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Jan 2013
delicately, our dragonfly conversations
dance in Japanese gardens,
where jewelled concrete pagoda’s
stand stilted, like
timeless geometries, in greening water

then wind rustles timidly through
creek beds and pebbled leaves;
bells ring like wine glasses at a dinner table
and we feel our arm hairs stand on tiptoes,
pricked up to weary voices

(chanting monks, those that sit in circles
monkishly chant, in unison
“there are three meanings of loneliness”)
here, chanting also, we
find ourselves again not alone
enchanted in the fragmented daylight.

but then again, I turn, apathetically, and declare
“let us rest
in the immense imagery of our imagination

for it is easier to sleep,
as rain creeps closer to our doorstep,
than to ***** barricades, levies
and trenches around our house”

Oh, but the way the light reflects upon the Japanese trees
is so splendidly delicate,
and our delicate conversations
feel all so perfect…

so now please, time, lose me
in your whisper.
Written by
the isolate slow faults  New Zealand
(New Zealand)   
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