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"roughened" poems
Ilion gray poet extraordinary is away learning the codes hidden in raindrops no reason for surprise; for the mountains of Brooklyn, the Manhattan caverns of Sunhenge^, corridors of narrow focus for trapping the declining sun rays, neither high enough, narrow blinding, to keep a good man from doing good things that life provides as opportunities to do the right thing he muses that it took five years for the other poets to understand our poem-dreams; avant-garde he says, but I laugh, never felt more misunderstood and reply take care, be en garde! no matter for he is learning a new language, the codes hidden in raindrops in a land of wheat once called Indian Territory and eager await his return so we may walk along the Brooklyn shoreline, beginning from under the Brooklyn Bridge where Washington’s men escaped a British trap and he can decode for me the whispery thunderous noises of NY showers that come up so sudden,  so roughened, but right now, the seductive sun blinks in Manhattan windowed towers reflecting back on to our East River as golden blinks of nature We will walk lost in the absorption of our different commonalities, holding the hands of his young son, and my Wendy, both of them equal in possession of round saucer eyes that give us poems He calls me me friend, I call him brother, teacher, master, better than the best, well recalling a late night message that bred a five year conversation ongoing not everything need be coded what you read here it is not coded, for the raindrops come clear and clean and the poems land on our tongues bounce on the foreheads and eyes of the babes, all stored and saved for the future blessings spoken in a single tongue 7/18/18 ^https://en.m.wikipedia.org/wiki/Manhattanhenge
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Jul 18, 2018
Jul 18, 2018 at 10:41 PM UTC
Ilion is learning the codes hidden in raindrops
Ilion gray poet extraordinary is away learning the codes hidden in raindrops no reason for surprise; for the mountains of Brooklyn, the Manhattan caverns of Sunhenge^, corridors of narrow focus for trapping the declining sun rays, neither high enough, narrow blinding, to keep a good man from doing good things that life provides as opportunities to do the right thing he muses that it took five years for the other poets to understand our poem-dreams; avant-garde he says, but I laugh, never felt more misunderstood and reply take care, be en garde! no matter for he is learning a new language, the codes hidden in raindrops in a land of wheat once called Indian Territory and eager await his return so we may walk along the Brooklyn shoreline, beginning from under the Brooklyn Bridge where Washington’s men escaped a British trap and he can decode for me the whispery thunderous noises of NY showers that come up so sudden,  so roughened, but right now, the seductive sun blinks in Manhattan windowed towers reflecting back on to our East River as golden blinks of nature We will walk lost in the absorption of our different commonalities, holding the hands of his young son, and my Wendy, both of them equal in possession of round saucer eyes that give us poems He calls me me friend, I call him brother, teacher, master, better than the best, well recalling a late night message that bred a five year conversation ongoing not everything need be coded what you read here it is not coded, for the raindrops come clear and clean and the poems land on our tongues bounce on the foreheads and eyes of the babes, all stored and saved for the future blessings spoken in a single tongue 7/18/18 ^https://en.m.wikipedia.org/wiki/Manhattanhenge
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44
~~~~~~~~~~~~~~~~~~~~~~ Infinity's Mirror by Nat Lipstadt Two mirrors, set in opposition observe created notional blending, a reflecting pool of bonding's of unglued, contrary compositions. Mirror to mirror, his imagery, fuses to Sylvia's images, hers, faintly recollected, now living face, face to face, with his past insurrections, alters his future visions. From cold water lake she's drawn, impaled by refracting regrets, retrieved, drawing her words upon him, an awakening slap to drink, beloved, tragic magic, infinitely captive. But this old man's tiddlywinks, land-locked words, blunted instruments, needy for release & salvation, are neither silvered or exacting, just stains on a dulled, tarnished brass spittoon, except for the brunt'd bunting of lines across his roughened terrain'd face, black and white, pen and ink etched illustration of howling agitation. His words worn down, hardened, red faced, purloined speckled pellets, damp to roll on down her rutted, almost ancient, tear streak paths, disbelieved superstitions, sacrificed for one of her living morsels of words. Man, here to her, pledges allegiance, audaciously defiling her poetic sanctity, a visage endless repeated, delivers her shiny poem-poised countenance, even though no forgiveness from time can a mirror afford for either, from her words, confession born, terrible truths beyond, beyond the finite. ~~~~~~~~~~~~~~~~~~~~~~~ Mirror by Sylvia Plath I am silver and exact. I have no preconceptions. What ever you see I swallow immediately Just as it is, unmisted by love or dislike. I am not cruel, only truthful--- The eye of a little god, four-cornered. Most of the time I meditate on the opposite wall. It is pink, with speckles. I have looked at it so long I think it is a part of my heart. But it flickers. Faces and darkness separate us over and over. Now I am a lake. A woman bends over me, Searching my reaches for what she really is. Then she turns to those liars, the candles or the moon. I see her back, and reflect it faithfully. She rewards me with tears and an agitation of hands. I am important to her. She comes and goes. Each morning it is her face that replaces the darkness. In me she has drowned a young girl, and in me an old woman Rises toward her day after day, like a terrible fish.
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Apr 25, 2016
Apr 25, 2016 at 4:17 PM UTC
2016 Infinity's Mirror by Nat Lipstadt/Mirror by Sylvia Plath
~~~~~~~~~~~~~~~~~~~~~~ Infinity's Mirror by Nat Lipstadt Two mirrors, set in opposition observe created notional blending, a reflecting pool of bonding's of unglued, contrary compositions. Mirror to mirror, his imagery, fuses to Sylvia's images, hers, faintly recollected, now living face, face to face, with his past insurrections, alters his future visions. From cold water lake she's drawn, impaled by refracting regrets, retrieved, drawing her words upon him, an awakening slap to drink, beloved, tragic magic, infinitely captive. But this old man's tiddlywinks, land-locked words, blunted instruments, needy for release & salvation, are neither silvered or exacting, just stains on a dulled, tarnished brass spittoon, except for the brunt'd bunting of lines across his roughened terrain'd face, black and white, pen and ink etched illustration of howling agitation. His words worn down, hardened, red faced, purloined speckled pellets, damp to roll on down her rutted, almost ancient, tear streak paths, disbelieved superstitions, sacrificed for one of her living morsels of words. Man, here to her, pledges allegiance, audaciously defiling her poetic sanctity, a visage endless repeated, delivers her shiny poem-poised countenance, even though no forgiveness from time can a mirror afford for either, from her words, confession born, terrible truths beyond, beyond the finite. ~~~~~~~~~~~~~~~~~~~~~~~ Mirror by Sylvia Plath I am silver and exact. I have no preconceptions. What ever you see I swallow immediately Just as it is, unmisted by love or dislike. I am not cruel, only truthful--- The eye of a little god, four-cornered. Most of the time I meditate on the opposite wall. It is pink, with speckles. I have looked at it so long I think it is a part of my heart. But it flickers. Faces and darkness separate us over and over. Now I am a lake. A woman bends over me, Searching my reaches for what she really is. Then she turns to those liars, the candles or the moon. I see her back, and reflect it faithfully. She rewards me with tears and an agitation of hands. I am important to her. She comes and goes. Each morning it is her face that replaces the darkness. In me she has drowned a young girl, and in me an old woman Rises toward her day after day, like a terrible fish.
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32
In a strange mood - see/write art in a strange way, disorganized but straight on, light tinted magenta, issuing, in frothy large pours, from my mouth, knowing what to say, and the meaning too, I can more than walk, can write, on water, where all can read weeping, Mary-miracles of seeing, living words, themselves, on light waves lapping in a shifting rotunda vision, color reorienting spatial senses.^ in a strange, strange stitch, seasonal spirits and witches, Chagall, Baez, Dylan Thomas, Donovan, Richie Havens doing their knitting in my brain, from Montmartre to the Midwest to Monterey, painters and poets in lockstep head-messing with me, imperfect clarity but still one voice, see/write art, so went and caught the wind, going gently into night to banish the hodgepodge of uncertainty from inside out. knowing well you don't understand fully, but jumbling tumbling verses are sliding off my rusted tongue as fiddlers fly above, roughened words, hewn from a paper cup, spilling diamonds uncut, imported from Sarajevo, Montparnasse, the Lower East Side. wretched me, in the hour I first believed, this amalgamated conception conceded, seceded from my mind into your palate for a tasting, tho neither drugged, nor deaf and dumb, just slammed poetical-like, this write is all I have to portend is your affections, your attentions, to yours, am beholden. a ***** well respected man in daylight, the hidden references accuse, woke up to see Wednes-day Caesarian born, askance glanced at the prior passages of the night before, when my palate clefted, when eyes chose not to distinguish between right and lefted, in the nightlight, a ***** man disrespects language convection/convention, and lays before you activating stanzas and his mind, prone, but always the truth, speaking, the visions, leaking, mind to eye, recombinant, into our minds eye. ^ http://www.guggenheim.org/new-york/exhibitions/on-view/james-turrell Rather than write extensive notes on the many references, inspirations in this poem, if there is a line that intrigues, ask me
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Aug 28, 2013
Aug 28, 2013 at 2:49 PM UTC
In a strange mood - see/write art
In a strange mood - see/write art in a strange way, disorganized but straight on, light tinted magenta, issuing, in frothy large pours, from my mouth, knowing what to say, and the meaning too, I can more than walk, can write, on water, where all can read weeping, Mary-miracles of seeing, living words, themselves, on light waves lapping in a shifting rotunda vision, color reorienting spatial senses.^ in a strange, strange stitch, seasonal spirits and witches, Chagall, Baez, Dylan Thomas, Donovan, Richie Havens doing their knitting in my brain, from Montmartre to the Midwest to Monterey, painters and poets in lockstep head-messing with me, imperfect clarity but still one voice, see/write art, so went and caught the wind, going gently into night to banish the hodgepodge of uncertainty from inside out. knowing well you don't understand fully, but jumbling tumbling verses are sliding off my rusted tongue as fiddlers fly above, roughened words, hewn from a paper cup, spilling diamonds uncut, imported from Sarajevo, Montparnasse, the Lower East Side. wretched me, in the hour I first believed, this amalgamated conception conceded, seceded from my mind into your palate for a tasting, tho neither drugged, nor deaf and dumb, just slammed poetical-like, this write is all I have to portend is your affections, your attentions, to yours, am beholden. a ***** well respected man in daylight, the hidden references accuse, woke up to see Wednes-day Caesarian born, askance glanced at the prior passages of the night before, when my palate clefted, when eyes chose not to distinguish between right and lefted, in the nightlight, a ***** man disrespects language convection/convention, and lays before you activating stanzas and his mind, prone, but always the truth, speaking, the visions, leaking, mind to eye, recombinant, into our minds eye. ^ http://www.guggenheim.org/new-york/exhibitions/on-view/james-turrell Rather than write extensive notes on the many references, inspirations in this poem, if there is a line that intrigues, ask me
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38
The curves of my body laid with oblivion; We didn't love with the same intentions. The softness of my skin roughened; Your touch lacked admiration. The whisper of my voice grew volume; His voice lost consolation. But Please, Acknowledge me, Even if I become any less beautiful, today.
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Jul 2, 2014
Jul 2, 2014 at 7:13 AM UTC
Any Less Beautiful.
Composing Hallelujah Fractious lines crack, holiday decorate the spirit inferior, while each note upon the priest's guitar penetrates the aspirin roughened interior, face slaps me, daggers and accuses, you're not composing hallelujah. So I mislead, big deal, composing the anti-hallelujah, yeah, I was ******** with you, as you sit across from me electronically pretending, me to you, you to me. Lie to each other with smiling faces, you too have reaped, been emotionally ***** by what our minds see and sow, scowls and howls, we've both grown our own demons. My secrets, maybe are all there, maybe, writ loud and clear, in the songs I choose to share, and in the unrevealed ones, buried alive, held in reserve, but not, for your average, rainy day, could be today, you have no say. Are we not all veterans of a kind, don't we all have ribbons on our chest, stripes and stars on our khaki blouse, a record of our own great campaigns, including the war to end all wars, the never ending one, the one the psycho-historians renamed, "The 24/7 Year Conflagration"? It used to be just my secret, no more don't need a cartoonist to tell me that's the enemy is us, and there are moles, traitors, hidden deep in our intelligence organization, planting seeds, urges, pushing to out the identity of our communist friend, Depression I don't mean the ordinary, garden variety, a mere moody blues recession, when funk is sourced from gray clouds, served up proper, cold and wet, then travels on when sun warmth clarifies temporarily, the aspirin kicking in. So I misled, composing the anti-hallelujah, yeah, I was ******** with you, sit across from me and lie to me, lie to each other with smiling faces we reap what we own, scowls and howls. A chorus of harmonious poseurs inside your own City Center, vocalize the lyrics of the anti-hallelujah, a composition of questions directed at whomever in tonight's audience deserves it, asking, nerving, to sing too loud, at decibel speed: Are these verses, curses about D, our mutual acquaintance, or just research notes for further followup, part two of a pas de deux, and, did you go this time, too far, or still not far enough? -
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Sep 18, 2013
Sep 18, 2013 at 7:29 PM UTC
Composing Hallelujah
Composing Hallelujah Fractious lines crack, holiday decorate the spirit inferior, while each note upon the priest's guitar penetrates the aspirin roughened interior, face slaps me, daggers and accuses, you're not composing hallelujah. So I mislead, big deal, composing the anti-hallelujah, yeah, I was ******** with you, as you sit across from me electronically pretending, me to you, you to me. Lie to each other with smiling faces, you too have reaped, been emotionally ***** by what our minds see and sow, scowls and howls, we've both grown our own demons. My secrets, maybe are all there, maybe, writ loud and clear, in the songs I choose to share, and in the unrevealed ones, buried alive, held in reserve, but not, for your average, rainy day, could be today, you have no say. Are we not all veterans of a kind, don't we all have ribbons on our chest, stripes and stars on our khaki blouse, a record of our own great campaigns, including the war to end all wars, the never ending one, the one the psycho-historians renamed, "The 24/7 Year Conflagration"? It used to be just my secret, no more don't need a cartoonist to tell me that's the enemy is us, and there are moles, traitors, hidden deep in our intelligence organization, planting seeds, urges, pushing to out the identity of our communist friend, Depression I don't mean the ordinary, garden variety, a mere moody blues recession, when funk is sourced from gray clouds, served up proper, cold and wet, then travels on when sun warmth clarifies temporarily, the aspirin kicking in. So I misled, composing the anti-hallelujah, yeah, I was ******** with you, sit across from me and lie to me, lie to each other with smiling faces we reap what we own, scowls and howls. A chorus of harmonious poseurs inside your own City Center, vocalize the lyrics of the anti-hallelujah, a composition of questions directed at whomever in tonight's audience deserves it, asking, nerving, to sing too loud, at decibel speed: Are these verses, curses about D, our mutual acquaintance, or just research notes for further followup, part two of a pas de deux, and, did you go this time, too far, or still not far enough? -
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67
Last night I dreamed of roughened hands, And pristine walls with spackled sand, And feeling less, But wanting more, Of windows open, And a creaking door. Last night I dreamed of voices mild, And smiling faces, and laughter loud, I dreamed of grackles in parkling lots, Of finding familiar and imagining what. I dreamed of witchcraft and of lore, And linen hidden in a dresser drawer. I dreamed of you, I dreamed of you, And all the things I'd like to do.
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Feb 6, 2013
Feb 6, 2013 at 2:40 PM UTC
To the Petulant Drywall Installer of My Dreams
You would love me more if you knew the things I don't say love me more for the tears repressed/unseen the thoughts that rise yet fast sequestered, virus quarantined, lest infection spread occasional moan groan an Ebola moon June escapes, inquiring ears overhear and ask... but quick deflected with a ** hum, nothing luv, pushed back into the hidey hole of opprobrium and acid reflux why why suppress if loving you better the net net of it? this is not the candy coated, but the coal glow strife that cannot be quenched nor solved with anti-pain meds so put away, aside, push back inside you would love me better for the sharing, but love me enough for the be I be, let my roughened edged pains, be buried with my remains a love unfettered will place no obstacle before you from within me love me for the man I am, just the average man iam, knowing that not knowing all, not a deceit, but a reprieve, what I share, strained and sleeved, tho unrelieved, it is relief that burdens but, only me
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Nov 1, 2014
Nov 1, 2014 at 11:08 AM UTC
you would love me more
I trace the stars on your skin Trail my roughened fingertips Through the patterns in your constellations. An astronaut to search your spiraling star system I map your every region in height, depth, breadth, Every atom to be thoroughly examined Until a single touch from me Sets to a pink blush your galaxy
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Nov 30, 2016
Nov 30, 2016 at 4:14 PM UTC
Astronaut
I've been cracking my knuckles since I was six, but back then my bones were still practically cartilage. My mother could only make me stop during dinner. Her brass voice echoed through the house, like the trumpets in a marching band on the Fourth of July. (Although not as patriotic.) My mother didn't know about all the times I cracked my knuckles when I was by myself. Sweet sixteen and the joints between my fingers still crunched secretly under my skin and between what was now developed into hard white bone. I've only broken one bone in my entire life. It was my nose during my homecoming soccer game, senior year, under the lights and across the street from the stone-cold brick building that housed my Catholic education. Soccer ***** have hit my stomach and my chest countless times, leaving hexagonal imprints in scratchy blotches of red over an empty envelope of acid and oxygen. This time it hit me and I fell to the cold and frozen dirt, my jersey conforming to the brown-green of roughened grass and the blood from my nose providing contrast and complement all at once. Someone picked me up and I became conscious and self-conscious that someone’s hands could touch my skin and that someone’s hands could feel my body. My hands hung off the sides of the stretcher I didn't need (I thought it was crazy, all this fuss over a broken nose) and they swung as I was carried, bringing blood to my knuckles so that they could swell and expand. My mother tripped over her questions when she asked if I could breathe or eat or speak or if my choking was cause for concern. “B-b-baby don’t d-d-die, I m-m-made rice and b-beans. B-b-baby don’t d-d-die, I m-m-made your f-f-f-f-favorite.” You tied me in a robe and stuck a tube down my throat. B-b-baby don’t d-d-die, it’s your f-f-favorite.
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Oct 18, 2014
Oct 18, 2014 at 9:05 PM UTC
Spit up on my favorite blouse
I've been cracking my knuckles since I was six, but back then my bones were still practically cartilage. My mother could only make me stop during dinner. Her brass voice echoed through the house, like the trumpets in a marching band on the Fourth of July. (Although not as patriotic.) My mother didn't know about all the times I cracked my knuckles when I was by myself. Sweet sixteen and the joints between my fingers still crunched secretly under my skin and between what was now developed into hard white bone. I've only broken one bone in my entire life. It was my nose during my homecoming soccer game, senior year, under the lights and across the street from the stone-cold brick building that housed my Catholic education. Soccer ***** have hit my stomach and my chest countless times, leaving hexagonal imprints in scratchy blotches of red over an empty envelope of acid and oxygen. This time it hit me and I fell to the cold and frozen dirt, my jersey conforming to the brown-green of roughened grass and the blood from my nose providing contrast and complement all at once. Someone picked me up and I became conscious and self-conscious that someone’s hands could touch my skin and that someone’s hands could feel my body. My hands hung off the sides of the stretcher I didn't need (I thought it was crazy, all this fuss over a broken nose) and they swung as I was carried, bringing blood to my knuckles so that they could swell and expand. My mother tripped over her questions when she asked if I could breathe or eat or speak or if my choking was cause for concern. “B-b-baby don’t d-d-die, I m-m-made rice and b-beans. B-b-baby don’t d-d-die, I m-m-made your f-f-f-f-favorite.” You tied me in a robe and stuck a tube down my throat. B-b-baby don’t d-d-die, it’s your f-f-favorite.
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40
It started at the beginning of adulthood where the wandering into the new house became a chore. The doorway greeted me by snagging my woollen jumper. The motorway was screaming, the battered gate happily hanging from its hinges. His image first flashed into my sight, And when I stared through the fogged up windows I could still figure out his figure. Loutish, he sauntered past On a hillside, desolate. He didn’t move for three hours. He was most probably entwining the thorns from the bush into his complex mind. Maybe the boy with the thorn in his side Had been brought to life by this mystery animal With a mass of unkempt mane. Unruly, unnecessary, untouched. The notebook on my kitchen table lay untidily waiting to be roughened up. I picked it up and cast light over the paper. I imagined him doing the same But his art was thunderstorms And mine merely a drizzle of rain. I made progress and the flowers were growing from my fountain pen. Confidence developing, I invited him inside And there were still no words from his unfathomable jaw. A month later, we became one and I still didn’t know where his intentions were lying. I’m a girl afraid, does he even have any? Ink *** after ink *** I ran even further in this marathon of confusion. I slowly slid from his dismissive grasp, his matted paws light I had drawn graffiti over his portrait. a permanent marker changed beauty into art. I crept before his wake, into his sleep And his lyricism lay imbibed in the walls, the desk, the door. I felt the gale force energy cry inside Which erupted like a volcano, turning remnants into ashes. Face down, mane rough, scars bright, fur singed Interior managed. In the morning, I lifted his heavy paw away from me And placed it peacefully beside him.
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Dec 12, 2013
Dec 12, 2013 at 3:40 PM UTC
Mrs Morrissey
It started at the beginning of adulthood where the wandering into the new house became a chore. The doorway greeted me by snagging my woollen jumper. The motorway was screaming, the battered gate happily hanging from its hinges. His image first flashed into my sight, And when I stared through the fogged up windows I could still figure out his figure. Loutish, he sauntered past On a hillside, desolate. He didn’t move for three hours. He was most probably entwining the thorns from the bush into his complex mind. Maybe the boy with the thorn in his side Had been brought to life by this mystery animal With a mass of unkempt mane. Unruly, unnecessary, untouched. The notebook on my kitchen table lay untidily waiting to be roughened up. I picked it up and cast light over the paper. I imagined him doing the same But his art was thunderstorms And mine merely a drizzle of rain. I made progress and the flowers were growing from my fountain pen. Confidence developing, I invited him inside And there were still no words from his unfathomable jaw. A month later, we became one and I still didn’t know where his intentions were lying. I’m a girl afraid, does he even have any? Ink *** after ink *** I ran even further in this marathon of confusion. I slowly slid from his dismissive grasp, his matted paws light I had drawn graffiti over his portrait. a permanent marker changed beauty into art. I crept before his wake, into his sleep And his lyricism lay imbibed in the walls, the desk, the door. I felt the gale force energy cry inside Which erupted like a volcano, turning remnants into ashes. Face down, mane rough, scars bright, fur singed Interior managed. In the morning, I lifted his heavy paw away from me And placed it peacefully beside him.
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43
There is a new roof fitting itself to the sky, sea-roughened and grey as the vast paving I dropped teeth on as a child, lightheaded and living faster. Outside, a steep hill drops sweet like the dip of a spoon, and in this life I see my own reflection. It may come from narcissism. It may come from gut. But its momentum is trapped, a statue on one foot, it asks to be uprooted. How can I carve this future into something soft and creaseless? If I was an artist, I could catch its outstretch— I would pull the army by the hand, out from the dark intrusive damp, and ask it to stay. On the line, a white sheet takes hard gulps of air. I'm quick to learn its rhythm. But in the morning it has lost its breath; in the morning there is a small damp circle under my cheek.
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Apr 28, 2016
Apr 28, 2016 at 5:32 PM UTC
Blanket
your roughened fingers, black with the work of a man, twist and roll a cigarette. your eyes flick from it to me and as you light it, you inhale that long first drag. i smile and wait my turn.
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Dec 10, 2012
Dec 10, 2012 at 1:58 PM UTC
in the cabin
*And it's not a cry that you hear at night It's not somebody who's seen the light It's a cold and it's a broken Hallelujah* a cry you hear at night (my nighttime vocabulary), the same repertoire as the daytime residents, yelps and screeches, groans and screams, bleating whelps and yelps, grunts and curdling silent  low moans and pierced wails, crues du cœur, (cries from the heart)  but at night when these orchestral sounds are released without modification, freed from the governor of self-consciousness, the embarrassment of waking mirrored witnesses, atonalities as raw as a violin string snapping, the terrible sounds, twice as harsh as the scrape roughened roaring sound of the  hoarse word, raw, when spoken out loud but I count them all as friends, these then my nighttime vocabulary companions. each deed, each sin, committed, lifelong repetition, dances in a chorus line, across my eyelashes, each demanding my punishment with a different matching sound; the reciprocal noises of the lives I shed, the lives I've taken, the forsaken forsakings, the blatant ones done with no excuse, no pretend rationale, these are my very own songs of the night, conductor, musician, audience, one for all, all for me, my torment of endless and relentless unforgiving sonality
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Oct 5, 2017
Oct 5, 2017 at 2:27 PM UTC
a cry you hear at night (my night time vocabulary)
All the roads, footpaths, and roughened trails of my beginnings Lead me to the map of your heart, that long buried treasure. I will trace words and phrases along the contours of your lips, And glide cautiously across the footbridge of your wanting. You will be stilled by the weight of my breath upon your brow, And you will know love at a pace that awakens you to your own preciousness.
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Feb 13, 2013
Feb 13, 2013 at 1:51 PM UTC
Removing Roadblocks
Dearest, All those days, I let you tread over me and gave you a place to stand, and you with your untrained, weak bladder dog, your clumsiness, your laziness, your unwashed clothes, your ***** shoes and smelly feet, stepped on my trust. I hope you get pricked by the scraps of food, bleed out with a paper cut and stumble on my torn out, roughened edges and I get to smother and roll up your inanimate, dead body to it's rightful place. Ruefully, yours.
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Jan 20, 2015
Jan 20, 2015 at 12:04 AM UTC
RUEFUL (A Letter from my Carpet)
I see you as a burst of ocean mist ****** Into a nestled and worn monument. Breathing over a humming terra nova slowly etching away the noveau stone You are the water tipping about the crystals of lone rock husk freezing and seizing at precise locus Then expanding about the form Edging it to molecular capacity before it heaves heavily - wedging A simple puzzle lain right beside its obvious match. The edges might be roughened but you can tell they belong They lay there beside one another echoing curve and angle of that which they once clung crystallized Now they lay beside one another braving the same storms - and shifts of land but having different drops of rain fall about their own dynamic crystallization and different animals walking over them and different blades of grass clinging densely in the padded earth beneath them brushing Sometimes bridged together by an animal astride the two they are together once more Over time they burnish into fragments and dance about the creek beds and about the base of grass beds and again - though maybe temporarily, are together again
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Jan 26, 2014
Jan 26, 2014 at 9:26 PM UTC
Crystal Caves
Fall away suddenly --gasp no more; sigh no more— there is no need. Into roughened hands fall indefinitely, and dwell there infinitely, for no other love will match one as such.
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Apr 25, 2013
Apr 25, 2013 at 12:42 PM UTC
Never the Same Love Twice.
this year is my year i cut my teeth on the years before i scraged my knees in '15 bled from my bitten tongue in ‘16 '17 saw me merciful and forgiving and then loveless on the bathroom floor sitting in bathtubs my existence held in the displacement of water in porcelain this year is my year   try and take it from my bloodied knuckles take it from my hanging jaw the years before chipped away at me with chisel and work roughened hands the years before cut me out of marble carved my mouth closed swathed me in veils, made my stone flesh look soft this year is my year your chisels will blunt on my skin and when you turn your back to find something sharper i'll slip down the stone steps leave my veils on your studio chair and melt out into the night this year is my year there’s no material thing keeping me nothing mortal holds me here this year i am free to drift between the realms and rifts of space i will be interstellar hung in the place between stars this year is my year ******* try to take it from me i wonder if the years before made you into diamonds too the only thing that can cut me now is me.
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Mar 10, 2018
Mar 10, 2018 at 12:56 PM UTC
last year i abstained, this year i devour
I know this girl. It started off good. We were friends. I'd smile at her, and she'd smile back. It was simple. She would fascinate me. We'd touch fingertips, both having wide eyes and expressions of innocent amazement. As I got older, I began to ignore her. I didn't seem to have time to see how she looked or what was going on. My life was busy, and I stopped caring. But as I grew up, suddenly she was all that mattered. I'd seek her every chance I had. Before I went anywhere and after any adventure, I would always think of her, conspicuously glancing at the people around me to see if they had as well. Time roughened and then came the crying. I couldn't bring myself to consider her. I'd turn her away. I couldn't bear to see her. When I was fine though, she was still all that mattered. Sometime that year I began to insult her, calling her fat, and stupid, and many more maiming words. Most days the roles would slide between us. She would judge me as well, shaming my body and appearance, making sure I never felt comfortable in public. We hurt each other. We hurt ourselves. I've always thought it would be simpler if she wasn't around. We have too much in common. I know how to perfectly shatter her. She points out all my flaws. Sometime in my life though, I'm going to have to stop. She shouldn't tell me that the outfits aren't acceptable. I shouldn't tell her that she won't ever be worth anything. We need to stop talking. We need to stop listening. We need to be friends again. Its hard having such a battle with your reflection. Mine is everywhere, haunting me. Sometimes she's beautiful. Sometimes I'd even say she's worth it. Sometimes I love her. Usually I don't. Usually all I see when I look at her is how much I've let myself down. Usually we aren't friends. Usually I don't even know this girl. Usually I hate her. It's not good. But I know this girl, and I know her strength. I know she how can overcome. I know someday it will all be good. I know this girl. And we can do it.
0
Jan 19, 2015
Jan 19, 2015 at 10:08 PM UTC
Mirror
I know this girl. It started off good. We were friends. I'd smile at her, and she'd smile back. It was simple. She would fascinate me. We'd touch fingertips, both having wide eyes and expressions of innocent amazement. As I got older, I began to ignore her. I didn't seem to have time to see how she looked or what was going on. My life was busy, and I stopped caring. But as I grew up, suddenly she was all that mattered. I'd seek her every chance I had. Before I went anywhere and after any adventure, I would always think of her, conspicuously glancing at the people around me to see if they had as well. Time roughened and then came the crying. I couldn't bring myself to consider her. I'd turn her away. I couldn't bear to see her. When I was fine though, she was still all that mattered. Sometime that year I began to insult her, calling her fat, and stupid, and many more maiming words. Most days the roles would slide between us. She would judge me as well, shaming my body and appearance, making sure I never felt comfortable in public. We hurt each other. We hurt ourselves. I've always thought it would be simpler if she wasn't around. We have too much in common. I know how to perfectly shatter her. She points out all my flaws. Sometime in my life though, I'm going to have to stop. She shouldn't tell me that the outfits aren't acceptable. I shouldn't tell her that she won't ever be worth anything. We need to stop talking. We need to stop listening. We need to be friends again. Its hard having such a battle with your reflection. Mine is everywhere, haunting me. Sometimes she's beautiful. Sometimes I'd even say she's worth it. Sometimes I love her. Usually I don't. Usually all I see when I look at her is how much I've let myself down. Usually we aren't friends. Usually I don't even know this girl. Usually I hate her. It's not good. But I know this girl, and I know her strength. I know she how can overcome. I know someday it will all be good. I know this girl. And we can do it.
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15
1431 poems in ye old inbox, genteel knocking, whispering thru stolid front door love me a little lot, little lot, love me? this is not mere work product, collegial-laid upon me for gentle shared, for pre-review, Nottingham Forest arrowed, bow shaped pithy comments, these are the holy-of-the-holies attention-me-crystal-cries, prayers, wry observations, nature collations, me and thee adorations, heart rendering screams of need, these are the moments in your life raw-roughened gifted or threaded smooth cursed, but tendered unto my caring. (an aside: perhaps you understand better now why woman-in-the-moon imagery, red bowed, grapefruit tasting hearts, all the lovelies, word shape shifts a/k/a Imagery language delights! but time-using, confusingly confuses, and has been erased from my own poetry frame) gnawing doubt me routs, god gave me humans, and gave them speech, to bring me closer to him thru them. somewhere in those 1431 essays of labor, dashed off, handcrafted, pithy or poor, just might be the one justification for my opening my eyes this poetry someday Sunday sun-day. put the cofe on (saving letters, saving time, deleting unnecessary e's from my life till when I am dying on all-on-that desperate e-n-ee-dy day). loaded my shotgun heart with loves and likes, yellow thunderbolt bullets firing, and considered yourself notified I'm a-coming over, shoes on the cofe table, breaking taboo's gonna read 1431 and when dining done, gonna pay attention to my muse, my woman, cause she is the original e, that provides the raw materials, in ye old nat-box, that lets me love ever one of them, she is the e in me and me will be in you, starting now.
0
Mar 30, 2014
Mar 30, 2014 at 6:57 AM UTC
1431
1431 poems in ye old inbox, genteel knocking, whispering thru stolid front door love me a little lot, little lot, love me? this is not mere work product, collegial-laid upon me for gentle shared, for pre-review, Nottingham Forest arrowed, bow shaped pithy comments, these are the holy-of-the-holies attention-me-crystal-cries, prayers, wry observations, nature collations, me and thee adorations, heart rendering screams of need, these are the moments in your life raw-roughened gifted or threaded smooth cursed, but tendered unto my caring. (an aside: perhaps you understand better now why woman-in-the-moon imagery, red bowed, grapefruit tasting hearts, all the lovelies, word shape shifts a/k/a Imagery language delights! but time-using, confusingly confuses, and has been erased from my own poetry frame) gnawing doubt me routs, god gave me humans, and gave them speech, to bring me closer to him thru them. somewhere in those 1431 essays of labor, dashed off, handcrafted, pithy or poor, just might be the one justification for my opening my eyes this poetry someday Sunday sun-day. put the cofe on (saving letters, saving time, deleting unnecessary e's from my life till when I am dying on all-on-that desperate e-n-ee-dy day). loaded my shotgun heart with loves and likes, yellow thunderbolt bullets firing, and considered yourself notified I'm a-coming over, shoes on the cofe table, breaking taboo's gonna read 1431 and when dining done, gonna pay attention to my muse, my woman, cause she is the original e, that provides the raw materials, in ye old nat-box, that lets me love ever one of them, she is the e in me and me will be in you, starting now.
Continue reading...
64
the hint of yellow circling the pupils of your blue eyes are like garden flowers on a window by the eden on a front yard. i guess they caught whatever was left from the pallete spent on your golden hair the blush of red in your cheeks when your lips part in passion is the color of the day surrendering into the night lit up by a million tiny sparkles and yes, the mole on your nose bridge rests like venus on a crescent moon. the softness of your white skin forms a blanket with warm pockets, love escaping from my embrace. i hear your hands speak of strength there are areas on it roughened by life and soft spots that bring a vision of a little girl playing hopscotch. and when i rest my palm on yours the world is alright with me. i am momentarily lost tracking the rise and fall of your chest somehow i could make out your heart dancing in there, in double step perfectly in synch with mine i want to remember every line every shade, every tone, every rhythm that compose you like an ancient god's little toy. your breath becomes mine like brooks into rivers into seas you are upon me like wildebeasts in stampede the crash of a mighty jungle waterfall so many pictures flood my senses my mind convulsing in a frenzy from a spark provoked by your face you are a  mine for my metaphors and i just sit here, ready my pen poised, my cup is eager the smell of coffee rises up my veins i let you come in,open my door your touch is on my skin your footprints are all over my body i cannot move a part of me without moving the whole of us. my ache to have you is unending my devotion is timeless our moment together too priceless if i was put in this world to love you and meant to die when that is done, then beloved,  i believe i will live forever.
0
Jul 13, 2010
Jul 13, 2010 at 4:21 AM UTC
random metaphors written in an airport
the hint of yellow circling the pupils of your blue eyes are like garden flowers on a window by the eden on a front yard. i guess they caught whatever was left from the pallete spent on your golden hair the blush of red in your cheeks when your lips part in passion is the color of the day surrendering into the night lit up by a million tiny sparkles and yes, the mole on your nose bridge rests like venus on a crescent moon. the softness of your white skin forms a blanket with warm pockets, love escaping from my embrace. i hear your hands speak of strength there are areas on it roughened by life and soft spots that bring a vision of a little girl playing hopscotch. and when i rest my palm on yours the world is alright with me. i am momentarily lost tracking the rise and fall of your chest somehow i could make out your heart dancing in there, in double step perfectly in synch with mine i want to remember every line every shade, every tone, every rhythm that compose you like an ancient god's little toy. your breath becomes mine like brooks into rivers into seas you are upon me like wildebeasts in stampede the crash of a mighty jungle waterfall so many pictures flood my senses my mind convulsing in a frenzy from a spark provoked by your face you are a  mine for my metaphors and i just sit here, ready my pen poised, my cup is eager the smell of coffee rises up my veins i let you come in,open my door your touch is on my skin your footprints are all over my body i cannot move a part of me without moving the whole of us. my ache to have you is unending my devotion is timeless our moment together too priceless if i was put in this world to love you and meant to die when that is done, then beloved,  i believe i will live forever.
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54
You turned my life upside-down when you came around A triplet, who would have thought?! Ive always loved you, though I may never have shown it. I've always been the older sister that secretly watched over you. now all I'm left with are pieces of who we used to be a ghost of the sister I used to love   What happened to us? We used to sing together while I was in the shower, your iPod blaring And sleep on each others shoulders on the long carrides We'd stay out late at night with friends and stick our feet in the air Swimming in the ocean at the beach I'd come up from behind and splash you I used to pick up on the same line as you just to mess with you and your boyfriend And miss you when you went away, like you took a slice of my heart with you. When guys would hit on us, we'd sit back and laugh. Do you remember the night you, me, and Billy stayed up and we said out first cuss words, barely 5th grade, and we giggled all night? The promises we'd always be there, through thick and thin? The calm of our house was shattered this summer When we realized it was time to grow up. You roughened my edges with your sharp tongue, slicing through our bond we worked 16 years to hold together Cut, and mended, cut and mended All that remains are shreds and furious remarks, and a house shared with a girl I can't say I even know anymore. You roughened my edges, my own sister Darkened my heart, and closed my compassion We both have our own problems, does it mean we stop caring? All our lives we've been compared, it's been a game, Some kind of competition to gain attention and show off superior wits Now when it matters the most, I've lost you I'm running this race of Life alone. All I really want is for us to get back to how we used to be. I want to make you laugh, not frown and complain I want to see happiness cover your face like it did just months ago But... I'm afraid it's too late. You've roughened my edges beyond repair
0
Jan 15, 2014
Jan 15, 2014 at 5:28 PM UTC
Roughened edges
You turned my life upside-down when you came around A triplet, who would have thought?! Ive always loved you, though I may never have shown it. I've always been the older sister that secretly watched over you. now all I'm left with are pieces of who we used to be a ghost of the sister I used to love   What happened to us? We used to sing together while I was in the shower, your iPod blaring And sleep on each others shoulders on the long carrides We'd stay out late at night with friends and stick our feet in the air Swimming in the ocean at the beach I'd come up from behind and splash you I used to pick up on the same line as you just to mess with you and your boyfriend And miss you when you went away, like you took a slice of my heart with you. When guys would hit on us, we'd sit back and laugh. Do you remember the night you, me, and Billy stayed up and we said out first cuss words, barely 5th grade, and we giggled all night? The promises we'd always be there, through thick and thin? The calm of our house was shattered this summer When we realized it was time to grow up. You roughened my edges with your sharp tongue, slicing through our bond we worked 16 years to hold together Cut, and mended, cut and mended All that remains are shreds and furious remarks, and a house shared with a girl I can't say I even know anymore. You roughened my edges, my own sister Darkened my heart, and closed my compassion We both have our own problems, does it mean we stop caring? All our lives we've been compared, it's been a game, Some kind of competition to gain attention and show off superior wits Now when it matters the most, I've lost you I'm running this race of Life alone. All I really want is for us to get back to how we used to be. I want to make you laugh, not frown and complain I want to see happiness cover your face like it did just months ago But... I'm afraid it's too late. You've roughened my edges beyond repair
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35
howling agitation ~~~ *But this old man's tiddlywink, land-locked words, blunted instruments, needy for release & salvation, neither silvered or exacting, stain a dulled, tarnished brass spittoon, 'cept for the brunt'd bunting of lines across his roughened terrain'd face, a black and a white Degas pen and ink etched illustration of howling agitation.*^
0
Apr 30, 2016
Apr 30, 2016 at 10:06 AM UTC
howling agitation
Fumbling fingers yearning for connection, Reach out through negative space, Crash headlong into rejection. Curl back in defeat, Clenched fist to deflect, Fiery agony of regret. An empty, disparaging inflection Cut from a hot pink tongue, flapping Dispassionately disproves theory of interconnection, Maybe myth, fable, love story -- Or maybe lack of detection, From calloused palms, Roughened with each ingestion Of honey suckle poison. Was this the original intention? Or did the son choose to elect Another hidden path, indirect. This haze manifests crystalized predictions, Of hands meeting thighs, meeting hips, Pushing forward climactic introspection, Or just another muddled reflection, Of my endless projections, Always failing tests of retention, Mind permanently trapped in suspension, Of spiraling tension.
0
Sep 1, 2014
Sep 1, 2014 at 8:06 PM UTC
Ions In A Net Sum of Zero