EFFECTS OF CHILD ABUSE ON PERFORMANCE OF PRIMARY SCHOOL IN KAPYEMIT WARD, TURBO CONSTITUENCY, UASIN-GISHU COUNTY.





BY
ERICK NYAKUNDI
KIS/03013/14




A RESEARCH PROJECTSUBMITED TO THE SCHOOL OF ARTS AND SOCIAL SCIENCES, DEPARTMENT OF SOCIOLOGY AND PSYCHOLOGY IN THE PARTIAL FULFILMENT FOR THE AWARD OF THE DEGREE OF BACHELOR OF SOCIOLOGY



MAY, 2014

DECLARATION

I, the undersigned, declare that this project is my original work and that it has not been presented in any other university or institution for academic credit.

Signature...............................................­..... Date...................................
ERICK NYAKUNDI
KIS/03013/14






SUPERVISOR
This project has been submitted for examination with my approval as university supervisor
DR. W. O. ABUYA
Signature..................................................­.. Date....................................




DEDICATION
I dedicate this work to my Dad, Mom, my sister Lydia and my lovely brother Dun who contributed in one way or another to make this project to be successful.


















ACKNOWLEDGEMENT
I would like to thank all individuals who contributed and sacrificed their time towards completion of this project.
To my supervisor, for the guidance and support in the development of this research project, His advice and criticism made this project what it is.
Thanks to colleagues and friends for their suggestions, advice and encouragement. To all of you may God bless you abundantly for your tireless effort.

TABLE OF CONTENTS
Contents Page
DECLARATION i
DEDICATION ii
ACKNOWLEDGEMENT iii
TABLE OF CONTENTS iv
LIST OF TABLES vii
LIST OF FIGURE viii
ABSTRACT ix
CHAPTER ONE 10
STUDY OVERVIEW AND STATEMENT OF THE PROBLEM 10
1.1 Background of the Study 10
1.2 Research Questions 13
1.3 Research Objectives 13
1.4 Justification of the Study 13
1.5 Significance of the Study 14
1.6 Scope of the Study 15
1.6.1Assumptions of the Study 16
CHAPTER TWO 17
LITERATURE REVIEW 17
2.1 Introduction 17
2.2 Common Forms of Child Abuse 17
2.2.1 Child ****** Abuse 17
2.2.2 Physiological or Emotional Abuse 17
2.2.3 Physical Abuse 18
2.2.4 Child Neglect or Abandonment 18
2.2.4.1 Physical Neglect 19
2.2.4.2 Educational Neglect 19
2.2.4.3 Medical Neglect 19
2.2.5 Child Fatalities 20
2.3 How Child Abuse Affects Academic Performance 20
2.3.1 Child Abuse and Academic Performance 20
2.3.2 Child Abuse and School Image 23
2.3.3 Child Abuse and Dropout Rate 25
2.4 Strategies that Schools can Employ to Curb Child Abuse 26
2.4.1 Role of Public Regulation 26
2.4.1.1 Nurturing and Attachment 27
2.4.1.2 Social Connections 27
2.5 Theoretical Framework 27
2.5.1 Learning Theory 28
2.5.1.1 Relationship with the Study 28
2.5.2 Family Dysfunction Theory 29
2.5.2.1 Relationship with the Study 29
CHAPTER THREE 30
RESEARCH DESIGN AND METHODOLOGY 30
3.0 Introduction 30
3.1 Site Description 30
3.2 Research Design 30
3.3.1 Target Population 30
3.3.2 Sample Size and Sampling Procedure 31
3.4 Description of Research Instruments 32
3.4.1 Research Instrument 32
3.4.1.1 Questionnaire 32
3.5 Data Collection Procedure 32
3.5.1 Validity and Reliability of Research Instruments 33
3.5.1.1 Reliability of Research Instruments 33
3.5.1.2 Validity 33
3.6 Data Analysis and Presentation 33
CHAPTER FOUR 35
DATA PRESENTATION AND ANALYSIS 35
4.0 Introduction 35
4.1 Background Information 35
4.1.1 Age of the Respondents 35
4.1.2 *** of the Respondents 35
4.1.3 Education Level of the Respondents 36
4.1.4 Marital Status 36
4.2 Specific Information 37
4.2.1 Effects of Child Abuse on Academic Performance 37
4.2.2 How Child Abuse Affects Dropout Rate of Students in School 38
4.2.3 Proposed Strategies that Schools can Employ to Curb Child Abuse 41
CHAPTER FIVE 43
SUMMARY, CONCLUSION AND RECOMMENDATIONS 43
5.0 Introduction 43
5.1 Summary of the findings 43
5.2 Discussion of the Findings 44
5.3 Conclusion 45
5.4 Recommendations 46
REFERENCES 47

LIST OF TABLES & FIGURES
Table 3.1 Target population 32
Table 3.1 Sample size 33
Table 4.1 Age of the Respondents 36
Table 4.2 *** of the Respondents 37
Table 4.3 Education Level of the Respondents 37
Table 4.4 Marital Status 38
Table 4.5 Effects of Child Abuse on Academic Performance 38
Table 4.6 How Child Abuse Affects Dropout Rate of Students in School 40
Figure 4.1 Views of the Pupils on Abuse 41
Table 4.7 Proposed Strategies that Schools can Employ to Curb Child Abuse 42





















ABSTRACT
Child abuse is the physical, ****** or emotional maltreatment or neglect of a child or children. The consequences of child maltreatment can be profound and may endure long after the abuse or neglect occurs. The purpose of the study was to investigate the effect of child abuse on school performance in Primary Schools in Kapyemit ward, Uasin-Gishu County. The objectives of the study were: To assess the impacts of child abuse on academic performance; to determine the effects of child abuse on schools image, to identify the impacts of child abuse on pupil drop out rate, to investigate the effects of child abuse on pupil transition rate. The study employed a survey study design. The study targeted 160 respondents which includes; 5 Head Teachers, 40 Teachers, 70 Pupils and 35 parents of which a sample size of 48 was obtained from using 30%. Purposive sampling technique was used in selecting the head teachers while simple random sampling technique will be used to select the teachers, Pupils and parents who formed the respondents of the study. Questionnaires and interview schedules were used as data collection instruments. Data was analyzed quantitatively and qualitatively and presented in form of tables, percentages and frequency. The study helped in the understanding of the effects of child abuse on the school performance, the realization of the roles parents and teachers play in the curbing of child abuse among pupils and raising awareness on the same.
 
CHAPTER ONE
STUDY OVERVIEW AND STATEMENT OF THE PROBLEM
1.1 Background of the Study
Child abuse is the physical, ****** or emotional maltreatment or neglect of a child or children. The consequences of child maltreatment can be profound and may endure long after the abuse or neglect occurs. The effects can appear in childhood, adolescence, or adulthood, and may affect various aspects of an individual's development (e.g., physical, cognitive, psychological, and behavioral). These effects range in consequence from minor physical injuries, low self-esteem, attention disorders, and poor peer relations to severe brain damage, extremely violent behavior, and death. In extreme cases, child abuse affects the performance of schools in the affected region (Daniel, 1978).
Performance refers to how students deal with their academic studies and how they cope with or accomplish different tasks given to them by their teachers. Performance is also the ability of a school to portray a good image which can influence the public (Decastro, 1978). There are several factors that influence the performance of a school at large, however, there is a critical factor that most researchers have avoided to discuss, and child abuse has been a crucial factor that has contributed to children’s dismal performance. Apart from children’s personal intelligence, child abuse is among then key factors contributing to poor performance of learners. Child abuse can lead to school dropping, emotional trauma or can even be fatal, hence destructing or even terminating the educational ambitions of a child. (Harris, 2005)
Worldwide, according to World Health Organization (WHO, 2000) approximately 40 million children are subjected to child abuse each year. According to Human Rights Watch (2001) about 30% of all severely disabled children relegated to special homes in the Ukraine died before they reached 18 years of age. UNICEF estimates that two million children died as a result of armed conflict during a recent 10-year period and that another six million were injured or disabled. In Canada, the U.S. and Mexico, over 6.5 million children annually are exposed to unwanted ****** materials over the internet; over 1.7 million of these report distress over exposure to these materials. In the United States, the Centers for Disease Control and Prevention (CDC) and the Department for Children and Families (DCF) define child maltreatment as any act or series of acts of commission or omission by a parent or other caregiver that results in harm, potential for harm, or threat of harm to a child. Child abuse can occur in a child's home, or in the organizations, schools or communities the child interacts with. Each year, approximately one million children around the world are introduced into commercial ****** exploitation despite this problem; these developed countries have put measures to curb the vice. Rehabilitation schools have been formed and introduction of counseling centers as well. Despite the prevalence of child abuse in this developed nations they narrowly affect the academic performance since there are organizations put in place to curb the situation e.g. child associations, guidance and counseling institutions, and school based counseling programs (Giles, 2001)
Concern for victims of child abuse in Africa expressed by the African network of the International Society for The Prevention of Child Abuse and Neglect (ISPCAN) which gave five main presentations of child abuse: child labor, street wandering, ****** abuse, child battering and abandonment (Elma, 1977). Child labor according to the international labor organization (ILO), about 10 million children less than 15years in Africa are in formal employment, working long hours with poor pay and are exposed to substantial health hazards. Wandering of children refers to children, usually unkempt and with delinquent propensities, living rough in town. The reasons for children taking to the street remain poorly understood particularly in relation to factors in the child rather than parental hostility and economic (Dubowitz, 2002)
****** abuse is another. For example, arranged under-age marriages are common in some parts of the continent and doubt was often expressed as to whether a young girl fully gave consent to being betrothed (Galdsone, 1965). Prevalence rates in Africa are very difficult to ascertain because of the fear of disclosure by victims and lack of proper documentation. Most of the girls by reasons of shame fear or surprisingly respect for their usually older perpetrators. Physical battering is also eminent. Physical abuse of children is widely claimed to berate in the third world; however, there are anecdotes from east Africa skeletal frame or localized body areas of all first attendees aged 0-12 years at this hospital during the four-year period 1 January 1987 to 31 December 1990 (Garbarino, 1975). Sixty-nine of these reports reveals evidence of multiple bone fractures wither without evidence of rib or skull fracture. Abandonment of children to roam around the streets in what we call street children is also eminent in Africa, though valid and adequate information on abandonment are difficult to obtain due mainly to failure of offending parents to show up out of guilt, shame, judicial repercussions or a combination of these. However, some euro-American missionaries identified inter alia breech birth. (Erickson, 2003)
Child protection measures in Kenya are currently not implemented effectively and fully (Galdstone, 1965). Compliance with such legislation would increase if the magnitude of the problem and better knowledge about the factors that put children at risk was available. Additionally, involving stakeholders, especially agencies charged with protection, as well as involving affected children, will highlight the issues and thereby promote adherence to protection policies. Kenyan children, child activists and children organizations are pinning their hopes on the implementation of the Children’s Act to improve the lot of the nation’s youth. The Act, which came into effect on 1 March 2002, puts in place full safeguards for the rights of the child. Its passage was a giant stride in harmonizing the national laws with international agreements which Kenya has signed such as the UN Conventions on the Rights of the Child (CRC, 2002)
There is hope that the new legislation will dramatically change the inattention, neglect and abuse towards child rights. The Act outlaws any form discrimination of children, and forbids Female Genital Mutilation (FGM), child prostitution, and child labor, among other forms of abuse. The Children’s Act has immensely improved the lives of many Kenyan children plagued with high illiteracy levels, frequent **** cases and child labor since it guarantees children the right to health and medical care, provision of which is the responsibility of the parents, the extended family and the government (Erickson, 2005).
Cases of child abuse in Uasin-Gishu region have been so eminent in the recent years ((Kenya Media Report, 2004). In the year 2010 and the year 2011, there was a program started to rehabilitate this behavior. This problem is clearly evident when you first arrive in Eldoret town, it is among the towns in the country with the highest number of abandoned children who keep on moving from one Centre to another seeking help from passersby. Parents have developed behaviors of abandoning their children and deliberately sending them to the town so that they can benefit from their borrowing. So to say this has led to child labor in this region. High profile cases of school dropouts have been recorded regarding the environs of this region. Young school children from different locations in Eldoret converge in town to persuade people to offer them financial assistance. Some attend school in numbered days and decide to spend some good number of days out of school.
The communities and societies around tend to assume this situation and term it as norm. A few who might seem concerned lack cooperation from the rest. This has adversely affected the performance of most of schools, hence leading to poor living standards of the people and a poisoned future of a young citizen. The problem has affected learners in regions like many areas in Uasin-Gishu County. It has really affected child development and affected their attendance and performance in school. Little intervention measures has been taken to advocate the holistic development of the children. It was to this reason that the researcher conducted the research in the named above region
1.2 Research Questions
The study was guided by the following questions;
1) What is the effect of child abuse on the academic performance of students in Kapyemit Ward?  
2) What are some of the proposed strategies that schools can employ to curb child abuse?
1.3 Research Objectives
The study was guided by the following research objectives;
1) To identify the effect of child abuse on the academic performance of students in Kapyemit Ward.
2) To identify proposed strategies that can be employed to help curb child abuse.
1.4 Justification of the Study
It is becoming increasingly difficult to separate child abuse prevention into separate categories. For instance, strategies on the societal level include increasing the “value” of children, increasing the economic self-sufficiency of families, discouraging corporal punishment and other forms of violence, making health care more accessible and affordable, expanding and improving coordination of social services, improving the identification and treatment of psychological problems and alcohol and drug abuse, providing more affordable child care and preventing the birth of unwanted children.
Very little analysis has been done to estimate the total cost of preventing child abuse and neglect or the long-term social costs of not preventing it. There is now a move to situate child abuse and neglect within the continuum of intervention which addresses multiple aspects of family behaviors. The efficacy of tackling portions of the problem of child abuse apart from broader societal needs is not known. And, perhaps prevention can only come in tandem with efforts to reduce poverty, improve health care and make children’s issues a national priority. However, despite these constraints, evaluations of prevention programs can be improved by coming to terms with definitions of key varia

Like a psychotic docent in the wilderness,
I will not speak in perfect Ciceronian cadences.
I draw my voice from a much deeper cistern,
Preferring the jittery synaptic archive,
So sublimely unfiltered, random and profane.
And though I am sequestered now,
Confined within the walls of a gated, golf-coursed,
Over-55 lunatic asylum (for Active Seniors I am told),
I remain oddly puerile,
Remarkably refreshed and unfettered.  
My institutionalization self-imposed,
Purposed for my own serenity, and also the safety of others.
Yet I abide, surprisingly emancipated and frisky.
I may not have found the peace I seek,
But the quiet has mercifully come at last.

The nexus of inner and outer space is context for my story.
I was born either in Brooklyn, New York or Shungopavi, Arizona,
More of intervention divine than census data.
Shungopavi: a designated place for tribal statistical purposes.
Shungopavi: an ovine abbatoir and shaman’s cloister.
The Hopi: my mother’s people, a state of mind and grace,
Deftly landlocked, so cunningly circumscribed,
By both interior and outer Navajo boundaries.
The Navajo: a coyote trickster people; a nation of sheep thieves,
Hornswoggled and landlocked themselves,
Subsumed within three of the so-called Four Corners:
A 3/4ths compromise and covenant,
Pickled in firewater, swaddled in fine print,
A veritable swindle concocted back when the USA
Had Manifest Destiny & mayhem on its mind.

The United States: once a pubescent synthesis of blood and thunder,
A bold caboodle of trooper spit and polish, unwashed brawlers, Scouts and      
Pathfinders, mountain men, numb-nut ne'er-do-wells,
Buffalo Bills & big-balled individualists, infected, insane with greed.
According to the Gospel of His Holiness Saint Zinn,
A People’s’ History of the United States: essentially state-sponsored terrorism,
A LAND RUSH grabocracy, orchestrated, blessed and anointed,
By a succession of Potomac sharks, Great White Fascist Fathers,
Far-Away-on-the Bay, the Bay we call The Chesapeake.
All demented national patriarchs craving lebensraum for God and country.
The USA: a 50-state Leviathan today, a nation jury-rigged,
Out of railroad ties, steel rails and baling wire,
Forged by a litany of lies, rapaciousness and ******,
And jaw-torn chunks of terra firma,
Bites both large and small out of our well-****** Native American ***.

Or culo, as in va’a fare in culo (literally "go do it in the ***")
Which Italian Americans pronounce as fongool.
The language center of my brain,
My sub-cortical Broca’s region,
So fraught with such semantic misfires,
And autonomic linguistic seizures,
Compel acknowledgement of a father’s contribution,
To both the gene pool and the genocide.
Columbus Day:  a conspicuously absent holiday out here in Indian Country.
No festivals or Fifth Avenue parades.
No excuse for ethnic hoopla. No guinea feast. No cannoli. No tarantella.
No excuse to not get drunk and not **** your sister-in-law.
Emphatically a day for prayer and contemplation,
A day of infamy like Pearl Harbor and 9/11,
October 12, 1492: not a discovery; an invasion.

Growing up in Brooklyn, things were always different for me,
Different in some sort of redskin/****/****--
Choose Your Favorite Ethnic Slur-sort of way.
The American Way: dehumanization for fun and profit.
Melting *** anonymity and denial of complicity with evil.
But this is no time to bring up America’s sordid past,
Or, a personal pet peeve: Indian Sovereignty.
For Uncle Sam and his minions, an ever-widening, conveniently flexible concept,
Not a commandment or law,
Not really a treaty or a compact,
Or even a business deal.  Let’s get real:
It was not even much in the way of a guideline.
Just some kind of an advisory, a bulletin or newsletter,
Could it merely have been a free-floating suggestion?
Yes, that’s it exactly: a suggestion.

Over and under halcyon American skies,
Over and around those majestic purple mountain peaks,
Those trapped in poetic amber waves of wheat and oats,
Corn and barley, wheat shredded and puffed,
Corn flaked and milled, Wheat Chex and Wheaties, oats that are little Os;
Kix and Trix, Fiber One, and Kashi-Go-Lean, Lucky Charms and matso *****,
Kreplach and kishka,
Polenta and risotto.
Our cantaloupe and squash patch,
Our fruited prairie plain, our delicate ecological Eden,
In balance and harmony with nature, as Chief Joseph of the Nez Perce instructs:
“These white devils are not going to,
Stop ****** and killing, cheating and eating us,
Until they have the whole ******* enchilada.
I’m talking about ‘from sea to shining sea.’”

“I fight no more forever,” Babaloo.
So I must steer this clunky keelboat of discovery,
Back to the main channel of my sad and starry demented river.
My warpath is personal but not historical.
It is my brain’s own convoluted cognitive process I cannot saavy.
Whatever biochemical or—as I suspect more each day—
Whatever bio-mechanical protocols govern my identity,
My weltanschauung: my world-view, as sprechen by proto-Nazis;
Putz philosophers of the 17th, 18th & 19th century.
The German intelligentsia: what a cavalcade of maniacal *******!
Why is this Jew unsurprised these Zarathustra-fueled Übermenschen . . .
Be it the Kaiser--Caesar in Deutsch--Bismarck, ******, or,
Even that Euro-*****,  Angela Merkel . . . Why am I not surprised these Huns,
Get global grab-*** on the sauerbraten cabeza every few generations?
To be, or not to be the ***** bullgoose loony: GOTT.

Biomechanical protocols govern my identity and are implanted while I sleep.
My brain--my weak and weary CPU--is replenished, my discs defragmented.
A suite of magnetic and optical white rooms, cleansed free of contaminants,
Gun mounts & lifeboat stations manned and ready,
Standing at attention and saluting British snap-style,
Snap-to and heel click, ramrod straight and cheerful: “Ready for duty, Sir.”
My mind is ravenous, lusting for something, anything to process.
Any memory or image, lyric or construct,
Be they short-term dailies or deeply imprinted.
Fixations archived one and all in deep storage time and space.
Memories, some subconscious, most vaporous;
Others--the scary ones—eidetic: frighteningly detailed and extraordinarily vivid.
Precise cognitive transcripts; recollected so richly rife and fresh.
Visual, auditory, tactile, gustatory, and olfactory reloads:
Queued up and increasingly re-experienced.

The bio-data of six decades: it’s all there.
People, countless, places and things cataloged.
Every event, joy and trauma enveloped from within or,
Accessed externally from biomechanical storage devices.
The random access memory of a lifetime,
Read and recollected from cerebral repositories and vaults,
All the while the entire greedy process overseen,
Over-driven by that all-subservient British bat-man,
Rummaging through the data in batches small and large,
Internal and external drives working in seamless syncopation,
Self-referential, at times paradoxical or infinitely looped.
“Cogito ergo sum."
Descartes stripped it down to the basics but there’s more to the story:
Thinking about thinking.
A curse and minefield for the cerebral:  metacognition.

No, it is not the fact that thought exists,
Or even the thoughts themselves.
But the information technology of thought that baffles me,
As adaptive and profound as any evolution posited by Darwin,
Beyond the wetware in my skull, an entirely new operating system.
My mental and cultural landscape are becoming one.
Machines are connecting the two.
It’s what I am and what I am becoming.
Once more for emphasis:
It is the information technology of who I am.
It is the operating system of my mental and cultural landscape.
It is the machinery connecting the two.
This is the central point of this narrative:
Metacognition--your superego’s yenta Cassandra,
Screaming, screaming in your psychic ear, your good ear:

“LISTEN:  The machines are taking over, taking you over.
Your identity and train of thought are repeatedly hijacked,
Switched off the main line onto spurs and tangents,
Only marginally connected or not at all.
(Incoming TEXT from my editor: “Lighten Up, Giuseppi!”)
Reminding me again that most in my audience,
Rarely get past the comic page. All righty then: think Calvin & Hobbes.
John Calvin, a precocious and adventurous six-year old boy,
Subject to flights of 16th Century French theological fancy.
Thomas Hobbes, a sardonic anthropomorphic tiger from 17th Century England,
Mumbling about life being “solitary, poor, nasty, brutish and short.”
Taken together--their antics and shenanigans--their relationship to each other,
Remind us of our dual nature; explore for us broad issues like public education;
The economy, environmentalism & the Global ****** Thermometer;
Not to mention the numerous flaws of opinion polls.



And again my editor TEXTS me, reminds me again: “LIGHTEN UP!”
Consoling me:  “Even Shakespeare had to play to the groundlings.”
The groundlings, AKA: The Rabble.
Yes. Even the ******* Bard, even Willie the Shake,
Had to contend with a decidedly lowbrow copse of carrion.
Oh yes, the groundlings, a carrion herd, a flying flock of carrion seagulls,
Carrion crow, carrion-feeders one and all,
And let’s throw Sheryl Crow into the mix while we’re at it:
“Hit it! This ain't no disco. And it ain't no country club either, this is L.A.”  

                  Send "All I Wanna Do" Ringtone to your Cell              

Once more, I digress.
The Rabble:  an amorphous, gelatinous Jabba the Hutt of commonality.
The Rabble: drunk, debauched & lawless.
Too *****-delicious to stop Bill & Hilary from thinking about tomorrow;
Too Paul McCartney My Love Does it Good to think twice.

The Roman Saturnalia: a weeklong **** fest.
The Saturnalia: originally a pagan kink-fest in honor of the deity Saturn.
Dovetailing nicely with the advent of the Christian era,
With a project started by Il Capo di Tutti Capi,
One of the early popes, co-opting the Roman calendar between 17 and 25 December,
Putting the finishing touches on the Jesus myth.
For Brooklyn Hopi-***-Jew baby boomers like me,
Saturnalia manifested itself as Disco Fever,
Unpleasant years of electrolysis, scrunched ***** in tight polyester
For Roman plebeians, for the great unwashed citizenry of Rome,
Saturnalia was just a great big Italian wedding:
A true family blowout and once-in-a-lifetime ego-trip for Dad,
The father of the bride, Vito Corleone, Don for A Day:
“Some think the world is made for fun and frolic,
And so do I! Funicula, Funiculi!”

America: love it or leave it; my country right or wrong.
Sure, we were citizens of Rome,
But any Joe Josephus spending the night under a Tiber bridge,
Or sleeping off a three day drunk some afternoon,
Up in the Coliseum bleachers, the cheap seats, out beyond the monuments,
The original three monuments in the old stadium,
Standing out in fair territory out in center field,
Those three stone slabs honoring Gehrig, Huggins, and Babe.
Yes, in the house that Ruth built--Home of the Bronx Bombers--***?
Any Joe Josephus knows:  Roman citizenship doesn’t do too much for you,
Except get you paxed, taxed & drafted into the Legion.
For us the Roman lifestyle was HIND-*** humble.
We plebeians drew our grandeur by association with Empire.
Very few Romans and certainly only those of the patrician class lived high,
High on the hog, enjoying a worldly extravaganza, like—whom do we both know?

Okay, let’s say Laurence Olivier as Crassus in Spartacus.
Come on, you saw Spartacus fifteen ******* times.
Remember Crassus?
Crassus: that ***** twisted **** trying to get his freak on with,
Tony Curtis in a sunken marble tub?
We plebes led lives of quiet *****-scratching desperation,
A bunch of would-be legionnaires, diseased half the time,
Paid in salt tablets or baccala, salted codfish soaked yellow in olive oil.
Stiffs we used to call them on New Year’s Eve in Brooklyn.
Let’s face it: we were hyenas eating someone else’s ****,
Stage-door jackals, Juvenal-come-late-lies, a mob of moronic mook boneheads
Bought off with bread & circuses and Reality TV.
Each night, dished up a wide variety of lowbrow Elizabethan-era entertainments.  
We contemplate an evening on the town, downtown—
(cue Petula Clark/Send "Downtown" Ringtone to your Cell)

On any given London night, to wit:  mummers, jugglers, bear & bull baiters.
How about dog & **** fighters, quoits & skittles, alehouses & brothels?
In short, somewhere, anywhere else,
Anywhere other than down along the Thames,
At Bankside in Southwark, down in the Globe Theater mosh pit,
Slugging it out with the groundlings whose only interest,
In the performance is the choreography of swordplay and stale ****** puns.
Meanwhile, Hugh Fennyman--probably a fellow Jew,
An English Renaissance Bugsy Siegel or Mickey Cohen—
Meanwhile Fennyman, the local mob boss is getting his ya-yas,
Roasting the feet of my text-messaging editor, Philip Henslowe.
Poor and pathetic Henslowe, works on commission, always scrounging,
But a true patron of my craft, a gentleman of infinite jest and patience,
Spiritual subsistence, and every now and then a good meal at some,
Sawdust joint with oyster shells, and a Prufrockian silk purse of T.S. Eliot gold.

Poor, pathetic Henslowe, trussed up by Fennyman,
His editorial feet in what looks like a Japanese hibachi.
Henslowe’s feet to the fire--feet to the fire—get it?
A catchy phrase whose derivation conjures up,
A grotesque yet vivid image of torture,
An exquisite insight into how such phrases ingress the idiom,
Not to mention a scene once witnessed at a secret Romanian CIA prison,
I’d been ordered to Bucharest not long after 9/11,
Handling the rendition and torture of Habib Ghazzawy,

An entirely innocent falafel maker from Steinway Street, Astoria, Queens.
Shock the Monkey: it’s what we do. GOTO:
Peter Gabriel - Shock the Monkey/
(HQ music video) - YouTube//
www.youtube.com/
Poor, pathetic, ******-on Henslowe.


Fennyman :  (his avarice is whet by something Philly screams out about a new script)  "A play takes time. Find actors; Rehearsals. Let's say open in three weeks. That's--what--five hundred groundlings at tuppence each, in addition four hundred groundlings tuppence each, in addition four hundred backsides at three pence--a penny extra for a cushion, call it two hundred cushions, say two performances for safety how much is that Mr. Frees?"
Jacobean Tweet, John (1580-1684) Webster:  “I saw him kissing her bubbies.”

It’s Geoffrey Rush, channeling Henslowe again,
My editor, a singed smoking madman now,
Feet in an ice bucket, instructing me once more:
“Lighten things up, you know . . .
Comedy, love and a bit with a dog.”
I digress again and return to Hopi Land, back to my shaman-monastic abattoir,
That Zen Center in downtown Shungopavi.
At the Tribal Enrolment Office I make my case for a Certificate of Indian Blood,
Called a CIB by the Natives and the U.S. Bureau of Indian Affairs.
The BIA:  representing gold & uranium miners, cattle and sheep ranchers,
Sodbusters & homesteaders; railroaders and dam builders since 1824.
Just in time for Andrew Jackson, another false friend of Native America,
Just before Old Hickory, one of many Democratic Party hypocrites and scoundrels,
Gives the FONGOOL, up the CULO go ahead.
Hey Andy, I’ve got your Jacksonian democracy: Hanging!
The Bureau of Indian Affairs (BIA) mission is to:   "… enhance the quality of life, to promote economic opportunity, and to carry out the responsibility to protect and improve the trust assets of American Indians, Indian tribes, and Alaska Natives. What’s that in the fine print?  Uncle Sammy holds “the trust assets of American Indians.”

Here’s a ******* tip, Geronimo: if he trusted you,
It would ALL belong to you.
To you and The People.
But it’s all fork-tongued white *******.
If true, Indian sovereignty would cease to be a sick one-liner,
Cease to be a blunt force punch line, more of,
King Leopold’s 19th Century stand-up comedy schtick,
Leo Presents: The **** of the Congo.
La Belgique mission civilisatrice—
That’s what French speakers called Uncle Leo’s imperial public policy,
Bringing the gift of civilization to central Africa.
Like Manifest Destiny in America, it had a nice colonial ring to it.
“Our manifest destiny [is] to overspread the continent,
Allotted by Providence for the free development,
Of our yearly multiplying millions.”  John L. O'Sullivan, 1845

Our civilizing mission or manifest destiny:
Either/or, a catchy turn of phrase;
Not unlike another ironic euphemism and semantic subterfuge:
The Pacification of the West; Pacification?
Hardly: decidedly not too peaceful for Cochise & Tonto.
Meanwhile, Madonna is cash rich but disrespected Evita poor,
To wit: A ****** on the Rocks (throwing in a byte or 2 of Da Vinci Code).
Meanwhile, Miss Ciccone denied her golden totem *****.
They snubbed that little guinea ****, didn’t they?
Snubbed her, robbed her rotten.
Evita, her magnum opus, right up there with . . .
Her SNL Wayne’s World skit:
“Get a load of the unit on that guy.”
Or, that infamous MTV Music Video Awards stunt,
That classic ***** Lip-Lock with Britney Spears.

How could I not see that Oscar snubola as prime evidence?
It was just another stunning case of American anti-Italian racial animus.
Anyone familiar with Noam Chomsky would see it,
Must view it in the same context as the Sacco & Vanzetti case,
Or, that arbitrary lynching of 9 Italian-Americans in New Orleans in 1891,
To cite just two instances of anti-Italian judicial reach & mob violence,
Much like what happened to my cousin Dominic,
Gang-***** by the Harlem Globetrotters, in their locker room during halftime,
While he working for Abe Saperstein back in 1952.
Dom was doing advance for Abe, supporting creation of The Washington Generals:
A permanent stable of hoop dream patsies and foils,
Named for the ever freewheeling, glad-handing, backslapping,
Supreme Commander Allied Expeditionary Force (SCAEF), himself,
Namely General Dwight D. Eisenhower, the man they liked,
And called IKE: quite possibly a crypto Jew from Abilene.

Of course, Harry Truman was my first Great White Fascist Father,
Back in 1946, when I first opened my eyes, hung up there,
High above, looking down from the adobe wall.
Surveying the entire circular kiva,
I had the best seat in the house.
Don’t let it be said my Spider Grandmother or Hopi Corn Mother,
Did not want me looking around at things,
Discovering what made me special.
Didn’t divine intervention play a significant part of my creation?
Knowing Mamma Mia and Nonna were Deities,
Gave me an edge later on the streets of Brooklyn.
The Cradleboard: was there ever a more divinely inspired gift to human curiosity? The Cradleboard: a perfect vantage point, an infant’s early grasp,
Of life harmonious, suspended between Mother Earth and Father Sky.
Simply put: the Hopi should be running our ******* public schools.

But it was IKE with whom I first associated,
Associated with the concept 1600 Pennsylvania Avenue.
I liked IKE. Who didn’t?
What was not to like?
He won the ******* war, didn’t he?
And he wasn’t one of those crazy **** John Birchers,
Way out there, on the far right lunatic Republican fringe,
Was he? (It seems odd and nearly impossible to believe in 2013,
That there was once a time in our Boomer lives,
When the extreme right wing of the Republican Party
Was viewed by the FBI as an actual threat to American democracy.)
Understand: it was at a time when The FBI,
Had little ideological baggage,
But a great appetite for secrets,
The insuppressible Jay Edgar doing his thang.

IKE: of whom we grew so, oh-so Fifties fond.
Good old reliable, Nathan Shaking IKE:
He’d been fixed, hadn’t he? Had had the psychic snip.
Snipped as a West Point cadet & parade ground martinet.
Which made IKE a good man to have in a pinch,
Especially when crucial policy direction was way above his pay grade.
Cousin Dom was Saperstein’s bagman, bribing out the opposition,
Which came mainly from religious and patriotic organizations,
Viewing the bogus white sports franchise as obscene.
The Washington Generals, Saperstein’s new team would have but one opponent,
And one sole mission: to serve as the **** of endless jokes and sight gags for—
Negroes.  To play the chronic fools of--
Negroes.  To be chronically humiliated and insulted by—
Negroes.  To run up and down the boards all night, being outran by—
Negroes.  Not to mention having to wear baggy silk shorts.



Meadowlark Lemon:  “Yeah, Charlie, we ***** that grease-ball Dominic; we shagged his guinea mouth and culo rotten.”  

(interviewed in his Scottsdale, AZ winter residence in 2003 by former ESPN commentator Charlie Steiner, Malverne High School, Class of ’67.)
                                                        
  ­                                                                 ­                 
IKE, briefed on the issue by higher-ups, quickly got behind the idea.
The Harlem Globetrotters were to exist, and continue to exist,
Are sustained financially by Illuminati sponsors,
For one reason and one reason only:
To serve elite interests that the ***** be kept down and subservient,
That the minstrel show be perpetuated,
A policy surviving the elaborate window dressing of the civil rights movement, Affirmative action, and our first Uncle Tom president.
Case in point:  Charles Barkley, Dennis Rodman & Metta World Peace Artest.
Cha-cha-cha changing again:  I am Robert Allen Zimmermann,
A whiny, skinny Jew, ****** and rolling in from Minnesota,
Arrested, obviously a vagrant, caught strolling around his tony Jersey enclave,
Having moved on up the list, the A-list, a special invitation-only,
Yom Kippur Passover Seder:  Next Year in Jerusalem, Babaloo!

I take ownership of all my autonomic and conditioned reflexes;
Each personal neural arc and pathway,
All shenanigans & shellackings,
Or blunt force cognitive traumas.
It’s all percolating nicely now, thank you,
In kitchen counter earthen crockery:
Random access memory: a slow-cook crockpot,
Bubbling through my psychic sieve.
My memories seem only remotely familiar,
Distant and vague, at times unreal:
An alien hybrid databank accessed accidently on purpose;
Flaky science sustains and monitors my nervous system.
And leads us to an overwhelming question:
Is it true that John Dillinger’s ******* is in the Smithsonian Museum?
Enquiring minds want to know, Kemosabe!

“Any last words, *******?” TWEETS Adam Smith.
Postmortem cyber-graffiti, an epitaph carved in space;
Last words, so singular and simple,
Across the universal great divide,
Frisbee-d, like a Pleistocene Kubrick bone,
Tossed randomly into space,
Morphing into a gyroscopic space station.
Mr. Smith, a calypso capitalist, and me,
Me, the Poet Laureate of the United States and Adam;
Who, I didn’t know from Adam.
But we tripped the light fantastic,
We boogied the Protestant Work Ethic,
To the tune of that old Scotch-Presbyterian favorite,
Variations of a 5-point Calvinist theme: Total Depravity; Election; Particular Redemption; Irresistible Grace; & Perseverance of the Saints.

Mr. Smith, the author of An Inquiry into the Nature
& Causes of the Wealth of Nations (1776),
One of the best-known, intellectual rationales for:
Free trade, capitalism, and libertarianism,
The latter term a euphemism for Social Darwinism.
Prior to 1764, Calvinists in France were called Huguenots,
A persecuted religious majority . . . is that possible?
A persecuted majority of Edict of Nantes repute.
Adam Smith, likely of French Huguenot Jewish ancestry himself,
Reminds me that it is my principal plus interest giving me my daily gluten.
And don’t think the irony escapes me now,
A realization that it has taken me nearly all my life to see again,
What I once saw so vividly as a child, way back when.
Before I put away childish things, including the following sentiment:
“All I need is the air that I breathe.”

  Send "The Air That I Breathe" Ringtone to your Cell  

The Hippies were right, of course.
The Hollies had it all figured out.
With the answer, as usual, right there in the lyrics.
But you were lucky if you were listening.
There was a time before I embraced,
The other “legendary” economists:
The inexorable Marx,
The savage society of Veblen,
The heresies we know so well of Keynes.
I was a child.
And when I was a child, I spake as a child—
Grazie mille, King James—
I understood as a child; I thought as a child.
But when I became a man I jumped on the bus with the band,
Hopped on the irresistible bandwagon of Adam Smith.

Smith:  “Any last words, *******?”
Okay, you were right: man is rationally self-interested.
Grazie tanto, Scotch Enlightenment,
An intellectual movement driven by,
An alliance of Calvinists and Illuminati,
Freemasons and Johnny Walker Black.
Talk about an irresistible bandwagon:
Smith, the gloomy Malthus, and David Ricardo,
Another Jew boy born in London, England,
Third of 17 children of a Sephardic family of Portuguese origin,
Who had recently relocated from the Dutch Republic.
******* Jews!
Like everything shrewd, sane and practical in this world,
WE also invented the concept:  FOLLOW THE MONEY.

The lyrics: if you were really listening, you’d get it:
Respiration keeps one sufficiently busy,
Just breathing free can be a full-time job,
Especially when--borrowing a phrase from British cricketers—,
One contemplates the sorry state of the wicket.
Now that I am gainfully superannuated,
Pensioned off the employment radar screen.
Oft I go there into the wild ebon yonder,
Wandering the brain cloud at will.
My journey indulges curiosity, creativity and deceit.
I free range the sticky wicket,
I have no particular place to go.
Snagging some random fact or factoid,
A stop & go rural postal route,
Jumping on and off the brain cloud.

Just sampling really,
But every now and then, gorging myself,
At some information super smorgasbord,
At a Good Samaritan Rest Stop,
I ponder my own frazzled neurology,
When I was a child—
Before I learned the grim economic facts of life and Judaism,
Before I learned Hebrew,
Before my laissez-faire Bar Mitzvah lessons,
Under the rabbinical tutelage of Rebbe Kahane--
I knew what every clever child knows about life:
The surfing itself is the destination.
Accessing RAM--random access memory—
On a strictly need to know basis.
RAM:  a pretty good name for consciousness these days.

If I were an Asimov or Sir Arthur (Sri Lankabhimanya) Clarke,
I’d get freaky now, riffing on Terminators, Time Travel and Cyborgs.
But this is truth not science fiction.
Nevertheless, someone had better,
Come up with another name for cyborg.
Some other name for a critter,
Composed of both biological and artificial parts?
Parts-is-parts--be they electronic, mechanical or robotic.
But after a lifetime of science fiction media,
After a steady media diet, rife with dystopian technology nightmares,
Is anyone likely to admit to being a cyborg?
Since I always give credit where credit is due,
I acknowledge that cyborg was a term coined in 1960,
By Manfred Clynes & Nathan S. Kline and,
Used to identify a self-regulating human-machine system in outer space.

Five years later D. S. Halacy's: Cyborg: Evolution of the Superman,
Featured an introduction, which spoke of:  “… a new frontier, that was not,
Merely space, but more profoundly, the relationship between inner space,
And outer space; a bridge, i.e., between mind and matter.”
So, by definition, a cyborg defined is an organism with,
Technology-enhanced abilities: an antenna array,
Replacing what was once sentient and human.
My glands, once in control of metabolism and emotions,
Have been replaced by several servomechanisms.
I am biomechanical and gluttonous.
Soaking up and breathing out the atmosphere,
My Baby Boom experience of six decades,
Homogenized and homespun, feedback looped,
Endlessly networked through predigested mass media,
Culture as demographically targeted content.

This must have something to do with my own metamorphosis.
I think of Gregor Samsa, a Kafkaesque character if there ever was one.
And though we share common traits,
My evolutionary progress surpasses and transcends his.
Samsa--Phylum and Class--was, after all, an insect.
Nonetheless, I remain a changeling.
Have I not seen many stages of growth?
Each a painful metamorphic cycle,
From exquisite first egg,
Through caterpillar’s appetite & squirm.
To phlegmatic bliss and pupa quietude,
I unfold my wings in a rush of Van Gogh palette,
Color, texture, movement and grace, lift off, flapping in flight.
My eyes have witnessed wondrous transformations,
My experience, nouveau riche and distinctly self-referential;
For the most part unspecific & longitudinally pedestrian.

Yes, something has happened to me along the way.
I am no longer certain of my identity as a human being.
Time and technology has altered my basic wiring diagram.
I suspect the sophisticated gadgets and tools,
I’ve been using to shape & make sense of my environment,
Have reared up and turned around on me.
My tools have reshaped my brain & central nervous system.
Remaking me as something simultaneously more and less human.
The electronic toys and tools I once so lovingly embraced,
Have turned unpredictable and rabid,
Their bite penetrating my skin and septic now, a cluster of implanted sensors,
Content: currency made increasingly more valuable as time passes,
Served up by and serving the interests of a pervasively predatory 1%.
And the rest of us: the so-called 99%?
No longer human; simply put by both Howards--Beale & Zinn--

Humanoid.

Random Sampling

Coughing up a lung,
sticking out my tongue.
Looking up her skirt,
dropped my pencil in the dirt.
Watching movies just for fun,
I will never own a gun.
Cat **** on the floor,
kicked it out the door.
Jake The Snake and The Macho Man,
will forever be a wresting fan.
Heavy metal and hard rock,
Skid Row's singer was Sebastian Bach.
New Jersey's pizza is the best,
it would beat New York's in any taste test.
Slept with girls, I didn't like,
soon after, I made them take a hike.
Never slept with a man,
if the money was right, I guess I can.
Love all my family and friends,
mess with them and I will defends.
Done some killer drugs,
stuck screwdrivers in some plugs.
I love paper, I love pen,
I'm more smart than the Three Wise Men.
Pina Colada's in Margaitaville,
then I take the bitter pill.
I still love eighties music,
it's relaxing and therapeutic.
Baseball is my favorite sport,
the Phillies, I will always support.
The next Super Bowl will be held in San Quentin,
***** girls take it on the chin.
I had a few nervous breakdowns,
I've put on a few to many pounds.
Allen does what Allen wants,
how's that for my final response.

there are so many places to hide,

in my home at 17th and South screaming death threats at my roommates laughing diabolically playing  videogames and Jeopardy cooking quinoa stretching canvas the dog going mad frothing lunging  spastic to get the monkeys or the wookies or whatever random commandments we issue forth  drunken while Schlock rampages the backdrop,

at my uncle's row house on 22nd and Wallace with my shoes off freezing skipping class to watch March  Madness unwrapping waxpaper hoagies grimacing with each sip of Cherrywine or creamsicle  soda reading chapters at my leisure,

in the stacks among fiberglass and eternal florescent lima-tiled and echo-prone red-eyed and white-faced  caked with asbestos and headphones exhuming ossified pages from layers of cosmic dust  presiding benevolent,

in University City disguised in nothing but a name infiltrating Penn club soccer getting caught after  scoring yet still invited to the pure ***** joy of hell and heaven house parties of ice luge jungle  juice kegstand coke politic networking,

at Drexel's nightlit astroturf with the Jamaicans rolling blunts on the sidelines playing soccer floating in  slo-mo through billows of purple till the early morning or basketball at Penn against goggle- eyed professors in kneepads and copious sweat,

in the shadow tunnels behind Franklin Field always late night loner overlooking rust belt rails abandoned  to an absent tempo till tomorrow never looking behind me in the fear that someone is there,

at Phillies Stadium on glorious summer Tuesdays for dollar dog night laden with algebra geometry and  physics purposely forgetting to apply ballistics to the majestic arc of a home run or in the frozen  subway steam selling F.U. T.O. t-shirts to Eagles fans gnashing when the Cowboys come to town,

at 17th and Sansom in the morning bounding from Little Pete's scrambled eggs toast and black coffee  studying in the Spring thinking All is Full of Love in my ears leaving fog pollen footprints on the  smoking cement blooming,

at the Shambhala Center with dharma lotus dripping from heels soaking rosewater insides thrumming to the  groan of meditation,

at the Art Museum Greco-fleshed and ponderous counting tourists running the Rocky steps staring into shoji screen tatame teahouses,

at the Lebanese place plunked boldly in Reading Terminal Market buying hummus bumping past the Polish  and Irish on my way to the Amish with their wheelwagons packed with pretzels and honey and  chocolate and tea,

at the motheaten thrift store on North Broad buried under sad accumulations of ramshackle clothing  clowning ridiculous in the dim squinting at coathangers through magnifying glasses and mudflat  leather hoping to salvage something insane,

in the brown catacombed warrens of gutted Subterranea trying unsuccessfully to ignore bearded medicine

men adorned with shaman shell necklaces hawking incense bootlegs and broken Zippos halting conversation to listen pensive to the displacement of air after each train hurtles by,

at 30th Street Station cathedral sitting dwarfed by columns Herculean in their ascent and golden light  thunderclap whirligig wings on high circling the luminous waiting sprawled nascent on stringwood pews,

at the Masonic Temple next to City Hall, pretending to be a tourist all the while hoping scouring for clues in the cryptic grand architect apocrypha to expose global conspiracies,

at the Trocadero Electric Factory TLA Khyber Unitarian Church dungeon breaking my neck to basso  perfecto glitch kick drums with a giant's foot stampeding breakbeat holographic mind-boggled  hole-in-the-skull intonations,

at the Medusa Lounge Tritone Bob and Barbara's Silk City et cetera with a pitcher a pounder of Pabst and a  shot of Jim Beam glowing in the dark at the foosball table disco ball bopstepping to hip hop and  jazz and accordions and piano and vinyl,

in gray Fishtown at Gino's recording rap holding pizza debates on the ethics of sampling anything by  David Axelrod rattling tambourines and smiles at the Russian shopgirl downstairs still chained to  soul record crackles of antiquity spiraling from windows above,

at Sam Doom's on 12th and Spring Garden crafting friendship in greenhouse egg crate foam closets  breaking to scrutinize cinema and celebrate Thanksgiving blessed by holy chef Kronick,

in the company of Emily all over or in Kohn's Antiques salvaging for consanguinity and quirky heirlooms  discussing mortality and cancer and celestial funk chord blues as a cosmological constant and  communism and Cuba over mango brown rice plantains baking oatmeal chocolate chip cookies,

in a Coca Cola truck riding shotgun hot as hell hungover below the raging Kensington El at 6 AM nodding soft to the teamsters' curses the snagglesouled destitute crawling forth poisoned from sheet-metal shanty cardboard box projects this is not desolate,

at the impound lot yet again accusing tow trucks of false pretext paying up sheepish swearing I'll have my  revenge,

in the afterhour streets practicing trashcan kung fu and cinder block shotput shouting sauvage operatic at  tattooed bike messenger tribesmen pitstopped at the food trucks,

in the embrace of those I don't love the names sometimes rush at me drowned and I pray to myself for  asylum,

in the ciphers I host always at least 8 emcee lyric clerics summoning elemental until every pore ruptures  and their eyes erupt furious forever the profound voice of dreadlocked Will still haunting stray  bullet shuffles six years later,

in the caldera of Center City with everyone craning our skulls skyward past the stepped skyscrapers  beaming ear-to-ear welcoming acid sun rain melting maddeningly to reconstitute as concrete  rubber steel glass glowing nymphs,

in Philadelphia where every angle is accounted for and every megawatt careers into every throbbing wall where  Art is a mirror universe for every event ever volleyed through the neurons of History,

in Philadelphia of so many places to hide I am altogether as a funnel cloud frenetic roiling imbuing every corner sanctum sanctorum with jackhammer electromagnetism quivering current realizing stupefied I have failed so utterly wonderful human for in seeking to hide I have found

in Philadelphia

it's hard to
be with you
and not get *****
your ***
your stomach
everything about you
makes me feel like
I just want to lift you up and throw you on the bed
rip your clothes off

and **** u so hard
until u *** all over
and scream and moan
and breathe so heavy
I want to feel your warm breath
on my neck
I want to feel your voice vibrate
as you give me head
I want to hear you say oh yes
as I ******* on the desk
and lift you up
and feel your *** cheeks
in my hands
girl I can't stand
to watch you walk away
without having a taste
and a sampling
of that wetness
my body yearns for you
it's a machine
that wants to be strong
and make you feel so good
that you can't imagine
ever touching another man
because
I'm your rock

When I had you in my arms
took hold of you
took control of you
you're mine now
I'm going to dominate you
and she likes it
she likes when I take over
and **** her all over
in several different positions
on the counter
to the bed
she ****** me, she was on top
and i felt that *** go up and down
and clap against my *****
then I flipped her over
and got on top
and ****** her hard and slow

she wanted to *** on my ****

which was perfectly fine with me
as I was caressing her ****

I ****** her against hte wall
threw her against the dresser
rubbed her *** on it
hard and aggressively
and made her breath
heavily

I lifted her leg up and pinned her against the wall
and felt all of her walls
as I pulled out and slid back in
all the way to the tip
to the base of my ****
she said does that feel good baby
I said yeah it's the best

she sent me pictures
of her *** and ****
and her pretty face
and I couldn't help but think
about how I wanted to take
my **** and go up in it
pull out
and *** all over her ***
and make her feel it
make her moan
make her legs shake
and vibrate
I want to make her ***** feel like
it's having a 7.1 earthquake
on the richter
I fixed her
she was stressed out
feeling uneasy
anxious
and an ****** relaxed her
gave her the endorphins she needs
to go about the rest of the week
let's **** baby
let's do it all night long
til we can't go anymore
and we're left laying on the bed
holding each other
laying sideways
with no pillows
forgetting about
how we usually sleep
and our bodies locked in
to each other
we're the same one another
we're a unit
together
*******, not just for pleasure
but to satisfy our needs
and emotionally
doing each other good deeds
so we can go to bed
and get good sleep
and be better people
we're a strong couple
and we always know how to make the bed rumble

it's almost beautiful, we created the thing called
money, in order to turn tribalism
into a myth of Eden (alone, stark naked) -
          it's almost as if we deviated from
creating it and asking for family values,
            but never got them,
       i'm trying to imagine a Russia where
Rasputin wrote a book
that might have resounded with Nietzsche's
ubermensch - but thankfully precipitated into
world war i & ii... fancy the interlude:
a cold war i, now the cold war ii...
you should be happy, to be honest, it's the best
status quo you'll ever get...
but **** me, 1970s disco craze: even i'm
like Mozart-who?
               a little notebook, and my getting
drunk thoughts in it, funny how drink intellect
knows all too well about the: diminished responsibility
white flag -
              as with the **** chokes come the
drunk-and-writing-a-poem jokes,
                                i'd say blame Al Capone!
you know how many diacritical distinctions i could
insert into that surname? diacritical marks
are ulterior forces at-be when all punctuation goes
*******, not sentences, but words -
Cá       ponè - cockney slang Capone on the phone:
        we had fun: because you really don't say
Cáponé like you might say a torero's olé, do you?!
me? i find it grand to paint syllables with
diacritical marks, i mean: it's not even a blank canvas,
shame the semi-colon isn't minded in distinction,
but still, i already know that poets are scared of
punctuation, hence breaking the lines and not
engaging in a paragraph... tying shoelaces seems about
fine when it comes to modern poets,
talk about knitting jumpers, or scarfs by grannies -
sold as doing that same activity on shredded wheat cereal:
- = a hanging pause (suspense);
       , = necessary pause (or the expected
in a rhythmic cyclone);
   then i say to all my would be assassins:
you'll be doing me a massive favour, to be honest.
at times it really is the age of trusting entertainers
and not the media and certainly not the politicians -
it's almost stating the obvious.
i was in St. Petersburg for a month, and every time
i wanted to go to a danceclub to dance she refused me....
me and my naiveness in thinking that people could
actually be seduced by good...
      i don't mean being exposed to a tsunami
among the other elemental congregations of Shiva
there goes my belief in people being good to each other...
shoom! gone... bye bi!
(origins of dyslexia? maybe).
                                 she took me to the opera and
she started her snarling condescending approach to
the new-rich girls in the next booth...
     **** me, relationships leave me so ill-equipped
i actually find it staggering that i had any...
                 i must have been really naive in believing
that people could do good that i ended up
   a hermetic pessimist or misanthrope -
i never expected to be one, or share the juices of such
a calibration of humankind:
but it's funny how a movement overstates the cartesian
sum and never the cogito,
and when you by chance encounter the actual cogito
organising a movement, you represent nothing
representative of the movement's sum,
because the cogito is actually so staggeringly
divergent from being affiliated to the (e.g.)
         French revolution's guillotine locomotive.
when utilising only one hand in writing?
a black notebooks is written into at a rhombic degree,
yep, slant.
        i have two or three decent points to make,
but, obviously, i have to utilise verbiage to state them,
let's compare that to building a thousand homes
before the leaning tower of Pisa comes along
and people say: wow! in the immediate sense i
will require compensating that exception with
enough social housing for the tower to actually be erected:
that's natural: regurgitating maxims from no experience
would be an equivalence to an exoskeleton:
no experience, no harm... and where's the fun in that?

(interlude no. 1)

almost 15 minutes in an opera house, long enough
for the march from your seat into the street and a smoke,
  i still can't understand while people adopted money
for the demand of talking to each other via pebbles,
we are in our billions and made it so demanding to
only appeal to the few for company... i mean, should
i be sad? we made our company so unbearable because
of engaging in the concept of money that we later had
adapt to books as the conversations we need to have
among people we can't even talk about the weather to.
people always think that talking about money is
shallow... as if it's some really necessary version of
the crucifix (which to my mind sounds like a name for
a charity and the need to be thankful for it being there),
then again: something so geometrically pure
hanging over us and then comes Rodin's the kiss:
that really is a miracle - walking on water can hide itself,
turning water into wine (40 days & nights in the desert would
do that to you, every time you rehydrated, any liquid
would be intoxicating).
             oh hell, i have the notebook narrative,
i need to take a break after having written the unexpected
intro, and subsequent interlude.

it seems to me that language can never be sampled,
sampling language
is anti-scientific,
because it breaches an objectification of things,
which sad,
    are the Balkan states Slavic, Christian or Turkish?
i'm asking because a Greek said
it's Byzantine, and then lapping allah illha Allah
turkish took to Istambul...
*how best to defame a god with ensnarled capitals,
each, levelled,
                                only Islam will reign under the
praise of my name, which alone, will sing my praise.
   to move mountains, one must move throngs.
          to move people you expect them to become
mountains: or sun-tanned noon
  having been charcoaled into obliteration.
     one thought: an ottoman janissary: and vlad
the lesser crucifier and the adamant
impaler, who said that homosexuality shouldn't matter....
   imagine the comparative pain...
i can't: therefore i won't.
                     thus the black scripts of notation...
better than uttering original maxims,
          as in... better to engage in transcendentalº
dialectics
     ºin ref. to Nietzsche: the masses do not hold
an opinion on sanity: hence my concordance
with "him" - and insanity in individuals (self-dividing
                      duos in calamity of one):
insane individuals are rare: but conglomerates are
the norm - thus an agreement of shared truths
that has no debate to support it, because it has been
"plagiarised",
   the transcendental aspect is the lack of dialectics
(replaced with diacritics),
     and also the historical novelty of shared observation
with a disparity of a century's worth of history:
governing still the caveman and the modern man,
            as if the two were mutually compatible.
that one could rewrite the other, and so too true in
reverse.
   i find it harsh having to relinquish the authority
of language, as my own it used,
but only when school-friends suggest it, those
with ******* family members do i foremostly
experience it as my own: well... thanks to you
i'm not a plumber because your father detonated
the atom bomb and never bothered checking what
the gorilla did next with the grand censor of fertility
to protect an aesthetic...
           but then again: you were always Irish.
oo! well: sodomite that oops... it'll be worth something
in 30 years' time. strange how it must read...
Holocaust deniers also have the same lysergic trip.
             insanity in individuals is rare,
among groups it's the norm, within a framework
of Nietzsche: thus an agreement of shared truths,
that has no debate to support it,
because it has been "plagiarised" (necessarily experienced
more than once),
   ºthe transcendental aspect is the actual lack of
dialectics, and also the historical shared novelty of sharing
of observation (the tsunami cult, the earthquake cult)
with a disparity of range toward the century-range...
   philosophy infamously aks purposively
unsolvable questions: or questions that require many
more questions... or what is known as a transcript
of Aristotelian awe: of those who commit to error
with that science of pure wording, to spur people on;
philosophers are the adventurers in error:
only because this engages them in providing a "gravity"
locus... for others to hone onto and correct...
(oh how i'd believe had there been a Koranic surah
on the mindful hoplites)...
         purposively erroring: philosophy;
philosophers are pioneers: birches... scientists
are all but oak: auburn well established.
       but what of transcendental dialectic that expands
into shared truths (as experience) within the dual-disparity
of nearing death and the dawn of the 20th century
   and never-nearing a life at the dawn of the 21st century?
excluding dialectics and diacritics has given us
such a society, where everything is nearly snowflake
lucratively dissolvable and gentle...
                   few people utter truths,
even fewer utter truths than need to be debated...
             for the over-lord truth is mono, or glue...
        but still the tactic of avoiding certain truths
for the necessity of sitting in an armchair rather than
on a cold pavement... for in their pluralism
they express as many universal traits of non-experience,
as they subsequently express enough
    particular traits of experience
(translate rhyming into philosophy and you get this...
going cross-eyed in allocating an understanding,
summarised by the word zez).
hence the unwinding: universals (x, ÷):
       and particulars (+, -):
    of time, and how to encourage abstracting
worded coordination into an advanced literacy rate,
that'll fail, because literacy is power that requires
labouring anyway.
  because you did say "encapsulating a zoo"
readied to perpetrate a staging of a freak-show.
examples: universals (x, ÷):
       and particulars (+, -)        are zeniths in
the narrative compensation to nothing -
        in literature a surprise turn of the plot,
a summarisation, as such stand-out moments,
or quotes: here is a version of encoding verbal
"mathematical" synonymity -
         i too would wish to create a language
that doesn't abide by the language of miles,
but that of metres, but then there's the thesaurus
distinction between metres in deviations of
centimetres and nano in close-proximity
          ruby, crimson, burgundy, bled throughout the week
until pale grey and with an epitaph.
      language never brings us together,
it never did, we all wished to be cats and have said
meow... but we rarely and will never say...
that's nearing toward shame...
  i absolve humanity of the original sin...
                    if sinning was so original i would suggest
other forms of compensating it rather than prayer:
i'm thinking of the original shame...
it's that story of a serial killer who believed he
had no universal traits concerning him,
he had no systematisation of conscience,
he denied having a sense of guilt...
          it's hard to believe such things,
given the ceiling is the universe...
        it's hard to become a rat in a solipsistic maze...
that's ****** had to believe...
                   to deny having universal a priori
is also to deny particular a posteriori...
                           even though nothing really happened
apart from god laughing and man yawning
and the devil crying. it's very hard to believe people
these days, even though they deserve it,
                    it's hard to summate oneself in being
able to;
  thank god philosophers didn't complicate simple words
with remnants of Latin like psychologists did,
there's the prior (a priori) and there's the after (a posteriori),
or the two within a-: without a prior (to) / priority -
                  or without an after / an imitable vogue / trend /
    zeitgeist.
          can you write something like someone disclosing the fudge
of what's technically an arithmetic summary?          
no intelligence is being undermined here,
         what's being undermined is what's critically an optical
   java transitory period.                                                    

(int­erlude no. 2)

the laziest philosophers always write about the word
philosophy without actually philosophising,
you can say as much when saying: i'm thinking about thought.
of all the professions, philosophers don't know theirs...
it's true, if you do it, you do it not-knowing / unconsciously.
modernity does in fact overprescribe the word genius
because it doesn't give practitioners of philosophy any
credit in the slightest of actually being recipients of
life... every time a thought spawns from nothing
the limitation of expressing it is: you don't exist;
soon enough you hang up having any competence in language
and say to people you thought you knew: adios amigos,
good luck: then you wonder why they're so
prematurely depressed, and then you forget about them
and think of a million Chinese carpenters:
simply because it's less depressingly so.
     do you ever write encapsulating a rhombus on a page
with your literary / wanking hand? i know i do,
write in a notebook askew - or that's what's called the
future of absurdity: i'm thinking about thought -
some later claim morality, and some later claim god -
        that should sound more simply as: ought i?
    but it doesn't... hey, here's to self-projecting ****** -
it's not even that good people invented god,
  it's that evil people did...
                  which is always a bit ****** having that
microchip in my abstract mind (the brain) i sometimes
try to get rid off while acting as an atheist for pop super!
       does that sound highly idealistic?
it probably does... have i an influential counter to it?
n'ah. thinking about thought without the either or of
ought leaves me asking outside the box / transcendental
questions about what self is ingested by that
Pontius Pilate... talk of the "true" self and talk of
the "false" self: who the **** is the narrator then?
are we all bleaching our handshakes these days to
give a handshake?!
    some men would claim to be the husbands of that
insatiable "woman" that's Sophia,
         who, after all, is better equipped to satiate 3
men, than a man to satiated 3 women:
the trinity of ****, vaginal: oral - funny that,
how perfectly that plays against all those years of
practising to a demand of the churches': kneel!
i'll just watch you **** him off while Mary Magdalene
spread the schematic that resulted in the Islamic
******* analing the "respected".

(interlude no. 3)

just can't be bothered mate...
  never did so much charity work pour into
      herr Herrman's charity chest of
the never thought of set of poems.

- and a day later, just a blank,
what a formidable evening,
why do i queue for even a trombone, violin,
       a viola, trumpet or a sax to add to my voice?
but in musicological terms: that's exactly what i'm doing.
it's hard to not see this as a cure:
with 16,713 views matta's echo babylon is
truly the antithesis of Prokofiev, or any other,
as might call it: windy character.
        classical music was bound to tornados and
zephyrs - modern music is the epitome of rhythmic
sampling, drum eroded violins,
           and other things happened, too.
rhombus within the framework of the hand-written prior,
on tiny scraps of rectangular paper,
because it's easier to write like that: slanting
and therefore for the imagery of cascading -
and as the pronoun revolution dies down,
                    and the voices go unheard,
   people will start to think about thought
and later thought per se for transcendental purposes...
     because choice will be ejected from
having competent access to it: namely?
   i can't see those **** the ***** protests seriously
if people can't take to shooting guns,
          i mean real rebellion... obviously i'm egging
on the situation and spraying gasoline on it
(obviously), but if the French give you the statue of
liberty as a present, you get to look at the appendix,
and start thinking: where are the guns, so
it looks like a genuine protest? i thought the idea of
being able to own guns (by the people), was to suggest
that if the government was electorally undesired,
people could start shooting... the tongue isn't
a

remember....****, what his name...
it'a right there... I know I know this...
He used to play with the Beatles...
Uh...Bass left handed...
no, not John Lennon...the other one...
not George, you know the other one....
no, definitely not Ringo
C'mon Tag you know this...
was married to Linda
and then that other *****...
He wrote "Michelle, my belle"
and yesterday, all my troubles seemed
so far away...
sont des mot qui vont tres bien ensemble
It's in there tag, don't blame it on the stroke
or the smokes
how can you not remember this...
tres bien ensemble...
If I can't remember him even for this
brief moment, did he even exist
in my solipsistic world....
now I need a place to hide away...
Oh crap...McCartney...
how do you forget McCartney
Paul...duh...

In the months before my wedding,
I searched for a special perfume
high and low, sampling scents,
making everyone crazy with
"What do you think of this one?"
My reason for obsessing was this:
to smell this fragrance
and be instantly taken back to the day I married
the man that I love; my best friend.
Because scents can trigger memories.
When we smell, the scents and odors around us
get routed through our olfactory system
which, in short, is closely connected
to the regions of the brain
that handle our memories and emotions

So one day, I opened a package
which held one of many, many, samples I purchased inside.
with notes of gardenia, jasmine, rose and a personal favorite, violet leaf - I thought I would enjoy it
however, this small vial held more than I ever expected.
I removed the stopper, and took a big whiff...

A warm floral scent, with a soapy musk, a slight spice
Suddenly, without any warning...
I was in a small, white bedroom, with two twin beds
a table between them, and on top, the lamp filled with shells.
The window with lacey curtains.
The two small shelves on the right wall with trinkets -
the dolls at the foot of the bed by the door
I could see the closet, with all the special clothes
the ones us grandkids wore to play dress up
and there, in the middle of everything, was the vanity.
That special vanity we couldn't touch, but secretly did
I could see the old makeup on top the warm stained, wooden vanity with the big mirror,
and the little bench
which sitting on made you feel so special.
In the middle of the memory,
I could smell it... this perfume
I knew it wasn't the same, but it smelled exactly like that room
like her...
like my grandma

I could almost hear her in the kitchen, yelling behind the closed door
"You kids better not get in my stuff!"
she always let us play in that special room
   that little bedroom, once shared by siblings
always mad when we played with her things,
but she never stopped letting us play in that room

I remembered where I was,
and felt the wet tears in my eyes
But I kept smelling... (inhale)
hair rollers, and combs
doilies and the sandwich cookies
her black as night coffee and how she drank it at all hours
the giant backyard, and how it seemed to stretch for miles - a place to get lost and have adventures
the clothesline we would always hang off of,
   for which we always got into trouble
the kitchen island, and the barstools
   grandma always got on to us about kicking our short legs and marking up her cabinets
the special character cups collected over the years
that were for just us kids to drink from
I can see all the fridge magnets,
pictures and trinkets of all the places she and grandpa had been - all the places they planned to go
I remember Christmas, and the tree shaped birthday cake for Jesus
how she made us sing Happy Birthday to Jesus
and the mice, oh the mice
   only Grandma, only Leila James
   would collect figurines of something she was afraid of

I remember where I am, in my room
but I can smell her perfume
and can hear her sass and her jokes
   I can hear her speaking the colorful language of a sailor
I remember the weeks we stayed with grandma and grandpa, when a hurricane took our home
   In all the frustration and heartbreak
   she told me it was rough, but I needed to be strong

I remember when I am
I remember that she has too slowly forgotten
No matter how strong the will
the mind does not remember
but I will remember, my small piece
I know so many others knew her better than me
We all remember when she began to forget
She started asking all of us grandkids
"When are you getting married?"
and now I know I can't look in the aisles and see her face

I never thought I would be without a grandmother on my wedding day
I never really thought I would ever get married
But I certainly never imagined without three fourths of a generation

I remember the night I wrote these memories down
the day she died, a day that was strange,
a day that I knew hurt her husband and children,
a day I knew she was finally at peace.
I remember the decision I made that night...
When I smell this fragrance, I smell her
maybe it only smells like her to me
I know if she were here, that is how she would smell
standing next to me in pictures
and telling me to shrink down because I was taller than her
On my wedding day, I want to know the ones I have lost are present in spirit
I want to wear my grandma's perfume

Poetry is like sushi.
Sushi contains
Rice & goodies  
Wrapped in nori.
Both are combined rolled
Into cylinders
Then cut
Into rolls.

Poetry
Is sounds  &  tropes
Rolled into images
Each poem
A unique
Experience.

When you
Eat Sushi
With chopsticks
You are too  eat
the rolls
with just  one bite
Sampling the wholeness
of the taste
and presentation.


May you
Devour
This poem
On the chopsticks
Of your feelings
And sample
The flavor
In the ink.

we're tip tip tipping
tap tap tapping out a rhythm for our breath
sweet ladles laden lady leaden candles
sticks candlesticks
lime sweet ricky baby
rolling rolling heavy cajoling
you want to know you want to know
greens orange peach and parkas
time with only embers
smelling sweet of sand glass green
lightning what a pretty king

I’ve always loved music. As a little girl, I could spend hours going through peoples CD collections, sampling them with my little battery-operated CD player. If you showed me a stack, rack or box of CDs, I was in heaven.

When I was 8 (2011), I got my first iPod for Christmas, an iPod Touch with 32GB of memory! The sticker said it was from Santa, but ‘Step’ got a package in the mail from Apple three weeks earlier, so I knew who it was really from. Upon opening it, I rushed upstairs to my older brother’s computer, plugged it in, carefully copied the username and password for the family iTunes account (from a wrinkled post-it note), and the world was never the same.

It never occurred to me that my parents could see all of my playlists and that they were automatically downloaded to their devices - like my break-up playlist, inspired by Antoine, my French-boy fifth grade crush. It didn’t work out because he didn’t have an email account and our recess times didn’t line up, but my playlist helped me through it.

I could burn playlists to CDs and exchange them with friends - or gift them to middle school boys who I hoped to amaze with my awesome musical tastes. There’s an art to the playlist that involves controlling pace and mood - every playlist was both a gift and a seduction.

Today we have Spotify with its unlimited streaming of every song ever made - on demand. Exchanging playlists, these days, is as easy as pressing "Share" and typing the first few letters of a friend’s or lover's username.

Like most of my girlfriends, I consider myself a playlist queen and as I continue to work this career path I’ve chosen, regardless of what's weighing me down, I know I can turn to my playlists to push me through. The band ‘The Narcissist Cookbook ’ assures me that my shocking honesty is fun with ‘Broken People.’ ‘K. Flay’ allows me to dance-out my rage with ‘Blood in the cut’ and ‘New Move’ motivates me to keep-at-it with ‘When did we stop.’

I’ve countless Spotify playlists: one for waking up, one for writing papers, one for doing problem sets, others for walking to class, doing the laundry, for nostalgic reflection, and for embracing the astounding depth of human pain.

Of course, as time passes, I find new favorite songs and older playlists are replaced with updated ones; but thanks to the archival nature of Spotify playlist collections, all my old lists remain intact. I’ve never deleted one. Search my archives and you’d see playlists from my freshie year, when I was new here, feeling insecure and alone, or from my sophomore year when I first fell in love.

This piece is a playlist love story, about how music reflects our identities and allows us to share ourselves through the vibes, melodies and beats that move us. I think playlists have a lot in common with poetry, which uses words, phrases, metaphors and imagery for similar purposes.

Within a world of azure blue,
the mantas glide with angel wings,
and fly on winds of ocean waves,
inside their realm of mystery.

Like ancient beings from the deep,
they flash and shimmer in our light,
with other-worldly mammoth forms;
cephalic fins and flattened frames.

These gentle giants of the night,
draw fishes from the briny deep,
their vivid forms flash to and fro,
feed on the banquet of the sea.

They dance balletic in our lights;
exquisite, rings and summersaults,
with bubbles lit to guide their path,
they glide just past our mortal reach.

These stunning marvels of the deep,
are but a finite sampling,
of what our planet offers up,
far past our wild imaginings.

Splayed before him.. a gift...
Delight to his every sense

Drawn into her beauty.. the want...
Within her fragrance.. the need

A willing captive of desire...

One morsel.. delectable flesh...
Forever hunger

One drop.. sweet nectar...
Unquenchable addiction

One sampling of perfection...
Taste buds aflame

Surrender...

One nights passion...
One moment in time.. his

Sweetest Obsession

resuming textual trip
testing experimental procedures
visualizing model tsunami
augmenting facetious environment
catching abstract architecture
noticing rhythmic exchange
projecting subtextual database
airhorning reggae royalty
adding atypical party
resolving twitter question
noticing emotional mission
awaiting emotional dialect
installing metaphorical experiment
intensifying animated trip
displaying dynamic victory
programming abstract development
releasing emotional exchange
deriving fata morgana
glorifying referential sequence
intensifying facetious map
noticing harmonic trip
observing radical ratio
compiling nomadic message
predating google rebranding
reticulating facetious panda
using hyperreal feedback
exploring virtual panda
speculating graphic gallery
throwing mundane exception
targeting graphic experiment
replenishing emotional trap
localizing asemic animal
dropping rhythmic trip
propagating immortal experiment
displaying lowercase database
invading orange bubbles
crashing animated trip
running conceptual topography
remembering collapsed buildings
crashing hyperreal coverage
propagating hyperreal stipulation
finishing western library
envisioning neon tessellation
reciprocating network likes
processing animated device
releasing haptic quality
examining building seven
awaiting rhapsodical ratio
sampling death sauce
sensing lowercase clone
examining symbolic tour
processing potential development
encapsulating spatial lottery
displaying digital paragraph
reticulating theoretical source
perpetuating western paragraph
transmitting monochromatic structure
anticipating ambient quality
transmitting asemic environment
intensifying atomic quality
remastering history poem
keeping future light
hypothesizing eternal game
using future library
rearranging masonic language
transmitting masonic development
continuing ceremonial ritual
questioning party's legitimacy
deferring western coverage
finishing asemic hypertext
mollifying ostentatious presence
synthesizing allegorical icon
forming categorical unions
sketching app wireframe
programming immortal repository

i always fall for the bad ones

the ones who arrived from the shadow
the ones who lurk in the darkness and
flirt with danger
the ones who allow reality to slip
through their finger tips
the one whose pale face shone
in the golden sun

you see the bad ones aren’t
afraid of sampling death
they are risk takers

the bottom line is
when a good one comes along
i push them away because
the bad one still needs fixing

the bad ones do have
a way with my heart
and it gets broken
over and over

guess who comes running back?
i can still fix them if they’d let me

Comets or meteors?
Perhaps they're like rooks and crows
“Where there's a rook there's a crow
“Where there's crows there's rooks”

To be one amongst a shower, a storm of meteors
Hurtling through the emptiness of infinity
Protected by the confidence of knowing
That we and our equally frenzied fellow travellers
However far we hurl ourselves
Flashing by through all the vastness
Looking tiny and bright like a fireside's sparks
Consumed in a stampede, burning up and soon to be lost
Are in fact racing along a familiar orbit
That could last as long as a million years
Which all too soon will pull us back to where we've been
A familiar sight, overlooking what we've already seen

Or to be a lonely meteor
Deserting the pack, distracted by some new attraction
Sampling a novel atmosphere, hardly aware
Of the flames gathering round
Till the grip that was a comfort
That was such a pleasure to be caught by
Loses its interest or changes its intent
Returning the wanderer to the emptiness
Or turning a journey of exploration
Into a pitiful conflagration
With a final pathetic fall
Messy and destructive to all
That witness the meaningless call
Of that misguided journey's concluding bump

Well, I don't know if this is good science
And hope not to be subject to such violence
Shooting stars may enjoy applause from those below
But I'll see it all from here, and adore the moon's glow.

Seven score and eleven years after the Emancipation Proclamation;
I'd like to thank my community for finally acknowledging his memory.  
Wanting to view historical document written by Rev. Martin Luther King,
logged on and took a virtual trip to our ever expanding National Archives.

His views on day of historic speech, "Heartwarming to see this marvelous,
gigantic group of people here from all over the nation to give witness."
I'm giving credit to ABC news for being allowed to hear the man's words
from his own mouth without having to read them in black and white.

There's no argument in regards to race differences and that we the people,
have miles to go before we are at similar mindset in climate of opinion.
Spotlight should shine brightly on how far we've come as we the people,
away with all the negatives of no hopes of ever achieving racial harmony.

If MLK were alive today he'd see many positive changes and would see
his dream is still alive and well though we have miles to journey's end.
Yes, Dr. Martin Luther King, you are appreciated as we honor your day.
I have many reasons to thank you and all who paid the ultimate sacrifice.

My children are allowed to attend any public school they wish without fear.
I can now sit in the front of the bus without fear of arrest or a mob beating.  
There are no laws preventing me from front door entry of public buildings.
Thanks so much! I'm free to date or marry any person of any race I choose.

The list above is just a small sampling of all the changes his life evoked.
I'm thankful he was gifted to our planet in period of time he was needed.
He is missed by the planet and those of us who are grateful that he existed.
Dr. Martin Luther King was true Visionary with foresight to see great things.

In the silence between what I believed to be real and reality is where you sit
Nestled between hope and illusion, you are there.
Waiting patiently, hoping diligently, you are my own mirage
Sampling the fragrances of fancied flowers and waiting
Always waiting
Your toes dip in pools of uncertainty and you wonder why you are here
Purgatory and respiratory, I can't breathe in this space
This half way between heaven and hell
So right it can't be wrong
But am I really crazy to believe it is all a sham
This illusion of a closing is really an opening
If you stare at it long enough
And think at it hard enough
It might just open
And I used to try to squeeze myself through
Just before it was closed
Because I believed it wouldn't be opened again
Now all my bridges have been burned and there is no going back
Never going back
I feel like some action star, like Arnold Schwarzenegger
Walking away from the scene of an explosion
*No looking back

I took a nice long walk,
and had a very nice talk
went down my  driveway
past old man pickles...
wearing old flannels and boots,
tipping his John Deere cap
relying on his cane in vain
down to the edge of everything
to my  favorite secluded path
just past familiar borders,
where a mossy stone fox
and 2 giant maple trees
guard her entrance
down laden paths of brick red
and burning orange
...I press on,
woodland creatures
scurrying & hurrying about
no doubt getting ready
for Old Man Winter visiting

As a chubby squirrel
sits happy and thankful
for the crumbs I laid down
I give the eager fox a pat
on the head,
thanking him and asking my charge

Agreeing to the terms,
signing a waiver
traveling deep in the woods
to a glen  
with a canopied
ceiling of golden mustard,
greeted by an eager ******
cutting wood
Past the foggy bog
and past his favored log
at last I hear the croaking frog

Where I suddenly
saw some very interesting
....looking people
they are obviously not from here,
  I'd say,
I know these woods well
they brought a pet,
we've never met
but a wonderful way
to meet and greet
thank you guardians of the forest

"Adorable dog"  
my hand reaching from my side...
smiling at the newcomers
and to my critter friends

"Oh, my ...he looks just like a giant
toasted marshmallow,
so perfectly groomed,
a very beautiful animal,
so curious he is"
I compliment the hound

The gentleman was just that
Said how friendly he is
Brought him right over, for a pat

Of course, me...
I get down on one knee
talking to the furry fellow
'bout the crooning drops of yellow
communicating
he looks in my eyes,
& past my disguise
and sits,
patiently,
gracious and thankful
for the new friend
and bidding adieu
to some old,
but not forgotten acquaintances
"We understand one another"
I chuckle warmly...

The two ladies looking on
in seeming horror
& utter disbelief
so I think, anyway...
that I'm gonna get *****
doing such a thing?

That is until she blurts out
unable to restrain herself
seeing her lips fumble with thoughts
"Interesting get-up you have on"

I ponder the comment,
not wanting to say anything just yet,
I squint my eyes to see her face
then I look at her & quietly say

"Likewise my lady, interesting indeed"
the gentleman smirking at me
giving a wink, perhaps
hoping she doesn't  notice
then she goes on to say...

"That shirt, is...
perfect, I love the natural look
such quaint embroidery"

I again ponder,
speaking,
with a thoughtful reply & a sigh
"Quaint, by definition,
meaning...
old-fashioned, charming, sweet, picturesque?
Or more like bizzare
unique, offbeat & unconventional?
Then I agree, all of those are fine compliments, my Grandmother,
a Native American...
hand stitched this beautiful piece,
colors of Fall
I am just like Vermont & this place"
I laugh low for a second...
admirin' the trees clapping happily

She stared at me
with a puzzled face
one, I'm sure I won't soon replace...

The gentleman now smiling
into his discomfort,
when the other, lady pipes in...

"Your Grandmother, you don't say?
well... I suppose if you take it away
that tattered old sweatshirt over it,
those faded blue corduroy pants...
& those shoes....I just can't..."

Now I'm getting,
a tad bit irritated
though amusing still
remembering the goal
to help those weary souls
I look off to the side,
staring in one direction...
gaining insight
still thinking,
... the second lady chiming in

"Yes, so true..has potential,
how much for the shirt dearie?
It might be worth something"
... urging the other gal on

As the gentleman
steps back in disbelief
I'd imagine anyway,
not uttering a sound now

Now my one eye,
the left one is twitching
I look at her, I stare on,
as her mind I'm bewitching
keep on looking at the stitching
as I call out my Grandma,
to tell me exactly
...what to say,

"Anyway, thank you, I think.
I happen to love everything I'm wearing, especially these shoes.
You know what they say about walking a mile in someone else's?
I might consider loaning them to you if I knew you better, except the thing is,
like this place, like this land ...
and people are never supposed
to be for sale, this piece of history,
the weaving of my family ...
is not for sale either,
for any price each stitch in time
is priceless, so I am sorry,
but no deal ma'am.
Hope you enjoy this beautiful place, thinking yes,
by the look on your face?"

Befuddled and speechless...
the gentleman finally speaking,

"Oh, I think she means that this place is so interesting and amazing.
We probably should get going, get some lunch.
Very nice to meet you though."
The brushoff?
a nervous calm falling over

Humphhhh..

A good idea and distraction
as they hem and haw  
about being "famished"
I offer...

"Famished?
Can't have that.
You mean to say,
you went all this way,
and you didn't squirrel something
to eat
in that ***** pack?

Pulling out a yummy sandwich
slinging a worn backpack,

"I have drinks in there too,
lovely lemonade & some nuts,
dark chocolates even.
Perhaps some things in there
I forgot about, best not to venture out
into these woods with nothing.

"Here you go, take this,
I won't take no for an answer"

Stunned and stupefied she just reaches out and humbly replies
"Thank you, I think?"

I smile and say
"You are most welcome,
thank my Grandmother
and thank you for coming,
enjoy your stay"
I wave them on

"How do I thank her dear girl?
  Is she still with us?"

Now I am quiet
I look to the heavily
opening in the trees
"look and you will see"
I point upward reaching
my hands are teaching
drawings in slow motion
as the trees open to the sky
colors gradate and radiate
a red tailed hawk comes by
the largest one I know
completely in awe they are,
as I slip off...

Something whispered under breath,
"Can you believe that?
Where'd she come from anyway"

Then,
looking in the bag,
he reaches in opening
the sandwich
and bites...
chewing on goodness

"Oh, wow, this is amazing,
this is just delicious,
everything you could want, try it"

the man offering to the ladies

Unable to resist a satisfying nibble, tempted by fate, they take a bite,
"your absolutely right"
she declares...
"and such a lovely lady she is"

"Hey where'd she go?"

"Why, I don't know..."

"Gone like a wisp,
you can tell she is deeply rooted
in this place and such a
beautiful place it is"

they see eye to eye

"With so many valuable lessons
to learn along this yellow wooded path"
as they all agree,
satisfied with their journey
eager to push on...

"Did she mean that bird is a spirit?
Her Grandmother?
Maybe she is a ghost too?"
They are definately wondering...

"So true and I'm kinda of full,
  how about you?"
He states, poignantly adding
"Let's try some of that chocolate"
sampling the lemonade
and roasted nuts
topped off with that sweetness
tasting the menu of sharing

From  behind the tree
where I'm sitting
I have a VERY big smile covering
  that clever, wily face

Knowing I'm not seen
letting out a giggle  
as they turn in wonder
I know the secrets of this place
all its words
and where
it echoes

the loudest.

Cherie Nolan © 2016

Content, with a tinge of love,
I repent
All I've given up.
Realize what I've surmised
Is a traversed trial of fire.

Higher, higher;
The atmosphere you admire:
Lighter breathing,
Muscles beating,
Entreating my desire.

A pyre,
The phoenix feeling renaissance:
The lover's having ---
Once the want to be satisfied ---
Which was, while shattered, reconciled ---
Compiled a mile-long list
To mist the ever-flowering tree
Of prospect,
Respecting past
Opinion.

Your dominion over my
Ever-subjugating heart
(Pulsating a Morse message)
Belittles meaning in
Stockholm Syndrome,
For I am no
Shackled drone;
And, forever,
This you've known.

We are symbiotic.
We are psychotic.
Celeritous symbols
Sampling this:
Extended metaphor.

Extempore, we entertain and
Adore each other,
The world we are to each.
So: teach me how you look
With beseeching reach
Into deep territory in sleep;
Incept directly
And affect me
Romantically.

Augment what is meant and true.

Fingers and thumbs tapping out messages
so many texts written, so many read, smiles apart
faces, eyes, feelings, never shared
music videos; lips and music separate
empty sounds, never tugging the heart strings.

Thumbs and fingers keying in distance
so much data, so little experience shared, time apart
laptops, smart phones, processing emptiness
unfeeling, sampling blandness, subtleties lost
empty words, crowding our lives.

Curves, flowing lines and spaces, passion
compressed
squashed out are the senses
sweat and smells, laughter lost.

All in the empty kingdom of bits and bytes
reigned by the gods of technology
the mantra being faster, faster
but still
all fingers and thumbs in the affairs of the heart.

As surely as we are propelled forward
into tomorrow
we hurtle
back to the dark ages
the dark castles of aloneness
Empty words, lost in the cells of our separation
all fingers and thumbs.

Learn Advanced Math! Lines to Polygons
Curves, Circles, Angles to Polyhedrons
Challenge yourself with Algebraic Expression
Solve Polynomials & Linear Equations
Do Sampling Techniques, compute Data’s Central Tendency
Test their Correlations & Probability
Study Linear Function by f(x) = mx + b
And Quadratic Function by f(x) = ax2 + bx + c
There are also functions that are Polynomial
Periodic, Logarithmic & Exponential!

-09/04/2016
(Dumarao)
*GEN Poems

I started playing guitar when I was 14.
I didn't take it very seriously until I was almost 17.
That's when I made time for at least an hour of guitar a day.
Now, six years later, I literally play about eight hours a day when I can.

My exposure to playing music before guitar was the Piano, but I rebelled when it became forced. That's just how I roll. I'm grateful for that musical icebreaker, though. I want to get back into playing keys. For now, I'm focusing on making the guitar into even more of a playground.

I use a 150-watt Ibanez Tone-Blaster head on a 4x12 cab. It's on the clean channel with the levels at 5 and the Overdrive on, with a gain of about 4. The hue is cranked, though. Gotta love that brightness.

I have a Boss ME-70 multi-effect pedal.
I must say, those types of things are great for sampling different sounds, or having watered-down versions of lots effects available at any time. But, if you find one tone you really like, you're best off buying or building the individual pedals to provide you with a higher quality version of your preferred tone.

Anyway, I have the hall reverb at about 5, and some 'classic' overdrive set to 5 for level, tone, and gain. That's all I need. I sparingly use light chorus or uni-v, or maybe a wah for certain parts. I believe simplicity is best in terms of effects.
Although, tasteful delay makes an alright solo into a ****-dampening solo.

I have many axes:
1 nylon 6-string
1 acoustic 6-string
2 Washburn electric-acoustics; a 6 string and a 12 string
2 B.C. Riches (Beast, Stealth)
an LTD KH-602 Superstrat
an Ibanez 'Artcore' series semi-hollow electric Jazz guitar
then, I also have a Roland Ax-Synth keytar.

In my opinion, guitars sound better tuned down.
So, naturally, I tried out drop-D, which was cool.
Then, I wanted all the strings to be lower, so I tried Eb-Standard.
I liked that. There was more body to the sound.

Of course, I tried playing in a drop-style tuning from there and discovered Drop-C#. This tuning stole my heart for a while. That is..
..until the voluptuous redhead D-Standard came along,
arms linked with her **** black-haired sister: Drop-C.

Tuned a step down, bends and vibrato are much more wild beasts.
However, this lower tension will trash your harmonics and stuff,
so I play 10-52 strings: 10, 13, 17, 30, 42, 52. Typically called 'LTHB,' or Light-Top Heavy-Bottom. This helps to keep the tension more similar to as if it were strung with normal strings in standard tuning. That translates into more overtones, which, in turn, means better tone.
More overtones means more pinch harmonics, too. Aww, yeah!

I need to get my hands on a decent electric baritone.
Maybe I'll just make one.

Oh, and another thing:
I just got some brass nuts. ;)

Painted a masterpiece
In my dreams:
A Chilean villa.
Cactus streams.
A flower composed,
Wilted with time
With muted colors,
Tequila with lime.
Fields of desert
With tuxtla soaring.
Winding paths of
Wood and brick flooring.
A cool wind blows
Through the heat
Over sweaty brows
And sandaled feet.
A moment trapped
That’s never been.
A life of others
Never seen.
Put away my brushes,
Stood back to admire
The deep ocean sky,
The burnt orange fire.
It lay on the table,
Alive on the canvas
When waking did cause
My hard work to vanish.
In memory only
And never shown
Forever discarded
Once beautifully known.
My studio of mind
So often produces
A wonderful concept
With no practical uses.
I’d like to live there
And run those streets,
Take shade under awnings
Sampling savory meats.
But I’ll never go there,
Never see that place.
Never plant in soil
That’s been erased.
That marvelous day
Conceived at night
Keeps the dreaming
Forever alight.

What would I do without my fondest delirium?
he stalks my outside musings
he surprises my sharpest joy within
the dullest treading tumult.

I love the embrace of his watchful eye
he peruses my dreams,
a chef sampling caviar laced Hors d'oeuvres.

I speak to him through every reflection
the blank stare of vending machine glass,
the audacity of bathroom mirrored lashes,
the subtle wink of windows, skylights, vistas
every portal into another expanse
blasts me into the remainder of his silhouette.

What would I do without my fondest delirium?
he is the simplest clarity upon my devoted retinas

Lisa comes into my room and flops on the bed. The day had been uncompromisingly gray, windy and cold. The night sky was a snowy, blowing darkness, an absolute void that absorbed the campus lights and reflected nothing back. “I’m missing Spring Break,” Lisa she says.

“It doesn’t even seem like Spring Break happened,” I say. “Most Yalies went to Puerto Rico this year, I think, from my sampling.”

“RIGHT?” Lisa said, “EVERYONE says that - we’re in sync. But I enjoyed Paris,” Lisa continued, “I liked your family - no - I LOVED your family,” she amends.

“THAT’s a strong take,” I say, chuckling.

“I watched basketball with your uncle (Rémi) and cousins and helped your grandma cook,” she explains, “I felt like a part of your family.”

“Aww,” I say, “You ARE part of my family now - you’re TRAPPED,” and we laughed.

They invented spring break because after several months, the student mind starts to notice a harsh reality - how much their dorm room resembles a cinder-block jail cell - and starts to wonder how a lifetime of study and stress over grades has gotten them no further in life than the average felon.

We’re at lunch. Lisa says, “Ok, what’s new with you?” Keep in mind we see each other ten times a day.

“Well,” I say, I’ve decided that “The Beatles are for spring.” Lisa laughs. “Stop!” I demand, “I’m going deep. Today’s song is Julia,” I say, “It’s John Lennon’s song to his mom who was run over by a car when he was a child.”  “I love that song,” Lisa says.

“Ok, what about you?” I ask.
“My song right now is “Move like a Boss,” Lisa says, “When I’m walking across campus, with my air pods on - I’m intense, don’t get in my way - I’m dangerous, I’ll Will Smith you - I scare me.”

“Good to Know,” I say, wishing I’d gotten a lemon brownie.

Then I add, “I’ve got this presentation on Monday that I haven’t even had time to look at yet. If I don’t get on it by this weekend it’ll be a nuclear-level disaster. I started on it yesterday and the Internet went down for 20 minutes. It was stressful - of course, you don’t know how long the outage is going to be when you’re IN it - and I had THINGS to do - is that convoluted? ”

“No,” Lisa says, nodding in agreement, “losing the Interweb’s traumatic.”

time has a scent
that's quite different
from bitter lemon zest
to cool peppermint

like that of sidewalk chalk
heavy rains keep washing off
time comes in many colors
beyond that on the box

sampling a taste
pouring out in waves
time is a surgeon
set to operate

is a makeshift shelf
where life's books are held
to one day be read
by somebody else

time is all of these
among many other things
but most of all
time is the cruelest of thieves

We'll live off contemporary breaths
Feeling the others resonating behest.
Faltering novelties woven at peace by pieces sampling these dangerous games.
Strutting their stuff, presence increased, releasing their hold over the tame.
Grand new shapes in sight
Moving closer, my feet are too fast.
How many past times can this outlast?
Inflated euphoria, bleeds over and takes me aghast.
Lining my heart, these infectious consorts and subtleties.
Letting me believe only in quartz and melody.

A prophecy arose
Within the silhouette of dawn
how the hollow skylines pirouette
along fate’s bowels
gliding in smooth succession
Whilst sampling memories
of Japanese cherry blossoms
moths fervently surround
Diverse symmetries
of porch lights
Reveries

Completed, unfinished
Meeting, never met
Craving the simplest flame
The unrequited touch

Tender, a sampling
Vivacious
Do I know you?
I would like to
I would love to

Extinction is near
I can smell it
The death of the neatly
And inky curved letters
The excitement
Of receiving

One day, perhaps already
Electric transmission
Will monopolize
Gone will be
The crisp letter
Neatly folded, tantalizing
Faintly scented, terrifying

You and I
Always, on and on
Forever will exchange
The pieces of paper
Which to others
Mean nothing
Yet to us
Are the everything of eternity.

Young Americans, all volunteers
Sampling English women and English beer
Over sexed, over paid and over here

In the scrubby bit next to Sally's house there used to stand another cottage. If you scrape away some soil you can find floor bricks. A german fighter tailed some bombers back, shot one down as it made its final landing approach.It crashed short, demolishing the cottage. When Sally first moved in there were bits of metal laying around and dials hanging in the trees. An old boy turned up one day, a surviving crew member. They gave him some bits of his old plane to take home.

On planes with names like
Frivolous Sal, Dauntless Dotty
Million $ Baby, Memphis Belle

Sylvia was a child during the war.They saw a german fighter shot down, the pilot managed to open his chute. He walked up to their house, knocked on the door and gave himself up. Sylvia's dad marched him down to the Police Station.

Braving the freezing hostile skies
Thousands and thousands of you guys
How can we thank you
After you've died?

Next to Diane's house, hidden in the trees are the remains of nissen huts built as accommodation for the airmen. Not much left after 70 years, a few concrete block walls. Now and again she used to see some misty-eyed old guy gazing into the trees.

Long after you're gone
The land remembers
Bears the scars
Of those few years of turmoil

David is a gardener in our village, nice guy, should have retired by now. Don't think his father ever kept in touch.

The thaw begins with a drip,
builds to a roar, subsides to sunlight
prisms playing over every surface

illuminating still-wet velvet wings
maroon and yellow, neon blue
pseudo-bark underneath.

In the clear-cut, pink fireweed
pierces a sky alive with souls
reveling in their last year on earth

sampling nectar with newly curled
tongues while summer degrades
to fall, burrowing in the cool

damp cord of fir put up for winter
awakening in spring, tasting summer
before the reprieve, too soon over

time come to fold
battered wings, to slip free
of this mourning cloak and rise.

Each morning as I brush my teeth I crack open my skull and allow the world to gorge on my brain.
I lay my thoughts on a table and watch as people dawning forks and knives pick through the vittles of my mind.
They dive in with the blind enthusiasm of a fat man near lunch time passing a McDonalds,
With no care to the actual contents of their mouths just the meaningless relief of being full again.
And each day they devour my ideas with the entitled right a kid feels towards cake on his birthday,
Not grateful just sure that by being born he deserves this.
And the soup **** in me wonders,
Maybe if they crawled to me in defeat, an anorexic succumbing to the lure of chocolate,
Or with genuine interest, a food critic sampling the gourmet fare,
I would be happy…
Or feel a little less used.
I mean most days I just want to feed myself and I don’t know how my brain turned into a free soup kitchen.
And I guess I just have to choose whether or not to hand my ideas out like bagged lunches or can them up with preserves.
But I cannot decide because it doesn’t make sense.
They resent the hand that feeds them,
But feel robbed of human rights if denied a meal.
And no one really cares about the cook anyway.
Yet each morning I brush my teeth and crack open my skull, wondering if today it will make me feel a little more full.

Two poets in love,

A natural disaster,
just waiting to happen...

Ah, yes,
I live in beautiful,
beautiful old Paris,
& as they say yes, yes,
oui oui,

Do you like my French accent Mon Cheri?

Well good.

You have your passport I take it?
Bags are ready?

Perfect,
so here we go,

Ahhhh yes,

Let me take you for a ride,
in a lovely old gondola,
through the beautiful & peaceful,
& placid canals of Venice,
the romance capital of the WORLD,

Or on a romantic moonlit stroll,
in the city of love,
hand in arm,
down some worn old,
cobble stone street,
heels click,
with a charming old lampost,
to kiss,
beneath,

Incredibly beautiful that Eiffel tower,

Or take you,
for a heavenly ride,
at the drop of a fateful hat,
you sit by my side,
we are drifting in a hot air barquilla,
yes,

Oui Mon Amour,
as pursed lips,
take careful sips,
of delicious red roija,
a candle burns,
as melting wax drips,
my heart just skips,
cheers my darling,
sampling one another's lips
& roving eager fingertips,

Quivering in a touch
& wanting so much,


This feels right, no?

Beautiful tastes,
of salty spicy Mahon,
from the Islands of Menorca,
tastes Europeans can appreciate,
& so can we
we can belong to the city,
and really it's such a terrible pity,
to stay in,
come along,
it isn't a sin,

The bright lights,
on the city's most tempting nights,
I'll take you to the highest heights,
relishing in the simple & sweet delights,
something we shouldn't fight,

I am right there with you,
like a twisting kite,
  kissing the wind,
just board that flight,

We are free in our wildness,
they say,
like Hemingway,
& his,
"Movable Feast"
I wanna taste this memory,
tonight,
like beauty & the beast,
I see you are so very beautiful,

As Pablo Nerada is gently,
nibbling on,
& whispering in my ear,
telling me, telling me
telling me,
of my most secret,
secret fear,

"You must give in to the night"

As you tip my neck back,
& come in for a slow attack,

"Like a Puma in the barrens of Quitratue"
stalking the night,
& your lover
loving her right,
& the stars,
as they are so brilliantly shining,
on blood you are dining,
try in vain to resist,
this feeling it always persists,

There's more,
I promise my love,

Wherever you wanna go,

I'll paint the way,
so whatta ya say?

Lay next to me in the sweet,
incandescent moonlight,

I would love for you,
to come along with me,
I would LOVE to love you,

Except I'm here,
I'm not there,
just take a little risky dare,
I just wanna say I'd share,
in something that I always swear,
I think that we'd be quite a pair,
no I guess isn't fair,
doesn't matter though,
cuz I don't care,

Being a poet,
it seems that I can take you,

ANYWHERE.

Cherie Nolan © 2016