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Àŧùl Mar 2015
So aged he is, but still so zealous for his job.
It feels like he has only known his rickshaw.
The ancient bard in him tells Punjabi poems.
He belies his wrinkles as he pedals his ride.
Just putting to shame his fellow rickshaw pullers.
None remembers or even cares to know his name.
He just pedals and remembers his deceased wife.

He told me a Punjabi tale of partition...

"We were really happy when it happened,
I was 16 and married to my beautiful wife,
But then he pressed for a separate Pakistan,
Just so much wicked was this demand of his,
Punjab was alight due to some people's doing,
We were to cross river Ravi en route to Amritsar,
In Lahore my childhood home was burnt to ashes,
My beautiful wife was still so young at that time,
She was ***** on the banks of river Ravi & killed,
In no cloth was she draped as they burnt her body,
After pouring whiskey all over her lifeless body."


His voice broke and a stream of tears escaped,
Down his eyes they flowed like the river Ravi,
"In front of my two eyes the men had ***** her,
Her mistake? Looking at them once & smiling,
Sin as great to be punished by such brutal drab?
What God, Ishwar or Allah did they follow?
I have known all & none advocates ****,
To which parents could they born?
Must be the devil & the witch."


By now his nose was red and his sobs audible.
He said, "She was not just *****, she was also killed,"
The ancient rickshaw puller gasped for breath as he said,
"Would the high heavens thank them for killing my wife,
She was a Hindu and an idolater with my mangalsootra,
Why they spared my life I have no idea but just remorse,
Will their Allah or God spare them on Doomsday?"

==============
And Google knows who pressed for a separate Pakistan in the name of communal majority.

My HP Poem #813
©Atul Kaushal
From where I sit in this bicycle rickshaw
everything is in motion.

Balloons, massed into colourful clouds,
ride in the rickshaw just ahead.

Brahmin cows walk by, unconcerned
by the tiny cars speeding and honking.

People of every age and description
walk towards the stalls and shops.

From where I sit in this bicycle rickshaw
pale pink sari fluttering around me,
all is completely still and silent,
*even as everything is in motion.
©Elisa Maria Argiro
Tilok Adnan Aug 2014
As buildings and tea stalls
and compiled garbage
passed by us, and led to other
buildings and tea stalls
and compiled garbage,
it was clear that the road ahead had many
turns and twists.

It was clear that
if, and only if, we went straight
we'd end up colliding into a building, or a tea stall,
or compiled garbage.

But fortunately for us,
  we know better.
I resented that day that we hadn't had enough rickshaw rides together.
Somehow he pulls along
He breathes
In his little width of life,
He gasps
In making that width
When moves flesh
That far outweighs
What he gets at the ride’s end,
Sweats it out in the sun
Splashes in the rain
A pedaling run
Joyless but gritty
That if can be made
Would fetch him his bread
From the rider in comfort
To the puller who transports
Mountains of loads
Knowing not to pause
Till drawn by fate
For a rest in sunset!
Priya Devi May 2015
First things first
I'd like to apologise

I'm sorry I'm not the good Indian girl I was bred to be
I'm sorry I don't make round rotis
I'm sorry that the tongue I use to speak punjabi is broken and hides in my mouth unused until desperately needed
I'm sorry that I don't cook and clean efficiently enough to be wifey material
Sorry that I love who I love and don't hate who I was told to
Sorry that I can't follow gods blindly and not try to sneak back stage to see their shining gold adornments and blue body paints and multiple arms in full and bare glory and scandal

I'm sorry that I'm actually not sorry for any of this
I'm sorry that these are false and empty apologies

I am unapologetically whole
A human not just a race
A female not a trust fund or business transaction

I filter out the good parts of the culture I'm from and the ones I identify with
I'll wear docs under my saari no apologies
I'll grind on dancefloors and do the best Bhangra dance you'll ever see unashamedly

Hareems and hoodies
Bindies and pin up eyeliner
Hedonism and head in the clouds

My ambition is Ambedkar untouchable
My drive is a salt march surging silently non violently through cities
My hometown pride is built in concrete and rickshaw dust,
Prejudice and Bollywood lust
More of a rant than a poem
Millions of babies watching the skies
Bellies swollen, with big round eyes
On Jessore Road--long bamboo huts
Noplace to **** but sand channel ruts

Millions of fathers in rain
Millions of mothers in pain
Millions of brothers in woe
Millions of sisters nowhere to go

One Million aunts are dying for bread
One Million uncles lamenting the dead
Grandfather millions homeless and sad
Grandmother millions silently mad

Millions of daughters walk in the mud
Millions of children wash in the flood
A Million girls ***** & groan
Millions of families hopeless alone

Millions of souls nineteenseventyone
homeless on Jessore road under grey sun
A million are dead, the million who can
Walk toward Calcutta from East Pakistan

Taxi September along Jessore Road
Oxcart skeletons drag charcoal load
past watery fields thru rain flood ruts
Dung cakes on treetrunks, plastic-roof huts

Wet processions   Families walk
Stunted boys    big heads don't talk
Look bony skulls   & silent round eyes
Starving black angels in human disguise

Mother squats weeping & points to her sons
Standing thin legged    like elderly nuns
small bodied    hands to their mouths in prayer
Five months small food    since they settled there

on one floor mat   with small empty ***
Father lifts up his hands at their lot
Tears come to their mother's eye
Pain makes mother Maya cry

Two children together    in palmroof shade
Stare at me   no word is said
Rice ration, lentils   one time a week
Milk powder for warweary infants meek

No vegetable money or work for the man
Rice lasts four days    eat while they can
Then children starve    three days in a row
and ***** their next food   unless they eat slow.

On Jessore road    Mother wept at my knees
Bengali tongue    cried mister Please
Identity card    torn up on the floor
Husband still waits    at the camp office door

Baby at play I was washing the flood
Now they won't give us any more food
The pieces are here in my celluloid purse
Innocent baby play    our death curse

Two policemen surrounded     by thousands of boys
Crowded waiting    their daily bread joys
Carry big whistles    & long bamboo sticks
to whack them in line    They play hungry tricks

Breaking the line   and jumping in front
Into the circle    sneaks one skinny runt
Two brothers dance forward    on the mud stage
Teh gaurds blow their whistles    & chase them in rage

Why are these infants    massed in this place
Laughing in play    & pushing for space
Why do they wait here so cheerful   & dread
Why this is the House where they give children bread

The man in the bread door   Cries & comes out
Thousands of boys and girls    Take up his shout
Is it joy? is it prayer?    "No more bread today"
Thousands of Children  at once scream "Hooray!"

Run home to tents    where elders await
Messenger children   with bread from the state
No bread more today! & and no place to squat
Painful baby, sick **** he has got.

Malnutrition skulls thousands for months
Dysentery drains    bowels all at once
Nurse shows disease card    Enterostrep
Suspension is wanting    or else chlorostrep

Refugee camps    in hospital shacks
Newborn lay naked    on mother's thin laps
Monkeysized week old    Rheumatic babe eye
Gastoenteritis Blood Poison    thousands must die

September Jessore    Road rickshaw
50,000 souls   in one camp I saw
Rows of bamboo    huts in the flood
Open drains, & wet families waiting for food

Border trucks flooded, food cant get past,
American Angel machine   please come fast!
Where is Ambassador Bunker today?
Are his Helios machinegunning children at play?

Where are the helicopters of U.S. AID?
Smuggling dope in Bangkok's green shade.
Where is America's Air Force of Light?
Bombing North Laos all day and all night?

Where are the President's Armies of Gold?
Billionaire Navies    merciful Bold?
Bringing us medicine    food and relief?
Napalming North Viet Nam    and causing more grief?

Where are our tears?  Who weeps for the pain?
Where can these families go in the rain?
Jessore Road's children close their big eyes
Where will we sleep when Our Father dies?

Whom shall we pray to for rice and for care?
Who can bring bread to this **** flood foul'd lair?
Millions of children alone in the rain!
Millions of children weeping in pain!

Ring O ye tongues of the world for their woe
Ring out ye voices for Love we don't know
Ring out ye bells of electrical pain
Ring in the conscious of America brain

How many children are we who are lost
Whose are these daughters we see turn to ghost?
What are our souls that we have lost care?
Ring out ye musics and weep if you dare--

Cries in the mud by the thatch'd house sand drain
Sleeps in huge pipes in the wet ****-field rain
waits by the pump well, Woe to the world!
whose children still starve    in their mother's arms curled.

Is this what I did to myself in the past?
What shall I do Sunil Poet I asked?
Move on and leave them without any coins?
What should I care for the love of my *****?

What should we care for our cities and cars?
What shall we buy with our Food Stamps on Mars?
How many millions sit down in New York
& sup this night's table on bone & roast pork?

How many millions of beer cans are tossed
in Oceans of Mother? How much does She cost?
Cigar gasolines and   asphalt car dreams
Stinking the world and dimming star beams--

Finish the war in your breast    with a sigh
Come tast the tears    in your own Human eye
Pity us millions of phantoms you see
Starved in Samsara   on planet TV

How many millions of children die more
before our Good Mothers perceive the Great Lord?
How many good fathers pay tax to rebuild
Armed forces that boast    the children they've killed?

How many souls walk through Maya in pain
How many babes    in illusory pain?
How many families   hollow eyed  lost?
How many grandmothers    turning to ghost?

How many loves who never get bread?
How many Aunts with holes in their head?
How many sisters skulls on the ground?
How many grandfathers   make no more sound?

How many fathers in woe
How many sons   nowhere to go?
How many daughters    nothing to eat?
How many uncles   with swollen sick feet?

Millions of babies in pain
Millions of mothers in rain
Millions of brothers in woe
Millions of children    nowhere to go

                                        New York, November 14-16, 1971
Nuha Fariha Oct 2015
The smell lingered long after she had called the ambulance, after she had scrubbed the bathroom tiles back to a pristine white, after she had thrown out the ******* mangoes he had hid in the closet. For days afterward, she avoided the bathroom, showering the best she could in the old porcelain sink they had installed in the spring when he was able to keep fresh flowers in the kitchen vase. Those days, she would come home to jasmine and broken plates, marigolds and burnt biryani, pigeon wings and torn paper. Some days he was snake-quiet. Other days, his skin was fever hot, his limbs flailing to an alien language, his head tilting back, ululating.
Every day she would carry his soiled clothes into the laundry room, ignoring the thousands of whispered comments that trailed behind her. “Look how outgrown her eyebrows have become” as she strangled the hardened blood out of his blue longyi. “Look how her fingernails are yellow with grease,” as she beat the sweat out of his white wife beaters. “Look how curved her back is” as she hung his tattered briefs to dry in the small courtyard. The sultry wind picked up the comments as it breezed by her, carrying them down the road to the chai stand where they conversed until the wee hours.
Today, there is no wind. The coarse sun has left the mango tree in the back corner of the courtyard too dry, the leaves coiling inward. She picks up the green watering can filled with gasoline. The rusted mouth leaves spots on the worn parchment ground as she shuffles over. Her chapped sandals leave no impression. The trunk still has their initials, his loping R and V balancing her mechanical S and T. They had done it with a sharp Swiss Army knife, its blade sinking into the soft wooded flesh. “Let’s do it together,” he urged, his large hand dwarfing hers. A cheap glass bangle, pressed too hard against her bony wrist, shattered.  
Now, her arthritic finger traces the letters slowly, falling into grooves and furrows as predictable as they were not. When had they bought it? Was it when he had received the big promotion, the big firing or the big diagnosis? Or was it farther back, when he had received the little diploma, the little child or the little death? There was no in-between for him, everything was either big or little. Was it an apology tree or an appeasement tree? Did it matter? The tree was dying.
Her ring gets stuck in the top part of the T. He had been so careful when he proposed. Timing was sunset. Dinner was hot rice, cold milk and smashed mangos, her favorite. Setting was a lakeside gazebo surrounded by fragrant papaya trees. She had said yes because the blue on her sari matched the blue of the lake. She had said yes because his hands trembled just right. She had said yes because she had always indulged in his self-indulgences. She slips her finger out, leaving the gold as an offering to the small tree that never grew.    
She pours gasoline over the tree, rechristening it. Light the math, throw the match, step back, mechanical steps. She shuffles back through the courtyard as the heat from the tree greets the heat from the sun. She doesn’t look back. Instead, she is going up one step at a time on the red staircase, through the blue hallway, to the daal-yellow door. These were the colors he said would be on the cover of his bestseller as he hunched over the typewriter for days on end. Those were the days he had subsisted only on chai and biscuits, reducing his frame to an emaciated exclamation mark. His words were sharp pieces of broken glass leaving white scars all over her body.  
She remembers his voice, the deep boom narrating fairytales. Once upon a time, she had taken a rickshaw for four hours to a bakery to get a special cake for his birthday. Once upon a time, she had skipped sitting in on her final exams for him. Once upon a time, she had danced in the middle of an empty road at three in the morning for him. Once upon a time, she had been a character in a madman’s tale.
Inside, she takes off the sandals, leaving them in the dark corner under the jackets they had brought for a trip to Europe, never taken. Across the red tiled floor, she tiptoes silently, out of habit. From the empty pantry, she scrounges up the last tea leaf. Put water in the black kettle, put the kettle on the stove, put tea leaf in water, wait. On the opposite wall, her Indian Institute of Technology degree hangs under years of dust and misuse.
Cup of bitter tea in hand, she sits on the woven chair, elbows hanging off the sides, back straight. Moments she had shot now hang around her as trophy heads on cheap plastic frames. A picture of them on their wedding day, her eyes kohl-lined and his arm wrapped around her. A picture of them in Kashmir, her eyes full of bags and his arm limp. A picture of them last year, her eyes bespectacled and his arm wrapped around an IV pole. The last picture at her feet, her eyes closed and his arm is burning in the funeral pyre. No one had wanted to take that picture.      
A half hour later, a phone call from her daughter abroad. Another hour, a shower in the porcelain sink. Another hour, dinner, rice and beans over the stove. Another hour and the sun creeps away for good. It leaves her momentarily off guard, like when she had walked home to find him head cracked on the bathroom tub. The medics had assured her it was just a fall. Finding her bearings, she walks down the dark corridor to their, no, her bedroom.
She sits down now on the hard mattress, low to the ground, as he wanted it to be. She takes off her sari, a yellow pattern he liked. She takes off her necklace, a series of jade stones he thought was sophisticated. She takes off the earrings he had gotten her for her fortieth, still too heavy for her ears. She places her hands over eyes, closing them like she had closed his when she had found him sleeping in the tub, before she had smashed his head against the bathtub.  
In her dreams, she walks in a mango orchard. She picks one, only to find its skin is puckered and bruised. She bites it only to taste bitterness. She pours the gallon of gasoline on the ground. She sets the orchard on fire and smiles.
beyond the lighted city
past the festive crowd
beneath the melancholic halogen
outside the shut doors and windows
upon a lane paved with garbage
amid an air stenched with *****
between two wooden wheels
head resting on holed rexine
arms limply down from heaven
feet embracing the dirt
sleeps another night
from the ashes of day
dreaming just enough
to muscle
another
morn.
Rickshaw-pullers of Kolkata
a passing thought on a festive night in a blind alley
In owl-moon night
when doors are closed
in shut out light
lanes breathe morose

He carries the weight
dead in drunk sleep
in chilled night’s sweat
of tightened grip

On side of street
men burning logs
seize some heat
as need too dogs

But he must run
errand of hell
till job is done
moon’s face goes pale

Jangle hand’s bell
veins swell up taut
marks frame frail
battle hard fought

From lane to lane
his stone feet roam
till rests his pain
on pavement home!
Mary Pear Sep 2016
Two strangers in a rickshaw in Varanasi:
Two strangers who never felt like strangers.
Two people lost and alive in the moment,
The same moment
With every sense standing, antennae bristling..

Two in a bubble
Together, held apart.

Caught up in a parade and surrounded by shy , smiling faces
Waving modestly at the fair haired strangers,
Laughing
At their surprise and joy.
Knowing that moment's awe
Delighted to share the festival.

Rickety trucks gaudily decorated blare out the tinny music and
High pitched voices distorted by the tannoy add an urgency
To the motion.

Shimmering saris glisten,
So in tune with the  music that trembles with joy.
That joy spills out from the
Scents, the colours, the gleaming grins and the shy waving that marks our welcome,
Till every sense tingles
With life.


And then the sand storm
Swirling and circling the speeding rickshaw
Arrived mysteriously, magically,
Like dry ice in a theatre.

The air now tangible;
Surrounding us like the skin of a bubble
Lifting us out
Of ourselves as the scene comes and goes.

The sand screen clears to reveal
An elephant
A beautiful, smiling elephant
Dressed in splendour
Accompanying us on our magic carpet ride.
Close enough for us to touch his hide.

Bejewelled and glorious
Smiling too
And all is one in that moment
And each looks at the other and feels enchanted and wants the parade to go on forever
Just like this;
With motion
And music
And colour
And smiles
And laughter
And
An elephant.
murari sinha Sep 2010
in this world of the limped nuptial
i’ve appeared as a power-missile of the lac-dye
that is used by the hindu women
to paint the border of their feet

the tooth-ache of some-one pumpkin
that grows on the thatched roof of a hut
has wringed spirally  
my mythological birth with corporate death

managing and arranging  my thoughts
on what I was in the past
what I would be in the future
or what is my dos at present  
the wonder-paintings of the altamira cave
unfolds its wings beside my painful in-growing nail

and in her own sky of miss marry  
my hands become so much condensed in every drops
as if within that moping smog
without any speech
speaks the twinkle twinkle little star…

beside  that labour pain what awakes then
is the patronage of a one-horned idea
along which while walking  without much preparation
i can enter into any e-mail

though our love pulls a very long-face about itself
and in the opinion of the married women
the sigh of the sin θ of our love wants to cultivate
mustered-seeds on the soil of the inhabitants
of this human-life
with a stick by which the monkeys are driven out
what more can i say in lieu of
a piece of red-salute written in green ink

if i say in the dawn of the 52-cards
i touch your face
by the hands of a school-boy
your calmness and earthly perfume
make me stunned

then in this field of sweat and war
the explosion of logic and intellect
of your top-floor
seems more famous anchor than the milk
that spilt over on the fire

and more to say
when daubing all over the body
all taste of the path of joy
enter into then fort of gold you can notice there
when in some unknown moment
my pajama dies socially
by the bite of the snails and oysters

to keep the heart of the break-kiln always move
this form-less interactions are so well
in the harvest-arrangement of the late-autumn
we are all uttering the name of cherry-flower
and begging shelter from the mango leaves

the cause of spreading over of the fragrance
from our secret myrobalan to every side of the pillows
is not only such that in the morning
an empty ink-*** says to the rain-water
you are beautiful

it is also remarkable that
coming to our half-articulated  travelling
the writings carved on the granite stone
become very much ashamed also

and  taking the busy market-price of the sun-glass
in the fold of the **** cloth tied at the waist
my both hands are also marked very much
in the omnibus of the dancing-bar

such is just because it is the art and science of navigation
that pastes some earth-wave
having no number-plate
with the public
rolling down  on the mat of the summer

it is impossible
to memorise the history of  those
so much contended-hunger
so much contended-sleep

it is all right that the staff-members
of our vibgyr university are all alive  
but they are the existence of some
bio-data only

arrangement of so much smiles and tears
in the nomenclature of banana-bed of mrs sofia
is not to tell the directionlessness of her fishery products
but if the culture of the wild trees assuming figure
then there remains no separate entity of the rbcs
inside or inside-up of the veins and arteries

all are the world of cosmetic-surgery
all are the arena of displaced national integrity
that is the only way to get admitted
into the still water of the horse-race

so the making of this self-portrait of the tip-cat game
by own-hand
so is the fancy of the engagement ring of the bursar

as a result of the headache in the au fait knee-joint
all the rats on the rice-*** of margaret  
become very angry
and when they make their performance  
you can’t catch them by extending your hands

so there is this sky-blue printed sari of desdemona
now take refuge under her perfumed disaster
and it is feared that there may be the drops of sweat
on the lobes of her nose extremely devoted
that the trees become to reside in

how much confusing is that cascade
in each of whose earings the dark fortnight
and whose eden garden is so large
that all those  people with crevasses dwell there

they stay in a group of nine
neither eight nor ten
just n for 9
n is also meant for the nancy
and the narcissus
and the sensational appearance of the
nereid  

once again we rub green-chilly after pouring water
in the parched-rice on the ancient plate made of brass
it is right that the peak is separated down from the temple
but it does not hurt the priest

by the right of our walks strewed outside
we too when hiding ourselves in the regime of fire
with our intention and activities
with our standpoint
with our conduct and  behaviour
or any instant rule or direction
or our deeds
that compel the rotation of the deodorant

thus after the eye-operation
the love between you and me is now
seeing more week-ends than before
to her knee has been submitted many caws
painted in water-colour

in every corner and every hole of the body
that pulls the rickshaw the wind enters
and in every root-cause of the sufferings
the ripple of annihilation of love

from the shop of dip-swimming now
you can also purchase soundlessness  
to feel  the spirit of  chrysoberyl

now you need the work for 100 days
to gain the power you need to keep pace
with the graph of the terracotta
that may also be a long day of fasting  

then on the back of that hungry conch-shell
a globe shouts
the other’s world puts its office-water
in the fountain of cactus the roaring of which
pours so many telephone-calls into the ears

then in our market the ear-bursting sound of the generator
then in our forest-land
the bullet-fight between maoist and the joint-force

then with the enlarging and waning of our moon
are the bright fortnight the dark fortnight and the leaves of wood-apple

you may say now
those demerits relate to the seeds of the gm oranges
but just think the scanning of hibernation of the philtre
or of the kite the thread of which is cut off
they can’t escape their responsibility too

then tell me to whom i could give
my sad melting point  

but then to do any work means
this trigonometry
outside the territory of copyright

then the connection of the biscuits
with the thoughts of the fire-works
is clearly dismantled

the border-zone of all relations thus keep themselves apart
and due to a sharp difference in the chromosomes of sand-stone
our dwelling-house becomes a museum

to build a hospital with a big moustache
at last within the hypnotized company
the shadow of our bed-room appears

then the light of the social moon  is like the materials
with which the inner parts of the sorrows of the pomelo
is made up

it may be well for making great
the art-work of the horse-rider
that is wrapped with the handkerchief of ocean  

it must be waiting for my shampoo-power too

some cure may be offered by the paraffin
and her open hair

but one deed of the rose-petals
and the convex sweet drops of molasses  
is the flame of thumb-impression
that is born and brought up by the pan-cake
in-between sauce-pan and peter pan

in this all-pervasive panorama of slang-opera
RH 78 Jul 2015
Covent Garden.
Midnight.
Revellers and tourists combined.
The market is heaving.
Last trains are leaving.
An eclectic mix to broaden the mind.

Covent Garden.
2am.
The place is pretty quiet.
Pubs have closed.
Clubs.... God knows.
The tourists have frozen their riot.

Covent Garden.
4am.
A drunkard stumbles by.
Flood lit shops.
A rickshaw stops.
The backdrop against a reddish
sky.

Covent Garden.
6am.
Blokes lurk down Langley street.
The glint of a blade.
A blur in the shade.
Lava tip of cigarette falls to a strangers feet.

Covent Garden.
8am.
Commuters emerge from underground stations.
Workers prepare.
Visitors beware.
Pick pockets attracted like gravitation.
Spent a night shift at Covent Garden in London people watching.
murari sinha Sep 2010
( while taking a tour through those poems readers are requested to keep in their hands,  a feather from the pea-****’s tail )

Volga - 1

there might have been some provocation
on the part of the  rat’s bible  

it is not known when and how
every piece of sleep that spatters  
from the oesophagus of the dip-swimming  
has stick to the c-sharp
of the newly-purchased tooth-brush

the air within the wish-bicycle
figures nothing less

how much is it necessary now
to ****** the blue-hue  with the study
that can be saved by the depression of the Ganges-basin
to develop the snap-shot of the garland-exchange with the
antiseptic cream

would you think it for some moments
my lord
the lord of the market

before sending any secret e-mail
to the cyclone
residing in the room
behind the stair-case
let the Volga be read once more
with all its clothes
and hair-styles

Volga - 2

the winter of the water-canon
oxidised by the fireflies
wants to touch every bamboo-flute
of this soil, it seems

as if it plays
in the body of every cauliflower
the total memorising-skill
of  the blue and yellow pyramid

and if some lines of changes
in the planet be added
the birth-day of the bolster
that goes to the sea
may learn with a lesser effort
the pollen-efficiency of the nail-marked walls

how much should I scold the squirrels
who don’t want to swim
in the still-water of the black-board  

Volga – 3

the green-circuit of the fried-almonds
that was submerged
in the open-hair of the afternoon
the whole-night workshop
has taught
the thumb-impression is to be put
how far below it

if the autobiographies are planted
into the drawer of nature
the solubility of the river-reed
gets it done too late at night

all the plus-signs around
from their etiquettes
come down  

so many foot-notes
caused by the season-changes

so before planting life
to the address of the wall-lamps
it seems the cotton-flower
written by the oceans
began yawning

Volga – 4

to the homoeopathy phial
standing on the traffic-island
why it appears
within her womb
the number of germinated nights
stolen without a kiss
is too little

is then it true
if all the chanting of Harinam
can’t be withdrawn from the alcohol
the body-odour of the running tamarisk-shrub  
will enter into the circuit-house

and that devouring of the parchment
brings to the feelings of the non-veg ant-hills
the let’s-go-cure
gathering in the sauce-island

Volga - 5

coming to this ironed canal-side
every auto-rickshaw  
wants to know and let other know
the mystery
behind  the rice-rain
from the cirrus                                                

the shame in the eyes of the seal containing signs
supplies the whole-sale dealership
of the civil disobedience movement
to the locality

the role of the hammer also
wakes up early in the morning
to put under its own tongue
an antacid

is it possible that the spits
used in the observatory
be made a little more fast-moving

manuscript of the basement of a well

the biography of the pond-heron will be scripted
even-then the productivity of the merry-go-round
wouldn’t be uttered for a moment
no sir, such has never been expected

in the liquefied banana-blossoms
too many hot breads resulted from the season-change
continues to bat  vehemently  
and climbs to the peak of heart-throbbing runs

they in a group will go to the
aqua anetha of the mole hill
to organise a folk-song

to understand this
no arbitration of the cactus is required

notwithstanding
it is heard that the thread was pulled
by the violin of  the wife of the moon-god
from behind the screen

here in the eye-front
is the basement of the morning-well

on its one page lies the faulty  crow-caws
and on another some sun-shines
swinging on the hanger
after some pages in recurring …the chicken-pox … the boot-polish …

within the two covers of the dance-drama
also comes the creepers and herbs
grown around the melting point
of the arm-chair
whose legs are broken

if each pore on the skin of the river-lily
becomes so much known
then in the background of this low land

let us have one game more
Seated beside you in a bicycle rickshaw,
eventide of your last New Delhi day
gathering itself all around us.

Silk from my sari encircles my head,
shoulders warmed by a winter shawl.
Your heavy beige mantle and dhoti,
frame a man as tall as a tree, at least to me.

There is no need for words.

I may have been singing a bhajan to you,
just quietly, as shop lights came on
in the deepening blue.

Perfection finds us in the briefest of moments.

Wherever you are now, timelessness
governs friendships formed
in the Land of the Veda.
©Elisa Maria Argiro
murari sinha Sep 2010
the time that is moving round me now - 1
some are going ahead
some are going back

having my fingers wielded
on an old type-writer
i’m thinking what should i do

a pretty long time passed away
since the village alphabet
had bade me farewell

in my recent thinking
there is a severe harikiri

the song
that i have sung in a deep forest
in front of the wild flowers

now when i am sitting  
under the ceiling-fan
of the heaven

i can see that both
the lyric and the tune of the song
have vanished


the time that is moving round me now -2
this morning
i’ve woke up little earlier
to observe the dawn

the flags of my behaviour
are posted in the grass-land
around me

no one should take them
as the handkerchiefs of
a demon

a group of people is harvesting
the paddy of the spring-season

i too join them to remember
the water-game of the ducks

i’m speaking less
or keeping mum

but there remains so many topics
to be discussed

the battle of the ballots…
the global recession…
the climate-change…
the terrorism…
the joint-force…


the time that is moving round me now -3
i’ve made a thorough discussion
with myself

so many arguments which lead to
even so much fighting

i see that there has been not
much lamentation or brooding  
not much grief or sorrow
not much tension or anxiety
of my own

all the time
surrounding me only is a grey
non-attachment
and a joy sans any emotion

then i think
if the rose can forget its sorrow and distress
why should I remember them
with so much pain and pancreatic problems

the time that is moving round me now - 4
there is no ending of words

is there anything that may be called
the end-word

let the words make questions
let the words give replies
let the words shout
let them battle among themselves

i can’t understand
why is there so much endeavour
to take me into that chaos

a plant of small white flower
is enough to make a garden itself

even-then
an assembly of
the rose the jasmine the tuberose is made
to increase the rule of the garden

after picking flowers from those plants
my wife puts them to the feet of the god
to worship him

she has a drinking-glass a plate
a hand-fan a throne
for her god

all are like tiny-toys

among them
the throne
is very important

till today
in many of our houses
there is a throne

but it is neither for accession of men
nor for making themselves king

i’ve already said
the throne is for our god

that means for our lying on
there may or may not  be
even a broken cot

but for our family-god
to provide a throne
is a must

the time that is moving round me now -5
on that day
when once i had gone into the
myself-man

i saw
that the government and the opposition
both sides were gheraoing  one another

in the same pace
they were reciprocally
quarrelling threatening rebuffing abusing

thus there was running
a fine piece of democracy there

it gave me enough pleasure

then i again came out
of that myself-man

in the outer-world
i saw

bypassing the stones and the hard
the roots of the trees
going deep down in the dark
in search of soft soil

and their branches are taking bent
towards the sun-light

the time that is moving round me now -6
of late
my intelligence seems somehow
to become slippery

there is so much pollution
in the myself-ism

it seems
even in collision with my shadow
some dragon-flies are killed every day

why do my eyes see so little
why do my tongue speaks so harsh words

to whose custody has gone
those rain-drops

those lemon-blossoms

there is the glittering of dew-drops
on the cob-web

the evening-worship
is sinking into the barking of dogs

as if the wings of the parrots
become van-rickshaw

as if the moon-light were
gradually retreating
in the enlightened city-life
the Sandman Feb 2016
Our city
of forts and malls and cinema halls
is littered with the filth of our minds
and our mouths.
We are lost; we are broken;
we are muffled and soft-spoken.
Big city dreams
of art and changing the world
slip away every time we wake up
on grimy beds we’ve never seen before
with soot on our feet, and our hands
bound with ***** hair,
backs bent under the weight of all they’ve left us.
The mud in our fingernails leaves us a mess,
in the shapes of the night's sticky, grubbiness:
a twisted Rorscharch inkblot.
We see it all replaying,
—flickering, as we’re swaying—
on grimy ceilings, where the light bulb
seems askew, and dangling
in an effort to hypnotise us,
left, and right, and left.
Every day is a repeat of the same,
chai glasses, and cigarette butts
with redlipstickstains,
rickshaw rides (exactly thirty rupees steeper
than the rate on the meter),
cat calls that slap in one ear and slip spit out the other.
Our roads are lit by TV-light,
a muted glow that follows us everywhere.
Anonymous blankness follows blankness
and the dark dankness
of grocery stores and souls
that can’t recognise each other anymore.
Silly young things dreaming of bliss,
And new couches, and tiny feet
Instead hear only
"Scrub harder," "Needs more salt," and
"Turn over; come closer; be quiet."
Bare feet in splotchy grass
with brown and green ankles
are replaced by sore heels and push-up bras.
Pens scratching on paper
are replaced by knives slashing skin
and flesh and bones
hitting sharply so that the onomatopoeia
of the shlick-crack-crack
draws out delighted laughter
from blackened, smoky mouths
— and peals of screams that no one hears,
the afterthoughts of parking lots.
The fire of fingers leaves marks, scars;
and their tips grow spikes
into the goosebumps on our arms;
knuckles peel away skin,
everywhere they trace;
and fists clench
around our bodies,
that don’t belong to us.

But we know, one day,
our spring will come
and we will leave the heat on our backs
in dust.
We will go down with Persephone
and take our flowers with us.
We will swim upside down
so we feel like we can fly.
Every rock laying unturned, we know,
has a cosmic universe throbbing
patiently under it.
We will lie, resilient, awake at night,
dreaming cautiously, softly,
so no one hears,
but dreaming nonetheless.
Dreaming of our wings melting
over and over again,
when we get too close to the denied,
day after day, until
we can build wings strong enough
to hold the heat of the sun
inside them, and then propel further.
We’ll show them
— tell your sisters and daughters and friends!—
we’ll show them,
Because your sticks and stones
Can break only our bones
And not our minds. We are
Goddesses, even in a dimly lit bar
Or the back of a fast car,
Just as in temples. We are
Goddesses, whether we whisper in soft tones
Or shout it in the streets,
Whether we lie in strangers' sheets
Or break our backs bending
to ***** feet.
When we're beaten by a spouse,
Or changing tactic,
We'll be both your angels in the house,
And your madwomen in the attic.
Ayesha Apr 2022
this precious rickshaw
hiccups

it jolts at slightest expressions
of the roads' flat faces
hick!
and my stomach wobbles up
like an astronaut made of jelly
bounces against the diaphragm
disturbing the cuddly lungs and
the lattice pancreas wince
hick!
the sour liver curses and
noodle intestines startle and then
grumble
and the swish slosh slosh
of my kerosine blood
is light and jumpy
in the ancient pipelines of flesh

my hands unlearn
unlearn
they are chubby preteens
then hesitating littles
now my handwriting
is an infant walking
hick!
crawling
hick!
this wash-machine ride
with an inferno of April breaths
hick –– hick –– hick!
my little dog-heart
shakes
its fur all ruffled and spiky
23/04/2022
The Flipped Word Apr 2016
The Whirring of the fan in the dark
As I lay on the cotton sheet
Sleep eluding me, perspiration finding me
This blasted Delhi heat

In the burning orange of the noon
The rickshaw tires play with the dust
And all is silent like a black n white film
It's just screaming in the color of rust

Neem trees, dried leaves
And the buzzing of the evening flies
Time to chase the ice lollies vendor
As the temple bell tolls by

Along comes the night again
Heaving and spewing, choking on fiery stars
Already restless for the next season
Oh why are Delhi winters so far
a Aug 2015
They say it's cliché,  writing
a poem about being alone on your birthday.
Cause how could you be alone, with the not-so-faux paradise of the gently swaying lush greenery that sprouts tweety-bird yellow over your head,
complete, with the insistent ca-caw of the Red-throated beak that doesn't let you sleep on the anniversary of your birth.
How could you be alone with the contrast beneath, the contest of of somnabulism between the rickshaw and the great grey suzuki, that perfectly encompasses the colour of Europe.
The barking stray dogs in the Pune streets, the rustle of the parakeet palms in the monsoon breeze.
You're stuck in a shell of unending continuity, howling canines and Hindi beats, honking cars and the buzz of your mind.
alone. and old.
This birthday, I wish for India to have a repaint.
Prabhu Iyer Feb 2013
Thoughts
splash echoing
like pebbles into a well.

Confusion.
Woven like a web all over.

Returning at the same spot,
beaten, broken into
a hundred parts.

Echoing.
Returning.

Plumes of obfuscation.
Rising, spreading everywhere.

Frustration.

This spiraling music in the head.
What is the way forward?

The rickshaw slices the expanse
speeding away from my grasp.

A query rises into the wilderness
of a hundred distractions.

The bell. The bell. Distant, sonant.
Door. Phone. Beep. Beep.

The firmament is camouflaged.

Am looking for a direction;

Confusion. Obfuscation. Frustration.
Another thought-stream. Free-rhythm.

Moments of echoing self-reflection seeking an answer, guidance, amidst distractions....
Sunil Sharma Apr 2017
A few drivers,
mid-summer afternoon

lean against the divider,
paint peeling

some perch on it lightly---
indulge in hot group-talk;

the waltzing-shadow
of a banyan tree
opposite side of the
auto-rickshaw stand---

a street-art, delicate, dark-hued;

the phantom arms
hug
the disparate crew
in a tight family-embrace,
its breath tousling their hair

and it---
protects them from
the Mumbai heat!
@Sunil Sharma
A real scene witnessed and then embellished.
Kate Mac Aug 2012
See here: I’ve been to Arkansas, and New Orleans at Mardi Gras. I’ve traveled south of Panama, did Dublin, Thames, and Wichita, I went, I saw, though full of awe, I couldn’t help but find such flaw in everything and all. An outlaw in my old rickshaw I draw my paths and highways, y’all, and always come back home. I’ve seen the summer, felt the fall, I love the fields and hate the mall I rob from Peter, pay back Paul and haven’t found the wherewithal to turn **** in on time. I do recall a cell phone call, and built up walls to break the fall, lose a little, lose it all, the breaking down, the overhaul, now take me up to Montreal, I’ll see you in the spring.
Marla Jan 2019
The bells rang vividly through the cold misty evening as the carolers passed by,
Their serenades intoxicating the air with more and more of that red-green aura.
Busses, cars, and even an old man with a rickshaw zoom down the street,
Promising themselves they wouldn't let up the eve someplace away from home.

A silhouette emerges from the church carrying something wet and shiny.

Two cars topsy turvied and the passengers fell asleep.

Three men point exploding pipes at each other until they all fall down.

Four women braid each others' hair with clenched fists as the red mists paint the white brick wall.

Five people, all in a row, collapse onto the tracks of an oncoming train and decide to let go.

But the omniscient presence in the domed cloud sees all as a musing, for what are we but inklings?
JJ Hutton Nov 2018
Zigzag the stitch
and rub a little jelly

rickshaw fresh
mama to baby

turnstile linen and
swaddle

good times
soon to follow

simulcast the
charged circumstance

mother, verdant
mother, vessel
mother, hollow

forecast past
the sleepless
and bloodless

fixate on
first steps, first days,
first sorrows

dumbfounded fully
by where it all started

adulthood summoned
by a little ****** and folly.
Philipp K J Feb 2019
Sparkling sweat beads dripping
Down his shining head and wetting
His shirt that's sticking to his fast ticking heart.
The stranger was a strange encounter
For the tea vendor at the counter  near 
 the Indian railway station.
He looked out if there were any rain
There wasn't any and couldn't restrain
"What makes thou to perspire so much?'
The man stood slowly gasping and ordered a tea
And bumped on the banana bunch
While turning to sit on a bench.

The vendor at the counter
repeated same question:
what made thou perspire so?

" O the mad rush
from station.
To retrieve the cash
bag"
He paused and said,
"my wife left at ***
End of filling the car
With rag tags
and bob tails".

She and her mother
Had  to catch the train
in time
And to be seated in fine
The only  scheduled train
half past seventeen.
I dropped them though
very relaxed.
As it were conceived
Twenty minutes ahead.
Was it not ideal with an aged
One to move unbothered?
"Then tell me why art thou sweating?"
Take the tea and be seated.
The curious vendor
came out of counter
Placed the tea on the bench
near him and sat beside
To listen to the stranger.

I waved good bye to my wife
then she asked for the cash bag
and sensed she left it at home.
No time to think
I jumped into car and shot off
Zooming in terrific zigzag
Through a flood of swelling traffic
Ten minutes remaining
My  car stopped with a crushing break
At home. I jumped and  grabbed the bag
from the side of the garage
Where she left it.
Put my hands to the shoulder tags
Perched on my two wheeler thanks
To God. I gushed out like a wind
dealing and wheeling
steering like youngsters
Rushed to the station yard
Dashed the scooter forward
Caught an auto rickshaw
The Surprised driver pull started
I  commanded to drop me
At the station entrance
Just three hundred feet distance
And threw a hundred rupee pittance
The train was hooting to commence
I did not see the couch number
Running  I asked a runner by
For B2, "to B or not to B you C"
First board the tail
and move forward inside the isle.
Without waiting for detail
I ran gasping like a runner
And in the other corner
Aghast my wife speechless
At my ghostly shape and beastly pants
Caught the costly bag from my  hands
And saw me dart the moving exit
Some one voiced me to sit
A while and rest.
The train left in disgust.
"Alas! You relax. At last
You are a winner! Right? Take tea"
The man curious though patted
And told to encourage him.

"No! Not. I am a loser!
A snake bite
Following a lightning strike!
I was gasping and sitting
On a chair on the platform
A man in black suite stood
before me, a snake with open hood
over me who ran like lightning Bolt.
"Show your entry pass",
his voice bold and told
"Or pay a fine hundred fold
The cost of a platform ticket"
I paid the bitter fine.
Is it not a snake bite behind  
A lightning strike?
Wiping out the sweat beads
with a piece of cloth he stretched his hand
For a cigarette!
The vendor helped the man to light it too
and watched his face glow up
Behind a whirling puff
Of smoke and a hot sip from tea cup.
Ayesha Mar 2022
1.
salt-caked fingers
peel each other

2.
slimy tongue
toils in vain

3.
soft lips
metal beneath teeth

4.
barbaric generator
clears its throat

5.
on these beaten blue windings
sun keens
29/03/2022
Phil Smith Dec 2014
This is a weird weird world.
In draping the deepest of thrones, we find
the dimple of a newborn waterfall.
This is a weird weird world.

Flying endlessly like a crosstown log,
The modern mermen tip their tails and
flip their flails and
sip their sails in
this stillborn magical world.

I sit here, implying.
I waste no time in my elevator,
For I am dripping
and reminiscing
about everything
you
just
told
me
in this rickshaw striptease world.

But hey there!
Recalculate!
For I am dying simply DYING for a laboratory!
For I am dying simply DYING for some mud!
For I am dying simply DYING for an alphabetical totem!
For I am dying simply DYING!

And oh, in this world, in THIS
sacred bloodbath,
the words fly like hummingbirds!
Like dreary, dreary, hummingbirds,
in marmalade, in mother's words!

This world is just a time machine,
And we've got front row seats.
So yes, we'll put on the rock shows and the tesla coils and the
posters of Winnie the Pooh,
because there's nothing leaving for us
in this freckle cookie world.

I've got ideas, Freddie.
I've got ideas--
And they've got me. They've got me good, like a
sundae and a soccer ball, like a
city-woven carnival.

I would describe myself as disinterested at best--
for I won't be coming back.
Nuha Fariha Jun 2019
Wee black-eyed daughter Sakina was the first to notice it. The guava that had the hairs on it, prickly like a stray alleycat’s. We didn’t know what to do with it so we left it by Nana’s backyard swing next to the pond. When we came back the next day, the hairs had grown longer, this time like crooked peacock’s feathers slim, indolent Saleem’s father used for his broken down rickshaw. “Wow!” bushy eyed Hidra, “should we eat it?” Our piqued response thereafter was that Hidra should be excluded.

All throughout the monsoon season, we trekked back to Nana’s backyard, our hungry, empty Ramadan bellies growling in loud protest but we slathered on, bulwarks against chaos. Each day, the guava became more human, on Monday the smallest hint of tooth, by Tuesday three limbs, and after Jummah prayers on Friday a whole mouth! We poked it, bruised it, no regard for ****** integrity, evince the monsters we hid underneath. It was a sensation that haunts us today. Demure Dafne was the first one to clothe it, placing a ragged sun-bonnet over the eyes. A soft smile emerged then, a genteel kindness. Imbued with flimsy protection, she slipped into the pond.
Santiago Apr 2015
Destiny is determined
It's encrypted, it's marginalized
I'm the result you despise
I'm the infusion, a confusion
Diversity's virus sporadic epidemic genetics fickle, Rickshaw magnetic atoms, collidng electric nuetral transmiters, wither like a rose, pedals parachute to soils ecosystem, my failure is coded like a mission, blinded vision, angel who has arisen, now I know my purpose, my cause, my goal I must attain when time has finally become, set free now I won, until then I must sustain, regain, and maintain, break free from these chains, hurting me in pain, soon I'll evaporate like rain, his word is not in vain...

Jesus Christ thank you for everything you done for me, from day one, it's for some purpose, I might not know, why you allowed, all I know is you have answered all my troubled question.
Robert Ronnow Jan 2021
I’ve never put a candidate’s bumper sticker on my car before—
why not take sides—what are you waiting for?
Death puts a stop to daily low intensity warfare but in the meantime—
      fight on!
What are we fighting for? Let’s see—
clean air and water and room to walk around in cities and deserts
America the seeing eye dog not America the junkyard dog—
collective deliberation among nations, clear passage through seas and
      borders
compact and contiguous Congressional districts that represent actual
      communities
education and health care for everyone who wants it—worldwide
good food too, affordable shelter and a living wage
a say in governance—local and global—free from fear of violence

Should you be subsumed by a cause bigger than the self?
unlike Rick in Casablanca who keeps to himself
I’m advertising my loyalties with bumper stickers on rickshaw and kayak
every time I come and go
it’s a free country—or maybe I’m so low profile no one notices or
      cares to take revenge
so small time I have time and no enemies or friends
What about Whitman and his love for Lincoln
he found a way to participate in the war that satisfied his muse, as a
      nurse
oh, I want to add space exploration and no nuclear war
plus basic science and ancient arts, black lives matter

Here are some things you have to put up with or out of mind
while enjoying the beautiful black and white photography and rousing
      Marseillaise:
that Sam, played by Dooley Wilson in worshipful subservience to “Mr.
      Rick,” endures his lonely abnegation and abstinence in Paris while
      Rick savors the nordically white, luscious Ilsa;
that Ilsa, on the lam across the wide world from pursuing Nazis, is
      apparently transporting an extensive, elegant, perfectly manicured
      wardrobe;
that Rick, in wartime Casablanca, has managed to hire a full 20-piece  
      jazz orchestra for which we willingly suspend disbelief since it’s  
      essential for singing the Marseillaise which never fails to bring tears
      of pride to Yvonne’s eyes;
I guess that’s about it except why would you spend a minute in Sydney
      Greenstreet’s fly-infested café when Rick’s air-conditioned
      establishment is right across the street, an overnice contrast to
      Maghreb culture;
otherwise, I’m in complete accord with IMDb’s 8.5 rating.

On the news last night the president changed the trajectory of a  
      category 4 hurricane. He can’t do that! Not my president! They’re  
      laughing at us!
Who’s got trouble? We've got trouble. How much trouble? Too much  
      trouble.
After Casablanca, it's headed for South Carolina.
--Jerome, M.K. and Scholl, Jack, “Knock on Wood”, as performed by Dooley Wilson in the film Casablanca, 1942.
Astrea Jul 2022
silhouette of sails breezed through the twilight hour,
the working man was long aroused from his sleep,

long strips of inked paper billowed out into the dank alley,
infused with the rotten aroma of yesterday.

the paper-thin veil draped over the construction site,
the working men had their silhouettes enslaved to the sheet,

an arrow of shadow shot through the muted screen of the cinema,
a line of laundry zigzagged the sky overhead, ******* pages of blue,

the rickshaw man was crossing stairs,
toeing winding train tracks, children nimbly dashed past danger

a fisherman was dreaming of secret deluges,
he would oar his way through the overflown streets, catching a dim sum box or two

a seagull fixed its hungry gaze on you, chewing stick
you leaned on the cart you have been pushing, facing habour
this was inspired by a photography collection— Hong Kong Yesterday by Fan **, which I came across a few weeks ago in the bookstore. His works leave a strong, lasting impression on me, and thus was this poem born.
Hakikur Rahman Jan 2021
The wheel rolls around
Drops the sweating of the body
The whole day struggles on
Does he gets what is the real price?

He goes from here to there
Under the sun and rain
Life comes to the throat
Does not remain in the heart.

Yet he runs along the path
With the inspiration to survive
Going along the way
In no one's mercy.
Ayesha Mar 2022
words elope
perhaps all alone
in nights sweet
and nights black

I am a child
fumbling my hands
on the faces of land
and the world topples
bounces about

this trembling scrawl
tentative almost
as the rickshaw
coughs and shakes

I don't say when I say
I am in love with words
sometimes the dance
sometimes song
sometimes the people
they carry along

I don't say— I don't say
I watch away
it is the child that writes
05/03/2022

— The End —