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"penumbras" poems
What thoughts I have of you tonight, Walt Whit- man, for I walked down the sidestreets under the trees with a headache self-conscious looking at the full moon. In my hungry fatigue, and shopping for images, I went into the neon fruit supermarket, dreaming of your enumerations! What peaches and what penumbras! Whole fam- ilies shopping at night! Aisles full of husbands! Wives in the avocados, babies in the tomatoes!--and you, Garcнa Lorca, what were you doing down by the watermelons? I saw you, Walt Whitman, childless, lonely old grubber, poking among the meats in the refrigerator and eyeing the grocery boys. I heard you asking questions of each: Who killed the pork chops? What price bananas? Are you my Angel? I wandered in and out of the brilliant stacks of cans following you, and followed in my imagination by the store detective. We strode down the open corridors together in our solitary fancy tasting artichokes, possessing every frozen delicacy, and never passing the cashier. Where are we going, Walt Whitman? The doors close in an hour. Which way does your beard point tonight? (I touch your book and dream of our odyssey in the supermarket and feel absurd.) Will we walk all night through solitary streets? The trees add shade to shade, lights out in the houses, we'll both be lonely. Will we stroll dreaming ofthe lost America of love past blue automobiles in driveways, home to our silent cottage? Ah, dear father, graybeard, lonely old courage- teacher, what America did you have when Charon quit poling his ferry and you got out on a smoking bank and stood watching the boat disappear on the black waters of Lethe? Berkeley 1955
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A Supermarket In California
What thoughts I have of you tonight, Walt Whit- man, for I walked down the sidestreets under the trees with a headache self-conscious looking at the full moon. In my hungry fatigue, and shopping for images, I went into the neon fruit supermarket, dreaming of your enumerations! What peaches and what penumbras! Whole fam- ilies shopping at night! Aisles full of husbands! Wives in the avocados, babies in the tomatoes!--and you, Garcнa Lorca, what were you doing down by the watermelons? I saw you, Walt Whitman, childless, lonely old grubber, poking among the meats in the refrigerator and eyeing the grocery boys. I heard you asking questions of each: Who killed the pork chops? What price bananas? Are you my Angel? I wandered in and out of the brilliant stacks of cans following you, and followed in my imagination by the store detective. We strode down the open corridors together in our solitary fancy tasting artichokes, possessing every frozen delicacy, and never passing the cashier. Where are we going, Walt Whitman? The doors close in an hour. Which way does your beard point tonight? (I touch your book and dream of our odyssey in the supermarket and feel absurd.) Will we walk all night through solitary streets? The trees add shade to shade, lights out in the houses, we'll both be lonely. Will we stroll dreaming ofthe lost America of love past blue automobiles in driveways, home to our silent cottage? Ah, dear father, graybeard, lonely old courage- teacher, what America did you have when Charon quit poling his ferry and you got out on a smoking bank and stood watching the boat disappear on the black waters of Lethe? Berkeley 1955
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Trees hold the deep earth together way below with crooked fingers of the underworld and catches foul above Upward to the heavens on finger towers, clapping on winds they shake their dander And the makers of green bras on mountain tops They are the landlords of ground,and air beasts, and incumbent giants of the ages They whisper being puppeteered by winds of old They are the alchemists of oxygen They are dangling playgrounds They are the Autumn crunches beneath our feet Trunk etchings by bards, trees reflecting cultures' dissemination We walk under penumbras that deny the scorch of summer as cool water douses fire, so too, shade douses heat Watching trees in my pleasant reverie I observe how they help break the carpeted land, bringing about a  certain diversity in moving tranquility and rustling of their songs
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Oct 1, 2014
Oct 1, 2014 at 7:20 AM UTC
Trees in majesty
The Mendacity of Beauty,  Marvels of the Mundane <1/1/2023 10:38 PM> commissioned by Pradip^           <> A special carnet permits the day, though day itself unremarkable, permissioning of a thousand, even, tens of ten thousand grasping new love poems all mundane, all marvelous an aborning of odes re the vastness of sea, sandy sky, multifarious penumbras of hewn hues, vibrantly diverse, still, requiring the expanse and pretense of “new” adjectives and metaphoric in combos recalculating precisely, it’s the enormity, of the difficulty of verbal capture upon tablet of these natural treasures, once, more, yet again, but in somehow in a new-never quite-before conceptional~postulation-realization I sojourn amidst both man made and natural beauty, provoking, invoking, a steady stream of potable knowledgeables, performing as a hand-written-thank-you-note for the grace, the imagination of their mishmash existences addressed only to “whom it may truly concern…” I’m eager to confess that the poetry inherent in the mundane, requiring not-so-easy mining, a sales taxing innovation to capture the subtlety of less visible flecks of gold, that present a rarer challenge to the poet’s senses where glory abides in pyrite pebbles strewn and trod upon by most indifferently, *ah, write of the marvel of the mundane, **** dare you!* <> ^Pradip: “writing of the mundane is mandatory for me…” Aug 12 2022
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Jul 1, 2023
Jul 1, 2023 at 11:10 AM UTC
The Mendacity of Beauty, Marvels of the Mundane
a deluge,          a flood, water flows           as a seedling drowns itself in a word inaudible            deaf the fertile ages like a promiscuous fire          buried with flames passion                 bound to the world by passion            it is also released            man the animal            speech craft of a deserted tongue filtered                 thoughts retreat          to fallen realities sorrowing confusion revolves       around the charred light burn the natural flower       let loose the animal craving drink of the chalice from the fictitious mind          all the world on fire animalistic morality       the flame circles the weeping lion amidst the penumbras skin      they weep for the magnetic night burning inside a compassionate luminosity         man/animal a surge of atonements for the rage inside us
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Jan 17, 2016
Jan 17, 2016 at 2:50 PM UTC
Man/Animal
That tiny red brick townhouse somewhere away from London. Bathed in fogged sunlight. Watery air. rays in penumbras. At the window she is a conflagration of soft yellow lasers. The ivy creeps up the windows from a bottomless rug seeping out of the basement grates in green scrambling capillaries, they want to be burned in the sun. What joy a snake like me feels in a daydream set in his innocent London, to be supplanted by fear lazing with her legs up *** open, ***** smiling vertically and her red-pink **** an apple on scratchy bedsheets.
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Dec 1, 2011
Dec 1, 2011 at 7:56 PM UTC
A Snake's Daydream.
Pull me down into your moonlit lakes and stormy penumbras in your brilliant eyes Smother me with your petrichor and evanescant forever afters and a fleeting eternity Tempt me with the galaxies in your orbiting existence and questions--questions and gossamer mysteries Be my eloquence of my stutter, my elixir to my poison, my epiphany for my existence.
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Feb 23, 2015
Feb 23, 2015 at 6:03 PM UTC
Don't
A whisper ghosts silently Down the stygian hallway. Follow Me Rushes through her ears, Silencing her thoughts as her heartbeat crescendoes. Tempted, She peers into obscurity, Hypnotized by dancing penumbras. Veiled in the shadows lie the Universe's secrets, But she draws back. Merely a glimpse is enough, And she returns to evanescence.
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Jul 8, 2014
Jul 8, 2014 at 12:50 AM UTC
Her Volition
In speculating a plumage’s stinging or sorting yesteryear’s chromosomes glint of antiques resplendent as rivulets at The Moonlit Square that shimmered beneath penumbras of fear A stained moon foreshadowing Jahan Ara’s Chowk for Silver Wear The canals blocked, choking with Change Glistering new arrivals, effusing of Change: the tryst carries grave integrity within veins branching across peninsula for pumping reigns Ours is the Strange Acquiesce where a fledgling’s plumage unfurls toward velvety notes of wealth A perennial disruption of equilibrium From Smack to Silk Route till Here Before Iwans, Jhajjharis, or intricate Basti its plumage swayed from Golden Age burdened through pronouncements as Gujarata-Pratihara; Pala; Rashtrakuta: the peninsula that sustains formidable histories shall commemorate edifices lost by centuries Together We Ruminate: What state must it bear this day? traversed across periods sorrowed by time plumage seeks to retire in search of rhyme
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Mar 15, 2015
Mar 15, 2015 at 1:58 PM UTC
Plumage
you were too much like a nectarine in early summer. All poreless and bright and insinuating sweetness. Filled me up with your secret eruption then shut me down with your sleek silver tongue. Lava barricaded my eardrums, enhancing my blood, fire in your eyes. I was a plum, stealing forth in the wake of your Augustine heat. My tender skin gave way to your deft touch. But then I bit down, tasted the flesh beneath your glossy sheen and oh how it betrays you! So yellow and unripe, so taut with newness, still clinging to the brightness of dawn, spring-frozen with fear of the darkness of my nectar. Today I woke up with a magnet in my pitted stomach. Echoes of cold metal scour my throat. That love- -less twang in the aortal penumbras--hope, a refuge swallowed by the ephemeral night. I always knew you were too much like a nectarine in early summer.
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Jan 4, 2019
Jan 4, 2019 at 8:56 AM UTC
I always knew
There are stars here! There are stars here, my friends! And as I lie among the streetlight- -cast penumbras staring at the Pentahedral crystal hammock jungle gym     I am with them! I am with them in wonder In joy in amazement in ecstasy in open- -eyed revelation of truth As I realize I was born not In a city of shadows But in a city of such blinding brightness That I could never marvel at the darkness              and the darkness is beautiful here. Perfect halogen moonbeam outlines of imperfect Bodies frolicking in selfprescribed madness Spinning in the chemical centrifuge Until lights become light and             encircles us        endlessly Creating its own central outward                 Gravity As I become you become me And we sail this endless sea of                 Blackness And we fall ever deeper into the great                Singularity everconsuming everlasting         All Encompassing Feeling Grasping Gasping             Growing                                Seeing                                               Darkness. Instruments of depravity Forged great, twisted Spinal curvatures held proud And feared by the mighty For our words poison their youth Revealing our shadowy enlightenment Clarifying with murky water Promises of intangible tangibilities. Beautifying chaotic tangled Masses forming perfection in          nebulous        amorphism.                      Downward, Downward                         Circling ever downward                            Spiraling veraciously downward Downward the holy! Downward the giving! Downward unto Heaven! Downward unto Hell! Downward unto Creation!                   Down. Where the soul becomes concrete And the concrete vague                                                  synesthetic                                                                           bliss.      The Darkness is beautiful here. 6 September 20l0
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Oct 3, 2010
Oct 3, 2010 at 5:37 PM UTC
Enlightenment, In Davis California
There are stars here! There are stars here, my friends! And as I lie among the streetlight- -cast penumbras staring at the Pentahedral crystal hammock jungle gym     I am with them! I am with them in wonder In joy in amazement in ecstasy in open- -eyed revelation of truth As I realize I was born not In a city of shadows But in a city of such blinding brightness That I could never marvel at the darkness              and the darkness is beautiful here. Perfect halogen moonbeam outlines of imperfect Bodies frolicking in selfprescribed madness Spinning in the chemical centrifuge Until lights become light and             encircles us        endlessly Creating its own central outward                 Gravity As I become you become me And we sail this endless sea of                 Blackness And we fall ever deeper into the great                Singularity everconsuming everlasting         All Encompassing Feeling Grasping Gasping             Growing                                Seeing                                               Darkness. Instruments of depravity Forged great, twisted Spinal curvatures held proud And feared by the mighty For our words poison their youth Revealing our shadowy enlightenment Clarifying with murky water Promises of intangible tangibilities. Beautifying chaotic tangled Masses forming perfection in          nebulous        amorphism.                      Downward, Downward                         Circling ever downward                            Spiraling veraciously downward Downward the holy! Downward the giving! Downward unto Heaven! Downward unto Hell! Downward unto Creation!                   Down. Where the soul becomes concrete And the concrete vague                                                  synesthetic                                                                           bliss.      The Darkness is beautiful here. 6 September 20l0
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A- ‘Dusk roofed me!’ B- ‘No! You are in Blister Effect!’ **** A- ‘Why?’ B- ‘Two penumbras overlap!’ **** A - ‘What?’ B- ‘You are in wider sources of light!’ **** A – ‘Then what?’ B – ‘It attracts and unites!’ **** A – ‘But umbra is there!’ B – ‘It is with everyone, you can’t confiscate!’ ‘It will hark back about nimbus- to shower – dispense water’!
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Jun 26, 2015
Jun 26, 2015 at 12:57 PM UTC
Yak between ‘A’ and ‘B ‘
Olhei o exterior, a descoberto, no costume dos dias, Olhar de lince, penetrou perante os espetros ocultos, Tudo aquilo que se via, imaginava real, o que fazias, E porque o era, nada mudava afinal nesses vultos! Sem medos, nem costumes delirantes, tudo era normal, As sombras não se escondiam nas penumbras do dia, Nem o sol deixou de brilhar no pleno dia que eu vivia, Acordar de criança, desejoso de o ser, como água termal! Perdeu-se o tempo, constrangido com riscos e desafios, Falava-se de tudo e para todos, sem nosso silêncio crismal, Aquelas vestes de antigamente, tribunal, hoje é ponto final! E a realização dos sonhos são isso, desafios lógicos e sentimentos, Delira o corpo, com o satisfazer da mente, coisas duradouras e belas, Se cresce desejo, se sonho quando te vejo e aprecio teus encantos, Solto-me no ar, voando e planando, pelas nossas vestes, paralelas! E longe te aperto aqui, mundo que conheci, seguro no bolso, Seu fecho de saco impermeável e por demais, mais durável, Aquece-me o presente, com sonhos para futuro, sustentável, E, teus sonhos, meus, minha, vida tua é sem troca ou reembolso! Autor: António Benigno Código de Autor: 2013.10.02.02.26
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Oct 2, 2013
Oct 2, 2013 at 6:53 AM UTC
Que tão bonito jeito de olhar
A un niño, a un solo niño que iba para piedra nocturna, para ángel indiferente de una escala sin cielo... Mirad. Conteneos la sangre, los ojos. A sus pies, él mismo, sin vida.   No aliento de farol moribundo, ni jadeada amarillez de noche agonizante, sino dos fósforos fijos de pesadilla eléctrica, clavados sobre su tierra en polvo, juzgándola. Él, resplandor sin salida, lividez sin escape, yacente, juzgándose.   Tizo electrocutado, infancia mía de ceniza, a mis pies, tizo yacente. Carbunclo hueco, ***** desprendido de un ángel que iba para piedra nocturna, para límite entre la muerte y la nada. Tú: yo: niño.   Bambolea el viento un vientre de gritos anteriores al mundo a la sorpresa de la luz en los ojos de los reciennacidos, al descenso de la vía láctea a las gargantas terrestres. Niño.   Una cuna de llamas de norte a sur, de frialdad de tiza amortajada en los yelos, a fiebre de paloma agonizando en el área de una bujía; una cuna de llamas meciéndote las sonrisas, los llantos. Niño.   Las primeras palabras abiertas en las penumbras de los sueños sin nadie, en el silencio rizado de las albercas o en el eco de los jardines, devoradas por el mar y ocultas hoy en un hoyo sin viento. Muertas, como el estreno de tus pies en el cansancio frío de una escalera. Niño. Las flores, sin piernas para huir de los aires crueles, de su espoleo continuo al corazón volante de las nieves y los pájaros, desangradas en un aburrimiento de cartillas y pizarrines. 4 y 4 son 18. Y la X, una K, una H, una J. Niño. En un trastorno de ciudades marítimas sin escrúpulos, de mapas confundidos y desiertos barajados, atended a unos ojos que preguntan por los afluentes del cielo, a una memoria extraviada entre nombres y fechas. Niño. Perdido entre ecuaciones, triángulos, fórmulas y precipitados azules, entre el suceso de la sangre, los escombros y las coronas caídas, cuando los cazadores de oro y el asalto a la banca, en el rubor tardío de las azoteas voces de ángeles te anunciaron la botadura y pérdida de tu alma. Niño. Y como descendiste al fondo de las mareas, a las urnas donde el azogue, el plomo y el hierro pretenden ser humanos, tener honores de vida, a la deriva de la noche tu traje fue dejándote solo. Niño. Desnudo, sin los billetes de inocencia fugados en sus bolsillos, derribada en tu corazón y sola su primera silla, no creíste ni en Venus, que nacía en el compás abierto de tus brazos. ni en la escala de plumas que tiende el sueño de Jacob al de Julio Verne. Niño. Para ir al infierno no hace falta cambiar de sitio ni postura.
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Muerte y juicio
A un niño, a un solo niño que iba para piedra nocturna, para ángel indiferente de una escala sin cielo... Mirad. Conteneos la sangre, los ojos. A sus pies, él mismo, sin vida.   No aliento de farol moribundo, ni jadeada amarillez de noche agonizante, sino dos fósforos fijos de pesadilla eléctrica, clavados sobre su tierra en polvo, juzgándola. Él, resplandor sin salida, lividez sin escape, yacente, juzgándose.   Tizo electrocutado, infancia mía de ceniza, a mis pies, tizo yacente. Carbunclo hueco, ***** desprendido de un ángel que iba para piedra nocturna, para límite entre la muerte y la nada. Tú: yo: niño.   Bambolea el viento un vientre de gritos anteriores al mundo a la sorpresa de la luz en los ojos de los reciennacidos, al descenso de la vía láctea a las gargantas terrestres. Niño.   Una cuna de llamas de norte a sur, de frialdad de tiza amortajada en los yelos, a fiebre de paloma agonizando en el área de una bujía; una cuna de llamas meciéndote las sonrisas, los llantos. Niño.   Las primeras palabras abiertas en las penumbras de los sueños sin nadie, en el silencio rizado de las albercas o en el eco de los jardines, devoradas por el mar y ocultas hoy en un hoyo sin viento. Muertas, como el estreno de tus pies en el cansancio frío de una escalera. Niño. Las flores, sin piernas para huir de los aires crueles, de su espoleo continuo al corazón volante de las nieves y los pájaros, desangradas en un aburrimiento de cartillas y pizarrines. 4 y 4 son 18. Y la X, una K, una H, una J. Niño. En un trastorno de ciudades marítimas sin escrúpulos, de mapas confundidos y desiertos barajados, atended a unos ojos que preguntan por los afluentes del cielo, a una memoria extraviada entre nombres y fechas. Niño. Perdido entre ecuaciones, triángulos, fórmulas y precipitados azules, entre el suceso de la sangre, los escombros y las coronas caídas, cuando los cazadores de oro y el asalto a la banca, en el rubor tardío de las azoteas voces de ángeles te anunciaron la botadura y pérdida de tu alma. Niño. Y como descendiste al fondo de las mareas, a las urnas donde el azogue, el plomo y el hierro pretenden ser humanos, tener honores de vida, a la deriva de la noche tu traje fue dejándote solo. Niño. Desnudo, sin los billetes de inocencia fugados en sus bolsillos, derribada en tu corazón y sola su primera silla, no creíste ni en Venus, que nacía en el compás abierto de tus brazos. ni en la escala de plumas que tiende el sueño de Jacob al de Julio Verne. Niño. Para ir al infierno no hace falta cambiar de sitio ni postura.
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Rayos iluminadores...a veces. Penumbras...otras muchas. Himnos que desaparecen en el vacío anodino con rumbo desconocido. Haces fotónicos fugaces iluminan momentáneos el espíritu y el tiempo. Al frente de la nada sónica: el silencio, veloz como la luz cómplice de algunos movimientos. La penumbra, sin embargo, plácida se disuelve lentamente con las noches. Cuando la luz solar pierde su derroche, la oscuridad se mata con fluorescencias de avenida. Jorge Gómez Arias
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Jun 24, 2012
Jun 24, 2012 at 11:08 AM UTC
CANCIOTRÓNICA
Sol espledente de primavera, a cuyo beso, fresca y lozana, la flor se yergue, la mariposa viola el capullo, la yema estalla; sol espledente de primavera: ¡yo te aborrezco! porque desgarras las brumas leves, que me circundan como rizado crespón de plata.   A mí me gustan las tardes grises, las melancolías, las heladas, en que las rosas tiemblan de frío, en que los cierzos gimiendo pasan, en que las aves, entre las hojas, el pico esconden bajo del ala.   A mí me gustan esas penumbras indefinibles de la enramada, a cuyo amparo corren las fuentes, surgen los gnomos, las hojas charlan...   Sol espledente de primavera, cede tu gloria, declina, pasa: deja las brumas que me rodean como rizado crespón de plata.   Bellas mujeres de ardientes ojos, de vivos labios, de tez rosada, ¡os aborrezco! Vuestros encantos ni me seducen ni me arrebatan.   A mí me gustan las niñas tristes, a mí me gustan las niñas pálidas, las de apacibles ojos obscuros donde perenne misterio irradia; las de miradas que me acarician bajo el alero de las pestañas...   Más que las rosas, amo los lirios y las gardenias inmaculadas; más que claveles de sangre y fuego, la sensitiva mi vista encanta...   Bellas mujeres de ardientes ojos, de vivos labios, de tez rosada: pasad en ronda vertiginosa; vuestros encantos no me arrebatan...   Himnos vibrantes de las victorias, notas triunfales, bélicas marchas, ¡os aborrezco! porque, al oíros, trémulas huyen mis musas blancas.   A mí me gustan las notas leves... las notas leves... las notas lánguidas, las que parecen suspiros hondos... suspiros hondos de almas que pasan...   Chopin: delirio por tus nocturnos; Beethoven: sueño con tus sonatas: Weber: adoro tu Pensamiento Schubert: me arroba tu Serenata.   ¡Oh! Cuántas veces, bajo el imperio de vuestra música apasionada, Ella me dice: ¿Me quieres mucho? y yo respondo: ¡Con toda el alma!   Himnos vibrantes de las victorias, notas triunfales, bélicas marchas: ¡chit! porque huyen al escucharos, trémulas todas, mis musas blancas...   Sol espledente de primavera, lindas mujeres de faz rosada, himnos triunfales...; ¡dejadme a solas con mis ensueños y mis nostalgias!   Pálidas brumas que me rodean como rizado crespón de plata, vagas penumbras, niñas enfermas de ojos obscuros y tez de nácar, notas dolientes: ¡venid, que os amo! ¡Venid, que os amo! ¡Tended las alas!
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Perlas negras - xii
Sol espledente de primavera, a cuyo beso, fresca y lozana, la flor se yergue, la mariposa viola el capullo, la yema estalla; sol espledente de primavera: ¡yo te aborrezco! porque desgarras las brumas leves, que me circundan como rizado crespón de plata.   A mí me gustan las tardes grises, las melancolías, las heladas, en que las rosas tiemblan de frío, en que los cierzos gimiendo pasan, en que las aves, entre las hojas, el pico esconden bajo del ala.   A mí me gustan esas penumbras indefinibles de la enramada, a cuyo amparo corren las fuentes, surgen los gnomos, las hojas charlan...   Sol espledente de primavera, cede tu gloria, declina, pasa: deja las brumas que me rodean como rizado crespón de plata.   Bellas mujeres de ardientes ojos, de vivos labios, de tez rosada, ¡os aborrezco! Vuestros encantos ni me seducen ni me arrebatan.   A mí me gustan las niñas tristes, a mí me gustan las niñas pálidas, las de apacibles ojos obscuros donde perenne misterio irradia; las de miradas que me acarician bajo el alero de las pestañas...   Más que las rosas, amo los lirios y las gardenias inmaculadas; más que claveles de sangre y fuego, la sensitiva mi vista encanta...   Bellas mujeres de ardientes ojos, de vivos labios, de tez rosada: pasad en ronda vertiginosa; vuestros encantos no me arrebatan...   Himnos vibrantes de las victorias, notas triunfales, bélicas marchas, ¡os aborrezco! porque, al oíros, trémulas huyen mis musas blancas.   A mí me gustan las notas leves... las notas leves... las notas lánguidas, las que parecen suspiros hondos... suspiros hondos de almas que pasan...   Chopin: delirio por tus nocturnos; Beethoven: sueño con tus sonatas: Weber: adoro tu Pensamiento Schubert: me arroba tu Serenata.   ¡Oh! Cuántas veces, bajo el imperio de vuestra música apasionada, Ella me dice: ¿Me quieres mucho? y yo respondo: ¡Con toda el alma!   Himnos vibrantes de las victorias, notas triunfales, bélicas marchas: ¡chit! porque huyen al escucharos, trémulas todas, mis musas blancas...   Sol espledente de primavera, lindas mujeres de faz rosada, himnos triunfales...; ¡dejadme a solas con mis ensueños y mis nostalgias!   Pálidas brumas que me rodean como rizado crespón de plata, vagas penumbras, niñas enfermas de ojos obscuros y tez de nácar, notas dolientes: ¡venid, que os amo! ¡Venid, que os amo! ¡Tended las alas!
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(a Shakespearean sonnet by MysticRiddleton) Lake of mirror from beneath, On thee reclines the wet gray cotton sea Glowing faintly overneath Projects penumbras of the tree Pictures alter by the angle Heaven slithers swift as I Near and closely leans in angle Sees thy creature eye to eye Alas! The radiance that makes thee luster Decides to pluck thee bit by bit Pictures fading by the mirror Lake of mirror, be not beat! Keep thy stagnant lake, oh mirror Let thou ripple with some vapor.
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Sep 26, 2017
Sep 26, 2017 at 10:55 AM UTC
LAKE OF MIRROR
Como un rayo de luz que alumbra en las oscuridad , asi te alumbrara Jehova si lo buscas con gratitud . El siempre sera la luz en medio de las penumbras , y en esa oscuridad el te alumbra con su poder y su luz.
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Aug 5, 2015
Aug 5, 2015 at 1:18 PM UTC
Como un rayo de luz.
In the valley of penumbras at the round table black knights cheering at the right hand of gods Lucifer in between dancing melancholically 07/29/2016
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Jul 30, 2016
Jul 30, 2016 at 2:35 PM UTC
In Lap of Gods
I am settled in the arugula palace Everybody in the same scattered image Seeking reconstruction or construction of the mind I write this for myself to be unwinded & unrolled He's a shifting plane of bisecting geometries Now a thin woman shuttling kids in a minivan Smoking newport cigarettes & feeling mucous gather in the sore spot in her throat. Her husband who is overworked & penniless--a clown frozen in a shipping container underneath a hi-low. He is fetching up the scraps of industry from inside a concrete bottle. He is messing with the intersecting circles coming off the streetlights. He is stacking up assumptions, wishing to be freed. Wishing he could reach that frightened child-monkey loser in the parking lot. He is clawing @ sensations he will never be able to name. He is secretly wishing for a vision. Secretly wishing to be known. He is tied & tethered to the clean-up crew. They are silent pretenders nodding at the recycling bins--never emptied. There he is formatted. There his eyes go staring out. There a picture--but what's a picture now that it's all beyond control, no longer static, no longer a container or reminder but rather a cloud passing, a moment's pause, a temporary fascination? A posing, a posturing, a big a-Ha!--fuck you! Stranger. You are not a part of me. The danger is madness. The danger is control. There are no static images. No peaches. No penumbras. No mandalas, maps, organizations or rebuttals. There is only standing water in the basement. There is only diet pepsi car keys hanging on the edge of a golden cloudburst.
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Aug 22, 2016
Aug 22, 2016 at 5:35 PM UTC
******* in the Backyard
I am settled in the arugula palace Everybody in the same scattered image Seeking reconstruction or construction of the mind I write this for myself to be unwinded & unrolled He's a shifting plane of bisecting geometries Now a thin woman shuttling kids in a minivan Smoking newport cigarettes & feeling mucous gather in the sore spot in her throat. Her husband who is overworked & penniless--a clown frozen in a shipping container underneath a hi-low. He is fetching up the scraps of industry from inside a concrete bottle. He is messing with the intersecting circles coming off the streetlights. He is stacking up assumptions, wishing to be freed. Wishing he could reach that frightened child-monkey loser in the parking lot. He is clawing @ sensations he will never be able to name. He is secretly wishing for a vision. Secretly wishing to be known. He is tied & tethered to the clean-up crew. They are silent pretenders nodding at the recycling bins--never emptied. There he is formatted. There his eyes go staring out. There a picture--but what's a picture now that it's all beyond control, no longer static, no longer a container or reminder but rather a cloud passing, a moment's pause, a temporary fascination? A posing, a posturing, a big a-Ha!--fuck you! Stranger. You are not a part of me. The danger is madness. The danger is control. There are no static images. No peaches. No penumbras. No mandalas, maps, organizations or rebuttals. There is only standing water in the basement. There is only diet pepsi car keys hanging on the edge of a golden cloudburst.
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7
Siempre sabía que eras demasiado como una nectarina a principios de verano. Tú: sin poros y brillante e insinuando dulzura. Me llenaste con tu erupción secreta, luego me apagaste con tu lengua plateada y elegante, lava palpitante en mis tímpanos, realzando mi sangre, con fuego en tus ojos. Yo era una ciruela, vagando hacia su calor agustín. Mi piel tierna cedió a su toque hábil. Pero luego lo mordí. Probé la carne bajo tu brillo brillante. Y ¡oh cómo te traiciona! Tan amarillo e inmaduro, tan tenso con la novedad, Aún aferrado al brillo del alba, primavera congelada con miedo de la oscuridad de mi néctar. Hoy me desperté aquí con un imán en mi estómago. Ecos de metal frío recorren en mi garganta. La falta de amor, el dolor que corre entre las penumbras aórticas-- la esperanza, un refugio tragado por la noche efímera. Siempre sabía que eras demasiado como una nectarina a principios de verano.
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Jan 4, 2019
Jan 4, 2019 at 10:14 AM UTC
Siempre lo sabía
You feel stories are always unsolicited. You do not want them. You want to feel the agony of the moment – all the more the electricity of it. A moment mottled by rain this ordinary Thursday afternoon, or the dust eloping in the wind as we drove past 50 in the middle of the night, you telling me I do not clean my car thoroughly, like that of a lady’s. You feel stories pose no importance. Say, at the edge of our seats or at the jagged lip of a cliff – you would dare say jump, alone, unwound, unfettered, resolute, obvious and available in truancy, out of incalculable fear of existing – you took the plunge and claimed it’s all the same. Apertures frantic with dazed visions of fondness. Vertical leap, cutting through the vague sky. Keeping some sense of freedom, yet we are not as free as we think. You do not want a story. You do not buy its thrills. You chortle at the idea of lasting things because they have hands that are clenched and frenzied. They brand. They are territorial. You are no territory. You are an island, adrift somewhere, breathing on its own in between penumbras of want and coasts of dread. You feel characters do not change scripts. They change how you say things. Say, when he told you were needed, and I told you that you insist your forceful importance – you felt the need to dab into the air and spire through the thickness of the dark, flamboyant with the color of freedom, you said, pale as a dove, I am free. Finally, the man might have left somewhere without you knowing it, and just as you are unclenching your wings, you project your pace into the sky like an unseen margin in the invisibility of all invisibilities – it is impossible to look away. You felt stories are not needed. You wanted experience. The end of a dull knife, the sound of a .45 shot into the sky as the police circle the filthy streets of Quezon City. You in your Chuck Taylors, running, looking for some tough nook to hide in – omen of another rain in sight. You remembered when you first bathed in rain and laughed a laugh so impossible with high notes and shrills – you laughed away like you were not coming back, because there is no need for a story. Now left to wondering in the vastness of the room before me, was it something to be believed? A broken orchestra enters with its surrendering music and everything is ended. I fell asleep, still dreaming of running away.
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Mar 25, 2016
Mar 25, 2016 at 12:33 AM UTC
Noir
You feel stories are always unsolicited. You do not want them. You want to feel the agony of the moment – all the more the electricity of it. A moment mottled by rain this ordinary Thursday afternoon, or the dust eloping in the wind as we drove past 50 in the middle of the night, you telling me I do not clean my car thoroughly, like that of a lady’s. You feel stories pose no importance. Say, at the edge of our seats or at the jagged lip of a cliff – you would dare say jump, alone, unwound, unfettered, resolute, obvious and available in truancy, out of incalculable fear of existing – you took the plunge and claimed it’s all the same. Apertures frantic with dazed visions of fondness. Vertical leap, cutting through the vague sky. Keeping some sense of freedom, yet we are not as free as we think. You do not want a story. You do not buy its thrills. You chortle at the idea of lasting things because they have hands that are clenched and frenzied. They brand. They are territorial. You are no territory. You are an island, adrift somewhere, breathing on its own in between penumbras of want and coasts of dread. You feel characters do not change scripts. They change how you say things. Say, when he told you were needed, and I told you that you insist your forceful importance – you felt the need to dab into the air and spire through the thickness of the dark, flamboyant with the color of freedom, you said, pale as a dove, I am free. Finally, the man might have left somewhere without you knowing it, and just as you are unclenching your wings, you project your pace into the sky like an unseen margin in the invisibility of all invisibilities – it is impossible to look away. You felt stories are not needed. You wanted experience. The end of a dull knife, the sound of a .45 shot into the sky as the police circle the filthy streets of Quezon City. You in your Chuck Taylors, running, looking for some tough nook to hide in – omen of another rain in sight. You remembered when you first bathed in rain and laughed a laugh so impossible with high notes and shrills – you laughed away like you were not coming back, because there is no need for a story. Now left to wondering in the vastness of the room before me, was it something to be believed? A broken orchestra enters with its surrendering music and everything is ended. I fell asleep, still dreaming of running away.
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12
In the night I am joined. A drink summons a row of faces, unrecognizable they come to me as penumbras. A swirl of half crescent grins and grimaces cry out in pain. I am ****** into a hole of submission, here are all the allegorical creations living inside of me. These things stand tall, bare and judging. Laughing and watching as I fall into a bottomless grip called “inevitability". Breathing raw, dank ideologies. Manifesting nasty, stubborn idiosyncrasies. I am freed by another drink And the pleasant reality that sometimes moving on means laughter.
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Aug 1, 2019
Aug 1, 2019 at 8:00 PM UTC
Howl
I walked among the garden, passing by where long ago you once planted daisies—how those buds once bloomed. I walked a-ways farther until I came to a hearth, torn asunder. Its warmth gone cold and gray. The air about the garden is murky and slick, and I can feel it hang low in the snood of the evening mist. Up ahead I see where the path narrows, and like a siren it lasciviously calls out to me. It lies barren beneath the wet winter wind that blows restive. I know that it knows the way not. The wind sets the tawny leaves to caper and dance this way and that. And laconically they cross atop the worn-out grass. The sun now set save for the trailing penumbras, that set ominous among the darkening clouds like floating tundras. I catch a chill and realize for the first that I am out here alone; among the ancient pillars in the shadowy garden that I have for so long known. Why is it that year after year I must return here, is it to visit you, set things straight, or is it to recover a thing I might have lost to the atavistic gait of chaos and time? I know not—it is not for me to know. But, out here among the spectral shadows I am returned to the primordial. The nonpareil decay of clay and dust.
0
Apr 1, 2018
Apr 1, 2018 at 8:46 PM UTC
REMEMORAUNCE
las aguas de tu vientre cantan al fondo del país/ así estás hecha/ hoy que la lluvia duele en todo el mundo te posás/ ¿dónde escribís tus estaciones?/ ¿las trémulas de tu candor?/ ¡panadera!/ ¡brillás para que nadie sufra!/ ¡amigas compañías que empiezan en tu piel!/ ¡cómo penumbras del furor!/ ¡así a tus pechos viene el ido!/ ¡el que pasaba por tus jugos contra la olvidación!/ ¡apretando los huesitos prestados/
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446
Las aguas de tu vientre cantan al fondo del país