.i. if Kant could have his von Kleist... well... who else to juggle juggernauts if not me? as a task of redeeming that poor soul who succumbed to the terminator of all poetic ambitions, with his systematisation off-the-page, as eccentric and punctual as a sunset on a sundial at 16:11... and in case either the spring of sunrise, or the autumn of sunset... but so many hours after exacting a sunset... that gluttony of the eyes to stare at it... 16:11 is the zenith of a sunset in november the 15th... much prolonged when warmer... supersized sun when setting in summer, and all that whiskey-copper wiring for the eyes to stare at it: oh for goodness sake, who really cares for Ikea likened assembling of words... we're not putting together a coffee table, we're looking for Darwinistic entrapment, we're scared of the aeons and yawns... we're trying to create a Darwinistic entrapment saying what segregates us from apes! that's how anti-Darwinism works - if they can easily call you a poet and a technophobe... then that hardly makes you a merchant with a Quran... to encapsulate the language of our modernity we're doing everything against writing the onomatopoeia of our beginning... monkey ooo! monkey ooo ah ah! or a gorilla grunting and then snorkeling... we're encapsulating our language more and more... because beginning with ape and then looking at history, and then looking at the consensus of the contemporary: Darwinism's greatest enemy is not theology... it's history... Darwinism and history are not compatible... oddly enough Darwinism and theology are compatible, simply because they are dynamically equal for the case of furthering both arguments in debate... but Darwinism is an odd starting point to argue, given that physicists argue from the perspective of prior to dinosaurs, prior to all things formed.

how can i begin this? it will leave me having to
write it for two days,
the anti-narrative sketch first, then filling in
the gaps sober... just to get second opinions...
i might have to cook a quasi-Hungarian borscht
and fry up a few potato flattenings to a crispy
yum... first the narrator comes in to describe what's
in store, a bit like a translator comes in and says
of Joyce: that's Irish... well, yeah.
               hence the italic preface...
as some would say, the person who wrote these
sketches worked quicker that an algorithm in asking
and also quicker to copy & paste the required
atomic encoding... e.g. ч and ch
                   э and euro and epsilon...
      once upon a time there was nothing prior
to Copernicus, then the somersaults came,
    h ч y        what coordinates where?
    well of course perfecting the encoding of something,
if things weren't stated awry there would be
no optometrists either...
                  it's not hard to read, it's hard to
remember how to read, given that being literate reached
the omnipresent velocity, the new powers had to
include some new power struggle...
mingling Latin and Runes, Greek and Cyrillic...
     and the proto-Latin of additional diacritical marks...
they exposed the entirety of humanity to literacy
within the framework of post-industrial society,
after hitchhiking a ride on the 19th century donkeys
they suddenly had to reveal their power-secret of
being literate, and by the account of women:
corset bound and bored in salons...
      but something else appeared that didn't really fascinate
them: that over-complication of Latin with
punctuation marks above letters: or diacritical
distinction, crowns over letters, subatomic particularisation
of once favoured: universal applicability...
as a narrator? i have to make a complicated
introduction, the sketch lends itself to do so,
it suggests that not all writing can be as simple as
a nursery rhyme, not all writing can actually
    **** memory, not all writing desires being remembered,
not all writing can be remembered,
                in the mediation of the two chiral opposites
there's fiction, which is suspended in an armchair of
pleasurability... but on the opposite side of a nursery rhyme
or a well versed poem? writing akin to arithmetic...
  something truly painful for those competent with
lettering, but not really competent with ten digits...
      as a narrator who has already read the sketch,
i'm trying to not write a "filling in the gaps" to the sketch
like an art-critic might do to a painting deviating from:
brushstrokes were employed. well... d'uh!
variation of italics as in transcending the pause that
implies a condescending variation of taking a pause,
also excluded are: dot, comma, hyphen, semicolon
and colon.                         dot-dot-dot is not joining up
the dots: it implies a variation of how to anticipate
a punchline: drummed: tu-dum wet snare!
     i am actually a narrator who is trying to find
that other part of me that might digest this sketch properly,
     and return fully competent to pick up another
sketch... if ever there was a narrator in this sketch,
it has to be me, after the sketch has been scripted,
and i am left to suggest a need for a dot-dot-dot connectivity
of the strokes of the pen...
i warned myself: do not overdo the introduction in italics,
you know how picky people are...
whether pickled pineapple of cucumber...
i swear Turks invented pickling chillies...
         oh look! an inflatable gazebo filled with helium!
no one's laughing: only because i didn't mention vegina.
narrative puritanism? you get distracted a lot...
but this sketch is really a thesis for narration,
all i have to do is find the antithesis of narration in it:
an actual narrative!          it stretches for ~30 pages...
   well that's me turned archaeologist with a Grecian urn
with a snap of the finger... because that's how this
sketch looks like: ancient -
                         but understandably modern.
              so .  ,  - and ;
        were racing... out came the world record
             9.58(0)         the full-stop is the bracket-bound
0... i.e. it actually happened: hence the pinpoint...
or in Formula 1 a timed nonsense of ave. m/ph
     noted to three decimal points: 130.703...
                                    or chicane cha chicane cha cha!
as said, this is an actual representation of a narrator
encountering this sketch: so before you lose your head...
i've lost mine!
  look at the correlation though!
we've gone way past atoms with the atomic bomb
and encountered subatomic particles...
    we're not going to get beyond subatomic particles
because we're going to encounter the already apparent
reality of obatomic particle: namely our bodies,
   the perceived ******* (ob- is the antonym
                                                  prefixation of sub-):
             that's were the microscope adventure ends,
    and this is parallel to cutting up a second with
three decimal points, as the safetynet suggests:
                                                              π / 3.14;
yep, the obstructive - hence we can't spontaneously
combust... but then again Goethe's Werther did:
  out of love... down the spiral: you sweet little *******.

~ii. i'm actually too lazy to write the sketch and fill
in the blanks... so i'm going to fill in the blanks as i go along,
  or that's what's called the rebellious stance of narrator: mmm,
work in progress, could you see that coming?

ii. a beer in between glugs of whiskey - runes
combined in the ******* / sigma, variant of agliz or
the rune-zeta extended toward a dark shadow of the rebirth
of Ishrael: zoological enclosure; sigma *******
sigma ******* sigma *******, sigma *******...
rune-zeta... we cannot say there are ******
mathematicians and poets akin,
not then one optic encoding states
     a b c d e
         another states f u þ a r
yet another а б (ρ) в г
  α β γ δ:
for worth of gamma into a trill only because of
   a wave, that's ~ approx. on the side of the letter
   e.g. г & r.
   or rho upside down? what the ****?
did Voltaire write this? reading Candide,
i hope he ****** did!
you the problem is pixelated paper? if you know
how you enter a deciphering mode...
                    but you require a personal library to boot,
all that dos formatting,
                       well there's formatting in the humanity
outstretch of this white medium too...
after it isn't all ******* white when all the psychiatric
pills are white too... i have really found something better
than the Bermuda Δ...
       Greek, Latin, Cyrillic and Runes...
i could say neo or proto otherwise,
but i still haven't unearthed the sketch, that
is probably puzzling the Danes, with Cnut on the forefront...
                    but the arrangement of numbers is universal,
but it's not universal, given the particularity of
how language is encoded and why some people are
richer than others...
            but it's still a beer between glugs of whiskey that
makes more sense...
i said, retype the sketch and go to bed...
and i figured: that's probably the wisest of all possible
events stemming from this...
    that's ~27 pages of notes to retype... and i'm already
in a disclosure mode as to expect what's to be jargoned...

p. 1        cкεтч       /      σкεтχ
   necessity of                        (acute
a-       -the           (ism)
is that of language structure,
          only from the use of one's language does
a deity present itself: from within the noumenon
ground work, not the reverse, as in from
(pp. 2, 3)
                 a phenomenological exercise in
the use of language: Islam, Christianity, Buddhism, (etc.)...
       e.g. Islam is a phenomenon,
  it's not a noumenon: or a thing-in-itself...
  for the Islamic god to emerge from Islam's-in-itself
Islam will have to prevent itself from being-outside-itself...
or overpowering other in-itself contentions
but still: to no apparent success narrative of true intention
as satisfactory appropriation and hence lending itself
to a widespread nod of approval.
  challenging space: word compounding, or the space
between conjunctional deficiencies: nod-of-approval (e.g.).

p. 2    concussion (great film, Alec and Will, 2015, NFL)
concussion... Blitzkrieg Alzheimer's....
brain is fat.... dementia = attacking proteins...
  steroids... the noumenological use of language:
e.g. that ****** is an enigma,
therefore his views will not go viral,
and he'll not become fashion trendy...
it's not individualistic idealism, it's reality.
as will die sonne satan - orbis reach more than 5K
views... so... clap clap... clap, clap.
           what i meant about the a-     and -the
and the ism is following a sentence that sort of
does away with conjunctional fluidity,
apart from the big words, i treat all minor words as
categorically conunctional... and, the, a, is, to, too...
given the sentence: brain fatty *****,
brian organic giraffe wall... ******* hieroglyphic...
           stood above the rest, rest assured.
  dementia: invading protein cells
   (bulging prune of the opportune: purely
digestion?) no thought to eat or eat itself like,
cannibalistically. the brain is fatty...
not fat in muscle for mmm, schmile and flex
for the selfie. how about a protein inhibitor?
(by now, rewriting the sketch, i've lost the page count,
it's actually p. 5 of note paged toward 27).
how about the explanation that we're living in
times of post-industrialisation and thanksgiving
feminism? to me post-industrialisation has created
a class of meaningless white-collar workers
and no blues... it's what the Chinese blues call
the Amazonian nomads: ******* happy...
no amount of crosswords or sudoku will exert
your body to do things for others...
   no amount of mind games will actually tell your
brain to be equipped with: a bunch of hyenas... run!
dementia is a result of creating too many
white-collar jobs (thanks to feminism)
and exporting the blues to China (thanks to feminism
and: oh i broke a nail, can i get a Ching plumber to
fix my heating while i get a ****** to **** me up my
****?!) - maybe i'm just dreaming...
it's great to censor dreaming, i mean: you stop dreaming,
you get to see reality, and you don't even need to
read Proust on a ricochet.
  - so we have brain as fat, and invader cells as protein...
protein digests fat... and creates cucumbers out
of people... where do the carbohydrates come into play?
it can't be at the point of a.d.h.d., can it?
     i'm blaming post-industrialisation, the complete
disappearance of the blues (formerly known as the reds,
in the east) for the whites...
or that old chestnut of: my god you're goon'ah luv it!
   to till for worth from the sweat of yer brow -
funny funny funny... to earn your loaf of bread
you will toil...
                   and toil until you are physically assured
that not ghostly / mental life can enter your world /
books... that went well... didn't it?
   i should be tilling a potato plateau rather than
be bound to be writing this epic (by modern standards)
poem...
             but that's the curse of exporting all the blue
collar jobs to China, then importing mindless
white collar jobs to the west, what the hell do you think
would happen, not the pandemic of dementia?
if you do not exert the body, and then you do not
exert / exhaust the mind... do you think
you can secure a narrative with a post-industrial
westerner on the premise of that person simply being
able to solve a crossword? well... i believe in santa
claus too... but i don't believe in him giving out
presents... because to me, in my oh-so-called maturity
that's called an anagram of satan's clause: which is a legal
term for: i can turn civilisation into shrapnel
of what's said and what's to be said: and what's not to be
said. people can't expect to turn honest labour
for the recreational run on the treadmill in a gym...
and they can't expect photocopying in an office space
to replace Newton's curiosity, and then compensate
all this distraction with mind-games...
          can they? well... they did!

poets are gagged by writers of prose,
no wonder they write so sparingly,
      they are gagged in the sense that they write
as if asphyxiated: they need breathing room.

well sure, if he can revive the Polish steel industry
and i can go back to steel plates and pillars,
then the rust belt will get a polishing also.

or what's called: shrapnel before the waterfall of
narration: darting eyes, and poncy **** all the way through...

     muse... muse...

        well, how about we take the fluidity out of language?
declassify certain words into one grammatical broth,
say words like i and they
                              a  and the    are all conjunctions?
how about that? let's strip it bare, after all: what categories
of words exist for us to primarily speak (let alone think)?
     nouns, verbs, adjectives... adverbs?
       but all those words in between are so jungly classified
into a tangle that i'm about to sprout a handshake
          of a Japanese vine grip: and never let go...

an actual extract from the sketch:

      https that doesn't recognise UCS
                   and insists on IPA cannot be deemed
       encyclopaedic

              i need runes for this! i need runes for this idea!
i don't need transliteration right now...
                but hey! that's an idea, etymological transliteration...
bugly term, sure, but the previous night i was thinking
  of transcendental etymology, as you do, likened to
carbohydrates... so it was transliteration after all...
but a dead end when it comes to geometry and Pythagoras...
      
    three words... and they are computerised (i guess you
have to buy a decent book to decode this), a bit like
buying paint in a d.i.y. shop...
       16DE (dagaz / d) 16DC (ingwaz / ŋ / grapheme of n & j)
                  16DF (ōþala / Valhalla / o / ō = oo),
in total d'njoo / d'nyoo - even i concede the fact that this
is a ******* mind-******... it's a ****** congregation of
four optic encodings of phonos... i moved away from
the ancient greek fetish for the logos... i'm looking at
the phonos... not the logos with Heraclitus et al.
               φº θ þ фª f

ªgreek
  ºcyrillic                ever see a prettier pentagram?
                      i haven't.

(false original title:
škic / cкэтч / φº θ þ фª f: thespian pandemic - pending)

looking at the phonos is painful, actually painful,
it's like reading a book with a myopic pair of glasses:
a ******* aquarium blurry right there, befor...

- - - - - - - - - - - - - - - - - - - -

'e'? were you: was i, looking for an 'e'?

i can say this much...
what do you get when you mix a shot
of whiskey with a shot of bourbon:
i'm moving between bottles...
it's nearing christmas eve and i'm a ripe
taoist... i.e. i better this world:
by not having the world mind me...
on the odd occasion: oh... you're still here?!

yeah... i'm still here... i have glued-to-fascination
with my shadow... i'm just waiting
for the atom bomb to relieve me of a body
but ensuring my shadow is kept intact...
as if it were a Monet signature on a wall...

but i lament... the momentum has vanished...
i don't even know why i'm so idiotic as
to presume that: from the hour 22:00GMT
to the hours 00:00 circa 00:30GMT...
something will land into my lap,
my lisp... my cranium the oyster shell
my tongue the oyster...

it will not... i can't simply **** anything into
an existence that doesn't want to exist...
perhaps lurking in a canvas of:
"lost luggage" in an airport...
perhaps "there"...
i could be excused my... lethargy...

when was this written? back in 2018?
so i was thinking about teasing cyrillic even then?
wasn't i?
sketch cкэтч or?

what do you get when you mix a shot of whiskey
with some bourbon?
a Burguandian whisker...
i am not going to sound witty...
Ron's key...

that's still a cyrillic "or"... isn't it?
шкиц: škic...

i'm... deflated... nothing "new" has come my way...
i would have thought that...
reading some Knausgård would have /
could have... invigorated me:
reading him was supposed to be my:
dialysis my transfusion!
my zombie-go-to-literature...
it has proven an exhaustive enterprise
to begin writing again:
i became too comfortable
in reading - i almost forgot
the agony of writing...

alas... a contemporary of mine...
and someone well adjusted to prose...

notably: who would have thought
that death in june - the calling (MK II)
was something to be recorded in 1985...
for one: i wouldn't...

but i did begin: back in november 2016...
begin what? to tickle the cyrillic alphabet...
which is way before i discovered my reply
to the runes... to the ancient greek...
and this... "ancient", ahem... still in use...
latin script...

that script that went into the molloch couldron
of being invested in to code...
pristine as the hebrews cited:
how many holes in it?
to write onto a canvas of 0?
q Q R O o p P A a D d g b B...
which leaves...
W E T Y U I S F H J K L
Z X C V N and M "out of the equation"...

škic / cкэтч / φº θ þ фª f: thespian pandemic (pending):
i better rename it as... circa 2016...
that's way before i even acknowledged
the cyrillic text applying diacritical markers...
i thought them too crude at the time...

beside borrowing outright from greek...
the already at hand oddities of glagolitic,
notably: Ⱎ...Ⱋ...

it's only a single word i'm using...
i have abandoned all notions of metaphysics
in favor for orthography...
i'm not going to burden myself
with: what's after the physics...
i'm after: what's now...
in the respective tongues...
2 tongue deviations from
the original latin and greek...

what came with the runes and what
came with the glagolitic scripts...
what was ****** and had to succumb
to inter-breeding...

come 2020... i will have one clarification
to base my existence on...
pronouncing the growth of my ****** hair...
i will hope to aim at a length of beard
that will forever hide the neck...
i will aim at... somewhere to the level
of my heart... when i will then manage
to turn my beard into an orchestra's
nieche of violins when i procrastinate with it...

since 2016...
i have identified russian in ******...
i've seen it... finally!
зъaрт... i.e. żart
and the "hard sign" becoming a "soft sign"
in źrenica: зьрeницa...

i still think the russian orthography
is... as... primitive as the western slavic...

after all... зъ = ż...
зь = ź...
the balkan slavs have a caron...
which is neither a hard or a soft sign / acute...

their caron is... ч (č) or cz...
CHeaper in english...
and their caron is ш (š) or sz...
SHeep...
or the two together...
and always шч (šč): szczekam...
i'm barking...

pu-shch-air... a rare example in english
of the puщair...
but then lookie lookie 'ere:

CZACHA... skull...
ЧAХA...

perhaps this is my "revenge ****" on russia?
hey! boris the kremlin mascoot...
come and 'ave a look...
with how i disect your orthography
on the / with the language that asks
too many metaphysical questions and no
orthographic curiosities!

i'll meet you in Warsaw... given that you're
probably moving from Novosibirsk...
and i'm either in Stockholm...
Edinburgh or the outskirts of London:
Warsaw will be halfway for both of us...
you don't have to like Warsaw...
i only like it when the Ukrainian smugglers
and the Mongols appear
in the West Warsaw coach station...

smart as who? i am discovering this for
the first time myself...
i was only teasing it back in 2016...
way before i found the right sort of accents
in mother russian...

i do know that that crescent oddity:
above the ja: йa... is what it is...
if you only cut off the head in english... ȷ...
again: it's я given that most russians
are pulled toward an anglophile world-view...
they all see the window to europe...
the baltic and st. petersburg is somehow...
London... and the atlantic...
like hell it is...

i guess i feel it was a waste of time to
have re(a)d Kant, simply because:
i'm not here for the schematics...
i want to know how my thought my labyrinth
building architecture is coming along...
but with no one to talk to about it?

i found the categorical imperative most
dissatisfying... i didn't want to abide by universal laws...
poetry is already shoved out of waiting room
of the republic...
if my "poetry" is not a categorical imperative...
and it's not quiet a a hypothetical imperative...
it needs to be sharpened on a thesaurus
and some grammar...

categorical (adjective)... imperative (adjective)...
well two adjectives never imply much
if there's no noun involved...
and i'm pretty sure that... if i sharpen
the next word i'll compound with categorical-
in that hyphen construct that's only
allowed in oxford dictionary english:
since it's not: propergermannonhyphenfaustian:
i.e. carboxylic (carbo-xylic) acidity...

poetry doesn't belong in either
the categorical imperative focus...
nor the hypothetical imperative focus...

i.e. i must write a poem... to feel better...
i must write a poem... to organise my thoughts...
no! a poem is not a maxim is not a categorical
imperative! a language of poetry is not
a language of morality: it's a language
of experience - or a lack / a lackey's "sentiment"...

i need a... categorical: impetus!
it's not enough to have read kant's critique of pure
reason... it must also involved
having re(a)d the: groundwork of
the metaphysics of morals...
but i'm a democratic reader...
i need to hear the other voices...
i can't be a kantian scholar...
a snippet 'ere, a snippet v'ere (funny how
THETA disappears when making the posit:
THERE - ver!)

who needs metaphysical absolutes...
when orthography (or a lack of it)
in english... spreads open its legs...
and the tongue remembers its tongue-brain-phallus
stage of co-existence in the oyster?!

i'm pretty sure that a categorical imperative
is by no means a categorical impetus...
this had to be written,
but it had to be written in order to disregard
anything a priori... prior to it...
a poem is a shady concern for action or inaction...
it's a deviation from the cartesian crux:
res cogitans (thinking thing)...
into the cartesian levy (res extensa)...
it's an action of inactivity...
as much as it's an inactive activity...
"the rest"...

impetus is not an imperative...
an impetus sources its meaning in a per se
investement... of itself - in itself - for itself...
an imperative?
in pronouns... impetus: i want... i will...
imperative? you want... you will...

an impetus is self-dictative...
an imperative is: indicative...
someone would rightly claim...
those that mourn indicatively...
will don the right garments for the process
of mourning...
which is indicative and devoid of
the per se manifestation of mourning...
it is an imperative when compared to
the impetus to mourn -
which is self-dictative...
which does now shallow itself in
grief by making a socially agreed to fiasco
of a very specific choice of wardrobe...

basically: however you like it...
an IMPERATIVE ≠ IMPETUS...
the year is almost over and i want to break-off
the dust from the thoughts that fudge-packed themselves
as worthy of occupying the minor instance
of having to count a depth of:
not dead within the year of being written.

.oh yeah... chris isaak's: wiucked game - plenty of "facts" went into taping as many covers as the song spontaneously made replica... so many objective "facts"... too many to count... when will certain subjective taboos be recognized and other, objective "truths" be denied?! how long must humanity be obliged to secure the argument by "confusion" be deemed liberation as necessarily-arguing the case of confiscatory material? what?! my grammar is bad? if my grammar is so ******* bad... ask someone from Rotherham!

.i tend to forget that people have this, collective amnesia regarding subjectivity, somehow they only associate it with news spew... they vaguely recognize an old widow walking from a surgery to a bust stop, stopping my a lavender bush, to pick a few flowers off of it... like some quasi Notre Dame hunchback... joyous that she bypassed all the ghost souls on the "waiting list" of an English doctor, joyous... clearly innocent... there can never be a place in this world for objective truths... objectivity is limited in the realm of aesthetics... whereby objectivity is a truth: whereby two uncorrelated people say the same thing... but  when it comes to a taste in music? what is objectivity that focuses on the differentiated between the sound of Wagner with / without an orchestra... and a traffic jam? objectively? both are sounds... extreme comparisons... but you can't call one black and the other #A, can you? subjectivity is not a 1-dimensional propaganda machine, it is also a truth... and when it comes to aesthetics... within the confines of personal taste(s)... i can say Wagner works better without an orchestra than with one... but... you can't tell the two apart... subjectivity is not a bias... it is a profound truth... in comparison objectivity's claim for truth is a tirade, compensated by the mere excavation deposit of journalism, which is becoming ever more fractured in compensation; it was always the case that life, expired prior to the, death... but now? it appears? death expires prior to a, life. Wagner isn't anemic without the orchestra... Wagner merely hijacks an orchestra to overdo the purpose of the piano... to enrapture a concert hall; nothing more, and i wouldn't expect nothing less.

i'm drunk...

  you're sober...

good luck
reconciling either,

even if either:

invokes:

         none....

   who gave the reigns
to the internet,
under a sober guise?

****! quick!
catch me a moth in a lampshade
and send me off to
a CIA acid camp!

IVANA BELIEVE!
and congregate
like a ******* beehive!

or a termite mount...
whichever...
            what?
i'm drunk... you're sober...
    
unless you have some
fetish for Swedish pop music
akin to Roxette...
  we, have, seriously,
nothing, to, talk, about...

  savvy? is that privy enough
for you?

tell me the difference between:
i have no rank, no lābrador
to mind suite for an orchestra
worth a Wagner...

**** it... i just watched
Apocalypse Now...
   3 and a half hours of what i could
make of the heart of darkness...
prior to the ride of the valkyries...

but to be honest...
i'm with david...
             take of pure piano...
of Wagner's
     the entry of the gods into Valhalla...
sole, piano... it's not anemic...
it's justified interpretation,
it''s... the justified counter
to Chopin...
  a refined honesty...
                 i never liked
Chopin...
   unlike most Polacks...
i never like Jean-Paul II either...
like most Polacks...

i'd envision a Jean-Paul II emeritus...
like all old Polacks lay claim:
it you have been nice to see
an otherwise different,
process of dethroning...

no... the orchestra undermines
Wagner... the piano will do,
for now, for as long as it takes...
the piece doesn't require orchestration...
if the mere piano makes the pieces
anemic...
then the orchestra makes is
gluttonous...
  
people shouldn't expect their children
to be intelligent by merely
listening to classical music...
what they should expect...
is listening to classical music...
elaborating into jazz...
and then coming back into classical music...

why do i hear such horrors...
that the only classical music made pop...
is classical music underscoring
moving image...
why is the only classical music
"worth" listening to...
the music composed for movies,
or at least, incorporated
into them?

            no... Wagner is not anemic
on the sole basis of piano...
     das rheingold: is not anemic...
Chopin might be...
with his intricacies...
a bountiful butterfly in the age
of Bonaparte...
              
               but? listening to the piano?
of Wagner's exclusion of
orchestra?

   Handel is the new Bach...
and Wagner is the new Chopin...

you don't make toddlers listen to classical music
because they might be better
at arithmetic like some prized
monkey who later struggles
with economic biases -
or tax returns...

                     you need a classical
music appreciation,
to hit against jazz...
and if it doesn't return to classical
music?
then the original investment was
worth... zilch!

       orchestra ruins what perfects,
or rather allows Wagner
to stand-out from a Baroque tradition
of Germanic exfoliation...
   and hurts, hurts...
hurts the gentile spirit of a Schubert
or a Schumann...
      
the just Libra interlude hanging
within a composition,
the dangling in the air...
or a dire, interlude, a dire... note...

                   Wagner minus
orchestra...
                      what a fine affair to...
anticipate:

                                              ­    en oeuvre.

We either become sadder
Or our heart beats become louder
My heart,
My heart is eating so fast my bones are tingling
Vibrating through my veins
My blood stream is failing
I think too much
I don’t pray enough
Lost touch with the angels
The angels lost me
Forgetting this
Words are words by choice
Awkwardly complicated
Passionate souls intertwined in chaos
Beautiful chaos
My hands are shaking, they can’t stand still
I overdo it with coffee, I over did it.
Can’t handle my life sober
So much ****** up **** in the world
Smart people seem like crazy people to dumb people
And if you believe you can change the world
You’re one of a kind.

There's only so much you could do,
Don't go against your own limit,
Doesn't push yourself, don't overdo,
Your wellbeing is more important.
Your wellbeing is more important.

~A.d |14 Feb 2015

when i first found about will alexander, i immediately bought three of his books: kaleidoscopic omniscience, compression & purity, the sri lankan loxodrome - i saw the potential, rekindled surrealism - perhaps a second peacock on the stage, as in more peacock of vocabulary, rather than a peacock of historical quanta merging (E. Pound).

i really do distrust this division in what science speaks
and what poverty stricken humanism speaks of -
i distrust it because science sediments itself supposing
humanism the pauper - science and all its immediate solutions,
humanism and all its delayed problems -
the new priests look so innocent - but i'm bothered,
i don't understand their need for awe-on-purpose -
the old priests demanded kneeling and an agonising
penitence - not a concept of predestination, but
this sort of minority report: you've done nothing wrong,
but we'll assume you already have, better than a microchip
implant, the idea, we'll use that, pre everything
limit the pro of everything, and catch you in a fishnet of
omni, it was too much, all in one go, in defence it started
with a mediator impersonal, Cartesian later Spinoza's
substance - partly due to the omni-etc., a shortcut -
the easiest way out - sure, if i went to a progressive school
rather than a catholic school in an Irish neighbourhood of
far-beyond the East End locality, i might have written
you L.S.D. filled poems, instead i start off tipsy working my
way around vocabulary that's adequate - hushing out
all possible onomatopoeia static in crude tongue -
ridicule feeds the beast, ridicule my prime loathing -
criticism well and truly accepted... ridicule feeds the beast -
but i mean, this perpetuated awe of scientists,
modern philosophy anti-Aristotelian does not begin
with awe, but with a ridicule of it, a disgust -
when did humanism ever experience awe? a stranger's
kindness would be a start, but even then there's hardly
any awe in it - it soon fades, scientists have immersed themselves
as prophets of awe's preservation, one picks up
a stone and speaks of a mountain, one draws a circle and
howls out the moon - i don't know how they can fake their
awe with so many certainties - so many facts -
awe reminds me of my first bicycle lesson, attempting
balance, failing, bruising a knee, and awe when
the balance was mastered - very short-lived, then the
drudgery of re-, i distrust scientific awe, primarily because
we're slowly no longer stepping out into the unknown,
we're stopping into knows and denies - not many unknowns
out there - except as in the case of Iraq, and Donald Rumsfeld,
known knows and there are known unknowns -
now... that's awe... i don't know who was keeping check
on this, but that's more mesmerising that explaining
1,000 million years ago... in a nutshell... how long has
this pneumatic drill of Darwinism been pumping custard
into our brain? is this the part where you tell me we're experiencing
the Alaskan day in the summer months or Alaskan night
in the winter months? all this scientific awe-bashing
is no longer vogue, but they keep at it - oh amazing, ah,
stupefying - and all of it just becomes a regurgitation -
someone said in the 16th century that Aristotle was wrong,
the wrong in Aristotle is that he might have been wrong,
but he was still perplexed... we're no longer perplexed creatures,
not so much... well maybe a bit when it comes to social justice,
but it's not like: sigh and a tear in your eye... it's more like:
if a white boy was shot from a private school, the mothers
and fathers would come up to the police officers with guns
in their hands... you can see awe vanishing when the butterfly
feelings flutter away silently... it's now violent awe:
why is this still happening?! huh?! scientific awe is not
a cushion you can fall back on: we have ~100 years to live
(if you're lucky... or unlucky) and we're being told of life
in caves and trees - Darwinism has hijacked history, this is
where science in written form is like an atom bomb, it wipes
away the best part of humanism, that is: to make human
life itemised on the microscopic level - i don't care if you
go to church and **** out alms for the poor and put on
those ruby shoes and walk the yellow-brick road,
you can't relate to Judea 10 a.d. - not to save your life -
in that famous motto *carpe diem - but strained it's not
so much seize the day, but... relate to the days and those
around you who share them: pertineo diebus - or something
like that, imagine, going to a Catholic school and they
don't even have the manners to teach you a bit of Latin slang,
travesty; but that's how it is, we're no longer awe-stricken
in what the scientists are selling us, fair-dos to
the medicine men, shampoo men, cologne men,
but the awe-invoking men are a bit n'ah-ah to me -
given the timescale for one -  i'm a simple man and i want
to enjoy my beer thinking about last Friday,
my life... not the collective origin of life, and whether
i was too hairy back then - you don't need theology to
argue this point, just a little bit of common sense self-respect,
last Friday, not 1,000 million years ago when there was
no Friday, no Sunday, no March, no human imprint -
no: i can touch it, i can feel it, i can see it... i want it.
just like in my dream today - it's rather strange that i dream,
i rarely do, but sometimes i remember one or two -
and all i can say is that - i had the best *** in my life
last night, asleep - yeah, i was ******* in it -
but what bothers me is that it wasn't lucid in terms of
images, but sensations - i can thus say it wasn't completely
impotent in terms of colour, but then again it was -
i'm starting to believe that i'm a blind-man in my dreams,
i ~see sensations rather than actual images in reel -
i can remember leaning against a wall and moving my
tongue in her mouth and my middle-and-ring fingers
into the... what? cliche? anatomic? *****? you choose -
a strange parallelism - we can use the tongue for such
eloquent fragments, and yet reduce it to other atrocities
of equal eloquence - then the whole dream-world changed
and i felt sitting at the tipping point where the sea meets
the beach sands, sitting down awash the waves and her sitting
on me. it's what i felt, i didn't see anything vivid -
but the sensations presented themselves as such -
i associate that with delving into writing in my mother tongue -
email / diacritics "crossword" (un-ditto and apply a
non-misnomer, i.e. give it a proper name, cf. Aristotle).
to finish i guess i might as well write a short critique:
the over-burdening of man with nouns -
as in will alexander's index of the sri lankan...
a few examples: proxima centauri (nearest star to our sun),
hemiopia (loss of vision for one half of the binocular field),
dukkha (buddhist term for suffering),
nystagmus (involuntary jerky movements of the eye),
nosophobia (morbid dread of some particular disease),
telesto umbriel larissa (moons of saturn, uranus
and neptune, respectively),
karina (egyptian demonology, a familiar attached
to a child at birth),
pretas (ghosts) -                                  or as some people say
including Christian Guerrero - 'they're just words...'
oh yes, and words are not the cogs in the machine?
just words... just words?! a banker's bonus is just
an array of... just numbers... why is this nonchalance
to these fundamental units? first they teach us to read
and write an escape the sunny harvests of the fields,
the easy mental but demanding physical life -
after the demanding physical life went our supposed
"ease" mental life changed into a demanding mental
life and an easy physical life... that's the problem with
establishing a suitable vocabulary in yourself, you can
sometimes overdo it, meaning not many people will
understand it, globalisation didn't save us from
the babylon ambition rekindled (whether myth or whatever,
it doesn't matter, read a book literally and you'll end
up realising what could have possibly been mere myth)...
all the above cited words from the index, by god, impressive,
but why would i pain myself to use a word that i'd
have to write an index to? globalisation and words from
Iran - southern coastal to be exact home to afro-iranians -
but locally it's just a ******* shish kebab and nothing more -
or central scotoma (area of the retina that's blind) -
all this vocab wall building is amazing, it really is,
a fortress at Acre - admirable... but then a return to the dull
grey reality of everyday speech - the painful art of poetry
reduced to a personal involvement with certain words -
it's heart-breaking, well, not for me, for Will it must be,
but hey, bought three of his books, that must have counted
for a cheeseburger and a portion of fries at some point
in his life.

today, bob delahunty, was asked along to that HDU, to try and here the stories

of these many people who have been arguing about who is god, you see, there

is always, debates on who is more powerful that jesus, and who is jesus, and

when bob arrived, all the HDU, are arguing religious topics at each other till

their ears bleed, and bob didn’t know which way to turn, so, what bob did

is take them aside, first was ben teckerdid, who says his god, and bob said what makes

you god, buddy, ben said, well, i help people after i get drunk with them, my gift of the mandrunk

is to overdo helping people, and i end up here all the time, to reform everyone here, to

get this fucken place, closed down, then bob said, why that does make you GOD, ben

no, your just a crazy person, who likes to help, but you are not medicated right, in doing your deeds,

well, it passes the god test, but ben you are not the almighty one, and ben told bob to SHUT UP, singing

i know god is the devil, but the devil is bob

god is the devil and the devil is bob

god is the devil and the devil is bob

ben the devil and bobby poo

bob told ben to sit down and brought richard smith in, who believes he is the real jesus, and bob

was intrigued, why are you the real jesus, and richard said, because i can feel everyones pain

if you hit anyone, i feel it, and if i worked in a homeless shelter, i will get everyone inspired

cause, i am the real jesus, bob sat there laughing hitting himself with a rubber band, and richard

said, it doesn’t work like that, you see bob, i turned water into wine, i told moses to walk on water

i enjoy drinking wine, but i am a filthy little ****, i am jesus, cause, on inspection days in my flat

i can clean all day, to past the test, ooooh, i must be jesus, and bob said, ok, you have my vote

and richard said no bob, i am jesus christ, and not just to get out of here, either, I AM JESUS

and richard left saying, did you understand, as he left singing

god is the devil, and the devil is bob

god is the devil and the devil is bob

god is the devil and the devil is bob

GOD, THE DEVIL, AND ****** BOB

the next patient also thought he was jesus, he was also the devil and god, because to him

he was religion, he lived for 323 years, and all his stories were written in his tent, but bob

thought straight away, WHAT A NUTJOB, he isn’t religion, he’s a clot, and his name was barney

and he lived near fred, and a woman named betty as his wife, and they worked on a dinosaur

and bob said, this guy has flipped his ****** marbles, that was a television show in thew 1970s

and barney said in his defense, no, it actually was the truth, barney helped fred, i helped fred

i am barney, and bob said, you are a shitzophrenic patient in the HDU, i don’t want to upset you

but the flintstones, never was real, in the way you explained it, ben and richard had better views

that you, buddy, and barney told bob to *******, and went away singing

god is the devil and the devil is bob, and barney is religion

god is the devil and the devil is bob and barney is religion

god is the devil and the devil is bob and barney, oh barney oh barney is religion

flintstones existed bobby delahunty

bob saw his last patient who said he was jesus christ and the devil, he saves people

but he also condemns people, ya know, puts people right all the time, bob thought

i don’t mess with you, mr, and he said he was jack flynn, i am 23, and i live and work

in a ****** neighbourhood, i never get any help from doctors and psych crews

and my only solace are my beliefs and writing them down on my computer

and i can save a lot of people, with the stories i wrote, buddy, ya know

bob asked, i understand that, but both jesus and the devil, and jack said

ummmmm, i am jesus, and there is no devil, good things happen bad things happen

the devil doesn’t control, and yeah, I, JESUS, MUST FORFILL MY DUTY TO PROTECT THE WORLD FROM VIOLENCE

IN ANY SHAPE OR FORM, bob said, interesting, ok, and bob went away making sure

that each of these dellusionists take their medications cause even if they are, their crimes were wrong, ok

but, remember, they have a right to their beliefs, and bob went away singing

god is the devil, and the devil is bob

god is the devil and the devil is bob

god is the devil and the devil is bob

GOD THE DEVIL AND BOB

bob went off thinking

god is the devil and the devil is bob

god is the devil and the devil is bob

god is the devil and the devil is bob

GOD THE DEVIL AND BOB

I wanna see the blood
I wanna see the pain
I wanna prove that my body
Is nothing more than a frame
My mind is screaming
Parts of it beg me to bleed
The others demonize those pleas
I just don't want to feel this way anymore
And I suppose it's my own fault
I know how I get
When I start drinking then stop
Maybe that's why I always overdo it
Because then I can get sick and sleep
Before this depression takes its hold
And sets my demons free
Digging and clawing at my mind
Until I do the same to my own skin

HAIKU 1
All that comes to net
are fish; either golden or silver color;
Fishermen are rich at heart!

_________________________________

HAIKU 2
Action speaks louder than words;
Be practical; stop wasting your precious time
Life is full of hazards!
___________
HAIKU 3
You are naturally beautiful; cheerful,
a sight for my eyes to hold ;
Will you allow kissing!
___________
HAIKU 4
While on visit to temples,
I imagine you as my own Goddess:
I become your only follower!
___________
HAIKU 5
Few ***** drinks before dinner;
But sometimes, I overdo it at weekends!
A Hangover next day morning.
___________

*
BY
Williamsji­ Maveli
williamsji@yahoo.com

He saw her from the bottom of the stairs
Before she saw him. She was starting down,
Looking back over her shoulder at some fear.
She took a doubtful step and then undid it
To raise herself and look again. He spoke
Advancing toward her: “What is it you see
From up there always?—for I want to know.”
She turned and sank upon her skirts at that,
And her face changed from terrified to dull.
He said to gain time: “What is it you see?”
Mounting until she cowered under him.
“I will find out now—you must tell me, dear.”
She, in her place, refused him any help,
With the least stiffening of her neck and silence.
She let him look, sure that he wouldn’t see,
Blind creature; and a while he didn’t see.
But at last he murmured, “Oh” and again, “Oh.”

“What is it—what?” she said.

“Just that I see.”

“You don’t,” she challenged. “Tell me what it is.”

“The wonder is I didn’t see at once.
I never noticed it from here before.
I must be wonted to it—that’s the reason.
The little graveyard where my people are!
So small the window frames the whole of it.
Not so much larger than a bedroom, is it?
There are three stones of slate and one of marble,
Broad-shouldered little slabs there in the sunlight
On the sidehill. We haven’t to mind those.
But I understand: it is not the stones,
But the child’s mound——”

“Don’t, don’t, don’t, don’t,” she cried.

She withdrew, shrinking from beneath his arm
That rested on the banister, and slid downstairs;
And turned on him with such a daunting look,
He said twice over before he knew himself:
“Can’t a man speak of his own child he’s lost?”

“Not you!—Oh, where’s my hat? Oh, I don’t need it!
I must get out of here. I must get air.—
I don’t know rightly whether any man can.”

“Amy! Don’t go to someone else this time.
Listen to me. I won’t come down the stairs.”
He sat and fixed his chin between his fists.
“There’s something I should like to ask you, dear.”

“You don’t know how to ask it.”
“Help me, then.”

Her fingers moved the latch for all reply.

“My words are nearly always an offense.
I don’t know how to speak of anything
So as to please you. But I might be taught,
I should suppose. I can’t say I see how.
A man must partly give up being a man
With womenfolk. We could have some arrangement
By which I’d bind myself to keep hands off
Anything special you’re a-mind to name.
Though I don’t like such things ‘twixt those that love.
Two that don’t love can’t live together without them.
But two that do can’t live together with them.”
She moved the latch a little. “Don’t—don’t go.
Don’t carry it to someone else this time.
Tell me about it if it’s something human.
Let me into your grief. I’m not so much
Unlike other folks as your standing there
Apart would make me out. Give me my chance.
I do think, though, you overdo it a little.
What was it brought you up to think it the thing
To take your mother-loss of a first child
So inconsolably—in the face of love.
You’d think his memory might be satisfied——”

“There you go sneering now!”

     “I’m not, I’m not!
You make me angry. I’ll come down to you.
God, what a woman! And it’s come to this,
A man can’t speak of his own child that’s dead.”

“You can’t because you don’t know how to speak.
If you had any feelings, you that dug
With your own hand—how could you?—his little grave;
I saw you from that very window there,
Making the gravel leap and leap in air,
Leap up, like that, like that, and land so lightly
And roll back down the mound beside the hole.
I thought, Who is that man? I didn’t know you.
And I crept down the stairs and up the stairs
To look again, and still your ***** kept lifting.
Then you came in. I heard your rumbling voice
Out in the kitchen, and I don’t know why,
But I went near to see with my own eyes.
You could sit there with the stains on your shoes
Of the fresh earth from your own baby’s grave
And talk about your everyday concerns.
You had stood the ***** up against the wall
Outside there in the entry, for I saw it.”

“I shall laugh the worst laugh I ever laughed.
I’m cursed. God, if I don’t believe I’m cursed.”

“I can repeat the very words you were saying:
‘Three foggy mornings and one rainy day
Will rot the best birch fence a man can build.’
Think of it, talk like that at such a time!
What had how long it takes a birch to rot
To do with what was in the darkened parlour?
You couldn’t care! The nearest friends can go
With anyone to death, comes so far short
They might as well not try to go at all.
No, from the time when one is sick to death,
One is alone, and he dies more alone.
Friends make pretense of following to the grave,
But before one is in it, their minds are turned
And making the best of their way back to life
And living people, and things they understand.
But the world’s evil. I won’t have grief so
If I can change it. Oh, I won’t, I won’t!”

“There, you have said it all and you feel better.
You won’t go now. You’re crying. Close the door.
The heart’s gone out of it: why keep it up?
Amyl There’s someone coming down the road!”

“You—oh, you think the talk is all. I must go—
Somewhere out of this house. How can I make you——”

“If—you—do!” She was opening the door wider.
“Where do you mean to go? First tell me that.
I’ll follow and bring you back by force. I will!—”

You will love
And it will hurt sometimes
Your frijoles will burn sometimes
And sometimes you’ll put too much salt or not enough
An insult or two
But mijo don’t ever let him hit you
And leave before you hit him back

You will love
And it will **** sometimes
Cocine en olla de barro
Persígnese en la mañana
Use condones y lubricante
Y guarde un cuchillo debajo de la cama

You will love
And it will feel good sometimes
No le eche tanta sal a la carne
Póngale un vaso de agua a sus muertos
Take lots of pictures
And in times of trial, don’t forget about the good memories
Invoke them, que esas lo van a sacar de dudas

You will love
And it will get intense sometimes
Límpiese con un ramo de flores blancas
Hágase un baño de agua florida con cascarilla
Get tested at least twice a year,
Y coma bien, no se malpase

You will love
And it will be sad sometimes
Use grape seed oil instead of mazola
Chia seeds on your water, pa’ la diabetis
Honey instead of refined sugars
******* once a day o las veces que quiera
And never let your ****** desire depend on a man
For all men despite their beauty can be damaged

You will love
And you will be on top of the world sometimes
Don’t eat so many tortillas,
Soda is not good for your kidneys, drink water or brew your own ice tea o hagase su juguito natural
Sea humilde y buena gente
No need to be mean and creido
Crease de su identidad y su lenguage
Ya lo material va y viene
Pero eso sí, que no se lo hagan pendejo que por ahí hay mucho cabron abusivo

You will love
And you will break up sometimes
Don’t overdo it with the drinking
Write a lot of poetry
Listen to a lot of Jenni Rivera
Go out and enjoy your singlehood
Que es bien bonito no rendirle cuentas a nadie

You will love
Pero no se olvide de uste’ mismo
Love yourself
Quiérase musho
Pa’ que ningún cabrón le vea la cara de pendejo
Pero antes de que llore por cualquier wey
Acuérdese de su ama
De su guelita
Y de su familia
Y piense que un hombre por más rico que coja no es todo en la vida

Acuérdese que venimos de una raza de gente fuerte y hermosa
Pero que eso no nos quita lo hijos de la chingada
Y de eso también hay que estar orgullosos
Porque lo hijos de la chingada es lo que nos ayuda a sobrevivir
Nomas no hay que ser hijos de la chingada con la gente que como nosotros sufre y lucha
Sea hijo de la chingada con la gente que nos quiere chingar

You will love,
And love is the only thing that will bring you happiness
Beauty and health
Love pues y cuando le digan que no puede amar a otro hombre
Mándelos a la chingada y dígales con palabras de profeta: YOU WILL LOVE.

we had to **** many animals.  my father, every month, cursed a pig its lack of horns and cursed the out-of-town buying of dogs.  I took my sister once into the basement.  I blindfolded her with a black sock and told her careful there’s a pin in your hand.  mother would come from that basement pulling at her shirt and I’d nip it at the neckhole with my teeth and I could feel each nerve around them firing.  the whole of our ordeal was indeed terrible but people would talk as if they knew what they’d do or knew what they’d not.  talk as if they’d know it if they saw.  it come up for awhile and tried to live with us and I can’t say it wasn’t nice having something to put your finger on that wouldn’t thieve your sins.  I fed to it lemonheads and it seemed happy but even I admit one can overdo it on the lemonheads.  it was father made it go back in the basement because he’d tired of telling people it was his brother and pretty soon his real brother would be coming to visit.  was a visit would last the length of his brother’s life but we didn’t know it then.  the devil went its own way at some point during my uncle moving in.  we were all of us pretty clumsy and it could’ve been the noise we made.  I remember being grateful for my uncle’s heart of gold and how he wouldn’t accept our apologies saying it’s just a bunch of stuff I don’t even know I have.

It seems all i can get high on now is cigarettes,

sitting in the bathroom,

alone

it’s kind of sad

i cant even get high on alcohol

maybe if i overdo it

and even then i dont’ have any fun

i miss you

and getting high

simply on life and oxygen

and each other

when we meet

shall we dance

or shall we ****

or shall we **** and dance

a sublime melding of body and music

surreal

like cigarette smoke in the bathroom mirror

will you let me lead

to heaven

to hell

through the valley of death

through the shadow of light

i will be your angel of death

or love

or light

whatever you ask of me i will give

or do

or be

except being an eternity from you

the creeping cold

the moon madness

searching for a face in the stars

yet not knowing who I search for

then finally staring at the stars

at the shadow of light

at the valley of death

like smoke in a mirror

ethereal

body and music divided

**** and dance

****

dance

final meeting

life is oxygen

final "high"

one last cigarette

kind of sad

alone

in the bathroom

****.....why can’t i get high.

.... it's normal...maybe it's not,
maybe, i overdo it....yet, i still do it...
i always think of things to come
...at day time....even late nights,
thinking too much of my children
my children's children...i must always
be there...for when they need help...
i worry too about my siblings
i even think of my siblings' brood
my dear friends and their worries
...thinking how i can help them...
later, i get weary....fed up at times,
exhausted from worrying, wondering
how i could offer even a bit of a remedy
especially when they are too far to be
touched warmly...or, my hands are tied,
....or, not that long to reach out...

i realize before long...i am not alone
decidedly, i refuse to be solaced
by the thought, that my worries
could just be pebbles...not rocks...
i musn't compare at all....

(excerpts from an old posted poem...edited)

Sally

© Rosalia Rosario A. Bayan
    May 20, 2018

The young people have exalted notions, because they have not been humbled by life or learned its necessary limitations; moreover, their hopeful disposition makes them think themselves as equal to great things and that means having exalted notions.
They would always rather do noble deed than useful ones. Their lives are regulated more by moral feeling than by reasoning all their mistakes are in the direction of doing things excessively and vehemently. They overdo everything they love too much hate too much and the same with everything else. (Aristotle)**


The Hereford cattles talk quietly among themselves
The commute home on the B train was noisier than ever
The passenger beside them youth squirmed and frigid
Youth of today is selfish and only think of themselves
If you asked for a passed, they will give you a laugh
If the elderly asked for the seat, they will give it to
Their backpacks, and scream louder, old geeks

Discipline, like if it’s outdated: no structure
A lost generation without stability:
A dark history, I lay awake and wonder
How can we fix this? Problem, problem
And more problem heading their way

While in the field the Hereford cattle
talk quietly among themselves
Nursing their calf without being asked of their mothers
to cover up their babies faces:

Dont be pressured
Dont just go a long with the crowd
Dont dress just to impress
Dont overdo your make up
Honestly her weekness makes you a ****
Dont lie to me
Dont be pressured into telling secrets about me
Dont tell people what i trusted you to keep quiet
Dont  leave me in the dust when people insult you because i have stuck my neck out for you a million times on end,
Honestly, her  weekness broke our friendship up
I know how to be strong
Because others weekness has caused me so much pain
I know how to be strong
because im the only one who can keep my brother on his feet during hard family troubles
I know i have to be strong or i wont be successful.
I know that in the end the week kids never make it big.
Its survival of the fittest.

heartbeats
We either become sadder
Or our heart beats become louder
My heart,
My heart is eating so fast my bones are tingling
Vibrating through my veins
My blood stream is failing
I think too much
I don’t pray enough
Lost touch with the angels
The angels lost me
Forgetting this
Words are words by choice
Awkwardly complicated
Passionate souls intertwined in chaos
Beautiful chaos
My hands are shaking, they can’t stand still
I overdo it with coffee, I over did it.
Can’t handle my life sober
So much ****** up **** in the world
Smart people seem like crazy people to dumb people
And if you believe you can change the world
You’re one of a kind.
N

Wallow, wallow, wallow
Until the first cracks
Show on your body.
Bees on lips
And whales in your woods
Make your life uneasy.
You manage to overdo the thinking
Which makes you unhappy
Deaf and blind
Yet even more beautiful.

The coffin of your closest relative
Never asked you anything
But you keep on justifying
Every little detail of your past.
Now you exhale yourself
On a wild bouquet of dandelions.

Keep still
For a moment.

You’re safe from questions in your own reflection
Another brain thinks for you,
VANITAS winks at you but you don’t give her attention,
Skulls and faded flowers smell like danger,
Nothing good can ever come out of that.

I may be saving your life,
I may stroke your neck but gently,
Leave your beauty intact
But with a bruise.

2002
Dearest Klara,
  hope you enjoy
the poems as you dream to write
      one poem
happy birthday*


There are still many books as though
   parliament. A miscalculation based on coordinates
in a wry scene.

Two bookshelves creating a labyrinth, enough that you
are alike. Juxtaposed to scent are many words
and the day is almost done. Ignore fragments once,
but never overdo. I can outlast moonlight’s procession
into a dark cathedral by the window.

On this side – reason; the other, hesitance.
This is no heist. This is what belongingness refutes.
What willingness bandages. The absence of sentries
  made for easy rapture. You slid your hand into the dusty
fort and in between them, the paperbacks ached.
  “I will do it.” and after that, cursed at the farce.

Slid into your bag – you, surrounded by the tense air
of silence. A dilettante at being a fugitive. What is it that
you stole?
   Your body, elsewhere. Flailing. Failing. There are still
many marvels in the scene, but says precision is key.
Cuts as if contravention. This was as calm as painting a child
  in his early years, the hue of anomaly.

Quiet in amplitudes doles out a mystified sense of completion.
I can hear an ajar mouth unwind a soft humming.
   It was time to go – tomorrow when we rise with no memory,
  it will be all but one and the same fault together with many others,
     as if your face that day and your image now
          compels me the cold of a foreign city. Riddance.

Literary allusions: the curse of
Those who overdo—or, as some say--
Overdid the reading thing.
I speak of close associates,
Imaginary friends you’ve not met,
Let alone read (pronounced "RED") about.
Like this guy down at Moe’s Tavern,
An 8th Avenue writer’s bar I frequent.
Let's call him Paulie Muldoon,
A fat Irish slob who claims to be
Poetry Editor, "The New Yorker."
Paulie likes to give me tips on
HOW TO GET PUBLISHED!
Like me, he’s never
Been in print anywhere,
Other than his ***-encrusted laptop, &
A letter he once wrote to the editors of
"The National Kreplach Review,"
A radical Zionist quarterly
Funded by The Mel Brooks Foundation,
Harvey Weinstein & Condé Nast.
Nevertheless, Paulie seems to know
A lot about the publishing business,
Particularly after six stiff Jack & Cokes.
He says the thing is this:  
The best of the Ivy-League’s
English majors wind up in Manhattan,
Slaving away in cubicles,
Working for peanuts—literally,
The publishing industry has some sort of
Barter agreement with Planters.
(www.planterspeanuts.com)                                       ­            
They sit around on their ***** all day,
Getting their kishkes in a twist,
Eating peanuts, perusing manuscripts,
Like chimp Zoo valedictorians.
The manuscripts submitted by the hopeful
And--for the most part--delusional.
According to Paulie, these Yalie, Princeton,
Harvard, Columbiana WORDMEISTERS
Are more likely. . .
(Urban Dictionary: word-meister (www.urbandictionary.com/define.php? 1. Something yelled in place of a cuss word. 2. a rare species of humpback whales. 3. small children whose mother's name is Debbie.)
. . . More apt to be impressed with your scree
If you lay siege their psychic CPUs,
Pushing a few obscure,
Mnemonic function keys, remembrances
Of past Proustian peregrinations.
That's right, you get a much
Better shot at sidestepping that
First smug obstacle of arrogance,
If you slather them; go right
Ahead & flatter them with
Lotions, potions & emoluments,
Arcane passwords,
Vain secret satisfactions,
Tidbits of titillation,
Things that only some mook
That actually had read "The Crucible."
Or "The Scarlet Letter,"
Could possibly know,
Let alone, remember.
For a publisher’s water-boy,
A synaptic switch is keyed,
Tripping off an avalanche of
Marginally relevant,
Yet ultra-literate,
Cognitive highlights.
And, while we're on the subject,
Has anyone actually read Melville's "OMOO?"

I think about the future, and what it just may hold.
And whether it is up to me, or a plan that must unfold.
I hesitate to think about, what lies too far ahead.
When I do, I overdo, and then can't clear my head.

I would love to learn to take things, just as they come along,
And not debate every choice I make, as either right or wrong.
To stop trying to live up to, what others' say I should be.
Maybe fly away for the weekend, try some spontaneity.

Stop and talk to a passer by, who's wearing shabby clothes,
Listen close, and maybe learn, something no one knows.
Take more breaks and be the center, of my own attention,
Find a way to spend a day, with too many smiles to mention.

Open up to a new found friend, holding nothing back at all,
Expand my horizons to find, the world really, isn't all that small.
And if I chose to do everything, that my heart truly desired,
Would I ever know if it was me, or the plan which had conspired?

Your hands
Wave
                            Over
       Me
  Still
         The threshold
       To
            Guilt
                              Presents
                     The years
Overdo
In some less-than-conscious
                   Battle
And
             The         lines
Reassure
                    Great
Trouble
     To Combat
              Global
                                Impulse

At last they are away off on holiday
We thought the day would never come
A free gaff for two weeks, Hip Hip Hooray
We are going to party and then some!!

Two weeks with no rules or regulations
Gone are the mind-numbing routines
Let the party begin, bring on the celebrations
Let’s live it up like proper teens!

There was a sermon about responsibility
But was anyone listening at all?
As for all that talk about maturity;
One might as well talk to the wall!

We can have our friends over for parties
Oh we are going to have mighty craic
Yes, we can do just as we please
At least until those two come back.

No more checking over our shoulder
To see who’s in and who’s out
Yes we can be just that little bit bolder
Knowing they are not lurking about

We can get up whenever we choose
Eat at any old time of the day
Maybe overdo it a bit on the *****
They cannot wreck our heads the next day

It will be two weeks of take-aways
No more being forced to eat healthily
We can have friends over for overnight stays
Ah God bless freedom and liberty

We can forget about washing and ironing
They are always are on our backs
Thank God to be free of constant nagging
We can chill out, really relax.

For there is always something they want done
Keeping up with their demands is tough
It’s never ending, it’s not much fun
It seems we can never do enough

But now for two weeks all that will desist
Absolutely nothing will be done
And though they left a “To Do” list
They have two chances; “Slim and None”

Two weeks without judgement and criticism
About everything we do and say
Two weeks of pure hedonism
Doing just what we want every day.

But all good things must come to an end
And though we really love them dearly
Their two weeks holidays will soon end
and our kids will have to come home, clearly!

Blame your desperation on the weather
             Match the gray with gray
Allow yourself a smile or two
Don’t overdo it
          Don’t force something like this
                             Try to make this all less crazy
Wash your face. Tighten up.
                                             Forget the blade, the poison, the stars
You overhear someone tell someone the time
              You’ve let that slip into
                                                   the background
in the spaces where the unseen meets

Blame your low-key troubles on the
                                                     T.V. shows
              Watch the skinny giants starve
   Someone’s changing the heat up and down
                                      in the pearl-sized world
And someone’s taken all the colors out for
                                    some other playground
those invisible hands, it follows, have too much
              pull and force on the everydays.
                  Keep yourself alive with twice strained coffee and sunny days
Cut your hair with the kitchen knife
                              Grow a beard, fake an accent,
                       Fake Silence.
Pretend to make it mean something, the collapse, the choking
               Clean the living
room
                                 wipe all the fingerprints
No one’s coming for you but you’d take a hug from a hired assassin
You’d sympathize with the serial killer about his sin
           You’d be impressed by his breath which smells of green mints.  

Blame the sickness in your blood
             Which warns off love with sores and fevers
                     On boredom and hunger
Make something of yourself, make yourself last
Peel off skin and let it dry like *** pourri
              Forget how to love the ones that hurt you
              Forget to how to hurt the ones that love you
Bite your lip to keep it all in
                     Bite to the bleeding, then
        Wipe your hand across your mouth, and laugh
Build fires out of sofas and the kitchen table, make a vacancy of home
Laugh at humanity stuffed and suffering on its stilts
           Smile at the honey moon you’ll never get to
Show your teeth at the ***** Death
             Make the damage worth the price.

~You must water it everyday (contribute)
~Not put to much water in (overdo it)
~Let it grow with other flowers (let him talk to other girls [don't get jealous])
~Give it some sunlight (some space from you)
~Not let it wither (don't let your love run out)
~Give it time to grow (same)

Straight outta the E-town underground, yeah you gotta do what yah gotta do to be found. Out for blood so you best guard your neck, for it's a dog eat dog world and I'm willing to whatever I can to get another check. Money runs everything, for you can't be anything if you got nothing. I earned this ****, and I'm not going to lose this **** because If I did I would probably lose my ****. Don't hate me for being brown, and stop trying to drag me down. Going out like John wick, yeah I'm about to do some sick tricks with guns popping off some stupid *****. Should not mess with me, for I'll come out of nowhere because like john cena you won't be able to see me. Not one to sleep around, because I'm looking for my other half and I don't want to carry around past regrets or wounds.

I know life ain't no fairytale but I want a love like tom hanks and meg ryan in the movie you got mail. ***** I ain't gay, and I'm no hick that you may find down by the bay. I'm a poet and I won't stop it, for I want something real rather than a hit it then quit it. In health and sickness, in poverty or wealth, in horridness or goodness. For ever I commit, for my love for you is too legit to quit. Never doubt or worry, not going to fold what I was dealt and I know sometimes it'll feel like a long shot to make up after a argument but we'll make it like steph curry. But anyways back to saying **** you want to hear, but **** it I'm done thinking sideways and being influenced by my peers. I don't sell out or buy in, for I'm out of my cell and ready to put all my chips in.

Life is a gamble, so either you can rise to your potential or stay on the ground and continue to be trampled. As much as violence is senseless sometimes it's the only way to solve things to keep on the illusion of happiness. People **** people, so how can we have a better sequel when we continue what our ancestors did because life is supposed to move forward not stay in some paradoxical prequel. Am I mental for be ethical? Am I truly gentle or am I just a boiling kettle? Proud of being different, and I'm not to say it loud and make it apparent. Classy but no wishy washy, yet I'm also Gaudy but not ******. Hastily with emergency I spit honestly gracefully and tastefully because it just one of my special qualities. Not to shabby how crafty and classy I be, for I'm on a verbal assault so best not **** with me.

Paging the future class people are catching up so best hit the gas. 3,2,1 blast off, raise the mast, to be unsurpassed so bravo squad please confirm that we have lift off. Yes in deed I took off, going off like a Molotov yeah I'm life is an adventure so best explore it like Laura Croft. Got the 8-ball rolling, so join along with me don't be a thot and don't be scared what life will be unfolding. Gotta have an appetite for destruction, because before you reconstruct society you got to fix its corrupted dysfunctional delusion. Watch your approach to this danger, because things will become stranger. But if it ain't ruff it would be to easy, and life isn't ever supposed to be breezy. Check your chin and make sure your looking straight, don't overdo it because we are as fragile as plates. You got to be a dope man just as long as you don't get caught up in the dope man. If you get asked to run 100 miles run 100 more, because you got to stay humble yet dedicated to the core. Never be afraid to express yourself, and if you get depressed don't let lies enter your mind that say to **** yourself. There will always be good, bad and ugly and there will be times where you takes hits as if you were playing rugby