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Composed on 01:33, 27/02/2017 using Hello Poetry's 'Words' algorithm. We still don't assume this means something.
RAJ NANDY Feb 2015
AN INTRODUCTION TO INDIAN ART IN VERSE  
By Raj Nandy : Part One

INTRODUCTION
Background :
The India subcontinent and her diverse physical features,
influenced her dynamic history, religion, and culture!
The fertile basin of the Sapta-Sindu Rivers* cradled one of
world’s most ancient civilization, (seven rivers)
Contemporary to the Sumerians and the Egyptians, popularly
known as the Indus Valley Civilization!
The Sindu (Indus), Jhelum, Chenab, Ravi, Sutlej, Bias, along
with the sacred river Saraswati, shaped India’s early History;
Where once flourished the urban settlements of Harappa and
Mohenjodaro, which lay buried for several centuries;
For our archaeologists and scholars to unravel their many
secrets and hidden mysteries!
Modern scholars refer to it as ‘Indus-Saraswati Civilization’;
By interpreting the text of the Rig Veda which mentions
eclipses, equinoxes, and other astronomical conjunctions,
They date the origin of the Vedas as earlier as 3000 BC;
Thereby lifting the fog which shrouds Ancient History! +
(+ Two broad schools of thoughts prevail; Max Mullar refers
to 1500 BC as the date for origin of the Vedas, but modern scientific findings point to a much earlier date for their Oral composition and
their long oral tradition!)

On the banks of the sacred Saraswati River the holy sages
did once meditate, *
When their third eye opened, as all earthly bonds they did
transcend !
From their lips flowed the sacred chants of the Vedas, as
they sang the creator Brahma’s unending praise!
These Vedic chants and incantations survived many
centuries of an oral tradition,
When Indian Art began to blossom into exotic flowers like
Brahma’s divine manifestations;
With all subsequent art forms following the model of
Brahma’s manifold creations!
The Vedas got written down during the later Vedic Age
with commentaries and interpolations,
And remain as India’s indigenous composition, forming a
part of her sacred religious tradition! *
(
Rig Veda the oldest, had hymns in praise of the creator;
Yajur Veda spelled the ritual procedures; Sama Veda sets
the hymns for melodious chanting, & is the source of seven
notes of music; Artha Veda had hymns for warding off evil
& hardship, giving us a glimpse of early Vedic life.)

IMPACT OF FOREIGN INVASIONS:
Through the winding Khyber Pass cutting through the rugged
Hindu Kush Range,
Came the Persians, Greeks, Muslims, the Moguls, and many
bounty hunters storming through north-western frontier gate;
Consisting of varied racial groups and cultures, they entered
India’s fertile alluvial plains!
Therefore, while tracing 5000 years of Art Story, one cannot
divorce Art from India’s exotic cultural history.
From the Cave Art of Bhimbetka, to the dancing girl of Harappa,
To the frescoes and the evocative figures of Ajanta and Ellora;
Many marvelous and exquisitely carved temples of the South,
And Muslim and Mogul architecture and frescoes along with
India’s rich Folk Art, enriched her artistic heritage no doubt!
Yet for a long time Indian Art had been the least known of
the Oriental Arts,
Perhaps because from Western point of view it was difficult
to understand the spirit behind Indian Art!
For Indian Art is at once aesthetic and sensual, also passionate,
symbolic, and spiritual !
It both celebrates and denies the individual’s love of life,
where free instinct with rigid reason combine !
These contradictory elements are found side by side due to
her culturally mixed conditions, as I had earlier mentioned!
Now, if we add to this the constant religious exaltation,
With the extensive use of symbolic presentation, from the
early days of Indian civilization;
We have the basic elements of an Art, which has gradually
aroused the interest of Western Civilization!

The further we get back in time, we only begin to find,
That religion, philosophy, art and architecture,
Had all merged into an unified whole to form India’s
composite culture!
But while moving forward in time, we once again find,
That art, architecture, music, poetry and dance, all begin to
gradually emerge, with their separate identities,
Where Indian Art is seen as a rich mosaic of cultural diversity!

(NOTES:-In the ancient days, the Saraswati River flowed from the Siwalik Range of Hills (foothills of the Himalayas) between Sutlej & the Yamuna rivers, through the present day Rann of Kutch into the Arabian Sea, when Rajasthan was a fertile place! Indus settlements like Kalibangan, Banawalli, Ganwaiwala, were situated on the banks of Sarsawati River, which was longer than the Indus & ran parallel, and is mentioned around50 times in the Rig Veda! Scientists say that due to tectonic plate movements, and climatic changes, Saraswati dried up around 1700BC ! The people settled there shifted east and the south, during the course of history! Some of those Indo-Aryan speaking people were already settled there, & others joined later. Max Muller’s theory of an Aryan Invasion which destroyed the Indus Valley Civilization during 1500BC, supported by Colonial Rulers, was subsequently proved wrong ! Indo-Aryans were a Language group of the Indo- European
Language Family, & not a racial group as mistaken by Max Mullar! Therefore Dr.Romila Thapar calls it a gradual migration, & not an invasion! The Vedas were indigenous composition of India. However, they got compiled & written down for the first time with commentaries, at a much later date! I have maintained this position since it has been proved by modern scholars scientifically!)

SYMBOLISM IN INDIAN ART
From the ancient Egyptian hieroglyphic to the Cretan Bull
of Greece,
Symbols have conveyed ideas and messages, fulfilling
artistic needs.
The ‘Da Vinci Code’ speaks of Leonardo’s art works as
symbolic subterfuge with encrypted messages for a secret
society!
While Indian art is replete with many sacred symbols to
attract good fortune, for the benefit of the community!
The symbols of the Dot or ‘Bindu’, the Lotus, the Trident,
the Conch shell, the sign and chant of ‘OM’, are all sacred
and divine;
For at the root of Indian artistic symbolism lies the Indian
concept of Time!
The West tends to think of time as a dynamic process which
is forward moving and linear;
Commencing with the ‘Big Bang’, moving towards a ‘Big
Crunch’, when ‘there shall be no more time’, or a state of
total inertia !
Indian art and sculpture is influenced by the cyclic concept
of time unfolding a series of ages or ‘yugas’;
Where creation, destruction and recreation, becomes a
dynamic and an unending phenomena!
This has been artistically and symbolically expressed in the
figure of Shiva-Nataraja’s cosmic dance,
Which portrays the entire kinetic universe in a state of
eternal flux!
The hour-glass drum in Nataraja’s right hand symbolizes
all creation;
Fire in his left hand the cyclic time frame of destruction!
The raised third hand is in a gesture of infinite benediction;
And the fourth hand pointing to his upraised foot shows the
path of liberation!

It was easier to teach the vast untutored population through
symbols, images, and paintings in the form of Art;
For a picture is more effective than a thousand words!
The Dot or ‘bindu’ becomes the focus for meditation,
Where the mental energies are focused on a single point of
creation,
As seen in the cotemporary art works of SH Raza’s
artistic representations!
Yet the same dot when expanded as a circle becomes
wholeness and infinity;
The shape of celestial bodies of the cyclic universe in its
creativity!
The Lotus seen in many sculptures, on temple walls, and
majestic columns, denotes purity;
A symbol of non-attachment rising above the muddy waters,
retaining its pristine color and beauty!
The Lotus is a powerful and transformational symbol in
Buddhist Art,
Where pink lotus is for height of enlightenment, blue for
wisdom, white for spiritual perfection, and the red lotus
symbolizing the heart!
This Lotus symbol also finds a place in Mughal sculptural
carvings and miniatures;
The inverted lotus dome resting on its petals, forms the
crown of Taj Mahal’s white marble architecture!
The trident or ‘trishul’ symbolizes the three god-heads
Brahma, Vishnu and Shiva;
As the Creator, Preserver and Destroyer, in that cyclic
chain which goes on forever!
The ***** stone of Shiva-lingam surrounded by the oval
female yoni symbolizes fertility and creation,
Usually found in the inner sanctuary of Hindu temples!
Finally, the symbol of ‘OM’ and its vibrating sound,
Echoes the primordial vibrations with which space and
time abounds!
All matter comes from energy vibrations manifesting
cosmic creation;
Also symbolized in Einstein’s famous matter-energy equation!
The Conch Shell a gift of the sea when blown, sounds the
ancient primordial vibration of ‘OM’!
It’s hallowed auspicious sound accompanies marriage
ceremonies and rituals whenever occasion demands;
And pacifies mother earth during Shiva-Nataraja’s sudden
seismic dance! (earthquakes)
Dear readers the symbols mentioned here are very few,
Mainly to curb the length, while I pay Indian Art my
artistic due!

A BRIEF COMPARISON OF ART:
Despite the many foreign influences which entered India
through the Khyber and Bholan pass,
India displayed marvelous adaptability and resilience, in
the development of her indigenous Art!
The aesthetic objectivity of Western Art was replaced by
the Indian vision of spiritual subjectivity,
For the transitory world around was only a ‘Maya’ or an
Illusion,- lacking material reality!
Therefore life-like representation was not always the aim
of Indian art,
But to lift that veil and reveal the life of the spirit, - was
the objective from the very start!
Egyptian funerary art was more occupied with after-life
and death;
While the Greeks portrayed youthful vigor and idealized
beauty, celebrating the joys of life instead!
The proud Roman Emperors to outshine their predecessors
erected even bigger statues, monuments, and columns
draped in glory;
Only in the long run to drain the Roman treasury, - a sad
downfall story!
Indian art gradually evolved over centuries with elements
both religious and secular,
As seen from the period of King Chandragupta Maurya,
Who defeated the Greek Seleucus, to carve out the first
united Indian Empire ! (app. 322 BC)

SECULAR AND SPIRITUAL FUSION IN ART:
Ancient Indian ‘stupas’
and temples were not like churches
or synagogues purely spiritual and religious,
But were cultural centers depicting secular images which
were also non-religious!
The Buddhist ‘stupa’ at Amravati (1stcentury BC), and the
gateways at Sanchi (1stcentury AD), display wealth of carvings
from the life of Buddha;
Also warriors on horseback, royal procession, trader’s caravans,
farmers with produce, - all secular by far!
Indian temples from the 8th Century AD onwards depicted
images of musicians, dancers, acrobats and romantic couples,
along with a variety of Deities;
But after 10th Century ****** themes began to make their mark
with depiction of sensuality!
Sensuality and ****** interaction in temples of Khajuraho and
Konarak has been displayed without inhibition;
As Tantric ideas on compatibility of human sexuality with
human spirituality, fused into artistic depictions!
Religion got based on a healthy and egalitarian acceptance
of all activities without ****** starvation;
For the emotional health and well-being of society, without
hypocritical denial or inhibition!
(’Stupas’= originated from ancient burial mounds, later became devotional Buddhist sites with holy relics, & external decorative gateways and carvings!)

KHJURAHO TEMPLE COMPLEX (950 - 1040 AD) :
Was built by the Chandela Rajputs in Central India,
When Khajuraho, the land of the moon gods, was the first
capital city of the Chandelas!
****** art covers ten percent of the temple sculptures,
Where both Hindu and Jain temples were built in the north-Indian
Nagara style of Architecture.
Out of the 85 temples only 22 have stood the vagaries of time,
Where a perfect fusion of aesthetic elegance and evocative
Kama-Sutra like ****** sculptural brilliance, - dazzle the eyes!

KONARAK SUN TEMPLE OF ORISSA - EAST COAST:
From the Khajuraho temple of love, we now move to the
Konark temple of *** in stones - as art!
Built around 1250 AD in the form of a temple mounted on
a huge cosmic chariot for the Sun God;
With twelve pairs of stone-carved wheels pulled by seven
galloping horses, symbolizing the passage of time under
the Solar God !
Seven horses for each day of the week, pulls the chariot
east wards towards dawn;
With twelve pairs of wheels representing the twelve calendar
months, as each cyclic day ushers in a new morn !
The friezes above and below the chariot wheels show military
processions, with elephants and hunting scenes;
Celebrating the victory of King Narasimhadeva-I over the
invading Muslims!
The ****** art and voluptuous carvings symbolizes aesthetic
bliss when uniting with the divine;
Following yogic postures and breathing techniques, which
Tantric Art alone defines!
(
Both Khjuraho & Konark temples were re-discovered by the
British, & are now World Heritage Sites!)

Artistic invention followed the model of cosmic creation;
Ancient Vedic tradition visualized the spirit of a joyous
self-offering with chants and incantations!
The world was understood to be a structured arrangement
of five elements of earth, water, fire, air, and ethereal space;
Where each element brought forth a distinct art-expression
with artistic grace!
Element of Sculpture was earth, Painting the fluidity of water,
Dance was transformative fire, Music flowed through the air,
and Poetry vibrated in ethereal space!

CONCLUDING INTRODUCTION TO INDIAN ART:

Indian Art is like a prism with many dazzling facets,
I have only introduced the subject with its symbolism,
- without covering its complete assets!
After my Part Three on ‘Etruscan and Roman Art’,
Christian and Byzantine Art was to follow;
But following request from my few poet friends I have
postponed it for the morrow!
Traditional Indian Art survives through its sculptures,
architecture, paintings and folk art, ever evolving with
the passing of time and age;
Influenced by Buddhist, Jain, Muslim, Mogul, and many
indigenous art forms, enriching India’s cultural heritage!
While the art of our modern times constitutes a separate
Contemporary phase !
The juxtaposition of certain concepts and forms might
have appeared a bit intriguing,
But the spiritual content and symbolism in art answers
our basic artistic seeking!
The other aspects of Indian Art I plan to cover at a later
date,
Hope you liked my Introduction, being posted after
almost forty days!
ALL COPY RIGHTS ARE WITH RAJ NANDY
E-Mail: rajnandy21@yahoo.
    FEW COMMENTS BY POETS ON 'POETFREAK.COM' :-
I have a vicarious pleasure going through your historical journey of Indian art! Thanks for sharing this here! 2 Mar 2013 by Ramesh T A | Reply

The prism of Indian Art is indeed has myriads of facets and is an awesome mixture of many influences some of which you list here so clearly - a very understandable presentation of symbolism too - -thank you for your fine effort Raj. 2 Mar 2013 by Fay Slimm | Reply

Oh what an interesting read with immense information capturing every single detail. You painted this piece of art with utmost care. Truly, it's works Raj…tfs 2 Mar 2013 by John Thomas Tharayil | Reply

First, I have to say, the part about the lotus symbolism reminds me – My name ‘NILOTPAL’ can be split into ‘NIL’ meaning BLUE and ‘UTPAL’ meaning LOTUS. So my name represents wisdom (although it contradicts ME.. LOL). A lot of things were mentioned in the veda and other ancient Indian texts that were way ahead of the time Like the idea of ‘velocity of light’ got considerable mention in the rig veda-Sahan bhasya, ‘Elliptical order of planets, ‘Black holes’ , although these are the scientific aspects. The emphasis on contradictory elements or even the idea of opposites in Indian art is interesting because India developed the mathematical concept of ‘Zero’ and ‘infinity’. Hard to believe Rajasthan was a fertile place but now it possesses its own beauty. It was great to read about the Natraja, ‘OM’ and the trident(Trishul). Among symbolisms, Lord Ganseha is my favorite because a lot is portrayed in that one image like the MOOSHIK representing
When I composed the History of Western Art in Verse & posted the series on 'Poetfreak.com', few Indian poet friends requested me to compose on Indian Art separately. I am posting part one of my composition here for those who may like to know about Indian Art. Thanks & best wishes, -Raj
Alyssa Underwood Oct 2017
"...all have sinned and fall short of the glory of God..."
~ Romans 3:23

"...people are destined to die once, and after that to face judgment..."
~ Hebrews 9:27

"For the wages of sin is death, but the gift of God is eternal life
in Christ Jesus our Lord."
~ Romans 6:23

"'Multitudes who sleep in the dust of the earth will awake:
some to everlasting life,
others to shame and everlasting contempt.'"
~ Daniel 12:2

"For God will bring every deed into judgment,
    including every hidden thing,
    whether it is good or evil."
~ Ecclesiastes 12:14

"This will take place on the day
when God judges people’s secrets through Jesus Christ..."
~ Romans 2:16

"Nothing in all creation is hidden from God’s sight.
Everything is uncovered and laid bare before the eyes of Him
to whom we must give account."
~ Hebrews 4:13

"For we will all stand before God’s judgment seat.  
It is written:
'"As surely as I live," says the Lord,
"every knee will bow before Me;
    every tongue will acknowledge God."'
So then, each of us will give an account of ourselves to God."
~ Romans 14:10b-12

"'For He has set a day when He will judge the world
with justice by the man He has appointed.
He has given proof of this to everyone
by raising Him from the dead.'"
~ Acts 17:31

"'Holy, holy, holy is the LORD Almighty;
    the whole earth is full of His glory.'"
~ Isaiah 6:3b

"...God’s judgment is right...
God is just..."
~ 2 Thessalonians 1:5-6

"He is the Rock, His works are perfect,
    and all His ways are just.
A faithful God who does no wrong,
    upright and just is He...
'See now that I Myself am He!
    There is no god besides Me.
I put to death and I bring to life,
    I have wounded and I will heal,
    and no one can deliver out of My hand.
I lift My hand to heaven and solemnly swear:
    As surely as I live forever,
when I sharpen My flashing sword
    and My hand grasps it in judgment,
I will take vengeance on My adversaries
    and repay those who hate Me.'"
~ Deuteronomy 32:4,39-41

"'Therefore Death expands its jaws,
    opening wide its mouth;
into it will descend their nobles and masses
    with all their brawlers and revelers.
So people will be brought low
    and everyone humbled,
    the eyes of the arrogant humbled.
But the LORD Almighty will be exalted by His justice,
    and the holy God will be proved holy by His righteous acts...
Therefore, as tongues of fire lick up straw
    and as dry grass sinks down in the flames,
so their roots will decay
    and their flowers blow away like dust;
for they have rejected the law of the LORD Almighty
    and spurned the word of the Holy One of Israel.'"
~ Isaiah 5:14-16,24

"The LORD is a jealous and avenging God;
    the LORD takes vengeance and is filled with wrath.
The LORD takes vengeance on His foes
    and vents His wrath against His enemies.
The LORD is slow to anger but great in power;
    the LORD will not leave the guilty unpunished...
Who can withstand His indignation?
    Who can endure His fierce anger?
His wrath is poured out like fire;
    the rocks are shattered before Him.
The LORD is good,
    a refuge in times of trouble.
He cares for those who trust in Him,
     but with an overwhelming flood
He will make an end of the adversaries;
    He will pursue His foes into the realm of darkness."
~ Nahum 1:2-3,6-8

"...'Yes, Lord God Almighty,
    true and just are Your judgments.'"
~ Revelation 16:7b

"'Do not be afraid of those
who **** the body but cannot **** the soul.
Rather, be afraid of the One who can destroy
both soul and body in hell.'"
~ Matthew 10:28

"The sting of death is sin,
and the power of sin is the law."
~ 1 Corinthians 15:56

"There is only one Lawgiver and Judge,
the one who is able to save and destroy."
~ James 4:12a

"For the LORD is our judge,
    the LORD is our lawgiver,
the LORD is our king;
    it is He who will save us."
~ Isaiah 33:22

"The law of the LORD is perfect...
    The statutes of the LORD are trustworthy...
    The precepts of the LORD are right...
    The commands of the LORD are radiant...
  The decrees of the LORD are firm,
    and all of them are righteous."
~ Psalm 19:7-9

"So then, the law is holy,
and the commandment is holy, righteous and good...
the law is spiritual; but I am unspiritual, sold as a slave to sin."
~ Romans 7:12,14

"Indeed, there is no one on earth who is righteous,
    no one who does what is right and never sins."
~ Ecclesiastes 7:20

"...it is written: 'Cursed is everyone who does not continue
to do everything written in the Book of the Law.'"
~ Galatians 3:10b

"For whoever keeps the whole law and yet stumbles
at just one point is guilty of breaking all of it."
~ James 2:10

"'For I tell you that unless your righteousness
surpasses that of the Pharisees and the teachers of the law,
you will certainly not enter the kingdom of heaven.'"
~ Matthew 5:20

"But your iniquities have separated you from your God;
your sins have hidden His face from you...
We look for light, but all is darkness;
    for brightness, but we walk in deep shadows.
Like the blind we ***** along the wall,
    feeling our way like people without eyes...
For our offenses are many in Your sight,
    and our sins testify against us.
Our offenses are ever with us...
rebellion and treachery against the LORD,
    turning our backs on our God..."
~ Isaiah 59:2,9b-10a,12,13a

"...alienated from God and...enemies in your minds
because of your evil behavior."
~ Colossians 1:21

"...separated from the life of God..."
~ Ephesians 4:18

"...dead in your transgressions and sins...
gratifying the cravings of our flesh
and following its desires and thoughts.
Like the rest, we were by nature deserving of wrath."
~ Ephesians 2:1b,3b

"The wrath of God is being revealed from heaven
against all the godlessness and wickedness of people,
who suppress the truth by their wickedness,
since what may be known about God is plain to them,
because God has made it plain to them. For since
the creation of the world God’s invisible qualities—
His eternal power and divine nature—
have been clearly seen,
being understood from what has been made,
so that people are without excuse."
~ Romans 1:18-20

"All of us have become like one who is unclean,
    and all our righteous acts are like filthy rags;
we all shrivel up like a leaf,
    and like the wind our sins sweep us away."
~ Isaiah 64:6

"...sin entered the world through one man,
and death through sin, and in this way
death came to all people, because all sinned..."
~ Romans 5:12

"As it is written:
'There is no one righteous, not even one;
     there is no one who understands;
    there is no one who seeks God.
All have turned away,
    they have together become worthless;
there is no one who does good,
    not even one.'...
Therefore no one will be
declared righteous in God’s sight
by the works of the law;
rather, through the law we become conscious of our sin."
~ Romans 3:10-12,20

"But God demonstrates His own love for us in this:
While we were still sinners, Christ died for us."
~ Romans 5:8

"This is how God showed His love among us:
He sent His one and only Son into the world
that we might live through Him.
This is love: not that we loved God,
but that He loved us and sent His Son
as an atoning sacrifice for our sins."
~ 1 John 4:9-10

"But God raised Him from the dead,
freeing Him from the agony of death,
because it was impossible for death to keep its hold on Him...
He was not abandoned to the realm of the dead,
nor did His body see decay. God has raised this Jesus to life..."
~ Acts 2:24,31b-32a

"...He raised Christ from the dead
and seated Him at His right hand in the heavenly realms,
far above all rule and authority, power and dominion,
and every name that is invoked,
not only in the present age but also in the one to come.
And God placed all things under His feet
and appointed Him to be head over everything
for the church, which is His body,
the fullness of Him who fills everything in every way."
~ Ephesians 1:20b-23

"For there is one God
and one mediator between God and mankind,
the man Christ Jesus, who gave Himself as a ransom for all people..."
~ 1 Timothy 2:5-6a

"...Christ died for our sins according to the Scriptures...
He was buried...He was raised on the third day
according to the Scriptures..."
~ 1 Corinthians 15:3b-4

"...God was reconciling the world to Himself in Christ,
not counting people’s sins against them."
~ 2 Corinthians 5:19a

"'Do not think that I have come to abolish
the Law or the Prophets;
I have not come to abolish them but to fulfill them.'"
~ Matthew 5:17

"Christ is the culmination of the law so that
there may be righteousness for everyone who believes."
~ Romans 10:4

"The law is only a shadow of the good things that are coming—
not the realities themselves."
~ Hebrews 10:1a

"These are a shadow of the things that were to come;
the reality, however, is found in Christ."
~ Colossians 2:17

"...Christ is the mediator of a new covenant,
that those who are called may receive the promised
eternal inheritance—now that He has died as a ransom
to set them free from the sins committed under the first covenant."
~ Hebrews 9:15

"'Therefore, my friends, I want you to know that
through Jesus the forgiveness of sins is proclaimed to you.
Through Him everyone who believes is set free from every sin,
a justification you were not able to obtain under the law of Moses.'"
~ Acts 13:38-39

"...because by the works of the law no one will be justified."
~ Galatians 2:16b

"...all who rely on the works of the law are under a curse...
Christ redeemed us from the curse of the law
by becoming a curse for us..."
~ Galatians 3:10a,13a

"Consequently, just as one trespass resulted in condemnation
for all people, so also one righteous act resulted in justification and life for all people. For just as through the disobedience of the one man the many were made sinners, so also through the obedience
of the one man the many will be made righteous."
~ Romans 5:18-19

"For as in Adam all die, so in Christ all will be made alive...
The first man was of the dust of the earth;
the second man is of heaven."
~ 1 Corinthians 15:22,47

"In the beginning was the Word, and the Word was with God,
and the Word was God. He was with God in the beginning.
Through Him all things were made; without Him
nothing was made that has been made. In Him was life,
and that life was the light of all mankind...
The Word became flesh and made His dwelling among us.
We have seen His glory, the glory of the one and only Son,
who came from the Father, full of grace and truth...
For the law was given through Moses;
grace and truth came through Jesus Christ...
'...the Lamb of God, who takes away the sin of the world!'"
~ John 1:1-4,14,17,29b

"The Son is the radiance of God’s glory
and the exact representation of His being,
sustaining all things by His powerful word.
After He had provided purification for sins,
He sat down at the right hand of the Majesty in heaven."
~ Hebrews 1:3

"...Christ, in whom are hidden all the treasures
of wisdom and knowledge...
For in Christ all the fullness of the Deity
lives in ****** form...
He is the head over every power and authority."
~ Colossians 2:2b-3,9,10b

"...Jesus, the pioneer and perfecter of faith.
For the joy set before Him He endured the cross, scorning its shame,
and sat down at the right hand of the throne of God."
~ Hebrews 12:2

"The Son is the image of the invisible God,
the firstborn over all creation.
For in Him all things were created:
things in heaven and on earth, visible and invisible,
whether thrones or powers or rulers or authorities;
all things have been created through Him and for Him.
He is before all things, and in Him all things hold together.
And He is the head of the body, the church;
He is the beginning and the firstborn from among the dead,
so that in everything He might have the supremacy.
For God was pleased to have all His fullness dwell in Him,
and through Him to reconcile to Himself all things,
whether things on earth or things in heaven,
by making peace through His blood, shed on the cross."
~ Colossians 1:15-20

"'For the Son of Man came to seek and to save the lost.'"
~ Luke 19:10

"...when the set time had fully come, God sent His Son,
born of a woman, born under the law,
to redeem those under the law,
that we might receive adoption to sonship."
~ Galatians 4:4-5

"For this reason He had to be made like them,
fully human in every way, in order that He might become
a merciful and faithful high priest in service to God,
and that He might make atonement for the sins of the people.
Because He Himself suffered when He was tempted,
He is able to help those who are being tempted."
~ Hebrews 2:17-18

"For we do not have a high priest who is
unable to empathize with our weaknesses,
but we have one who has been tempted in every way,
just as we are—yet He did not sin.
Let us then approach God’s throne of grace with confidence,
so that we may receive mercy and find grace
to help us in our time of need."
~ Hebrews 4:15-16

"...Christ Jesus who died—
more than that, who was raised to life—
is at the right hand of God and is also interceding for us."
~ Romans 8:34b

"...because Jesus lives forever,
He has a permanent priesthood.
Therefore He is able to save completely
those who come to God through Him,
because He always lives to intercede for them.
Such a high priest truly meets our need—
one who is holy, blameless, pure,
set apart from sinners, exalted above the heavens.
Unlike the other high priests,
He does not need to offer sacrifices day after day,
first for His own sins, and then for the sins of the people.
He sacrificed for their sins once for all when he offered Himself."
~ Hebrews 7:24-27

"...He appeared so that He might take away our sins.
And in Him is no sin."
~ 1 John 3:5

"...Christ, a lamb without blemish or defect."
~ 1 Peter 1:19b

"God presented Christ as a sacrifice of atonement,
through the shedding of His blood—to be received by faith.
He did this to demonstrate His righteousness,
because in His forbearance He had left
the sins committed beforehand unpunished—
He did it to demonstrate His righteousness at the present time,
so as to be just and the one who justifies
those who have faith in Jesus."
~ Romans 3:25-26

"In Him we have redemption through His blood,
the forgiveness of sins,
in accordance with the riches of God’s grace..."
~ Ephesians 1:7

"For the life...is in the blood,
and I have given it to you to make atonement...
it is the blood that makes atonement for one’s life."
~ Leviticus 17:11

"...and without the shedding of blood there is no forgiveness...
Christ was sacrificed once to take away the sins of many..."
~ Hebrews 9:22b,28a

"'All the prophets testify about Him
that everyone who believes in Him
receives forgiveness of sins through His name.'"
~ Acts 10:43

"For by one sacrifice He has made perfect forever
those who are being made holy."
~ Hebrews 10:14

"'He committed no sin,
    and no deceit was found in His mouth.'...
He Himself bore our sins in His body on the cross,
so that we might die to sins and live for righteousness..."
~ 1 Peter 2:22,24a

"For Christ also suffered once for sins, the righteous for the unrighteous, to bring you to God."
~ 1 Peter 3:18a

"Jesus answered them, 'It is not the healthy who need a doctor,
but the sick. I have not come to call the righteous,
but sinners to repentance.'"
~ Luke 5:31-32

"If we claim to be without sin, we deceive ourselves
and the truth is not in us. If we confess our sins,
He is faithful and just and will forgive us our sins
and purify us from all unrighteousness."
~ 1 John 1:8-9

"God made Him who had no sin to be sin for us,
so that in Him we might become the righteousness of God."
~ 2 Corinthians 5:21

"...For Christ, our Passover lamb, has been sacrificed."
~ 1 Corinthians 5:7b

"Surely He took up our pain
    and bore our suffering,
yet we considered Him punished by God,
    stricken by Him, and afflicted.
But He was pierced for our transgressions,
    He was crushed for our iniquities;
the punishment that brought us peace was on Him,
    and by His wounds we are healed.
We all, like sheep, have gone astray,
    each of us has turned to our own way;
and the LORD has laid on Him
    the iniquity of us all."
~ Isaiah 53:4-6

"And He died for all, that those who live
should no longer live for themselves but for Him
who died for them and was raised again."
~ 2 Corinthians 5:15

"For sin shall no longer be your master,
because you are not under the law, but under grace.
What then? Shall we sin because we are not
under the law but under grace? By no means!...
You have been set free from sin and have become
slaves to righteousness."
~ Romans 6:14-15,18

"For in the gospel the righteousness of God is revealed—
a righteousness that is by faith from first to last,
just as it is written: 'The righteous will live by faith.'"
~ Romans 1:17

"For God so loved the world that He gave His one and only Son,
that whoever believes in Him shall not perish but have eternal life.
For God did not send His Son into the world to condemn the world,
but to save the world through Him. Whoever believes in Him
is not condemned, but whoever does not believe stands condemned
already because they have not believed in the name of God’s
one and only Son... Whoever believes in the Son has eternal life,
but whoever rejects the Son will not see life,
for God’s wrath remains on them."
~ John 3:16-18,36

"God has given us eternal life, and this life is in His Son.
Whoever has the Son has life;
whoever does not have the Son of God
does not have life."
~ 1 John 5:11b-12

"He was delivered over to death for our sins
and was raised to life for our justification."
~ Romans 4:25

"...Christ has indeed been raised from the dead,
the firstfruits of those who have fallen asleep."
~ 1 Corinthians 15:20

"...just as Christ was raised from the dead
through the glory of the Father, we too may live a new life."
~ Romans 6:4b

"Praise be to the God and Father of our Lord Jesus Christ!
In His great mercy He has given us new birth into a living hope
through the resurrection of Jesus Christ from the dead,
and into an inheritance that can never perish, spoil or fade..."
~ 1 Peter 1:3-4a

"Therefore, if anyone is in Christ, he is a new creation:
The old has gone, the new has come!"
~ 2 Corinthians 5:17

"...to all who received Him, to those who believed in His name,
He gave the right to become children of God— children born
not of natural descent, nor of human decision or a husband’s will,
but born of God."
~ John 1:12-13

"Jesus replied, 'Very truly I tell you,
no one can see the kingdom of God unless they are born again.'...
'Very truly I tell you, no one can enter the kingdom of God
unless they are born of water and the Spirit.'"
~ John 3:3,5

"...born again, not of perishable seed, but of imperishable,
through the living and enduring word of God."
~ 1 Peter 1:23

"...birth through the word of truth..."
~ James 1:18

"Consequently, faith comes from hearing the message,
and the message is heard through the word of Christ."
~ Romans 10:17

"...to the one who does not work but trusts God who justifies
the ungodly, their faith is credited as righteousness."
~ Romans 4:5

"...not having a righteousness of my own that comes from the law,
but that which is through faith in Christ—
the righteousness that comes from God on the basis of faith."
~ Philippians 3:9

"This righteousness is given through faith in Jesus Christ
to all who believe."
~ Romans 3:22a

"Salvation is found in no one else, for there is no other name under
heaven given to mankind by which we must be saved."
~ Acts 4:12

"...'Repent and be baptized, every one of you,
in the name of Jesus Christ for the forgiveness of your sins.
And you will receive the gift of the Holy Spirit.
The promise is for you and your children
and for all who are far off—
for all whom the Lord our God will call.'"
~ Acts 2:38-29

"'Repent, then, and turn to God,
so that your sins may be wiped out,
that times of refreshing may come from the Lord...'"
~ Acts 3:19

"If you declare with your mouth, 'Jesus is Lord,'
and believe in your heart that God raised Him from the dead,
you will be saved. For it is with your heart that you
believe and are justified, and it is with your mouth
that you profess your faith and are saved. As Scripture says,
'Anyone who believes in Him will never be put to shame.’
For there is no difference between Jew and Gentile—
the same Lord is Lord of all and richly blesses all who call on Him,
for, 'Everyone who calls on the name of the Lord will be saved.'"
~ Romans 10:9-13

"'I will sprinkle clean water on you, and you will be clean;
I will cleanse you from all your impurities and from all your idols.
I will give you a new heart and put a new spirit in you;
I will remove from you your heart of stone and give you a heart
of flesh. And I will put My Spirit in you and move you to
follow My decrees and be careful to keep My laws.'"
~ Ezekiel 36:25-27

"Now the Lord is the Spirit, and where the Spirit of the Lord is,
there is freedom. And we all, who with unveiled faces
contemplate the Lord’s glory, are being transformed
into His image with ever-increasing glory,
which comes from the Lord, who is the Spirit."
~ 2 Corinthians 3:17-18

"...if you are led by the Spirit, you are not under the law."
~ Galatians 5:18

"...we have been released from the law
so that we serve in the new way of the Spirit,
and not in the old way of the written code."
~ Romans 7:6b

"'I will put My law in their minds
    and write it on their hearts.
I will be their God,
    and they will be My people...
For I will forgive their wickedness
    and will remember their sins no more.'"
~ Jeremiah 31:33b,34b

"Therefore, there is now no condemnation
for those who are in Christ Jesus, because through Christ Jesus
the law of the Spirit who gives life has set you free
from the law of sin and death. For what the law was
powerless to do because it was weakened by the sinful nature
God did by sending His own Son in the likeness of sinful man
to be a sin offering. And so He condemned sin in sinful man,
in order that the righteous requirements of the law
might be fully met in us, who do not live according
to the sinful nature but according to the Spirit...
And if the Spirit of Him who raised Jesus from the dead
is living in you, He who raised Christ from the dead
will also give life to your mortal bodies
because of His Spirit who lives in you."
~ Romans 8:1-4,11

"Since we have now been justified by His blood,
how much more shall we be saved from God’s wrath through Him!
For if, while we were God’s enemies, we were reconciled to Him through
the death of his Son, how much more, having been reconciled,
shall we be saved through His life!"
~ Romans 5:9-10

"For it is by grace you have been saved,
through faith—and this is not from yourselves,
it is the gift of God—not by works, so that no one can boast."
~ Ephesians 2:8-9

"...He has reconciled you by Christ’s physical body
through death to present you holy in His sight,
without blemish and free from accusation—
if you continue in your faith, established and firm,
and do not move from the hope held out in the gospel.
This is the gospel that you heard and that has been proclaimed..."
~ Colossians 1:22-23a

"...Jesus went into Galilee, proclaiming the good news of God.
'The time has come,' He said. 'The kingdom of God has come near.
Repent and believe the good news!'"
~ Mark 1:14-15

"...Jesus stood and said in a loud voice,
'Let anyone who is thirsty come to Me and drink.
Whoever believes in Me, as Scripture has said,
rivers of living water will flow from within them.'
By this He meant the Spirit..."
~ John 7:37-39

"'...whoever drinks the water I give them will never thirst.
Indeed, the water I give them will become in them a spring of water
welling up to eternal life.'"
~ John 4:14

"Then Jesus declared, 'I am the bread of life. Whoever comes to Me will
never go hungry, and whoever believes in Me will never be thirsty."
~ John 6:35

"When Jesus spoke again to the people,
He said, 'I am the light of the world.
Whoever follows Me will never walk in darkness,
but will have the light of life.'"
~ John 8:12

"'Come to Me, all you who are weary and burdened,
and I will give you rest. Take My yoke upon you and learn from Me,
for I am gentle and humble in heart, and you will find rest for your souls.
For My yoke is easy and My burden is light.'"
~ Matthew 11:28-30

"'I am the gate; whoever enters through Me will be saved.
They will come in and go out, and find pasture.
The thief comes only to steal and **** and destroy;
I have come that they may have life, and have it to the full.
I am the good shepherd.
The good shepherd lays down His life for the sheep…
No one takes it from Me, but I lay it down of My own accord.
I have authority to lay it down and authority to take it up again.
This command I received from My Father.'"
~ John 10:9-11,18

"'I am the vine; you are the branches. If you remain in Me and I in you,
you will bear much fruit; apart from Me you can do nothing.'"
~ John 15:5

"...Jesus said, 'If you hold to My teaching, you are really My disciples.
Then you will know the truth, and the truth will set you free.'"
~ John 8:31b-32

"Then He said to them all: 'Whoever wants to be My disciple must
deny themselves and take up their cross daily and follow Me.
For whoever wants to save their life will lose it,
but whoever loses their life for Me will save it.
What good is it for someone to gain the whole world,
and yet lose or forfeit their very self?
Whoever is ashamed of Me and My words,
the Son of Man will be ashamed of them
when He comes in His glory and in
the glory of the Father and of the holy angels.'"
~ Luke 9:23-26

"Jesus answered, 'I am the way and the truth and the life.
No one comes to the Father except through Me.'"
~ John 14:6

"Jesus said to her, 'I am the resurrection and the life.
The one who believes in Me will live, even though they die;
and whoever lives by believing in Me will never die.
Do you believe this?'"
~ John 11:25-26

"For My Father’s will is that everyone who looks to the Son
and believes in Him shall have eternal life,
and I will raise them up at the last day.”
~ John 6:40

"'...Because I live, you also will live.'"
~ John 14:19b

"And just as we have borne the image of the earthly man,
so shall we bear the image of the heavenly man."
~ 1 Corinthians 15:49

"'Now this is eternal life: that they know You, the only true God,
and Jesus Christ, whom You have sent.'"
~ John 17:3

"Since the children have flesh and blood,
He too shared in their humanity so that by His death
He might break the power of him who holds the power of
death—that is, the devil—and free those who all their lives
were held in slavery by their fear of death."
~ Hebrews 2:14-15

"When you were dead in your sins and in the uncircumcision
of your sinful nature, God made you alive with Christ. He forgave us
all our sins, having canceled the charge of our legal indebtedness,
which stood against us and condemned us; He has taken it away,
nailing it to the cross. And having disarmed the powers and authorities,
He made a public spectacle of them, triumphing over them by the cross."
~ Colossians 2:13-15

"...The reason the Son of God appeared was to destroy the devil’s work."
~ 1 John 3:8

"The grace of our Lord was poured out on me abundantly,
along with the faith and love that are in Christ Jesus.
Here is a trustworthy saying that deserves full acceptance:
Christ Jesus came into the world to save sinners—of whom I am
the worst. But for that very reason I was shown mercy so that in me,
the worst of sinners, Christ Jesus might display His immense patience as
an example for those who would believe in Him and receive eternal life.  
Now to the King eternal, immortal, invisible, the only God,
be honor and glory for ever and ever. Amen."
~ 1 Timothy 1:14-17

"The Spirit and the bride say, 'Come!' And let him who hears say, 'Come!’
Whoever is thirsty, let him come; and whoever wishes,
let him take the free gift of the water of life."
~ Revelation 22:17

"'Come now, let us settle the matter,
    says the LORD.
'Though your sins are like scarlet,
    they shall be as white as snow;
though they are red as crimson,
    they shall be like wool.'"
~ Isaiah 1:18

"'I am the Living One; I was dead,
and now look, I am alive for ever and ever!
And I hold the keys of death and Hades.'...
'...So be earnest and repent.
Here I am! I stand at the door and knock.
If anyone hears My voice and opens the door,
I will come in and eat with that person,
and they with Me.'"
~ Revelation 1:18;3:19b-20

"Come, house of Jacob, and let us walk in the light of the LORD."
~ Isaiah 2:5
Holy Bible, New International Version

For more on the first man's sin, see Genesis 2 & 3.
For more on the law, see Exodus 20, Leviticus & Deuteronomy,
then Hebrews 7-10, Matthew 5:21-30 and Matthew 22:36-40.
For more about Jesus Christ's death and resurrection, see
Matthew 26-28, Mark 14-16, Luke 22-24 and John 18-21,
the 4 books which also give the accounts of His life.
For more about the blessings of salvation given
to all who believe the gospel of Jesus, see
the books of Ephesians and Romans.

~~~
Mike T Minehan Apr 2013
I like a whole lip-smacking smorgasbord of words,
such as preposterous and scrumptious,
sumptuous and curious,
roiling, rambunctious and trumpeting,
priapic, satyric and seraphic,
satyriasis and mimesis. Now this mimesis is the imitative
representation of nature and behavior in art and literature,
which is a pretentious way of trying to say what us writers do.
But hey, we don't just mimic things,
we can be sagacious and salacious, too.
Accordingly, I also like *******, which has a liquid sound,
and I'm not being facetious to suggest that
******* has a close connection to callipygous.
Then, for those who are suspicious of the libidinous,
I also like curmudgeonly and bodacious,
loquacious, precocious and pulchritudinous,
lubricious and fugacious,
scripturient, radiance, iridescence and magnificence,
lissome, lithe and languid (but not too limp),
shimmering and diaphanous, effulgent and evanescent,
flamboyant, fandango and flibbertigibbet,
(although this is difficult to say when you’re drunk),
voluptuous and vertiginous, slithery, **** and glistening.
And when I include crepuscular, strumpet and strawberry,
I may as well add whipped cream
as well, because this can be laid on in dollops,
and dollops is really an excellent word
along with slurping and *******, too.
Actually, I'm very flexible about words,
because in my lexicon, low moaning noises are OK, too.
These sounds come from the chord of creation
which is a sort of reverberation from the time of
primordial ooze, which I would like to squish between my toes.
Then there's protozoa, spermatozoa and also
wriggling flagella everywhere. So there.
But words don't even need to make sense,
because sweet nothings can say everything,
and heavy breathing can be ******,
even rhapsodic, ending in delirium.
Titillating should be in here too, because we all need
some tintinnabulation and tickling of the senses sometimes.
I've also decided that fecund is my second favorite word after love.
Fecund sounds abrupt, but it buds magnificently
in ******* and bellies to burgeon in absolute abundance,
everywhere. This brings me to *******, which I like, too.
I'm also partial to proud words, including bold, bulging and
brazen, along with a bit of swaggering braggadocio.
Then I like some big words, like brobdingnagian,
although I hope I'm not sesquipedalian.
Salivate is a word to celebrate as well,
along with onomatopoeia that helps choose some words here.
Drooling is highly evocative, too,
and it's not being provocative to observe that
even weapons drool when they're in the wrong hands.
And I shouldn't leave out *******, as you would expect,
because ****** is a sort of rippling word
that rhymes with spasm. Both sound deceptively simple,
but by golly, they can be intensely gripping.
And really, it's alright to writhe to this occasion
because all of us writers should endeavor
to have some good writhing in our oeuvre.
Even some bad writhing can be lots of fun, too.
But I almost forgot to mention yearning and burning (with desire)
and vulviform, velvet and venerous.
Yippee, yee har and hollerin' along with other exclamations
of exhortatory exuberance should be in this index, too.
Now. The words I don’t like include no, can’t, never,
stop and mustn’t. Also, irascible and intractable,
unmentionable, ineffable, inexpressible, incoherent,
immutable, impotent and impossible.
Then I don't like importune and misfortune,
and I don't know who thought up unthinkable,
because this is an oxymoron.
Inscrutable is also a complete cop out,
especially when there's no such word as scrutable.
Gawping, gaping, cavernous and cretinous, obsequious,
grovelling, pursed lips, circuitous,
obfuscation and isolation, unpalatable,
cruelty, tyranny and hypocrisy,
should also get the heave-**.
And I definitely don't like parsimonious and mendicant,
which are miserable words.
Quitting doesn't get there either,
and shut the **** up and ******* should also be taboo.
Also, hopeless is, really, well, it's hopeless
because it denies hope, and hope is buoyant and boundless.
I mean, sometimes hope is all we have.
But the word I dislike most is ****,
because this is an insulting word, and
to be taxonomical,
the negative score of this word is astronomical.
Hate is also right up there on this list. Hate is abominable
because it tries to destroy love, and love is indomitable.
Indomitable
is the
mightiest
word
of them all.
Yeah. So there.

Mike T Minehan
II felt good after writing this - it was a bit like purging the personal dictionary in my head. I think all of us could write our own list...
Alyssa Underwood Nov 2017
"To run and work the law commands,
But gives us neither feet nor hands.
Far better news the gospel brings:
It bids us fly and gives us wings."

~ John Bunyan (1628-1688)



"...for all have sinned and fall short of the glory of God..."
~ Romans 3:23

"...people are destined to die once, and after that to face judgment..."
~ Hebrews 9:27

"For the wages of sin is death, but the gift of God is eternal life
in Christ Jesus our Lord."
~ Romans 6:23

"'Multitudes who sleep in the dust of the earth will awake:
some to everlasting life,
others to shame and everlasting contempt.'"
~ Daniel 12:2

"For God will bring every deed into judgment,
    including every hidden thing,
    whether it is good or evil."
~ Ecclesiastes 12:14

"This will take place on the day
when God judges people’s secrets through Jesus Christ..."
~ Romans 2:16

"Nothing in all creation is hidden from God’s sight.
Everything is uncovered and laid bare before the eyes of Him
to whom we must give account."
~ Hebrews 4:13

"For we will all stand before God’s judgment seat.  
It is written:
'"As surely as I live," says the Lord,
"every knee will bow before Me;
    every tongue will acknowledge God."'
So then, each of us will give an account of ourselves to God."
~ Romans 14:10b-12

"'For He has set a day when He will judge the world
with justice by the man He has appointed.
He has given proof of this to everyone
by raising Him from the dead.'"
~ Acts 17:31

"'Holy, holy, holy is the LORD Almighty;
    the whole earth is full of His glory.'"
~ Isaiah 6:3b

"...God’s judgment is right...
God is just..."
~ 2 Thessalonians 1:5-6

"He is the Rock, His works are perfect,
    and all His ways are just.
A faithful God who does no wrong,
    upright and just is He...
'See now that I Myself am He!
    There is no god besides Me.
I put to death and I bring to life,
    I have wounded and I will heal,
    and no one can deliver out of My hand.
I lift My hand to heaven and solemnly swear:
    As surely as I live forever,
when I sharpen My flashing sword
    and My hand grasps it in judgment,
I will take vengeance on My adversaries
    and repay those who hate Me.'"
~ Deuteronomy 32:4,39-41

"'Therefore Death expands its jaws,
    opening wide its mouth;
into it will descend their nobles and masses
    with all their brawlers and revelers.
So people will be brought low
    and everyone humbled,
    the eyes of the arrogant humbled.
But the LORD Almighty will be exalted by His justice,
    and the holy God will be proved holy by His righteous acts...
Therefore, as tongues of fire lick up straw
    and as dry grass sinks down in the flames,
so their roots will decay
    and their flowers blow away like dust;
for they have rejected the law of the LORD Almighty
    and spurned the word of the Holy One of Israel.'"
~ Isaiah 5:14-16,24

"The LORD is a jealous and avenging God;
    the LORD takes vengeance and is filled with wrath.
The LORD takes vengeance on His foes
    and vents His wrath against His enemies.
The LORD is slow to anger but great in power;
    the LORD will not leave the guilty unpunished...
Who can withstand His indignation?
    Who can endure His fierce anger?
His wrath is poured out like fire;
    the rocks are shattered before Him.
The LORD is good,
    a refuge in times of trouble.
He cares for those who trust in Him,
     but with an overwhelming flood
He will make an end of the adversaries;
    He will pursue His foes into the realm of darkness."
~ Nahum 1:2-3,6-8

"...'Yes, Lord God Almighty,
    true and just are Your judgments.'"
~ Revelation 16:7b

"'Do not be afraid of those
who **** the body but cannot **** the soul.
Rather, be afraid of the One who can destroy
both soul and body in hell.'"
~ Matthew 10:28

"The sting of death is sin,
and the power of sin is the law."
~ 1 Corinthians 15:56

"There is only one Lawgiver and Judge,
the one who is able to save and destroy."
~ James 4:12a

"For the LORD is our judge,
    the LORD is our lawgiver,
the LORD is our king;
    it is He who will save us."
~ Isaiah 33:22

"The law of the LORD is perfect...
    The statutes of the LORD are trustworthy...
    The precepts of the LORD are right...
    The commands of the LORD are radiant...
  The decrees of the LORD are firm,
    and all of them are righteous."
~ Psalm 19:7-9

"So then, the law is holy,
and the commandment is holy, righteous and good...
the law is spiritual; but I am unspiritual, sold as a slave to sin."
~ Romans 7:12,14

"Indeed, there is no one on earth who is righteous,
    no one who does what is right and never sins."
~ Ecclesiastes 7:20

"...it is written: 'Cursed is everyone who does not continue
to do everything written in the Book of the Law.'"
~ Galatians 3:10b

"For whoever keeps the whole law and yet stumbles
at just one point is guilty of breaking all of it."
~ James 2:10

"'For I tell you that unless your righteousness
surpasses that of the Pharisees and the teachers of the law,
you will certainly not enter the kingdom of heaven.'"
~ Matthew 5:20

"But your iniquities have separated you from your God;
your sins have hidden His face from you...
We look for light, but all is darkness;
    for brightness, but we walk in deep shadows.
Like the blind we ***** along the wall,
    feeling our way like people without eyes...
For our offenses are many in Your sight,
    and our sins testify against us.
Our offenses are ever with us...
rebellion and treachery against the LORD,
    turning our backs on our God..."
~ Isaiah 59:2,9b-10a,12,13a

"...alienated from God and...enemies in your minds
because of your evil behavior."
~ Colossians 1:21

"...separated from the life of God..."
~ Ephesians 4:18

"...dead in your transgressions and sins...
gratifying the cravings of our flesh
and following its desires and thoughts.
Like the rest, we were by nature deserving of wrath."
~ Ephesians 2:1b,3b

"The wrath of God is being revealed from heaven
against all the godlessness and wickedness of people,
who suppress the truth by their wickedness,
since what may be known about God is plain to them,
because God has made it plain to them. For since
the creation of the world God’s invisible qualities—
His eternal power and divine nature—
have been clearly seen,
being understood from what has been made,
so that people are without excuse."
~ Romans 1:18-20

"All of us have become like one who is unclean,
    and all our righteous acts are like filthy rags;
we all shrivel up like a leaf,
    and like the wind our sins sweep us away."
~ Isaiah 64:6

"...sin entered the world through one man,
and death through sin, and in this way
death came to all people, because all sinned..."
~ Romans 5:12

"As it is written:
'There is no one righteous, not even one;
     there is no one who understands;
    there is no one who seeks God.
All have turned away,
    they have together become worthless;
there is no one who does good,
    not even one.'...
Therefore no one will be
declared righteous in God’s sight
by the works of the law;
rather, through the law we become conscious of our sin."
~ Romans 3:10-12,20

"But God demonstrates His own love for us in this:
While we were still sinners, Christ died for us."
~ Romans 5:8

"This is how God showed His love among us:
He sent His one and only Son into the world
that we might live through Him.
This is love: not that we loved God,
but that He loved us and sent His Son
as an atoning sacrifice for our sins."
~ 1 John 4:9-10

"But God raised Him from the dead,
freeing Him from the agony of death,
because it was impossible for death to keep its hold on Him...
He was not abandoned to the realm of the dead,
nor did His body see decay. God has raised this Jesus to life..."
~ Acts 2:24,31b-32a

"...He raised Christ from the dead
and seated Him at His right hand in the heavenly realms,
far above all rule and authority, power and dominion,
and every name that is invoked,
not only in the present age but also in the one to come.
And God placed all things under His feet
and appointed Him to be head over everything
for the church, which is His body,
the fullness of Him who fills everything in every way."
~ Ephesians 1:20b-23

"For there is one God
and one mediator between God and mankind,
the man Christ Jesus, who gave Himself as a ransom for all people..."
~ 1 Timothy 2:5-6a

"...Christ died for our sins according to the Scriptures...
He was buried...He was raised on the third day
according to the Scriptures..."
~ 1 Corinthians 15:3b-4

"...God was reconciling the world to Himself in Christ,
not counting people’s sins against them."
~ 2 Corinthians 5:19a

"'Do not think that I have come to abolish
the Law or the Prophets;
I have not come to abolish them but to fulfill them.'"
~ Matthew 5:17

"Christ is the culmination of the law so that
there may be righteousness for everyone who believes."
~ Romans 10:4

"The law is only a shadow of the good things that are coming—
not the realities themselves."
~ Hebrews 10:1a

"These are a shadow of the things that were to come;
the reality, however, is found in Christ."
~ Colossians 2:17

"...Christ is the mediator of a new covenant,
that those who are called may receive the promised
eternal inheritance—now that He has died as a ransom
to set them free from the sins committed under the first covenant."
~ Hebrews 9:15

"'Therefore, my friends, I want you to know that
through Jesus the forgiveness of sins is proclaimed to you.
Through Him everyone who believes is set free from every sin,
a justification you were not able to obtain under the law of Moses.'"
~ Acts 13:38-39

"...because by the works of the law no one will be justified."
~ Galatians 2:16b

"...all who rely on the works of the law are under a curse...
Christ redeemed us from the curse of the law
by becoming a curse for us..."
~ Galatians 3:10a,13a

"Consequently, just as one trespass resulted in condemnation
for all people, so also one righteous act resulted in justification and life for all people. For just as through the disobedience of the one man the many were made sinners, so also through the obedience
of the one man the many will be made righteous."
~ Romans 5:18-19

"For as in Adam all die, so in Christ all will be made alive...
The first man was of the dust of the earth;
the second man is of heaven."
~ 1 Corinthians 15:22,47

"In the beginning was the Word, and the Word was with God,
and the Word was God. He was with God in the beginning.
Through Him all things were made; without Him
nothing was made that has been made. In Him was life,
and that life was the light of all mankind...
The Word became flesh and made His dwelling among us.
We have seen His glory, the glory of the one and only Son,
who came from the Father, full of grace and truth...
For the law was given through Moses;
grace and truth came through Jesus Christ...
'...the Lamb of God, who takes away the sin of the world!'"
~ John 1:1-4,14,17,29b

"The Son is the radiance of God’s glory
and the exact representation of His being,
sustaining all things by His powerful word.
After He had provided purification for sins,
He sat down at the right hand of the Majesty in heaven."
~ Hebrews 1:3

"...Christ, in whom are hidden all the treasures
of wisdom and knowledge...
For in Christ all the fullness of the Deity
lives in ****** form...
He is the head over every power and authority."
~ Colossians 2:2b-3,9,10b

"...Jesus, the pioneer and perfecter of faith.
For the joy set before Him He endured the cross, scorning its shame,
and sat down at the right hand of the throne of God."
~ Hebrews 12:2

"The Son is the image of the invisible God,
the firstborn over all creation.
For in Him all things were created:
things in heaven and on earth, visible and invisible,
whether thrones or powers or rulers or authorities;
all things have been created through Him and for Him.
He is before all things, and in Him all things hold together.
And He is the head of the body, the church;
He is the beginning and the firstborn from among the dead,
so that in everything He might have the supremacy.
For God was pleased to have all His fullness dwell in Him,
and through Him to reconcile to Himself all things,
whether things on earth or things in heaven,
by making peace through His blood, shed on the cross."
~ Colossians 1:15-20

"'For the Son of Man came to seek and to save the lost.'"
~ Luke 19:10

"...when the set time had fully come, God sent His Son,
born of a woman, born under the law,
to redeem those under the law,
that we might receive adoption to sonship."
~ Galatians 4:4-5

"For this reason He had to be made like them,
fully human in every way, in order that He might become
a merciful and faithful high priest in service to God,
and that He might make atonement for the sins of the people.
Because He Himself suffered when He was tempted,
He is able to help those who are being tempted."
~ Hebrews 2:17-18

"For we do not have a high priest who is
unable to empathize with our weaknesses,
but we have one who has been tempted in every way,
just as we are—yet He did not sin.
Let us then approach God’s throne of grace with confidence,
so that we may receive mercy and find grace
to help us in our time of need."
~ Hebrews 4:15-16

"...Christ Jesus who died—
more than that, who was raised to life—
is at the right hand of God and is also interceding for us."
~ Romans 8:34b

"...because Jesus lives forever,
He has a permanent priesthood.
Therefore He is able to save completely
those who come to God through Him,
because He always lives to intercede for them.
Such a high priest truly meets our need—
one who is holy, blameless, pure,
set apart from sinners, exalted above the heavens.
Unlike the other high priests,
He does not need to offer sacrifices day after day,
first for His own sins, and then for the sins of the people.
He sacrificed for their sins once for all when he offered Himself."
~ Hebrews 7:24-27

"...He appeared so that He might take away our sins.
And in Him is no sin."
~ 1 John 3:5

"...Christ, a lamb without blemish or defect."
~ 1 Peter 1:19b

"God presented Christ as a sacrifice of atonement,
through the shedding of His blood—to be received by faith.
He did this to demonstrate His righteousness,
because in His forbearance He had left
the sins committed beforehand unpunished—
He did it to demonstrate His righteousness at the present time,
so as to be just and the one who justifies
those who have faith in Jesus."
~ Romans 3:25-26

"In Him we have redemption through His blood,
the forgiveness of sins,
in accordance with the riches of God’s grace..."
~ Ephesians 1:7

"For the life...is in the blood,
and I have given it to you to make atonement...
it is the blood that makes atonement for one’s life."
~ Leviticus 17:11

"...and without the shedding of blood there is no forgiveness...
Christ was sacrificed once to take away the sins of many..."
~ Hebrews 9:22b,28a

"'All the prophets testify about Him
that everyone who believes in Him
receives forgiveness of sins through His name.'"
~ Acts 10:43

"For by one sacrifice He has made perfect forever
those who are being made holy."
~ Hebrews 10:14

"'He committed no sin,
    and no deceit was found in His mouth.'...
He Himself bore our sins in His body on the cross,
so that we might die to sins and live for righteousness..."
~ 1 Peter 2:22,24a

"For Christ also suffered once for sins, the righteous for the unrighteous, to bring you to God."
~ 1 Peter 3:18a

"Jesus answered them, 'It is not the healthy who need a doctor,
but the sick. I have not come to call the righteous,
but sinners to repentance.'"
~ Luke 5:31-32

"If we claim to be without sin, we deceive ourselves
and the truth is not in us. If we confess our sins,
He is faithful and just and will forgive us our sins
and purify us from all unrighteousness."
~ 1 John 1:8-9

"God made Him who had no sin to be sin for us,
so that in Him we might become the righteousness of God."
~ 2 Corinthians 5:21

"...For Christ, our Passover lamb, has been sacrificed."
~ 1 Corinthians 5:7b

"Surely He took up our pain
    and bore our suffering,
yet we considered Him punished by God,
    stricken by Him, and afflicted.
But He was pierced for our transgressions,
    He was crushed for our iniquities;
the punishment that brought us peace was on Him,
    and by His wounds we are healed.
We all, like sheep, have gone astray,
    each of us has turned to our own way;
and the LORD has laid on Him
    the iniquity of us all."
~ Isaiah 53:4-6

"And He died for all, that those who live
should no longer live for themselves but for Him
who died for them and was raised again."
~ 2 Corinthians 5:15

"For sin shall no longer be your master,
because you are not under the law, but under grace.
What then? Shall we sin because we are not
under the law but under grace? By no means!...
You have been set free from sin and have become
slaves to righteousness."
~ Romans 6:14-15,18

"For in the gospel the righteousness of God is revealed—
a righteousness that is by faith from first to last,
just as it is written: 'The righteous will live by faith.'"
~ Romans 1:17

"For God so loved the world that He gave His one and only Son,
that whoever believes in Him shall not perish but have eternal life.
For God did not send His Son into the world to condemn the world,
but to save the world through Him. Whoever believes in Him
is not condemned, but whoever does not believe stands condemned
already because they have not believed in the name of God’s
one and only Son... Whoever believes in the Son has eternal life,
but whoever rejects the Son will not see life,
for God’s wrath remains on them."
~ John 3:16-18,36

"God has given us eternal life, and this life is in His Son.
Whoever has the Son has life;
whoever does not have the Son of God
does not have life."
~ 1 John 5:11b-12

"He was delivered over to death for our sins
and was raised to life for our justification."
~ Romans 4:25

"...Christ has indeed been raised from the dead,
the firstfruits of those who have fallen asleep."
~ 1 Corinthians 15:20

"...just as Christ was raised from the dead
through the glory of the Father, we too may live a new life."
~ Romans 6:4b

"Praise be to the God and Father of our Lord Jesus Christ!
In His great mercy He has given us new birth into a living hope
through the resurrection of Jesus Christ from the dead,
and into an inheritance that can never perish, spoil or fade..."
~ 1 Peter 1:3-4a

"Therefore, if anyone is in Christ, he is a new creation:
The old has gone, the new has come!"
~ 2 Corinthians 5:17

"...to all who received Him, to those who believed in His name,
He gave the right to become children of God— children born
not of natural descent, nor of human decision or a husband’s will,
but born of God."
~ John 1:12-13

"Jesus replied, 'Very truly I tell you,
no one can see the kingdom of God unless they are born again.'...
'Very truly I tell you, no one can enter the kingdom of God
unless they are born of water and the Spirit.'"
~ John 3:3,5

"...born again, not of perishable seed, but of imperishable,
through the living and enduring word of God."
~ 1 Peter 1:23

"...birth through the word of truth..."
~ James 1:18

"Consequently, faith comes from hearing the message,
and the message is heard through the word of Christ."
~ Romans 10:17

"...to the one who does not work but trusts God who justifies
the ungodly, their faith is credited as righteousness."
~ Romans 4:5

"...not having a righteousness of my own that comes from the law,
but that which is through faith in Christ—
the righteousness that comes from God on the basis of faith."
~ Philippians 3:9

"This righteousness is given through faith in Jesus Christ
to all who believe."
~ Romans 3:22a

"Salvation is found in no one else, for there is no other name under
heaven given to mankind by which we must be saved."
~ Acts 4:12

"...'Repent and be baptized, every one of you,
in the name of Jesus Christ for the forgiveness of your sins.
And you will receive the gift of the Holy Spirit.
The promise is for you and your children
and for all who are far off—
for all whom the Lord our God will call.'"
~ Acts 2:38-29

"'Repent, then, and turn to God,
so that your sins may be wiped out,
that times of refreshing may come from the Lord...'"
~ Acts 3:19

"If you declare with your mouth, 'Jesus is Lord,'
and believe in your heart that God raised Him from the dead,
you will be saved. For it is with your heart that you
believe and are justified, and it is with your mouth
that you profess your faith and are saved. As Scripture says,
'Anyone who believes in Him will never be put to shame.’
For there is no difference between Jew and Gentile—
the same Lord is Lord of all and richly blesses all who call on Him,
for, 'Everyone who calls on the name of the Lord will be saved.'"
~ Romans 10:9-13

"'I will sprinkle clean water on you, and you will be clean;
I will cleanse you from all your impurities and from all your idols.
I will give you a new heart and put a new spirit in you;
I will remove from you your heart of stone and give you a heart
of flesh. And I will put My Spirit in you and move you to
follow My decrees and be careful to keep My laws.'"
~ Ezekiel 36:25-27

"Now the Lord is the Spirit, and where the Spirit of the Lord is,
there is freedom. And we all, who with unveiled faces
contemplate the Lord’s glory, are being transformed
into His image with ever-increasing glory,
which comes from the Lord, who is the Spirit."
~ 2 Corinthians 3:17-18

"...if you are led by the Spirit, you are not under the law."
~ Galatians 5:18

"...we have been released from the law
so that we serve in the new way of the Spirit,
and not in the old way of the written code."
~ Romans 7:6b

"'I will put My law in their minds
    and write it on their hearts.
I will be their God,
    and they will be My people...
For I will forgive their wickedness
    and will remember their sins no more.'"
~ Jeremiah 31:33b,34b

"Therefore, there is now no condemnation
for those who are in Christ Jesus, because through Christ Jesus
the law of the Spirit who gives life has set you free
from the law of sin and death. For what the law was
powerless to do because it was weakened by the sinful nature
God did by sending His own Son in the likeness of sinful man
to be a sin offering. And so He condemned sin in sinful man,
in order that the righteous requirements of the law
might be fully met in us, who do not live according
to the sinful nature but according to the Spirit...
And if the Spirit of Him who raised Jesus from the dead
is living in you, He who raised Christ from the dead
will also give life to your mortal bodies
because of His Spirit who lives in you."
~ Romans 8:1-4,11

"Since we have now been justified by His blood,
how much more shall we be saved from God’s wrath through Him!
For if, while we were God’s enemies, we were reconciled to Him through
the death of his Son, how much more, having been reconciled,
shall we be saved through His life!"
~ Romans 5:9-10

"For it is by grace you have been saved,
through faith—and this is not from yourselves,
it is the gift of God—not by works, so that no one can boast."
~ Ephesians 2:8-9

"...He has reconciled you by Christ’s physical body
through death to present you holy in His sight,
without blemish and free from accusation—
if you continue in your faith, established and firm,
and do not move from the hope held out in the gospel.
This is the gospel that you heard and that has been proclaimed..."
~ Colossians 1:22-23a

"...Jesus went into Galilee, proclaiming the good news of God.
'The time has come,' He said. 'The kingdom of God has come near.
Repent and believe the good news!'"
~ Mark 1:14-15

"...Jesus stood and said in a loud voice,
'Let anyone who is thirsty come to Me and drink.
Whoever believes in Me, as Scripture has said,
rivers of living water will flow from within them.'
By this He meant the Spirit..."
~ John 7:37-39

"'...whoever drinks the water I give them will never thirst.
Indeed, the water I give them will become in them a spring of water
welling up to eternal life.'"
~ John 4:14

"Then Jesus declared, 'I am the bread of life. Whoever comes to Me will
never go hungry, and whoever believes in Me will never be thirsty."
~ John 6:35

"When Jesus spoke again to the people,
He said, 'I am the light of the world.
Whoever follows Me will never walk in darkness,
but will have the light of life.'"
~ John 8:12

"'Come to Me, all you who are weary and burdened,
and I will give you rest. Take My yoke upon you and learn from Me,
for I am gentle and humble in heart, and you will find rest for your souls.
For My yoke is easy and My burden is light.'"
~ Matthew 11:28-30

"'I am the gate; whoever enters through Me will be saved.
They will come in and go out, and find pasture.
The thief comes only to steal and **** and destroy;
I have come that they may have life, and have it to the full.
I am the good shepherd.
The good shepherd lays down His life for the sheep…
No one takes it from Me, but I lay it down of My own accord.
I have authority to lay it down and authority to take it up again.
This command I received from My Father.'"
~ John 10:9-11,18

"'I am the vine; you are the branches. If you remain in Me and I in you,
you will bear much fruit; apart from Me you can do nothing.'"
~ John 15:5

"...Jesus said, 'If you hold to My teaching, you are really My disciples.
Then you will know the truth, and the truth will set you free.'"
~ John 8:31b-32

"Then He said to them all: 'Whoever wants to be My disciple must
deny themselves and take up their cross daily and follow Me.
For whoever wants to save their life will lose it,
but whoever loses their life for Me will save it.
What good is it for someone to gain the whole world,
and yet lose or forfeit their very self?
Whoever is ashamed of Me and My words,
the Son of Man will be ashamed of them
when He comes in His glory and in
the glory of the Father and of the holy angels.'"
~ Luke 9:23-26

"Jesus answered, 'I am the way and the truth and the life.
No one comes to the Father except through Me.'"
~ John 14:6

"Jesus said to her, 'I am the resurrection and the life.
The one who believes in Me will live, even though they die;
and whoever lives by believing in Me will never die.
Do you believe this?'"
~ John 11:25-26

"For My Father’s will is that everyone who looks to the Son
and believes in Him shall have eternal life,
and I will raise them up at the last day.”
~ John 6:40

"'...Because I live, you also will live.'"
~ John 14:19b

"And just as we have borne the image of the earthly man,
so shall we bear the image of the heavenly man."
~ 1 Corinthians 15:49

"'Now this is eternal life: that they know You, the only true God,
and Jesus Christ, whom You have sent.'"
~ John 17:3

"Since the children have flesh and blood,
He too shared in their humanity so that by His death
He might break the power of him who holds the power of
death—that is, the devil—and free those who all their lives
were held in slavery by their fear of death."
~ Hebrews 2:14-15

"When you were dead in your sins and in the uncircumcision
of your sinful nature, God made you alive with Christ. He forgave us
all our sins, having canceled the charge of our legal indebtedness,
which stood against us and condemned us; He has taken it away,
nailing it to the cross. And having disarmed the powers and authorities,
He made a public spectacle of them, triumphing over them by the cross."
~ Colossians 2:13-15

"...The reason the Son of God appeared was to destroy the devil’s work."
~ 1 John 3:8

"The grace of our Lord was poured out on me abundantly,
along with the faith and love that are in Christ Jesus.
Here is a trustworthy saying that deserves full acceptance:
Christ Jesus came into the world to save sinners—of whom I am
the worst. But for that very reason I was shown mercy so that in me,
the worst of sinners, Christ Jesus might display His immense patience as
an example for those who would believe in Him and receive eternal life.  
Now to the King eternal, immortal, invisible, the only God,
be honor and glory for ever and ever. Amen."
~ 1 Timothy 1:14-17

"The Spirit and the bride say, 'Come!' And let him who hears say, 'Come!’
Whoever is thirsty, let him come; and whoever wishes,
let him take the free gift of the water of life."
~ Revelation 22:17

"'Come now, let us settle the matter,
    says the LORD.
'Though your sins are like scarlet,
    they shall be as white as snow;
though they are red as crimson,
    they shall be like wool.'"
~ Isaiah 1:18

"'I am the Living One; I was dead,
and now look, I am alive for ever and ever!
And I hold the keys of death and Hades.'...
'...So be earnest and repent.
Here I am! I stand at the door and knock.
If anyone hears My voice and opens the door,
I will come in and eat with that person,
and they with Me.'"
~ Revelation 1:18;3:19b-20

"Come, house of Jacob, and let us walk in the light of the LORD."
~ Isaiah 2:5
Holy Bible, New International Version

For more on the first man's sin, see Genesis 2 & 3.
For more on the law, see Exodus 20, Leviticus & Deuteronomy,
then Hebrews 7-10, Matthew 5:21-30 and Matthew 22:36-40.
For more about Jesus Christ's death and resurrection, see
Matthew 26-28, Mark 14-16, Luke 22-24 and John 18-21,
the 4 books which also give the accounts of His life.
For more about the blessings of salvation given
to all who believe the gospel of Jesus, see
the books of Ephesians and Romans.

~~~
Mateuš Conrad Nov 2016
.i. if Kant could have his von Kleist... well... who else to juggle juggernauts if not me? as a task of redeeming that poor soul who succumbed to the terminator of all poetic ambitions, with his systematisation off-the-page, as eccentric and punctual as a sunset on a sundial at 16:11... and in case either the spring of sunrise, or the autumn of sunset... but so many hours after exacting a sunset... that gluttony of the eyes to stare at it... 16:11 is the zenith of a sunset in november the 15th... much prolonged when warmer... supersized sun when setting in summer, and all that whiskey-copper wiring for the eyes to stare at it: oh for goodness sake, who really cares for Ikea likened assembling of words... we're not putting together a coffee table, we're looking for Darwinistic entrapment, we're scared of the aeons and yawns... we're trying to create a Darwinistic entrapment saying what segregates us from apes! that's how anti-Darwinism works - if they can easily call you a poet and a technophobe... then that hardly makes you a merchant with a Quran... to encapsulate the language of our modernity we're doing everything against writing the onomatopoeia of our beginning... monkey ooo! monkey ooo ah ah! or a gorilla grunting and then snorkeling... we're encapsulating our language more and more... because beginning with ape and then looking at history, and then looking at the consensus of the contemporary: Darwinism's greatest enemy is not theology... it's history... Darwinism and history are not compatible... oddly enough Darwinism and theology are compatible, simply because they are dynamically equal for the case of furthering both arguments in debate... but Darwinism is an odd starting point to argue, given that physicists argue from the perspective of prior to dinosaurs, prior to all things formed.

how can i begin this? it will leave me having to
write it for two days,
the anti-narrative sketch first, then filling in
the gaps sober... just to get second opinions...
i might have to cook a quasi-Hungarian borscht
and fry up a few potato flattenings to a crispy
yum... first the narrator comes in to describe what's
in store, a bit like a translator comes in and says
of Joyce: that's Irish... well, yeah.
               hence the italic preface...
as some would say, the person who wrote these
sketches worked quicker that an algorithm in asking
and also quicker to copy & paste the required
atomic encoding... e.g. ч and ch
                   э and euro and epsilon...
      once upon a time there was nothing prior
to Copernicus, then the somersaults came,
    h ч y        what coordinates where?
    well of course perfecting the encoding of something,
if things weren't stated awry there would be
no optometrists either...
                  it's not hard to read, it's hard to
remember how to read, given that being literate reached
the omnipresent velocity, the new powers had to
include some new power struggle...
mingling Latin and Runes, Greek and Cyrillic...
     and the proto-Latin of additional diacritical marks...
they exposed the entirety of humanity to literacy
within the framework of post-industrial society,
after hitchhiking a ride on the 19th century donkeys
they suddenly had to reveal their power-secret of
being literate, and by the account of women:
corset bound and bored in salons...
      but something else appeared that didn't really fascinate
them: that over-complication of Latin with
punctuation marks above letters: or diacritical
distinction, crowns over letters, subatomic particularisation
of once favoured: universal applicability...
as a narrator? i have to make a complicated
introduction, the sketch lends itself to do so,
it suggests that not all writing can be as simple as
a nursery rhyme, not all writing can actually
    **** memory, not all writing desires being remembered,
not all writing can be remembered,
                in the mediation of the two chiral opposites
there's fiction, which is suspended in an armchair of
pleasurability... but on the opposite side of a nursery rhyme
or a well versed poem? writing akin to arithmetic...
  something truly painful for those competent with
lettering, but not really competent with ten digits...
      as a narrator who has already read the sketch,
i'm trying to not write a "filling in the gaps" to the sketch
like an art-critic might do to a painting deviating from:
brushstrokes were employed. well... d'uh!
variation of italics as in transcending the pause that
implies a condescending variation of taking a pause,
also excluded are: dot, comma, hyphen, semicolon
and colon.                         dot-dot-dot is not joining up
the dots: it implies a variation of how to anticipate
a punchline: drummed: tu-dum wet snare!
     i am actually a narrator who is trying to find
that other part of me that might digest this sketch properly,
     and return fully competent to pick up another
sketch... if ever there was a narrator in this sketch,
it has to be me, after the sketch has been scripted,
and i am left to suggest a need for a dot-dot-dot connectivity
of the strokes of the pen...
i warned myself: do not overdo the introduction in italics,
you know how picky people are...
whether pickled pineapple of cucumber...
i swear Turks invented pickling chillies...
         oh look! an inflatable gazebo filled with helium!
no one's laughing: only because i didn't mention vegina.
narrative puritanism? you get distracted a lot...
but this sketch is really a thesis for narration,
all i have to do is find the antithesis of narration in it:
an actual narrative!          it stretches for ~30 pages...
   well that's me turned archaeologist with a Grecian urn
with a snap of the finger... because that's how this
sketch looks like: ancient -
                         but understandably modern.
              so .  ,  - and ;
        were racing... out came the world record
             9.58(0)         the full-stop is the bracket-bound
0... i.e. it actually happened: hence the pinpoint...
or in Formula 1 a timed nonsense of ave. m/ph
     noted to three decimal points: 130.703...
                                    or chicane cha chicane cha cha!
as said, this is an actual representation of a narrator
encountering this sketch: so before you lose your head...
i've lost mine!
  look at the correlation though!
we've gone way past atoms with the atomic bomb
and encountered subatomic particles...
    we're not going to get beyond subatomic particles
because we're going to encounter the already apparent
reality of obatomic particle: namely our bodies,
   the perceived ******* (ob- is the antonym
                                                  prefixation of sub-):
             that's were the microscope adventure ends,
    and this is parallel to cutting up a second with
three decimal points, as the safetynet suggests:
                                                              π / 3.14;
yep, the obstructive - hence we can't spontaneously
combust... but then again Goethe's Werther did:
  out of love... down the spiral: you sweet little *******.

~ii. i'm actually too lazy to write the sketch and fill
in the blanks... so i'm going to fill in the blanks as i go along,
  or that's what's called the rebellious stance of narrator: mmm,
work in progress, could you see that coming?


ii. a beer in between glugs of whiskey - runes
combined in the ******* / sigma, variant of agliz or
the rune-zeta extended toward a dark shadow of the rebirth
of Ishrael: zoological enclosure; sigma *******
sigma ******* sigma *******, sigma *******...
rune-zeta... we cannot say there are ******
mathematicians and poets akin,
not then one optic encoding states
     a b c d e
         another states f u þ a r
yet another а б (ρ) в г
  α β γ δ:
for worth of gamma into a trill only because of
   a wave, that's ~ approx. on the side of the letter
   e.g. г & r.
   or rho upside down? what the ****?
did Voltaire write this? reading Candide,
i hope he ****** did!
you the problem is pixelated paper? if you know
how you enter a deciphering mode...
                    but you require a personal library to boot,
all that dos formatting,
                       well there's formatting in the humanity
outstretch of this white medium too...
after it isn't all ******* white when all the psychiatric
pills are white too... i have really found something better
than the Bermuda Δ...
       Greek, Latin, Cyrillic and Runes...
i could say neo or proto otherwise,
but i still haven't unearthed the sketch, that
is probably puzzling the Danes, with Cnut on the forefront...
                    but the arrangement of numbers is universal,
but it's not universal, given the particularity of
how language is encoded and why some people are
richer than others...
            but it's still a beer between glugs of whiskey that
makes more sense...
i said, retype the sketch and go to bed...
and i figured: that's probably the wisest of all possible
events stemming from this...
    that's ~27 pages of notes to retype... and i'm already
in a disclosure mode as to expect what's to be jargoned...


p. 1        cкεтч       /      σкεтχ
   necessity of                        (acute
a-       -the           (ism)
is that of language structure,
          only from the use of one's language does
a deity present itself: from within the noumenon
ground work, not the reverse, as in from
(pp. 2, 3)
                 a phenomenological exercise in
the use of language: Islam, Christianity, Buddhism, (etc.)...
       e.g. Islam is a phenomenon,
  it's not a noumenon: or a thing-in-itself...
  for the Islamic god to emerge from Islam's-in-itself
Islam will have to prevent itself from being-outside-itself...
or overpowering other in-itself contentions
but still: to no apparent success narrative of true intention
as satisfactory appropriation and hence lending itself
to a widespread nod of approval.
  challenging space: word compounding, or the space
between conjunctional deficiencies: nod-of-approval (e.g.).

p. 2    concussion (great film, Alec and Will, 2015, NFL)
concussion... Blitzkrieg Alzheimer's....
brain is fat.... dementia = attacking proteins...
  steroids... the noumenological use of language:
e.g. that ****** is an enigma,
therefore his views will not go viral,
and he'll not become fashion trendy...
it's not individualistic idealism, it's reality.
as will die sonne satan - orbis reach more than 5K
views... so... clap clap... clap, clap.
           what i meant about the a-     and -the
and the ism is following a sentence that sort of
does away with conjunctional fluidity,
apart from the big words, i treat all minor words as
categorically conunctional... and, the, a, is, to, too...
given the sentence: brain fatty *****,
brian organic giraffe wall... ******* hieroglyphic...
           stood above the rest, rest assured.
  dementia: invading protein cells
   (bulging prune of the opportune: purely
digestion?) no thought to eat or eat itself like,
cannibalistically. the brain is fatty...
not fat in muscle for mmm, schmile and flex
for the selfie. how about a protein inhibitor?
(by now, rewriting the sketch, i've lost the page count,
it's actually p. 5 of note paged toward 27).
how about the explanation that we're living in
times of post-industrialisation and thanksgiving
feminism? to me post-industrialisation has created
a class of meaningless white-collar workers
and no blues... it's what the Chinese blues call
the Amazonian nomads: ******* happy...
no amount of crosswords or sudoku will exert
your body to do things for others...
   no amount of mind games will actually tell your
brain to be equipped with: a bunch of hyenas... run!
dementia is a result of creating too many
white-collar jobs (thanks to feminism)
and exporting the blues to China (thanks to feminism
and: oh i broke a nail, can i get a Ching plumber to
fix my heating while i get a ****** to **** me up my
****?!) - maybe i'm just dreaming...
it's great to censor dreaming, i mean: you stop dreaming,
you get to see reality, and you don't even need to
read Proust on a ricochet.
  - so we have brain as fat, and invader cells as protein...
protein digests fat... and creates cucumbers out
of people... where do the carbohydrates come into play?
it can't be at the point of a.d.h.d., can it?
     i'm blaming post-industrialisation, the complete
disappearance of the blues (formerly known as the reds,
in the east) for the whites...
or that old chestnut of: my god you're goon'ah luv it!
   to till for worth from the sweat of yer brow -
funny funny funny... to earn your loaf of bread
you will toil...
                   and toil until you are physically assured
that not ghostly / mental life can enter your world /
books... that went well... didn't it?
   i should be tilling a potato plateau rather than
be bound to be writing this epic (by modern standards)
poem...
             but that's the curse of exporting all the blue
collar jobs to China, then importing mindless
white collar jobs to the west, what the hell do you think
would happen, not the pandemic of dementia?
if you do not exert the body, and then you do not
exert / exhaust the mind... do you think
you can secure a narrative with a post-industrial
westerner on the premise of that person simply being
able to solve a crossword? well... i believe in santa
claus too... but i don't believe in him giving out
presents... because to me, in my oh-so-called maturity
that's called an anagram of satan's clause: which is a legal
term for: i can turn civilisation into shrapnel
of what's said and what's to be said: and what's not to be
said. people can't expect to turn honest labour
for the recreational run on the treadmill in a gym...
and they can't expect photocopying in an office space
to replace Newton's curiosity, and then compensate
all this distraction with mind-games...
          can they? well... they did!

poets are gagged by writers of prose,
no wonder they write so sparingly,
      they are gagged in the sense that they write
as if asphyxiated: they need breathing room.


well sure, if he can revive the Polish steel industry
and i can go back to steel plates and pillars,
then the rust belt will get a polishing also.

or what's called: shrapnel before the waterfall of
narration: darting eyes, and poncy **** all the way through...

     muse... muse...

        well, how about we take the fluidity out of language?
declassify certain words into one grammatical broth,
say words like i and they
                              a  and the    are all conjunctions?
how about that? let's strip it bare, after all: what categories
of words exist for us to primarily speak (let alone think)?
     nouns, verbs, adjectives... adverbs?
       but all those words in between are so jungly classified
into a tangle that i'm about to sprout a handshake
          of a Japanese vine grip: and never let go...

an actual extract from the sketch:

      https that doesn't recognise UCS
                   and insists on IPA cannot be deemed
       encyclopaedic


              i need runes for this! i need runes for this idea!
i don't need transliteration right now...
                but hey! that's an idea, etymological transliteration...
bugly term, sure, but the previous night i was thinking
  of transcendental etymology, as you do, likened to
carbohydrates... so it was transliteration after all...
but a dead end when it comes to geometry and Pythagoras...
      
    three words... and they are computerised (i guess you
have to buy a decent book to decode this), a bit like
buying paint in a d.i.y. shop...
       16DE (dagaz / d) 16DC (ingwaz / ŋ / grapheme of n & j)
                  16DF (ōþala / Valhalla / o / ō = oo),
in total d'njoo / d'nyoo - even i concede the fact that this
is a ******* mind-******... it's a ****** congregation of
four optic encodings of phonos... i moved away from
the ancient greek fetish for the logos... i'm looking at
the phonos... not the logos with Heraclitus et al.
               φº θ þ фª f

ªgreek
  ºcyrillic                ever see a prettier pentagram?
                      i haven't.

(false original title:
škic / cкэтч / φº θ þ фª f: thespian pandemic - pending)

looking at the phonos is painful, actually painful,
it's like reading a book with a myopic pair of glasses:
a ******* aquarium blurry right there, befor...

- - - - - - - - - - - - - - - - - - - -

'e'? were you: was i, looking for an 'e'?

i can say this much...
what do you get when you mix a shot
of whiskey with a shot of bourbon:
i'm moving between bottles...
it's nearing christmas eve and i'm a ripe
taoist... i.e. i better this world:
by not having the world mind me...
on the odd occasion: oh... you're still here?!

yeah... i'm still here... i have glued-to-fascination
with my shadow... i'm just waiting
for the atom bomb to relieve me of a body
but ensuring my shadow is kept intact...
as if it were a Monet signature on a wall...

but i lament... the momentum has vanished...
i don't even know why i'm so idiotic as
to presume that: from the hour 22:00GMT
to the hours 00:00 circa 00:30GMT...
something will land into my lap,
my lisp... my cranium the oyster shell
my tongue the oyster...

it will not... i can't simply **** anything into
an existence that doesn't want to exist...
perhaps lurking in a canvas of:
"lost luggage" in an airport...
perhaps "there"...
i could be excused my... lethargy...

when was this written? back in 2018?
so i was thinking about teasing cyrillic even then?
wasn't i?
sketch cкэтч or?

what do you get when you mix a shot of whiskey
with some bourbon?
a Burguandian whisker...
i am not going to sound witty...
Ron's key...

that's still a cyrillic "or"... isn't it?
шкиц: škic...

i'm... deflated... nothing "new" has come my way...
i would have thought that...
reading some Knausgård would have /
could have... invigorated me:
reading him was supposed to be my:
dialysis my transfusion!
my zombie-go-to-literature...
it has proven an exhaustive enterprise
to begin writing again:
i became too comfortable
in reading - i almost forgot
the agony of writing...

alas... a contemporary of mine...
and someone well adjusted to prose...

notably: who would have thought
that death in june - the calling (MK II)
was something to be recorded in 1985...
for one: i wouldn't...

but i did begin: back in november 2016...
begin what? to tickle the cyrillic alphabet...
which is way before i discovered my reply
to the runes... to the ancient greek...
and this... "ancient", ahem... still in use...
latin script...

that script that went into the molloch couldron
of being invested in to code...
pristine as the hebrews cited:
how many holes in it?
to write onto a canvas of 0?
q Q R O o p P A a D d g b B...
which leaves...
W E T Y U I S F H J K L
Z X C V N and M "out of the equation"...

škic / cкэтч / φº θ þ фª f: thespian pandemic (pending):
i better rename it as... circa 2016...
that's way before i even acknowledged
the cyrillic text applying diacritical markers...
i thought them too crude at the time...

beside borrowing outright from greek...
the already at hand oddities of glagolitic,
notably: Ⱎ...Ⱋ...

it's only a single word i'm using...
i have abandoned all notions of metaphysics
in favor for orthography...
i'm not going to burden myself
with: what's after the physics...
i'm after: what's now...
in the respective tongues...
2 tongue deviations from
the original latin and greek...

what came with the runes and what
came with the glagolitic scripts...
what was ****** and had to succumb
to inter-breeding...

come 2020... i will have one clarification
to base my existence on...
pronouncing the growth of my ****** hair...
i will hope to aim at a length of beard
that will forever hide the neck...
i will aim at... somewhere to the level
of my heart... when i will then manage
to turn my beard into an orchestra's
nieche of violins when i procrastinate with it...

since 2016...
i have identified russian in ******...
i've seen it... finally!
зъaрт... i.e. żart
and the "hard sign" becoming a "soft sign"
in źrenica: зьрeницa...

i still think the russian orthography
is... as... primitive as the western slavic...

after all... зъ = ż...
зь = ź...
the balkan slavs have a caron...
which is neither a hard or a soft sign / acute...

their caron is... ч (č) or cz...
CHeaper in english...
and their caron is ш (š) or sz...
SHeep...
or the two together...
and always шч (šč): szczekam...
i'm barking...

pu-shch-air... a rare example in english
of the puщair...
but then lookie lookie 'ere:

CZACHA... skull...
ЧAХA...

perhaps this is my "revenge ****" on russia?
hey! boris the kremlin mascoot...
come and 'ave a look...
with how i disect your orthography
on the / with the language that asks
too many metaphysical questions and no
orthographic curiosities!

i'll meet you in Warsaw... given that you're
probably moving from Novosibirsk...
and i'm either in Stockholm...
Edinburgh or the outskirts of London:
Warsaw will be halfway for both of us...
you don't have to like Warsaw...
i only like it when the Ukrainian smugglers
and the Mongols appear
in the West Warsaw coach station...

smart as who? i am discovering this for
the first time myself...
i was only teasing it back in 2016...
way before i found the right sort of accents
in mother russian...

i do know that that crescent oddity:
above the ja: йa... is what it is...
if you only cut off the head in english... ȷ...
again: it's я given that most russians
are pulled toward an anglophile world-view...
they all see the window to europe...
the baltic and st. petersburg is somehow...
London... and the atlantic...
like hell it is...

i guess i feel it was a waste of time to
have re(a)d Kant, simply because:
i'm not here for the schematics...
i want to know how my thought my labyrinth
building architecture is coming along...
but with no one to talk to about it?

i found the categorical imperative most
dissatisfying... i didn't want to abide by universal laws...
poetry is already shoved out of waiting room
of the republic...
if my "poetry" is not a categorical imperative...
and it's not quiet a a hypothetical imperative...
it needs to be sharpened on a thesaurus
and some grammar...

categorical (adjective)... imperative (adjective)...
well two adjectives never imply much
if there's no noun involved...
and i'm pretty sure that... if i sharpen
the next word i'll compound with categorical-
in that hyphen construct that's only
allowed in oxford dictionary english:
since it's not: propergermannonhyphenfaustian:
i.e. carboxylic (carbo-xylic) acidity...

poetry doesn't belong in either
the categorical imperative focus...
nor the hypothetical imperative focus...

i.e. i must write a poem... to feel better...
i must write a poem... to organise my thoughts...
no! a poem is not a maxim is not a categorical
imperative! a language of poetry is not
a language of morality: it's a language
of experience - or a lack / a lackey's "sentiment"...

i need a... categorical: impetus!
it's not enough to have read kant's critique of pure
reason... it must also involved
having re(a)d the: groundwork of
the metaphysics of morals...
but i'm a democratic reader...
i need to hear the other voices...
i can't be a kantian scholar...
a snippet 'ere, a snippet v'ere (funny how
THETA disappears when making the posit:
THERE - ver!)

who needs metaphysical absolutes...
when orthography (or a lack of it)
in english... spreads open its legs...
and the tongue remembers its tongue-brain-phallus
stage of co-existence in the oyster?!

i'm pretty sure that a categorical imperative
is by no means a categorical impetus...
this had to be written,
but it had to be written in order to disregard
anything a priori... prior to it...
a poem is a shady concern for action or inaction...
it's a deviation from the cartesian crux:
res cogitans (thinking thing)...
into the cartesian levy (res extensa)...
it's an action of inactivity...
as much as it's an inactive activity...
"the rest"...

impetus is not an imperative...
an impetus sources its meaning in a per se
investement... of itself - in itself - for itself...
an imperative?
in pronouns... impetus: i want... i will...
imperative? you want... you will...

an impetus is self-dictative...
an imperative is: indicative...
someone would rightly claim...
those that mourn indicatively...
will don the right garments for the process
of mourning...
which is indicative and devoid of
the per se manifestation of mourning...
it is an imperative when compared to
the impetus to mourn -
which is self-dictative...
which does now shallow itself in
grief by making a socially agreed to fiasco
of a very specific choice of wardrobe...

basically: however you like it...
an IMPERATIVE ≠ IMPETUS...
the year is almost over and i want to break-off
the dust from the thoughts that fudge-packed themselves
as worthy of occupying the minor instance
of having to count a depth of:
not dead within the year of being written.
Nigel Morgan Nov 2012
for Jennie in gratitude*

For days afterwards he was preoccupied by what he’d collected into himself from the gallery viewing. He could say it was just painting, but there was a variety of media present in the many surrounding images and artefacts. Certainly there were all kinds of objects: found and gathered, captured and brought into a frame, some filling transparent boxes on a window ledge or simply hung frameless on the wall; sand, fixed foam, paper sea-water stained, a beaten sheet of aluminium; a significant stone standing on a mantelpiece, strange warped pieces of metal with no clue to what they were or had been, a sketchbook with brooding pencilled drawings made fast and thick, filling the page, colour like an echo, and yes, paintings.
 
Three paintings had surprised him; they did not seem to fit until (and this was sometime later) their form and content, their working, had very gradually begun to make a sort of sense.  Possible interpretations – though tenuous – surreptitiously intervened. There were words scrawled across each canvas summoning the viewer into emotional space, a space where suggestions of marks and colour floated on a white surface. These scrawled words were like writing in seaside sand with a finger: the following bird and hiraeth. He couldn’t remember the third exactly. He had a feeling about it – a date or description. But he had forgotten. And this following bird? One of Coleridge’s birds of the Ancient Mariner perhaps? Hiraeth he knew was a difficult Welsh word similar to saudade. It meant variously longing, sometimes passionate (was longing ever not passionate?), a home-sickness, the physical pain of nostalgia. It was said that a well-loved location in conjunction with a point in time could cause such feelings. This small exhibition seemed full of longing, full of something beyond the place and the time and the variousness of colour and texture, of elements captured, collected and represented. And as the distance in time and memory from his experience of the show in a small provincial gallery increased, so did his own thoughts of and about the nature of longing become more acute.
 
He knew he was fortunate to have had the special experience of being alone with ‘the work’ just prior to the gallery opening. His partner was also showing and he had accompanied her as a friendly presence, someone to talk to when the throng of viewers might deplete. But he knew he was surplus to requirements as she’d also brought along a girlfriend making a short film on this emerging, soon to be successful artist. So he’d wandered into the adjoining spaces and without expectation had come upon this very different show: just the title Four Tides to guide him in and around the small white space in which the art work had been distributed. Even the striking miniature catalogue, solely photographs, no text, did little to betray the hand and eye that had brought together what was being shown. Beyond the artist’s name there were only faint traces – a phone number and an email address, no voluminous self-congratulatory CV, no list of previous exhibitions, awards or academic provenance. A light blue bicycle figured in some of her catalogue photographs and on her contact card. One photo in particular had caught the artist very distant, cycling along the curve of a beach. It was this photo that helped him to identify the location – because for twenty years he had passed across this meeting of land and water on a railway journey. This place she had chosen for the coming and going of four tides he had viewed from a train window. The aspect down the estuary guarded by mountains had been a highpoint of a six-hour journey he had once taken several times a year, occasionally and gratefully with his children for whom crossing the long, low wooden bridge across the estuary remained into their teens an adventure, always something telling.
 
He found himself wishing this work into a studio setting, the artist’s studio. It seemed too stark placed on white walls, above the stripped pine floor and the punctuation of reflective glass of two windows facing onto a wet street. Yes, a studio would be good because the pictures, the paintings, the assemblages might relate to what daily surrounded the artist and thus describe her. He had thought at first he was looking at the work of a young woman, perhaps mid-thirties at most. The self-curation was not wholly assured: it held a temporary nature. It was as if she hadn’t finished with the subject and or done with its experience. It was either on-going and promised more, or represented a stage she would put aside (but with love and affection) on her journey as an artist. She wouldn’t milk it for more than it was. And it was full of longing.
 
There was a heaviness, a weight, an inconclusiveness, an echo of reverence about what had been brought together ‘to show’. Had he thought about these aspects more closely, he would not have been so surprised to discovered the artist was closer to his own age, in her fifties. She in turn had been surprised by his attention, by his carefully written comment in her guest book. She seemed pleased to talk intimately and openly, to tell her story of the work. She didn’t need to do this because it was there in the room to be read. It was apparent; it was not oblique or difficult, but caught the viewer in a questioning loop. Was this estuary location somehow at the core of her longing-centred self?  She had admitted that, working in her home or studio, she would find herself facing westward and into the distance both in place and time?
 
On the following day he made time to write, to look through this artist’s window on a creative engagement with a place he was familiar. The experience of viewing her work had affected him. He was not sure yet whether it was the representation of the place or the artist’s engagement with it. In writing about it he might find out. It seemed so deeply personal. It was perhaps better not to know but to imagine. So he imagined her making the journey, possibly by train, finding a place to stay the night – a cheerful B & B - and cycling early in the morning across the long bridge to her previously chosen spot on the estuary: to catch the first of the tides. He already understood from his own experience how an artist can enter trance-like into an environment, absorb its particularness, respond to the uncertainty of its weather, feel surrounded by its elements and textures, and most of all be governed by the continuous and ever-complex play of light.
 
He knew all about longing for a place. For nearly twenty years a similar longing had grown and all but consumed him: his cottage on a mountain overlooking the sea. It had become a place where he had regularly faced up to his created and invented thoughts, his soon-to-be-music and more recently possible poetry and prose. He had done so in silence and solitude.
 
But now he was experiencing a different longing, a longing born from an intensity of love for a young woman, an intensity that circled him about. Her physical self had become a rich landscape to explore and celebrate in gaze, and stroke and caress. It seemed extraordinary that a single person could hold to herself such a habitat of wonder, a rich geography of desire to know and understand. For so many years his longing was bound to the memory of walking cliff paths and empty beaches, the hypnotic viewing of seascaped horizons and the persistent chaos of the sea and wild weather. But gradually this longing for a coming together of land, sea and sky had migrated to settle on a woman who graced his daily, hourly thoughts; who was able to touch and caress him as rain and wind and sun can act upon the body in ever-changing ways. So when he was apart from her it was with such a longing that he found himself weighed down, filled brimfull.
 
In writing, in attempting to consider longing as a something the creative spirit might address, he felt profoundly grateful to the artist on the light blue bicycle whose her observations and invention had kept open a door he felt was closing on him. She had faced her own longing by bringing it into form, and through form into colour and texture, and then into a very particular play: an arrangement of objects and images for the mind to engage with – or not. He dared to feel an affinity with this artist because, like his own work, it did not seem wholly confident. It contained flaws of a most subtle kind, flaws that lent it a conviction and strength that he warmed to. It had not been massaged into correctness. The images and the textures, the directness of it, flowed through him back and forward just like the tides she had come far to observe on just a single day. He remembered then, when looking closely at the unprotected pieces on the walls, how his hand had moved to just touch its surfaces in exactly the way he would bring his fingers close to the body of the woman he loved so much, adored beyond any poetry, and longed for with all his heart and mind.
Drifter Jan 2015
I'm a lot gayer than originally planned.
*******. Gay.
But I'm worried about the concept;
not sure if it's right to use the word
“gay”
when (I'm sorry I said it)
I'm really bisexual,
just particularly into women right now.
Like,
is that bad representation
of my sexuality?
Only encouraging
bi-erasure?
It just doesn't have the same
“umph”
to say
I'm feeling particularly
bisexual today.
But I've been telling myself
over and over
that it's okay,
no matter what
I'm feeling today.
I don't
need
your
box

anymore.
A reflection of my inner turbulence when I was still wrapped up in how I should identify myself in the LGBTQ+ community...worried way too much about it.  For clarification, I choose not to have a label. I have been in love with men, women, and people in between, and I'm okay with that.
Selfies,
I can smell the desperation,
from here.
odors  of worry;
rippling anxities of uncertainity.
two dimensional,
instantaneous impressions,
pixelated presentations,
and
Teenage frustrations.

up tilted camera.
held against the light,
Illuminating eyes ,
and eradicating spots.
that looks like a good one.
Vicarious representation;
of how good
one could look,
fallible and hopeful.

big bosomed dame
showcasing blessed cleavage,
pulsating the adolescent
bulges.
delivered to
metal passenger,
thereafter shown
among peers.
networked to unknown.
Friends who'd never
met eye,
or
touched skin,
or
even spoke.  

self conscious
cropping of images.
fat and fearful.
wasted hours,
dying for love.
False dream of
captivating the messes with her selfie.

The very ugliness
of impressions.
Oh, how shallow we've became.
The denial
of the impact of aesthetics.
laughable,
torrents of judgement
Skinny,
fat,
ugly,
behold their desperate eyes behind the selfie.
Glance down on the selfie with objectiveness ,and open yourself to the thought process of each individual, on each selfie they take. All the billions of flaws, among all the billions of people; with each picture we take, the heart pulsates at possible notifications. The child like glee we feel when we think we look good, The somber sadness that peers over us when we feel we look bad.
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Death-throws Jul 2015
Lack of communication
is an accurate definition of my miss representation

Lack of medication
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lack of effective meditation
re infects my self designed disease facing annihilation

lack of representation
forcing myself to find a new nation

barriers affect communication
part of a series im writing while studying buisness,
most of these are inspired from the pure ignorance my teachers present to their students,
hoorah to the student loan
hoorah to the job not needed
hoorah to a life time of debt
Mateuš Conrad Dec 2016
by simply watching 'don't call me crazy'
with regards to mental health... a bbc3 documentary.

i find a few pointers, apart from the fact that i've learned
English to a standard that i could
be misjudged as a native, what with african psychiatrists
   and the history of England as  a postcolonial nation...
     the problems of premature depression
and other divergences from the "norm"
  (or is that a tu-dum tss... "the norm"?
i never know how to tell the joke a proper
way, so many jokes are mothered
by punctuation, i don't know
how many there are that aren't) -
so aside from that... the fact that i'm
faking being British... if you have any grievances
against me: you'd better me Ukranian
or Lithuanian... otherwise? *******.
yes, i know the Poles did terrible things,
Vlad wasn't the only person ready to
do sadistic **** on people by impaling them
on sharpened-wooden poles...
   and you thought the crucifix was bad...
but oh look... the artists inserted a peddle-stool
so he could stand while on the cross...
rather than actually: hang from it.
talk about a woman faking an ******.
then again: he was all kissy-kissy with
a centurion having cured the ravaging libido
of his "demon possessed" daughter who
had a hot bagel flirt under her skirt for him...
or as i say: **** a prostitutes
           **** for an extra ten quid: the sigma
of how many ***** that thing has seen
turns your tongue into a dagger...
that's where i have seen my salvation:
   not in the eucharist or degrading symbols
of a godly stature.
       no, the point is:
this misapprehension of where the origin of
thinking resides...
  the true materialists posit the origin of thought
in the brain... but, honey-bee, the brain
is preoccupied with its materialistic responsibilities...
to shoot adrenaline when bungee jumping...
why think it isn't already preoccupied with anything
but thought? the brain doesn't think
no more than the heart might... or your *******
wetted or your phallus becoming *****...
there's no point in ascribing thought to the brain,
even if you abstract the source of thinking
toward the brain as a *mind
,
     the suggestion parallels what the brain does,
and what the brain isn't...
   as with the notion of god...
          ridiculous for most people:
or also ridiculous when man is taught to stress
his "individuality"...
                               both seem on equal footing
to be considered phantoms, but the individual is
more of a phantom than god...
                             and as Diogenes of Sinope found out:
you'll find god and the Archimedean eureka
quicker than finding an honest man -
who takes a candle at noon into a market square?
     ah: that famous lunacy...
but in the beginning the word was with god,
       yes, because when we started we only said ooh ooh!
and made those frightening monkey faces to
war off evil spirits and the Arabic third eye, evil.
   Darwinism created historical fiction...
           a bit like science fiction, but instead of looking
forward, historical fiction is looking back,
toward a time when people struggled against
the elements, and had no sense of having to think
given their actual pentagram equilibrium was tuned
into what was around them...
                   the senses could never deviate from
the world of shouting down a cave and hearing echo,
it's only when thought emerged and conceived words
   that the dubiousness of simple musing:
chicken or egg first? created auxiliary sense perceptions...
   we have left the sensual world...
           for we have "enriched" our lives with
thinking, the byproduct of which is what scared me
about this bbc3 documentary... that all mental
illness stems from allow thought to automate itself...
      in other words having no moral compass...
in other words: not having read a single book
   and learned a process of equating thinking with
narrating... as a sensible option to what others tend
to do (the innovators), and allow narration to be a void...
into which they pour all their thinking to
fill that void... with, say, Thomas Edison and the lightbulb...
Isaac Newton and gravity...
it's just scary that people can allow automated thinking,
     made even more evident that counters
the punitive transgender pronoun scenario
   that only focuses on the pronouns: he, it, she.
these youngsters in the documentary are dealing with
submitting to a pronoun focus of: i, it, you.
                      in some vague sense of a religiosity,
that they cannot allow cogito ergo sum into their minds,
a possessiveness of body, that later translates
into an identification with the mind: which is -
well, if you're going to posit the origin of thinking
in your brain, which isn't even there - you mind
as well posit the mind, seeing how the soul
is argued against primarily through our mortal condition.
   is the eye the window to the soul?
  and the brain merely a paraphrasing of that statement?
perhaps...
              but i wouldn't be too worried
             as Walter Benjamin was about art in the age
of mechanical reproduction... i'd be worried
that art is bound to the morgue of psychiatric institutions...
that art is not a term that suggest the origins of
   such ailments:
due the original lack of it in such places:
  but that that it was never there... and that finding
art can be therapeutic is why art can be scolded
               and establishment art is nothing more
than the pinnacle of us, having abused words,
waging fewer and fewer words, can't produce
    a work of beauty... merely a work that occupies
a space.
                art = space...
          that's the statement these days...
being oversaturated with scientific assurances has created
this insurgence of over-competence or making
art not art in a sense timelessness, as in Dante's
comedy isn't equal to space,
            but that it's equal to timelessness...
    or a statue by Donatello...
                          these days art = space...
because it's not going to be timeless... it was once
the iconoclasm in metaphor of: the lion of Judea...
          Lucifer as the morning star...
                         it will not be timeless because it
has been reduced to the establishment's aesthetic
of tracey emins' unmade bed... or
       damien hirst's the physical impossibility
of death in the mind of someone living -
i never said these things aren't art... some people
said cubism would never be art compared to
surrealism... but shove a triangle into Pythagoras'
head and you get some sort of mathematics...
              it's based on that principle...
what wouldn't work in the case of hirst would be
to put a cancerous tumour into a plastic cage...
people would associate it as some sort of atomist
representation of a nanometre worth's of some
larger thing... i do appreciate the fact that big
art works... it needs so much face to embody
the fact that you are to think about it...
                         and not to have a **** over it:
it's art that's anti-arousal and more and more
and more about how to juxtapose it in your mind,
always to abstract the brain as the mind
   and to never appreciate the idea of having
to source thinking as solely endemic to the brain...
the brain is busy, the heart is busy...
            we have perpetuated an outer-body
experience throughout our time since the time when
we first acquired the phonos of thought...
                 and it is a peculiar "sound", thought...
a dance memorable to actually having a hope in
possessing a soul... even after all sturdy things
shrink into the obsolete, and even vegetable.
but the piece i'm referring to?
     kinda paradoxical... given that a shark would
probably eat you... but then again counter-paradoxical
given the fact that most shark-attacks
     make the shark refrain from eating you,
but merely nibbling on you and leaving you alive
albeit nibbled on... maned... with scars...
so i get the part where the shark is in fact:
an impossible death to conceive... only for the lucky few.
  apart from the fact that the shark is caged
like a prehistoric mosquito lodged in amber...
              woodland gold, amber...
  that's the literal interpretation...
                                 but it's still a moving piece,
modern art isn't crap at all... it's just something you
don't get an ******* over...
            take any still life and apply a cognitively
based chemical reaction: stimulate a narrative...
in that famous phrasing, connect the: dot dot dot(s).
    become, in that almost ridiculous sense:
     a Sherlock Holmes... but all that died was about
a minute's worth of your attention...
this is what's fuelling revising a need for television,
big static things... my personal favourite?
that Tate Modern installation by richard holt -
hand on heart: about 3 times...
              i felt like a mosquito drawn into that:
ah the bright shiny light... 180º and a glass ceiling...
that's all it was...
                   art in the age of mechanical reproduction
has to almost ridicule man, or at least ridicule
the idea that he can become an individual,
    as was the ridicule of man that he could become
a god...
               sooner or later any attempt at individualism
becomes trendy, vogue, and magnetises and
monetises a need to mimic, replicate... one punk today:
20,000 punks tomorrow...
       /
           but that sort of mincing is mostly associated
by the bewilderment of our own success...
                           it's almost like a we're engaging with
a sabotage process: deliberately trying to undermine
ourselves by staging a variety of "anti-social" endeavours
we promised ourselves upon a belief in the "individual"...
      modern pieces of art debunk that myth,
it's that modern art pieces require so much space that
gave them the most adaptation prowess over, say,
a puritan's concept of art, as in a Turner painting...
           classical art can be put into a Florentine market
square and be passed by quiet casually,
because it provides an assurance - it forbids engaging
in an iconoclastic vigil, it's an assurance of the past
and how golden it was... but a modern sculpture
in a busy place where many people congregate
without first allowing it the asylum of an art gallery
and people will treat it as a chance to hone on it,
vandalise it, or steal it and sell it from scrap metal...
       modern art requires an asylum to be accepted,
an art gallery is an asylum where people with
good intentions enter and leave appreciating something
that, to the pleb, would get a rotten egg thrown at it.
    and as with regards to how i phrased something
earlier? how philosophy talks of the logos
     that doesn't see the phonos: or the dichotomy
between actual sound, and sound ascribed a
optically-phonetic disparity encryption:
deepened by a self-styled aesthetic of the "ruling elites"...
          and in the beginning the word was with god...
we're merely licking the toes of such a possibility...
         and just you try to bypass the orthodoxy of
encoding sounds with queer spelling...
                     you, in a sense, learn two-languages
with every single one you learn...
   how to say it and how to write it...
                              and then there the how you hear it
and how sometimes you hear different lyrics to
the ones sang...
                         a bit like the Chinese,
who, upon reading the English translation were
bothersome to get rich quickly after seeing
too many matchsticks in ideogram translated as merely
Li Po; i'd too go bananas and become frustrated
and retaliated by getting to Einsteinian grips with
the mathematical alphabet that bore Li Po... i.e. 1, 0
through to 9.
      ah yes... philosophy that doesn't appreciate
grammatical words, or in that sense credible for a biologist
not necessitating a genus to ease any argument,
to actually further it... or to play ping-pong...
   grammatical words are equivalent to the subconscious
given we tend to write some a sense of fluidity...
the unconscious? schematics akin to triangles...
  "images" or rather shapes...
                             beginning with Δ: isosceles...
later varied to the Γ triangle of Pythagoras...
          and as far as we got, a respectability to
not conjure up a square as worthy of encoding a sound...
nearest being the H... and that turned out to
be much ha ha ha.
                   still... i can't come to grips with these teenagers
in the bbc3 documentary talking about
automated thinking! i'm not denying it, i'm not
doubting it... it's just a question:
          how could such a pronoun muddle come about
that you discourage ownership of all your mental
activity? and instead leave a rampant kindred of an
abandoned snail's shell body to wreck havoc?
   it's almost like a a want to refuse to use words...
or encode words... rarely are people told
that the eyes are used as encoding organs...
                   but that the tongue knows no filters...
what the eye ingests... the tongue sometimes can't
digest... and vice-versus... that what the eyes digest
the tongue can't ingest: hence the rebellion
against contrary political ambitions -
   the ears? well: the ears are allocated the heart as
a partner... the tongue and eyes are entwined...
but the ears are allocated the heart...
                     you tend to feel words more than
hear them... because by the time the tongue
represses combining itself with the eyes to
that elevation of thought... your body becomes
autocratically synchronised to a sort of music
of heightened of unanimous response...
             well, it's not exactly a fetish watching such
documentaries.. iconoclasm in metaphor...
  i swear i wrote this before... how philosophy avoids
grammatical genuses... and how all too
ambivalent poetically equivalent nouns and verbs
are to hide our imperfections that precipitate from
art... iconoclasm / anamorphosis in metaphors...
                         camaïeu in allegory...
                   divisionism in pun...
                                       chiaroscuro in imagery...
gestural abstraction in onomatopoeia...
                     just some examples, and none necessarily
     convincing - as ever... this is my excuse
for i am always bound to say language is Alcatraz
   and my escape from Alcatraz is bound to metaphors,
fo
Queen May 2015
My name is Queen Stuurman.
Not Queen Elizabeth,
or Queen Latifah,
but simply just Queen.

I am a unique being born and raised in the roots of Africa,
my culture and roots are proof of where I'm from,
I'm not made in China.
I AM PROUDLY AFRICAN!!
A representation of my country,
its war cry resides within me,
my rainbow nation skin colour,
the many stories about my beautiful country I have yet to tell in my head.

So next time you see me,
call me Queen Stuurman
that's my Afrikaans and isiXhosa surname,
made and bred in Africa,
I am the African Queen.
#proudly african
Kylee Nov 2019
Nameless faceless bodies
Thrown this way and that
To spice up the story line
Then tossed to the back of the viewers mind
Forgotten
Because there was no anchor attaching her to the plot

Nameless faceless bodies
Kept in line
By the boxes of mother, daughter, sister, lover
Never far from the one or the other
And definitely not far from him
Unable to form independent thought

Nameless faceless bodies
Chopped into tiny parts
Just to be used as enticing props
To shock
And stir
Then pushed aside for something with more depth
Than the round shape of her *******
For we know you can’t have both in cinema

Nameless faceless bodies
Fixed as a
****** canvas
To display how much this world hurts
And wants to hurt
Thrown in the trash when deemed no longer beautiful enough
To keep the audience’s gaze

Nameless faceless bodies
Nameless faceless bodies
Nameless faceless bodies
Nameless faceless bodies
Nameless faceless bodies

-representation matters
constructive criticism welcomed, unsure if it's done or not.
Ky Blackstar Apr 2015
There are galaxies beneath my skin that only your touch can unearth, you expose the universe to me using only your lips, leaving proof that your love is not a dream
Lazhar Bouazzi Jun 2016
As the shape all sun
tore up the curtain
of blood and ululation,
everything in Tunisia,
as stricken by a wand,
came to a standstill,
and slipped away
from the senses -
Even rivers stopped.

Medjerda* froze
halfway
through the descent
to his destination,
as he realized
he’d been making a fatal error:
pouring forth all his passion
into the ocean.

So he stopped,
retracted his course,
re-collected himself,
and started flowing backward,
toward
the source
in the Atlas
that had bidden him
farewell.

In his spear head
there was a design:
start a new chaos
in the valley,
in which there would be
a sweet-water lake
and sailors drunk
with sunbeams, sweat
and pleasure.
Butterflies would flutter
around the scent of mint
and bluegreen rosemary.
Sweet Moon to Sweet Lake
would come, unannounced,
In the rays of the nightlight
of the fluttering night
to watch her self
shoot
the scene
of representation.

The river, now swimming
in his own water,  
carried the sky on his shoulder,
while an ant and a grasshopper,
holding a basket together,
watched the new scene.

As the figure all sun appeared ,
reason melted;
imagination
her hazel eyes opened.

*Medjerda is the most important river in Tunisia. Length, 460 km; basin area, 22,000 sq km. It flows out of the Atlas mountains into the Gulf of Tunis.
© LazharBouazzi, June 16, 2016
*Medjerda is the most important river in Tunisia. Length, 460 km; basin area, 22,000 sq km. It flows out of the Atlas mountains into the Gulf of Tunis.
slr Oct 2018
mov•ie
\ ˈmü-vē \

noun

1.a story represented in motion pictures/motion : noun : mo·tion : \ ˈmō-shən \ : an act, process, or instance of changing place/forward, backward, up, down, pacing, running, crawling/how we flee from our lives, our problems, our responsibilities/instead of focusing on motion we look to pictures/picture : noun : pic·ture :  \ ˈpik-chər \ : a design or representation made by various means/click, zoom, import, export/our lives are on a flash drive, on a snapchat, on an instagram, on a memory card/everywhere but on our own memories/we don’t like pictures either/they show moments never to be regained from our past/our solution?/combine them into something better/movie : verb : mov·ie :  \ ˈmü-vē \ : an escape from reality/we use movies to deflect the pain of our lives/we think that we watch because we are bored/no/we watch to escape/escape : verb :  es·cape : /əˈskāp/ : a recording of moving images that tells a story and that people watch on a screen or television.
I wrote this a while back but I fell in love with dictionary poetry after it
Emma Dec 2010
[civiliz]ation made of a large
[popul]ation of people with tendencies of
[segreg]ation with no purpose and
[condemn]ation that just hurts us
[transl]ation: [****]ation


(suffoc)ation prevents (revel)ation
He declared himself a refugee, and ran away from his country
Running away from hunger and poverty, to the overseas,
He roams foreign countries from one place to another,
Chewing foreign fortunes of historical efforts,
Of blood and sweat shed by the fore(wo)men of those countries,
He is prostrate and defenseless to foreign languages,
Begging for sympathy to be made a citizen in Europe,
His rapacious appetite wedding his tongue,
Swallowing saliva on sight of European fortune,
Feating into mad appetite for sweat of others proceeds.

He burned the bridges on the way back to his home
Lest he be told the piffling of going back to his emaciated mother,
He changed his names to become a foreign native
Out of laziness not to fight for political and social change,
An imperative need of his motherland and fatherland,
Blind cowardice made him to over measure homespun folly
In the patriotic spirit of verve-less readiness
To die for political goodness of his motherland,
A (de)patriotic syndrome to only which
Hugo Garcia Manriquez sang a limerick
The best of all poems  in his time of solitude;
(The fear of representation, of going back
to representation, that is,

to animosity)
Mateuš Conrad Oct 2016
they never tell you about the seagulls and the pigeons, do they?
sure sure, they have the bees and the birds covered,
your #mama and your #papa - you overheard them doing the
piston orchestra and said: the sort of onomatopoeia that
sounds just like you, that silences the sort of: just like you.
but why not listen with covert  benignant anticipation -
i did think English was a rotten
tongue, but i think French is worse...
                                                        ­  endear you? sure:
                 they put these additions
to the encoding, but never, ever explain how it works...
if dialectical is gone then diacritical
remains...
                                          ­                               and it's there,
a pink ostrich doing the go-g'ah dance
imbecile pigeon: neck a strut and half
by half nearly hanging off a desecrated body that's in limbo
on the scaffold where Charles I met his first cousin ******
thanks to Ollie Cromwell.... none of the Versailles
i have you know....
                            there should be a Greek
                   Kn                  symbol....
             not K as in potassium... something more.
and i'd never hear ****** jesus' i'm
the mountain                            on the radio,
thank you advertisement.
               but that thing about Jihadist French?
well... it's here,
                               i thought the English
were bad with not using diacritical marks,
second in command? diacritics,
first in command? dialectics?
abandon the first, the second is hyenas' razor
sharp: bite and smile at the same time.
           no, i'm not joking...
i'm choking you.
                             this is what the Jihadist in France
saw...
                            main example? how diacritical marks
**** around the syllable laws...
             bypass them straight... past them...
             main example? they never teach this...
i was never taught this, i was taught this in
an anti-alphabet ruling - it's not atomic
(but it really is), hence it's compounded -
but it's really atomic,
               where are the ancient atomic scientists now?
nowhere.
                         all of this came from
a footnote from maldoror, by isidore ducasse -
i too thought about putting Uruguay on the map -
                    in the notes, the use of "accent",
yes, a revelation from on high -
                      look at the French, how they speak it:
aplatissement
                             apply diacritic revision
and cut off the excess: aplatissemą -
                             (humiliation) -
          if only the French, then only the French know
how to create dyslexia... excess spelling
where distinct phonetic units should exist -
they never teach you how diacritical marks change
the syllable cutting up, the butcher's or forensic's inquiry -
                 they never teach you the use of diacritical
marks like they might teach you punctuation markings -
                  they never do the science of liberated pause -
liberated i.e. understood -
                                    you're just given the fudge
and told... CHEW! CHEW! CHEW!
                                    they never tell you how to
cut-up words as they should be cut up..
                                   never did they say
colon = umlaut over u and means prolonged
   i.e. uu          or omega
                                        because never was the
current aesthetic questioned...
                             Dictator Blue, adherent of
the dictionary bible said: already said, rex, rex, ego rex.
                    but there's this thing going on
from above - on high -
                           and all they want is to understand...
                  even i would hate to be left out...
still from the notes from the book maldoror -
                s'arrêter à             (to dwell on /
                                     stress) -
ê (circumflex) is like the grave approach -
                 the circumflex is binding -
            i.e. the -er is optional, but a necessary
aesthetic for the form to be written, but not said -
meaning the sound units disappear -
                  hands on the joints, a book is closed -
ê represents this: s'arrêt
                                                         ­  (-er) -
                   saret -
                                            ugly, isn't it?
well, if you wrote             saret
                rather than      s'arrêter               you wouldn't
be looking at the Louvre -                again, even without
diacritical marks you don't say     Louvré -
                                          but Loùvre -
               so the ê
                                     binds the r and t
   and makes                  the   -er obsolete -
which is why French is worse than English:
it utilises diacritical marks
                                       for odd syllable intakes
and other surgeon oddities -
    to learn the proper use of diacritics (using French
as a canvas) is to learn syllables again, and again...
all over again... one might say:
at least the English do not use diacritical markings
and subconsciously are so thoroughly
accommodating to alien cultures...
                       and that's justifiable, they are the fathers
of globalisation... they use phonetic encoding
without diacritical markings to enshrine
a Bangladeshi English, as much as a German English...
   they are the propagators of accents -
even the Scots are speaking proudly about the
matter of fact...
                            so indeed, diacritical marks
are not only concerns for aesthetic reasons,
but is pronunciation markings within words,
                          not between words:
intra                     v.                inter                  (wording);
they never teach you how to extend a sentence
with a semi-colon (;), because they only managed
to tell you that means wink: ;) -
                          in the same way that they didn't tell
you that a colon is (a) making a list, but also
       (b) an emphasis - the alternative to italics.
they didn't! i know they didn't because they didn't
teach me this!             i had to learn it myself!
              which is why i find diacritics so fascinating
that dialectics and its abandonment can rot in hell...
at least i don't have to deal with nuanced opinions
or the discussion or the non-discussion of
                 opinions...
                                       i can look at something
and see the blatant pronunciation dynamics at work...
            not between words, but inside words...
French is the best to investigate...
                        maybe that's why the Jihadists are
attacking France, from sheer frustration at not being
given access to the cordiality of speech when
settling into their envisioned Caliphate misnomer -
                    but diacritical marks are precisely that:
and when amateurs teach they never bother explaining
the atoms, they just say: turkey! gobble up that frying pan!
and you do! you are never given the most basic units,
you're never told what the time-span between a
full dot (.) and a semi-colon (;) is...
                                        ****: you can run a mile or
100 metres in under 10 seconds, but when it comes
to an aesthetic pause you're told to start
the hyperventilation sequence or blame it on asthma
rather than
                                 what's actually the archaeology of
rhetoric - these are rhetorical symbols...
                                   and that's the foremost question
that needs a debate: how to make rhetorical puncture
symbols into aesthetic symbols -
                   how to steal from rhetoric and do a Robin
Hood for aesthetic? primarily because there are
punctuation signs above letters, or below letters -
                   < (more than)
                                 > (less than)
      and the circumflex and caron -
                                         tilde
  or approx. 5                              i.e. ~5...
            and the millionth additive to make decimals
shake...
                                you never get told this...
if i was told the basics of diacritical markings enabling
a smoother syllable dissection i'd probably speak German
fluently...
                       when i should have been given crumb-like
understanding of a language, i was given a whole
loaf of bread, for ***** sake; that ain't cool -
          teach me language from the basics,
on the promise of teaching me a language like i might
be taught penguin talk: on the promise of
an onomatopoeia deciphering: it sounds like this...
                   : + u = oo             onomatopoeia e.g.:
                       pool                    /                  pull -
yes, the quiet literal representation -
  but English can be ***** by this appropriation -
not utilising diacritical marks makes certain words
sound alike but be spelled differently,
            via the same methodology extending into
certain letters being pronounced as entire words;
e.g.                   why                                  &             y.
reason? missing diacritical marks.
             oh, and the most blatant form of Judaism
  given              y               h                    w               h
                   without Abraham, without Moses,
without circumcision         without Jesus...
                                                               choice is yours.
Lazhar Bouazzi Feb 2017
As the shape-all-sun
tore up the curtain
of blood and ululation,
everything in Tunisia,
as stricken by a wand,
came to a standstill,
and slipped away
from the senses -
Even rivers stopped.

Medjerda* froze
halfway
through his descent
to his destination,
as he realized
he’d been making a fatal error:
pouring forth all his passion
into the ocean.

So he stopped,
retracted his course,
re-collected himself,
and started flowing backward,
toward
the source
in the Atlas
that had bidden him
farewell.

In his spear head
there was a design:
start a new chaos
in the valley,
in which there would be
a sweet-water lake
and sailors drunk
with sunbeams, sweat
and pleasure.
Butterflies would flutter
around the scent of mint
and bluegreen rosemary.
Through the flutter
of the midnight hour
Sweet Moon to Sweet Lake
would come, unannounced,
to watch her self shooting
the act of representation.

Now swimming
in his own water,
th river
carried the sky on his shoulder,
while an ant and a grasshopper,
holding a basket together,
watched the new scene.

As the figure-all-sun appeared ,
reason melted;
imagination
her hazel eyes opened.

© LazharBouazzi

*Medjerda is the most important river in Tunisia. Length, 460 km; basin area, 22,000 sq km. It flows out of the Atlas mountains into the Gulf of Tunis.
raw with love Nov 2015
(Yes, better than Harry Potter, get your pitchforks ready)

My first encounter with THG was approximately four years ago, when I had barely turned fourteen, did not consider myself bilingual and was romantically frustrated. Naturally, I made several mistakes at the time. First off, I read the series in translation, since I'm not a native English speaker, and missed out a huge chunk of the significance of the story. Then, as I said, I was romantically frustrated and thus paid such a monstrous amount of attention to the romance aspect of the story that I want to bitchslap myself. Finally, at fourteen, I was still ignorant and uneducated about so many things that I read the series, got hyped for perhaps six months or so, then forgot all about it, save for the occasional rewatch of the movies. In retrospect, this is probably one of the biggest mistakes I've ever made. Now, at the ripe old age of eighteen, a significantly better-read person, waaay more woke, as well as socially aware, I decided to finally read the series in the original and am finally able to put my thoughts together in a coherent, educated review of the series.

The Hunger Games has continuously been compared to a number of other books and series, occasionally put down as inferior and forgettable. In those past few years I managed to read a great part of the newly established young adult dystopian genre and am able to argue that A. The Hunger Games is undoubtedly universal and unrestricted to young adult audiences and that B. it is, without the slightest shade of uncertainty, the best series written in our generation.

While many people draw parallels between The Hunger Games and, say, Battle Royale, the similarities end with the first book, which, while spectacular in execution, seems unoriginal in its very idea. As the series unrolls, however, it is hardly possible to compare it to anything, save for, perhaps, Orwell's 1984. The social depiction and the severe criticism laid down in the very basis of the story are so brutally honest that it fails my understanding how the series was ever allowed to become this popular. What starts out as a story about a nightmarish post-Apocalyptic world works up to be revealed as a cleverly veiled portrayal of our own morally degraded and dilapidated society (if you're looking for proof, seek no further: as the series was turned into several blockbuster movies, public interest was primarily concerned with the supposed love triangle rather than the bitter truths concealed in the narrative). Class segregation, media manipulation, dysfunctional governments are just the tip of the iceberg when it comes to the realities that The Hunger Games so adroitly mimics. If I were to dissect, chapter by chapter, all three books, I'd probably find myself stiff with terror at the accuracy of the societal portrait drawn by Collins. I strongly advise those of you who haven't read the series between the lines to immediately do so because no matter how many attempts I make to point it out to you, you simply have to read the series with an alert sense of social justice to realize that it doesn't simply ring true, it shakes the ground with rock concert amplifiers true.

Other than the plot that unfolds into a civil war by the third book (the series deals so amazingly with trauma survival and with depicting the atrocities of war that I am still haunted by certain images), the characters of the story are what makes it all the more realistic. Though Hollywood has done a stunningly good job in masking the shocking reality of the fact that these are children - aged twelve through eighteen, innocent casualties paying for the adults' mistakes; children forced into prostitution, fake relationships, children forced into maneuvering through a world of corruption, media brain-washing and propaganda.

Consider Katniss. She is a person of color (olive-skinned, black-haired, gray -eyed, fight me if you will but she is not a white person), disabled (partially deaf, PTSD-sufferer, malnourished), falling somewhere in the gray spectrum both sexually and romantically. As far as representation goes, Katniss is one of the most diverse characters in literature, period. Consider Peeta, his prosthetic leg (which, together with Katniss's deafness, has been conveniently left out of the movies) and his mental trauma in the third book. Consider Annie's mental disability. Consider Beetie in his wheelchair. Consider all the people of color, as well as the fact that people in the Capitol seem to have neglected all sorts of gender stereotypes (e.g. all the men are wearing makeup). There is absolutely no doubt that the series is the most diverse piece of literature out there. Consider this: the typical roles are reversed and Peeta is the damsel in distress whereas Katniss does all the saving.

Furthermore, the alarming lack of religion (in a brutal society reliant on the slaughter of children God serves no purpose), as well as several other factors, such as the undisputed position of authority of President Snow, is suspiciously reminiscent of the already familiar model of a totalitarian society.

The Hunger Games, in other words, is revolutionary in its message, in its diversity, in the execution of its idea, in its universality. I mentioned Harry Potter in the subtitle. While this other series has played a vital role in the shaping of my character, it has gradually receded to the back line for several reasons, one of which is how problematic it actually is. This, though, is a problem for another day. (The Hunger Games is virtually unproblematic and while it may be argued that the LGBTQ society is underrepresented, a momentary counterargument is that *** has a role too insignificant in the general picture of the story to be necessary to be delved into this supposed problem). Where I was going with this is that, at the end of the day, Harry Potter, while largely enjoyed by adults and children alike, is a children's book and contains a moral code for children, it was devised to serve as a moral compass for the generation it was to bring up. The Hunger Games, on the other hand, requires you to already have a moral compass installed in order to understand its message. It is, as I already said, a straightforward critique of a dysfunctional society, aimed at those aware and intelligent enough to pick on it.

As for its aesthetic qualities, the series is written, ominously, in the present tense, tersely and concisely, yet at the same time in a particularly detailed and eloquent manner. It lacks the pretentious prose to which I am usually drawn, yet captivates precisely with the simplicity of its wording, which I believe is a deliberate choice, made so as to anchor the story to the mundane reality of the actual world that surrounds us.

That being said, I would like to sum up that The Hunger Games is, to my mind, perhaps the most successful portrayal of the world nowadays, a book series that should be read with an open mind and a keen sense of social awareness.
Derrick Jones Aug 2018
Part 1: Birth

There is only flow when I go to the unknown
I roam an abandoned home
It looks like ancient Rome, frescoes and domes
I call out, the echoes tell me I’m alone
No phone service, I am nervous
I wander through these haunted halls
The size of a million shopping malls
I begin to feel so small
A sudden flash and I am dashed to the realm of vision
A photon’s silent fission causes a collision in my eyes
Chemicals climb my nerves like vines
They activate my brain
I gain the gift of sight
I can finally see the light
Technicolor sprites ignite from the night
They surround me and confound me
Dizzy with the brightness
My body dissolves to lightness
I am one with a firework show
I am an ember, drifting to and fro
I am the spark, the flame, the afterglow

Part 2: Escape

This house that was haunting me
Is less daunting in reality
To my surprise, I realize my eyes describe a scene I can’t contextualize
I’ve lost my corporeal form
I’m tossed but never torn
I am the fabric of the universe
I fold, tesselate, invert
There is no ground, no up or down
As I fill this infinite space
My mind is racing
My self erasing
I am carved into a simple tracing
I am a thought confined inside a casing
Cut down to size I rise to the surface
Shot into the sky, I gain a purpose
I stream toward an enormity  
I reach escape velocity
I smash into reality

Part 3: Dissemination

I am a thought that was caught
Shot into the moment
Because I am where the mind went
Sent into the present
A representation of an inner mentation
A random rumination
A rogue communication
An intuition loaded like ammunition
Fired from a rifle
Too late to stifle
I ram through the fog of resistance
I slam into existence
It’s survival of the fittest
If I fail to catch attention
I will fall out of this dimension
I am rescued by a mention!
My salvation is conversation
I am converted into sound
I reverberate through air and ground
My vibrations travel through eustachian tubes and neural grooves
I move the chemicals in your head
Make you think of me instead
Now I am yours to spread
Exhaled like vapor
Written on paper
Cell phones are my savior
With digital capabilities
I avoid temporal instabilities
Evade deletion by replication
Copy and pasted
Then excreted
I’ve been tweeted!
I spread through the interwebs
Integrate into inner webs
And now I am a part of you
Weaved into the heart of you
There’s no reprieve, no undo
I will influence the future
A humble contributor
Whether I bring shame or glory
I am a part of this story
For more poetry and essays, follow my blog on Medium at https://medium.com/words-ideas-thoughts
Thanks for reading!
"Go and talk to your son!". It seemed lately that every arrival at home, in the old section of Glasgow, began with "Go and talk to your son!". "Why?...what has he done this time"...answered Angus' dad. "What trouble did he get into now?". "None...so far as I can figure" answered Mary, mother of the aforementioned Angus.

"Then why am I going to talk to him?". " He's not selling autographs again is he".
"No dear, he's not...you should just go and have a wee chat with him...that's all."

"Alright, I will"...."will I need some hobnobs as ammunition, or should I be okay on me own?".
"You should be okay without them, but, then again, a wee plate of hobnobs never hurt anyone...least of all our Angus"

Dad, poured two glasses of cold milk, set six hobnobs on a plate and ventured up to himself's room. He knocked twice, just above the "No gurls alowd" sign that Angus had put up after last nights arguement with his Mum, over carrots. Angus refused to accept the arguement that carrots gave you better eyesight...while his Mum said they did. A snicker from Dad at Angus' response almost got him banished to the sofa for the night himself, with his own "No gurls alowd" sign going up in the living room. He remembered Angus standing up from his chair, and stating "If carrots give ye such good eyesight, how come so many rabbits get hit by cars at night?". Then he stormed off.

He knocked again, and Angus opened up the door. Angus was still in his blue school shirt and grey pants. "Can I come in?" asked his father. "I've brought milk...and hobnobs".
Angus stepped back and let his father enter the room. The walls were covered with posters, of cars, footballers, horses, bikes, cartoon characters....so much so, there was barely any space left for anything else.

"Yer mum said I should talk to you...son...do you know why?" "Nope"...said Angus..."do you?" "That's why I'm asking you lad....she told me to come see you...do you know why I'm here?"
Angus tilted his head and answered "because Mum told you too?".
It was clear they weren't getting anywhere with this, so Dad asked "How was school today?"

Angus was now in full time kindergarten at St. Martin's in The Fields Primary School in Glasgow. The school was old, dank, smelled of age and was one of the finest in all of Glasgow...for it's age. It was famous for having had two members of The Bay City Rollers as students, one for about three months and the other a little less. They never graduated from St. Martin's, but, it was something to hang their hat on.

"I got all my Christmas Cards taken away today Da." said Angus. "I was giving them out to everyone, and the teacher, Mr. McDonall came and took them away.".
"Why would he do that boy?"...."Where were you doing it?'
"I was outside before school started giving them out...." , Angus sniffed, "and he came over and grabbed them from me".
Dad, remembered Angus working away for the past two nights, printing everyone's name on the cards, as perfect as he could. It only took 43 cards to get the necessary 21 Angus needed for all of his young classmates.
"Why would he do that?"..."did he tell you why?". "No Dad" said Angus through the rapidly increasing flow of sniffles and snot that normally accompany a crying child.

"I didn't find out until I went to the office to see the Principal afterwards".
"You went to the office for handing out Christmas Cards?" . "That doesn't make any sense son, are you sure you weren't doing anything else?"
"I was just handing out cards Da, that's all", said Angus as he grabbed another hobnob, which he quickly stuffed under his pillow for later. He would get in trouble for that one, but, it would be worth it.

"The Principal said something about Christmas Cards that say Christmas on them, can't be given out at school anymore. They can only say Happy Holidays. If it doesn't say Christmas on it, how can it be a Christmas Card Dad?".

"I don't know boy"...."but I am **** sure gonna find out"....and "you'd better eat that hobnob under your pillow before Mum sees it"...smiled Dad.

The pair ventured downstairs for dinner, neither discussing what went on in the room where "No gurls were allowed". Dinner passed in silence, with Mum looking from one to the other to get some sort of reaction. Once, Angus started to talk, but it had nothing to do with what went on between Father and Son, so she continued eating. She would find out later after Angus went to bed.

After dinner, Angus went to the park with his friends for an hour to play football, and tag, and swing on the swings for a while. Mum, took this chance to corner Dad...and corner him she did...."What went on up there? What did you two talk about?" "He won't say anything to me...what did he do?"
"Nothing....he did nothing wrong at all, so as I see it....Angus didn't do anything wrong".
He kind of smiled at that, because normally after being told "Go talk to your son...", Angus had always done something wrong...this time...it was The Principal.

"Tomorrow, I'm staying home in the morning and taking himself to school....I'm going to see The Principal". "What for?...if he didn't do anything wrong, why are you going to see the Principal?".
"Well, what time of the year is it?".....asked Dad. "It's Christmas silly, you know that...why?"
"Well, apparently it isn't Christmas at St. Martin's in The Fields...at least not as far as himself's teacher and new Principal are concerned. It's now Holiday time....not Christmas Time, Holiday Time. Our wee Angus got in trouble for handing out Christmas cards at Christmas. Does that make any sense?"...said Dad.

The next morning at breakfast, Angus looked up and asked "Dad, shouldn't you be going to work? you'll miss your train.". "I'm taking you to school and going to see your Principal, son". "Why?" asked Angus. "Let's just say I'm going to give him a Christmas Card....have you seen my bible?".
"It's on the sideboard...but, why do you need that Da?"...asked the boy.
"Let's just say...to make a point.".

Mum smiled as the two men, both wee and tall, walked together hand in hand down the drive towards the school. Upon arrival, Angus went off with his friends, while Dad, went into the old, intimidating looking institution. He could smell the old wood soap and mustiness as he waled down the hall, past the class pictures and the old trophies that get hauled out and cleaned every year for games day, only to be put back again after the awards presentations.

Upon arriving at the office, he announced "I'm here to see The Principal.....where is he?".
A pair of beady, spectacled eyes looked up from behind the front desk...and in a thin, reedy, voice asked..."And who might you be, sir...to come in without an appointment?".
"Ah'm flippin' Father Christmas, that's who I am....I am Angus' Mc Dougalls dad, and I am here to see the ****** Principal. Now where is he?"
"Without and appointment.." she started, quickly stopping when Dad, walked past the desk to the door marked M. Dingwall, Principal on it.

"You can't go in there"...screeched the reedy voice..."not without an.." "I know..." said Dad..."not without an appointment.....well, I've got mine right here, and right now..." he said, waving his bible in needle noses face. He continued in to M. Dingwall, Principal's office....and sat down.

M. Dingwall, Principal...looked up from the papers on his desk, which incidentally had 5, yes...5 Christmas Cards on it, and asked Dad..."and who are you to come into my office..."...."without and appointment"...finished Dad. " As I told your chihuahua out front, all bark and no bite by the way, I am frigging Father Christmas, who I see on 3 of the 5 cards you have on your desk. That's who I am, Father Christmas !!!"

"Well, Mr. Christmas, what can we do for you? " asked a clearly shaken M. Dingwall, Principal. "I'll tell you what you can do for me....you can apologize to my son, for a start. My wee lad Angus, came here yesterday morning and was sent to see you for handing out Christmas Cards, at Christmas. What am I missing here?".

"I remember that....yes, he was disciplined and told no more Christmas Cards, it's against the policy of the school board...it's a religious holiday, and we are not allowed, with all of the various religious groups represented within our walls to favour one over another. So, no more Christmas Cards in this school. That is the policy.", said M. Dingwall, Principal.

"That's nice...then what are those 5 cards on your desk....the ones that happen to have Christmas on them and Father Christmas and a nativity scene, which if I know the book I am holding here, is a religious representation, and the reason we have Christmas in the first place. "...asked Dad.

"Those are private, they were given to me by staff" said M. Dingwall, Principal. "I don't care if they came from Jesus Christ himself " yelled Dad, crossing himself in the process, "They don't fit in with the policy you gave my son a reprimand for yesterday."  He looked about the office, and saw a small, four foot tall tree in the corner as well. "Is that a Christmas tree or a holiday tree sir?, which is it?"

M. Dingwall looked up and said, "It's a Christmas Tree, of course, haven't you ever seen a..." and he stopped. He looked at the tree, and the cards, The eyeglasses out front went back to whatever it was she was doing before Father Christmas arrived. "I see....". "You see what sir,?" asked Angus' dad, looking at the tree, and the cards and ignoring the eyeglasses with the reedy voice out front.

"I see your point....It's Christmas, not holdaymas, or xmas....it's Christmas, and I followed policy that I myself am not following myself. I will change that right now....imagine, it took a visit from Father Christmas to get me to see the light..." laughed M. Dingwall, Principal.

"My boy Angus, will be in class, expecting to be told that he can give out his cards to the rest of his friends as he was yesterday...am I understood M. Dingwall, Princinpal?" asked Dad.

"Yes sir, the mark will be stricken from the record and his cards will be returned....I appreciate you coming in to clear up this little misunderstanding...even if you didn't ..." "I know...have an appointment.". M Dingwall stood to shake Dad's hand as he left, and as Dad reached the door, he said "Merry Christmas". Dad thought a bit, smiled at what he had just accomplished and said to M. Dingwall, Principal...."and yes...It is A MERRY CHRISTMAS".
Mateuš Conrad Jun 2017
\    | | |                          _ _ _
            +                              _ _ _
               | | |                   _ _ _
                       x             _ _ _
               | | |             _ _ _        
            +              _ _ _
    | | |                      _ _ _
x                              _ _ _             /      
                              
      the optics entombed in

why can't i stop conceptualising this ******
japenese puzzle?
   it's like some people bend over
backwards to write as many haikus
as possible,
        when most of the asians that wrote
haikus,
           drank for half a year
                 and then wrote as little
as possible...
       thw west cannot own haiku!
         it shouldn't even practice writing one!

solve a ******* sūdoku!

   and this really is a cure, for emoticons...
the alternative being:

/    _ _ _                          | | |
             x                      _ _ _        
               | | |                       +
          _ _ _                     | | |  
                      x             _ _ _        
            | | |                      +
       _ _ _                      | | |
                  +                     x           \
Kewayne Wadley May 2018
What we have together is complicated.
It very well may be toxic.
But I am glad it happened.
I ask if you love me.
The physical representation of thirst.
You curve my appetite in so many ways.
I am full in knowing that you complete me.
Such a sensual smell.
My mouth burnt by the hot.
My taste buds go insane each time you are near.
Watering at the mouth.
I've eaten too much but know you fulfill my every need.
I often picture a life together with you.
Seasonal aroma, stirred and mixed.
Following your lead.
We grow older.
At times you upset my stomach.
I regret the decision of going to find you.
But this is the same reason I am drawn towards you.
Licking the corners on my mouth.
You fill what hunger I have and I love it.
Because I love you.
We may have our spats but that's anyone that confuses misunderstanding.
I am sincere in the way I am reminded.
Yet selfish in the way I am spoiled.
I love you because you always commit with purpose.
One spoon at a time.
To wake up and have you here with me.
I wouldn't trade anything for it.
To wake up and have you beside me, 
To wake up and ask is that Shrimp Fried Rice on your breath
Ben Mar 2013
slogging.



on.



through.



these.



identical.



empty.


­
barren.



hollow.



stark.



wasted.



unfulfilled.



godfo­rsaken.



destitute.



days.



one.



step.



one.



step.
­


one.



step.



one.



step.



one.



step.



one.



ste­p.



one.



step.



at.



a.



time.



every.



tttttttttt­tttttttttttttttttttttttttttttttttttttttttttt
wwwwwwwwwwwwwwwwwwww­w
eeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee
nnnnnnnnnnnnnnnnnnnnnnnnnnnn­nn
tttttttttttttttttttttttttttttttttttttttttttttttttttttt
yyyyyyy­yyyyyyyyyyyyyyyyyyyyyyy
fffffffffffffffffffffffffffffffffffffffff­fffffffffffff
oooooooooooooooooooooooooooooo
uuuuuuuuuuuuuuuuuuuu­uuuuuuu
rrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrr
hhhhhhhhhhh­hhhhhhhhhhhhhhhhhhh
oooooooooooooooooooooooooooooo
uuuuuuuuuuuuuu­uuuuuuuuuuuuu
rrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrr
sssss­ssssssssssssssssssssssssssssssssss



ticked.



out.



in.



s­econds.



individually.



accounted



for.



brings.



me.

­

to.



my.



knees.



only.



to.



continue.



to.



cra­wl.



forward.



for.



if.



i.



stop.



the.



twilight­.



will.



swallow.



me.



and.



this.



mind.



numbin­g.



purgatory.



will.



turn.



into.



a.



veritable.

­

living.



hell.
Mateuš Conrad Feb 2016
you know, on that N86 bus listening to dikanda's
https://goo.gl/OAUjMe (ketrin ketrin),
while going to the brothel, where i kissed *****'s
eyelid skin i turned my heart into a lung...
and it burst akin to muscled stress of the softer tissue,
by heart was the black horse of the race...
she would only be worth £110 an hour...
but in my heart... a lifetime... so classical fm is
asking for three songs to be enlisted in the hall of fame
here are my three:
1. something to think about (christopher young) -
   hellraiser ii,
2. no time for caution (hans zimmer) -
    interstellar,
3. spectres in the fog (hans zimmer) -
     the last samurai, competing with
(4. any other name (thomas newman) -
     american beauty,
and....
5. carpe diem (maurice jarre) -
     the dead poets' society);
i always found classical music invoked
by fast image exchange most adhering
to a modern public... after all...
the notes written down are transliterated
from moving geometries
asking for a human face...
that one abstraction leaving another created...
so enriched we can be living and leaving here,
but leave and live here cradled and crawling
and nothing more than an attempt for
a crafted shawl of woollen care...
assuredly we were the blank canvas,
when the sheep and lion were clothed...
the lizard inwardly having its blood cooled...
and we the mediators...
to evolve from an origin of such biological diversity?
why will darwinism claim to be a humanism
and let no humanism in?!
if darwinism branched from science for a populism
of understanding prepositions as propositions
(given that propositions are allowed expression
with far many more complex words than prepositions,
given the former are deemed a nature or origin
and the latter a nature of coordination)
why allow it a humanistic simplicity
and complicate humanism to a non-expression's
extent of a complexity? darwinism cannot grasp
humanism's complexity per se, for each its own per se
allowance... darwinism cannot relate to humanism,
since humanism deals with the one diluted into the many,
while darwinism deals with the many concentrated into
the one:
and noting the varied dimensional usage of pronouns,
the singular (engaging), the singular (disengaging),
the plural (effective), the plural (ineffective),
to use but a few among others... how would a self,
as either realistically concerned or as expressed
in an atlas pose when one individual speaks of a species
to ever survive... to speak of humanity per se,
is to not speak of being human per se (a self),
but as if under a constant threat from either internal
or external stimuli, it's to speak as if human
but hardly being human... darwinism only said
in simpler terms 1 = ~∞ 0 1 (one equals
approximately infinity denying one... expressed
further: one equals approximately infinity denying
oneness, hence ethnicity, hence disparity,
the infinite approximate is due to the no. of equally
represented identities of reflection as one's akin
in historical content for a vanity representation
of ego) / although there's a parallel disparity:
1 = ∞ 0 ~1 (1 equals a reasonable infinity
of the semblance collective, as approximated within
one's own constitution, denied by the constitution
of the semblance collectivised denying 1 its
oneness by a division, into pop. psychology
of subconscious, unconscious, ulterior and posterior
assembling of identification in order to relate
a concrete un-divisible one, to a oneness
of ~∞ 0 ∞†, whether governed by animate or inanimate
things, worthy of either representing
∞ = 0 ~1, or ~∞ = 0 1 (infinity equating itself to
a denial of an approximation of one,
or approximate infinity equating itself to a denial
of one) - by most standards a collective power
increases, while an individual coercion with
such increase in power is diluted to mediocre representation
of what was once hoped for to be an individual...
as worded: i'm about to inherit a pickaxe, an igloo,
a herd of sheep, a land arable for regular hunts
to provide sustenance, but as i said, the oddity
of increasing vocabulary as body-building index muscle,
will hardly teach you the physics of quanta in
the realm of modulating grammar,
on the basic basis of grammatical as
a method of de-categorisation one word from it being
named, to it being acted upon as a termed way of
walking (differently), or otherwise.

†a bit much for me, an alfred jarry moment
at the end of dr. faustroll's opinions and exploits...
papa **** got the dangling essence of things:
je suis jarry among the je suis cherub charlies,
if poet does not appreciate other artistic mediums
he can't mediate them,
poetry is supposed to mediate all artistic expression
with platonic criticism... it's supposed to mediate,
with poets appreciating each and every craft...
whether sculpture we scrap metal stolen from a park,
or whether an oil canvas be worth as much as toilet
paper when the painter is alive, and millions more
when he's dead.. we need gravity a demanding
drama to extend drama into grammar...
poets have to become the middle-men of haggling,
they need to appreciate art in an elitist way
in order that art can't become genealogically defining,
like dramatics of the theatre lost between idols
of 1950s screening compared to idols of 19'90s screening...
we need poets as the glue stuck to every output...
we need to appreciate all art other than their own
to discover their own... we can't have the mindless
jealousy bribe us to reconcile composition,
so that poet against poet is still writing poetry...
he isn't... he's writing a polemic... and that's hardly
a dialogue... it's a mortifying analogue of monologue...
and we don't want poetry to be such a belittling
circumstance of the original intent of practice,
why would a poet's rarity be reduced to
a market blasphemy of ultra-eloquent speech
in order that it might be used to scold?
why the jealousy? why?! it reeks of revenge
that only requires a Darwinism to include it,
as sustainable and necessary,
too many monkeys to create a single man...
too many difference in man from continental span
of africa, to asia... to even bother a standing ovation
origination in genetic scrip of a chimpanzee...
script wants man to be genetically above
a genetic script of a banana numbering more genes
that itself... the biodiversity of monkey
is akin to man... why would the two chiral statues
suddenly become gemini of explanation?
it all fits... but it stinks...
well, whatever that was... it's the pride of a language
that keeps darwinism alive...
but theology is closer to humanism than darwinism...
it's a compound logic, darwinism ends with with an ism,
an empiricism... and the only logic accounted for
is a logic of repeat... just look at the forms of these words...
formulated by L and Γ (origin of the kabbalistic interpretation
of allah)... keep the prefix akin to a suffix composed to
an enclosure... theology provides the better logistics
of expressing being human than an empiricism
known to be darwinism... after all a -logy tends to
repeat a systematic use of words...
empiricism a systematic use of facts...
easier to become bored of facts than words.
onlylovepoetry Nov 2017
The Physics of Love: The Equivalency Fallacy


the poet places his Sunday porcelain coffee mug  
upon his bare chest, purposed to heat the heart to a
higher degree, equal to hers, next door, three feet away,
in their communal bed

two identical alarm clocks, one on each nightstand,
confirms the degree differential, for far beyond time-telling,
it informs on me, providing the room temperature,
and her side of the bed, 5 degrees warmer

the collegial scientists posit theoretical excuses,
the rooms wind currents, proximity to the A/C, body mass,
all refuted after visual and mechanical inspection,
all indelible proofs of the Equivalency Fallacy

despite the visual evidence abounding all around,
despite the surrounding starlike quantity of busted,
love songs, poems and the other artistic churn,
depicting the principle, one requires love physics to validate the
living principle for the living, that love is rarely identical
in quantitative quality, typology, representation and
manifestations measurable

each greets the other with morning declarations of
mutuality, trying to find those hundred different ways
to love her/him today, employing imaginative artifice to proof
the impossibility, that in every aspect your living love ability
is precious capital precision equal
and ha! each love is the greater...

you knew this?
then you knew, his coffee spills (intentionally?) and the
Fighting Fallacy rules,
every thing is fair in love and war, for they too, are
identical and equal, in so many ways,
but never quantifiable exactly

8:33am, 73 degrees, on my side
11/12/17
https://www.azlyrics.com/lyrics/jamesingram/onehundredways.html
JDH Jul 2017
Some introductory food for thought...

"Threats to freedom of speech, writing and action, though often trivial in isolation, are cumulative in their effect and, unless checked, lead to a general disrespect for the rights of the citizen"
  - George Orwell

"There is only three states of being. There is slavery, tyranny, those are both forms of conflict, or negotiation. Negotiation depends on freedom of speech and you have to be able to talk to people if you are not going to fight with them or capitulate to them."
  - Jordan Peterson

"If liberty means anything at all, it means the right to tell people what they do not want to hear.”
  - George Orwell


The key proponents of the Bill and it's context...
On the 18th October 2016, Bill C-16 received Royal assent in Canada, despite having a small, but thorough opposition, even from those within the LGBT community who felt that the proponents of the Bill did not represent their desires, but that of the most extreme and ideological spectrum of their community. A prominent figure in the opposition to the Bill was Jordan Peterson, a Professor of Psychology at the University of Toronto, who has dedicated a great length of time in study into the **** and Soviet regimes of the past, paying particular attention to the ideological and psychological elements of those periods, which has built his principles as strongly opposed to ideological thought, Postmodernism and Marxism, all of which were instrumental or played roles in the mass genocidal regimes of the early 20th century that began with the subjugation of ideas and speech.

The Bill's implementation is an amendment to the Ontario Human Rights Code that makes the refusal by an individual to refer to someone by their preferred gender pronouns a hate crime. It also brands discrimination by 'gender expression' with the same impunity. To those who do not understand what these concepts mean, essentially what the gender pronoun debate is, is how a minority of the LGBT community demand they be refereed to by different pronouns, and have their gender expression (fashion choice) protected by law. For instance, those who claim not to fit into the binary gender pronouns (he/she) and therefor don't identify as either a man or a woman, wish to be refereed to with artificial neologisms such as ve, they and them.

These demands, however, are not being made by the majority of LGBT people, but a small minority of people, mostly younger students who've been indoctrinated into postmodern and social Marxist ideology. This means that the Canadian government is taking the most extreme representation of a group as the representatives of the entire group, which would be like taking the **** Party as a valid representation of Germans, or the British Olympic squad as representatives of the standard fitness of the entire British public. This is a key focus of opponents to the Bill, like Prof. Peterson who recognises (being an employee of a University himself) that Bills like these are the result of borderline indoctrination in the Universities, and not the demands of LGBT people in general.  


The innate authoritarianism of the bill and it's Marxist/Postmodern motives...
Why are the proponents of this Bill innately authoritarian in nature? Well, as Professor Jordan Peterson makes the clear distinction, that unlike other forms of what is deemed hate speech in law, that enforces what you CAN NOT say, this Bill enforces WHAT YOU MUST SAY. As an example, Holocaust denial is considered hate speech, and so you can not express such a position, however, here you are now forced to speak words that you might not want to say, something far more Orwellian that one might be able to conceive when concerning a seemingly trivial enforcement, and having often spoken of gradualism, this is certainly not the end of the issue.

What is also concerning is that the supporters of the Bill are evidently ideologically motivated, in terms that their ideology (Marxist/Postmodern) is in itself authoritarian in nature, and as they fail to gain support by ideas, they suppress them. Law like this should not be able to slide through the apparatus of the State this easily, for it conveys on many levels a lack of respect for the generations of people who suffered under despotic rule for centuries until finally the rule of law gave them rights (and now we throw them away). It also shows to those more nefarious groups, that the public will not blink, even when you chip away at their right to speak as they choose, which I don't believe is a habit that should be maintained.


- a short essay by FabiusSideman
I am from the UK, however, I followed the events and the processes of this Bill, particularly its opposition.
Molly Apr 2014
When it has been five days since
anyone told you they loved you
and no one has held your
hand in four months
and you cannot remember the
last time you felt wanted,
remember this.

People aren't meant to say I love you.
Those three words mean
so many things but somehow
they mean nothing and eight
letters thrown together into
a combination of
lines and spaces is not an
accurate representation of feelings.

They say I love you
in the way they smile when
you laugh at their jokes and they
say it in the way they shake their head
when you make a bad pun and
they say it with every
text message in all-caps at
two twenty-four in the morning
because something incredible
just happened and they had to let you know
and they say it with every
hug and high-five and punch in the arm
and with the way your name
bounces off their tongue
like a child making poor judgement calls
on a trampoline and

they will not tell you happy birthday this year
and they will take four hours to
text you back because
they got distracted and they
will call you an *******
(because you are one, sometimes)
and eat all your lunch
without saying please or thank you
and they will
forget to tell you they love you
when they say good night,

because people are not meant to say *I love you.
For my friend, and anyone else feeling unwanted or underappreciated.
Kelly Belle Feb 2015
photographs are the representation of the countless memories

we see the big picture,its nice focus on the blurred out background filled with smiles and faces with expression of fulfillment.
III Jun 2015
The truth is, I’m not really sure who I am.  She told us to draw ourselves and then to draw our souls; so I drew my face scratched and uneven, just as I’ve always seen it, and frowned at the result both in the mirror and on the paper.  The only soul I’ve ever really known was the one that shone through the strokes of the keys I punched, the scrawling of ink on paper in mismatched arrays of awkward thoughts, disorientated and unorganized, shaded different spews of emotion and rearranged through the lens of ever last viewer’s eye.  Even so, this soul that is composed of words that defined me painted a picture vivid in its contrast, though blurry from both afar and close enough to squint, no details able to be made out.  These words that have wrapped around my soul rubbed raw from the time my skin first flinched at the cool March air cannot be deciphered by their author, though I know somehow that their letters flowing into one another say more than any curve of my face ever could.  These words are black and white, two extremes crafted in the pallet of the Universe’s toolshed, and perhaps that’s exactly what I am.  Black or white.  I’m dark and lost and scrounging for some rusting wall or tree branch to cling to as to ensure the shimmering waves, onyx and charcoal in their nature with the flow of blood in its spine, do not flood into my mouth at a rate in which is too quick to balance myself upon them, or, I’m white, drifting snow from a cloud scraping the vast expanse of brilliant blue gazing as a sky above all the world, pure, innocent, unscathed with the potential for creation in vibrancies yet unknown, or to be ripped to bits, scattered amongst piles of cream and autumn leaves drained of their color beneath months of shivering frost.  And so, perhaps any physical representation of my being would be all wrong, because that’s not what I am.  Myself, my soul, it resides in the murky depths of heights I’ve yet to discover, tethered endlessly and uncertain among the caverns of my inners, pink and mushy, stirred and ******, untouched from the harsh light of a world encased in brevity.
Adrianna Perez Jul 2014
April 5th 1994- Kurt Cobain dies
April 6th 1994- The President of Rwanda Dies
April 7th 1994- Kurt Cobain's body is found
April 7th 1994- A genocide begins.
Neighbors take arms against neighbors
People he once shared a sandbox with now hold a machete to his neck
Heads roll- literally
Babies cry out to their mothers who lie there choking on their own blood
Girls who 2 days ago were playing house with their dolls, now take care of their whole family
Screams of pain from girls who's innocence is taken from the man who used
           to bounce them on his knee.
Gathered in the place where God is supposed to be
Hundreds are murdered ruthlessly.
Guns not pointed at their heads
But clubs that smash them in.
Achilles' heels slashed
These men drink and feast and sleep
Over the screams of their victims
Babies born 9 months after these men took something that was not theirs to
           take
A physical representation of all that is evil and hatred and pain
She tries to love them anyway
But she sees him in them
He has daddy's eye
She has her fathers nose
She sees them in the way he looks at her when he's hungry
As if she is just there to quench that thirst with her body.

The whole word is split in 2
Nobody is Rwandan anymore
You are Hutu or Tutsi
Short or tall
Human or vermin.
The dead among the living
Sometimes I can't tell which is which
Until I see it
That sparkle of hope in that one man's eye
Because the human spirit will never die.
The father of his best friend tortured and murdered his mother on their
           front lawn.
Orphaned and afraid,
He cannot stop
He cannot slow down
He cannot give up
Because ***** Kurt Cobain
he has to tell the story of what really happened that day
Rwanda April 7th 1994
This is a spoken word poem that I wrote about the Rwandan Genocide that began on.... you guessed it April 7th 1994. Because it's a SPOKEN WORD poem I will eventually make a video of me SPEAKING it and post the link right here--->>> https://www.youtube.com/watch?v=MKMoL-SXMDc
Fallen Angel Mar 2015
“Never trust a ginger”
she sings giggling looking at the red head next to me.
Her song is a pretty good representation of our friendship.
Throw in a ***** bump and some dorky dance moves
oh yea
that’s the definition of our friendship.
Laughing and dying at things no one else gets
actions no one else see’s
and mouthed words no one else understands.
That’s just a little inside view of our *“love”.


“Never kiss a ginger”
It’s a little late for that don’t ya think
blackberry tea and coffee making her laugh till she dies.
Hysterics that break her down till she’s on the floor rolling
rolling down a hill and being so dizzy she can’t get up.
Oh but she’s a monster that chases you around
trying to tackle you to the ground.
Falling off the playground rail and hitting her head
just like in our story
so she lays there laughing hysterically.
All I can do is shake my head

“Never kiss a ginger…twice”
yea that’s a little better.
he won’t be telling my slightly stunned, amazed face its cute again.
The face we later joked about
mouth dropped to the floor
eyes wide.
Like did that seriously just happen.
Our dumb and quirky reactions to everything
exaggerated, excited yeses
and happy little dances.


"Never date a ginger”
I’m not nor have I ever…
where do you get these thoughts that run through your head?
Ok I can’t say much
my mind wanders to the strangest places
and leads us to the greatest conversations.
Like cops on bikes with prisoners in baskets
leading to Mortal Instruments characters all riding one bike.
I’ve no idea where our minds get these strange ideas and imaginings.

“Never love a ginger”
I never said I love him
don’t let your mind wander
dangerous things happen when our minds wander
anywhere from dinosaurs ruling the world to death
and the things in between are sometimes worse to think about

“Never like a ginger”
OI!
with this again
I don’t I promise there’s nothing there
now please shut up.
Yes, yes I love you now please don’t attack my legs again
I really don’t feel like falling on the floor
it’s not very appealing.
Uh-oh
So I wrote this to kind of describe my relationship with my best friend (she also has an account on here Mari). The whole ginger thing came up because of this ginger guy that possibly likes me possibly doesn't. It's hard to tell and guys are too complicated. But Mari came up with the song, the first line in each stanza, and so I threw it into the poem because it's great
Mateuš Conrad Mar 2016
anyone see the brain i put into the washing machine? i think they took it and hang it out to dry, although i still think it's in a pickle jar of jealous ***** juices, going round and round, getting a brainwashing treatment rather than the joke about the thief who didn't wear leather gloves and a tight ****** hat, who didn't pull out his nails or scrape off his fingerprints, or shave his eyebrows... i mean, hell, i'm not into brainwashing that much - the k.g.b. did the same sloppy job on litvinenko - **** me! all the neurologists in poland are mad, and an m.r.i. machine does not exist in that country! i must have been inside a rocky horror theme-park ride!

there's that famous connotation to pomp, ego tripping,
my my, what a grand psychoactive
drug this is, ever danced smacking your knees
as representation of drumming
with your eyes closed in
a club on the embankment of the river
thames? giggling away at
the chance of momentary blindness?
i'm not here to give a macho representation
of me, far from it,
later ******* in the alley:
every club or bar i went to always
played terrible music, and too loud,
so i stopped going,
too much lip-reading you see,
like with this nurse going to do a job
on the housing project at north harrow
tube station, breakfast stop-over
at the mcdonald's at tottenham court road,
dragging my father out from
the depths of depression after
a man who married my cousin undermined
his team and got kicked out of a
company that later went bankrupt:
indeed that cloud of flies entering my
ear like a rain of syringes, painful like hell,
no respect for the underprivileged in terms of
health, you look like you just had a brain
haemorrhage you get pampering like a panda,
you look strong enough in order to **** someone
they think you're a chizophrenic... nicely done...
nicely done n.h.s., i think i'll take my compensation
in pride and emotions rather than winning
the jackpot of the godforsaken thing that
alienates people: can't cook for themselves,
need restaurants, can't clean for themselves,
need cleaners... civilisation and the death of
intricate tribalism... foremost family...
mano a mano con mammon...
hey, i only asked for an m.r.i. scan, now
i'm split bilingually making one story force
and the other story true...
anyway, back to ego tripping,
ego tripping is indeed a drug, but it's a drug
where you can't coordinate thinking,
it's like a primeval expression of the cartesian maxim,
you just sit there, self-aware (being self-conscious
has negative connotations via sartre's keyhole /
voyeurism), you turn into an object,
for example a tree, you ego trip as the tree
and thoughts are replaced by seasons,
the wind, rain, insects, birds...
you can't identify with anything,
even if you're ego tripping and a theory of relativity
comes along, you can't attach yourself to it,
you're tripping after all...
it's just you and the chaos of thought, there's no
ordered linear method of thinking,
you're strapped to a unit that doesn't move
but is a spectator of other things moving,
attaching themselves, or detaching,
and it's not necessarily egotism, far from it,
it just mean an elevation of *cogito ergo sum
,
how to make a blunt knife after it has been sharpened?
i guess ram it into bones or stones a thousand times,
or at least make dinner 360 times during a year
cutting soft flesh of tomatoes and cucumbers...
in terms of elevation i mean you're drunk
and you're tripping on the lack of thought,
a lack of a thinking cohesion / spider-web (
indeed the tarantula is a beggar among smaller
spiders, it has no idea of architecture, it hasn't
evolved technically speaking, tarantula the
anti architect)... so you're still tripping, because you
have no vector in sight, you're a pinpoint now,
a volatile coordinate, whatever thought comes into
range you can't narrate it... let alone vocalise it...
you're entering a void (jeez, this almost sounds
like making a waistcoat clock dangle and perform
a pendulum before opening the gates into
the subconscious and inducing hypnosis...
the gates into the unconscious are done by falling
asleep)... and then you sit down and decipher
all those thoughts buzzing around you that you
can't proceed from... ego tripping is best served
with alcohol - and it's hardly related to pomp,
esp. if you can't vocalise it and attribute the dropped jaw
of a ****** addict to be a symbiotic reflection...
or at least a carousel; in summary, ego tripping
is the cartesian ego sum, and no ergo and certainly
no ego cogito... well the ergo is there,
if you start to write something, but only then
when you step off the carousel.
Mateuš Conrad Nov 2016
i.

for the past few weeks i've been doing an experiment,
thankfully philosophy allows such things,
of course, they're deviations from what i'm used to
in chemistry, they're less, what's the word?
spectacular - but they are nonetheless experiments,
and that's the beauty of being grounded in some sort
of science (trinity of biology, chemistry and physics
and that's the limit, beyond this there are only
pseudo-sciences)... medicine? that's the tsarina of
learning: like any tsarina: gets down and *****,
and yes: mathematics is the genteel queen.
philosophy on the other hand seems like a vagabond
in learning, never really pieced together,
never really sentenced to a single direction:
and for that matter, thought can become less narration
that stretches into the sort of philosophy that Sartre
embodied with his novel, and more into thought becoming
experimental...
you might be wondering what the experiment consisted
of... well, over the weeks i've been sadistic unto myself,
it's to do with trying to figure out the modern curse
that's the 3D's: debt, depression, dementia.
                i can't fall asleep without a bottle of whiskey
cigarettes, sleeping pills and music playing in the background:
which would make me a terrible partner, anyway.
   beyond that though, for weeks i repeated a pattern,
i fell asleep to the *hellraiser ii: hellbound
soundtrack
by christopher young...
       day-in-day out: as if to pressurise the idea that
the faculty of dreaming could be censored in the same way
that thinking is censored in liberal speech
eroding people's vocabulary, **** included.
     what i mean by that: every day i woke up with 15 minutes
of despair, then the zenith came after i lay in bed
for 4 hours and felt too many leeches ******* at me...
   those 15 minutes of despair were always there,
but then i usually got up and went about my daily business...
i admit that whiskey could be to blame,
anyone could argue the alcohol-is-bad argument,
but arguing as R. D. Laing might have that it's
also a sedative if you don't include social adhesion to loosen
the tension of going out and dancing:
then i don't see the point of saying it's all bad.
         sleeping pills (i found) are not 100% active without
what the prescription states that you should do:
i exceed limits, but then i write during the night -
            create a balance and i'm sure any insomnia
might be made minimal... anyway:
so i've been doing this roundabout experiment,
listening to the above album while falling asleep,
but then yesterday i decided to fall asleep listening to
godspeed you! black emperor's album F♯ A♯ ∞,
and guess what the experiment proved:
  i felt little or no anguish for 15 minutes,
obviously the usual groggy of a pseudo-hangover,
  but that doesn't mean staying in bed for 4 hours
because you feel **** about life 'n' all...
                   as already stated there's what we call
a cartesian dichotomy, that somehow altered mental
states cannot be translated into a physicality -
depression in this sort of language becomes lethargy -
people never seemed to connect the dots that
state the monism of everything having a pairing either
side of Humpty-Dumpty sitting on the ergo fence
asking about a flying omelette... ergo is a variation
of what precipitates... depression = lethargy...
the purest kind of what i know (i have enough psychiatric
literature to redeem myself from what would
be deemed quack-medicine with their quack doctors) -
some say that taking the vitamin B12 supplement
could help you: or that weak digestion is to blame, too.
i would be quack doctor if i was in a position of power,
and since i am not really earning anything from my
"poems", what sort of power can i abuse? trust -
but then again these are thought experiments,
           i first experiment on myself, then note down
the observations i have accounted for.
               so what will my unconscious eat today while
i switch off my consciousness? i was thinking of
the cure's disintegration album,
         perhaps that's why i did weeks of falling asleep
to a horror movie soundtrack, to later move into
neo-prog "rock" and then into 80s goth melancholia...
    i'd say that pop ****** melancholics off...
and such a nicer word for depression...
                   it's not even close to compression and has
nothing to do with aviation or the Netherlands...
     melan, melan: ah! melanism - a certain darkness,
    choly -         condition of darkness...
       and that star of Bethlehem appeared at night...
man of sorrows, well that's just blatant;
           but for all the romanticisation about darkness
and the mysterious moon and all the insomnia,
i still prefer the anti-cartesian explanation of actually
creating the proper answer to what has become
a dichotomy between the physical sciences and
the pseudo sciences, given that ergo is a precipitation
then for the two opposite to become inseparable
depression must be equal to lethargy: which is a variation
of the grander genus (family): metabolism.
               is this the point where i re-quote that famous:
doctor! heal yourself!
                                      well, if there's anything to go by
i have in my mind, given my life a prolonging in a way,
what was it... amitriptyline?
                                         the new ******* for
the respectably prone to citizenship's serenity of leaving
other people to their own demises -
  i mean, look at all the teetotalers: hyperactive bunnies
with too much energy that translated into things like
the infamous pyramids and the doubly infamous chimneys.

ii. the danish girl

i would have never thought that the transgender movement
had such a puritanism about it,
such platonism - nearing martyrdom;
who could have thought?! i only managed to see the film
today... i'm a sentimental ******* and i was choking
on not crying at the end of the film
here was a true representation of an artist,
         there's he (einar wegenar): a successful local
artist, within the confines of Copenhagen,
modestly famous: primarily because of having
perfected a technique and sourced it in a childhood
memory that keeps haunting him,
    thus he keeps repeating it, although with slight
alternation to refresh it, but no photograph to work
from, hence my previous statement:
  memory is the best cinema or arts' gallery (this
is not a universal statement, memory doesn't always
heal, or fascinate or have the ability to revitalises itself
or become the most potent "hallucinogenic" experience);
and then she's there (gerda wegener), also
painting, but more in line with paying the rent
rather than appeal, rich people needing portraits to
hang on the walls of the future of their lineage
        in years to come so someone might boast:
that was my ancestor, who founded the first bank
of Copenhagen sort of stories -
and all she wants to do is be an artist like Einar;
and she keeps coming back from galleries with her
works and they never give the critics any appeal
at being original - they have a suggestive generic
quality to them: precisely because they've been painted
for money. art is cruel in that way,
  when critics reduce producing art like they might reduce
being a cashier in a supermarket on the basis of:
job done... then comes the offense from the artist.
the beauty of this film is the platonism that soon explodes,
the near innocence... i really don't know how
the transgender movement borrowed from this:
all those Baphomet ******* with too many parts,
silicon chests and ***** and what not?
       this is one of the finest forms of defamation -
these days the transgender movement is so sexually
potent it doesn't really deserve what can only appear
as a self-imposed crucifixion...
              this story predates the unearthing of the nag
hammadi scripts, it's intuitively bound to what was
unearthed in 1945...
      einar sees the desperation of gerda, he knows
that he'll simply remain a local artist,
    bound to a square mile of earth, local, provincial
even... what he decides on is best expressed
by Marilyn Manson's lyrics: now i'm not an artist
i'm a ******* work of art
.
        how can not this resonate further into the film
if not by this motto:
it is a consecration of a memory, to invert it and
un-seize the moment long ago experienced and now
fuelling art, or the repetition of a safe technique established.
one man's frustration and a woman in a cage:
the potential seen - then a sudden bursting of madness,
the evident anti-cross -
                                  to say he had reached his limits
and she was kept frustrated and under-appreciated is
blatant enough, this self-sacrifice for a woman to
find her subject, was all too evident when she utters
the words that: the student overcomes the teacher,
and that's the whole story,
                       he has to walk into the canvas,
     in whatever way imaginable, and what a better way
than on a whim to escape the dreariness of parties
   by dressing up as a woman, after gerda's model
is late so she can continue a painting and einar
has to step in and wear a few female garments...
       to later realise the Dionysian consequence:
                                  only to the utmost excess, from here.
this could hardly be a propaganda movie for
the transgender movement... the "propaganda"
aspect ends when you hear children imitating this
artistic "prank" in today's society...
      it wasn't a prank in the slightest: but a profound
expression of love between two artists...
          outside of art the whole transgender movement
is still only ***** and silicon **** of Thailand's lady-boys:
that's not reality?        
although i actually did choke with nearing to cry
in the closing scene...
    unlike the Christ story... there was no resurrection.
so hans and gerda travel to the place where
einar depicted the landscape in his revisions,
       and both of them are standing there
        and it's ****** pulverising with so much depth
upon being so little when reduced to a canvas
but because you see the painting first, do you later
see the landscape with more emotion...
     and i thought to myself: gerda will recreate
the landscape in her own eyes, she'll what he saw
and what he gave up for her to paint him in his
transformative (transfigurative) state of becoming
lili elbe...
                     that's why i was about to cry -
     that she could put lili aside, and return to /
resurrect the memory of einar the locally famous
artist... that she would apply the same technique in
painting lili / einar but turn her attention to
landscapes... as if to imply that both of them became
reunited before all the madness of life came chasing them
into extremes.
          to my dissatisfaction? after the film ended
and before the credits started rolling... postscriptum facts
after these true events... she continued to paint
lili / einar as she did, which prompted her to fame
on the Parisian estrade; after seeing that, written down?
tears? what tears... i'm actually thankful that i choked
on them and didn't do an outburst necessarily...
thank **** i wasn't watching the film alone!
     i know that i might have invoked a sense of:
rough around the edges with this description, but i'm hoping
it's abstract enough to make the film more potent:
filling the blanks with images;
still, this was used for a transgender movement?
                                                did he make it plainly obvious
that this was a transcendental transgender iconoclasm?
         it's the platonic element in it that steers this whole
story, away from what 21st century movements regard
as prototype for their ******.
Chris Hollermann Dec 2013
It was cherry blossom season in Washington D.C.
       She was stunning, but something was wrong
   She wanted the trampled blossoms for souvenirs
       A representation of her rage
            It made sense only in her mind, where reality and fiction were blending
               We didn’t know then the hell that awaited
          I didn’t know I was about to be changed forever

In the days that came I held her as she cried,
Answered questions about the voices     that haunted her
  That no one could hear
Walked with her when the world
         Was full of fear
    And she was alone

Later we’d know this was an episode, a problem with a name and a treatment plan, but in that moment
It was her and I, holding hands, making promises and blending our tears to the injustice of the situation

In the months and year that followed I was alone. She went home and I stayed behind,
In infected rage. Not at her, but at the world,
   At the people I loved who turned their backs as I held her through hell

I carry the cherry blossoms behind my right ear
A reminder of D.C. in the spring
Of her and I against the world
Of knowing hell to appreciate heaven

A reminder that life is beautiful, fleeting, and merely a season.
A reminder I’m never alone
<3
Lunar Apr 2016
we both had two different painting styles. he was into calligraphy, the bold and gentle strokes of black ink on white paper; i was into watercolor, the translucent colors slowly spreading to a gradient on a Canson. we were two painters with brush styles of stark contrasts.

three objects. a flower arrangement, an antique vase and grecian sculpture. we were asked to pick the most eye-catching one out of the three, paint it in our of style of representation. and so we began.

him: what will you be painting?
me: i can't tell, you might judge me for it.
him: alright, but promise me you'll show it to me once you're done.
me: okay. same to you too, then.

hours passed, and while i often discreetly glimpsed at him, he caught my eye sometimes and would make funny faces or just softly smiled at me. i could not deny that my hands were shaking as i dunked my brushes into the watercolor jar and continued to finish my painting.

him: i'm finally done. this is a masterpiece.
me: i believe it's the same for me too.
him: should we count down as we turn our boards to each other?
me: nothing better than a surprise of what's the most beautiful thing out of all the objects before us.

we flipped our boards to each other's viewpoint, and we were both shocked to be looking at ourselves, a painting of ourselves, one done by the other. he painted me in black and white, a figure-ground influenced painting, strong in lines, simplicity in its finest state, rendering me bare and raw. i painted him in pale colors, a positive reflection of him lighting up life, and soft shadings to give depth to the meaning of his existence.

after knowing this and scrutinizing our works, his cheeks turned pink as the pink on my palette, while i covered my eyes with my hair as dark as his ink. we burst out laughing and blushing at the fact that the most beautiful object before our eyes was each other.

sometimes, i wonder if he's my muse, the art or the artist. and i felt like a watercolor jar at that exact moment, as if brushes soaked with different colors were being dipped into me all at once, the tint, hue and vibrancy bleeding into the clear liquid, getting murky. it was like those colors are my emotions, and with every emotion mixing, my thoughts get murky. i guess this is how it feels to be in love with all forms of art at once.
wjh, you, and loving you, is the definition of my art.
you and only you are the meaning of my muse.
you and just you are the artist

— The End —