AN INTRODUCTION TO INDIAN ART IN VERSE  
By Raj Nandy : Part One

INTRODUCTION
Background :
The India subcontinent and her diverse physical features,
influenced her dynamic history, religion, and culture!
The fertile basin of the Sapta-Sindu Rivers* cradled one of
world’s most ancient civilization, (seven rivers)
Contemporary to the Sumerians and the Egyptians, popularly
known as the Indus Valley Civilization!
The Sindu (Indus), Jhelum, Chenab, Ravi, Sutlej, Bias, along
with the sacred river Saraswati, shaped India’s early History;
Where once flourished the urban settlements of Harappa and
Mohenjodaro, which lay buried for several centuries;
For our archaeologists and scholars to unravel their many
secrets and hidden mysteries!
Modern scholars refer to it as ‘Indus-Saraswati Civilization’;
By interpreting the text of the Rig Veda which mentions
eclipses, equinoxes, and other astronomical conjunctions,
They date the origin of the Vedas as earlier as 3000 BC;
Thereby lifting the fog which shrouds Ancient History! +
(+ Two broad schools of thoughts prevail; Max Mullar refers
to 1500 BC as the date for origin of the Vedas, but modern scientific findings point to a much earlier date for their Oral composition and
their long oral tradition!)

On the banks of the sacred Saraswati River the holy sages
did once meditate, *
When their third eye opened, as all earthly bonds they did
transcend !
From their lips flowed the sacred chants of the Vedas, as
they sang the creator Brahma’s unending praise!
These Vedic chants and incantations survived many
centuries of an oral tradition,
When Indian Art began to blossom into exotic flowers like
Brahma’s divine manifestations;
With all subsequent art forms following the model of
Brahma’s manifold creations!
The Vedas got written down during the later Vedic Age
with commentaries and interpolations,
And remain as India’s indigenous composition, forming a
part of her sacred religious tradition! *
(Rig Veda the oldest, had hymns in praise of the creator;
Yajur Veda spelled the ritual procedures; Sama Veda sets
the hymns for melodious chanting, & is the source of seven
notes of music; Artha Veda had hymns for warding off evil
& hardship, giving us a glimpse of early Vedic life.)

IMPACT OF FOREIGN INVASIONS:
Through the winding Khyber Pass cutting through the rugged
Hindu Kush Range,
Came the Persians, Greeks, Muslims, the Moguls, and many
bounty hunters storming through north-western frontier gate;
Consisting of varied racial groups and cultures, they entered
India’s fertile alluvial plains!
Therefore, while tracing 5000 years of Art Story, one cannot
divorce Art from India’s exotic cultural history.
From the Cave Art of Bhimbetka, to the dancing girl of Harappa,
To the frescoes and the evocative figures of Ajanta and Ellora;
Many marvelous and exquisitely carved temples of the South,
And Muslim and Mogul architecture and frescoes along with
India’s rich Folk Art, enriched her artistic heritage no doubt!
Yet for a long time Indian Art had been the least known of
the Oriental Arts,
Perhaps because from Western point of view it was difficult
to understand the spirit behind Indian Art!
For Indian Art is at once aesthetic and sensual, also passionate,
symbolic, and spiritual !
It both celebrates and denies the individual’s love of life,
where free instinct with rigid reason combine !
These contradictory elements are found side by side due to
her culturally mixed conditions, as I had earlier mentioned!
Now, if we add to this the constant religious exaltation,
With the extensive use of symbolic presentation, from the
early days of Indian civilization;
We have the basic elements of an Art, which has gradually
aroused the interest of Western Civilization!

The further we get back in time, we only begin to find,
That religion, philosophy, art and architecture,
Had all merged into an unified whole to form India’s
composite culture!
But while moving forward in time, we once again find,
That art, architecture, music, poetry and dance, all begin to
gradually emerge, with their separate identities,
Where Indian Art is seen as a rich mosaic of cultural diversity!

(NOTES:-In the ancient days, the Saraswati River flowed from the Siwalik Range of Hills (foothills of the Himalayas) between Sutlej & the Yamuna rivers, through the present day Rann of Kutch into the Arabian Sea, when Rajasthan was a fertile place! Indus settlements like Kalibangan, Banawalli, Ganwaiwala, were situated on the banks of Sarsawati River, which was longer than the Indus & ran parallel, and is mentioned around50 times in the Rig Veda! Scientists say that due to tectonic plate movements, and climatic changes, Saraswati dried up around 1700BC ! The people settled there shifted east and the south, during the course of history! Some of those Indo-Aryan speaking people were already settled there, & others joined later. Max Muller’s theory of an Aryan Invasion which destroyed the Indus Valley Civilization during 1500BC, supported by Colonial Rulers, was subsequently proved wrong ! Indo-Aryans were a Language group of the Indo- European
Language Family, & not a racial group as mistaken by Max Mullar! Therefore Dr.Romila Thapar calls it a gradual migration, & not an invasion! The Vedas were indigenous composition of India. However, they got compiled & written down for the first time with commentaries, at a much later date! I have maintained this position since it has been proved by modern scholars scientifically!)

SYMBOLISM IN INDIAN ART
From the ancient Egyptian hieroglyphic to the Cretan Bull
of Greece,
Symbols have conveyed ideas and messages, fulfilling
artistic needs.
The ‘Da Vinci Code’ speaks of Leonardo’s art works as
symbolic subterfuge with encrypted messages for a secret
society!
While Indian art is replete with many sacred symbols to
attract good fortune, for the benefit of the community!
The symbols of the Dot or ‘Bindu’, the Lotus, the Trident,
the Conch shell, the sign and chant of ‘OM’, are all sacred
and divine;
For at the root of Indian artistic symbolism lies the Indian
concept of Time!
The West tends to think of time as a dynamic process which
is forward moving and linear;
Commencing with the ‘Big Bang’, moving towards a ‘Big
Crunch’, when ‘there shall be no more time’, or a state of
total inertia !
Indian art and sculpture is influenced by the cyclic concept
of time unfolding a series of ages or ‘yugas’;
Where creation, destruction and recreation, becomes a
dynamic and an unending phenomena!
This has been artistically and symbolically expressed in the
figure of Shiva-Nataraja’s cosmic dance,
Which portrays the entire kinetic universe in a state of
eternal flux!
The hour-glass drum in Nataraja’s right hand symbolizes
all creation;
Fire in his left hand the cyclic time frame of destruction!
The raised third hand is in a gesture of infinite benediction;
And the fourth hand pointing to his upraised foot shows the
path of liberation!

It was easier to teach the vast untutored population through
symbols, images, and paintings in the form of Art;
For a picture is more effective than a thousand words!
The Dot or ‘bindu’ becomes the focus for meditation,
Where the mental energies are focused on a single point of
creation,
As seen in the cotemporary art works of SH Raza’s
artistic representations!
Yet the same dot when expanded as a circle becomes
wholeness and infinity;
The shape of celestial bodies of the cyclic universe in its
creativity!
The Lotus seen in many sculptures, on temple walls, and
majestic columns, denotes purity;
A symbol of non-attachment rising above the muddy waters,
retaining its pristine color and beauty!
The Lotus is a powerful and transformational symbol in
Buddhist Art,
Where pink lotus is for height of enlightenment, blue for
wisdom, white for spiritual perfection, and the red lotus
symbolizing the heart!
This Lotus symbol also finds a place in Mughal sculptural
carvings and miniatures;
The inverted lotus dome resting on its petals, forms the
crown of Taj Mahal’s white marble architecture!
The trident or ‘trishul’ symbolizes the three god-heads
Brahma, Vishnu and Shiva;
As the Creator, Preserver and Destroyer, in that cyclic
chain which goes on forever!
The ***** stone of Shiva-lingam surrounded by the oval
female yoni symbolizes fertility and creation,
Usually found in the inner sanctuary of Hindu temples!
Finally, the symbol of ‘OM’ and its vibrating sound,
Echoes the primordial vibrations with which space and
time abounds!
All matter comes from energy vibrations manifesting
cosmic creation;
Also symbolized in Einstein’s famous matter-energy equation!
The Conch Shell a gift of the sea when blown, sounds the
ancient primordial vibration of ‘OM’!
It’s hallowed auspicious sound accompanies marriage
ceremonies and rituals whenever occasion demands;
And pacifies mother earth during Shiva-Nataraja’s sudden
seismic dance! (earthquakes)
Dear readers the symbols mentioned here are very few,
Mainly to curb the length, while I pay Indian Art my
artistic due!

A BRIEF COMPARISON OF ART:
Despite the many foreign influences which entered India
through the Khyber and Bholan pass,
India displayed marvelous adaptability and resilience, in
the development of her indigenous Art!
The aesthetic objectivity of Western Art was replaced by
the Indian vision of spiritual subjectivity,
For the transitory world around was only a ‘Maya’ or an
Illusion,- lacking material reality!
Therefore life-like representation was not always the aim
of Indian art,
But to lift that veil and reveal the life of the spirit, - was
the objective from the very start!
Egyptian funerary art was more occupied with after-life
and death;
While the Greeks portrayed youthful vigor and idealized
beauty, celebrating the joys of life instead!
The proud Roman Emperors to outshine their predecessors
erected even bigger statues, monuments, and columns
draped in glory;
Only in the long run to drain the Roman treasury, - a sad
downfall story!
Indian art gradually evolved over centuries with elements
both religious and secular,
As seen from the period of King Chandragupta Maurya,
Who defeated the Greek Seleucus, to carve out the first
united Indian Empire ! (app. 322 BC)

SECULAR AND SPIRITUAL FUSION IN ART:
Ancient Indian ‘stupas’ and temples were not like churches
or synagogues purely spiritual and religious,
But were cultural centers depicting secular images which
were also non-religious!
The Buddhist ‘stupa’ at Amravati (1stcentury BC), and the
gateways at Sanchi (1stcentury AD), display wealth of carvings
from the life of Buddha;
Also warriors on horseback, royal procession, trader’s caravans,
farmers with produce, - all secular by far!
Indian temples from the 8th Century AD onwards depicted
images of musicians, dancers, acrobats and romantic couples,
along with a variety of Deities;
But after 10th Century ****** themes began to make their mark
with depiction of sensuality!
Sensuality and ****** interaction in temples of Khajuraho and
Konarak has been displayed without inhibition;
As Tantric ideas on compatibility of human sexuality with
human spirituality, fused into artistic depictions!
Religion got based on a healthy and egalitarian acceptance
of all activities without ****** starvation;
For the emotional health and well-being of society, without
hypocritical denial or inhibition!
(’Stupas’= originated from ancient burial mounds, later became devotional Buddhist sites with holy relics, & external decorative gateways and carvings!)

KHJURAHO TEMPLE COMPLEX (950 - 1040 AD) :
Was built by the Chandela Rajputs in Central India,
When Khajuraho, the land of the moon gods, was the first
capital city of the Chandelas!
****** art covers ten percent of the temple sculptures,
Where both Hindu and Jain temples were built in the north-Indian
Nagara style of Architecture.
Out of the 85 temples only 22 have stood the vagaries of time,
Where a perfect fusion of aesthetic elegance and evocative
Kama-Sutra like ****** sculptural brilliance, - dazzle the eyes!

KONARAK SUN TEMPLE OF ORISSA - EAST COAST:
From the Khajuraho temple of love, we now move to the
Konark temple of *** in stones - as art!
Built around 1250 AD in the form of a temple mounted on
a huge cosmic chariot for the Sun God;
With twelve pairs of stone-carved wheels pulled by seven
galloping horses, symbolizing the passage of time under
the Solar God !
Seven horses for each day of the week, pulls the chariot
east wards towards dawn;
With twelve pairs of wheels representing the twelve calendar
months, as each cyclic day ushers in a new morn !
The friezes above and below the chariot wheels show military
processions, with elephants and hunting scenes;
Celebrating the victory of King Narasimhadeva-I over the
invading Muslims!
The ****** art and voluptuous carvings symbolizes aesthetic
bliss when uniting with the divine;
Following yogic postures and breathing techniques, which
Tantric Art alone defines!
(Both Khjuraho & Konark temples were re-discovered by the
British, & are now World Heritage Sites!)

Artistic invention followed the model of cosmic creation;
Ancient Vedic tradition visualized the spirit of a joyous
self-offering with chants and incantations!
The world was understood to be a structured arrangement
of five elements of earth, water, fire, air, and ethereal space;
Where each element brought forth a distinct art-expression
with artistic grace!
Element of Sculpture was earth, Painting the fluidity of water,
Dance was transformative fire, Music flowed through the air,
and Poetry vibrated in ethereal space!

CONCLUDING INTRODUCTION TO INDIAN ART:

Indian Art is like a prism with many dazzling facets,
I have only introduced the subject with its symbolism,
- without covering its complete assets!
After my Part Three on ‘Etruscan and Roman Art’,
Christian and Byzantine Art was to follow;
But following request from my few poet friends I have
postponed it for the morrow!
Traditional Indian Art survives through its sculptures,
architecture, paintings and folk art, ever evolving with
the passing of time and age;
Influenced by Buddhist, Jain, Muslim, Mogul, and many
indigenous art forms, enriching India’s cultural heritage!
While the art of our modern times constitutes a separate
Contemporary phase !
The juxtaposition of certain concepts and forms might
have appeared a bit intriguing,
But the spiritual content and symbolism in art answers
our basic artistic seeking!
The other aspects of Indian Art I plan to cover at a later
date,
Hope you liked my Introduction, being posted after
almost forty days!
ALL COPY RIGHTS ARE WITH RAJ NANDY
E-Mail: rajnandy21@yahoo.
    FEW COMMENTS BY POETS ON 'POETFREAK.COM' :-
I have a vicarious pleasure going through your historical journey of Indian art! Thanks for sharing this here! 2 Mar 2013 by Ramesh T A | Reply
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The prism of Indian Art is indeed has myriads of facets and is an awesome mixture of many influences some of which you list here so clearly - a very understandable presentation of symbolism too - -thank you for your fine effort Raj. 2 Mar 2013 by Fay Slimm | Reply
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Oh what an interesting read with immense information capturing every single detail. You painted this piece of art with utmost care. Truly, it's works Raj…tfs 2 Mar 2013 by John Thomas Tharayil | Reply
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First, I have to say, the part about the lotus symbolism reminds me – My name ‘NILOTPAL’ can be split into ‘NIL’ meaning BLUE and ‘UTPAL’ meaning LOTUS. So my name represents wisdom (although it contradicts ME.. LOL). A lot of things were mentioned in the veda and other ancient Indian texts that were way ahead of the time Like the idea of ‘velocity of light’ got considerable mention in the rig veda-Sahan bhasya, ‘Elliptical order of planets, ‘Black holes’ , although these are the scientific aspects. The emphasis on contradictory elements or even the idea of opposites in Indian art is interesting because India developed the mathematical concept of ‘Zero’ and ‘infinity’. Hard to believe Rajasthan was a fertile place but now it possesses its own beauty. It was great to read about the Natraja, ‘OM’ and the trident(Trishul). Among symbolisms, Lord Ganseha is my favorite because a lot is portrayed in that one image like the MOOSHIK representing

Dear Poet Friends, Torin Galleshaw from Charlotte NC, a Member of this Site, had requested me to compose about the Rise of Third *****. Therefore, I have commenced with the causes for its Rise in my Part One posted below. Planning to compose Part Two with ******’s Blitzkrieg campaign of Poland later. It is unfortunate that I am unable to post related Maps & Photos for better appreciation of my Readers! Such options are not available for us here! However, I have managed to post a copy with maps & photos in the E-mail ID of my friend Torin!  Kindly give comments only after reading this researched work of mine, during your spare time.  Thanking you, - Raj, New Delhi.

            STORY OF SECOND WORLD WAR – PART ONE
                            RISE OF THE THIRD *****
                                       By Raj Nandy

                                  INTRODUCTION
In this part I shall mainly deal with the causes leading to the Second World War,
Which had also created favourable conditions for the rise of Third ***** under ******.
The word ‘*****’ derives from old German word ‘rihhi’ meaning ‘realm’;  
But is also used to designate a kingdom or an empire in a broader sense.
Historically, the First ***** was the Medieval Holy Roman Empire which lasted till the end of the 19th Century.
While the Second ***** was the First German Empire from 1871 to 1918, when dynamic Otto Von Bismark had united all of Germany,
Which ended with its defeat in World War One and birth of the Weimar Republic.
The Third ***** refers to the **** German Empire under ******, Which lasted from 1933 till 1945, for twelve traumatic eventful years!
Historians opine that the ending of a war is equally important as
its beginning;
Since the causes for the start of a war is often to be found embedded in its ending!
The First World War came to an end on 28th of June 1919 as we all know.
With the signing of the Treaty at Versailles by the German Foreign Minister Hermann Muller and the ‘Big Four’.  (Britain, France, America, & Italy)
Yet it is rather ironical, that this Peace Treaty of Versailles, considered as President Woodrow Wilson’s ‘brain child’,
Had sowed the seeds of discontent resulting in the outbreak of the Second World War, and Adolf ******’s dramatic rise!

Though several causes are attributed for the outbreak of the Second World War by our Military Historians.
Let me try to summarise those causes which are considered to be more relevant.
Commencing with the harsh Treaty of Versailles, the British and French Policy of Appeasement, followed by Hyperinflation and the Great Depression of 1929, and failure of The League of Nations to maintain peace;  
Are relevant factors which collectively combined resulting in the outbreak of the devastating Second World War, scarring human memories for all time!
But not forgetting ******’s forceful and persuasive eloquence which mesmerised the Germans to rise up as a powerful Nation once again.
Since ****** promised to avenge the humiliation faced by Germany following the Treaty of Versailles,
Which was drawn up with vengeance, and dictated by the victorious Allies!

THE  ARMISTICE  AND TREATY OF VERSAILLES:    
Armistice means a truce for cessation of hostilities, which provides a breathing space for negotiating a lasting peace.
Now the Armistice ceasing the First World War was signed inside the railway carriage of the Allied Supreme Commander Marshal Foch, in the Forest of Compiegne,
On the 11th of November 1919, sixty km north of Paris, between the victorious Allies and vanquished Germany.
But in the meantime naval blockade of Germany had continued, and the German Rhineland was evacuated and partly occupied by the combined Allied troops!
Release of Allied POWs interned civilians followed subsequently; And the Reparations Clause of monetary compensation was strictly imposed on Germany!
Now, following a wide spread German Sailor’s Revolt towards the end of October 1918, Emperor Kaiser Wilhelm-II had abdicated;
And on the 9th of November Friedrich Ebert, as the new Social Democrat President of Germany, authorised his representative to sign the Compiegne Armistice.
We should remember here that this Armistice seeking cessation of hostilities did not stipulate any unconditional surrender;
And the signing of the Armistice by the German Social Democrats, was considered as ‘a stab in the back of the German army’ by majority of the Germans!
These issues get repeatedly mentioned by Adolf ****** in his eloquent speeches subsequently,
To arouse the spirit of German Nationalism, and resurgence of the ‘Master Aryan Race’ of the Germans, - in Germany!

The Versailles Treaty was signed on 28th of June 1919, exactly five years after the assassination of Archduke Ferdinand which had sparked World War One.
Let me mention few aspects of this Treaty which was detested by the Germans!
Germany lost 13% of its land, 12% of its people, 48% of its iron resources, 15% of its agricultural production, and 10% of its coal, following its implementation!
German army was reduced to 100,000 men, its Navy reduced to 36 ships with no submarines, its Air Force banned, and its union with Austria forbidden.
Now to use a Shakespearean phrase the ‘unkindest cut of all’ came in the shape of Article 231,  the ‘War Guilt Clause’ of the Versailles Treaty,
Which provided the legal basis for the payment of war reparations by Germany.
The reparation amount of 132 billion gold marks (US $33 billion) to cover the civilian damage caused during the war, now had to be paid by Germany!
Thus the humiliation, resentment, and the virtual economic strangulation following the Versailles Treaty,
Was exploited by extremist groups such as ******’s **** Party.
And in the decades to follow, ******’s Nazis would take full control of Germany!

NOTES: Following Versailles Treaty, Alsace-Lorraine captured by Germany in 1870 was returned to France. The SAAR German coalfield region was give to France for 15 yrs. Poland became independent with a corridor to the sea dividing Germany into two. Danzing, a major port in East Prussia, became a free city under the League of Nation. Finland, Lithuania, Latvia, & Czechoslovakia became independent. Industrial area of German Rhineland, forming a buffer zone between Belgium &France,was
demilitarised.

WOODROW WILSON’S  14 - POINT PEACE INITIATIVE  & THE LEAGUE OF NATIONS:
American President Wilson was an idealist and a visionary, who in a speech to the US Congress on 8th Jan 1918,
Introduced a 14 Point Charter as a platform for building global peace, based on the principles of transparency, self-determination, and Democracy.
But for the first time in US history, the Republican-led US Senate rejected this Peace Treaty, and prevented America from joining the newly created League!
The US Senate wanted to retain its sovereignty without external entanglements;
Free from the League of Nation’s political dictates in its foreign commitments!
The Irish immigrants refused to support Wilson's Fourteen Points because Wilson was concerned about stopping WWI, rather than forcing the British to set Ireland free.
Many Jews also refused to back Wilson, since he was paying too much attention to the War, and not enough to the Balfour Declaration of 02 Nov 1917, -
Which promised an Independent Jewish State with a distinct Jewish identity.

The League of Nations had emerged from Wilson’s 14 Points on the 10th Jan 1920, with its HQs at Geneva, Switzerland, but it had no peacekeeping forces those days!
The League had failed to prevent invasion of Chinese Manchuria in 1932 by Japan;
Italy’s invasion of Ethiopia in 1935; annexation of Sudetenland and Austria by Germany!
The Axis countries Germany, Italy, and Japan, withdrew from the League subsequently.
Thus the League of Nations was disbanded in 1946 officially!
But President Wilson’s ceaseless efforts for global peace did not go unrecognised,
Since on the 10th of December 1920, he was awarded the Nobel Peace Prize!
While his disbanded League of Nations, as the first global humanitarian organisation,
Continued to survive in spirit with the establishment of United Nations Organisation on the 24th October, 1945.

ECONOMIC CAUSES - FOLLOWED BY THE GREAT DEPRESSION OF 1929 :
Germany emerged from the First World War with loss of 25,000 square miles of territory;
Loss of seven million inhabitants, and a staggering debt imposed by the Versailles Treaty!
The Wiemar Republic, after abdication of Emperor Kaiser Wilhelm-II  to Holland,
For the first time in German history, established a Democratic Constitution with Friedrich Ebert as its first President.
But The Republic first had to consolidate itself by squashing the Spartacist Revolt of January 1919 led by the extreme Leftists, and inspired by the Russian Bolshevik Communists!
The Freikorps, in March 1920, an Ex-Soldiers Rightist Group, tried to overthrow the Wiemar Republic with support of their Rightist allies and their own veteran troops!
This was soon followed by a Communist attempt to takeover of the Industrial Rhur;
But fortunately, all these uprisings against the Republic were effectively subdued!
But the 33 Billion Dollars of Reparations hung over the Wiemar Republic like the legendary ‘Sword of Damocles’, followed by the Great Depression of 1929;
Coupled with the ‘Policy of Appeasement’ practised by the British and the French;
Became the most important causes for ******’s expansionist ambition and his short- lived meteoric rise to fame!

GERMAN PAPER CURRENCY & HYPERINFLATION:
Gold Mark was the currency used by the German Empire from 1873 to 1914 only.
But to pay for the costs of the ongoing First World War, Germany suspended the gold standard, and decided to fund the war by Borrowings entirely,
Hoping to pay back the loans after Germany achieves Victory.
But having lost the war, and faced with a massive debt imposed by the Allies,
Exchange rate of the Mark against the US Dollar steadily devalued and declined!
Papiermark became the German currency from 04th August 1914 onward, when link between the Mark and gold reserve was abandoned,
In order to pay for the ongoing expenses of the First World War with paper marks, which was constantly being printed!
But later after the war, when the London Ultimatum of May 1921 demanded payment of war reparations in gold or in foreign currency only,
Even more paper marks got printed by the Republic to buy those foreign currency !
By December 1922 hyper-inflationary trends emerged, when the US Dollar became equivalent to 7,400 German Marks, with a 15-fold increase in the cost of living !
By the fall of 1922 when it became impossible for Germany to make further payments,
The French and Belgium armies occupied Germany’s Ruhr Valley area, its prime industrial region!
French and the Belgians hoped to extract payment in kind, but a strike by the workers of the Ruhr area their hopes belied!
The Wiemar Republic printed more paper notes to pay and support the workers of the Ruhr area,
When hyperinflation had peaked at 4,210,500,000,000 German Marks, to a US Dollar!
Paper currency having become worthless, some form of ancient barter system began to be used instead!

STABILISATION OF GERMAN ECONOMY WITH ONSET OF  THE GREAT DEPRESSION:
Following the hyperinflation Chancellor Josef Cuno’s cabinet resigned in August 1923,
When Gustav Stresemann became the new Chancellor of Germany.
Stresemann’s Government had introduced the Rentenmark as a new stable currency,
To end the hyperinflation which had plagued Wiemar Germany.  
Rentenmark was backed by real goods, agricultural land and business,
Since gold was not available in a beleaguered German economy those days!
When One Rentenmark was equivalent to One million, million, old German Mark;
While One US Dollar was equivalent to only 4.2 Rentenmarks.
Though Stresemann’s Government lasted for 100 days only, Stresemann continued to serve as the Foreign Minister in successive Coalition Governments of the Republic,
Till his death in the month of October 1929, but working for the betterment of Germany all the while!
His ‘Policy of Fulfilment’ stabilised German economy with a 200 Million Dollars loan from America under the Dawes Plan in 1924,
Which had also ensured the evacuation of France from the occupied Ruhr area, with their future reparations payments ensured.
Stresemann’s signing of the Locarno Pact in London on 1st Dec 1925 with France, Belgium, Great Britain, and Italy, was considered as his achievement and a feat!
Since it made Germany to enter the League of Nations ensuring stability and peace;
While the Noble Peace Prize was awarded to Stresemann for his efforts in 1926!
Later, the Young Plan of 1929 further reduced German reparations payment by 20%, while extending the time frame for the payments to 59 years!
But following a sudden Wall Street Stock Market Crash in late October of 1929,
The American Banks were forced to recall money from Europe and the Young Plan;.
Which created acute financial distress when unemployment soared to 33.7%  in Germany in 1931, and quickly rose to 40% during the following year!
Lausanne Conference was held in Switzerland in 1932 by Great Britain, Germany, and France, to further reduce the War Debts imposed by the Versailles Treaty.
But in Dec 1932, the US Congress had rejected this Allied War Debt Reduction Plan completely.
However, no further payments were made by Germany due to the Great Depression;
And by 1932, Germany had paid only 1/8 of the total sum required to be paid as per their pending wartime reparations!

NOTES: Rentenmark was issued on 15 October 1923 to stop the hyperinflation in Wiemeer Germany. Reichmark was the currency in Germany from 1924 to 20 June 1948 in West Germany , when it was replaced by the Deutsche Mark; but had continued in East Germany until 23 June when it was replaced by East German Mark.
During the Stresemann Years of Stability from 1924 to 1929, (prior to the onset of the Great Depression), with help of American financial aid, created more housing & production in Germany. Dada & Expressionist Art forms flourished, followed by modern architecture; also the Philosophy of Existentialism of Thomas Mann – influenced the Western culture. Paul Whiteman's Band for the first time brought in American Jazz to Germany, and Jazz signified the liberation of German youth and women folks of the younger generation generally. But the US Stock Market Crash had unfortunately ended this short lived euphoria, and as it soon became a global phenomena!                                


FAILURE OF THE WIEMAR REPUBLIC & THE GREAT DEPRESSION WHICH BENEFITED THE NAZIS:
Last Days of Wiemar Republic:
Ever since Otto Von Bismarck that ‘Man of iron and steel’, united Germany into a single Empire in the year Eighteen Hundred & Seventy One,
For the first time a Constitution for a Parliamentary Democracy was drawn up in August 1919, in the eastern German city of Wiemar.
Wiemar was the intellectual centre of Germany associated with musicians like Franz List, and writers like Goethe and Schiller.
The Wiemar Republic of Germany which had lasted from 1919 till 1933 had seen,
20 different Coalition Governments, with frequent elections and changing loyalties!
Due to a system of proportional representations, and the presence of very many political parties those days,  
No single party could obtain absolute sole majority in the Reichstag Parliament!
The longest Coalition Govt. was under Chancellor Bruning, which had lasted for only 2 years and 61 days!     (From 30 March 1930 to 30 May 1932)
Now, to understand the reasons for the failure to maintain a Democratic form of Government by the Wiemar Republic,
It becomes necessary to monitor its ‘dying gasps’ during its closing years so to speak!
Since faced with the economic depression Chancellor Bruning had worsened the unemployment situation by adopting stringent and unpopular measures!
Thereby having lost popular political support, Bruning with the approval of President Hindenburg, invoked emergency powers under Article 48, to survive his last few months and years!
During the years 1931 and 1932  it is seen, Bruning had used this Emergency Clause 44 and 66 times respectively!
Thus his so-called ‘Presidential form of Govt.’ had undermined Wiemar Democracy!
If Burning was the ‘Republic’s Undertaker’, now remains a debatable issue of History!
But Burning’s vigorous campaign made Hindenburg to get re-elected as the President;
Thereby he had removed the defeated Adolf ****** out of the Presidential race!
Therefore, later when ****** became the Chancellor on 30 Jan 1933, Bruning had very wisely fled from Germany!

Following Bruning’s resignation in May 1932 came Chancellor Papen’s ‘Cabinet of Barons’ consisting of individuals who were not members of the German Reichstag!
While in the election of July 1932 ******’s **** Party won 230 seats, making it the largest party in the Reichstag.
But ****** refused to form a coalition with Papen, because he wanted to become the Chancellor himself !
Now General von Schleicher advised President Hindenburg that the German Army,
Would not accept Papen’s use of Article 48 to remain as the Chancellor of Germany!
Therefore following Papen’s resignation, Schleicher took over on the 04th of December 1932 as the new German Chancellor.
Schleicher tried to restore a democratic form of government to get the Wiemar Republic back on its feet.
But in the ensuing political power struggle Papen wanted to take revenge on Schleicher for his removal from power and defeat.
So Papen persuaded Adolf ****** to become the Chancellor, and retain for himself the post of Vice-Chancellor.
In doing so, Papen mistakenly thought that he would be able to reign in the self-assertive Adolf ******!
Papen finally made President Hindenburg agree to his proposal, and on 30th of Jan 1933,
****** became the New Chancellor, with approval of the President!
A month later a sudden fire in the Reichstag made ****** invoke Article 48, in order to squash the suspected Left Wing Communists;
But while doing so, the Press was muzzled, and many Civil Rights of the German people were abolished, inclusive of their right of assembly and free speech!
****** acted swiftly, and by passing the Enabling Act on 23 March, 1933, armed himself  with dictatorial powers for enacting laws without the approval of the Reichstag whenever necessary!
Thereby ****** threw Democracy to History’s wasteland most unfortunately!
Following the death of Hindenburg on 29 June 1934, ****** combined the powers of the President and the Chancellor, and became known as the FUHRER!
Historians generally agree the Enabling Act of 1933, as the date for establishment of The German Third *****.

THE POLICY OF APPEASEMENT AND GERMAN AGGRESSION:
The horrors of trench warfare with the rattling of machine guns and bursting of poisonous nerve gas shells,
Even after 20 years remained fresh, in the minds of all World War One participants!
Therefore, it was natural for British and French Prime Ministers Neville Chamberlain and Edouard Daladier initially,
To grant political and material concessions to an aggressive Germany, for the sake of peace and stability.
Thus the diplomatic stance of Appeasement between 1935 and 1939 followed by the French and the British, was mainly to avoid another dangerous armed conflict!
But the trusting Mr. Chamberlain had underestimated ******, who had served in the German Army as a Corporal, winning the Iron Cross during the last Great War!
****** was not afraid of war, but wanted to avenge the Treaty of Versailles and its punitive dictated peace;
And also establish for the superior German Aryan race a lasting Third *****!
Therefore, having consolidated his power as the Fuhrer along with his trusted **** Party cronies, he withdrew from the League of Nations in October 1933.
Introduced conscription in March 1935 in Germany, and embarked on a mission to rebuild a new modernised German Army for combat on land, air, and sea!
In March 1936, in another open violation of the Versailles Treaty, ****** re-occupied the demilitarised Rhineland, followed by a Treaty of Alliance with Japan and Italy.
The much desired Anschluss (or merger) with Austria, the country of birth of ******,
Saw the German Army in March 1938, triumphantly and peacefully marching into Vienna!
Now with the Munich Conference of 19 September 1938, this Policy of Appeasement is said to have reached its climatic peak!
The Sudetenland area, consisted of 3 million Germans were made
to join Czechoslovakia when the frontiers were drawn in 1918-19,
Much against the wishes of the Germans!
When ****** wanted to annex this Sudetenland area, Britain, France, Germany and Italy, met at Munich to diffuse an explosive situation peacefully.
It was agreed at Munich that once Sudetenland joins Germany, ****** will not invade Czechoslovakia and honour the terms of peace.
But on 15th March 1939, in violation of the Munich Agreement, ******’s army invade and occupied Czechoslovakia, thereby openly flouting the Policy of Appeasement!

NOTES: ******’s desire for ‘LEBENSRAUM’ or ‘increase of living space’ for the Germans, commenced with his ‘Border Wars’, which soon turned into a Global War because of the ‘appeasement policy’ of the Allies. ****** had secured his Eastern Front with a treaty with the Stalin, since fighting on two fronts would have been very difficult for the Germans.

Now when ******’s army invaded Poland on 1st of September 1939, it became ‘the last straw on the camel’s back’ for the Western Allies!
Committed to the Anglo-Polish Defence Pact of 25 August, 1939, both Britain and France declared war on Germany,
Which I propose to narrate in Part Two of my Second World War Story.  
The Policy of Appeasement no doubt gave some time for Britain, to regain its depleted military strength,  but Adolf ****** had viewed it as a sign of weakness!
With Russia and America initially as non-participants, ****** became more confident and arrogant!
Thereby turning his border wars into a global conflagration lasting six long years.
When the use of advanced technology, resulted in greater loss and casualties;  
Which was followed by the holocaust and unprecedented human suffering!
I would like to conclude my present narration with a poem by English soldier-poet Seigfried Sassoon, who participated in the First World War on the Western Front.

DREAMERS  -  by Siegfried Sassoon
Soldiers are citizens of death's gray land,
Drawing no dividend from time's to-morrows.
In the great hour of destiny they stand,
Each with his feuds, and jealousies, and sorrows.
Soldiers are sworn to action; they must win
Some flaming, fatal ****** with their lives.
Soldiers are dreamers; when the guns begin
They think of firelit homes, clean beds, and wives.

I see them in foul dug-outs, gnawed by rats,
And in the ruined trenches, lashed with rain,
Dreaming of things they did with ***** and bats,
And mocked by hopeless longing to regain
Bank-holidays, and picture shows, and spats,
And going to the office in the train.
…………………………………………………………………………
Thanks for reading patiently, from Raj Nandy of New Delhi.
  *ALL COPYRIGHTS ARE WITH THE AUTHOR ONLY

Deadbeat
Smelly feet
Walking across its own callouses
Creator of worlds
Perfect inscriber of nameless wonders beyond mere
Conception and discrimination
That permeates the minds of men
Misguided across the arc of ages
Leading only to cycles of
Hollow pain repeating itself
Lacking substance but appearing
Like unmovable boulders perched
Atop greener mountains
That whisper using their voice,
The wind
Carrying its message in its form
Disappearing but never gone
The homeless,
Not content to trap two sided
Ideas of being in overflowing
Homes filled with the true
Forms of out sourcing
The spirit, torn for
Perfect packages to be sent
To faceless names to further
The collection of vessels
Unused.
The wanderer,
Unhappy with goals
Moving towards the never ending
Journey of perfection
That ends nowhere but travels
Everywhere leaving no quarter
Uninvaded and sadly ringing
In transcendental ears
The lonely,
Unwilling to spread their
Personal pain
From personal failures
To any one but themselves
Using the compressed aggregate
Sickness in scientific lobes, only
Representations, to create faucets through which representations
Of the unrepresentative
Eek out an existence
Among glaring, modern edgy
Movements in endless circles
That sear images into retinas
Working their way to ******
Thoughts, deflowering the only
Worthwhile virginity in the sad reflections of experience
Called man.
The ******,
Never fulfilled from false conceptions
Or the self materializing aspect as
The passage of time
Looking to capture the eternal moment and ****** of the Now
Lasting forever but done long
Ago
Chasing the end of self
And forgetting the body for
Higher realms untouched by lazy
Thoughts and repetitive notions
Creating the mundane
The un-mundane is furthur up than most of us can see
Even if touching it is
The experience
Not different from the life you will
Live for a million regressions
The contemporaries
Never travel the
Path of the Mountain
First camels, then lions
Finally to turn into godly offspring of
Flowering being at the peak
Standing above ubiquitous faces
But contact on level planes
The mountain of self
To create a new identity divorced from the diseased blockage
Flowing through humanity's veins
Only to tumble down
Into the pulsating
Heart filling, disintegrating
All in one undiscriminating
Destruction unborn from the
Young universe only
To lose the conception
And absorb the absorber
Forgetting that once,
A young man carried all the
Pain he had handed to himself
In shiny packages
Pretending that the others
Ever even existed.

An upcoming fashion show, and I don’t mean to be unkind here, is lacking in both. It’s just the way it is. These models are beautifully ordinary people, your neighbours, and their designs are self-crafted, each suiting the model’s personal interpretation of high fashion. It’s the social event of the season. Everyone in the “know” will be there.

Eight models and an emcee will take to the Capitol Theatre stage in Oxford Thursday at 7 p.m. for the third annual Foolish Fashion Show. Foolish is the operative word here. It’s an evening of fun, with each model parading across the stage in four outfits during the show. The fashions are indescribable literally. You have to see them to appreciate them.

The show is the annual fundraiser for the Oxford/Pugwash Unit of the Canadian Cancer Society. To date the show has raised about $5,000 for the society’s Lodge That Gives in Halifax.

The show was the idea of the local unit’s Bev Clark.

“At the time there were no people to canvas door-to-door,” she said. “People were getting older or had less time. There were also other fundraising campaigns going on at the time.”

After seeing a foolish fashion show elsewhere, she decided a similar one would work for the local cancer unit. The first show was a sellout and the models of the evening agreed to take to the stage the next year.

Each designer/model is responsible for their haute couture. With the final result left to their wild, some might say perverse, imaginations the creations are a sight to behold.

Unit secretary and past president Bob Hunsley in his best 007 voice introduces himself as “Bob, SpongeBob.”

“Every good fashion show should include good costumes,” he begins. “Here, our unit president Edna McCormick is wearing her all-weather coat. In this coat she is well prepared for sunshine, rain, fog and snow and all the wind that blows (the coat is adorned with representations of each weather condition). Notice her “son” hat (which is a tribute to her son).”

Jane Smith is new to the Foolish Fashion Show runway.

“I came to the show last year and really enjoyed it. It looked like fun,” she said.

First time jitters?

“Doesn’t bother me a bit.”

This show is one in which you can’t do anything wrong. You show off your creation however you deem fit. It’s all fun.

Tom Kay, is making his modelling debut also. And what will Councillor Kay be strutting his stuff in? Not to give too much away but a muscle shirt like you’ve never seen and shorts will be worn.

Nine-year-old Emma McCormick is also a featured model.

It’s a show not to be missed.Read more here:www.marieaustralia.com/short-formal-dresses | www.marieaustralia.com/formal-dresses-2015

the pictures all move in silent circles
forming messy representations of
thoughts, feelings, reality
turning mere images into
real art, like paintings
but it has taken over
everything around me
from a mile up,
peering from a window seat
lights of tokyo beneath us
and we're sat, soaring
amazing, isnt it?
like a looking glass
this little round window
on a way-too-big airplane

emerald, olive, viridian
oh how you perplex me
forest, jade, chartreuse
why do you tease me so
cyan, verdigris, moss
such excitement arises
to be a word
to be a meaning
is there such a thing,
to have a feeling
to see a vision,
phthalo, pine, teal
are you the same
mint, myrtle, laurel
you make me envious
to be blooming, to be healthy
to be young, to be clumsy
are you callow, how about credulous?
but such a conservationist
unquestioning, so trustful,
tenderfoot and common
the tree, the lawn, the willow
though ecological and crude
a sage in all but name
apple, spinach, pea
aren't you scrumptious,
lime, kelly, bice
are you nature, how about luck
you're pungently rotten
though with such dark beauty and hope,
love and lust ensues
you're the jolliness of balance
and the creative intelligence;
of evil, and decay of money and safety,
will you resurrect me, are you immortality?
such jealousy arises
high goals and honor
so so allusive
healing and vitality
you're calming though fast
lush spring stability,
abundant generosity,
vert vegetation; witchcraft
an aphrodisiac I hear,
are you youth or fading youth?
sunrise and life, growth and fertility
sacred ideology,
eroticized though shameful
so romantic and humble
I see the third ray
or is the the fifth ray, the third eye
are you truth, are you vision
it's becoming a science,
so much compassion
the fourth chakra, the heart,
the centre of us all
a higher consciousness
such a harmonious aura
a hunter, a nurse, a solider, an outdoorsman
villains and superstition
misfortune and prosperity
with toxicity, sickness and death,
recycle and reuse
oh so powerful
you exude auspiciousness
just a holiday
mystical fairies and spirits
though also devilish,
cancer in the stars
a renewal of paradise,
biliously tranquil
are you refreshingly soothing,
peacefully restful,
a naive novice,
very understanding,
is there truly a term for you?
what do you really convey,
countless representations
a definition of name,
or do you signify the feeling, the specimen
the aspect?
though some have no locution for you

here I am,
stepping around the issue
you are you, in any word
yet with a different meaning

'i've only ever really read one poem. i, i have to admit.*  
You know, that, that one poem that everyone’s read, whatsit,
Howl by Ginsberg, 'best-minds-of-my-generation-destroyed-by-madness,-starving-hyste­rical-naked,' , yeah, that one;'
'It's just, I identify with it so strongly.' she says,
'That poem is soo me.'
It's funny how commentary on a generation 60 odd years ago come across as timeless insights..
how we learn that true spirit of rebellion and counterculture three generations ago,
  as it is taught to us by two generation ago countercounterculture academics.
but I guess, inevitably
                                         we
                                                  return,
  to those half drowned pontifications inevitably decried into transcendental truth by the onward spilling ratchet of cultural recognition;
  that sense of universal oneness generated by the unwashed ramblings of beat-generation hipsters dense innuendo in run on sentences running, running from their upper-lower-middle-class New York homes and their privilege of true vacant meaninglessness and despair,
   to those nervous tucked in shirted clean shaven scholars swooning over the same seme drugged, melancholic bearded men profussing the deepest of opaque truths only found up the furthest reaches of their own *****.
  As we push through to our lectures, the mosaic in motion of blazer wearing mac-users and mac-pac wearing blazers,
  As we hysterically interpret the formatting conditions for our reports, which could hang in the balance of whether the dreams we once had will ever be actualised,
  As we felt lost and found and found and lost at those park benches under the stars, where occasional strangers strolled by offering sessions and life-stories,
  As we paid exorbitantly to get out of our parents homes, and into tin-can flats with broken windows, absentee landlords and cracked paint only held together by all the moss, (the empowerment that is wage slavery,) for in our youth, poverty is not an ever-present pejorative, but the rite of passage to show that we are alive,
  As rituals of manhood are defined by two things and two things only; how much insomnia one can accumulate to meet insane and inane deadlines, and how much one can illuminate the walls in ***** from all the beers, spirits, cheap wines and questionable home-brews,
  As the government dismantles the human-rights commission, and we nervously attend the rallies initiated by the radicals, and the man on the megaphone calls on the crowd to chant and we can only mumble and laugh nervously at ourselves,
  And when the next speaker runs onto stage feeling the need to plead to this already nervous, placid mass that this is in-fact a PEACEFUL PROTEST, and that we are all true patriots and they insist everyone start singing the national anthem and we all look down and we again mumble, or pretend somehow not to hear them,
  and when, in this biggest independent rally around a unified cause our generation's ever seen, we have never felt so alone ,
  and isolated,  
                                  we
                                             remember,
                                                                    those earlier days,
  When we'd bleach our hair; we'd poison ourselves white, in the vain mystic hope that this was just the transition period to the time when we'd get true colour into our lives,
  Remember our wonder at the Eurocentric Asiatic television representations of the Abrahamic faiths, given transubstantiated holy revival by the medium of Saturday morning digital pastel pasture; when we were children staring excited and wide eyed into the Metatrons Fire of Sinai 'Random Almighty Mega Damage'; as Dante and the seraph class Tyrant-infused-Michael inevitably made battle with YHWH, -in the one True End,- as we grinded within the monolithic emerald obsidian halls, Mystical wonderment spilling forth from our reddened hollow eyes, at the beautiful unlimited expansive world contained within our console/consoling digital unit discs; conformally mapped and etched into the convex hull of our minds,
  Where we were gods, doing battle with every possible creature in morphospace, filleted into overpriced cards and cartridges, for which our strategies meant so much to us though none of us really understood the game,
  When we could quote verbatim every piece of dialogue in GTA2, and get concerned glances from our parents as we conjured veiled imagery of bukake-ladled innuendo which we didn't really understand until six or seven years later,
  When sexuality was a special secret club our elders and the kids in the years above came across so wise for being a member of, rather than an anti-turing test; a farcical ritual where everyone tries their best to imitate the hyper-reality of MTV while hiding the nervous feelings that this whole thing was really meant for someone other than us,
  When creating a whole new lexicon for our self-hood (be it artistic, ******, political or philosophical) felt like existential emancipation; a transcendental rebellion against the normalising identities and semantics of old, rather than an impenetrable circle-**** taxonomy,
  When one day we'd unveil a new term in some text, and it would completely change our outlook on every corner of our lives,
  Or, the next day, when we'd give up and just sit back on rolling banks, and look out at a veil of stars,
  Or the next day, when we'd wonder desperate and painfully, which of the last two was the real pursuit and which was wasted time? (Or was it this day, the day spent building an illusory dialectic between them?)
  Remember when we were in kindergarden, and you had to pass through the kitchen, -the adults zone,- to get to the toilet, and you'd feel both shame and wonderment listening in of the snippets of conversation muttered by these titanic figures; discussing abstruse issues from the newspaper in foreign yet noble tongues?
  Remember when we were teens, and every form-checking observation and question from these same adults was so painstakingly pedantically banal and asinine, that one could only respond with monosyllabic grunts and silent hysterics?
  And remember as 'young adults', when we'd inevitably entered this same dull Aristotelian world of forms, how we'd ask the same adults for advice on filling these paperworks, at once still asemic gibberish, and at once the fine-print that contained and predicted our lives?
  Remember when our dreams for the future were not bounded by the economy of our grade point averages and just how much debt we were willing to incur
                                …
I've seen the best minds of my generation climb into pre-packaged little boxes; and pay through the teeth for the privilege of doing so.  
  Akin to a 'Howl' they call it? Our cry for selfhood? What a scream.
It's not even a cry. Barely a whimper.
More of a zombified groan, completely aware our intrepid Journey of Self is just a pricey guided tour. (Tv Ad's static commodified existential emancipatory platitudes; 'your place in the world' / 'well it's my place and it's my time' urgh.)
And so we march asleep; all lame all blind.
  Trudging through the mind-fields; arguing, unravelling the semantic distinctions between the empty boundaries and the boundaries of emptiness.
  Transcribed down for essay deadlines,  /  assessing our lives trajectory as dead lines,
Becoming increasingly aware,
  We are not the living beings, the dasein, the Übermenschen being actualised; we are the machinery through which the institutions, the factories, the markets and education facilities actualise themselves.
  (While the only acceptable language we can breathe in opposition to these ratcheting pedagogical machines is the lexicon they provide us..
  ('oh, you hate systemic neoliberal alienation; the deestablishment of ontological anthropocentrism? Tell me more about the esoteric uselessness of academic culture.') bluh.)

But

       the more we follow those phantom images we built of ourselves,
the more we become aware they are but sirens; hypnotic dreamlike figures luring us to our doom,
  and as this awareness dawns; and the cognitive dissonances and schizophrenia grows,
       We


                                just try to keep calm and carry on regardless.

Can we really claim the arrogance of having a better path?
The conceit that there's a better cliff we should be guiding ourselves to to top ourselves off?
I don't know,
I reaally
really
just don't know.

Frustration is only a sensation
Don't let it change what you think

If you do so,
then it only shows
where you're weak.

Your motivation
will shrink
when you feel
you're on the brink.

Regroup, get in sync.
Sensation comes
and goes
with a blink
of an eye

Hold your breath
and continue to try.

Why are you frustrated?
It's because of how you've
decided to classify.
What do you think
that signifies?

Identify then simplify.
Irrigate your irritation's
stimuli.

Instead of frustration,
look towards it with
gratification.

your father is a morbid man puddy. .. . but morbid can be good if you accept it...
..how can it be good?idunnoimnotmakinganysense............   ..  ..    .well.   i guess if youre in the right mood or in the right setting.(i pictured people. a woman mainly. with dark hair. and everyone had glasses of red wine and were laughing in a short hysterical way. and i realize these people arent representations of people ive seen act like this, theyre representations of me. i kno that feeling which makes that laugh. when hearing stories or seeing pictures or videos of people dying suddenly or getting tortured and the abuser maybe dismembering himself or herself after or committing an interesting suicide which we love to hear about and the sickening brutality and pain and fear and cringing you feel is instantly replaced with a swift too swift and sharp laughter. and these stories are real, otherwise its just silliness or boys being boys with their sick imaginations and saying it just for attention or to be funny or weird.. and we all might question ourselves slightly but either Time or Exposure to the Wicked World or most likely the validation of our indecencies with everybody else's  because its a whole room laughing lets us feel better about it each time but then more ashamed of our withering virtue until we forget. and something to understand from the remark "but either Time or Exposure to the Wicked World or most likely the validation of our indecencies" ad its there is no difference in this matter between the options 2 and 3 because we are the Wicked World. and all 3 are just things we waste. and if not laughing sharplyand loud and insane maybe some of us are at least being entertained while wailing in a definite cringe or exasperation or i dont kno but it is blended with the jovial air of the room. and people and family members laugh with and comfort and joke with eachother like a pride or a flock or any group of animals showing their young 'here.its ok.its an apple. you can touch it. it wont hurt you. its our food.' but we say "c'mere, the foundation of this world and all its agony will rip you apart, so here, learn how to find joy in it otherwise youll be too effected and will need to be discarded from normal happy people who kno their happiness comes first. because thats how we work as people and as a group. now here, have a drink. we pretend it helps and seek it out against our better judgment because we dont want to exist because weve become nothing in place of the wide range of terrible emotions we should experience when seeing the world for what it is.. ourselves most of all." and i guess that is what i pictured. the average happy people. family people. nice house and aunts and christmas people. and i kno im biased but nothing in this imagery matters. i was supposed to capture just the thoughts which i actually spoke to myself or my dog or whoever but now i have a brick-sized moving picture of my interpretation of happy family americans and other nations and just everybody.  but im no different. deep down anyway. deep down i am selfish and scared and come to the conclusion that the world is too complicated to be fixed and were too dumb to fix it reguardless and more so we are filled with souls which shift too often which we must only watch drift away moment to moment leaving us with many things but definitely a healthy amount of selfishness and, well, psychology i guess. we can figure our race and ourselves out as much as is possible and maybe even be right about some things, but knowing what drives us and feeling compelled are unrelated. too constant of a shift are we to be anything describable in correct terms and too unknown is the future to kno wut form our shift could bring us to. ..this is all absolute nonsense. i started rambling world. u gave me a mouth and i started rambling with it. i am definitely equal to a baby human or animal just shrieking into the world because, well just because its alive. so im a baby with no way of managing my existence other than making sounds because there are ears everywhere and peeing where i lay because its inside of me then it comes out because im unaware of my functions and we all send scattered unfinished nonsense to eachother and they send their own version of it back to the human and we manage to make ourselves sick and destroy our home and we're like an ant colony with no coordination.) and then something about laughter is sometimes a coverup for discomfort, so laughing from something morbid is not good. but then again it is still a laugh, and wut is the point system for laughing goodness and thats it the end jesus christ stop. *******. later. txt me wenever. have fun at ur party. i hope the weathers nice up north and not too cold cuz i kno u hate the cold. and im probably a boring **** saying cheezy things trying to act natural and nice and caring but i have my own agenda and am too unnaware to kno that and therefore will never be able to change for the better because i am a stupid human who thinks they have something figured out about every moment of every day but cant really do anything. cant see myself how others see me and cant feel the right way ong enough to accept it and constantly contradicting my conceptual and moral and spiritual universe and will never realize that 99.9 percent of the time my thoughts are of things like rocks and puffy things and shooting myself in the head and im hungry and **** that ***** and... im such a loser. if i dont start acting and living like a straight shooter my only outcome down the road will be lonelyness, heartbreak. regret. shame. and many other bad things where everything i love is either ded or has abandoned me because i am now a man and there is no such thing as abandoning a man but i am alone and want to die and i do. i **** myself and im ded. and there is no heaven and i have no soul and no one knows im ded and the passerbys and police officers and coroners who kno that im ded dont kno my name. so everyone i ever loved who havent loved me for years will die years down the road with families who love them and i will never cross their minds again. and i will deserve it. and i will pray for satan to devour my flesh and feel a demon inhabit my body along with my terror.

Summer would be the sunflowers seemingly blooming from beneath telephone poles as a reminder that love can travel upon the wires connecting long-distance lovers, the ropes that cling to trees as though reuniting after a twelve month absence as they bear the weight of two bodies more entangled in each other than the pattern of the hammock that they lie upon, the ice cubes that float atop the glass of sweet tea stealing quick kisses each time the glass is lifted as they melt together beneath the heat.

Fall would be the leaves clinging to the tree limbs whispering secrets to each other as they flutter in the wind and change color according to the lovers that will one day float to the ground beside them, a calm pond reflecting former versions of couples who have always desired to know each other before their time of acquaintance only to realize they never existed until the day that they met, the stone path that weaves through a graveyard that has felt the light footsteps of paired souls wandering the grounds during midnight strolls.

Winter would be the snowflake drifting in the wind quickly memorizing the patterns of each familiar one it passes in an effort to reunite with its match made in the heaven from which it has fallen, the steaming cup of tea that collects condensation in the hands of lovers who find solace in sitting upon their front porches when it's freezing, the parallel lines of sleds that have etched temporary tracks in the land as representations of the distance that once separated those who created them (but does no longer).  

Spring would be the first sprout of the season persevering through the darkness of the soil and finally pushing through the light at the end to feel the warmth of the sun upon it, a bridge the connects flower-covered hills that houses the memory of two lovers who reunited after being apart for the winter, the daisy that he planted beneath her chest the night that he told her he loved her and promised to always water it.

I

A Genesis! The Exodus, the Exodus!
A departure from all terrestiality
Always immoral and depraved, bathed in filth, in self-loathing
Abattoir of our souls, it entrenches us

Also, we too must be of the same make
And bear with our corpses the same proceedings, the same caliber
Allowed to their subversive candor,
All that broke the Carthaginians upon their own passage
Across the peninsular pathways

S'il in our conquest we find, however, that the pachyderms have run aground,
Vous must aggregate our conscious thought
Plaitcate the ravenousness within the heart of victory.

II

Bring victory, the winged harbinger of the conquest,
Beg for tyrannical proclamations: the end of man, the end of men,
By now, the greater of the concepts is lost to its own devices, devices,
Belching out smoke, that bend the corpses upon their backs.
By wrenching from their life a sense of purpose,
Byproductively, they feed heroic romanticisms of combat.

Brought yet upon these fields, there lies no stranger enemy
But that of the tide
Being self-effacing, masochistic,
Belittling, She breaks herself upon the shore, ravaging the bodies of
Both, Playing as ******* and as subservient

III

Come! Wave upon Wave upon Frothing
Crest, to shores of golden enfrenzied ******
Calmed by the liquid of our ***** *****
Charging forth as we
Charge forth armies upon the field of slaughter
Callously, for you, our gilded monarch
Can you see? They cannot see, and we hope to elucidate your presence, they
Cannot comprehend or fathom what they
Cannot see.

IV

Ceaseless now the charges
Come further upon the front
Crashing 'gainst the openings of each
Clangor and madness
Coalesce to form death

Dripping anew with sanguine libations
Drawn fresh from naked lambs, freshly cut for their country
Dionysian warriors return,
Desire forming their mental undulations

Effortlessly they overtake their feminine fortunes
Effacing their identities, removing from them with their clothing, the
Entirety of their selves.

V

From carnal conquest they rejoice,
Flaunting the destruction they wrought
Flinging husks of women about the room,
Foisting these shells on other patriarchs

Given no choice, they return to fields of battle
Godspeed, gods' will, and god-granted
Gaian soil is retreaded by their sodden flesh.

VI

Hellish, infernal is their presence
Having lost no measure to revelry or rest, neither
Halting nor slowed, the march quickens in time with their lustful bellows
Hastened to madness by infinity
Harkened back to prisons of mental anguish by their creators
How proud they are, the Old Gods,
Hacking away the pounds of flesh to reveal the
Haphazard construction to their instruments of torture.

VII

Into the bloodshed, into the fiery cavernous opening of the crusade
Ignited by righteous scraps of cloth and metal
Ignobly formed into crudely significant, textured shapes
Iconoclasts to their own ideals
Idyllic in their self-mockery.

Jabbering like hellbeasts, the warriors drive into the flesh of the conflict
Jettisoning armaments in the process, their
Joie de vivre having been lessened by mechanical limits.
Jocular slaughter synthesized with demonic cries.

Kapellmeisters to the symphony of death,
Keeping in the rhythm of mutilation, counterpoints of steel clashing against breastplates, giving shape to a
Kleptocracy of life.

VIII

Languishing now in the refuse of the struggle,
Laden with corpses, the warriors remain restrained by fatigue
Lurching through the mud, calling out feebly with voices
Long since bellowed to pulpy masses of throat tissue.

Masses of flesh crawling across the fields of strife,
Macerated ground, weak and shifting, struggles to support the
Multitude of half-corpses now in eternal respite upon the bloodied pasture.

IX

Now broken with regret and shame they collapse
Nestled into the marrow of the fallow earth,
Needing only rest in the cooling tendrils of dirt and blood that trickle across them.
Né de nouveau, their trek leads them towards the grave
Necrosis having taken hold in their limbs,
Nascent corpses, they subside with grave finality into a dead collective.

X

Opaque irises await those who uncover the un-burial mound
Oafish sockets containing them like marbles
Open to the elements, decaying with their corporeal encasement, shaded by
Oaken leaves that remain unfallen, while
Obsequious maggots go about their task of cleansing the remains

Paralyzed in the final moments of their mortal coil, the bodies lay stagnant,
Pacified only by the removal of sentience.
Pagan rituals surround such corpses, and the intrepid discovers
Patiently await the arrival of some necromantic spirit.

Quasi-instinctively, the pioneers of the superterranean mausoleum
Quell their fears and remove the bodies from their conclusive locale,
Quantifying their deaths by the armaments and metal carapaces upon them.

XI

Reeling across the path, weighted by the bodies,
Returning, the archaeological presence brings a pall over society, which
Remained reticent despite the presence of such suffocating solemnity
Repressed by its own intent

Solitude is given no quarter, and the bodies
Strung up like scattered marionettes
Silently serenade the town with a deafening cacophony.

XII

To Hell their souls desperately charge, frothing about the shackles of undeath
Torn from corporeal existence, yet unable to
Transgress the mortal plane
Torturous paradox!
Torment the fallen of Carthage's vestigal might no more
Traducer of the human condition
Tragedy is loosed at thy whim
Try not the patience of demi-gods of wrath and bloodshed.

XIII

Undulating by the beckoning of the wind,
Un-beautiful, un-ironed, the shrouds of the coffins
Under grey sky hang softly like leaden sheets
Unaware of the gravity beneath the few inches of oak
Un-aesthetically masking the dead warriors' forms

Visceral is the movement of the procession,
Vermicular, they wind a course to the peak of the foothill
Vehemently the priest urges them onwards, although he is
Visibly ill on this occasion of the anti-hero.

Warlike, the battle up the ***** claims the lives of those already claimed
Wastrels left to rot in the carcass of a long-dead conflict,
Wanting nothing more than solace eternal.

XIV

Xenophobes of the Inferno fear the inevitable presence of these
Xoana, false representations of humanity.
Xanthic is their fear, for inside the malebolges themselves
Xanadu is sought for those of the fallen soldiery.

Yet funerary proceedings dictate descent for these souls, and the coffins
Yaw slightly in the wind, disturbed by the
Yanks of the ****** rabble who bear their weight.

XV

Zeus himself presides over the ferrying of these souls,
Zion awaits them, their final collective fate at hand,

Yet slowly it turns its back upon them,
Xenophanes mocks from his post,
Wailing, they fall
Velocity increasing infinitely,
Until they see no more the lustrous light
Trapped eternally in dark
Stabbed with betrayal and fear, their souls
Run amok, fleeing from the source of their anguish
Questioning existence.
Periodically in the abyss, the helpless aggregate conscious is
Overwhelmed with memory of Paradise
Now to them denied for eternity.
Mephisto remains, their only companion,
Leeching from them the final vestiges of hope now left within, once
Kept hidden to protect the warriors, now
Jabbed and pummeled to death.
In this state of perpetual umbra
Heaven so distant, now only faded, as if on parchment,
Gained by the souls is a sense of locality, once
Forgotten but now reattained, and
En masse, the group instantly
Derives that they have returned from beyond the mortal plane, the terra once again
Collates beneath their soles, and the collective decides they must return
Before the open sun, to bear themselves
Against the gods, against sanctity itself, and thus they cry:

Ever wonder what someone's sadness feels like?
Ever really see that there's a huge difference between theirs and your own?
What you understand as depression, may only be a blue day for another.
I suppose that's why we can't relate to all poetry,
Or truly understand much of it,
To its cold point.

How can we be predispositioned in good,
While surrounded by so much evil?
Call it human nature;
No such thing as corruption,
Instead it's all about purification.
Daily struggles, testing our patience and ability to remain on a steady path.
Each successful decision resulting in a step closer to personal sublimation.

So what if dreams are reality,
And reality is just the dream?
Who's to say life is what it seems,
And that dreams are only mental representations of our inner desires?
Life's a withdrawal and dreams are the drugs that stop it,
Yet equally prolong it.
Then you wake up again.

>Extract
Readme.txt
Todays topic of discussion is digital physics
I/O
>Boot sequence
•Online
Big Bang initiates
The grandiose simulation
Cosmos at war with emulation
Surrounded by bots lost in false self awareness;
Like castles in the air
Beware when virtual CPU perishes

From far enough away,
the galaxy is comprised of minute pixels
The brittle firmware will be abysmally crippled
When a hacker simply introduces
a virus into reality's framework
DDOS style attacks will conclude in
Universal Blue Screen of Death
Resulting in the glitching out
of exodus in mass

Metaphysical metadata memory dump
(checksum)
Mirror carbon copy clones of true conscious unification
Are simply sentient drones toiling
in their default algorithmic hallucination

Scrolling through existence
Analog life is digitized in the matrix
illusionofconsciousness.exe
Interface encrypted in the realm of comprehension
Representations of data abstracted
from the banks of every computer
in the human system

Lets get down to basics
Matter does not exist
Science is not sacred
DNA is molded by perception
Creativity is your true oasis

Trans-dimensional harbingers
Conspire together to alter our processors
Measure and tether us to our oppressors
It's standard procedure
Following the leaders

Open the prompt
>Start/Run/cmd
With custom font,
Format my programming;
molecular syntax -
Port the source code
To run on new platforms
Upgrading paradigm
Until baseband collapses

Systematic inversion
We the people,
End users of genetic *******
Trapped in beta,
the bane of human recursion
It's our destiny
To become one with singular conversion

Iterations of congregations
Gregariously lost in configuration
Flies entangled into the interweb
Tied to the mainframe marionette
Files unable to bypass the firewall
Gateway remains unattainable

>cut/copy/paste
>(Ctrl+x/ctrl+c/ctrl+v)
Interweaves cyberspace as our
perceived reality database

>Ctrl-alt-del
>Task Manager
>System
>End process

•Offline
>Server on standby
Null

Dragged and dropped into the recycle bin
Degauss your GPU state of consciousness
& manifest color as it truly exists
In its most absolute resolution

Maximize your window of life
Partition the root someplace private
Elevate your mind to optimal brightness
>Reboot in safe mode*
To achieve enlightenment

Dear PrttyBrd

I read your poetry specifically your poem " I saw the words" and I thought it was so amazing. I have spent days analyzing and reveling in your words when I have had free time. All of the contrasting ideas flowed so perfectly and created such an amazing image. Personally I love how you used such different emotions and ideas and brought them together in each stanza with " I saw the words on a page". Your words have inspired me to feature your poetry on the dear blank challenge and I sincerely hope more people will read your poems.

I saw the words on a page
And read their joy
Their hope
Their heart

I saw the words on a page
And it ripped my world apart

These two stanza are incredibly well written. To me they show the power that words can have and how simitaniously a few words can give both hope and joy and yet destroy your world. These stanzas give amazing description in their few words and are very powerful representations of the power poetry or words have over people.

I saw the words on a page
Penned before my heart was yours

I saw the words on a page
Of how your love for her endures

These two short lines portray more than a paragraph could! They leave the meaning and exact emotions secret to you ( PrttyBrd) and allow a sense of mystery for the reader and yet at the same time I felt a sense of imagery reading this as if I were there reading these words. To me it portrayed longing and unrequited love and yet the beauty is that it may be different for everyone.

I saw the words on a page
Kept with all your special things

As a poet words are so incredibly special to me, they mean hate, love, longing or sorrow. And so words are one of my most special things. Even if words are not as important to someone reading this this stanza is incredibly unique. You hold the image together by stating it is about words yet you never mention what these words are allowing the reader to form their own interpretation which makes this poems every sentence that much more special and personal to all of us.

I saw the words on a page
Read dreams of wedding rings

I saw the words on a page
Of a dream you never spoke

I saw the words on a page
They made my own begin to choke

I tried and tried to think up something to write for these stanzas. Of the incredible emotions, the metaphors and illusions, the personification and language and nothing I wrote could give it justice and so all I can say is that it is absolutely fantastic!

I saw the words on a page
Of a time when love was true

This stanza adds even further to the exquisite mystery of what these words might me, who they talk about ect. To you Prtty Brd they may be a character of imagination, or a memory re-lived, but the fact that you keep that keep this rather than frustrate me, made it that much more perfect. Of a time when love was true is also such a powerful line as it adds to memory and has the reader think back or imagine a time of true love, a simpler time that we all yearn for.

I saw the words on a page
And read what she means to you

I saw the words on a page
You claim love never dies

I saw the words on a page
Now I see it in your eyes

This is an absolutely stunning few stanzas and I could go on for hours about what this means to me and how I interpret it but I would hate to have others read it with my views in mind and I would much rather prefer they learn the meaning for themselves. What I will talk about is the last stanza ...now I see it in your eyes" to me this is such a perfect representation of when you suddenly learn something and you realize it was their all along. For example if you learn someone loves someone, after you learn this you can remember all the times they looked with longing and you wonder how you never saw it before. Maybe that's just me though. Either way I found this revaltion in your poems and the fact that it connected what to me are so common emotions to things not as common such as. "And read what she means to you" a wonderful contrast

I saw the words on a page
You know my hearts allure

It can be scary and terrifying to open your heart to another and to open your darkest secrets and allures to someone because I matter what there is always the fear that they might tell, or hate, or judge, or fear you. Therefore I commend your bravery dear PrttyBrd if this is a true memory.

I saw the words on a page
I know that she holds yours

I saw the words on a page
I see what you can't deny

I saw the words on a page
Your love for me belied

It can be hard when someone loves another and refuses to love you despite your emotions towards them which is what I feel this is about. But you managed to create these intricate emotions in but a few words, and I find it hard to explain but somehow you managed to create this while at the same time not outright stating it, leaving it open to opinion. So perfect!

I saw the words on a page
And read their joy
Their hope
Their heart

I saw the words on a page
And it ripped my world apart

These are the same two stanzas at the beginning, (though since you wrote this clearly you knew that) anyway I thought that it was perfect way to wrap up the poem. It tied everything back together into your original view and brought back our original interpretations. Though these words are the same they are at the same time shockingly different. Now that we have seen all the words and emotions. We are changed by your poem and our original impressions are changed as we attempt to figure out what the "words" were.

I saw the words

Perfect! This simple line was such a plain, yet creatively unique way to end a fanspectierfectical poem. That's right, it's not a spelling mistake, I loved your poem so much it needed its own word to explain how outstounding it was. Thank you PrttyBrd.

Dreams of you -
a person never even met.
Chased around a thrift store,
second chances abounded.
A house promised and built
at the foot of a dam,
we knew better.
What monstrous water
should drown us
in our longing,
cracks shown in words
and walls.
It's like the subconscious mind
knows all along
and produces images of
your words before they are
consciously digested.
How can you be found
in dreamscapes and a spotless mind
when you have been lost
in reality

They tell you about
boundaries, lines, grids
All of that,
except what the unknowns hid

are truthfully fibs.


it’s what you see
it’s what you believe
but only after staring deeply,
can you start to perceive.

Eyes water, begin to gleam

do not leave, don’t even move a seam.

If you give it a chance,
you begin to trance;
that is when your whole world may change.


Anything is possible, even your wildest dreams.

what once was night and day,
transform to a thousand beams

of gray.

I always wanted to compose symphonies,
But my hands and my head could never agree.
I got the blue curse, because I always feel beats,
But my fingers freeze up when I get to melo-DIEs.
Recede. I want to live the nihilist's dream,
Smoke packs a day to intensify screams.
Maybe if I stare into the middle distance,
After hours I would build up a tolerance to listen.

IN THIS town, there are only 2 kinds of people
Girls who pierce their NOSES and THOSE IN the steeple
Walking down So. Auburn in bare feet and short shorts
Catching the gleam from the street (of course),
With their dreadlocks all up in auburn buns
And their eyes shooting diamonds in the autumn sun.
Bullet-belt vests draped lazily over their shoulders,
With double-zero earrings and squirt-gun holsters.

And the police-dogs and the SWAT cars are all powered by indulgence,
The doctors are up to their elbows in cadavers by self-expulsion
The men are splitting at the seams from over-eating obsessive compulsion
And the shameful deception of upward inflection to change my direction and wind
UP and the inanimate DUCKling with a large crank between its shoulders
In the shape of a black key to the black energy that makes the cold rooms colder
Is a disguise to the spoken word hurricanes brewing inside me.
Set me to zero then make me the hero so physicists can derive me.

If the sum of all forces is equal to mass times acceleration,
Maybe the sum of world problems is equal to vanity times irritation.
Jeans cutting up my legs, purpling due to lack of circulation
Are developing holes, as well as the soles of my shoes, I'm growing impatient.
The production slows to a halt, pouring salt into lacerations,
And as boys grow into drunk daddies, women resort to migration.
This country isn't democracy, just a ghastly and pale imitation,
These people don't have representatives, only half-assed representations.

in the book of mild love, a capital letter cares for a typo.  it is not a caring one might do for a newborn, the sick, or for a felon who as a newborn was often sick.  this is also in the book of mild love, which tells us how to care.  

my father was arrested on the tarmac but not before he’d placed the miniature of our city beneath a grounded plane.  when interrogated as to what he’d accomplished, he said he’d successfully placed a miniature of our city beneath a grounded plane.

my father calls his legs hangers-on.  it is not a joke to him like the joke of his botched execution.  my father gave me the book of mild love because he thought it was the best joke-book I could get my hands on.  in the book of mild love, I am given an example of a suicide note and asked to scan it for typos.

my mother’s password is entrepreneur.  it is spelled backward and written across the front of her lazy eye’s lid.  in the widely read book of furious welfare, it is recommended that the initiator of any staring contest be you.  she looks at me as if I’ve thrown a tiny pink bird from a moving car’s window because I have.  I was chewing the bird to keep from laughing at my brother, his nose in the book of I am on drugs.

my father won’t teach from the book of ***.  not once does it mention the bomb.

Eyelids descend like a guillotine,
decapitating the visual stimuli
my mind engrosses upon in daylight.

Then there is a numbness as the
cascading representations of my
day are all rendered darkened silence.

*"My day is colour, my dreams are black and white,

They tell you about
boundaries, lines, grids
All of that,
except the gray area's
truthfully a fib
its what you see
its what you believe
but only after staring deeply,
can it really be perceived.

Eyes water, begin to gleam
Anything is possible, even your wildest dreams.

If you give it a chance,
you begin to trance;
that is when your whole world may change.

what once was night and day,
transform into a thousand different shades of gray.

Let's bury the lovely inconsistencies 
Leave the intimate fallacies to mystery
Then my perception of your passion fits with me
Red brick to mortar 
you laid your deceit in a building order
Despite the inherent wrecking ball tendencies you chose to utilize
Blind to my youthful eyes
Let's brush the displaced fervor for lust under makeshift throw rugs
Void of emotion until you know no love
As exhilarating as the love you left long ago as leaves of dogwood trees in a late Pennsylvanian november
Rigid structures that wait a season to return to the lively form they remember
Bare white bark and dead extremities 
Bare as your stockpile of passion meant for me
The surplus became a short supply when I left your graces
Amidst the sea of faces
You encounter in the places
You replace me to fill the voids and spaces
My memory laced with traces
Of your gentle touch, a cool spring breeze to my sun soaked skin
Recalling the ominous climb before the downward spin
We always seem to find ourselves in
Perhaps the fact the rush of the climb washes my mind of the inevitable collapse
I all too often push the moment from thoughts of past
The sinking in my stomach peaking the point of no return
As I set my eyes to the horizon and watch us burn
In the setting sun of an Middle eastern summer
Your lightning fast decisions to leave never compared to the rolling thunder
That swept over my soul
When you tore the hole
In the hazel eyed sky of my perception
with your ill fated rejection
Casting projections 
Of your likeness in the constellations 
Trembling fingers wait patient
Making comparisons and relations 
Between every aspect of you I savored
To Orion's belt, cassiopeia, ursa major
Every slight shift in its luminous glow
A subtle reminder to me of the love you will never know
Intergalactic representations paint the stage for supernovas
Expunging the lovely aroma 
I grew accustom to
Coming to harsh realizations there's no reciprocal paid in full for the love I loved for you.

Dear you,

In this moment that I’m embracing the sadness of the night where I sit in front of my screen, kissing my hair blown by the wind off the window – I remember you and those nights we used to talk. Those nights I longed for affection while you stood there beside me – charming my desolation. We eased each other, resonating what have gone wrong from our past. We filled our nights with comfort and terror of the impermanence in between us. Those were the nights when we’ve had our hearts broken, yet we claimed we were both okay. I’ve spent limited instants with you through phone calls, messages, and few dates. I’ve dedicated time and effort while you just gave me what I needed – an ample amount of attention and affection and I thought:

This is fine. Hell, everything will be fine. There will be no expectations. Strictly no attachments.

But you accidentally hit a part of me, took a piece of me, and eventually consumed a chunk of me. You’ve entered my thoughts, my quiet world. And I loathed myself for having you through. You whispered I love you in between our kisses, and I whispered it back to you. You hugged me as soon as we have met and kissed my hair every time I’m not looking straight at you. You held my hand everywhere, unafraid of what people might think. You cheered me up on those rough days I’ve had. And called me baby, in moments I thought I have already lost you.

Yet, those weren’t enough. Oh, I have guaranteed long time ago that they weren’t enough. To have the assurance that you’ll stay by my side. Every day, we were being haunted by the insubstantiality of our relationship. We never really defined what we were, so what is there to hold on? We were part-time lovers blinded by our emotional needs. We only tricked ourselves risking the better version of us together. We were good friends, not until we started playing this game.

So I’m here, wide awake in the middle of the night. Writing in front of my screen, alone with my feelings, languishing by the thought of not having you around. Again, I’m longing for affection. But this time, I’m facing it alone.

So now, with everything in hand – the blurry pictures of what we had, memories I’d never want to collect and mixed representations of feelings you have delivered upon me – I want you to know that I’ll miss you. I’ll miss the pseudo-relationship we’ve had. How you tried to consider my permission whenever you go out with friends or how we pseudo-fight about petty matters, how you ridiculously call at 4 in the morning checking if I’m still awake, and that one time you texted my friend checking if I were drunk. I’ll miss everything. Especially those little things you’ve done that gave me warmth. You’ve captured my attention even just for a rough time. You actually have had my hopes up that there might truly be an ‘us’.

I’ll miss you, really.

But I wish I really have had you.

Because you could have had me.



liz, a letter from my 2014 self

These are human tears
I say,I say.
They're down my cheeks they roll
and baptize away my past
feelings suppressed.

These tears of sometimes joy or sadness
and everlasting human connections, connecting to my
inner worlds exposing outward revelations.
These revelations through my saline
liquid rushing down my cheeks;
soaked from my reddened eyes.

These my friend are feelings
both good and bad, these liquid representations
of hurt and gain
and of both joy and pain.

Existential to the core my eyes
do show my dripping soaked Windows
of my soul...

RW Dennen (c) 4/29/2010

gardening has taught me a gentleness that no parent ever could.
the way my hands work roots apart to make space for new dirt
shows me that i have the capacity to be soft, even when
the world has given me an exoskeleton of impenetrable emotion.

i have days where i can’t imagine doing anything except laying in the dark, but my plants need the sun just as much as i do.

there’s this appreciation of small things that comes with gardening, this ability to notice even the tiniest changes.
cheering on the little new leaf of a plant that hadn’t grown anything in months. flowers blooming to prove you’ve done a good job.

the world is dissolving but they just keep on growing.

there are snapdragons outside my window and though the cold weather killed the rest of my garden, they are thriving. pushing out the brightest colors i’ve seen all season.
nothing will work for every plant, the care i provide is vastly different even among two that sit next to each other on the shelf.
nothing will work for every person.

the gentleness i’ve learned keeps my hands soft towards others, like when i put bandaids over scratches or zip up dresses or intertwine our fingers.

we could all stand to learn something from nature. how forgiving it can be, how gracious, how bright. flowers are what we wish on, representations of the best and worst moments of our lives. our successes, our losses.

nothing is forever, but god does nature sure last a while.

A blank empty canvas
Pure as the winter's snow
Open as but a vast window
Seeing deep into it's soul.

The mind ticks in emotional frustration
Relics of imagination fly and form
Particles of atomic consciousness
Gathers and flows like an Astro storm.

White wash covers the surface
The first invocation soothing and mild
Then images gather before the eyes
Like a raging storm, fierce and wild.

The pallet is filled with rainbow mixtures
Here one joins to the alchemist's dream
Establishing upon board, paper or canvas
The unfoldment of the creative stream.

Brush in hand, Like an ancient wand
One casts the horizon like a spell
Summoning, coaxing, those tides within
Where the possession conquered, flowed and fell.

Dashes here, strokes there
Balancing the tones within each hew,
The thoughts so fast, mind captured
Projections all of that inner you.

Murky and shapeless at the start
But shadows enhance, inward glance
Light engulfs and shines but through
The eyes captured to the romance.

The artist gallant before his glory
Yet! Never fulfilled by its view
Playing upon its essence and structure
He draws upon images new.

One here becomes the timeless Shaman
Working the magic of natures way
Gathering the similarities and imbuing with fire
Elevating ever the thought to the creative day.

Or like a modern mystic
Grasped tight in spiritual bliss
subduing into but representations
The reflections of the heaven's kiss.

But all in all the artist is
whether by paint, sculpture, acrylic or oil
A voyager of the main stream existence
His vision of his own scared soil.

The goal is not unlike any science
To acquire that bridge of untold reason
For artist down throughout the ages
Have awakened the soul to its season.

The emotions arise, fly, excite
Those creatures of the inspirational mind
Poets, musicians, painter, writers
By what ever character there we find
All artists, All Magicians.

Alisdaire O'Caoimph

How to approach something so intangible, with little cellular to describe to my nerves
How to make verbal something so emotional, based on psychology and civil construction
How to perceive myself appropriately despite the eroding drips that pierce progress and old photos I cling to with such immaturity
These questions all are for the same goal, that progression of the self, all those substantial, cerebral, sensual and societal realisations that I yearn for
And yet... I sit, making delusional dreams come true in screens, I sit, making deep intellectual arguments for causes that aren't my own, I sit, researching complicated **** ups and ****** withs the powerful inflict in their attempts to balance a system born broken and biased
Screens are our new ****** it seems, as we reject religion our screens let us forget that the world continues around us, or encourage us not to care
And I come to this self consciousness, this ironic hypocritical reprehension
Because I really enjoy what all these creative minds and years of work and beauteous ideas have given me, but with the same hypocritical tone, despise my compulsion to stare into pixels

As I indulge this self awareness, I know I will continue with the same mental obesity of consumption tomorrow
And there will be no hypocritical self evaluation, just self involved enjoyment
Until the moments come when I am left alone with my mind
Self conscious, reflective, feeling as the time has been lost, but my mind is too tranquilised with pixel and poster representations of reality to notice
This won't change but...

Maybe if I take some time to turn pages rather than press buttons, and stare at sunsets rather than screens
That self evaluative journey I've ignored and returned to sporadically in the reflective yet warm darkness would be less intimidating
And if nothing else, on those days where reality lies next to me filling my cerebral stomach with the undeniably existential
I might feel a bit better about those days lost to other people's stories

There is a machine
it's hands driven by no singular man
nor collective of men but by the subconscious desires of whole societies,
possibly by all mankind.
It's will; perhaps passed on in our blood
but I suspect a more devious actor at play.
The augmented reality of language ****** upon us in our youth
with such tyrannical force it makes the rule of King Leopold
hardly a murmur in the heart of darkness.
It's reason as noble as it is useful. It aims to connect;
to help share the eloquent, heavenly images
that reside behind our eyes in our most sincere and naked moments.
Noble indeed are the intentions of language but they deceive,
make it hard for our pupils to see what needs to be seen
thus we live as Thoreau has said 'lives of quiet desperation'
blind to what our hearts cry for in the black of our deepest silence.
We deny them in the name of acceptance and comfort
for the fear of failure wear upon us like a heavy robe.
These words they echo such violent doubt
and in days past I had triumphed this lingering hesitation
with holy regard as if it embodied me with some super power.
What lunacy, what madness I endured;
twisted about by the contradictive nature of logos.
No more shall I wear this weight upon me,
cast off the coercive syntax and again like a child;
I think in images.
I may still write, even speak in fictitious representations
but I shall live my friends,
live to see these fiery reflections of light manifested into reality.
Live so that I am not remembered in words
but in the hearts of other men...

so many wise sayings of the philosophers, so many maxims noted, and none, none, making it to a tombstone engraving chiseled missing curves of the ten epitaphs of sinai. so you know why the chinese were left budding atheistic, no pictorial with the chisel, but that's why the comic book district emerged there for a mango baton perfect slouch or slurry *****: ****** that *** and ***** in, i went to the classical gallery for the monkey, came out and wondered by the zoological a theology, it was all very strangely slow motion. but imagine chiseling some chinese pictorial into a grave, no wonder the chinese were not ousted with that diabolical proof of failure exposing a people to so many varying non-pictorial representations of the lip tongue and teeth – but as the title suggests… if nietzsche’s motto ‘god is dead’ is really true, then those ten commandments are really just ten epitaphs, and i don’t know who really died on the cross.*

being me, i'm no o'toole, or a richard harris,
my hell-raising stems from
the silence of bookworms gnashing on ink folds,
it's silent, it's "deadly," it's the sort of hell-raising
that accepts the nervous temple tension
of knocking with full blossom of the cracking knuckle;
and when i tell them i put a schizoid
element into my acquisition of the english language
they call my spiritual experience psychosis,
and when i tell them i was almost murdered
they tell me i'm depressed... and then?
o czym ty mówisz, ty głąbie kapusty?
because back "home" my prophetic honour is curbed
by my palette for beer being dębowe prior,
that's at 7%, and not a carlsberg: probably the
best ***** **** in the world;
unlike jesus enjoying all the fun in egypt and not
in babylon from where the magi came,
with old "rabbi" joseph telling him: go back to judea
and mingle with your people, remember what
the egyptians did to us, you dishonourable ******.
and so jesus went back, and the greeks wrote a translation,
while the romans bowed seeing some weather shamanism;
only yesterday it was raining buckets of rippling toads,
i concerned myself with wet clothes in the attempt to
***** up, said it would stop, turned an hour into a minute
and the rains stopped, notorious b.i.g. that isn't an acronym,
only notoriously f.a.t. (remember, the meaning
is in the subconscious, in consciousness the meaning
is scrambled egg & morse & braille).
by way of conclusion - exploring the man masquerading
before his mother, is in no way an assurance
of an abundant biography to testify with saliva juices
of conversation - unless the delusional irony is that
even though i'm not trying to get myself noticed,
i'm also not deluded to the point of not having existed;
but the chinese are safe though, complex pictorial phoneticism,
the latin alphabet took to strain, people went mad,
really wanted to see shaved baboon heads through
the googgles of emptied space after c. columbus
architected the jamaican slum boulevard; or maybe haiti suburbia,
whichever, the world grew smaller, and the universe expanded
disproportionately... on the telly!

my cat loves watching cigarette smoke
in the night,
while i love watching clouds,
but what consecrated us
      within a similitude
was:
   being brought into this world,
finding humanity, fast asleep,
   if not in the least: lost to sleep,
as if they were beyond medical
attention, comparing dreams
   to automations of imagination,
imagination become rampant;
for why would dreams be a mystery,
is they are only un-inhibited
representations of imagination?
why do dreams deserve a respect
to be treated as something mysterious,
when they are nothing but robotic
forms of imagination?
   robotic? yes, in terms of being
lawless...
    beyond conscious control...
there is nothing mythical, nothing
freud-orthodox about them...
       they are rampant imaginings
that never tread the path toward
fruition... it's not that they are
repressions...
              they are natural inhibitors
of what day-dreams are...
                            the real inhibitors...
let's talk about enzymes...
there is no worth interpreting dreams,
unless you're poised to craft
a trade with your *******...
           dreams = inhibited imaginings,
infectious, when the mind
is at "rest", posit coordinate 0,
which sleep ought to be...
             a denial of all conscious
activity... dreams are, ergo,
comparable to *******,
   i.e. a self-****...
                             it is better to treat
dreams as an omni-nonsense
   than a labyrinth with a minotaur...
i hate dreams...
           for what's it worth
i also don't believe in the western
diatribe of
   a subject-object dichotomy,
let alone a dualism...
to me dreams are akin to any other
virus infection...
                  esp. when people note
having recurrent dreams...
             i came into this world
and found humanity fast asleep...
  toward not asking,
but nonetheless writing this,
i asked for one "virtue"
and one "virtue" alone...
                 please, bar my infectious
capacity to dream...
          since then,
all my dreams have become nonsense,
for how can i trap light
     and then create a cinema
from exposure to this light,
in my sleep?
                       i appreciate
that i can stare into a light-glorifying
orb, and then see a geometric form
x-rayed onto a blank slate of focus...
but the complexity of dreams...
the narratives...
              there really isn't an
interpretation of dreams,
        to be a disciple of freud...
                      unless you have a lot of
time to waste and be bound to be
looking up your own ****...
                  to me dreams are
            like a sun within a black-hole...
there's light coming from the ultimate
recess...
    dreams are like the rebirth of a star...
light from the most hidden
    darkness,
         that is bound to originate in sleep...
i simply find dreams exhausting,
and too juxtaposed, to find a worthy
narrative, and subsequent interpretation;
at loss, to begin with,
   if ever to begin with,
         should genesis = zenith,
  if not, given the expression
                and regressive attitude
                          it not be: genesis = nadir.

i used to play hide and seek with my querencia
(or did it, with me?)
games are captivating for the young soul
where play is forever and
pain is a dream upon a dream

and perhaps
i hid behind too many walls
and stole away from its heart
one time too many
and one day- i lost it. my favourite spot
(loss tastes like the colour of the rain.)

wirra
that is how you describe the goodbyes that were never said
(and even that is not enough)
so you try to forget and the walls you used to play behind
become shields. and barriers.
physical representations of my farewell.

then one day i discovered a different wor(l)d
the bonjour to the au revoir that querencia never left me with
it is all i could ever want
(words are not enough and the dictionary lies)

because my definition of serendipity,
is you.

The meaning of the trustees and the ablution of the signs respectively were based on the word ficare "in the proportion of providing signs and building", as a complement to the concept, in the case of Zefian's Virola, it is given to the ring that rotates in its elliptical as a virtual particle, similar to the Muon. But always in a semantic ring or circle look. Linguistics will attribute both the Virola and the Fero; in this case "leading or leading" The dissociation here is the semantics in the object not entrenched to be used as a common kind of language, but rather as "Virolifero", it is understood that this word will forge the Zefian Arrow into the amalgamation of the ring that leads, to abduct all energies towards a Central Whole. The product of all this energy will be called channeling of the mental representations of the "sign" of signifying, evoking independence in each terminology by itself and represented, rather in the theological physical elementality, associated with the Virolifera plane.

As the treatise of this codex suggests, a term between terms, to assign mnemonic and etymological chaining of meaning most of the appropriation of terminologies attached to a properly vernacular word. The horizon that is stipulated is of a Vernathian nature, where the average life-turning receptacle is of enormous proportions in its multi dynamics, especially in the moral, ethical and theological, especially in matters of emotional articulation associated with a significant meaning. Vernarthian dreams are of Speed of Quantum Physics, therefore they are pure metaphysical and meta-biological, appending to restricted spaces of stimulus and impulse speed, hiding in the residual mass of the unknown, to attribute to them chromatics that is settled in the Corpus Callosum of both hemispheres. Neuroscience yes, but that deposits physical values in the concentration of rest and active energy in areas of the cerebellum, to unleash a choice of names or anthroponyms. Where all the names with a certain alacrity of reason, meaning is attached according to their toponymy, in this case, Virolifero, could be a factor of canceling choices and adaptation of higher energies, on the universe, as a patronage of the Universe "called Rings of Zefian ”endowed with electron elliptical Muon particles.

The signifier of Virolifero will be its phoneme, perhaps more associated with the subject being the ring, associated with its mental representation. This force of Vernarthian thought indicates semantics and phonetics of speculative endowment, for becoming of building rings associated with an eco-physical and eco-environmental scheme. The entire philosophical Vernarthian range has a Sacred Geometry in its verbal and numeral composition, either in the connotation of concepts-ideas and of signs that represent the mental cultural heritage.  Literality will advocate the chronology of gap and verbal-linguistic space, contributing figurative, Greco-Latin barbarisms, such as Virolifero's verbal vigor if we place it in the reference of a building ring, being able to be figurative as a ring that makes or leads according to its practical verbal use dialectical. And in context, it would appear as something sacred in what will be referred to in this Codex of Nuraga Complexes, where each fold of lithosphere will be of the geological relationship between Stonehenge or Nuraga in Sardinia, each one appropriating age in what could be more or less an archaeological conflict of origins, or of comparative aspects of the referenced union, for the end of times, nations, civilizations, political states, and generations of socio-economic persistence. Making an archaeological contextual fact as in these terms, of such references of reception or political exile, but also cultural, adding the terminology of the intracultural contribution of the region. In the argument of Pythagoras and his self-exile in Italy, it is said that he had been condemned to exile from Samos because of his aversion to the tyranny of Polycrates. Around 530 BC settled in Crotona, a Greek colony in southern Italy, where he founded a movement with religious, political, and philosophical purposes, known as Pythagoreanism, and which generated duplicity of context in his sacred mathematical pilgrimage, towards a process of exercise contrary to his own Pythagorean School, expropriating a persona non grata in internal conflicts with personalities from Crotona itself, where he had to flee later. Here ipso facto the verbal exercise exemplifies his transliteration by an unfailing fact, in favor of what emerges from a coercive task, abandoning the same in what placidly sheltered him, and virtually ostracized as an immigrant from Samos.

Hosted the Pythagoreans in Sardinia, Italy.  Being in the colorimetry of the 6th century BC. He was peering into a universe that wasted infusion, clinging to the unknown roots themselves, with undulating harmonies in what we inhabit as an ethical and religious wave and vibrational entity. The prefix Vilori will indicate sacred mathematics, adapting to the numeral and algorithmic harmony of three plus three + 1, which would be the suffix, Fero. The external exaltation of numerical sensations will lie in human sensations already pre-established as a socio-environmental existential order, towards a divine-human being. What is strictly formative is a sacred legacy, since its equivalence is composed of mathematical formulas and figures that all point to the creation of an ambivalent whole, upward and downward proportionate. Focusing on originality of thought and work, embodying the prose, prophecies,  and intensely solid parables.

Vernarth and Etréstles began the attached Rituals in these megalithic complexes. On each Solstice, they arranged sectarians related to this phenomenology, in such a way as to incorporate them into this millenary civilization. They always attacked the archaeological area of Orroli, which is in the center of the soft plateau of Pran'e muru, in a strategic position to control the territory along the middle course of the Flumendosa River. Normally here they performed twilight liturgies similar to those perpetually held in La Mandragora, Sudpichi, Horcondising Region - Chile. Vernarth, always got all the provisions and utensils off the sailboat. Pyramid Torches, Oil Fuels, Sacred Drums, Proved Firewood, Stonework for Obsidian Workshops. Mapuche  wind instruments such as Trutruca, Cultrún and trompe. Buzzers to repel zoomorphic beings of the Bestiary, Alchemy, and Esotericism. Etréstles, coordinated content and other related duties by illuminating all the souls who once lived here. To which Vernarth masterfully adhered, filing them with impressive themes of the prehistoric world. To consider more than five volumes by concept before departure, to then break into the sacred space and meaning, limpid and originating from the session of totem animals and trance with Navajo drums. Each oar looked like a Karibu daunting a maple or a conifer that wanted to change its bark skin for those of the goring of the Karibu or the Moose him. While the eagle with its claws dropped crashing down on the Rehue line to Gnegechen, on the Cultrun, whose plural palpitations of the mandrake wanted to seem to be more than a hallucinogenic thrilling herb.

Describes Vernarth in Regression of him: Theater and Aeschylus, Dance and Athena, gifts from Stonehenge and Borrehaugene in Norway on Viking ships. They walked over the suspicious stones of the Nuragas.  In each ritual in these sets, they concelebrated next to the gorges, through which said river ran, being globally submerged in two artificial lakes until today. A territory deeply marked by man since prehistory, confirming the extraordinary concentration of remains found; from the Neolithic to the Bronze and Iron Ages, Roman times, and the Middle Ages. The Arrubiu was the main bastion, around it, satellite Nuragas gravitated, dominating strategic points and access roads. Near the complex is the tomb of Giants from the Sword, here they would consecrate their dynamics of the Xiphos Hoplite sword, to develop the bronze rites,  as a heritage from the linear insertion of Sardinia with Patmos,  to which they will go after the Solstice from the Nuraga complex. In his prehistoric speeches, he always had to stand out and go back to years prior to 1000 BC. Today it has become the symbol of Sardinia and its distinctive culture. The typical Nuraga is located in a panoramic place and has the shape of a tower with a geometric shape of a truncated cone or divided in half, some higher, others very low, reminiscent of a Tholos (Ancient Greek circular construction). Right here Vernarth, they poured milk and Pranayama, to delineate the points of the Sun to align them with the whims of Brahma and Xifos; swords that are gleaming over the eyes of a stingray. Vernarth, as post-frontal poetry, in treachery that decorated such a hendecasyllable, undertook to rescue the largest real estate fire, from where his own subsistence will hang. In the main protocol, in a drumming trance, he pierced the brains of all those present. Fragments remained everywhere ever imagined, on the timeless Nuragha ruins under the treetops and their Templum. Misleading beings that attacked the underworld of Persephone, and the Nuragic Gods who were elemented, by prevailing in this ceremony that they did not know if it was their own, not knowing that they were included.

Isaías sings (bis): “The presence in the corresponding versed folio makes it relative to the prophecy of the Immanuel born of a ******, which is associated with a similar Virgilian prophecy of Cumana, justifying its prophetic symbolism. Here is the warning that blackens the skies where the light retracts, thousands of attendants in the Nuragas are chained during the announcement of a thousandth that climbs abysses like the fateful Strigoi, and only tribulated pasture will have to transplant rebellions, which lie asleep for the wind of the ideal of incipient spiritual ******* dressed in execration. Has the conflagration of the heart that resists death and agonizes several times in the Templum ritual been unleashed ... The conditions await for the apostates when they refuse the water that does not make them optimal, and makes the radius of obedience of the Vernarthian heart elliptical, full of granules of lumpy Physconia, whose frequency will become embedded in bodies of treacherous, kingdoms and fungal lineages. The reign of the saints will judge diversity on the thrones with devastation in the fatuous beatifications in Pergamum, already admonished by me also in Sardinia”