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"papered" poems
woman you are dazzle, powdered stomp of colours, mist dew bright of song, melody of a hum when you speak, clear eyes sparkle on the surface, delicate, serene, today you said softly, budge a little in the path of   an evening sun, it gets into my eyes, you shall be the death of me, should I be left with words and rhyme, these stiff laces of device I call poems, of what use are they, you will not be here, my heart gnaws, twists, caught in perils of desire oh garbage words, you are a beggar's lament be away, let me gaze at her while time benignly spins a top, soon it is bound to topple this alphabet string, pearl scatter of a necklace, be away, verse, futility, to live in a papered world when loveliness shrivels to another lost moment, be away, illusion let me see it as it is her yellow dress, gathering light, her terse shades, her yellow dress   let dreams tarry a little, speckled, hypnotized, sunshine,   her yellow dress shall be the death of me
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May 12, 2016
May 12, 2016 at 11:08 AM UTC
her yellow dress
An hour before midnight On the night of 1930 Fire blazed in hearts to fight For their Independence And to attain their rights. Yes, it was the night of 1930 And in the cold winds of 26th Jan They declared to fight for our freedom And they had a simple plan. They promised to give Swaraj To all of their natives Something that was just a mirage Until it really happened. Yes, India got freedom On 15th August, 1947 That was when they decided To transform India into heaven. They completed our Constitution On 26th November 1949 And they had their contribution In their hands but that date wasn't fine To enact the book of laws. To pay respect To our fighters The law was finally enacted And was papered a bit nifty On January 26th 1950. (The End) [Note: Happy Republic Day!!!]
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Jan 26, 2015
Jan 26, 2015 at 6:39 AM UTC
Republic Day (It all started in 1930)
Working at the amusement park is a grand old time. There’s nothing like having to hide In the ticket booth when you wanna smoke a joint So your boss doesn’t find out and fire you. Every ride has bright, multicolored lights And this is how I waste my time away. The closest bathroom is half a mile away, Those Porta-Johns are full all the time And always smell like Marlboro Lights It’s where those teen brats like to hide. A kid always asks for another toy gun from you And immediately bends it all out of joint. Jocks, barbies and snotty kids mill around this joint, Throwing all their money away Buying more and more tickets from you Screaming, complaining, cheating all the time And there’s no good place to hide With all these obnoxious lights. They’re poor substitute for big city lights, They only illuminate this cheesy joint, Don’t even let ***** gutters hide— I’m surprised they don’t want to look away. Cotton candy disappears in your mouth every time, But you think it’s worth it, don’t you? The only boy who ever liked you Works across the park, beyond the lights, But you miss him waving at you every time Because some skeez is yelling, “Let’s blow this joint!” And a mom drags her eight kids away Screaming, “One more word and I’ll tan your hide!” Why do the five-year-olds always play hide And seek in the Fun House? “Hey, you!” Where the hell are your parents? Go away!” Finally Anna, who manages mini golf, lights A gloriously white-papered little joint And we smoke until closing time. This is where I hide, and yet these lights Are poor substitutes you know, for home, the joint You tried to get away from, before you wasted your time.
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Apr 19, 2011
Apr 19, 2011 at 7:19 PM UTC
Ferris Wheel Lights (A Sestina)
Working at the amusement park is a grand old time. There’s nothing like having to hide In the ticket booth when you wanna smoke a joint So your boss doesn’t find out and fire you. Every ride has bright, multicolored lights And this is how I waste my time away. The closest bathroom is half a mile away, Those Porta-Johns are full all the time And always smell like Marlboro Lights It’s where those teen brats like to hide. A kid always asks for another toy gun from you And immediately bends it all out of joint. Jocks, barbies and snotty kids mill around this joint, Throwing all their money away Buying more and more tickets from you Screaming, complaining, cheating all the time And there’s no good place to hide With all these obnoxious lights. They’re poor substitute for big city lights, They only illuminate this cheesy joint, Don’t even let ***** gutters hide— I’m surprised they don’t want to look away. Cotton candy disappears in your mouth every time, But you think it’s worth it, don’t you? The only boy who ever liked you Works across the park, beyond the lights, But you miss him waving at you every time Because some skeez is yelling, “Let’s blow this joint!” And a mom drags her eight kids away Screaming, “One more word and I’ll tan your hide!” Why do the five-year-olds always play hide And seek in the Fun House? “Hey, you!” Where the hell are your parents? Go away!” Finally Anna, who manages mini golf, lights A gloriously white-papered little joint And we smoke until closing time. This is where I hide, and yet these lights Are poor substitutes you know, for home, the joint You tried to get away from, before you wasted your time.
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39
~~~ *a flawless poem if such there were, will always be, the next one my poor soul, my rag tag heart, has no censor, so careless, reckless, as if words were but frivolous treasures, easy get, easy spent if only, how I wish, could harvest my best, and with golden cutlery, excise the single flawless poem that I know is in my possess lay down this hand, so weary, from cupping tears, be satisfied at long last, so much so, that when my casket lowered, two hands in repose companioned, clutching his best, to ease the rest, a papered poem record to join his whited ash, his flawless poem,* his very best *now eternal, at long last*
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Jan 17, 2016
Jan 17, 2016 at 9:09 AM UTC
A Flawless Poem
my eyes opened to find the thin lizard dawn gleaming after the gutter drank its' fill of the moon last night the tambourine buried in my lungs still vibrating like these walls papered with cheap roses last night i found comfort the only way i know how in situations like this beside a girl wearing a pretty ribbon twisted around her waist pomegranate lipstick wet clay & tragic glitter smeared across her eyelids we spent the night roped together by half-removed clothing & my fingers third knuckle deep counting the pulse of the heart of the universe while the wild fox barked on the hill outside & the mockingbirds played riffs in the lilac bushes her ******* ran tight around her shins & she sputtered the dark lyricism of bees twisting her tongue backwards around itself in my ear our bare bellies slapped together as my tongue found her tooth enamel & the trees formed a tight center loop to harness the sky for us & i held my breath waiting for her to breathe first i can feel her chest & plump **** now quietly throbbing against the tight young flesh of my back but when i roll over & see her eyes darting green like a thin ocean laser avoiding my dynamic gaze & her pouty mouth emitting a pink yawn i can tell she's unhappy & ashamed of me i tried to run my fingers through the butterscotch tumbleweed of her hair but she just popped her gum & sent me high stepping through the soft warm mud & chest high cattails of her driveway callow under the clouds stuck like gnats to the fly paper sky
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Oct 8, 2015
Oct 8, 2015 at 3:58 PM UTC
butterscotch tumbleweed
my eyes opened to find the thin lizard dawn gleaming after the gutter drank its' fill of the moon last night the tambourine buried in my lungs still vibrating like these walls papered with cheap roses last night i found comfort the only way i know how in situations like this beside a girl wearing a pretty ribbon twisted around her waist pomegranate lipstick wet clay & tragic glitter smeared across her eyelids we spent the night roped together by half-removed clothing & my fingers third knuckle deep counting the pulse of the heart of the universe while the wild fox barked on the hill outside & the mockingbirds played riffs in the lilac bushes her ******* ran tight around her shins & she sputtered the dark lyricism of bees twisting her tongue backwards around itself in my ear our bare bellies slapped together as my tongue found her tooth enamel & the trees formed a tight center loop to harness the sky for us & i held my breath waiting for her to breathe first i can feel her chest & plump **** now quietly throbbing against the tight young flesh of my back but when i roll over & see her eyes darting green like a thin ocean laser avoiding my dynamic gaze & her pouty mouth emitting a pink yawn i can tell she's unhappy & ashamed of me i tried to run my fingers through the butterscotch tumbleweed of her hair but she just popped her gum & sent me high stepping through the soft warm mud & chest high cattails of her driveway callow under the clouds stuck like gnats to the fly paper sky
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74
Hot ! it was delta hot With only two choices . . . for breakfast we had scrambled eggs toast and hate The postman waved as he brought more papered threats Taking with him all the promises of a better day The cut took 21 stitches to heal but it let out all your will Overwhelmed , the stars have all fallen out of the night sky The street sweeper comes and washes them down the gutter
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May 31, 2015
May 31, 2015 at 10:15 PM UTC
HOT ! ! !
This town is too small for secrets The sidewalks are adorned with names and dates Of couples whose love dissolved twenty years ago While moss oozes out of the letters. This town is too small for secrets Through windows at night The citizens play out their dollhouse lives And dysfunction is locked away in grandmother’s armoire. This town is too small for secrets Where bars close at seven in the morning and open an hour later And the tenders are purveyors of free psychiatry Who put advice in bowls between stale peanuts And place them on the counter. This town is too small for secrets Every hour the two churches compete for the loudest bells But the protestant one always wins And the Catholics having mass ignore its pleading voice But whisper politely in each other’s ears About the scandalous protestors out on Main. This town is too small for secrets With its coffee shops littered with youth Who deny their wealth through coffee steam And discuss the state of countries they can’t place on a map And slowly leach out in to the frigid rain Back to new cars and million-dollar homes Where daddy pays the bills. This town is too small for secrets The college students drink their scholarships in red plastic cups And scuttle towards their shared flats Collapse in to bed too tired to sleep Stare at the ceiling and wonder why they didn’t transfer Three semesters ago. This town is too small for secrets With its gated communities of retirees Where the homes are manufactured And the walls papered with the smiling faces of clean-cut grandchildren And the rebellious ones packed away From the neighborhood gossip’s prying eyes.
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Nov 30, 2013
Nov 30, 2013 at 7:59 PM UTC
Too Small for Secrets
This town is too small for secrets The sidewalks are adorned with names and dates Of couples whose love dissolved twenty years ago While moss oozes out of the letters. This town is too small for secrets Through windows at night The citizens play out their dollhouse lives And dysfunction is locked away in grandmother’s armoire. This town is too small for secrets Where bars close at seven in the morning and open an hour later And the tenders are purveyors of free psychiatry Who put advice in bowls between stale peanuts And place them on the counter. This town is too small for secrets Every hour the two churches compete for the loudest bells But the protestant one always wins And the Catholics having mass ignore its pleading voice But whisper politely in each other’s ears About the scandalous protestors out on Main. This town is too small for secrets With its coffee shops littered with youth Who deny their wealth through coffee steam And discuss the state of countries they can’t place on a map And slowly leach out in to the frigid rain Back to new cars and million-dollar homes Where daddy pays the bills. This town is too small for secrets The college students drink their scholarships in red plastic cups And scuttle towards their shared flats Collapse in to bed too tired to sleep Stare at the ceiling and wonder why they didn’t transfer Three semesters ago. This town is too small for secrets With its gated communities of retirees Where the homes are manufactured And the walls papered with the smiling faces of clean-cut grandchildren And the rebellious ones packed away From the neighborhood gossip’s prying eyes.
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38
land of no responsibility except to give in to that burning urge that prickles up the back of your neck on waking to be off out running under sun barefoot as soon as out of sight adventures wait and time belongs to you you fish for sticklebacks in a field of golden corn where farmers wave in anger at the trail to the pond and take home tadpoles in glass jars on string breathless at the sight of legs emerging pick bluebells in the wood for mother but then arrange them in old tins in tumbledown cottage the gangs den scrumping crab apples in overgrown gardens   never getting that stomach ache all Adults warned of roaming hedgerows looking for hedgehogs hoping for signs of any living thing all long fled at the collective noise you make catching butterflies to look at their wings putting crysillis in greaseproof papered jars to watch them emerge for flight on glistening wings when you return them to the wild lifting up old drain pipes to look for slugs to race not forgetting to put them back at races end so they dont shrivel basking in hot sun after watching trails of catapillars whose prickles mother later tweezers out amidst a small flood of tears because they flame red having a bath with bubbles then tucking up in bed drowzy but anticipating tomorrow is waiting
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Jul 9, 2012
Jul 9, 2012 at 7:01 PM UTC
childhood
Ghetto child, dusty brown face, hopeless eyes, dandelion flower, piles of dirt surround him. He quickly runs across glittering pieces of glass that mimics the sound of ice crushing beneath his paper-thin soles. Sirens scream! Radios blare! No angels to be found, at least not here. Tall brick building, six stories high, so worn and torn from many loveless years. Baby doll, blond and white, tossed from the high rooftop late last night, cracked face, broken smile, she once brought solace to a lonely child, she now lies forgotten amid a maze of discarded trash. Drunken man leans against a blood-stained wall to support his failing body, brown papered-bagged bottle he clenches in his bandaged hand; he struggles to reach his lips to swallow its pain-killing contents. "How bout a date, sweetness?" He slurs to two young girls passing by, who carefully ignore his cry, but jokingly remark of his haggard condition as they quickly pace down the noisy garbage strewn street and he fades within the darkness of the heated night, without as much as a prayer to soothe his waning soul. In this neighborhood lost, at high human cost, in the heart of the thriving city......
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Feb 1, 2014
Feb 1, 2014 at 1:36 AM UTC
The Neighbor Hood
since I last rode a bus, no, poems aplenty have poured and dripped from ink-saturated fingers, here there and  everywhere, disguised by many a nom de guerre the bus riding infrequently, as work no longer demands me, I ride for the occasional occasion, when legs won’t carry me the far away distances they say violence in the city is random, and just seems worse, seemingly a newspaper creation, but I know better, and random violence & poetry inspiration do not walk or talk hand in hand, not for the hands that write… in every crack, lamppost, festooned with flyers for concerts years ago, poems reached out to me, write, right? I too am papered with memories of long-ago city travels, picking up scenes & dreams that became poems, instantaneously, scrambling, to get home with them retained, untainted, preserved with the freshness of city smells, city swells, homeless, rowdies & oldies shuffling, the interwoven of disparate desperate humans, fodder once and now for Walt Whitman’s leaves, each distinct needy for something else, but for me, just one city big view, a Cloister’s museum tapestry, remade, rewoven anew every moment of every day and a poem-rough tumbles from without & within ,
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Oct 24, 2023
Oct 24, 2023 at 8:55 AM UTC
it’s been awhile...
Living in a car in New York City I hide underneath a tablecloth which substitutes for a blanket It is quite uncomfortable in the backseat with that bump in the middle pushing my lower ribs into my gut as I lie on one side, and hide Though so much better then the cardboard box with news-papered roof I once pretended, could protect me from the rain If only I could figure out the alternate side of the street on which to park
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Nov 3, 2014
Nov 3, 2014 at 2:44 PM UTC
A Feeling of Displacement
I soon noticed the Nature of your Smile Even for Purpose that we have just Met Still your Assignment to me was on-file And Commitment the Creed which must be Set Once that Moment I rejected my Cool And caused some of my Friends to burn with me Your Grin was there; Reminding me a Fool To trade my Flesh for an Honest Duty Are you a Promise, M'am? Not which must Break, Then Tender the Papered Dread we all Fear Yet this Nature-of-Calls are what Thoughts based And tell our Clients what they want to Hear. Poetry, my Madam, is not a Fad Unless you open to the Moments you had.
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Mar 9, 2013
Mar 9, 2013 at 7:12 AM UTC
SONNET TRIBUTE: MA. LUISITA CALBENTOS
I have no idea why that first line came to mind while I was indeed cleaning.  I've not read Austen in years, nor watched movies in months. (sonnet #MMMMMMMCDXLI) Jane Austen's drawing rooms I'd feign avail Me of, whose wainscot's polished oak is dense With import as the papered walls from hence Look smug; yes, take a turn in sheer betrayl Across those gleaming floors, dressed ah, to scale In empire-waist' floor-length is it pretense? And for the *** of tea I'll sip for sense, The dainty patterns on those walls' sweet bail. Don't ask me why.  In scrubbing bathrooms' tour, I could not settle on just whither to Until that note piqued languid thoughts as twere. I've been there so oft for discussions through Each novel, t'would be quite refreshing, poor As fiction's vain suggestion, if'd could do. 11Oct18a
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Oct 13, 2018
Oct 13, 2018 at 4:13 PM UTC
Lady Catherine and Darcy, or Just Whom?
So That Others May Live My son and I go down to the beach today And lay claim to a small square of sand Where we ***** a blue plantation of shade Inside a red umbrella city founded by dermatologists. Slow cooking like a pair of pork chops basted in SPF 30 He reads a Jack Reacher novel, myself the LA Times Occasionally, he looks up from his book and shares a passage: How about I show you the inside of an ambulance? The girlfriend his from Kentucky has never been to the beach She is ensconced in the best chair eating watermelon Reading poetry by Rupi Kaur god bless her She should have the best seat if she’s reading poetry. People form Iowa and Minnesota you know the ones In the parcel of sand between us and the ocean Have lain towels and blankets far too near the tide line and Come noon we enjoy their Midwestern diaspora to higher ground. We body surf in waves that are bigger than they look He wears the right fin and I wear the left I bounce off the bottom and get my *** sand papered Then tumble into him like a forgotten dollar bill in a wash machine. In the parking lot laughing and spitting salt water I pour a bucket of sand out of my wetsuit onto the hot asphalt And realize it will never be this way again and it won’t The lines in his face a perfect nautical map of the future.
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Jul 18, 2017
Jul 18, 2017 at 12:31 AM UTC
So That Others May Live
*and i too thought the english banknotes were big, but by god... have you seen imperial russian's banknotes?! you could wipe you entire **** with one.* no, i don't own an imperial russia's banknote, or a kopek dating pre 20th century that Dostoevsky might have used to gamble, no, i don't own an imperial russia's banknote with tsar Nicholas the 2nd's face on it; you can rob me all you want, i think the banknote to be cursed... a cursed luck of lost reason and logic... but when i look at that all familiar face and stare into the ageing face of elizabeth the 2nd... i see papered ****** gravitating to forfeit a chance of excelling in Olympics... Olympics indeed, of muscles turned into oyster mush... about to be exercised in breathing exercises of forgotten oxygen toxins... no... i don't own imperial russia's banknote with Tsar Nicholas 2nd's face on it; i did tell you my maternal great-grandfather spoke 7 languages, didn't i? only bothersome and subsequently fake nobleness stresses its point... the true aristocrats suffer with enforced ailments that only breed an exaggerated libido, to quote myself... *i'd **** anything that moves within the framework of the trinity of mouth **** and **** my ******** are always goosebumps frolicking to a tingle and i just want to relax with an unloading of the content,* i didn't read marquis de sade for no reason, other than the quoted bibliography of the marquis himself, having read books using only one arm, with the other... "making bookmarks", ha.
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Feb 4, 2016
Feb 4, 2016 at 6:15 PM UTC
imperial russia's banknote
*and i too thought the english banknotes were big, but by god... have you seen imperial russian's banknotes?! you could wipe you entire **** with one.* no, i don't own an imperial russia's banknote, or a kopek dating pre 20th century that Dostoevsky might have used to gamble, no, i don't own an imperial russia's banknote with tsar Nicholas the 2nd's face on it; you can rob me all you want, i think the banknote to be cursed... a cursed luck of lost reason and logic... but when i look at that all familiar face and stare into the ageing face of elizabeth the 2nd... i see papered ****** gravitating to forfeit a chance of excelling in Olympics... Olympics indeed, of muscles turned into oyster mush... about to be exercised in breathing exercises of forgotten oxygen toxins... no... i don't own imperial russia's banknote with Tsar Nicholas 2nd's face on it; i did tell you my maternal great-grandfather spoke 7 languages, didn't i? only bothersome and subsequently fake nobleness stresses its point... the true aristocrats suffer with enforced ailments that only breed an exaggerated libido, to quote myself... *i'd **** anything that moves within the framework of the trinity of mouth **** and **** my ******** are always goosebumps frolicking to a tingle and i just want to relax with an unloading of the content,* i didn't read marquis de sade for no reason, other than the quoted bibliography of the marquis himself, having read books using only one arm, with the other... "making bookmarks", ha.
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40
Musk. Wind whispers mysteries in the form of it; it thickens thin air until it turns black, black enough to hush. Wind, being black, absorbs your thoughts, makes violent curls of them; thickens, thickens thin air until it transmogrifies into pages and pages stained black with disaster- as if a hurricane crumpled those could-have been white aeroplanes, potential papered to fly, and flung them into the pit of your mind to sink              deeper and                             deeper and                                           deeper until your poems were written and the casualties numbered: each line a suicide of a thought that could have been, each syllable ink-stained and bloodied black by artistic integrity, or madness: the same. This wind is your hair. This wind is your territory. Not mine. Never could I have met you here, in this place of your solitary being: where real poets exist. I am not a hurricane: and I am not your disaster. I have learnt and re-learnt how useless it is to define you in terms of myself; how useless it is to define you at all. A rationalist like me can never truly understand what it is to be part of your endlessness, the sheer mountainous immensity that constitutes your thrill. Yes, your hair fascinates me as much as any ancient, spiralling, far-away Andromeda- but the fact that even now,  I've already tried to limit you with words shows the absoluteness, the solidity, the density of my misunderstanding of your... your... And real poets know that rationalists are fools. You know I am a fool. I write these meagre verses with unreachably cold computer technologies thinking that these words could somehow save us. Yet, simultaneously, I am some drunken nuisance knocking vehemently at your door, who turns and strolls away right before you finally answer. I am a fool going home and seeing clouds in the darkness. It is my first time seeing them in the sky. First time in nearly a month. The moon illuminates the clouds, and so do the towers of highway lights in the middle of two roads. One road leads forward, the other backwards. As the car passes the towers, the two lamps attached to each of their heads glow. They streak on as the car speeds on homewards. They leave fading tails like shooting stars, except they do not travel. They are stagnant mind lights, peripheral memories; unmythical, artificial. They are not like you. When I pass you, You.... You... You. Please, never believe- for even a whisper of musk to yourself; for even a black hush, to yourself; for even one sliver, one strand of Andromeda hair, falling towards yourself- that Grahamstown didn't mean anything less than Eternity to me. It does. I am not a hurricane. I am not your disaster. You are far too much of yourself for me to be even a zephyr to you.
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Jul 29, 2015
Jul 29, 2015 at 2:58 PM UTC
Grahamstown Wind.
Musk. Wind whispers mysteries in the form of it; it thickens thin air until it turns black, black enough to hush. Wind, being black, absorbs your thoughts, makes violent curls of them; thickens, thickens thin air until it transmogrifies into pages and pages stained black with disaster- as if a hurricane crumpled those could-have been white aeroplanes, potential papered to fly, and flung them into the pit of your mind to sink              deeper and                             deeper and                                           deeper until your poems were written and the casualties numbered: each line a suicide of a thought that could have been, each syllable ink-stained and bloodied black by artistic integrity, or madness: the same. This wind is your hair. This wind is your territory. Not mine. Never could I have met you here, in this place of your solitary being: where real poets exist. I am not a hurricane: and I am not your disaster. I have learnt and re-learnt how useless it is to define you in terms of myself; how useless it is to define you at all. A rationalist like me can never truly understand what it is to be part of your endlessness, the sheer mountainous immensity that constitutes your thrill. Yes, your hair fascinates me as much as any ancient, spiralling, far-away Andromeda- but the fact that even now,  I've already tried to limit you with words shows the absoluteness, the solidity, the density of my misunderstanding of your... your... And real poets know that rationalists are fools. You know I am a fool. I write these meagre verses with unreachably cold computer technologies thinking that these words could somehow save us. Yet, simultaneously, I am some drunken nuisance knocking vehemently at your door, who turns and strolls away right before you finally answer. I am a fool going home and seeing clouds in the darkness. It is my first time seeing them in the sky. First time in nearly a month. The moon illuminates the clouds, and so do the towers of highway lights in the middle of two roads. One road leads forward, the other backwards. As the car passes the towers, the two lamps attached to each of their heads glow. They streak on as the car speeds on homewards. They leave fading tails like shooting stars, except they do not travel. They are stagnant mind lights, peripheral memories; unmythical, artificial. They are not like you. When I pass you, You.... You... You. Please, never believe- for even a whisper of musk to yourself; for even a black hush, to yourself; for even one sliver, one strand of Andromeda hair, falling towards yourself- that Grahamstown didn't mean anything less than Eternity to me. It does. I am not a hurricane. I am not your disaster. You are far too much of yourself for me to be even a zephyr to you.
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97
Once pink now tawny wallpaper peels inside a closet, ballerina dreams shucking off like husk. Little cartooned princesses cling. Last holders-on from a 1950's design scheme with all good intention, twirling memories glueyness is backed seemingly to astound or perhaps dishearten. In "the boy's room," you find in the closet an equally petrified, yet opposite motif papered. It's animated baseball. I remember how quotes such as, "Never let the fear of striking out keep you from playing the game," did don those walls back in the day. I think it was Babe Ruth attributed to that one. He and I were supposed to have shared the same birthday, but I must confess, it stopped right there. Eventually, that was all figured out, and I have no lamented grievances for what parent's wishes were for their children's would-be assigned roles. It was and is still popular to choose decided decors as such. Who is to know how Bobby may envy tiny dancers chosen for his sister's room or how Sue might prefer basketball or even hockey? Even more politically correct consciousness is a confusing choice. Who gets the dinosaurs and who gets the daisies? In any case, no one papers the closets anymore. So, when the time comes for cleaning out old spaces and memories, future grudges might be less frequent.
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Nov 24, 2015
Nov 24, 2015 at 1:28 PM UTC
Secret Dream Closets
** papered white, there is one wall in   his room of spines for  a  muse. His beautiful    abstraction ~ carved   &   polished    ~        hung as his      hourglass; Inverting light & time with a resonance   of understanding as beads of fiction fall**     *Colouring other walls vibrant                                      these spines shine                                          with jewels                                      imbibing                                 his souls'                       faceted              light               with                    hope*                           *      *   *free    *         *                              her*        *        *          *          *
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Jun 21, 2013
Jun 21, 2013 at 8:07 AM UTC
Curiosity turns everything, in a poets' hand. Do you hold the key? (Poem Art)
Between the cool-quarried kitchen and paint-faded south facing door runs a windowless wall sugar-papered with childhood dreams. Memories of roughly folded gifts squirreled in satchels, crossed creases still intact; curled corners fixed with shiny pins. Luminescent paint heartens the darkness of a pitch grotto anticipating a flicked switch to illuminate dimmed histories of abstract symbols, visionless figures and countless fingers. The small pink fists that captured Time's most precious pieces, now live with vaguely painted hope of sheering unsteady walls in their uncertain world.
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May 2, 2010
May 2, 2010 at 3:05 AM UTC
Prescient Pictures.
Like clockwork each day Near the edge Of the bay A little old man arrives He sits down in the grass Watches boaters fly past And fishers go on With their lives All around the people Rush about in a hurry Without a word or even A stare To a man with scarred skin Papered over weak bone Deep wrinkles And snowy white hair His name is James Though I’m sure you don’t care But once was a time it meant something Somewhere The war has been won History left it behind Yet it continues to play Inside of James’ mind
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Jun 1, 2016
Jun 1, 2016 at 5:40 PM UTC
James
Standing flaccid amidst the crowd A leaning crystal, alone in the crowd Mourning and notes, in cream they swirl Confessions on scraps, to thieves and to girls Dazzling that vanilla glow, An open window lovely substrate I see myself, though not as they see Dialogues seeded by the beans of genius All percolate, till the room is black drink A hot pulchritude of flare and space Aesthetic papered everywhere, on each and every face My cosmos lined with little stars, They, too, are so far away And charming like a child. Two engulfing waves lead me by the hand Both sides can’t hear content Though too much noise, it’s too quiet The crystal stands, itself, lost in the crowd.
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Sep 10, 2014
Sep 10, 2014 at 11:05 PM UTC
Lost in the Crowd
The Dublin strand is papered in wind, my old book renewed into romance. I love her. Pen scratches the whole page black, & variant sprawls of my name repeat until I own a house. Sister & I in dad's old car head up to Petworth, & walk back under a sky that rolls & folds, a bolt of cloth. Break new trees on the prison island, handcuffs of ivy, jump the fence & escape to the highway. In Georgetown, lush reeds wave from the canal bottom, easting in the chartreuse. Then cross to Dupont, thronged with day-enders and students shifting from coffee to ***** as the hour rises. Scheherazade cancels, but I make the best of it, writing at the bar next to the girl in leatherette. The day ends with me fighting the pharmacy of my sleepy blood while I break the bed I always hated and throw it into the orange. Day's done. Another year to come. Thinking of her - sleep.
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Apr 12, 2019
Apr 12, 2019 at 2:58 AM UTC
39th Birthday
She wrote your name on her paper heart Swore to hold you close But you could not see fragility Under blue skies, rain, or smoke And just like that she tried to hide The rip, the tear, the pain Your gushing river tore her apart Like papered artwork in the rain. - c.t.
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Oct 4, 2015
Oct 4, 2015 at 1:29 PM UTC
Paper Hearts