound up in a handkerchief,
And eyelids ******* together tight,
Led himself in by some inner light.
And, except from him, from each that entered,
I got the same interrogation—
“What, you the alien, you have ventured
To take with us, the elect, your station?
A carer for none of it, a Gallio!”—
Thus, plain as print, I read the glance
At a common prey, in each countenance
As of huntsman giving his hounds the tallyho.
And, when the door’s cry drowned their wonder,
The draught, it always sent in shutting,
Made the flame of the single tallow candle
In the cracked square lantern I stood under,
Shoot its blue lip at me, rebutting
As it were, the luckless cause of scandal:
I verily fancied the zealous light
(In the chapel’s secret, too!) for spite
Would shudder itself clean off the wick,
With the airs of a Saint John’s Candlestick.
There was no standing it much longer.
“Good folks,” thought I, as resolve grew stronger,
“This way you perform the Grand-Inquisitor
When the weather sends you a chance visitor?
You are the men, and wisdom shall die with you,
And none of the old Seven Churches vie with you!
But still, despite the pretty perfection
To which you carry your trick of exclusiveness,
And, taking God’s word under wise protection,
Correct its tendency to diffusiveness,
And bid one reach it over hot ploughshares,—
Still, as I say, though you’ve found salvation,
If I should choose to cry, as now, ‘Shares!’—
See if the best of you bars me my ration!
I prefer, if you please, for my expounder
Of the laws of the feast, the feast’s own Founder;
Mine’s the same right with your poorest and sickliest,
Supposing I don the marriage vestiment:
So, shut your mouth and open your Testament,
And carve me my portion at your quickliest!”
Accordingly, as a shoemaker’s lad
With wizened face in want of soap,
And wet apron wound round his waist like a rope,
(After stopping outside, for his cough was bad,
To get the fit over, poor gentle creature
And so avoid distrubing the preacher)
—Passed in, I sent my elbow spikewise
At the shutting door, and entered likewise,
Received the hinge’s accustomed greeting,
And crossed the threshold’s magic pentacle,
And found myself in full conventicle,
—To wit, in Zion Chapel Meeting,
On the Christmas-Eve of ‘Forty-nine,
Which, calling its flock to their special clover,
Found all assembled and one sheep over,
Whose lot, as the weather pleased, was mine.

III

I very soon had enough of it.
The hot smell and the human noises,
And my neighbor’s coat, the greasy cuff of it,
Were a pebble-stone that a child’s hand poises,
Compared with the pig-of-lead-like pressure
Of the preaching man’s immense stupidity,
As he poured his doctrine forth, full measure,
To meet his audience’s avidity.
You needed not the wit of the Sibyl
To guess the cause of it all, in a twinkling:
No sooner our friend had got an inkling
Of treasure hid in the Holy Bible,
(Whene’er ‘t was the thought first struck him,
How death, at unawares, might duck him
Deeper than the grave, and quench
The gin-shop’s light in hell’s grim drench)
Than he handled it so, in fine irreverence,
As to hug the book of books to pieces:
And, a patchwork of chapters and texts in severance,
Not improved by the private dog’s-ears and creases,
Having clothed his own soul with, he’d fain see equipt yours,—
So tossed you again your Holy Scriptures.
And you picked them up, in a sense, no doubt:
Nay, had but a single face of my neighbors
Appeared to suspect that the preacher’s labors
Were help which the world could be saved without,
‘T is odds but I might have borne in quiet
A qualm or two at my spiritual diet,
Or (who can tell?) perchance even mustered
Somewhat to urge in behalf of the sermon:
But the flock sat on, divinely flustered,
Sniffing, methought, its dew of Hermon
With such content in every snuffle,
As the devil inside us loves to ruffle.
My old fat woman purred with pleasure,
And thumb round thumb went twirling faster,
While she, to his periods keeping measure,
Maternally devoured the pastor.
The man with the handkerchief untied it,
Showed us a horrible wen inside it,
Gave his eyelids yet another *******,
And rocked himself as the woman was doing.
The shoemaker’s lad, discreetly choking,
Kept down his cough. ‘T was too provoking!
My gorge rose at the nonsense and stuff of it;
So, saying like Eve when she plucked the apple,
“I wanted a taste, and now there’s enough of it,”
I flung out of the little chapel.

IV

There was a lull in the rain, a lull
In the wind too; the moon was risen,
And would have shone out pure and full,
But for the ramparted cloud-prison,
Block on block built up in the West,
For what purpose the wind knows best,
Who changes his mind continually.
And the empty other half of the sky
Seemed in its silence as if it knew
What, any moment, might look through
A chance gap in that fortress massy:—
Through its fissures you got hints
Of the flying moon, by the shifting tints,
Now, a dull lion-color, now, brassy
Burning to yellow, and whitest yellow,
Like furnace-smoke just ere flames bellow,
All a-simmer with intense strain
To let her through,—then blank again,
At the hope of her appearance failing.
Just by the chapel a break in the railing
Shows a narrow path directly across;
‘T is ever dry walking there, on the moss—
Besides, you go gently all the way up-hill.
I stooped under and soon felt better;
My head grew lighter, my limbs more supple,
As I walked on, glad to have slipt the fetter.
My mind was full of the scene I had left,
That placid flock, that pastor vociferant,
—How this outside was pure and different!
The sermon, now—what a mingled weft
Of good and ill! Were either less,
Its fellow had colored the whole distinctly;
But alas for the excellent earnestness,
And the truths, quite true if stated succinctly,
But as surely false, in their quaint presentment,
However to pastor and flock’s contentment!
Say rather, such truths looked false to your eyes,
With his provings and parallels twisted and twined,
Till how could you know them, grown double their size
In the natural fog of the good man’s mind,
Like yonder spots of our roadside lamps,
Haloed about with the common’s damps?
Truth remains true, the fault’s in the prover;
The zeal was good, and the aspiration;
And yet, and yet, yet, fifty times over,
Pharaoh received no demonstration,
By his Baker’s dream of Baskets Three,
Of the doctrine of the Trinity,—
Although, as our preacher thus embellished it,
Apparently his hearers relished it
With so unfeigned a gust—who knows if
They did not prefer our friend to Joseph?
But so it is everywhere, one way with all of them!
These people have really felt, no doubt,
A something, the motion they style the Call of them;
And this is their method of bringing about,
By a mechanism of words and tones,
(So many texts in so many groans)
A sort of reviving and reproducing,
More or less perfectly, (who can tell?)
The mood itself, which strengthens by using;
And how that happens, I understand well.
A tune was born in my head last week,
Out of the thump-thump and shriek-shriek
Of the train, as I came by it, up from Manchester;
And when, next week, I take it back again,
My head will sing to the engine’s clack again,
While it only makes my neighbor’s haunches stir,
—Finding no dormant musical sprout
In him, as in me, to be jolted out.
‘T is the taught already that profits by teaching;
He gets no more from the railway’s preaching
Than, from this preacher who does the rail’s officer, I:
Whom therefore the flock cast a jealous eye on.
Still, why paint over their door “Mount Zion,”
To which all flesh shall come, saith the pro phecy?

V

But wherefore be harsh on a single case?
After how many modes, this Christmas-Eve,
Does the self-same weary thing take place?
The same endeavor to make you believe,
And with much the same effect, no more:
Each method abundantly convincing,
As I say, to those convinced before,
But scarce to be swallowed without wincing
By the not-as-yet-convinced. For me,
I have my own church equally:
And in this church my faith sprang first!
(I said, as I reached the rising ground,
And the wind began again, with a burst
Of rain in my face, and a glad rebound
From the heart beneath, as if, God speeding me,
I entered his church-door, nature leading me)
—In youth I looked to these very skies,
And probing their immensities,
I found God there, his visible power;
Yet felt in my heart, amid all its sense
Of the power, an equal evidence
That his love, there too, was the nobler dower.
For the loving worm within its clod
Were diviner than a loveless god
Amid his worlds, I will dare to say.
You know what I mean: God’s all man’s naught:
But also, God, whose pleasure brought
Man into being, stands away
As it were a handbreadth off, to give
Room for the newly-made to live,
And look at him from a place apart,
And use his gifts of brain and heart,
Given, indeed, but to keep forever.
Who speaks of man, then, must not sever
Man’s very elements from man,
Saying, “But all is God’s”—whose plan
Was to create man and then leave him
Able, his own word saith, to grieve him,
But able to glorify him too,
As a mere machine could never do,
That prayed or praised, all unaware
Of its fitness for aught but praise and prayer,
Made perfect as a thing of course.
Man, therefore, stands on his own stock
Of love and power as a pin-point rock:
And, looking to God who ordained divorce
Of the rock from his boundless continent,
Sees, in his power made evident,
Only excess by a million-fold
O’er the power God gave man in the mould.
For, note: man’s hand, first formed to carry
A few pounds’ weight, when taught to marry
Its strength with an engine’s, lifts a mountain,
—Advancing in power by one degree;
And why count steps through eternity?
But love is the ever-springing fountain:
Man may enlarge or narrow his bed
For the water’s play, but the water-head—
How can he multiply or reduce it?
As easy create it, as cause it to cease;
He may profit by it, or abuse it,
But ‘t is not a thing to bear increase
As power does: be love less or more
In the heart of man, he keeps it shut
Or opes it wide, as he pleases, but
Love’s sum remains what it was before.
So, gazing up, in my youth, at love
As seen through power, ever above
All modes which make it manifest,
My soul brought all to a single test—
That he, the Eternal First and Last,
Who, in his power, had so surpassed
All man conceives of what is might,—
Whose wisdom, too, showed infinite,
—Would prove as infinitely good;
Would never, (my soul understood,)
With power to work all love desires,
Bestow e’en less than man requires;
That he who endlessly was teaching,
Above my spirit’s utmost reaching,
What love can do in the leaf or stone,
(So that to master this alone,
This done in the stone or leaf for me,
I must go on learning endlessly)
Would never need that I, in turn,
Should point him out defect unheeded,
And show that God had yet to learn
What the meanest human creature needed,
—Not life, to wit, for a few short years,
Tracking his way through doubts and fears,
While the stupid earth on which I stay
Suffers no change, but passive adds
Its myriad years to myriads,
Though I, he gave it to, decay,
Seeing death come and choose about me,
And my dearest ones depart without me.
No: love which, on earth, amid all the shows of it,
Has ever been seen the sole good of life in it,
The love, ever growing there, spite of the strife in it,
Shall arise, made perfect, from death’s repose of it.
And I shall behold thee, face to face,
O God, and in thy light retrace
How in all I loved here, still wast thou!
Whom pressing to, then, as I fain would now,
I shall find as able to satiate
The love, thy gift, as my spirit’s wonder
Thou art able to quicken and sublimate,
With this sky of thine, that I now walk under
And glory in thee for, as I gaze
Thus, thus! Oh, let men keep their ways
Of seeking thee in a narrow shrine—
Be this my way! And this is mine!

VI

For lo, what think you? suddenly
The rain and the wind ceased, and the sky
Received at once the full fruition
Of the moon’s consummate apparition.
The black cloud-barricade was riven,
Ruined beneath her feet, and driven
Deep in the West; while, bare and breathless,
North and South and East lay ready
For a glorious thing that, dauntless, deathless,
Sprang across them and stood steady.
‘T was a moon-rainbow, vast and perfect,
From heaven to heaven extending, perfect
As the mother-moon’s self, full in face.
It rose, distinctly at the base
With its seven proper colors chorded,
Which still, in the rising, were compressed,
Until at last they coalesced,
And supreme the spectral creature lorded
In a triumph of whitest white,—
Above which intervened the night.
But above night too, like only the next,
The second of a wondrous sequence,
Reaching in rare and rarer frequence,
Till the heaven of heavens were circumflexed
Another rainbow rose, a mightier,
Fainter, flushier and flightier,—
Rapture dying along its verge.
Oh, whose foot shall I see emerge,
Whose, from the straining topmost dark,
On to the keystone of that are?

VII

This sight was shown me, there and then,—
Me, one out of a world of men,
Singled forth, as the chance might hap
To another if, in a thu
Fay Slimm Jul 2016
Running amok black bellies of hail-clouds
divest their hard cargo
on near-ready harvest and thunder claps
in spiteful applause.

Scudding sails of racing white galleons
arrive to the rescue
and change weather's position as quiet
breaches gale's disorder.

Setting the sun throws magenta feathers
across dark horizon
and to settle the issue parades jade tints
as the landscape transforms.

Waiting small boats plod homewards in
fish-laden formation
while wives run to stoke hot-kettled fires
of ready bath water.

Lighting a pathway half-moon winks as
heavier catches in
hauled nets silver the harbour and men
start night's final performance.

Sating hunger with coming and going
sow-and-reap women know
the meaning of sharing male labour in
scaling and salting chores.

Fisher-folks' world begins and ends
with the vagaries and quirks of weather.
Taru M Jan 2013
beyond Montana’s yellow lines
there is a field
~a field of painted soles
     and laces rubber tread
~a field of ****** curls
     and fallen headlights
where kaleidoscope lenses
look onto twisted frames          like origami halos
where teddy bears hug stop signs like pickets
     fringed in anger
          runaway childhoods sleep cautionary tales
  
beyond Montana’s blushing acne
there are red cup melodies
     blasting from blacked out tints
          weaving blues notes through Rock & Rap
distant cries are drowned by Bass
     or maybe Bud (light)
a haze of teenage eyes
they might as well be ghost riders
whip game copped from GTA
these pubescents are a Vice to their City
blooming sidewalk sloths
like flowerbeds

beyond Montana
is a country of bar stools
   where bar tenders play therapists
        and therapists play coroners
precedents are shots of whiskey - taken to the head
and reflected in flooded eyes

beyond Montana
is a country of MADD mothers and SADD students
beyond Montana
is a country of unexpecting pedestrians
beyond Montana
is a field
~a field of wing-clipped snow angels

That field is Mariah's home now
and she challenges you to change
   yourself
        your friends
             your country
she challenges you to
**STOP DRUNK DRIVING
Look up Leo McCarthy especially if you're in high school going to college. He was one of the 2012 CNN Heroes and this poem is dedicated to his daughter Mariah.

Also:
sloth = group of bears
MADD = Mothers Against Drunk Driving
SADD = Students Against Destructive Decisions
ronnie Sep 2016
Her hair
Flowing
All in one
Straight down her back
Her hair straight
With tints of brown
Maybe a shade lighter
Wrapped around
Other strands
Wrapped around
Her head
Her shoulders
Her neck
Her face
Wrapped around her body
And it doesn't stop
It keeps going
And going
Until she is
Covered
With
Her hair
I was intrigued with this girl's hair  in my class today. So I wrote about it.
Sanjukta Nag Oct 2015
I rose with chilled air of dawn.
Holding the baby sun on my palm
I ponder at his mystery of liquefaction,
That spreads the hidden gold of Eldorado
Over my shivering shoulders.
I wish if I were a flamingo
Waiting on one leg
For the perfect moment of sunrise,
To dissolve all of my tints of pink
With his melted gold
On the blue lagoon of Galapagos.
Jack Jun 2014
~

Of light at play…day’s end, to cease
Now mirrored of a rippled sea
Casting long in shadowed dreams
A drifting silhouette…at peace

Sail on, sail on,
currents feed this destined course

Arcs, spun gold…on dance card wings
Lemon dust, the sifted sound
Framed of flowing tangerine
Silence sings…as truth is found

Sail on, sail on,
captured breezes…quiet source

Abstract waves…in curtained sweep
Drape this ocean’s fantasy
Melodic so the depth to breathe
Champagne tints the tapestry

Sail on, sail on,
horizon’s beckoned rendezvous

Citrine jeweled on zephyr’s flight
Calmly cools in twilight feel
Motions quell the rhythm’d night
Beliefs this sun shall soon conceal

Sail on, sail on,
as daylight disappears from view
Allania Berkey Mar 2016
The clock struck midnight
I was restless and thoughtful as could be
I noticed that I had been tossing and turning to a beat and rhythm that plunged above in the sky
It was a thunder-storm
bang, crash, thump
The sky illuminated in glory
Envy

The thunder roared and crashed in the middle of the night and the trees helplessly yearned for serenity
Ironic
It was calm earlier that day
Imagine
The breeze was right where it should have been and the sun was warmer than a hot skillet on a stove top
Peace
The sky was fostered in a pacific blue
And the clouds resembled dreams
Love
I remember it was 1:05 pm to be exact and I was feeling blissful
I decided to ride my bike through a quaint old town, two miles west of my house
Adventure
I stopped and stared at this little old man painting in the park
He was painting a tree, with pink, red, purple and gray
Odd
I couldn't help, but noticed how he was enticed by his surroundings
Interesting
I continued to bike away
It was now 2:45pm and I was feeling a bit famished
To the right of me stayed a cunning unforgettable coffee shop
I insisted to go in
Hesitation
Something about that coffee shop struck me that day, just like the little old man painting his introspection in the park
The room reeked in comfort and patience
Something I did not understand
Silence
Contemplatively, I bought a cup of coffee--black, I also companied that coffee with a blue berry scone--my favorite
I sat by the window to admire the sunlight and how the warmth cherished my skin
I sipped my coffee--startled
I noticed something peculiar about this coffee shop and this day
Instantly, I was left with an uneasy and unsettled feeling
Thoughtful
My black coffee was much more bitter than usual
It is as if the taste could not go down my throat
Something was wrong, I felt it
As I looked around the room everyone else was enjoying their cup of coffee
They also seemed to lack any hesitation
The tone in their voices create a harmonic rhythm in conversation
I noticed that every time they took a sip of their coffee they found it sweet, rather than bitter
I turned my head and looked out the window for a moment
Suddenly, I noticed that the sky was diminishing in its tints of blue
Wonder
I looked down at my watch
It was 3:35pm, I had to get home
I paid my bill and scurried onto my bike
Remember
The sky was calm throughout the entirety of the day
It was lovely and ideal--until it wasn't

No one expected a storm
No one expected disaster
But somehow, I did

I laid in bed that night waiting in anticipation
Waiting for my world to collide
Thunder and lighting seemed to have fought its way through the sky
Time
There wasn't enough
Concurrently, I felt bitter-- just like my cup of coffee in that cunning old shop
Ambiguity
I was left without answers
I was left without sugar and cream
creek, scratch, thump
The tree branch slid against the slide of my house
I noticed it all
It's starting
All the anticipation and anxiety I felt throughout the day was finally coming to its end or maybe to its start
The sky started to illuminate an illusion of sunlight
It was 11:30 pm and the day it almost to its end
I laid in bed thinking
I thought about my day and everything that it was missing
I notice it all
The little old man in the park painted a tree with a usual set of pigments, he defined ordinary, while sat alone comforted by the mere work of his creativity
The people in the coffee shop arrayed and encompassed patience, harmony and happiness
I was struck by discomfort because I unware of all those wonderful things
I knew all about the thunder and how it was provoked in the sky
I understood the lighting and its wish to shine
I thought of the beat and tempo that they would together make
Sometimes it was bitter, but sometimes it was sweet
I understood thunder and lighting
I understood why they danced viciously in the sky  
Finally, the clock struck midnight and it was now tomorrow
Fear
The storm was coming to its peak
The thunder fought its way with the lighting just as viciously written words floated on a piece of paper
The lighting struck back with ferocious and willful ambition
Relentless
The lighting held its ground, but didn't give up its hope
BANG
Memories
It was 1:05 am
The storm had reached its end
The thunder and lighting seemed to have parted their ways
Their fight was tortious
Nobody won, rather they both lost
It was 1:25 am
The rain had finally stopped
The trees have found their peace
It was 1:42 am
As I laid in bed, I thought about my day
I just want the storm to stop
Just like the the thunder and lightening, the little old man in the park and the people in that cunning old coffee shop, all have found their comfort and patience
The thunder and lightening have similarly found it in their bitter sweet good bye
It was wonderful
I noticed that as much as they fought throughout that darling midnight blue sky, they were attracted to their rhythm—A rhythm that was worth saving
The sweetness was found in their beat as they danced throughout the night
The thunder and lighting created a bittersweet combination
Just like the coffee I wish I would of had
A natural disaster that was intended to create a craze in the sky
The thunder wanted to be sweet, as did the lighting
Two peas in two different pods
Their negativity created the sweet appreciation of warm sunlight
I notice it all
The sun was the sweet
The day was calm
The thunder and lightening both knew it all too well
That night, the reminder of it anyways, I laid in bed and I knew that someday the storm would go away
It was 2:25 am and I finally shut my eyes
Nat Lipstadt Aug 2013
In My Salad Days



Salad Days

Wikipedia:
Modern use, especially in the United States, refers to a person's heyday when somebody was at the peak of his/her abilities, not necessarily in that person's youth.

                        ~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~

The Salad

Hints of tints of golden
pear skins,
combine with
ruby'd cranberries
each a face, the cheeks of alcoholic old men,
each wrinkle,
a life's recording.

All are mates for the
marcona almonds
nestling, playing hide n' go seeking
tween silk sheeted leaves of
butter lettuce.

All dressed to the nines,
underneath a top hatted, cravatted, Fred Astaire
marinade.

Coated, bathed, loved,
protected by a vinegar of balsams,
aged grape must, pressed,
a lovely, desirable color,
a brown and bronzed rust,
pressed, then left,
to easy rest for
oh so many years,
like I do, easy resting,
when  you feed me in
My Salad Days.

The Days

Though it was a life,  decades destructed
Millenniums of de minimus,
Forty plus Seders of exile, of hell,
Marked by promises, whispers, horseradish tears of
Next Year and Jerusalem,
Time steeped in a tradition of patient waiting.

Each year, recorded by a spot of red wine
Purposely Spilled,
By my father on unbleached Passover tablecloth,
To example, to symbolize that
Messiness in life,
Is O.K.

The Salad Days

Salad served with irony generous,
When beard greyed and scraggly,
White speckled, wisps of sea salt,
All my youthful greenery, long wilted.

Yet the words herein writ are my
Afikomen, my just dessert,
My victory song of Hallelujah
Just before we eat, celebrating
My Feast of Ascension, marking a
Delayed Arrival, yet right-on time of
My Salad Days.

It was only when
I was resurrected as two bodies,
A pair of cuffed links coupled,
In My Salad Days,
With the taste of freedom,
A first-born infant survivor,
Was I rebirthed, and to the fore, risen.
When words fell from smiling lips, and
Rain and tears flew upwards, and
Each and every breath was an
Amen.
The early summer breeze gusts past my skin
A smile rises on my lips
I gaze at you
The warm, orange sunrise eclipses your face
and tints your rosy cheeks
Oh, how mesmerizing, you are

I gently squeeze your hand,
caressing your skin
A silent oath to cherish you for eternity
Your finger twitches in my grasp,
earning a small flinch from me
My head swings down at you
The amber sky and clouds drift past
in the glaze of your distant eyes
Along with my restored smile,
a faint, reassured sigh emits from my nose
Four years later, your little quirks still bewitch me

Enchant me

Captivate me

Seagull’s squawks echo in the sky as they glide past the terrain
Freezing cyan waves of ocean suddenly wash around our legs,
pulling the tawny sands with it
You’ve always adored the beach
Hence, our presence here today
A surprise outing for the fourth anniversary of knowing you
Four years you’ve graced me with
the astonishing, enchanting entity that is,
You.

Since our initial encounter,
our paths were forevermore entwined,
in the manner in which, you simply can not mention one,
without mentioning the other
My lips slide over my teeth
I stare at your figure between my knees
Your outstretched, limp arms gradually sink in the damp sands
Your dull irises absently watch the golden orb rising in the sky
Your essence bubbles from your mouth
I take my thumb, wiping it away

As my final gift to your ethereal soul,
your red sands will spill from your form
in beautiful tendrils of crimson
And just as the yellow dunes,
destined to eternal the lands
Andrew Jiang Nov 2011
i saw you
across the abandoned street
flushed in tints pouring out of the moon
soaked in hues dripping down the ruby neon lights
smothered in summer's cool

like
fresh strawberries
plump tomatoes
a fallen rose petal
a pinch of cayenne

no need to turn around
your beauty already pierces the dull city
with the ferocity of a desperate swordfish
watch in smug as it bleeds
so casually through
your waist to thigh

these red eyes
watching in awe as your move
effortlessly around your curves
navigating the stares into
a river of desire
rushing down the hills of San Francisco

yet there you stood alone
the awkward sore on the pale face of street
greeting the thinning traffic with a broken smile
painting the corner with your heavenly red light
Sonja Eliason May 2012
She danced across the sidewalk

Her tiny boots splashing the puddles of color

Blue, pink, green, yellow

Her pigtails smudged with paint

Brown, blonde, black, red

She dances through the rainbow rain.



He walks to work, leaden, heavy

His shoes are black, but polished

With red, and orange, and yellow

His hat is dark blue and his coat is green

His smile is coal, traced in red,

His face white, with eternal teardrops

Etched on his face. 



The boy and girl, young, shy

Their hands delicately intertwined with strands of purple

Strings of yellow electricity

Jumping from heart to heart

Red raindrops fall up from the sidewalk

Gravitationally drawn to them

Tracing their faces before flying away.



The seagull collides with clouds of orange

His wing tips blue and wispy

His beak green as the sea

Purple fog tints his stomach

As he tumbles through aqua wind

My window only filters mango light

My ceiling the color of honey

The air above the floor is black

The space beneath the ceiling is white

And everything in between covers my body

In rainbow rain.
Hard light bathed them-a whole nation of eyeless men,
Dark bipeds not aware how they were maimed. A long
Process, clearly, a slow curse,
Drained through centuries, left them thus.

At some transitional stage, then, a luckless few,
No doubt, must have had eyes after the up-to-date,
Normal type had achieved snug
Darkness, safe from the guns of heavn;

Whose blind mouths would abuse words that belonged to their
Great-grandsires, unabashed, talking of light in some
******'d, etiolated,
Fungoid sense, as a symbol of

Abstract thoughts. If a man, one that had eyes, a poor
Misfit, spoke of the grey dawn or the stars or green-
Sloped sea waves, or admired how
Warm tints change in a lady's cheek,

None complained he had used words from an alien tongue,
None question'd. It was worse. All would agree 'Of course,'
Came their answer. "We've all felt
Just like that." They were wrong. And he

Knew too much to be clear, could not explain. The words --
Sold, ***** flung to the dogs -- now could avail no more;
Hence silence. But the mouldwarps,
With glib confidence, easily

Showed how tricks of the phrase, sheer metaphors could set
Fools concocting a myth, taking the worlds for things.
Do you think this a far-fetched
Picture? Go then about among

Men now famous; attempt speech on the truths that once,
Opaque, carved in divine forms, irremovable,
Dear but dear as a mountain-
Mass, stood plain to the inward eye.
BAND concert public square Nebraska city. Flowing and circling dresses, summer-white dresses. Faces, flesh tints flung like sprays of cherry blossoms. And gigglers, God knows, gigglers, rivaling the pony whinnies of the Livery Stable Blues.

Cowboy rags and ****** rags. And boys driving sorrel horses hurl a cornfield laughter at the girls in dresses, summer-white dresses. Amid the cornet staccato and the tuba oompa, gigglers, God knows, gigglers daffy with life's razzle dazzle.

Slow good-night melodies and Home Sweet Home. And the snare drummer bookkeeper in a hardware store nods hello to the daughter of a railroad conductor-a giggler, God knows, a giggler-and the summer-white dresses filter fanwise out of the public square.

The crushed strawberries of ice cream soda places, the night wind in cottonwoods and willows, the lattice shadows of doorsteps and porches, these know more of the story.
Dear native brook! wild streamlet of the West!
How many various-fated years have passed,
What happy and what mournful hours, since last
I skimmed the smooth thin stone along thy breast,
Numbering its light leaps! Yet so deep impressed
Sink the sweet scenes of childhood, that mine eyes
I never shut amid the sunny ray,
But straight with all their tints thy waters rise,
Thy crossing plank, thy marge with willows grey,
And bedded sand that, veined with various dyes,
Gleamed through thy bright transparence! On my way,
Visions of childhood! oft have ye beguiled
Lone manhood’s cares, yet waking fondest sighs:
Ah! that once more I were a careless child!
As a pale phantom with a lamp
Ascends some ruin’s hainted stair,
So glides the moon along the damp
Mysterious chambers of the air.

Now hidden in cloud, and now revealed,
As if this phantom, full of pain,
Were by the crumbling walls concealed,
And at the windows seen again.

Until at last, serene and proud
In all the splendor of her light,
She walks the terraces of cloud,
Supreme as Empress of the Night.

I look, but recognize no more
Objects familiar to my view;
The very pathway to my door
Is an enchanted avenue.

All things are changed. One mass of shade,
The elm-trees drop their curtains down;
By palace, park, and colonnade
I walk as in a foreign town.

The very ground beneath my feet
Is clothed with a diviner air;
While marble paves the silent street
And glimmers in the empty square.

Illusion! Underneath there lies
The common life of every day;
Only the spirit glorifies
With its own tints the sober gray.

In vain we look, in vain uplift
Our eyes to heaven, if we are blind;
We see but what we have the gift
Of seeing; what we bring we find.
Now the golden Morn aloft
Waves her dew-bespangled wing,
With vermeil cheek and whisper soft
She wooes the tardy Spring:
Till April starts, and calls around
The sleeping fragrance from the ground,
And lightly o’er the living scene
Scatters his freshest, tenderest green.

New-born flocks, in rustic dance,
Frisking ply their feeble feet;
Forgetful of their wintry trance
The birds his presence greet:
But chief, the skylark warbles high
His trembling thrilling ecstasy;
And, lessening from the dazzled sight,
Melts into air and liquid light.

Yesterday the sullen year
Saw the snowy whirlwind fly;
Mute was the music of the air,
The herd stood drooping by:
Their raptures now that wildly flow
No yesterday nor morrow know;
’Tis Man alone that joy descries
With forward and reverted eyes.

Smiles on past Misfortune’s brow
Soft Reflection’s hand can trace,
And o’er the cheek of Sorrow throw
A melancholy grace;
While Hope prolongs our happier hour,
Or deepest shades, that dimly lour
And blacken round our weary way,
Gilds with a gleam of distant day.

Still, where rosy Pleasure leads
See a kindred Grief pursue;
Behind the steps that Misery treads
Approaching Comfort view:
The hues of bliss more brightly glow
Chastised by sabler tints of woe,
And blended form, with artful strife,
The strength and harmony of life.

See the wretch that long has tost
On the thorny bed of pain,
At length repair his vigour lost,
And breathe and walk again:
The meanest floweret of the vale,
The simplest note that swells the gale,
The common sun, the air, the skies,
To him are opening Paradise.
I lived my early childhood and adolescent years,
dreaming.
Musing about how when I grew older,
I would accomplish anything and everything.
I was so giddy about living in this perfect world,
that all the imperfections flew right by.
Because in those fantasmal dreams of mine,
I saw bright swirls of colors.
Hues of green and blue.
shades of yellow and colors like cerise, pink, and orange.
They danced around me.
They stirred inside me in a halycon manner.
Bubbling up so effervescently
like soda pop tickling the back of my throat
Nothing could break me away from your high spirits.
That was until I turned a little older and received a soupcon of reality.
And for the first time I felt...lost.
Confusion began to nibble away at me and I became afraid.
Because one by one my dreams slipped away; out of my reach--my grasp.
And all the imperfections in this world that had once flew right by me--now hit me in the heart.
And I had no choice but to face it.
I wouldn’t be able to fantasize any longer.
Like I wanted to.
Because reality had arrived at my doorstep.
And as I watched my amazing dreams fade away,
Ashes began piling up in the back of my throat,
And  dark clouds of gray and black suffocated me.
I wanted to escape it all,
Maybe go back to the utopian like fantasy I had built in my head,
That was far better off than reality at the moment.
Because this moment was all too surreal
The navy currents swept me under and carried me away,
and these became the tints of my broken dreams.
Valsa George Oct 2016
Autumn, like an Indian classical dancer, dressed up
Arrives with soft rhymes and quickening steps
She comes aglow, aglow with a rare beauty
Dancing to the bracelet's tinkling song
Her floating robe falls in deep folds around her feet
As she mesmerizes all with moves full of grace
Viewing the flaming colours in assorted display
We are apt to wonder if Nature carefully saved up
All that is best for the closing grand finale
Autumn tints look enchanting all through the land
With pervading green, offset by crimson, citrus yellow
Flaming red, lustrous gold and a faded russet
The air stays crisp and sweet in the ripening fields
While stray clouds ramble in flawless turquoise sky

When autumn is thus all agog like a frenzied dervish
It gives us morbid pictures of death and decay
The trees wrestle to free themselves of their worn cloaks
Causing a cascade of withering autumn leaves
Now they fall scattered in endless stream and lie in piles
Like charred carcasses after a fierce forest fire
The rustle of dry leaves blown by the wind
Falls in our ears with the gabble of migrating birds
Pale sunshine sifts through leafless trees of maple and oak
All those leaves once stayed regal in stations high
But now tossed out like worthless chaff
They come nose diving and fall several meters below
Spreading a hazel curtain over the moist earthen crust
When trampled mercilessly by careless feet
They silently mourn their thankless fate

Graying that comes at the end of each autumnal fall
Reminds us of the pall of gloom that awaits
It is disturbing like the parting song of birds
As they fly southward before the fall of winter
Petals weaved and laced for limbs,
   Infinity intricately at his feet,
Arrows of lobster clawed feathers,
   Shooting lanterns up the street.

Four corners in black,
   Multiplied with moving tints,
Grey flowing into the endless drift,
   Scissors slicing ribbons,
The final trick played by twins.

Redly lit and pink warmth of a bird's statue,
   Emitting frozen tones,
Evermore catering his fortitude,
   Fleetly plucking each leaf,
Each one falling and bending,
   Into smokey cat-eyed gleam.
© Teri Darlene Basallote Yeo
Bring me wine, but wine which never grew
In the belly of the grape,
Or grew on vine whose tap-roots, reaching through
Under the Andes to the Cape,
Suffer no savor of the earth to scape.

Let its grapes the morn salute
From a nocturnal root,
Which feels the acrid juice
Of Styx and Erebus;
And turns the woe of Night,
By its own craft, to a more rich delight.

We buy ashes for bread;
We buy diluted wine;
Give me of the true,
Whose ample leaves and tendrils curled
Among the silver hills of heaven
Draw everlasting dew;
Wine of wine,
Blood of the world,
Form of forms, and mold of statures,
That I intoxicated,
And by the draught assimilated,
May float at pleasure through all natures;
The bird-language rightly spell,
And that which roses say so well.

Wine that is shed
Like the torrents of the sun
Up the horizon walls,
Or like the Atlantic streams, which run
When the South Sea calls.

Water and bread,
Food which needs no transmuting,
Rainbow-flowering, wisdom-fruiting,
Wine which is already man,  
Food which teach and reason can.

Wine which Music is,
Music and wine are one,
That I, drinking this,
Shall hear far Chaos talk with me;
Kings unborn shall walk with me;
And the poor grass shall plot and plan
What it will do when it is man.
Quickened so, will I unlock
Every crypt of every rock.
I thank the joyful juice
For all I know;
Winds of remembering
Of the ancient being blow,
And seeming-solid walls of use
Open and flow.

Pour, Bacchus! the remembering wine;
Retrieve the loss of men and mine!
Vine for vine be antidote,
And the grape requite the lote!
Haste to cure the old despair,
Reason in Nature's lotus drenched,
The memory of ages quenched;
Give them again to shine;
A dazzling memory revive;
Refresh the faded tints,
Recut the aged prints,
And write my old adventures with the pen
Which on the first day drew,
Upon the tablets blue,
The dancing Pleiads and eternal men.
I dwelt alone
             In a world of moan,
         And my soul was a stagnant tide,
Till the fair and gentle Eulalie became my blushing bride—
Till the yellow-haired young Eulalie became my smiling bride.
             Ah, less—less bright
             The stars of the night
         Than the eyes of the radiant girl!
             And never a flake
             That the vapor can make
         With the moon-tints of purple and pearl,
Can vie with the modest Eulalie’s most unregarded curl—
Can compare with the bright-eyed Eulalie’s most humble and careless
  curl.
             Now Doubt—now Pain
             Come never again,
         For her soul gives me sigh for sigh,
             And all day long
             Shines, bright and strong,
         Astarte within the sky,
While ever to her dear Eulalie upturns her matron eye—
While ever to her young Eulalie upturns her violet eye.
Paul Holmes Jan 2012
There is a hollow in her hand
That needs to be filled with mine…

A beach of powder white sand
Where we cheerfully recline…

There are two lovely lips
Aching for a tender kiss…

A cliff top where the wind whips
Up a bracing breeze, sheer bliss…

Warm tints nestle within her hair
And seemingly skip with pleasure…

A buttercup meadow so rare
Where we picnic at our leisure…

Right in the centre of her chest
Her heart beats a rhythm sublime…

Wherever we are, that place is the best
As long as I’m with her each time….
Such a hubbub in the nests,
  Such a bustle and squeak!
Nestlings, guiltless of a feather,
  Learning just to speak,
Ask--"And how about the fashions?"
  From a cavernous beak.

Perched on bushes, perched on hedges,
  Perched on firm hahas,
Perched on anything that holds them,
  Gay papas and grave mammas
Teach the knowledge-thirsty nestlings:
  Hear the gay papas.

Robin says: "A scarlet waistcoat
  Will be all the wear,
Snug, and also cheerful-looking
  For the frostiest air,
Comfortable for the chest too
  When one comes to plume and pair."

"Neat gray hoods will be in vogue,"
  Quoth a Jackdaw: "Glossy gray,
Setting close, yet setting easy,
  Nothing fly-away;
Suited to our misty mornings,
  A la negligee."

Flushing salmon, flushing sulphur,
  Haughty Cockatoos
Answer--"Hoods may do for mornings,
  But for evenings choose
High head-dresses, curved like crescents,
  Such as well-bred persons use."

"Top-knots, yes; yet more essential
  Still, a train or tail,"
Screamed the Peacock: "Gemmed and lustrous
  Not too stiff, and not too frail;
Those are best which rearrange as
  Fans, and spread or trail."

Spoke the Swan, entrenched behind
  An inimitable neck:
"After all, there's nothing sweeter
  For the lawn or lake
Than simple white, if fine and flaky
  And absolutely free from speck."

"Yellow," hinted a Canary,
  "Warmer, not less distingue."
"Peach color," put in a Lory,
  "Cannot look outre."
"All the colors are in fashion,
  And are right," the Parrots say.

"Very well. But do contrast
  Tints harmonious,"
Piped a Blackbird, justly proud
  Of bill aurigerous;
"Half the world may learn a lesson
  As to that from us."

Then a Stork took up the word:
  "Aim at height and chic:
Not high heels, they're common; somehow,
  Stilted legs, not thick,
Nor yet thin:" he just glanced downward
  And snapped to his beak.

Here a rustling and a whirring,
  As of fans outspread,
Hinted that mammas felt anxious
  Lest the next thing said
Might prove less than quite judicious,
  Or even underbred.

So a mother Auk resumed
  The broken thread of speech:
"Let colors sort themselves, my dears,
  Yellow, or red, or peach;
The main points, as it seems to me,
  We mothers have to teach,

"Are form and texture, elegance,
  An air reserved, sublime;
The mode of wearing what we wear
  With due regard to month and clime.
But now, let's all compose ourselves,
  It's almost breakfast-time."

A hubbub, a squeak, a bustle!
  Who cares to chatter or sing
With delightful breakfast coming?
  Yet they whisper under the wing:
"So we may wear whatever we like,
  Anything, everything!"
Ishita Mar 2015
How beautiful is the life
With all its vibrant colours
The colours which define its creativity
Life is colour,colour is life
Shades of translucent rainbow
Casting his grace on embellished life
The allured tints of the moring sun
Captivating the vivacity in people's life
How abhorent the nature be
Enchained,restricted without the colours
Blemishing the ornamentation garnished from heaven
But suddenly the grandness breathed for its life
As colours started to play an illusive vibe
Awakening the sluggishness in one's life
Unfolding the colours honesty with ecstasy.
My 2nd poem which was published in a magazine.

— The End —