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RAJ NANDY Aug 2018
THE ENIGMA OF TIME IN VERSE: PART TWO
Dear Friends, having introduced ‘The Enigma of Time in Verse’ in Part One, along with few selected poetic quotes, I now mention what some of the important Philosophers thought about Time down the past centuries. But while doing so, I have tried my best to simplify some of those early concepts for better understanding and appreciation of my readers. If you like it, kindly re-post the poem. Thanks,  – Raj Nandy of New Delhi.

          THE ENIGMA OF TIME IN VERSE : PART TWO
   I commence by quoting Sonnet 60 of Shakespeare about Time,
   Hoping to seek some blessings for this Part Two composition of
   mine!
“Like as the waves make towards the pebbled shore,
  So do our minutes hasten to their end;
  Each changing place with that which goes before,
  In sequent toil all forwards do contend.
  Nativity, once in the main of light,
  Crawls to maturity, wherewith being crown’d,
  Crooked elipses ’gainst his glory fight,
  And Time that gave doth now his gift confound.
  Time doth transfix the flourish set on youth
  And delves the parallels in beauty’s brow,
  Feeds on the rarities of nature’s truth,
  And nothing stands but for his scythe to mow:
  And yet to times in hope my verse shall stand,
Praising thy worth, despite his cruel hand.”

              PHILOSOPHY OF TIME
Animals are said to live in a continuous present,
Since they have no temporal distinction of past, future,
or the present.
But our consciousness of time, becomes the most
distinguishing feature of mankind.
Though we are mostly obsessed with objective time, -
As the rotation of our Earth separates day from night.
With the swing of the pendulum and the ticking of clocks,
Which regulates our movements, while we try to beat the clock!
But the ancient theologians and philosophers of India and
Greece,
Who were among the first to ponder about the true nature
of all things,
Had wondered about the subjective nature of time;
Was time linear or cyclic, was time endless or finite?

GREEK PHILOSOPHERS ON TIME:
I begin with Heraclitus, the Pre-Socratic philosopher of 6th Century BC born in Ephesus.
He claimed that everything around us, is in a constant state of change and flux.
You cannot step into the same river twice Heraclitus had claimed,
Since water keeps flowing down the river all the while and never
remains the same.
This flow and change in Nature is a process which is ceaseless.
The only thing which remains permanent is impermanence!
Here is a quote from poet Shelley reflecting the same idea:
“World on world are rolling ever
  From creation to decay
  Like the bubbles on a river
  Sparkling, bursting, borne away.”

Now Heraclitus was refuted by Parmenides, born in the Greek colony of Elea,
On the western coast of Southern Italy, as his contemporary.
Parmenides said that our senses deceive us, since all changes are mere illusory!
True reality was only eternal and unchanging ‘Being’, which was both indivisible and continuous - filling up all space.
Zeno, a pupil of Parmenides, through his famous ‘Paradox of Achilles and the Tortoise’ had shown, that when the tortoise was given a head start,
Swift footed Achilles could never catch up with the tortoise,
Since the space between the two were infinitely divisible, resulting in the impossibility of movement and change in motion!
Now the Greeks were never comfortable with the Concept of Infinity.
They preferred to view the universe as continuous existing ‘Being’.  
However, unlike Heraclitus’ ‘world of change and flux’,
Both Parmenides and Zeno have presented us, with a static unchanging universe!
Thus from the above examples it becomes easy for us to derive,  
How those Ancient Greeks had viewed Time.
Time has been viewed as a forward moving changing entity;
And also as an illusory, continuous and indivisible Being!
To clarify this further I quote Bertrand Russell from his ‘History of Western Philosophy’;
“Creation out of nothing, which was taught in the Old Testament, was an idea wholly foreign to Greek philosophy. When Plato speaks of creation, he imagines a primitive matter, to which God gives form as an artificer.”

PLATO AND ARISTOTLE ON TIME:
For Plato, time was created by the Creator at the same instance when he had fashioned the heavens.
But Plato was more interested to contemplate on things which lay
beyond the sway of time and remained unchangeable and eternal;
Like absolute Truth, absolute Justice, the absolute form of Good and Beauty;
Which were eternal and unchangeable like the ‘Platonic Forms’, and were beyond the realm of Time as true reality.
Plato’s pupil Aristotle was the first Greek philosophers to contemplate on reality inside time, and provide a proper definition as we get to see.
He said, “Time is the number of movement in respect to before and after” - as a part of reality.
To measure time numerically, we must have a ‘before’ and an ‘after’, and also notice the difference objectively.
Therefore, time here becomes the change which we see and experience.
Time takes on a linear motion moving from the past to the present;
And to the unknown future like a moving arrow travelling straight.
Aristotle had developed a four step process to understand everything inside of Time and within human experience:
(a) Observe the world using our senses,
(b) Apply logical rules to these observations,
(c) To go back and consult past authorities, if your logic agrees with their logic,
(d) Then only you can come to a logical conclusion.

No wonder in our modern times, experiments conducted by the LDC or the Large Hadron Collider, located 100m underground near the French-Swiss border,
By going back in time simulates the ‘Big Bang’ conditions, that moment of our universe’s first creation.
The scientists thereby, study the evolution of our universe with time, which  resulted in the  finding of the Higgs Boson !  (On 4thJuly 2012)

NOTES :  All elementary particles interacting with the Higg's Field & obtain Mass, excepting for photons & gluons which do not interact with this field. Mass-less photons can travel at the
speed of light with a mind boggling 186,000 miles per second! Now this LDC is a Particle Accelerator 27 kms long ring-shaped tunnel, made mostly of superconducting magnets, inside which two high-energy particle beams are made to travel close to the speed of light in opposite directions, and the shower of particles resulting from the collision is closely examined, presuming that these similar shower of particles must have been produced at the time of the ‘Big Bang’ some 13.8 million years ago, at the time of Creation! Sound like fiction? Well, Prof. Peter Higgs got the Noble Prize for Physics, for locating the particle called ‘Higgs Boson’ among those shower of particles, on 10th Dec. 2013.

NOW TO LIGHTEN UP MY READERS MIND, FEW TIME QUOTE I NOW PROVIDE :

“TIME WASTES OUR BODIES AND OUR WITS,
  BUT WE WASTE TIME, SO WE ARE QUITS!” – Anonymus.

‘Time is a great Teacher, but unfortunately it kills its Pupils!’ – HL Berlioz

“Lost , yesterday, somewhere between sunrise and sunset, two
   golden hours,
   Each set with sixty diamond minutes.
   No reward is offered, for they are gone forever!” – Horace Mann


PLOTINUS & ST. AUGUSTINE ON TIME:
Now getting back to our Philosophy of Time, there was Plotinus of the 3rd Century AD,
The founder of the mystical Neo-Platonic School of Philosophy.
He had followed Plato’s basic concept of Time as “the moving image of eternity.”
Mystic Plotinus tried to synthesize both Aristotle and Plato by saying that the entire process of cosmic creation,
Flows out of the ONE  through a series of emanation!
This ONE gave rise to the ‘Divine Mind’ which he called the ‘Realm of Intelligence’ and is an aspect of reality,
When everything is understood in terms of Platonic Forms of Truth, Justice, the Good, and Beauty.
However, the later Christian theologians had interpreted this ONE of Plotinus, -
As the Christian God, the Divine Creator of the Universe.
For God is eternal, in the sense of being timeless, in God there is no before or after, but only a timeless present.

Now this lead St. Augustine, to formulate a very admirable relativistic theory of Time!
St. Augustine, the greatest constructive teacher of the Early Christian Church, had written in Book XI of his ‘Confessions’ during  5th century AD, -
His thoughts about the enigma of Time which had perplexed the Greek philosophers of earlier centuries.
To simplify St. Augustine’s thoughts, I now paraphrase for the sake of clarity.
Time can only be measured while it is passing, yet there is time past, and time future in reality.
To avoid these contradictions he says that past and future can only be thought of as present: ‘past’ must be identified with memory, and ‘future’ with expectation.
Since memory and expectation being both present facts, there is no contradiction.  
“The present of things past is memory, the present of things present is sight; and the present of things future is expectation,” - wrote St. Augustine.

This subjective notion of time led St. Augustine to anticipate Rene Descartes the French philosopher the 17th Century,
Who proclaimed “Cogito, ergo sum” in Latin, meaning “I think, therefore I am”, and is regarded as the Father of Modern Philosophy.

Now cutting a long story short I come to Sir Isaac Newton, well known for his Laws of Motion and Gravity.
Newton speaks of ‘Absolute Time’ which exists independently, flowing at a consistent pace throughout the universe, which can only be understood mathematically.
Newton’s ‘Absolute Time’ had remained as the dominant concept till the  early years of the 20th Century.
When Albert Einstein formulated ‘Theory of Space-time’ along with his Special and General Theory of Relativity.

Now the German philosopher Leibniz during 17th century, had challenged Newton with his anti-realist theory of time.
Leibniz claimed that time was only a convenient intellectual concept, that enables to sequence and compare happening of events.
There must be objects with which time can interact or relate to as ‘Relational Time’ he had felt.
Ernst Mach, like Leibniz towards the end of 19th Century, said that even if it was not obvious what time and space was relative to,
Then they were still relative to the ‘fixed stars’ i.e. the bulk of matter in the universe.

CONCEPT OF TIME AS 'SPECIOUS PRESENT' :
During late 19th century, Robert Kelley introduced the concept of ‘spacious present’, which was the most recent part of the past.
Psychologist and philosopher William James developed this idea further by describing it as ‘’the short duration of which we are immediately and incessantly sensible’’
William James also introduced the term “stream of consciousness” into literature as a method of narration,
That described happenings in the flow of thought in the mind of the characters, - likened to an internal monologue!
This literary technique was later used by James Joyce in his famous novel ‘Ulysses’.

TIME CONCEIVED AS DURATION: HENRI BERGSON (1859 -1941)
Next I come to one of my favourite philosopher the French born Henri Bergson.
The Nobel Laureate and author of ‘Time and Free Will’ and ‘Creative Evolution’.
Will Durant in his ‘Story of Philosophy’ says Bergson was ‘the David destined to slay the Goliath of materialism.’
It was Bergson’s ‘Elan Vital’ that life force and impelling urge, Which makes us grow and transforms this wandering planet into a theatre of unending creation.
For Bergson, time is as fundamental as space; and it is time that holds the essence of life, and perhaps of all reality.
Time is an accumulation, a growth, a duration, where “duration is the continuous progress of the past which gnaws into the future and which swells as it advances.
The past in its entirety is prolonged into the present and abides there actual and acting.
Duration means that the past endures, that nothing is lost.
Though we think with only a small part of our past; but it is with our entire past that we desire, will, and act.”
“Since time is an accumulation, the future can never be the same as the past, -
For a new accumulation arises at every step, and change is far more radical than we suppose…the geometric predictability of all things, Which is the goal of a mechanistic science, is only a delusion and a dream!”  
Bergson goes on in his compelling lyrical style:            
“For a conscious being, to exist is to change, to change is to mature,
to mature is to go on creating one’s self endlessly. Perhaps all reality is time and duration, becoming and change.”
Bergson differed with Darwin's theory of adaptation to environment, and stated;
“Man is no passively adaptive machine, he is a focus of redirected force, a centre of creative evolution.”

Martin Heidegger, the German thinker in his ‘Being and Time’ of 1927, had said:
“We do not exist within time, but in a very real way we are time!”
Time is inseparable from human experience, since we can allow the past to exist in the present through memory;
And even allow a potential future occurrence to exist in the present due to our human ability to care, and be concerned about things.
Therefore we are not stuck in simple sequential or linear time, but can step out of it almost at will!

CONCLUDING  PART  TWO OF ENIGMA OF TIME IN VERSE
In this part I have tried to convey what the Ancient Greek Philosophers had felt about Time in a simplified way.
Also some thoughts of Medieval and Early Modern philosophers and what they had to say.
Where Sir Isaac Newton stands like a colossus with his Concept of Time, Laws of Motion, and Gravity.
Not forgetting Henri Bergson, one of my favourite philosopher, of the mid-19th and the mid-20th Century.
All through my narration I had tried to hold the interest of my readers, and also educated myself as a true knowledge seeker.
In my concluding Part Three I will cover few Modern Philosophers along with the relativistic concept of time.
Certainly not forgetting the space-time theory of our famous Albert Einstein!
Thanks for reading patiently, from Raj Nandy of New Delhi.
  *ALL COPY RIGHTS ARE WITH THE AUTHOR ONLY
CK Baker Mar 2017
the walls of the inside passage
look the same from sound to straight
tugs and plugs dot the coastline
as the quartermaster rolls
giving time for evening glare  

pods are in sequence
as the high tail smashes and jaws at the krill
white bellies and sea cows bob and weave
as bow heads glide over haida gwaii  

northern lights dance
and tlingit chant
as the tide settles softly on savory shores
their getting hungry in hoonah
as the blue back and beating drums
mark the life blood of the sea  

driftwood nets
and sitka spruce
surround the cook house
ravens and tinhorns
man the scullery
kerosene lamps flicker
as clam shells roast
on open flames  

villagers stroll
on pebbled sand
in the harbor of souls
where ships set sail
on might and mass
into the steady winds
of the golden skies


ice fields (to the north)
of kryptonite blue
cutting hills at
a glacial pace
knuckle clouds
above the snowline
where warlocks
craft a hidden trade  

trappers, skinners
muscle shoals
grizzly feasts
in kodiak bowl
determined pilgrims
on a dead horse trail
in search of gold
the holy grail
Like as the waves make towards the pebbled shore,
So do our minutes hasten to their end;
Each changing place with that which goes before,
In sequent toil all forwards do contend.
Nativity once in the main of light,
Crawls to maturity, wherewith being crowned,
Crookèd eclipses ‘gainst his glory fight,
And Time that gave doth now his gift confound.
Time doth transfix the flourish set on youth,
And delves the parallels in beauty’s brow,
Feeds on the rarities of nature’s truth,
And nothing stands but for his scythe to mow.
    And yet to times in hope my verse shall stand,
    Praising thy worth despite his cruel hand.
Luzita Pomé Nov 2018
You used to tell me that beautiful things come from pain and adversity.
Like motherhood, unconditional love, and true stories.
As I stood in the middle of a room painted white,
Staring at the remains of rolling hills burned to black,
I saw you staring back at me.

Burnt fields like black panther fur
Shining against your bones
Velvet black
You’ve changed
And changed and changed
Yet your love still remains
Burnt fields like black panther fur
Whiskers are the needles on a compass
Always pointing to the azure sky
You used to sing when I cried
Rolling your r’s over rrolling hills
A haunting melody startling black birds into the night
Feathered constellations against a sliver moon
And lips pressed to my salty cheeks

You told me that your favorite skin tone was chocolate,
As you laid out in the sun hoping to melt. “A quarter black” is what you say when you want to feel proud,
Even as you tell me stories of how your mother was called negrita,
The girl who stood too dark amongst the crowd.

Burnt fields like black panther fur
Black like the broken wings of mothers before you
Who had hands with scars from cotton seeds
And blue veins like uprooted trees
Stretching all the way to their tired knees
Burnt fields like black panther fur
You criticize your aging beauty
Speaking in envy of the color gold
Like you are a broken bowl in need of kintsugi
Yet silver snakes still slither
Over the pebbled river beds of your black curls
Dripping down the small of your back
Until they reach the base of your ivory spine
Burnt fields like black panther fur
You criticize your aging beauty
Because you never thought
Cocoa lips and sun spots painted on sculpted clay that never cracks
Could ever look as stunning as it does on you

You told me that it is better to speak my truth then tell pretty lies.
So I told you mine and you cried,
And cried and cried.
But look where we are now,
Standing beside each other with the same eyes,
Just different reflections.

Burnt fields like black panther fur
Tongue like a sword set ablaze
Tempered in pools of milk and honey
Blood red sun grazing the tops of your eyelids
Still reminiscent of those in old photographs
Where you saw the little girl you search for in me
Burnt fields like black panther fur
I am sorry I made you cry
But even when our backs are turned
We are still
Black birds singing in the dead of night
Free
Thank you mama for my broken wings.
Inspired by a photograph of a burnt field that I saw in an art gallery. For my mom.
O Sovereign power of love! O grief! O balm!
All records, saving thine, come cool, and calm,
And shadowy, through the mist of passed years:
For others, good or bad, hatred and tears
Have become indolent; but touching thine,
One sigh doth echo, one poor sob doth pine,
One kiss brings honey-dew from buried days.
The woes of Troy, towers smothering o'er their blaze,
Stiff-holden shields, far-piercing spears, keen blades,
Struggling, and blood, and shrieks--all dimly fades
Into some backward corner of the brain;
Yet, in our very souls, we feel amain
The close of Troilus and Cressid sweet.
Hence, pageant history! hence, gilded cheat!
Swart planet in the universe of deeds!
Wide sea, that one continuous murmur breeds
Along the pebbled shore of memory!
Many old rotten-timber'd boats there be
Upon thy vaporous *****, magnified
To goodly vessels; many a sail of pride,
And golden keel'd, is left unlaunch'd and dry.
But wherefore this? What care, though owl did fly
About the great Athenian admiral's mast?
What care, though striding Alexander past
The Indus with his Macedonian numbers?
Though old Ulysses tortured from his slumbers
The glutted Cyclops, what care?--Juliet leaning
Amid her window-flowers,--sighing,--weaning
Tenderly her fancy from its maiden snow,
Doth more avail than these: the silver flow
Of Hero's tears, the swoon of Imogen,
Fair Pastorella in the bandit's den,
Are things to brood on with more ardency
Than the death-day of empires. Fearfully
Must such conviction come upon his head,
Who, thus far, discontent, has dared to tread,
Without one muse's smile, or kind behest,
The path of love and poesy. But rest,
In chaffing restlessness, is yet more drear
Than to be crush'd, in striving to uprear
Love's standard on the battlements of song.
So once more days and nights aid me along,
Like legion'd soldiers.

                        Brain-sick shepherd-prince,
What promise hast thou faithful guarded since
The day of sacrifice? Or, have new sorrows
Come with the constant dawn upon thy morrows?
Alas! 'tis his old grief. For many days,
Has he been wandering in uncertain ways:
Through wilderness, and woods of mossed oaks;
Counting his woe-worn minutes, by the strokes
Of the lone woodcutter; and listening still,
Hour after hour, to each lush-leav'd rill.
Now he is sitting by a shady spring,
And elbow-deep with feverous *******
Stems the upbursting cold: a wild rose tree
Pavilions him in bloom, and he doth see
A bud which snares his fancy: lo! but now
He plucks it, dips its stalk in the water: how!
It swells, it buds, it flowers beneath his sight;
And, in the middle, there is softly pight
A golden butterfly; upon whose wings
There must be surely character'd strange things,
For with wide eye he wonders, and smiles oft.

  Lightly this little herald flew aloft,
Follow'd by glad Endymion's clasped hands:
Onward it flies. From languor's sullen bands
His limbs are loos'd, and eager, on he hies
Dazzled to trace it in the sunny skies.
It seem'd he flew, the way so easy was;
And like a new-born spirit did he pass
Through the green evening quiet in the sun,
O'er many a heath, through many a woodland dun,
Through buried paths, where sleepy twilight dreams
The summer time away. One track unseams
A wooded cleft, and, far away, the blue
Of ocean fades upon him; then, anew,
He sinks adown a solitary glen,
Where there was never sound of mortal men,
Saving, perhaps, some snow-light cadences
Melting to silence, when upon the breeze
Some holy bark let forth an anthem sweet,
To cheer itself to Delphi. Still his feet
Went swift beneath the merry-winged guide,
Until it reached a splashing fountain's side
That, near a cavern's mouth, for ever pour'd
Unto the temperate air: then high it soar'd,
And, downward, suddenly began to dip,
As if, athirst with so much toil, 'twould sip
The crystal spout-head: so it did, with touch
Most delicate, as though afraid to smutch
Even with mealy gold the waters clear.
But, at that very touch, to disappear
So fairy-quick, was strange! Bewildered,
Endymion sought around, and shook each bed
Of covert flowers in vain; and then he flung
Himself along the grass. What gentle tongue,
What whisperer disturb'd his gloomy rest?
It was a nymph uprisen to the breast
In the fountain's pebbly margin, and she stood
'**** lilies, like the youngest of the brood.
To him her dripping hand she softly kist,
And anxiously began to plait and twist
Her ringlets round her fingers, saying: "Youth!
Too long, alas, hast thou starv'd on the ruth,
The bitterness of love: too long indeed,
Seeing thou art so gentle. Could I ****
Thy soul of care, by heavens, I would offer
All the bright riches of my crystal coffer
To Amphitrite; all my clear-eyed fish,
Golden, or rainbow-sided, or purplish,
Vermilion-tail'd, or finn'd with silvery gauze;
Yea, or my veined pebble-floor, that draws
A ****** light to the deep; my grotto-sands
Tawny and gold, ooz'd slowly from far lands
By my diligent springs; my level lilies, shells,
My charming rod, my potent river spells;
Yes, every thing, even to the pearly cup
Meander gave me,--for I bubbled up
To fainting creatures in a desert wild.
But woe is me, I am but as a child
To gladden thee; and all I dare to say,
Is, that I pity thee; that on this day
I've been thy guide; that thou must wander far
In other regions, past the scanty bar
To mortal steps, before thou cans't be ta'en
From every wasting sigh, from every pain,
Into the gentle ***** of thy love.
Why it is thus, one knows in heaven above:
But, a poor Naiad, I guess not. Farewel!
I have a ditty for my hollow cell."

  Hereat, she vanished from Endymion's gaze,
Who brooded o'er the water in amaze:
The dashing fount pour'd on, and where its pool
Lay, half asleep, in grass and rushes cool,
Quick waterflies and gnats were sporting still,
And fish were dimpling, as if good nor ill
Had fallen out that hour. The wanderer,
Holding his forehead, to keep off the burr
Of smothering fancies, patiently sat down;
And, while beneath the evening's sleepy frown
Glow-worms began to trim their starry lamps,
Thus breath'd he to himself: "Whoso encamps
To take a fancied city of delight,
O what a wretch is he! and when 'tis his,
After long toil and travelling, to miss
The kernel of his hopes, how more than vile:
Yet, for him there's refreshment even in toil;
Another city doth he set about,
Free from the smallest pebble-bead of doubt
That he will seize on trickling honey-combs:
Alas, he finds them dry; and then he foams,
And onward to another city speeds.
But this is human life: the war, the deeds,
The disappointment, the anxiety,
Imagination's struggles, far and nigh,
All human; bearing in themselves this good,
That they are sill the air, the subtle food,
To make us feel existence, and to shew
How quiet death is. Where soil is men grow,
Whether to weeds or flowers; but for me,
There is no depth to strike in: I can see
Nought earthly worth my compassing; so stand
Upon a misty, jutting head of land--
Alone? No, no; and by the Orphean lute,
When mad Eurydice is listening to 't;
I'd rather stand upon this misty peak,
With not a thing to sigh for, or to seek,
But the soft shadow of my thrice-seen love,
Than be--I care not what. O meekest dove
Of heaven! O Cynthia, ten-times bright and fair!
From thy blue throne, now filling all the air,
Glance but one little beam of temper'd light
Into my *****, that the dreadful might
And tyranny of love be somewhat scar'd!
Yet do not so, sweet queen; one torment spar'd,
Would give a pang to jealous misery,
Worse than the torment's self: but rather tie
Large wings upon my shoulders, and point out
My love's far dwelling. Though the playful rout
Of Cupids shun thee, too divine art thou,
Too keen in beauty, for thy silver prow
Not to have dipp'd in love's most gentle stream.
O be propitious, nor severely deem
My madness impious; for, by all the stars
That tend thy bidding, I do think the bars
That kept my spirit in are burst--that I
Am sailing with thee through the dizzy sky!
How beautiful thou art! The world how deep!
How tremulous-dazzlingly the wheels sweep
Around their axle! Then these gleaming reins,
How lithe! When this thy chariot attains
Is airy goal, haply some bower veils
Those twilight eyes? Those eyes!--my spirit fails--
Dear goddess, help! or the wide-gaping air
Will gulph me--help!"--At this with madden'd stare,
And lifted hands, and trembling lips he stood;
Like old Deucalion mountain'd o'er the flood,
Or blind Orion hungry for the morn.
And, but from the deep cavern there was borne
A voice, he had been froze to senseless stone;
Nor sigh of his, nor plaint, nor passion'd moan
Had more been heard. Thus swell'd it forth: "Descend,
Young mountaineer! descend where alleys bend
Into the sparry hollows of the world!
Oft hast thou seen bolts of the thunder hurl'd
As from thy threshold, day by day hast been
A little lower than the chilly sheen
Of icy pinnacles, and dipp'dst thine arms
Into the deadening ether that still charms
Their marble being: now, as deep profound
As those are high, descend! He ne'er is crown'd
With immortality, who fears to follow
Where airy voices lead: so through the hollow,
The silent mysteries of earth, descend!"

  He heard but the last words, nor could contend
One moment in reflection: for he fled
Into the fearful deep, to hide his head
From the clear moon, the trees, and coming madness.

  'Twas far too strange, and wonderful for sadness;
Sharpening, by degrees, his appetite
To dive into the deepest. Dark, nor light,
The region; nor bright, nor sombre wholly,
But mingled up; a gleaming melancholy;
A dusky empire and its diadems;
One faint eternal eventide of gems.
Aye, millions sparkled on a vein of gold,
Along whose track the prince quick footsteps told,
With all its lines abrupt and angular:
Out-shooting sometimes, like a meteor-star,
Through a vast antre; then the metal woof,
Like Vulcan's rainbow, with some monstrous roof
Curves hugely: now, far in the deep abyss,
It seems an angry lightning, and doth hiss
Fancy into belief: anon it leads
Through winding passages, where sameness breeds
Vexing conceptions of some sudden change;
Whether to silver grots, or giant range
Of sapphire columns, or fantastic bridge
Athwart a flood of crystal. On a ridge
Now fareth he, that o'er the vast beneath
Towers like an ocean-cliff, and whence he seeth
A hundred waterfalls, whose voices come
But as the murmuring surge. Chilly and numb
His ***** grew, when first he, far away,
Descried an orbed diamond, set to fray
Old darkness from his throne: 'twas like the sun
Uprisen o'er chaos: and with such a stun
Came the amazement, that, absorb'd in it,
He saw not fiercer wonders--past the wit
Of any spirit to tell, but one of those
Who, when this planet's sphering time doth close,
Will be its high remembrancers: who they?
The mighty ones who have made eternal day
For Greece and England. While astonishment
With deep-drawn sighs was quieting, he went
Into a marble gallery, passing through
A mimic temple, so complete and true
In sacred custom, that he well nigh fear'd
To search it inwards, whence far off appear'd,
Through a long pillar'd vista, a fair shrine,
And, just beyond, on light tiptoe divine,
A quiver'd Dian. Stepping awfully,
The youth approach'd; oft turning his veil'd eye
Down sidelong aisles, and into niches old.
And when, more near against the marble cold
He had touch'd his forehead, he began to thread
All courts and passages, where silence dead
Rous'd by his whispering footsteps murmured faint:
And long he travers'd to and fro, to acquaint
Himself with every mystery, and awe;
Till, weary, he sat down before the maw
Of a wide outlet, fathomless and dim
To wild uncertainty and shadows grim.
There, when new wonders ceas'd to float before,
And thoughts of self came on, how crude and sore
The journey homeward to habitual self!
A mad-pursuing of the fog-born elf,
Whose flitting lantern, through rude nettle-briar,
Cheats us into a swamp, into a fire,
Into the ***** of a hated thing.

  What misery most drowningly doth sing
In lone Endymion's ear, now he has caught
The goal of consciousness? Ah, 'tis the thought,
The deadly feel of solitude: for lo!
He cannot see the heavens, nor the flow
Of rivers, nor hill-flowers running wild
In pink and purple chequer, nor, up-pil'd,
The cloudy rack slow journeying in the west,
Like herded elephants; nor felt, nor prest
Cool grass, nor tasted the fresh slumberous air;
But far from such companionship to wear
An unknown time, surcharg'd with grief, away,
Was now his lot. And must he patient stay,
Tracing fantastic figures with his spear?
"No!" exclaimed he, "why should I tarry here?"
No! loudly echoed times innumerable.
At which he straightway started, and 'gan tell
His paces back into the temple's chief;
Warming and glowing strong in the belief
Of help from Dian: so that when again
He caught her airy form, thus did he plain,
Moving more near the while. "O Haunter chaste
Of river sides, and woods, and heathy waste,
Where with thy silver bow and arrows keen
Art thou now forested? O woodland Queen,
What smoothest air thy smoother forehead woos?
Where dost thou listen to the wide halloos
Of thy disparted nymphs? Through what dark tree
Glimmers thy crescent? Wheresoe'er it be,
'Tis in the breath of heaven: thou dost taste
Freedom as none can taste it, nor dost waste
Thy loveliness in dismal elements;
But, finding in our green earth sweet contents,
There livest blissfully. Ah, if to thee
It feels Elysian, how rich to me,
An exil'd mortal, sounds its pleasant name!
Within my breast there lives a choking flame--
O let me cool it among the zephyr-boughs!
A homeward fever parches up my tongue--
O let me slake it at the running springs!
Upon my ear a noisy nothing rings--
O let me once more hear the linnet's note!
Before mine eyes thick films and shadows float--
O let me 'noint them with the heaven's light!
Dost thou now lave thy feet and ankles white?
O think how sweet to me the freshening sluice!
Dost thou now please thy thirst with berry-juice?
O think how this dry palate would rejoice!
If in soft slumber thou dost hear my voice,
Oh think how I should love a bed of flowers!--
Young goddess! let me see my native bowers!
Deliver me from this rapacious deep!"

  Thus ending loudly, as he would o'erleap
His destiny, alert he stood: but when
Obstinate silence came heavily again,
Feeling about for its old couch of space
And airy cradle, lowly bow'd his face
Desponding, o'er the marble floor's cold thrill.
But 'twas not long; for, sweeter than the rill
To its old channel, or a swollen tide
To margin sallows, were the leaves he spied,
And flowers, and wreaths, and ready myrtle crowns
Up heaping through the slab: refreshment drowns
Itself, and strives its own delights to hide--
Nor in one spot alone; the floral pride
In a long whispering birth enchanted grew
Before his footsteps; as when heav'd anew
Old ocean rolls a lengthened wave to the shore,
Down whose green back the short-liv'd foam, all ****,
Bursts gradual, with a wayward indolence.

  Increasing still in heart, and pleasant sense,
Upon his fairy journey on he hastes;
So anxious for the end, he scarcely wastes
One moment with his hand among the sweets:
Onward he goes--he stops--his ***** beats
As plainly in his ear, as the faint charm
Of which the throbs were born. This still alarm,
This sleepy music, forc'd him walk tiptoe:
For it came more softly than the east could blow
Arion's magic to the Atlantic isles;
Or than the west, made jealous by the smiles
Of thron'd Apollo, could breathe back the lyre
To seas Ionian and Tyrian.

  O did he ever live, that lonely man,
Who lov'd--and music slew not? 'Tis the pest
Of love, that fairest joys give most unrest;
That things of delicate and tenderest worth
Are swallow'd all, and made a seared dearth,
By one consuming flame: it doth immerse
And suffocate true blessings in a curse.
Half-happy, by comparison of bliss,
Is miserable. 'Twas even so with this
Dew-dropping melody, in the Carian's ear;
First heaven, then hell, and then forgotten clear,
Vanish'd in elemental passion.

  And down some swart abysm he had gone,
Had not a heavenly guide benignant led
To where thick myrt
Peter Cullen Apr 2014
Never forget a friendly face,
but with names, I always seem to fumble.
So many tribes and different callings
in this concrete plastic jungle.
But sometimes people leave behind,
a common thread,
a word that's kind,
that resonates inside our minds,
its those folk that I need to find.
The varied ways we live our lives
shall always find a port of call,
see there's so many souls that shine,
and then there are the ones that fall.
Between the cracks, between the creases,
those uncomfortable places where hope sings
are never tempered without reason,
this is just the way it seems.
Yes this is just the way it seems,
all living with awoken dreams.
Yes this is just the way it seems,
for life is but a pebbled stream.

This is just the way it seems.
Seán Mac Falls Jul 2012
At the end of night she bathes in light,
We tussle in the warmth of morning,
The blankets and she are of sea foam
And found shells, whispering lost ocean 
Words.  Our bed is a raft, drifting aloft,
The coffee is brewing with mellow sun,
Her smiles, filling my silly, giddy mug.
Soon, we walk to the pebbled beach,
Her hair is waving at the friendly seas, 
Gulls are circling in the moving skies
Reeling with the slow, slipping tides
And I skip stones with her as our feet 
Sink in the milk of morning sands—
Must we be off to Dublin town?
We nailed the hands long ago,
Wove the thorns, took up the scourge and shouted
For excitement's sake, we stood at the dusty edge
Of the pebbled path and watched the extreme of pain.

But one or two prayed, one or two
Were silent, shocked, stood back
And remembered remnants of words, a new vision,
The cross is up with its crying victim, the clouds
Cover the sun, we learn a new way to lose
What we did not know we had
Until this bleak and sacrificial day,
Until we turned from our bad
Past and knelt and cried out our dismay,
The dice still clicking, the voices dying away.
Nigel Morgan Nov 2013
Think of an imagined orchestra. But there is no resonance hereabouts, so the imagination gives next to nothing for your efforts, and even in surround-sound there’s so little to reflect the dimensions of the space your walking inhabits. Sea hardly counts, having its constant companionship with wind, and sand hills absorb the footfall. A shout dies here before the breath has left the lungs.

Listen, there is a vague twittering of wading birds flocked far out on the sand. The sea rolls and breaks a rhythmic swell into surf. There’s a little wind to rustle the ammophila and only the slight undefined noise of our bodies moving in this strip between land and sea. Nowhere here can sound be enclosed except within the self. There’s a kind of breathing going on, and much like our own, it has to be listened for with a keen attention.

There is such a confusion of shapes making detail difficult to gather in, even to focus upon, and to attempt an imagined orchestration – impossible. We’ll have to wait for the camera’s catch, its cargo to be brought to the back-lit screen. Once there it seems hardly a glimmer of what we thought we saw, what we ‘snapped’ in an instant. It’s too detached, too flat. So thankfully you sketch, and I feel the pen draw shapes into your fingers and their moving, willing hand. On your sketchbook’s page the image breathes and lives.

You can’t sketch music this way because the mark made buries itself in a network that seems to defy with its complexity any image set before you. Time’s like that. You end up with a long low pitch, pulsating; a grumbling sound rich in sliding harmonics. You see, landscape does not beget melody or even structure and form, only tiny, pebbled pockets of random sound. Here, there is no belonging of music. Only the built space can adequately house music’s home. We might ****** a few seconds of the sea’s turn and wash, a bird’s cry, the rub and clatter of boot on stone, and later bring it back to a timeline of digital audio and be ‘musical’ with it, or not.

Where we hold music to landscape is something we are told just happens to be so; it is the interpretation’s (and the interpreter’s) will and whim. It is an illusion. The Lark Ascends in a Norfolk field. We hear, but rarely see, this almost stationary bird high in the morning air. We can only imagine the lark’s eye view, but we know the story, the poem, the context, so our imagination learns to supply the rest.

What is taken then to be taken back? On this November beach, on this mild, windless afternoon,. Am I collecting, preparing, and easing the mind, un-complicating mental space, or unravelling past thoughts and former plans? I can then imagine sitting at a table, a table before a window, a window before a garden, and beyond the garden (through the window) there’s a distant vista of the sea where the sun glistens (it is early morning), and there too in the bright sky remains a vestige of a night’s drama of clouds. But today we shall not put music to picture from a camera’s contents, from any flat and lifeless image.

Instead there seem to be present thoughts alive in this ancient coastline, abandoned here the necessary industry of living, the once ceaseless business of daily life. Instead of the hand to mouth existence governed by the herring, the course strip farming below the castle, the herds of dark cattle, the possible pigs, some wandering sheep, seabirds and their eggs for the ***, the gathering of seaweed, the foraging for fuel: there is a closing down for winter because the visitors are few. We need the rest they say, to regroup, paint the ceilings, freshen up the shop, strengthen the fences, have time away from the relentlessness of accommodating and being accommodating. Only the smell of smoking the herring remains from the distant past – but now such kippering is for Fortnums.

We step out across and down and up the coastal strip: an afternoon and its following morning;  a few miles walking, nothing serious, but moving here and there, taking it in, as much as we can. We fill ourselves to the brim with what’s here and now. The past is never far away: in just living memory there was a subsistence life of the herring fishers and the itinerant fisher folk who followed the herring from Aberdeen to Plymouth. Now there are empty holiday lets, retirement properties and most who live here service the visitors. Prime cattle graze, birds are reserved, caravans park next to a floodlit hotel and its gourmet restaurant. There’s even a poet here somewhere - sitting on a rock like a siren with a lovely smile.

Colours: dull greens now, wind-washed-out browns, out and above the sea confusions of grey and black stone, floating skeins of orange sands and the haunting, restless skies. Far distant into the west hills are sculpted by low-flying clouds resting in the mild air. Wind turbines step out across the middle distance, but today their sails are stationary. As the bay curves a settlement of wooden huts, painted chalets then the grey steep roofed houses of stone, grey and hard against the sea.

Does music come out of all this? What appears? What sounds? What is sounding in me? There is nothing stationary here to hang on to because even on this mild day there is constant change. Look up, around, adjust the viewpoint. There’s another highlight from the sky’s palette reflecting in the estuary water, always too various and complex to remember.

Music comes out of nothing but what you build it upon. It holds the potential for going beyond arrangements of notes. Pieces become buildings, layers in thought. My only landscape music to date begins with a formal processional, a march, and a gradually broadening out of tonality the close-knit chromatic to the open-eared pentatonic. There’s a steady stream of pitches that do not repeat or recur or return on themselves, as so much music needs to do to appease our memory.

In this landscape there seem only sharp points of dissonance. I hear lonely, disembodied pitches, uncomfortable sounds that are pinned to the past. The land, its topography as a score grasping the exterior, lies in multi-dimensional space, sound in being, a joining of points where there is no correlation. There’s a map and directions and a flow of time: it starts here and ends there, and so little remains for the memory.

Yet, this location remains. We walked it and saw it fortunately for a brief time in an uninhabited state. We were alone with it. We looked at this land as it meets the sea, and I saw it as a map on which to place complexes of sound, intensities even,. But how to meet the musical utterance that claims connection? It is a layering of complexes between silences, between the steady step, the stop and view. There is perhaps a hierarchy of landscape objects: the curve of the bay, the sandhills’ sweep, the layerings of sand, and in the pools and channels of this slight river that divides this beach flocks of birds.

Music is such an intense structure, so bound together, invested with proportions so exact and yet weighed down by tone, the sounding, vibrating string, the column of air broken by the valve and key, the attack and release of the hammered string. But there is also the voice, and voices are able to sound and carry their own resonance . . .

. . . and he realised that was where these long drawn out thoughts, this short diary of reflection, had been leading. He would sit quietly in contemplation of it all and work towards a web of words. He would let their rhythms and sounds come together in a map, as a map of their precious, shared time moving between the land and the sea, the sea and the land.
Don Moore Feb 2016
Part one – The Hedgerow watcher.

He is almost obscured by the Elder branch, which laden with fragrant summer flower heads, casts a shadow on his cloudy features. Nearby, small birds chatter in a hawthorn bush, completely unaware of the figure sitting in quiet deliberation; only his eyes move beneath his darken brows, as he ponders the small animal traffic in the verdant river valley below.

And were you to be hurried, or impatient, and not look too carefully, you would never perceive him at all, so well hidden is he. You would have more chance, if you caught a glimpse of him sideways through the corner of your eye, and even then there is the possibility, you would not believe what you had seen...

His eyes light with golden flecks, as the late evening summer sun, ensnares sparkles off the languid river surface and directs them upwards into the unhurriedly darkening duck egg blue sky. He watches intently as a young female Fern bear snouts her way through and across the lush emerald green grasses just inches away from the river bank, where water voles play, creating tiny V shaped furrows across the shallow stream surface as they cruise the nearly mirror like silver face.

He notices’ that he can see the smoothly pebbled bottom and the rainbow spotted  coloured sides of the almost motionless trout as they hang fins fluttering awaiting the last daytime midges to perhaps drop down and furnish them with one last gulp of dinner.

Native birds flit from branch to branch on the overhanging trees o’er softly trickling water, their tiny songs much muted by the distance, and up above a Buzzard floats on browned wing his eyes trained downwards to impale a darting field vole, which seeks his own dinner of scurrying iridescent Beetle.

A flurry, as a black and red Moorhen jumps onto a small sandy beach at the corner of a turn, long wide toes and even longer legs, carry it up under the curve of bank, as it returns to its night time roost in haste.
A flash of instant Kingfisher cobalt blue and a small fisherwoman arrives upon a twig, her anxious beady eyes blackly spearing the dashing minnows, which with silver sides, play amongst the reeds and gently waving flags.

Part Two - Reynard the sly.

A ripple runs across his hairy back, as upon the delicious breeze, he catches hint of reddish skulking, sulking trickster near, and then from edge of pupil gold, catches merest glimpse of tail held low, as Reynard makes his courtly bow. Neither twitch nor tremor, the watcher makes as deviously this prince appears, his fetid stench announcing him to creatures far and near.

Then slowly as he cowers, the Fox glides by and down the steepest sides, to hope of careless rodent or of bird on nest, that might bring him windfall of instant feast that he may carry for his cubs that play at home beneath the staunchest tree, a woodland Oak of stout and height. They chase their tails in this perfect evening light, but learn of fear and flight, as horn does play upon a Sunday Morn, and colours bright which chase and catch them with some baying dog, not far removed from their much scary plight.

And all along the bottom of the wall, as laid by hand, a hedge pig snuffles for a slug or snail, his attention close upon the leafy mould, and then a surprising squeak as rippling back with reddish fur and chest of white, a family of the weasel exit stone built home and hurry for their evening hunt of beetle, vole or mouse. They disappear amongst the tallest grasses as a damp mound of freshly risen earth ejects the black velvet mole, which sniffs the air before he enters home and tracks the juicy worm back to his lair.

Little by little, so slow in fact, that you would not suspect, the watcher turns his face and looks with wonder to wooded river far, where branches bent create a vault, for shining, winding river run, and there in this, the darkest greenest place he spies a glint of hope as Dragonfly darts its wings a blur, and Mayfly dances beneath its many cathedral branches.
And further still above the trees a line of deepest blue meets lighter blue as sea and sky become no more than one, and smell of salt in distant climes come hither across this idyllic vista...

Part Three – Watcher revealed.

Dog Rose crawls its way across the bushes of the hedge, mixed with twinning convolvulus of purple hue, light green stalked, white capped cow parsley, groups in fading sun, with ragged Robin and dark pink Campion standing proud along with other flowers. Behind the silent Watcher lies a different guise of manmade meadow topped with crop of corn, which yellow in the fading sun, has bread like smell, significant of fresh warm loaves, and Man the farmer, is carrying all his toil, for the harvest of his many labours.

And in amongst this very yield, wild life is binding shoot and ear, as weeds are flourishing with the golden head, but make a pretty sight instead, for walking couple, who do not fear to tread, where woman glides as though a cloud, and pulled along upon her path, a little man who wishes he, was all alone, but must follow in his mother’s stately wake.

Towards the hedge she makes her way, and life goes still and much less vivid, but Watcher never makes his move, whilst beyond the wall the light is dropping further still, he rests his hand on object dear, but still refrains from moving forth.

And just before the barrier itself, she turns her stride and looking north, then moves away along a path, which chosen now will pass all sight, of secret ancient valley. The little man he cannot see what lies beyond his ken, and worries if he misses this, which might be very grand and maybe just beyond this very land. He tugs and pulls his Mother’s calloused palm, and as she continues on her elected special way, for she is old and cannot see, this wonder all around.

The lady now cuts back towards the way she came, and like a ship with boat in tow, she cuts a swathe through sea of golden grasses, and when perchance the little man would look behind to see, if there were aught that he had missed, of life beyond the that wall.

And then, as if on cue, the watcher stands, for he is proud with legs astride upon that hedge, no longer still but raising up, as he does stretch towards the sky, and then with no delay but still with yearning, he lifts up to his lips his instrument of all his learning.

The boy’s eyes are all of shock, for he has seen the Watcher well, half man, half goat, with shortest curling horns upon his almost woolly head, and listens in near rapture as Pan the woodland God, plays a merry breathy tune upon his pipes of river ****. The song is fierce and strong and as the boy pulls hard to stop his mother's walk; he looks away, in hope that he may, in attracting her closer assessment of the apparition, which he has spied in gay abandon, will be more than just a fancy of his dream.
But when he turns his head to take a further glimpse of this sudden ghost, who would be dancing, playing away along a valleys edge, he catches nothing, but the song of bird but which whilst trilling strong, is nowhere near as long as tune in moment gone.

Then in the middle distance church bells as the practice for the Sunday first begins, with peeling clap and stinging ring, and then as if he fears, that he shall never ever see again this horned guise of natural thing. He peers more closely yet again, but all is gone, and though he will return on summer nights, when man not boy he seeks a God, he never ever meets again, the edge to freedom and a God glorious not but never ever vain.
Ophira Aug 2015
"Nobody has brown eyes like yours"
I blush for you and part with those eyes
for a view of the pebbled table
I take a sheepish sip of our tea and slide it across the rocks
You take a long drink
like I should've done
Your mouth isn't this dry.
God, I want to . . . I lick my cracked lips and go for another shot of your eyes.
They're smiling. Your mouth is still but there's a crack in the straight line of your lips. I pretend not to notice.
And a wide smile breaks across my face.
You exhale in amusement and change the song,
Skip . . . skip . . . skip . . .
Skip . . .
I laugh. Trying to set the mood?
Skip . . . skip . . . off.
Mark Penfold Sep 2018
The Pigeon Gent,
He woos and coos around the river bent.
Pursues his muse with artful dance and skillful prance,
With inflated neck and ruffled plumage, until his energy or luck is spent.
He then resides by ebbing tides to ponder on his next advance.

"Now Now", "Whats This" the gent exclaims,
A shadow looming from the skies.
With ***** and claps he glides and lands with  full surprise,
He spies the intruder, "A fellow Brooder".
Pigeon gent cant believe his eyes.

Pigeon Gent cannot believe the sauce,
The scurge seems intent on taking his prize by force.
At once he knows he must respond,
And force this illbread vagabond to abscond.

At once chest puffed and muscles flexed,
With wild eyes he jabs and pecks.
To teach this ruffian respect,
So on his actions he may later reflect.
He stands his ground both large and proud,
To make example of this foul winged burglar from the clouds.

"You insult me sir" he shouts aloud,
To make his intentions clear for all the crowd.
For several rounds they fight and scuffle.
With intruder retreating, feathers ruffled.

Then bested suiter fairly parted,
The quarrel ends as fast as started.
The vanquished victor displays and grooms,
As peace and honour now resumes.

Soon the ripples upset the green,
An armada of ducks come on the scene.
Alerted by the heightend coos,
They race to see what act insues.

The mighty mallards, Kings of the river,
None contest their right of way.
Their ways of conduct such generous givers.
Majestic river royalty, the law is always what they say.

On bank or shallow pebbled river they have always been,
They love to feed and breed amongst the river scene.
There royal cape made up of browny reds and shimmering greens,
reflects and intejects on mirrored water skies and evergreens.

To their mates for life and lady lovers,
The mallard gent is like no others.
Such loyalties are seldom seen,
In modern times and different dreams.
Fine and lean with striking features,
Best examples of river teachers.

But at any moment no matter how abrubt,
A river duel may easily erupt.
Battle can ensue and rage,
As both apponents approach and engage.
For they mate for life as duck and wife,
A rarity in any age or life.
Kt W Feb 2013
This wilderness beats from my bones.
The air,
Tangling through my hair,
Bells, ringing from long lost homes
Soul
Tumbling down an empty rabbit hole
Like alice.
My mind is ebbing away at
Short-lived thoughts and fantasies
Like light hood dreams.
Sunlit rays refracting past
Leafless, souless trees
Tiny watered boats on misty seas
Squelching; muddy puddles in
A rainy morning haze
Baked hot heat, dewy grass on
Lazy summer days
Pristine, soft-capped mountains
Last angle to explore
Sand, rock, pebbled beaches
(Tacky matted gloss on plastic)
Gravelled paths well trodden
Donkeys, camel, horse
Talking, shouting, screaming, morse
code on docks and oceans
Cities: loud, tall sleeping
women, men, children, babies
The noise, the love of crowds is seeping
Through my heart.
Insomnia from all these places
(People everywhere)
I cannot stop nor start.

Inside doors i feel i'm trapped
Like lion in a zoo
Around the world, i've gone and mapped
I'm wild
Through and through.
L A Lamb Sep 2014
On hindsight, I realize the true meaning of love comes from my siblings. Nineteen years old, when I came out of the closet and realized me and my siblings were “flawed”, or human. Seventeen year old sister—***. Twenty-one year old brother—rehab.

“Do you think it’s ironic that we’re doing this on a playground?” called a voice from the assorted group of friends sitting on the sea of pebbles under the monkey bars. Another voice replied, after a quick cough and croaked, “No, I’m pretty sure everybody does this.”

“I bet the teachers do it too,” agreed the voice of an eighteen year-old boy.

“I’m going to be a teacher one day,” spoke the philosopher girl, who drifted from the conversation into the fog of her thoughts. As a junior in college and an ambitious girl, she lived her life in paranoia and curiosity from the outside world.

As the college students rose from the pebbled area of jungle-gyms, swings and slides, they approached a basketball court in passing to return to the neighborhood.

“Look!” yelled the philosopher girl. “There’s a ball over there, we should play.”

Their evening plans were determined when one boy concluded “We can’t play. The ball is flat.”

Rather than attempting to relive the innocence of childhood, the students under the influence of marijuana watched the possibility of recapturing pure childhood memories diminish through their loss of interest in what was once a childhood gratification of positive reinforcement. Recess was very important to any child in elementary school. My earliest memory of recess consisted of the earliest bonding time with my sister. It was my fifth birthday, and back before my parents divorced my mother was very involved with the community at our schools. My mom set up a birthday party for me in first grade, and my two year-old sister was brought along. My sister, the adorable baby that she was, received all of the attention. On my fifth birthday I wanted everyone to pay attention to me, but my sister was stealing my thunder. I resented her very much for always being the more beautiful of us two, and she always had the most grace. I’ve always felt awkward, quirky, and possibly weird, but it never seemed to distance my sister from loving me.

On that day at recess, while everyone was cooing over how adorable my sister was, I was off sulking on the swing set. I was always the one ignored of my siblings; my brother was the oldest of us three and the only male, and my sister was the youngest and most beautiful baby girl. I was always awkward, alone and blending in with the background. This being said, I made myself solitary from those neglecting my absence and looked up at the clouds. Five years-old and alone on a swing, I watched the cloud pass in the sky and morph from what looked like a snail, to a tomato. Before my very eyes approached a wide-eyes toddler with brand-new teeth and smiling eyes.

Everyone was following her, but she was following me. When she was the one of us preferred, she never failed to love me and remind me she was there.

When recognized as attractive for the first time, I was eager to be wanted so I threw away my virginity.

My sister, always so beautiful and classy didn’t need to put out to be well-liked, desired or noticed. Classy like my mother, my sister determined my fate as the black sheep in my adolescent ****** rebellion.

When my sister and I smoked with work friends, playing on the swing-set together like we had fourteen years earlier, I found out that she was a ******. The illusion of the pristine, classy and virginal sister shattered, but welded back together with love. My sister was not perfect, and my insecurity to being the un-unique, unnoticed and boring middle-child had ended. My older brother always considered the most-intelligent and most-successful was sent to rehab after 4 months of turning twenty one. The self mutilation was concerned as a big issue, and a mental illness could have him removed from the military.

Flawed sibling relationships brings closer bonding and relatable experiences, so exploring life together builds a unique and covalent bond between siblings witnessing life together, having difficulties and disappointments with family. While fulfilling the all-time question of mankind for “the meaning of life”, life interrupts with irony.
Nick Strong Jul 2015
A couple holding hands, huddled together
A rusty crane arm reaching the stars
Smell of salt air mixed with seaweed
Shades of red, and orange mingle
With the glistening water as the sun sets
Wooden bench perched on a bank,
Tiny plaque memory of two souls
Spending moments here of evenings past
Overlooking fishing boats tethered,
An ancient weathered harbor wall.
Lazy, full seagulls, flap heavily away
Playful laughter floats, on the air
As children dance too and from
Waves lapping the pebbled beach
Craster, a tiny northeast english fishing village
DJ Thomas May 2010
Moon swept itching dark
Twilight, sunrises curtain
pink lids - open eyes

Crossing the shallows
trout fingerling feed at dawn
White dots steep hill path

My stride increases
a shadow skipping pebbles
lone thoughts dismissed

White dappled ginger
Ungainly long knobbed legs,
rolling - then sitting aware

Midday, pours blue heat
Standing shading their new young,
across clear pebbled flow

Smile’s triumphant glow
rests briefly on sweet green bank
Silver flash of joy

Dusk - apart painted,
eight queued paired mare and foal
Foliage lined dark black
copyright©DJThomas@inbox.com 2010
It tastes sour in my skin
The water diverts his eyes upon the curves
I rub them with my fingernails
The tips cried for disturbance.

The pebbled stones in purity
Spit out their dirt with every moist
The need to exhale the longing days
The desolation of their own race.

It stinks with the cover of my skin
No vinegar to pour on the occuring reds
No tablet nor capsule to jive the tummy
There, I'll groove with the ratio of water.

I left the leaves on the dirt
And yes, those gravel and mated things in the sack
Alone am I, here in my own nest
Watching the faded stars and grasping the air.

Neither can I reach the ultimatum
The shutters in me were all aware and trained
The body in rest be put in silence
For the war of itch diverts the angle.

(6/13/14 @xirlleelang)
kevin newman Oct 2011
Through sleepy nights and sun kissed days

through pastures green and fields of hay

pebbled beaches and windswept waves

sandy banks and rock covered pools

and nature at play we are no fools

we see each day the beauty of life

and nature at play magic lof life

so beautiful today and then the tide turns

and washes it away

sun goes to sleep and darkness hides it all away

at the end of another day
JB Apr 2015
Along the pebbled path she ran
With rose in heart and rose in hand,
Ribbon tied and crushed in grip-
Dew now dripped from petal vein.

A vein, a clouded vein of 19 years-
Ruby, scarlet, sanguine smoke, so slipped
Through the clock.  Time tinged with tears
Of  slow, sombre, carbon snow, melting
Into red.  

Pale, submerged snow-drop shell, hair
Veiling her face from  the wind,
A subtle skip, a silk-spun breeze-
Bottled fragments of 6 year old days.

Days, nectar young days of effluence-
When roses sprung , and intertwined,
Her mother’s hand in hers.

Time then tinged with tears of carbon
Snow.

Along the pebbled path she ran,
With rose in heart and rose in hand,
To place scarlett florets on the earth-
Dew now dripped from petal vein

Onto the marble stone.

As feather tears fell, liberal,tender
A sharp pain pricked in her side-
So with rose in heart and rose in hand,
She stood to turn around,

Through clouded, amber-dusted eyes
A rosebush flowered into sight.
Where thorns still sprung and intertwined
Holding roses, holding light.
Isoindoline Nov 2012
I can feel us on the edge here
this narrow ridge we’re hiking
it’s thin enough in places
that I’m nearly certain we’ll
topple down the side

But we haven’t yet and
it could be your acrobatics
or mine
that’s got us still balancing
in an act a professional
tightrope walker
would balk at

We’re daring though
and the view from up here
so far is breathtaking
and the thrill of chill wind
against our faces
exhilarating

The peak not yet in sight
shrouded in soft white fog
that was forecast to disappear
by noon
instead it’s rolling down the side
thickening and reaching
for us

Our view goes white with gray
eddies loosely defined
interludes of curling air
the pebbled ground slowly fading
so we clasp our hands together
it’s less stable but
comforting
as the mist swirls between us

Soon there’s nothing
no outline
the last wisp of your hair
is gently consumed
into this vaporous world
where only a touch
obstructs
surreal isolation
If you have ever been hiking a mountain in dense fog, you know how strangely alone it is possible to feel, even with another person along.  I've only done so once myself, but I will not soon forget it.  Also, better title suggestions?
john oconnell Jul 2010
Backwaters.

Violins and pipes
played together
abreast
of different rippling
waters;

Uileann throttling
forward
over hills and downs -
the hunt, chase, ****
or loss;

thrill of being,
spontaneous
in hilly jump,
stream, rock,
hedge, mountain,
mud and pebbled with soup,
partridge, pheasant,
trout and salmon
horizon.
Bryce Sep 2018
The loving puddle in the gutter off market street-- the one that fills with dirt and **** and damp newspaper, plastic soda cup, strange indecipherable Chinese pamphlets with bleeding characters. She smiles at the sun and renders its visions on her face, and with great tension attempts to demonstrate her willingness, her blushing consent to being totally subsumed by its whims. Of course she trembles at the diurnal stampede of feet, but is not afraid-- for she too speaks in eternity. She has evaporated before-- she has kissed the incessant sky over Marrakesh in the soft morning and dreams of the sparkling mountainsides in the night, when she is divided by callous rubber tires or cast below by competing distant rains. Yet she has always found her way back home; Nestled in the subtle indentation of road besides the brickway near Battery.

"Dewdrop, let me cleanse
in your brief
sweet waters . . .
These dark hands of life"

It was one of the waning days of winter, in the blurred haze of rains, when we left the coast and began our journey home. As she drove, I watched the pebbled streaks roll across the window into great vertical streams, to be cast off indistinct along the stationary road. Upon all our sides, Even the black-toothed mountain tops lost their grandiose summits into the fog. Off the road, next to the sagging remains of a gas station, a man sat beneath the naked fist of an old willow tree. He, with a teal umbrella, twirled the nylon circle so that the collecting sheen of water spun and spiraled centrifugal out into the bombarding camaraderie of fellow drops. The damp fields sat empty of life behind him, casting into evanescent black oceans of dirt. As we hurried past, I turned back-- and following him with my own watering eyes, I watched for as long as I could--until he too faded silently into the mist.
Claire Collins Jun 2014
seventy seven snowflakes
none of them the same
the hair of the dog who's life you saved
a soccer's shoelace
pieces of the continent
shards of regret
tassles from love's riding jacket
pebbled shirt you wore on  our first date
a hundred wet i'm sorry's
take a pinch of sugar
and the magic medicine goes down
purple
your purple contrast on my skin
how we lived in love
in fall and in spring
Gazing south as if some wise, well worn fisherman,leaning against the wroughted railed pier in all its victorian, gordy, standing, splendor.

Warmed and held by the summer sun as close as shared spoon-cuddled arms.

On thermal  air, calls and laughter rise from towelled steaked plots
blinding and shading the razor sharp hungry sea-gulls eye from flakey white flesh in all its golden battered salt-shuck sharpness,
competeing on the nose with hand-held melting creamyness, as they waft and weave gently by.

Below the slatted sound , the magic hypnotic spell of lapping waves lift and tilt me on a day dream of youthful lost love.

To a day we made our sun run in all its lazyness, dimming the enviour moon in its wake and kissing still the hands on the pasty-face black towering clock
                                          As time slipped way and was some where else.

With worn drift wood and tingleling toes you defaced the sand with a graphity the council tryed but couldn't erace.
And there it lies still, benieth the smooth pebbled shore,
                                                          ­                                                           kissed each day with salty tears and remembered sighs.

A fearful screaming siren pieces the soft English air, Its doppled blast, chilling,  pushing, demanding its screeching way through the brain, to some others pained, tear filled day,
                                                            ­                                then fades on the breeze.

A sun blushed child frowns through pink Brighton rock lips and eyes as blue as the sea, a secert smile is shared as if in that innocence I knew  that one magic day she will run on skipping painted toes and giggles sweet to etch for him in soft blank sand her love on this dreamy day beach.

So off the sea and off the pier I strole, absorbed and lost among the tripping faced crowd,into the sun dipped west and home alone.

Yet knowing you will remain forever mine, held in crystal dimonded grains, whilst around the bitter -sweet changing tides ebb and flow          
                     down
                                       through
                                                          the  
­                                                                 ­  years.
SassyJ Feb 2016
Verse
Ever cruising , in the base ship
Now finding my feet on the ground
Muddy pathways ,
Pebbled alleyways,
River coursing eastwards

Chorus
Give me the revelation
That I need to elevate
Give me the calibration
That I need to stimulate
All aligning, all aligning

Verse
We are divided, in the realities
Now finding sensate zones
Hearts entwining
Minds compassing
Many flowing for the cause

Bridge**
And they shall walk on the land
Their feet will sink in the pads
They will smile and trance
Fight then unite,
Recite in their might
All attuned, all aligned
For the audio Mix..... I thoroughly enjoyed mixing the tracks and making the beats from scratch.
https://soundcloud.com/user-367453778/calibration-sassyj
delicately, our dragonfly conversations
dance in Japanese gardens,
where jewelled concrete pagoda’s
stand stilted, like
timeless geometries, in greening water

then wind rustles timidly through
creek beds and pebbled leaves;
bells ring like wine glasses at a dinner table
and we feel our arm hairs stand on tiptoes,
pricked up to weary voices

(chanting monks, those that sit in circles
monkishly chant, in unison
“there are three meanings of loneliness”)
here, chanting also, we
find ourselves again not alone
enchanted in the fragmented daylight.

but then again, I turn, apathetically, and declare
“let us rest
in the immense imagery of our imagination

for it is easier to sleep,
as rain creeps closer to our doorstep,
than to ***** barricades, levies
and trenches around our house”

Oh, but the way the light reflects upon the Japanese trees
is so splendidly delicate,
and our delicate conversations
feel all so perfect…

so now please, time, lose me
in your whisper.
Nigel Morgan Dec 2012
There's a passage in a story by John Buchan where a minor character explains how a good mystery story is created: take at least three random subjects or events and connect them together. Here goes.
 
A toothbrush
Covent Garden
Wildflowers*
 
Interesting to let the mind float free and subjects appear unbidden, thought Marcus. The moon had risen and out at sea its reflections caressed the swelling waves. Calm the night after such a day of being about.
 
Gregory had phoned him, early. Marcus had been lying in bed. Sylvia had just returned from the bathroom and had folded herself into his arms. Their collective feet had conversed amicably as early morning feet do. She was still tingling a little from the passion they had shared, stretching herself languorously like a cat coming into the warm after a cold night out.
 
'Marcus,' said Gregory, 'it's today.' And that was all. The line went dead, but that was all he needed to know.
 
He extricated himself from Sylvia who was intent either on sleep or further love-making. She was incorrigible, but so so desirable.
 
I'll just take a toothbrush he thought as he swiftly shaved. He picked a new pink one still in its packet and put it in his bag with the papers, a map, his camera . . .
 
He thought about Ripley as he steered the car onto the motorway. That character fascinated him and he wondered if its inventor Patricia Highsmith had ever known such a man; a nice good-looking man, but selfish and nasty. Marcus wondered if he was selfish and nasty. He reckoned he was.
 
When he reached Covent Garden, parking illegally in Jermine street, he wasted no time in walking directly to Turino's. There, amongst the tourists and the out of town shoppers was Greg.
 
'I have this little package for you. Don't open it until you reach Southwold. Park in front of the Lion Hotel. Do nothing until she appears, which she will do after her lunch with the doctor. Then follow her. We think she'll go to Ben's. If she does we want the pictures . . . and as explicit as possible. Leave the package.'
 
It's at least two and a half hours to this village on the Suffolk coast. Until Ipswich he scarcely regarded the early summer colours, the plaintive skies, fields stretching to woods, the occasional grandeur of parkland.
 
He stopped for coffee at a services and called Sylvia.
 
'Hi Sylvia it's me.'
'Where are you? I was hoping we'd spend the morning together.'
'Well Greg called . . . I'm on my way to the seaside.'
'Oh . . . no time for Sylvia today?'
'Not today'
'Tonight?'
'if all goes to plan'
' You journalists, you're all the same . .'
 
But he wasn't. He was different. He didn't just write, he could investigate, uncover things, hack into mobile phones, get the compromising images.
 
Yes, she was going to Ben's . North, on the Norwich road. No hesitation. She drove fast. He had to have his wits about him. When she turned off the main road to the mill he carried on, then doubled back and two miles further on parked within sight of the building.
 
Her red car was there the courtyard. He decided on getting in from the garden so left the road for an adjoining field. Waist high in a profusion of grasses and wildflowers Marcus made his way painstakingly towards a collection of outbuildings, the indoor swimming pool, garages, an office.
 
The pictures were good. Both of them, together. The architect and the broker. Lovers, conspirators, thieves. They deserved everything coming to them.
 
He had entered the mill briefly. There were voices upstairs, a little laughter and then silence. He left the package on the kitchen table propped up against a vase.
 
They'd been following her movements for months after he'd taken his suspicions to Fred. Yes, he'd been so lucky. A wine bar conversation, an aggrieved employee, a few leaked documents and it all came together. And now this . . . the ****** stuff the paper loved.
 
He decided not to go back to Sylvia tonight but walk by the sea, let the gentle whoosh of water on the pebbled strand sooth his ruffled conscience. He had done his job. There would be other intrusions. Investigations, revelations. Mr Nice but nasty like The Talented Mr Ripley, he thought.
Mary Gay Kearns Jul 2018
Under all the days that I have lived
Are you, my family, carrying bags
Filling my shoes with pebbled love
Running the last steps to catch up.

Hands splash out the blue circles
Where lollies drip Coca Cola ice
Wet towelling holding us so close
An avenue of trees to walk home.

Love Mary x
Marigolds Fever Oct 2018
Night at the garbage dump
Sparkle starlight night
Leaves room for little delight
Speedy legs
Out for a spin
Adventure begs
Drags the wind
Follow a leader
To a place one longs to linger
A flight that’s eerie
What’s in store
Darkness galore
Only four hilltops more
Up up up
Around the bend
Climb to come back again
Clouds through moonlight
Old concrete pebbled on the side
Glow with strange historic pride
Field grasses slow to bend
Smells you would not befriend
Below dark field
A collective treasure of human endeavor
One would not dream whatsoever
Crunchy soil
A perfect spot for the voile
Sit below the grassy line
Take in the oddity with too much wine
Head on a swivel
Watch your back
Never know what’s lurking to attack
Time is up
Must not leave the cup
Only once a garbage dump  
Watch the stump
Fly down in pitch dark
Not mistaken for the park
Former mans duty
Listen closely
To the beckoning tutti
It sings in rare night beauty
Alan McClure Feb 2011
My pulse is slowed by the tide
that sighs twice daily
over the sparkling mud,
a slow scatter of wading birds at its heels.

Inhale and brambles dot the hedgerow,
purpling our mouths -
exhale and the snowdrops are back,
advance guard of a trumpetting spring
as the circling bay holds the circling year
in its silver grey water.

Our house plays host
to dramas and dreams
but they are beautifully small
in the middle of this
and I have never been so at home.

The trees planted themselves decades ago
in preparation for our boys.
The sea rose and fell for shelled and pebbled eons
that there might be the perfect clatter
when Fergus leaps from the rocks and runs
into the waves
and if three cars go by
within an hour
we say, "Christ, it's busy today!"

This, and us, is home.
- From Also Available Free
onlylovepoetry Apr 2019
don’t kiss and tell,

meaning
do kiss, go crazy, let passion rule, give in, take out,
meaning

kiss but don’t tell

yet,
the real telling is in the kissing
where your heart gives way,
avalanches into frenzied chain of signal fires,
smoked, clouded eyes, with only one exception made;

the shining, sheer veil see-through when
the other is on the room and the  green spring coverlet felled,
all to see the glow, see all the the blush,
the pretense, aversion skins natural makeup, a liberty beacon

laughing, how it cannot be hid for what’s inside
climbs so fast, blushes blue blood redder, the inside reaction reagent,
the weakening composure, the intense beating from heart to head,
the joyous tearing, the silent swearing, the stupid grinning,
the step skipping, the happy dance springing  spontaneous,
no control, might as well just let it go biology in chemistry class

all these tells that you have kissed beyond reason,
these hidden kisses might as well be on
billboards on the highway into town,
a P.A. announcement in high school,
a hearty button attached to your backpack,
the incessant text checking, all dogs nighttime barking all day

go ahead kiss and tell
go ahead tell and kiss harder,
in the kisses, a million tellings
every body part red swelling,
the tearing of every body part,
concentric circles extended from a pebbled heart

~
9:01am wed Apr 24

P.S. another way of knowing
is the signaling typology of the hugging variety,
which if the hugs maitresse don’t do it herself,
soon enough, I’ll just do myself,
cause how you hug is more than
merely everything, it two comets crashing,
smithereens becoming a new galaxy...
Once Love found Hate in her bedroom;
her breaths short her cheeks pale with gloom.
Her skin bruised wanly with despair;
her eyes redd'ning like a fire.

In front of her spread a suitcase;
th' wooden one with four blue wheels
She packed her clothes in a blank daze-
scarfs, tights, pants, coats, and pretty heels.

Love stormed swiftly into th' room
Begged her to explain her doings
She turned around with shades of gloom
and suddenly stopped her packing.

'Why might thou want to know?' she said.
'I am to mount a carriage,
next to th' sea and pebbled shores-
leaving thee and t'is parsonage,
as I canst but love thee no more.'

Love start'd to plead and kneel by her.
'Part with me not, o, my darling!
Life without thee is like graveyards,
wherein my soul'd lie like a stone-
soul t'at's fond'f thee innocently!'

Love grabbed Hate's white wrist and kissed it
Tried to distract her with his wit
She icily frowned and flitted
Ran to her suitcase and yanked it

Off th' bed 'till 'tis on th' floor.
Clenching it she walked off to th' door.
Yet she turned once more onto him.
Staring at his blue eyes, she seemed.

'Thy heart what has hath ruined thee.
Detest, thy plant with scrutiny.
When I suffereth thou wert here not.
Thou just want'd to share what I got!

'For her thou locked up my feelings,
for her thou mocked away my smiles.
On her name thou scyth'd my flowers-
and painted my cards with remorse.'

'For her thou tore 'way my kisses,
for her thou pushed away my hands.
Put astray the blush of my cheeks,
ran naked at night into her charms.'

'Thou dreamed of her with dear passion,
and glared at me with aversion.
Thou praised her grace and affection,
and cursed me into damnation.'

'Who says love is like a fountain?
I find it replete with hatred.
Who thinks love resembl's a mountain?
It's soul as wicked as a *******!'

'Vileness t'at hath conquered my heart,
and torn my whole kindness apart!
I'm not an object of thy lies,
no more to watch thy sins and vice.'

'And I wish thee but one goodbye!
To 'nother world I shalt still fly
Like a bird or young butterfly
And seek thou not until I die.'

'But bless be with thee, o, darling!
Hope God still descends His mercy-
onto t'is happiness of thee-
And th' day of thy own wedding!'

'Invite me not, for Heaven's sake.
As in my moonlit den by t'en
Shalt I be writing my own fake
A story of fond childhood friends.'

'T'ey wert but I and thee, my dear,
before we becameth Love and Hate.
Within t'ose times I hath no fear;
of falling in love with my mate.'

'But I didst, eventually!
Thoughts of thee began to haunt me-
at my thirteenth birthday party.
T'at night of thee I wrote poetry!'

''Ah, t'is piece of writing t'at I loved,''
Hate pushed out a worn handkerchief
with breaths of an old deep relief.
"Keep it as thou dearest treasure!"

'On t'is blissful night of azure,
of her love thou still needst be sure.
Chain her to thee by'a happy knot,
have a wedding in one week short.'

'Saileth shall I deep into the sea,
a book and its poems be with me.
Littleness makes my heart merry,
abundance sends my nerves weary.'

'And by thy bliss shalt I hath gone,
when thy heart she'th finally won.
But it no more be of'a burden,
as thy joy makes my soul gladden.'

'And remember me not, whilst I'm none-
o thou who wert once my prince.
As I am just trivial like a stone,
when pain bites me still not I wince.'

'Cherish thy vic'try, o my love,
for today shan't be repeated,
like t'ose innocent young green groves-
who smile at th' wild, gusty winds.'

'And weep not, o, on my leaving,
for in death we'll be uniting.
As the heavens even howl not,
whenst I travel from dot to dot.'

'But pray to God, I canst tell thee
so thy sins shalt soon be atoned.
And from stains thy soul canst be free
as thy shoulders from pains t'ey'th borne.'

'And depart now I, o, my king!
Canst I watch now th' waves swirling
and th' ****** boat beside me-
wait for me to mount 'em in glee!'

With a grin on her faint red lips,
fall didst Hate on th' bed's blue sheets!
At first her eyes still bright, cheeks red and warm,
but minutes pass and her breaths fleet!

Sink didst Hate's head to her shoulder-
No matter how hard Love woke her!
And didst stop her heart from beating
Into silent death she's shrinking.

Love groaned and wailed 'till th' morn came,
but emptiness still frost'd th' streets.
No-one came in to bringst a flame;
except th' storm in graying fits!

Love sobbed 'till his eyes caught a knife
Laying nearby in th' kitchen.
Dart'd he forward in one long leap-
and seized it with his hands barren!

Stabbed it didst he into his chest,
with screams t'at pierced everyone's ears.
And fled they off from t'eir bed rest-
'fore thumping on into th' scene.

And th' two lovers nearly dead
Their heads laid straight by th' stabbed knife.
Despite his pain, Love smileth instead-
whispered 'I loveth Her' to his wife.

Wedded they wert at t'eir fun'ral
Amongst th' sobs of t'eir parents.
And even the lady, Hate's rival
was seen clearly 'midst th' currents.

"And blessed by Lord, is t'is couple"
Father Smith read his wan prayers.
"Both in their lives and now in death,
in t'eir Heaven walks and rambles."

And didst t'ey leave th' silent graves
'pon t'at farewell in th' churchyard
Where dwelleth th' lov'rs in t'eir new caves;
'nwhich no more love betrays t'eir hearts.

But on th' brown soil laid one poem!
Written fiercely by Love himself
Th' day beforeth Hate planned to move-
and showeth th' tale she wrote herself.

Th' tale t'at is now but buried;
with t'eir eternal love forever.
Beneath all th' soil and deadly stones;
of th' days t'at hath now been gone.

But how true words shalt never die;
and even in death still triumph.
So t'ere is no use of say'ng goodbye;
'fore winters to fading autumns.

'I love thee 'cos thou art my Hate-
th' devil side of my being.
Without thee incomplete my fate-
and mirthless is all my knowing.'

'I love thee 'cos of thee I'm made,
if I am King then thou art Queen.
Loving thee truly by my side,
I care no longer for her then.'

'I love thee 'cos thou art my breath,
if I'm anger then thou art wrath.
If I'm joy then thou shalt be glad,
when I'm angered thou shalt be mad.'

'But I love thee 'cos I just do!
And without thee my life is blue.
It's with thee I hath no more fears,
in joy and grief, in laughs and tears.'
rachel burch Jan 2010
The soft welcome healed me
In this valley  of sheltered dreams.

Time wound it’s way down muddy tracks
And flower streaked hedges shared my pain.

Rivers wove their pebbled course around me,
With every passing day my heart began to heal.

Now, slowly the oak greened night draws in ,
Owls call me to sleep as silvered words
rise to the star spangled sky
Seán Mac Falls Mar 2013
Rua
Dearg,
Rua, roselet,
Gruaige na fíniúna agus scarlet
Fíonchaora, drown me i do deoch
As liopaí, fíona, Ruby, flesh an paisean
Torthaí agus adharc de neart,
Earthen meirge de pebbled cré
Tarraing mé mar uisce seeping
Isteach uiscígh ársa, ualaithe, i bhfolach
Faoi vastness Sahára
Sands. Tá mé scamall de aisling
Drifting, itching, edging chomh maith do chothromú
Hills. Do ******* sruthán mé mar gaile,
Tá do chluasa le haghaidh doves neadaithe
Agus do shúile, tá an spéir ag fanacht, cogaíochta
Le farraige, le haghaidh a dath,
Is é an ghrian wandering strainséir
Mar a thiteann sé, dar críoch gach lá, faded
Mar an fathach gásach de Antares faint,
Eclipsed ag do heavenly
Foirm, do lasair Vulcan
An tsolais.
Rua  ( Red )

Red,
Rua, roselet,
Hair of vine and scarlet
Grapes, drown me in your drink
Of lips, of wine, ruby, flesh of passion
Fruit and horn of plenty,
Earthen rust of pebbled clay
Draw me in as the water seeping
Into ancient aquifers, laden, hidden
Under the vastness of Sahara
Sands. I am a cloud of dream
Drifting, itching, edging along your rounded
Hills. Your ******* burn as I steam,
Your ears are for nesting doves
And your eyes, the sky is waiting, warring
With ocean, for its colour,
The wandering sun is a stranger
As it falls, ending each day, faded
As the gaseous giant of faint Antares,
Eclipsed by your heavenly
Form, your Vulcan flame
Of lumen rouge light.
It's all going on down here in Hastings
a beach *** party with balloons and loons
thank god it's a pebbled beach
no sand in the vaginal crease

Hey pass me a bud
and give me a rub
it's all cool here
at the beach *** party

Hey now that is illegal
leave that donkey alone Jesus
have you had enough rides
at this beach *** party

Let's fly to another planet
lord god **** it
lets find kinda lands
for our beach *** party

By Christos Andreas Kourtis aka NeonSolaris
Red* was not her colour
But a taste and sounds of her
No danglings, no bling-blings
Not even the *style
of Harry's.

She wear no stilletos
Neither pumps but fine kicks
Keds trend all over
Rockin' and spinnin'
With her preferred music.

At times, I then look down
Not to face the pebbled ground
Taylor's Red Collection
Became part of my up-to-date fashion.

(6/30/14 @xirlleelang)
SassyJ Aug 2018
Whimsical roses and uttered rhetorics
spare the disgrace of the grieved afflictions
pebbled roads of restraints and constraints
laughter and compressed redundancy
the tone changes and emptiness nest
the tongue races and eventuality sets
such a season of unknown unrest
undresses one to a bare *****
where the ****** peaks, unsure of the leak
offended in the reign of unnamed seeds
with evocative sprouts that germinate
to the unlocked mysteries of happenstance
such a season of bearable tests
caress one to a bare bottom
where even shame never turn or press
oppressed in the fields of unmarked borders
with seductive crowns that culminates
to the unlocked mysteries of happenstance
Terror-rium


We had an aquarium

A river, a lake, a sea.

On our desk—the ocean.

Our exotic fish, fished

from the very river, lake, or

sea which we have now.

On our desk—we provide forage,

food, plants, water, and fish.

The aquarium had us.



We had an insectarium

An arachnid, an insect, a butter

-fly. On our counter—the air.

Our countertop full of flourishing

flowers, fluttering wings of broken



butterflies, falling from feed, because

they drink—and we pluck their

wings, tape them to tapestries to

stare. Say, how pretty they are.

The insectarium had us



We had a terrarium.

A desert, a savannah, a floor of sand.

Our room is lit by a woodland, a

jungle, a place we’ve never been.

African violets decorate our reptiles,

all scales and shells and condensation.

It rains today—the lid which collected

our precipitation. Our pebbled floor,

formed over our marbled kitchen.

The terrarium had us



We had an arium,

and we destroyed it

to keep them on our desks,

nuzzled between family portraits and pens,

to remind ourselves of what

We used to have and

what we’ll never have

again, but at least they are

pretty, and no one needs

National Geographic to stare

anymore. We have our countertops.
...

This was read at the University of Kansas on May 10, 2013:

http://shannonathompson.com/2013/05/10/contest-winners-and-poetry-from-my-ku-reading/
This was read at the University of Kansas on May 10, 2013:

http://shannonathompson.com/2013/05/10/contest-winners-and-poetry-from-my-ku-reading/

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