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Murmurings of words
so long unspoken,
now sent out across
the curved expanse
of our spherical home.
Murmurings of all our
voices and languages,
coalesced into one.
Winging out into open
space, like the nimble
murmurations of birds,
never quite touching,
yet deftly creating
virtual shapes,
markings recognizable
only from a distance.
Do birds' own souls
unfurl and unfold in
these undulations?

Starlings find aerial
corridors, travelling
together swiftly, so
to stay warm. Do we?
These murmurings,
our word-murmurations,  
fly out into the space between us,
swiftly curving back, and then back again,
before dipping low, then nesting deeply,
so very deeply, into sweetest sleep.
(My deepest thanks to Dylan Winter for his phrase "aerial corridors".)  ©Elisa Maria Argiro
Hank Van Well Jr Jul 2015
Unfamiliar murmurings

alone in the darkness, the secluded  sound makes its presence known
Unfamiliar murmurings seem to ripple the swells of your very own breathing
Something different amidst a routine endeavor
And yet it still has not come clear
until the chill
An arrow straight through the ***** poisoned with the revelation that its the echoes to your own heartbeat that were made anew
Because you chased his away
And he just always was
Maybe she will miss me when I'm gone
Mikaila Sep 2018
It’s just easy for them
Isn’t it?
This couple on the train.
They walked on laughing together
Holding hands
And I felt that familiar something-
Not jealousy
Not envy
But...
Chagrin.
Astonishment.
Incredulity.
Incomprehension.
Looking at them feels like looking at one of those
Impossible pictures
Where the stairs keep going forever in a loop.
It’s just
Easy for them.

It doesn’t hurt anymore, that thought,
But thinking it feels so odd in my mind
When I can’t imagine loving someone without
Shame,
Without pain.
They fit.
These people,
They fit without having to carve anything out.
They fit without punishing each other.
They fit like puzzle pieces cut from the same board-
No worries, they just go together, and that
Is that.
They fit like
“Of course.”
Like breathing.
Neatly.
Simply.
Carelessly.

I can’t imagine what it’s like
I can’t comprehend it-
To fit
Somewhere
Much less to fit somewhere
With someone.
I am always trying to corset myself into this world,
Lungs burning,
Trying to remain small enough to squeeze by
Catching myself by the wrist to keep from reaching
For anything.
And if there seems to be a spot where I might be able to exist as I am

It is always

Occupied.

Like a shiny pinprick
That thought hurts-
Not like the others it is newly cut
And still ******.
The idea that maybe there is a home for me
And that maybe I was too late for it.

They’re laughing.
He says something clever,
Passes a hand along the small of her back
And she leans into it,
Smiling because she loves that he wants to touch her innocently.
They seem to exist behind glass.
Not for the first time I wonder
If I could just slip into that life
Like a drop into an ocean
I want it badly
I want it stupidly
And I examine all the parts of myself,
All the edges and cracks,
All the things I’ve worked so hard to protect and repair.
It is not a welcome sight-
I am not a home
I am like an old ruin
Full of murmurings and cold spots
Full of dusty sunlight.
I sigh,
Knowing the secret I keep so poorly-
That if I really had a choice to be otherwise
I would have already made it.

I couldn’t reach them if I ran for a thousand years,
They are too far away.
They walk off the train, arms linked
Talking about nothing
And I watch them go
Like a hallucination,
Like a mirage in the desert.

Her perfume smells like forgetfulness
And it lingers.
This is a poem about how it feels as a gay woman to see a straight couple on the subway.
Marshal Gebbie May 2013
Murmurings of memories
Whispering in my ear,
Nuances of notions felt
From long ago, so dear,
Nuances of feelings held
From deep within my breast
Like the quiet stroll by lakeside
When love became our quest.

The way our fingers intertwined
That shyness in your eyes,
And the lovely way you giggled
And the way you softly cried,
The gentle touch of fingertips
That time I kissed your palm,
And the glory of the setting sun
Whilst strolling arm in arm.
Running up the golden sand
As white surf swept our feet,
And laughing at the joy of it
The  magic so, so sweet.

And now ….
Those distant murmuring’s
just trickle down the years,
Those nuances of yesteryear
Sweet whispers in my ears.

Marshalg
11 May 2013
Pukehana
[They picked him up in the grass where he had lain two
     days in the rain with a piece of shrapnel in his lungs.]

Come to me only with playthings now...
A picture of a singing woman with blue eyes
Standing at a fence of hollyhocks, poppies and sunflowers...
Or an old man I remember sitting with children telling stories
Of days that never happened anywhere in the world...

No more iron cold and real to handle,
Shaped for a drive straight ahead.
Bring me only beautiful useless things.
Only old home things touched at sunset in the quiet...
And at the window one day in summer
Yellow of the new crock of butter
Stood against the red of new climbing roses...
And the world was all playthings.
from Adroaldo

My brother,
my dear brother,
good Morning!
The dawn
show in your face
and shine in your life!
His days
are rich
of joy.
My love
and baby
Brother,
We are alive!
I have to tell you:
we are alive!
You
are not
alone!
You're
in my heart
and in my soul.
You're
Inside of me
and in the reflection of water.
You are a part of me
and I'm part
from you!
We are one
among
all others.
We do not
we are
alone.
That day
witness
our birth!
The dawn
realizes
our existence!
The fields
receive
our steps!
The world
to accept
our presence!
My brother,
my dear
and beloved brother,
there are times
I try to tell you
One thing:
I am here!
Listen to me:
I am here!
You
are not
alone!
I need
hopelessly
from you.
I need
hopelessly
know you.
I need
hopelessly
being with you!
My brother,
my dear
and beloved brother,
My tent
It's open
To you
If you want
hide yourself
this cold night.
My tent
it’s open
to you
if you want
trick
the fury of the wolves.
My heart
it’s on
to your heart.
My blood
is red
just like yours.
Nor time
cannot
erase it.
Neither life
can erase
that.
My brother,
who will be you
in this crowd?
Embrace the truth
or will be
Illusion?
My brother,
my dear
and beloved brother,
realizes
the darkness
to come?
Realizes
the evil
now it is growing?
Hear the sound
thunder
far!
Hear the sound
saxophones
far!
Listening
the beating of wings
Grasshoppers!
Listen
to the shouts of the
angry mob!
The crowd
chasing
the insistent
hunger
for blood
between his teeth.
Everybody wants
a piece
of us.
Everyone wants
a pound
of our flesh.
They come
during
at night.
They come
during
the day.
They
never
sleep.
They
never
give up.
I see only
hate
in your eyes.
I see only
rebellion
in your eyes.
They are born
the murmurings
and strife.
They are the result
of anger
and hypocrisy.
They venerate
marble
idols.
Idols of gold,
silver
and bronze.
They cry out
a piece
of our land.
They require
even the sweat
of our foreheads.
No food
in this land
to sustain
for your
hunger
it is rampant.
There blanket
in this land
that heat
for your heart
it is the winter cold
more extreme.
There is no justice
in this land
satisfying
for expect
the greater evil
always prevail.
There is no reason
for none of this
happen
and yet
all
it happens!
Who
put our brothers
against us?
Who
he puts us against
our own brothers?
Who on this earth,
really,
It's us?
Who on this earth,
Really,
are they?
Who knows
which side is the
mirror?
All this hatred
not born alone
in the dunes.
All this anger
it does not grow alone
in the sand.
So who hate us so much
dearly beloved
brother?
Who, long ago
has played in
against each other?
My brother,
my dear
and beloved brother,
someone, some time ago,
steals
all our cattle.
Someone, long ago
defiles
all our water.
Someone, some time ago
assaults
our dreams.
Someone, some time ago
Burn
all that's left us.
However, those who hate us
such a long time
beloved brother?
The guilt
all this
It is not yours.
The guilt
all this
It is not mine.
So who will
In fact,
all the blame?
Who will be,
after all, our
single accuser?
Who is coming
to steal
all our breath?
Who is coming
to destroy
our hopes?
Who
was born
a feud?
Who
was born
a simple lie?
Who crawls
among the lizards
desert?
Who conversation
with the stars
Infinity?
Who plot
against their
own brothers?
Who blasphemes
in the heavens
and the creator himself?
Who will be
our biggest
Killer?
Who will be
our biggest
opponent?
Who will be
our brother
unknown?
Who will go
breaking the silence
in this order so violent?
My brother,
I beg you to save me
these ***** streets.
I beg you to hold me
tonight
so cold and so dark.
I beg you to grant me
a simple prayer
in this momentary silence.
Someone plot
constantly
against us.
Someone
Want to see
our end.
My brother,
dearly beloved
brother,
Hug me
when the wind
It is too cold.
Hug me
when you hear
my sigh of pain.
My hands
tremble
cold and fear.
My bones
tremble
cold and fear.
My brother,
where will you be
Now?
You will be
inside cars
passing fast.
You will be
in shop windows
of expensive clothes shops.
You will be
the billboards neon
in downtown.
You will be
in advertisements
famous brand.
Where you
will,
my beloved brother?
The sound
thunder
gets closer!
Almost
explode
my heart!
My bones
tremble
cold and fear.
I hope
for something
not owes me explanation.
I hope
for something
I do not understand.
I hope
for something
it is a revelation.
May
arise
among cacti.
Surely,
grow
among the burned grass.
Maybe
it’s only
a dream.
Perhaps
more
a desire hidden.
My brother,
in this special day,
who will you be today.
In this special day,
where is
you today?
It will be you,
my brother,
my only friend.
It will be you,
my brother,
my greatest enemy?
Will you
brother, beside me
in this cold night?
Will you
Brother, with
in the angry mob?
My brother,
my dear
and beloved brother,
It will be you
That
Sleeping out in the open?
It will be you
that one that
Fight against the cold?
It will be you
that
you face the wolves.
It will be you
that
that protects your?
Who will be
You
my dear and beloved brother?
My brother,
I implore
receiving me.
My brother,
I beg
to listen to me.
My dear
and beloved brother,
accept me!
Notice me,
understand me
and shelter me.
Accept me
the way
that I am!
I receive
in his tent
on that cold night.
Accept me
Open arms
that night so dark.
I may welcome
in these days
so dark.
Protect me
these days
so terrible.
My love
and dear brother,
Hug me.
I need
much
you hold me.
I need
the air
you breathe.
I need
address
of your steps.
I need
hear
your hoarsely
same
whatever
for a moment fiddling.
Same
whatever
for a second measly.
It
does not say
absolutely anything.
It
tells me
absolutely everything.
I need
to listen
I open my heart
Even if
only
for a second.
My brother,
My dear
and beloved brother,
I feel
all the cold
ahead.
I see
all fear
what is not explained.
I need
so much
from you!
I need
that you
be around here
and warm me
If this cold
Persist.
I need
that you
protect me
case
all evil
I reach.
I need
so much
from you!
I need
to guide me
in this dense night.
I need
that hides me
the hungry wolves.
dissipating
all
my fears,
to wash
all
my sins,
to dry
even
my tears,
that fight
By me
with all his strength.
I need
both of you,
my dear brother.
I like both
powers play
his face again.
I would love
feeling
the skin again.
I need to both
hear
your voice again.
I need
to feel
your presence again.
I need
you to hold me;
and that this embrace is sincere.
I need you
to tell me
not to be afraid anymore.
I need you
to tell me
that will be all right!
The sound of thunder
It's deafening
and if ever closer.
The hunger of wolves
ceases neither
with the dawn.
I see whole cities
ablaze
on fire.
I see the darkness
blacker
take shape quickly.
I see food to perdition
satisfied
a flock of sheep.
I see the flock embrace the night
and join
in the pack.
I see wolves
and sheep
fraternizing.
I see them embrace
the full evil
in a night deal.
Before my eyes
finally
I see the end unfolding.
I hear the sound of thunder
finally
in its fullness.
There is no more
sell some
in my eyes.
I see millions
issuing his last breath
before my eyes.
My brother,
my dear and beloved
Brother,
how can I say
how much
I love you?
How can I say
how much
you’ll be missed?
How can I say
how much
I loved you in life?
How do I look
in your eyes
knowing that never see you?
Who put
this blood
in my hands?
Who put
this weapon
in my hands?
My dear
and loved
brother,
at where
will be
you?
Will be
you
in the cotton fields?
Will be
you
coal mines?
Will be
you
in the bar tables?
Will be
you
in lullabies?
Will be
you
the stone dungeons?
Will be
you
the yellow pages?
Will be
you
in the desert mountains?
Will be
you
in concrete forests?
Will be
you
in love letters?
Will be
you
in horror stories?
Will be
you
among the persecuted
or is
In between
Persecutors?
Will you
In between
The empty belly
or are
In between
who has everything?
Will you
In between
the most popular
or is
In between
Disposable?
Will you
In between
settlers
or is
In between
Colonized?
My brother,
my dear
And beloved brother,
will you
In between
Elected?
Will you
In between
The unfortunates?
Embrace
my
problems,
embrace
my
fights,
embrace
my
­­tears,
embrace
my
hiccups,
embrace
my
scars,
I pray that the Lord
in receive
open arms.
May the Lord
the accepted
at the end.
The King of kings
in receives
in his Kingdom.
I can hold you
finally
without fear.
I can love you
finally
without fear.
May we
we
to recognize
simply
as...

Brothers!
HRTsOnFyR May 2015
I know you said to try and not make any more points... But I can't just sit idly by while excellent points are ignored and disregarded in favor of illusions.

You can either choose to embrace and admire my intellect... Or you can attempt to belittle and censor it. The way my mind works is a little different than most, and that shouldn't be a threat to you. It should be an asset.

I'm sure I can be frustrating to deal with because I have yet to tame my ego and temper entirely, but those flaws have been brought to my attention.

I'm only 28, so I am fairly confident that there's still hope for a full recovery. It took you until you were 40 to make any real corrections in your behavior.

I was there with you from 29 until the present time... So I would find it a bit ironic if you expected perfection from me at 28.

Especially when I feel like I'm leaps and bounds ahead of most people my age, or even your age, when it comes to being self aware, open hearted and willing to change.

All I need is love and affection. I've been bullied and rejected and ignored by both of my parents. The only way I know how to react is by assuming that their mistreatment is justified... And to accept it with a sorrowful, silent dignity.

Its not a far cry from my own fears about myself anyhow. I've always been the awkward misfit daughter of a slovenly, ignorant nutcase. If that's enough to make me question my own value and self worth.

It doesn't take much for someone that I trust to convince me that I don't have any anyhow.

What I need from a relationship is someone who understands those things, and is willing to extend their affections to me unconditionally.

If that's too much for you, then I understand. Its hard to show love when you've never been taught it. Believe me, I know.

But I also know that honesty, sincerity and a compassionate heart can solve all of life's issues. 

As long as I resonate with that truth, I know that the Universe must respond to it.

A love as intense as mine; A spirit as genuinely captivated by wonder; Inspired by nature and comforted by our inherent divinity...

Cannot... Nay, WILL NOT be left wanting. Of that I'm sure.

I hope you can put down your defenses long enough to see that we are on the same team.

Pride is a silly thing to cling to when there are broken hearts and unmentionable sufferings to address in our own lives and families.

What does a man gain from the glorified conquests of his ego if, in the end, he is to suffer the loss of his own soul?

I love you. That's all I can say. Although I will probably never send you a copy of this letter... I somehow feel better nonetheless. I wish you could hold me one last time.
Christine Ueri Jul 2012
Heaven

. . .  Have Mercy . . .

Rest, rest, rest, for ye be none,
pitiful Fallen One.


Quivering bows flow over grave strings
bassoons and basset horns ring
pounding timpani’s announce:
Master of the Holy Choir
- -  Renounced - -
Vain, fluttering heart
sublimely denounced, scorned;
fouled, ousted:
Horned.

Wailing strings, bassoons,
basset horns, thundering kettle drums
lift angelic voices to glorious requiem.
Pleas for Eternal Light’s remain
in wings refrain.
Heavenly Chorus' cradle to sustain,
mercy to soften
disdain.

The Holy Oracle contests --
to no avail.
Siblings’ choir protests.
Beauty beyond measure,
Angel of pure, Divine tessitura,
Absolution for Thee?

Foretellers of dark illusion
open Holy Scriptures to reveal
the drone of Eternal Damnation:
trumpets of ill
drag Thee to Hell.

Deep, ephemeral rhythms
exalt dancing strings,
seal destinies -- Kiss The Almighty King.
Glory be unto His Majestic Reign,
Will Supreme,
Tremendous,
Powerful, Holy Being.

Scribes record,
recite this dreadful day,
condemn Thee: Fallen One.
trumpets lament, strings mock
this unholy, forbidden way.
Bows flutter -- a memoir
of redemption.

Cries of confusion
dissipate  
into muffled choirs,
murmurings
of deliverance.
Delicate chants
beg for forgiveness;
a Soul’s salvation, fusion.
To no avail!

Turbulent strings strike the Holy Duel
in wrath, writhing hatred,
majestic wings tumble --
twist to wrenched ******.

Death devours, Birth becomes
the Fallen One.


Angelic dissolution --
distraught, agonized Ethereal,
Eternally beautify
these ghostly, trembling
winds, strings, harpsichord, drums.
Voices of brotherhood remembered,
cushion Angel’s earthly descent.
Breathe into infantile genius
heavenly symphonies
to sweeten a life
trapped, scorned,
condemned,
mourned

Love of God: Amadé
16/02/2012

Inspired by Mozart's Requiem.
Well then; I now do plainly see
This busy world and I shall ne’er agree.
The very honey of all earthly joy
Does of all meats the soonest cloy;
      And they (methinks) deserve my pity
Who for it can endure the stings,
The crowd, and buzz, and murmurings
      Of this great hive, the city.

  Ah, yet, ere I descend to th’ grave
May I a small house and large garden have!
And a few friends, and many books, both true,
Both wise, and both delightful too!
      And since love ne’er will from me flee,
A mistress moderately fair,
And good as guardian angels are,
      Only belov’d, and loving me.

  O fountains! when in you shall I
Myself eas’d of unpeaceful thoughts espy?
O fields! O woods! when shall I be made
The happy tenant of your shade?
      Here’s the spring-head of Pleasure’s flood:
Here’s wealthy Nature’s treasury,
Where all the riches lie that she
      Has coin’d and stamp’d for good.

  Pride and ambition here
Only in far-fetch’d metaphors appear;
Here nought but winds can hurtful murmurs scatter,
And nought but Echo flatter.
      The gods, when they descended, hither
From heaven did always choose their way:
And therefore we may boldly say
      That ’tis the way too thither.

  How happy here should I
And one dear she live, and embracing die!
She who is all the world, and can exclude
In deserts solitude.
      I should have then this only fear:
Lest men, when they my pleasures see,
Should hither throng to live like me,
      And so make a city here.
Isabella Soledad Aug 2017
It was a hot summer morning in late August. The brick building in front of her was daunting. This was it. Her first day of high school. Her long brown hair swayed behind her. It brushed gently against the small of her back. Her heart pounded excitedly in her chest. A new adventure awaits her. An adventure filled with many smiles, and many hardships. This is the story of a girl in high school, with long brown hair.

-

Freshman year was fun for her. She made new friends, along with keeping a few of the old.  She met 3 people in her life who had a strange impact on her life, both good and bad.

One of these 3 was a girl. She was *****, and had different style, which enticed the girl with long brown hair. They were put in the same group, and began to talk. Soon after they became close friends, and had their first sleepover. It was the first sleepover of her high school year which wasn't with a friend from her previous school. She enjoyed it very much, and truly valued her new friend.

The two would often be seen together, and even made friends with two others who were like them. The two others were boys. One boy was a bit of a nerd with floofy hair and glasses. The other boy was a punk guy with long hair and darkened taste. The four would go to the mall together, and became inseparable.

The girl with long brown hair really liked these new friends. They were so much like her in so many ways, yet she also had others whom she enjoyed just as much. Freshman year went well for her. She was happy.

Sophomore year rolled around. Her confidence was high, and her relationships with her friends strong. She had made new valuable friends, and loved to do choir and theater.  She continued to make friends through her extra activities, along with keeping close to the ones from freshman year.

The ***** girl in her little friend group had met someone. A girl. They were in love, but the girl with long hair didn’t mind. They were still best friends throughout it- although the ***** girl drifted away as she was occupied with her partner. The boy with long hair and darkened taste told the girl with long hair that he loved her. She was scared, and told him she didn’t feel the same. He accepted it, but became depressed. Time passed by. He was always sad. The girl with long hair became closer to the boy with darkened taste. She wanted to fix him. She wanted to help him. He told her he loved her. He asked her to be with him. She hesitated out of fear. A little time went by. He asked again. She said yes.

-

They were happy. She made him happy for the first time in a while. He made her happy too. One night, the punk girl invited the girl with long hair and the boy with darkened taste to sleep over her house with her and her partner. They agreed. The four went to the beach. The night was foggy. The air was warm; the breeze cold. The boy with darkened taste and the girl with long hair fell in love.

Time passed. They were happy together. One night the girl with long hair had a terrible feeling. She had a panic attack. The boy with darkened taste was busy with a class he was taking. The girl called her best friend to panic. She calmed down.

The boy with the darkened taste called the girl with long hair. He yelled at her. “Why didn’t you come to me first?”.  He exclaimed. “You were busy. I didn’t want to interrupt you. I was panicking.” He scorned her. She cried the whole night. The next day, she didn’t eat. The school hosted a mass. The girl with long hair heard murmurings throughout the choir. Her best friend had gotten in a severe accident. Her car rolled over. She panicked. The boy with darkened taste apologized to her for fighting. He promised to not do it again. She believed him. He asked for forgiveness. A little time went by. He asked again. She said yes.

Junior year began. The girl had one friend left. The summer was fun for her, but not in a way that was healthy. She had stayed with the boy with darkened taste. She thought she loved him. She thought he loved her. She was wrong. The beginning of the year was rough. He yelled at her a lot. He didn’t trust her. He would often take her phone to read her messages. She wasn’t allowed to talk to other boys. He made her delete her social media. She wasn't allowed to talk to other friends. She threatened to leave him. He threatened to **** himself. She was stuck. She was scared. She was sad. They fought. He grabbed her. He wouldn’t let her go. She tried to yank her arm. He held tight. She wanted to leave. He wanted her to stay. He asked for her forgiveness. A little time went by. She said yes. This happened continuously. A short while later, they fought. She was used to him grabbing her. She was used to him forcing her. She tried to get away nonetheless. Then he hit her.

-

The girl with long brown hair was sick. She did not eat. Her friends whom she  cut off were worried. Her weight dipped to an unhealthy level. She thought the worst. She thought she couldn’t escape. She was wrong.

The end of junior year was her time. She escaped finally. She was not unscathed. The girl with long brown hair cut it all off. She needed a fresh start. It was symbolic to her. It helped her.

    The beginning of Senior year rolled around. The girl had healed a good amount, but not entirely. She had cut off communications with the boy with darkened taste.

He saw her in school. He spoke to her. He asked for forgiveness. The girl forgave him, although the wound was still fresh. He asked her to be with him again. A little time went by. He asked again. She said No.

Now the girl is a different person. She was wisened by her experience, and was able to forge some of her friendships with the friends she loves. Some relationships cannot be forged. She tries still. Nothing will be the same. She realizes that. She moves on. She is happy. Her weight is back to normal. She is healthy. She was no longer the same girl, with the long brown hair. She is a different girl. A more happy girl. Only now, She is the girl with short brown hair.
This is a Piece I wrote a while back. I figured why not post it on here.
Nat Lipstadt Sep 2013
The TSA won't let me fly
It seems when airplane-jailed,
My muse sneaks aboard
Without paying for a seat.

Another airplane poem like 30B,
From a long ago flight,
Found dusty, in the poetry sewing box


~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

with every breathe he tithes
a packet of whispered wishes,
a blended osmosis of
past and future scenes,
reviewed, previewed,
moments in time,
actual and dreamed

some received,
airborne plucked,
in his chest stored,
prepared for future
takeoffs and landings,
for ultimate insertion
in both
your recesses
and
your abscesses

some native,
combobulated, containerized
packets of seconds,
of joyous moments,
bytes of historical
hugs n' kisses,
as a child
to a child
from a child

those are vanilla frosted,
residual payments for the
good done and given,  
forwarded with all clear signals,
to his loved ones,
now resent, to you,
fellow travelers and sojourners,
intersectors of our peculiar
coded dots and dashes

thirty five thousand feet high,
composure lost,
he swoons as
Bocelli's voce del silenzio
releases tears so sweet,
which are by nature,
gravitated and transformed
into snowflakes to decorate
the Sierra Nevada's
breasted peaks and valleys,
over which his physical notion
is at rest, yet in motion,
within a Delta flying ship

Yet his fevered chest
beats rough,
for every flight seems
a time warp interlude,
a forced reflecting rhyme,
not of his choosing,
a lawful, thoughtful, imprisonment

having donated to you
his best, the remainders,
the man tallies, recalls:

ancient slights, scaled heights,
requiems for his forefathers
scored by cantorial choirs,
liberation struggle weariness,
offers taken and refused,
aces in the hole that proved
insufficient to save his soul.

goal line stands made,
onslaughts refused,
true lies and false truths,
moist lips and monster tears,
occasional A's and calcu-hell-us,
hand me downs received,
help me ups got n' given,
buildings pricked by airplanes,
death wishes granted
and nothing thereby gained,
children, found and lost,
mine, yours, ours...

The sums, always the sums!

engine noises and pilfered winds
are dulled and semi-silenced,
yet the silvered chamber prison
resonates from end to end
as each ledgered memory,
each packet of the
hidden whispered poems
he does NOT choose to send,
dents the man,
leaving claw marks,
screaming pay attention to me,
as if they were the priorities
of a six year old child,
refusing to be ignored

he does,
attention, he does pay,  
allowing rocking guitar heroes
to overtake weeping violinists,
just as newer transgressions
surfeit even his
most really *****,
ancient sins

No matter how he counts,
unable to master the additions,
no matter how many times
counts are initiated,
taken and retaken,
the tally's net net is
concluded, numbered
"forsaken"

his life's W-2 is black n' blue,
deductions falsely enumerate
and thereby underestimate
dues he has paid summarily,
earnings, distorted,
taxes paid never enough,
to satisfy the justice scales,
so wearily he
cries and enunciates,

The sums, always the sums!

THEN COMES HIS SHOUT OUT,
at his most vulnerable,
when a thin veneer of alumina
separates him,
from a fall inglorious
to an end most gorious,
a rapping beat moderne
insists that he go all out,
disallowing no
airy fairy poetry
to disguise that:

If the integers are false,
the entries of a life lived,
are sucker lies
black eyed flies
toxic shockers
that bust open
stinko lockers
where the B.S.
mocking stories
are kept

don't look close
at his documents
they ain't exactly
heaven sent
and the government men
be back on his track
their aviator shades
protect them from
burning light of the
man's furnace
where he burns their liens,
and the agent's ear pieces
drown out his screams of

The sums, always the sums!

God bless you,
keep and recall those packets of
whispered wishes, good tithes,
that the man bequeaths,
gift baskets of
expresso essentials
with God's love delivered

Tho his words,
amateurish and unvarnished,
silly and pompous,
nonetheless, they are the
return on his investments,
his yearnings for your happiness
are the savings accumulated,
though meager jewels are they,
they are ad valorem,
mixed into his confused murmurings

here then,
are his summings up,
what he wills you,,
the tally finale
the best wisdom is
found on coffee cups
at 2:47am.

Dance
Love
Sing
Live

to which he respectfully amends with a
Write.
(See banner photo)
See Nat Lipstadt
Juggling Thoughts Re Proximity, in Seat 30B
These are the gardens of the Desert, these
The unshorn fields, boundless and beautiful,
For which the speech of England has no name--
The Prairies. I behold them for the first,
And my heart swells, while the dilated sight
Takes in the encircling vastness. Lo! they stretch
In airy undulations, far away,
As if the ocean, in his gentlest swell,
Stood still, with all his rounded billows fixed,
And motionless for ever.--Motionless?--
No--they are all unchained again. The clouds
Sweep over with their shadows, and, beneath,
The surface rolls and fluctuates to the eye;
Dark hollows seem to glide along and chase
The sunny ridges. Breezes of the South!
Who toss the golden and the flame-like flowers,
And pass the prairie-hawk that, poised on high,
***** his broad wings, yet moves not--ye have played
Among the palms of Mexico and vines
Of Texas, and have crisped the limpid brooks
That from the fountains of Sonora glide
Into the calm Pacific--have ye fanned
A nobler or a lovelier scene than this?
Man hath no part in all this glorious work:
The hand that built the firmament hath heaved
And smoothed these verdant swells, and sown their slopes
With herbage, planted them with island groves,
And hedged them round with forests. Fitting floor
For this magnificent temple of the sky--
With flowers whose glory and whose multitude
Rival the constellations! The great heavens
Seem to stoop down upon the scene in love,--
A nearer vault, and of a tenderer blue,
Than that which bends above the eastern hills.

  As o'er the verdant waste I guide my steed,
Among the high rank grass that sweeps his sides
The hollow beating of his footstep seems
A sacrilegious sound. I think of those
Upon whose rest he tramples. Are they here--
The dead of other days?--and did the dust
Of these fair solitudes once stir with life
And burn with passion? Let the mighty mounds
That overlook the rivers, or that rise
In the dim forest crowded with old oaks,
Answer. A race, that long has passed away,
Built them;--a disciplined and populous race
Heaped, with long toil, the earth, while yet the Greek
Was hewing the Pentelicus to forms
Of symmetry, and rearing on its rock
The glittering Parthenon. These ample fields
Nourished their harvests, here their herds were fed,
When haply by their stalls the bison lowed,
And bowed his maned shoulder to the yoke.
All day this desert murmured with their toils,
Till twilight blushed, and lovers walked, and wooed
In a forgotten language, and old tunes,
From instruments of unremembered form,
Gave the soft winds a voice. The red man came--
The roaming hunter tribes, warlike and fierce,
And the mound-builders vanished from the earth.
The solitude of centuries untold
Has settled where they dwelt. The prairie-wolf
Hunts in their meadows, and his fresh-dug den
Yawns by my path. The gopher mines the ground
Where stood their swarming cities. All is gone--
All--save the piles of earth that hold their bones--
The platforms where they worshipped unknown gods--
The barriers which they builded from the soil
To keep the foe at bay--till o'er the walls
The wild beleaguerers broke, and, one by one,
The strongholds of the plain were forced, and heaped
With corpses. The brown vultures of the wood
Flocked to those vast uncovered sepulchres,
And sat, unscared and silent, at their feast.
Haply some solitary fugitive,
Lurking in marsh and forest, till the sense
Of desolation and of fear became
Bitterer than death, yielded himself to die.
Man's better nature triumphed then. Kind words
Welcomed and soothed him; the rude conquerors
Seated the captive with their chiefs; he chose
A bride among their maidens, and at length
Seemed to forget,--yet ne'er forgot,--the wife
Of his first love, and her sweet little ones,
Butchered, amid their shrieks, with all his race.

  Thus change the forms of being. Thus arise
Races of living things, glorious in strength,
And perish, as the quickening breath of God
Fills them, or is withdrawn. The red man, too,
Has left the blooming wilds he ranged so long,
And, nearer to the Rocky Mountains, sought
A wilder hunting-ground. The ****** builds
No longer by these streams, but far away,
On waters whose blue surface ne'er gave back
The white man's face--among Missouri's springs,
And pools whose issues swell the Oregan,
He rears his little Venice. In these plains
The bison feeds no more. Twice twenty leagues
Beyond remotest smoke of hunter's camp,
Roams the majestic brute, in herds that shake
The earth with thundering steps--yet here I meet
His ancient footprints stamped beside the pool.

  Still this great solitude is quick with life.
Myriads of insects, gaudy as the flowers
They flutter over, gentle quadrupeds,
And birds, that scarce have learned the fear of man,
Are here, and sliding reptiles of the ground,
Startlingly beautiful. The graceful deer
Bounds to the wood at my approach. The bee,
A more adventurous colonist than man,
With whom he came across the eastern deep,
Fills the savannas with his murmurings,
And hides his sweets, as in the golden age,
Within the hollow oak. I listen long
To his domestic hum, and think I hear
The sound of that advancing multitude
Which soon shall fill these deserts. From the ground
Comes up the laugh of children, the soft voice
Of maidens, and the sweet and solemn hymn
Of Sabbath worshippers. The low of herds
Blends with the rustling of the heavy grain
Over the dark-brown furrows. All at once
A fresher wind sweeps by, and breaks my dream,
And I am in the wilderness alone.
Terry O'Leary Oct 2013
I’m stealing through a twilit realm, the ancient pale of Whereis,
passing chambers of an Heiress
(though no need to feel embarrassed)
through a magic mystic mirror hanging curtainless.

A glimpse near naked alleyways (denuded by the moon) ex-
poses Ghosts in gauzy tunics
carving symbols, round and runic,
in distended dingy dungeons of uncertainness.

Down misty streets of cobblestone – ancestral avenues –
patchwork paths consume my shoes
(chasing foggy curlicues
twisting, twirling by in twos,
floating anywhere they choose),
leaving footprints that confuse
vagrant wispy retinues
of the threaded wooden sticks that stalk a Puppet wandering.

Condensed in drops of fantasy, distilled in evening dew,
shifting Shadows I pursue
(wearing faces I once knew,
slipping slowly from my view)
turn their backs to bid adieu
leaving stars to tempt me through
Awful Tower residues
mocking treasures time outgrew
in the birth of old from new
framing pageants in review
midst the visions of the painted past I can’t help pondering.

Contorted candelabra claw the skyline’s walled suspension
caught in twilight’s intervention
– still unlit (in stark dissension),
therefore seething with a tension
in the quiet apprehension
of the Watchman’s inattention
to the night-time’s bold pretension
to her power, not to mention,
to her hyperspace extension
(far beyond my comprehension
of the sundown’s bleak dimension) –  
on exhausted beaten boulevards of foolish fretfulness.

Oblivion depletes me, voiding haste and hurried hassles,
me, a simple abject vassal,
trailing moonlit floating castles,
– fickle feet, but fingers facile
grasping straws and pendant tassels –
as I stumble through the rubble of forgetfulness.

I think I must be dreaming as I seem to see these things,
neath a sky alive with wings
(hear the Nightingale, she sings),
midst the whispered murmurings
soughed by Phantoms clad as Kings
pacing palaces in rings,
while their hapless footfall clings
to the sagging sinking sands of midnight’s splintered splattered ruins.

Entangled in the swirling leaves that spin in dizzy flurries,
(while the wind beside me scurries
as an ermined hermit hurries)
lurk my sleepy woes and worries
(glowing faint’ but growing blurry)
which, when plundered by the demon dusk, I’d left behind me strewn.

The forgery of Multitudes between the Silhouettes
(and discarded cigarettes,
neath the haunted parapets)
mock my lonely echoed steps
         – mock my lonely echoed steps –
(struck like clicking castanets
         – struck like clicking castanets –)
as I lace unlabeled lanes, erasing silence’ sullen treason.

The mossy stones condole with me (within the oubliettes
draped in blood and tears and sweat
sometimes dry, more often wet
quite like drops of anisette
sipped in moments one forgets
self-reproach and raw regrets)
midst the midnight minuets
and the purling pirouettes
of the fugitive Grisettes
(flaunting charms and amulets)
who, in flitting shades of arching bridges, linger longer, teasin’.

Along the When I’m drifting, but a stardust castaway,
weaving, threading by cafés
and deserted cabarets,
just a gauzy appliqué
on the river’s rippled spray,
chasing Fools along the way
through the strands of yesterday,
neath the throbbing peal of sobbing bells in spectral cloisters, quaking.

In belfries, high and haughty, alabaster Knights perform,
riding stiff against a storm,
steeped in cloudlike chloroform,
while the raven skies deform
and my shrivelled shovelled form
(rapt, while bats in steeples swarm
close to candles waxing warm)
hangs in hallowed hallways, hiding, shoulders weary, weak and aching.

Around me hover grinning masks, veiled visages of Queens,
feigning fatal final scenes
of demented doomed Dauphines
(against the scarlet sky they lean,
dreary dripping guillotines),
traced in opalescent ballrooms only tattered time remembers.

The hidden hands of Harlequins (while floating free, unseen
disbursing secrets sibylline,
amongst the manes of Halloween),
tap (on tumbrel tambourines
behind abandoned shuttered screens)
a dirge (with tattooed tones pristine)
for me (a heap in ragged jeans
in these crazy cluttered scenes),
trapped interred in toppled stone chateaus that dismal dawn dismembers.

Rogue breezes pierce, benumbing me, my ears and toes a’ freezin’
(in the Cockcrow’s purple season
as when nightmares should be easin’
and the Zephyr winds appeasin’),
so I reach for  rhyme and reason,
which endeavours leave me wheezin’,
caught impaled upon the jagged edge of early morning’s breaking.

The chill evoking silver chimes of Nodomain start knelling
as the searing sun looms swelling,
and their monodies hang dwelling
in the cloud drifts’ care, revelling,
but the Sandman’s too compelling
and my weariness impelling
– since my eyelids risk rebelling,
when they’ll fall, there’s no foretelling
for the starry sky’s past telling –
as I fade beneath the flaming forge while embers tremble, waking.
Tammy M Darby Feb 2018
See little in the breath of life
Despair and strife shadow their hearts  
Cruelly and without mercy command their minds
Darkness touch is ever so blindingly sweet
The light of the living never meet
In the murmurings of a quivering night

Those who worship the God of Death
Seek no glimpses into a heart
Long ago they decreed
All love depart
Forfeiting that which made them human
Sacrificed on the altar of their cold demanding god

Those who worship the God of Death
Wander in silence and stealth
Caring not for influence, lineage or social plight
It is inconsequential
In a world where emanates no light


For them darkness touch is ever so blindingly sweet
The light of the living never meet
In the murmurings of a quivering night
When the world becomes silent and  emanates no light
Those who worship the God of Death delight.

All Rights Reserved @ Tammy M. Darby Feb. 2, 2018.
Hands Mar 2014
there ain’t no ground for me to play on

and there ain’t no music to play,

anyway,

just another day

another life

another scythe

ringing in the distant fields

and that little thing you thought so fine

she was just some cheap cherry wine

and I thought myself fine sauvignon

though I did fail French a few times

but at least I didn’t get left in the distant field

to be harvested by the farmer

to be sold at the market

to be broken apart and maimed beyond measure.

those lips eating though,

they sure feel nice against ya,

they sure do someone justice when

they’re kissing all over

and massaging your broken body

but there’s no music down in the gullet

there ain’t no sound

but the deep and soulful murmurings

of the stomach,

the intestine,

the **** that will birth me once more

and again I’ll be in the water

and mix with the ocean

and become the rain and

rise

oh la la la la la la la la

rise

I’ll rise above it all

and rain down your body and my body

and all these broken, mutilated grain-bodies

and pour it all down on you

and the fields

and that little thing you left

lying in the middle of seas of wheat

she’s screaming to the sky

roaring to the rain that falls

telling me all she knew

all she loved

none about you

all of it runs

all of it resounds

making music on the ground

and singing all in the air
transferred from my poetry blog on tumblr, heburiesme.tumblr.com
The fat lady came out first,
tearing our roots and moistening drumskins.
The fat lady
who turns dying octopuses inside out.
The fat lady, the moon's antagonist,
was running through the streets and deserted buildings
and leaving tiny skulls of pigeons in the corners
and stirring up the furies of the last centuries' feasts
and summinging the demon of bread through the sky's clean-swept hills
and filtering a longing for light into subterranean tunnels.
The graveyards, yes the graveyards
and the sorrow of the kitchens buried in sand,
and dead, pheasants and apples of another era,
pushing it into our throat.

There were murmurings from the jungle of *****
with the empty women, with hot wax children,
with fermtented trees and tireless waiters
who serve platters of salt beneath harps of saliva.
There's no other way, my son, *****! There's no other way.
It's not the ***** of hussars on the ******* of their ******,
nor the ***** of cats that inadvertently swallowed frogs,
but the dead who scratch with clay hands
on flint gates where clouds and desserts decay.

The fat lady came first
with the crowds from the ships,s taverns, and parks.
***** was delicately shaking its drums
among a few little girls of blood
who were begging the moon for protection.
Who could imagine my sadness?
The look on my face was mine, but now isn't me,
the naked look on my face, trembling for alcohol
and launching incredible ships
through the anemones of the piers.
I protect myself with this look
that flows from waves where no dawn would go.
I, poet without arms, lost
in the vomiting multitude,
with no effusive horse to shear
the thick moss from my temples.

The fat lady went first
and the crowds kept looking for pharmacies
where the bitter tropics could be found.
Only when a flag went up and the first dogs arrived
did the entire city rush to the railings of the boardwalk.
DJ Thomas May 2010
At first light I made a gift of coffee
it’s aroma stirred just one long leg
I lifted her naked into the wet warmth
to bathe awake and wash long hair
carrying her towelled wrapped form
bowed lips now sip then fight me
as I dress her in jeans, socks and top
beauty made calm and simple

Drunk sad at her leaving party
keeping her warm I had let Lust sleep
now still lolling in grief for dark peace
my selfish need drags her ****** up
into light trapped by the green valley
walking on along its grass path
the canoed river spits past a-whirl
rediscovering the torn through pocket
her hand delves questioning
to withdraw unhurried, stroked
by a flicking fishing rod

Recovered now leading me
over the bridge above the Boat
then on up the steep valley side
we arrive at the Ostrich for beer
then to dine on fish in the open
feeding and sharing her lips
we consider audaciously
the little garden’s potential
she hums prayer murmurings
pleased by the moment

On into the nearby woods
high above the Kings trail
to slowly descend hedged paths
we return to the river valley
slipping between shop doors
lifting a book we idle along
a new couple enjoying life
taking tea under waterfalls
back  besides the Boat where
her beauty is now Queen

She leads me smiling by the hand
along both banks in the setting sun
till we near the Abbey's stone ribs
skipping around it's green shadows
a bank helps us to vault within

Fenced alone
ignoring distant figures
jeans and top colour
the darkening lawns
beckoning me closer
Lust now sits astride  
the grass and stone
an open ****** grin

A week only, no more
I am left alone in her bed
on this smaller island
she ashore in another
busy - separated by a day
we talk lovers spells
and write away our hopes

Three months and two days
a call ‘******* we were....
pregnant” her sacrifice ours
on a stainless alter of
that new god Career**


.
copyright©DJThomas@inbox.com 2010
(...)
It is perhaps this association between birth and beginning each school year which led me to respect knowledge. The entire month of August tends to fly by, unnoticed, in anticipation of the day I see children forced back into ill-ventilated buildings to emulsify themselves in education, for knowledge. Knowledge, that Moloch of an idea! Hobbies, interests and Summertime activities were heaped on flaming tongues with words in order to illustrate their ultimate insignificance. We hoped to bring out the blessing of wisdom from its mouth. “What matters is the coming Winter, not the frivolous activities of undisciplined youths.” It is as if the leaves of every tree were humanity's hair, and August had pulled back every strand to blow the woodsy breath of Autumn smoke into life’s ear. "You won't be this way forever." I am yet seduced by Fall’s cryptic murmurings and led to believe in endless, Halcyon flight. With arms draped around us from behind, knowledge draws me into oblivion, with unlabeled memories and I throw my desires into Moloch’s mouth. Now that I am burning, my self is the voice of this demigod. My birth certificate is my body, holding a memory to be inscribed on some later form beside some other numbers. Life has only so many Decembers.
(...)
MMXII
This is a paragraph from a new project of mine.
It had an overwhelmingly poetic feel, so I'm posting it here.
Ted Scheck Aug 2014
I'm on the road, but not
Actually on. A. Road.
Per se.
I avoid roads like cliches
Avoid plagues.

Fields are much better
Travel companions. As
If a lined-paper stretch of
hoed land could thought to be
Friendly to your feet, and knees,
And mind
Not that you traipse across it.
Specially
Corn. Inside corn fields is always
Maze-Y.
The Wind loves singing through
Discordant notes of thistle and
Thatsle; whatsle you'll hear
Musically is really up
To you.
But at night, the stars shining
Through the feathery filters of what is
More than knee-high by 7/4/whatever
Is a forget that's hard to memory.

Sleep in cornfields and you'll
Wake to the pleasant murmurings
(And nocturnal rustlings)
Of mice using your clothes
Body boots shaggy unkempt hair
For warmth. Sore neck, sore back,
Worth it, comically ship-jumping-so:
The little furry squeakers realizing the
Empty soft boat wasn't empty at all
And the critters abandoning you
With the flicker of tails, gone. A
Maze-ing.

Forests. Hmm...Temperate
Temperament. More
Crazies in the woods than amongst
Iowa's cash crop: 1 must B careful.
They generally want to be left A
Lone; I specifically avoid them, or
Will travel act like their long
Lost crazy cousin.
Just to fit
Out.

Small fires in copses of woods,
Huddled near flames, ears
Prickled for the sound of
Angels dancing on the pins of
Heads.

Occasionally, I tire of the peace of fields of
Green tassels and tall deciduous
Trees, and I hear cars, and imagine
I hear the conversations held within.
So I take my bottled strangeness out
Of seclusion and rejoin the race
Humana.
More often than not, I meet up with
The Angry.
They congregate in coffee houses.
Huddle in hostels.
Mob motels.
You get the jpeg.
The Angry desire to
Do what I do by second nature, and
By nature, first. I've thrown off my
Self-imposed chains, and walk free.
They see this - in me - or see the magic
Dust my boots tracked all the way across
Their own barren linoleum flo.
They are trapped in their mind-traps.
The Angry would imprison me and
Masquerade as me simply for spite.
(If they could CATCH me, bwaa-haa!)

I walk quickly, lope along I80.
I hate to do this. It's Russian Roulette
With 6 bullets in 6 chambers.
But to get to the back roads, you some
Times have to travel the fore roads.
Troopers of State do NOT like
Peds on the road. But many of
Them, after stern sternly Drill-
Sergeanting you with their Smokey-
Bear hats, will drop you off to
Your destination. "Keep safe,
Sir." They intone with such
Seriousness that I'm always
Biting the insides of my
Mouth. They could use a
Few dewy misty nights
Slumbering in an Iowa
City cornfield, waking with
A brood of mice nestled in
your knapsack.

Food. There's an issue there,
For some. Not me - not then, not
Now. The future is only the future
When it's tomorrow. Candy bar
Smashed by a bike tire in the
Gutter? What, some puke-eating
Dog should have that? Gross.
Gross is grossly
Defined by how long you'd
Not eat when your food ran
Away. Since I have almost
Nothing except a small green
Canvas satchel and a larger
Knapsack of essentials
(A few tools, a fire-starter,
Water purifiers, and my pen and
Notebook) and my good...

...Boots and thick socks and 1-
Piece Union Suit and many
Layers I'm glad to have at
Night but make me sweat
Heavily in the sultry
Iowa summers, I eat on the
Fly. Sometimes I chase away
The Fly to munch on what
It munched. Gross.
It's a living, because moving
Is work, blessedly peaceful, yes,
But have you ever seen a fat
Walker? They either get skinnier
Or they expire. So I eat
Whenever and whatever and how
Ever.

Dumpsters. Garbage cans.
The backs of grocery stores.
I trade sudsy soapy pruned hands
For burnt pizzas and more bread
Sticks sticking to my stomach
Like doughy glue. People out
There - people alone in crowded
Rooms - will trade kindness and
Conversation for food they may
Have taken home with them, or
May have just thrown away.

Lowered
Expectations, skinny middle,
Sore feet, leg muscles wanting
To stay up and watch late-night
TV, swollen ankles eventually
Going to sleep with the rest of
The body as I'm huddled in a
Little snow cave in Iowa, or
Waiting a rain beneath an old
Wagon, or bunking with my
Mice-buddies in an old barn.
There's a lot of life out there,
A skinny man with long, blonde,
And usually ***** hair, sweaty,
Smiling, eyes bright, nostrils flaring
At the scent of humanity: a
Peaceful Mind wandering
Around the belly-button of
America.
Charles Clive Dec 2010
I cannot hear.
Sound has lost its crispness.
Articulated consonants
have merged into blurred murmurings.

The loss was not sudden.
No cataclysmic happening
but rather a gentle deterioration
of a faculty, once taken for granted.

Normal conversation, once a joy,
has become a struggle.
Repartee, chit chat, a little banter
is no more.

The quality of sound
once reverberated and filled spaces;
now I have no spaces – just tinnitus,
constantly grinding away.

To be sightless is to be aware,
with other senses sharpened;
but deafness leads to
introspection, loneliness and deep despair.

The half blind wear their glasses
and look so very wise.
The deaf man, with his hearing aid,
dithers.
                                          

I should know.


                    ~
oaks i kill Oct 2013
don't you think it's vile that your parents would rather turn you into an ugly person rather than tell you you're beautiful and embrace it
they're so afraid to lose you from others' claws that they keep you hidden from your natural charms
they strip it away and lock it in a safe and terrible place underground where the roaches roam and where the slugs go to die
but you are not naive and you are special
so you run away every night and use audiotapes to distract their ears from your faint footsteps down to the treasure chest
and you go down
        d
            o
               w
                   n
where all the refinement and grace is hidden
the irony strikes you and you are saddened at how those who bore you to this planet were so barbarous and frightened
true beauty does lie beneath a person's soul and even more so
it lies under the depths of your home where your parents live so afraid and tired of the world outside
and when you reach the very deep part of the dark soil and you can feel it warm around your skin--the glow of artistry flowing around the earth
you gasp and stare and sigh and daydream and cry
you could have been an angel but you're still stuck underground and you are still grotesque as ever
but none of that gets you down because you're here now and you're ready to take back what's yours
you are what you are and not twenty feet of dirt can remove that from you
so you run away again with the treasure in hand and you run to your old tree house where you become a changed one
the darkened trees light up
the sour mist in the air lifts up in a sweet summer haze
the leaves and bushes grow fuller and green
the sun comes out along with a handful of stars and you're startled at the beauty of it
but even more of the beauty you now possess--the beauty you always possessed
your parents run out of the delicate home that is now parched and blackened
they scream in agony and curse out the heavens but the gods don't listen to them and they shiver at your feet
you do not choose to forgive them but you choose to free them
you free them of their minds and guilty hearts
you free them of their mischief and lying tongues
they become full grown sunflowers under a heavy oak tree and they will remind you forever of their passionate yet depraved vision
for you were depraved but no more and you are powerful yet powerless under the murmurings of your heart
you are now what keeps the balance everywhere and at all costs
it's what they kept from you for so long but what they did not figure out long before was that
you
were
born
for
this
and you keep it close and embrace it
The man,
a blank stamped out by machines in Japan,
modified
rectified
passed as suitable for use.

Empty then topped up with interactions 'til blocked up,
plug pulled.

Re-issued
replaced
wires encased in
vanadium.

Faces in the auditorium,
murmurings in the gallery,
a star explodes in a distant galaxy
I know how it feels.

Every random seed feeds leads leading into the core
and the core is what blanks and men are made for.
M Clement Sep 2015
A bitter ****-fest of lollapalooza.
Burn(ing) me, man. but don't taze me, bro.

If I got high on legalized substances, am I still escaping?
Metaphoric endorphin rushing as patio furniture sits silently,
slowly choking as I fill it with my own ***.

I haven't written in so long, because I lack some passion.
I haven't written verbal joust in the form of bitter tongue because I felt it lacked restraint.

I ****** with a straight jacket; it felt great.
Perpetual virginity, a fool's errand running.
I have my V-card still; kind of... it's stunning.

I left a can of gasoline at an alien's house.
I came back and fire had engulfed what was left of my sorrows.

"I thirst," said He, the savior of the world.
Let's all ignore the singing signs of everything, boys... girls...

I have not a word to say in recompense for exploitation of your idiotic murmurings.
Well done, my good and faithful burdenings.

I can't speak to what hasn't yet been said,
but I can sure as hell guestimate, that we'd probably all be dead.

This **** ain't free.
Thank you, Kendrick Lamar, for reminding me.

This is me unfettered.
This is me unchained.
Give me a pen and some paper:
this **** will get strange.

I am Fred Astaire with a **** so fine, you'd think it's aged wine the way it twirls and floats.

Breaking up is ******, now put this poem down your throat.
I just went with whatever came to my mind with each line. I hope it was enjoyable.
revolutions are coming
for the bored children,
of course, just sit tight.

soon the days will no longer
coalesce together like caterpillar chrysalis
clinging onto branches;
wherever situations harmonise
we’ll make gentle gestures, moving
to and fro until we declare

“this is the medieval economy,
we belong with the hordes of ants.”

But then again
sometimes I find myself in the dark
in schoolyards at night
on the lawn grass gazing up
at towers of concrete rain

I feel the apprehension falling
from the balconies,
and I swallow
the anxious murmurings
of productivity, diligence and attention,
digest their nutrients
and spit them on cocoons
in metamorphosis.

Though, I hope the spit does not spoil the butterfly.
I mean, I would not be surprised
if I caught a tummy bug
and it killed the whole world.

still,
rhetorical coincidences ceaselessly
resort into syllogisms,
essays babble incoherent thoughts,
cranes construct rows of identical houses,
times moves forward and backward
to save light, it consumes time
in my mind. oh revolving
prisms,

there will come a tiny time,
emerging, bit by bit, in unison;
there will be gentler things
to caress the subtle
skins of existence,
one by one, all at once,
momentarily again and again.
r h e a Feb 2011
Your voice
soft and gentle
awakened me

to my delight
you
call my name
i
sit up and smile.


You open the windows,
i breathe the air
of the moist earth
heart beats loud and fast
when you come near..and whisper
good morning sweetheart
you smell sweet
i doze off

i dream

i see the heavy rain
the lightning
the murmurings
our laughter
our joys..
remembering times
reciting poems, close and funny
i open my eyes
i see you smile
no sadness... despair  mild
my joy..
Our memories
the sweet taste of love

i
endure a calm
another sweet sleep of night
i dreamed!!!
betterdays Jul 2015
i write poetry
from the collective,
that resides within my mind

they gather often,
at the water cooler
or for coffee, tea
and a bit of a natter..

all my idio's and syncranicities
my ego,
and my shy shuffling humble-bumbler
the flambouyant quirke,
the little girl memories

all get the memo and out they come.

earth mother, surfer chick,  
daughter of despair,
moderator, instigator,
wanna-be litigator
acerberic premenstrual ditzbitch,
all represented there.


so in the end,
what you get to see;
are the minutes from the meetings,
or the gossip from the gatherings
the intimate murmurings...
from the musings.
of the legion, that ...
collectively
call themsevles
me.
Simon Monahan Nov 2017
He’s just finished. He’s had it. And that’s it. What does he want?
Something else, maybe.
What is the problem, exactly? He knows. He’s tired.
He can’t bear it anymore, and supposedly that’s good?
That’s a good thing? It’s unbearable. That’s it. We’re done. He’s done.

He’s out, finished, won’t be having any more.
Will my father hear me? I don’t care if he listens.
But, will he say something; will he look me in the eye
And meet my gaze and hold it, will a tear stand in that eye
(It doesn’t have to fall, in fact I’d rather it didn’t),
Will I know that He cares and is just as helpless as I am?

That’s it. I don’t even need to be saved, not from this: how can I?
The removal of any one thing
Or even all the barbs and thorns would not restore peace.
But a communion of helpless suffering? That would make it bearable.
Share this with me, and let me see it. I have to see it.

I can’t imagine it, it has to be real,
And I have to see it with my eyes, and that’s it.
Perhaps the tear could even fall. Weep with me, weep silently.
No, raise your voice, wail aloud with me.
Lament, and let me know for one blessed moment
That I don’t have to be so alone. It’s crushing, it’s truly suffocating.
Please; I beg, on my knees, prostrate; I beg.
mûre Apr 2012
there is a secret code
a safe word for days that i
i have won and lay myself down
with your body knowing i
i have not broken my vessel
this boat i'm
i'm trying to carry us both in

i feel your heat and breath
full of helpless understanding
with want of my salvation

and your: Answers

you wear my anguish as a sunburn
when my eyes shine hotly
radiation and rubble
bits of shrapnel from love
that embed in your skin
in your skin that doesn't have a home

i sweep and dust my heart
i scrub it ****** and raw
set up a kick drum and boil the kettle
i wish you were comfortable here

    (don't shift uneasy on the sofa
      hands clasped politely in
      someone else's living room)

i am as constant as the southern pole
i wish you would fly to me
without frog-dissecting the mystery
of belonging somewhere

i wish i could keep you
and let our roots entwine

i wish i could free you
wish you away with a dandelion

i wish i could know you
render English or some language
articulate the great ropes
that weave what has somehow kept us together
when the ship went down

will you be an autumn, love?
will you be beautiful and frosty as it dies?

will we season, love?
will we cycle as unbreakable as time?

there is a code word
for days that are alright
that will chase the calendar
    i) as i will chase you now
    ii) as i will stop chasing you
    iii) as i will chase you always

until there is a knowing
until we choose our winters glowing

   (not bound by chains
    just fortified by sewing)

with every stitch and pull
every ***** and row
until there lies embroidered
the archaic ancient murmurings
of the dead language
of knowing when
and trusting

"Happy."
Terry Collett Jul 2013
Miryam stands beside
two Arabs
and a camel
to be photographed.
Baruch presses
the shutter
of the camera
and the scene
is captured.

She pays
the two young men
and they walk off
with the camel
talking in
their own tongue.

She adjusts the bikini top.
Brauch puts away the camera.
Someone said
they expect to be paid,
she says.
Why not,
Baruch says,
watching her fiddle
with her bikini bottom,
her fine behind.

The Moroccan beach
is deserted, except
for the departing men
and camel further
along the beach.

She complains of the heat,
fingers her fuzzy hair,
stares at Baruch,
scratches her nose,
gives a Monroe pose,
hands on hips.
Take me like this,
she says.

He obliges.
He shutters the camera,
his eyes capture,
stores away her image,
in more ways
than one.

She talks of his drinking
into the small hours
in that Tangier's
night club
the guide took them to,
the belly dancer,
the snake charmer.

On the way back
to the camp
in the back
of the truck
with the others,
he remembers,
the kissing,
the embracing,
stirring his pecker.

She talks
of the early morning sky,
the smell of kebabs,
her feeling heady,
how she thought
he'd come to her tent.

Too tired,
he says,
besides I had to think
of your reputation.
Others would know.

I'm not a nun,
she says,
getting me stirred up
and then leaving to stew.

They walk hand in hand
along the beach,
the tide coming in,
touching their feet.
She talks of her parents,
medical professionals,
the boy she had a crush on
who went off
with someone else.

Baruch feels her pulsing
along the wrist,
his fingers holding there.

She talks of the other evening
when they came down there
to escape the noisy party
at the camp, the dancing,
the music, the wine.

He recalls the darkness,
the deep tuffs of grass
before the beach
was reached,
she and him,
kissing, embracing,
moonlight shining,
stars like scattered
sparkling diamonds.

No one missed us,
she says,
no one knew
about me and you.

He remembers
the echo of music
over head,
the gentle breeze,
distant voices,
her murmurings,
sound of sea
upon the beach,
both feeling
and touching,
giving pleasure,
each to each.
Daniello Mar 2012
Cope, hope, or catharsis, one
may be forced to choose one
during the bouts

of restraint against release,
of reach before the sigh,
of desire, to control instinct.

Of all inevitability,
daring to call itself proudly by name
on this mercilessly constant tread

of experiencing, each it seems
with a collapsing and rising unique,
Planck’s momentous, memoried,

voice-blanking frames, slightly
shifting and forming (together
we conjecture) the same blurred image

of light, of looking,
of a thought, of a chance,
that maybe,

whether it is instrumentalist hands
or a playerless orchestra bestowing
sound, of granules grinding

over each other, with each
a glance, a lift of a hand,
in disguise of louder music,

that I cannot say is wrenching, that I
cannot say is strident, or sweet or
harmonic or agreeable—just heard somehow,

resonant,
seemingly against silence,
at the seeming heart—

that the note might be
the only one to hope for,
as cope with, as cathect oneself in.

The only one channel to that which,
if heard, will really be heard.
Not a down, then in, then up,

and out, uncertain.
Not a fading with time
or a never heard at all

except for mere murmurings
of chance. Though don’t shrug them.
Be exposed, undeniably, wholly, to them.

These, musicless, can become
still air, still flesh—mystery’s shut mouth.
Something of a mouthless bird.
Jayne E Apr 2019
With fickle Freddy Frosts first showing
and the rising of ******* and
limbs fine tactile hairs, laguna,
filaments of sensation *****
quivering and striving
stretching toward a now absent warmth,

she always did have her sunny side showing, bare legs tucked under her
buttocks, leaning back on her hands
under that big Totara tree, face tilting
skyward and sandals kicked aside,

searching out her brighter sunny day
even now, with leaves falling down
the autumnal mix of ambers
Loamy greens and wooded browns
the earth cool and damp underfoot
her naked legs, arms defiant, barely crying for freedom!

Shivered morn's and eve's descend quickly
winters first indicators bringing
a refusal to employ blankets
hope tightly clinging to summers
silk sheets from Portugal,
feather light, soft as air,
just how she likes her thread count
high and expensive, sumptous,
(her pedantic obsession with fine linens)
totally ineffectual as calefactor,
so, she shivers on stubborn as ever,
Stay summer! Stay!

Even her loyal steadfast cicadas
have fallen silent now, summers last guard fallen to shortened days
and longer lonelier cool nights,
it is now she starts to miss a warm body
companionship, a worthy bedfellow
one who will not protest her cold toes
vicious advances on their warmer flesh

The sacrifice well worth the reward
of her warmest, ardent affections
tender embraces and softly spoken
murmurings of love and passion,
her full surrender to your body
with hers, she gives good, good love,
both body and mined soul deep too.

The countdown to clocks pushed onwards
pulls a wustful sigh from blueish lips
she is underdressed, flimsy chiffon
on a day made for heavier cloths
persists with summer daydreaming
of warm strong hands restoring her joy
under cold nights cloaked bed covers,
hot stolen kisses from a winter lover.

J.C. "littlebird" 05/04/2019.
Audrey Howitt Dec 2011
Night beckons
and moon, full of restive temptation
answers fruitfully—
Incline yourself
upon the seal of my soul
and bend my ear
that I may again
hear the gentle murmurings
of earth’s heart
beat in time with my own.

O tender, tender moon
you leave the imprint
of your maidenhood
as you salve
the dry earth
your moon’s blood bestowing.

Sow your seed
in the time of new moon
and yield,
again and again
to the carpet of heaven’s door.
copyright/all rights reserved Audrey Howitt 2011
In a castle constructed of bones on a mountain high,
our hero sits alone on an ivory throne,
waiting for his current state of jejune to pass.
Whisperings of a voice, mellifluous air,
a singing so beautiful his heart skips a beat
at the gentle murmurings of such an ethereal voice.

And so he vacates his ivory throne
in search of this songbird that has invaded his walls,
the voice instils a certain hiraeth in his mind,
that village once so dear to him that now lies in ruins
due to his incandescent bursts of magical madness.

The owner of this voice, the eloquence, the elegance,
the image in his head that of a maiden on a rock,
as naked as the day she was born
and bathed in an iridescent sunrise.
A scintilla of a break in her voice
and she begins to sob at the meaning of her words.

He finds the source of this angelic sound,
a woebegone but comely creature supine on a table,
her eyes staring into heavenly mountains of madness.
She does not look to meet his wild-eyed gaze,
instead melting away until she is nothing at all,
leaving only dancing embers and phosphenes where she had lain.

He hears this burst of angelic quavers every day
but his madness permits no memory of each
to reside in his brain, comfortable and snug.
Instead, he suffers this delusion every morning,
when his head his quiet and thoughts are oblivion.

This siren swansong has no source in reality,
it is the last vestige of a mind damaged by time and solitude,
where the dawn chorus each morn’s twilight goes unheard,
but the ghostly choral vocalisations of a bitter memory
break his trance and he searches for the only sound not real.
Seán Mac Falls May 2015
He walked through a wood,
Answering the trees,
Like some golden roustabout,
A Sophocles among nightshades,
Willows and the moving waters,
Wilderness wandered with he,
Wild in the sun as a freckled
Red headed lassie.

White butterflies waved their flags,
Surrendering to the murmurings
Bespoke in the sorrels and sores,
Waves of mumble wept into the winds,
Sands underfoot hushed by with him,
Birds above dreamed of no landings,
He could hear each word in their songs
Warbling in the briars and time poured
Its draught, fresh and dear as the first
Unearthly sunrise.
Chris Chaffin Jan 2021
His whistling rises with the moon;
softened trills and murmurings
grow louder in the dusking sky,

drift across my ceiling, down
into my waiting ears.

A halo of satisfaction rings his face,
sweat drying on his chest
as he leans back upon my balcony.

I gather his things
and place them by the door.
I know this tune is not meant for me.

But I listen to it, still,
and dream of my hands
tangled in his soft feathers.

Who will sing me to sleep
when the nightingale is paired?
mark john junor Nov 2013
the pause in his lips gives her
opportunity to place her own point of view on
the cold still air
pencil in her mindset before he can resume
she glosses over the facts and
rushes headlong into the tantrum
but it is cooled by the time passed and
she can no longer sustain it
bland face
and dulled kiss
its shouting in her heart has ceased
now woven into the fabric of their relationship
she must live with it rearing its head
from time to time
its ugly features a sinister mocking
of her feelings
and that brings tears
she doesn't want to cry
that's too girly
she comforts herself once more wrapped in his arms
and with the concepts of her plans
wedding careerer children future
he stands with his arms round her nuzzling form
and stares out the window
into the depths of the world
but sees only the inevitable approaching
the certainty of its arrival is not cloaked to him
as it is to her
without even thinking he calculates the meanings
and gauges the cost
he only winces inwardly
at her murmurings of reassurance
better that this beast of romance
has departed with the tides
better that the arguments tear this
summer fling apart than face
the barren fruitless seed

— The End —